Pixel Scroll 4/2/21 Vorkosigan-Wagen, The Flying Car Of The Future

(1) BSFA AWARDS CEREMONY. The British Science Fiction Association will present the BSFA Awards in a live YouTube broadcast on Sunday, April 4 at 5 p.m. (9 a.m. Pacific). View here. (See the finalists on BSFA Awards 2020 Shortlist.)

(2) RETURN TO THOSE THRILLING DAYS OF YESTERYEAR. First Fandom Experience is taking entries for the 2021 Cosmos Prize through July 31 – “Illustration Contest! $500 in Prizes!”

The 2020 Cosmos Prize generated a fair amount of interest and some entertaining results, so we’re re-upping with a very different challenge… a challenge from beyond.

This year’s contest seeks illustrations for the twin collaborative stories, “The Challenge From Beyond,” published in the September 1935 issue of Fantasy Magazine. 

 The prominent early fanzine convinced two sets of professional authors to each develop a story based only on the title — one in the science fiction genre, the other as “weird fantasy.” For the science fiction variant, the contributors were Stanley G. Weinbaum, Donald Wandrei, Edward E. Smith, Ph.D., Harl Vincent and Murray Leinster. The fantasy alternative was penned by C.L. Moore, A. Merritt, H.P. Lovecraft, Robert E. Howard and Frank Belknap Long, Jr.

 Prizes

  1. One Grand Prize consisting of $300us in cash, as well as copies of FFE’s publications: The Visual History of Science Fiction Fandom, Volume One: The 1930s; The Earliest Bradbury; Roy V. Hunt: A Retrospective; and a full facsimile edition of Cosmos.
  2. One Second Prize consisting of $100us in cash, as well as copies of two FFE’s publication: The Visual History of Science Fiction Fandom: Volume One: The 1930s and a full facsimile edition of Cosmos .
  3. Two Third Prizes, each consisting of $50us in cash, as well as copies of two FFE publications: The Visual History of Science Fiction Fandom: Volume One: The 1930s and a full facsimile edition of Cosmos.

All prize winners will also receive an FFE lapel pin. Prize-winning submissions will be published on the FFE website and may also be included in future print and digital publications.

(3) RIVERDALE EPISODE RECAP (BEWARE SPOILERS). [Item by Martin Morse Wooster.] In Riverdale this year, Archie and the gang graduated high school.  The show then jumped eight years, and we found out that Veronica is a venture capitalist, Betty is an FBI agent, and Archie is a veteran who served in combat (but not in any war on our timeline, because the show is set in an alternate-universe 1980s with VHS tapes and no internet).  Jughead Jones went to the Iowa Writers’ Workshop and became a hip novelist complete with groovy goatee.  But for reasons I’ll skip, he’s back in Riverdale teaching high school.

Jones gets a phone call from his agent, who looks like Dick Vitale.  The agent has placed an excerpt from his new novel with Pop Culture Weekly.  “I’ve taken Stephen King’s spot,” the agent says, “but you’ve got to write more like King and less like Raymond Carver.”  But Jughead hasn’t written anything on his novel because he’s got writer’s block.  What to do?

We learn that Jughead’s first novel was written with the aid of the potent mushrooms grown on Riverdale’s renowned maple trees.  These mushrooms are so potent that Jughead wrote a 500-page manuscript while stonkered on shrooms.  So Jughead decides to take the mushrooms again, but enlists a friend to help him out.

The friend shows up and turns the mushrooms into a sauce, which Jughead uses to garnish “the first psychedelic hamburger.”  So the friend promises to show up and check in on Jughead, but just to make sure he writes, she handcuffs him to his writing chair.  So Jughead starts writing, loaded on mushrooms and…

…Well, stay tuned, because Riverdale is off the air until May!

(4) LASKOWSKI CONNECTION SOUGHT. Guy H. Lillian III needs help getting fanzine reprint permission:

In hopes of reprinting some part of his terrific Ted Sturgeon issue of Lan’s Lantern (1991), I am searching for George “Lan” Laskowski’s survivors and for the contributors to that issue (#36). Any assistance will be met with credits in the next edition of my genzine, Challenger, and my effusive gratitude. Also, any directions towards published articles or anecdotes about Ted will likewise be greatly appreciated — as will your own memories or impressions of Sturgeon and/or his work. Help!

Email Guy at [email protected]. Or phone: (318) 218-2345. Or write a letter: 1390 Holly Avenue, Merritt Island FL 32952.

(5) WOOKIEEPEDIA WINDUP. Io9’s James Whitbrook gives a detailed look back at the recent controversy: “Star Wars Wiki Wookieepedia Centered in Trans Deadname Debate”.

…Reaction to Eleven-ThirtyEight’s tweet was immediate, at Wookieepedia and in wider Star Wars circles. Votes supporting the decision to change the policy, as well as discussion around the controversial nature of the vote in the first place, flooded the page. Even prominent figures from the world of official Star Wars works began commenting on the vote, including writers Daniel José Older (currently working on Lucasfilm’s The High Republic publishing initiative) and E.K. Johnston (the writer of multiple Star Wars novels, including Ahsoka and the Padmé Amidala trilogy).

…Throughout the backlash, Wookieepedia’s social presence remained as it usually did—tweeting about Star Wars media highlights and fandom jokes, even as fans in their mentions decried the voting process, and other fandom hubs began to formally decry the site’s position. TheForce.Net’s forums temporarily banned links to Wookieepedia content while the vote was ongoing, and even fellow fan sites like the Transformers franchise wiki TFWiki (not operated by Fandom, Inc.) released statements pushing back against the vote and Wookieepedia’s response to the situation.

But silence from Wookieepedia couldn’t stop the controversy reaching the site’s owner, Fandom. The company’s response was swift, a direct intervention that closed the vote and overruled Wookieepedia’s naming policy to protect discrimination against trans and non-binary people, citing a 2020 addition to the company’s own Terms of Use to ban transphobic content.

(6) FINDING THE PATH TO THE FUTURE. In the Washington Post, Michael Cavna asked four Asian-American cartoonists to recommend graphic novels that “speak well to anti-Asian and anti-AAPI racism.”  Works recommended include books by Thi Bui, Adrian Tomine, and George Takei with three collaborators. “Four graphic novels that illuminate anti-Asian racism through personal experience”.

Gene Luen Yang slept fitfully the night of March 16 — the day that six Asian women were among the eight people killed in the Atlanta spa shootings. The next morning, he saw that #AsiansAreHuman was trending — a hashtag that felt “disturbingly familiar.”

So Yang did what he has devoted much of his career to: writing and drawing art that promotes empathy and understanding.The Bay Area author created a short-form comic, he said this week, because he was “trying to make sense of what’s happening in America right now” amid a national spike in anti-Asian violence and hate crimes against Asian Americans and Pacific Islanders during the pandemic.

“We’re not jokes to make you laugh. We’re not props for the background of your selfie. We’re not punching bags for when you’re angry about a virus,” says Yang’s comic avatar.

Yang, a two-time National Book Award finalist, for “American Born Chinese” and “Boxers & Saints,” posted the comic to his Instagram and Facebook accounts on March 17, drawing thousands of likes and shares.

“People from all over, of all different backgrounds, reached out to me to express solidarity,” Yang says. “I felt understood and that there is a path leading to the future. It exists — we just have to find it.”….

(7) AUTHOR WITH VISION LOSS. [Item by rcade.] The Fantasy-Faction blog has an interview with indie SF/F author Scott Kaelen in which he discusses the challenges of writing with a visual impairment: “Scott Kaelen Interview – The Nameless and the Fallen”.

…The technical side is a problem on several levels. Thankfully, shortly after I was diagnosed with retinitis pigmentosa back in 2001, I took a touch-typing course (not knowing at the time how much I’d benefit from it years later as a writer). So, the writing part is maybe the least of the visual difficulties. What’s harder is when it comes time to do the full revision of a manuscript, painstakingly battling to focus on each word. …

 The creative difficulties are much more interesting. When describing what something looks like, I often have to put trust in my memory from when I had better eyesight. Nowadays, even people’s facial expressions are usually lost on me. Hell, I haven’t been able to see my own face well enough to recognize it for years. The hardest part isn’t describing what my point-of-view character is seeing, it’s knowing whether they “should” be able to see it, be it in the darkness, bright light, the corner of their eye, at varying distances, and so on. I’m completely night-blind, and I have tunnel vision, daylight sensitivity, colour blindness, blurry central vision, and distortions. That doesn’t make it easy to write a “normal-sighted” character.

Kaelen’s first novel, The Blighted City, was a semifinalist in the Self-Published Fantasy Blog Off (SPFBO). He wrote a personal essay on the Before We Go blog about being discharged from the military when he was diagnosed, going through a “dark decade” and having a surgery 10 years ago that made things much worse:

… I allowed German eye doctors to slice my eyeballs open, take out my lenses and replace them with plastic ones. …

I had comparatively been coping with the night blindness and tunnel vision, but my central vision quickly deteriorated and my depth perception was affected. A room now looked like a faded painting. The smaller details had gone and I could no longer recognise people as easily. I seethed over what the doctors had done to me, how they hadn’t taken into account and told me about the higher chance of complications from such operations for people with my condition. And so, there I was: living in a foreign land, able to converse on a basic level but ultimately unemployable, with extreme difficulties on public transport and in crowded areas, miserable and directionless. I asked myself what I could do to put some purpose into my life. The answer came quickly and stunned me with its apparent simplicity.
I would become a writer…

(8) MEDIA BIRTHDAY.

  • April 2, 2005 — On this day in 2005, The Quatermass Experiment premiered.  It was a live television event remake of the 1953 television series of the same name by Nigel Kneale. It was written by Richard Fell and directed by Sam Miller. It starred Jason Flemyng was cast as Quatermass, with long-time Kneale admirer Mark Gatiss as Paterson, Andrew Tiernan as Carroon, Indira Varma as his wife Judith, David Tennant as Briscoe, Adrian Bower as Fullalove and Adrian Dunbar as Lomax.  The critics really liked it and it became BBC Four’s fourth-highest-rated program of all time. It’s not that popular at Rotten Tomatoes where the audience reviewers give it only a 47% rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 2, 1805 – Hans Christian Andersen. Novels, plays, poems, travelogues. He gave us a hundred fifty fairy tales, e.g. “The Emperor’s New Clothes”, “The Princess and the Pea”, “The Steadfast Tin Soldier”, “Thumbelina”, “The Ugly Duckling”; fantasy for sure, but some amount to science fiction: “The Wicked Prince” (1840) has a ship that can sail through the air, guns that fire a thousand bullets.  (Died 1875) [JH]
  • Born April 2, 1847 – Flora Annie Steel.  Author-collector, lived a score of years in British India.  One novel, fifty shorter stories for us; Tales of the Punjab illustrated by John Lockwood Kipling, father of Rudyard; English Fairy Tales; ten other novels, half a dozen other books of shorter stories, a cookbook, history, memoirs, The Woman Question.  (Died 1929) [JH]
  • Born April 2, 1914 Alec Guinness. Obi-Wan Kenobi in the Star Wars trilogy. (What? There were more movies after them? No!)  That’s it for filmed genre roles but theatre is another matter altogether. He played Osric first in Hamlet in the early Thirties in what was then the New Theatre, Old Thorney in The Witch of Edmonton at The Old Vic and the title role of Macbeth at Sheffield. (Died 2000.) (CE)
  • Born April 2, 1921 – Redd Boggs.  Minneapolis and Los Angeles fan; big name in the 1940s and 1950s.  Fanzines Discord (and Discard), Sky HookSpirochete.  N3F (Nat’l Fantasy Fan Fed’n) Laureate Award as Best Fanwriter.  See a 1983 letter from him in Izzard here.  More here.  (Died 1996) [JH]
  • Born April 2, 1933 Murray Tinkelman. Illustrator who provided numerous book covers for paperback of genre novels for Ballantine Books in the Seventies. He’s particularly known for his work on the paperback editions of Brunner novels such as The Shockwave Rider which you can see here and Stand on Zanzibar that you can see over here. (Died 2016.) (CE) 
  • Born April 2, 1939 Elliot K. Shorter. He began attending cons in the early Sixties and was a major figure in fandom through the Seventies. Some of the zines he worked on were Engram, the Heicon Flyer and Niekas. He was the TAFF winner at Heicon, the 28th Worldcon, in Heidelberg Germany. And he helped Suncon, the 1977 Worldcon. Mike has a detailed obituary here. (Died 2013.) (CE)
  • Born April 2, 1945 Linda Hunt, 76. Her first film role was Mrs. Holly Oxheart In Popeye. (Anyone here who’s disputing that’s genre?) She goes on to be Shadout Mapes in Lynch’s Dune. (Very weird film.) Next up is Dragonfly, a Kevin Costner fronted horror film as Sister Madeline. And in a quirky role, she voices Lady Proxima, the fearsome Grindalid matriarch of the White Worms, in Solo: A Star Wars Story. (CE) 
  • Born April 2, 1948 Joan D. Vinge, 73. Best known I think for The Snow Queen which won a well-deserved Hugo at Denvention Two and its sequels, her most excellent series about the young telepath named Cat, and her Heaven’s Chronicles, the latter which I’ve not read. Her first new book in almost a decade after her serious car accident was the 2011 novelization of Cowboys & Aliens. And I find it really neat that she wrote the anime and manga reviews for The Year’s Best Fantasy & Horror anthologies. (CE)
  • Born April 2, 1948 – Teny Zuber, age 73.  Widow of Bernie Zuber (fanartist and original vice-president of the Mythopoeic Society, d. 2005).  Active in and near L.A. in 1970s and 1980s (and BZ much earlier); they promoted the 1978 Ralph Bakshi Lord of the Rings film.  [JH]
  • Born April 2, 1953 – Anne Mazer, age 68.  Eight novels, a dozen shorter stories for us; twoscore books all told.  One Booklist Editor’s Choice, one American Lib’y Ass’n Notable book.  Likes Hugh Lofting’s Twilight of Magic, the only HL book illustrated by another (Lois Lenski).  [JH]
  • Born April 2, 1978 Scott Lynch, 41. His only Award to date is a BFA for Best Newcomer. Author of Gentleman Bastard series of novels which is now at three, and he’s stated that it’ll eventually be seven books in length. And I see he was writing Queen of the Iron Sands, an online serial novel for awhile. May I note he’s married to Elizabeth Bear, one of my favorite authors? (CE)
  • Born April 2, 1984 – David Dalglish, age 37.  Two dozen books, a dozen shorter stories.  Has read Sense and SensibilityFahrenheit 451The Great GatsbyFrankensteinFoundation.  Recommends King’s On Writing.  [JH]

(10) ROCKS AROUND THE CLOCK. James Davis Nicoll leads Tor.com readers “In Search of the Classic Hollywood-Style Asteroid Belt”.

If you’re anything like me, you might have enhanced your friends’ enjoyment of space adventure films by pointing out at great length and in fascinating detail just why the crowded asteroid belts backgrounds that appear in so many of these films are implausible and inaccurate! Our solar system asteroids are far from crowded. If you were to find yourself on the surface of a typical asteroid, you probably wouldn’t be able to see your closest rocky neighbour with a naked eye.

Are there situations in which these visuals wouldn’t be misleading? Can we imagine places where we could expect what appears to be an impending Kessler Syndrome on a solar scale?

(11) GOING APE. Camestros Felapton verifies that Greater Sydney is still there and comes home with a movie review: “I Went to an Actual Cinema and Watched Godzilla v King Kong”. It doesn’t seem to me there are any spoilers here, just the same, BEWARE SPOILERS, because how do I know what it takes to spoil your fun?

…It was a big cinema theatre and not very busy. I was the only person I noticed wearing a mask but I had about eight rows to myself. I figured that if I was going to watch a very big ape hit a very big lizard, I should do so in front of a very big screen and as close as possible. This was a wise choice.

Of all the US versions of Godzilla I’ve seen, this one was the most in tune with the Japanese Toho movies. I’ve seen many of the Japanese Godzilla films but only a fraction of the total and often I was drunk or half asleep (because it was late, not because the film was boring), so I won’t claim to be a Godzilla expert. The key for a true Godzilla movie is the plot shouldn’t matter but it should be crammed with weird ideas that flow easily across sci-fi and fantasy tropes. Godzilla v Kong delivers that in sufficient quantity…

(12) TANNED, RESTED, AND READY. “Arnold Schwarzenegger Suited To Deal With Alien Invasion, Per UK Poll” reports Deadline.

Have you ever wondered which public figure would be most fit to lead the world, in the event of an alien invasion? Today, a U.K. poll of 2000 British adults found that the answer is Arnold Schwarzenegger….

On the list of 20 celebrities “who would best deal with an alien invasion,” Independence Day star Will Smith came in second. Interestingly, former President Donald Trump appeared on the list in eighth place, besting current President Joe Biden (in last place) and Vice President Kamala Harris (in 19th). Other celebs that made the list include Sir David Attenborough, Bruce Willis, Tom Cruise, Harrison Ford, Sigourney Weaver, Gillian Anderson, and others…. 

(13) YOU HAVEN’T COMPLETELY MISSED IT. [Item by Danny Sichel.] SIGBOVIK 2021 was held yesterday and is rewatchable on YouTube.

In science, there are serious questions and silly questions, and serious methods and silly methods. Normal scientific conferences explore serious questions via serious methods. This leaves three whole quadrants of research unexamined. SIGBOVIK, organized by Carnegie Mellon University’s Association for Computational Heresy, fills this much-needed gap.

SIGBOVIK 2021 is the fifteenth edition of this esteemed conference series, which was formed in 2007 to celebrate the inestimable and variegated work of Harry Quarter-dollar Bovik. We especially welcome the three neglected quadrants of research: joke realizations of joke ideas, joke realizations of serious ideas, and serious realizations of joke ideas. (In other words: SIGBOVIK is an evening of tongue-in-cheek academic presentations, a venue for silly ideas and/or executions.)

The proceedings of the past several years of SIGBOVIK are available as free PDFs.

(14) THE NEW NUMBER 2. Jon Del Arroz doesn’t rank anywhere on the poll of public figures who’ll be called on to lead the world in case of alien invasion, so he was understandably pleased with the consolation prize.

(15) NEVER MIND. A NASA press release called “NASA Analysis: Earth Is Safe From Asteroid Apophis for 100-Plus Years” says that NASA, who previously warned that asteroid Apophis could crash into the Earth in 2029, has done recalculations and now says the Earth is safe both in 2029 and in 2068 from an Apophis impact.

Estimated to be about 1,100 feet (340 meters) across, Apophis quickly gained notoriety as an asteroid that could pose a serious threat to Earth when astronomers predicted that it would come uncomfortably close in 2029. Thanks to additional observations of the near-Earth object (NEO), the risk of an impact in 2029 was later ruled out, as was the potential impact risk posed by another close approach in 2036. Until this month, however, a small chance of impact in 2068 still remained.

When Apophis made a distant flyby of Earth around March 5, astronomers took the opportunity to use powerful radar observations to refine the estimate of its orbit around the Sun with extreme precision, enabling them to confidently rule out any impact risk in 2068 and long after.

(16) VIDEO OF THE DAY. Watch the pilot episode of Interforce: Seoul, an animated superhero sci-fi actioner with English subtitles

[Thanks to John King Tarpinian, Michael Toman, rcade, JJ, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, James Davis Nicoll, Danny Sichel, and John Hertz for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Worldcon Wayback Machine: Saturday at MagiCon (1992) Day Three

The 1992 Hugo Award. Each of the MagiCon Hugo awards was hand crafted by Phil Tortorici from a design by Phil and Joe Siclari. A certificate on the back of each award explained that the orange grating came from the actual NASA gantry used for the first successful launch of a U. S. orbiting satellite. Photo found at Aaron Pound’s “Dreaming About Other Worlds” website.

INTRODUCTION: Twenty-five years ago MagiCon was held in Orlando, Florida. A great con, and I thought it would be fun to reprint the report I ran in File 770. Here is the third of five daily installments.

The Worldcon was held in the Orange County Convention and Civic Center, The Peabody Hotel, and The Clarion Hotel.

PASSING IN THE HALLS: Saturday morning in the Green Room I noticed that Jay Kay Klein, of all people, had yet to pick up his “Past Worldcon Guest of Honor” ribbon. Yet he was the fellow who’d taken me aside at ConFiction to say he wanted Worldcons to start distributing them. Janice Gelb did give him a VIP ribbon. He already had a “lost kid” ribbon from a theme park, and said he hoped to get one for “Meritorious Eating At Worldcon Banquets.”

Highlighting “The Spanish Inquisition” panel of Worldcon bidders was an exchange between NESFAns. Tony Lewis said a 1998 Worldcon in Boston “is not going to be Noreascon 3 mark 2.” Ann Broomhead agreed, “Mark wouldn’t stand for it.” Deb Geisler said, “We won’t make the same mistakes.” Tony Lewis enthusiastically agreed, “We’ll make a whole new lot of mistakes, in new areas. We’re going to be the first people to make mistakes in these areas.”

Tony Lewis at MagiCon. Photo by Lenny Provenzano.

POCKET PROGRAM: Kathryn Daugherty snorted: “Did you actually carry around that mammoth publication in your pocket? Even my purse wasn’t big enough and somewhere in there is the map to the Lost Dutchman Mine and Judge Crater’s phone number.”

It was a great line, but doesn’t withstand close inspection. Nothing more ambitious than a barebones list of titles and times could encompass the Worldcon in anything that would fit in a pocket. Laurie Mann’s “pocket program” delivered program information, function area maps, lists of participants, a dealer’s room guide and film and video schedules in a lightweight zine that was both easier to carry than the Program Book and much more accurate than if it had been sent to press with the Program Book.

Pam Fremon, Laurie Mann, and Jim Mann in the MagiCon concourse. Photo by Mark Olson.

HUGO AWARDS CEREMONY: Eve Ackerman was in the Green Room distributing Hugo Award nominee ribbons and gold-colored nominee rocket pins to people waiting to march in at the start of the ceremony. Alexis Gilliland, in a peach-colored jacket, sat at a table presiding over regiments of plastic dinosaurs marching abreast on the tablecloth: he looked like a Devonian-era Doctor Doolittle.

George “Lan” Laskowski at Chicon V with his 1991 Best Fanzine Hugo.

Many other fans also looked like they could “talk to the animals.” Diana Harlan Stein arrived in a green jumpsuit wearing a blue cap with horns. George Laskowski kept his raccoon hat stashed nearby.

Gardner Dozois had graduated to a salt-and-pepper gray sports jacket, more befitting the leading magazine editor. Mark Owings wore a paisley tie, and said, “My ‘power tie’, I call it, but what it gives me power over I don’t know.”

The crowd was called to order so that artist Phil Tortorici could display the 1992 Hugos, gold-plated, on his beautifully-made bases. He’d hand-painted an astronomical scene on each black stone backdrop; the rockets rested on little squares of orange grating which came from the actual Pad 29 that was used to launch America’s first satellite. Tortorici’s bases are the finest since 1976, and only he and Tim Kirk have achieved the goal of making the awards real works of art.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

After the procession of the nominees, emcee Spider Robinson was on the job again in top hat, tails and with a walking stick. “They misunderstood: they thought I some kind of comedian, but that’s ‘Canadian’.”

No, they were right — he is a comedian. Robinson charmed the audience with two-liners like: “When cordless phones went on sale I bought one because it had one feature I liked — a button to turn off the ringer. It’s in my house somewhere…” In fact, that wasn’t the only thing in the house he needed help finding. “I need a VCR that when you switch it on the remote control announces where it is.”

Spider called for the audience to applaud the three GoH’s, “all of whom declined to give a speech.” Then the awards began.

Andre Norton presented the Gryphon Award for Beginning Women Writers to Eleanor Scabin, and gave honorable mention to Terry McGarry.

Andre Norton at the 1987 World Fantasy Con.

The Big Heart Award, presented annually by Forrest J Ackerman in memory of E. Everett Evans, has been assured of surviving its septuagenarian founders Ackerman and Walt Daugherty. Forry has arranged that in the future the Order of St. Fantony will co-sponsor the presentation. The 1992 award went to Samantha Jeude, a founder of Electrical Eggs (concerned about handicap access at cons) and one of the award’s rare women winners. Exasperatedly, Samantha said it’s the second award she’s won and again her husband, Don Cook, wasn’t there to see it. “He’s off doing Worldcon garbage,” she explained: chair of the Atlanta bid, Cook was counting site selection votes. [Photo below: Samanda Jeude in 2010, by Don Cook.]

Samanda Jeude

Dave Kyle presided over the First Fandom Hall of Fame Awards. If only by coincidence, in 1991 only a single First Fandom award was given at Chicon following controversy over the way multiple awards inject an unwanted 15-minute delay before the Hugos. But in 1992 the group slipped its bridle and announced three.

Kyle said the Hall of Fame awards are given to people for accomplishments in sf before the creation of the Hugos in 1953. There is a preference for giving them to the oldest deserving candidates in hopes of avoiding posthumous awards, and all but twice the group has succeeded.

Forry Ackerman presented a Hall of Fame Award to Art Widner. Jack Williamson announced one for Nelson Bond, who wasn’t present. Julie Schwartz announced an award for J. Harvey Haggard, which was accepted by Sam Moskowitz.

Forrest J Ackerman, Dave Kyle, and Michael Whelan, at a MagiCon post-Hugo party. Photo by Lenny Provenzano.

Then again, there was no hurry to start announcing Hugos anyway because on deck was a 15-minute retrospective slide show.

“50 Worldcons Remembered” was a brilliant image collage of Program Book covers, ads, photos and illustrations, Hugo trophies, winning Best Novel covers and other memorabilia presented in chronological order and paced by dramatic music. At the outset there was a trickle of applause for recurring motifs — Dave and Ruth Kyle’s clever ads in each Program Book — that built as more fans recognized cons they personally attended or helped run. It was an outstanding retrospective.

Now came the main awards. Stanley Schmidt kicked things off by giving the John W. Campbell Award for best new writer to Ted Chiang. The award was accepted by Eileen Gunn, who got a laugh claiming to be using a speech left over from the last time she accepted an award (for Howard Waldrop), which was: “Howard says — buy his books!”

The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen.

Brad Foster, Best Fanartist Hugo winner, noted it was the first time he had been present to receive one of his Hugos.

Dave Langford’s Best Fanwriter Hugo was accepted by Martin Hoare. He had done this before and knew when he called Dave in England with the news the appreciative response would be: “You bastard — I was fast asleep!”

[Dave Langford wrote me later that the way it really went down was: “He rang from a party in Florida to say, ‘Crackle crackle bleep British double belch fade click Hugo crackle crackle Glasgow whirr click can’t afford to talk to you any longer, Dave!’ Gosh wow.”]

Martin Hoare at MagiCon. Photo by Mark Olson.

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering MagiCon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude, which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

“The Summer Queen” by Michael Whelan.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

Rich Lynch, “Lan” Laskowski, and Nicki Lynch after the MagiCon Hugo ceremony. Photo by Lenny Provenzano.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

The main fiction Hugos came last. Best Short Story went to Geoffrey Landis’ “A Walk in the Sun.” Best Novelette was posthumously accepted for Isaac Asimov’s “Gold” by Janice Jeppson Asimov. Nancy Kress’ “Beggars in Spain” won Best Novella and Moshe Feder told us, “I voted for a winner — that never happens!”

Kress’ speech was both endearing and emotional. She recalled George R.R. Martin’s acceptance speech at the 1980 Hugos and how he described sitting in some even more ancient Hugo audience and receiving inspiration to strive to win his own. She admonished those in the back of the audience to listen to their heart, as she had, and “Go for it!” themselves.

Finally, Lois McMaster Bujold was rewarded once again with a Best Novel Hugo, for Barryar.

Nancy Kress and Lois McMaster Bujold at MagiCon. Photo by Lenny Provenzano.

People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

Hugo Award winners. l-r: Toastmaster Spider Robinson (tux), Hugo Award designer Phil Tortorici, Charles N. Brown, Janet Jeppson for Isaac Asimov, Gardner Dozois, unidentified accepter for James Cameron, Michael Whelan, Martin Hoare for Langford, Nicki & Dick Lynch. Seated: Geoffrey Landis, Nancy Kress, Lois McMaster Bujold, and Eileen Gunn for Ted Chiang. Photo by Lenny Provenzano.

1992 Hugo Winners

Best Novel

  • Barrayar by Lois McMaster Bujold [Analog Jul,Aug,Sep,Oct 1991; Baen, 1991]

Best Novella

  • “Beggars in Spain” by Nancy Kress [Asimov’s Apr 1991; Axolotl, 1991]

Best Novelette

  • “Gold” by Isaac Asimov [Analog Sep 1991]

Best Short Story

  • “A Walk in the Sun” by Geoffrey A. Landis [Asimov’s Oct 1991]

Best Related Non-Fiction Book

  • The World of Charles Addams by Charles Addams [Knopf, 1991]

Best Dramatic Presentation

  • Terminator 2: Judgment Day (1991) [Carolco/Lightstorm/Pacific Western] Directed by James Cameron; Written by James Cameron and William Wisher, Jr.

Best Professional Editor

  • Gardner Dozois

Best Professional Artist

  • Michael Whelan

Best Original Art Work

  • Cover (The Summer Queen by Joan D. Vinge) by Michael Whelan

Best Semiprozine

  • Locus ed. by Charles N. Brown

Best Fanzine

  • Mimosa ed. by Dick Lynch and Nicki Lynch

Best Fan Writer

  • Dave Langford

Best Fan Artist

  • Brad W. Foster

CONTINUES: Worldcon Wayback Machine Sunday at MagiCon (1992) Day Four

Oscar Gaffe Brings Back Memories of SF Award Blunders

Bonnie & Clyde’s 50th anniversary moment at the Oscars was overshadowed when Best Picture presenters Warren Beatty and Faye Dunaway announced La La Land instead of Moonlight, the correct winner.

Beatty told the audience that they had read the wrong envelope, saying that he saw that Emma Stone won for La La Land, who was actually the winner for best actress. Dunaway had read the winner before Beatty could stop her.

“I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny,” Beatty assured everyone, after admitting to the mistake and explaining that they had the wrong envelope

Fans immediately took to Facebook telling their friends it reminded them of the big mistake made during the Hugo ceremonies at Magicon in 1992.

As I wrote in my Worldcon report:

…The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen….

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As [convention chair] Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering Magicon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude [when she received the Big Heart Award], which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

…People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

The 1992 drama reminded everyone of what happened to Gene Wolfe at the 1971 Nebulas because it was a well-known story, having been retold by Harlan Ellison in Again, Dangerous Visions. A few years ago I pulled together people’s accounts of that night

However, nothing can rival Isaac Asimov’s ghastly mistake at the 1971 Nebula Awards ceremony. Nor has any other gaffe worked out better for the injured party in the long run.

On Saturday, April 3, 1971 the leading science fiction professionals were seated around banquet tables in New York’s Les Champs Restaurant watching Asimov hand out the Nebulas.

Asimov had been pressed into service at the last minute. While that was not a problem for anyone who loved an audience as much as the Good Doctor, it meant that he had little time to study the handwritten list of results. In those days the emcee was not only given the names of the winners, but the names of the runners-up, which he also announced.

When Asimov came to the Short Story category his eyes slipped over “No Award” and he read the first real name on the list — which was Gene Wolfe, author of “The Island of Doctor Death and Other Stories.”

As Wolfe stood up a SFWA officer promptly whispered a correction to Asimov. Asimov went pale and announced he’d made an error. There was “No Award” in the Short Story category. Wolfe sat back down.

Eyewitness Harlan Ellison (writing in Again Dangerous Visions) says everyone felt awful –

Around him everyone felt the rollercoaster nausea of stomachs dropping out of backsides. Had it been me, I would have fainted or screamed or punched Norbert Slepyan of Scribner’s, who was sitting next to me. Gene Wolfe just smiled faintly and tried to make us all feel at ease by a shrug and a gentle nod of his head.

Fortunately, the mistake was eventually redeemed. As the author explained:

A month or so after the banquet I was talking to Joe Hensley, and he joked that I should write “The Death of Doctor Island,” saying that everyone felt so sorry for me that it was sure to win. I thought about that when I got home and decided to try, turning things inside out to achieve a different story.

He did, and his novella “The Death of Doctor Island” won a Nebula in 1974.

While we now know how Asimov made his mistake, we probably don’t have the full and complete explanation for the Oscar mixup because Beatty’s on-camera explanation is being disputed.

Backstage, Stone claimed she had the card that announced her as best actress win “the entire time.”

“I don’t mean to start stuff,” she said. “But whatever story that was … I had that card. I’m not sure what happened.”