Kate Wilhelm (1928-2018)

Kate Wilhelm

Kate Wilhelm died March 8 following a brief illness Her son, Richard, made the announcement on Facebook:

Her warmth, humor, and immense talent will be deeply missed. Her life as a loving mother, prolific author, friend, and generous mentor will be cherished by many. We’re proud to continue her legacy, publishing her backlist and recent work through infinityboxpress.com… A celebration of life will be held in Eugene on Friday, June 8, 2018, Kate’s birthday. Details will be announced.

Wilhelm’s first published short fiction was “The Pint-Size Genie” in the October 1956 issue of Fantastic. The next year, her first accepted story, “The Mile-Long Spaceship”, was published by John W. Campbell, Jr. in Astounding.

She won the Best Novel Hugo for Where Late the Sweet Birds Sang in 1977, and the Best Related Book Hugo for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop in 2006. She won three Nebula Awards, for the short stories “The Planners” (1969) and “Forever Yours, Anna” (1988), and the novelette “The Girl Who Fell into the Sky” (1987).

She married Joseph Wilhelm in 1947, and had two sons. They couple divorced in 1962, and she married Damon Knight in 1963.

In addition to their literary achievements, Wilhelm and Knight made major contributions to the sf field as the creators of sf writing workshops. As Gordon Van Gelder said in his thorough appreciation of Kate Wilhelm’s for The Magazine of Fantasy & Science Fiction in 2001 (read it here) —

…You’ll note the author bio mentions that she lived in Milford at the time. As many readers of this magazine already know, her home there was a big Victorian house called the Anchorage with her second husband, a writer and critic by the name of Damon Knight.

The reason so many readers are aware of this fact is because Kate and Damon hosted many, many writing workshops there. I can’t recall for certain if they met at a workshop, but as far as the history of science fiction is concerned, they might as well have. By way of writing groups in Milford, Clarion, and eventually in Eugene, Oregon (their home for the past three decades), Kate and Damon have consistently surrounded themselves with vibrant literary communities—they’ve practically raised contemporary American science fiction.

… She and Damon helped Robin Wilson found the Clarion workshops and for more than twenty years they taught the final two weeks. I saw Kate in action once, about ten years ago, and marveled at her ability to analyze a story and gently but firmly bring out the weaknesses in a constructive manner. It is no wonder that writers can quote her twenty years later. It is no wonder that the roster of writers she helped foster includes such luminaries as Kim Stanley Robinson, George Alec Effinger, Nina Kiriki Hoffman, Robert Crais, Nicola Griffith, Lucius Shepard, and dozens more. In the year 2000, all four winners of the Nebula Award for fiction were former students of Kate’s.

Kate Wilhelm and Damon Knight were guests of honor at the 1980 Worldcon.

Wihelm was inducted to the Science Fiction Hall of Fame in 2003.

Welcome to Dystopia – Now Go Home: NYSF Readings Spotlight New Anthology of Fearsome Futures

By Mark L. Blackman: On the evening of Tuesday, February 6, at its venue, the Brooklyn Commons Café in less-than-paradisiacal though not-quite dystopian Brooklyn, the New York Review of Science Fiction Reading Series hosted a cavalcade of readings spotlighting the new anthology Welcome to Dystopia. The event, guest-curated by the volume’s editor, Gordon Van Gelder, featured readings by Richard Bowes, Jennifer Marie Brissett, Deji Bryce Olukotun, Leo Vladimirsky and Paul Witcover.

Dystopianly, the evening did not begin as usual, with Series Producer and Executive Curator Jim Freund welcoming the crowd.  He, along with House Manager Barbara Krasnoff, we were told, was out with the flu. (Feel better.) Terence Taylor, the Series’ Tech Director filled in for Freund, and Amy Goldschlager (a former Curator) ran the gate. After giving thanks where due, he announced upcoming readings:

  • March 6: Alisa Kwitney and Nicholas Kaufmann
  • April 3: Chris Claremont and Chandler Klang Smith
  • Mayday 1 (tent.): In Memory of Ama Paterson, with Pan Morigan, Andrea Hairston and
    Sheree Renée Thomas
  • June 5 (tent.): A Tribute to Thomas M. Disch, with Guest Curator: Henry Wessels

Gordon Van Gelder

Gordon Van Gelder is currently the publisher of The Magazine of Fantasy & Science Fiction, and was for 17 years also its editor, for which he was honored twice each with the World Fantasy Award and the Hugo Award. The evening was nostalgic for him as he founded the NYRSF Readings some 27-28 years ago. “It’s strange to realize how long ago that was,” he said, recalling its first readings at the Dixon Place performance space. (I remember them well; afterward, we’d often wander back to Gordon’s place.)

On Inauguration Day last year, he continued, he was talking to a writer who said that she was afraid to write dystopian sf, “afraid that a politician would run with it.” Others clearly had a different response to the new abnormal. If such term is applicable, we seem to be in a Golden Age of dystopian arts. In the wake of the 2016 Election, George Orwell’s 1984 shot onto bestseller lists and a stage version of the novel played on Broadway. “1984 is not supposed to be a how-to book,” it was sighed, but reaction, repression, racism and doublethink – or, put more impartially, chaos and uncertainty – are in bloom, as is “The Resistance” to it. (At the Brooklyn Book Festival last fall, I noted to a staffer of The Nation that Trump had spurred much artistic, literary and political creativity. He agreed, but added that it was “not a good trade-off”.) Already too late to be a cautionary work (“if this goes on”), Welcome to Dystopia is intensely, aggressively timely, and fiercely political. (Another Van Gelder-edited anthology, Welcome to the Greenhouse, tales about climate change, similarly draws from the zeitgeist.)

Leo Vladmirsky

The first reader of the evening was Leo Vladimirsky, who recently finished his first novel, The Horrorists. He works in advertising and his experience was evident in his story, “We All Have Hearts of Gold®.” The “currency” in advertising, he explained, is the creative brief, and his story’s format follows its three stages, the e-mail to the team, the assignment and the final tv script. Set immediately after the 2021 Inauguration, the agency – which has lost staff as immigrants were sent home and its European offices were closed, though new ones opened in Russia and West Virginia – is hired by the Republican Security Service to help recruit for its team of Gold Shirts. Wearing gold polo shirts emblazoned with “MAGA” and silhouettes of Donald J. Trump, they maintained (says the creative brief) “order and safety” during the 2020 Election and prevented “voter fraud.” In the recruitment commercial, they burst into classrooms, health clinics, “perverts’” toilet stalls and even the Supreme Court, hauling off so-called offenders. (The allusion to Hitler’s Black Shirts isn’t exactly subtle.)

Deji Bryce Olukotun

Next up was Deji Bryce Olukotun, the author of the novels Nigerians in Space and its sequel After the Flare, which was nominated for the 2018 Philip K. Dick Award. (His online address, returnofthedeji.com, amusingly reminds that his name is an anagram of “Jedi.”) His story, “The Levelers,” from which he read, draws on his growing up in a small town in the New Jersey wetlands, which faced land development. The titular Levelers (not to be confused with the ultra-egalitarian antiroyalist group during the English Civil War) are developers who employ genetics, demographics and finally drones to target and burn out houses in order to steal land. Sam, a transgender, is tapping maple trees for sap when her family farm is targeted.

Jennifer Marie Brissett

In his introduction to Jennifer Marie Brissett, while putting together the anthology, Van Gelder said, he’d wanted different voices, different backgrounds and even different formats. Brissett, a Jamaican-British-American, is the author of Elysium, or The World After. She has been shortlisted for the Locus Award, the James Tiptree, Jr. Award and the storySouth Million Writers Award, and has won the Philip K. Dick Special Citation. Also, as she noted in her biographical sketch, “once in her life, a long time ago and for three-and-a-half years, she owned and operated a Brooklyn indie bookstore called Indigo Café & Books.” In fact, she was there on 9/11, and later witnessed PATRIOT Act-invoked overreaches. Her story “Newsletter” is in the form of a bookstore’s bulletin to the community reporting that the government was monitoring her special orders (she had actually received such a letter) and that they could even retrieve books from people’s homes; targeted books included James Baldwin’s The Fire Next Time, Howard Zinn’s A People’s History of the United States and Octavia Butler’s Kindred. (During the Reagan Administration, the Feds attempted to monitor library patrons’ selections. Look, they’re reading books by a Russian, Asimov.)

As her story was short, she also read a scene from Eleusis, her follow-up to Elysium, and like it based on the Demeter-Persephone myth and set in a post-apocalyptic future, so it’s also an sf dystopia, she said. An interspecies spaceport docking station opens and aliens arrive.

During the intermission, a raffle was held for donors (the readings are free, with a suggested donation of $7), the prizes being a British book club edition of Clifford Simak’s City that had been the property of Charles Platt, and a copy of the anthology Welcome to the Greenhouse.

Paul Witcover

Leading off the second half of the evening, Van Gelder remarked that there were several stories about the proposed Wall (not Pink Floyd’s; China has a Great Wall, so I guess this would be the Hyuge Wall), but that Paul Witcover’s was “probably the most somber.” Witcover has been a finalist for the Nebula, World Fantasy and Shirley Jackson Awards, and in their review of his novel Tumbling After, was called by the Washington Post “a gifted, fiercely original writer whose genre-bending fiction deserves the widest possible attention.” In “Walls,” even though born in Ohio and having only been to Mexico once briefly, because others in the family were born in Mexico, the protagonist is deported to a detention camp in sight of the Wall, which is described as resembling stacks of chicken cages. Their forced march out of their Ohio town is cheered by its residents, former neighbors and classmates.

Richard Bowes

The final reader, Richard Bowes, has written six novels, four story collections, and 80-plus stories, and won two World Fantasy, a Lambda, an IHG and storySouth Million Writers Awards. Van Gelder described his piece as “one of the most New York stories in the book.” Quipped Bowes, “I write about New York because it’s the only thing I know.” (Like many other quintessential New Yorkers, Rick isn’t originally from here. He was raised in Boston, as his accent proclaims, though, in his own words, “has lived in Manhattan for the better part of a century.”) His story is set some 40 years in the future, after a certain dictator has renamed the Avenue of the Americas “the Avenue of American Greatness,” though no one calls it that, any more than they call 6th Avenue the Avenue of the Americas. Throughout, the dictator (who was impeached after California seceded and Illinois joined Canada) is referred to only as “the Monster,” “the Beast,” “His Grand Pestilence,” “the Great Infection” and “the Cancer”; indeed, “his name is the only obscenity not spoken in New York,” and the story’s title is “The Name Unspoken.” Like the first story, it was a welcome bit of levity in an otherwise nightmarish set of visions.

It’s a truism that science fiction isn’t really predictive or about the future, but is about the present. The drawback to books like this is that – with rare exceptions – they’re too anchored to their time. Trump Era sf might, many hope, soon become as outmoded and irrelevant as Cold War sf. (We seem, though, to have come full circle, back to Russian plots.)

Taylor having left (he was getting over the flu), Goldschlager did the “outro.”

Despite Freund’s absence, the traditional Jenna freebie table offered books.

The audience of perhaps 50 included Melissa C. Beckman (the Readings’ photographer), Susan Bratisher, Amy Goldschlager, John Kwok, Lissanne Lake, James Ryan and Terence Taylor. Over the course of the evening, audience members availed themselves of the Café’s food, coffee bar, beer and wine.

Pixel Scroll 1/16/18 You Were Scrolling As A Pixel In A Sci-Fi File When I Met You

(1) VAN GELDER AUCTION BENEFITS PKD AWARD. Norwescon announced that Gordon Van Gelder, administrator for the Philip K. Dick Award, has put 18 sff books up for auction on eBay, including several first editions and signed editions (and some signed first editions), as a benefit for the award’s administrative fees. The Philip K. Dick Award, is presented annually to distinguished science fiction books published for the first time in the United States as a paperback original. The award ceremony is held each year at Norwescon.

(2) SECOND TAKE. Strange Horizons got some pushback about sexism in Adam Roberts’ review of Star Wars: The Last Jedi and has now supplemented the original with an edited version —

Editor’s note: This review has been edited to remove sexist commentary about Carrie Fisher. The original version of this review can be read here. For additional background, please see this Twitter thread.

(3) TRUE GRIT. The BBC reports on “Transport Scotland’s fleet of gritters and their gritter tracker”. Contractors Bear Scotland ran competitions to name the various vehicles, and what roads they’re covering can be viewed online.

Thanks to social media, Transport Scotland’s fleet of light-flashing, salt-spraying kings of the road have become a bit of a sensation.

Followers have been glued to their screens following the roads authority’s Gritter Tracker.

They were surprised to find out the vehicles had humorous names like Sir Andy Flurry, Sir Salter Scott and Gritty Gritty Bang Bang….

The force was with the people of Ayrshire during Tuesday’s snow flurries, their roads were being protected by Luke Snowalker.

Along with strong snow-slaying names like the Ice Destroyer, Snow Queen and Ice Buster, more unassuming gritters like Fred, Jack and Frosty have also been out and about keeping the country moving.

Not forgetting Sprinkles, Sparkle and Ready Spready Go.

(4) ANOTHER HORRIFIC LESSON. Chloe N. Clark continues the excellent Horror 101 series with “Surrounded by Others–Anatomy of a Pod Person” at Nerds of a Feather.

As a child, two of my earliest film-related memories are watching the 1978 version of Invasion of the Body Snatchers and watching the John Carpenter version of The Thing. In both, what stuck with child me was the depiction of a monster who not only could be anyone, but also could be someone that you think you know so well: your crewmate, your friend, your lover. This early exposure to these two films led to a longtime obsession with pod people (which the Thing is not technically, but I’m extending my definition here to any monster who can appear in the exact visage of someone you know and trust). As a child, there was a visceral terror to the idea, because the world was one I trusted. As an adult, while I don’t think pod people are likely, they still strike a certain fear because the concept at the heart of pod people’s terror-making is very much real. In this edition of Horror 101, I’ll be diving into the anatomy of a monster (a thing I’ll do occasionally in this series).

(5) ABOUT THAT VENN DIAGRAM. Sarah at Bookworm Blues was caught up in a kerfuffle yesterday, and analyzes the underlying issues in “On Twitter and Representation”.

While most of the comments I received yesterday were displaying the righteous indignation I’m still feeling, there were a handful of others that made their way to me through various means that said something along the lines of, “I just love reading SciFi and Fantasy. I don’t pay attention to the gender of the author.” Or “Does the gender of the author even matter?”

Comments like that bother me about as much as, “I don’t see your disabilities.” Or “I don’t see color.”

As much as I don’t want to be defined by my chronic illness, or my disabilities, they absolutely are part of who I am, and by refusing to see them, you are, in a way, refusing to see me. You’re only seeing pieces of me. Not seeing my disability doesn’t make it go away. Putting me in a box will limit the reaches of my work, rather than expand it.

In another example, women tend to get paid less than men here in the good ol’ US of A, and not seeing the gender roles in that situation, is refusing to see the problem.

Representation matters. It matters for a hell of a lot of reasons. It is important to show young kids everywhere that they can be, do, accomplish whatever they set their minds to. Seeing disabled characters in literature normalizes disabilities in important ways. It provides education to those who might need it. It also gives me someone I can relate to in the books I read, and that right there is absolutely priceless.

This graphic that I posted yesterday doesn’t just have a dearth of female authors on it, but it also lacks any people of color, disabled authors, LGBTQ authors and basically any minority group at all. It’s a list of white male fantasy authors…

and Robin Hobb.

This is important because, I get pretty fed up with women authors putting out work that’s just as good, if not better, than their male counterparts and not getting equal recognition for it. This isn’t a Divide and Conquer thing, it’s a We’re all in it Together thing. Someone’s effort shouldn’t be seen or overlooked based on any of their minority or majority qualifiers. The fact that when asked for a list of fantasy authors the first ones someone gets are white male, says a whole lot. And the truth is, I think this inequality is so ingrained in our culture that it really isn’t even noticed until something like this happens. Maybe we don’t mean for this to happen, but in a way, the fact that this happens without malice or intent makes it just that much more insidious.

Women have basically cleaned the clock in the past few Hugo Awards, and where are they on charts like this? One of the most awarded, celebrated authors in our genre today is N.K. Jemisin, a black female fantasy author, and she deserves recognition for her accomplishments, but where is it in a list like this, and why in the world didn’t her name come up when someone was polling Twitter for fantasy authors? Nnedi Okorafor is getting her book Who Fears Death turned into a television show, and I’ve seen her name, her image, herself routinely cut off from many articles. Namely, when Vice News tweeted about this deal, and the graphic that followed wasn’t of the author who wrote the book, but of George R R Martin, and the book cover….

And today an alternate version is making the rounds –

(6) JACKET. Neil Gaiman’s cover reveal for the U.S. paperback.


  • January 16, 1939 — The comic strip Superman first appeared in newspapers.
  • January 16, 1995 Star Trek: Voyager premiered.


  • Born January 16, 1948 – John Carpenter celebrated his 70th birthday today – no matter what you may have read. Entertainment Weekly caught the competition’s mistake in listing him as deceased.

Happy birthday John Carpenter! Rotten Tomatoes has some bad news…

The mega-popular film review aggregation site mistakenly declared veteran film director dead Tuesday in a since-deleted tweet.

The 70-year-old horror icon is very much alive, though RT seemed to have a different impression when it honored the Halloween and The Thing director’s birthday…

(9) SEARCHING FOR A SIGN. Further Confusion was held this past weekend in San Jos and they have lost track of a convention icon —

(10) CATAPOSTROPHE. Apparently Kazakhstan is switching from the Cyrillic to the Latin alphabet, and the result is loaded with apostrophes, so the words look like they came from a bad SF novel. The New York Times has the story: “Kazakhstan Cheers New Alphabet, Except for All Those Apostrophes”.

In his 26 years as Kazakhstan’s first and only president, Nursultan A. Nazarbayev has managed to keep a resurgent Russia at bay and navigate the treacherous geopolitical waters around Moscow, Beijing and Washington, keeping on good terms with all three capitals.

The authoritarian leader’s talent for balancing divergent interests, however, suddenly seems to have deserted him over an issue that, at first glance, involves neither great power rivalry nor weighty matters of state: the role of the humble apostrophe in writing down Kazakh words.

The Kazakh language is currently written using a modified version of Cyrillic, a legacy of Soviet rule, but Mr. Nazarbayev announced in May that the Russian alphabet would be dumped in favor of a new script based on the Latin alphabet. This, he said, “is not only the fulfillment of the dreams of our ancestors, but also the way to the future for younger generations.”

…The modified Latin alphabet put forward by Mr. Nazarbayev uses apostrophes to elongate or modify the sounds of certain letters.

For example, the letter “I” with an apostrophe designates roughly the same sound as the “I” in Fiji, while “I” on its own sounds like the vowel in fig. The letter “S” with an apostrophe indicates “sh” and C’ is pronounced “ch.” Under this new system, the Kazakh word for cherry will be written as s’i’i’e, and pronounced she-ee-ye.

(11) ON TONIGHT’S JEOPARDY! Rich Lynch says the game show Jeopardy! included an Asimov clue in the first round of tonight’s episode, mentioning the Hugo Award. The returning champ got it right!

(12) WHERE’S THE BEEF? Astronaut John Young, who recently died, once got in trouble for smuggling a corned beef sandwich on a space mission.

Gemini 3 had several objectives, from testing the effect of zero gravity on sea urchin eggs to testing orbital maneuvers in a manned spacecraft, which would aid the future moon landing. But another imperative was to test new space foods. Grissom and Young were sent up with dehydrated packets that they were meant to reconstitute with a water gun.

According to Young’s biography, “A couple of congressmen became upset, thinking that, by smuggling in the sandwich and eating part of it, Gus and I had ignored the actual space food that we were up there to evaluate, costing the country millions of dollars.” The House Appropriations Committee convened to mull over the sandwich incident, and one representative even harangued a NASA administrator, calling the sandwich stunt “just a little bit disgusting.”

Young was given a reprimand, the first ever for a member of a NASA space flight. He eventually regretted smuggling the sandwich into space, especially as the story came up over and over. But Grissom remembered it as “one of the highlights of the flight.” Grissom himself was in hot water for nicknaming Gemini 3’s spacecraft Molly Brown after the musical “The Unsinkable Molly Brown.” (Grissom’s first space flight ended with his capsule sinking into the ocean after re-entry.) Grissom forced irritated NASA administrators to back down after he suggested the name “Titanic” as an alternative.

(13) STARGAZING. From the BBC, “Hubble scores unique close-up view of distant galaxy”.

The Hubble telescope has bagged an unprecedented close-up view of one of the Universe’s oldest known galaxies.

Astronomers were lucky when the orbiting observatory captured the image of a galaxy that existed just 500 million years after the Big Bang.

The image was stretched and amplified by the natural phenomenon of gravitational lensing, unlocking unprecedented detail.

Such objects usually appear as tiny red spots to powerful telescopes.

(14) RATS ACQUITTED! New simulations show “Black Death ‘spread by humans not rats'”.

“We have good mortality data from outbreaks in nine cities in Europe,” Prof Nils Stenseth, from the University of Oslo, told BBC News.

“So we could construct models of the disease dynamics [there].”

He and his colleagues then simulated disease outbreaks in each of these cities, creating three models where the disease was spread by:

  • rats
  • airborne transmission
  • fleas and lice that live on humans and their clothes

In seven out of the nine cities studied, the “human parasite model” was a much better match for the pattern of the outbreak.

(15) RARE CASES. BBC considers “The mystery of why some people become sudden geniuses”. Chip Hitchcock notes, “Readers of old-time SF may recall H. L. Gold’s ‘The Man with English.’”

But until recently, most sensible people agreed on one thing: creativity begins in the pink, wobbly mass inside our skulls. It surely goes without saying that striking the brain, impaling it, electrocuting it, shooting it, slicing bits out of it or depriving it of oxygen would lead to the swift death of any great visions possessed by its owner.

As it happens, sometimes the opposite is true.

After the accident, Muybridge eventually recovered enough to sail to England. There his creativity really took hold. He abandoned bookselling and became a photographer, one of the most famous in the world. He was also a prolific inventor. Before the accident, he hadn’t filed a single patent. In the following two decades, he applied for at least 10.

In 1877 he took a bet that allowed him to combine invention and photography. Legend has it that his friend, a wealthy railroad tycoon called Leland Stanford, was convinced that horses could fly. Or, more accurately, he was convinced that when they run, all their legs leave the ground at the same time. Muybridge said they didn’t.

To prove it he placed 12 cameras along a horse track and installed a tripwire that would set them off automatically as Stanford’s favourite racing horse, Occident, ran. Next he invented the inelegantly named “zoopraxiscope”, a device which allowed him to project several images in quick succession and give the impression of motion. To his amazement, the horse was briefly suspended, mid-gallop. Muybridge had filmed the first movie – and with it proven that yes, horses can fly.

The abrupt turnaround of Muybridge’s life, from ordinary bookseller to creative genius, has prompted speculation that it was a direct result of his accident. It’s possible that he had “sudden savant syndrome”, in which exceptional abilities emerge after a brain injury or disease. It’s extremely rare, with just 25 verified cases on the planet

(16) KEVIN SMITH’S RATIONALE. Sebastian Paris, in “‘Star Wars’: Kevin Smith Weighs In On The Backlash Against ‘The Last Jedi’” on Heroic Hollywood, says that Smith, in his Fatman on Batman podcast, says that one reason many fans were disappointed with The Last Jedi was that they expected Luke Skywalker to be like Obi-Wan Kenobi and were disappointed when he turned out to be someone else.

(17) 2017 IN THE REAR VIEW MIRROR. Rich Lynch’s 19th issue of My Back Pages [PDF file] is now online at the eFanzines.com website:

Issue #19 absolutely deplores the undearly departed 2017 as one terrible, horrible, no good, very bad year, and has essays involving historic mansions, convincing re-enactors, subway cars, Broadway shows, urban renewal, pub food, deadly duels, famous composers, iconic catchphrases, tablet computers, 1930s comic books, noir-ish buildings, foreboding edifices, unpaid interns, jams & singalongs, storm warnings, ancient palace grounds, Buddhist temples, worrisome fortunes, sushi adventures, retirement plans, and lots of Morris Dancers.

(18) MUNDANE COMMERCIALS, WHAT ELSE? Should you run out of things to watch, there’s always this collection of Dos Equis “The Most Interesting Man In the World” ads – at least 8 minutes worth.

(19) VIDEO OF THE DAY. Richard Williams–Animating Movement is a piece on Vimeo by the Royal Ocean Film Society that describes the techniques of the great Canadian animator whose best known work is the Pink Panther and Who Framed Roger Rabbit?

[Thanks to John King Tarpinian, IanP, JJ, Chip Hitchcock, Greg Hullender, Martin Morse Wooster, Rich Lynch, ULTRAGOTHA, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/18/17 Scrolls For Industry! Scrolls For The Undead!

(1) CADIGAN NEWS. Congratulations to Pat Cadigan who told her Facebook followers today:

I am now allowed to say that I am writing both the novelisation for the forthcoming movie Alita: Battle Angel as well as the prequel novel, Iron City.

And this is why I’m in Deadline Hell.

That is all.

(2) STAR PEACE CORPS. In  “Star Wars Without the Empire”, Camestros Felapton conducts an awesome thought experiment inspired by Paul Weimer’s tweet.

In post-war Germany, a version of Casablanca was produced, re-edited and with a new script for the dubbing, that had no Nazis in it. As you can imagine, given the role Nazis play in the plot, they had to do a lot of work.

I was wondering if you could do the same to Star Wars Episode 4 – remove the Empire…

Star Not Wars Because They Aren’t Having a War With Anybody: A New Hope

A spaceship has broken down. Princess Leia finds a robot on the ship and gives it something. The robot (R2D2) finds an escape pod with its friend (C3PO). They leave the ship. We don’t see the ship again. It probably had engine trouble or something. Maybe the robots have gone off to get some fuel from a service station.

The robots land in a desert. After an argument, they split up. Later they each get caught by tiny people.

Meanwhile, young Luke Skywalker is unhappy being a farmer and living with his uncle. He’d rather be…doing something else I suppose.

(3) MARK YOUR CALENDAR. The Vintage Paperback Show returns to Glendale, CA on March 18.

(4) ROBOT ON PATROL. Tech Crunch reports “Security robots are being used to ward off San Francisco’s homeless population”:

Is it worse if a robot instead of a human is used to deter the homeless from setting up camp outside places of business?

One such bot cop recently took over the outside of the San Francisco SPCA, an animal advocacy and pet adoption clinic in the city’s Mission district, to deter homeless people from hanging out there — causing some people to get very upset.

The article quotes this tweet from Brianna Wu:

The SPCA deployed a robot from security startup Knightscope to deter crime and vandalism on their campus.

And, according to both the S.F. SPCA and Knightscope, crime dropped after deploying the bot.

However, the K9 unit was patrolling several areas around the shop, including the sidewalk where humans walk, drawing the ire of pedestrians and advocacy group Walk SF, which previously introduced a bill to ban food delivery robots throughout the city.

“We’re seeing more types of robots on sidewalks and want to see the city getting ahead of this,” said Cathy DeLuca, Walk SF policy and program director, who also mentioned S.F. district 7 supervisor Norman Yee would be introducing legislation around sidewalk use permits for robots in the beginning of 2018.

Last week the city ordered the S.F. SPCA to stop using these security robots altogether or face a fine of $1,000 per day for operating in a public right of way without a permit.

The S.F. SPCA says it has since removed the robot and is working through a permitting process. It has already seen “two acts of vandalism” since the robot’s removal.

(5) THE DIAGNOSIS. Ted Chiang says “The Real Danger To Civilization Isn’t AI. It’s Runaway Capitalism” in an article for Buzzfeed.

Speaking to Maureen Dowd for a Vanity Fair article published in April, Musk gave an example of an artificial intelligence that’s given the task of picking strawberries. It seems harmless enough, but as the AI redesigns itself to be more effective, it might decide that the best way to maximize its output would be to destroy civilization and convert the entire surface of the Earth into strawberry fields. Thus, in its pursuit of a seemingly innocuous goal, an AI could bring about the extinction of humanity purely as an unintended side effect.

This scenario sounds absurd to most people, yet there are a surprising number of technologists who think it illustrates a real danger. Why? Perhaps it’s because they’re already accustomed to entities that operate this way: Silicon Valley tech companies.

(6) CHEERS AND BOOS. Fanac.org has posted a 36-minute video of Robert A. Heinlein’s guest of honor speech at the 1976 Worldcon.

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976, with Robert A. Heinlein as Guest of Honor. With a warm introduction by Bob Tucker, this sometimes uncomfortable speech touches on Heinlein’s belief in the inevitability of atomic war and his belief that mankind will go to the stars. There are comments on Russia and China, the role of men, and more than a few very bad jokes. You will hear applause and you can hear disapproving boos. If you are one of “Heinlein’s Children”, or simply a reader of classic SF, this video is a rare opportunity to hear that legendary figure.

(More background about the booing is here.)

(7) UNCANNY DINOSAUR ISSUE. The submission window opens in March – read the pitch and complete details here: “Uncanny Magazine Dinosaur Special Issue Guidelines”.

As you may know if you followed the Uncanny Magazine Year 4 Kickstarter, Uncanny Magazine Issue 23 will be a Special Shared-Universe Dinosaur Issue! The planned solicited contributors are:

Do you want to join them? One of the stretch goals was adding two extra unsolicited stories to the issue! We will be open to submissions from March 1- March 15, 2018.

(8) CAPITOL TBR. Former congressman Steve Israel profiles members of Congress in the Washington Post about their favorite books of the year and found Rep. Ted Lieu of California enjoying the Nebula Awards anthology and Rep.Adam Schiff of California reading Pierce Brown’s Red Rising series — “A former congressman asked his old colleagues for book suggestions. Here’s their list.”

(9) TROLLING FOR CLICKS. At NBC News, Noah Berlatsky asks “Is Star Wars’ ‘The Last Jedi’ science fiction? It’s time to settle this age-old argument”. Will anybody take my bet that the argument will not be settled by his op-ed? Or maybe it will, by a kind of cinematic force majeure.

To figure out whether Star Wars is science fiction, you first need to figure out how to define the term — which is harder than you might think. Genres are notoriously difficult to pin down, which is why they spark so many arguments. Some country fans protested loudly when Beyoncé appeared at the Country Music Awards because she (supposedly) was not a country artist. Some critics similarly argued that Bob Dylan’s lyrics are not literature, though the Nobel committee disagreed.

Genre is a marker of quality and belonging, of seriousness and community. Science fiction in particular is often seen as more important or serious than fantasy, so it’s no wonder that there’s been some struggle over how to place the films. George Lucas himself declared that “Star Wars isn’t a science-fiction film, it’s a fantasy film and a space opera” in 2015. Others have also waded in over the years; Annalee Newitz included Star Wars in a list of 10 science-fiction works that are really fantasy at io9, while author Brian Clegg says Star Wars is only “low-grade science-fiction” — it’s not quite real science-fiction, so it’s not high quality.


  • December 18, 1957 The Monolith Monsters premiered.
  • December 18, 1968 Chitty Chitty Bang Bang opens in New York City.
  • December 18, 1985 — Terry Gilliam’s Brazil! was released.
  • December 18, 1996 — Wes Craven’s Scream hits theaters, and a Halloween mask was born.
  • December 18, 2009 – Director James Cameron’s Avatar premiered.
  • December 18, 2013Forbidden Planet (1956) is selected by the Library of Congress for inclusion in the National Film Registry.


  • Born December 18, 1939 – Michael Moorcock
  • Born December 18, 1941 – Jack Haldeman
  • Born December 18, 1946  — Steven Spielberg
  • Born December 18 — Steve Davidson


  • Mike Kennedy overheard Dilbert talking about a zombie apocalypse.

(13) I HAVE A LITTLE LIST. SyFy Wire’s Swapna Krishna names these as “The 10 best sci-fi and fantasy books of 2017”. People get upset if I say I haven’t heard of all the books on a “best” list, so let me say I have heard of many of these.

(14) THE GHOST OF CHRISTMAS 2014. Everyone has their own way of celebrating the holidays. John King Tarpinian’s traditions include rewatching Thug Notes’ analysis of Dickens’ “A Christmas Carol.”

(15) THE BIG BUCKS. Speaking of stacks of cheddar — “Star Wars: The Last Jedi takes $450m on opening weekend”.

The movie dwarfed its nearest rival – the computer-animated comedy Ferdinand, which took $13m (£10m).

The total for The Last Jedi includes $220m (£165m) from box offices in the US and Canada, placing the film second in the all-time list for North America.

It trails behind the 2015 release Star Wars: The Force Awakens, which opened with a record-breaking $248m (£185m).

(16) BREATHLESS TAKE. Chuck Wendig launches his review with a long stretch of onomatopoeia: “The Last Jedi: A Mirror, Slowly Cracking”. And how often do you get a chance to use that word?

This will be less a review of The Last Jedi (Episode VIII) than it will be… my thoughts? An analysis? Me opening my head like a flip-top Pac-Men and seeing what globs of brain-goo I can grab and hastily smack into the screen?

Spoilers follow the noises, Wendig warns.

(17) WHAT’S BREWING IN SHORT FICTION. Nerds of a Feather’s Charles Payseur serves “THE MONTHLY ROUND – A Taster’s Guide to Speculative Short Fiction, 11/2017”.

So please, take seat. The flavors on tap this month are perfect for those looking to unwind by the fire, to shed a tear for those who have not made it this far, and to reaffirm a commitment to pushing forward, into a future that is not mired by the same harms and dangers as the past. Each pint today comes with a special side of memories and a tendril of shadow creeping just out of view. The only remedy is to drink deep, and share the moment with those you care about, and look for ways to escape the familiar cycles of hate, loss, and fear—together….

Tasting Flight – November 2017

“An Unexpected Boon” by S.B. Divya (Apex)

Notes: Pouring a dark brown rimmed with gold, the first sip is deep, subtle and smoky like dreams burning, only to reveal newer, sweeter tones underneath, a future still bright despite loss and danger.

Pairs with: Honey Bock

Review: Kalyani is a young (probably autistic) girl who experiences the world quite differently from the rest of her family. It’s something that Aruni, her older brother, finds quite difficult to handle, especially when his parents have left him in charge while they are away. For Kalyani, though, it’s the rest of the world that doesn’t make as much sense, that overflows with threats and dangers…

(18) ON STAGE. It’s live! “The Twilight Zone returns to spook theatergoers”.

In 1959, a groundbreaking TV series began in the USA. The Twilight Zone came to be regarded as a classic of science fiction for the small screen. Now the Almeida Theatre in London is taking eight episodes to make a Twilight Zone for the stage.

(19) YA. A dystopia? Why, that’s just another day in a teenaged life: “Why Teens Find The End Of The World So Appealing”.

“The hallmark of moving from childhood to adulthood is that you start to recognize that things aren’t black and white,” says Ostenson “and there’s a whole bunch of ethical grey area out there.”

Which makes dystopian fiction perfect for the developing adolescent brain, says Laurence Steinberg, a psychologist at Temple University.

“Their brains are very responsive to emotionally arousing stimuli,” he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.

“When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,” Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.

This time in a kid’s life is often defined by acting out, but, Steinberg says, that’s a misguided interpretation of what’s happening. “It isn’t so much rebellion, but it is questioning.”

(20) BAD AIR. I remember breathing this stuff at the 2015 Worldcon: “California fires: Sentinel satellite tracks wildfire smoke plume”.

Europe’s new Sentinel-5P satellite has captured a dramatic image of the smoke billowing away from the devastating California wildfires.

It is a powerful demonstration of 5P’s ability to sense the atmosphere.

The plume is seen to sweep westwards out over the Pacific Ocean near Los Angeles and then turn north towards the State of Oregon.

(21) JDA. Jon Del Arroz shares his vision of the controversies he’s engaged in this year with BayCon, Scalzi, Cat Rambo, Chuck Wendig, and some guy who scrolls pixels in “It’s Better To Be My Friend #JDAYourFriend”.

…Where they all screwed up, is that I’m a competent writer who works hard. I’m a competent businessman who markets hard. I don’t take my ball and go home and I’m not deterred from speaking the truth by some threats or someone’s bully pulpit.

And now I’ve got a platform. It’s one a lot of people read on a daily basis. It’s only going to grow bigger in 2018. I’m a well-respected journalist, I’m a multiple-award nominated author with an avid readership. I’m winning. Readers and audiences like winners. Yet not one of these people has come forward and said “you know what, Jon, I shouldn’t have attacked you, let’s be friends.”

(22) TO SMELL THE TRUTH. Hugo-winning editor Gordon Van Gelder had a famous father, Dr. Richard Van Gelder, who tried to stump the panelists on the episode of game show To Tell The Truth aired March 13, 1961. The chairman of the Department of Mammals at the American Museum of Natural History, Van Gelder pere was specially touted as an expert on skunks. The real Van Gelder and two impostors appear at 17:00, and the truth is told right after the 23:00 mark.

[Thanks to Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Gordon Van Gelder Likes the Hat

Gordon Van Gelder. Photo by Leslie Howle.

By Carl Slaughter: Gordon Van Gelder does themed anthologies.  A painstaking and time-consuming but rewarding task.

CARL SLAUGHTER:  Why did you give up the editor’s chair of FSF?

GORDON VAN GELDER:  I was wearing two hats — that of the publisher and that of the editor.

With the publisher’s hat on, I could see that the magazine was losing some of its edge –it was growing too predictable, falling short in some other ways.  So I tried bringing in a guest editor to liven things up, and that went well.  So I decided it was time to step down (wearing my editor’s hat) and I offered the editing job to C. C. Finlay (with my publisher’s hat on).

CS:  Why stay on as publisher?

GVG:  I like the hat.

But seriously, publishing a magazine isn’t a bad job.  And someone’s got to do it.

CS:  Looking at your list of anthologies, it seems you’re still doing some best of, but have been moving toward themed.  Is that an accurate interpretation?

GVG:  Fairly accurate.  The path we take is mostly a function of what the market wants and what book publishers want.  If we could publish a non-theme “Best of F&SF” anthology every year as we did in the 1950s, I’d be happy with that.  But the book market in 2017 is vastly different from what it was in 1954.

CS:  What’s the selection process for the themes?

GVG:  Again, it’s mostly a function of what the market will support and what interests book publishers.  There’s such a wealth of material in our back issues that we can produce good anthologies on a lot of themes.  (I have detailed notes for several.)  But how many of them will sell well?

CS:  What’s the selection process for the stories?

GVG:  It varies a bit from book to book, but mostly, it’s a matter of pinning down the prominent stories on the theme, and then doing research and filling in the book with lesser-known works.

My favorite one to assemble was the Mars anthology, Fourth Planet From The Sun.  That one had a real dynamic to it, from Bradbury to Zelazny to Varley to Alex Irvine.  The whole book seemed to assemble itself, much as writers will sometimes say that a book wrote itself.

CS:  Your latest anthology is on repopulation.  I confess, I am not familiar with that subgenre.  Give us the background on this project.

GVG:  The subgenre is like a relative of the old Adam and Eve stories — a lot of stories born from anxiety over the threat of nuclear bomb destruction and wondering what happens if humanity mostly manages to wipe itself out.  (In fact, there was a recent book on this exact subject, something called The Knowledge by Lewis Dartnell on how to rebuild civilization.  I used a quotation from it as the epigraph for my book.)

I got interested in the subgenre when I happened to encounter two stories on the theme from the 1950s and I thought, “I read a lot of these stories as a kid, but I don’t think I’ve seen one in the last fifteen years.”

When I dug into it, I found a lot of interesting material.  Since the subgenre by definition basically calls for a scenario with a small number of people under fairly intense pressure, the stories tended to be dramatic and often extreme.  Some of them are deeply moving, others are disturbing.

Researching the book took a long time, but it was a lot of fun reading through anthologies and old magazine issues. It was also interesting to see a lot of the 1950s stories from the SF magazines that have never been reprinted.

One thing that frustrated me is that I heard about a couple of stories I was never able to locate.  If you don’t mind, I’ll mention one now in hopes that someone seeing this interview will be able to identify it:

As I heard it (and this may well be confused or mis-remembered, especially since I feel like I read it myself when I was a teen) the story concerns a p.r. or advertising guy who’s hired to convince men to go to Mars or another planet because they need men there.  And he’s so good at his job that he convinces all the men to leave, leaving him alone on the home planet with the responsibility of repopulating Earth. But the kicker at the end comes in the form of his confession to the reader: “I don’t have the heart to tell them I’m sterile.”

CS:  One of your anthologies is on climate change.  Do any of these stories provide solutions?

GVG: Not really.  If I’d thought any of the writers could actually make things better, I’d have sent them to a college friend of mine who’s working on these things for real.  I saw the anthology more as an opportunity for writers to dramatize different aspects of what we humans might experience as the planet changes.


CS:  Your next project is on dystopias.  Why do in this direction?  Isn’t this a well-worn trail?

GVG: Does it answer your question if I say that we came up with the idea for the book on January 20th and most of the stories are specifically focused on the next four years?

CS:  What else is on the horizon for Gordon Van Gelder?

GVG:  Well, aside from continuing to run F&SF, I’ve got a couple of smallish writing projects — an article and a book introduction — that I need to finish up.  I’m also helping a couple of writers get some of their older work back in print.  I don’t have any more books under contract right now, but I’ve got a few ideas simmering.  And who knows?  Maybe another odd, half-forgotten subgenre will come along and grab me and set me off on another four years of research to produce a book that’s liable to interest only a few oddballs like myself.

You just never know.

Pixel Scroll 10/31/16 The Scroll Has Already Started. It’s Too Late For The Pixels To Vote

(1) HARTWELL LIFE ACHIEVEMENT AWARD. Kathryn Cramer posted the speech she prepared for Gordon Van Gelder to deliver accepting David G. Hartwell’s posthumous World Fantasy Life Achievement Award.

First of all, to the board, we are sorry David missed the meeting this morning. Almost nothing could stop him from showing up bright and early on the Sunday morning of World Fantasy to preside over the board meeting.

Not late nights, high fevers, the birth of his children.

This convention—and these awards—were very important to David. For him they were about the conversations we have about our genre and what the genre can do for the world. It makes us proud to think of you all in this room thinking about and talking about the fantasy and horror genres and what excites you about them.

Take a moment, in his honor, and look around the room at the people you have connected with here.

This is what he wanted for you.

This Life Achievement award honors a life well-lived. Thank you all.

(2) ROBERTA POURNELLE SUFFERS STROKE. Jerry Pournelle announced some “Bad News at Chaos Manor”.

Sunday morning – this morning although it’s after midnight now so maybe I mean yesterday morning – I discovered that Roberta had suffered a stroke during the night. I called 911. The firemen responded almost instantly.

We spent the day first at the St. Joseph’s Emergency Room (where the firemen took me after my stroke), then at the Kaiser Emergency Room where she was taken by ambulance arranged by Kaiser, then finally in the Kaiser main hospital. Alex was with me for essentially the entire time. My second son, Frank, who lives in Palm Springs, drove up as soon as he could. Our youngest son, Richard, flew in from DC and just got here.

Roberta appears to be about where I was after my stroke. She can’t really talk yet, but she’s aware of what’s going on around her. We’re trying to arrange rehab at Holy Cross where I was retaught how to swallow, walk, and do all the other things people do.

I’m trying to be calm, but I’m scared stiff.

(3) MARATHON WOMAN. Pat Cadigan’s window isn’t closing this year but she remembers when that was the medical prediction — “Late 2016 Already – Where Does The Time Go”.

…This is not silly wish-fulfilment fantasy optimism on my part. At the worldcon in Kansas City, a few of us fellow-travellers in Cancerland did a panel about living with cancer. One beautiful lady has stage-four lung cancer. You’d never know it, though, because she’s doing great––clinical trials pay off. In fact, over thirty years ago, my Aunt Loretta (one of my mothers) agreed to be in a clinical trial for a breast cancer drug. That drug is Tamoxifen. On her behalf, you’re welcome.

Rational optimism notwithstanding, however, I still remember how the last months of 2016 were projected to be the last months of my life and…well, I can’t help gloating. Who am I gloating at? Cancer, of course. Who else?

These days, I’m thinking not so much in terms of a singing horse as I am the story about the two people in the forest being chased by a bear. One of them stops and puts on fancy running shoes. The other person says, ‘Do you really think you can outrun a bear?’ And the first person says, ‘No, I only have to outrun you.’

I picture me and cancer being chased by a bear called Annihilation. It’s going to get one of us first, and I’m hoping thanks to current clinical trials and the latest developments in immunotherapy, that will be cancer, not me. All I have to do is last long enough. All I have to do is outrun cancer.

(4) TOLKIEN GETS AWARD. The Tolkien Society reports Christopher Tolkien has been awarded the Bodley Medal, given by the Bodleian Libraries at the University of Oxford to individuals who have made outstanding contributions to literature, culture, science, and communication.

Tolkien Society chair Shaun Gunner said: “Christopher Tolkien is a very worthy recipient of the Bodley Medal not only for his own work but for the decades of tireless dedication he has shown in editing his father’s texts. From The Silmarillion to next year’s Beren and Lúthien, Christopher has opened up new vistas of Middle-earth that otherwise might never have seen the light of day. This award is a testament to Christopher’s quiet scholarship as an editor, and a symbol of the continuing significance of J.R.R. Tolkien’s legendarium.”

Christopher Tolkien said: “Although I have never looked for anything remotely of such a kind, I find it especially welcome to receive the Bodley Medal in that it affirms the unique significance of my father’s creation and accords a worthy place in the Republic of Letters to Tolkien scholarship. It gives me particular pleasure that the award comes from and is conceived by the Bodleian, where a great part of my father’s manuscripts lie and where I have happy memories of the great library itself.”

(5) HARASSMENT AT WFC. Jason Sanford revealed the committee was called upon to handle a harassment issue at this weekend’s World Fantasy Con.

Lucy A. Snyder also wrote a public Facebook post.

So I just returned from WFC, where some women experienced harassment: street harassment from rando men that convention organizers had no control over, and at-con harassment courtesy of a local fan who has a documented history of bad behavior (the convention organizers appeared to take the harassment report seriously and appeared to handle it as per their policy, but I question why they’d sell a membership to someone who is known to be a problem.)…

Snyder added in a comment:

I know he harassed at least one woman, because she told me and I escorted her to con ops so she could make the report. In the instance I know about, he did it in front of a male witness (who filed a corroborating report), so I strongly suspect there were other instances that I don’t know about and/or didn’t get reported.


  • Born October 31 1930 – British fandom. That is fanhistorian Rob Hansen’s pick for the date it all began. Click to see the newspaper report of the meeting from the Ilford Recorder.

On Monday October 27th, 1930, the Ilford Science Literary Circle held its inaugural meeting at 32 Thorold Road (which a check of contemporary electoral rolls shows to have been the home of George & Mary Dew), the first ever meeting of our first ever SF fan group. If British fandom has a birthday, this is it. Here is Gillings’ report on the outcome of the event. More details of how many were present and the like would have been useful, but Gillings’ primary intent is to proselytise:…

(7) ESFS AWARDS NOMINEES. At Europa SF, Nina Horvath has listed the 2016 nominees for 14 annual awards presented by the European Science Fiction Society.

I’m not excerpting any of the information here because a lot of the names include special characters that just turn into question marks on WordPress.  Boo!

(8) SERIES OF INTEREST. Ed Zitron profiles the late, lamented show beloved by many fans: “Person Of Interest Was Anti-Prestige TV And Too Smart For Primetime”.

First, let me tell you what Person of Interest is. Person of Interest is the inverse of Game of Thrones. For every shock death from the HBO’s version of George R.R. Martin’s book series, it had Kevin Chapman getting maced by a model and beaten up with a handbag. For every Game of Thrones setpiece that sent 49 bloggers into an ejaculatory frenzy over the ambiguous motives and bloodlines of royals, Person of Interest had a scene where Jim Caviezel kicks seven shades of shit out of the cardboard archetype of a bad person. It’s weird watching Jesus throttle people, but you know what, we’re all going to Hell anyway.

[Warning, reading this may spoil the show. But really, you could read an entire synopsis and the show would still be fantastic.]

Caviezel’s John Reese is a former CIA agent that you’re introduced to as a piss-stained, beardy hooch-swigging hobo sitting on a subway train. In one of the most satisfying scenes in TV history, a group of rich dickheads yell at him on the train and attempt to take his booze, which he clings to with an iron grip. He then proceeds to beat them up with his somehow-not-atrophied CIA skills before grabbing one around the throat and giving him the deep, angry stare of a man who uses his pants as a toilet and just wanted to enjoy his train booze in peace.

It’s a great introduction to the show in its purest sense. Peel back the layers of intrigue, spywork and social commentary, and you’ll still find a TV show that brings back the pure joy of seeing people you don’t like getting beaten up. There are no pretenses to prestige here.

(9) HE SCORES, HE WINS! James Davis Nicoll has the numbers to prove a point.

The following review sources managed to review as many works by persons of colour in 2015 as I did in Oct 2016.

Interzone 7

The following review sources failed to review as many works by persons of colour in 2015 as I did in Oct 2016. Note that the Big Three are listed.

F&SF 5
Analog 3
Asimov’s 3
Foundation 1
Rising Shadows 1

(10) SAY CHEESE! NPR reports “NASA’S New ‘Intruder Alert’ System Spots An Incoming Asteroid”.

NASA pays for several telescopes around the planet to scan the skies on a nightly basis, looking for these objects. “The NASA surveys are finding something like at least five asteroids every night,” says astronomer Paul Chodas of JPL.

But then the trick is to figure out which new objects might hit Earth.

“When a telescope first finds a moving object, all you know is it’s just a dot, moving on the sky,” says Chodas. “You have no information about how far away it is. “The more telescopes you get pointed at an object, the more data you get, and the more you’re sure you are how big it is and which way it’s headed. But sometimes you don’t have a lot of time to make those observations.

“Objects can come close to the Earth shortly after discovery, sometimes one day, two days, even hours in some cases,” says JPL’s Davide Farnocchia. “The main goal of Scout is to speed up the confirmation process.”

(11) WHEN GENIUSES PLAY WITH SHARP OBJECTS. Here what NASA’s JPL brings to jack o’lantern design:

Carving pumpkins may not be rocket science – but that hasn’t stopped Nasa engineers.

Scientists at the space agency’s Jet Propulsion Lab held their annual contest to create the best pumpkin this week.

Entries included a gourd inspired by Star Wars villain Darth Vader, and two pumpkins dressed as Donald Trump and Hillary Clinton being hit by a meteor.

Motors, robotics and lights all featured heavily.

(12) COSTUMES FOR WHEELCHAIRS. About half a dozen photos here illustrating how wheelchairs are converted to vehicles of kids’ dreams.

Halloween is big business and when you use a wheelchair you want your outfit to pack a punch when you go trick-or-treating.

In America, Ryan Weimer and his wife Lana, have tapped into that market by providing children with the 3D costumes of their imaginations.

Costing between $2,000 and $4,000 each, a team of volunteers spend about 120 hours building the costumes which range from aeroplanes to dragons.


(13) HALLOWEEN TREE. Ray Bradbury tells how the “Halloween Tree” novel and animated film came about.

(14) RAY’S FAVORITE HOLIDAY. John King Tarpinian visited Ray Bradbury’s grave today, bringing some gifts and decorations.

Every Halloween I pay a visit to the Westwood Cemetery where Ray Bradbury is at rest.  I had the custom trick or treat bag made and filled it with Clark Bars, Ray’s favorite.  The little pumpkin shaped stone I luckily found yesterday from a bead shop I was dragged to by a visiting out of town friend.  The pumpkins were brought by one of Ray’s theatrical actors, Robert Kerr.



(15) BOO PLATE SPECIAL. Someone’s Cthulhu license plate attracted a crowd at World Fantasy Con.

(16) SILLY SYMPHONY. And here’s your musical accompaniment of the day:

[Thanks to JJ, John King Tarpinian, James Davis Nicoll, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

2016 Endeavour Award Shortlist

Five novels written by writers from the Pacific Northwest are finalists for the 18th annual Endeavour Award.

  • Edge of Dark by Brenda Cooper of Kirkland, WA (Pyr Books)
  • Irona 700 by Dave Duncan of Victoria, BC (Open Road Integrated Media)
  • The Price of Valor by Django Wexler of Bothell, WA (Roc Books)
  • Silver on the Road by Laura Anne Gilman of Seattle, WA (Saga Press)
  • Tracker by C.J. Cherryh of Spokane, WA (Daw Books)

The finalists were announced at Westercon over the Independence Day weekend.

The Award comes with an honorarium of $1,000. The winner will be announced November 18, 2016, at OryCon, Oregon’s primary science fiction convention.

The Endeavour Award honors a distinguished science fiction or fantasy book, either a novel or a single-author collection, created by a writer living in the Pacific Northwest. All entries are read and scored by seven readers randomly selected from a panel of preliminary readers. The five highest scoring books then go to three final judges, who are all professional writers or editors from outside of the Pacific Northwest. The Endeavour Award is sponsored by Oregon Science Fiction Conventions, Inc. (OSFCI), a 501(c)(3) non-profit corporation.

The judges for the 2016 Award are Jack McDevitt, Michaela Roessner, and Gordon Van Gelder.

Jack McDevitt

Jack McDevitt is the author of twenty-one novels, eleven of which have been Nebula Award finalists. Seeker won the award in 2007. In 2003, Omega received the John W. Campbell Memorial Award for best science fiction novel. He has also won the Robert A. Heinlein award, and a recognition from the Georgia Writers’ Association, both for lifetime achievement. McDevitt resides in Brunswick, Georgia.

Michaela Roessner

Michaela Roessner has had four novels and shorter works published in a number of publications. Her first novel Walkabout Woman won the Crawford and John W. Campbell awards. Roessner teaches creative writing at Western State Colorado University’s low-residency MFA program and online classes for Gotham Writers’ Workshop.

Gordon Van Gelder

Gordon Van Gelder worked as an editor for St. Martin’s Press for twelve years. He was the editor of The Magazine of Fantasy & Science Fiction for sixteen years, during which time he won the Hugo Award twice and the World Fantasy Award twice. He is currently the publisher of F&SF. He lives in New Jersey.

[Thanks to Jim Fiscus for the story.]

F&SF at 60

Paul Di Filippo, Carol Emshwiller and Ron Goulart will help editor Gordon Van Gelder celebrate 60 years of The Magazine of Fantasy and Science Fiction during the New York Review of SF Reading on October 6.

It all goes down at the South Street Seaport Museum at 12 Fulton Street in New York from 6:30-9:00 p.m. Admission is by a $5 donation.

[Thanks to Jim Freund for the story.]