Pixel Scroll 3/19/17 1984 Was Not Supposed To Be An Instruction Manual!

(1) FAKE REVIEWS FOR CHARITY. For Red Nose Day, March 24, 2017, “Pay a fiver to Comic Relief and TQF will review your book. (But we won’t read it.)”.

The Theaker’s Quarterly Fiction team have written for the most respectable reviewing publications in the world, including Interzone! Black Static! The BFS Journal! And the Reading University student newspaper! But on Friday, 24 March 2017, for one day only, they will cast aside their scruples and review books they’ve never read, all in aid of Comic Relief.

For authors and publishers, big and small, this will be a great way to publicise your books while supporting a good cause. And maybe it’ll help people to recognise fake reviews when they see them. The book doesn’t have to be yours. You could order a review for a friend’s book. Or your favourite novel. Or your least favourite. Or buy several reviews. Anything you like!

We are taking bookings in advance. Once you have made a donation of five pounds, email us with the cover and blurb, or just include an Amazon link to the book in your message when making the donation, and we’ll book you in.

(2) GRUMPY OR DOC? The Guardian’s Zoe Williams asks “Beauty and the Beast: Feminist or Fraud?”

Has Disney really turned Beauty and the Beast into a feminist fairytale? Or is it all just posh frocks and women’s work with a slice of Stockholm syndrome thrown in? We delve beneath the furry facade

1) Incomplete subversion of the genre

The main – indeed the only – stated piece of feminism is that Belle has a job, so escapes the passivity and helplessness that has defined heroines since Disney and beyond. Eagle eyed feminist-checkers noted even before the film’s release that Belle’s inventing is unpaid – so it’s not a job, it’s a hobby. I don’t mind that. The future of work is automation, and even feminists will have to get used to finding a purpose outside the world of money.

I do, however, feel bound to point out that Belle’s invention is a washing machine, a contraption she rigs up to a horse, to do her domestic work while she teaches another, miniature feminist how to read. The underlying message baked into this pie is that laundry is women’s work, which the superbly clever woman will delegate to a horse while she spreads literacy. It would be better if she had used her considerable intellect to question why she had to wash anything at all, while her father did nothing more useful than mend clocks. It’s unclear to me why anyone in this small family needs to know the time.

(3) WHAT IF THEY THROW ROCKS? Eavesdrop on the “Confessions of an asteroid hunter” in The Guardian.

Space physicist Dr Carrie Nugent talks about the chances of Earth being hit by a giant asteroid – and why she owes her job to a Bruce Willis movie

The New Scientist reported research that speculated that millions could die if an asteroid came down over a city. Or that a tsunami would kill 50,000 people in Rio de Janeiro if it landed in the sea off the coast of Brazil. How likely is that? An asteroid impact in the worst-case scenario is a terrifying thing. It seems very uncontrollable: in popular culture it’s often a metaphor for human powerlessness over the world. But when you actually look at the problem and you look at statistics, you realise that we can find asteroids, and we can predict where they are going incredibly accurately. That’s kind of unique for something that’s a natural disaster. And, if we had enough warning time, we could actually move one away. It’s a solvable problem.

And these include firing a nuclear missile at the asteroid? Certainly. I interviewed Lindley Johnson who’s got the coolest title in the world: planetary defence officer. He makes the point that nuclear is something that’s being considered, but he also says that it’s a last resort. One thing I found surprising is that the most effective thing might just be to get out of the way. If it’s a small asteroid – and depending on where it’s going to come down – you might just want to evacuate. In the same way you would deal with a flood.

(4) IT’S ACCURACY IN JOURNALISM. This past week George R.R. Martin and the Mayor Santa Fe helped launch The Stagecoach Foundation, whose assets include a small office building. Martin wrote immediately after the launch —

Stagecoach will be a non-profit foundation. Our dream is to bring more jobs to the people of Santa Fe, and to help train the young people of the city for careers in the entertainment industry, through internships, mentoring, and education.

Apparently news reports got significant facts wrong, even the nearest big city paper. When when he saw the news reports, GRRM wrote a list of corrections:

— the Stagecoach building is not 30,000 square feet. Someone pulled that number out of their ass, and dozens of other reports have repeated it. That’s a rough approximate figure for MEOW WOLF, an entirely different place on the other side of Santa Fe. The Stagecoach building is perhaps a third that size,

— I did not “build” Stagecoach. David Weininger did that in 1999, as the headquarters for his compnay, Daylight Chemical Information Systems,

— I am not “opening a film studio.” Stagecoach is a non-profit foundation dedicated to bringing more film and television production to Santa Fe, it is not a film studio,

— there are no sound stages at Stagecoach (though there are several here in town, at the Santa Fe Studios and the Greer Garson Studios). It’s an office building, and will be used primarily for pre- and post-production purposes,

— I am not going to be “running” a foundation, much less a studio. That task I’ve given to a dynamic young lady named Marisa X. Jiminez, who helped open Santa Fe Studios here in town, and who will have total charge of the day-to-day operations of Stagecoach, under a board of directors.

(5) OVER THE TRANSOM. Compelling Science Fiction editor Joe Stech says they’re once again open for submissions. He’s looking for stories to include in issue 7 (and beyond). The submissions window will remain open until 11:59pm MDT on June 1st, 2017. Full details on the submissions page.

(6) MONTAIGNE OBIT. An actor who appeared in two original Star Trek episodes, Lawrence Montaigne (1931-2017) has died.

StarTrek.com is saddened to report the passing of Lawrence Montaigne, the veteran actor who played the Romulan, Decius, in the Star Trek: The Original Series episode “Balance of Terror” in 1966 and returned a year later to portray Stonn, a Vulcan, in “Amok Time.” The actor died on Friday, March 17, at the age of 86.

(7) BERRY OBIT. Famed guitarist Chuck Berry (ob-sf — he was referenced Back to the Future) died March 18. The Guardian has the best obit says Cat Eldridge.

Chuck Berry, who has died aged 90, was rock’n’roll’s first guitar hero and poet. Never wild, but always savvy, Berry helped define the music. His material fused insistent tunes with highly distinctive lyrics that celebrated with deft wit and loving detail the glories of 1950s US teen consumerism.

His first single, Maybellene, began life as “country music”, by which Berry meant country blues, but was revamped on the great postwar Chicago label Chess in 1955. It was not only rock’n’roll but the perfect indicator of just what riches its singer-songwriter would bring to the form. Starting with a race between a Cadillac and a Ford, told from the Ford-owner’s, and therefore the underdog’s, viewpoint, this immeasurably influential debut record featured one of the most famous opening verses in popular music: “As I was motorvatin’ over the hill / I saw Maybellene in a Coupe de Ville …”

Berry’s recording of “Johnny B. Goode” was included on the disk attached to Voyager, per a birthday letter sent from Carl Sagan.

(8) WRIGHTSON OBIT. Swamp Thing co-creator Bernie Wrightson (1948-2017) died March 18 of brain cancer. He was 68.

Wrightson was best known for co-creating the DC Universe character Swamp Thing with writer Len Wein and for illustrating the Swamp Thing comic in the early ’70s. His many other projects included a comic book version of the 1982 Stephen King-penned anthology horror film Creepshow and a 1983 edition of Mary Shelley’s Frankenstein, for which he spent seven years creating around 50 illustrations. Wrightson also worked as a conceptual artist on a number of films including the original Ghostbusters, Galaxy Quest, and Creepshow director George A. Romero’s zombie movie Land of the Dead.

(9) TODAY’S DAY

History of International Read To Me Day International Read To Me day was established by the Child Writes Foundation to encourage the growth and spread of adult literacy. It became clear that in countries throughout the world adult literacy is a problem, and many adults simply lack the ability to read even for pleasure. When trying to find ways to help offset this, it became apparent that being read to as a child helped to encourage literacy and a love of reading in adults. The result of these findings was obvious! A holiday needed to be established to encourage the foundations of literacy by reading to our children, and thus was born “International Read To Me Day”!

(10) PORTALS OF DISCOVERY. Will you want to read the book after you play the game? “Joycestick: The Gamification of ‘Ulysses’” on the Boston College website.

A literary critic once asserted that the characters in James Joyce’s Ulysses – the sprawling, modernist opus that has bewitched or bedeviled readers for decades – were not fictitious: Through them, Stuart Gilbert said, Joyce achieved “a coherent and integral interpretation of life.”

Now, through a project titled “Joycestick,” Boston College Joyce scholar Joseph Nugent and his team of mainly BC students have taken this “interpretation of life” to a whole other realm.

Joycestick is Ulysses adapted as an immersive, 3D virtual reality (VR) computer game – a “gamification,” in contemporary parlance. Users don a VR eyepiece and headphones and, with gaming devices, navigate and explore various scenes from the book. Nugent, an associate professor of the practice of English, and his team are continuing to develop, refine and add to Joycestick with the hope of formally unveiling it in Dublin this coming June 16 – the date in 1904 on which Ulysses takes place, now celebrated as Bloomsday in honor of the book’s main character, Leopold Bloom.

(11) CAN’T BE FOUND. The author’s influence on pop culture is pervasive. So “Where Are All the Big Lovecraft Films?” asks this video maker.

H.P. Lovecraft is one of the most important horror and science fiction writers of all time, yet there really aren’t that many large scale adaptations of his work, and even fewer successful ones. So where are all the Lovecraft films?

 

(12) KEEPING UP THE RAY QUOTA. Just in case Camestros Felapton ever does another count….

FATHER ELECTRICO: RAY BRADBURY LIVES FOREVER! is a documentary film based on a collaboration between the author and sculptor Christopher Slatoff.

The frontal view of the sculpture depicts a young Ray’s father carrying him home from a very long day spent at two circuses. Turn the sculpture around and the image of the Illustrated Man and his tattoos come to life and tell their stories.

The other namesake, Mr Electrico, was a carnival magician who charged 12 year-old Ray to “live forever!” The budding author begin writing that day and never stopped.

The video can’t be embedded here, it has to be watched at Vimeo.

(13) NEITHER SNOW NOR SLEET. See Ellen Datlow’s photos from the March 15 KGB Reading.

Nova Ren Suma and Kiini Ibura Salaam read their stories (and parts of stories) the day after NYC’s mini-blizzard when the temperature was still icy

(14) EMAIL ASSAULT. “Shades of Langford’s ‘basilisks’,” says Chip Hitchcock — “US man held for sending flashing tweet to epileptic writer”.

A man accused of sending a flashing image to a writer in order to trigger an epileptic seizure has been arrested, the US justice department says.

John Rayne Rivello, 29, of Maryland, sent Kurt Eichenwald an animated image with a flashing light on Twitter in December, causing the seizure.

He has been charged with criminal cyber stalking and could face a 10-year sentence, the New York Times reports.

“You deserve a seizure for your post,” he is alleged to have written.

Mr Eichenwald is known to have epilepsy. He is a senior writer at Newsweek magazine, a contributing editor at Vanity Fair and a best-selling author of books including The Informant.

(15) HOW THEY DID IT. The Mummy (2017) Zero Gravity Featurette goes behind the scene of a stunt shown in the trailer.

[Thanks to Carl Slaughter, Andrew Porter, Chip Hitchcock, Cat Eldridge, John King Tarpinian, and Ellen Datlow for some of these stories. Title credit goes to File 770 contributing editor of the day lurkertype.]

Pixel Scroll 2/26/17 That Hideous Scroll

(1) EUROFANDOM. Fandom Rover launched today, a new blog focused on Polish sf conventions.

Hello, I’m Marcin, but my fandom nickname is Alqua. I created this blog to write about conventions and fandom in different countries. I live in Poland, so you will probably find a lot of posts about Polish conventions here, but you can expect some information about European fandom, too, as I try to attend cons in other countries as well.

The first post is “Understanding Polish conventions”

We have a lot of conventions. Depending on what events one will count, they may get numbers reaching even 100 per year. If you will be more picky about what you may call a convention, you will still have around 40 or 60 events every year. This means that there should be at least 1 convention per week (maximum 2 weeks). This is partially true, however, most of the conventions take place around summer months, and winter is much less popular for conrunners. Of course not all of the events are SF conventions – some are devoted to SF/F or to manga & anime, some are big LARPs, some are furry conventions and others are devoted to specific franchises (like Doctor Who or Star Wars).

(2) THE WATER WE SWIM IN. The Washington Post’s Zachary Pincus-Roth, in “Aliens as immigrants: How ‘Arrival’ became the latest political sci-fi film”, interviews Arrival producer Shawn Levy, District 9 screenwriter Terri Tatchell, and Tufts University political scientist Daniel Drezner, author of Theories of International Politics and Zombies, about the role politics plays in science fiction films.

“It’s turned out to be loaded with political commentary,” “Arrival” producer Shawn Levy says of the movie’s reflection of the immigration issue, “something our filmmaking team doesn’t regret, but this was largely unanticipated.”

The film’s political themes were intended to be more timeless. “The movie was always a commentary on a world that is often prone to fracturing,” Levy says. “It invests in the faith that cooperation among nations beyond borders can lead to global benefits.”

(3) GENERAL SEMANTICS AND SF. A panel on “Science Fiction, Language and General Semantics” will be hosted by the New York Society for General Semantics on March 1. Free to the public, but registration is required.

Science fiction has long been associated with spaceships, alien beings, futuristic technologies, and the like. But the genre has also provided an opportunity to speculate about the future of human consciousness, about modes of perception and communication, and about language and symbols.

Not surprisingly, general semantics, as a discipline based on applying a scientific approach to thought and action, has influenced science fiction in a number of ways. Science fiction writers such as A.E. van Vogt, Robert Heinlein, and Frank Herbert were familiar with general semantics and incorporated concepts learned from Alfred Korzybski and S.I. Hayakawa into their novels and short stories. Through them, the influence of general semantics spread to the fiction of Philip K. Dick, and the films of George Lucas. Moreover, novelists William S. Burroughs and L. Ron Hubbard were students of general semantics, while a fictional (and less than flattering) version of the Institute of General Semantics appears in the Jean Luc-Godard film, Alphaville.

More generally, questions concerning language, meaning, and consciousness have been incorporated into science fiction narratives, for example the presence of Jean Baudrillard’s Simulacra and Simulation in The Matrix, references to Julian Jaynes in HBO’s remake of Westworld, and in the problematic nature of translation in stories such as Samuel R. Delaney’s Babel-17, Stanslaw Lem’s His Master’s Voice, and the recent film, Arrival.

Clearly, this is a topic for discussion that is, in many ways, out of this world. so come join us for a panel featuring:

  • Marleen S. Barr, Science Fiction Critic and Novelist
  • Paul Levinson, Past President of the SFFWA and Novelist
  • Lance Strate, NYSGS President and Professor of Communication and Media Studies, Fordham University
  • Ed Tywoniak, Editor of ETC: A Review of General Semantics and Professor of Communication, Saint Mary’s College of California

(4) HOLE IN THEIR POCKETS. Jim C. Hines continues slicing and dicing his data in “2016 Novelist Income Results, Part 5: Miscellaneous Data”.

Who Lost Money in 2016?

One thing I found interesting — of the 371 people who provided gross income and expenses data, 63 ended up with a net loss in 2016. In other words, roughly one out of six published novelists lost money last year.

17 of these identified as full-time writers, with the other 46 being part-time. Looking at the overall number of full- and part-time respondents, the part-time authors were disproportionately more likely to end up in the red.

(5) BEEN THERE. An Apollo 11 Space-Flown U.S. Flag went for $25,623 (including buyer’s premium) in an auction by the Nate D. Sanders firm this week.

(6) USING THE OLD BEAN. Baseball’s Hall of Fame is honoring “Homer at the Bat” and ‘inducting’ Homer Simpson into Cooperstown. Cut4.com has the story.

The Hall will celebrate the 25th anniversary of the episode on May 27 during Hall of Fame Classic Weekend. Festivities will include appearances by Wade Boggs and Ozzie Smith — both of whom guest-starred in the episode — at a discussion featuring members of The Simpsons team who put the episode together.

 

(7) PAXTON OBIT. Actor Bill Paxton died suddenly today due to complications of surgery. He was 61. Although better known for his non-genre performances in Titanic and Twister, his resume is studded with roles in high-profile sf movie and TV productions such as The Terminator, Aliens, Weird Science, Predator 2, Future Shock, Apollo 13 (as astronaut Fred Haise), Mighty Joe Young, Spy Kids 3-D: Game Over, Thunderbirds, The Colony, Agents of S.H.I.E.L.D. (as John Garrett), and Edge of Tomorrow.

(8) FINGLETON OBIT. Game of Thrones star Neil Fingleton has died at the age of 36. The story in The Guardian says —

Once named as Britain’s tallest man, the 7ft 7in star played Mag the Mighty in the fantasy series and also took on roles in X-Men: First Class and Jupiter Ascending. According to reports, he passed away following heart failure on Saturday.

(9) WAPNER OBIT. Judge Joseph Wapner died February 26 reports the Washington Post. I was going to run this item anyway, but a check of IMDB revealed he actually has a genre credit. Wapner appeared in the pilot episode of Sliders in 1995.

Joseph A. Wapner, a retired California judge whose flinty-folksy style of resolving disputes on the show “The People’s Court” helped spawn an entire genre of courtroom-based reality television with no-nonsense jurists and often clueless litigants, died Feb. 26 at his home in Los Angeles. He was 97….

Within a few years of its debut, the program regularly attracted 20 million viewers. One measure of its success was a Washington Post survey in 1989 that showed that 54 percent of Americans could identify Judge Wapner compared with 9 percent who could name the chief justice of the United States, William H. Rehnquist….

Disputes centered on nonpayment for goods and services, unwise lending of money to shady friends and family members, purchases in which the buyer did not beware and altercations between people and their neighbors’ animals.

(10) TODAY’S DAY

Tell A Fairy Tale Day is all about exploring myths and stories, old and new. From grim(m) tales to urban legends, tap the dark corners of your subconscious.

(11) TODAY IN HISTORY

  • February 26, 1963 — NASA announced that Venus is about 800 degrees F.
  • February 26, 2005 — The Razzies held their 25th annual ceremony at Hollywood’s historic Ivar Theatre. Making a surprise appearance was Halle Berry, an Oscar winner for Best Actress in Monster’s Ball (2001), who showed up to accept that year’s Razzie for Worst Actress for the title role in the poorly received action extravaganza Catwoman.

(12) NEATNESS COUNTS.

(13) PUB QUIZ. The Sci-Fi London Pub Quiz will happen Tuesday, May 2. The Clarke Award’s Tom Hunter explains —

[W]e’re again joining forces with the team at the SCI-FI-LONDON film festival, and we’re aim to celebrate Sir Arthur’s centenary year and raise some money for two excellent causes in the best way we know how, with an EPIC PUB QUIZ.

Tickets are on sale now and already selling well, but we’ve plenty of tables left and we’re looking for teams to compete.

Tickets cost £5 per head (in a team of 6, that’s £30 a table!) and all proceeds go to two amazing charities.

Science Fiction fans, authors, artists, agents, publishers and enthused newbies, we want you all!

GET TICKETS >>

Here are the two great organisations we’re aiming to support with this year’s quiz:

STEMettes, who inspire the next generation of females into Science, Technology, Engineering and Maths (STEM) fields by showing them the amazing women already in STEM via a series of panel events, hackathons, exhibitions, and mentoring schemes. http://www.stemettes.org

Rebuilding Sri Lanka. The Asian tsunami on the 26th December 2004 killed over 40,000 people in Sri Lanka.Over a million people were left homeless. Thousands were destitute. Rebuilding Sri Lanka has been active since the day of the disaster and continues to provide support, rehabilitation, nutrition, education and shelter to those affected by the disaster. http://www.rebuildingsrilanka.org.uk

(14) LOOKING FOR IDEAS. Black Gate has compiled Rich Horton’s recent blog posts in “Hugo Nomination Thoughts, 2017”, including numerous recommendations in the fan categories which few people discuss.

Best Fan Writer

The first thing I’ll do here is mention myself. I am a fan writer (at least my blog writing and my stuff for Black Gate qualifies, if perhaps not my work for Locus, which I guess is now officially professional). I would note in particular my reviews of old magazines at Black Gate, particularly Amazing and Fantastic in the Cele Goldsmith Lalli era, and my various reviews of Ace Doubles (and other SF) at Strange at Ecbatan (and often linked from Black Gate.) I would be greatly honored if anyone thought my work worthy of a Best Fan Writer nomination.

But of course there are many wonderful fan writers out there. For years I have been nominating Abigail Nussbaum, especially for her blog Asking the Wrong Questions, and I see no reason not to do so again this year. I will note in particular her review of Arrival, which captured beautifully the ways in which the movie falls short of the original story, but still acknowledges the movie’s strengths.

Another fan writer who has attracted my notice with some interesting posts is Camestros Felapton. Some of the most interesting work there regarded (alas) the Puppy Kerfuffles, and I was quite amused by this Map of the Puppy Kerfuffle. But the blog is much more than Puppy commentary – indeed, it’s much more than SF commentary. In the more traditional fanwriting area, I can point to the most recent entry (as I write), a well-done review of Greg Egan’s Diaspora.

Another possibility is Greg Hullender at Rocket Stack Rank. The site is run by Greg along with his partner Eric Wong, and both deserve a lot of credit – I mention Greg in particular because of articles like his analysis of the effect of slate voting on the 2016 Hugos.

One of my favorite fan writers does a lot of his stuff in a place relatively few people see, but he has begun to review Amazing Stories for Galactic Journey. This is John Boston, and his work can be found here. The conceit at Galactic Journey is that magazines from 55 years ago are reviewed, with an attempt to make the reviews reflect only knowledge up to the point of publication of the magazine. (It will be obvious to anyone who reads my stuff at Black Gate that this sort of thing is right up my alley, and in particular that reviews of Amazing from the early ‘60s are of special interest, as I am (in a somewhat less disciplined fashion) trying to look at and write about as many issues of Amazing and Fantastic edited by Cele Goldsmith Lalli as I can.)) A couple of years ago John (along with Damien Broderick) published a series of books reviewing every issue of New Worlds and Science Fantasy from the Carnell era, which gives another look at his credentials as a fan writer.

And finally I think there are a number of people at Black Gate worthy of a look. Too many to mention, perhaps, but one who definitely deserves recognition is the editor, John O’Neill, who also does a great deal of writing for the site.

(15) BACK TO MIDAMERICON II. Melanie Marttila continues her series of posts about programs at MidAmeriCon II with “WorldCon 2016: The dark side of fairy tales”.

Panellists: Ellen Datlow, Brooke Johnson, Erin Wilcox (moderator), Sandee Rodriguez, Dana Cameron

Joined in progress …

DC: Fairy tales are the intersection between the known and the unknown in a way that other stories aren’t.

BJ: Tone is the defining quality. It’s a sense of magic realism or normalized magic. I’m currently reading the Turnip Princess. It’s meant to be read. Oral storytelling. Fairy tales are mythic, grand and meaningful, larger-than-life, and yet the things that happen are everyday occurrences to the characters of the story.

SR: Folk tales have the element of reality. Fairy tales have no sense of history.

DC: Domesticity is addressed in fairy tales….

Find the rest of her series here.

(16) MARTIAN SCIENCE. At NPR, Jacqueline Miller and Thomas Max Roberts discuss “Science Is Cool In ‘The Martian.’ Can It Be Compelling In The Classroom, Too?”

Can learning science be as compelling as applying science is in the movie? Yes. Giving our science students frequent and ongoing opportunities to investigative and problem-solve in the classroom is a start. Students thrive when they are allowed to focus on a problem in depth, apply their learning to real-world situations, and experiment, transferring new knowledge to address a challenge or answer a question.

Reviewers have called “The Martian” a “love letter to science.” It should be required viewing for all middle and high school students, and it should serve as a call to action for improving science education.

How exciting would it be to hear your student, when confronted with a challenge in science, exclaim, “We’re going to have to science the s— out of this!”

(17) FELGERCARB! But in a new edition of The Martian nobody is sciencing the “s—“ out of anything. Bad language has been modified to make the book usable in schools: “Andy Weir’s Best Seller ‘The Martian’ Gets a Classroom-Friendly Makeover”.

After getting dozens of inquiries from teachers, Mr. Weir, who describes himself as “a lifelong space nerd,” asked his publisher, Crown, if they could release a cleaned-up edition of the book.

The novel was pretty easy to amend, by simply replacing the foul language with tamer words like “screwed,” “jerk” and “crap” (Mr. Weir said there were “occasional squabbles” when he tried to lobby the censors to keep some of the less offensive swear words in.) A kid-friendly version came out last year, and it is now being used to help teach science in classrooms around the country.

At Synergy Quantum Academy, a public charter high school in South Los Angeles, students are conducting experiments based on the novel. In physics class, students will build miniature solar-powered cars, and during astronomy next month, they will try to grow potatoes as Watney did, using a chamber modeled on NASA’s Lunar Plant Growth Chamber.

(18) FUTURE SCIENCE. David Winnick looks ahead to technological predictions that haven’t happened yet at Quirk Books.

Penfield Wave Transmitter – Do Androids Dream of Electric Sheep?

Depression and loneliness can be tough sometimes, even for Rick and Iran Deckard. While most people know Rick from Blade Runner, the famous Ridley Scott film adaption of the Philip K. Dick novel Do Androids Dream of Electric Sheep?, the original Rick Deckard is quite different. Deckard wakes up in the morning and dials in the emotion he wants for the day on his Penfield Wave Transmitter, a device which controls feelings. Unfortunately for Deckard, he and his wife, Iran, have different ideas about how he should be feeling.

As countless speculative fiction works have shown us, controlling emotions almost always gets people into sticky territory (we’re thinking of The Stepford Wives and shuddering). As useful as the Penfield Wave Transmitter could be, maybe it’s best to leave that tech idea on the shelf.

(19) STONE AGE MUSIC. “The Flintstones Variations for Piano Solo” performed by Ilan Rechtman.

(20) SPACE AGE MUSIC. The LA experimental hip-hop group Clipping is suggesting that their sci-fi oriented album Splendor & Misery be submitted for a Hugo:

Even if voters take their subtle hint, Clipping would not be the first group to have a nominated music album. That was Jefferson Starship with Blows Against the Empire (1970). True, not many musical performances have made the Hugo ballot – the most recent was Rachel Bloom’s music video, F*** Me, Ray Bradbury (2010). And I don’t remember any in between.

According to the Wikipedia, Splendor & Misery

…follows the story of a person in outer space referred to as Cargo #2331. The musical instrumentations being a mix of futuristic and classical, tells the story of a slave in the future in outer space.

(21) FOR YOUR CONSIDERATION. George R.R. Martin is also beating a drum for some candidates in “Hugo Thoughts: Best Professional Editor, Long Form”.

JANE JOHNSON

Jane is the editor and publisher of HarperCollins Voyager, one of the leading publishers of SF and fantasy in the United Kingdom. British editors are eligible for the Hugo, just like their American counterparts, but they are NEVER nominated, no matter how great their accomplishments… and that’s bollocks, as the Brits might say. Jane is one of the towering figures in our field across the pond, yet she’s never been recognized, and it is bloody well time that she was.

It would be useful if Martin went back and added the titles of the 2016 books these editors worked on, as this is not a lifetime achievement award.

[Thanks to Rob Thornton, Martin Morse Wooster, Daniel Dern, Andrew Porter, JJ, John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 2/22/17 Scroll Me A Pixel And I Reply, Cottleston, Cottleston, Cottleston Pie

(1) EARTH ][. Or maybe Seveneves for Seven Brothers. “NASA Telescope Reveal Largest Batch of Earth-Size, Habitable-Zone Planets Around Single Star”

NASA’s Spitzer Space Telescope has revealed the first known system of seven Earth-size planets around a single star. Three of these planets are firmly located in the habitable zone, the area around the parent star where a rocky planet is most likely to have liquid water.

The discovery sets a new record for greatest number of habitable-zone planets found around a single star outside our solar system. All of these seven planets could have liquid water – key to life as we know it – under the right atmospheric conditions, but the chances are highest with the three in the habitable zone.

“This discovery could be a significant piece in the puzzle of finding habitable environments, places that are conducive to life,” said Thomas Zurbuchen, associate administrator of the agency’s Science Mission Directorate in Washington. “Answering the question ‘are we alone’ is a top science priority and finding so many planets like these for the first time in the habitable zone is a remarkable step forward toward that goal.”

 

(2) COMMON SENSES. Mary Robinette Kowal did a Reddit “Ask Me Anything” today where someone asked her opinion of this writing advice —

“Include all five senses on every single page of your manuscript. That’s every 250 words.”

This is stupid. Yes, you should include all five senses, but at that pace, it becomes muddy. Plus your main character probably isn’t running around licking the walls.

When you’re there, check the schedule of upcoming AMA’s on the right-hand side of the page. An almost-relentless list of heavy hitters, including Yoon Ha Lee on March 30, Aliette de Bodard on April 25, and Gregory Benford on May 16.

(3) SF HALL OF FAME IS BACK. “Prepare to party like it’s 3001” may not scan very closely with Prince’s lyrics, but that’s how MoPOP is inviting people to attend the new Science Fiction and Fantasy Hall of Fame which opens March 4 in Seattle.

Join MoPOP for the Science Fiction and Fantasy Celebration honoring the Hall of Fame’s 20th anniversary.

  • Featuring guests of honor: Aaron Douglas (Battlestar Galactica, Dirk Gently’s Holistic Detective Agency); Wende Doohan, wife of the late James Doohan (Star Trek); Robyn Miller (Myst co-creator); and more
  • Live performances by Roladex, DJ Kate (False Prophet), and the all-female Wonder Woman-loving marching band, Filthy FemCorps
  • Trek Talk panel exploring Star Trek’s 50-year impact on pop culture, fandom, and geekery
  • Hall of Fame spotlights on the mammoth Sky Church screen
  • Costume parade, MovieCat trivia, gaming, and activities
  • Stellar photo ops, themed food and drink specials, and beyond

Tickets include admission into MoPOP’s Infinite Worlds of Science FictionFantasy: Worlds of Myth & Magic, Star Trek: Exploring New Worlds, and the new Science Fiction and Fantasy Hall of Fame gallery.

(4) TECHNOLOGY SHOULD NOT BE MUSHED UP. The future is not yet: UPS drone has glitches.

The delivery firm UPS has unveiled a drone-launching truck – but the event did not go completely to plan.

One aircraft failed to launch properly and was then nearly destroyed….

The Horsefly octacopter involved was made by Ohio-based Workhorse Group.

The initial test went well, with the aircraft launching from a platform built into the truck’s slide-open roof.

But a second attempt was more problematic.

The drone tipped over when it tried to take off, rocked back and was then nearly crushed when the truck’s roof began to close over the launch pad where the machine was still sitting.

(5) BUGS MR. RICO! This Saturday is the annual Insect Fear Film Festival at the University of Illinois here in Champaign-Urbanana (typo intentional). Jim Meadows explains:

The festival is put on by the university’s entomology department, using cheesy insect sf movies with bad science, to educate the public through reverse example.

This weekend, their guest is University of Illinois alumnus Paul Hertzberg, executive producer of the two movies being shown:  “Caved In” (2006) (with nasty beetles, I think) and 2016’s “2 Lava 2 Lantua” (nasty tarantulas — a sequel to “Lavalantula” which was shown at the festival last year).

The SyFy cable channel and its commissioning of cheap TV movies, often involving bugs, has been a godsend to the Insect Fear Film Festival, giving it a fresh supply of insect sf movies to draw from.

(6) BRYANT’S WILD CARDS INTERVIEW. George R.R. Martin has online the video recorded at MidAmeriCon II of Ed Bryant talking about the Wild Cards series.

After we heard about Ed’s death, I contacted Tor to ask them if Ed had been one of the writers they had talked with in Kansas City. I am pleased to say he was, and we can now present his interview to you complete and uninterrupted.

All those who knew and loved him will, I hope, appreciate the opportunity to see and hear from Ed one last time… but I should warn you, there is a bittersweet quality to this tape, in light of what was coming. Sad to say, Ed never did finish that last Wild Cards story he was working on, nor any of the other tales that he hoped to write.

Sooner or later, all of us have to see The Jolson Story. Be that as it may, for one last time, I am honored to present my friend Edward Bryant…

 

(7) TODAY IN HISTORY

  • February 22, 1630 — Popcorn was first introduced to English colonists by Native Americans.

(8) SPAM OF THE DAY. Daniel Dern tells the story —

I got this PR email (not unreasonably, since I’m a tech journo):

Subject: Feb. 2017: Marketing Tech Secrets Powering Unicorns

To which I replied: Why do I feel this is a Peter S Beagle / Cory Doctorow mashup novel?

(9) EXTRA CREDIT READING. Yes, I should mention The Escapist Bundle again.

You see, the eleven fantastic books in this bundle come from authors tied together by, among other accolades, their inclusion in a single volume of Fiction River, in this case a volume called Recycled Pulp. For those of you unfamiliar with Fiction River, it’s an original anthology series that Adventures Fantastic calls “one of the best and most exciting publications in the field today.”

With 22 volumes published so far, Recycled Pulp proves one of the most creative volumes. Inspired by the fantastic, escapist pulp fiction of the last century, the amazing authors in this volume were tasked with creating modern escapist fiction from nothing but a pulp-inspired title. The results were fantastic, indeed.

The initial titles in the Escapist Bundle (minimum $5 to purchase) are:

  • Waking the Witch by Dayle A. Dermatis
  • Hot Waters by Erica Lyon
  • Recycled Pulp by Fiction River
  • The Pale Waters by Kelly Washington
  • Isabel’s Tears by Lisa Silverthorne

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus SIX more!

  • A Death in Cumberland by Annie Reed
  • Neither Here Nor There by Cat Rambo
  • The Slots of Saturn by Dean Wesley Smith
  • The War and After by Kristine Kathryn Rusch
  • Revolutionary Magic by Thomas K. Carpenter
  • Tales of Possibilities by Rebecca M. Senese

This bundle is available for the next 22 days only.

(10) VIRGIN FIELD EPIDEMIC. Steven Brust thinks con crud has been around for awhile.

Yes – that’s practically the Curse of King Tut’s Tomb.

(11) OH THE HUMANITY. “Two Huge Sci-Fi Novels Were Snubbed by the Nebula Awards” and Inverse contributor Ryan Britt is overwrought:

On Tuesday, the Science Fiction and Fantasy Writers of America released its nominees for the 2016 Nebula Awards and there were two glaring omissions in the category for Best Novel. Cixin Liu’s Death’s End and Babylon’s Ashes by James S.A. Corey. Does the nominating committee of the Nebulas have something against science fiction that everyone loves?

(12) STICK YOUR FINGERS IN YOUR EARS AND GO ‘LA LA LA’. Can Arrival win? Inverse skeptically takes “A Historical Look at Why Science Fiction Always Gets Screwed at the Oscars”.

1969’s 41st Academy Awards is a kind of patient zero for how respectable science fiction movies would be treated at the Oscars for the rest of time. The Academy had to acknowledge some good special effects and makeup, and at least give a shout-out to original writing. Science fiction received a pat on the head in 1969, but 2001: A Space Odyssey — maybe the best sci-fi movie ever made — didn’t even get nominated for Best Picture. And, like 1969, 2017’s intelligent sci-fi movie, Arrival, is pitted against an Oscar-bait favorite: the musical La La Land. In 1969, the musical Oliver! won Best Picture, Best Director, Best Score, Best Sound Mixing, and Best Art Direction. Clearly, the Academy prefers singing and dancing to thoughtful reflection on the meaning of existence.

Although when you put it in those terms, who doesn’t?

(13) NO COUNTRY FOR OLD SPACEMEN. Woody Harrelson has had a pretty good career, and will soon add to his resume an appearance in a spinoff from Star Wars. The first picture of the Han Solo film team was released the other day. (Westworld star Thandie Newton will also have a role in the film, though she is not in the photo.)

L to R: Woody Harrelson, Chris Miller, Phoebe Waller-Bridge, Alden Ehrenreich, Emilia Clarke, Joonas Suotamo (as Chewbacca), Phil Lord and Donald Glover

(14) BRUNCH. Not to be outdone, Twentieth Century Fox issued a photo of the Alien: Covenant cast. Unfortunately, they didn’t furnish a handy key telling who’s who. Maybe that’s less important because so many of these characters will probably get killed before the end of the movie? That’s what we expect to happen in an Alien movie, anyway.

(15) STAR CLICKIN’. ScreenRant found it easy to remember “17 WTF Things Captain Kirk Did”. Here are some of the subheads from the middle of the list. How many of them can you associate with the right episode or movie even before you look?

  1. Threatened To Spank a Planetary Leader
  1. Took Scotty To A Bordello To Cure His “Total Resentment Towards Women”
  1. Created the Khan Problem in the First Place
  1. Didn’t Tell Anyone Else He Knew They Weren’t Really “Marooned For All Eternity”
  1. Cheated on a Test — And Made It Really Obvious
  1. Pissed Off “God”

(16) PROPOSED WORLDCON 75 PANEL. It isn’t the joke, it’s how you tell it.

The Rosetta Stone for deciphering this cryptic exchange is Ursula Vernon’s 2012 blog post “In Which I Win A Hugo And Fight Neil Gaiman For Free Nachos”.

…Pretty much the minute I handed the Hugo to Kevin and sat down, the fact that I was running on a mango smoothie and crabcakes hit me, and I wanted a cheeseburger or a steak or something RIGHT NOW. The Loser’s party had a small free nacho bar. It was very tight quarters, and I had to squeeze past a curly-haired man in a dark suit who was….ah.

Yes.

“I shall dine out for years,” I said, “on the story of how I shoved Neil Gaiman aside to get to the free nachos.”

He grinned. “When you tell the story, in two or three years, as you’ve added to it, please have me on the floor weeping, covered in guacamole.”

“I think I can promise that,” I said.

(17) MEANWHILE, BACK IN 1992. Tom Hanks frames a clip of Ray Harryhausen receiving the Gordon E. Sawyer Award from Ray Bradbury at the Academy’s Scientific & Technical Awards.

[Thanks to Jim Meadows, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Ed Bryant (1945-2017)

Ed Bryant. Photo by Gage Skidmore.

Science Fiction author Ed Bryant, who died in his sleep after a long illness, was found February 10 reports Locus Online.

Bryant discovered science fiction at the golden age of 12 when he purchased the August 1957 issue of Amazing Stories. A decade later, he made his way to the very first Clarion Workshop in 1968, where he sold a story to Harlan Ellison’s Again, Dangerous Visions that became his first professional publication.

John Clute’s entry about Bryant in the Science Fiction Encyclopedia captures one of the reasons for the author’s meteoric ascent in Seventies sf.

His conversational, apparently casual style sometimes conceals the tight construction and density of his best work, like “Shark” (in Orbit 12, anth 1973, ed Damon Knight), a complexly told love story whose darker implications are brought to focus in the girl’s decision to have her brain transplanted into a shark’s body, ostensibly as part of a research project; in the story, symbol and surface reality mesh impeccably. The setting for many of the stories in this collection is a California transmuted by sf devices and milieux into an image, sometimes scarifying, sometimes joyful, of the culmination of the American Dream…

Registering an exception to the overall regard for Bryant’s work was Thomas M. Disch, who named him as part of “The Labor Day Group” (1981), a set of young writers whose work stroked fannish sensibilities, and as a result often won Hugo and Nebula awards. This provoked a response from another Disch target, George R.R. Martin, “Literature, Bowling, and the Labor Day Group”, which gave Bryant a deceptively lighthearted defense.

The Colorado resident was a 7-time nominee for SFWA’s Nebula Award, winning twice – “Stone” (1979) and  “giANTS” (1980) – as well as a 3-time nominee for the Hugo, World Fantasy, and Bram Stoker Awards. The International Horror Guild Awards named Bryant a Living Legend in 1997.

Bryant has been a prolific short fiction writer whose career has been regularly punctuated by new collections of stories — Among the Dead and Other Events Leading up to the Apocalypse (1973), Cinnabar (1976), Wyoming Sun (1980), Particle Theory (1981), Neon Twilight (1990), Darker Passions (1991), The Baku: Tales of the Nuclear Age (2001), Trilobyte (2014), and Predators and Other Stories (2014).

He regularly contributed to George R.R. Martin’s Wild Cards series, appearing in five different volumes.

His other professional gigs included writing an annual media coverage essay in the Year’s Best Fantasy and Horror anthology, which he did for over 20 years. He also edited an anthology of original stories and some poems, 2076: The American Tricentennial (1977).

Bryant’s fame did not rest entirely on his writing. He was in great demand as a convention toastmaster, gaining the pinnacle of notoriety by conducting the Denvention Two (1981) Hugo Awards ceremony on roller skates.

[Thanks to  Andrew Porter for the story.]

Pixel Scroll 1/31/17 Is It A Scroll? Is It A File? No, Its Super-Pixel!

(1) GENRE L.A. At last weekend’s 2017 Genre-LA Creative Writers Conference, dozens of professionals were on hand to share their experience and insight, among them Howard Hendrix, Gregory Benford and Robert J. Sawyer. Thanks to Greg for the photo —

HENDRICKS, GB, SAWYER

(2) LIFE GOALS. Steve Barnes also spoke at the conference, and posted afterwards about his mission as a writer.

Last weekend I spoke at the GENRE L.A. science fiction/fantasy writer’s workshop, and boy oh boy, do I wish you could have been there!   I did two panels, but more importantly connected with friends and students from across the country.  One panel was on “Editing secrets of the Pros.”

On this one, I was with Larry Niven and Jerry Pournelle, my buddies and partners, and once again was overwhelmed with how blessed I’ve been to have these giants in my life.   The wisdom I’ve gleaned from them over the decades has made ALL the difference in my capacity to thrive in my chosen field…and I HAVE to thrive here, because it is about 50% of my planned outreach to change the world.

Grasp the importance of that: I don’t just write to make money. Or to express myself.   Or to have fun…although all those things are important.  I write to create ONE MILLION AWAKE, AWARE, ADULT HUMAN BEINGS on the planet.  That dream powers me through all obstacles.

(3) CUTTING IT CLOSE. You’ve got a little time left to submit your 31st Annual Asimov’s Readers’ Award Ballot. The online form must be completed by February 1,

From short stories and novellas to novelettes and poems – and even best covers! – let us know your Asimov’s favorites this year.  Winners join the pantheon of Asimov’s authors who represent the Who’s Who of science fiction writers over the past thirty years.

(4) MYSTERIOUS FIEND. Mac Childs argues the advantages of playing “Peekaboo with the Devil: Strategies for Hiding and Revealing Your Antagonist” on the Horror Writers Association blog.

Just like any relationship, the special bond between a horror protagonist and her antagonist benefits from a little bit of mystery. In this case, the hero is a proxy for your readers, and the mystery comes from your story’s scariest villain, be it a human serial killer or a demonic creature or the mad scientist who, when left unattended for a few minutes, will inevitably create a horrific zombie plague.

There are a host of reasons why keeping your baddie cards close to your chest can help your story’s tension and overall terror levels. Obviously, if your plot line is even remotely similar to a mystery, you don’t want to give away the killer in the first act. You can stoke the tension by keeping your villain shrouded.

(5) WHERE CREDIT IS DUE. George R.R. Martin wants to make sure people understand that Gardner Dozois is sole editor of a new anthology, however, they have plans to edit more books together in the future.

My friend Gardner Dozois, long-time anthologist and winner (many many times) of the Hugo Award for Best Professional Editor, has a big new fantasy anthology coming out this fall. It’s called THE BOOK OF SWORDS, and it’s about… well… swords. Y’know. “Stick ’em with the pointy end.”

I have a story in the book. “The Sons of the Dragon” is the title.…

However, there is a lot that’s wrong out there as well. THE BOOK OF SWORDS is not my book. I didn’t write but a small part of it, and I didn’t edit it, nor even co-edit it. Gardner is one of my oldest friends and he and I have co-edited a number of anthologies together. We did OLD MARS and OLD VENUS together. We did SONGS OF LOVE & DEATH and DOWN THESE STRANGE STREETS together. We did the huge award-winning cross-genre anthologies WARRIORS, DANGEROUS WOMEN, and ROGUES together. But we did not do THE BOOK OF SWORDS together….

Truth be told, I loved editing those anthologies with Gardner, and we want to do more together. We’re talked about MORE ROGUES and EVEN MORE DANGEROUS WOMEN, since those two books were hugely successful, and we have definite plans for OLD LUNA and, who knows, maybe eventually OLD MERCURY and OLD PLUTO and OLD URANUS. But we’re not doing any of that NOW. The anthologies, much as I loved them, were taking too much of my time, so I stepped back from them… until I finish THE WINDS OF WINTER, at least. Once that’s done, maybe I can sneak another one in…

(6) RECOMMENDATIONS. Editor Rich Horton shares his “Hugo Nomination Thoughts: Short Fiction: Short Story”.

Lots of stories listed there, and they are all good stuff. Noticeable is, of course, Rich Larson, who really had an excellent year. I think there’s a nice mix, too, af fantasy and SF, some funny stories, some quite dark, hard SF, far future SF, action, philosophy. I’m leaning towards the top five listed stories (though, really, as with the other categories, all these stories are worthy) for my nomination ballot.

(7) FUNDRAISER. I remember searching used bookstores to complete a run of these — Analog Science Fiction & Fact; The 25 Bedsheet Issues”. A Canadian collector is selling his for $300 to support a local convention. They are still up for grabs at this writing.

All proceeds from the sale of this complete set will go directly to benefit Keycon, Manitoba’s premier SF/Fantasy convention.

All 25 issues are in good+ and VG condition. No loose covers, torn, loose, or missing pages. Some minor shelf wear from long time storage, but less wear than may be expected for magazines of this age.. Each issue bagged. All proceeds from the sale of this complete set will go directly to benefit Keycon, Manitoba’s premier SF/Fantasy convention.

Analog bedsheet

(8) SUPER STARS. ScienceFiction.com says the actress we knew as Lois Lane will become a super-villain: “Teri Hatcher Returns To The Super-Verse With A Mystery Role On ‘Supergirl’”.

Teri Hatcher gained fame playing iconic comic book character Lois Lane on ‘Lois & Clark: The New Adventures of Superman’, a romantic comedy spin on the comics that aired for four seasons on ABC television from 1993-97.  Now she is returning to the world of DC Comics with a recurring role in the back end of ‘Supergirl’ Season Two.  The role is a mystery, but is known to be the major villain and will span multiple episodes.

Hatcher played Lois opposite Dean Cain’s Clark Kent/Superman.  Cain, of course, has a recurring role on ‘Supergirl’ as Supergirl/Kara’s adopted father Jeremiah Danvers.  Fans can only cross their fingers in hopes that the two will have a ‘Lois & Clark’ reunion on ‘Supergirl’.

Hatcher previously made another guest appearance on a Super show, ‘Smallville’ on which she played Ella Lane, the mother of Erica Durance’s Lois.

(9) TRIVIAL FACT OF THE DAY. The shoes Neil Armstrong wore when he first walked on the moon — size 9-1/2 medium and worth $30,000 a pair — are still on the moon. They along with other material had to be jettisoned to compensate for the weight of the moon rocks the astronauts collected.

Even a pair of Air Jordans doesn’t cost that much!

(10) NOT DEAD, ONLY RESTING. The Spaceworks company wants to have a real-world stasis chamber ready by 2018.

A process traditionally used to treat cardiac arrest or traumatic brain injury is now showing promise as a possible method to enable long-term space travel through hibernation. Behind this effort is John A. Bradford, president of Spaceworks, and making this a reality is much closer than you might think.

Doctors refer to this strategy as something called “therapeutic hypothermia.” Essentially, the body is cooled slowly to a temperature between 32 and 34 degrees Celsius (normal body temperature is 37C). This will slow down both heart rate and blood pressure, giving doctors additional time to work on serious health issues.

The patient stays in stasis for about 2-4 days, although the technique has worked for as long as two weeks without any measurable harm. There’s evidence that even longer periods of stasis may be possible: a Japanese man once survived 24 days in a hypothermic state after a fall off a mountain ledge in Japan.

Bradford hopes through additional work to extend the safe period for stasis out to months, and says this technology and the equipment necessary can be automated easily and made space-ready.

Now, don’t assume that these stasis chambers will be like those you see in science fiction movies. While single person pods do work well, having enough of these would add a lot of additional weight to a spacecraft. Instead, Spaceworks is working on an open chamber capable of holding multiple crew members.

(11) CALL FOR PAPERS. The Society for the History of Authorship, Reading and Publishing (SHARP) has invited papers for its affiliate session about “Popular Print Culture” at the 2017 South Atlantic Modern Language Association (SAMLA) Convention, November 3-5, 2017, in Atlanta. Abstracts due by June 1. Contact details are at the link.

Potential topics include print culture, history of the book, authorship, publishing history, ephemera, illustration, publishers’ archives, production, circulation, and reception. Papers addressing this year’s convention theme, “High Art/Low Art Borders and Boundaries in Popular Culture,” are especially welcome. What connections can be made between print culture/book history and the diverse world of popular culture? How has print culture reflected popular taste from the early modern world to the present?

Possible topics include:

Genre fiction
Sensation fiction
Science fiction
Gothic Ghost stories
Historical fiction/fantasy
Pulp fiction
Detective fiction/thrillers
Adventure fiction
Westerns Popular magazines
Newspapers Romance novels (Mills & Boon, etc.)
Reprint libraries
Dime novels
Penny dreadfuls
Ephemera (postcards, pamphlets, broadsides, advertising, etc.)
The evolving study of middlebrow writing
The borderlands of popular print culture (historical, geographical, etc.)

…Proposers need not be members of SHARP to submit, but panelists must be members of both SAMLA and SHARP in order to present.

(12) BY HIS BOOTSTRAPS. Applications are being taken for the “Horatio Alger Fellowship for the Study of American Popular Culture” at Northern Illinois University through May 31.

The University Libraries, Northern Illinois University, invite applications for the Horatio Alger Fellowship for the Study of American Popular Culture. Funding is available to scholars who will be using materials from the Libraries’ major holdings in American popular culture. These holdings include the Albert Johannsen and Edward T. LeBlanc Collections of more than 50,000 dime novels, and the nation’s preeminent collections related to Horatio Alger, Jr., and Edward Stratemeyer. Eligible collections also include our comic book, science fiction and fantasy literature, and American Popular Literature Collections. Topics which could draw on the collections’ strengths might include the plight of urban children, image of the American West in popular literature, widespread use of pseudonyms, and stereotypical portrayals. Preference will be given to applicants who signify an interest in conducting research related to Horatio Alger, Jr.

The 2017 Fellowship award consists of a $2000 stipend.

The deadline for applications is May 31, 2017, with research taking place between July 1 and December 31, 2017.

(13) SCIENCE FICTION STUDIES. Four R.D. Mullen Fellowships are up for grabs. Applications are due April 3. Download a PDF with full details here.

Named for the founder of our journal, Richard “Dale” Mullen (1915-1998), the Mullen fellowships are awarded by Science Fiction Studies to support for archival research in science fiction. Starting with the 2017 competition, we have four categories of awards:

  1. Postdoctoral Research Fellowship

Amount: Up to $3000

  1. PhD Research Fellowship

Amount: Up to $1500 Number: 2 awards are available each year

  1. MA Thesis Research Fellowship

Amount: Up to $1000 Number: 2 awards are available each year

  1. Collaborative Undergraduate Research Award

Amount: Up to $250 Number: 2 awards are available each year

Application Process All projects must centrally investigate science fiction, of any nation, culture, medium or era. Applications may propose research in—but need not limit themselves to—specialized sf archives such as the Eaton Collection at UC Riverside, the Maison d’Ailleurs in Switzerland, the Judith Merril Collection in Toronto, or the SF Foundation Collection in Liverpool. Proposals for work in general archives with relevant sf holdings—authors’ papers, for example—are also welcome. For possible research locations, applicants may wish to consult the partial list of sf archives compiled in SFS 37.2 (July 2010): 161-90. This list is also available online.

(14) WIELDING A BRUSH. Larry Correia tells readers how to get started in one of his favorite hobbies, painting miniature figures, in a tutorial at Monster Hunter Nation.

Since I usually post my Work In Progress minis on Facebook I’ve been having a lot of people asking me questions. So this is going to be the big tutorial post for everything you need to know to get started with basic mini painting. And if you search, there are a lot of other tutorials out there, from painters way better than me, and then there are higher level tutorials that go into great depth just about particular techniques. Every little thing I talk about, somebody else has a big article about just that step.

SUPPLIES

Miniatures. This is easy. If you don’t have a cool Local Game Store (always support your LGS!) go to www.frpgames.com or www.miniaturesmarket.com and pick whatever you think looks fun. Warning. This is addictive and these little buggers can get expensive. Always check the clearance bin. Especially when you are learning, it is cheaper to learn on something that you snagged for 75% off. If you want something really cheap to learn and practice on, look up Reaper’s Bones. They are a soft plastic, but they paint up just fine.  (also Bones are made out of a material that doesn’t require priming, so when you are starting out you can skip that step and just get to base coating)…

(15) BLADE RUNNER HOMAGE. A team of filmmakers has been working for three years on their self-funded homage to Blade Runner and other Eighties sci-fi movies called “Slice of Life”. They’ve created enough material by now to produce a trailer.

“Slice Of Life” is an original short Science Fiction film set in the Blade Runner universe. The whole film is made the old school way like the legendary SciFi movies of the 80’s (Star Wars, Alien and already mentioned Blade Runner). Think miniatures, matte paintings, rear projections – You won’t find any CGI here!!! Slice Of Life is a love letter to the Science Fiction genre of the 80’s. The production is on for the last three years and it is completely self funded.

 

[Thanks to John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 1/28/17 The More You Hive, The Less Pixelated You Are

(1) CORTANA’S WRITERS. The Financial Times’ Emma Jacobs, in “Robots replacing our jobs? Microsoft’s Cortana is creating them”, interviewed Joanthan Foster, principal content publishing manager for Microsoft’s Cortana, who oversees a staff of 28 (including a children’s novelist and a playwright) tasked with giving this personal digital assistant a personality.

“Why, for example, does Cortana have to have a favourite movie? ‘Because people are asking that,’ says Mr Foster.  For a while, her favourite film was ET (she skews to science fiction) but today it swings between Star Wars and Star Trek films.  Her favourite TV show is Star Trek: The Next Generation.”

Another sf reference:  Cortana’s name “is a reference to a buxom character clothed in a transparent sheath in the video game Halo.”

How to access this article – Look it up on Google and you will be able to click through to read it. If you use the link above directly, you will hit a paywall.

(2) ASTRONAUT FASHIONS. Washington Post reporter Christian Davenport, in “A first look at the path NASA astronauts will walk when the U.S. launches humans into space again”, has an overview of activities at Cape Canaveral, with reports on activities by Boeing, Blue Origin, Moon Express, and SpaceX.  But the news here is about the Boeing spacesuits.

Then there’s the sleek new blue Boeing spacesuit that, at 20 pounds, weighs 10 pounds less than the one worn by shuttle astronauts. It comes with gloves that work on touch screens and lightweight boots designed by Reebok that feel like slippers. Instead of having a huge fishbowl bubble helmet, as the shuttle astronauts’ suits did, the new suit’s helmet slips over the head like a hood.

2017-boeing-blue-starliner-spacesuit-SUIT0117

(3) MOVING POSTERS. Disney released a collection of motion posters featuring the cast of the upcoming live-action adaptation of Beauty and the Beast. UPI has the story.

(4) FANTASTIC FICTION AT KGB. On February 15 the hosts of the reading series, Ellen Datlow and Matthew Kressel, will present Michael Cisco and Nicholas Kaufmann. Begins 7 p.m. at the KGB Bar.

Michael Cisco is the author of several novels, including The Divinity StudentThe NarratorThe Great Lover, Animal Money, The Wretch of the Sun, and a short story collection, Secret Hours.  His fiction has appeared in The WeirdLovecraft Unbound, and Black Wings (among others). His scholarly work has appeared in Lovecraft StudiesThe Weird Fiction ReviewIranian Studies, and Lovecraft and Influence. He lives and teaches in New York City.

Nicholas Kaufmann’s work has been nominated for a Bram Stoker Award, a Thriller Award, and a Shirley Jackson Award. His novel Dying is My Business from St. Martin’s Press was selected for the Los Angeles Times Holiday Book Gift Guide, and the sequel, Die and Stay Dead, received a starred review from Publishers Weekly. His latest novel is In the Shadow of the Axe, out now from Crossroad Press with an introduction by Laird Barron.

(5) STICK A FORK IN IT. Write On by Kindle, Amazon’s attempt at a Wattpad competitor, is closing down March 22, a year after leaving beta testing. Users have been advised:

Your Amazon.com account will not be affected by the closure of Write On. If you don’t have any content you wish to save, no further action is required on your part.

If you do have content you wish to save, we encourage you to download your posted and drafted stories by March 22.

(6) HURT OBIT. Actor John Hurt died January 25 at the age of 77. The Vanity Fair tribute listed some of his many genre credits –

The cause of death was not immediately reported; Hurt was diagnosed in 2015 with pancreatic cancer, but in October of that year announced that he was “thrilled” to have had his final scan, “and it‘s all gone brilliantly.”

… He earned his first BAFTA award in 1976, for playing gay author and ranconteur Quentin Crisp in the TV film The Naked Civil Servant; that same year, he played notorious Roman emperor Caligula in the TV film classic I, Claudius.

As a trained actor with a resonant voice and an unmistakable screen presence, Hurt could be a leading man—as in the 1984 version of George Orwell’s 1984 and David Lynch‘s The Elephant Man—but may be more familiar to audiences as a supporting player, from the first, unlucky victim of the chestburster in 1979’s Alien to 2016’s Jackie, in which he plays a priest who has the ear of a mourning Jacqueline Kennedy. He earned Oscar nominations for his roles in 1979‘s Midnight Express, as a heroin addict doing time in a Turkish prison, and in The Elephant Man. He’ll also be remembered by a generation of children as the mysterious Mr. Ollivander, wand salesman, from the Harry Potter films. And thanks to a 2013 appearance as the War Doctor on Doctor Who, he will also forever belong to a legion of fans.

In the last decade of his career alone, Hurt worked with some of the world’s most fascinating directors, from Guillermo del Toro in the Hellboy series to Steven Spielberg on Indiana Jones and the Kingdom of the Crystal Skull to Lars von Trier on Melancholia to Joon-ho Bong on Snowpiercer.

— To which we can add The War Doctor in Doctor Who, the voices of Aragorn and Hazel (the rabbit) in the animated Lord of the Rings and Watership Down respectively, and still be guilty of leaving some out.

David Tennant, John Hurt, Matt Smith.

David Tennant, John Hurt, Matt Smith.

(7) GARRAY OBIT. Artist Pascal Garray (1965-2017), a prolific Smurfs creator, passed away January 17.

During his career of 26 years, he also participated in the creation of 17 albums of ‘The Smurfs’ (‘Les Schtroumpfs’), and was the lead artist on at least six albums since 2002. The other regular Smurfs artists are Ludo Borecki, Jeroen de Coninck and Miguel Díaz Vizoso, while most of the writing is done by Thierry Culliford, Alain Jost and Luc Parthoens. Garray had just finished drawing the 35th Smurfs album (‘Les Schtroumpfs et les Haricots Mauves’, about bad eating habits), when he passed away on 17 January 2017.

(8) TODAY’S BIRTHDAY BOY

  • Born January 28, 1981 — Elijah Wood (actor)

(9) RSR’S GUIDE TO SHORT FORM EDITORS. Greg Hullender of Rocket Stack Rank introduces its recently-posted guide to those eligible for the Best Editor Hugo – Short Form category.

With luck, this won’t be as controversial as it was last year. We’ve made it clearer that you’re supposed to use this data to vet a list of editors of works you’ve read—not to construct a slate of people whose publications you’ve never read (or even heard of).

Since people are more likely to know works than editors, we start by helping them find the editors who produced different publications. It’s a lot of work to figure out who’s qualified, so we’ve done that too.

Then, like last year, we show how much work each editor produced and how well that work was reviewed—both in terms of word count and percentage, which we encourage people to use to see how the editors in their list stack up.

New this year is a chart showing how much fiction from new writers each editor published, since this was the commonest thing people asked for last year. There are also sortable tables with the raw data so people don’t need to stare at charts to try to guess which editors were in the top four or five.

As ever, we’d love to hear ideas for what would make this easier to do.

(10) SEMIPROZINE HUGO. Neil Clarke’s Semiprozine.org announced last month they are “Currently updating directory”, which hopefully will happen soon because I need an authoritative answer to settle a difference of opinion!

We are currently updating the directory to reflect any changes in eligibility for the year ending December 31, 2016. Feel free to comment on this post if you have questions.

(11) COACHING. George R.R. Martin reminds everyone how TV shows can be eligible for the Best Dramatic Presentation Hugo – Long Form, whether you want them to or not.

This is truly the Golden Age for science fiction and fantasy on television, with more interesting series than ever before… most of them serial dramas. WESTWORLD, for instance. Terrific show. But the entire season is one story. To me, it makes no sense to pick an episode at random and nominate it in Short Form, when every episode depended so much on what had come before and what was to follow. I will be nominating WESTWORLD season one in Long Form, and I urge other WESTWORLD fans to do the same. Then we have STRANGER THINGS, recent Golden Globe nominee, another cool new genre show… I loved the series, but looking back, did I love one episode? No, I loved the whole story, so I’d nominate STRANGER THINGS, season one. Ditto for PENNY DREADFUL, the final season, which wrapped up in fine style last year. You could also make a case for MR. ROBOT, if you consider that sf.

And, of course, there’s GAME OF THRONES. Our sixth season won an unprecedented number of Emmys, setting an all-time record. And there are individual episodes that won Emmy acclaim: David Benioff and D.B. Weiss won for writing for “Battle of the Bastards,” Miguel Sapochnik took the directing Emmy for the same episode, and “The Door” also earned a directing nomination for Jack Bender. But it was the season as a whole that won for Best Drama, and for me, at least, it makes the most sense to nominate GAME OF THRONES, season six, in Long Form.

(12) GREATEST ANIMATOR. Brian Phillips on MTV.com has an article called “The Little Gray Wolf Will Come”, a profile of Yuri Norstein, whose short films “Tale of Tales” and “Hedgehog in the Fog” are regarded as among the greatest pieces of Soviet animation but who has been stuck for 40 years working on a full-length version of Gogol’s The Overcoat that he may never finish.

Here he is, an old man, onstage at the Dom Kino. Cinephiles of Moscow, your evening’s entertainment: Yuri Norstein, 74, white-bearded, small, stout, urbane, rumpled, and mischievous. Sitting in front of a pale gold curtain, with a bump on his nose the size of a pistachio shell. Considered by many to be a great, if tragically self-defeating, Russian artist. Considered by many to be the finest animator in the world.

He did not move to Moscow last week; he knows what they say about him. How he sabotaged his own career at what should have been its peak. How he has not managed to release a new film in 37 years. How he made Hedgehog in the Fog, a movie every Russian child knows by heart, and then Tale of Tales, which international juries have more than once named the greatest animated picture ever made. How he threw it all away to chase an absurd, unattainable ideal, an animated adaptation of Gogol’s short story “The Overcoat” that he has toiled at for nearly 40 years and has never been able to finish. He takes questions at events like this, and the sequence is always the same. First a few respectful queries about his past work, his process, his inspirations. Then, when some brink of nerve has been crossed: When will you finish The Overcoat? Do you think you ever will?

(13) TIMEY-WIMEY STUFF. Science Alert says “Scientists have confirmed a brand new form of matter: time crystals”.

First predicted by Nobel-Prize winning theoretical physicist Frank Wilczek back in 2012, time crystals are structures that appear to have movement even at their lowest energy state, known as a ground state.

Usually when a material is in ground state, also known as the zero-point energy of a system, it means movement should theoretically be impossible, because that would require it to expend energy.

But Wilczek predicted that this might not actually be the case for time crystals.

Normal crystals have an atomic structure that repeats in space – just like the carbon lattice of a diamond. But, just like a ruby or a diamond, they’re motionless because they’re in equilibrium in their ground state.

But time crystals have a structure that repeats in time, not just in space. And it keep oscillating in its ground state.

Imagine it like jelly – when you tap it, it repeatedly jiggles. The same thing happens in time crystals, but the big difference here is that the motion occurs without any energy.

A time crystal is like constantly oscillating jelly in its natural, ground state, and that’s what makes it a whole new form of matter – non-equilibrium matter. It’s incapable of sitting still.

(14) WHAT THE DOCTOR SAYS. David Tennant told The Last Leg viewers it’s all going to be okay:

[Thanks to Dawn Incoognito, Cat Eldridge, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]

Pixel Scroll 1/12/17 Midnight at the Well of Pixels

(1) THE ARTIST FORMERLY KNOWN AS TYRION. ScienceFiction.com says “Peter Dinklage Is Rumored To Be In Talks To Join ‘Avengers: Infinity War’” and makes a very entertaining post from its inconclusive guesses about what Marvel character he might play.

…The next two ‘Avengers’ movies are expected to shoot back-to-back and whatever role Dinklage is in negotiations for, he will appear in both.

Very little is known about ‘Avengers: Infinity War’ other than it will feature every surviving Marvel Cinematic hero, including all of the Avengers, Doctor Strange, Spider-Man and the Guardians of the Galaxy.  And it will feature the clash with warlord Thanos, something that has been teased since the first ‘Avengers’ in 2012.  It will be directed by Joe and Anthony Russo, who previously helmed ‘Captain America: The Winter Soldier’ and ‘Captain America: Civil War’. …

(2) HELP CHANGE THE LAW. Opponents of the new California autograph law say they have lined up a State Assembly member to introduce legislation to constructively amend AB 1570. It is anticipated the bill will be drafted and ready to introduce by mid-February. In the meantime, they continue to ask people show their support by signing their petition at Change.org.

(3) BUY LINGUAL. Rachel Cordasco’s “Roundtable on Speculative Fiction in Translation: Past, Present, Future” at Tor.com brings together Neil Clarke, Sarah Dodd, Cristina Jurado, Cheryl Morgan, and Marian Womack:

Q: How do you work to increase the visibility of sf in translation? Is it mainly through marketing and social media, or other avenues as well? What can people like myself (reviewers, bloggers) do to promote sf in translation in effective ways?

Neil Clarke: Unfortunately, translated works still carry a bit of stigma with readers. It’s like your mom trying to get you to eat a vegetable she knows you’ll like if you just give it a try. One approach is to be low key about it. Treat it like any other piece of food on the plate and surround it with their more traditional selections. Publishers have been doing this for years…leveraging one success to create opportunities to take risks on others. The big difference is that translations can be significantly more expensive.

The best thing I can do for translations, aside from publishing great stories, is to be actively involved in making connections in the international science fiction community and keep them aware that translation is an option that is available to them.

The best thing readers and reviewers can do is support the books and stories they enjoy. All authors enjoy their books being favorably reviewed, but many of the foreign authors I’ve worked with have mentioned that recognition from the English-language market is extra special. Many of the biggest names in SF are published in English. It carries some prestige most of us don’t even think about.

Sarah Dodd: A really important thing that reviewers and bloggers can do is name the translator. (Yes, it seems basic, but it’s amazing how often reviews of translated fiction omit the translator’s name entirely!) The wonderful @TranslatedWorld began the #namethetranslator campaign in 2013, and they’ve been really promoting the work of translators to give them greater visibility. One of the things we’ve realized, working on other translation projects, is just how much the translator does, going beyond the translation itself—a lot of translators also do a huge amount of work pitching the books and stories they love, and then helping drum up interest and publicize them when they come out. So it would be really great to see more of a focus on the translators themselves (something we’re planning to do in Samovar, through our author and translator spotlights)….

(4) THEY SAID IT COULDN’T BE DONE. Walter Jon Williams, before getting around to the TV adaptation, decided to first reread Philip K. Dick’s novel — “Revisiting the Classics: The Man in the High Castle”.

I hadn’t got very far into the re-reading before I came to the conclusion that there was no damn fucking way this could ever be made into a TV series.  The narration is too internal, there is very little dramatizable action, and you can’t make the manipulation of 49 yarrow stalks followed by the reading of an opaque text dramatically interesting.  What HBO has done, I’m sure, is create a situation more or less parallel to that of the novel, and some characters with the same names and some of the same problems, and then done what TV people do to make that interesting.  The series might well be successful on its own terms, it just won’t be The Man in the High Castle by Philip K Dick.  (Those of you who have seen the [Amazon] series can tell me if I’m right.  I’m particularly interested to learn whether they made successful drama out of I Ching readings.)

And that’s only his first argument why it couldn’t be made for TV.

(5) CRAVING DYSTOPIAS. Boston Review fiction editor Junot Diaz has put out a call for material on the theme of global dystopias, maximum length 5,000 words.

Over the last decades dystopian narratives have proliferated to the point where they seem to have become our default mode for conceptualizing the future. But dystopias are not merely fantasies of a minatory future; they offer critically important reflection upon our present. If (as Tom Moylan has argued) traditional dystopias crafted cognitive maps of the terrors of the twentieth century, what cognitive maps does our current dystopian turn provide us of our turbulent global present?

Throughout 2017 BostonReview.net will feature stories, essays, and interviews on the theme of global dystopias. The project will culminate in a special print issue in the fall of 2017.

We are seeking essays, interviews, and fiction from writers around the globe that engage the theme of dystopia. Nonfiction, personal essay, genre fiction (SF, fantasy, horror, Afrofuturist, slipstream), and work that resides across/between genres are welcome.

Submissions might explore, but are not limited to:

  • Inequality / precarity
  • The Global South
  • Climate change
  • Global democracy
  • Civic media and civic imaginaries
  • Afrofuturism
  • The War on Terror
  • International politics and speculative futures
  • Post-humanisms
  • The future of females
  • Gendered violence
  • Radical futurities

The submissions period is open for fiction and nonfiction via Submittable until May 1, 2017.

(7) DEALER’S CHOICE. The third video in a series about the origins of George R.R. Martin’s Wild Cards universe.is now on YouTube:

(8) TODAY’S BIRTHDAY COMPUTER

  • Activated January 12 — HAL 9000. According to the movie, he was activated in Urbana, Illinois, on January 12, 1992. For reasons that even Clarke didn’t remember, years later, in the book the date shifted to 1997.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 12, 1628 — Charles Perrault, author of the Mother Goose stories.
  • Born January 12, 1965 – Rob Zombie

(10) PRATCHETT LIFE COMING TO TV. A Terry Pratchett bio program is in the works at the BBC. From Radio Times “BBC reveal plans for ‘poignant’ new Terry Pratchett documentary”.

The BBC is making a documentary about the late writer Terry Pratchett in which his words will be read in character by actor Paul Kaye.

Terry Pratchett: Back In Black is told in Pratchett’s own words, with contributions from authors Neil Gaiman and Val McDermid, and his long-serving assistant Rob Wilkins. Kaye’s impression of Pratchett is said to be “uncanny” according to the BBC.

The programme, which airs on BBC2 later this year, will follow his life from his troubled schooldays, to being dismissed by literary critics, to the remarkable creation of the Discworld series of fantasy novels, which have since sold over 85 million copies worldwide.

It will also chronicle Pratchett’s battle with Alzheimer’s and his death in 2015.

(11) COMICS ON THE HORIZON. In 2017, at least three SF/F novels will be adapted into comic books. Titan Comics will be adapting Forever War by Joe Haldeman, with Haldeman writing the comic and Mavarno doing the art, as well as Kim Newman’s Anno Dracula, with Newman writing and art by Paul McCaffrey. Finally, Neil Gaiman’s American Gods will become a Dark Horse comic book with P. Craig Russell writing and art by Scott Hamilton.

Joe Haldeman’s The Forever War was a groundbreaking science-fiction novel when originally published in 1974, merging high-concept science fiction with gripping social commentary. Next year, Titan Comics are reprinting and serializing the 1988 adaptation written by Haldeman himself, with art by the legendary Mavarno.
Titan’s reprint of the series serializes the original volumes and come packed with bonus materials, including design elements from the series and multiple, brand-new covers for each issue.

And now, it’s finally making it to comics. Titan has announced an Anno Dracula adaptation set for March of 2017, written by Newman with art by Paul McCaffrey.

Originally published in 1992, the first Anno Dracula novel takes place in 1888, focusing on the early years of a society where vampires have just gone public, and a mystery — for the characters, if not the readers — surrounding the Whitechapel murders of Jack the Ripper.

Gaiman said in a statement: “I’ve been watching P. Craig Russell breaking down the book into comic form, watching Scott Hampton painting the pages, watching Glenn Fabry create the covers, and grinning to myself with delight, because the American Gods comic is going to be an astonishing, faithful, and beautiful adaptation.”

(12) DRAFT NOTICE.  Narragansett Brewing Co. wants you to know “The Unnamable Is Coming…”

Unnamable beer

[Thanks to John King Tarpinian, Mark-kitteh, Rob Thornton JJ, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Michael J. Walsh.]

Pixel Scroll 12/5/16 And They Will Know Us By The Trail Of Pixels

(1) POSTER CHILD. Early this year Cat Rambo placed herself at the forefront of the movement encouraging writers to put up awards eligibility posts, and using the authority vested in her by the Science Fiction Writers of America now calls on everyone to do it.

Practicing what she preaches, Rambo has done a year-end recap of her publications:

The stories of my own I am pushing this year are “Left Behind” (short story), “Red in Tooth & Cog” (novelette), “Haunted” (novella co-written with Bud Sparhawk), and the fantasy collection Neither Here Nor There. SFWA members should be able to find copies of those on the member boards; I am happy to mail copies to people reading for awards whether or not you are a member. Drop me a line and let me know the preferred format. I am looking for reviewers interested in Neither Here Nor There and happy to send copies as needed.

The recap contains links to nearly 30 other F&SF writer awards eligibility posts.

(2) PW PRIDE. Rambo is also proud of Publishers Weekly’s starred review for her new short story collection Neither Here Nor There.

This double collection showcases Rambo’s versatility within the fantasy genre. In the “Neither Here” half, tales set in her existing worlds of Tabat (“How Dogs Came to the New Continent”) and Serendib (“The Subtler Art”) rub shoulders with new worlds of magic and mystery. “Nor There” displays her skill at seeing our world through different lenses, with locations including steampunk London (“Clockwork Fairies”) and urban fantasy Seattle (“The Wizards of West Seattle”)…

(3) SCREEN TIME. George R.R. Martin is getting busy recommending things for Hugos – including other people’s things.

For my part, I already know what two of my Hugo nominations for Best Dramatic Presentation, Long Form will be. ARRIVAL, to start with. Terrific adaptation of a classic story by Ted Chiang. Brilliant performance from Amy Adams. (She is always great, I think, but this was her best role to date). A real science fiction story, not a western in space. Intelligent, thought-provoking, with some wonderfully alien aliens. And WESTWORLD, season one, from HBO. Of course, as with GAME OF THRONES, one can nominate individual episodes of this one in Best Dramatic Presentation, Short Form… but for me it makes more sense to nominate the entire season in Long Form. (GAME OF THRONES season one was nominated in this fashion

(4) HITS AT THE LIBRARY. Library Journal’s “Best Books 2016” picked these as the top five titles from the year’s SF and fantasy.

Borderline, by Mishell Baker
The Long Way To A Small, Angry Planet, by Becky Chambers
The Invisible Library, by Genevieve Cogman
Every Heart A Doorway, by Seanan McGuire
Behind The Throne, by K.B. Wagers

(5) SURPASSING THE MASTER. No spoilers for the movie Arrival in the following excerpt, only for the story it’s based on. But it’s natural that the movie spoilers quickly follow in Peter Watts analysis of the adaptation: “Changing Our Minds: ‘Story of Your Life’ in Print and on Screen”.

What might come as a shock— and I hesitate to write this down, because it smacks of heresy— is that in terms of storytelling, Arrival actually surpasses its source material.

It’s not that it has a more epic scale, or more in the way of conventional dramatic conflict. Not just that, anyway. It’s true that Hollywood— inevitably— took what was almost a cozy fireside chat and ‘roided it up to fate-of-the-world epicness. In “Story of Your Life”, aliens of modest size set up a bunch of sitting rooms, play Charades with us for a while, and then leave. Their motives remain mysterious; the military, though omnipresent, remains in the background. The narrative serves mainly as a framework for Chiang to explore some nifty ideas about the way language and perception interact, about how the time-symmetric nature of fundamental physics might lead to a world-view— every bit as consistent as ours— that describes a teleological universe, with all the Billy Pilgrim time-tripping that implies. It’s fascinating and brow furrowing, but it doesn’t leave you on the edge of your seat. Going back and rereading it for this post, I had to hand it to screenwriter Eric Heisserer for seeing the cinematic potential buried there; if I was going to base a movie on a Ted Chiang story, this might be the last one I’d choose.

(6) CALL FOR PAPERS. GIFcon, Glasgow International Fantasy Conversations, is looking for papers and creative works. The deadline is December 19. The SFWA Blog gave their announcement a signal boost:

With a focus on intersections (academic and creative writing; film, art, and games) we aim for GIFCON’s inaugural event to be a crossroads at which these communities can meet and come into conversation.

Fantasy at the Crossroads: Intersections, Identities, and Liminality

29th – 30th March 2017

What is Fantasy? This is a question that the University of Glasgow’s MLitt in Fantasy has explored throughout its first year. While this may seem an unanswerable question, for many of us, fantasy is where reality and the impossible meet. Fantasy inspires a sprawling collection of worlds that stem from a myriad of identities, experiences, and influences. From traditional epics to genre-melding, fantasy branches out into every style imaginable. Cross-sections of genre and identity create cracks in traditional forms, opening in-between spaces from which bloom new ideas and stories.

Examples of intersections in fantasy can be found in:

– Julie Bertagna’s Exodus trilogy, which explores environmentalism within the context of fantasy and science fiction.

– Arianne “Tex” Thompson’s Children of the Drought series, which focuses on subversions of race and gender.

– China Miéville’s The City and the City, which fuses the detective novel with the fantastic.

– Eowyn Ivey’s The Snow Child, which uses fairy tale inspirations to create a magical realist setting and narrative.

– Netflix’s Stranger Things, which melds horror with Dungeons and Dragons via a coming-of-age science fiction story.

– The Elder Scrolls video game series, which intersects narrative, music, and visual arts.

– Frank Beddor’s Looking Glass Wars series, which combines science fiction and fantasy to explore unique, genre-melded world-building.

…Please submit a 300-word abstract, along with a 100-word biography (both in DOC or RTF format) to submissions.gifconference@gmail.com by Monday 19th December 2016.

(7) RIVENDELL AUDIO. Here is the schedule of December Readings from Rivendell program in the Twin Cities, MN.

readings-from-rivendell-december

(8) WETA DIGITAL END OF YEAR PARTY 2016. I’d love to be on the invitation list for this shindig —

The Weta Digital End of Year Party has always had the reputation of being the best party in town. As with previous years, no one knew where the party was being held, or what was involved, all we knew was we had to go to platform 9 at the Wellington train station. After boarding buses at the station, we were transported to the secret location. This is what went down after we arrived… The party was themed by the four elements of nature – Water, Fire, Air/Wind and Earth. As you can see in the video, the themed installations and performance art at the party location were fantastic, and an amazing time was had by all! A big thanks to Weta Digital for putting on such an incredible party!

 

(9) PUCK VS. CUPID. The Book Smugglers present Tansy Rayner Roberts’ review of the year’s favorites in “Smugglivus 2016: A Very TansyRR Smugglivus”. There’s a lot of entertaining writing in the post, not to mention revelations about the previously unsuspected (by me, anyway) subgenres of gay hockey comics and novels.

This has also been an important year for Check! Please, one of my favourite all time web comics. I a couple of scary, stressful months earlier in the year, and the Check! Please fandom pulled me through until I was ready to face the world again. Check! Please was already an adorable gay hockey comic about bros and sports and friendship and pies, but its creator Ngozi gave us so many gifts this year, starting in February with The Kiss which pretty much made the comics fandom lose their collected minds.

Their love is so canon, y’all!

We’ve also had several waves of updates throughout the year, following the ups and downs of our hero Bitty and his secret NHL boyfriend. Ngozi also launched a Kickstarter for the book publication of Year 2 which was crazy successful, showing how dramatically her work’s popularity has soared since Jack Zimmermann got a clue that he was a character in a sweet gay rom com, not a gritty hockey tragedy.

(10) HINES BENEFIT AUCTION #9. The ninth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed copy of Jenna Black’s Replica, and a matching handmade pendant to go with it.

Today’s auction is for an autographed copy of REPLICA and a handmade pendant to go with it (pictured below). You can see samples of Black’s other gorgeous pendants at her Etsy store.

About the Book:

Sixteen-year-old Nadia Lake’s marriage has been arranged with the most powerful family in the Corporate States. She lives a life of privilege even if she has to put up with paparazzi tracking her every move, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image—no easy feat when your betrothed is a notorious playboy.

Nathaniel Hayes is the heir to the company that pioneered human replication: a technology that every state and every country in the world would kill to have. Except he’s more interested in sneaking around the seedy underbelly of the state formerly known as New York than he is in learning to run his future company or courting his bride-to-be. She’s not exactly his type…not that he can tell anyone that.

But then Nate turns up dead, and Nadia was the last person to see him alive.

When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory back-up, he doesn’t know what—or rather, who—killed him. Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.

(11) NOT ASKING SANTA FOR THESE. This link leads to a page from Hunter’s Planet of the Apes Archive. Consider it an online museum of print advertising for Planet of the Apes merchandise.

(12) IN DOORSTOPS TO COME. Ann and Jeff VanderMeer have sold another Big Book – “Announcing The Big Book of Classic Fantasy”.

As Ann and I announced on social media last week, we’re thrilled to have sold another behemoth of an anthology, The Big Book of Classic Fantasy, to editor Tim O’Connell at Vintage Books!! Tentatively scheduled for publication in 2018 and covering roughly the period 1850 up to World War II. Thanks to our agent, Sally Harding, and the Cooke Agency. This will be our fourth huge anthology project, following this year’s The Big Book of Science Fiction, The Time Traveler’s Almanac, and the World Fantasy Award-winning The Weird.

Will this anthology include not just your favorite classics from the English language, but also translations from all over the world? Yes. Will it include never-before-translated new stories? Yes. Will it include the best of the Decadents and the Surrealists in a fantastical vein? Oh yes, most certainly. We hope to widen our net on the translation side, focusing on areas of the world that have been underrepresented in prior anthologies.

(13) WILLIAMS OBIT. Van Williams, famed as television’s The Green Hornet, has died at the age of 82.

Variety reports he actually died on Nov. 28, but his passing only became publicly known on Sunday.

Born in 1934 in Forth Worth, Texas, Williams was working as a diving instructor in Hawaii when he was discovered in 1957 by producer Mike Todd, who persuaded him to move to Hollywood. He earned his big break two years later with a lead role on the ABC private detective drama “Bourbon Street.” He followed that with “Surfside 6,” starring opposite Troy Donahue.

However, it’s on the short-lived “Green Hornet” that Williams made a lasting mark as newspaper publisher Britt Reid, who fought crime as the masked Green Hornet alongside his partner Kato, so memorably played by Bruce Lee.

(14) TODAY IN HISTORY

  • December 3, 1974 – The last new episode of Monty Python’s Flying Circus was broadcast on the BBC.

(15) TODAY’S BIRTHDAY BOY

  • Born December 5, 1901 – Walt Disney

disney-comic-lio161205

(16) A CAPRINE TRAGEDY. As discussed in comments on an earlier Scroll, the Gävle Yule Goat was burned down on its inauguration day, and replaced by a baby goat made of straw.

Only a week later, a vandal drove a car into the replica.

But in the early hours of Monday, those who were unable to sleep and instead found themselves watching the goat’s webcam feed (we’re told this is a thing) were able to see in real-time how someone raced towards the new goat in their car and brutally ran it over.

(17) SEND THE BILL TO LUCASFILMS. VentureBeat has been reliably informed coff that “The Death Star would cost $7.8 octillion a day to run”.

The British energy supplier Ovo has put some very well-spent hours into a comprehensive calculation of the operating costs of the Death Star, which will return to the spotlight in the December 16th movie Rogue One. They conclude that operating the planet-destroying starbase would cost 6.2 octillion British pounds, or $7.8 octillion, per day—that’s $7,800,000,000,000,000,000,000,000,000.

To put that absurdly large number in perspective, $7.8 octillion is more than 100 trillion times the $70 trillion annual global economic activity of Earth, or 30 trillion times the roughly $200 trillion in wealth on our little blue planet.

(18) WHAT IF THEY’RE NOT LITTLE AND GREEN? NPR reports on NASA’s efforts to recognize life if they find it:

There’s a growing interest in so-called biosignatures — or substances that provide evidence of life — because NASA has upcoming missions that have real potential to search for them. Those include a visit to Europa in the 2020s and the 2018 launch of the James Webb Space Telescope, which could scan the atmospheres of planets around other stars.

The last thing NASA officials want is a repeat of the experience with the Viking missions back in the 1970s, when analysis of Martian soil chemistry produced what was initially interpreted as evidence of life — but then later deemed a false-positive.

“I remember the aftermath of that,” says James Kasting, a professor of geosciences at Penn State University, who was tasked with planning this week’s meeting. “NASA was criticized heavily for looking for life before they had investigated the planet and for not having thought that through carefully. They’re hoping to avoid that same experience.”

Finding life means first defining life, and NASA’s Green says the key features are that it must metabolize, reproduce and evolve.

(19) ESA WILL BUILD ROVER. The European Space Agency will build a Mars rover, even if the cost keeps going up.

Europe will push ahead with its plan to put a UK-assembled robotic rover on the surface of Mars in 2021.

Research ministers meeting in Lucerne, Switzerland, have agreed to stump up the outstanding €436m euros needed to take the project through to completion.

The mission is late and is costing far more than originally envisaged, prompting fears that European Space Agency member states might abandon it.

But the ministers have emphatically reaffirmed their commitment to it

(20) AUTO INTELLIGENCE. Uber has bought an AI company to move toward self-driving car.

Ride-sharing service Uber has acquired a New York-based artificial intelligence start-up which it hopes can speed up its progress in creating self-driving cars.

The deal, for an undisclosed sum, will see Uber gain 15 specialist researchers who will form a new division at the company known as Uber AI Labs.

(21) DISAPPEARING STAR. Did you enjoy the video of Chris Pratt’s magic, linked here the other day? Cards aren’t the only medium he does tricks in — “Chris Pratt keeps cropping Jennifer Lawrence out of Instagram selfies and it’s hilarious”.

The acting megastar duo are both starring in upcoming sci-fi romance Passengers, but throughout the film’s promo tour 37-year-old Pratt has been enjoying social media hijinks by cutting out 26-year-old Lawrence whenever the pair share a snap together….

 

(22) WINTER IS COMING. At Dangerous Minds, “Stunning images of pagan costumes worn at winter celebrations around the world”.

In a recent interview, French photographer Charles Fréger revealed that he has always been fascinated by European tribal traditions. This fascination inspired the well-known artist to travel all around Europe to capture images of people dressed in ritualistic costumes honoring the arrival of winter and other seasonal celebrations.

Fréger began his journey in Austria and to date has photographed stunning costumes and rituals from 21 countries around the world. According to Fréger there are many celebrations that mark the arrival of winter that take place in the Czech Republic and, say, Italy that are quite similar when it comes to the materials that are used to create the costumes. Such as the incorporation of animal pelts, branches from trees, horns and bells into the costumes. Though they may share similar appearances, the story behind each living piece of folklore varies from country and location. Here’s more from Fréger about why so many of these celebrations often involve a human masquerading as an animal:

It is not about being possessed by a spirit but it is about jumping voluntarily in the skin of an animal. You decide to become something else. You chose to become an animal, which is more exciting than being possessed by a demon.

(23) LOL. Larry Correia goes through the comments carefully answering everyone’s questions about when the electronic and audiobook versions of his latest novels will be available, when one fan decides to yank his chain:

Ben Smith: Will the leather bound book have a kindle version?

(24) MR. GREEN HAS ARRIVED. Let’s kick off the verse segment of today’s Scroll with a link to Theodora Goss’ “The Princess and the Frog” which begins….

I threw the ball into the water.
The frog came out and followed after,
bringing me the golden ball —
which I did not want at all, at all.

(25) SEASONED GREETING. Joe H. and Heather Rose Jones produced this collaboration in comments.

Lo, how a pixel scrolling,
From tender file hath sprung…
Of Glyer’s laptop coming
As SMOFs of old hath sung

(26) THEN ONE FOGGY CHRISTMAS EVE. In a piece called “Hamildoph (An American Christmas Story)” the group Eclipse 6 performs “Rudolph, the Red-Nosed Reindeer” as if it was done by the cast of Hamilton.

I cannot fly if I cannot see, people!
I’m in dire need of assistance.
Brrr
Your Excellency, you wanted to see me?
Rudolph, come in—did you say “brrr”?
Yes, sir, ‘cause it’s freezing.

 

[Thanks to JJ, Chip Hitchcock, Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 11/29/16 In A Scroll On The Web There Lived A Pixel

(1) FURTHER DISCOVERIES. Two more Star Trek: Discovery cast members have been announced reports Variety.

Doug Jones and Anthony Rapp have joined Michelle Yeoh as the first official cast members of “Star Trek: Discovery.”

Jones will play Lt. Saru, a Starfleet science officer and a member of an alien species new to the “Star Trek” universe. Anthony Rapp will play Lt. Stamets, an astromycologist, fungus expert, and Starfleet science officer aboard the starship Discovery. Yeoh, whose addition to the cast was reported last week by Variety, will play Captain Georgiou, the Starfleet captain aboard the starship Shenzhou.

(2) IT IS WHAT IT AINT. Mike Resnick, in “What Science Fiction Isn’t”, says the history of science fiction is littered with discarded definitions of the genre. The creator of the field, Gernsback, SFWA founder Damon Knight, critic James Blish, all were sure somebody else was doing it wrong.

And what’s driving the purists crazy these days? Just look around you.

Connie Willis can win a Hugo with a story about a girl of the future who wants to have a menstrual period when women no longer have them.

David Gerrold can win a Hugo with a story about an adopted child who claims to be a Martian, and the story never tells you if he is or not.

I can win Hugos with stories about books remembered from childhood, about Africans who wish to go back to the Good Old Days, about an alien tour guide in a thinly-disguised Egypt.

The narrow-minded purists to the contrary, there is nothing the field of science fiction can’t accommodate, no subject – even the crucifixion, as Mike Moorcock’s Nebula winner, “Behold the Man”, proves – that can’t be science-fictionalized with taste, skill and quality.

I expect movie fans, making lists of their favorite science fiction films, to omit Dr. Strangelove and Charly, because they’ve been conditioned by Roddenbury and Lucas to look for the Roddenbury/Lucas tropes of movie science fiction – spaceships, zap guns, cute robots, light sabres, and so on.

But written science fiction has never allowed itself to be limited by any straitjacket. Which is probably what I love most about it….

(3) A PRETTY, PREDICTABLE MOVIE. Abigail Nussbaum’s ”(Not So) Recent Movie Roundup Number 22” includes her final verdict on Doctor Strange.

Marvel’s latest standalone movie has a great opening scene, and a final battle that toys with some really interesting ideas, finally upending a lot of the conventions of this increasingly formulaic filmic universe.  In between these two bookends, however, there’s an origin story so tediously familiar, so derivative and by-the-numbers, that by the time I got to Doctor Strange‘s relatively out-there conclusion, all I wanted was for the thing to end.  As noted by all of its reviewers, the film is very pretty, positing a society of sorcerers who fight by shaping the very fabric of reality, causing geography and gravity to bend in on themselves in inventive, trippy ways.  The film’s opening scene, in which bad guy Kaecilius (Mads Mikkelsen) and Dumbledore-figure The Ancient One (Tilda Swinton) stage such a battle in the streets of London, turning buildings and roads into a kaleidoscope image, is genuinely exciting.  For a brief time, you think that Marvel might actually be trying something new. Then the story proper starts, and a familiar ennui sets in….

(4) THE CASH REGISTER IS MIGHTIER THAN THE SWORD, Fanartists have been doing this all along – so Mr Men thought to himself, “I should get paid!” — “Mr Men to release a series of Doctor Who themed books”.

dr-twelfth

In a fun new partnership, BBC Worldwide and Mr Men publishers Sanrio Global have got together to create a series of Mr Men books based on each of the 12 Doctors….

The books be published by Penguin Random House and will combine “the iconic storytelling of Doctor Who” with the Mr Men’s “whimsical humour and design”.

And, of course, there will also be a series of related merchandise released to coincide with the first four books’ release in spring 2017.

They will follow stories based on the First, Fourth, Eleventh and Twelfth Doctors, played by William Hartnell (1963-1966), Tom Baker (1974-1981), Matt Smith (2010-2013) and Peter Capaldi (2013-present). The remaining Doctors’ stories will follow on an as-yet unconfirmed date.

(5) NORTHERN FLIGHTS. Talking Points Memo says the Internet is fleeing to Canada. Well, okay, I exaggerated….

The Internet Archive, a digital library non-profit group that stores online copies of webpages, e-books, political advertisements and other media for public record, is fundraising to store a copy of all of its contents in Canada after Donald Trump’s election to the presidency.

Five hundred years from now will somebody be writing “How the Canadians Saved Civilization” like that book about the Irish?

(6) STOP IT OR YOU’LL GO BLIND. Gizmodo found out “Why Spaceflight Ruins Your Eyesight”

Astronauts who return to Earth after long-duration space missions suffer from untreatable nearsightedness. Scientists have now isolated the cause, but finding a solution to the problem will prove easier said than done.

The problem, say researchers from the University of Miami Miller School of Medicine, has to do with volume changes in the cerebrospinal fluid (CSF) found around the brain and spinal cord. Prolonged exposure to microgravity triggers a build-up of this fluid, causing the astronauts’ eyeballs to flatten, which can lead to myopia. A build-up of CSF also causes astronauts’ optic nerves to stick out, which is also not good, as the optic nerve sends signals to the brain from the retina. This is causing nearsightedness among long-duration astronauts, and it’s problem with no clear solution in sight (so to speak).

(7) APPLAUSE. Congratulations to JJ – her post about Walter Jon Williams’ Praxis series got a shout-out in Tor.com’s newsletter —

Your Praxis Primer Impersonations is the latest book in Nebula Award winning author Walter Jon Williams’ Praxis series, a standalone story that fits into the bigger arc of Williams’ ongoing space opera adventure. For a helpful rundown on the series, check out this guide to the Praxis universe, with links to excerpts for each installment! If you enjoy fast-paced, fun military science fiction like David Weber’s Honor Harrington books, pick up Impersonations, or start with The Praxis: Dread Empire’s Fall, the first book in the series.

(8) CARTER OBIT. Author Paul Carter has died at the age of 90 reports Gregory Benford. “I wrote a novella with him about Pluto and had many fine discussions at the Eaton and other conferences. A fine man, historian, fan.”

David Weber in his introduction to The Year’s Best Military SF & Space Opera (2015) credited C. L. Moore & Henry Kuttner’s “Clash by Night” (Astounding, March 1943) and Paul Carter’s “The Last Objective” (Astounding, August 1946) as two of the earliest examples of military science fiction (by which he means something a bit more cerebral than all the space opera that preceded them):

The Last Objective by Paul Carter appeared in 1946, but Carter wrote the story while he was still in the Navy; his commanding officer had to approve it before it could be sent to Astounding. It’s just as good as [Moore & Kuttner’s] Rocketeers, but it’s different in every other fashion.

Carter describes wholly militarized societies and a war which won’t end until every human being is dead. Rather than viewing this world clinically from the outside, Carter focuses on  a single ship and the varied personalities who make up its crew. (The vessel is tunnelling through the continental plate rather than floating on the sea, but in story terms that’s a distinction without a difference.)

Carter is pretty sure that his CO didn’t actually read the story before approving it. My experience with military officers leads me to believe that he’s right, though it’s also possible that his CO simply didn’t understand the story’s horrific implications.

Carter also wrote a book about sf history. The Science Fiction Encyclopedia says his The Creation of Tomorrow: Fifty Years of Magazine Science Fiction (anth 1977) “demonstrated an intimate and sophisticated knowledge of the field.”

(9) TODAY IN HISTORY.

  • November 29, 1948 — Kukla, Fran and Ollie debuted on television. (And a couple of years later, my father worked as a cameraman on the show)

(10) TODAY’S BIRTHDAY BOY

  • Born November 29, 1898 – C. S. Lewis

(11) HINES AUCTIONS KRITZER CRITIQUE. In the fourth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions, the item up for bid is a story critique from award-winning author Naomi Kritzer.

Attention writers: Today’s auction is for a critique of a short story, up to 7500 words, by Hugo award-winning author Naomi Kritzer.

Kritzer has been writing and selling her short fiction since before the turn of the century, and she’ll use that experience and expertise to help you improve your own story.

Disclaimer: Winning this auction does not guarantee you’ll win a Hugo award — but you never know, right?

(12) WE INTERRUPT THIS NOVEL. George R.R. Martin will attend a book fair in Mexico. Then he’s going to finish Winds.

My first real visit to Mexico starts tomorrow, when I jet down to Guadalajara for the Guadalajara International Book Fair: https://www.fil.com.mx/ingles/i_info/i_info_fil.asp I’m one of the guests at the conference. I’ll be doing interviews, a press conference, a live streaming event, and a signing. I expect I will be doing some tequila tasting as well. I am informed that Guadalajara is the tequila capital of Mexico. I am looking forward to meeting my Mexican publishers, editors, and fans. This is my last scheduled event for 2016. My appearance schedule for 2017 is very limited, and will remain so until WINDS is completed. So if you want to meet me or get a book signed, this will be the last chance for a good few months…

(13) THEIR TRASH IS HIS TREASURE. Artist Dave Pollot’s business is improving old, clichéd, mundane art prints and selling them to fans through his Etsy store:

holy-seagulls-batman

This is a print of repurposed thrift store art that I’ve painted parodies of Batman and Robin into….

The Process: This is a print of one of my repurposed paintings. I find discarded prints and paintings (ones you may have inherited from great grandma and brought to your local donation bin), and make additions. Sometimes I paint monsters, other times zombies, and most times some pop culture reference- Star Wars, Futurama, Ghostbusters, Mario Brothers…the list goes on. I use oil paints and do my best to match the style of the original artist. My hope is to take these out of the trash can and into a good home; full-circle- from a print that proudly hung on your Grandma’s wall, to a print that proudly hangs on yours.

(14) BANZAI LAWYERS. SciFiStorm reduces the bad news to basics: “MGM sues Buckaroo Banzai creators over rights; Kevin Smith exits project”.

Let me see if I can sum this up, as it seems a lot has happened very rapidly…MGM and Amazon struck a deal to develop a series based on the 1984 film The Adventures of Buckaroo Banzai Across the 8th Dimension, and signed on Kevin Smith, the creator of Clerks and all the other Jay and Silent Bob movies and the guy I’d most like to just hang out and have a beer with, as the showrunner. But original writer Earl Mac Rauch and director Walter D. Richter claim they have the rights to a TV series. So MGM preemptively filed a lawsuit to have a court to seek declaration of the rights.

Telling fans in a Facebook video…that the lawsuit was “news to me,” Smith announced that he has dropped out of the project.

(15) PLAQUE. Gregory Benford sent along a photo of the plaque he received as a Forry Award winner last weekend at Loscon.

forry-award-min

(16) TREE FULL OF TENTACLES.  Archie McPhee is working desperately hard to sell you this seasonal abomination:

While her Cthulhumas Wreath Creature guards the entrance to the house, this year there’s a bright red Cthulhumas tree watching everyone and everything and it never, ever sleeps.

‘Twas a week before Cthulhumas, when all through the house every creature was trembling, in fact so was the house. Not one stocking had been hung by the chimney this year, for fear that Dread Cthulhu was already near.

The cats were nestled all snug in their beds, completely indifferent to our cosmic dread. And mamma in her robes and I in my mask, had just steadied our minds for our infernal task, when from deep in the basement there arose such a din, at last we knew the ritual was soon to begin.

Down to the cellar I flew like a flash, lit all the candles and sprinkled the ash. Light on the altar came from no obvious point, it soon became clear time was all out of joint.

When what to my cursed bleeding eyes did appear, but a fathomless void, then I felt only fear. With a wriggle of tentacles and shiver of dread, I knew in a moment I was out of my head.

Then a nightmarish god, with his eight mewling young, burst forth from the dark and shrieked, “Our reign has begun!“

christas-cthulhu

(17) SPEED TYPIST. Just the other day File 770 lined to a clip from Chris Hardwick’s Almost Midnight all about Chuck Tingle.

Looks like it took no time at all for Tingle to write a book commemorating the occasion: Hard For Hardwick: Pounded In The Butt By The Physical Manifestation Of My own Handsome Late Night Comedy Show.

tingle-hard-for-hardwick

(18) ONE STAR REVIEWS. One-star reviews were a weapon used by some in last year’s literary fracas, though never with any sense of humor. But a Chicago Cubs blogger just put out a book about their World Series season — and it is getting the funniest bunch of one-star reviews I’ve ever read. Read this sample and it will be easy to guess why the author received such a hostile reception….

I know this author from the Internet. He runs a website and routinely posts opinions and people comment on those opinions.

Ín real life he routinely bans commenters on his website that disagree with him. This leads to one of the bad features of this book. If you think a bad thought about the book, it shuts close and you are unable to read it until you contact the author by email and apologize. This is an annoying feature.

Also in real life when one of the author’s website opinion posts are disliked by the majority of readers he deletes the post and comments like it never happened. This book has a similar feature in that the words disappear from the pages over time and eventually you are left with 200+ blank pages that really aren’t good for anything but the bottom of a bird cage. This decreases the value of the book and does not make it suitable for archiving.

Overall, I can’t recommend.

[Thanks to John King Tarpinian, JJ, Andrew Porter, and Harold Osler for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/13/16 ROFLMPO – Rolling On File, Laughing My Pixels Off

(1) LITIGATION. File 770 reported in September about the Kickstarter appeal raising funds for Oh, The Places You’ll Boldly Go!, featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman.

The holders of the Dr. Seuss rights have objected and sued for damages reports TMZ.com in “Oh, The Lawsuits You’ll See”.

Dr. Seuss‘ stories should NOT be rehashed with Vulcans or Klingons in the mix — at least not without permission … according to a new lawsuit.

The Doc’s camp just filed suit against ComicMix, which thought it’d be neat to make a ‘Star Trek‘ version of “Oh, the Places You’ll Go!” In the docs, obtained by TMZ, the Seuss’ co. says ComicMix fused elements of the classic book with their own story, and even jacked actual prose from the original … all without asking.

They say ComicMix knew damn well it was doing the Doc dirty because its Kickstarter page for the project mentioned they might have to go to court to prove their work was parody and not a violation of copyright. They acknowledged, “we may even lose.”

Team Seuss is suing for damages. A lawyer for ComicMix tells us they love Dr. Seuss and hope to resolve the suit amicably.

(2) NATIONAL GEOGRAPHIC MARS SERIES. Don’t wait until the November 14 premiere. Stream the Mars premiere now.

The year is 2033, and humanity’s first crewed mission to Mars is about to become a reality. As a clock counts down the final 90 seconds to landing, an expert crew of astronauts endures the final harrowing moments before touching down on the red planet. Even with the best training and resources available, the maiden crew of the Daedalus spacecraft must push itself to the brink of human capability in order to successfully establish the first sustainable colony on Mars. Set both in the future and in the present day, the global miniseries event MARS blends feature film-caliber scripted elements set in the future with documentary vérité interviews with today’s best and brightest minds in modern science and innovation, illuminating how research and development is creating the space technology that will enable our first attempt at a mission to Mars.

(3) TAOS TOOLBOX. Walter Jon Williams announced today the “Most Famous Author in the World” George R.R. Martin will be joining the Taos Toolbox faculty as a special guest. The Taos Toolbox Writers Workshop takes place June 18-July 1, 2017.

George was our guest for the very first Taos Toolbox, and now he’s consented to return for our tenth anniversary. We’re pleased and flattered to have him, even if it’s only once per decade.

The other faculty are Walter Jon Williams, Nancy Kress, with special lecturers Steven Gold and E.M. Tippets.

(4) DINO DUTY. Tastes great? Less filling?  “Jurassic World 2 Will Be Both a Jurassic World Sequel and Jurassic Park 5, Says J. A. Bayona” at CinemaBlend.

Earlier today, I had the great pleasure of sitting down one-on-one with J.A. Bayona in promotion of his upcoming movie A Monster Calls, and it was towards the end of our chat that we talked a bit about his next project. I posed the aforementioned question to the filmmaker, and he not only enjoyed the challenge of the query, but explained why his installment in the dinosaur franchise will be both Jurassic World 2 and Jurassic Park 5.

(5) TOVAR OBIT. Lupita Tovar, the Mexican actress who starred in the 1931 Spanish-language version of Dracula that was shot at the same time on the same sets as the Bela Lugosi picture has died at the age of 108 according to The Hollywood Reporter.

… Lupita returned to Mexico to great acclaim to star in Santa (1932), her country’s first talking film, and later appeared in The Invader (1936) opposite Buster Keaton, Blockade (1938) with Henry Fonda, South of the Border (1939) with Gene Autry and The Westerner (1940) with Gary Cooper….

Lupita Tovar’s daughter is Susan Kohner, who earned an Oscar nomination for portraying the young woman who rejects her black mother (Juanita Moore) and tries to pass herself off as white in the 1959 Douglas Sirk melodrama Imitation of Life.

Other survivors include her grandchildren Chris Weitz and Paul Weitz, Kohner’s sons, who shared an Oscar screenplay nomination for About a Boy (2002).

Tovar was married to Czech-born producer and Hollywood agent Paul Kohner, who represented the likes of Greta Garbo, John Huston, Lana Turner, Ingmar Bergman, Yul Brynner, David Niven, Billy Wilder and Charles Bronson, from 1932 until his death in 1988.

(6) DRACULA EN ESPAÑOL. For those unfamiliar with the movie, here’s some background: “Night Shift: 6 Reasons to Watch Universal’s Spanish-language Dracula (1931)”.

They worked like children of the night, shooting from sundown to sunrise. Directed by a man who didn’t know a word of their language, the Spanish-speaking actors filmed an obscure alternative version of what would become one of the most famous movies of all time.

“Above all,” explains Lupita Tovar, the film’s heroine, “we wanted our version to be the best.” And, in many ways, it is.

For those of us who’ve watched and rewatched the Lugosi version, the simultaneously shot Drácula opens up a mind-boggling parallel universe—one with much improved camerawork and often more convincing acting.

This is a lavish, artful film in its own right, so much more than the “bonus feature” it’s listed as on home releases. If I haven’t hooked you already, here’s why any movie buff or horror fan needs to see Drácula.

(7) TODAY IN HISTORY

  • November 13, 1933 The Invisible Man premieres. Did you know: in order to achieve the effect that Claude Rains wasn’t there when his character took off the bandages, James Whale had him dress completely in black velvet and filmed him in front of a black velvet background.
  • November 13, 1940 — Walt Disney’s Fantasia premiered at the Broadway Theater in New York; first film to attempt to use stereophonic sound.

(8) TODAY’S BIRTHDAY GIRL

  • Born November 13, 1955 — Whoopi Goldberg

(9) TODAY’S BIRTHDAY BOY

  • Born November 13, 1947 – Joe Mantegna, who appeared in both the stage production and the Disney movie of Ray Bradbury’s Wonderful Ice Cream Suit.

(10) NORTHBOUND SEASON 2. Production has begun on GeekNation sci-fi series Northbound Season 2. Watch the Season 2 Teaser.

Northbound is a post-apocalyptic webseries set in a North American wilderness soon after a mysterious, cataclysmic event killed millions in a single day. Season 1 of the series is available to view for free exclusively through the entertainment website, GeekNation. The filmmakers are comprised of a Michigan and Los Angeles-based team that is dedicated to shooting in Michigan, and contributing to the long-term growth of the Upper Peninsula region.

Season 1, and the upcoming Season 2 of Northbound are designed as a prelude series to a feature film titled Northstar. Taken as a whole, The Northstar Saga will tell the story of a father as he works to discover why his daughter was one of the rare survivors to be rendered comatose after The Cataclysm. His journey will put him into contact (and inevitable conflict) with others that are struggling to rebuild lives, communities and an overall sense of purpose in a hazardous new world.

northbound-northtar

(11) PHILOSOPHICAL APPROACH. Ethan Mills reviews the movie Arrival (beware copious spoilers) at Examined Worlds.

Director Denis Villeneuve has created a beautiful adaptation, from the striking cinematography to Jóhann Jóhannsson’s unnervingly sublime score. Amy Adams portrays the quiet strength and struggle of the main character, Dr. Louise Banks. I think I speak for most of my fellow college professors when I say it’s great to see a college professor depicted in a movie as a full human being rather than a pompous jerk, an emotionless egghead, or the absent-minded comic relief.

(12) STYLING ALIENS. In the Washington Post, Stephanie Merry takes the aliens in Arrival as a cue to look at how Hollywood has looked at aliens in sf films of the past 40 years, including Close Encounters, Mars Attacks! and Edge of Tomorrow. Beware mild spoilers in “The aliens in ‘Arrival’ are stunning. How do they compare to other film creatures?”

The aliens in “Arrival” are spectacular, and that’s no small feat. In most “first contact” movies, the otherworldly creatures almost always let us down. Either they’re predictable — you know, little green men speaking an echoey, indecipherable language or stereotypical “Greys” with the big eyes and the egghead — or they look fake.

Carlos Huante tested many iterations with director Denis Villeneuve before they settled on the final design for “Arrival,” which came out this week and follows a linguist (Amy Adams) who’s trying to understand what these visitors want. The creature artist first considered a very conventional look but also tried out beings that were more like stone creatures; ones composed of stacks of paper; and egg-shaped critters ambling around on spider legs.

(13) ROLL ‘EM. Victoria Silverwolf at Galactic Journey finds fiction sometimes parallels Hollywood in “[November 13, 1961] (Un)moving Pictures (December 1961 Fantastic)”.

Back to the movies.  Point, by John T. Phillifent (perhaps better known under his pen name John Rackham), deals with a group of filmmakers who travel to Venus to make their latest blockbuster.  The proposed feature involves beautiful female Venusians, and seems intended to provide a bit of satire of silly science fiction movies such as Queen of Outer Space.  Although the author’s description of Venus is a bit more realistic than that, it’s still not terribly plausible.  The Planet of Love is a very dangerous place, inhabited by all kinds of deadly creatures, but its atmosphere is breathable, and humans can walk around on its hot, steamy surface without spacesuits.  The plot deals with a pilot who agrees to take the film crew into the Venusian wilderness.  As you might expect, things quickly go very wrong, and the story turns into a violent account of survival in a hostile environment.  All in all it’s a fairly typical adventure yarn, competent but hardly noteworthy.  Two stars.

[Thanks to Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John Winkelman.]