Tag Archives: H. R. Giger

Pixel Scroll 12/28/22 Goodnight, Barsoom

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(1) YOU’RE INVITED TO THE PARTY. File 770’s 45th anniversary celebration begins soon after the turn of the year. The 45th birthday of the fanzine is on January 6, and the 15th anniversary of the blog is on January 15. Is there something you can contribute to the occasion? It doesn’t have to be about File 770 – a book review, a parody filksong, a guest opinion post, a piece about your favorite Korean TV show – anything in the realm of sff and fandom that you’re passionate about. Contact me at mikeglyer (at) cs (dot) com.

(2) BIG TICKET ITEMS. AbeBooks’ list of ten “Most expensive sales in 2022” kicks off with the nonfiction volume I Quattro Libri dell Architettura by Andrea Palladio in first place with a $57,750 price tag. Genre works occupy the fifth and sixth position.

#5 — The Time Machine by H.G. Wells – $30,500

Published by Henry Holt, this is the 1895 first edition of The Time Machine with the author’s name misspelled as H.S. Wells on the title page. This copy is signed by Wells just below the names of the previous owners. The Time Machine was the author’s first novel and has become a cornerstone of science fiction with its time traveling theme.

#6 — The Tour of the World in 80 Days by Jules Verne – $30,000

Better known as Around the World in 80 Days, this is the first American printing of Verne’s story. The book was rebound in 1952 in green calf leather. It was owned by Mrs. Nellie W. Pillsbury. One of Nellie’s daughters, Nellie Ruth King, was the mother of the author Stephen King. The book was accompanied by a handwritten note from Verne, signed and dated October 1883, where he describes two upcoming titles. In addition, a handwritten note from American author Nellie Bly is tipped into the book. Inspired by Verne, Bly made her own trip around the globe and wrote a book called Around the World in Seventy-Two Days.

(3) NEW TEST RULE. Beginning January 5, the U.S. is instituting a new requirement for travelers from China: “US to require travelers from China to show negative Covid-19 test result before flight” reports CNN.

The United States will require all travelers from China to show a negative Covid-19 test result before flying to the country as Beijing’s rapid easing of Covid-19 restrictions leads to a surge in cases.

Passengers flying to the US from China will need to get a test no more than two days before flying, federal health officials said, and present proof of the negative test to their airline before boarding.

The tests can be either a PCR test or an antigen self-test administered through a telehealth service.

The requirement will apply both to passengers flying directly to the United States from China as well to passengers flying through popular third-country gateways, including Seoul, Toronto and Vancouver.

Passengers who test positive more than 10 days before their flight can provide documentation of their recovery in lieu of a negative test result.

The new rules take effect at 12:01 a.m. ET on January 5….

(4) FIRE RECOVERY FUNDRAISER. [Item by Steven H Silver.] Lisa Garrison, who has long been active in MarCon, has run Windycon’s children’s programming for several years, and chaired the 2020 NASFIC in Columbus/Online suffered a devastating house fire on December 23 and lost everything, including her pets (although Lisa and her children are okay.)  A GoFundMe has been set up: “Fire Recovery Fund Lisa Garrison & Family”. At this writing $28,594 of the $35,000 goal has been donated.

….They lost their house in a fire early this morning and have lost everything, including their beloved pets. I am heartbroken and doing all that I can to help ease the loss, but I know that many people far and wide love Lisa, Seamus, and Jade, and will also want to help. We would love if you chip in to help them get on their feet, and try to pick up the pieces after this horrific loss. God bless you and Merry Christmas!

We are so very thankful for the immense outpouring of support, but as the days pass the amount of items that were lost continues to grow, and the need is so very great. Lisa & the kids are overwhelmed with gratitude from their community, but I know that they will need as much help as we can all give them!

(5) MIKE CAREY Q&A. Moid over at Media Death Cult has an interview with Mike Carey.

Mike Carey (The Girl With All The Gifts, X-Men, Lucifer, Hellblazer) is an English comic, novel and screenplay writer who bloody loves the end of the world.

(6) MARK YOUR CALENDARS. Sharon Lee and Steve Miller of the Liaden Universe® chart the first half of 2023 for fans – what’s being published, and where you can meet them.

January 3, 2023:  Chicks in Tank Tops publication date.  Edited by Jason Cordova, with brand new stories from Esther Friesner, Kevin Ikenberry, Jody Lynn Nye, Joelle Presby, Marisa Wolf, Sharon Lee and Steve Miller, and?  More!  No, honestly, there’s a whole lot of good reading in this book, and you don’t want to miss out.  Available from your favorite bookstore.

January 5, 2023:  Rembrandt’s Station by Christie Meierz releases, a happy fact that will be celebrated by a Zoom launch party on January 7.  Steve and I will be there, and hope that you will, too.  Party details here

February 17-19, 2023:  Boskone 60.  GOHs: Nalo Hopkinson, Vito Ngai, Tui T. Sutherland, Dave Clement.  Steve Miller and Sharon Lee will be attending in person after a several year gap.  We cannot yet reveal our schedules, but we can say that we will be reading from Salvage Right, the 100th Lee and Miller collaboration; participating in a few panels, and hosting a kaffeeklatsch.  Hope to see you there.  Here’s your link to register

February 28, 2023:  The anniversary re-issue of the classic Liaden Regency, Scout’s Progress, with a new and exciting cover by Sam Kennedy, and! a new foreword by the authors, releases from All the Usual Suspects.

Looking a little further down the line — April 28-30, 2023:  Heliosphere 2023.  GOHs: Sharon Lee and Steve Miller, David M. Mattingly.  Registration is open and though it is a thought over four months away, we urge you to register now.  Heliosphere is a small con and depends on its pre-registrations.  Here’s your link.

And, going way, way out, now — July 4, 2023, Salvage Right, the 25th novel set in the Liaden Universe® created by Sharon Lee and Steve Miller back in the last century, releases from all of your favorite bookstores.

(7) WHO KNEW? Flying Cars and Food Pills is Steve Carper’s Retrofuturism site. Among its many offerings is an article about an atomic bomb mystery story published during WWII that the FBI investigated – not the Cleve Cartmill story you already know about, but “The Last Secret” by Dana Chambers.

…If the government investigated Cartmill’s story, then why didn’t they spot The Last Secret? They did. The only difference is that the mystery world doesn’t have the obsessive fan grapevine that the f&sf world has and had.

The government’s virtually unknown actions are laid out in a wonderfully informative paper by Patrick S. Washburn presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (July 2-5, 1988): “The Office of Censorship’s Attempt to Control Press Coverage of the Atomic Bomb during World War II.”…

(8) GNOME PRESS. Steve Carper also has a site devoted to an early sff publisher: “Gnome Press: The Complete History and Bibliography”. Here’s an excerpt from the introduction.

Hard to believe today, but before World War II not a single mainstream publisher in America would publish a genre science fiction or fantasy novel. H. G. Wells had once been so fanatically popular that publishers would pirate his works if they couldn’t get them legitimately, but the coming of the pulp magazine era destroyed the reputation of the field. Science fiction was written by subliterates for subliterates, or so went the opinion of the literary world….

A few science fiction fans saw a niche. They pooled what seems today like pitifully small amounts of money and started small presses. There was Shasta and Prime Press and the New Collector’s Group and Fantasy Press and Hadley Publishing and the Buffalo Book Company and many more.

Perhaps the most ambitious, the most professional, the most forward thinking, the most successful – all attributes that the acolytes of the other presses will forever dispute – was brought into being as The Gnome Press, Inc. Martin L. Greenberg, who must always be carefully introduced as no relation to the anthologist Martin H. Greenberg, wanted to do more than resurrect older stories from their living death in browning pulp magazines – although he did much of that, very successfully; he wanted to make modern science fiction and fantasy part of the modern world of publishing….

And another excerpt from “The History of Gnome Press”:

… Greenberg had no experience in publishing, especially with regards to the printing the book and getting it out the door function, far more important for a small press in 1948 than any other aspect of the job. He turned to David A. Kyle, who essentially grew up in fandom, reading the pulps from his early teens, and turning into a letter hack, fanzine publisher, founder of fan groups, and all-around friend of everybody in New York fandom, somewhat like being a music junkie in 1967 San Francisco….

(9) DILLONS AND THE SPOKEN WORD. Artist and designer John Coulthart chronicles the album covers produced by a couple who were among sff’s most famous artists: “The Dillons at Caedmon”. The post includes many images.

There’s a lot you could write about illustrators Leo and Diane Dillon. They were very prolific for a start, creating many book covers and interior illustrations in a variety of styles and different media. They also maintained a long-running association with Harlan Ellison whose praise for the pair was never less than fulsome. Like Bob Pepper and other versatile illustrators, they created art for album covers as well as books, with regular commissions from Caedmon Records, a label that specialises in spoken-word recordings….

(10) MEMORY LANE.

[By Cat Eldridge.] Terry Pratchett statue

There is apparently to be a statue of Terry Pratchett. Or so it is thought. So the sculptor, Paul Kirby, announced on his site in 2016: “I am delighted that Salisbury City Council has given the thumbs up to the proposal of a bronze statue of Sir Terry Pratchett for the city.  Designs and plans can now progress to the next stage.  I am proud to be the chosen artist to create this piece and very much look forward to sculpting Terry. I hope the end result will be an unsentimental and a happy depiction of the author, which celebrates his achievements both literary and philanthropic and brings pride to the people of Salisbury.” 

Let me show you the proposed statue. The sketch below until recently (I’ll explain that in a minute) was all that existed of the idea. It was to be crowdfunded according to the sculptor and that really, really didn’t happen. But then hundred thousand dollar statues generally need government and foundation backing, don’t they? 

The campaign had received the enthusiastic support of Pratchett’s family, as well as his friend and fellow author Neil Gaiman. That however was six years ago as I noted above and until this year, not a word more we heard about it. Is it moving forward? Who knows? 

However the concept of a seven foot-and- a-half statue has turned into one solitary bronze bust that you can see below. According to the news stories, that’s all the sculptor has completed in six years as “he said getting the expression right was especially hard, trying to portray Pratchett as not unhappy, but not smiling too much.” Left absolutely unsaid was if funding had been raised to do the statue itself. My guess? If it had been raised, it’d been shouted from here to Discworld that it had. 

For now, it’s safe to say that no date has been announced for a statue going up, nor has any government body or foundation committed to funding, not even the Pratchett people themselves which is curious indeed.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in “Spectre of the Gun”, a Trek story that opinions are divided on.  He also appeared in My Favorite Martian’s “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited until late in that series. Interestingly he had six appearances playing six different characters on Science Fiction Theatre. (Died 1993.)
  • Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in a way that company is thought to be the creation of Stan Lee in a way that DC isn’t thought if of having of having a single creator. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk,  Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list. I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.)
  • Born December 28, 1932 — Nichelle Nichols. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which definitely isn’t canon. (Died 2022.)
  • Born December 28, 1934 — Maggie Smith, 88. First genre role was as Theis in Clash of the Titans though she’s better known as Minerva McGonagall in the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films.
  • Born December 28, 1942 — Eleanor Arnason, 80. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”.  She’s been a WisCon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available at the usual digital suspects. 
  • Born December 28, 1945 — George Zebrowski, 77. He won the John W. Campbell Memorial Award for Best Science Fiction Novel for Brute Forces. He’s married to Pamela Sargent with whom he has co-written a number of novels, including Trek novels. He was an editor of The Bulletin of the Science Fiction Writers of America.
  • Born December 28, 1970 — Elaine Hendrix, 52. I found a Munsters film I didn’t know about (big fan I am, yes) and she’s Marilyn Munster in it: The Munsters’ Scary Little Christmas. She later was Gadget Model 2 (G2) in Inspector Gadget 2. (Anyone watch these?) And she’s Mary in the animated Kids vs Monsters. 

(12) COMICS SECTION.

  • Bizarro records a superhero’s visit to his tailor.

(13) EYE TO EYE. [Item by Mike Kennedy.] A new art exhibition in China juxtaposes works by H.R. Giger and Hajime Sorayama—two very different futuristic artists. It will be at UCAA Lab in Beijing through 19 February 19, 2023. “‘H.R. Giger X Sorayama: Approaching’ Is a Must-See Exhibition for Science Fiction Lovers” at Hypebeast.

H.R. Giger and Hajime Sorayama grew up on opposite ends of the earth and equally possessed a starkly different view on the promises of technology. Giger, whose monstrous machines would characteristically be tied to the Alien franchise, presented a haunting vision of the distant future. Whereas, Sorayama continues to create erotically-charged robots that oscillate between human and machine, reality and fantasy.

NANZUKA worked with COEXIST and UCCA Lab in Beijing to present an enthralling new exhibition juxtaposing the work of the two legendary artists. H.R. Giger X Sorayama: Approaching features 45 works by each figure from the 1960s to the present day. The show’s layout was inspired by an underground ant colony, where visitors will be pitted amongst a series of rooms — each presenting a duality of notions….

(14) TZ MARATHON. Get in the zone! SYFY Wire has everything you need to know: “SYFY’s 2022 New Year’s ‘Twilight Zone’ marathon is here”.

It’s that time of year again — time to cross over into The Twilight Zone … and stay there for a bit. A few days, actually. SYFY’s annual New Year’s marathon of The Twilight Zone episodes is returning, and the extravaganza stretches over four freaky calendar days, beginning on Saturday and running through Tuesday morning.

As a bonus this year, in addition to featuring episodes from the five-season Rod Serling-created anthology series that ran from 1959 to 1964, the marathon will also include episodes from the Jordan Peele-developed revival of The Twilight Zone that premiered in 2019 and came back for a second season in 2020…. 

(15) HAPPENING IN 2024. “Mickey’s Copyright Adventure: Early Disney Creation Will Soon Be Public Property”. The New York Times can’t wait to do news stories about the problems that will create.

There is nothing soft and cuddly about the way Disney protects the characters it brings to life.

This is a company that once forced a Florida day care center to remove an unauthorized Minnie Mouse mural. In 2006, Disney told a stonemason that carving Winnie the Pooh into a child’s gravestone would violate its copyright. The company pushed so hard for an extension of copyright protections in 1998 that the result was derisively nicknamed the Mickey Mouse Protection Act.

For the first time, however, one of Disney’s marquee characters — Mickey himself — is set to enter the public domain. “Steamboat Willie,” the 1928 short film that introduced Mickey to the world, will lose copyright protection in the United States and a few other countries at the end of next year, prompting fans, copyright experts and potential Mickey grabbers to wonder: How is the notoriously litigious Disney going to respond?

… The matter is more complicated than it appears, and those who try to capitalize on the expiring “Steamboat Willie” copyright could easily end up in a legal mousetrap. “The question is where Disney tries to draw the line on enforcement,” Mr. Moss said, “and if courts get involved to draw that line judicially.”…

(16) THE BY-NO-MEANS-OFFICIAL HISTORY. The Comics Journal’s Chris Mautner reviews “See You at San Diego: An Oral History of Comic-Con, Fandom, and the Triumph of Geek Culture”.

Having spent years, if not decades, as the top dog of comic conventions, and largely recognized by the hoi polloi as the de facto pop culture happening for well over a decade now, it’s surprising that a big book on the history of the San Diego Comic-Con hasn’t been published sooner. See You at San Diego, a whopping 480-page(!!) oral history of the show’s creation and growth, attempts to detail the origins of the convention and how it became the massive juggernaut it is today, with lots of anecdotes and remembrances from the people that helped shape it.

Unfortunately, while See You at San Diego does contain some engaging and occasionally delightful anecdotes, it’s also more than a bit of a mess, badly in need of an editor that could whittle its massive length down to a leaner and more succinct size, avoid the numerous repetitions, ask some tough questions about inclusion and the dominance of geek culture today, and perhaps even suggest some different page design choices than what’s offered in the final product….

(17) AND DON’T FORGET THIS BIRTHDAY. CNN is there when the “World’s oldest-ever tortoise turns 190”.

… Further proof of his age emerged when an old photograph taken between 1882 and 1886 was uncovered. In it, a fully grown Jonathan can be seen grazing in the garden of Plantation House, the residence of the Governor of St. Helena, where he has spent most of his life.

… Officials on the island are currently working on Jonathan’s birthday celebrations, which are planned for later this year. A series of commemorative stamps will be issued and anyone who visits him this year will receive a certificate featuring the first known picture of his footprint.

(18) VIDEO OF THE DAY. Ryan George takes us inside the conversation in “Avatar: The Way of Water Pitch Meeting”.

2009’s Avatar was the highest-grossing movie of all time. Naturally, that meant sequel-time, and FAST. Okay maybe not fast. Maybe not even slow-paced. Maybe THIRTEEN YEARS LATER James Cameron has brought us back to the world of Pandora, along with all the characters whose names we definitely remember. Avatar: The Way Of Water definitely raises some questions. Like why spend so much money bringing back Colonel Quarritch to life, the guy who famously failed the last time he attempted something similar to this mission? Why does Jake suddenly decide that it’s suddenly time to run away after literally heading into battle regularly? Where did all the ocean people go in the third act? How many decades until the next movie?

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Steven H Silver, SF Concatenation’s Jonathan Cowie, Andrew (not Werdna), Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/26/21 In A Scrolling Way, It’s About That Pixel

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(1) INTRODUCING BEST EDITOR. During last night’s telecast: “Harrison Ford uses Oscar soapbox to get some Blade Runner complaints off his chest”.

“I’d like to share some notes, some editorial suggestions that were prepared after the screening of, uh, a movie I was in,” joked Ford. “Opening too choppy. Why is this voice-over track so terrible? He sounds drugged.”

“Were they all on drugs? Dekker at the piano is interminable. Flashback dialogue is confusing. Is he listening to a tape? Why do we need the third cut to the eggs? The synagogue music is awful on the street. We’ve got to use Vangelis. Up to Zora’s death, the movie is deadly dull. This movie gets worse every screening.”

(2) TRUST ME, IT DIDN’T WIN. EscYOUnited, in “Eurovision Movie’s ‘Húsavík’ does not win 2021 Oscar for Best Original Song”, admits its fans are disappointed, but notes how many other honors the movie has received – including a Hugo nomination.

…Sadly things did not go in Fire Saga’s favor, as H.E.R., Dernest Emile II, and Tiara Thomas won the award for their song “Fight For You” featured in Judas and the Black Messiah. Even without tonight’s Oscar, the Eurovision movie is still a two time award winning film. Prior to tonight the music editor team won the award for Outstanding Achievement in Sound Editing – Musical for Feature film and “Húsavík” won the award for Outstanding Original Song for Visual Media….

(3) REMEMBERED. The Oscars 2021 In Memoriam video included Ian Holm, Max Von Sydow, Christopher Plummer, Wilford Brimley, Ron Cobb, Hal Holbrook, Helen McCrory, Carl Reiner, Brian Dennehy, Diana Rigg, Sean Connery, Chadwick Boseman, and others with genre credits.

(4) BONUS MURDERBOT. Tom Becker pointed out Tor.com’s post of “Home: Habitat, Range, Niche, Territory”, by Martha Wells.

Home: Habitat, Range, Niche, Territory was originally given free to readers who pre-ordered Martha’s Murderbot novel, Network Effect. The story is set just after the 4th novella,Exit Strategy.

(5) MARTHA WELLS PROFILE. The Orange County Register’s Erik Pedersen tells “How ‘Murderbot Diaries’ author Martha Wells overcame a career in crisis to create the killer series”.

There was a time before Martha Wells created Murderbot, the character that narrates her award-winning science fiction series “The Murderbot Diaries,” when she thought her career might be dead.

After a successful start in the ‘90s, things had cooled down by the mid-2000s. When the final book in her “Fall of Ile-Rien” trilogy was published without fanfare, the soft-spoken Texan wondered if that was it for her.

“I was kind of at that point in my career where, you know, women writers my age were supposed to quietly fade away. It’s like, ‘Well, you had your shot, and that was it, and now go away.’ So I was not real optimistic about being able to continue to be published,” says the now 56-year-old novelist during a call from her College Station home, which she shares with her husband and three cats.

“I could not sell another book,” says Wells. “I knew my career was in a lot of trouble.”

But she refused to give up. Over the next few years, she got a new agent, started a new series, found a new publisher.

“That kind of got me back going again. I ended up also doing a Star Wars novel and did some work on some stories for Magic the Gathering,” she says, describing herself as plugging away but not soaring during that period. “I thought, ‘Well, this is probably about as high up as I can go,’ you know? It’s like, I’m not gonna win awards, and I’m not gonna be, you know, super popular or anything like that. But if I can keep going at this level, I’ll be okay.

“And then Murderbot just hit big,” she says….

(6) EUROCON. Eurocon 2021 in Fiuggi, Italy will be an in-person con the committee announced.

Just had green light for Eurocon in-person!

All attendees will have to be vaccinated or pre-tested for Covid 19.

If the con were to be held today, we could accommodate a little more than 200 guests. We are confident that it will be possible to increase this number in July. Hope to see you in Italy!!!

(7) B5 WAS THE PROTOTYPE. TechRadar boldly asks “Is Babylon 5 secretly the most influential TV show of the past 25 years?”

… If most TV viewers had no idea what a showrunner was back in the ’90s, even fewer could name one. Only superstar producers such as Hill Street Blues and NYPD Blue creator Steven Bochco were big enough to occasionally eclipse their brands. However, the name of J Michael Straczynski was all over Babylon 5, as synonymous with the show as Minbari, Narn and Vorlons – just as much as The West Wing was Aaron Sorkin’s creation or The Sopranos David Chase’s, Babylon 5 was his. Arguably more so, in fact, seeing as he wrote 92 of the show’s 110 episodes, including the entirety of seasons 3 and 4. 

Babylon 5 was an auteur’s vision on an epic scale. On the rare occasions guest writers were brought in, they were often genre legends such as Neil Gaiman, Harlan Ellison and regular Star Trek writer DC Fontana – this show was never scared to embrace the harder edges of science fiction. And just as would later become the norm with showrunners such as Russell T Davies on Doctor Who or Dave Filoni on The Clone Wars, Straczynski was the public face of his show, becoming one of the first writers to talk directly to the fanbase via the internet.

A veteran of ’80s cartoons such as She-Ra: Princess of Power, The Real Ghostbusters, and Jayce and the Wheeled Warriors, Straczynski always had big plans for Babylon 5. He set out to tell a story taking in space battles, political intrigue, epic mythology and more, and wanted to do it over the course of five years. 

That may not feel unusual now, when shows such as Breaking Bad, Lost and even comedies such as Schitt’s Creek make a big thing of spreading their stories over multiple seasons. But in the mid-’90s, the Babylon 5 approach was seriously radical. Most of the TV of the era was built on standalone episodes, with serialization kept to a minimum to ensure episodes could be watched in any order once they ended up in syndication. That Babylon 5 should so brazenly break the mould was a big shock to the system for ’90s viewers…

… It was ‘Westeros in space’ before George RR Martin had even published his first A Song of Ice and Fire novel, a show that rewarded viewers who tuned in for every installment. Babylon 5 was a show purpose-built for streaming and binge-viewing, trapped in the era of broadcast and cable….

(8) ESSENCE OF WONDER. “Strategy Strikes Back: Star Wars And Modern Military Conflict” will be the topic on Essence of Wonder with Gadi Evron on May 1 at 3 p.m. Eastern. Register for the Zoom webinar here.

Strategy Strikes Back authors Lt. Col. Matt Cavanaugh, Max Brooks, August Cole, and Steve Leonard join Gadi and Karen to discuss Star Wars and modern military conflict. In the book, they made understanding strategy fun by the use of a common global language – The love of Star Wars. We’ll be happy to share that love with them.

(9) BILLIONS AND BILLIONS. What Carl Sagan used to say about the number of stars this fellow says about his bank account. SpaceX’s Elon Musk will host Saturday Night Live on May 8 reports NPR.

Saturday Night Live doesn’t usually have business executives host its show, but as pointed out in a story by The Associated Press, Musk is far from a stuffy corporate type. He regularly jokes around on Twitter, where he has nearly 52 million followers and has gotten into legal trouble for making disparaging remarks about critics and hinting that he might lead a buyout of Tesla that resulted him getting fined $20 million by stock market regulators.

… Not counting news interview shows and press conferences, Musk has made guest appearances on the CBS shows Young Sheldon and The Big Bang Theory. His voice has also been heard on the animated shows South Park, The Simpsons and Rick and Morty. Plus he made a cameo in the film Iron Man 2.

(10) WOLFE SPEAKS. Colombian author Triunfo Arciniegas reposted Lawrence Person’s 1998 interview with Gene Wolfe yesterday: “DRAGON: Suns New, Long, and Short / An Interview with Gene Wolfe”.

LP: You have literally dozens of characters in The Book of the Long Sun, yet many times you have scenes with a number of characters all speaking in turn, without being identified, and yet their speech patterns are so clearly and cleverly differentiated that we’re never confused about who’s talking. Just how do you do that?

GW: (Laughs) I’m certainly glad that you were never confused! There are two things. Obviously, you have the speech patterns. Spider does not talk like Maytera Mint. And if you understand speech patterns, you should be able to put in any statement Spider makes, certain characteristic phrases or mistakes, or whatever, that will identify him as the speaker. The other thing is, that if you’re doing it right, the speech that, oh, let’s say, Maytera Marble makes under a certain circumstance, is not the speech that Blood would make under that circumstance. When Maytera Marble talks, she is saying something that only Maytera Marble would say. When Blood speaks, he is saying something that only Blood would say. And so the reader, if the reader is intelligent, knows who said that from what was said.

(11) HWA POETRY SHOWCASE. Horror Writers Association is taking submissions from members to its 2021 Poetry Showcase.

The HWA is proud to announce that it will call for submissions from its members for the Poetry Showcase Volume VIII beginning April 1. Stephanie Wytovich will be the editor for the volume. This year’s judges, along with Stephanie, will include Sara Tantlinger and Angela Yuriko Smith.

Only HWA members (of any status) may submit. The reason for this can be found in the word “Showcase.” The HWA is very proud of the tradition of poetry in the horror genre and of the HWA’s support for poetry. This volume is designed to showcase the talents of HWA members which is why it is now limited to members….

(12) WILLIAMS OBIT. Charlie Williams, a long-time Nashville fan, passed away April 25 reports Tom Feller. He had been residing in a nursing home/rehab facility after being hospitalized for pneumonia.  He is survived by his wife Patsy and sister Jennifer.  Funeral arrangements are pending.

[NOTE: He is a different Charlie Williams than the fanartist from Knoxville.]

(13) MEDIA BIRTHDAY.

  • April 26, 2008 — On this date in 2008, Star Wars: The Clone Wars premiered on the Cartoon Network. created by George Lucas and produced by Lucasfilm Animation, the series ran for seven seasons. It’s currently airing, as is all things Star Wars, on Disney+. 

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 26, 1914 – Horace L. Gold.  One novel (with Sprague de Camp), twoscore shorter stories.  Edited Galaxy (insistence on taking SF in a new direction resulted in “You’ll never see it in Galaxy!”) and If; a dozen anthologies.  A Best-Prozine Hugo for Galaxy; Life Achievement Award from Westercon 28; Forry, Milford Awards.  (Died 1996) [JH]
  • Born April 26, 1922 — A. E. van Vogt. I admit it’s been so long since I read him that I don’t clearly remember what I liked by him though I know I read Slan and The Weapon Makers.  I am fascinated by the wiki page that noted Damon Knight took a strong dislike to his writing whereas Philip K. Dick and Paul Di Filippo defended him strongly. What do y’all think of him? (Died 2000.) (CE)
  • Born April 26, 1925 — Richard Deming. I think that all of the Man from U.N.C.L.E. novellas, or in this case the Girl from U.N.C.L.E. novellas, were listed under the house name of Robert Hart Davis. Deming was only one of a very long list of writers (I know of Richard Curtis, Richard Deming, I. G. Edmonds, John Jakes, Frank Belknap Long, Dennis Lynds, Talmage Powell, Bill Pronzini, Charles Ventura and Harry Whittington) that were writers who penned novels in the twin U.N.C.L.E. series.(Died 1983.) (CE) 
  • Born April 26, 1939 — Rex Miller. Horror writer with a hand in many pies, bloody ones at that. (Sorry couldn’t resist.) The Chaingang series featured Daniel Bunkowski, a half-ton killing-machine. Definitely genre. He contributed to some thirty anthologies including Hotter Blood: More Tales of Erotic Horror, Frankenstein: The Monster Wakes, Dick Tracy: The Secret Files and The Crow: Shattered Lives and Broken Dreams. (Died 2005.) (CE)
  • Born April 26, 1950 — Peter Jurasik, 71. Ambassador Londo Mollari on Babylon 5 who would be Emperor one day and die for his sins. (Yes, spoiler.) He has also very short genre credits other than Babylon 5— Doctor Oberon Geiger for several episodes on Sliders and Crom, the timid and pudgy compound interest program, in the Tron film. (CE)
  • Born April 26, 1943 – Bill Warren.  Three stories, three poems; best known as a student and critic of SF film, see his Keep Watching the Skies!  Fan Guest of Honor at Ambercon 3, VCON 11, Loscon 11, MisCon 6.  Evans-Freehafer Award (service to LASFS, Los Angeles Science Fantasy Soc.), Sampo Award (unsung-hero service).  Edited 15 posthumous issues of Bill Rotsler’s Masque. Our Gracious Host’s appreciation here. (Died 2016) [JH]
  • Born April 26 [Year unknown] – Miriam Lloyd.  Various fanzines under Goojie Publications as M. Dyches; Klein Bottle and Fanac as M. Carr with first husband Terry Carr; A Funny Thing Happened on the Way to Poughkeepsie as M. Knight with second husband Jerry Knight; see here.  (Died 2020) [JH]
  • Born April 26, 1948 – Marta Randall, age 73.  Eight novels, a score of shorter stories.  Fanzine, Mother Weary.  Edited Nebula Awards 19, New Dimensions 11-13.  Interviewed in Lightspeed.  Toastmaster at Norwescon VII, Baycon ’87, Windycon XIII, ConFusion 14, Chicon IV & V the 40th and 49th Worldcons.  Master of Ceremonies at Con*Stellation V.  Pro Guest of Honor at ConClave VIII, WisCon 7, Lunacon 29.  First female President of SFWA (Science Fiction & Fantasy Writers of America).  [JH]
  • Born April 26, 1952 — Peter Lauritson, 69. Long involved with the Trek franchise starting with Star Trek II: The Wrath of Khan. He became the producer of Star Trek: The Next Generation, and supervising producer for Deep Space Nine, Voyager and Enterprise. He directed three episodes of those series, including the Hugo Award-winning “The Inner Light”, as well as being second unit director for two Trek films. (CE) 
  • Born April 26, 1955 – Brad W. Foster, age 66.  Widely-applauded fanartist.  Eight Hugos.  Chesley.  Rebel, Neffy (Nat’l Fantasy Fan Fed’n), Rotsler Awards.  Guest of Honor at ArmadilloCon 10, Loscon 18, Westercon 49, Norwescon XX, Conestoga 9, ReConStruction the 10th NASFiC (N. Amer. SF Con, since 1975 held when Worldcon is overseas), Sasquan the 73rd Worldcon.  [JH]
  • Born April 26, 1967 – Nicholas Whyte, age 54.  Hugo Administrator twice and still alive; at it again this year and Worldcon Site Selection too.  Dr Who fan which is less nearly unique.  Reads 200-300 books a year (“in non-plague times, I have a long commute”).  Announced as Fan Guest of Honour for Eastercon 72 (April 2022).  Helpful fan with catholic (I know I didn’t capitalize that, go look it up) taste.  [JH]
  • Born April 26, 1969 — Gina Torres, 52.  The first thing I remember seeing her in was Cleopatra 2525 where she was Helen ‘Hel’ Carter. Her first genre was in the M.A.N.T.I.S. pilot as Dr. Amy Ellis, and she actually was in The Matrix Reloaded and The Matrix Revolutions as a character named Cas but I’ll frankly admit I remember almost nothing of those films. She’s had a number of DC voice roles including a recurring Justice League Unlimited run as Vixen / Mari McCabe. And of course Zoe in the Firefly verse. Lastly anyone remember her on the Angel series as Jasmine? (CE) 

(15) I’M JUST DREW THAT WAY. Daniel Dern found the excuse to give this item its title in io9’s production news roundup “Marvel She-Hulk Filming Pictures Sees Tatiana Maslany on Set”:

Tom Swift joins Nancy Drew in the synopsis for “The Celestial Visitor” airing May 12.

TIAN RICHARDS (“BURDEN,” “DUMPLIN”) GUEST STARS AS TOM SWIFT – As things begin to go haywire at The Claw, a striking stranger appears looking for Nancy (Kennedy McMann), and announces himself as the billionaire Tom Swift (guest star Tian Richards).

(16) BIG CHAP. Yahoo! Entertainment’s Ethan Alter discusses a rare find: “’Alien’ Day: The terrifying, long-lost Xenomorph prototype never before seen in public” – photos at the link.

Here’s an #AlienDay reveal that’ll make you happier than a long-haul space tug crew member headed back to Earth: A piece of ultra-rare Alien memorabilia that was blasted out of the airlock four decades ago has been salvaged and is now up for sale. On April 29, Julien’s Auctions is unveiling a long-lost early prototype of H.R. Giger’s classic Xenomorph design as the centerpiece attraction in a genre-themed “Hollywood Legends” auction. Known as “Big Chap,” this version of the franchise’s signature creature features a translucent design that’s distinctly different than the opaque acid-spitting monster we know and love. 

It should be noted that bidding on the Big Chap starts at $40,000. But you can get a closer look at the big guy for free courtesy of our exclusive virtual experience, which allows you to zoom in on Giger’s original vision for the Xenomorph, which evolved out of the Swiss artist’s pioneering “biomechanoid” designs. (Giger died in 2014.)

(17) WARP FACTORY. [Item by SF Concatenation’s Jonathan Cowie.] Here is a ten-minute physics briefing on some recent research of SFnal relevance from the wonderful PBS Space Time: there are “NEW Warp Drive Possibilities”.

That Einstein guy was a real bummer for our hopes of a star-hopping, science-fiction-y future. His whole “nothing travels faster than light” rule seems to ensure that exploration of even the local part of our galaxy will be an excruciating slow. But Einstein also gave us a glimmer of hope. He showed us that space and time can be warped – and so the warp drive was conceived. Just recently, a couple of papers contend that these are not pure science fiction.

This briefing builds on another PBS Space Time video from five years ago that introduces the notion of an FTL warp drive asking “Is The Alcubierre Warp Drive Possible?” Since then it has racked up 2.4 million views.

Inspired by Gene Roddenberry’s Star Trek, physicist Miguel Alcubierre set out to transform one of the cornerstones of science fiction iconography, the Warp Drive, into reality. But is it even possible? Can we “warp” the fabric of reality so that we can break the speed of light?

(18) THREE’S A CHARM. Ingenuity buzzes Mars again. CNN has the story — “Ingenuity Mars helicopter achieves fastest, farthest flight yet”.

… Ingenuity exceeded speeds and distances beyond what it proved capable of doing during testing on Earth before launching to Mars.

The helicopter flew at 1:31 a.m. ET, or 12:33 p.m. local Mars time. Data and imagery began streaming into the control room at NASA’s Jet Propulsion Laboratory in Pasadena, California, at 10:16 a.m. ET Sunday. The Perseverance rover captured an image of the helicopter in flight and shared it shortly after.

(19) AND GNAW, THE GNEWS. Another Dern special, inspired by Gizmodo’s article “Beavers Take Down Canada Internet Service After Chewing Cables”.

…Tumbler Ridge, a tiny municipality in northeastern British Columbia with a population of about 2,000 people, lost service for roughly 36 hours in what Telus described as a “uniquely Canadian disruption!”

“Beavers have chewed through our fibre cable at multiple points, causing extensive damage,” said Telus spokesperson Liz Sauvé in an email to Gizmodo. “Our team located a nearby dam, and it appears the beavers dug underground alongside the creek to reach our cable, which is buried about three feet underground and protected by a 4.5-inch thick conduit. The beavers first chewed through the conduit before chewing through the cable in multiple locations.”

(20) VIDEO OF THE DAY. In “The Falcon and the Winter Soldier Pitch Meeting” on Screen Rant, Ryan George explains that one character’s gratuitous dancing was put in the series “because people enjoyed memes of Thantos twerking.” This spoiler-filled video dropped today.

[Thanks to Tom Becker, Rich Lynch, John King Tarpinian, Daniel Dern, Mike Kennedy, JJ, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Andrew Porter, Cat Eldridge, John Hertz, Gadi Evron, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/21/21 Who Is Commenter #1? You Are, Pixel Fifth

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(1) NO MIDWESTCON THIS YEAR. [Item by Joel Zakem.] A message from Bill Cavin on behalf of the Cincinnati Fantasy Group (CFG):

Most fans who attend Midwestcon probably won’t be surprised to hear we will not be having the con this year, but I occasionally hear of someone asking the question.  So let this be the official announcement that Midwestcon is on hold until June, 2022.

Until 2020, Midwestcon had occurred every year since 1950.

(2) ONE IF BY LAND, TWO IF BY TRANSPORTER BEAM. “Live Long And Prosper: Boston Dedicates Day For Leonard Nimoy” says the Boston, MA Patch.

Boston is paying a special tribute to actor Leonard Nimoy, who would have turned 90 years old later this month. Mayor Marty Walsh is declaring his birthday, March 26, to be “Leonard Nimoy Day” in the city.

Nimoy, who died in 2015, was born in Boston’s West End neighborhood. He’ll always be remembered for portraying the logical, pointy-eared Spock in “Star Trek,” and embracing the Vulcan character’s “live long and prosper” motto….

(3) MIRROR, MIRROR. E.T. Perry and Will Solomon examine how Star Trek: The Original Series’ view of expansion and “the frontier” clash with its progressive, egalitarian ideals in “New Life and New Civilizations: Socialism, Progress, & The Final Frontier” at Blood Knife.

In “Day of the Dove,” a 1968 episode of Star Trek: The Original Series, the crew of the USS Enterprise fights a group of Klingons for control of their Federation starship. The Klingons, led by Kang (Michael Ansara, in seriously questionable make-up), are locked in battle with Captain Kirk and his men. Both sides have become victims of a mysterious alien entity aboard the ship that induces and draws life from emotions of hate, violence, and bigotry. In an attempt to convince Kang’s wife Mara to persuade her husband to accept an armistice, Captain Kirk argues that she accept the Federation’s doctrine of peaceful co-existence, a philosophy that Mara claims is incompatible with the Klingons’ warlike, imperialist way of life. 

“We must push outward to survive,” says Mara.

“There’s another way to survive,” replies Kirk, “mutual trust and help.”

Unspoken in Kirk’s characteristic response is that the Federation actually endures in pretty much the same way as the Klingon Empire—that is, by expansion. They just do it more humanely. But we should not mistake Kirk’s emphasis on decency with a radically different conception of civilization. Both systems are equally dependent on imperialism, on colonialism, on limitless resource extraction to survive. Both, in other words, find themselves unavoidably dependent upon a single concept: progress. 

* * * * *

This tension between the espoused ideals of “mutual trust and help” and the imperialist undercurrent of the Federation’s on-screen actions is an essential dimension of Star Trek, and one that is evident in many of the show’s recurring premises: visiting planets devoted to resource extraction, specifically mining (“The Devil in the Dark”); attempting to establish colonies, promote development, or facilitate “diplomatic relations” (“The Trouble with Tribbles,” “Journey to Babel”); and bartering with aliens for dilithium crystals or other raw materials (“Friday’s Child”). Often these plots occur in the context of competition with the Klingons (“Errand of Mercy,” “A Private Little War”) or Romulans (“Balance of Terror”). And even more often, they result in conflict and battle.

(4) CUT ABOVE THE REST. Variety’s Owen Glieberman makes a compelling case for why the Snyder Cut matters, and why any sequel would be a barometer of Hollywood’s health. “Will Zack Snyder Be Invited to Make a ‘Justice League’ Sequel?”

“Zack Snyder’s Justice League” has that thing. What is it? You could call it vision, and you wouldn’t be wrong. But it’s also something I would call voice. That’s not a quality we associate with comic-book movies, but the rare great ones have it. And in “Justice League,” Zack Snyder’s voice comes through in ways at once large and small. It’s there in the doomy Wagnerian grandeur, and in the puckish way the movie hones on a seed coming off a hot-dog bun in the bullet-time sequence that introduces the Flash’s superpowers. It’s there in the way the backstories don’t just set up the characters but intertwine their fates, and in the way that Snyder, leaving Joss Whedon’s genial jokiness on the cutting-room floor, replaces it with a sincerity so present it doesn’t have to speak its name. It’s there in the majestic symphonic rigor of the battle scenes, and in how the villains, the glittering-with-malice Steppenwolf and the dripping-with-molten-corruption Darkseid, comprise a threat at once relentless and remorseless.

… Now that that’s happened, to leave Snyder by the wayside seems not merely unjust; it strikes me as foolhardy….

(5) DOES YOUR FANNISH ABODE NEED A CENTERPIECE? Then loosen your money belt: “H.R. Giger’s ‘Alien’ Prototype Is Up for Auction”.

What could be creepier than the drooling, carnivorous monster from 1979’s Alien? How about a translucent version?

The original design from the mind of H.R. Giger for the classic science fiction horror franchise is part of a Hollywood memorabilia sale being offered by Julien’s Auctions on Wednesday, April 28, and Thursday, April 29.

The Xenomorph costume, nicknamed “Big Chap” by those involved with the production, is a milky white and close to the final design. Camera tests were performed before director Ridley Scott opted for a non-translucent version. Long believed lost, it’s expected to fetch between $40,000 and $60,000. Alien collectors, however, are sure to drive up that conservative estimate.

(6) SIGN LANGUAGE. [Item by Martin Morse Wooster.] This is another excerpt from Isaac Asimov’s In Joy Still Felt.

In one way, autographing became more and more of a problem for me, since it supplied me with more and more work; partly because the number of my books was increasing steadily, and partly because those books were individually popular.  In another sense, they were not a problem, because I loved autographing.  Some writers cut down on their labors by refusing to sign anything except hard-cover books, but I have never refused anything, and will sign torn scraps of paper if that is what is asked of me.

There is the occasional joker who hands me a blank check.  I just sign it along with everything else, but when the joker gets it back he finds I have signed it, ‘Harlan Ellison.’

(7) KRUGMAN REFERENCES ASIMOV. [Item by Linda Deneroff.] The March 16 edition of the New York Times had an opinion column from Paul Krugman entitled “The Pandemic and the Future City”. The first paragraph discusses Isaac Asimov’s The Naked Sun and refers back to it again later in the article.

The first paragraph reads: “In 1957 Isaac Asimov published “The Naked Sun,” a science-fiction novel about a society in which people live on isolated estates, their needs provided by robots and they interact only by video. The plot hinges on the way this lack of face-to-face contact stunts and warps their personalities.”

It’s behind a paywall.

(8) MEMORY LANE.

1991 – Thirty years ago at Chicon V, The Vor Game by Lois McMaster Bujold which had been published by Baen Books the previous year wins the Hugo for Best Novel. It’s the sixth novel of the Vorkosigan Saga. The other finalists that year were Earth by David Brin, The Fall of Hyperion by Dan Simmons, The Quiet Pools by Michael P. Kube-McDowell and Queen of Angels by Greg Bear. It would be nominated for a number of other Awards but this would be the only one it would win. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 21, 1876 – Oshikawa Shunrô.  (Personal name last, Japanese style.)  Pioneer of Japanese SF.  So far I’ve found only his Verne-like Undersea Warship translated into English, first in a very popular series of six.  Also loved baseball.  Wrote detective fiction, some carrying SF.  Co-edited World of Adventure magazine; later founded World of Heroism.  A teacher of mine said “A vice is a virtue gone astray”: too true of heroism, nationalism, patriotism in Japan then, coloring Oshikawa’s work and leading to catastrophe.  (Died 1914) [JH]
  • Born March 21, 1915 — Ian Stuart Black. British screenplay writer best known for work on two First Doctor stories, “The Savages” and “The War Machines” (with Kit Pedler and Pat Dunlop) and a Third Doctor story, “The Macra Terror”. He wrote thirteen episodes of The Invisible Man as well as episodes of One Step Beyond, The Saint, Star Maidens and Danger Man. (Died 1997.) (CE)
  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.) (CE)
  • Born March 21, 1946 — Timothy Dalton, 75. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now!  He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials. (CE)
  • Born March 21, 1946 — Terry Dowling, 75. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read. He’s not at all deeply stocked at the usual digital suspects but they do have that plus several story collections. (CE) 
  • Born March 21, 1947 – Don Markstein.  Active New Orleans fan whose love of comics ran with a more general SF interest to which he gave full energy.  Chaired DeepSouthCon 11, won the Rebel Award, then two Southpaws (Best Apa Writer and Best Apa Administrator); he was in, among others, SFPA and Myriad.  Just for one sample, he produced, with Guy Lillian, Rally Round the Flag, Boys! (alluding to a satirical book – set in Connecticut! – and its movie) for the Rafael Aloysius Lafferty League of Yeomen.  DM’s Toonopedia, though not seeming updated recently, remains priceless.  (Died 2012) [JH]
  • Born March 21, 1952 – Sue-Rae Rosenfeld, age 69.  I’m baffled by having been acquainted with her for years to the point where I find no notes.  It won’t help you to know she led a Bible study session on Genesis 23:1 – 25:18 recounting the life of Sarah.  She was on the NY in ’86 Worldcon bidding committee with people you do know or know of e.g. Genny Dazzo, Moshe Feder, Elliot Shorter, Ben Yalow; serving egg creams, which have neither egg nor cream, they lost to Atlanta.  “Stu,” she told Stu Shiffman, as he dutifully recounted, “you are a great pain to your friends” – while we were electing him TAFF (Trans-Atlantic Fan Fund) delegate.  [JH]
  • Born March 21, 1956 — Teresa Nielsen Hayden, 65. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden, Making Light superb weblog, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delhia Sherman and Terri Windling. (CE)
  • Born March 21, 1964 – Lisa Desimini, age 56.  Fifty covers.  Here’s one for her own chapbook.  Here’s Shakespeare’s Landlord– no, not that Shakespeare.  Here is Death’s Excellent Vacation.  Here is This Is Midnight.  [JH]
  • Born March 21, 1970 — Chris Chibnall, 51. Current Showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo twice for work on Doctor Who. (CE)
  • Born March 21, 1981 – Lauren Kate, age 40.  Nine novels (Fallen was made into a movie, S. Hicks dir. 2016), eight shorter stories for us; a novel set in 1700s Venice became a top NY Times Best-Seller.  “My ‘blocks’ are generally related to not understanding how a character of mine feels, so … I will write … from the point of view of another character who … can often see things in my protagonist that I cannot.”  [JH]
  • Born March 21, 1982 – Andreas Suchanek, age 39.  Three novels (The Awakening, in English, appeared in January; Queen of Shadows earlier this month), eight shorter stories, starting with Perry Rhodan who or which is some kind of miracle.  Website in English or German; perhaps AS will forgive me for thinking “Multidimensional Characters – Nothing is as it seams” Typo of the Day (it’s just fine in the German, Nichts ist wie es scheint) – my fantastic imagination wishes he’d meant it.  [JH]

(10) ON BOARD. G.T. Reeder looks at how tabletop RPGs like Pathfinder and D&D represent race and disability, where it succeeds, where it fails, and how it could be a tool for better understanding these ideas in the real world: “Ability Score: Tabletop RPGs & the Mechanics of Privilege” at Blood Knife.

Tabletop gaming has experienced a recent surge in popularity to heights never before seen, bringing hordes of new players into close contact with what are frequently decades-old mechanics for the first time. This Great Leap Forward in gaming has brought new and necessary scrutiny on what are in many cases antiquated notions of race, gender, and valor that had been baked into the tabletop RPG landscape over the years.

The result of this has been twofold. First, it’s led to a great “spiritual purge” of the genre, as publishers grapple (or fail to grapple) with issues that had long been overlooked or tolerated within the once-insular tabletop community. This sea change has also opened doors onto new issues and new perspectives, such as transgender characters, race mixing, and questions of accessibility. 

Questions of identity and experience are unavoidable in tabletop roleplaying. After all, a character in an RPG functions essentially as a number of modifiers, either positive or negative, to the dice rolls that propel gameplay. A player can even opt to hobble their character — losing an eye, having less ability in a hand — in exchange for yet more points to spend on positive parts of gameplay. The result is that the in-game privilege of the characters is often tied to the possibilities of the adventure on which they are embarking: games are considered easier (and therefore potentially more fantastical and fun for players) when players are given more points to use while creating their characters, or harder (and therefore more “realistic”) when there are fewer. But in truth, the story of a character with less privilege in their imagined world need not be less fun or less fantastical—indeed, it may be just the opposite.

(11) HUMMINGBIRD SALAMANDER. Powell’s virtual events include Jeff VanderMeer in Conversation With Karen Russell on April 13 at 5 p.m. Pacific. Register for the webinar here.

Software manager Jane Smith receives an envelope containing a list of animals along with a key to a storage unit that holds a taxidermied hummingbird and salamander. The list is signed “Love, Silvina.” Jane does not know a Silvina, and she wants nothing to do with the taxidermied animals. The hummingbird and the salamander are, it turns out, two of the most endangered species in the world. Silvina Vilcapampa, the woman who left the note, is a reputed ecoterrorist and the daughter of a recently deceased Argentine industrialist. By removing the hummingbird and the salamander from the storage unit, Jane has set in motion a series of events over which she has no control. Instantly, Jane and her family are in danger, and she finds herself alone and on the run from both Silvina’s family and her ecoterrorist accomplices — along with the wildlife traffickers responsible for the strange taxidermy. She seems fated to follow in Silvina’s footsteps as she desperately seeks answers about why Silvina contacted her, why she is now at the center of this global conspiracy, and what exactly Silvina was planning. Time is running out — for her and possibly for the world. Hummingbird Salamander (MCD) is Annihilation author Jeff VanderMeer at his brilliant, cinematic best, wrapping profound questions about climate change, identity, and the world we live in into a tightly plotted thriller full of unexpected twists and elaborate conspiracy. VanderMeer will be joined in conversation by Karen Russell, author of Orange World and Swamplandia!.

(12)  VIDEO OF THE DAY. Mind Matter’s intro“Sci-fi Saturday: Can We Live In More Than the Present Moment?” warns “Scenes of gruesome suffering so caution re kids.”

The creator of a time machine becomes trapped inside his own creation where he must figure out the timing of his mistakes. PAST, PRESENT, FUTURE, CONTAINED.

[Thanks to Joel Zakem, JJ, Kurt Schiller, Mike Kennedy, Olav Rokne, Linda Deneroff, Michael Toman, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/20/17 The Fan In The High Pixel

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(1) WELCH’S STAR WARS VINTAGES. Collect and swill ’em all!

The Force is strong with these ones! Welch’s new Star Wars™ themed Sparkling Red 100% Grape Juice is the perfect addition to your celebration, or to your collection. Find all 4 unique designs, including the limited edition!

(2) PULLMAN ON THE AIR. Starting next Monday, BBC Radio 4 is presenting a 10-part audio narration of Philip Pullman’s La Belle Sauvage, volume 1 of Pullman’s new The Book of Dust trilogy.

Episode 1 at 10:45 PM (GMT), Monday 10/23. As usual with BBC, the episodes will be available for online listening “shortly after broadcast”.

This is part of BBC’s Book At Bedtime series, which is more of an audiobook-on-radio than the dramatic adaptations they’ve done elsewhere on their schedule.

Accompanying the novel installments will be nonfiction essays by Pullman, “Dreaming of Spires”:

In these personal, entertaining and deeply thoughtful essays, Philip Pullman examines the art of storytelling.

Written over a period of 30 years, they reflect on a wide range of topics including the origins of his own stories, the practice of writing and the storytellers who have most inspired him.

(3) FORMERLY FORBIDDEN. Cat Rambo conducts an “Interview with Sherwood Smith on Omniscient Point of View in the Inda Series”.

Recently the question of omniscient POV has come up in several classes, so I started reading some examples of it. One of the best I hit was Sherwood Smith’s Inda series. I figured, why not go to Sherwood and ask some questions about how she pulled that off.

What drew you to using omniscient point of view for the Inda series? What sorts of stories work particularly well with that POV? Were there any models that you looked when working with it?

I had always written in omni. I’m a visual writer (with all its pluses and pitfalls), which means I see a movie in my head—not just dialogue but characters’ inner lives. Omni always seemed the easiest way to get that movie down.

But when I started selling, I was told to switch to limited third, which I had to learn.

Segue up a couple decades, I was desperate to escape the limitations of third, and omni was no longer (trigger doom music) Forbidden….

(4) BECKY CHAMBERS’ NEXT NOVEL. Hodderscape invites you to “Read the first extract from Becky Chamber’s Record of A Spaceborn Few“

When we heard that Becky Chambers was writing a new book set in the world of the Wayfarers we were over the moon. When we read the blurb and heard that one of the main characters was an alien academic (squee!) we were way over the moon and somewhere near Jupiter. Then we read this extract and we shot into a whole other galaxy entirely.

…Record of a Spaceborn Few arrives 26th July 2018 and is available to pre-order now.

(5) FILERS AND REFILERS. Librarians at an Auckland public library kept finding books that had gone missing from their shelves “reshelved” in nooks & crannies.  Turns out bookloving homeless people were responsible (because they didn’t want the books to be lent out before they got a chance to finish reading). The New Zealand Herald has the story: “The curious case of the missing books at Auckland Library”.

“A lot of the guys that come in are extremely well-read and have some quite eccentric and high-brow literary tastes … people are homeless for so many different reasons, and being intelligent and interested in literature doesn’t preclude that.”

According to Rivera, around 50 homeless people visit the library daily.

The story also has been taken up by The Guardian.

(6) FOR YOUR SJW CREDENTIAL. Cat bowls hand-painted by celebrities are being auctioned for the benefit of “Architects For Animals Giving Shelter”. They include the handiwork of William Shatner, Elvira, and Jeri Ryan.

(7) HOVERCRAFTER. IBM’s Science and Star Wars video series talks about how superconductors are the future of mass transportation – an installment featuring Kevin Roche, engineer scientist at IBM Research Almaden who coincidentally is also chair of next year’s Worldcon in San Jose.

(8) EATING THE FANTASTIC. Episode Five-Oh! Book ‘em, Danno! Scott Edelman invites everyone to “Bask in Basque beef stew as Eating the Fantastic turns 50 with guest Xia Jia”.

Here we we are, more than 20 months later, and those of you who’ve followed my journey have listened as I’ve shared at times full meals—at times a donut, during my two lightning–round episodes—with more than 75 guests. And the feasting’s not over yet!

This time around, I’m inviting you to join me and my guest for lunch during Worldcon at Parrilla Española, the oldest Spanish restaurant in Helsinki.

And who is this episode’s guest?

Xia Jia, whose short stories have been published in Nature, Clarkesworld, Year’s Best SF, Science Fiction World, and many other venues. She’s won five Galaxy Awards for Chinese Science Fiction as well as six Nebula Awards for Science Fiction and Fantasy in Chinese. But her science fiction skills have been visible on more than just the page, because she directed the 2007 science fiction film Parapax, in which she also acted, appearing as three different identities of the protagonist across parallel universes.

We discussed how reading science fiction gave her the courage to take risks; what it means when she says she writes not hard SF, nor soft SF, nor slipstream, nor cyberpunk, but “porridge sci-fi;” why Ray Bradbury matters so much to her; the challenges of writing in Chinese, writing in English, and translating from one language to the other; our mutual love for Italo Calvino’s If on a Winter’s Night a Traveler; how The Three-Body Problem changed the perceptions of science fiction in China, why she has faith she’ll eventually get to Mars, and more.

(9) MAY OBIT. Julian May (1931-2017) died October 17.

John Hertz profiled her in “May the Force Be With Her” in 2015, after he accepted her First Fandom Hall of Fame Award on her behalf.

She has always spelled her name Julian, and although after marrying T.E. Dikty (1920-1991, elected posthumously in 2013) she sometimes declared copyright as Julian May Dikty, she continued to write under the name Julian May — among others, including, I’m told, Wolfgang Amadeus Futslogg, by which I dare not address her.

Her fanzine was Interim Newsletter, rendering her to some extent a surrogate for all of us. Her story “Dune Roller” was in the December 1951 issue of Campbell’s Astounding, with four interiors by herself (it was made into a 1972 film, credited to her as Judy Dikty). Eight months later she chaired Chicon II, at the age of twenty-one….

(10) TODAY IN HISTORY

  • October 20, 1932 — James Whale’s The Old Dark House opens in theaters.
  • October 20, 1943 – Son of Dracula premieres.

(11) TODAY’S BIRTHDAY BOY

  • October 20, 1882 – Bela Lugosi

(12) COMICS SECTION.

John King Tarpinian believes in Frankensteinly speaking as practiced by The Argyle Sweater.

(13) SPEAK UP. Mary Robinette Kowal is boosting the signal.

(14) SOUND INVESTMENT.  Atlas Obscura takes us “Inside the World of a Halloween Sound-Effects Artist”.

…Jumping ahead to the late 1950s, vinyl records allowed people to bring albums of sound effects home. Novelty records by the likes of Spike Jones, featuring funny monster songs and spooky stories set to eerie effects, became popular. However, possibly the first record with a track of just spooky sounds seems to be a record released by Disney in 1964 called Chilling, Thrilling Sounds of the Haunted House. The album features effects that are now Halloween staples: moaning ghosts, barking dogs, clattering chains, and screaming victims, interspersed with short, often comedic, vocal segments that established them. “Disney’s Haunted House album, which was rereleased in 1995, seems to have become a staple in the U.S.A. in particular,” Haggerwood says.

(15) ANOTHER WORLD. At Nerds of a Feather, The G kicks off a new series of posts: “WORLDBUILDING: A Big World and Beyond”.

Welcome to the first post in our Worldbuilding series, where our writers explore various elements of imagining place, people and culture. Today I’m going to discuss where inspiration for fantasy worlds comes from, and what I’d like to read more of in that regard. Obligatory disclaimer: this is an opinion piece. You may agree, if our tastes align or if the arguments put forth resonate with you; or you may disagree, if they do not. That’s healthy. There is ample space for all kinds of approaches to fantasy, and life would be boring if we all wanted to read the same things. -G

Second-world fantasy is not historical, but draws from human histories, cultures and mythologies. The most famous and influential fantasy author, J.R.R. Tolkien, drew heavily from Nordic and Celtic mythologies in constructing Middle Earth. Most fantasy published since The Lord of the Rings has been similarly Eurocentric, utilizing the tropes he established and/or popularized as well as other widely-known (European) sources: Arthurian Legends, the Brothers Grimm, Niebelungenlied and various medieval bestiaries. Many, like Tolkien, are also in a sense a retelling of Song of Roland, or Herodatus–wherein a “civilized” stand-in for the West is threatened by a horde from the geographic periphery.

(16) TASTER’S CHOICE. Also at Nerds of a Feather, Charles Payseur uploads his monthly short fiction reviews: “THE MONTHLY ROUND – A Taster’s Guide to Speculative Short Fiction, 09/2017”.

The stories very much run the gamut between joyous and crushing, but each one is beautiful in its own way, and each brings its unique flavor to this early autumn tasting experience. So settle in and raise a glass, and let’s get to it. Cheers!

Tasting Flight – September 2017

“Pan-Humanism: Hope and Pragmatics” by Jess Barber and Sara Saab (Clarkesworld)

Notes: Expertly balanced between darkness and light, the story tastes like a breath of fresh air after a lifetime of smog, warms and lifts and offers a hope of healing.

Pairs with: Amber Bock

Review: Amir and Mani grow up in a Beirut strained by climate change, by water-scarcity, by the fear of doing greater harm. Both characters, because of their world and because of the weight of history, know only too well the cost of possession, of privatization. Both enter into service to try and heal the planet and bring water and hope and life back to a world that is on the brink. At the same time, they find themselves drawn to one another, and yet mindful that how humans treat the world, and how they treat each other, is linked, and that treating people like possessions, just like treating the Earth like a possession, leads only to corruption, deprivation, and loss. The story, through the exploration of these characters lives and relationships, begins to build a picture of what it might take to make the world work better. It stresses that it’s not technology alone that will save us, because without a philosophy to match, the exploitation and consumption will continue to escalate, pushing past all obstacles and barriers and safeguards. I love how the story implies that humanity needs a different framework in order to respect humans and the environment, in order to put cooperation and compassion ahead of personal ambition or passion. And it is a beautiful story that touches on how love still works in this philosophy, not quite in the same way that we now expect but still in profound and powerful dimensions that allow Amir and Mani’s story to be one of hope and healing and triumph, even as it is often about longing and distance as well. It is an amazing piece, and one of my very favorite stories of the year, period.

(17) WHERE NO MAN HAS GONE. At Centauri Dreams, an interesting piece on whether robotics might make the traditional SF vision of asteroid mining practical — “Robotic Asteroid Mining: Bootstrapping the Solar System Economy”.

While the prospects for humans in space dimmed somewhat, a renewed flowering of developments in AI and robotics burst onto the scene with capabilities that astonished us each year.  On the endlessly orbiting ISS, while astronauts entertained us with tricks that we have seen since the dawn of spaceflight, autonomous robots improved by leaps and bounds.  Within a decade of a DARPA road challenge, driverless cars that could best most human drivers for safety appeared on the roads.  Dextrous robots replaced humans in factories in a wide variety of industries and threaten to dramatically displace human workers. DeepMind’s AlphaGo AI beat the world’s champion GO player with moves described as “beautiful” and well within the predicted time frames.  In space, robotic craft have visited every planet in the solar system and smart rovers are crawling over the face of Mars.  A private robot may soon be on the Moon.  In orbit, swarms of small satellites, packing more compute power than a 1990 vintage Cray supercomputer, are monitoring the Earth with imaging technologies that equal those of some large government satellites. On Earth we have seen the birth of additive manufacturing, AKA 3D printing, promising to put individual crafting of objects in the hands of everyone.

What this portends is an intelligent, machine-based economy in space.  Machines able to operate where humans cannot easily go, are ideally suited to operating there.  Increasingly lightweight and capable, and heedless of life support systems, robotic missions are much cheaper..  How long before the balance tips overwhelmingly in the machines’ favor? Operating autonomously, advanced machines might rapidly transform the solar system.

(18) FASHION VIOLATIONS. Kelly Woo’s Yahoo! piece, “Halloween horror: 19 terrible ‘sexy’ movie and TV costumes no one should ever wear”, is clickbait that warns that women who want to dress up as Sexy Freddy Kruger, Sexy Strawberry Shortcake, and Sexy Remote Control, don’t do it!

So-called sexy Halloween costumes have gotten out of control in the last few years, with manufacturers doing their best to crank out a “sexy” version of pretty much anything. Even characters that have no business being sexy are now tarted up — and it’s time for the madness to end. Click through to see 19 terrible “sexy” pop culture costumes that simply should not exist.

(19) KEEPS ON TICKING. Lisa Taylor is enthusiastic about The Salt Line by Holly Goddard Jones — review at The Speculative Herald.

I’ll cut straight to it: The Salt Line is one of my favorites for the year. The entire concept of killer ticks sounds like it could be campy or over the top. That is not at all the case. The ticks are described in such a realistic and terrifying way that it truly becomes plausible. Or at least feels plausible. The author is able to use enough facts grounded in science to create this terrifying epidemic. This book did remind me a bit of Joe Hill’s The Fireman in that way. It depicts a world that has been ravaged by some disease, where people’s ways of life are altered because of them. I suppose there are a number of books that could fit this, but the over all tone and presentation and just the quality of writing put me in mind of Hill. That is a huge compliment from me as Hill is one of my favorite, must read authors.

(20) IT IS THE END, MY FRIEND. Talk about “news to me” – I never heard there was another ending: “Frank Oz restores dark original ending of ‘Little Shop of Horrors’ for Trump era”.

The first time Warner Bros. screened Little Shop of Horrors, Frank Oz’s 1986 film musical, test audiences ate it up like a bloodthirsty plant devouring a sadistic dentist. They rooted hard for Seymour (Rick Moranis), the nerdy 1960s shop assistant who makes a devil’s bargain with a man-eating plant to win the love of his co-worker Audrey (Ellen Greene). Every scene met with laughter and applause — until the plant devoured Seymour and Audrey, and the audience went silent. After two previews and many livid comment cards, Oz and screenwriter Howard Ashman decided to scrap the original, 23-minute ending — in which the plant eats everyone and takes over the world — in favor of giving Seymour and Audrey their happily-ever-after. Oz has no regrets. “My job is to entertain,” he tells Yahoo Entertainment, and the new ending was “more satisfying to the audience.” However, film fans have long mourned the disappearance of the original ending, which included a heartbreaking reprise of Audrey’s ballad “Somewhere That’s Green” and a fantastic montage of the plant, named Audrey II, rampaging, Godzilla-style, across New York City.

This month, Little Shop of Horrors will be screened for the first time nationwide with its original, darker ending restored. Oz wonders if the film will have a new resonance in the Trump era, when America’s real-life monsters thrive on blood, greed, and the misguided good intentions of countless Seymours….

(21) THE KINDEST CUT OF ALL. Vanity Fair interviews the principals to find out “How The Princess Bride Built Film’s Most Beloved Sword Fight”.

For six months, Princess Bride star Mandy Patinkin had trained to become Inigo Montoya, the world’s greatest swordsman. His worthy opponent, the Man in Black/Westley—played by Cary Elwes—had four months of prep under his belt as well. Spirits were high as the actors performed their duel for director Rob Reiner on the Cliffs of Insanity set for the first time, in London in 1986.

Elwes and Patinkin finished, drawing applause from the film’s crew. Then, both drenched in sweat, they looked to Reiner, who voiced his own response: “That’s it?” It wasn’t exactly the reaction they had hoped for.

(22) THE PEN IS MIGHTIER. Marked down to $6,862.50! “Montegrappa Limited The Iron Throne Game Of Thrones Limited Edition Fountain Pen & Rollerball Set Matching Number”.

But if you can’t swing that, there’s always “Montegrappa Limited DC Comics Superhero Set Ballpoint” for  $3,920.00.

(23) SPACE JOCKEY. Jockey statues have mostly gone out of fashion – unless it’s one created by H.R. Giger. You’ve got less than a week to put in your bid at Nate Sanders Auctions: “H.R. Giger Hand-Painted Model of Space Jockey & the Derelict Spaceship From ”Alien” — Measures Over 3 Feet by 3 Feet, Personally Owned by 20th Century Fox Executive Peter Beale”. Minimum bid: $100,000.

The enormous Space Jockey and cavernous spaceship are quintessential Giger, renowned for human-machine melded beings called biomechanoids; the walls of the spaceship appear to be either vertebrae from a once living creature, or cogs in a vast industrial machine system, or perhaps both. Space Jockey is fused into his command station and wears either a mask, or has an elephantine trunk extending from his face. In the ”Alien” set — which was built based on this model — Space Jockey sits 26 feet tall, dwarfing the characters of Kane, Dallas and Lambert who find him dead, his rib cage blasted open, serving as foreshadowing to what awaits the crew later in the film. So pivotal was the scene — establishing the world of the Alien creature and serving as ground zero for the film’s mythology — that Ridley Scott insisted upon its construction, despite the enormous cost of building the life-size (or larger than life) set. Space Jockey so enthralled the audience of ”Alien”, that the character would even go on to serve as a critical and central story point in Scott’s ”Promethus”, the ”Alien” origin story released in 2012.

(24) HORROR MUST ADVERTISE. Adweek has the story behind a series of seasonal candy commercials: “The Makers of the ‘Bite Size Horror’ Ads Tell Us All About Their Wonderfully Spooky Creations”

Halloween advertising has been a treat this year, thanks to Fox and Mars candy brands, which teamed up for a wonderfully creepy series of two-minute “Bite Size Horror” films that have been airing on Fox TV networks.

The series has included four films— “Floor 9.5” for Skittles, “The Road” for M&Ms, “The Replacement” for Starburst, and “Live Bait” for Snickers. (The campaign was created by Fox Networks Group’s integrated agency All City. Tony Sella from All City is the executive producer of the campaign, and Arby Pedrossian from Fox Digital Studio is the producer.)

 

[Thanks to Bruce Arthurs, John King Tarpinian, Lenore Jean Jones, Michael Brian Bentley, JJ, Alan Baumler, Martin Morse Wooster, Cat Eldridge, Soon Lee, and Mark Hepworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/10/16 You Know How To Pixel, Don’t You? You Just Put Your Lips Together And Scroll

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(1) COMICS PORTRAYALS. Peter David has changed his tune — “Final Thoughts on the Romani”.

So now that the dust of the convention has settled, I’ve had a good deal of time to assess my behavior regarding the Romani and my conduct during the convention. I’ve read many of the links that were sent my way and really thought about what I witnessed two decades ago back in Bucharest. And I’ve been assessing my actions during the panel that lead to all this.

After all that, I have to conclude that I’m ashamed of myself.

I want you to understand: when the Romani rep tried to shift the focus of the panel from gays and lesbians to the Romani, suddenly I was twenty years younger and the trauma of what I saw and what I was told slammed back through me. What screamed through my mind was, “Why should I give a damn about the Romani considering that the Bucharest Romani are crippling their children?” And I unleashed that anger upon the questioner, for no reason. None. There is no excuse.

But the more I’ve read, the more convinced I’ve become that what I saw was indeed examples, not of children crippled by parents, but children suffering from a genetic disorder. The pictures are simply too identical. I cannot come to any other reasonable conclusion.

(2) ALIENIST. The BBC profiles H. R. Giger, “The man who created the ultimate alien”:

At that time, HR Giger was already a successful painter whose bleak visions in a style that he termed biomechanics were widely distributed: in the form of popular poster editions that appeared in the late 1960s; in the large-format illustrated book Necronomicon, which he designed himself; and on album covers such as Emerson, Lake & Palmer’s 1973 release Brain Salad Surgery. But the project he was now working on would make him both a worldwide cult figure and an Oscar winner. Director Ridley Scott had hired Giger to create the monster in the movie Alien. So the artist went to the Shepperton Film Studios near London to realize his designs for the world of the alien with his own hand.

One painting had immediately convinced Scott to get Giger involved in shaping the alien creature: Necronom IV (1976). It shows in profile the upper body of a being with only remotely humanoid traits. Its skull is extremely elongated, and its face is almost exclusively reduced to bared teeth and huge insect-like eyes. Hoses extend from its neck and its back is dominated by tubular extensions and reptilian tails. In order to turn this painted creature into a monster for a movie, the artist had to submit it to a complex transformation. Giger developed a complete “natural history” of the alien based on the screenplay, which ultimately produced the final monster of the film. The process results in a unique mixture of fascination and disgust. Giger’s monster represents a turning point in science fiction and horror movies, to which Alien brought a deadly lifeform from space that had never been seen before.

(3) VOICES IN HIS HEAD. Andrew Liptak discusses “How writing an audio-first novella changed John Scalzi’s writing process” at The Verge.

The Dispatcher is firmly urban fantasy, which had its own particular challenges for Scalzi. Science fiction comes out of a tradition of realism, where everything is explained. “To sit there and write something and know that I’m not going to assign it a rational basis made me itchy,” he says. “Part of my brain went ‘you should try and explain this!’ It goes against everything I believe.”

Writing an audio-first story also had its challenges. “It makes you pay attention to things like dialogue where you really do want to make sure [it sounds] reasonably like humans speaking,” Scalzi says. One of the changes he made was in how he used dialogue tags such as “he said / she said,” which work in written books but aren’t necessarily useful for a listener. “It sounds like a small thing, but when someone is speaking what you’re writing, those small things add up.”

Scalzi also focused on making sure each character had their own distinctive voice.

(4) IT’S CLOBBERIN’ TIME. The Traveler at Galactic Journey is smack in the middle of the Silver Age of Comics — “[Oct. 7, 1971] That’s Super! (Marvel Comics’ The Fantastic Four)”.

The other day at the local newsstand, a new comic book caught my eye.  It was a brand new one from Marvel Comics, the spiritual successors of Atlas Comics, which went under late last decade.  Called The Fantastic Four, and brought to us by the creator of Captain America (Jack Kirby), it features the first superheroes I’ve seen in a long time – four, in fact!  We are introduced to the quartet in media res on their way to answer a call to assembly: Sue Storm, who can turn invisible at will; her brother, Johnny Storm, who bursts into flame and can fly; Ben Grimm, a hulking, orange rocky beast; and Dr. Reed Richards, who possesses the power of extreme elasticity.

(5) TODAY IN HISTORY

(6) TODAY’S BIRTHDAY BOYS

  • Born October 10, 1924 — Ed Wood (Plan 9 from Outer Space)
  • Born October 10, 1959 — Bradley Whitford (The Cabin in the Woods)

(7) ED WOOD FICTION. Incidentally, O/R Books has published Blood Splatters Quickly, the collected short stories of Edward D. Wood Jr.

Even if you think you don’t know him, you know him. Few in the Hollywood orbit have had greater influence; few have experienced more humiliating failure in their lifetime. Thanks in part to the biopic directed by Tim Burton, starring Johnny Depp and bearing his name, Ed Wood has become an icon of Americana.

Perhaps the purest expression of Wood’s théma—pink angora sweaters, over-the-top violence and the fraught relationships between the sexes—can be found in his unadulterated short stories, many of which (including “Blood Splatters Quickly”) appeared in short-lived “girly” magazines published throughout the 1970s. The 32 stories included here, replete with original typos, lovingly preserved, have been verified by Bob Blackburn, a trusted associate of Kathy Wood, Ed’s widow. In the forty years or more since those initial appearances in adult magazines, none of these stories has been available to the public.

ed-wood-birthday

(8) SMOFCON SOUTH. Conrunners of the Antipodes, you are summoned to SmofCon South, to be held in Wellington. New Zealand December 3-4, 2016.

Announcing SmofCon South!

Come one, come all! We will be running SmofCon South in Wellington. New Zealand from December 3rd to 4th, 2016. This is run at this time to try to hook into the resources and people of SmofCon 34, taking place the same weekend in Chicago, USA. A Smofcon is a convention about running conventions. It’s an excellent opportunity to meet other con runners, and to learn from them. SmofCon South will be primarily focused on running Worldcons or other large events. This event will be very valuable for people who have volunteered to help run a New Zealand Worldcon. We want to encourage you to come along and meet other people you may be working with, and gain insights and knowledge about how Worldcons work.

Details

Smofcon South will be held 3-4 December (with a meetup dinner for those who arrive on Friday).

Venue is the same as Aucontraire 3, the CQ Hotel complex, 223 Cuba St, Te Aro,  Wellington.

We are skyping in with Smofcon 34, being held in Chicago, for a few sessions. Breaking News: Also a hook up with Japan.

(9) MORE RADCHAAI LOOT. This charm bracelet is perfect for the Ancillary fan in your life. Bring the Fleet Captain, Translator, First Lieutenant, and themes of the series, like tea, magic bullets, spaceships, and music into your daily life with this charm bracelet.

https://twitter.com/knitspinquilt/status/784486063687528449

(10) BETTER USE OF TIME. Steven H Silver writes, “Last night, instead of watching the debate, Elaine and I watched the Gene Wilder/Richard Pryor movie See No Evil, Hear No Evil. A couple of early scenes are set at a newstand run by Wilder’s character. In the background I could make out Frederik Pohl’s The Coming of the Quantum Cats, Greg Bear’s The Forge of God, and Piers Anthony’s Faith of Tarot.”

Also recognizable:

A.A. Attanasio’s Radix, Jack Chalker’s Dance Band on the Titanic, and Cllifford D. Simak’s Highway to Eternity.

wilder-newsstand-min

(11) HE PEEKED. One of Satchel Paige’s rules to live by was, “Don’t look back. Something may be gaining on you.” Dave Langford didn’t follow Satchel’s advice when he had a strange feeling he was being followed….

For a moment, when I saw the part-obscured back of a coffee-vending van in Reading town centre, I felt F770 was following me around. But it was all a quaint illusion.

vanf770-1

vanf770-2

[Thanks to Dave Langford, Chip Hitchcock, JJ, Steven H Silver, Jeffrey Smith, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

H. R. Giger (1940-2014)

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H. R. Giger

H. R. Giger

H. R. Giger, the Swiss artist who helped create the iconic visuals in the movie Alien, died May 12 from injuries suffered in a fall.

Giger’s movie work, which won him an Oscar for Best Achievement in Visual Effects in 1980, his books of paintings, such as Necronomicon and Necronomicon II (1985), and the appearance of his art in Omni, brought him international fame. His visuals have influenced popular culture imagery from tattoos to bar design.

He was inducted to the Science Fiction Hall of Fame in 2013 and was named a Spectrum Awards Grandmaster in 2005.

His key works are permanently displayed by the H. R. Giger Museum in Gruyeres, Switzerland. He also participated in an exhibition of his art in San Sebastian, Spain in 2009.

“My paintings seem to make the strongest impression on people who are, well, who are crazy,” Giger said in a 1979 Starlog interview. “A good many people think as I do. If they like my work they are creative… or they are crazy,”