See Gianni’s 2014 Ice & Fire Calendar Art at Comic-Con

Artist Gary Gianni, who is bringing George R.R. Martin’s Ice & Fire world and characters to life in a 2014 calendar, has announced all 12 paintings will be unveiled in July at the San Diego Comic-Con.

When George R.R. Martin announced Gianni’s selection a year ago he said,

I’ve been a huge fan of Gianni’s ever since I first stumbled upon a copy of the Wandering Star limited edition of The Savage Tales of Solomon Kane (my favorite Robert E. Howard character, fwiw). Until I saw the Wandering Star book, the notion that any other artist could ever do a Solomon Kane to compare to Jeff Jones’s version would have struck me as rank heresy, but Gianni’s art blew me away.

Gianni has also been mentioned here in connection with his artwork for Bradbury’s The Nefertiti-Tut Express: A Story in Screenplay.

The 2014 calendar will be published by Random House and can be pre-ordered through Amazon.com.

[Thanks to John King Tarpinian for the story.]

Three Swords in the Fountain

As the new season of HBO’s Game of Thrones begins the editors at every news outlet and literary website are assigning articles about the meaning of it all. Here are three pieces I recommend.

Andy Greenwald’s “Winter Is Here” for Grantland is filled with interesting observations about the way HBO’s Game of Thrones is changing the medium – really, making TV more like a book.

Washington Post critic Hank Stuever stands up for inexpert admirers of Game of Thrones like himself who love the show although they’re unable to keep track of its details. Stuever argues the series’ popularity is revealing about the American audience:

That “Game of Thrones” has achieved zeitgeist status should offer a shred of hope for anyone who prematurely mourned the American attention span. It turns out we can pay meticulous attention when we want to. Imagine if the power exerted in analyzing and comprehending “Game of Thrones” could be exerted on the debt crisis?

This era was made for such a story. “Game of Thrones” is a reward for people who know too much. It’s one of the few places on TV where they can use their advanced multi-tasking and light-speed comprehension skills; where, at last, one can sink deeply and satisfying into the couch and feel like that college degree is doing more than accruing interest.

John Lanchester’s commentary for the London Review of Books deals collectively with the novels and TV series in a glib and entertaining style.

These are not peripheral figures but richly imagined, textured, three-dimensional portraits of central characters: the kind many writers couldn’t bear to kill off. Nobody needs to give Martin any advice about how he needs to slaughter his darlings.

Lanchester blabs rather too many plot points – so beware if you haven’t already read the books.

[Thanks to Martin Morse Wooster for the last link.]

Good SF Day in the LA Times

Nalo Hopkinson gives a very interesting interview to reporter Mindy Farabee, “Nalo Hopkinson’s science fiction and real-life family”.

Nalo Hopkinson is trying to mess with your mind. The much-lauded writer of science fiction and fantasy sits at one of her favorite Mexican joints, Tio’s Tacos, a funky art-strewn restaurant near the campus of UC Riverside, where she has taught creative writing since 2011.

There’s also a video interview with George R. R. Martin who comments about the good reception for a game based on his “Song of Ice and Fire” series, then reveals he hasn’t played video games for decades.

“It wasn’t that I didn’t like them,” Martin told the Los Angeles Times on the red carpet. “It was that I liked them too much. I think I probably lost a novel or two there.” 

Game of Thrones, Princess Bride Edition

Today’s hipster arrives at his sick grandson’s bedside ready to unwrap – A Game of Thrones! This fan-made trailer blends The Princess Bride with clips from the HBO series.

The commenters at YouTube immediately got into the spirit –

“We ah gavvered hea today to join Joffwee Bawafean and Mawgerry Tiwell in howy Mawage… Mawage is wot bwings us togeder tooday. Mawage, that bwessed awangment, that dweam wifin a dweam…”

And –

“My name is Arya Stark. You killed my father. Prepare to die.”

Chicon 7 Still Going On?

Game of Thrones author George R. R. Martin appeared on Peter Sagal’s NPR game show Wait, Wait, Don’t Tell Me today.

We’ve invited Martin to take a quiz called Game of Trombones. Three questions about things that rhyme with thrones.

The show is produced in Chicago, where not long ago Sagal was helping Mo Ryan interview Martin at a Chicon 7 program item. Did I go home too early? Maybe the convention hasn’t ended! (Dave McCarty’s nightmare…)

Martin Interview at Chicon 7

Mo Ryan of the Huffington Post interviewed George R.R. Martin on the program at Chicon 7. Steven H Silver adds:

About three minutes before the panel, I brought Peter Sagal of Wait, Wait…Don’t Tell Me into the room and introduced him to Mo, asking her to make sure he was introduced to George.  More than that, she invited Peter to be on the panel.

A podcast recording of the whole panel is here.

Ryan’s blog post summarizing the panel is here.

47 minutes [in]: Martin talks about using magic sparingly in his tales. “A little magic goes a long way,” he said, noting that there’s not a ton of “on-stage magic” in “The Lord of the Rings.” And he said he much prefers alluding to magic that is “strange and unknowable” rather than constructing a “system” of magic, which he called “fake science.” “Magic is cooler to my mind when it’s dangerous,” Martin said.

Good to know Peter Sagal made it to Chicon 7 after all, despite having withdrawn as a special guest due to a commitment to film a documentary in Reykjavik.

Betting on a Blip

Redshirts made the New York Times hardcover fiction list for June 24, but unfortunately stayed there only one week, exiting as suddenly as one of its namesakes on Star Trek.

I decided to check after scanning the Locus Bestsellers for July 2012 list, expecting Redshirts to be in there somewhere. No, it’s too early. I learned from an endnote that Locus’ July list is based on the April 2012 data period.

How big of a splash in the marketplace must a book make to top the Locus bestseller list? George R.R. Martin’s A Dance with Dragons has been the bestselling hardcover for 10 straight months. Someday that will change. Does Redshirts have that much pop? We’ll find out when Locus gets the June 2012 data.

Head of State

Game of Thrones creators David Benioff and D.B. Weiss have now apologized for this:

It emerged on Wednesday that in a DVD commentary for season 1, the show creators said that one of the many decapitated heads that appeared on “Game of Thrones” last season was a prop likeness of Bush.

“The last head on the left is George Bush,” says Benioff, in the DVD commentary.

“George Bush’s head appears in a couple beheading scenes,” adds Weiss.

I mind, though I’d be surprised to hear George R.R. Martin minds.

And by all means hurry if you want an uncut copy of the DVD because HBO, offering profuse apologies of its own, has promised to remove the offending bit from future DVD productions.

Monahan: Olympus 2012 Eastercon Report

By Jacq Monahan – TAFF Delegate 2012: From April 6-9, Olympus 2012 attendees convened at the Radisson Edwardian Heathrow for the 63rd Annual Eastercon (National British Science Fiction Convention). The venue lived up to its labyrinthine reputation by confusing everyone who checked in after they’d received their key card. I myself thought that I’d been given a gag room number that didn’t really exist. Then again, I’m a Yank, and that’s both a noun AND a verb.

All of the action (panels, bar, Art Room, Ops, Gopher Hole) happened on the third and fourth floors, accessible by marble staircases, elevators, and accident. It seems that one could find their way around by not looking for anything in particular and simply stumbling across the place they were looking for.

The four Guests of Honor (George R.R. Martin, Cory Doctorow, Paul Cornell, and Tricia Sullivan) were introduced at an Opening Ceremony where they shared the stage with Eastercon organizers and two Fan Guests of Honor (Margaret Austin and Martin Easterbrook).

Membership got attendees a badge with the descriptive name of their choice. Somehow I got the moniker TAFF Jacq, perhaps to differentiate me with fellow con-men FLAP and CAR. Other creative badges held names like Crazy Dave, Lost Car Park, and THE Anders.

A heavy bag accompanied the lanyard, and it contained two large paperback books, an Olympus mug and pen, programme books (two) and various flyers touting future conventions and publications. Locals were thrilled. Travelers wondered how they would stuff the extra 10 lbs. into already crammed suitcases for the return flight.

An entire third floor wall was dedicated to various other-con information. Most of the third floor, however, was taken up with the popular bar area, a place I christened Wasted Space. The name suited the activity that went on there – pints poured, shaved, and consumed at 4 pounds each – but the name was also quite literal. Most of the square footage was consumed by a large pond full of ceramic animals and fish, good for no other purpose than to gaze upon while being forced into closer proximity than one would like with fellow con-panions.

False indoor bridges gave the inebriated an extra sense of danger in maneuvering their way around the crowded-though-spacious, area.

The Dealers’ Room was full of books, jewelry, Beeblebears (at 29 pounds each, all 20 of them sold out) weapons, dragons, and even more books.

The Art Room featured a Fiji Mermaid, paranoid signs forbidding photographs, requisite female-only nudity in more than one painting, and fantasy sculptures left uncaptured for this report because of paranoid signs forbidding photographs.

The Green Room was where you’d go before your assigned panel to order a drink. The Gopher Hole was where you’d go if you suddenly lost your mind and was looking for frenzied organizational tasks to complete.  Lost was a place you found yourself several times during the first two days and it was always in a different location each time.

Ops was where you’d find people who eyed you warily as you entered. Were you heaving yet another complaint their way? Urgent problem? Logistical nightmare? These were the people with the Big Printout, who could unravel any mystery. One could virtually wither under their laser-like gaze and their heard-it-all-before pronouncements.

Panels – there were scores of them, covering fantasy, television, film, REAL science, GOH interviews and readings, a fan programme, and one constructed just for kids.

Of course the hotel’s largest meeting room, the Commonwealth, was reserved for the well-attended Opening and Closing Ceremonies, the George R.R. Martin and Cory Doctorow interviews and readings, and the notorious, traditional spoof that is Ian Sorenson’s play.

This year’s offering was Oliver, with a Twist, and starred Ian himself (in a dress) along with Yvonne Rowse, Julia Daly and Doug Spencer. There were parts for the TAFF and GUFF delegates, too, although it was rumored that Charles Dickens himself lobbied to have his name taken off the credits. Those brave enough to attend got enough laughs and groans to approximate a drunken revel, and soothe entire affair was deemed a rousing success by all.

GRRM, as he’s known, dominated the con with his reading of an excerpt from his unfinished The Winds of Winter, the sixth book in his popular Ice and Fire series, telling the crowd that it all came to him “in a vision.”

Canadian Cory Doctorow was interviewed by his longtime publisher Patrick Nielsen Hayden (TAFF ’85) and opined on world affairs and the stoicism of Brits. Seems sometimes even the urbane Doctorow likes a good rant – he just wishes he’d get a little sympathy from his English counterparts.

Panel names ranged from the whimsical (Imaginary Gripe Session) to the uber-serious, real science-oriented (MER Rover Mission to Mars, Geo-engineering to Save the Planet, The Science of Rocket Science).

Gender Parity was a hot topic. Were females being equally, even adequately represented on panels? For example, Sex and Fantasy on TV featured five male panelists and only one female to fend off comments like, “I’ll never object to nude women on television” and “why do they have to show male full frontal?” These last two utterances were made by men. Surprise!

A Fan Programme introduced Fan Fund delegates to interested attendees and also offered an auction and Tombola Table for eager chance takers who seemed to toss their pound coins into the till for a chance to win the set of Dr. Who figures – 11 in all.

A Kids’ Programme featured Balloon Modeling, a Beads and Origami Workshop, How to Knit a Dalek, Parts 1 and 2, a Beeblebears’ Picnic, and Clay Creature Composition, in addition to an Easter Egg Hunt.

Panels on Film and TV were augmented by an eclectic group with titles like Training Horses for Film Work, Tips for Playing Scrabble, Podcast Workshop, and Sufficiently Advanced Magic.

A movie room screened Minority Report, The Day the Earth Caught Fire, Galaxy Quest, and assorted shorts (not the wearable kind, mind you).

There was a Disco, a Masquerade (the Wirrm from a Dr. Who episode won the Award), a Red Planet LARP, hours of Filking, and even dance lessons for the incredibly brave or alcohol-fueled.

BSFA Awards were announced (Chris Priest controversy aside) and Hugo Nominations netted congratulations for attendees Claire Brialey, Mark Plummer, and James Bacon.

The con sold out before it opened – a rare occurrence – with nearly 1,400 souls meandering about the confusing corridors of the Radisson at any given moment. You could say that the experience added to the exploratory and discovery experience of the event if you were so inclined.

You could say that Eastercon Olympus 2012 was a smashing success and you’d be correct, if only you could find the right hallway to take you to tell someone about it.