Pixel Scroll 12/7/17 Pixel, It’s Scrolled Outside

(1) SOCIETY PAGE. Cat Valente and Heath Miller shared their news on Twitter. Jump onto the thread about the romantic proposal here —

Part of the announcement:

(2) A GOOD COUNTRY FOR OLD MAN. Deadline started with an Exclusive story, but now we all know — “Netflix Grabs Hold Of John Scalzi’s Sci-Fi Novel ‘Old Man’s War’ For Jon Shestack, Madhouse”.

Netflix has acquired John Scalzi’s modern sci-fi classic Old Man’s War to develop as an original film. The novel is the first in a bestselling six-book series and is considered to be one of the best of the genre over the past two decades, nominated for a Hugo Award. Jon Shestack Productions and Madhouse Entertainment will produce.

John Scalzi goes into a little more detail in his FAQ about the news: “Old Man’s War in Development at Netflix”.

Are you excited?

Hell, yes. One, because I would love to see an OMW movie. But also, two, Netflix is a place where a lot of fantastic entertainment is happening these days. It’s trying a lot of things and taking a lot of chances, and most people I know who are working with Netflix are thrilled about being there right now. It really seems like it could be a great place for the OMW universe.

So is this a movie or TV series?

It’s a movie. On your television!

(Or computer or phone or monitor or wherever you choose to watch Netflix, I don’t judge.)

(3) GODSTALKER. James Davis Nicoll brings you his list of “Twenty Core Works of Religious Speculative Fiction Every True SF Fan Should Have on Their Shelves”. Here are four examples –

  • High Deryni by Katherine Kurtz
  • A Swiftly Tilting Planet by Madeleine L’Engle
  • The Brothers Lionheart by Astrid Lindgren
  • A Canticle for Leibowitz by Walter M. Miller

(4) ROWLING CHALLENGED ON SUPPORT OF DEPP. Amy Zimmerman of The Daily Beast calls it “J.K. Rowling’s Cowardly Defense of Alleged Abuser Johnny Depp in ‘Fantastic Beasts’”.

… In May 2016, actress Amber Heard filed for divorce from Johnny Depp, declaring at the time, “During the entirety of our relationship, Johnny has been verbally and physically abusive to me…I endured excessive emotional, verbal, and physical abuse from Johnny, which has included angry, hostile, humiliating, and threatening assaults to me whenever I questioned his authority or disagreed with him.” In the wake of these explosive allegations, The Daily Beast’s Kevin Fallon wrote a piece titled “Amber Heard Says Johnny Depp Beat Her. It Will Ruin His Career. Just Kidding!”, in which he argued that Depp, like so many accused A-listers before him, was destined to emerge from this scandal professionally unscathed.

…On the one hand, Rowling has inarguably found herself in a difficult position, and it’s hard to watch as female creators are asked to answer for the alleged misconduct and immorality of their male collaborators. In her statement, Rowling acknowledges the seriousness of the allegations against Depp, and appears to have taken the pressure to potentially recast seriously. But, make no mistake: she is supporting and defending Johnny Depp. And, in doing so, she is calling his accuser’s testimony into question.

The most damning sentence here is when Rowling cites “our understanding of the circumstances” to justify the fact that she is “genuinely happy” with Depp’s starring role; it sounds like she’s implying that, if we knew what she knew, we would feel comfortable dismissing Heard’s story too. Rowling is, finally, saying “I believe you”—but the person she’s acknowledging in this scenario is Johnny Depp, not Amber Heard

Here is J.K. Rowling’s complete statement on “Grindelwald casting”:

When Johnny Depp was cast as Grindelwald, I thought he’d be wonderful in the role. However, around the time of filming his cameo in the first movie, stories had appeared in the press that deeply concerned me and everyone most closely involved in the franchise.

Harry Potter fans had legitimate questions and concerns about our choice to continue with Johnny Depp in the role. As David Yates, long-time Potter director, has already said, we naturally considered the possibility of recasting. I understand why some have been confused and angry about why that didn’t happen.

The huge, mutually supportive community that has grown up around Harry Potter is one of the greatest joys of my life. For me personally, the inability to speak openly to fans about this issue has been difficult, frustrating and at times painful. However, the agreements that have been put in place to protect the privacy of two people, both of whom have expressed a desire to get on with their lives, must be respected.  Based on our understanding of the circumstances, the filmmakers and I are not only comfortable sticking with our original casting, but genuinely happy to have Johnny playing a major character in the movies.

I’ve loved writing the first two screenplays and I can’t wait for fans to see ‘The Crimes of Grindelwald’. I accept that there will be those who are not satisfied with our choice of actor in the title role. However, conscience isn’t governable by committee. Within the fictional world and outside it, we all have to do what we believe to be the right thing.

(5) QUICK SIP SHORT FIC RECS. I think I missed Charles Payseur’s “Quick Sip Reviews 2017 Recommended Reading List”, posted last month.

This comes courtesy of my monthly recommendation column, The Monthly Round. The rules are fairly easy, in that the stories must come from publications I regularly read. It’s the single greatest limiting factor for the list, because I do not read everything, but this prevents me from essentially cherry-picking stories from other publications. So there are my favorite stories published at the places I read regularly and have reviewed. There’s a whole wide world of other stories out there, but I did dearly love these. So I hope that, even with that limitation in mind, the list is helpful for finding some truly awesome short SFF. If you want more info on any of the stories, there are links to each or you can do a search of this blog to find my more in-depth reviews.

(6) BLACK SF HONORED. The Root has named “The 16 Best Books of the Year by Black Authors”. Three of these books are of genre interest.

  • #1 — Sing, Unburied, Sing: A Novel by Jesmyn Ward, which Amazon currently lists as the top-selling book in Magical Realism.
  • #4 — Akata Warrior by World Fantasy/Hugo/Nebula Award winner Nnedi Okorafor.
  • #9 — What It Means When a Man Falls From the Sky, by Lesley Nneka Arimah, a debut short-story collection from an award-winning Nigerian-American writer whose short stories hit fantasy, magical realism, science fiction, and horror.

(7) THERE ARE NO OLD, BOLD EQUATIONS. RedWombat mashes up a classic poem with a Hall of Fame story. The first tweet in response by Tim Chase is brilliant, too,

(8) JOIN THE VAMPIRE LODGE. An io9 exclusive! “Vampire Veronica Descends on Riverdale in a New Archie Horror Series”.

Between Afterlife with Archie, Chilling Adventures of Sabrina, and the recent addition of Jughead: The Hunger, Archie Comics’ horror imprint is flying higher than Sabrina’s broomstick ever thought possible. But there’s already another series coming to Archie Horror, and it’s got a bit of a bite to it….

Veronica Lodge, Riverdale’s socialite encounters a centuries-old creature of the night, who transforms her into a bloodthirsty vampire. Now she must descend on her unsuspecting hometown to quench her newfound hunger. Veronica now has to contend with this new transformation However, she is still the Veronica we all know and love.

(9) GULP FICTION. Fainting cloths have been in much demand since news broke that “Quentin Tarantino Might Direct a Star Trek Movie”io9 has the story.

Apparently Tarantino recently pitched an idea for a Trek movie to producer J.J. Abrams, who loved it, and they’ll soon begin to assembling a writer’s room to flesh it out. If everything falls into place, Tarantino could be interested in directing with Abrams producing.

This isn’t something that’ll be happening soon, though. Next up for the iconic director is his still-untitled 1969-set movie, which Sony Pictures just picked up. That already has a release date of August 9, 2019, so there’s no doubt that’s next for him. That leaves almost two years of time for a script to get written that could woo Tarantino into doing several things he’s never done before.

He’s never directed a feature he didn’t write. He’s never done a scifi film. He’s never done a major franchise film.

(10) EARLY BIRDS. Worldcon 76 and Dublin 2019 announced their Retro Hugo plans a few days ago and the Hugo Awards Book Club wasted no time coming up with the first set of recommendations: “Retro Hugos 1943: Novels”

It was with no small degree of excitement that we greeted the news that there would be Retro Hugo awards presented at next summer’s Worldcon. Just on principle, we love Retro Hugos, and will take any opportunity to do a deep dive into the science fiction published in a particular year. The Hugo year of 1943 (which would cover works published in 1942) has some excellent novels to choose from. We will explore other fiction categories for these awards in later posts.

Legendary science fiction pioneer Olaf Stapledon has never been nominated for a Hugo

Award in any category. The author of Last and First Men, Star Maker, and Odd John had published most of his major works prior to the first Worldcon, so even with Retro Hugos, there hasn’t been much opportunity to honour his works with the genre’s top award. Although Darkness And The Light is not one of his most well-remembered works, and although it has some flaws, it is still one that should be considered for the award.

(11) CRIDER IN HOSPICE. Crime fiction writer Bill Crider, who also won a 2015 Sidewise Award for his story “It Doesn’t Matter Anymore,” has entered hospice care. He signed off from his blog saying –

Things could change, but I suspect this will be my final post on the blog. I met with some doctors at M. D. Anderson today, and they suggested that I enter hospice care. A few weeks, a few months is about all I have left. The blog has been a tremendous source of pleasure to me over the years, and I’ve made a lot of friends here. My only regret is that I have several unreviewed books, including Lawrence Block’ fine new anthology, Alive in Shape and Color, and Max Allan Collins’ latest collaboration with Mickey Spillane, The Last Stand, which is a collection of two novellas, “A Bullet for Satisfaction,” an early Spillane manuscript with an interesting history, and “The Last Stand,” the last thing that Spillane completed. It saddens me to think of all the great books by many writers that I’ll never read. But I’ve had a great life, and my readers have been a big part of it. Much love to you all.*

(12) TODAY IN HISTORY

  • December 7, 1972 — The crew of Apollo 17, while on their way to the Moon, took a photo of Earth from about 28,000 miles.

(13) TODAY’S BIRTHDAY GIRL

  • Born December 7, 1915 — Leigh Brackett, well-known sf author and screenwriter. George Lucas hired Brackett to write the first draft of The Empire Strikes Back, which she completed shortly before she died in March of 1978.

(14) ALL BRADBURY. Courtesy of Cora Buhlert, here’s a brief clip from a German cultural TV program  presenting a new illustrated German edition of Ray Bradbury’s “Something Wicked This Way Comes”. (Video.)

(15) THE GOLD RUSH IS OVER. In “Business Musings: Sustainability”, Kristine Katherine Rusch argues that the market for independently published books has “matured” and that authors should expect much slower growth and lower incomes from here on.

I’m talking about the changes in income to writers who were not rushing to every new way of doing something, writers who were not gaming algorithms, writers who were producing a lot, interacting professionally with their fans, and doing everything right.

Those writers received major rewards, both in sales and in income, in the early years of indie publishing. Those rewards have diminished, because we are entering into a mature market.

What does that mean, exactly?

In business, markets respond to things in similar ways, whether we’re talking markets for shoes or markets for books.

When something is new, everyone wants it. When something is new, the growth is usually exponential. We see that in all kinds of new markets over the years, from desktop computers twenty-five years ago to smart phones ten years ago. There’s always something cool, and consumers flock to it, sometimes in very large numbers.

In publishing, we went through a shift, from traditional only to anyone-can-do-it indie, because of the rise of the neat-o ereader, the Kindle, from Amazon, which gave that ereader a platform and an ecosystem.

Year to year, the number of people who joined the new ecosystem was huge. Other players created viable ereaders and ebook ecosystems. You didn’t just have to use Amazon to publish a book. You could do it on other platforms.

(16) SEVENTIES SF RARITY. The British Film Institute tells “How lost British TV sci-fi Thwum was rediscovered”.

On 16 December 2017, BFI Southbank is offering the first opportunity for over 40 years to see Thwum, a sci-fi-themed 1970s rarity that had long been thought lost forever – and Pete Postlethwaite’s first TV appearance with it.

At the time of Thwum’s broadcast in 1975, it was still common practice for TV companies to wipe much of their output, meaning that many television programmes from the era are now sadly missing. Since 1993, it’s been the mission of the BFI’s Missing Believed Wiped initiative to track down and screen material long AWOL from the official TV archives. Finds over the years have included material from television programmes such as The Avengers, Till Death Us Do Part, Dad’s Army, Armchair Theatre and Top of the Pops.

The case of Thwum provides an interesting example of how missing UK TV material can be recovered….

(17) THE KING IS DEAD. Google’s general-purpose AI beats chess specialist: “Google’s ‘superhuman’ DeepMind AI claims chess crown”. It won or drew 100 games 4 hours after being given the rules of chess.

Even so, one human chess grandmaster was still hugely impressed by DeepMind’s victory.

“I always wondered how it would be if a superior species landed on earth and showed us how they played chess,” Peter Heine Nielsen told the BBC.

“Now I know.”

(18) WHERE YOUR PIZZA DELIVERS ITSELF. There are limits: “San Francisco to restrict goods delivery robots”.

Opponents are concerned about the safety of pedestrians, particularly elderly people and children.

Walk San Francisco, a group that campaigns for pedestrian safety, wanted a complete ban.

A range of companies have begun trialling small robots that can deliver food and other goods.

They use sensors and lasers in a similar way to self-driving cars in order to navigate their routes.

(19) ON A HOLE FAR AWAY. BBC tells where “Farthest monster black hole found”.

The matter-munching sinkhole is a whopping 13 billion light-years away, so far that we see it as it was a mere 690 million years after the Big Bang.

But at about 800 million times the mass of our Sun, it managed to grow to a surprisingly large size in just a short time after the origin of the Universe.

The find is described in the journal Nature.

The newly discovered black hole is busily devouring material at the centre of a galaxy – marking it out as a so-called quasar.

(20) PETRIFEYED. They say it may not be possible to find one any earlier: “Researchers find ‘oldest ever eye’ in fossil”.

An “exceptional” 530-million-year-old fossil contains what could be the oldest eye ever discovered, according to scientists.

The remains of the extinct sea creature include an early form of the eye seen in many of today’s animals, including crabs, bees and dragonflies.

Scientists made the find while looking at the well-preserved trilobite fossil.

These ancestors of spiders and crabs lived in seas during the Palaeozoic era, between 541-251 million years ago.

(21) FTFY. They’re not riotously funny, though some are clever or wonderfully bitter: “These Parody Book Covers Of Famous Classics Will Make Any True Literary Nerd Laugh Out Loud”. Here’s a sample:

(22) SHOULD THAT BE PETREON? Another Patreon critic heard from.

[Thanks to Mark Hepworth, Paul Weimer, JJ, Carl Slaughter, Cora Buhlert, Cat Eldridge, rcade, Greg Hullender, Andrew Porter, Martin Morse Wooster, Allan Maurer, Chip Hitchccock, Darrah Chavey, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Chris S.]

Pixel Scroll 11/19/17 And That’s What Pixelmas Is All About, Charlie Scroll

(1) BY WAY OF MELBOURNE. Playbill says King Kong will open on Broadway next year. (Just keep those biplanes grounded!) “King Kong Sets Broadway Opening Night; Tickets Now on Sale”. This musical premiered in Melbourne in 2013 and was originally supposed to come to Broadway when Spiderman folded in 2014. But it didn’t.

The anticipated stage musical adaptation of King Kong—written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect—will officially open November 8, 2018, at the Broadway Theatre. Previews are set to begin October 5.

The production, which features a one-ton, six-meter-tall silverback gorilla puppet as its star, arrives on Broadway following a 2013 Melbourne world premiere.

An all-new creative team has been assembled to bring King Kong to Broadway, including Olivier Award-winning book writer Thorne (Harry Potter and the Cursed Child, Let the Right One In), Olivier Award-winning director-choreographer Drew McOnie (Strictly Ballroom, In the Heights), and Australian songwriter Perfect, who is also adapting Beetlejuice for Broadway. Perfect joins the show’s original composer and arranger de Vries (Moulin Rouge, Romeo + Juliet).

(2) TWO FINS UP. Craig Miller comments on a screening of The Shape of Water.

The film was pretty great. It’s set in the early 1960s but it has a sort of timeless quality about it. Set at some sort of secret, military-run laboratory, it’s about a lonely, mute cleaning woman (Hawkins) who works there and what happens when a new “asset” is brought in for investigation and experimentation. Her performance, and that of Doug Jones, are remarkable. More so in that neither character is capable of speaking but you understand them both perfectly.

(3) MINORITY REPORT. The National Review’s Armond White says “Justice League Is the Epic We Deserve” – and means it in a good sense.

Zack Snyder’s audacity in creating a comic-book movie renaissance (which began with the complex, ambitious Watchmen) has inspired philistine resentment from reviewers and fanboys who don’t want cinema. They’ve been desensitized to the form’s vitality and richness. (Like civics, art is no longer being taught in schools.) The schoolyard game of lambasting Snyder’s magnificent Man of Steel and the even more intricate Batman v Superman: Dawn of Justice almost directly parallels the unsubtle breakdown of our political process. And this year’s post-election delusional praise for the utterly mediocre Wonder Woman is a symptom of our current political paralysis. By coordinating DC Comics’ superhero characters into the fight against Steppenwolf, Snyder attempts to extend his saga from Dawn of Justice. Studio interference (Warner Bros. envy of the lucrative Marvel franchise) and personal tragedy have prevented Snyder from completing his vision on a scale commensurate with the ever-astonishing Watchmen. But as Aquaman (Jason Momoa), The Flash (Ezra Miller), Cyborg (Ray Fisher), and Wonder Woman (Gal Gadot) join Batman (Ben Affleck) in the most-intense-yet fight for human life, what remains of Snyder’s handiwork — after the studio imposed The Avengers dullard Joss Whedon on the final product — is still a triumph.

(4) COCO. The Washington Post’s Michael Cavna talks to the stars and producers of COCO and looks at how Pixar is coming out with a Mexican-themed film for the first time: “‘Coco’ forced Pixar to dive deep into a real-world culture — and add some diversity”.

PIXAR STUDIOS, for all its renown for creating highly detailed worlds, has rarely had to worry too much about cultural authenticity. Even after all their fabled research for movies such as “Brave” and “Ratatouille,” the filmmakers have been free to use their imaginations, without real fear of offending toymakers, automakers or entomologists.

The Bay Area studio knew, however, that centering “Coco,” which opens Nov. 22, on Mexico’s Day of the Dead holiday would enter an entirely different realm, because it would include not only depictions of traditions, but also a significant increase in casting diversity.

(5) THE SCIENTISTS IN SF. Tor.com nominates “Our Favorite Fictionalized Scientists, Mathematicians, and Inventors in SFF”.

Benoit Mandelbrot (Mandelbrot the Magnificent)

Where the rest of us see fractals spinning off into infinity, Benoit Mandelbrot saw minute pockets into parallel universes. Liz Ziemska’s magical pseudo-biography reimagines the mathematician’s childhood during Hitler’s rise to power: in an era where people like Mandelbrot’s family were fleeing their homes to escape the growing evil, young Benoit discovers secret dimensions in which to hide, all unlocked by math. Talk of Kepler’s ellipses transports Benoit; archetypal math problems about approaching infinity provide him with glimpses into mirror worlds in which he can hunt monsters. But as the monsters in his world abandon all pretense of peace, Mandelbrot must harness his gifts to hide his family, or else he’ll have sealed their fates. It’s a lovely example of using fantasy as a way to gild the edges of inspiring true stories, linking math with magic for non-mathematicians. —Natalie

(6) GRAPHIC NOVEL ROUNDUP. In another piece, Michael Cavna gives his picks for “The 10 best graphic novels of 2017”.

My Favorite Thing Is Monsters

By Emil Ferris (Fantagraphics)

This debut graphic novel from a 55-year-old Chicago artist is a revelation: a deeply textured tale of dark histories framed as a girl’s diary and told through riveting art that is an homage to midcentury horror comics and film. A dark-horse winner that came out of nowhere.

(7) NIGEL’S NEXT. Nigel Quinlan did a cover reveal of his new book, The Cloak of Feathers, an MG fantasy coming in the UK and Ireland from Hachette Children’s in January 2018.

It’s about an awful summer festival held every year in a small village in Ireland. Once every hundred years the Fair Folk visit, and it becomes a Great Festival, full of magic and wonder. Except everything has gone horribly wrong. The lake is polluted, there’s a ghost estate built on the shore, and their beloved Princess has vanished. Our heroes, the reluctant members of the Junior Knockmealldown Festival Committee (Cow-Fetching Sub-Group) must perform four Feats to win the Cloak of Feathers and rescue the Princess before the whole village is punished.

(8) SUPER SJW CREDENTIALS. Quirk Books makes its selection of the “10 Best Cats in Comics”.

Chewie – Captain Marvel

Supergirl and Power Girl are not the only big name superheroes to have pet cats. Captain Marvel has her own feline companion, Chewie. Initially, Carol believed that Chewie was just a normal cat that could keep her company on her adventures, but when she met Rocket Raccoon, he claimed that Chewie was, in fact, a Flerken. Captain Marvel refused to believe that her furry friend was secretly a tentacle-mouthed, egg-laying alien with pocket dimensions in her body…but when Chewie laid 117 eggs on board the ship, she was forced to admit it was true. Although the 117 Flerken kittens were left at a rescue, Chewie herself teleported back on board the ship, and Carol decided to keep her, Flerken or not.

(9) REBOUND. The Traveler pilloried the November 1962 issue of F&SF in a post at Galactic Journey. What a difference a month (and 55 years) makes! — “[November 19, 1962] Reverse Course (December 1962 Fantasy and Science Fiction)”.

I’ve complained bitterly in this column on the meanderings of my favorite science fiction magazines.  Galaxy has gotten too tame.  Analog has gotten too staid.  F&SF has gotten too literary.  In fact, just last month, I was lamenting the streak of purple fluffiness that had corrupted that last mag.  Story after story of unreadable droll nothings, or at best, fantastic horrors without any hard sf.

The December 1962 issue did not promise to be any better.  It has the same line-up of authors, the same subject matter of stories.  There are even 11000…er.. 24 pages devoted to the concept of binary numbers.  Has F&SF lost its mind?!

So imagine my surprise to find that I actually enjoyed this month’s issue, entirely due to the well-written nature of its material.  These are not the kind of stories I prefer, but this experience just goes to show that high quality trumps subject matter.  See if you agree…

(10) ANDY WEIR. The Arthur C. Clarke Center for the Human Imagination has an extra installment of its Into the Imagination podcast: “Bonus: Andy Weir (author of The Martian and Artemis)”.

We have a mid-month bonus episode with Andy Weir, author of the novel The Martian, so memorably adapted in the film starring Matt Damon, and the new book Artemis, which launches today! We talk about lunar colonization, his approach to world- and character-building, and what he would do if he was in charge of the future of space exploration. Andy will be speaking at the Clarke Center on December 7th.

To listen to the podcast, click here.

(11) BEST AND THE REST OF AUGUST. Rich Horton reviews short fiction at Locus Online, covering Lightspeed 8/17, 9/17, Tor.com 8/17, Apex 7/17, Interzone 7-8/17, and McSweeney’s #49.

There’s a good set of stories in the August Lightspeed. Ashok Banker‘s “Tongue” is an uncomfortable and rather over-the-top satire on the horrors of a traditional Indian mar­riage, set on an asteroid. The over-the-top elements are part and parcel of satire, though I also thought the portrayal of Indian culture seemed a wincing cliché, as did the corporate menace target; still, it shocks and scares.

(12) ANALOG (NOT THE MAGAZINE). An op-ed writer for the New York Times claims “Our Love Affair With Digital Is Over”.

This surprising reversal of fortune for these apparently “obsolete” analog technologies is too often written off as nostalgia for a predigital time. But younger consumers who never owned a turntable and have few memories of life before the internet drive most of the current interest in analog, and often include those who work in Silicon Valley’s most powerful companies.

Analog, although more cumbersome and costly than its digital equivalents, provides a richness of experience that is unparalleled with anything delivered through a screen. People are buying books because a book engages nearly all of their senses, from the smell of the paper and glue to the sight of the cover design and weight of the pages read, the sound of those sheets turning, and even the subtle taste of the ink on your fingertips. A book can be bought and sold, given and received, and displayed on a shelf for anyone to see. It can start conversations and cultivate romances.

The limits of analog, which were once seen as a disadvantage, are increasingly one of the benefits people are turning to as a counterweight to the easy manipulation of digital. Though a page of paper is limited by its physical size and the permanence of the ink that marks it, there is a powerful efficiency in that simplicity. The person holding the pen above that notebook page is free to write, doodle or scribble her idea however she wishes between those borders, without the restrictions or distractions imposed by software.

(13) VERDICT ON NEW TURTLEDOVE. The Hugo Award Book Club contends The Hot War is Turtledove at his best”.

Of particular interest in this alternate history is the tragic — and believable — story of Harry Truman. Turtledove’s research into historical figures is always impeccable, and many of Truman’s decisions in these novels are based on courses of action that he considered in real life. Turtledove paints a portrait of an alternate failed presidency that hinges on one bad decision after another.

The consequences of Truman’s mistakes keep compounding. The way in which this weighs on him in the novels is effectively conveyed, and this may be one of the best character arcs Turtledove has ever written. Turtledove seems to be arguing that even a well-intentioned president might invite calamity through brinksmanship.

This cast may be one of the most memorable groups that Turtledove has written since Worldwar: In The Balance back in the 1990s. However, it’s still clear that Turtledove has difficulty writing characters from outside his cultural background — none of the important Korean or Chinese characters are given point-of-view sections.

(14) BE OUR GUEST. Her Universe is ready to fill your need to own the “Star Wars BB-8 Tea Set”.

Being stranded on Jakku might be a downer, but it’s no excuse to avoid quality tea time. This BB-8 themed teapot and cup set from Star Wars is happy to roll up with a hot beverage. Set includes a 650 ml teapot & lid with two 220 ml cups and two 5 1/2″ saucers.

(15) MILLENNIUM PLUS FORTY. Entertainment Weekly was there: “Luke comes home: Mark Hamill’s heartbreaking return to the Millennium Falcon in The Last Jedi”.

Luke Skywalker quietly walks aboard the Millennium Falcon, alone. His old friends are gone. His old life is gone. He is ghostlike himself.

The old Luke Skywalker is gone, too.

That’s a scene from the latest trailer for The Last Jedi (see it here), but in real life, visiting the set of the old Corellian freighter was a similarly haunting experience for Mark Hamill.

“I’m telling you, I didn’t expect to have the reaction I had,” the 66-year-old actor tells EW. “I was there with my family, with [my children] Nathan and Griffin and Chelsea and my wife Marilou, and [Lucasfilm] asked if the documentary crew could be there when I came back on the Millennium Falcon. I mean, this was not on the shooting day. I was just street clothes and going to visit that set. And I said, ‘Sure.’”

(16) BLABBING ABOUT CAMEOS. The Hollywood Reporter learned “Princes Harry and William Play Stormtroopers in New ‘Star Wars’ Film”.

The royals — along with Tom Hardy and singer Gary Barlow — were rumored to make an appearance in Stormtrooper outfits in the film releasing Dec. 15.

In August, Star Wars: The Last Jedi star John Boyega spilled the beans that not only did Prince William and Prince Harry film scenes when they visited Pinewood Studios in April 2016, but Tom Hardy also was milling around the set at the same time. By then, Take That singer Gary Barlow had already revealed that he had shot a scene in March.

(17) KEEPING A FINGER IN THE PIE. According to SyFy Wire, “Steven Moffat and Russell T Davies to write new Doctor Who adaptations”.

Steven Moffat may be leaving his gig as Doctor Who showrunner following this year’s upcoming Christmas special titled “Twice Upon a Time” to make way for Chris Chibnall (Broadchurch), but it looks like he isn’t done with the Whoniverse-at-large just yet.

According to Radio Times, Moffat will team up with former showrunner Russell T Davies and novelist Jenny T. Colgan for a series of Doctor Who novels that will adapt several episodes from the Davies and Moffat eras of the BBC series.

Published by BBC Books and Penguin Randomhouse, the new “Target Collection” is based on the old Target novelizations that strived to adapt classic Doctor Who episodes from the 1970s to the 1990s, with the episodes’ original scriptwriters penning the adaptations whenever possible from the original scripts.

(18) SOME TIME LATER. I will never be the same now that I have seen this tweet.

Here’s the link to his post.

(19) MIGHTY MUMBLING. How It Should Have Ended does a comedy overdub of Batman v Superman and Dawn of Justice. It’s a toss-up whether these animated mouths remind me more of Clutch Cargo or Wallace and Gromit.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/23/17 A Long Scroll To A Small Angry Pixel

(1) ASKING FOR A MULLIGAN. The Hugo Award Book Club casts aspersions on a 2001 winner in “Harry Potter and the Undeserved Hugo”.

If Hugo Award voters had the prescience to have recognized (via award or nomination) Harry Potter and the Philosopher’s Stone in 1998, perhaps it would be more forgivable. But looking at the situation with 15 years of hindsight, it feels like the Hugos were just bandwagon jumping on an established series that was already extraordinarily popular.

It seems to me that honouring the book with a Hugo Award did nothing to help it find new readers, and this feels like an abdication of what the award should be about.

(2) SOUND THE HORN. Since being chastised for misspelling Froot Loops, John King Tarpinian has been doing penitential research about the cereal. Those of you who were saying you can’t get unicorn burgers may want to know you can get unicorn breakfast cereal, for a limited time — “Unicorn Froot Loops Are Now Enchanting Store Shelves”.

Kellogg’s is giving early mornings a major dose of magic. According to Delish, the cereal giant is remixing its fan-favorite Froot Loops with a very 2017 makeover: unicorn.

Almost unrecognizable without Toucan Sam, eagle-eyed shoppers are sure to get pulled in by the rainbows, stars, and a very cute unicorn. The limited-edition cereal comes with new packaging that features the as-yet-unnamed animated unicorn complete with a requisite rainbow mane, but the real magic is inside the box.

While standard Froot Loops are already a Technicolor addition to any breakfast, the unicorn version is a little more subdued, but ups the ante when it comes to trendy hues.

Prettiest cereal EVER🤗🦄🌈🌸💕#unicornfrootloops

A post shared by 🌸S a r a h🌸 (@sarahlw88) on

(3) SPEAKING UP. Neil Gaiman voiced a character on The Simpsons on Sunday – a Coraline parody was part of the latest “Treehouse of Horror” episode.

A.V. Club reviewed the overall effort: “The Simpsons walks us through a visually ambitious but forgettable Treehouse Of Horror”.

The 28th “Treehouse Of Horror” carries on the venerable Simpsons institution by, as ever, tossing a whole lot of stuff at the screen and seeing what sticks. To that end, this year’s outing gives us: An Exorcist parody, a Coraline parody, Homer eating human flesh (just his own, but still), stop-motion segments, horror and fantasy-specific guest stars, a little light Fox standards-pushing (Homer does, as stated, eat human flesh), and the usual string of hit-or-miss gags. That last part isn’t really a criticism in itself. Freed up from the need to calibrate the heart-yucks equation, a “Treehouse Of Horror” rises or falls on the strength of its jokes, although the annual Halloween anthology provides its own unique degree of difficulty.

(4) ON THE CANVAS. Walter Jon Williams does a draft cover reveal for the next book in the Praxis Series. He has been making a heroic effort to complete it but  the book isn’t cooperating, as he says in “Punch Drunk”.

I haven’t been posting for several days, because I’ve been trying to finish  The Accidental War, which (according to the publisher) is Book IV of the Praxis series, but which (according to me alone, apparently) is Book VI, because I count Impersonations and Investments, and they don’t.

See?  It even has a cover!  Though this may not be the actual cover when it’s released, at the moment it’s just sort of a cover suggestion the art department is playing with.

Wow!  Sure looks like MilSF, doesn’t it?

(5) PENRIC. And at Goodreads, Lois McMaster Bujold has shared “The Prisoner of Limnos cover sneak peek” with art by Ron Miller.

So, as promised, here is the e-cover of the new Penric & Desdemona novella. It will be #6 in the current internal chronology (and publishing order.)

The vendor-page copy will read:

“In this sequel novella to “Mira’s Last Dance”, Temple sorcerer Penric and the widow Nikys have reached safety in the duchy of Orbas when a secret letter from a friend brings frightening news: Nikys’s mother has been taken hostage by her brother’s enemies at the Cedonian imperial court, and confined in a precarious island sanctuary.

“Their own romance still unresolved, Nikys, Penric, and of course Desdemona must infiltrate the hostile country once more, finding along the way that family relationships can be as unexpectedly challenging as any rescue scheme.”

(6) PRODUCT PLACEMENT. Adweek tells how “A Baby Dragon Brings the Heat for Doritos on Twitter”.

You don’t have to be a Targaryen to know the value of a baby dragon.

When Doritos U.K. released a limited edition of extra-hot tortilla chips called Heatburst this past spring, it became part of the conversation on Twitter by creating its own “celebrity”—a comical, fire-breathing baby dragon—to represent the new flavor.

As described in the video below, the Heatburst campaign, with the hashtags #HeatWillCome and #BabyDragon, centered on the dragon character. It launched with a series of quirky videos where the baby dragon innocently ignited virtually everything around him. As awareness for the product grew, the baby dragon became a Twitter character in his own right, inserting himself into pop-culture moments and current events to keep the brand top of mind. Doritos U.K. did this using a full-range of Twitter formats, including branded emojis, GIFs, and conversational videos.

(7) CONTINUED WEINSTEIN AFTERMATH. The Hollywood Reporter says female animators sent a letter to executives at major animation studios insisting on an end of sexual harassment in the workplace.

Among the 217 women and gender-nonconforming people who signed the letter are Netflix’s head of kids programming Jenna Boyd, Bob’s Burgers producer and writer Wendy Molyneax, Steven Universe creator Rebecca Sugar and Danger & Eggs co-creator Shadi Petosky, as well as animators of BoJack Horseman, Adventure Time and The Powerpuff Girls.

The full text of the letter is at The Wrap (“Women Animators Pen Open Letter on Sexual Harassment: ‘This Abuse Has Got to Stop’”.) The demands include:

  1. Every studio puts in place clear and enforceable sexual harassment policies and takes every report seriously. It must be clear to studio leadership, including producers, that, no matter who the abuser is, they must investigate every report or face consequences themselves.
  2. The Animation Guild add language in our constitution that states that it can “censure, fine, suspend or expel any member of the guild who shall, in the opinion of the Executive Board, be found guilty of any act, omission, or conduct which is prejudicial to the welfare of the guild.” To craft and support the new language, we ask that an Anti-Harassment and Discrimination Committee be created to help educate and prevent future occurrences.
  3. Our male colleagues start speaking up and standing up for us. When their co-workers make sexist remarks, or when they see sexual harassment happening, we expect them to say something. Stop making excuses for bad behavior in your friends and co-workers, and tell them what they are doing is wrong.

(8) MAKING LIGHT. Overshadowed by the Cuban Missile Crisis is Galactic Journey’s review of the November 1962 Fantastic.

It seems likely that the threat of violence, which hangs over our heads in these troubled times, makes it necessary for us to make light of traditional terrors.  We laugh to keep from screaming.  As an example, on the same day that China invaded India, Bobby Picket’s novelty song, The Monster Mash, reached the top of the charts.

Appropriately, the latest issue of Fantastic features another comic version of old-fashioned horrors….

It’s Magic, You Dope! (Part 1 of 2), by Jack Sharkey Lloyd Birmingham’s cover art, which reminds me of the macabre cartoons of Charles Addams, captures the spooky but laughable nature of this short novel by editor Cele Goldsmith’s resident comedian.

(9) YESTERDAY’S DAY

(10) THE MALL’S OUR DESTINATION. At Pornokitsch, Jared takes us shopping: “Malls, Mallrats and Browsing”.

Doug Stephens wrote a powerful piece on how ‘to save retail, let it die’. In it, he lists all the ways in which retail is doomed (hi, Amazon!) on his way to a, more-or-less, familiar conclusion: retail spaces need to become experiences.

Stephens posits that the future retail spaces aren’t about buying products at all, but about:

  1. gathering data
  2. selling experiences that involve the products

Imagine, I suppose, the LEGO store, but solely with the build-your-own minifig display. And lots of covert measurement over which pieces everyone uses… (Ok, this must happen already, but still. Imagine!)

Then, presumably, we all go home and receive Snapchats telling us that a new set of our favourite LEGO can be purchased, right now. Just wink acceptance, and your facial recognition purchasing programme will do the rest. Then, when you lose a piece, you shout at Alexa, and the replacement follows. Whatever. That sort of thing. All beside the point.

(11) LOU ANDERS. Variety includes Lou Anders’ good news in “‘Dark Matter’ EP Vanessa Piazza Sets Multi-Year Producing Partnership With eOne”.

Piazza is also developing “Masked,” based on the original super-hero fiction anthology edited by Lou Anders, who will also be involved in the series adaptation. Notable comic and graphic novel writers, including Lilah Sturges, Paul Cornell, and Gail Simone whose short stories appear in the book, will contribute to the anthology series, working with Piazza and executive producer and showrunner Joseph Mallozzi.

(12) INDIE FOCUS. The inaugural issue IndiePicks Magazine is now on the street.  You can read an electronic copy via their website.  Subscriptions to the electronic and paper versions are also available.

Their sff reviewers appear to be Alan Keep and Megan McArdle.  Their horror reviewer is Becky Spratford.  And their YA reviewer is Magan Szwarek.

(13) EARLY ELECTRONIC MUSIC. NPR on the creator of the Doctor Who theme: “Forebears: Delia Derbyshire, Electronic Music’s Forgotten Pioneer”.

All that changed in 1960 when she went to work at the BBC as a studio manager. She soon became enamored of the Radiophonic Workshop, a division of the media conglomerate dedicated to electronic experimentation. The invention of tape recording in the 1950s allowed sounds to be manipulated in entirely new ways; in a time when radio dramas ruled popular entertainment, the Workshop was a creative — and coveted — place of employment. In 1962, Derbyshire was assigned a position at the workshop, where she’d work for over a decade, becoming a sound specialist and a leading voice in musical counterculture: The weirder her soundscapes became, the more wondrous they felt. She created music for the world’s first fashion show with an electronic soundtrack (and considering the commonality of techno/dance music on the runway, she left a legacy in that field, too). She organized robotic noise in a way that felt truly alien, shocking sounds whole decades ahead of this music’s time.

(14) GUARD YOUR ARTISTIC FREEDOM. Max Florschutz issues a warning in “Being a Better Writer: Preaching to the Choir” at Unusual Things.

They adjust the story that they’re telling so that it is no longer aimed at the general audience, but at those who already buy into it. And that means changing the presentation.

For example, say someone writes a story that is going to preach to the choir with regards to one of the US’s political parties (which happens a lot, unsurprisingly). Writing a story that appeals to the group already supporting that party is going to result in a different story than one written to a general audience. A story that was written for a general audience on the topic would need to, for starters, approach all of its topics from a neutral starting point, as it would need to assume that those approaching the work didn’t share or even know of the authors ideas and views. It would then need to examine the ideals it wanted to present from a variety of points, answering the reader’s questions and concerns—which could be fairly vast—as it attempted to explain the stance of the author. It would also need to do so while maintaining a level voice and giving the various viewpoints a fair shake.

But if we compare that to a title written for an audience that wants to be preached too, most of that will disappear. For example, that audience does not want to start from a neutral point. They’ve already left that ground. They want a position already ensconced in their stance. Nor do they want to examine their own beliefs from a variety of angles—that can raise uncomfortable questions and truths that they’d rather not deal with—so each angle approached must be designed to reinforce that safe space they’ve already built for themselves by making sure that all other ideas, themes, etc, are wrong. It also can’t have a level voice nor give equal treatment to other views; after all, those views are wrong. Lastly, to preach to the choir, the work needs to reinforce the idea that the audience is safe where it is, that they have made the right or smart decision by believing what they believe.

And the truth is, creating this kind of work is extraordinarily popular. Everywhere. Because there’s a guaranteed audience as long as the “choir” exists. Michael Moore films, for example? One-hundred percent preaching to the choir. Baptist-ploitation films like God’s Not Dead? Also preaching to the choir. And many, many others—crud, you readers along could probably fill the comments with thousands of works from all sides of any spectrum or idea that preach to the choir. It works because it appeals to a set audience that wants to be told that they’re right, to be reinforced without thinking critically (or in some cases, by being giving a thought that sounds critical, but actually isn’t). And that audience? They eat this kind of pandering up.

… So, with that said—specifically the bit about a quick buck—why wouldn’t you want to preach to the choir? Why not go for it?

Well, the answer is pretty simple: Once you do, it’s hard to go back. Once you’ve started writing stories that support that little “safe zone,” you’ve effectively shackled yourself to it and to that audience. That audience is going to want more of the same, and if you don’t deliver it, they will become unhappy.

(15) I’M NOT OKAY, YOU’RE NOT OKAY. Douglas Smith spends the first four paragraphs of “On Writing of a Different Culture” at the SFWA Blog apologizing for world history before getting to the point:

So, yes, I was a tad paranoid of being accused of cultural appropriation.

Let me first explain why I was drawn to Cree and Ojibwe culture for The Wolf at the End of the World.

If you think you’re doing something wrong, wouldn’t it be better to not do it? If you haven’t done something wrong, why are you apologizing?

(16) JOE HILL. Lisa Taylor reviews “Strange Weather by Joe Hill” for The Speculative Herald.

Strange Weather is a collection of 4 short novels, each telling a unique story. They are all independent of one another, and could be read in any order. I may not rate this one quite as high as most of the works I’ve read by Hill, but I suspect most of that comes from my preference for longer works. The stories are quick and varied covering funny to horrifying to creepy and the main character in each are varied.

(17) PERSONAL BEST. Here’s a record that will appear with an asterix next to it.

[Thanks to John King Tarpinian, ULTRAGOTHA, Martin Morse Wooster, Cat Eldridge, JJ, Dann, Andrew Porter, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Ryan H.]

Pixel Scroll 10/1/17 And Lockjaw The Teleporting Bulldog (Played By A Bunch Of Pixels)

(1) STONY END. At Asking the Wrong Questions, Abigail Nussbaum delivers a masterful review of the third novel in the acclaimed trilogy, “The Stone Sky by N.K. Jemisin”.

It might seem a bit strange to say that The Stone Sky, the concluding volume of the Broken Earth trilogy, had a lot riding on it.  For the past two years, the SF field and its fandom have been falling over themselves to crown this trilogy as not just good, but important.  Both of the previous volumes in the series, The Fifth Season and The Obelisk Gate, were nominated for the Nebula and the Hugo.  When The Fifth Season won the Hugo in 2016, it made Jemisin the first African-American (and the first American POC) to win the best novel category.  When The Obelisk Gate won the same award earlier this year, it was the first time that consecutive volumes in a series had won the Hugo back-to-back since, I believe, Ender’s Game and Speaker for the Dead thirty years ago.  That’s probably not considered the best company nowadays, but it speaks to the kind of zeitgeist-capturing work that Jemisin is doing with this series.  In that context, the third volume might almost be looked at as a victory lap, just waiting to be showered with laurels.

To me, however, a great deal depended on the kind of ending Jemisin crafted for her story….

(2) STAN BY ME. This doctor makes house calls? Here in LA in October!

(3) THEY WERE JUST RESTING. Dean Wesley Smith and Kristine Kathryn Rusch have launched a Kickstarter to bring back “Pulphouse Fiction Magazine” after a 21-year hiatus.

Dean returns as editor of Pulphouse Fiction Magazine, bringing back the attitude and editing eye that got Pulphouse three Hugo nominations and thousands of subscribers. Kris will function as executive editor. Allyson Longueira is the publisher, Gwyneth Gibby is the associate publisher, and Josh Frase will be the managing editor and website guru….

Pulphouse Fiction Magazine returns as a quarterly publication, with the first issue coming out in January 2018.

But before January, as was a tradition with Pulphouse Publishing, there will be an Issue Zero. Basically, Issue Zero will be a complete issue of the magazine, but will function as a test run.

Issue Zero will be given to anyone who supports this Kickstarter subscription drive if we make our goal.

They’ve already surpassed their $5,000 goal, with 17 days left to run.

(4) BURNING LOVE. The anonymous Red Panda Fraction calls Dragon Con their home convention, and seeks to justify one of their tactics to level the Dragon Awards playing field in “Why Did We Create a Red Panda Slate? 1st Post from Rad Sonja”.

Now that Dragon Con is over and our schedules have returned to normal, it seems like it’s time to explain why the Red Panda Fraction decided to create a slate for the Dragon Awards this year. It was the most controversial thing we did, and we noted the consternation among blog commenters. We appreciate the criticism that authors may not want to be on any slate because it would make them “political footballs” or put targets on their backs. If we create a recommendation list for the next Dragon Award, we will ask authors if they want to be taken off before sending anything out to the public….

“Rad Sonja” doesn’t really delve into the ethics of slating beyond the poetic “fighting fire with fire”, but instead indulges in lengthy speculation about the networking that led to certain results in the first year of the award.

Moreover, from the beginning, the most active boosters of the award have been Puppies. Among the first places to publish a story about the Dragon Awards (April 8th, 2016) was the Conservative-Libertarian Fiction Alliance (CLFA), a closed Facebook group which includes a number of major Puppy organizers. It didn’t take much digging for us to figure out that Dragon Con’s SF=literature track director, Sue Phillips, and long-time SF-lit track volunteer, the Puppy-booster blogger and podcaster, Stephanie Souders, (aka “The Right Geek”, who added Phillips to the FB group in 2014) were also members of the CLFA Facebook group. The CLFA actively promotes the work of their members on their blog. See, for example, this post from this year….

(5) FROM ARES TO ARTEMIS. The Arthur C. Clarke Center for Human Imagination will host “An Evening with Andy Weir” on December 9 at UCSD. Time and ticket information at the link.

 

Join us for the launch of the much-anticipated new novel by Andy Weir, #1 New York Times best-selling author of The Martian. Weir will discuss Artemis—a crime caper set on the moon, in a near-future world that Weir builds with his trademark rich, scientifically accurate detail.

Artemis is the first only city on the moon. If you aren’t a tourist or an eccentric billionaire, life in this fledgling new territory is tough. Providence and imperial dreams have been nickel-and-dimed from those who have called the moon their home. That’s why Jazz doesn’t rely on her day-job. She moonlights, instead, as a smuggler, and gets along okay with small-time contraband that is, until the chance to commit the perfect crime presents itself.

Weir will discuss Artemis with Dr. Erik Viirre, Associate Director of the Clarke Center and the Medical and Technical Director of the Qualcomm Tricorder XPRIZE.

Book signing to follow. Copies will be available for purchase.

(6) JUST GUYS DOIN’ STUFF. Ashe Armstrong answers the question “What is Orctober?” at Fantasy-Faction.

Orctober seeks, as you may have guessed by now, to celebrate the orc. With the Elder Scrolls and Warcraft blowing up like they have, thanks to World of Warcraft and Skyrim, orcs have started to be viewed differently. While there are still those who love the old vision of them, grimy and lanky and full of malice, many of us are embracing a changing view of them. Orcs can be just as varied as the other races. They’re no longer an Evil Race of Evil, or at least not just that. It even happened with the Forgotten Realms books, with Drizzt and the orc, Obould Many-Arrows. In Warcraft, you had Thrall and Durotan. The Elder Scrolls had Gortwog go-Nagorm, who sought to reclaim the lands of Orsinium and help his people find respect.

(7) IN LIVING 3-D. This is great! Walk through the Center for Bradbury Studies using My Matterport.

In the spring of 2007, IUPUI’s School of Liberal Arts created the nation’s first center for the study of Ray Bradbury (1920-2012)

(8) PERSONAL FANDOM STORIES WANTED. Joe Praska at The Continuing Voyage is looking for autobiographical contributions to their series “My Fandom. My Story.”

My Fandom. My Story. is a series on The Continuing Voyage that aims to share the stories of individuals; their fandoms, passions, identity, struggles and successes.  Maybe you have a passion for a certain science fiction franchise that’s helped shape your ideals as an adult, maybe your knitting hobby led you to find a sense of community, maybe your love for a specific book helps you feel a deeper connection to your family or your culture, or maybe your interest in science has shaped your career.  Whatever it is, we’d like to hear your story.

My Fandom. My Story hopes to bring to light personal stories that explore countless themes that may arise such as community, family, creativity, art, inspiration, identity, mindfulness, politics, social justice, and culture while of course exploring the fandoms and passions of the individuals writing.

(9) TRIVIAL TRIVIA

In the original and best The Wolf Man, Larry Talbot had been away 18 years working on Mt. Wilson Observatory in California.

(10) TRIVIALEST TRIVIA

Silent film actor Gibson Gowland appears in The Wolf Man as a villager present at the death of Larry Talbot. He also had been present during the Phantom’s death scene in the 1925 version of The Phantom of the Opera (1925), becoming the only actor to appear in death scenes performed by both Lon Chaney and Lon Chaney Jr.

(11) TODAY IN HISTORY

  • October 1, 1957 The Brain From Planet Arous premiered on this day.
  • October 1, 1992 — The Cartoon Network started.

(12) TODAY’S BIRTHDAY GIRL

  • Born October 1, 1935 — Julie Andrews (whose best-known genre work is Mary Poppins.)

(13) COMPELLING SF. Publisher Joe Stech has released the 9th issue of Compelling Science Fiction. You can buy the issue from the Kindle store, or download the issue from Patreon in DRM-free mobi and epub format if you’re a subscriber. They also welcome readers to their new Facebook page — facebook.com/CompellingSF

(14) CHEERING FOR CHAOS. Camestros Felapton, in “Separatism, Spain, Catalonia, Russia, the Alt-Right & Chaos-Fascism”, tries to fathom the motives behind the latest political posturing.

I don’t know what Putin’s perspective is on Catalonia but I can guess by looking at more accessible proxy mouthpieces. Our least favourite science fiction publisher, Vox Day, is very much against the Spanish government’s actions and supportive of the Catalonian government. Likewise Julian Assange. The Alt-Right, in general, are treating events in Catalonia and the Spanish government’s heavy hand suppression of the voting as vague proof of something – it isn’t clear what they think it proves but their choosing of sides is clear: Madrid bad, Barcelona good. For once they aren’t on the side of militarised police beating the crap out of ordinary people. Why not? After all, in many ways, the current Spanish government is also nationalist and its application of force to quash dissent would, under other circumstances be cheered by the Alt-Right as strong government protecting national identity.

The answer is that there is always at least 50-50 chance which side of a cross-nationalist conflict they will pick but they will tend to pick the side that creates the biggest headache for trans-national cooperation. Putin wants Western Europe divided, both as payback and strategically and the alt-right follows suit. Everybody loses except chaos-fascism.

(15) BLATANT LIVING. Ethan Mills of Examined Worlds is ready to lament “The Death of Subtlety?” (if the answer turns out to be yes.)

The problem with our civilization is the death of subtlety.  Or – scratch that.  One of many problems with a lot of the culture of the United States in 2017 is that there is less subtlety than there maybe should be.

I continue to have – albeit with somewhat diminished enthusiasm as of late – hope that subtle questioning is on the whole a better method than bludgeoning people with the truth….

(16) IN ITS DNA. The Hugo Award Book Club argues that science fiction is, in some ways, a “more political form of literature” than other genres: “The Political Power Of Science Fiction”.

…You cannot write about imaginary futures and different worlds without showing how their societies are different than our own; how they are better and how they are worse. In this sense, as others have observed, science fiction is a medium of utopias and dystopias. And the determination of what makes a society dystopic or utopic is inherently about political values.

If you believe that all humans are really created equal, your utopia likely won’t include a caste system. If you believe that humans have a right to privacy, a government surveillance state will be depicted as a dystopia. If you believe that the world needs racial purity and genetically superior heroes to save us from corruption, you might write a fantasy about a man of high Númenórean blood who is destined to reclaim the Throne of Gondor.

These are all political beliefs.

Practical politics is about changing the world. Science fiction is about exploring worlds that have been changed. The two are intertwined.

This is what the Futurians and their critics at the first Worldcon all understood: By imagining utopias and dystopias, science fiction helps create blueprints that guide us towards, or away from, potential futures….

(17) TV TRIBUTE. Inverse has been eavesdropping: “Elon Musk Named ‘Moon Base Alpha’ After Grooviest Sci-Fi Show Ever”.

SpaceX founder Elon Musk announced Friday that his space exploration plans now include not just Mars but also the moon. Speaking at the International Astronautical Congress in Adelaide, Australia, Musk revealed the company’s planned next-generation rocket will make it possible to build a moon base — and the name he picked is just his latest homage to beloved science fiction, in this case, the British cult classic Space: 1999….

Musk’s proposed name for the base is Moon Base Alpha, which is a reference to the 1970s British cult classic Space: 1999.

(18) THIS JOB IS NOT THAT #@%! EASY. The Arthur C. Clarke Center for Human Imagination shares episode 10 of its podcast Into the Imagination, “Pictures, Pastries, and the Matter of the Universe”.

Physics is cool–and sometimes very hard to understand. …We talk to Duncan Haldane, winner of the 2016 Nobel Prize, about quantum topology and why the Nobel committee brought a bagel, a pretzel, and a bun to the award ceremony to explain his ideas. And with the inimitable Sir Roger Penrose, we explore the visual imagination as it relates to science, the work of artist M.C. Escher, and what it has to do with Penrose’s cosmological theory of the universe.

(19) ESKRIDGE PREMIERE. On October 5, the film OtherLife, written by Clarion Workshop alum Kelley Eskridge, gets its North American premiere at the San Diego Film Festival. In the film, OtherLife is a new drug that creates virtual reality directly in the user’s mind–a technology with miraculous potential applications but also applied to dangerous uses, like imprisoning criminals in virtual cells.

Click this link for time and ticket information.

(20) YOU AIN’T NOTHIN’ BUT A SOUND DOG. Warts and all, “The Voyager Golden Record Finally Finds An Earthly Audience” – from NPR.

Pescovitz approached his former graduate school professor — none other than Ferris, the Golden Record’s original producer — about the project, and Ferris gave his blessing, with one important caveat.

“You can’t release a record without remastering it,” says Ferris. “And you can’t remaster without locating the master.”

That turned out to be a taller order than expected. The original records were mastered in a CBS studio, which was later acquired by Sony — and the master tapes had descended into Sony’s vaults.

Pescovitz enlisted the company’s help in searching for the master tapes; in the meantime, he and Daly got to work acquiring the rights for the music and photographs that comprised the original. They also reached out to surviving musicians whose work had been featured on the record to update incomplete track information.

Finally, Pescovitz and Daly got word that one of Sony’s archivists had found the master tapes.

Pescovitz remembers the moment he, Daly and Ferris traveled to Sony’s Battery Studios in New York City to hear the tapes for the first time.

“They hit play, and the sounds of the Solomon Islands pan pipes and Bach and Chuck Berry and the blues washed over us,” Pescovitz says. “It was a very moving and sublime experience.”

(21) RED NOSES, GREEN LIGHT. Was this campaign meant to coincide with the clown consciousness-raising of Stephen King’s It? Or is it too funny for that to matter? From Adweek — “Audi Sends in the Clowns for This Madcap Ad About How to Avoid Them on the Road”.

A lot of car advertising treats the obstacles that drivers face on the road as literally faceless threats—an avalanche of rocks tumbling across a mountainside road, or a piece of cargo falling blamelessly off a pickup truck in the city.

But let’s face it. The real problem on the roads is the other drivers. Or, if you like, the clowns who share the streets with us…

As simple as it is, the concept also lends itself to brilliant visuals, as the Audi drivers have to deal with all sorts of clowns driving all sorts of clown cars (and buses). It’s all set to a whispering version of Sondheim’s “Send In the Clowns” by Faultline and Lisa Hannigan.

 

[Thanks to JJ, Joe Stech, Chip Hitchcock, Camestros Felapton,  Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 9/14/17 I Grow Old, I Grow Old, I Shall Wear The Bacon On My Pixels Scrolled

(1) BEFORE THEY WERE BORN. In the latest Young People Read Old SFF, James Davis Nicoll finds out what the panelists feel about an original Hugo winner, Eric Frank Russell’s “Allamagoosa”.

Although British, Eric Frank Russell (January 6, 1905 – February 28, 1978) wrote primarily for the US market. He dabbled in a number of modes, including Fortean tales of the weird, low key anarchist adventures and satire. It’s the last mode that’s relevant to this story.

Eric Frank Russell’s 1955 “Allamagoosa” is significant for a number of reasons. It won the inaugural Hugo for Best Short Story1. It slots into an under-populated niche (comedic SF) and is notable, within that niche, for being genuinely funny. It belongs to a now largely extinct genre, military comedy, whose drama derives not from people shooting each other, but from the eternal struggle between individual and bureaucracy. Military takes on that struggle may be out of fashion, but civilian comedies on the same theme are too common to list. The context may be unfamiliar to my readers, but the struggle will be familiar.

(2) THE ORVILLE. Samuel R. Delany had a few things to say about The Orville, none of them good.

…Every situation and every image is a cliche. Nothing in the show aspires to be either original or to represent the best of the modern SF genre–or even the modern world.

You will never go broke underestimating the American public, is what this this makes me think of; but I wonder if someone has decided to extend it to gamble on the whole world as an extension of the this cynical view of the audience. It’s about on the level of the old Adam West and Burt Ward Batman and Robin show from the middle sixties. But is neither as original, entertaining, or thoughtful. If this show goes on to start getting great has-been actors to play cameo parts of the various villains, I won’t be surprised….

(3) CATCHING UP. Tor.com ran this Le Guin excerpt at the end of August: “’Introduction’ from Ursula K. Le Guin: The Hainish Novels & Stories, Volume Two

The novels and stories of the Hainish Descent were written in two periods separated by at least a decade. Everything in the first volume of this collected edition dates from the 1960s and ’70s, except one story from 1995; in the second volume, after one short novel from 1976, everything is from the 1990s. During the eighties I didn’t revisit the Hainish Universe at all (nor, until 1989, did I go back to Earthsea). When I became aware of this discontinuity, I wondered what kept me away from these literary realms I had invented, explored, established, and what brought me back to them.

That’s the sort of question interviewers and critics often ask and I usually dodge, uncomfortable with their assumption of rational choice guided by conscious decision. I may have intentions, as a writer, but they’re seldom that clear. Sometimes I find there is a certain tendency to my readings and thoughts, a general direction in which I am drawn—evidenced in a wish to learn more about certain subjects or fields (sleep and dream studies, satyagraha, medieval mining, DNA research, slavery, gender frequency, the Aeneid, the Inca). If this impulsion continues and gains energy, the subject matter of a story or novel may emerge from it. But it is an impulsion, not a decision. The decisions will be called for when the planning and writing begin.

(4) USING THE OLD BEAN. Daniel Dern suspects, “Yeah, this will only make sense to a limited audience, probably few under AARP age…” From a comment on io9’s “Game of Thrones’ Latest Attempt to Avoid Spoilers May Include Filming Multiple Endings” comes this photo of one of the leaked scenes….

(5) TURN UP THE VOLUMES. Nerds of a Feather brings us “6 Books with Jonathan Strahan”.

  1. What book are you currently reading? 

I’m currently reading the latest Tom Holt novel, The Management Style of the Supreme Beings, which is a lot of fun. It’s a satire on religion, and reminds me a lot of Jeremy Leven’s Satan, His Psychotherapy and Cure by the Unfortunate Dr. Kassler, J.S.P.S., which is a weird book I read years ago, and a bit of James Morrow’s Only Begotten Daughter, which I adore.

(6) EDUCATED GUESS. The Hugo Award Book Club, in “The runners-up for the 1953 Hugo Award”, ventures its opinion about what the shortlist might have looked like in the award’s first year, before there were rules instituting the now-familiar final ballot.

If there had been a nominating process, there’s no way to know for sure what might have been on it, but it’s possible to make a few informed guesses. At the time of the fourth convention progress report, Wilson “Bob” Tucker’s Long Loud Silence was second in the vote count. The story — a character-driven conflict in a post-apocalyptic U.S. — is notable for its bleakness. It’s hard to root for a protagonist whose goal of getting out of the ruined Eastern U.S. would mean spreading a plague. It is an excellent novel by one of the central figures of early fandom. For today’s SF fan, it’s surprising to think that both Long Loud Silence and The Demolished Man were ahead of the second volume of Asimov’s original Foundation Trilogy, Foundation and Empire. This is the high point in a series of novels that was named “Best All-Time Series” at the 1966 Hugos, and whose inferior sequel won the 1983 Hugo Award.

(7) TODAY IN HISTORY

  • September 14, 1986 The Adventures of the Galaxy Rangers animated series premiered on television.

(8) TODAY’S BIRTHDAY BOY

  • Born September 14, 1936 – Walter Koenig

(9) COMICS SECTION. John King Tarpinian finds not-terribly-hidden layers of comedic meaning in today’s Off the Mark.

(10) BUT DID YOU MISS IT? In The Atlantic, reviewer Lenika Cruz takes note of what these comics don’t have, as well as what they do have: “Marjorie Liu on the Road to Making Monstress”.

When the comic-book series Monstress introduces its haunted heroine, she has the look of someone just barely surviving. Maika Halfwolf is naked, missing part of an arm, wearing a metal collar, and being sold at a slave auction—a casualty in a bloody conflict between humans and Arcanics, a race of magical creatures. Of course, Maika is more than she seems. An Arcanic who looks human, she’s enraged by her mother’s death, her missing memories, and the atrocities she’s suffered. There’s also a strange, deadly power taking root in her body and mind—one she can neither understand nor control.

Written by Marjorie Liu and illustrated by Sana Takeda for Image Comics, Monstress is a sprawling epic fantasy that drops readers into the middle of a magic-filled alternate history. Described as a kind of “matriarchal Asia,” Maika’s universe is wracked by a race war and inhabited by violent witch-nuns, vicious deities, and innocent civilians—all of which is brought to life by Takeda’s exquisite manga-style, Art Deco–inspired art. Liu doesn’t ease her audience’s arrival into this intricately designed world by defining new terms or supplying a linear history of Maika’s life (the scale and complexity of the worldbuilding has earned Monstress comparisons to George R. R. Martin’s A Song of Ice and Fire books). Still, Liu and Takeda’s series differs from most genre fare, comics or otherwise, in at least one key way: There are almost no men or white characters.

(11) CAREER ARC. Bit parts and bad films: “Has Hollywood let Idris Elba down?” A Toronto International Film Festival video interview. Best quote: Dark Tower was “edited in a wood chipper.”

(12) HELLBOY CASTING. “Daniel Dae Kim thanks Ed Skrein after taking over Hellboy role” – the BBC has the story.

Daniel Dae Kim, who is known for shows like Hawaii Five-0 and Lost, will play Major Ben Daimio in the new film.

The character was Japanese-American in the original Hellboy comics.

Kim said he applauded his fellow actor Skrein “for championing the notion that Asian characters should be played by Asian or Asian American actors”.

(13) GEEKING OUT. SyFy continues celebrating its quarter-centennial by quizzing a celeb in “Geeky Q&A: Felicia Day”.

As part of SYFY 25 – where we’re looking back at everything amazing that’s happened in the world of sci-fi, fantasy, and horror over the last 25 years – we asked a bunch of famous people what sort of geeky stuff they like.

Here’s what the incredible Felicia Day had to tell us.

The one thing I geek out over the most is:

A new world I can escape into, whether video game, movie, TV show or book.

The first thing I remember geeking out over is:

Anne McCaffrey’s Dragonriders of Pern series.

(14) BODEGA BACKPEDALING. Bodega.com’s Paul McDonald tries to recover from internet outrage over yesterday’s business announcement in “So, about our name…”

What’s with our name?

In Spanish, “bodega” can mean grocery store, wine cellar, or pantry. In many major cities, it’s come to mean the mostly independently-run corner stores that populate the city and serve the community. Like NYC’s bodegas, we want to build a shopping experience that stands for convenience and ubiquity for people who don’t have easy access to a corner store.

Is it possible we didn’t fully understand what the reaction to the name would be?

Yes, clearly. The name Bodega sparked a wave of criticism on social media far beyond what we ever imagined. When we first came up with the idea to call the company Bodega we recognized that there was a risk of it being interpreted as misappropriation. We did some homework?—?speaking to New Yorkers, branding people, and even running some survey work asking about the name and any potential offense it might cause. But it’s clear that we may not have been asking the right questions of the right people.

Despite our best intentions and our admiration for traditional bodegas, we clearly hit a nerve this morning, we apologize.

(15) FELL OR JUMPED? But did Bodega.com make a mistake, or take a calculated misstep of the kind that’s typical of Jon Del Arroz’ playbook? The LA Times found backers of both analyses.

Short of promising a name change, McDonald wrote that the company will “commit to reviewing the feedback and understanding the reactions from today.”

McDonald and co-founder Ashwath Rajan received angel investments from executives at Facebook, Twitter, Dropbox and Google, and secured funding from a number of notable venture capital firms.

But on Twitter, at least one prominent tech investor criticized Bodega for its botched rollout. Spark Capital partner Nabeel Hyatt summed up Bodega’s issue as one of branding, saying it’s the “best example yet that framing your start-up properly matters.”

Andrea Belz, vice dean of technology innovation and entrepreneurship at the USC Viterbi School of Engineering, said it seemed like a case of a company going to market without fully understanding that market.

“I’m fairly certain that when you want to modernize an industry, you don’t want to start by offending people,” she said. In this case, launching their product with the implication that they’re going to replace the local corner store doesn’t particularly ingratiate them to their potential customers.

When a start-up is looking to solve a problem for which people already have a solution — in this case, nearby places to buy things — positioning is particularly important. Belz pointed to the Bodega co-founders’ former employer, Google, as an example of a company that displaced earlier search engines by positioning itself as sleeker and easier to use.

She said Bodega’s much-criticized rollout could dissuade people from trying out the product once it reaches their area.

But Jeff Scheinrock, who teaches entrepreneurship as faculty director of the Applied Management Research Program at the UCLA Anderson School of Management, said founders and investors must have known the name would get people talking.

“The name is controversial, and I think they got what they wanted out of that,” he said, pointing to the news coverage, including this report.

(16) GOT TO BE KIDDING. Grady Hendrix, who is promoting his new non-fiction book Paperbacks from Hell at the Film Noir Cinema on September 19, as part of the Miskatonic Institute of Horror Studies monthly lecture series, shares some provocative opinions with the Brooklyn Paper in “Horror stories: Author celebrates creepy covers and terrifying tales”.

“Horror didn’t exist in fiction until ‘Rosemary Baby.’ When that book came out it was quite honestly the first horror novel bestseller since the ’40s, and then the movie of course was also a big hit,” he said. “Then came ‘The Exorcist’ and that was a hit movie and both of those books were bestsellers for a long time.”

(17) CHEAP SHOT. The sommelier at Refinery 29 has a recommendation: “These Halloween Wines Are Only $10 So You Can Spend All Your Money On The Good Candy”.

Fortunately, you don’t have to skip out on being festive in order to avoid spending six hours waiting for JELL-O shots to chill, or splurge on super fancy bottles, either. That’s because Door Peninsula Winery is now offering a crazy budget-friendly alternative that simply screams Halloween. Enter: “Hallowine.”

 

(18) DRAFTING A CANDIDATE. Who needs to be governor when you’re already King? All the same, “Former Maine Gov. John Baldacci wants Stephen King to run for office: ‘You’ve got a winner there'”. The Washington Examiner has the story.

Stephen King fans are hoping they can get the author of the clown horror story It and 53 other novels to consider running for political office.

Among them are the state’s most recent former governor, two-term Democrat John Baldacci, who told the Washington Examiner, “Stephen would win any office he decided to run for in Maine.”

“I would be out there handing out fliers and putting on bumper stickers for him,” said Baldacci, who left office after eight years in 2011. “He’s been a big asset for the state of Maine and for a lot of people who look for common sense in the wilderness.”

There are clear opportunities in Democratic-leaning Maine. The pugnacious Republican Gov. Paul LePage, an ardent Trump supporter, is term-limited and will be replaced in an election next year while centrist GOP Sen. Susan Collins is up for re-election in 2020

(19) FAREWELL CASSINI. Movie of 13 years of Saturn pictures: “Saturn’s Strangest Sights, As Captured By A Doomed Spacecraft”.

(20) TRIP AROUND THE SUN. An extensive history of the Cassini mission told by the people who helped make it happen: “Our Saturn years”.

“I look back and think: ‘Gosh, I’ve worked on Cassini for almost an entire Saturn year.'”

(21) LIFE CATCHES UP WITH SF. Who said science fiction never predicts anything? (Nobody, actually, but it’s such a good hook….) — “At Bug-Eating Festival, Kids Crunch Down On The Food Of The Future”.

Chip Hitchcock sent the link with a footnote, “Filers may remember ‘chirpy chili’ in Pohl’s ‘Second-Hand Sky’, part of the fix-up Lives of the City.”

(22) VIDEO OF THE DAY. “The Secret Meaning of Stephen King’s IT” is a video by ScreenCrush that looks at the 2017 IT, the 1990s mini-series of IT, and lots of other horror movies to show their use of water and how water can be scary.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Andrew Porter and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 9/9/17 The Map Is Not The Epic Fantasy Just As The Pixel Is Not The Scroll

(1) FURRY COUNCILMAN OUSTED. A city councilman in the eastern U.S. was pressured into quitting after his activities as a furry fan became a source of public controversy. The Danbury, Connecticut News Times has the story: “New Milford councilman resigns after furor over ‘furry’ activities”.

Town Council member Scott Chamberlain had never made a secret of his deep involvement in Furry Fandom, a subculture of adults who dress in mascot-like animal costumes, attend role-playing conventions and interact regularly online.

But an uproar ensued when a town resident posted on a community Facebook page several screenshots of Chamberlain’s profile from a private website catering to “furries,” many of whom participate in or write about unusual sexual practices. The profile includes a list of Chamberlain’s “loves,” “likes” and “hates,” some sexual in nature, but also said that he “tolerates” rape.

In an interview at midday Thursday, Chamberlain explained his involvement in the “furry” community as a harmless hobby.

“It’s nothing to do with sex; it’s an interest in cartoon animals,” said the first-term Democrat, who was up for re-election.

But Mayor David Gronbach, saying elected officials should be held to a “higher standard,” called for Chamberlain’s immediate resignation, and within two hours party officials said he would resign all his town and party positions by Monday morning.

(2) PROGRESS. The “Help Lezli See (Eye Surgery)” campaign has now raised $6,525 of its $8,000 goal. The contributions have come from 130 donors, including Game of Thrones producer David Benioff.

(3) GENRE GROWTH. At Amazing Stories David Gerrold has a guest editorial, “Humanity’s’ R&D Department – Science Fiction”.

The evolution of science fiction is a reflection of our changing culture. Attitudes that were commonplace in the past have been recognized as antiquated, quaint, and obsolete.

Our national conversation is the result of our diverse history. We’re not the proverbial melting pot — no, we’re a tossed salad. Every new wave of immigrants adds new ingredients to the mix, new flavors to discover; but all arrive with the same dream, a place to build a better life. We are immigrants, or we are the descendants of immigrants, and as a people we are learning to recognize the strength and value of our national diversity — it gives us a greater sense of the global village.

So, yes, it is inevitable that science fiction authors will explore that diversity — expanded roles for women, new definitions of gender and sexuality, the contributions of People of Color and other non-white ethnicities. We’ve discovered the overlooked skills of the aged and the disabled, the unusual and extraordinary ratiocinations of people who are neuro-atypical. The next generation of authors are exploriong vast new landscapes of possibility — places to explore and discover ways of being human previously unconsidered.

Even as science extends its reach outward, probes journeying as far as Pluto, telescopes peering to the farthest edges of the universe, as we expand our knowledge of what’s out there, some of our most ambitious authors are turning their attention to a different frontier —exploring the workings of the human soul.

We’ve seen some remarkable work, truly transformative — mind bending. Yes, it’s non-traditional — so what? Science fiction has always been non-traditional. It has always been “that weird stuff.” It has always been subtly subversive — and sometimes even openly dangerous.

(4) SPACE FOR YOU. Brandon O’Brien muses about the genre:

Further down he says:

(5) STRANGE HORIZONS. Elsewhere, O’Brien encourages people to participate in the “Strange Horizons Fund Drive 2017”. $4,726 out of $16,000.

(6) AWARD WORTHY. The Hugo Award Book Club waxes nostalgic about “The science fiction art of Erik Nitsche”.

There was no Hugo Award given for Best Artist in 1957 at the 15th Worldcon in London. But since awards were given in other categories, there is no provision in the current rules of the WSFS constitution to award any Retro Hugos for that year. Which is a shame, because some of the finest work from one of the most innovative graphic designers of the era had started verging into the realm of science fiction in 1955 and 1956. The name Erik Nitsche is rarely brought up in conversations of science fiction, but is well-known to historians of graphic design. In 1955, the Swiss-born designer had been hired by General Dynamics to create promotional imagery for the organization’s annual International Conferences on the Peaceful Uses of Atomic Energy (ICPUAE).

(7) WASTED ON THE YOUNG? In The Guardian, Joanna Walsh asserts “All the awards for young writers amount to discrimination”.

A few years ago I wrote an article for the Guardian on ageism in the literary world, about the predilection of publications like Granta, the New Yorker and Buzzfeed for authors under the age of 40. The problem hasn’t gone away and on Tuesday I wrote an open letter to the Royal Society of Literature, after it called for nominations for 40 new fellows under 40.

Encouraging young writers is laudable. After all, it’s increasingly difficult to get started. Publishers’ advances are low and getting lower; arts degrees are more expensive than Stem subjects; social security is fiercely tested. Which must mean that those most able to pay for a writing course, or those most able to take time off work to write while still young, are those most likely to have money, security, contacts, confidence. There’s a correlation between setting an age bar and encouraging the already privileged.

All writers were young once, and many start writing young, but not all begin their careers as published authors at that point. Leaving aside the fact that some only decide to start writing later in life, many factors affect one’s ability to commit to writing seriously. Besides income issues, age bars can lead an organisation into worrying territory. Authors from outside the perceived cultural mainstream who do not already see their voices represented – LGBTQ writers, writers of colour – are sometimes slow to recognise the contribution they can make, or to feel like their voices will be valued.

Age is a feminist issue. Careers, delayed by years looking after children or other dependents, are mostly women; residencies that offer no childcare or require long stays are an easy way to sift female candidates out of contention. Older women are already told every day, in ways ranging from the subtle to the blatant, that they are irrelevant and should shut up. Multiply this by, say, race or gender, and the courage required to put work out is even greater. Or the potential writer might not be the carer, but the cared-for. Writers who live with a disability or ill-health may not start out until they have found a way to write with their condition – which may take longer than this 40-years-old rule allows for.

(8) TODAY IN HISTORY

  • September 9, 1927 — Silent horror-comedy The Cat and the Canary turns 90 today.

(9) COMICS SECTION.

  • John King Tarpinian found one it takes a moment to figure out: The Argyle Sweater.
  • It’s Daredevil vs. Spider-man at Bliss.

(10) JUST PLAIN FOWL. The Guardian profiles actor Michael Keaton: “Michael Keaton: ‘There was a lot of bad taste in the 90s and I contributed to that’”.

He has made a career out of taking the unpredictable route: you can never guess his next role, and then he never plays it the way you’d expect. In his breakthrough movie, 1983’s Mr Mom, Keaton played a stay-at-home father at a time when such a concept was almost unheard of, and he played him as a man who has no idea how to do any of the stereotypically masculine jobs around the house; when asked if he’s rewiring the house with 220 volts, Keaton adlibbed, “220, 221, whatever it takes”. He was the dazzlingly frenetic lead in Tim Burton’s Beetlejuice, a largely improvised performance opposite fellow ghosts Alec Baldwin and Geena Davis. With Burton again, he played Batman as a conflicted nerd, rather than a grinning muscle man. In Birdman, he plays an actor so neurotic, he ends up running through Manhattan in his underwear.

(11) PRATCHETT INSPIRES FAST FOOD AD. Arby’s is known for its roast beef, not its Morpork….

(12) HISTORY CORRECTED. Have researchers finally discovered Sweden’s real-life version of Lady Brienne of Tarth or Xena the Warrior Princess? “Viking warrior found in Sweden was a woman, researchers confirm”.

The grave, which Hedenstierna-Jonson describes as the world’s “ultimate warrior Viking grave”, was discovered and excavated by Swedish archeologist Hjalmar Stolpe at the end of the 19th century. Because of the “manly” warrior equipment found in the grave, it was just assumed – rather than proven – that the remains were that of a man.

But a few years ago, Anna Kjellström, an osteologist at the Stockholm University, brought out the remains to study them for another research project and noticed that something was amiss. The cheekbones were finer and thinner than that of a man, and the hip bones were typically feminine. An osteological analysis was carried out, lending even more support to her suspicion.

Now, however, a DNA-analysis has been carried out, clearly confirming that the Viking warrior was indeed a woman.

(13) WEEDING THE PLOT. Your cabal curator, Shaun Duke:

(14) PLUNGE RIGHT IN. Beware: John Scalzi is a language prescriptivist and a plumber.

(15) GRITE LITERATURE. Camestros Felapton has had a busy day, posting chapters from Timothy the Talking Cat’s work in progress, Chiseled McEdifice: Returns.

Just then a gunshot rang out and a bullet ricocheted off his space marine helmet (he was wearing his space marine helmet obviously – look at the cover image). The HUD display flickered on in his helmet (no that isn’t ‘redundant’ I can’t just say ‘his HUD flickered on’ as that sounds perverted to me). Targeting identified a heat source 501.67 metres away to the north east.

“Enhance,” McEdifice vocalised and in some sort of cool special effect way the helmet magnified that area of his vision (with maybe a hi-tech noise like boop-ooohwushboop). It was one of the Treerat gang!

The Treerat Gang: a bunch of outlaws and pagan worshippers of the ancient demonic squirrel god. They had a lasting hate for McEdifice ever since he drove them and their filthy ways out of town and killed their leader in a shoot-out.

“Oh dear!” said McEdifice as he once again made a futile attempt to apply the brakes! Just then the front wheel hit a particularly large pebble! The bike crashed and McEdifice was thrown clear!

KABOOM! The bicycle exploded in a fiery explosion as a consequence of it hitting a rock. McEdifice rushed over and beat back the flames and then with one mighty flick of his shoulders he hoisted up the flaming bike and threw it into a near by pond which I should have probably mentioned earlier.

(16) NO TRUCE IN THE CULTURE WARS. Sadly, Lawrence Person ended his Jerry Pournelle obituary with an irrelevant shot at “SJWs”.

He edited a number of anthologies over the years; when he finally received a Hugo nomination for that, Social Justice Warrior bloc voting made sure he finished below No Award.

Person didn’t think it was important to mention that Pournelle was slated onto the 2016 ballot by the Rabid Puppies, which was the direct cause of that outcome. Or that Pournelle was nominated for eight other Hugos and finished above No Award every time.

(17) MEAT. What are they selling in this video? It’ll come to you eventually. Includes L. Ron and an alien.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Darren Garrison, and David Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/7/17 As I Was Scrolling Down The Stair, I Met A Pixel Who Wasn’t There

(1) REDRUM. James Davis Nicoll continues to chart the core: “Twenty Core Cyberpunk Works Every True SF Fan Should Have on Their Shelves”. He says the image at the post is of Uwaterloo’s famous Red Room. Here are three of his cyberpunk picks:

  • Synners by Pat Cadigan
  • The Fortunate Fall by Raphael Carter
  • When Gravity Fails by George Alec Effinger

(2) BATTENING DOWN TATOOINE. Is this anything like a silver lining? “Due to the hurricane, Disney World has removed some construction walls — which means we can see Star Wars Land”. Photos at the link.

First and foremost, there is a Category 5 hurricane, Hurricane Irma, hurtling towards Florida at a rapid pace and we hope everyone in the Sunshine State is staying as safe as possible, evacuating if that’s been ordered, and has plenty of water.

While Irma’s path across Florida is still unclear (it’s not expected to make landfall till the weekend), Disney World has already started making preparing for torrential rain and high winds. Things that can be bolted down have been bolted down, and things that are apt to blow away in the gusts of wind — like say, a fence and a tarp — have been removed. This means that many of the construction walls around Star Wars Land have come down. And this means, we can see the outskirts of Star Wars Land, and yes please.

(3) STAY FROSTY. The Society of Illustrators in New York is displaying a selection of work from Greg Manchess’ Above the Timberline from September 5 through October 28 in the Third Floor Hall of Fame Gallery.

The Society is pleased to present a selection of work from Greg Manchess’ latest stunning masterpiece Above the Timberline. This lavishly painted novel tells the story of the son of a famed explorer searching for his stranded father, and a lost city buried under the snows of a future frozen Earth.

When it started to snow, it didn’t stop for 1,500 years. The Pole Shift that ancient climatologists talked about finally came, the topography was ripped apart and the weather of the world was changed—forever. Now the Earth is covered in snow, and to unknown depths in some places. In this world, Wes Singleton leaves the academy in search of his father, the famed explorer Galen Singleton, who was searching for a lost city until Galen’s expedition was cut short after being sabotaged. But Wes believes his father is still alive somewhere above the timberline. Fully illustrated with over 120 pieces of full-page artwork throughout, Above the Timberline is a stunning and cinematic combination of art and novel.

Opening Reception on Thursday, September 28th, 6:30 pm. Open to the public. Cash bar. $10 suggested donation will benefit arts programming and exhibitions.

(4) ASKING FOR DONATIONS. Australian writer Lezli Robyn needs help paying for a procedure that will keep her eyesight from deteriorating further. Her employer has set up a GoFundMe. George R.R. Martin is one of many encouraging people to give.

Many of you know Lesley Robyn Glover (and I would like to introduce you to her if you don’t). She writes sf/fantasy as Lezli Robyn and works as my Assistant Publisher for Arc Manor…. What many of you who already know her may not realize is that due to a rare eye disorder, which is progressively getting worse, she is now considered legally blind without correction. When Lezli was 23 she was diagnosed with an unusual condition, Keratoconus, which is characterised by a progressive conical protusion of the cornea that results in her eyesight being distorted, to the point where she sees multiple images on top of each other and are no longer clear….

Since I pay Lezli Robyn I know what she earns–and it is not enough to be able to easily afford to pay for the treatment without which her eyeseight will continue to get worse.  I am also aware of financial and medical difficulties her parents are undergoing and it is almost impossible for them to fund the treatment. Currently a minimum of $2500 for each eye is required just for the basic procedure (not including specialist tests. medications, etc.) in Australia and it’s not covered by Lezli’s Australian medicare (see Optometry Australia’s article about it here ). The cost in the US, of course, can be significantly greater (up to $4000 per eye!) so it may actually be cheaper for her to fly to Australia to get the procudure rather than have it done in the US.

So I am asking our friends to join me in raising money for Lezli to be able to get this procedure done as soon as possible–before her eyesight gets worse. Keratoconus does eventually slow down in its progression but there is no specific timeframe, and in Lezli’s case the progession has consistantly continued unabated.

(5) NEXT YEAR’S HUGOS. The Hugo Award Book Club has updated their list of award-worthy 2017 works: “What’s worth considering for the ballot in 2018?”  For example:

Short Story

A Passing Sickness — Paolo Bacigalupi

Sanctuary — Allen Steele

Paradox — Naomi Kritzer

The Secret Life Of Bots — Suzanne Palmer

(6) RUN AWAY. Dominic Patten at Deadline joins the growing number of critics who’ve turned thumbs down: “‘The Orville’ Review: Seth MacFarlane’s Fox Sci-Fi Drama Is Lost In Space”.

Honestly, if your need for sci-fi is gnawing at you, hold your powder a couple more weeks and wait for Star Trek: Discovery, which premieres September 24. Even with the highly skilled likes of Norm Macdonald, Transparent’s Jeffery Tambor, Holland Taylor, 24 vet Penny Johnson Jerald and Victor Garber making appearances alongside the Family Guy guy and the Friday Night Lights alum, The Orville’s aspirations to find a new path to the final frontier in this age of Peak TV goes nowhere frat-boy fast.

In fact, with its urination gags and heavy-handedness on such topics as gender identity and racism, the only purpose of the lost-in-space The Orville seems to be to as a way for Fox to continue its lucrative relationship with MacFarlane and keep him happy.

(7) NOT ALL WIGHT MEN. Actor Nicolaj Coster-Waldau, who plays Jamie Lannister in Game of Thrones, in this interview discusses the possibility of main characters becoming Wights.

(8) MARS: ONE SCOOP OR TWO? The Planetary Society has notified members:

On August 28th, NASA’s Associate Administrator of Science announced that the space agency intends to accelerate planning for a sample return mission to Mars to launch no earlier than 2026. A new Mars telecommunications orbiter would take a backseat to an increased focus on building a fetch rover and a “Mars ascent vehicle” to launch samples into orbit.

Never before has NASA had approval from the budget masters at the White House to pursue such a mission. So, take it from me: this is a very positive step. There are a lot of details yet to be announced, and we will now look forward to the 2019 budget proposal currently being drafted by NASA and the White House to see how serious these plans are.

We have been working hard to help the Mars program, and thousands of Planetary Society members helped by sending messages to Congress and the White House. Congress has already signaled its support by proposing over $60 million in new funding for Mars next year in support of a future mission. Now, NASA has said it intends to bring Mars home to Earth. Thank you to all who took action. There are exciting times ahead.

(9) TODAY’S DAY

Buy A Book Day

The History of Buy a Book Day: Buy a Book Day was created in 2012 to educate people to the importance of books to our culture and civilisation as a whole. It is inarguable that books have been one of the greatest contributors to the advancement of the human race, by moving the hearts of many over the ages, stimulating their imaginations and helping them see the world in an entirely different light. Books have also served the simple but vital purpose of passing knowledge down from generation to generation. The creators of Buy a Book Day want nothing more than for people take a moment to truly appreciate books and their numerous roles in the human experience.

(10) TODAY IN HISTORY

  • September 7, 1958Queen of Outer Space premiered.
  • September 7, 1974 – The (animated) Partridge Family 2200 A.D. first aired on TV
  • September 7, 1984 — The Brother from Another Planet first screened in theatres.

(11) QUICK CALL. Almost makes the tricorder look like steampunk technology: “‘Pen’ identifies cancer in 10 seconds”.

How it works

The pen is touched on to a suspected cancer and releases a tiny droplet of water.

Chemicals inside the living cells move into the droplet, which is then sucked back up the pen for analysis.

The pen is plugged into a mass spectrometer – a piece of kit that can measure the mass of thousands of chemicals every second.

It produces a chemical fingerprint that tells doctors whether they are looking at healthy tissue or cancer.

(12) TALE OF THE SHARKE. Jonathan McCalmont’s “Lessons of Sharke” comments on his purposes in serving on the Shadow Clarke jury.

I was happy to get involved in the Shadow Clarke project because I wanted to a) help challenge the presumed supremacy of genre publishing by broadening the discourse to include science fiction novels from outside that cultural sphere and b) show that it was possible for regular readers to engage with the literature of science fiction in public using not only the full range of their emotions but also their own ideas about what constitutes good writing and good science fiction.

Regardless of whether you want to provoke change in existing social structures or create new social spaces embodying different principles, you need to be able to show what you’re about… if only to prove that alternatives to the status quo can exist. The Shadow Clarke project was by no means a flawless undertaking but I think it was successful not only in broadening the scope of genre discourse but also in demonstrating that ordinary readers can contribute more than simply hitting retweet and dutifully nominating their faves.

I expected both hostility and opposition because the Shadow Clarke project embodies a very different set of ideas about how we ought to engage with science fiction on the internet. Some might argue that those ideas and methods have always been present in genre culture but times change and cases must always be made anew. Looking back over the months I spent as a Sharke, I am proud of the writing we produced as a group; I think we championed books that would otherwise have been completely overlooked in genre circles and I think we provided dozens of articles that interrogate science fiction from a variety of nuanced and personal positions.

(13) BALLAD OF THE MTA. And our fate is still unlearned….

(14) THEY BITE. Camestros Felapton tells why “The Alt-Right View of ‘Free Speech’ isn’t Even Simplistic”, and illustrates his point with an example of how the Alt-Right turned on Vox Day.

The slow coalescence of various species of online misogyny and trolling into the modern crypto-fascist ‘Alt-Right’ has been entangled with a more general appeal for ‘free speech’ in odd circumstances. These kinds of appeals were often directed at internet comments sections and forums as arguments against community guidelines or in defence of those arguing for active discrimination or even violence against various groups. As appeals went, their purpose was primarily aimed at trying to fool liberals and conservatives into not taking action against people who were actively trying to disrupt online communities, harass vulnerable people or shout down opposing views – indeed actions that themselves were inimical to free speech.

(15) A SPARKLING BEVERAGE? From the Brooklyn Eagle comes this item: “No Bad Blood Over Unicorn Coffee”.

A multicolored beverage named after a mythical horse doesn’t sound like something that could cause controversy, but after a couple cafes went head to head in the legal realm, a settlement cleared the air. The End, a cafe in Williamsburg argued that Starbucks’ Unicorn Frappuccino was a rip off of its Unicorn Latte. After the two companies went up against each other in court, Brooklyn Federal Judge Arthur Spatt authorized a “mutually agreeable settlement,” according to The End’s lawyer. A Starbucks representative also said the terms, which are confidential, were mutual and the global chain no longer serves the colorful drink at its stores. (via the Daily News)

(16) BOOK RESEARCH. Sarah Gailey went right to the source and asked the (river) horse:

(17) SAY CHEESE. StarShip Sofa’s Jeremy Szal posted a suite of “Worldcon 75 Photos”. Lots of good ones. Here’s the last one in the set:

View post on imgur.com

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day C.A. Collins.]

Pixel Scroll 8/21/17 Rishathra Ain’t Nothing But Love Mispronounced

(1) HELP COMING FOR INDIE AUTHORS. Brian Keene, in the August 17 episode of his podcast The Horror Show, mentioned a new resource for librarians. Dann explains:

Small press and indie authors face the double problems of getting bookstores to carry their books and getting local libraries to put them on their shelves.  According to horror author Brian Keene, those problems are significantly influenced by the fact that books from small presses and indie author are rarely reviewed by recognized resources such as Publishers Weekly.  Librarians, in particular, are reluctant to order books that have not been reviewed by another professional librarian.

There is a new magazine on the horizon that hopes to rectify that issue by focusing on reviews of works from small presses and indie authors. Indie Picks Magazine aims to become a librarian quality resource that focuses on works beyond those published by the Big 5 publishing houses.

The first issue is due out on November 1, 2017. Social media links —

(2) DON FORD. J.J. Jacobson, UC Riverside’s Jay Kay and Doris Klein Librarian for Science Fiction, says 1949 Worldcon chair Don Ford also left his photos to them.

It may also give you joy to know that we have a gift of several hundred similar photos from the family of Midwest fan and photographer Don Ford, some dating back to cons from the 1940s. Ultimately these will join the Klein photos on Calisphere.

(3) ROCKET EXPERIMENT. In “Can We Categorize Clipping?”, the Hugo Award Book Club tries to define a category a musical album can win that wouldn’t have to be called Best Musical Album.

Splendor and Misery from L.A.-based experimental hip hop group Clipping is an ambitious and challenging work that is an exemplar of this tradition. In the 2017 Hugo Awards, it became only the second such work to be nominated for a Best Dramatic Presentation Hugo Award (after the 1971 album Blows Against The Empire by Jefferson Starship, which finished in the voting below ‘No Award’). However, Splendor and Misery failed to generate much popular support among voters, placing last amongst other nominated works in the category and losing to Leviathan Wakes from the TV series The Expanse. While Leviathan Wakes is an awesome bit of television (and is the work that we voted for) it is kind of a shame that there isn’t a good category to recognize eclectic and unusual works in the Hugo Awards.

(4) ALIENS OF EARTH. Fantasy-Faction’s Nicola Alter considers “The Creatures We Base Aliens On”.

One of the interesting things about fictional aliens is that they’re almost never completely alien. We have no real idea what extra-terrestrials would look like, and it’s nigh impossible to imagine an entirely new species unlike anything we’ve ever seen. As such, we usually fall back on earthly species for inspiration, combining known elements to create strange new creatures. And we certainly have some bizarre real animals to choose from.

Last year I wrote about our penchant for basing aliens on cephalopods, but octopuses, cuttlefish and squids aren’t the only creatures that inspire us, so I thought I’d take a step back and look at a broader range of favourite sources…

(5) WONKS OF WESTEROS. The Libertarian think tank The Cato Institute will be hosting a Policy Forum about “The Politics of Game of Thrones” on Monday, August 28. It will be livestreamed.

Why is Westeros mired in 8,000 years of economic stagnation? Should Daenerys firebomb King’s Landing to prevent a longer war? The world of Game of Thrones is teeming with fascinating interactions between institutions, incentives, and power that creates a sweeping geopolitical mega-saga just begging to be theorized. An examination of these issues through the lens of economics, law, international relations, and power politics promises to be both instructive and entertaining. The day after the Season 7 finale airs, join the Cato Institute and the R Street Institute in an exploration of the intrigue and game theory (and inevitable analogies to our current political landscape) that pervade the world of ice and fire.

Featuring Ilya Somin (@IlyaSomin) Adjunct Scholar, Cato Institute; Matt Yglesias (@mattyglesias) Co-founder and Executive Editor, Vox; Peter Suderman (@petersuderman) Senior Editor, Reason; Alyssa Rosenberg (@AlyssaRosenberg) Culture Columnist, Washington Post Opinions Section; moderated by Caleb Watney (@calebwatney), Tech Policy Analyst, R Street Institute.

If you can’t make it to the event, you can watch it live online at www.cato.org/live

(6) PASSING THE HAT. Time for the 2017 Strange Horizons fund drive.

We, Strange Horizons, are a non-profit organization run entirely by volunteers. We don’t do the whole advertising thing, and we have no corporate sponsors. It’s through your donations, and your donations alone, that we’re able to pay our contributors and publish a new issue 51 weeks of the year.

This year, we’re trying to raise US$16,000 to keep the good ship Strange Horizons chugging along at its current speed. If we manage to hit that level of funding, we’ve got a few new things planned, too. If that’s enough for you, then you can find out how to donate on our IndieGoGo page. And thank you!

But hey, maybe you’re not quite convinced yet. Maybe you’re wondering what exactly we’ve been up to and what we plan on getting up to next year. Read on—the answers you seek are below! …

(7) HUSH-A-BOOM. This is almost worthy of Galactic Journey — the BBC’s story about a Sixties Soviet superweapon: “The monster atomic bomb that was too big to use”.

Tsar Bomba was no ordinary nuclear bomb. It was the result of a feverish attempt by the USSR’s scientists to create the most powerful nuclear weapon yet, spurred on by Premier Nikita Khruschchev’s desire to make the world tremble at the might of Soviet technology. It was more than a metal monstrosity too big to fit inside even the largest aircraft – it was a city destroyer, a weapon of last resort.

The Tupolev, painted bright white in order to lessen the effects of the bomb’s flash, arrived at its target point. Novya Zemlya, a sparsely populated archipelago in the Barents Sea, above the frozen northern fringes of the USSR. The Tupolev’s pilot, Major Andrei Durnovtsev, brought the aircraft to Mityushikha Bay, a Soviet testing range, at a height of about 34,000ft (10km). A smaller, modified Tu-16 bomber flew beside, ready to film the ensuing blast and monitor air samples as it flew from the blast zone.

In order to give the two planes a chance to survive – and this was calculated as no more than a 50% chance – Tsar Bomba was deployed by a giant parachute weighing nearly a tonne. The bomb would slowly drift down to a predetermined height – 13,000ft (3,940m) – and then detonate. By then, the two bombers would be nearly 50km (30 miles) away. It should be far enough away for them to survive….

(8) GENTRIFICATION. Gordon Ramsay’s kitchen is more dangerous than this. Hell’s Kitchen is no longer as shown in The Defenders: “Marvel Comics Meet Reality On The Not-So-Mean Streets Of Hell’s Kitchen”.

That’s when the editor-in-chief of Marvel Comics moved to New York City — in the ’80s. Axel Alonso met me on West 54th St, and I asked him why this neighborhood is so important in the Marvel Universe. “In Marvel comic books, Hell’s Kitchen sort of functioned as Mean Street Central, the underbelly of society, the place where there are predators and prey.”

Today, those predators are more likely to be the people charging you $50 for a blowout, or $20 for an omelette at brunch. “We’re fudging the truth with Hell’s Kitchen right now, you know, as you and I walk the streets, we see the development and the cafes,” Alonso says.

The New York of an earlier time informed so many iconic comics. Alonso says fans would revolt if you moved characters deeply associated with New York to anyplace authentically grittier, like Detroit. Alonso adds that Luke Cage’s Harlem has been updated, much more so then Hell’s Kitchen. And the Marvel universe is making a point of weaving in stories about gentrification: In Netflix’s Daredevil, an evil real estate mogul kills tenement activists who will not move out of their rent-controlled apartments. He’s motivated only by greed.

Chip Hitchcock adds, “Actually, it hasn’t been that gritty for some time; Penn and Teller were performing there in 1985, right next to a nice French restaurant, before moving to Broadway.”

(9) CELEBRITY BRUSH. I never met the late Brian Aldiss. Lou Antonelli did, sort of. “The time I stepped on Brian Aldiss”.

That year [2004] was the last where the members of the Science Fiction Hall of Fame were inducted at the [Campbell] conference (the event has since moved to the sf museum in Seattle). The living inductees were Brian Aldiss and Harry Harrison. We arrived in Lawrence just in time for the dinner, and as I rushed into the student center – worried that we were running late – I saw a pair of old timers in tuxes heading for the door from the opposite direction. As I ran up, I realized they were Aldiss and Harrison. In a clumsy attempt to be a gentleman, I grabbed the door to hold it open for Aldiss, who was first. But as I walked around him, I stepped on the back of his shoe and gave him a “flat tire”. (My wife tried to make me feel better later by pointing out that Aldiss was wearing house shoes).

(10) TODAY’S BIRTHDAY BOY

  • Born August 21, 1920 — Christopher Robin Milne, A. A. Milne’s son who he modeled Christopher Robin after in the Winnie the Pooh stories.

(11) TODAY IN HISTORY

  • August 21, 1981 — John Landis’ An American Werewolf in London premieres in theaters.

(12) COMIC SECTION. John King Tarpinian spotted Edgar Allan Poe in today’s Bliss.

(13) IN THE SQUARE. Kalimac, in “confederate statues”, adds cultural context to the monument controversy. Historical analysis precedes this excerpt:

…And I think it’s because of that acknowledgment that, up until now, Northerners have ignored the profusion of statues of Lee and Jackson and anonymous Confederate soldiers that festoon Southern town squares. After all, they were great generals and brave soldiers. Let the descendants have their pride.

Up until now. Not any longer. Because if that’s the history that we had that’s now being forgotten, there’s another history that the books I read had ignored that’s now being rediscovered. And that is that the ex-Confederates and their descendants have not been living up to their side of the bargain. And not just in the hard facts of racial oppression in the South for over a century and still echoing in ugly ways today, but also in the symbolism which is the subject of the consensus.

Those statues. They aren’t lovingly-crafted monuments erected in the echo of the loss, like the WW1 cenotaphs in every British town and college chapel. They’re cheap mass-produced knock-offs from Northern factories, put up later, in the Jim Crow era, not in memory of a loss but in defiance of that loss. (the evidence) Look at the capital letters in the term “Lost Cause” and read what’s been said about it. Its memorializers don’t acknowledge it was bad, they only regret that it was lost.

Nor do we notice who’s being honored. There’s Jackson, who died during the war (of the aftereffects of “friendly fire,” by the way), and thus had nothing to say afterwards. There’s Lee, who retired from public life and quietly became a college president. But where is the CSA’s third best general, James Longstreet? You don’t see many statues of him. After the war, he became a Republican and actively co-operated with the Union government. For that, he’s considered a shame in the white South. Confederate apologist historians retroactively blame him for Gettysburg, at best a dubiously tenable position, even hinting that he was secretly a traitor to his cause.

(14) THE TRILOGY FINALE. His Felaptoncy assays a new release: “Review: The Stone Sky by N.K.Jemisin” at Camestros Felapton.

The future world, the one in which most of the books is set, has descended further into physical disaster. The former community of Castrima is now a band of refugees heading towards an empty city in a brutal march which many won’t survive. In a different novel, this struggle would be an account of good and evil but Jemisin avoids treating even monstrous people as monsters. There is no character that appears in any one of the trilogy who is not granted some compassion by the writer – not Schaffa the murderous guardian, nor Jija the child murdering father. Yet this compassion is not at the expense of a strong moral centre to the story and a channelled anger at the use of hate to dehumanise and to brutalise a society

(15) IN RE DANMORE. Rose Embolism promised to boost the signal for this Medium post, which may appeal to the superscientific among you. I suppose it doesn’t hurt any that the piece begins with a Terry Pratchett quote.

PhD candidate Erin Giglio, who I know from metafilter, has done a response to James Danmore’s Google memo, using actual science. And by that I mean it’s an incredibly thorough, well researched paper on the current science on gender, that looks at and devestates Danmore’s s “scientific” arguments.

Aside from being a comprehensive rebuttle to Danmore’s memo, I find it a fascinating, if long and technical read about the current state of biological science.

“The truth has got its boots on: what the evidence says about Mr. Damore’s Google memo”

(16) YOU ARE NO. 6 The Telegraph answers the question “How did The Prisoner ever get made?”

Fifty years ago, The Prisoner began serving time. McGoohan – its star, executive producer, and sometime writer-director, a hard-drinking, intransigent Irish-American actor with a sharp Olivier-like edge to his voice – became Number Six, a former secret agent who knew too much to be permitted his freedom. For 17 weeks, he struggled against the mysterious authorities of the Village, personified by Number Two – not an individual, but an office occupied by a shifting cast of guest stars. (Leo McKern, Mary Morris and Peter Wyngarde were memorable incumbents.) He resisted their mind-bending tricks and interrogation techniques, attempted to escape by land, sea and air, and strove to solve the defining mystery of the series – who is Number One?

(17) AT HELSINKI. Finished commenting on the Hugos, Cora Buhlert continues her Worldcon coverage with “WorldCon 75 Photos and a Report”.

All in all, I had a great time at WorldCon 75. I also think the convention staff did a great job, even if there were some hiccups. And indeed, when I still had some of the German candy I’d brought to Helsinki left over on the final day of the con (the chocolate was all gone by this point), I gave the final two bags to the program ops team, because they really deserved a thank you for all their hard work.

Coincidentally, my Mom enjoyed WorldCon a whole lot, too. She’s not a hardcore SFF fan – SFF is just something she enjoys watching and reading on occasion. However, she was very impressed by the sheer number and variety of people who’d been brought together at Messukeskus by their shared love for science fiction and fantasy. There were fans of all ages, shapes and sizes at WorldCon 75, from babies being carried in a sling at their mother’s chests to people in their eighties and beyond (Robert Silverberg, now 82, was the oldest person I recognised). It was a testament to what a welcoming place fandom is.

(18) PROMOTIONAL GIMMICK. NBC Sports’ Chris Calcaterra says a minor league team intentionally scheduled a game during the eclipse: “Minor league teams prepare for a ‘total eclipse of the park’”

The Salem-Keizer Volcanoes are a class-A affiliate of the San Francisco Giants. Today, the path of totality of the big solar eclipse we’re not supposed to look at will pass right through the ballpark in which they play. What’s better: the Volcanoes are playing a game against the Hillsboro Hops as it happens.

This was by design: the team’s owner requested this home game when the schedule was made up two years ago specifically to market the heck out of the eclipse. They’re starting the game at 9:30 this morning, Pacific time, in order to maximize the fun. Spectators will receive commemorative eclipse safety glasses to wear. The game will be delayed when the eclipse hits and a NASA scientist named Noah Petro, who is from the area, will talk to the crowd about what is going on.

(19) LIGHTS OUT. Chris Barkley shot this 9-minute video of his experience watching today’s total eclipse.

(20) VIDEO OF THE DAY. In Chuck Jones –The Evolution of an Artist, Tony Zhou looks at 35 Merrie Melodies to understand Chuck Jones’s genius as an animator.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Rich Lynch, John Hertz, Dann, Chris Barkley, Mark-kitteh, Rose Embolism, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/18/17 And Though She Thought Mike Knew The Answer, Well He Knew But He Would Not Say

(1) THIS JOB IS NOT THAT EASY! Nicholas Whyte is back with “The Adminstrator’s Worldcon – part 2 of my 2017 Hugo memories”.

I almost didn’t make it to Worldcon 75. My taxi was 15 minutes late picking me up from home, and then encountered serious traffic en route to Zaventem airport. I was far too late to check my bag and brought it through security, where I almost came unstuck because of the Official Hugo Glue, which Dave McCarty had given me at Smofcon in December and I now needed to give back to him. (In fact we did not need it, as the artist who created the bases had engraved the winners’ plaques and attached them to the bases herself.) Five different security officials inspected the Official Hugo Glue Gun (which fortunately in Dutch is not a gun but a “lijmapparaat”, glue machine) before I was allowed to go on my way. The captain of my plane then scolded me, entirely fairly, for bringing “hand luggage” which was, in his words, “way too big”. But he did not throw me off, and I arrived in Helsinki.

Whyte includes a clear photo of the Hugo base by itself:

(2) ALL’S WELL. Yesterday’s Scroll quoted Renay’s tweets about the dismaying condition of Lady Business’ Hugo when it arrived. She told File 770 the problems were quickly resolved:

It turns out it was melted glue from where the felt was attached to the base (it’s hot here in Arkansas!). It’s been cleaned off with no problems and we’re looking into the proper type of glue to reattach the felt so disaster averted!! The bolt and washer were missing, too, but we’re going to pick a replacement up tomorrow. Nicholas Whyte from the Hugo team was super responsive. I’m also impressed everything arrived so fast. Those Worldcon 75 volunteers are ON IT.

(3) HUGO WINNER. The speech Ada Palmer was too overwhelmed to read at the Hugos is posted at her blog: “Campbell Award & Invisible Disability”.

Thank you very much. I have a speech here but I actually can’t see it. I can think of no higher honor than having a welcome like this to this community. This… we all work so hard on other worlds, on creating them, on reading them, and discussing them, and while we do so we’re also working equally hard on this world and making it the best world we possibly can. I have a list with me of people to thank, but I can’t read it. These tears are three quarters joy, but one quarter pain. This speech wasn’t supposed to be about invisible disability, but I’m afraid it really has to be now. I have been living with invisible disability for many years and… and there are very cruel people in the world for which reason I have been for more than ten years not public about this, and I’m terrified to be at this point, but at this point I have to. I also know that there are many many more kind and warm and wonderful people in this world who are part of the team and being excellent people, so, if anyone out there is living with disability or loves someone who has, please never let that make you give up doing what you want or working towards making life more good or making the world a more fabulous place.

(4) CONREPORT. Cora Buhlert shares her Worldcon experience in a short video, Cora’s Adventures at WorldCon 75 in Helsinki. Includes a shot of one of the File 770 meetups.

(5) CURBED ENTHUSIASM. Mark Ciocco weighs in on “Hugo Awards 2017: The Results”.

The 2017 Hugo Awards were announced on Friday, so it’s time for the requisite whining/celebration that peppers the steak of our blogging diet (that’s how food works, right?) Um, anyway, despite my formal participation in the awards process roughly coinciding with the Sad/Rabid Puppy era/debacle, this marks the fourth year wherein I’ve contributed to the results. This year’s awards were less directly impacted by those meddlesome puppies, but I feel like we’re still suffering through an indirect backlash and overcorrection. This isn’t exactly new, so let’s just get on with it. (For those who really want to geek out and see how instant-runoff voting works, the detailed final and nominating ballots are available.)

The Obelisk Gate by N.K. Jemisin takes the rocket for Best Novel, making Jemisin just the third author to have back-to-back wins in this category (joining the ranks of Orson Scott Card and Lois McMaster Bujold). She’s a good author, but damn, these books are not for me. Both were at the bottom of my ballot and while I can see why her novel won last year, this one is a little more baffling. It appears to have been a close race though, with All the Birds in the Sky only narrowly missing the win. I regret not putting it higher on my ballot, as it’s the only non-series finalist, and that’s something that’s becoming more and more of an issue… My preferred Ninefox Gambit came in third in the voting, which wound up being a theme for my first ranked works this year….

(6) PHOTO FINISH. Amal El-Mohtar coincidentally provides another clear photo of the Hugo base.

(7) WHAT THEATRICAL GENIUSES ARE READING. Broadway World delivers “Your 2017 Summer Reading List Courtesy of Lin-Manuel Miranda”, which includes a few genre works:

(8) WHAT YOUNG PEOPLE ARE READING. At Young People Read Old SFF, James Davis Nicoll has sicced the panel on “By the Waters of Babylon”. (Wow – I first read that in a junior high school textbook, when I was a Young People myself!)

The second story in Phase II of Young People Read Old SFF is Stephen Vincent Benét’s 1937’s“By The Waters of Babylon”. He’s more obscure than he once was now—dying at age 44 didn’t help him stay in the spotlight—but you may have encountered his The Devil and Daniel Webster or Benét’s upbeat toe-tapper, Nightmare, with Angels, quoted in part in John Brunner’s disco-era The Jagged Orbit…

(9) ROWELL REUNITES RUNAWAYS. Marvel is bringing back Nico, Karolina, Molly, Chase, Old Lace and even Gert.

This fall, best-selling YA writer Rainbow Rowell (Carry On, Eleanor and Park), superstar artist Kris Anka (All-New X-Men, Star-Lord) and Eisner-winning colorist Matt Wilson (The Mighty Thor, Black Widow)  team up to bring the universe’s pluckiest team of super heroes back to where they belong: in the pages of a Marvel comic book.

“As a Runaways fan, it’s been such a thrill for me to see these characters together again,” said writer Rainbow Rowell. “I can’t wait to let everyone else into the party.”

“For years I batted other editors and creators back from the Runaways,” said Executive Editor Nick Lowe. “I was the last Editor to edit them and they are precious to me, so I didn’t want just ANYBODY to bring them back. So when my new favorite writer (Rainbow’s Eleanor & Park slayed me in the best way) said they were her favorites, I knew I had half of the lightning I needed. Kris [Anka] was the other missing link for the PERFECT RUNAWAYS creative team and I’m so excited to share them with the world!”

(10) NO CAPTAIN SULU. Mr. Sci-Fi, Marc Scott Zicree, talks about an unproduced Trek series:

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

 

(11) TODAY IN HISTORY

  • August 18, 1947 – Hewlett-Packard Co. is incorporated, nine years after William Hewlett and David Packard sold their first oscillators from a garage in Palo Alto, where they had set up shop with $538 in capital. Moving from oscillators, the first of which they sold to Disney for the movie Fantasia, the Stanford graduates built one of the world’s largest electronics companies
  • August 18, 2001Stacy: Attack of the Schoolgirl Zombies premieres in Japan.

(12) TODAY’S BIRTHDAY BOY

  • Born August 18, 1925 – Brian Aldiss

COMICS SECTION. John King Tarpinian approves of the monkey business on Brevity.

(13) INFRINGEMENT SUIT. In January the Arthur C. Clarke estate, Penguin Random House and Simon & Schuster joined with the estates of Ernest Hemingway, Truman Capote, Jack Kerouac to sue Frederik Colting, Melissa Medina, and their publishing firm, Moppet Books, charging copyright infringement. They charged that KinderGuides seek “to capitalize on the [classic] Novels’ enduring fame and popularity,” describing the titles as “a transparent attempt to recast their unauthorized derivatives as ‘study guides’ intended for the elementary school set.”

Publishers Weekly has a progress report on the litigation in “Still No Opinion, but Judge’s Order Bans Distribution of ‘Infringing’ KinderGuides”.

Following a summary judgment ruling last month, a federal judge this week signed off on a permanent injunction immediately barring Moppet Books from distributing in the U.S. any versions of its KinderGuides series held to be infringing, until the works on which they are based enter the public domain. In addition, Moppet Books also agreed to destroy all current copies of the infringing works “in its possession or under its control” within 10 days.

Don’t expect the shredders to fire up quite yet, however. While the ban on distribution is effective immediately, the injunction includes an automatic stay on the destruction of existing stock, pending the “final outcome” of the appeal process.

…On July 28, Judge Jed Rakoff issued a summary judgment for the plaintiffs, rejecting Moppet Books’ claims that the works, created by founders Frederik Colting and Melissa Medina for the company’s KinderGuides series, were protected by fair use. The ruling came just days after oral arguments were presented in the case, and without an accompanying memorandum by Rakoff explaining his decision, which the judge said would come “in due course.”

…Meanwhile, despite the ongoing legal battle, Moppet Books is moving ahead with plans to launch a new line of books in October, including a collection of KinderGuides based on public domain works, and two original nonfiction works.

(14) WHAT’S THAT, ROCKY? The New York Times, in “When Dinosaurs Ruled the Earth”, reports that new fossil discoveries show prehistoric “squirrels” glided through forests at least 160 million years ago.

In a study published on Wednesday, a team of paleontologists added some particularly fascinating new creatures to the Mesozoic Menagerie. These mammals did not lurk in the shadows of dinosaurs.

Instead, they glided far overhead, avoiding predatory dinosaurs on the ground — essentially flying squirrels of the Jurassic Period, from an extinct branch of mammals that probably still laid eggs.

(15) BRADBURY DRAMATIZED. Broadway World says a one-man Bradbury play will be part of a stage festival in New York next month.

Bill Oberst Jr. brings his award-winning solo performance, “Ray Bradbury‘s Pillar Of Fire,” one of Bradbury’s darkest tales, to Theatre Row on Sunday, Sept. 17 at 6:00pm. The NYC debut is part of the United Solo Theatre Festival.

Ray Bradbury has something to say to us at this exact moment in time;” said Oberst, “that we are citizens of the cosmos first, that the way we imagine our future determines our future, and that the most dangerous minds are those which cannot imagine themselves to be wrong.”

Oberst’s one-act adaptation uses Ray Bradbury‘s poetic prose to tell the story of William Lantry, a 400-year-old corpse who rises from the grave in the year 2349 to find himself the last dead man on Earth. Filled with hatred for a future world where superstition, gothic literature and human burials are all banned, Lantry decides to create an army of the dead. Bradbury later called the novella “a rehearsal for Fahrenheit 451.” He also famously said, “I don’t predict the future, I try to prevent it.”

(16) OLD HOME WEEK. Andrew Porter used to live in part of the historic Henry Siegel mansion, whose story was chronicled in the Daytonian in Manhattan blog yesterday.

…This is where I first published ALGOL, DEGLER! and then S.F. WEEKLY. It’s where I lived while I worked on the 1967 Worldcon, NYCon 3. I had numerous fan gatherings there, and have photos of Ted White and Arnie Katz in my room. This block of East 82nd Street is also the direct approach to the Metropolitan Museum of Art, whose fabled entrance stairs are visible directly down at the end of the block.

He wrote a long, fascinating comment there, including this genre tidbit –

In later years, part of the basement housed a toy store accessed by a stairway from the bookstore above. The proprietor told me that some of the toy soldiers he sold came from the collection of Donald A. Wollheim, a well-known collector and once publisher of DAW Books. And one of the buyers was George R.R. Martin, whose “Game of Thrones” (HBO) is so popular.

…For many years there was also a bookstore. In early 2017, Crawford Doyle Booksellers, which claimed to be there for 21 years, closed. However, there’d been a bookstore there since at least the late 1950s. I know, because as a teenager, I had a job delivering Womrath Library rental books to posh apartments around the area.

(17) IN THE FLOW. The Hugo Award Book Club discusses John Scalzi’s latest novel in “Review: The Collapsing Empire”.

Given John Scalzi’s track record, high profile, and vocal fan base, it seems likely that The Collapsing Empire will be given a fair amount of consideration on many 2018 Hugo nominators’ lists.

Based on how fun this book is at times, that consideration is probably warranted. The novel is set in an interstellar empire tied together by limited faster-than-light traderoutes known as ‘the Flow.’ This empire — The Interdependency — has lasted for millennia because of the economic dependence of its member worlds to each other. The key protagonists are the new Empress of the Interdependency, and the son of a scientist on a distant world whose father has spent decades discovering that the flow is going to collapse. The overaching plot — which has some parallels to Asimov’s Foundation— is expertly constructed and well-paced. Although the characters all seemed to speak with a similar voice, their motivations were clear, and the conflicts felt natural.

(18) THROWING SHADE. Solar-powered California prepares for the eclipse:

“We’re doing a lot of coordination, a lot of preparation,” says Deane Lyon, a manager at the California Independent System Operator (ISO), which manages about 80 percent of the state’s electric grid. “It’s probably the most work this company has done to prepare for a three-hour event in our history.”

Solar power already comes with up and downs, in the form of clouds.

“So this was a particularly cloudy day,” says Jan Klube of Enphase, pulling up a graph showing the solar output from one California home. The Petaluma-based company monitors rooftop solar systems around the country day in and day out.

To show how a single cloud can make a difference, he points to the afternoon hours, when the output dips by about a third. “You see the big drop, so there’s a cloud coming and going,” he explains. “That’s why you see the zigzag.”

If your solar panels are in the path of totality during the eclipse, “it will go all the way to zero,” he says.

California isn’t squarely in the path, but the moon’s partial shadow will obscure 90 percent of the sun in the north, down to nearly 60 percent in the south. That’s more than enough to cause some anxiety for the people who have to keep California’s lights on.

(19) THE DARK SIDE. Scientists to study whether nature really goes crazy during an eclipse: “Will The Eclipse Make Crops And Animals Flip Out? Scientists Ask (Really)”.

With the help of elementary school students, University of Missouri biology professor Candi Galen is putting out microphones near beehives, in gardens and in a pumpkin patch to record buzzing activity.

“I don’t think it is really known the cues that bees use or don’t use when they are foraging that tell them to jump ship and go back their hives or stay put,” Galen says. “Bees depend upon the environment to regulate their temperature, and that may suggest that if indeed it does cool off a few degrees as the eclipse progresses, then they would get less active because they would be at a lower temperature physiologically.”

Researchers are also working with nearby cattle ranchers and even fishermen to monitor fish activity, Reinbott says.

(20) DNA EDITING. An NPR report is allowed to go “Inside The Lab Where Scientists Are Editing DNA In Human Embryos”.

Critics, however, pounced on the news. They fear editing DNA in human embryos is unsafe, unnecessary and could open the door to “designer babies” and possibly someday to genetically enhanced people who are considered superior by society.

As the debate raged last week, I asked Mitalipov if I could visit his lab to see the next round of his experiments. He wants to confirm his initial results and determine whether the method can be used to repair other mutations.

He agreed to a visit, and on Monday, I became the first journalist to see these scientists cross a line that, until recently, had been taboo.

Chip Hitchcock adds a historical note: “Readers of antique SF may remember Heinlein’s elaborate description of deductive sorting of ova in Beyond This Horizon; another infodump bites the dust.”

(21) PUNISHER. The Verge invites everyone to watch The Punisher teaser trailer:

The Defenders hits Netflix today, and with it comes a look at Marvel’s upcoming show The Punisher. Frank Castle was introduced in season 2 of Daredevil. He’s played by Jon Bernthal, who will reprise his role as the gun-toting Army vet out for revenge.

Various rips of the trailer are popping up all over YouTube…

 

(22) SAY HELLO. Amazon Prime video will stream The Tick on August 25.

From creator Ben Edlund comes the hero you’ve been waiting for. In a world where heroes and villains have existed for decades, a mild-mannered accountant named Arthur has his life turned upside down when he runs into a mysterious blue superhero, The Tick, who insists that Arthur become the brains to his brawn in a crime-fighting duo. Will Arthur resist the call of Destiny or join the fight?

 

[Thanks to Cat Eldridge, John King Tarpinian, Hampus Eckerman, JJ, James Davis Nicoll, Karl-Johan Norén, Carl Slaughter, Chip Hitchcock, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 7/30/17 And Remember To Scroll Your Answers In The Form Of A Pixel

(1) AN AMAZING BOOK. So says James Bacon, who gives a rave review to Anthony Hewitt’s Joshua N’Gon – Last Prince of Alkebulahn on Forbidden Planet blog.

We journey forwards and back as we come to know what has occurred to Joshua and the man who wants to get him, Kanu, genius criminal who has found a way to recreate his memories. Kanu has been ostracised to London from Alkebulahn with his mind wiped, but has the help of ‘arachnobots’ and now he controls a huge armaments corporation which is a front for a sinister organisation The Black Axis. He comes across with some considerable strength and charisma, indeed in one moment where he speaks of making people uncomfortable because of ‘My ethnicity, my bearing and my outspokenness’ and although is an absolute villain, his story is nicely interwoven, as it is important to the back story that is Joshua’s heritage.

Its a cracking good read, this one.

It rockets on, the chapters are nice and short, and all the time there are adventures. Joshua is set tasks by his learned school teacher, at a very impressive school, and these end up involving explorations and inventing, taking part in extreme sports, or combative and challenging excitements, and soon we see that our team gets into some tights spots culminating in a wonderfully tense set of scenes.

This book has it all: a sinister, cloaked Black Airship, mechanised Mayhem, ancient elements with science fictional connections, alien technologies and black history, white pulsed energy blasts, portals, a robotic and somewhat intelligent drone called Ballz, super soakers turned into weapons that make water solid like a ball bearing until they strike an adversary, a visit to the British Museum, Notting Hill Carnival and to imaginative places that are portrayed with an element of brilliance. Music, food and language give strong cultural indicators, offering elements that I was not aware of before….

(2) CHOSEN WORDS. Nicholas Eskey of ComicsBeat “SDCC ’17: Interview: Author Karin Tidbeck Uncovers the Dreamlike Storyline of’ ‘Amatka’”.

Have you always planned on writing for an English-speaking market?

When I was nineteen, I worked in a science-fiction bookshop in Stockholm. There was, and still is, this magazine called “Locus,” which is the SFF industry’s main magazine, and I would read that during lunch break. And I had this revelation that “I wanted to be in here. I want to have my book reviewed in here. I want to have an interview here. And I want to be on the shelves in the book shop… in English.” The thing is, Sweden has a very small readership. It’s very difficult to get books published, it’s very difficult to sell books, it’s extremely difficult to sell speculative fiction. So, I realized that the market was so small that I had to switch languages, but I didn’t switch until I was in my early thirties.

Tell us a little about your book, “Amatka.”

Amatka is about humans colonizing a world where matter, physical matter, responds to language. It’s about what happens to society that tries to survive in such a world. What happens to the people who quite can’t find a place in it. So, it’s about reality, it’s about language, it’s about revolution, and it’s about love.

(3) SPACE SHOWER. Sci-Tech Universe says “Get Ready! The Brightest Meteor Shower in the Recorded Human History Is Happening” – and you’ll be able to see it.

There is going to be a meteor shower on 12th of August, 2017. According to astronomers this will be the brightest shower in the recorded human history. It will light up the night sky and some of these might even be visible during the day. This meteor shower is being considered as once in a lifetime opportunity as the next meteor shower of such kind will be after 96 years.

The Perseid meteor shower, one of the brighter meteor showers of the year, occurs every year between July 17 and August 24. The shower tends to peak around August 9-13.

(4) GO FEST, YOUNG FAN. The Verge reports “Niantic is delaying some of its European events after Chicago’s disastrous Pokémon Go Fest”.

Niantic Labs threw a big event in Chicago last weekend to celebrate the first year of Pokémon Go, only to run into cellular data congestion and server issues that made the game unplayable for many attendees. Now, the company has announced that it’s delaying several planned European events to ensure that trainers will be able to play the game.

In a blog post, Niantic said that its delaying two sets of events planned for Copenhagen and Prague (August 5) and Stockholm and Amsterdam (August 12), until later this fall. Several other planned events for Japan (August 14th), and France, Spain, and Germany (September 16th) are moving forward as scheduled.

The delay comes after Chicago’s Pokémon Go Fest got off to a disastrous start last week. Cellular service was spotty, and server issues prevented players from logging into the game. When Niantic CEO John Hanke took to the stage for his opening remarks, players booed him, and the company ultimately ended up offering refunds and $100 worth of Pokécoins to players. Last week, nearly two dozen attendees launched a class-action lawsuit against Niantic, aiming to recoup travel expenses.

(5) TODAY’S THING TO WORRY ABOUT. The Hugo Award Book Club declares there are “Too Many Sequels” up for the award. They make a colorable argument anyway.

It’s worth noting that the majority of this year’s Best Novel Hugo Award shortlist is comprised of books that are either the first part in a series, or the sequel to another work.

In fact, only one of the six novels on this year’s shortlist (All The Birds In The Sky) is a standalone work.

This is not the first time in recent memory that the shortlist has been dominated by sequels, prequels, or works in a shared universe. But it is part of a larger trend, and it’s one that worries us.

In the 1960s, 88 per cent of the Hugo shortlist was comprised of standalone novels. From 2001 to 2010, 56 per cent of Hugo shortlisted novels were standalone works. In the first seven years of this decade, the statistic has fallen to 27 per cent (ten of the 36 novels shortlisted).

(6) HARRYHAUSEN FILM ANNIVERSARY. Episode 15 of the Ray Harryhausen Podcast is the “20 Million Miles to Earth: 60th Anniversary Special”.

Join us for a celebration of Ray Harryhausen’s 1957 classic, ’20 Million Miles to Earth’. Our 15th episode sees Foundation trustee John Walsh and Collections Manager Connor Heaney discuss the adventures of the Ymir- one of Ray’s most beloved and sympathetic creations.

We then discuss the first exhibition of Ray Harryhausen material in the USA for several years, opening at the Science Museum Oklahoma from July through to December. We describe this incredible display with museum director Scott Henderson, alongside his own lifelong enthusiasm for Harryhausen films.

An exclusive interview follows, recorded on location at the Barbican Centre’s ‘Into the Unknown’ exhibition with Terry Marison. Terry was one of the suited Selenites in the 1964 classic ‘First Men in the Moon’, and discusses his experiences of being one of Ray Harryhausen’s living creatures!

(7) TODAY’S DAY

  • Paperback Book Day

How To Celebrate Paperback Book Day

The best way to celebrate Paperback Book Day is to curl up with your favorite paperback book. If it’s been a while since you’ve bought a proper book, this is your opportunity to do so. Get out there and find a copy of your favorite text, or even pass one on to another friend. Then, when you’ve hit all the used book stores and perused the shelves of the nearest book stores, it’s time to come on home and look over your collection. Paperback Book Day recalls all those rainy quiet days spent reading a book while the drips ran down the windowpane.

(8) TODAY IN HISTORY

  • July 30, 1971 — Apollo 15 landed on the Moon.
  • July 30, 1986 — Walt Disney’s Flight of the Navigator premiered on this day.
  • July 30, 1999 The Blair Witch Project, is released in U.S. theaters.

(9) TODAY’S BIRTHDAY TERMINATOR

  • Born July 30, 1947 — Arnold Schwarzenegger

(10) TODAY’S BIRTHDAY LURCH

  • Born July 30, 1948 – Actor Carel Struycken is born in The Hague, Netherlands. He is best known for playing the Giant in Twin Peaks, Mr. Homn in Star Trek: The Next Generation, and Lurch in three Addams Family films.

(11) WELLS AUTOGRAPHED. You can get a mighty good price on a beat-up old book…if H. G. Wells drew an original sketch in it — “First edition of HG Wells’ ‘The War of the Worlds’ doubles estimate at £11,000”.

A first bookform edition sold for £11,000 at Cheffins of Cambridge earlier this month was slightly foxed and stained, but on the front free endpaper Wells had signed and inscribed the book for Edmond Joseph Sullivan and added a tiny drawing of a moustachioed angel.

(12) ON THE ROCKS. The Guardian’s feature on shipwrecks ends with a Dracula reference — “Walking the Yorkshire coast: the shipwrecks and sea caves of Flamborough and beyond”.

The last stop in any shipwreck walk ought to be the evocative St Mary’s church in Whitby, where there is a memorial to the lifeboat tragedy of 1861… After visiting the church, head down the steps – known by all as the Dracula Steps – across the swing bridge and over to the pier itself, a fabulous piece of marine engineering.

From there, continue up the hill towards East Terrace. On a grassy bank you will find a park bench dedicated to Bram Stoker, who sat here and used a real shipwreck – that of a Russian vessel on the shore opposite – to create an imaginary one, that of the Demeter, and, of course, the most memorable shipwreck survivor of all time: Count Dracula himself.

(13) I STREAM, YOU STREAM. Another splintering of the dying network monolith… all 28 seasons of The Simpsons are now available on Vudu.

(14) NOVELLA TO TV. From Tor.com we learn: “Victor LaValle’s The Ballad of Black Tom in Development at AMC”.

AMC announced that Victor LaValle’s The Ballad of Black Tom is in development for television as part of their “scripts-to-series development model that puts the emphasis on the most important part of our strategy – outstanding writing, a commitment to worlds you’ve never seen on TV before, and rich character development.”

(15) NOBODY LIVES FOREVER. While conducting an interview for The Guardian, Alison Flood learned from “Robin Hobb: ‘Fantasy has become something you don’t have to be embarrassed about’”.

Good fantasy, Hobb believes, is about “lowering the threshold of disbelief so the reader can step right into the book and not feel blocked out by something that’s impossible or at first glance silly. And I think silly is more dangerous than impossible.”

It is also, as Martin knows so well, about not being afraid to draw the final curtain for your characters when the time comes. “Nobody gets to go on for ever. If you put a little magical umbrella over your characters and say ‘yes, we’re going to scare you a little bit but ultimately you know that at the end of the book everything is going to be much the same way it was when we started the story’, well then, why write the story, what’s the point?”

(16) ALIEN ADVENTURE. The Recall official trailer.

[Thanks to Carl Slaughter, Cat Eldridge, Andrew Porter, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]