2018 GUFF Winner

Polish fan Marcin Klak is the 2018 GUFF delegate. GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).

Klak will attend Continuum in Melbourne, Australia over the June 8-11 weekend.

Voting figures were not released, but GUFF co-administrator Donna Maree Hanson says, “It was a strong race with high number of votes being cast at Eastercon in the UK.”

The other candidates were and Steve and Alice Lawson.

Pixel Scroll 3/5/18 Don’t Scroll That Shoggoth, Hand Me The Pixel

(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.

For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.

  • Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
  • Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.

Some of the other creatures from classic and contemporary science fiction and fantasy are:

  • Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
  • Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.  
  • Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
  • Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
  • Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
  • War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.

Also new for Cage Match 2018 is a special creature-themed Spotify playlist.

(2) BRADBURY IS BACK. As Bill Oberst Jr. describes his exciting new project, Ray Bradbury Live (forever):

Dinosaurs.

Dark Carnivals.

Rockets To Mars.

Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.

The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.

Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.

Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.

As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:

(3) WITHOUT RESERVATION. Adweek explains “Why the Overlook Hotel From The Shining Got an Ad on the Oscars”.

The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.

The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”

… A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).

 

(4) INTERSECTIONALITY. Damien Walter has an intriguing idea for explaining a theoretical concept: “The trouble with intersectional political alliances as illustrated by Star Wars”.

Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.

…From what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.

The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.

Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.

In real life we have a word for the problems of factionalism faced by Liberal political alliances.

INTERSECTIONALITY

(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.

(6) THE SHAPE OF DOLLARS. Are you up on the charges of plagiarism made against the makers of the movie The Shape of Water? If not, Time.com posted a summary today, immediately after the film won the Academy Award: “Everything to Know About the Shape of Water Plagiarism Controversy”.

Jim Meadows sent the link together with his commentary:

The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.

I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.

The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?

Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.

(7) GUFF REASONS. Going Under Fan Fund (GUFF) candidate Marcin Klak appeals for support by telling readers “What can I pack in my ‘fandom suitcase’?”

…So far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoing….

(8) TODAY IN HISTORY

  • March 5, 1954The Creature from the Black Lagoon premiered.

(9) TODAY’S BIRTHDAY BOY

  • Born March 5, 1942 – Mike Resnick

Steven H Silver paid tribute at Black Gate with “Birthday Reviews: Mike Resnick’s ‘The Evening Line’”:

…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.

The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….

(10) COMICS SECTION.

  • Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.

Mike Kennedy sent in a trio —

  • Bits for sale at Foxtrot.
  • Edward can’t help violating that kindergarten dictum about what you don’t run with: In The Bleachers.
  • And Monty is on the beam.

(11) TAKE WEIRD TO THE NEXT LEVEL. The Dark Magazine has launched a Kickstarter appeal to fund ”Two More Years of Unsettling Fiction”.

The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.

Who we are:

Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Books….

Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year …She was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.

Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. …She is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.

(12) SHORTISH. Charles Payseur’s Quick Sips Reviews covers Glittership February 2018.

Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!

(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.

(14) ANSWER WITH A QUESTION. Rich Lynch tuned into tonight’s Jeopardy! where one category was “Facts About Fiction.” This was the $2000 clue. The defending champ got it right.

(15) BEST OF SFRA. The Science Fiction Research Association announced its annual awards.

  • Thomas D. Clareson Award for distinguished service: Veronica Hollinger
  • Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
  • Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
  • Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
  • Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
  • Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”

Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.

[Via Locus Online and SF Site News.]

(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.

(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2018 GUFF Voting Begins

The Going Under Fan Fund ballot for the 2018 race is now available on the OzFanFunds website.

Voters will choose an Australasian delegate to Continuum in Melbourne, Australia over the June 8-11, 2018 weekend. The candidates are Marcin Klak, and Steve and Alice Lawson.

Ballots will be accepted until April 3, 2018. The candidates’ platforms, general information about voting, and the online ballot is here. A PDF version for printing is here.

GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).

The winner will take over the administration of the fund for the next northbound and southbound races.

Here are the candidates’ platforms:

Marcin Klak
I am a Polish fan and conrunner who is truly passionate about fandom and conventions. I run a blog about my con journeys at www.FandomRover.com. Mihaela Marija Perkovi? inspired me to run for GUFF in 2018 and here I am trying to meet the fans from Australia (and hopefully New Zealand). I would like to travel 10,000 miles from Poland to Australia and become a European “fannish ambassador“. I frequently attend various conventions and I would like to exchange experiences with fans from the other side of the globe.

One small step for the fandom, one giant leap for the Fandom Rover!

Nominators: Australasia – Gillian Polack, Julia Svaganovic and David Cake
Europe – Vanessa May and Carolina Gomez Lagerlöf

Steve and Alice Lawson

We have been fans since 1974 (Steve) and 1987 (Alice). We both enjoy attending conventions and meeting new people; we even had our honeymoon at an Eastercon. We have served as committee members for over 30 conventions including Eastercons and Worldcons; Alice was co-chair of Loncon 3, the 2014 Worldcon. We have also each been honoured to receive the Doc Weir Award for our work behind the scenes. We would love the chance to meet more fans from Australasia and see fandom in action down under, and then be able to tell other fans in Europe all about it.

Nominators: Australasia – Norman Cates and Sue Ann Barber
Europe – Dave Langford, Claire Brialey and Ang Rosin

GUFF Seeks European Candidates for 2018 Trip Down Under

GUFF administrators are calling for nominations for the Southbound Race 2018 to send a European fan to Continuum in Melbourne, Australia over the June 8-11, 2018 weekend.

GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).

The winner will also be required to take over the administration of the fund for the next northbound and southbound races.

The administrators tell how to become a GUFF candidate:

If you wish to stand, please contact us at the postal or email address below. You will need three Australasian and two European nominators (who will each need to confirm their nominations), a platform of no more than 100 words to appear on the ballot, a bond of £15/€20/AU$25 and a guarantee to attend the 2018 Continuum convention in June if you win.

If you wish to stand and are unsure about how to go about getting any of these things, what the fund pays for or the duties of a GUFF delegate and administrator, then feel free to contact us in confidence.

Nominations are open until 15 February 2018, and candidates will be announced soon after. Voting will then run until 3 April 2018, with the winner announced online as soon as possible after voting has closed.

Nominations should be sent to donnamareehanson@gmail.com or via post to PO Box 6445, Conder, ACT, 2906 or rantalica@gmail.com or Mihaela-Marija Perkovic, Maksimirska 100d, 10000 Zagreb, Croatia. The bond can be sent by PayPal to guffeurope@gmail.com, or contact her for bank deposit details. Cash can be given directly to Donna Hanson or through Paypal guff2018@ozfanfunds.com or contact her for Australian direct bank deposit details.

Full information at the link.

The reason for bringing the next GUFF winner to Continuum rather than the Australian Natcon (Swancon at the end of March) was not specified, however, the Natcon would be only three months away at this point.

[Thanks to JJ for the story.]

Hanson Wins 2017 GUFF Race

Donna Maree Hanson is the Get Up and Over Fan Fund (GUFF) winner 2017. GUFF exchanges delegates between Australasia and Europe. Hanson will represent Australasian fandom at Worldcon 75 this year.

Alexandra Pierce, Sam Hawke, and Belle McQuattie were the other candidates.

Gillian Polack announced the result on Twitter and the voting results are at the Ozfanfunds site.

2017 GUFF VOTING DETAILS

Total number of eligible voters: 62

 

Hanson

Hawke McQuattie Pierce Hold Over Funds Write-in No Preference

Total

1st Round

25

6 10 16 0 1 4 62
2nd Round

26

6

10

16

      58

3rd Round

30

 

10

16

      56

4th Round

33     18      

51

In the fourth round Hanson received more than 50% of the total number of eligible votes in the race, making her the winner. One write in vote was received, for Davina Watson

[Thanks to Paul Weimer for the story.]

Alisa Krasnostein Drops Out of GUFF Race

Alisa Krasnostein, who had been running as a Get-Up-and-over Fan Fund candidate in tandem with Alexandra Pierce, announced March 11 on Facebook that she has dropped out. Pierce remains a candidate, along with Donna Maree Hanson, Sam Hawke, and Belle McQuattie.

Krasnostein explained:

After a lot of careful consideration and discussion with Alexandra Pierce, I have withdrawn from the GUFF race. It is with a very sad heart that I realise I can’t go to Finland, after having looked forward to their Worldcon since they put in their bid. However, the world has changed since we threw our hat in the GUFF ring and I no longer feel comfortable with being so geographically separated from my kids.

World politics is becoming increasingly scary for many people and I no longer feel comfortable travelling.

Please continue to support the GUFF race. Alexandra Pierce is an awesome candidate and will be an amazing GUFF delegate. We even have talked about some Skype Galactic Suburbia interview options we can do.

The other three candidates are also awesome – and basically the GUFF race is the real winner this year. Vote and support the fan race!

GUFF exchanges delegates between Australasia and Europe. In 2017 voters are choosing the Australasian delegate to Worldcon 75 in Helsinki. In response to the news about Krasnostein, the GUFF voting deadline has been extended until April 17. Candidates’ platforms and general information about voting is here. The updated online ballot is here. A PDF version for printing is here.

Pixel Scroll 2/16/17 This Scroll Is Spelt Raymond Luxury Pixel, But It’s Pronounced ‘Godstalker Manfile’

(1) TINGLE ON TV. SORT OF. I’m told Chuck Tingle appeared live via remote camera on Comedy Central’s @Midnight last night and that the video is “definitely NSFW.” And that Tingle was disguised (face covered) each time he appeared. I haven’t had a chance to watch the show yet, I’d better mention…

(2) TRAD V. INDIE. Jim C. Hines isn’t trying to referee the debate about which business model works best for writers. However, people selling their work in a variety of ways shared their income data with him and he has compiled it in “2016 Novelist Income Results, Part 2: The Large/Small/Indie Breakdown”.

Indie authors still have the largest median income, which was predicted by only 19% of the folks in our informal Twitter Poll. The large press authors once again take the highest average. (I think this is mostly because of one large press author whose income was significantly higher than any others.)

(3) BEST IN SF ROMANCE. Veronica Scott lists the nominees for the 2017 SFR Galaxy Awards at Amazing Stories.

First a word about the awards themselves – a panel of well-regarded scifi romance book bloggers and reviewers make the selections, with each judge naming five or six novels, graphic novels or anthologies that they found memorable during the preceding year. The formal description of the awards’ intent, as taken from the website: “The theme of the SFR Galaxy Awards is inclusiveness. Instead of giving an award to a single book, this event will recognize the worth of multiple books and/or the standout elements they contain. The basic philosophy behind this approach is to help connect readers with books.”

Although the awards are serious, each judge gives their reasons for selecting the books, as indicated a bit light heartedly in the title of their short essays…

(4) A KIND WORD. James Davis Nicoll sets Ursula K. Le Guin’s “The Rule of Names” before the panel at Young People Read Old SFF. And this time butter wouldn’t melt in their mouths….

(5) WHY CLARION. Nancy Jane Moore rhapsodizes about her experience as “A Tricoastal Woman: Clarion West 1997” at Book View Café.

There are lots of reasons to go to Clarion West or Clarion. Yes, you will learn a lot about writing. Yes, you will get to know writers and editors. And yes, the intensity of the workshop will push you to do your best work. I’m glad for all those things.

But what really made me happy was living in a community of writers for six weeks. There is nothing like pacing the hall at two in the morning, trying to figure out how to fix a scene, and finding that someone else is also up struggling with a story.

By the end of the workshop, I wanted to figure out how to live permanently in a community of writers. I’d gladly have spent the rest of my life at Clarion West. Well, OK, with a bit less intensity, because I couldn’t have kept up with the lack of sleep and exercise much longer.

Alas, I have never figured out how to do it, though I still have fantasies about getting together to buy an apartment building with a bunch of other writers. Hell, I’d probably even be willing to live in a dorm room with the bathroom up the hall as I did at Clarion West.

(6) TODAY IN HISTORY

  • February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler.

(7) TODAY’S BIRTHDAY BOYS

  • Born February 16, 1953 – Mike Glyer
  • Born February 16, 1957 LeVar Burton

(8) MOVING ON. There’s a difference between being interested in the Hugos and feeling a sense of stewardship about them. I still feel that we’re seeing through the completion of unfinished business. On the other hand, Abigail Nussbaum, in “The 2017 Hugo Awards: Why Hugo?”, explains why she feels the award doesn’t command the same level of interest for her as last year.

The issue, therefore, is this: it’s not just that the Hugos are trivial, but that the Hugos are solved.  If last year and the year before, we had a strong argument for seeing participation in the Hugos as an important and even progressive act, this year it seems largely meaningless, precisely because the difference between the best-case and worst-case outcomes is so small.  Let’s say the Rabid Puppies come back for a third try this year, and manage to get their trash on a lot of ballots.  So what?  They’ll just get knocked down in the voting phase again, and the only people it’ll really matter to will be the ones who lost out on a nomination–and I say that as someone who did lose out on a Hugo nomination, twice, as a result of the Rabid Puppies’ actions.  Given the current state of the world, lousy Hugo nominations are pretty far down my list of things to get upset over.  And on the other hand, if the Puppies have given up (or, more realistically, moved on to greener pastures, of which there sadly seems to be an abundance), I think we all know by now that the result will not be some progressive, radical-lefty shortlist.  The Hugo will go back to what it has always been, a middle-of-the-road award that tends to reward nostalgia and its own inner circle.  Yes, there has been progress, and especially in the shadow of the Puppies and their interference–2015 best novel winner Cixin Liu was the first POC to win in that category, and 2016 winner N.K. Jemisin was the first African American.  But on the other hand, look at the “first”s in that last sentence, consider that they happened a decade and a half into the 21st century, and then tell me that this is something to crow about.

After having said all this, you’re probably now expecting me to make some huge turnaround, to explain to you why the Hugos still matter, and why it’s still important to talk about them and nominate for them.  But the thing is, I can’t….

(9) GET TO KNOW YOUR GUFFERS. Voting on the Get Up-and-over Fan Fund (GUFF) delegate to Worldcon 75 contiues until April 1.’ The candidates’ platforms and general information about voting is here. The online ballot is here. Voting is open to all interested fans, regardless of nationality.

Elizabeth Fitzgerald is interviewing the candidates online — Donna Maree Hanson, Sam Hawke, Belle McQuattie, and the tandem of Alexandra Pierce and Alisa Krasnostein. Her first two interviews are up —

You’re currently working on a PhD focused on feminism in romance. How have you found this has impacted on your SFF writing?

The PhD studies so far have benefited my writing. Part of the study involves reading widely–French philosophers, feminist theory, queer theory–and I find that all mind-expanding. I’m not free to write as much as I’d like but I find with a bit of discipline (say an hour a day, at least) I can do both the PhD and write. I take a writing day once a week too. I don’t think you can study romance without touching on feminism and gender, and that is interesting to say the least. As I’m undertaking a creative writing PhD, l will be writing a novel. That novel is going to be an SF novel, post-human, focussing on gender equality and romance too. To write that novel I have to read SF dealing with that topic as well as straight romance, which is part of my research. Lots of reading. I read Left Hand of Darkness aloud to myself so I could experience it at a deeper level. So it’s a journey that I can bend to include both sides of my interests in genre.

What are you most looking forward to about Worldcon 75?

Is it cheating to say everything? I’m really looking forward to talking to fans and learning more about other areas of SFF that I don’t get exposure to normally, especially because I don’t know much about European SFF. I’m really excited to explore Finland and see another part of the world. I’m also a super huge fan of moose, and I’m hoping to see some … from a very safe distance.

(10) FAKE KNEWS. NakedSecurity tells how everyone, including members of Congress, can spot a fake twitter account. Personally, I don’t think the problem is that they are that hard to spot, but that want to believe the messages and don’t stop to ask the question.

When was it created?

As the Washington Post notes, the fake Flynn account was created a day after the authentic @GenFlynn went offline. Suspicious timing, eh? The creation date can be helpful in spotting bogus accounts, particularly when they’re created at the same time as major news breaks about whatever parodied/spoofed person they’re based on.

(11) ZETA OVER BUT NOT OUT. Mothership Zeta announced plans to go on hiatus four months ago, and the new issue of the magazine confirms that it will be the last issue for now. Here’s a quote from Mur Lafferty’s editorial.

The discussion you hear from nearly every short fiction publication is the worry about money. We are an experiment from Escape Artists, the awesome publisher of free audio fiction; we knew we were taking a risk with creating an ezine that you had to pay for.

We’re fiercely dedicated to paying our authors, our nonfic writers, our artists, and our editorial team. We did our best with the budget we had, but once the money ran out, we had to take a hard look at ourselves. So we are taking some time to figure out a new way of delivering this publication.

We have no current plans to shutter the magazine for good. We are going to take the next few months and look at our options. We may come back with a crowdfunding effort through Patreon, Kickstarter, or IndieGogo. We may come up with other solutions. But we all believe in this magazine, and believe that the world needs satisfying, fun science fiction now more than ever. We want to bring that to you.

[Thanks to Mike Kennedy, Mark-kitteh, David K.M.Klaus, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

2017 GUFF Voting Begins

The Get Up-and-over Fan Fund ballot for the 2017 race is now available on the OzFanFunds website.

Voters will choose an Australasian delegate to Worldcon 75 in Helsinki. The candidates are Donna Maree Hanson, Sam Hawke, Belle McQuattie, and the tandem of Alexandra Pierce and Alisa Krasnostein.

Ballots will be accepted until April 1, 2017. The candidates’ platforms and general information about voting is here. The online ballot is here. A PDF version for printing is here.

Here are the candidates’ platforms

  • Donna Maree Hanson

My first SF con was Convergence in Melbourne, 2002. Over excited by my dip into fandom, I chaired Conflux, the 43rd Natcon, Conflux 2 and later co-chaired, Conflux 9, the 52nd Natcon. I’m inspired by GUFF delegate Jukka Halme to get over to Helsinki and also my love of the UK to visit fans there. Fandom changed my life! It has people who like SF, books and authors. I was weaned on Lost in Space, Dr Who, Star Trek, Thunderbirds, UFO and Blake 7. As the GUFF delegate, I want to hang out with European and British fen and experience their fandom.

Nominators: Australasia – Julian Warner, Dave Cake, Rose Mitchell Europe – Patrick McMurray, Ben Roimola

  • Sam Hawke

I’m a fantasy writer (my first book comes out through Tor in 2018) and like many SFF fans, I tend toward shyness. But once comfortable I’m like one of those annoying tins with the sprung streamers you had as a kid: there’s no putting me back in. 2 ciders/1 Discworld argument in and I’ll be challenging you to a ‘recite the entire Princess Bride from memory’ contest or arguing my choice of Doctor (10, obviously). Send me to Helsinki so I can connect in person with fans from around the world, and uphold Australia’s honour in the 3-timtams-in-a-minute contest!

Nominators: Australasia – Rob Porteous, Tim Napper, Leife Shallcross Europe – Natasja Frederiksen, Sini Neuvonen

  • Belle McQuattie

I am a reader, reviewer, Aurealis Awards judge and Continuum 13 committee member. I have a particular passion for Australian fantasy and would love to share it with new friends at WorldCon. I would also like to meet fans at Nine Worlds and in Croatia before/after WorldCon, and experience the unique flavours each of the three regions brings to fandom. Reconnecting with the wider fandom is the best decision I’ve made this year and I’m very much looking forward to all the new experiences waiting for me. I can be found @theresaninkspot

Nominators: Australasia – Tole Canal, Tehani Croft, Katharine Stubbs Europe – James Shields, Vanja Kranjcevic

  • Alisa Krasnostein and Alexandra Pierce (shared)

Alisa and Alex are two thirds of the Hugo-winning Galactic Suburbia podcast, and co-editors of the award-winning Letters to Tiptree. Alisa is the publisher at Twelfth Planet Press, and has won awards for her anthologies and other publications. Alex writes the regular column “Aurora Australis” for Tor.com, and has won awards for her reviews and criticism (www.randomalex.net). Alisa and Alex share a passion for science fiction and fandom. All of their projects are undertaken for the love of science fiction. They look forward to being excellent ambassadors of Australian fans, and connecting with fans from around the world.

Nominators: Australasia – PRK, Gene Melzack, and Damien Warman and Juliette Woods Europe – Cheryl Morgan and Irma Hirsjärvi

[Thanks to JJ for the story.]

2017 GUFF Candidates

Gillian Polack, GUFF co-administrator, announced the nominees for the next race are all in.

The candidates are:

(Links are to Facebook.)

This time the fund is picking a delegate to the Helsinki Worldcon, so GUFF’s initials stand for the Get Up-and-over Fan Fund. (When the trip is from Europe to the Antipodes, they stand for Going Under Fan Fund.)

The winner also will be required to take over the administration of the fund for the next northbound and southbound races.

Voting platforms and ballots will be posted online when voting begins which, says Polack, will be very soon. The GUFF website is here.

GUFF Seeks Candidates for Helsinki Worldcon Trip

GUFF administrators ae calling for nominations for the Northbound Race 2016, to send an Australasian fan to Worldcon 75 in Helsinki, Finland, August 9-13, 2017.

GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).

The winner will also be required to take over the administration of the fund for the next northbound and southbound races.

Mihaela Marija Perkovic, GUFF’s European co-administrator, tells how to enter the race:

If you wish to stand, please contact us at the postal or email address below. You will need three Australasian and two European nominators (who will each need to confirm their nominations), a platform of no more than 100 words to appear on the ballot, a bond of £15/€20/AU$25 as a guarantee you will attend the 2017 Worldcon if you win.

If you wish to stand and are unsure about how to go about getting any of these things, what the fund pays for or the duties of a GUFF delegate and administrator, then feel free to contact us in confidence.

Nominations are open until 17th November 2016, and candidates will be announced soon after. Voting will then run until Saturday 1st March 2017, with the winner announced online as soon as possible after voting has closed.