By Carl Slaughter: Feast your ears on classic Asimov.
I, Robot series
Caves of Steel novel
“Nightfall” short story
By Carl Slaughter: Feast your ears on classic Asimov.
I, Robot series
Caves of Steel novel
“Nightfall” short story
(1) APRIL FOOL. First in our cavalcade of April Fools stunts is George R.R. Martin’s announcement “WILD CARDS Comes to Broadway!!”
Perhaps most critically, Lin-Manuel and I are still looking for our Jetboy… or should be it be Jetgirl? No, we haven’t made that change yet, but it is under serious consideration… along with the notion of replacing the JB-1 with a jetpack… but why don’t we let you folks decide? Let us know: which Jet-person would you prefer to see on stage?
(2) APRIL NON-FOOL. Did Mary Robinette Kowal plan to confess she is Chuck Tingle today? She says she ran out of time to execute her planned joke, despite having cleared it with Tingle —
I even wrote to him to ask if it were okay for me to pretend to be him. (Because otherwise, I would be taking credit for someone else’s work, which is something only devilmen would do.) He said, “hello TRUE BUCKAROO name of mary, you make books real you make books kiss the sky! this is a good way for all who like to read and i am happy that you write with love. this funny prank (HAHAHAHAHA) is a WAY of love and that is okay”
So there you go. Groundwork laid. Time non-existent. I guess you could say that my plans were pounded in the butt by my own scheduling conflicts.
(3) APRIL PRIMARY FOOL. The Daily Buzz ran a story today about George Takei’s plan to establish residency and run against a pro-Trump congressman.
(4) WHATEVER THE OPPOSITE OF COMIC RELIEF IS. Lou Antonelli is yukking it up today, too, in “Strange Bedfellows”.
I am proud to announce that, as a result of a long period of reconciliation as well as a practical need on the part of a distinguished author, I am collaborating with David Gerrold on a Star Trek tie-in original novel, “The Tribbles of Texas”…
(5) A VOX ON ALL YOUR HOUSES. Meantime, the editor of Cirsova marked the day by declaring “I Disavow Everyone”.
Alt-Furry, the Pulp Revolution, Vox Day, the Sad Puppies, the Rabid Puppies, our readers and subscribers, all them. I disavow everyone.
2018 will feature both a special Elves issue and an Engineers Troubleshooting Spaceship Circuitry issue, so get writing!
Details forthcoming in a File770 exclusive.
(6) ROBOSCREED. Harking back to Camestros Felapton’s cover generator (linked by Whatever as its April Fools celebration), and someone’s suggestion there needs to be a complementary text generator, Steve Wright said in comments he suddenly remembered one already exists —
Actually, now I think on, there’s always this thing of Langford’s which actually will write something approximating SF (or whatever else you plug into it)…
Amazingly, A.I.Q. can still be persuaded to work on my Win10 laptop, albeit with many, many security popups.
A sample of its output is included in his comment. He closed by saying —
Camestros? Have Timothy’s people call Langford’s people. I’m thinking at least six Dragon Awards for this one….
(7) THE PROCRAPSING EMPIRE. Meanwhile, E. Reagan Wright, another Scalzi detractor, has been trying to jump onto the gravy train with his 6,400-word lump The Prolapsing Empire: An On-Schedule Story. It’s on Amazon, but oops, I forgot to include a link.
(8) TODAY’S BIRTHDAY BOYS
(9) SHOULD BE AN APRIL FOOL BUT ISN’T. A publisher with far more inflated ideas about the value of its editions is Routledge, which is offering J.R.R. Tolkien edited by Stuart Lee for $1,485, which works out to be about a buck a page.
J.R. R. Tolkien (1892–1973) is widely regarded as one of the most important writers of the twentieth century. His popularity began with the publication in 1937 of The Hobbit, and was cemented by the appearance of The Lord of the Rings in the early 1950s. However, engagement with his work was until relatively recently sidelined by literary and other scholars. Consequently, many foundational analyses of his fiction, and his work as a medievalist, are dispersed in hard-to-find monographs and obscure journals (often produced by dedicated amateurs). In contrast, over the last decade or so, academic interest in Tolkien has risen dramatically. Indeed, interpretative and critical commentary is now being generated on a bewildering scale, in part aided by the continuing posthumous publication of his work (most recently, his Beowulf translation which appeared in 2014). The dizzying quantity—and variable quality—of this later criticism makes it difficult to discriminate the useful from the tendentious, superficial, and otiose.
(10) FOOD FOR THOUGHT. John King Tarpinian asks, “Can you even imagine how long the CarFax report is on the Batmobile?”
(11) COSMOLOGY AND THEOLOGY. The Arthur C. Clarke Center for Human Imagination in Episode 5 of its Into the Impossible podcast looks at “The Limits of Understanding.”
On this episode, we’re touching up against the outer limits of cosmology, and through that bringing up questions of limits on the imagination, the role of theology, and the end (and ends) of the universe. First, we’ll hear Paul Steinhardt on developing the inflationary model of the universe—and then casting that model aside in favor of the radically different cyclic model that replaces the Big Bang with a neverending series of Big Bounces. Then David Brin, science fiction author and futurist, shares his perspective on understanding religion, enabling discussion, and how nice it would be if we were all reborn in computronium as the universe collapses in on itself.
(12) A NEW COMPANION. Now the Good Doctor has a companion, Who, you ask? Aaron Pound tells all about it in his review of An Asimov Companion: Characters, Places, and Terms in the Robot/Empire/Foundation Metaseries by Donald E. Palumbo at Dreaming of Other Worlds.
Full review: An Asimov Companion: Characters, Places, and Terms in the Robot/Empire/Foundation Metaseries is, for the most part, a reference work. The bulk of its length is taken up with what amounts to an encyclopedia covering essentially every notable character, location, object, and event found in Isaac Asimov’s extended metaseries (and pretty much every non-notable character, location,, object, and event as well). Every entry gives a brief description of the subject, offering at least a sentence or two outlining who or what the entry is, and an explanation of how the subject fits into the larger body of Asimov’s work. These entries are informative, but like Asimov’s actual writing, have a tendency to be a little dry.
(13) BRING IN THE PANEL. Stephen King treated Guardian readers to a an interview of six fictional Trump voters to help understand how he became President: “Stephen King on Donald Trump: ‘How do such men rise? First as a joke’”.
…Trump’s negatives didn’t drag him down; on the contrary, they helped get him elected.
I decided to convene six Trump voters to discover how and why all this happened. Because I selected them from the scores of make-believe people always bouncing around in my head (sometimes their chatter is enough to drive me bugshit), I felt perfectly OK feeding them powerful truth serum before officially convening the round table. And because they are fictional – my creatures – they all agreed to this. They gulped the serum down in Snapple iced tea, and half an hour later we began.
(14) BATGIRL ORIGINS. Graeme McMillan, in a Hollywood Reporter article called “Where Should Joss Whedon’s ‘Batgirl’ Find Inspiration?”, looks at all the version of Batgirl that DC has used, beginning with the original appearance of Barbara Gordon in Detective Comics 359 (which the comics did after the TV show announced plans to add Batgirl) to her role as a hacker in the 1980s to today’s version as “Batgirl From Burnside,” as a graduate student living in Gotham City;s hipster suburb.
Barbara Gordon took on the role in 1967’s Detective Comics No. 359, in a story called “The Million Dollar Debut of Batgirl!” The cover for the issue made a big deal of her debut; she ran toward the reader in the center of the page while excited cover lines read “Meet the new Batgirl! Is she heroine or villainess? What is her startling secret identity?” The reason for this push wasn’t just an attempt to introduce a comic book character — plans were already afoot to introduce this second Batgirl into the popular Adam West TV show in its third season. She was played by Yvonne Craig.
The new Batgirl was a hit, graduating into her own stories in the back of Detective Comics as well as appearances across the DC line, including Superman, Justice League of America and World’s Finest Comics. She’d form temporary teams with both Robin — “the Dynamite Duo!” — and Supergirl and enjoy a loyal fan following throughout her crime-fighting career until it was cut short in the mid-80s by the combination of the Joker and writer Alan Moore.
[Thanks to John King Tarpinian, JJ, rcade, Johan P., Cat Eldridge, Martin Morse Wooster, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]
Bonnie & Clyde’s 50th anniversary moment at the Oscars was overshadowed when Best Picture presenters Warren Beatty and Faye Dunaway announced La La Land instead of Moonlight, the correct winner.
Beatty told the audience that they had read the wrong envelope, saying that he saw that Emma Stone won for La La Land, who was actually the winner for best actress. Dunaway had read the winner before Beatty could stop her.
“I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny,” Beatty assured everyone, after admitting to the mistake and explaining that they had the wrong envelope
Fans immediately took to Facebook telling their friends it reminded them of the big mistake made during the Hugo ceremonies at Magicon in 1992.
As I wrote in my Worldcon report:
…The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen….
The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.
As [convention chair] Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.
Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering Magicon’s Hugo to the Lynches.
Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude [when she received the Big Heart Award], which permanently endeared him to women who commented about it later.
Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.
When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.
When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….” Yelled the audience, “That’s ‘Thing’!”
…People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.
The 1992 drama reminded everyone of what happened to Gene Wolfe at the 1971 Nebulas because it was a well-known story, having been retold by Harlan Ellison in Again, Dangerous Visions. A few years ago I pulled together people’s accounts of that night —
However, nothing can rival Isaac Asimov’s ghastly mistake at the 1971 Nebula Awards ceremony. Nor has any other gaffe worked out better for the injured party in the long run.
On Saturday, April 3, 1971 the leading science fiction professionals were seated around banquet tables in New York’s Les Champs Restaurant watching Asimov hand out the Nebulas.
Asimov had been pressed into service at the last minute. While that was not a problem for anyone who loved an audience as much as the Good Doctor, it meant that he had little time to study the handwritten list of results. In those days the emcee was not only given the names of the winners, but the names of the runners-up, which he also announced.
When Asimov came to the Short Story category his eyes slipped over “No Award” and he read the first real name on the list — which was Gene Wolfe, author of “The Island of Doctor Death and Other Stories.”
As Wolfe stood up a SFWA officer promptly whispered a correction to Asimov. Asimov went pale and announced he’d made an error. There was “No Award” in the Short Story category. Wolfe sat back down.
Eyewitness Harlan Ellison (writing in Again Dangerous Visions) says everyone felt awful –
Around him everyone felt the rollercoaster nausea of stomachs dropping out of backsides. Had it been me, I would have fainted or screamed or punched Norbert Slepyan of Scribner’s, who was sitting next to me. Gene Wolfe just smiled faintly and tried to make us all feel at ease by a shrug and a gentle nod of his head.
Fortunately, the mistake was eventually redeemed. As the author explained:
A month or so after the banquet I was talking to Joe Hensley, and he joked that I should write “The Death of Doctor Island,” saying that everyone felt so sorry for me that it was sure to win. I thought about that when I got home and decided to try, turning things inside out to achieve a different story.
He did, and his novella “The Death of Doctor Island” won a Nebula in 1974.
While, while we now know how Asimov made his mistake, we probably don’t have the full and complete explanation for the Oscar mixup because Beatty’s on-camera explanation is being disputed.
Backstage, Stone claimed she had the card that announced her as best actress win “the entire time.”
“I don’t mean to start stuff,” she said. “But whatever story that was … I had that card. I’m not sure what happened.”
(1) ASIMOV ON THE AIR. BBC Radio 4, as part of their 15 Minute Drama series, will be adapting five of the stories from Asimov’s I, Robot. Original broadcasts will run from February 6-10. As usual, episodes will be available for online listening “shortly after broadcast”.
A couple of clips promoting the series are already online –
Scriptwriter Richard Kurti tells us why Isaac Asimov’s sci-fi stories were so remarkable in their ability to predict the future.
Actor Nick Briggs introduces his characters and tells us what he finds appealing about Isaac Asimov’s sci-fi stories. He also explains why he doesn’t think we should fear a future dominated by robots.
Episode One will be ROBBIE.
The rise of robotics in the 21st century, told through the poignant and mysterious story of enigmatic lawyer, Stevie Byerley. Starring Hermione Norris.
Episode One : ROBBIE As a child, Stevie Byerley is raised by Robbie, a robotic childminder, because her parents are too busy working. The powerful bond she forms with the robot is unbreakable. Their relationship will change the course of Stevie’s life.
Originally written over 60 years ago, Isaac Asimov’s stories are becoming truer with every day that passes. The world that he imagined is now upon us.
(2) BURNT ENDS AND ZOMBIES. In Episode 28 of Scott Edelman’s Eating the Fantastic he feasts on BBQ with Craig Engler, Co-Creator/Writer/Co-Executive Producer of the hit zombie TV show Z Nation.
Join us as we discuss what life’s like when you’re a professional game player for Nintendo, how running the Syfy Channel’s digital side led to him getting a shot at writing TV movies such as Zombie Apocalypse, why he wrote Weight Hacking, his geek guide to losing weight and getting fit, plus much more, including behind-the-scenes secrets on the past, present, and future of his hit zombie TV show Z Nation.
(3) SHE STABS IT WITH HER STEELY KNIFE. Violette Malan ranks “My Top Five Sword-Fight Movies” at Black Gate.
You don’t have to read many of my posts to know that The Princess Bride is pretty well my favourite movie. And though I love the sword fighting scene between Wesley and Iñigo, and the later one between Iñigo and Count Rugen, they are not actually my favourite sword fighting scenes. In both cases, it’s really the dialogue that makes the scenes memorable. So what movies would I rank above The Princess Bride in sword fighting wonderfulness?
Here they are, in the order in which I thought of them.
The Three Musketeers (1973, directed by Richard Lester)
One of the great things about this movie, along with its sequels The Four Musketeers, and The Return of the Musketeers, is that they all feature the same cast. There are good fight scenes in all the films (Oliver Reed is more impressive in the sequels), but it’s the first one I know the best. I particularly like the fantastic opening sequence, where D’Artagnan’s father teaches him the “secret thrust.” Anything between D’Artagnan (Michael York) and Rochefort (Christopher Lee) is well worth watching. There’s also some terrific ensemble fighting, notably the scene between the four leads and the Cardinals’ Guard in the convent courtyard. It should be noted that Christopher Lee was a fencer IRL as well…
(4) KA-CHING! Mary Rosenblum analyzes “What REALLY Sold in 2016?” at the SFWA Blog.
In 2016, 43% of all traditionally published books were purchased online. Now, THAT is a reason to break out the champagne! Why? Because most readers pay little to no attention to the publisher. As long as the small press or self published book looks professional and has a professional looking cover, it’s competitive with books from the ‘bookstore’ publishers. If your ebook or print book includes those 5 critical elements for success and looks like the other professionally published books out there, readers don’t care who published it. They’ll look at price.
Aha! That might just be the reason that self publishing authors sell almost as many ebooks as the traditional publishers. They can usually price their books lower.
But what about print books?
2016 Self Published Print Book Sales
In 2016, 21,800,000 self published print books were sold, mostly published through Create Space. The average price was $10.34. Amazon imprints sold another 959,000 copies.
That’s a lot of print book money!
(5) NEW EDITION FROM PENGUIN. Here’s the version of George Orwell’s book for the alternate timeline you’re living in.
(6) COMPLIMENTING SMUGGLERS. Nigel Quinlan writes, “I would like to selfishly draw your attention to the new issue of The Book Smugglers’ Quarterly Almanac. It contains a fun Mid-Grade fantasy short story by me, ‘The Gobbleens,’ which is featured on the utterly gorgeous cover.”
I’m happy to give it a mention, in part for the beautiful cover, and in part because I owe them thanks for sending a copy of the first one, which had a great story by Tansy Roberts.
Collecting original short fiction, essays, reviews, and reprints from diverse and powerful voices in speculative fiction, THE BOOK SMUGGLERS’ QUARTERLY ALMANAC is essential for any SFF fan.
IN THIS VOLUME (JANUARY 2017): BECKY CHAMBERS, SHERRI L. SMITH, A.E. ASH, KATHERINE MACLEAN, NIGEL QUINLAN, ZETTA ELLIOTT, ALLIAH/VIC, KATE C. HALL, NICOLE BRINKLEY, ANA GRILO AND THEA JAMES
(7) OCTAVIA BUTLER. Maura McHugh reviews the graphic novel adaptation of Octavia Butler’s Kindred on Irish national radio, now up as a podcast on this page — “Arena with Sean Rocks, Monday, January 30”
Maura McHugh reviews the sci-fi graphic novel “Kindred” by Octavia E Butler which has been adapted by writer Damien Duffy and artist John Jennings (published by Abrams ComicArts)
(8) BURNING MAN. I09 did a story on the edition of Bradbury’s Fahrenheit 451 that was bound is asbestos. John King Tarpinian adds this “Fun Fact” —
Ray had one of his copies with burn marks on it because he would hold a lighter to it to show people it would not burn.
(9) TO THE STARS. The Arthur C. Clarke Center for Human Imagination has released the fourth episode of is podcast Into the Impossible, about “How to Make a Spaceship”.
How do you jumpstart the private spaceflight industry? Passion, commitment, bold risk-taking, some inspiration from Charles Lindbergh, and a little luck. On today’s show, we hear from Peter Diamandis, whose XPRIZE Foundation launched the competition that gave us the first private manned spaceflight–and paved the way for Virgin Galactic, SpaceX, Blue Origin, and his own Planetary Resources, among others–along with the prize-winning pilot, Brian Binnie, and the writer Julian Guthrie, who chronicled their stories along with those of the other teams from around the world inspired by this unprecedented challenge. Also on this episode: convincing Arthur C. Clarke to buy your college friends dinner and a nearly disastrous incident with a mother-in-law and a cup of coffee.
Be sure to check out Julian Guthrie’s book, How to Make a Spaceship: A Band of Renegades, an Epic Race, and the Birth of Private Spaceflight, for the rest of the story!
(10) QUOTABLE QUOTE
“The next time you’re abducted, just steal something off the ship.” — Neil DeGrasse Tyson
(11) TODAY IN THE HISTORY OF THINGS YOU NEVER HEARD OF
(12) BIRTHDAY WIZARD
(13) HAZARDOUS DUTY. No OSHA in the Empire? “Why ‘Star Wars’ Hates Handrails: Finally We Know Why People Keep Plummeting to Their Death”.
Ever noticed that most of the locations in the Star Wars universe wouldn’t pass a basic safety inspection? A number of characters plummet to their doom throughout the series, and the risk of accidentally falling on The Death Star or in Cloud City, or even tripping into that floor hatch on the Millennium Falcon, seems incredibly high. A new episode of the official web series The Star Wars Show explains that this was by design: George Lucas was against building guardrails on Star Wars sets.
(14) THE OUTFIELDER WHO WOULD BE KING. San Francisco Giants baseball player Hunter Pence posted a great photo of him wearing a Hakuna Matata t-shirt trying to free Excalibur from the Sword in the Stone at Disneyland. He couldn’t do it! The throne rests easy tonight.
It's really in there. pic.twitter.com/UDFqCN6uyx
— Hunter Pence (@hunterpence) February 3, 2017
(15) COMIC HISTORY LESSON. Atlas Obscura remembers “Marie Duval, the pioneering 19th-Century Cartoonist That History Forgot”.
In the late 1800s, London was swept up in the new craze of visual, satirical journalism. When Judy magazine, a twopenny serio-comic, debuted a red-nosed, lanky schemer named Ally Sloper who represented the poor working class of 19th-century England, it was one of the first recurring characters in comic history.
But credit for that character has long gone to the wrong person. Two people were responsible for Ally Sloper—and one of the creators has only recently been rediscovered by academics and comic fans.
Wearing a shabby stovepipe hat and carrying a rickety umbrella, the iconic and popular cartoon is often credited to Charles H. Ross, a playwright, cartoonist, and eventual editor of Judy. However, Ally Sloper was actually illustrated and developed by two artists: Ross and his wife, actress-turned-cartoonist Marie Duval—who was responsible for the bulk of the Ally Sloper comics.
(16) SPEAK UP. This LEGO Batman Movie promo clip introduces the voice actors behind the characters.
[Thanks to John King Tarpinian, Nigel Quinlan, Bruce D. Arthurs, Cat Eldridge, and Martn Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
(1) DESIRED FUTURE. While we were wondering if Whoopi Goldberg was getting enough love from Star Trek conventions, the truth came out – what she really wants is a role on Doctor Who. Den of Geek has the story —
“I like the idea of doing things the way y’all do them,” the Sister Act and Star Trek: The Next Generation star added. “You do some really fun stuff like Black Mirror or, you know, I’m still dying to do Doctor Who.”
She added: “I always hope when I come to England the BBC will say, ‘Hey we want you to do something [on Doctor Who]’. I would love that.”
This Friday, January 27th, 2017, Paramount is re-releasing ‘Arrival‘ on the big screen with an added 8 minutes of bonus material! Now, this isn’t an extended cut of the film but could be thought of as more of a preview of the special features from the eventual Blu-Ray. Think commentary and behind-the-scenes material that includes the Oscar-nominated director Denis Villeneuve, Amy Adams, Jeremy Renner, and even more of the cast and crew from the film.
(3) STRINGS ATTACHED. Alastair Reynolds tells more about the stage adaptation of Diamond Dogs in Chicago. He’ll be in the audience next month.
Directed by Nathan Allen, the play is an adaptation by Althos Low , a pen name for Shanghai Low Theatricals, a group dedicated to bring challenging works to the stage. Frankly you couldn’t get much more challenging than a piece of space-operatic dark SF, involving interstellar travel, cyborg prosthetics and a monstrous alien structure – but suitably undaunted, Shanghai Low (with chief adaptor Steve Pickering) have put together what is by all accounts a very striking and inventive production, involving hi-tech stage design, imaginative costume work, and the resourceful and skilled puppetry of Mary Robinette Kowal, already greatly respected within SF circles as a fine writer. The script, which I read some months ago, is clever and involving, and very true to the beats of the original story. This is the first adaptation of any of the Revelation Space stories into another medium, and I can’t wait to see it.
(4) BLAST FROM THE PAST. The Traveler from Galactic Journey has a request — “[January 25, 1962] Shameless Self-Promotion (Nominate Galactic Journey For The Hugo!)”.
Galactic Journey has brought you the latest in science fact and fiction for over three years, since October 1958. It’s been a tremendous pleasure and privilege to review the monthly sff digests, the new books, the best (and worst!) scientifiction TV shows and movies, enormously rewarding to report on the myriad space shots as they happen. Coverage of 1960’s pitched election season was eye-opening and exciting.
Though it was not originally our mission, the Journey has become a progressive entity, focusing on the women and minority contributors that add to the diversity and value of our fandom, yet who are overlooked and underrepresented.
Oh, how we’ve grown in three years! Since this column’s humble beginnings, our staff of two has grown to ten, including an overseas correspondent. Last June, we began providing the latest news on the right-hand side of our pages. In August, no less a personage than Rod Serling honored us for our coverage of The Twilight Zone….
It’s the 2017 Hugo he’d like to be nominated for – he’s leaving the 1962 field to front-runners Warhoon and Cry of the Nameless.
(5) PLEASE EXCUSE ME. Charles Stross, on the other hand, asks that fans not nominate his work in this year’s trial Hugo category.
PSA: Please do not nominate the Laundry Files or Merchant Princes for Best Series Hugo this year. (Will explain why on blog later.) KTHXBYE.
— Charlie Stross (@cstross) January 25, 2017
(6) YOG’S LAW ENFORCEMENT. The Science Fiction and Fantasy Writers of America, in “SFWA Statement on Magazines and the Monetization of Writers”, frowns on magazines cashing in on the slush reading.
In the past year SFWA has seen several examples of magazines contemplating monetizing the writers submitting work to them for publication. Strategies for doing so have ranged from the subtle to the overt, including submission fees, fees for personalized feedback, statements that contributors who are subscribers will get preferential treatment, and other charges.
One tenet that SFWA holds to strongly is Yog’s Law, the idea that money should always flow towards the writer. The organization strongly condemns any practice where a magazine take money from a writer and allows it to or implies it will affect the reception of the writer’s submission(s) in any way.
(7) TODAY IN HISTORY
January 25, 1999 – The Blair Witch Project is seen for the first time.
(7a) TODAY’S BELATED BIRTHDAY BOY
(8) ASK ME ANYTHING. Authors of The Expanse James S. A. Corey are doing an AMA on Reddit on January 26 at Noon EST (9 a.m. PST) — https://www.reddit.com/r/IAmA/. Got a question about the series? Go on!
(9) BRING ‘EM BACK ALIVE. The topic for the 2017 Isaac Asimov Memorial Debate is “De-Extinction.” At New York City’s Hayden Planetarium on Wednesday, March 29 moderator Neil deGrasse Tyson and a panel of experts will take on this topic —
Biologists today have the knowledge, the tools, and the ability to influence the evolution of life on Earth. Do we have an obligation to bring back species that human activities may have rendered extinct? Does the technology exist to do so?
2017 Asimov Debate panelists are:
- George Church – Professor of Health Sciences and Technology, Harvard University and MIT
- Hank Greely – Director of the Center for Law and the Biosciences, Stanford University
- Gregory Kaebnick – Scholar, The Hastings Center; Editor, Hastings Center Report
- Ross MacPhee – Curator, Department of Mammalogy, Division of Vertebrate Zoology; Professor, Richard Gilder Graduate School
- Beth Shapiro – Professor of Ecology and Evolutionary Biology, University of California, Santa Cruz
(10) PROP AND CIRCUMSTANCE. Here’s something you don’t see every day, Edgar: “San Jose Councilman Takes Oath of Office With Captain America Shield: ‘I Want to Shine a Ray of Optimism’”.
A new San Jose city councilman held a Captain America shield as he was sworn in on Tuesday night, telling NBC Bay Area that the Marvel Comics character “embodies the ideas of America.”
Lan Diep, a Republican legal aid attorney, received cheers after he said “I do solemnly swear” when the clerk asked if he would defend his oath of office. His final vote of his first meeting? Joining the council in unanimously banning the communist Vietnamese flag from flying in San Jose.
In an interview after the meeting, the proud comic book geek and Houston-born son of Vietnamese refugees said that Captain America stands for the “kinds of things I strive for: equal justice, fair play and democracy.” …
— Lisa Fernandez (@ljfernandez) January 25, 2017
(11) WHO KNEW? Cnet blew my trivia-loving mind by proving “The Star Wars Death Star trench isn’t where you think it is”.
Vaziri has some theories about why the mistaken impression is so widespread, even among hard-core fans.
He points out that the Death Star’s two biggest features are the dish and the equatorial trench. “Our brains want to connect this new trench with something we’ve seen before, and because of their similarities, and the simplicity of that connection, it’s not a big leap for us to (incorrectly) deduce the two trenches are one and the same,” he writes.
(12) SPACEWAY ROBBERY. Remember – being ripped off is the sincerest form of flattery. ScreenCrush lists “The Top Five Most Shameless ‘Star Wars’ Rip-Offs”.
[Thanks to John King Tarpinian, JJ, Camestros Felapton, Andrew Porter, and Doctor Science for some of these stories. Title credit goes to File 770 contributing editor of the day m. c. simon milligan.]
…And finally, another example of how Infogalactic is fundamentally more accurate than Wikipedia due to the latter’s insistence on unreliable Reliable Sources.
Robert Heinlein on Wikipedia
Heinlein became one of the first science-fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science-fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the “Big Three” of science fiction authors.
Robert Heinlein on Infogalactic
He was one of the first science fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often erroneously considered to be the “Big Three” of science fiction authors.. The original “Big Three” were actually Heinlein, Asimov, and A.E. van Vogt.
This is what winning the cultural war looks like. Getting the facts straight one at a time.
Since Vox Day’s post, an Infogalactic editor has revised the Heinlein entry to phrase the correction even more emphatically:
He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered to be the “Big Three” of science fiction authors, however the inclusion of Clarke is erroneous. The original “Big Three” were actually Heinlein, Asimov, and A.E. van Vogt.
Proving that you’re never too old to learn, while I knew Heinlein, Asimov and van Vogt were Campbell’s top writers in the 1940s, I couldn’t recall ever hearing them referred to as the Big Three, whereas I had often heard that term applied to the trio named by the Wikipedia. (Michael Moorcock wrote that Clarke was one of the Big Three in an article published just this month.) Was the Heinlein/Asimov/Clarke identification really “erroneous”? I have to admit that seeing Infogalactic’s cited source was a John C. Wright essay from 2014 made me want to check further before accepting the information.
Google led me to the Fancyclopedia (1944). Originally, “the Big Three” was a label 1930s fans applied to the three dominant prozines. Obviously at some later point they also endowed it on three sf writers. When did that happen, and who were the writers?
Isaac Asimov supplies the answer in I. Asimov: A Memoir (1994):
There was no question that by 1949 I was widely recognized as a major science fiction writer. Some felt I had joined Robert Heinlein and A.E. van Vogt as the three-legged stool on which science fiction now rested.
As it happened, A.E. van Vogt virtually ceased writing in 1950, perhaps because he grew increasingly interested in Hubbard’s dianetics. In 1946, however, a British writer, Arthur C. Clarke, began to write for ASF, and he, like Heinlein and van Vogt (but unlike me), was an instant hit.
By 1949, the first whisper of Heinlein, Clarke, and Asimov as “the Big Three” began to be heard, This kept up for some forty years, for we all stayed alive for decades and all remained in the science fiction field.
Therefore, John C. Wright (in “The Big Three of Science Fiction” from Transhuman and Subhuman: Essays on Science Fiction and Awful Truth) correctly stated that Heinlein, Asimov and van Vogt were “the three major writers of Campbell’s Golden Age.” (The Science Fiction Encyclopedia also calls them “the big three”.)
But Infogalactic, unfortunately motivated by a need to get in a jab at the Wikipedia, has oversold Wright’s argument and missed a chance to be really accurate. The truth is that both trios were “the Big Three,” each in their own era.
(1) NATIONAL SCIENCE FICTION DAY. Today is National Science Fiction Day, the date chosen because it is Isaac Asimov’s birthday. Judging by the return on my Google search, it’s a day beloved by writers of calendar clickbait but it goes largely unnoticed by fans. Should we be doing something about it?
(2) YOU’LL GO BLIND. Self-publishing isn’t the problem – self-editing is. At least, the kind of self-editing that Diana Pharoah Francis discusses in “Writers Club: The Evils of Self Editing” at Book View Café.
I’m not saying that self-editing is bad. It’s not. It’s just we often do it while writing and that’s when it’s evil. Sometimes we do it when we aren’t aware and that’s when it’s really awful.
When I first started out writing, I wrote for me and me alone. I was trying to entertain myself and so I didn’t worry about whether this would be offensive or that would be sappy or if readers would hate my characters. None of that entered my mind because it was all about the fun of telling myself the story and getting lost in it.
Then I published. This was a dream come true. But that’s when the evil self-editor started sneaking in to my creative zone. I’d write something and then delete it because it was too something: too off-color, too disgusting, too violent, and so on. That limited me in ways that I stopped noticing. I internalized those limits and made them an unacknowledged part of my writing process. It’s like a house. You don’t pay attention to where walls are or light switches because they just exist and are necessary and you’re glad they’re there doing their job.
Only really, the self-editor at this point in the process is really a saboteur. It’s a swarm of termites eating away your writing in secret and you have no idea it’s even happening.
(3) BOUND FOR CHINA. Tomorrow Nancy Kress leaves for Beijing . “I will be teaching a week-long workshop with Sf writer Cixin Liu, SF WORLD editor Yao Haijun, and Professor Wu Yan.”
(4) CA$H CALL. Jim C. Hines is collecting data for his 2016 Writing Income Survey.
For nine years, I’ve been doing an annual blog post about my writing income. It’s not something we talk about very much, and I think the more data we put out there, the more helpful it is to other writers.
The trouble is, I’m just one data point. Better than none, of course. But this year, I decided to try something a little different, and created a 2016 Novelist Income Survey.
The process and goals are similar to the First Novel Survey I did seven years ago. (The results of that one are a little outdated at this point…) I’ll be sharing the basic data like the median, mean, and range of author incomes, as well as looking at patterns and other correlations. No personal or identifying information will be shared in any way.
(5) THEY BLINDED ME WITH (PSEUDO)SCIENCE. A site called Book Scrolling (say, are we cousins?) compiled “The Best Science Fiction & Fantasy Books of 2016 (Year-End List Aggregation)”.
“What are the best Science Fiction & Fantasy books of 2016? We aggregated 32 year-end lists and ranked the 254 unique titles by how many times they appeared in an attempt to answer that very question!”
It comes as no surprise that the results are blindingly arbitrary.
Even though it ranked first among sf books in the 2016 Goodreads Choice Awards, Pierce Brown’s Morningstar comes in #26 on this list.
And this is a list of books not just novels – the VanderMeers’ Big Book of Science Fiction is #24.
Joe Hill’s The Fireman is #4.
Charlie Jane Anders’ All the Birds in the Sky is #1.
(6) EARLY SCRIPT DOCTORING. It’s a new month – which means I can read another five LA Times articles free, so I caught up on John Scalzi’s tribute to the late Carrie Fisher from December 27 —
Out on the Internet, along with the many heart-touching tributes to Carrie Fisher, photographs of her as Leia Organa, either as princess (the original trilogy) or general (from “The Force Awakens”) and with her beloved French bulldog Gary, there’s another picture, originally placed there by cinema documentarian Will McCrabb, showing a page of the script of “The Empire Strikes Back.” On the script are several edits, in red pen, condensing and improving the script. McCrabb said the hand that put the edits there was Carrie Fisher’s, noting on Twitter that Fisher herself confirmed it to him.
Is he correct? The edits might have been made by Irwin Kershner, “Empire’s” director, instead. At the time — 1979 — Fisher would have been 22 years old. Yet here she was, looking at a script written by Lawrence Kasdan, who would go on to several screenwriting Oscar nominations, and Leigh Brackett, Howard Hawks’ secret screenwriting weapon and one of the great science fiction writers of her time, and thinking “this needs some fixing.” And then getting out her pen and doing just that.
Whoever made the edits wasn’t wrong. At least some of the edits to the scene (in which Leia, Han and Chewbacca plot a course to visit Lando Calrissian) made it to the final cut of the film. Simpler, tighter, better — and with the rhythm of speech rather than exposition (science fiction, forever the genre of people explaining things to other people). Carrie Fisher played a galactic princess, but she had a working writer’s gift for understanding how people talk, and how language works. At 22.
(7) TODAY IN HISTORY
(8) TODAY’S BIRTHDAY BOYS
(9) WHEN IS IT TIME TO BAIL? Max Florschutz helps new writers avoid the death spiral of investing time in unproductive writing projects by a self-evaluation process, partially quoted here:
What really sets a death spiral apart, however, from a fresh project that is still in its growing stages is the amount of time that has been sunk into it. For example, when looking at your current writing project, ask yourself the following questions. If you can answer yes to even one of them, you may want to consider the possibility that you are stuck in a death spiral.
—Has forward progress stopped in lieu of going back and editing/rewriting what you’ve already written before you’ve made it very far into the story?
—Have you since spent more time editing/rewriting that first bit of the story than you did originally writing it?
—Do you get started on writing new material for said story only to realize that you need to go back and edit/add in something and gone and done that instead? Has that been your experience the last few times you sat down to work on this story? Has it kept you from adding any new material in significant amounts (say, chapters)?…
(10) OCCASIONAL ACCURACY. NASA presents “The Science of Star Trek”, but finds it difficult to marry those two concepts.
The writers of the show are not scientists, so they do sometimes get science details wrong. For instance, there was an episode of Star Trek: The Next Generation in which Dr. Crusher and Mr. LaForge were forced to let all of the air escape from the part of the ship they were in, so that a fire would be extinguished. The doctor recommended holding one’s breath to maintain consciousness as long as possible in the vacuum, until the air was restored. But as underwater scuba divers know, the lungs would rupture and very likely kill anyone who held his breath during such a large decompression. The lungs can’t take that much pressure, so people can only survive in a vacuum if they don’t try to hold their breath.
I could name other similar mistakes. I’m a physicist, and many of my colleagues watch Star Trek. A few of them imagine some hypothetical, perfectly accurate science fiction TV series, and discredit Star Trek because of some list of science errors or impossible events in particular episodes. This is unfair. They will watch Shakespeare without a complaint, and his plays wouldn’t pass the same rigorous test. Accurate science is seldom exciting and spectacular enough to base a weekly adventure TV show upon. Generally Star Trek is pretty intelligently written and more faithful to science than any other science fiction series ever shown on television. Star Trek also attracts and excites generations of viewers about advanced science and engineering, and it’s almost the only show that depicts scientists and engineers positively, as role models. So let’s forgive the show for an occasional misconception in the service of an epic adventure.
(11) SUAVE AND DEBONAIR. The Daily Beast tells everyone, “Blame Horror-Film Legend Vincent Price for the Rise of Celebrity Lifestyle Brands”.
But while Martha Stewart famously (and accurately!) said in 2013 that “I think I started this whole category of lifestyle,” the concept that Stewart began selling with her first book, 1982’s Entertaining, is a little different from what celeb lifestyle brands are peddling. Stewart—who worked as a model and in the financial industry before becoming Our Lady of the Hospital Corner—became famous due to her lifestyle of perfect taste, immaculate table settings, and painfully severe pie crust prep. In contrast, celebrity lifestyle brands—like Paltrow’s Goop, which launched in 2008 and is widely considered the OG celeb lifestyle site—hinge on the more loaded idea that celebrities have great taste because they’re rich, and if you master that taste and pick up a few celeb-approved luxury items, you might get closer to the lifestyle of an Academy Award winner (without having to do all that pesky acting training).
Despite attracting the attention of many petty haters like myself, Goop is, of course, a resounding success—according to Fast Company, in 2015 the site had one million subscribers and got more than 3.75 million page views each month. But while everyone from Real Housewives to Gossip Girls have followed in Paltrow’s (presumably Louboutin-clad) footsteps in recent years, the roots of the celebrity lifestyle brand don’t lie solely with Stewart—rather, they began in the mid-20th century, with a cookbook.
The first celebrity cookbook was penned by horror film legend and acclaimed mustache expert Vincent Price (or, at the very least, its publisher, Dover, proclaimed it as such in a 2015 press release). Called A Treasury of Great Recipes, the book—which Price wrote with his wife, Mary—drew from their world travels, collecting recipes from high-end restaurants like New York City’s Four Seasons as well as ones that the Prices whipped up while entertaining at home. And the book didn’t just feature cooking instructions; it also included shots of the Prices at play, sipping soup proffered by a waiter in black-tie dress, or simply relaxing in their gorgeously appointed, copper pot-filled kitchen.
[Thanks to John King Tarpinian, Bartimaeus, Cat Eldridge, Martin Morse Wooster, Alan Baumler, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]
(1) COVER GIRL. Maya Kaathryn Bonhoff continues her critique of the clothing (or lack of it) depicted on sff book covers in “There’s a Bimbo on the Cover, Verse 2: The Bimbo Wears Black Leather” at Book View Café.
I may be outvoted, but so far the winner of the award for Wardrobe Malfunction is the Dutch cover of Vonda McIntyre’s Dreamsnake (Droomslang in Dutch). Vonda assures me that she has no problem with full frontal nudity. She does, however, have a problem with full frontal nudity that is nowhere in the book.
(2) ELLISON KICKSTARTER. Jason Davis, needing to squeeze out another $17,000 to reach the Harlan Ellison Book Preservation Kickstarter’s $100,000 goal, sent an e-mail to his list reminding them about the donor perks. This one’s my favorite —
$300 — A Piece of the Puzzle, signed by Harlan: In the earliest days of HarlanEllisonBooks.com, Harlan entrusted to me an unusual item: a book of New York Times crossword puzzles. All the puzzles were completed between 2010 and 2011, and Harlan had signed and dated each page.
(3) HINES CONTINUES CHARITY AUCTION. Jim C. Hines fundraiser for Transgender Michigan is in its second day, auctioning a Tuckerization and Autographed ARC from A. M. (Alyx) Dellamonica.
Full details and bidding instructions at the site.
(4) BRANDON SANDERSON’S BOOK TOUR SCHEDULE. Tachyon Publications knows where you can find Brandon Sanderson on the road, from Seattle to Hoboken.
(5) THE SOUND AND THE FURY. The print edition is on the way for a novella that, unusually, was first offered as an audiobook: “Subterranean Press Announces Print Edition of John Scalzi’s The Dispatcher“ (Tor.com).
As promised, John Scalzi’s new novella The Dispatcher, originally released as an audiobook from Audible, will also be available in print. Subterranean Press announced today that it will publish The Dispatcher in May 2017, in both trade hardcover edition as well as a limited signed hardcover edition.
Subterranean Press shared the cover, by Vincent Chong, who also handled interior illustrations. The trade edition is a fully cloth bound hardcover edition; 400 limited-edition versions are signed numbered hardcover copies, bound in leather.
(6) KOWAL’S LADY ASTRONAUT PROGRAM. Tor.com also brings word of a “New ‘Lady Astronaut of Mars’ Book Series Coming, Based on Hugo-Winning Novelette”.
Tor Books is happy to announce that author Mary Robinette Kowal will build on the universe of her Hugo Award-winning novelette “The Lady Astronaut of Mars” with two new books coming in 2018!
From Kowal: “I jokingly call the Lady Astronaut universe ‘punchcard punk’ because it’s rooted in the 1950s and 60s. It’s a chance to re-imagine the science-fiction of Ray Bradbury and Cordwainer Smith, where all of the science was very physical and practical.”
The novels will be prequels, greatly expanding upon the world that was first revealed in “Lady Astronaut”. The first novel, The Calculating Stars will present one perspective of the prequel story, followed closely by the second novel The Fated Sky, which will present an opposite perspective; one tightly woven into the first novel.
(7) THORNTON OBIT. From The Hollywood Reporter: “Ron Thornton, Emmy-Winning Visual Effects Guru on ‘Babylon 5,’ Dies at 59”:
Ron Thornton, an Emmy-winning visual effects designer, supervisor and producer who worked on such shows as Babylon 5 and Star Trek: Voyager, has died. He was 59.
Thornton, often credited with bringing the power of CGI to television visual effects, died Monday at his home in Albuquerque, N.M., after a short battle with liver disease, his friend, veteran VFX supervisor Emile Smith, told The Hollywood Reporter.
Thornton received his Emmy for the 1993 telefilm Babylon 5: The Gathering (the pilot for the series) and also was nominated for his work on episodes of Star Trek: Voyager and Buffy the Vampire Slayer and on the 2002 telefilm Superfire.
(8) TODAY’S BIRTHDAY BOLT BOY
(9) THANKSGIVING DAY TV MARATHONS. The Los Angeles Times says “’Mystery Science Theater 3000′ returns with new blood for the Turkey Day marathon”:
Twenty-eight years ago the little science fiction show that could, “Mystery Science Theater 3000,” premiered on Thanksgiving Day. It all started with one Earthling, series creator Joel Hodgson, and his gang of lovable robot puppets. Together they drifted through space in the “Satellite of Love,”…
In Los Angeles, we also have KTLA’s annual 18-episode marathon of Rod Serling’s classic anthology series “The Twilight Zone.” 9 a.m. to 6 p.m.
RETRO MARATHON MAN. This will be the first Thanksgiving since File 770 contributor James H. Burns passed away. If he were still with us I know he’d have come up with a brand new way for me to point to his trilogy of articles at The Thunder Child about the era when a New York City TV station persuaded whole families to park in front of the set on Thanksgiving and watch King Kong for the zillionth time.
King Kong in the City: A Thanksgiving Tradition: Burns tells about his father’s affinity for the famous ape movie, and his personal memory of discovering the film on Saturday morning TV in the Sixties. The station was New York’s channel 9 (the former WOR-TV) and in the next decade it broadcast the movie every Thanksgiving, before long adding the sequel, Son of Kong, and 1949’s Mighty Joe Young, another stop-motion animation picture from Kong’s creators. The annual tradition lasted until 1985.
Chris Steinbrunner: A Renaissance of Fantasy: Chris Steinbrunner, an executive with WOR-TV, is according to Burns “one of the great unsung heroes of fandom, who helped run many of his era’s conventions, was an Edgar-award winning author, wrote one of the very first books on science fiction and fantasy movies, published many books (with Centaur Press)… and produced what may well be a lost 007 special!…” Burns says, “My old pal was a pretty neat guy, and a while ago, I was stunned that save for a short Wikipedia entry, there was virtually none of Chris’ history on the web.” Articles like this surely will keep him from being forgotten.
One of the great times Chris and I were together came early one morning in 1983 when we ran into each other high atop the Empire State Building, gathered on the Observation Deck for a special press party commemorating King Kong’s fiftieth anniversary. With the men in suits and the ladies elegantly attired, champagne was poured as we looked towards the bi-planes in the distance, booked especially for the event, that buzzed as though in a dream, above the shores of Manhattan.
When someone asked Chris about Kong Thursdays, he replied, as he almost always did, with a quick pause, a sudden smile, and said: “King Kong on Thanksgiving…? Whoever would have thought of such an odd idea?”
Meanwhile, At the Empire State Building: The third installment is about the Empire State Building and Fay Wray.
(10) BANG BANG. Jonathan McCalmont of Ruthless Culture delivers two cheap shots for the price of one tweet.
File 770 continuing to send traffic to Sad Puppy sites. Useful both for acquiring Sad Puppy Hugo nominations and normalising fascism.
— Jonathan McCalmont (@ApeInWinter) November 23, 2016
(11) A BEASTLY MOVIE. Book View Café’s Steven Harper Piziks has seen it – “Fantastic Beasts and Where to Find Them–An Extensive Review” (beware spoilers).
Is there good stuff? Sure. It’s fun to see the Harry Potter world in 1920s America. The movie focuses on magical animals instead of spells and potions, a potentially fun new area to explore. The effects are lovely. Dan Fogler as Mr. Kowalski is a delight as the stand-in for the audience as he’s accidentally thrust into a wizardling world he can barely understand but gamely does his best to master.
The movie has serious pacing problems. Things take forever to get moving in the beginning. We spend too much time dealing with unimportant issues, like the annoying niffler’s thieving and the preparation of food in a witch’s kitchen, and not enough time on actual plot points, like what the villain wants and how he intends to get it. The latter is annoyingly muddled and confused. Less time on special-effects creatures and more time on human character development would have been a better scripting choice.
(12) EVERYBODY NEEDS A HOBBY. “Mr. Night Has The Day Off,” on Vimeo, is a charming cartoon from Lithuania about what happens when Night wanders around during his day off and zaps things (cars, clothes) black.
(13) THE GHOST OF CHRISTMAS PRESENT. Is there anyplace where the grapes have more wrath than Westeros? Now you can buy Game of Thrones wine, albeit at Lannister prices.
Vintage Wine Estates announced that they’ve partnered with HBO to release three different officially licensed Game of Thrones wines—a Chardonnay (suggested retail $19.99), a Red Blend (suggested retail $19.99) and a Cabernet Sauvignon (suggested retail $39.99). We haven’t heard Tyrion mention a preferred varietal, but based on his wine habit it seems safe to assume he’d back all of these.
(14) THE GHOST OF CHRISTMAS GIFT PAST. A computer that can fit in your pocket – if you’re Captain Kangaroo – and at such a reasonable price! Of course, that’s back when $169.95 really was worth $169.95…
[Thanks to John King Tarpinian, Martin Morse Wooster, Mark-kitteh, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]
(1) READERCONTROVERSY. Mikki Kendall’s “#Readercon: Low Point & Lessons” rounds out an ongoing conversation about a panel at last weekend’s con.
For those who weren’t at Readercon—or who didn’t attend the Beyond Strong Female Characters panel—Sabrina Vourvoulias’ post lays out the panel I was going to write about as my low point for the weekend. I expect a certain amount of fail at sci fi conventions, and as failures go this wasn’t one of the majors for me. (Ellen Kushner has already apologized to me on Twitter, and I will be talking to her shortly after this post goes live. I accept the apology and this post isn’t really about Ellen so much as the phenomenon she was a part of at this particular panel.)….
Ultimately, cons are supposed to be fun. They’re a chance to meet people who love the same kinds of things that you do, a chance to geek out with them about whatever it is that you love. They are also a major part of networking in the industry. You can share a table with an agent, an editor, and your potential audience. Cons are important for fans, for authors, for the publishing industry as a whole.
Dissuading new authors and fans from con spaces this way won’t keep them out of publishing. It might make it more difficult, it might make for fewer amazing stories. But mostly it will make for the end of con culture. Maybe that’s the point. If the panels aren’t welcoming, if some con spaces feel closed, then as sad as it might be to lose con culture, maybe that’s for the best because endlessly fighting for space at the table is energy that can be used to build a new table.
(2) POLLBUSTERS. FiveThirtyEight uses Ghostbusters as a springboard to examine the problems with online ratings systems.
But this “Ghostbusters” thing? It lays bare so, so much of what we’re investigating when it comes to the provenance and reliability of internet ratings.1 Namely, they’re inconsistent, easily manipulated and probably not worth half the stock we put in them.2 Here are a few stats I collected early Thursday for the new “Ghostbusters” movie:
- IMDb average user rating: 4.1 out of 10, of 12,921 reviewers
- IMDb average user rating among men: 3.6 out of 10, of 7,547 reviewers
- IMDb average user rating among women: 7.7 out of 10, of 1,564 reviewers
The movie isn’t even out in theaters as I’m writing this, but over 12,000 people have made their judgment. Male reviewers outnumber female reviewers nearly 5 to 1 and rate “Ghostbusters” 4 points lower, on average.
(3) STUDYING THE HISTORICAL DOCUMENTS. This week on James Davis Nicoll’s Young People Read Old SF the panel looks at Isaac Asimov’s “Nightfall”. Jamie comments —
I’ve actually read this one before, in a collection of Asimov stories. I had forgotten the details but knew what the big reveal was. Maybe because I read and liked the Foundation stories I don’t find the prose in this story so foreign. And foreign is the word for all these stories. They were clearly written by people who lived in a different time and place. People just don’t speak like that anymore and writers don’t write dialogue like that anymore.
The format is one that I’ve seen in other stories, a journalist chasing a story as a means to give the scientists someone to explain to. It’s a good trick, and kept the story moving.
(4) MANY AUTHORS NOTIFIED. Bence Pintér sent the link to the final article in his investigation of a Hungarian sf magazine – “Piracy by Galaktika: They Are Doing It Since 2004”.
Galaktika placed emphasis on reprinting stories by the grand masters of sci-fi, fantasy, horror genres dating back to even the 19th century. This can be witnessed from the very beginning when in the first edition in November 2004 authors such as Arthur C. Clarke, Stephen Baxter, Isaac Asimov, Robert Sheckley and Poul Anderson were included. We were able to reach the agencies of Poul Anderson, Stephen Baxter and Arthur C. Clarke, who stated that Galaktika magazine had no right to publish their clients’ work (not only in this case, but in all concerned cases). The agency representing the Asimov estate has only recently taken control and therefore was unable to give a statement.
When we last contacted the agency representing the Anderson estate (and fifteen other affected authors), they claimed that negotiations were underway with the publisher – more on that at the end of the article. The agency representing the Clarke estate stated that after our first article on this issue all previous debt was settled by the publisher. ?Copyright protection is essential to the survival of these stories and our industry, and we are very reassured to know that there is such a strong SF community in Hungary which is holding those like Galaktika to account for their actions? – stated that representative of the company towards Mandiner. We also inquired towards the books of Arthur C. Clarke reprinted by Galaktika. It turned out that besides the reprinted short stories, there was also at least one novel that needed to be discussed between the parties; but we have no further information about this issue. (Sources tell us that this novel may be 2001: A Space Odyssey reprinted last year.)
Coming back to the grand masters: besides Clarke, Anderson, and Baxter, the agencies of Terry Pratchett, George R. R. Martin, Robert J. Sawyer, Theodore Sturgeon, Robert Heinlein, Nancy Kress, Jack Williamson, Michael Flynn, Kim Stanley Robinson, Hal Clement, Leigh Brackett, Cordwainer Smith, Philip José Farmer, Jack McDevitt, Robert Silverberg, Connie Willis, Jack Vance and Richard Matheson also gave no permission for the reprinting of the authors’ works; similarly, Larry Niven was also not informed that his works were being reprinted. Vance’s agency later informed us that the two parties came to an agreement. A regularly occurring author was Michael Swanwick, winner of the Nebula Award and nominee for many others; he too was oblivious to his works being reprinted; neither were the successors of Philip K. Dick or Tanith Lee informed. These authors alone had a work reprinted nearly every year, all of which were illegal. This however is only the tip of the iceberg….
(5) AMAZON BITES. Mary Rosenblum’s guest post at the SFWA Blog, “Amazon Bites Author”, argues that a client’s receipt of a warning letter that they were about to suspend his Amazon account and stop selling his books shows writers can innocently run afoul of the online bookseller’s anti-fraud algorithims.
Meanwhile, I’ve been changing my client advice for career authors regarding Amazon.com. I no longer suggest going the Select/KU route. Clearly, Amazon is casting a net for scammers there and if you use book discounters and other promotions well, you may find yourself in Brad’s shoes. You can make your ebook free in other ways. Use the book discounters and free downloads to reach a lot of new readers and stay off the KU system. If your book is good and readers like the freebie, they’ll pay for the next book and become loyal fans.
Here are my new ‘rules’. It’s a depressingly long list, isn’t it?
- Never offer any kind of thank you gift, incentive, or what have you for a review.
- Never post a free book offer on your Facebook page to solicit reviews.
- Use only the email list you’ve acquired from your website (and this is why that list is SO important) to send an offer of an epub or mobi or pdf copy of the new book to those people and ask them to review the book when it’s out.
- Never ask for a positive review, only ask for an honest review.
- Never let family members review your book.
- Never use a paid review service.
- Use only honest book discounters such as Fussy Librarian and BookBub.
- Never swap reviews with other authors.
(6) HARDY OBIT. Robin Hardy, director of the horror film The Wicker Man (1973), died July 1 at the age of 86.
When Mr. Hardy, a television director, decided he wanted to make a horror film, he found an enthusiastic collaborator in Anthony Shaffer, who wrote the play “Sleuth” and the screenplay for the Alfred Hitchcock film “Frenzy.” Mr. Hardy and Shaffer, partners in a production company, were avid fans of the horror films made by Hammer Studios. Together they set about making a film that would take the Hammer approach in a new direction.
Shaffer, using the novel “Ritual” by David Pinner as a basis, came up with the story of a devout Christian policeman, Sergeant Neil Howie, who travels to a Scottish island to investigate the disappearance of a girl. In Mr. Hardy’s hands, the island and its inhabitants — led by the priestlike Lord Summerisle, played by Christopher Lee, took on a mystifying aura, with bizarre events unfolding….
(7) TODAY’S BIRTHDAY BOY
(8) ANIME. Petréa Mitchell runs down more than 20 stfnal anime premieres for Amazing Stories.
Gray-man HALLOW premiere – In Fairytale Britain, a villain called the Millennium Earl is creating demonic constructs and sending them out to take over the world or somesuch. Opposing him is a vaguely religious order armed with everything from magical powers to amped-up mundane weapons. At the center of it all is Allen Walker, a particularly talented exorcist, who is slowly being taken over by the personality of one of the Milliennium Earl’s former allies. There are people in the power structure moving against him, and something unfortunate is about to happen to his mentor.
While most of this episode is spent catching new viewers up, there’s still room for some supernatural monster-killing action. It does a decent job at both. All around, it’s a perfectly serviceable action-adventure.
The big caveat for a Western audience is that it takes the European setting and religious trappings and does very weird things with them. It operates at about the same level of fidelity in its depiction of Japanese culture as a typical Western cartoon.
(9) PUMPKIN IS THE NEW ORANGE. The Halloween Daily News urges one and all to sign a petition to make Ray Bradbury’s favorite day of the year a real holiday. (They don’t mention Ray, but we know it’s true.)
Have you ever wished that your favorite day of the year, Halloween was recognized as an actual federal Holiday like Christmas and Thanksgiving? Of course you are not alone, and one person is taking this request to the White House in the form of an online petition that needs at least 100,000 signatures by July 25 to be taken seriously. But we can do that, right?
(10) THE VOTE. Hugo ballot picks for Novella by Jonathan Edelstein.
I wasn’t able to put the best novella of 2015 on the top of my Hugo ballot, because that story, The Pauper Prince and the Eucalyptus Jinn by Usman T. Malik, didn’t make the finals. That said, I can’t complain too much about the choices I had: the novella can be an awkward length, but most of this year’s entries carried it off and some were very good indeed.
(11) TEMPERATURE RISING. Kate Paulk’s comments in “Hugo Finalist Highlights – Best Short Story and Best Novelette” for once venture beyond indifference. There were some stories she even warmed up to.
“Cat Pictures Please” by Naomi Kritzer (Clarkesworld, January 2015) – Another cute piece, but with a liberal side of “hmm” that kept me thinking after I’d finished. This is one of my personal contenders for this category.
(12) THE ANSWER MY FRIEND. Teri Windling shares ancient knowledge in “Hedgies”.
“Aristotle says that hedgehogs can foretell a change of wind,” writes mythologist J.C. Cooper, “and accordingly shift the outlook of their earth-holes.”
(13) SIDE OF HAM. Entertainment Weekly’s view is that “Star Trek II: The Wrath of Khan is a movie about acting”.
For the moment, stuff the subtext: The Kobayashi Maru is a scene about the Enterprise crew – highly-skilled space-naval pioneer coworkers – putting on a show. They’re performing. And “performance” is both running plot point and underlying theme in Wrath of Khan. Khan fools Kirk with a performance, and Kirk fools Khan with three performances. In the second scene, Spock performs the opening lines from A Tale of Two Cities: “It was the best of…” etc. In the penultimate scene, Kirk quotes Dickens’ closing: “It is a far, far better…” etc.
(14) ABOUT FACE. Handimania supplies a recipe for the head in a jar prank.
The thing is to blend two pictures together in order to prepare flat image of a human head. Afterwards, the photo has to be laminated and placed in a jar filled with fluid to create the illusion of a decapitated head. This nasty prank was prepared by Instructables’ user, mikeasaurus, who advises to personalize the gag for the best effect.
(15) E.T. ON LINE 1. Listserve knows “10 Bizarre Ways Scientists Believe Aliens Will Contact Us”
- Flashing A Billion Stars
Astrophysicist Ragbir Bhathal works with SETI to scan the skies for possible communications from extraterrestrial intelligence. Unlike most SETI facilities, which look for radio signals, Bhathal’s facility looks for laser pulses at his lab. The pulses sweep a nearby volume of space—within about 100 light-years—to find laser bursts that come in regular patterns. Scientists are now capable of detecting signals as faint as a single photon of light every few fractions of a second.
Lasers can, in principle, help transmit messages over extraordinary distances. While scientists have monitored a large number of stars looking for alien laser signals—like the facilities at Harvard and Princeton that scanned more than 10,000 Sun-like stars for several years—no evidence for any alien communication has been found.
(16) RESPECT. In “Should Pokémon Go?”, Kim Stahl offers a defense of Pokémon Go at the Holocaust Museum.
Following the articles about the D.C. Holocaust museum’s reaction to Pokémon Go, it struck me how very differently game-theory people and other people react to what’s going on with this game. The spots in the museum have been targets in another game (Ingress) for a few years, apparently without incident. Hundreds of thousands of people play that game, and many have played it inside the museum. But Pokémon is a very different sort of game. It is much more popular, and appeals to younger people, and unlike a game that is essentially a game-ified version of Geocaching, Pokémon is lighthearted and people are excited about it because it is new….
But the important difference I’m seeing is that the challenge the museum is facing made me think “great! People are visiting a place with so much to teach them because of the game! Now, how should they take the next step to encourage appropriate behavior from those visitors?” In other words, “how could the museum gamify getting the behavior they want from visitors instead of the behavior they don’t?” Quiet, respectful behavior and attention to the exhibits presumably.
When I was in Milan, one of the official pamphlets from the Duomo had information for Ingress players about a mission there. One of the most famous cathedrals in the world, a historical wonder intended for silent, respectful contemplation of God, used a game to get more people to visit and to get them to see the best parts of the church. That surprised and impressed me, of all of the places I would expect to clamp down on frivolous things or modern things, instead they embraced the possibilities.
(17) GO FOR PARENTS. Matthew Johnson wrote “A Parents’ Guide to Pokémon Go” for MediaSmarts.
Over the last week our world has been invaded: cute cartoon creatures can now be found lurking in parks, restaurants, museums, and even people’s houses. If you haven’t seen them, it’s because they’re only visible on a smartphone screen, and only if you’re playing the new game “Pokémon Go”.
While most parents are probably at least a bit familiar with the thirty-year-old Pokémon franchise, Pokémon Go is something new: the first widely popular alternate reality game (ARG). These games use GPS and similar location-finding technologies to overlay a game onto the real world. As a result, both public spaces and news stories have filled up with people looking to “catch ‘em all.”
Although most people playing Pokémon Go are probably adults, Pokémon’s popularity among kids means that many of them will want to play it too. Here’s a quick rundown on what to consider if your kids ask if they can play: ….
(18) POKESONG. Then Matthew Johnson took a break and insta-filked a bit of Pokémon trivia.
Darren Garrison on July 14, 2016 at 5:50 am said: My son sez Mew is the rarest Pokémon.
Okay, somebody, quick–filk “Mew is the rarest Pokemon” to the tune of “One is the Loneliest Number” for Paul_A.
As you wish:
Mew, is the loneliest Pokémon you’ll ever do
Mew is just the saddest one, he’s so lonely that they had to clone Mewtwo
It’s just no good anymore since Mew went away
I spent my time just catching Grimers yesterday
Pokémon Go is the saddest experience you’ll ever know
Yes, it’s the saddest experience you’ll ever know
Because Mew is the loneliest Pokémon
Mew is the loneliest Pokémon
Mew is the loneliest Pokémon you’ll ever do
[Thanks to John King Tarpinian, Aziz Poonawalla, Chip Hitchcock, Will R., and Petréa Mitchell for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]
(1) HEARTS MADE OF TIN. David Brin says robots will be so charming they won’t have to conquer us physically, in “Endearing Visages”.
I’ve been pondering Artificial Intelligence or AI a lot, lately, with several papers and reviews pending. (Indeed, note who is one of the ‘top ten people followed by AI researchers.’) One aspect that’s far too-little discussed is how robots are being designed to mess with human emotions.
Long before artificial intelligences become truly self-aware or sapient, they will be cleverly programmed by researchers and corporations to seem that way. This – it turns out – is almost trivially easy to accomplish, as (especially in Japan) roboticists strive for every trace of appealing verisimilitude, hauling their creations across the temporary moat of that famed “uncanny valley,” into a realm where cute or pretty or sad-faced automatons skillfully tweak our emotions.
Human empathy is both one of our paramount gifts and among or biggest weaknesses. For at least a million years, we’ve developed skills at lie-detection (for example) in a forever-shifting arms race against those who got reproductive success by lying better! (And yes, there was always a sexual component to this.)
But no liars ever had the training that these new, Hiers or Human-Interaction Empathic Robots will get, learning via feedback from hundreds, then thousands, then millions of human exchanges around the world, adjusting their simulated voices and facial expressions and specific wordings, till the only folks able to resist will be sociopaths. (And sociopaths have plenty of chinks in their armor, as well.)
(2) READERCON. A lot of good tweets coming out of Readercon this weekend. Here’s a small sampling.
— Fran Wilde ????? (@fran_wilde) July 9, 2016
— Sara (@leprechaun42) July 9, 2016
(3) THE TWINKIE OFFENSE. Hostess has marketed two new Twinkie flavors to celebrate the release of the new Ghostbusters movie — Key Lime Slime and White Fudge Marshmallow.
The Stay Puft Marshmallow Man wouldn’t be able to contain himself! Or maybe he would — isn’t that kind of like cannibalism? Either way, if you like marshmallows, you are going to like these Twinkies.
(4) FEZ CLAIM TO FAME. Closed for renovation in 2012, the world’s oldest library in Morocco reopened this year.
A wealthy Tunisian merchant’s daughter, Fatima al-Fihri, founded al-Qarawiyyin University as a mosque in 859 CE. By the 10th century, Atlas Obscura reports, it grew into a full-fledged university with a library. Today, it’s considered to be the world’s oldest existing and continually operating institute of higher education, as well as the first degree-awarding educational institution. Eventually, the University of al-Qarawiyyin moved to another location in Fez, but the mosque and library remained at the original site.
(5) CROTCHETY DOESN’T MEAN WRONG. Steve Davidson has a point – “Pay for the Privilege” at Amazing Stories.
…sometimes a new way of doing things comes along and it is Just. Not. Right.
Take the internet as a perfect example.
Why are we all still individually paying for it?
It watches and records us without our consent. Data miners have found all manner of ways to entice us into revealing even more behaviors and data through the internet of things. Those useful, free apps and games aren’t really free, are they?
Aggregated data and its derivatives are both earning and saving business concerns billions of dollars annually. And we’re just in the infancy of this technology.
(6) MONKEYING AROUND. Those with Facebook accounts might get a kick out of the Turner Classic Movies video of Dr. Zaius sharing stories about working with Charlton Heston on the set of Planet of the Apes.
(8) PHYSICIST WHO DID FANAC. Sidney Coleman remembered on the Not Even Wrong blog.
A couple months ago there was a session at an APS meeting with the topic Sidney Coleman Remembered. Slides are available for talks by Coleman’s student Erick Weinberg and colleague Howard Georgi. Georgi has recently posted a written version of the talk here. He also a few years ago wrote this biographical memoir about Coleman for the National Academy of Sciences.
David Derbes and collaborators [see comment section for details] are putting together a book version of Coleman’s famous lectures on quantum field theory, hope to be finished with this by the end of the summer.
Coleman was a long-time Boston fan and a founder of Advent:Publishers.
(9) FEYNMAN TALES. Nobel laureate Frank Wilczek writes in Quanta Magazine “How Feynman Diagrams Almost Saved Space”. The story begins in 1982 when Wilczek asked Feynman, “Why doesn’t empty space weigh anything?”
I asked Feynman the most disturbing question in physics, then as now: “There’s something else I’ve been thinking a lot about: Why doesn’t empty space weigh anything?”
Feynman, normally as quick and lively as they come, went silent. It was the only time I’ve ever seen him look wistful. Finally he said dreamily, “I once thought I had that one figured out. It was beautiful.” And then, excited, he began an explanation that crescendoed in a near shout: “The reason space doesn’t weigh anything, I thought, is because there’s nothing there!”
(10) BEAGLE COMING TO SDCC. Peter S. Beagle will be at Comic Con 2016, participating in a panel entitled “Creating Your Own Universe”, in addition to signing autographs and meeting fans at his table.
His first novel in well over a decade, Summerlong, will be released September 15 on Tachyon.
(11) SULU STILL BEING DEBATED. Adam-Troy Castro answered a reply to his post about Sulu being revealed as a gay character in Star Trek Beyond.
Concerned STAR TREK fan in a thread, on the revelation of Sulu’s sexuality:
“It is also pointless for the story to just make the character gay for no other reason than to be so. Is important to the plot? Does it advance the story somehow? This is ultimately the only way it would make sense.”
What you’re talking about is the principle of Chekhov’s Gun. Not Pavel Chekov, but Anton Chekhov, who held that if you put a gun on the mantelpiece in one scene, then at some point somebody was going to have to take it down and fire it.
What perplexes is just how any STAR TREK character’s homosexuality could possibly “be important to the plot” or “advance the story somehow.”….
In the original series, one crew member being Asian, another being Scottish, another being a southern gentleman, another being Russian, another being African, was all texture. It was there, and then for the most part unremarked-upon, because Gene Roddenberry wanted to establish, within the boundaries of his time, that in the far future he wished to present, this was nothing unusual. (And even then, we had manifestations of his time’s near-sightedness, as when Janice Lester bitterly complains that the profession of starship captains is closed to women.)
Similarly, that brief shot of Sulu’s husband does not “advance the plot;” chances are that there will be no action climax where the ship can only be saved by the two of them having sex atop the warp nacelles. It does, however, provide more texture to the hypothetical universe around them, by establishing for the first time ever that Sulu has a personal life, that he must leave his family behind every time he goes on some mission for Kirk’s glory, that in the utopian world where he lives a marriage like his is just something that exists and that it is not remarked-upon as unusual, by anyone.
(12) ALL’S QUIET ON THE DRAGON FRONT. Nominations for the inaugural Dragon Awards close on July 25, just a little over two weeks from now. If anybody’s excited about that, they’re mostly keeping it a secret from the internet.
Declan Finn wrote a long post about what to vote for so that he could ask people to nominate his book Honor at Stake (which is absolutely fine under the rules). Then he used the Sad Puppies list as a memory prompt for the rest of his suggestions.
Alfred Gennesson’s picks for the new Dragon Awards led off with John C. Wright, Larry Correia, and Rod Walker (published by Castalia House). Then he signed off with these thoughts —
I like the Dragon Awards already. Quality indicators for the year are going to be more honest than Hugo/Nebula, just in nomination process. And those ignore games. When you play Social Justice, the world loses.
Two other writers are looking for support on Twitter —
— A.J. Hartley (@authorajhartley) July 7, 2016
— Alethea Kontis (@AletheaKontis) July 8, 2016
However, since June 1, the only tweets about the Dragon Awards other than from people already mentioned were generic calls to vote from Larry Correia and Daddy Warpig.
(13) FELAPTON SPEAKS. Camestros Felapton reviews all five Hugo-nominated Novellas.
I think this is one of the most interesting categories this year. Each one of the nominees is a plausible candidate as a finalist but there isn’t a real stand-out winner. Three out of the five are by well-established writers and two are by newer writers. The least good (IMHO) has some excellent writing and made me want to read more by the same author. The best felt lacking in places and didn’t hit knock-your-socks-off great.
(14) STATE OF MIND. The Publishers Weekly story poses the question “Was Philip K. Dick a Madman or a Mystic?”, but do we really have to ask?
In The Divine Madness of Philip K. Dick, Kyle Arnold delves into the complicated psyche of one of the 20th century’s most important writers. At the center of the subject is the profound vision Dick experienced in 1974, which he referred to as “2-3-74.” Arnold, a psychologist at Coney Island Hospital and Clinical Assistant Professor of Psychiatry at SUNY Downstate Medical Center, explains the experience and its significance.
In February of 1974, Philip K. Dick was home recovering from dental surgery when, he said, he was suddenly touched by the divine. The doorbell rang, and when Dick opened the door he was stunned to see what he described as a “girl with black, black hair and large eyes very lovely and intense” wearing a gold necklace with a Christian fish symbol. She was there to deliver a new batch of medications from the pharmacy. After the door shut, Dick was blinded by a flash of pink light and a series of visions ensued. First came images of abstract paintings, followed by philosophical ideas and then, sophisticated engineering blueprints. Dick believed the pink light was a spiritual force which had unlocked his consciousness, granting him access to esoteric knowledge.
(15) ASIMOV SINGS! Fanac.org has uploaded a third segment of sound recording of the 1971 Hugo Banquet at Noreascon.
Banter and badinage from Robert Silverberg and Isaac Asimov, and the awarding of the Hugos. Asimov sings!
(16) RENT LONG AND PROSPER. Treknews featured this movie-related promotion.
In the commercial, entitled “Business Is Going Boldly,” Enterprise employees are shown beaming, speaking Klingon in the break room and renting the Starship Enterprise to customers.
Remember, the Romulans always get the damage waiver.
As we’ve previously reported, select Enterprise locations will have Star Trek related signage, plus Enterprise airport shuttle buses in New York City and Philadelphia will be wrapped with images of the U.S.S. Enterprise and the phrase: “Until We Can Beam You Up, We’ll Pick You Up”.
The dialect jokes are amusing, but should Enterprise Rent-A-Car really be renting starships to Klingons?
[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson. (OK Steve – now it’s up to you whether you record a hat trick.)]