Jonathan Edelstein explains, “I was wondering how I was going to stage-manage one of these, but Maya obliged me on her own.”
Photos of other felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
(1) ABIGAIL NUSSBAUM. Last year’s Best Fan Writer Hugo winner announced that she won’t accept a nomination this year.
Third, this is something that I was pretty sure I wanted to do last August, but I gave myself some time to consider it, and now I’m certain: I’d like it known that if I were to receive a nomination in the Best Fan Writer category for the 2018 Hugos, I would respectfully decline the nomination.
I’ve debated with myself about whether and how to make this announcement. Not, to be very clear, because I’m uncertain about not wanting to be a nominee again. Without sounding like I’m complaining–since it all turned out so wonderfully in the end–being a prospective and then actual Hugo nominee is one of the most stressful experiences I’ve ever had. It certainly didn’t help that the period during which I became a viable candidate coincided so perfectly with the various puppies’ campaign against the awards, so that on top of the regular pressures of will I be nominated/will I win, I spent a lot of my time wondering whether my nomination would be scuttled by a fascist terror campaign (which is, in fact, what happened in 2015 and 2016). By the time 2017 rolled around, I had been on the Hugo merry-go-round for four years, and it was pretty hard for me to enjoy the convention or the lead-up to the awards from wondering whether this was finally going to be my year.
So while I may one day want to be nominated for the Hugo again (and maybe in another category too, if I’m eligible), I have no interest in going through the whole rigmarole again so soon, and especially when you consider that there are several other great potential nominees whose crack at the Hugo was scuttled by puppy interference. It seems like absolutely the right thing to stand back.
(2) GEORGE R.R. MARTIN. Martin, in his Hugo eligibility post, asks people not to nominate A Song of Ice and Fire for Best Series — but feel free to nominate “The Sons of the Dragon” for novella. (Following this excerpt, he has more to say about the Best Series category itself.)
The only writing I had published in 2017 was “The Sons of the Dragon,” which was published in THE BOOK OF SWORDS, Gardner Dozois’s massive anthology of original sword & sorcery stories. Like “The Rogue Prince” and “The Princess and the Queen” before it, “Sons” is more of my (fake) history of the Targaryen kings of Westeros. By length, it is a novella… but it’s not a traditional narrative. By design, it reads like history, not fiction; but since the history is entirely imaginative, it’s still fiction, even if dressed up as (fake) non-fiction.
It has been pointed out to me that the publication of “The Sons of the Dragon” makes the entirety of A SONG OF ICE AND FIRE eligible to be nominated as Best Series. I suppose that’s so. All I can say to that is: please don’t. If you like fake history and enjoyed “The Sons of the Dragon,” by all means nominate the story as a novella… but it’s really not part of A SONG OF ICE AND FIRE, and sneaking in the entire series by means of a technicality seems wrong to me.
(3) TRADEOFFS. I was interested to see Abigail Nussbaum and I had the identical thought about this piece of news.
OK, look: clearly no one wants a Benioff & Weiss Star Wars, but I'll take it if that's the price for never hearing about Confederate again.
— Abigail Nussbaum (@NussbaumAbigail) February 6, 2018
(4) FULLER BRUSH-OFF MAN. Two showrunners have left the building: “Apple’s ‘Amazing Stories’ revival loses showrunner Bryan Fuller”.
Apple has yet to launch any of the original shows funded by its $1 billion war chest, but it’s already losing part of its production team. Hollywood Reporter has learned that showrunner Bryan Fuller (of Star Trek and American Gods fame) has left Steven Spielberg’s Amazing Stories revival for the tech giant. The departure was “amicable,” according to sources, and stemmed from creative differences. Reportedly, Fuller wanted to make a Black Mirror-style show that wasn’t what Apple intended.
Fuller wasn’t new to the Amazing Stories continuation. He’d been around since 2015, when the series was attached to NBC and Spielberg wasn’t involved. He’s had some relatively short stints lately: he was booted from American Gods after the production company wanted to reduce the per-episode fee, and left Star Trek: Discovery over cost and casting issues with CBS.
The Hollywood Reporter source story has added this update:
Hart Hanson, who had partnered with Bryan Fuller on Amazing Stories, has also exited the anthology as Apple and producers Universal Television are now searching for a showrunner.
(5) HOOKED. K.M. Alexander argues “Your Fave is Problematic—That’s Okay”.
My favorite character from A Song of Ice and Fire, George R. R. Martin’s fantasy epic, is Jaime Lannister, the heir to the Lannister family, Knight of the Seven Kingdoms, and an all-around terrible person. No, really. There are forum threads dedicated to his awfulness, and I don’t disagree with anything they say. He is awful; that’s not up for debate. But I don’t care; I still like him. There is something about his wit, his tenacity, his strange sense of honor, and his odd drive to do right by his family that draws me in as a reader. He’s my favorite.
In his Banquet Speech, William Faulkner observes good writing as “the human heart in conflict with itself.” I adore that line. As a character, Jamie embodies that for me. There is so much to loathe but a lot to like. It makes him complicated, and it makes him human. However, in some circles, my statement draws ire. How can I enjoy reading about someone so terrible? After all, he is someone who symbolizes the opposite of many values I hold dear. To those people, it doesn’t make sense; it feels two-faced and hypocritical.
These voices are nothing new. I remember hearing them as a kid from conservatives, and I’ve heard them as an adult from progressives. Recently they’ve become particularly pronounced on social media, shouting down and hunting those who dare explore life through the lens of problematic fiction. Over the last few years, I’ve seen several authors attacked—on social media, within articles, in reviews, and on blogs. Fans have gone after them for the problematic circumstances, events, and behavior of characters within their novels. It’s not surprising; it’s an extension of the same attitude we have seen play out in the social sphere. In addition to holding real-life humans accountable, fandom is now trying to hold fiction accountable….
(6) SIGNING OFF. The Geek Feminism Blog says they are “Bringing the blog to a close”. No specific reason given, but they did take a look back —
Alex Bayley and a bunch of their peers — myself included — started posting on this blog in 2009. We coalesced around feminist issues in scifi/fantasy fandom, open culture projects like Wikipedia, gaming, the sciences, the tech industry and open source software development, Internet culture, and so on. Alex gave a talk at Open Source Bridge 2014 about our history to that point, and our meta tag has some further background on what we were up to over those years.
(7) NEXT IN THE JURY BOX. A new Shadow Clarke juror greets the readers: “Introducing Samira Nadkarni”.
More than anything else, community as a space for discussion and critique forces an awareness of frameworks. A friend, Shabnam, once took a lot of time to point out to me that my excitement about a book that I believed destabilised gender and problematised caste in Indian contexts was, in fact, written to privilege the upper caste cis gaze. Her emphatic point at the time was that if someone mentions a gender and caste dystopia, I should look at whose interests are being played to, and that if the book couldn’t decenter the very idea of cis and caste-based constructs of gender, then this book was not innovative in its destabilisation at all. While this was applied to a specific book series, it was an excellent lesson to take away, learn from, and cross apply to future criticism: the fact that stepping away from standard representation itself is not enough until we think about who it privileges and what it says.
These are big questions for me, and I think also big questions more generally, about how inclusion can be kindness and violence all at once, and how navigating that critically can be fraught. For me in particular, I have strong feelings about postcolonial SFF writing in general (and this is primarily what I read in my spare time), and this also forces me to recognise how this is playing to a different set of privilege systems locally that can continue to foster violent hierarchies, or aren’t being dealt with or made visible enough yet. It’s complicated and I’m honestly not equipped to do it alone.
(8) TODAY IN HISTORY
(9) COMICS SECTION.
(10) SUPER BOWL BET. Here’s how the Boston Public Library paid off after losing its Super Bowl bet.
Yes, we lost a bet.
— BostonPublicLibrary (@BPLBoston) February 5, 2018
(11) FREE READS. Asimov’s has made four Locus-recommended stories available as free reads.
Congratulations to the authors of our stories on the Locus Recommended Reading List. We’ve posted the tales here for your enjoyment. If you’re voting in the Locus Poll and you haven’t read the stories or you’d like to refresh your memory please take a look at them now.
BEST SHORT STORY
Persephone of the Crows, Karen Joy Fowler – May/June 2017
(12) BOARD MEETING. “Superdense wood is lightweight, but strong as steel” – Daniel Dern saw the story and asked, “How many existing sf/f ref’s does this conjure up? The first that comes to (my) mind is Howard Chaykin’s Ironwolf comic books… possibly also from Sean McMullen’s Moonworlds Saga, e.g. Voyage of the Shadowmoon.”
Newly fabricated superstrong lumber gives a whole new meaning to “hardwood.”
This ultracompact wood, described in the Feb. 8 Nature, is created by boiling a wood block in a water-based solution of sodium hydroxide and sodium sulfite. The chemicals partially strip the wood of substances called lignin and hemicellulose, which help give wood its structure and rigidity. Then the block gets squeezed between metal plates heated to 100° Celsius at a pressure of 5 megapascals — about 50 times the pressure of sea-level atmosphere. That squashes the gaps between the cell walls in the wood, shrinking the block to about 20 percent its original thickness and making it three times denser.
Researchers found that the densified wood could withstand being stretched or pulled 11.5 times harder than its natural counterpart without breaking. That makes it about as strong as steel, even though it’s more lightweight. Stainless steel pellets fired from an air gun and moving at 30 meters per second easily busted through a typical wooden plank, but got lodged in a stack of densified wood sheets with the same total thickness.
(13) ASIMOV LAUNCHED. From The Verge I Iearned — “The Falcon Heavy test flight included a copy of Isaac Asimov’s Foundation novels”.
SpaceX has just successfully launched its new Falcon Heavy rocket for the first time, and just before launch, the company revealed on its live stream that inside the rather unique cargo of a Tesla Roadster, the company had placed an “Arch” storage system containing Isaac Asimov’s Foundation book series.
An Arch is a “5D, laser optical quartz storage device” that is meant to be able to survive even in the harsh conditions of space, built by the Arch Mission Foundation. The foundation’s goal is to preserve libraries of human knowledge for interstellar travel (and to protect information in the event of calamity to Earth itself). It’s a goal that the group says was inspired by Asimov’s novels, which see mankind working to write an “Encyclopedia Galactica” to protect mankind against a coming dark age.
(14) IT’S OFFICIAL. Netflix has released Marvel’s Jessica Jones – Season 2 Official Trailer.
Jessica Jones is back as New York City’s tough-as-nails private investigator. Although this time, the case is even more personal than ever before. Fueled by a myriad of questions and lies, she will do whatever it takes to uncover the truth.
[Thanks to JJ, Chip Hitchcock, Todd Dashoff, Mark Hepworth, Cat Eldridge, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, Cath, Kevin Mangan, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) THIS IS WHAT YOU NEED, I’LL GIVE YOU WHAT YOU NEED. (click on the date/time stamp to see the whole thread)
Today is a lovely day to give some love to hardworking writers… A thread.
— Marina J. Lostetter (@MarinaLostetter) January 21, 2018
(2) SOUTHEAST ASIAN ANTHOLOGY. Rambutan Literary is launching its first anthology of works curated from its first two years of publishing Southeast Asian literature with a Kickstarter for Shared Horizons: A Rambutan Literary Anthology.
It’s been two great years since Rambutan Literary started publishing work from the global Southeast Asian literary community. We’ve grown from a tiny journal with a handful of readers to a robust, (proudly) small publication with a readership of thousands worldwide. We continue to publish literature from both established and emerging Southeast Asian writers, and we’re even currently sponsoring the Sing Lit Station 2018 Hawker Prize for Southeast Asian Poetry.
As we enter our third year, we want to celebrate the work that we’ve accomplished together, the amazing literature we’ve had the honor to publish, and the awesome writers we’ve gotten to work with by organizing an anthology of some of our favorite pieces from the last two years!
The Kickstarter thus far has achieved $1,224 in pledges toward a $3,370 goal, with 10 days remaining in the campaign.
(3) YOU GOT YOUR POLITICS IN MY SCIENCE-FICTION. At Tor.com, Judith Tarr provides a re-read review of Andre Norton’s Daybreak – 2250 A.D.:
Here, seven years after the bombing of Hiroshima and Nagasaki, Norton gives us the complete destruction of Western civilization and the near-destruction of the human race. She knows about radiation poisoning, she speculates about the range and quality of mutations from it, and she makes it clear that she sees no other end to the atomic age than a cataclysmic blowup.
She also, even before Brown v. Board of Education and right in the middle of the McCarthy era, made clear that the future will not be pure white, though it may be relentlessly patriarchal. Her hero may have fair skin but he’s something other than Aryan-Caucasian, and his closest friend is African-American, descended from the Tuskegee Airmen. The implicitly white Plains people actually have a female leader, and the only women who speak in the whole novel speak at the end against the men’s insistence on perpetual war…
Her theme here, just as much as in her works of the Eighties and later, is that all humans need to work together, that cultural differences are not measures of superiority or its opposite, and that the real future of humanity is among the stars.
Apolitical? Not even slightly.
(4) SPEAKING OF APOLITICAL SF. A tweet from the prematurely-declared SFFCGuild claiming that Mary Shelley’s Frankenstein was apolitical evolved into a long, raucous Twitter thread on political messages in SFF. At one point, Jim Hines threatens to use a magic tattoo to make Scott Lynch bald. (click on the date/time stamp to see the whole thread)
This exchange with @SFFCGuild…
— Jim C. Hines (@jimchines) January 17, 2018
(5) VIRAL FICTION. Story Seed Vault announces this year’s Flash Fiction contest.
The Story Seed Vault is an online micro-fiction publication that aims to entertain and educate our readers about scientific research through fiction. We are an international publication based in Sydney, Australia. As Story Seed Vault is new to the industry, we are pushing to increase our reach and to partner with science communicators all over the world.
One of the ways that we do this is by holding thematic Flash Fiction contests.
- It must be based on topics/research relevant to VIROLOGY. The more recent the research, the better. We will judge a great story with science from a few years ago over an alright story with a study published yesterday.
- If the story is about VIROLOGY but the research provided is generic educational info, it will not be awarded a placing.
- The story has to be able to stand on its own – the science can provide context/make it more interesting, but it should not rely heavily on the science to be entertaining.
1st, 2nd, and 3rd place entrants will receive $10 each.
The submission period is Flash as well: Submissions open at 10pm AEST January 25, 2018, and close at 10pm AEST January 27, 2018. (That’s 7am EDT on those days, for you Yanks.)
Please, PLEASE nobody tell Timothy about this.
(6) KINGFISHER ENVY. Filer Cheryl S. sends a photo of her gorgeous Kickstarter Special Edition of Summer in Orcus by T. Kingfisher (aka Ursula Vernon). Those who missed out can still get an e-book edition, or read this magical tale for free online at the author’s website.
(7) DO YOU FEEL LUCKY, SOLARPUNK? DO YOU? Tom Cassauwers, on OZY, says Sci-Fi Doesn’t Have to Be Depressing: Welcome to Solarpunk:
Imagine a scene, set in the future, where a child in Burning Man-style punk clothing is standing in front of a yurt powered by solar panels. There weren’t many books with scenes like that in 2014, when Sarena Ulibarri, an editor, first grew interested in a genre of science fiction that imagines a renewable and sustainable future. Four years later, it’s different.
Welcome to solarpunk, a new genre within science fiction that is a reaction against the perceived pessimism of present-day sci-fi and hopes to bring optimistic stories about the future with the aim of encouraging people to change the present.
— Navah Wolfe (@navahw) January 21, 2018
(9) THE FORCE AWAKENED. Bill Capossere, at Fantasy Literature, has posted an insightful review of the non-fiction work Superwomen: Gender, Power, and Representation by Carolyn Cocca:
Stylistically, Cocca is consistently engaging, her prose clear and fluid. The content is well researched, organized, focused, and incredibly detailed, and the entire work is wholly and thoroughly accessible throughout, making for reading that is enjoyable, stimulating, and thought-provoking.
Some of this is well traveled territory, and so those conversant with the topic won’t be surprised for instance to hear about how Wonder Woman’s creator had an overtly feminist motivation, or that female heroes such as Jean Grey or Sue Storm often fainted while exercising their powers. Nor will they be shocked at the difference in posing and costuming between male and female superheroes. Superwomen‘s value here for such readers then isn’t in the presentation of new information, but in how good a job Cocca does placing these things in context of time period and culture, as well as highlighting how a more diverse authorship and artistry (as opposed to just more diverse characters) can make a huge difference.
(10) INACCESSIBILITY. Despite exchanging numerous messages in advance with Ace Comic Con Phoenix, congoer Jen Sauve found the accessibility arrangements less than accommodating:
We had been told upon arrival register and then find an ace rep and they would make sure we were taken care of as per their disability policy. I must’ve asked about 15 different reps including their one at guest relations and the ace info booth and no one seemed to know of any policy or be on the same page. Irritated, I went down to the celeb photo ops redemption (missing the cap panel I wanted to see because hey, making sure I am accommodated and don’t have any sort of medical emergency is important). Celeb photo ops (they seemed rather pissed about this as well mind you) informed me that ace was telling them no one could be in their ada line unless they were in a wheelchair. I know the celeb photo ops staff rather well by this point attending so many cons and could tell they felt awful saying this to me.
(11) SHARKES IN THE WATER. Maureen Kincaid Speller has posted an intro for the 2018 Shadow Clarke project. As someone who was on the outside looking in last year, I find some of her conclusions regarding the reactions to last year’s results… questionable.
To begin with, we discovered that the phenomenon of award shadow juries is apparently not that well known outside Europe. There was an unexpected degree of resistance to the concept from some parts of the global sf community, people who saw our enterprise as part of an ongoing attempt to police their reading, which was certainly not our intention. More than that, we came to realise that a surprising number of people within the sf community had become deeply averse to the whole idea of critical writing…
Our basic approach will be almost the same as last year… But this time we’ll be placing an even greater emphasis on showing our critical working. So, alongside our individual reviews, we hope to include dialogues, round tables, and possibly some podcasts as well if we can sort out the logistics. We’re also going to be talking individually about our critical practice. It’s common to see fiction writers talking about what moves them to write, where their ideas come from, and so on, but nowadays it’s vanishingly rare to see critics and reviewers doing the same. It’s time we changed that. The Shadow Clarke jurors come from a variety of critical backgrounds, and it’s going to be very interesting to compare notes on what we do and how we do it.
(12) TODAY’S BIRTHDAYS:
(13) FAMILIAL FANTASY V. Fantasy photographer Alexandra Lee has embarked on a very special person project – portraits of her loved ones in fantasy costuming and settings. (click on the date/time stamp to see the tweet, then click on one of the tweet photos to open the gallery)
Today is my Grandma's birthday & with that the first day of my personal project.This project is to create fantasy portraits of my loved ones starting with my Grandma. This was her very first photo shoot, thanks to patreon. You can see the full set here: https://t.co/R06rcUl0ny pic.twitter.com/8iTzw0fViK
— Alexandra@Katsu (@ALeeStudios) January 23, 2018
(14) THIS MUST BE JUST LIKE LIVING IN PARADISE. Viable Paradise 22, a writers’ workshop which will run from Sunday, October 21 to Friday, October 26, 2018, has a discount on applications during the January earlybird period.
Viable Paradise is a unique one-week residential workshop in writing and selling commercial science fiction and fantasy. The workshop is intimate, intense, and features extensive time spent with best-selling and award-winning authors and professional editors currently working in the field. VP concentrates on the art of writing fiction people want to read, and this concentration is reflected in post-workshop professional sales by our alumni…
Viable Paradise encourages an informal and supportive workshop atmosphere. During the week, instructors and students interact in one-on-one discussions, group critiques, lectures, and free-flowing Q&As. The emphasis at first is on critiquing the students’ submitted manuscripts; later, the emphasis shifts to new material produced during the week.
The application fee changes based on when in the application period your application is submitted:
- For applications submitted from January 1 to January 31: $12.50 (USD).
- For applications submitted from February 1 to March 31: $25 (USD).
- For applications submitted from April 1 to May 15: $35 (USD).
- For applications submitted from May 16 to June 1: $50 (USD).
The application fee is non-refundable and is separate from the tuition cost for applicants accepted to the workshop. For those applicants we accept as students, the non-refundable tuition cost is $1500 (USD) and is due on August 1st.
(15) PINING FOR THE SPLASHGUARDS.
Dear god Antione loved his job as murder bird, but the cleaning bills were hell. pic.twitter.com/dGK90bRIP3
— Masterbirder (@tinajkl) January 20, 2018
(16) ASIMOV DIDN’T SEE THIS ONE COMING. Scottish supermarket chain Margiotta, which trialled a ShopBot who they affectionately named “Fabio” in an experiment run by Heriot-Watt University for the BBC’s Six Robots & US, discovered that the First Law of Robotics should have been: Do Not Alarm the Customers.
Fabio was programmed with directions to hundreds of items in the company’s flagship Edinburgh store and initially charmed customers with his ‘hello gorgeous’ greeting, playful high fives, jokes and offers of hugs.
But within just a few days, the robot was demoted after giving unhelpful advice such as ‘it’s in the alcohol section’ when asked where to find beer. He also struggled to understand shoppers’ requests because of the ambient background noise.
Banished to an aisle where he was only allowed to offer samples of pulled pork, Fabio started to alarm customers who went out of their way to avoid him…
…when Franco Margiotta, who built the business from scratch, told the little robot they would not be renewing his contract, Fabio asked: “Are you angry?” and some staff were reduced to tears when he was packed away and shipped back to Heriot-Watt.
(17) DON’T HOLD YOUR BREATH WAITING FOR MOONBASE ALPHA. Author Mark R. Whittington, in a commentary in the Salt Lake Tribune which speculates that Mitt Romney will run to take the seat vacated by the retiring Senator Orrin Hatch, recommends that Romney reconsider the idea of planting a human colony on the moon.
One of Romney’s opponents, former House Speaker Newt Gingrich, proposed the building of a lunar base by the year 2020, then eight years away. Mr. Romney [in 2012] took the occasion of a presidential debate in Tampa to savagely mock the idea of going back to the moon. “If I had a business executive come to me and say I want to spend a few hundred billion dollars to put a colony on the moon, I’d say, ‘You’re fired.’…
Having listened to the experts on the matter, Trump has duly signed a directive for NASA to set America’s course back to the moon. What Romney once found beyond the pale is now federal government policy.
So, the question arises, considering Romney’s prior position and his well-known antipathy to the president, what is his position now concerning a return to the moon? Would he still fire someone who suggested it to him?
In response, Professor Emeritus of Chemical Engineering at the University of Utah Noel de Nevers says “Sorry, Mark, but moon colonies are just science fiction right now”:
In support of this idea [Whittington] says, “Water and ice at the lunar poles can be mined and refined to rocket fuel,” and also, “Access to the moon and its abundant resources will be of benefit to the United States.”
Both of these ideas form the basis of entertaining science fiction, e.g. “The Martian.” But the moon (and Mars), as far as we know, do not supply visitors with air, drinking water, food or fuel. Visitors to the moon (or Mars) must bring all of those with them…
So far lunar exploration has not shown that there are “abundant natural resources”, on the moon, and to date there are none whose value on earth (e.g. gold or platinum) would justify the cost of bringing them to earth, even if those resources cost nothing to find and extract from the moon’s surface (or interior, as most earthly gold and platinum is). There is no evidence that the fossil fuels or mineral deposits that life on earth depends on were ever formed by lunar geology and biology, as geology and biology has formed them on earth.
(18) YOU ALSO NEED THIS.
Sock thief pic.twitter.com/rYArAGDpAO
— A happier day (@AHappierDay) January 21, 2018
(19) AMNESIA SF. Michael Jan Friedman, who is perhaps best known for his Star Trek tie-in novels and a writing credit on the Star Trek: Voyager episode “Resistance”, has created a Kickstarter campaign for Empty Space, a science fiction adventure in the form of a 128-page full-color graphic novel, with 115 pages of story and illustrations by pencil-and-inks artist Caio Cacau:
Your name is Robinson Dark. You don’t know where you are or how you got there or what happened to the crew you led into space. All you know is you can’t feel a thing – not even fear.
Then it gets weird.
I’ve described Empty Space as a cross between Star Trek and Lost, but it’s really more than that. It’s a twisty, turny, sometimes unsettling narrative set against the limitless backdrop of the stars, with the sort of bizarre alien species and against-all-odds derring-do that’s always characterized the best space adventure – along with a heaping dollop of the macabre.
This is the kind of tale I’ve wanted to tell for a long time. In fact, it’s a dream project for a guy who fell in love with comics and science fiction at the age of six and never stopped loving them.
It’s also a chance for me to give back to you – the readers who’ve been following me for decades – the best, most intriguing, and most entertaining work I can possibly come up with. If at any time in your immersion in Empty Space you think you know where the story is going… I humbly invite you to think again.
The Kickstarter thus far has achieved $3,435 in pledges toward a $10,000 goal, with 23 days remaining in the campaign.
(20) CUBIK MUSIK. It doesn’t get any geekier than this: YouTuber The Cubician plays the Star Wars cantina song as part of solving Rubik’s Cube.
(21) FOR THOSE WHO NEED TO ESCAPE, JUST FOR A LITTLE WHILE, TODAY.
I saw this door a few hours ago. I suspect it won’t be there in the morning. ? pic.twitter.com/wDVvpqlxq9
— Nnedi Okorafor, PhD (@Nnedi) January 21, 2018
In Memory of Ursula K. Le Guin, who challenged all of us to become our better selves.
Interviewer: Which would you rather have, a National Book Award or a Hugo?
Le Guin: Oh, a Nobel, of course
Interviewer: They don't give Nobel Prizes for fantasy.
Le Guin: Maybe I can do something for peace.
— Lev Grossman (@leverus) January 24, 2018
[Thanks to Cheryl S., Cora Buhlert, Hampus Eckerman, lauowolf, Laura Resnick, Lenore Jones, Mark-kitteh, Paul Weimer, Soon Lee, and Standback for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]
By John Hertz: Happening to read D. Hoffman, The Billion-Dollar Spy (2015; Adolf Tolkachev 1927-1986), I came across this striking passage (p. 163) about the subject’s son in 1981.
Oleg … a teenager [1966- ] … interests ran … toward … arts, culture, music, and design…. attended a special school that emphasized English instruction. He was already reading Kipling and Asimov
– my emphasis. There’s glory for you!
[Title ref.] H. Vaughan, “They Are All Gone into the World of Light”, Silex Scintillans [“The Flashing Flint”] 2nd ed. 1655, no. 1; L. Carroll, Through the Looking-Glass ch. 6 (1871)
(1) VAN GELDER AUCTION BENEFITS PKD AWARD. Norwescon announced that Gordon Van Gelder, administrator for the Philip K. Dick Award, has put 18 sff books up for auction on eBay, including several first editions and signed editions (and some signed first editions), as a benefit for the award’s administrative fees. The Philip K. Dick Award, is presented annually to distinguished science fiction books published for the first time in the United States as a paperback original. The award ceremony is held each year at Norwescon.
(2) SECOND TAKE. Strange Horizons got some pushback about sexism in Adam Roberts’ review of Star Wars: The Last Jedi and has now supplemented the original with an edited version —
Editor’s note: This review has been edited to remove sexist commentary about Carrie Fisher. The original version of this review can be read here. For additional background, please see this Twitter thread.
We recently published a review of Star Wars: The Last Jedi that includes sexist commentary about Carrie Fisher. I understand that we’ve hurt you and damaged your faith in us, and I (@keightdee) accept responsibility for publishing that piece.
— Strange Horizons (@strangehorizons) January 15, 2018
(3) TRUE GRIT. The BBC reports on “Transport Scotland’s fleet of gritters and their gritter tracker”. Contractors Bear Scotland ran competitions to name the various vehicles, and what roads they’re covering can be viewed online.
Thanks to social media, Transport Scotland’s fleet of light-flashing, salt-spraying kings of the road have become a bit of a sensation.
Followers have been glued to their screens following the roads authority’s Gritter Tracker.
They were surprised to find out the vehicles had humorous names like Sir Andy Flurry, Sir Salter Scott and Gritty Gritty Bang Bang….
The force was with the people of Ayrshire during Tuesday’s snow flurries, their roads were being protected by Luke Snowalker.
Along with strong snow-slaying names like the Ice Destroyer, Snow Queen and Ice Buster, more unassuming gritters like Fred, Jack and Frosty have also been out and about keeping the country moving.
Not forgetting Sprinkles, Sparkle and Ready Spready Go.
(4) ANOTHER HORRIFIC LESSON. Chloe N. Clark continues the excellent Horror 101 series with “Surrounded by Others–Anatomy of a Pod Person” at Nerds of a Feather.
As a child, two of my earliest film-related memories are watching the 1978 version of Invasion of the Body Snatchers and watching the John Carpenter version of The Thing. In both, what stuck with child me was the depiction of a monster who not only could be anyone, but also could be someone that you think you know so well: your crewmate, your friend, your lover. This early exposure to these two films led to a longtime obsession with pod people (which the Thing is not technically, but I’m extending my definition here to any monster who can appear in the exact visage of someone you know and trust). As a child, there was a visceral terror to the idea, because the world was one I trusted. As an adult, while I don’t think pod people are likely, they still strike a certain fear because the concept at the heart of pod people’s terror-making is very much real. In this edition of Horror 101, I’ll be diving into the anatomy of a monster (a thing I’ll do occasionally in this series).
(5) ABOUT THAT VENN DIAGRAM. Sarah at Bookworm Blues was caught up in a kerfuffle yesterday, and analyzes the underlying issues in “On Twitter and Representation”.
While most of the comments I received yesterday were displaying the righteous indignation I’m still feeling, there were a handful of others that made their way to me through various means that said something along the lines of, “I just love reading SciFi and Fantasy. I don’t pay attention to the gender of the author.” Or “Does the gender of the author even matter?”
Comments like that bother me about as much as, “I don’t see your disabilities.” Or “I don’t see color.”
As much as I don’t want to be defined by my chronic illness, or my disabilities, they absolutely are part of who I am, and by refusing to see them, you are, in a way, refusing to see me. You’re only seeing pieces of me. Not seeing my disability doesn’t make it go away. Putting me in a box will limit the reaches of my work, rather than expand it.
In another example, women tend to get paid less than men here in the good ol’ US of A, and not seeing the gender roles in that situation, is refusing to see the problem.
Representation matters. It matters for a hell of a lot of reasons. It is important to show young kids everywhere that they can be, do, accomplish whatever they set their minds to. Seeing disabled characters in literature normalizes disabilities in important ways. It provides education to those who might need it. It also gives me someone I can relate to in the books I read, and that right there is absolutely priceless.
This graphic that I posted yesterday doesn’t just have a dearth of female authors on it, but it also lacks any people of color, disabled authors, LGBTQ authors and basically any minority group at all. It’s a list of white male fantasy authors…
and Robin Hobb.
This is important because, I get pretty fed up with women authors putting out work that’s just as good, if not better, than their male counterparts and not getting equal recognition for it. This isn’t a Divide and Conquer thing, it’s a We’re all in it Together thing. Someone’s effort shouldn’t be seen or overlooked based on any of their minority or majority qualifiers. The fact that when asked for a list of fantasy authors the first ones someone gets are white male, says a whole lot. And the truth is, I think this inequality is so ingrained in our culture that it really isn’t even noticed until something like this happens. Maybe we don’t mean for this to happen, but in a way, the fact that this happens without malice or intent makes it just that much more insidious.
Women have basically cleaned the clock in the past few Hugo Awards, and where are they on charts like this? One of the most awarded, celebrated authors in our genre today is N.K. Jemisin, a black female fantasy author, and she deserves recognition for her accomplishments, but where is it in a list like this, and why in the world didn’t her name come up when someone was polling Twitter for fantasy authors? Nnedi Okorafor is getting her book Who Fears Death turned into a television show, and I’ve seen her name, her image, herself routinely cut off from many articles. Namely, when Vice News tweeted about this deal, and the graphic that followed wasn’t of the author who wrote the book, but of George R R Martin, and the book cover….
And today an alternate version is making the rounds –
Do better, internet. pic.twitter.com/8GxKp8xDxN
— Shimmer Magazine (@ShimmerStories) January 16, 2018
(6) JACKET. Neil Gaiman’s cover reveal for the U.S. paperback.
Here is the beautiful US NORSE MYTHOLOGY paperback cover. On sale March 6th! pic.twitter.com/gzApsAoKwn
— Neil Gaiman (@neilhimself) January 16, 2018
(7) TODAY IN HISTORY
(8) TODAY’S BIRTHDAY BOY
Happy birthday John Carpenter! Rotten Tomatoes has some bad news…
The mega-popular film review aggregation site mistakenly declared veteran film director dead Tuesday in a since-deleted tweet.
The 70-year-old horror icon is very much alive, though RT seemed to have a different impression when it honored the Halloween and The Thing director’s birthday…
(9) SEARCHING FOR A SIGN. Further Confusion was held this past weekend in San Jos and they have lost track of a convention icon —
Help! The LED sign and LED light-rod which you may have seen at one of the dances or around #furtherconfusion, have been stolen. These were a big part of the convention and many con-goers have signed it. Anyone with information please contact @furcon and myself. pic.twitter.com/jDGCrptzHf
— Cass-cougar (@Carnassiel) January 16, 2018
(10) CATAPOSTROPHE. Apparently Kazakhstan is switching from the Cyrillic to the Latin alphabet, and the result is loaded with apostrophes, so the words look like they came from a bad SF novel. The New York Times has the story: “Kazakhstan Cheers New Alphabet, Except for All Those Apostrophes”.
In his 26 years as Kazakhstan’s first and only president, Nursultan A. Nazarbayev has managed to keep a resurgent Russia at bay and navigate the treacherous geopolitical waters around Moscow, Beijing and Washington, keeping on good terms with all three capitals.
The authoritarian leader’s talent for balancing divergent interests, however, suddenly seems to have deserted him over an issue that, at first glance, involves neither great power rivalry nor weighty matters of state: the role of the humble apostrophe in writing down Kazakh words.
The Kazakh language is currently written using a modified version of Cyrillic, a legacy of Soviet rule, but Mr. Nazarbayev announced in May that the Russian alphabet would be dumped in favor of a new script based on the Latin alphabet. This, he said, “is not only the fulfillment of the dreams of our ancestors, but also the way to the future for younger generations.”
…The modified Latin alphabet put forward by Mr. Nazarbayev uses apostrophes to elongate or modify the sounds of certain letters.
For example, the letter “I” with an apostrophe designates roughly the same sound as the “I” in Fiji, while “I” on its own sounds like the vowel in fig. The letter “S” with an apostrophe indicates “sh” and C’ is pronounced “ch.” Under this new system, the Kazakh word for cherry will be written as s’i’i’e, and pronounced she-ee-ye.
(11) ON TONIGHT’S JEOPARDY! Rich Lynch says the game show Jeopardy! included an Asimov clue in the first round of tonight’s episode, mentioning the Hugo Award. The returning champ got it right!
(12) WHERE’S THE BEEF? Astronaut John Young, who recently died, once got in trouble for smuggling a corned beef sandwich on a space mission.
Gemini 3 had several objectives, from testing the effect of zero gravity on sea urchin eggs to testing orbital maneuvers in a manned spacecraft, which would aid the future moon landing. But another imperative was to test new space foods. Grissom and Young were sent up with dehydrated packets that they were meant to reconstitute with a water gun.
According to Young’s biography, “A couple of congressmen became upset, thinking that, by smuggling in the sandwich and eating part of it, Gus and I had ignored the actual space food that we were up there to evaluate, costing the country millions of dollars.” The House Appropriations Committee convened to mull over the sandwich incident, and one representative even harangued a NASA administrator, calling the sandwich stunt “just a little bit disgusting.”
Young was given a reprimand, the first ever for a member of a NASA space flight. He eventually regretted smuggling the sandwich into space, especially as the story came up over and over. But Grissom remembered it as “one of the highlights of the flight.” Grissom himself was in hot water for nicknaming Gemini 3’s spacecraft Molly Brown after the musical “The Unsinkable Molly Brown.” (Grissom’s first space flight ended with his capsule sinking into the ocean after re-entry.) Grissom forced irritated NASA administrators to back down after he suggested the name “Titanic” as an alternative.
(13) STARGAZING. From the BBC, “Hubble scores unique close-up view of distant galaxy”.
The Hubble telescope has bagged an unprecedented close-up view of one of the Universe’s oldest known galaxies.
Astronomers were lucky when the orbiting observatory captured the image of a galaxy that existed just 500 million years after the Big Bang.
The image was stretched and amplified by the natural phenomenon of gravitational lensing, unlocking unprecedented detail.
Such objects usually appear as tiny red spots to powerful telescopes.
(14) RATS ACQUITTED! New simulations show “Black Death ‘spread by humans not rats'”.
“We have good mortality data from outbreaks in nine cities in Europe,” Prof Nils Stenseth, from the University of Oslo, told BBC News.
“So we could construct models of the disease dynamics [there].”
He and his colleagues then simulated disease outbreaks in each of these cities, creating three models where the disease was spread by:
- airborne transmission
- fleas and lice that live on humans and their clothes
In seven out of the nine cities studied, the “human parasite model” was a much better match for the pattern of the outbreak.
(15) RARE CASES. BBC considers “The mystery of why some people become sudden geniuses”. Chip Hitchcock notes, “Readers of old-time SF may recall H. L. Gold’s ‘The Man with English.’”
But until recently, most sensible people agreed on one thing: creativity begins in the pink, wobbly mass inside our skulls. It surely goes without saying that striking the brain, impaling it, electrocuting it, shooting it, slicing bits out of it or depriving it of oxygen would lead to the swift death of any great visions possessed by its owner.
As it happens, sometimes the opposite is true.
After the accident, Muybridge eventually recovered enough to sail to England. There his creativity really took hold. He abandoned bookselling and became a photographer, one of the most famous in the world. He was also a prolific inventor. Before the accident, he hadn’t filed a single patent. In the following two decades, he applied for at least 10.
In 1877 he took a bet that allowed him to combine invention and photography. Legend has it that his friend, a wealthy railroad tycoon called Leland Stanford, was convinced that horses could fly. Or, more accurately, he was convinced that when they run, all their legs leave the ground at the same time. Muybridge said they didn’t.
To prove it he placed 12 cameras along a horse track and installed a tripwire that would set them off automatically as Stanford’s favourite racing horse, Occident, ran. Next he invented the inelegantly named “zoopraxiscope”, a device which allowed him to project several images in quick succession and give the impression of motion. To his amazement, the horse was briefly suspended, mid-gallop. Muybridge had filmed the first movie – and with it proven that yes, horses can fly.
The abrupt turnaround of Muybridge’s life, from ordinary bookseller to creative genius, has prompted speculation that it was a direct result of his accident. It’s possible that he had “sudden savant syndrome”, in which exceptional abilities emerge after a brain injury or disease. It’s extremely rare, with just 25 verified cases on the planet
(16) KEVIN SMITH’S RATIONALE. Sebastian Paris, in “‘Star Wars’: Kevin Smith Weighs In On The Backlash Against ‘The Last Jedi’” on Heroic Hollywood, says that Smith, in his Fatman on Batman podcast, says that one reason many fans were disappointed with The Last Jedi was that they expected Luke Skywalker to be like Obi-Wan Kenobi and were disappointed when he turned out to be someone else.
(17) 2017 IN THE REAR VIEW MIRROR. Rich Lynch’s 19th issue of My Back Pages [PDF file] is now online at the eFanzines.com website:
Issue #19 absolutely deplores the undearly departed 2017 as one terrible, horrible, no good, very bad year, and has essays involving historic mansions, convincing re-enactors, subway cars, Broadway shows, urban renewal, pub food, deadly duels, famous composers, iconic catchphrases, tablet computers, 1930s comic books, noir-ish buildings, foreboding edifices, unpaid interns, jams & singalongs, storm warnings, ancient palace grounds, Buddhist temples, worrisome fortunes, sushi adventures, retirement plans, and lots of Morris Dancers.
(18) MUNDANE COMMERCIALS, WHAT ELSE? Should you run out of things to watch, there’s always this collection of Dos Equis “The Most Interesting Man In the World” ads – at least 8 minutes worth.
(19) VIDEO OF THE DAY. Richard Williams–Animating Movement is a piece on Vimeo by the Royal Ocean Film Society that describes the techniques of the great Canadian animator whose best known work is the Pink Panther and Who Framed Roger Rabbit?
[Thanks to John King Tarpinian, IanP, JJ, Chip Hitchcock, Greg Hullender, Martin Morse Wooster, Rich Lynch, ULTRAGOTHA, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) CLASSIC KETTLE. True Rat: The Beast of Leroy Kettle collects and preserves the humorous writing of British fan Leroy Kettle. Edited by Rob Hansen, it’s available as a free download in the usual ebook formats plus PDF from Ansible Editions. Over 105,000 words.
Every issue of True Rat is included, plus much more comic autobiography and articles, speeches and scurrilous gossip columns published elsewhere. Only a very few passages that seemed almost funny in the 1970s are here omitted to protect the guilty (Leroy Kettle).
One included item is the transcript of a live interview with our hero by Simone Walsh – with audience participation – at Skycon, the 1978 UK Eastercon. Rob Hansen strongly recommends the audio version, available as an MP3 download from this linked page on his site.
(2) BUT NOT FORGOTTEN. Wil Wheaton remembers his friend Stepto in a touching tribute, “who lives who dies who tells your story”. The excerpt comes from his remarks at the memorial. He follows them with a powerful and poetic vision.
“I want to tell you about the time Stepto and I had cigars in the Caribbean,” I say, “I want to tell you about how he saved my Xbox for me, about how he made me laugh and how much I miss him in my life.” I think, but don’t say, that I want to talk about how sad and angry I am that Stepto successfully kept his alcoholism a secret from me, and from everyone who was closest to him, for the more than ten years we were friends. I want to talk about how angry I am that he got a second chance, when he survived a coma last year. I want to say a lot of swears, because he convinced himself and me that it wasn’t alcohol that put him into a coma, but some kind of genetic thing and a virus and something else that was a bunch of bullshit. But I am coming up on two years of an alcohol-free life, myself, and even though I’m not an alcoholic, and even though I don’t do any recovery programs, I do know that addiction is powerful and all consuming. I know that it’s incredibly easy to convince yourself that you’ve got it under control, and that the rationalizations and justifications come as easily as opening another bottle after adding an empty one to the lie. Huh. I was going to write “line”, but my fingers made the first typo I think I’ve ever made that was more apt than what I intended. I want to be angry, but I can’t be. Stepto was sick, and he couldn’t get well, so he died. But while he was here, he was a good friend, and a magnificent human being. The world is better because he was in it, and the sun is not as warm or as bright as it was, now that he is gone.
(3) BOMBCON. Fanhistorian Rob Hansen has added the story of “Bombcon” (1941) to his THEN website. It happened in London during WWII. He’s assembled the text of two conreports plus supporting photos.
England’s biggest fan reunion for the last year was held over the weekend, September 20/21, when in spite of the manifold difficulties attending such a proposition – far in excess of anything the US fans encounter – a muster of some 14 was managed. At Saturday lunch time a party gathered to welcome Maurice Hanson, ex-editor of “Novae Terrae” who had wangled leave from Somerset. After some bookhunting in Charing X Road, the party saw the film “Fantasia”.
On Sunday, a crowd assembled in Liverpool St. stn. waiting room, and proceeded to convert it, in the approved manner of fan meetings, into a magazine mart. We rolled on to Holborn to meet author John Beynon Harris, nearly got arrested for taking photos of the gang, had tea, & held London’s first open air meeting of fans, in Lincoln’s Inn Fields….
(4) MEANING OF DECLINING NUMBERS OF STARS. John Scalzi’s “Four Views of the Same Short Story” uses reviews of his newly-published short story as the basis for an essay about how different readers perceive the same story differently and what authors should do about that.
…The text of the story is the same regardless of who reads it, but the experience of reading it is unique to the person reading.
This is a very important thing for writers (especially newer writers) to learn and build into their worldview: That everyone’s experience of your work, and any reviews they might then write, are inherently subjective, dependent on the person writing them, and there is nothing in the world you can do about that. That’s just the nature of putting work out into the world. Your job is to write the story as well as you can, and not worry overly much how it will be received. Because, as you can see above, it will be received well, and poorly, and everywhere inbetween.
And yes, learning to be okay with the fact everyone won’t love what you wrote is hard, because everyone has an ego, and everyone likes the validation of people enjoying their work…
(5) JOHN CARTER IS ALIVE! ALIVE! I09, in “John Carter Of Mars Is Getting an Action-Packed Romance RPG”, says –
Disney might have soured a few people on Edgar Rice Burroughs’ classic scifi saga, but John Carter and the world of Barsoom, Mars have been reborn with a new roleplaying game….
Modiphius Entertainment has announced its latest tabletop game, John Carter of Mars: Adventures on the Dying World of Barsoom. Working in cooperation with Burroughs’ estate, the pulp-action RPG lets players take on iconic roles like John Carter, Dejah Thoris, and Tars Tarkas (or a made-up character) “as they travel, battle, and romance their way across the wondrous and dangerous world known to its natives as Barsoom.” John Carter of Mars launched today on Kickstarter, and it’s already nearly tripled its fundraising goal.
The John Carter of Mars game rules are available on the Kickstarter page.
(6) COMICS SECTION.
(7) TRANSFORMATIVE WORK. The Washington Post’s John Kelly looks at the cheesy 1973 horror film Werewolf of Washington which he thinks has resonances with contemporary politics — “What a howl: Here’s the background story to ‘The Werewolf of Washington’”.
A few years later, one of that film’s producers asked Ginsberg whether he had anything else up his sleeve. As scandal was starting to engulf the Nixon White House — but before Watergate had exploded — Ginsberg went to New York’s Fire Island and in 10 days wrote “The Werewolf of Washington.”
Said Ginsberg: “I came back and the [producer] said, ‘Are you out of your mind? This is an attack on the president. The script is yours. Don’t ever show up here again.’?”
Another producer and some of Ginsberg’s friends stepped in to fund the movie, shot on a shoestring budget of $100,000. Somehow, they were able to get veteran actor [Dean] Stockwell to star. His career, Ginsberg said, “had fallen into eclipse at that time. He loved the script.”
(8) GAME CHANGER. NPR discusses “Fighting Bias With Board Games” — like Buffalo.
This is where Buffalo — a card game designed by Dartmouth College’s Tiltfactor Lab — comes in. The rules are simple. You start with two decks of cards. One deck contains adjectives like Chinese, tall or enigmatic; the other contains nouns like wizard or dancer.
Draw one card from each deck, and place them face up. And then all the players race to shout out a real person or fictional character who fits the description….
It’s the sort of game you’d pull out at dinner parties when the conversation lulls. But the game’s creators says it’s good for something else — reducing prejudice. By forcing players to think of people that buck stereotypes, Buffalo subliminally challenges those stereotypes.
“So it starts to work on a conscious level of reminding us that we don’t really know a lot of things we might want to know about the world around us,” explains Mary Flanagan, who leads Dartmouth College’s Tiltfactor Lab, which makes games designed for social change and studies their effects.
Buffalo might nudge us to get better acquainted with the work of female physicists, “but it also unconsciously starts to open up stereotypical patterns in the way we think,” Flanagan says.
In one of many tests she conducted, Flanagan rounded up about 200 college students and assigned half to play Buffalo. After one game, the Buffalo players were slightly more likely than their peers to strongly agree with statements like, “There is potential for good and evil in all of us,” and, “I can see myself fitting into many groups.”
(9) ALL GOOD THINGS. “End signalled for European Ariane 5 rocket” says the BBC — 82 straight successes, but Ariane 6 will be cheaper.
A final order for a batch of 10 Ariane 5 rockets has been raised.
The vehicle, which has been the mainstay of European launcher activity for the past 20 years, will be phased out once its successor is in place.
ArianeGroup, the French-led industrial consortium, expects its new Ariane 6 to be flying no later than mid-2020, and in full operational service in 2023.
At that point, Ariane 5 can be retired. The last order ensures sufficient rockets are available for the handover.
(10) BIGGER. How do you take away a crashed helicopter? With a bigger helicopter: “US Marines rescue their helicopter… with a bigger one” (video)
US Marines have rescued one of their helicopters after it made an emergency landing on a beach in Okinawa, Japan. The aircraft was airlifted back to base using an even bigger helicopter.
The US presence on Okinawa in southern Japan is a key part of the security alliance between the two countries. The base houses about 26,000 US troops.
(11) WITH FACTS UNCHECKED. It’s fascinating to see JDA start his post “I’m in Good Company” with the rhetorical fillip “I was wrong,” then grandiosely “correct” himself by citing more misinformation.
It turns out I was wrong in saying WorldCon made an unprecedented move in banning someone over politics. It has happened — one time before. Today on the blog we’re going to take you all the way back to 1939, where WorldCon was, like in this year, all too proud of blackballing someone over their dangerous visionary ideas for science fiction. A reader wrote to me:
The Futurians were kicked out of the first Worldcon because organizers feared that they would distribute communist propaganda. The group included a number of luminaries including Asimov and Pohl.
Because of their fear of not Asimov hurting anyone (no one fears me hurting anyone by the evidence of how I’ve conducted myself at dozens of conventions in the past) — but spreading political ideas that they found too dangerous for the times — WorldCon banned Isaac Asimov.
The implication is clear. The elites in science fiction believe I have the potential to be the next Asimov…
Asimov wasn’t kicked out of the first Worldcon. There are a lot of places you can learn who was (like this Fancyclopedia entry.) Asimov wasn’t one of them — a fact he himself referenced when speaking at “Science Fiction’s 50th Anniversary Family Reunion” in 1989 (Noreascon 3), where he sounded less embarrassed than proud that he had not been turned back at the door with the six other Futurians.
(12) WHAT’S A MAP? Meanwhile, blogger The Phantom, determined to force a connection between the Worldcon and James Damore’s lawsuit against Google, performs this geographic sleight-of-hand:
What does this have to do with WorldCon? Well, this year’s WorldCon and Hugo award ceremony will be held in San Francisco. That’s where Google’s headquarters is, and where all the computer nerds who work at Google live.
Of course, Google’s headquarters is in Mountain View, and the Worldcon is in San Jose. Neither is in San Francisco.
(13) KING KONG. Steve Vertlieb’s 2014 Rondo-nominated article ”A Triple Life: King Kong’s Trinity of Reincarnation on Film” is “A published celebration of the enduring legacy, and profound cultural significance of Merian C. Cooper’s immortal 1933 motion picture masterpiece, King Kong, as well as its numerous cinematic incarnations, influences, and tributes throughout the past eighty five years.”
KING KONG related the remarkable tale of a giant beast, an impossible ape-ike creature whose imposing, horrifying shadow would follow the intrepid explorers whose heroic exploits had led them to its discovery. Released by RKO Studios during the winter of 1933, the picture reunited Fay Wray and Robert Armstrong with Merian C. Cooper and Ernest B. Schoedsack for yet another thrilling adventure in the lurid jungles of a primordial world. They were joined by Bruce Cabot in, perhaps, the pivotal performance of his career.
(14) ADVERTISING ART. Andrew Liptak at The Verge recommended a documentary about a very rare collection:
The Collection is a short documentary (via Kottke) by Adam Roffman that chronicles a unique piece of Hollywood history: tens of thousands of plates and blocks used to create the newspaper advertisements used for nearly every film that hit theaters before the 1980s.
…The collection includes blocks used for films as 2001: A Space Odyssey, Blade Runner, Star Wars, Planet Of The Apes, and many others.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
(1) #MAPPINGFANTASY. Alex Acks and Paul Weimer taught their “Mapping Fantasy” online class today. Cat Rambo tweeted the highlights – jump onto the thread here:
— ?RainbowRiotRambo? (@Catrambo) December 16, 2017
(2) PURINA ALIEN CHOW. Food & Wine investigates “How Hollywood’s Sci-Fi Food Stylists Create Futuristic Meals”.
For Janice Poon, one of TV’s most popular food stylists and a frequent collaborator with Bryan Fuller (American Gods, Hannibal, Pushing Daisies), food styling for the future is as much about taking cues from the script or the world around you as it is about pushing your imaginary limits—within production capability, of course.
Poon refers to the script, pulling the tone and character motivations from a food scene, before brainstorming alongside her showrunner (and sometimes even a cinematographer) on how a spread will look. However, Poon says that “because it is sci-fi, you can do just about anything really.” To do just about anything, Poon uses conventional tools like wet wipes and syringes, but also “an ability to problem solve” and a four and a half inch white ceramic santoku knife that enables Poon to work in the darkness of a set
(3) STRAHAN CALLING. Even as Jonathan Strahan’s 2017 best of the year collection is being readied for publication, he’s looking ahead to 2018 — Call for stories: The Best Science Fiction and Fantasy of the Year Vol. 13.
I edit The Best Science Fiction and Fantasy of the Year anthology series for Solaris Books. The twelfth volume in the series will be published in April 2018, and the thirteenth volume will appear in March 2019.
I am currently reading for the 2018 volume, and am looking for stories from all branches of science fiction and fantasy: space opera to cyberpunk, fairy tales to the slipstream, or anything else that might qualify. If in doubt, please send it.
This is a reprint anthology. Stories must have been published for the first time between 1 January and 31 December 2018 to be considered.
The submission deadline for this year’s book is:
1 November 2018
Anything sent after this deadline will reach me too late, as I deliver the final book to the publisher in late December. If a magazine, anthology, or collection you are in or you edit is coming out before 31 December 2018 please send galleys or manuscripts so that I can consider the stories in time.
(4) GALACTIC STARS. Meanwhile, The Traveler recognizes the best sff of 1962 in See the Stars at Galactic Journey.
The Ballad of Lost C’Mell, Cordwainer Smith (Galaxy)
The second time an Instrumentality tale has gotten a Star… and this one is better.
(5) CENTENARY PROJECT. The Clarke Award’s’ Kickstarter to fund “2001: An Odyssey in Words” has started. In this original anthology honoring Sir Arthur C. Clarke’s centenary year every story is precisely two thousand and one words long.
The Arthur C. Clarke Award is famous for its annual redefinition of that elusive term ‘science fiction,’ and Sir Arthur was always adamant that while the award may be named for him, it shouldn’t be styled on his work.
We wanted to make sure that the scope of the anthology was as broad as the fluid definition of science fiction for which the Clarke Award is renowned, while still retaining a direct acknowledgement of Sir Arthur’s own work.
The solution? A collection where every story has all the scope and freedom to imagine that an author might possibly want, but where the word count had to be precisely 2001 words (and we had rules about authors playing clever games with super-long story titles, just to make sure).
(5) CLARKE CENTENARY IN SOCIAL MEDIA. Here are tweets from some of the groups celebrating the day.
"All these worlds are yours…" -Arthur C. Clarke, "2010: Odyssey Two"
Exoplanets transform our view of the galaxy — and ourselves. Tour the weird and wonderful worlds scattered across our galaxy with a special Alien vs. Editor guide: https://t.co/uYzIFrUJQp#ArthurCClarke100 pic.twitter.com/BdezGySEX5
— NASA Planetquest (@PlanetQuest) December 16, 2017
100 years after his birth, Arthur C. Clarke remains one of the masters of science fiction. @arrroberts at @guardian takes a look at the best of his work: 'He has a fair claim to have produced the best short story, novel and screenplay in 20th-century SF.' https://t.co/GBMRMeUeOG
— The Folio Society (@foliosociety) December 16, 2017
"I'm sure the Universe is full of intelligent life. It's just been too intelligent to come here." – Arthur C. Clarke pic.twitter.com/OXwHFck1Ef
— Marcus Chown (@marcuschown) December 13, 2017
This is how Arthur C. Clarke–born 100 years ago today–sometimes responded to long letters from "crackpots." pic.twitter.com/yzNP3DIrOm
— Letters of Note (@LettersOfNote) December 16, 2017
— Galactic Journey (@journeygalactic) December 16, 2017
(6) RIVALRY. From 2015, Adam Rowe at the B&N Sci-Fi & Fantasy Blog fondly remembers “The Decades-Long Flame War Between Arthur C. Clarke and Isaac Asimov”.
While introducing his Asimov at an event in London, Clarke had plenty of time to prepare his choicest insults.
“Well, Isaac, I’ve lost my bet. There are more than five people here,” he opened. “I’m not going to waste any time introducing Isaac Asimov. That would be as pointless as introducing the equator, which indeed, he’s coming to resemble more and more closely.”
(7) SUPERBOOTS ON THE GROUND. Andrew Liptak combed through all sci-fi media and came up with a list of “18 suits of power armor from science fiction you don’t want to meet on the battlefield” in The Verge. Here’s one of them:
Goliath Mk ? Powersuit, James S.A. Corey’s The Expanse
In The Expanse, Mars possesses the most advanced military force in the solar system, and its elite Marines are trained to operate in deep space, onboard spaceships, and planetary surfaces. They come decked out in a powerful suit of armor called the Goliath Powersuit. This armor completely protects its wearer, providing life support and armor, as well as a heads up display to help soldiers with targeting. They also come equipped with guns mounted directly into their arms, and carry a small rack of missiles on their backs.
These suits will resist small arms fire, and are small enough that they can be used inside the narrow corridors of a spaceship. But they’re not invincible, as Bobbie Draper’s Marines discovered on Ganymede during the television show’s second season.
(8) TRIVIAL TRIVIA
Lillian Disney (wife of Walt) came up with the name Mickey Mouse.
(9) TODAY IN HISTORY
(10) TODAY’S BIRTHDAYS
(11) SWORD OF LIGHT. In honor of the release of The Last Jedi, Doctor Strangemind’s Kim Huett sent along this quote from Kaldar, World of Antares written by Edmond Hamilton and originally published in 1933:
With the tunic went a belt in which were a sword and a tube such as he had noticed. Merrick examined these weapons of the Corlans carefully. The sword seemed at first glance a simple long rapier of metal. But he found that when his grip tightened on the hilt it pressed a catch which released a terrific force stored in the hilt into the blade, making it shine with light. When anything was touched by this shining blade, he found, the force of the blade annihilated it instantly. He learned that the weapon was called a light-sword, due to the shining of the blade when charged, and saw that it was truly a deadly weapon, its touch alone meaning annihilation to any living thing.
(12) BELIEVE IT OR NOT. The price is unbelievable! “Check out an original ‘Star Wars’ lightsaber valued at $450,000”.
Starting Saturday, and just in time for the release of “Star Wars: The Last Jedi,” visitors to Ripley’s Believe it or Not Museum in Hollywood, California, will be able to see the iconic prop in person.
Ripley’s purchased the saber hilt for a whopping $450,000 at an auction last June held by Profiles in History. The auction house specializes in Hollywood memorabilia and acquired the prop from the collection of Gary Kurtz, a producer on “Star Wars: A New Hope” and “The Empire Strikes Back.” It’s the first time the prop has been put on public display.
(13) LYRICAL MIRACLE. This thread started in 2013 but gets rediscovered every time a new Star Wars movie comes out – begins here:
I heard there was a laser sword / That Jedi wield when they use the force / But you don't really care for Lucas do you?
— Daniel Kibblesmith ?????? (@kibblesmith) February 25, 2013
(14) HURLEY. BEWARE SPOILERS in Kameron Hurley’s review “The Last Jedi: Promises, Pitfalls, and What Sticks With You”. (No spoilers in this excerpt.)
I came out of watching The Last Jedi, and was like, “Well, that was good, but I’m not blown away.” It had a lot of threads; it felt like three movies in one, and cramming all that story into one movie made it feel a little bloated. The story beats weren’t that clockwork structure that The Force Awakens and the original trilogy stuck to. There were a couple of massive emotional moments that needed to be paid off more than we got.
And yet this morning I find that I can’t stop thinking about it. Stories are, at their heart, about characters. If I’m invested in the characters and their struggles, you can fall down on plot and no one cares….
(15) I DON’T KNOW IF THIS IS A SPOILER. If it is, don’t read it.
Well, she's 6'6". They're about a foot tall. So that's 4 in each leg, three in each arm, 2 for buttocks, 4 in the chest, 1 in the head. Phasma is 21 porgs. https://t.co/kHIEUPZnoG
— Delilah S. Dawson (@DelilahSDawson) December 16, 2017
(16) MODERATE PRAISE. The Hugo Award Book Club concluded “The Stone Sky is the echo of a great book”, but they’d still like to give it an award:
The first book in the series, The Fifth Season, was innovative and unique. It offered a refreshing take on science fiction and fantasy that unquestionably deserved the Hugo Award. But The Stone Sky does not stand on its own. It is good, but mostly because it is an echo of a truly great book.
It might be more appropriate to honour N.K. Jemisin with a Best Series Hugo this year, rather than another Best Novel, because that would recognize how The Stone Sky works as part of a larger whole.
(17) SUMMATION. John Crowley’s Ka is a book-length historical fantasy about a crow. The author has been profiled by an area paper: “Conway author’s handwritten ode to birdwatching”.
The book was written while “looking out at Baptist Hill and watching people mow their lawns, and watching crows fly around.” Crowley explained in a recent interview about what went into the makings of “Ka” and how his living in Conway for nearly the last 35 years influenced his work.
The narrator of the novel, “feels like he is living in a country different from where he grew up,” after moving back home, he explained.
Crowley himself grew up in Brattleboro, Vt., moved to Indiana for college, and then New York City for some professional years, where he wrote his critically acclaimed, “Little, Big.” He eventually returned to New England.
Crowley said the narrator of the novel “says to himself that he is surprised by seeing kinds of birds that he doesn’t remember seeing when he was a child … the Canada geese use to fly overhead and still do, but they’re not going south anymore.”
Things like climate change, but also other elements that just sometimes change with generations, have thrown off this narrator.
“Things like that have changed his feelings about the world and saddened him … If I’m going to leave the world, it’s not the world I began in,” Crowley said about the protagonist.
(18) UNIDENTIFIED FLYING TRAILER. Avengers: Infinity War Reality Stone Trailer (2018). Is this a fan trailer or official?
[Thanks to Michael J. Walsh, JJ, Cat Eldridge, Martin Morse Wooster, Andrew Porter, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
(1) THE CLOCK IS DRIPPING. Mary Anne Mohanraj reminds everyone today’s the last day for becoming a founding sponsor of the Speculative Literature Foundation on Drip. Minimum is a buck a month.
The Speculative Literature Foundation encourages promising new writers, assists established writers, supports magazines and presses, and develops a greater public appreciation of speculative fiction.
(2) ANNUAL ASIMOV DEBATE. You have until December 15 at 5 p.m. Eastern to enter the lottery for the right to purchase tickets to the 2018 Isaac Asimov Memorial Debate. It takes place at the Hayden Planetarium in New York on Tuesday, February 13, beginning at 7 p.m.
Each year, the Isaac Asimov Memorial Debate brings the finest minds in the world to the Museum to debate pressing questions on the frontier of scientific discovery. Join host and moderator Neil deGrasse Tyson, the Frederick P. Rose Director of the Hayden Planetarium, for the 2018 Isaac Asimov Memorial Debate on Tuesday, February 13, 2018.
…There is no purchase necessary, and no cost to enter the lottery. The lottery is randomized, and the order of entry has no effect on your chances of winning. …A full description of terms and conditions can be found here.
(3) NICOTINE OVERDOSE ON MARS. James Davis Nicoll turned the crew loose on Piper’s classic “Omnilingual” at Young People Read Old SFF. They took no prisoners!
H. Beam Piper’s career was cut short when, believing himself a failure and his career effectively over, he shot himself1. One of John W. Campbell’s stable of writers, he stands out as one of the few in that crowd willing to give women agency, even if he did not often feature one as a protagonist. Omnilingual is one of the few Piper stories with a woman lead, something I hope will distract from Piper’s stylistic quirks—the cocktail parties, the endless smoking—that tie the story’s creation to the early sixties. Presumably the people who suggested it had similar hopes. But what did my Young People think?
(4) CANADA’S ILLEGAL ALIENS. Echo Ishii’s series about old genre TV shows continues with “SF Obscure: First Wave”.
First Wave was a Canadian action/Adventure SF series that ran from 1998-2001. It ran for three seasons on the Space Channel in Canada. Yay Canada!
The plot centers around Cade Foster who’s framed for his wife’s murder and is on the run to uncover a vast alien conspiracy. From what I gathered-it took a bit to put the pieces together-the aliens kidnapped him and made him part of an experiment to test emotions or responses or something. Anyway, Foster doesn’t become their pawn and goes on the run. He is helped along by Eddie, a guy who ran a paranormal magazine and does all the computer nerd stuff. They are later joined in their quest to stop the aliens by an alien assassin turned ally named Joshua.
(5) HISTORIC ROCKET. Lookie what appears in “To Boldly Go,” the 11th and final episode of webseries Star Trek Continues (screenshot from around 44:00m) —
It’s the Hugo for Best Dramatic Presentation won by “The Menagerie” (it’s the lucite rocket used in 1967, see screenshot). Rod Roddenberry was a big supporter of this webseries and was an extra in one of the episodes; I’m guessing that he lent it to the show as an Easter egg for fans.
As far as a prop, it’s a rocket and that’s the desk of an Admiral in a space force. I’m sure that lots of people at NASA have / had rocket and spaceship-related trinkets on their desks, too. And if you start at 44:00 and play forward, Robert Sawyer’s model display of all the starships Enterprise also appears in the Admiral’s office. (Sawyer co-wrote some of the ST:C episodes, including this one, and also appears as an extra.)
(6) THE TYPO FROM HELL. Adweek makes sure you don’t miss out when “Anomaly Goes to Hell This Holiday With Diabolical ‘Dear Satan’ Film Narrated by Patrick Stewart”. Video at the link.
Satan—the original Heat Miser!—reduces Santa Claus to a pile of ash, but ultimately saves Christmas, sort of, in this fiendishly farcical animated holiday film from Anomaly London.
The heavenly voiced Patrick Stewart narrates “Dear Satan,” portraying various characters with impressive wit and charm. Dude’s on fire throughout, basically.
… The new six-minute film begins with a little girl named Hope mistakenly asking Satan, rather than Santa, for a puppy at Christmastime. (She makes an unfortunate typo in her letter, and on the envelope, you see.) Naturally, her note goes straight to hell. And if you’re thinking the plot takes an infernal turn at that point, you’re getting warmer. Much warmer.
(7) OSCAR-WORTHY SHORTS. The Hollywood Reporter offers “Oscars: Breaking Down the 10 Animated Short Contenders”. Very little explicit sff content, however, there is a fannish tendency to think all animation is fantasy so that may not be a problem.
In celebration of what would be the 100th birthday of author Roald Dahl, Jakob Schuh and Jan Lachauer adapted his poetry collection based on classic fairy tales. Dominic West, Rose Leslie and Gemma Chan lend their voices to the likes of the Big Bad Wolf and Snow White.
(8) FEELING BETTER. Mike Kennedy recommends a video at Gizmodo, “An Undead Outbreak Summons a Stealth, Ruthless Response in Chilling Short The Plague”.
It’s an otherwise quiet night when a woman hears a noise—and discovers her elderly father has wandered from his nursing home for an unannounced visit. Things then take a turn for the decidedly insane in Guillermo Carbonell’s short The Plague. Zombies are involved… but not how you’d expect.
(9) DON’T SAY HE CAN’TERBURY. The artist known as Chaucer hath some lofty ambitions:
Nowe Ich am nat goinge to suggest that thys twytter feede sholde be a 'relatid werke' for @HugoAwards by cause that ys the kynde of ranke self promocioun that John Gower doth do…
— Chaucer Doth Tweet (@LeVostreGC) December 14, 2017
(10) WEHRLE OBIT. Fan, artist, writer Joe Wehrle, Jr. died December 10. The Larque Press Blog has numerous examples of his work:
Joe Wehrle, Jr. is a writer and artist. His stories and artwork have appeared in the Cauliflower Catnip Pearls of Peril, Menomonee Falls Gazette, 1971 Clarion Anthology, Vampirella, Two-Gun Raconteur, Worlds of If, Galaxy and many other publications.
Joseph J. Wehrle, Jr., 76, Punxsutawney, died Sunday, Dec. 10, 2017, at Allegheny General Hospital, Pittsburgh. Joseph was a self-employed artist working for The Digest Enthusiast. He was an illustrator, cartoonist and writer. He enjoyed collecting comic books, original comic art and science fiction and fantasy genre books. Joseph loved jazz and blues music and loved playing the guitar and saxophone. He also loved his cat, Khufu. He is survived by a daughter, Jillian Rouse and husband Jim of Punxsutawney. Services will be private for family and are under the direction of the Deeley Funeral Home, Punxsutawney.
(11) TODAY IN HISTORY
(12) TIME CAPSULE. It’s not easy for humorists to keep ahead of reality.
Disney announces it has reached a deal to acquire 21st Century Fox, as predicted by a Simpsons episode that first aired on November 8, 1998. pic.twitter.com/kzloJQHeM8
— Darren Rovell (@darrenrovell) December 14, 2017
(13) MOUSE EATS FOX. The Verge tries to figure out “What does Disney’s acquisition of Fox mean for the MCU?”
Disney has acquired 21st Century Fox’s film and TV studios in a landmark $52 billion deal. This means that the door is open for Disney to incorporate the Marvel properties previously controlled by Fox — including X-Men, Fantastic Four, and Deadpool — into its Marvel Cinematic Universe.
In its statement, Disney says the agreement will allow it to reunite these characters “with the Marvel family under one roof and create richer, more complex worlds of inter-related characters and stories that audiences have shown they love.” Marvel is already planning to overhaul the MCU after the studio’s “Phase Three” arc. That will finish with a fourth and supposed final Avengers film in 2019, which will end the Infinity War story. “There will be two distinct periods. Everything before Avengers 4 and everything after,” Kevin Feige, the president of Marvel Studios, has previously said.
(14) CHEAPER BY THE HUNDRED. Here’s a diagram showing who owns what Marvel characters after the Disney/Fox merger.
(15) BLUNDER DOWN UNDER. Michael J. Walsh gifted Filers with this link to the recipe for Vegemite Icy Poles, a sweet treat that violates the Geneva Convention. The instructions begin –
COMBINE in a saucepan the sugar, cocoa, honey, VEGEMITE, corn flour and milk.
(16) SURVIVOR. The BBC profiles the plesiosaur: “Sea reptile fossil gives clues to life in ancient oceans”.
A new fossil is shedding light on the murky past of the sea reptiles that swam at the time of the dinosaurs.
With tiny heads on long necks and four pointed flippers, plesiosaurs have been likened to Scotland’s mythical Loch Ness monster.
The German discovery proves that these sea creatures were alive more than 200 million years ago during the Triassic.
The fossilised bones give clues to how the animal survived a mass extinction that wiped out most living things….
By being warm-blooded, plesiosaurs were able to roam the open seas in late Triassic times.
”Warm-bloodedness probably was the key to both their long reign and their survival of a major crisis in the history of life, the extinction events at the end of the Triassic,” said Prof Sander.
Plesiosaurs were not as hard hit by the extinction as shallow water and coastal animals. Their fossils have been found all over the world in Cretaceous and Jurassic rocks.
(17) ACCIDENTAL FANFIC. People are loving it — “Harry Potter gets a weird new chapter from a computer”.
Harry Potter and the Portrait of What Looked Like a Large Pile of Ash is a new story created by a predictive keyboard.
“He saw Harry and immediately began to eat Hermione’s family,” runs one line from the ridiculous – and funny – tale.
It was created by the team at Botnik, who fed all seven books through their computer programme.
— Botnik Studios (@botnikstudios) December 12, 2017
(18) ROBOCRIMINAL. Jackie Chan fights somebody who looks vaguely like the lovechild of Voldemort and the Terminator in this Bleeding Steel trailer.
[Thanks to Dave Doering, Daniel Dern, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
(1) DEFENDANTS COMMENT ON COMIC CON VERDICT. Bryan Brandenburg has this to say about the verdict in the SDCC v, SLCC lawsuit.
I woke up this morning facing a bright new future. The weight of the world has been lifted from Dan [Farr]’s and my shoulders. We have successfully cleared our names and lifted the cloud of accusation that has been surrounding us for 3 1/2 years.
– We were accused of stealing and hijacking. The jury said we were NOT GUILTY of this. There was no willful infringement.
– We were accused of trying to associate our convention with the San Diego convention. The jury said that we were NOT GUILTY of this. They found no evidence of false designation of origin.
– We were accused of causing $12,000,000 damage to the SDCC brand. They said we were the very worst offender. The jury found no evidence of damage. They awarded San Diego $20,000 in damages, less than .2% of what they asked for sending a clear message that we didn’t hurt the San Diego brand and this is what will be paid out for the worst of the 140 comic cons.
– We were accused of infringing San Diego’s trademarks, along with 140 other “infringers”…other conventions that call themselves “comic con”. The jury said that we were guilty. San Diego said, “They’re all infringers, that we and 140 other conventions that use the term comic con were guilty.” So for now they have 3 valid trademarks. We think that they will still lose “comic-con”. We’re proud to be lumped in with some of the finest comic cons in the country.
Dan and I have no regrets about standing up for ourselves when we took action after receiving a cease and desist. In hindsight, we would not have taken the car down to San Diego. For that we apologize to San Diego Comic Con. They are a great event with great people.
This process helped me realize once again that we truly have the best fans in the world. You have been there for us and it was comforting to have so many pulling for us. We are glad that we were able to clear our names at a minimum. But there are a lot of things moving in the background which I cannot talk about. All good things.
We own the trademark for FanX. There are over 140 comic cons and one FanX. That’s not a booby prize. If we needed to drop comic con from the name and just be FanX we have a trademark for that and a lot of positive brand awareness. Almost all the hundreds of thousands of people that have attended our events are familiar with that brand and name.
We’re not sure exactly how things will play out. We may change our name. We may appeal. But one thing is for certain. 2018 will be our best year yet….
(2) NEW LOGO. Bubonicon 50 takes place August 24-26, 2018 in Albuquerque, NM with Guests of Honor John Scalzi and Mary Robinette Kowal, Toastmaster Lee Moyer, and Guest Artist Eric Velhagen. Bubonicon 49 Toastmaster Ursula Vernon has created a special logo:
(3) THE CUTTING ROOM. I was very interested to learn How Star Wars was saved in the edit – speaking here about the original movie.
A video essay exploring how Star Wars’ editors recut and rearranged Star Wars: A New Hope to create the cinematic classic it became.
(4) EXPAND YOUR MASHUP WARDROBE. Still gift shopping? A lot of places online will be happy to sell you the shirt off their backs!
(5) LONG LIST ANTHOLOGY IS OUT. David Steffen announced the release of the Long List Anthology Volume 3, available as an ebook from Amazon and Kobo, in print from Amazon. He said more ebook vendors are in the works, including Barnes & Noble, iBooks, and others.
This is the third annual edition of the Long List Anthology. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. This is an anthology collecting more of the stories from that nomination list to get them to more readers
There are 20 stories in the volume – see the complete list at the link.
(6) BEYOND PATREON. Here’s the hybrid approach that The Digital Antiquarian will take in the aftermath of Patreon’s problems.
I’ll be rolling out a new pledging system for this site next week. Built on a platform called Memberful, it will let you pledge your support right from the site, without Patreon or anyone else inserting themselves into the conversation. The folks from Memberful have been great to communicate with, and I’m really excited about how this is shaping up. I think it’s going to be a great system that will work really well for many or most of you.
That said, my feeling after much vacillation over the last several days is that I won’t abandon Patreon either. Some of you doubtless would prefer to stay with them, for perfectly valid reasons: for high pledge amounts, the new fee schedule is much less onerous; some of you really like the ability to pledge per-article rather than on a monthly basis, which is something no other solution I’ve found — including Memberful — can quite duplicate; some of you really want to keep all of your pledges to creators integrated on the same site; etc. And of course it’s possible that Patreon will still do something to mitigate the enormous damage they did to their brand last week. At the risk of introducing a bit more complication, then, I think the best approach is just to clearly explain the pros and cons of the two options and leave the choice in your hands
(7) VIRTUAL BEST OF YEAR – FANTASY EDITION. Jason, at Featured Futures, has completed the set by posting his picks for the Web’s Best Fantasy #1 (2017 Stories).
As with Web’s Best Science Fiction, Web’s Best Fantasy is a 70,000 word “virtual anthology” selected from the fifteen webzines I’ve covered throughout the year, with the contents selected solely for their quality, allowing that some consideration is paid to having variety in the reading experience. The contents were sequenced as best I could with the same concern in mind.
(8) RATIFYING STURGEON’S LAW. Fanac.org has added “Lunacon 15 (1972) – Theodore Sturgeon Guest of Honor speech” to its YouTube channel, a 38-minute audiotape, enhanced with numerous images and photos (including two taken by Andrew Porter.)
Isaac Asimov introduces Theodore Sturgeon’s Guest of Honor speech at the 1972 Lunacon. There are corny puns and jokes from both of them, but primarily the talk is a serious, constructive discussion of Sturgeon’s “best beloved field”, and a defense against those that would marginalize and dismiss it. There are a few poignant minutes at the end about the (1972) US government amassing citizens’ private data, without any ability to challenge it. More than 40 years later, it’s still important, and worth listening.
(9) TODAY’S THING TO WORRY ABOUT. Andrew Porter draws our attention to the fact that the German film Münchhausen came out in 1943. As he sees it, “We could have a Nazi film under consideration for a retro-Hugo!”
The complete film is available on YouTube, with English subtitles.
He spent fifty years at the University of Texas general libraries, rising from cataloger to Director of General Libraries, a position he held for the last twenty-five years of his career. … Harold also edited and wrote extensively about authors Edward Dahlberg and M. P. Shiel. Reflecting a long time interest in Arthur Conan Doyle, in 2006 he received the Morley-Montgomery award for his essay The Materia Medica of Sherlock Holmes. In recent years, Harold had turned to supernatural literary fiction, authoring such stories as “A Dead Church”, “The Monk’s Bible”, and “The Daughters of Lilith”.
(11) TODAY’S BIRTHDAY GIRL
(12) HEROIC EFFORT. Reportedly, “New research finds that kids aged 4-6 perform better during boring tasks when dressed as Batman”. Hampus Eckerman says, “I’m sure this works for adults too.”
In other words, the more the child could distance him or herself from the temptation, the better the focus. “Children who were asked to reflect on the task as if they were another person were less likely to indulge in immediate gratification and more likely to work toward a relatively long-term goal,” the authors wrote in the study called “The “Batman Effect”: Improving Perseverance in Young Children,” published in Child Development.
(13) WITH ADDED SEASONING. Star Trek: The Jingle Generation.
Darmok and Jalad at the North Pole.
Rudolph, his teeth bared, his nose red!
Santa, when the walls fell.
— Michael G. Munz (@TheWriteMunz) December 9, 2017
(14) THAT FIGURES. This must be like Rule 34, only it’s Rule 1138: If it exists, something Star Wars has been made out of it. “Funko POP! Star Wars Trash Compactor Escape (Luke & Leia) Exclusive Vinyl Figure 2-Pack [Movie Moments]”.
(15) MORE MYCROFT. SFFWorld’s Mark Yon reviews “The Will to Battle by Ada Palmer”.
Probably the thing I like the most about The Will to Battle is that we get to know in much more depth the inner workings of the political aspects of the world that Palmer has imagined. We learn much more about things that we have only seen mentioned before (the set-set riots or the difference between Blacklaws, Greylaws and Whitelaws, for instance) and we even witness a trial, a meeting of the Senate and the Olympic Games. I really enjoyed discovering how the author had planned with incredible care every little aspect and finding out that little details that seemed to be arbitrary are, in fact, of crucial importance.
(16) YOUNG UNIVERSE. Linked to this news before, but the Washington Post’s account is more colorful: “Scientists just found the oldest known black hole, and it’s a monster”
That hope is what drove Bañados, an astronomer at the Carnegie Observatories in California, to the Chilean mountaintop in March. It was not entirely clear whether he’d be able to find a quasar so far away. Supermassive black holes swallow up huge amounts of matter, squeezing the equivalent mass of several hundred thousand suns into a space so small that gravity wraps around it like an invisibility cloak and causes it to vanish. An object like that needs a long time to grow and more matter than might have been available in the young universe.
But the object Bañados and his colleagues discovered, called ULAS J1342+0928, was even bigger than they’d bargained for — suggesting that something might have made black holes grow more quickly. Scientists don’t yet know the underlying reasons for such rapid growth, or whether still older black holes are waiting to be found.
“This is what we are trying to push forward.” Bañados said. “At some point these shouldn’t exist. When is that point? We still don’t know.”
In a companion paper published in the Astrophysical Journal Letters, the scientists report another odd finding: The galaxy where ULAS J1342+0928 dwells was generating new stars “like crazy,” Bañados said. Objects the size of our sun were emerging 100 times as frequently as they do in our own galaxy today.
“To build stars you need dust,” Bañados said. “But it’s really hard to form all this dust in such little time on cosmic scales — that requires some generations of supernovae to explode.”
During the universe’s toddler years, there hadn’t been time for several rounds of stars living and dying. So where were the ingredients for all these new stars coming from?
(17) THE RISKS OF TALKING TO THE COPS. I saw Ken White’s “Everybody Lies: FBI Edition” for Popehat linked by a FB friend and found it riveting. While it’s focused on criminal law, a lot of this advice is still good even if you’re only talking to someone about your taxes.
Dumbass, you don’t even know if you’re lying or not. When an FBI agent is interviewing you, assume that that agent is exquisitely prepared. They probably already have proof about the answer of half the questions they’re going to ask you. They have the receipts. They’ve listened to the tapes. They’ve read the emails. Recently. You, on the other hand, haven’t thought about Oh Yeah That Thing for months or years, and you routinely forget birthdays and names and whether you had a doctor’s appointment today and so forth. So, if you go in with “I’ll just tell the truth,” you’re going to start answering questions based on your cold-memory unrefreshed holistic general concept of the subject, like an impressionistic painting by a dim third-grader. Will you say “I really don’t remember” or “I would have to look at the emails” or “I’m not sure”? That would be smart. But we’ve established you’re not smart, because you’ve set out to tell the truth to the FBI. You’re dumb. So you’re going to answer questions incorrectly, through bad memory. Sometimes you’re going to go off on long detours and frolics based on entirely incorrect memories. You’re going to be incorrect about things you wouldn’t lie about if you remembered them. If you realize you got something wrong or that you may not be remembering right, you’re going to get flustered, because it’s the FBI, and remember even worse. But the FBI would never prosecute you for a false statement that was the result of a failed memory, right? Oh, my sweet country mouse. If you had talked to a lawyer first, that lawyer would have grilled you mercilessly for hours, helped you search for every potentially relevant document, reviewed every communication, inquired into every scenario, and dragged reliable memory kicking and screaming out the quicksand of your psyche.
(18) MRS. PEEL IS NO RELATION. Bananaman: The Musical is on stage at the Southwark Playhouse in the UK through January 20.
Bananaman is one of the flagship characters in the world’s longest running comic, The Beano. He was also the subject of the hugely popular TV cartoon that ran on the BBC during the 1980s. With a useless hero and some equally clueless villains, Bananaman’s riotously funny, slapstick humour has been sealed into the memories of those who saw him first, and will now spark the imagination of a new bunch of Bananafans.
In “A Call To Action” Marc Pickering is playing Bananaman’s nemesis Doctor Gloom. The song comes in the first half when Doctor Gloom is planning ways in which to deal with Bananaman who is thwarting his plans for world domination!!
(19) FIXED THAT FOR YOU. Damien Broderick says “A strange and terrible thing happened” with his book, now available in a modified 2018 version — Starlight Interviews: Conversations with a Science Fiction writer by Damien Broderick.
The first printing, also from Ramble House affiliate Surinam Turtle Press (owned by Dick Lupoff) turned out to have a botched variant of Russell Blackford’s chapter. My fault, I freely confess it! I only learned of this goof after I gave Russell his copy at the recent World Fantasy con in San Antonio.
Russell and I delved into the dark heart of several hard drives and managed to recompile his intended text. With the help of Chum Gavin, a repaired version of the book has now appeared on Amazon (although their website announcement has retained a mistaken pub date from earlier this year). If any Chum purchased a copy of the botched version, do let me know and I will hastily dispatch a Word doc of RB’s True Chapter. For those very few Chums who somehow forgot to rush their order for the book to Amazon, now is your near-Xmas chance to make good that lapse!
(20) OUTSIDE THE STORY. K. C. Alexander describes a variation on the classic writer’s advice in “Don’t Show, Don’t Tell” at Fantasy-Faction.
You’re probably familiar with Welcome to Night Vale, so you’ll recognize the Night Vale Presents line in this incredible and fascinating podcast. The key difference, however, is this one presents more of a focused story, all delivered from a single point of view—Keisha; a truck driver (narrated by the matchless Jasika Nicole) searching for her dead wife. Named, naturally, Alice. (One other POV appears later in season, which I will not spoil here, but it is eerie af.) This is a creeping, haunting, sometimes lonely story about a heartbroken woman struggling with a mental illness—namely, a panic/anxiety disorder, and the paranoia and fear that comes with. After the death of her wife, an experience she was not there to witness, our fearful protagonist hires on with a long-haul trucking service to find answers.
Her story is narrated through snatches of narrative delivered on CB radio.
So what makes this podcast the keystone for “don’t show, don’t tell?”
It’s the outside stuff we never see. What’s going on outside her narration, what the people outside of our view are doing and why they are doing it. The ripples “shown” in Fink’s writing remain so subtle that you may not hear them, understand them, until your second or third listen. They are small ripples, hardly noticeable in black water, bringing with them an expertly woven sense of dread. But why? From where?
We don’t know.
(21) THE CLASSICS. The comments are fun, too. (If you need the reference explained like I did – clicketh here.)
And ye maye aske yowerself, 'How do Ich werke thys?'
And ye maye aske yowerself, 'Wher ys that large destrier?'
And ye maye tell yowerself, 'Thys nys nat my fayre castel!'
And ye maye tell yowerself, 'Thys nys nat my swift goshawk!'
— Chaucer Doth Tweet (@LeVostreGC) December 10, 2017
(22) NETFLIX TRAILERS. New seasons for two genre shows on Netflix.
Just don’t get in her way. Marvel’s Jessica Jones Season 2 coming March 8, only on Netflix.
(23) BEFORE THEY WERE FAMOUS. Marcus Errico, in “The secret history of ‘Christmas in the Stars,’ the bonkers ‘Star Wars’ holiday album co-starring Jon Bon Jovi” on Yahoo! Entertainment, discusses the super-cheesy and super-obscure Star Wars Christmas album that came out in 1980.
Unlike his previous cover-heavy albums, Meco started from scratch with the music. He and Bongiovi needed Star Wars-themed Christmas songs and they needed them fast, but they weren’t having much luck with the songwriters they approached. Enter a struggling composer named Maury Yeston, who was trying to put together the musical that would become Nine and could use some extra cash. “I met with Meco and I said, ‘Look, this may sound ridiculous to you, but if you want to do a Star Wars Christmas album you have to have a story,” Yeston told the CBC. “This is obviously Christmas in the world of Star Wars, which means this is in a galaxy far, far away, thousands of years ago. It’s not now. So call it Christmas in the Stars.” Meco was sold on the idea of the album having a through-line and recruited Yeston.
Yeston, who would go on to win a Tony Award for Nine and eventually write the smash Broadway musicals Titanic and Grand Hotel, cranked out nearly 20 Yule-appropriate tunes, nine of which made the final lineup. “The Meaning of Christmas,” minus Yoda, was radically retooled from the original version because Lucas didn’t want any of the traditional, religious-themed lyrics to be associated with the Force. It established the story of the album, set in a factory where droids make gifts for one “S. Claus.”
[Thanks to JJ, Dave Doering, John King Tarpinian, Andrew Porter, Ed Fortune, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]