Pixel Scroll 6/7/17 Pixel Me Your Best Shot, File Away!

(1) A LITTLE LIST. James Davis Nicoll returns with “Twenty Core Apocalyptic and Post-Apocalyptic Speculative Fiction Works Every True SF Fan Should Have On Their Shelves”.

As with the previous core lists, here are twenty Post-Apocalyptic Speculative Fiction Works chosen entirely on the basis of merit and significance to the field.

There are two filtering rules:

Only one work per author per list

Any given work can appear on only one list

(2) YOU’RE FROM THE SIXTIES! Sign up for video conference call from 1962 hosted by The Traveler from Galactic Journey.

Hello, friends and fellow travelers!

As some of you are aware, Galactic Journey is a frequent presenter at conventions around the country. In a mix of seminar and road show, the Journey brings the past to life with a personal appearance.

Well, this month, we’re going to take that to the next level — using Visi-phone technology developed for the 1962 Seattle World Fair, the Journey will be appearing live Coast to Coast (and beyond) at 11 a.m. [PDT] on June 17.

Tune in, and you’ll get a peek behind the scenes at the Journey, meeting the Traveler, himself, and potentially the Young Traveler and the Editor! We’ll show off some of our favorite vintage toys, answer your questions — and there will be prizes for the best ones!

RSVP for this no-charge event — The Traveler personally guarantees it’ll be worth every penny you spend!

(3) WORLDBUILDERS AND WORLDRUNNERS. Political lessons with John Scalzi, Charlie Jane Anders, Cory Doctorow, and Annalee Newitz at Inverse“Here’s Why Sci-Fi Authors Will Always Tell You To Fuck Off”.

“People will visit my website or Twitter feed where apparently I have political opinions,” said Scalzi. “Then I get the sorrowful email that says, ‘I thought I was coming to you for entertainment, but you’re telling me how to think and regretfully I must not read your books anymore.’ They’re expecting me to say something like, ‘No, don’t leave.’ They’re not expecting the email I actually send, which is ‘Dear whomever: kiss my ass.”

(4) IF IGNORANCE IS BLISS. Discussions about cultural appropriation are not typically about the Irish, but they could be. Fantasy-Faction Brian O’Sullivan discusses “Wading in the Cultural Shallows: How Irish Mythology Became A Commodity for Fantasy”.

One night at a party I was introduced to a woman who proudly informed told me she’d named her baby daughter ‘Banshee’ in celebration of her Irish heritage. Even at the time I was pretty stunned by the announcement. For an Irish person (and I would have thought most people would have known this), this was the equivalent to naming her daughter — Death.

About two weeks later, at another party (I had a life back then!), I was cornered by a different woman demanding a translation for the chorus from Clannad’s haunting Theme Song from Harry’s Game. The Irish lyrics for the chorus had been written on her CD sleeve as ‘Fol dol de doh fol-de de day’!) which she thought was absolutely beautiful and must mean something mythically profound.’ Needless to say, she wasn’t particularly impressed when I translated it as ‘La, la la la, la la laaah!’

These are just two examples of the cultural disconnect between Irish people and those who dabble in Irish mythology. They are however only two of the hundreds I’ve personally experienced over the last twenty years or so and I know many other Irish people who’ve had similar experiences. It’s actually a source of continual bemusement to to see how bizarrely and inaccurately our culture’s been represented over that time.

…I don’t believe for a moment that it’s any author’s intention to be offensive when they use mythologies that aren’t their own. In fact, I’d suspect the vast majority of them would be dismayed if they knew their work was somehow considered offensive. Unfortunately, authors write stories based on their own experiences or what they’ve managed to learn and, frankly, sometimes you just don’t know what you don’t know. Different cultures aren’t easily transferable (although if you spend enough time living in them or studying them intensely you can certainly pick up a lot) and this makes wading in the mythological shallows that much more dangerous. This is particularly the case with Irish mythology as there’s so much misinformation already out there (many people, for example, through no fault of their own, still believe W. B. Yeats is a credible authority on Irish mythology!).

(5) WEIMER IN THE WILD. If this is what DUFF delegates get to do, everyone will be running next time. (Having lunch with Ian Mond and Likhain.)

Of course, some things you can do without traveling 12,000 miles:

(6) HERITAGE SPACE AUCTION RESULTS. Heritage Auctions released some sales figures from Space Exploration Auction #6173,which had total sales of $822,203 .

Vintage NASA photographs were strong, especially the nice Selection of “Red Number” Examples we were pleased to offer. The definite “star” of this category was the iconic Apollo 8 “Earthrise” Photo (NASA Image AS8-14-2383) of the earth above the moon’s horizon, taken by Bill Anders on Christmas Eve 1968 from lunar orbit. This is one of the most reproduced images of the twentieth century and one tenacious bidder laid claim to this early red number print for $10,625. Another exciting lot was a Collection of Sixteen Apollo 11 Photos (twelve red number and four blue number) which included an example of the famous Buzz Aldrin “visor” portrait. Six bidders competed for the group before one took it home for $7,812.

Robbins Medallions are always a popular category. In this auction, two examples made particularly strong showings. A beautiful Unflown Apollo 15 Medal partially minted with flown “treasure” silver from a 1715 Spanish treasure shipwreck ingot closed at $7,500. A rare Flown STS-6 Space Shuttle Challenger Medal (one of only sixty-seven carried on the mission) brought in $11,250. Of particular interest, a notarized presentation letter signed by the entire four-man crew accompanied this one. This was the first from this mission that Heritage has offered in ten years of Space auctions.

One-of-a-kind items are always difficult to estimate and there were a few in this sale that performed quite a bit better than our best guess. Project Mercury was represented in this category by a Capsule Flight Operations Manual that sold for $10,625. At what price would two sets of Gemini Spacecraft Crew Hatch Door Assembly Shingles and their associated blueprints be valued? The answer, supplied by six eager bidders, is $11,250.

(7) HELSINKI BOUND TRAVELER SEEKS ADVICE. Daniel Dern has asked me to put out his request for information, as in, “Seeking European SIM card suggestions for Helsinki Worldcon”.

I’m sure I’m not the only fan who’s not a frequent international (here, “not living in Finland”) traveler, trying to suss out a reasonable (as in “affordable” and “non-complex”) answer to having (moderate) cellular connectivity during and pre/post-Worldcon.

Here’s my particular constraints/deets (obviously, YMMV):

o Aside from Worldcon, looking at ~2 weeks in Denmark/Norway/Sweden.

o I’m in the US. However, since a) my carrier is AT&T, whose international rates are excessive, and/but b) not planning to bring my primary phone, so a) is moot. Yes, I know that being a T-Mobile’s customer would be a simple, goodly-priced answer, but that’s not an option here.

o I’ll be packing an unlocked Android phone. Probably my Moto G4, if I can find it. That’s what I’m looking for a pre-paid refillable SIM card for.

o Initial landing is Copenhagen.

o Main cellular uses: for brief local phone calls to restaurants, etc, and texting “where are you?” etc. Some data. Everything else can be done using Skype (and other VoiPs), etc over WiFi.

o Probably looking for a multi-country 30-day pass with 1 or 2GB data and some local phone, ideally unlimited texting.

Web search is turning up bunches of suggestions, but other than wading through comments, I have no clue. Experienced Eurotravellers, what say ye?

(8) TRIVIAL TRIVIA

There’s a lot to know about Forbidden Planet’s Robby the Robot/. Like, who was inside?

“One of the first things you do when you design a robot or monster,” [Art Director Robert] Kinoshita recalled in an interview, “is to try to confuse the audience as to where you put the guy inside. It’s difficult to completely fool an audience because they know there is someone inside. But if you make an effort to confuse them it can work in your favor and make the whole creation more believable. Robby was designed so that the man inside could see out of the voice box below the glass head.” Although many people were fooled by Robby’s disproportionate form, he was controlled by Frankie Darro from inside, and his voice was provided by talented actor and announcer Marvin Miller, who gave Robby that distinctive, sophisticated wit so loved and remembered by audiences everywhere.

(9) STALKING THE WILD GANACHE. Gourmet chocoholic Camestros Felapton gives Americans an advance look — “Review: Kinder Joy — eating refined sugar so you don’t have to”.

For those of us outside of the US, the Kinder Surprise egg is a familiar sight. A thin chocolate egg which encases a plastic capsule within which is a small toy. Often you have to assemble the toy and sometimes they are themed collectibles. The chocolate itself — well it’s is an acquired taste. Mass manufactured chocolate is one of those paradoxically regional things.

Americans have not had ready access to Kinder Surpises because of the dangers of them eating the encased toy accidentally. However, the more recent Kinder Joy egg has sidestepped the problem. It retains the egg shape but has two seperate halves — one with chocolate (sort of) in it and the other with a toy.

Wednesday I saw one in the wild and bought one and ate the bits you are supposed to eat. This is my story….

(10) INVISIBLE COVER REVEAL. Jim C. Hines and Mary Anne Mohanraj have revealed the cover and contributors list for Invisible 3, the third volume of collected stories shared by authors and fans “about the importance of representation in science fiction/fantasy.” See the image at the link.

The introduction is by K. Tempest Bradford. The contributors are Alex Conall, Alliah, Alyssa Hillary, Benjamin Rosenbaum, Brandon O’Brien, Carrie Sessarego, Chelsea Alejandro, Dawn Xiana Moon, Fran Wilde, Jaime O. Mayer, Jennifer Cross, Jeremy Sim, Jo Gerrard, Mari Kurisato, MT O’Shaughnessy, Rebecca Roanhorse, Sean Robinson, and T. S. Bazelli.

There isn’t an official release date yet. Hines says that will be coming very soon.

(11) TO INFINITY. Bryan Thomas Schmidt’s space opera collection Infinite Stars is available for pre-order. I thought the table of contents looked pretty interesting — it helps that Lois McMaster Bujold’s Borders of Infinity is one of my favorite sf stories.

(12) BAD WRAP. Entertainment Weekly reports “The Mummy reboot slammed as ‘worst Tom Cruise movie ever’ by critics”. Quotes at the site.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(13) NAPOLEON DID SURRENDER. James Davis Nicoll sends along a link to The Watchtower restaurant website, a nerd-themed tavern in Waterloo, Ontario.

They have a fantasy-themed origin story.

Their plethora of monthly events includes Nerd Nite.

On the final Wednesday of every month, KW’s own Nerd Nite takes over the Watchtower. Join us for unique, informative, and entertaining presentations, trivia, and socializing in a fun, positive, and inclusive atmosphere. Presentations are done on a ton of nerdy topics!

They also have a series of YouTube videos of their barmaster making some of their signature drinks.

(14) ROLL THE BONES. One researcher says, “There is no Garden of Eden in Africa. Or if there is a Garden of Eden it’s the size of Africa. — “Oldest Homo sapiens fossils ever found push humanity’s birth back to 300,000 years” at USA Today.

Digging on a hilltop in the Sahara Desert, scientists have found the most ancient known members of our own species, undermining longstanding ideas about the origins of humanity.

The newfound Homo sapiens fossils — three young adults, one adolescent and a child of 7 or 8 — date back roughly 300,000 years, says a study in this week’s Nature. The next-oldest fossils of Homo sapiens, the scientific name for humans, are about 200,000 years old.

(15) NEST UNFEATHERED. The argument goes on: “Study casts doubt on the idea of ‘big fluffy T. rex'”

Primitive feathers have been identified in some members of the Tyrannosaur group, leading to speculation that the king of reptiles also sported feathers.

In the latest twist, researchers analysed skin impressions from a T.rex skeleton known as Wyrex, unearthed in Montana.

They also looked at relatives that roamed during the Late Cretaceous in Asia and other parts of North America, including Albertosaurus and Gorgosaurus.

Skin patches from the neck, pelvis and tail of Wyrex show scaly, reptilian-like skin, says a team led by Dr Phil Bell of the University of New England, Australia.

(16) BOND. 20 LB. BOND. Is your printer tattling on you? “Why printers add secret tracking dots”.

On 3 June, FBI agents arrived at the house of government contractor Reality Leigh Winner in Augusta, Georgia. They had spent the last two days investigating a top secret classified document that had allegedly been leaked to the press. In order to track down Winner, agents claim they had carefully studied copies of the document provided by online news site The Intercept and noticed creases suggesting that the pages had been printed and “hand-carried out of a secured space”.

In an affidavit, the FBI alleges that Winner admitted printing the National Security Agency (NSA) report and sending it to The Intercept. Shortly after a story about the leak was published, charges against Winner were made public.

At that point, experts began taking a closer look at the document, now publicly available on the web. They discovered something else of interest: yellow dots in a roughly rectangular pattern repeated throughout the page. They were barely visible to the naked eye, but formed a coded design. After some quick analysis, they seemed to reveal the exact date and time that the pages in question were printed: 06:20 on 9 May, 2017 — at least, this is likely to be the time on the printer’s internal clock at that moment. The dots also encode a serial number for the printer.

(17) A CLASSIC. Bruce Gillespie’s SF Commentary #94, 60,000 words of lively book talk and analysis, is available for download from eFanzines.com:

[Thanks to JJ, Chip Hitchcock, David K.M. Klaus, Daniel Dern, Gideon Marcus, John King Tarpinian, Mark-kitteh, and James Davis Nicoll for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/21/16 Pixel Like It’s 1999

(1) NEW DOCTOR WHO COMPANION. ScreenRant reports the “Doctor Who Season 10 Companion To Be Revealed This Weekend” – in the middle of the BBC One Match of the Day Live soccer broadcast.

[A] new companion has now been cast, the big reveal of exactly who that companion is, will be made this Saturday, April 23rd, on BBC1.

The announcement will be made during half-time of the soccer match between Everton and Manchester United, at approximately 6pm GMT. The news will be posted on all Doctor Who social media sites as it’s announced, enabling viewers across the world to all find out who has been cast at the same time.

 

(2) VIRTUOUS SIGNALING. Rob Boffard at Medium says “You can talk to the International Space Station right now. Here’s how to do it”.  Do you have what it takes?

Of all the things that shouldn’t be possible but are, talking to the International Space Station ranks right up there with Steph Curry’s basketball skills and the existence of Donald Trump.

Think about it. How weird is it that NASA can put a $150bn space station into orbit, which can then be contacted by anybody on Earth? Even you? It’s one of those things that gives you pause?—?the kind of thing you’re vaguely certain is against the law, somewhere.

It’s not something you’re going to be doing tonight?—?not unless you have the relevant equipment already to hand. It takes a little bit of work. But it’s entirely possible, even for those of us who aren’t geeks….

(3) BLOWN AWAY. James Bacon highly recommends The Great British Graphic Novel Comic art exhibition at the Cartoon Museum on the Forbidden Planet blog.

This is a phenomenal experience, it exceeded my expectations and I was blown away by the calibre of the artwork on display. The Cartoon Museum has amassed the finest examples of comic art, an incredible mix of exemplary work, providing a beautiful tapestry of the history and breadth of the greatest works from Britain for public consideration….

Soon I was looking at lovely pieces, starting with Hogarths ‘A Harlots Progress’ from 1732, ‘The Bottle’ from 1847 by George Cruikshank, ‘Ally Sopers; A Moral Lesson’ from 1873, Ronald Searle’s Capsulyssese from 1955, written by Richard Osborne. All giving one a real sense of history, showing that illustrated stories are nothing new in Britain.

Then as I rounded a corner I saw a grouping of Commando Comics placed next to a full colour cover of Charley’s War, and four pages of this seminal work of the First World War. Undoubtedly Pat Mills and Joe Colquhoun’s masterpiece is indeed a crucial addition here, but I had a feeling of true appreciation of the comic form when I saw this colour cover and four original pages lined up. Juxtaposed with this was My Life in Pieces, The Falklands War by Will Kevans from 2014. Original art, cover and concept sketch made for a great grouping….

(4) CHABON AND HASBRO? Birth.Movies.Death almost cannot be believed this time — “Michael Chabon And Brian K. Vaughan To Make Hasbro Cinematic Universe Worth Taking Seriously”. Is there a way to get G.I. Joe taken seriously?

Last December, word came out that Hasbro was going to try their hand a making a cinematic universe based on their various toy properties, namely G.I. Joe, Micronauts, Visionaries, M.A.S.K. and ROM. I was a little flip about it.

But now Hasbro, lead by Akiva Goldsman, has assembled its writers room and it’s no laughing matter. The big stars of the list are The Amazing Adventures of Kavalier & Clay’s Michael Chabon (who also worked on Spider-Man 2), Brian K. Vaughan, who you should know from comics like Y: The Last Man, Ex Machina, Saga, Runaways and a bunch of other impressive titles, and Nicole Perlman, co-writer of Guardians of the Galaxy and Captain Marvel.

(5) SPACE MARINES. If you remember Space: Above and Beyond, you may be ready for the Space: Above and Beyond 20th Anniversary celebration on Saturday, August 6 at the Marriott Burbank Airport Hotel.

In 1996, Fox Studios produced the TV series: Space: Above And Beyond (aka S:AAB). The show had Drama, action, mystery and followed the lives of a diverse group of U.S. Marine Space Aviators while fighting against a powerful alien force on the ground, in the air and in outer space. It was part Top Gun, part James Cameron’s Aliens, and all exciting!

This short lived show (1995 to 1996), which fell victim to scheduling conflicts like Joss Whedon’s Firefly, is considered one of the best of Military Science Fiction series to air and is deserving of a convention of its own….

VIP tickets and Premium tickets are both on sale NOW at early-bird prices, and general admission tickets will go on sale starting May 1st.

(6) BEFORE THEY WERE BOTTLED. Syfy may order a pilot for David S. Goyer’s Superman prequel series Krypton.

The series, set two generations before the destruction of Superman’s titular home planet, would tell the story of the man of steel’s grandfather as he fights to restore the family honor of the House of El after it has been shamed.

The pilot will be produced by Warner Horizon Television. Goyer — who penned the screenplays for “Batman Begins,” “Man of Steel” and “Batman v Superman: Dawn of Justice” — will write the pilot with Ian Goldberg. He will executive produce through his company Phantom Four with Damian Kindler, who will serve as showrunner. Colm McCarthy is set to direct the pilot.

(7) KIT WEST OBIT. British special effects artist Kit West (1936 – 17 April 2016), known for his work in Raiders of the Lost Ark and Return of the Jedi, died April 17.

(8) BOND FILM EDITOR HAMILTON OBIT. From the BBC:

Guy Hamilton, who directed four James Bond films, has died aged 93.

Former 007 actor Sir Roger Moore tweeted that he was “incredibly, incredibly saddened to hear the wonderful director Guy Hamilton has gone to the great cutting room in the sky. 2016 is horrid”.

Hamilton directed Sir Roger in Live and Let Die and The Man with the Golden Gun.

He also directed Sir Sean Connery in Goldfinger and Diamonds are Forever.

…Speaking about his style of directing he said he wanted value for money.

“In the making of Bond films we are some of the meanest toughest film makers. If we spend a million dollars it had better be up there on the screen.”

(9) TODAY IN HISTORY.

  • April 21, 1997 — Ashes of  Star Trek creator, Gene Roddenberry, journeyed into space.

(10) CAN YOU SAY “CANONICALIZATION”? Will Frank discusses “The Duties of the Hugo Administrative Team” in a MidAmeriCon II blog post.

Once nominations close at the end of March, we go through the data and process it. There are a few steps to this, the biggest one being canonicalization. We review the data to make sure that votes for, for example, “The Three-Body Problem” and “The 3-Body Problem” and “Three Body Problem” and “ The There Body Problem ” —which would all appear separately in our database—are all set up to be recognized as nominations for the same book. And if you think that’s bad, imagine what it’s like when episodes of television get nominated in Best Dramatic Presentation, where there are series title, episode title, and season and episode number, and a thousand different ways to put those together…

Once that’s done, we have our preliminary finalists. That’s when we start reaching out to nominees, letting them know they’ve been nominated, and a bit about the awards. That can be surprisingly difficult if we don’t know people’s email addresses. Sometimes, they’re public…but fairly often they’re not. There’s a certain amount of Googling, guessing, or asking people with impressive Rolodexes just to figure out a valid email address sometimes.

(11) SELECTIVE QUOTE OF THE DAY. Kate Paulk says Sad Puppies have a future, in “Miscellany” at Mad Genius Club.

In other news, this of the Puppy-related kind, I’ve heard rumors from several sources (but nothing official, alas) that more than 4000 Hugo nomination ballots were cast. I’ve also heard there are some saying that Sad Puppies 4 is a nonentity, that it’s run out of steam, it’s dead, pining for the fjords, gone to a better place… (erm, sorry?). Well, no.

Sad Puppies 4 is waiting to hear who the nominees (*ahem*. The Hugo Site says they aren’t being called nominees any more. They’re ‘finalists’ from a shortlist. Whatever) are before congratulating them for their recognition, whoever they are, and starting the next round of campaigning to boost involvement in the Hugos process.

(12) CAT PITCHER. He’s mad as a wet you-know-what! “Timothy Under Attack by SJW Warrior Feminist Filers” at Camestros Felapton.

A certain “website” which I shall not name because I shall not provide it with anymore publicity because I am sure nobody but a tiny number of far left Bernie Sanders supporters in a gated community ever read, as they sip champagne frappucinos in their la-di-da literati bookclub but whose name rhymes with smileearnestbevinbeventy, has SELECTIVELY QUOTED ME in a truly monstrous way to suggest that I am nothing but a poo-poo head! The calumny! The outrage!

(13) A MULTIPLE-CHUS PANEL. This program idea was dropped in the MidAmeriCon II suggestion box….

https://twitter.com/kyliu99/status/722967958054666241

(14) IN FACT IT’S COLD AS HELL. Science Alert reports “An abandoned probe just discovered something weird about the atmosphere of Venus”.

The European Space Agency’s (ESA) Venus Express probe spent eight years collecting information on Venus before plunging down to the surface and out of range back in November 2014. But now we finally have the last batch of data it transmitted back to Earth before going offline, and there are some big surprises in all those recordings.

Turns out, the polar atmosphere of Venus is a whole lot colder and a lot less dense than we previously thought, and these regions are dominated by strong atmospheric waves that have never been measured on Venus before.

Maddie Stone from Gizmodo reports that the Venus Express probe found polar areas of Venus to have an average temperature of -157 degrees Celsius, which is colder than any spot on Earth, and about 70 degrees lower than was previously thought.

This is rather surprising, considering Venus’s position as the hottest planet in the Solar System overall.

Not only is Venus much closer to the Sun than we are, it also has a thick, dense cloud layer that traps heat. However, Venus Express also found that the planet’s atmosphere was 22 to 40 percent less dense than expected at the polar regions.

(15) FAMOUS FURNITURE. Heritage Auctions now calls it “The Chair Heard ‘Round the World”.

The online and print publicity pieces for J. K. Rowling’s chair reached over 90 countries, plus all 50 states and all news aggregator sites. It saw total media coverage nationwide, with special interest in New York, Silicon Valley, and major cities in the Midwest, as well as the nation’s capital. The chair also garnered attention with 4,428 mainstream media hits, a number that is still rapidly growing. Print media circulated to 291.7+ million, while 15.6+ billion unique viewers visited websites carrying the article.

(16) THE TRUTH MAY NOT BE OUT THERE. Rachel Swirsky conducts a “Silly Interview with Effie Seiberg, Liar”. (Effie needs an introduction Camestros Felapton’s cat.)

4) Wait, how do I know you aren’t sneakily telling the truth?

The answer to question 3 is a lie.

5) All right, I’ll let it go. Just know that I’m aware that at any point you could be LYING. So. You studied philosophy and logic. Do you use that in your fiction?

Absolutely! There’s a long tradition of slipping philosophy into speculative fiction, especially since they’re both about exploring ideas and taking them to their logical conclusions. Some of my favorites are Italo Calvino’s “All at One Point” and Asimov’s “The Last Question” for metaphysical cosmology, Ken Liu’s “Mono No Aware” for ethics, and Roald Dahl’s “William and Mary” for epistemology, and the movies Labyrinth and Monty Python’s Holy Grail for classic logic. Also the entire Discworld series for all the philosophy ever.

(17) FARE LADY. Ann Leckie wrote about her GoH stint at Japan’s Hal-Con, including a special souvenir —

I don’t tend to take a lot of pictures, unless I’m explicitly doing research on something and think I need pics for future reference, but I did take one or two of the view out my hotel window in Numazu:… And one of some lovely fish-shaped cakes a reader gave me as a gift:…

Okay, those aren’t really cakes. The two in the middle are pancakes with bean paste inside, and the top and bottom ones are a kind of wafer-cookie sandwich, also filled with bean paste. Still. Close enough….

And I learned from her post that when cooked a coelacanth, like every other exotic creature, reportedly “tastes like chicken.”

(18) RUN A LINE THROUGH IT. “SFWA Contracts Committee Alert” at the SFWA Blog.

The SFWA Contracts Committee believes there are serious problems for writers with the non-compete and option clauses in many science fiction and fantasy publishers’ contracts. The non-compete language in these contracts often overreaches and limits authors’ career options in unacceptable ways. Writers may choose to bring out a range of books from different publishers — science fiction from one publisher and fantasy from another publisher, for example — and may have to do so in order to earn anything like a living wage.  The problem becomes even worse for hybrid authors who self-publish works in parallel with their traditional publications. Several contracts that we have seen include overlapping restrictions that could keep the author from publishing another book for more than a year….

Our recommendations:

Any limitation on the author’s ability to write new works at any time is unacceptable and should be deleted.

“Competing work” should be defined in the contract as clearly and narrowly as possible, and preferably limited to a work in the same series (whether one is planned or not). The burden should be on the publisher to prove that another work published elsewhere by the author would reduce their sales.

(19) THRONES RETROSPECTIVE. BBC devoted a long post to Game of Thrones at 20: How the saga became a TV hit”.

Still, HBO wavered over whether to make a fantasy show that would be so drastically different from their trademark series, which tended toward the grittily realistic. And even after HBO tentatively signed on, Benioff and Weiss’s original pilot episode had to be completely reshot before the show finally debuted in 2011 – another six years after the producers had first acquired the rights from Martin. But there was hope from another perspective: the rise of prestige television had paralleled the rise of cult fandoms. The passionate online exchanges among fans of books like Martin’s made them desirable targets for marketing. Suddenly, HBO had proof that a Game of Thrones series would have an intensely engaged audience from the start, and the network’s marketers knew exactly how to reach those fans – right on those websites and message boards where they gathered to discuss the minutiae of the books. If the network got particularly lucky, those fans would become ambassadors to a wider audience.

Chip Hitchcock sent the link together with these comments, “They do mention the proper title at one point, although it seems a lost cause generally. OTOH, the night before my cruise got to Dubrovnik two weeks ago, the tour manager specifically called out A Song of Ice and Fire — so some people actually know the original collective.”

(20) HEAD OF THE CLASS. Entertainment Weekly explains what went down.

On Wednesday’s episode of The Late Late Show With James Corden, host James Corden and some high-wattage Game of Thrones cast members spoofed House of Black and White’s Hall of Faces (a prominent part of the show’s season 6 marketing campaign), with a segment imagining what an obnoxious disembodied head might do to the larger group.

The sketch featured recent guests Lena Headey, Emilia Clarke, Alfie Allen, and Iwan Rheon…

 

 [Thanks to John King Tarpinian, Rachel Swirsky, Will R., Chip Hitchcock, Andrew Porter, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day, the Top Level Poster. On his head be it!]

Rare SF/F Items Sold at Heritage Auction Event

J.K. Rowling chair.

J.K. Rowling chair.

The results are in from the April 6 Rare Books Signature Auction held in New York by Heritage Auction.

Hogging (Hogwarting?) the headlines was the chair used by J.K. Rowling while writing Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets. It went for $394,000.

The winning bidder wanted to remain anonymous. “I was quite surprised [J.K. Rowling] would sell the chair; she originally sold it for a children’s charity,” said owner Gerald Gray, a native of England and the CEO of AutoKontrol USA, Inc. “Following in the tradition that J.K. Rowling started with this chair, I plan to donate 10% of the hammer price achieved to Lumos, Rowlings’s children’s’ charity.”

The chair comes from a set that Rowling was given for her government housing flat when she was a young, single mother living in Edinburgh, Scotland. Rowling took the most comfortable of the chairs and used it as her main writing chair, authoring the first two of what would become one of the most influential series of all time: Harry Potter and the Philosopher’s Stone (released in America as Harry Potter and the Sorcerer’s Stone) and Harry Potter and the Chamber of Secrets.

On the stiles and splats, in gold and rose colors, she painted: “You may not / find me pretty / but don’t judge / on what you see.”

Rowling signed the backrest in the gold and rose paints. Then along the apron of the seat she painted: “I wrote / Harry Potter / while sitting / on this chair.”

“Gryffindor” is painted on the cross stretcher under the seat.

Accompanying the chair is the original “Owl Post” that Rowling typed and signed to the winner of the Chair-ish a Child auction. It reads: “Dear new-owner-of-my-chair / I was given four mismatched dining room chairs in 1995 and this was the comfiest one, which is why it / ended up stationed permanently in front of my typewriter, supporting me while I typed out ‘Harry Potter and the Philosopher’s Stone’ and ‘Harry / Potter and the Chamber of Secrets’. / My nostalgic side is quite sad to see it go, but my back isn’t. / J. K. Rowling.”

 

Many science fiction and fantasy books and letters went under the hammer.

A unique copy Again, Dangerous Visions edited by Harlan Ellison, the major original SF anthology of the 1970s, with a 2-page “Idea for a story” handwritten by Ellison on the verso of the front free endpaper and the recto of the credits leaf, went for $400.

A 12-line Autograph Letter written by Bram Stoker to Charles E. Potts, on Tour 1887 — 1888 Lyceum Company letterhead, thanking him for sending pictures and clippings and in return, sending Potts a copy of his lecture on America, was worth $3,000.

The first edition of Frank Herbert’s Dune fetched $7,812.50.

Dune

A set of ten letters by H.P. Lovecraft to Frederic Jay Pabody went for $18,750.00, while Lovecraft’s original typescript for The Festival proved to be worth $8,750.00.

Lovecraft lettersLovecraft book

Two Sherlock Holmes items brought top dollar. A complete run of Arthur Conan Doyle’s Sherlock Holmes Stories in their original Strand Magazine issues sold for $18,812.50, and an 1888 first edition of A Study in Scarlet  sold for $40,000.00.

Fifteen first editions of Oz books, 14 by L. Frank Baum and one by Ruth Plumly Thompson brought $16,250.00.

Here are a few other results:

FlatlandBradbury booksBradbury book 2

Rare SF on the Block at Heritage Auction 4/6

paper boat by atwood

I’ve been previewing Heritage Auction’s Rare Book Signature Auction scheduled for April 6, where endless numbers of intriguing sf/f/h works will go under the hammer.

Here is a series of clippings from HA’s promotional articles about the genre material.

  • The Science Fiction and Fantasy portion of the auction was assembled by Lloyd W. Currey, who has brought together a large offering of classic titles in excellent collectible condition. From a stellar copy of Isaac Asimov’s Foundation Trilogy (Lot 45002) to Donald Wondrei’s copy of the first Arkham House book, Lovecraft’s The Outsider (Lot 45113), a collection of stories collected and edited by August Derleth and Wandrei himself. And from Franklin V. Spellman’s large collection of Lord Dunsany (Lot 45064) to Bradbury collector and friend Bob O’Malley’s excellent set of Stephen King’s The Dark Tower series (Lot 45103), inscribed in the first volume by King and illustrator Michael Whelan. Many excellent copies of Bradbury works with personal inscriptions to Bob O’Malley are also present here, such as Dark Carnival (Lot 45014), Fahrenheit 451 (Lot 45016), The Martian Chronicles (Lot 45021) and The October Country (Lot 45024).
  • For lovers of H.P. Lovecraft, there are many lots of special interest, aside from the outstanding copy of The Outsider mentioned earlier: One being ten autograph letters signed totaling forty-six pages in Lovecraft’s hand (Lot 45111) and another is an original typescript for The Festival (Lot 45112) one of the first Cthulhu Mythos stories.
  • Additional standouts include excellent copies of titles by Edward “Doc” Smith, Robert A. Heinlein, Philip K. Dick, and Frank Herbert among many others, so please look through the auction to see if there are any treasures for your collection.
  • There are so many special lots of interest, but a few favorites include a unique hand-made manuscript book by Margaret Atwood titled Paper Boat (Lot 45203) that was made as part of an initiative by Solutionaries, a climate change education project for young people;
  • a wonderful group of five Curious George titles, each with an original drawing of George and inscribed by H.A. Rey (Lot 45296);
  • a finely-bound set of C.S. Lewis The Narnia Chronicles (Lot 45288);
  • Sea Kissed by Robert Bloch, a first printing of the author’s first book, an unauthorized forty-page booklet collecting four short stories first published in Weird Tales (one in collaboration with Henry Kuttner), which was published in England in February 1945, a few months before The Opener of the Way, his first book published in America. A signed contract between Edgar Rice Burroughs and A. C. McClurg and Company for Tarzan and the Ant Men 1924, signed by Burroughs and others. A unique copy Again, Dangerous Visions edited by Harlan Ellison, the major original SF anthology of the 1970s, with a 2-page “Idea for a story” handwritten by Ellison on the verso of the front free endpaper and the recto of the credits leaf. In addition, Ellison has annotated the title page as follows: “Save this story idea / for the new book / Harlan Ellison / 3 Jan 79“, and written a full page of ruminations on writing on the dedication page.
  • Metropolis by Thea von Harbou, the 1926 first edition in dust jacket of this anti-utopia set in a gigantic mechanized city in the year 2000. It was the basis for the brilliant film by Fritz Lang, an adaptation with a mythic scale that would not be challenged, “The Shape of Things to Come” aside, for decades to come. A rare 1880 3-volume first edition of J. Sheridan Le Fanu’s The Purcell Papers, a posthumously published collection of twelve early stories by one of the most important and innovative figures in the development of the ghost story. A typewritten manuscript of H. P. Lovecraft’s “The Festival,” a circulating carbon copy, undated, but circa late 1933, of a short story first published in Weird Tales in January 1925, titled and signed by Lovecraft on a cover sheet accompanying the 10-page typescript of the story. A stunning like new copy of H. P. Lovecraft’s The Outsider and Others, from the estate of Donald Wandrei, cofounder (with August Derleth) of Arkham House, the book’s publisher. A rare paperbound advance copy of The Moon Pool, A. Merritt’s first book, with the Joseph Clement Coll frontispiece illustration reproduced on the front cover. Oliver Onions’s own copy of the first printing of Widdershins, a landmark book in the history of supernatural fiction, with his signature and address at the top edge of the front free endpaper, below which he has inscribed the book to Percy H. Muir (1894-1979), a prominent twentieth-century antiquarian bookseller, book collector, and bibliographer.
  • A first edition of Clark Ashton Smith’s The Dark Chateau and Other Poems with a signed inscription by Smith to friend and fellow writer E. Hoffmann Price. Out of Space and Time by Clark Ashton Smith, a contemporary presentation copy of the first edition with signed inscription by Smith to Samuel Loveman on the front free endpaper A 12-line Autograph Letter written by Bram Stoker to Charles E. Potts, on Tour 1887 — 1888 Lyceum Company letterhead, thanking him for sending pictures and clippings and in return, sending Potts a copy of his lecture on America.
  • The 1902 Doubleday, Page first printing of Bram Stoker’s The Mystery of the Sea, a presentation copy with signed inscription by Stoker dated 22 March 1902, a week before the book’s official publication date. Theodore Sturgeon’s It, a single story printed in advance of his first book, Without Sorcery, a collection of his short fiction in which “It” would appear. About fifty copies of the story were printed on proofing paper and distributed at the 1948 World Science Fiction Convention to promote the book. Player Piano by Kurt Vonnegut, an advance copy of the first edition, one of an estimated twenty-five to thirty copies bound using the dust jacket as a wrapper and sent to reviewers prior to publication. Stanley G. Weinbaum’s Dawn of the Flame and Other Stories, the author’s posthumously published first book, one of the five copies with the uncredited introduction by Raymond A. Palmer, which was suppressed by Weinbaum’s widow who considered it to be “too personal.”
  • Also represented is Stanley Kubrick, including a signed typed letter asking to look at a moon model that hints at his pre-production plan for his film 2001: A Space Odyssey, and first editions of books likeThe Shining and A Clockwork Orange which served as the source material for his works. Unlike his predecessor Hitchcock, Kubrick’s approach to the psychological drama was one that involved an exploration of genre and just a pinch of dark comedy.

All Bradbury

(1) Bradbury is the centerpiece of another Big Read in Kansas City. Biographer Sam Weller helps launch the event in ‘Fahrenheit 451’ forever: a literary classic’s uncanny cultural longevity.

In 1953, a little-known 33-year-old writer named Ray Bradbury wrote his first novel.

Sixty-two years later, “Fahrenheit 451” is a bona fide international classic.

The masterwork about a dystopian society where books are contraband is a staple of school curricula. It has been translated into more than 30 languages around the world and is, today, one of the most selected titles in community reading programs across the nation (along with Harper Lee’s “To Kill a Mockingbird”).

The Kansas City area this week joins the list of community celebrants. The Mid-Continent Public Library system has kicked off a series of events surrounding the book in conjunction with the National Endowment for the Arts “Big Read” initiative. Having worked closely with Ray Bradbury for over a decade as his authorized biographer, I am thrilled to participate.

“Fahrenheit 451” is one of those rare books that transcend time and generations. But why? Why does this short 50,000-word novel continue to have such cultural relevance?

Even Ray Bradbury was somewhat vexed by the waxing success of his novel over the decades.

“I was just writing an adventure novel,” he told me on multiple occasions. Bradbury described his book as “a fugitive chase disguised as literature,” in reference to the plotline of a fireman who burns books for a living and one-day decides to take one home to see what all the fuss is about. When Guy Montag discovers the magic, wonder, philosophy and poetry inside books, he leaves his life as a book burner behind and becomes a bibliophilic fugitive in a society where books are illegal.

(2) Adrienne Martini reviews Blythe Woolston’s MARTians at Locus Online.

Like Bradbury, whose work Woolston honors both in the title and as a running theme, this au­thor has a knack for finding just the right details to flesh-out a world without bogging down the action in reams of description. Take, for example, this nugget: ‘‘I won’t have a vote to sell until my eighteenth birthday, and that’s 619 days away.’’ Not only do you learn Zoë’s age but you also learn reams about the world that surrounds her. MARTians is a marvel of linguistic economy.

(3) Bidding is open and lively for the strongest rare book auction Heritage has offered to date, Auction #6155.

Many excellent copies of Bradbury works with personal inscriptions to Bob O’Malley are also present here, such as Dark Carnival (Lot 45014), Fahrenheit 451 (Lot 45016; minimum $1250), The Martian Chronicles (Lot 45021; minimum $1250) and The October Country (Lot 45024; minimum bid $500).

(4) Brigadier Mick Ryan on “Why Reading Science Fiction is Good For Military Officers” at Grounded Curiosity.

And it informs us about bad potential futures.  Reading science fiction allows one to think about a range of bad potential futures.  The dystopian future genre, particularly for younger readers, has been popular of late.  But this is not new.  Whether it is King’s The Stand, Bradbury’s Fahrenheit 451, Matteson’s I am Legend, or Dick’s Do Androids Dream of Electric Sheep, science fiction has always dealt with futures where society breaks down or must deal with a far more pessimistic view of the future.  Some even deal with the end of the world, with a recent example being Stephenson’s Seven Eve’s.  It is good that military officers should read such descriptions of alternate futures; it is the first step in us ensuring that they do not come to pass.