Pixel Scroll 7/29/16 I Have Promises To Keep, And Pixels To Scroll Before I Sleep

(1) IRON MAN. Gregg Van Eekhout was injured at “San Diego Cracked-it-Con 2016”. Before he was taken away on a cart he signed his fan’s books! Click the link for the whole story. The bottom line —

So, it’s going to be six weeks in a hard cast, and that’s my Comic-Con story. And I’d like to reiterate that I continued to autograph copies of my books even with a fractured fibula. That’s pretty metal, I feel.

(2) PROSECUTION FOR ONLINE THREATS. Ken White at Popehat reports on “A Rare Federal Indictment For Online Threats Against Game Industry”.

The U.S. Attorney’s Office for the Eastern District of California has sought and obtained an indictment against a young man named Stephen Cebula for sending online threats to Blizzard Entertainment, the freakishly successful powerhouse behind the Warcraft, Starcraft, and Diablo games as well as many others. The case is notable because it’s so rare: there’s so much threatening behavior online, and so little of it is addressed by the criminal justice system.

Stephen Cebula seems overtly disturbed. The search warrant for his home and subsequent criminal complaint tell a tale of him engaging in bigoted trash talk with other players on the Blizzard game “Heroes of the Storm,” ranging from racial epithets to comments like “I will kill your family bitch” and fantasies about raping a child at Disneyland. Blizzard suspended Cebula’s ability to communicate with other players. Cebula — perhaps tutored in law and political theory on Reddit, or by Milo Yiannopoulos — saw this as an outrageous violation of his freedom. He used his Facebook account “tedbundyismygod1” to send two threatening messages to Blizzard:

Careful blizzard … I live in California and your headquarters is here in California …. You keep silencing me in Heroes of the STorm and I may or may not pay you a visit with an AK47 amongst some other “fun” tools.

You keep silencing people in heroes of the storm and someone who may live in California might be inclined to “cause a disturbance” at your headquarters in California with an AK47 and a few other “opportunistic tools” …. It would be a shame to piss off the wrong person. Do you not agree blizzard?

(3) SITE SELECTION, COMPARE AND CONTRAST. Petréa Mitchell delivered vital data in a comment:

In crucial last-minute Worldcon voting news AND Pokemon Go news, New Orleans in 2018 has published a map of Pokestops and gyms near its proposed facility. (San Jose in 2018 has mentioned Pokestops nearby but only vaguely.)

(4) THE ENDLESS DELIGHT OF POKÉMON GO. The Week reported —

“A Georgia woman became trapped in a graveyard while playing Pokemon Go.  ‘The gate is f—ing closed,’ the indignant woman told a 911 dispatcher.  ‘This is not cool.'”

(5) THE NEXT SFWA CHAT HOUR. Coming Monday, August 1 at 3 p.m. Eastern time. — SFWA Chat Hour Episode #5: Selling Your Book at Conventions.

Join Cat Rambo as she hosts a lively discussion on how to sell your books at conventions, featuring Quincy J. Allen, Jennifer Brozek, David John Butler, and Michael Underwood.

RSVP the event to get a reminder when it’s about to start. Afterwards, it’ll go up on YouTube as usual.

(6) BANDERSNATCH. Musician Andrew Petersen discusses an influence on his decision to create The Rabbit Room“The Inklings, Diana Glyer, and the Art of Community”.

It’s easy for Americans like me, who are almost maddeningly intrigued by the romance of that famous fellowship, to idealize the Inklings—to imagine that the meetings were all chummy chortles and pipe smoke, pints of beer and chin-stroking, heady conversation and magical recitals of what are now classic works of literature. The Inklings were human, after all, and they lived in the same tired old world that we occupy, bearing the same weaknesses and wounds in varying degrees. The meetings were probably more sporadic and less inspired than we like to think. The story is a good one: Christians getting together in the name of friendship and good books. It piques an almost mythic longing in many of us. Who wouldn’t want to be a fly on the wall in one of those rooms? For that matter, who wouldn’t want to be a member of that inner ring?

Glyer’s thesis, contrary to some academic works that claim too much has been made of the Inklings’ influence on each other, is that the very nature of friendship, of nearness, of interaction, guarantees influence on their work. Like it or not, the famously grumpy and immovable Tolkien simply had to have been affected by his relationship with Lewis, and his work must have been affected, too. It was Glyer’s book where I first grasped the idea that The Lord of the Rings probably wouldn’t exist if not for C. S. Lewis. Yes, it was Tolkien’s God-given genius that wrote the masterpiece, but it was C. S. Lewis’s encouragement that nudged Tolkien along and convinced him that the public would care to read it. Friendship matters. Encouragement, resonance, accountability, and criticism were crucial ingredients that went into the feast of Middle-Earth.

One of the central tenets of the Rabbit Room is that art nourishes community, and community nourishes art. And to me the profound thing about that idea is that the friendships—the heart-shaping relationships, the Christ-centered community—will outlast the works themselves. Glyer’s book makes a strong case for the influence of the Inklings on one another, imperfect though it was. If you want to write good books, good songs, good poems, you need some talent, yes. You also need to work hard, practice a lot, cultivate self-discipline, and study the greats. But you also need good friends. You need fellowship. You need community…..

(7) HUTCHMOOT. And The Rabbit Room is planning a conference in October. Diana Pavlac Glyer will be the keynote speaker.

On October 6 – 9, the Rabbit Room will convene Hutchmoot 2016 at Church of the Redeemer in Nashville, Tennessee. You’re invited to come and enjoy a weekend of live music, delicious food and conversation, and a series of discussions centered on art, faith, and the telling of great stories across a range of mediums.

Speakers, sessions, and special events will be announced as they are confirmed.

(8) VERTIGO. Flashbacks to the right of them, flashbacks to the left of them, volleyed and thundered.

https://twitter.com/damiengwalter/status/759051917993672704

(9) FILE WORTHY PUN.

(10) ON JEOPARDY! Steven H Silver says this was a Jeopardy entry —

Women Authors for $800.

?

?

“Nobody rang in,” said Silver.

(11) SUMMERTIME. “A summer book list like no other: Michael Dirda picks 11 hidden gems”, at the Washington Post.

One of the pleasures of summer holidays is choosing just the right books to pack along on the annual visit to the beach. I stress that word “books” because only the foolhardy would take an electronic device anywhere near sand, water, intense heat and — as one learns by experience — children predestined to spill their soda where it will do the most damage. Much better to pick one of the following recent titles in paperback or hardcover.

The Big Book of Science Fiction , edited by Ann and Jeff VanderMeer (Vintage). How big is big? In this case, we’re talking nearly 1,200 double-columned pages, dozens of representative short classics of science fiction, and newly translated work from around the world. There are surprises, too: Did you know that W.E.B. Du Bois wrote sf? That’s just one indication that the VanderMeers hope to establish a more culturally diverse science fiction canon. Still, there are many old favorites here, some of mine being William Tenn’s “The Liberation of Earth,” J.G. Ballard’s “The Voices of Time,” Cordwainer Smith’s “The Game of Rat and Dragon” and Joanna Russ’s “When It Changed.”

(12) ARRIVAL. The Wikipedia tells us:

Arrival is an upcoming American science fiction drama film starring Amy Adams and Jeremy Renner. The film is based on the short story “Story of Your Life” by author Ted Chiang. The film is scheduled for released on November 11, 2016 by Paramount Pictures.

Deadline Hollywood reported in June:

Paramount Pictures has set a November 11 wide release for Arrival, the Denis Villeneuve-directed sci-fi movie starring Amy Adams and Jeremy Renner. This was the film that took the 2014 Cannes market by storm when the studio won a wild rights auction to the pic for a fest-record $20 million, earning it North American and China distribution rights.

(13) CLOUDY DAYS. Bob, Gordon, and Luis have been laid off from Sesame Street.

The changes keep on coming for Sesame Street. Last year, the controversial news broke that the show was packing its bags and moving on up to HBO from PBS—and now, most of the children’s show’s longtime (non-puppet) cast has been let go.

At Florida Supercon, original cast member Bob McGrath, known simply as “Bob” to his young audience, said that he and comrades for several decades Emilio Delgado (“Luis” on the show) and Roscoe Orman (“Gordon”) have had their last hurrah on Sesame Street.

“As of this season, I completed my 45th season this year,” McGrath said. “And the show has done a major turnaround, going from an hour to a half hour. HBO has been involved also. And so they let all of the original cast members go, with the exception of Alan Muraoka—who is still on the show, he is probably 20 years younger than the rest of us—and Chris Knowings, who is also young.”

(14) CLICKBAIT RATINGS. Entertainment Weekly rated all 13 Star Trek movies, offering its opinion of the good, the bad, and the why.

The same day, Rotten Tomatoes published “Every Star Trek Movie, Ranked From Worst To Best”. The Rotten Tomatoes list looked like this:

  1. STAR TREK (reboot)
  2. FIRST CONTACT
  3. THE WRATH OF KHAN
  4. INTO DARKNESS
  5. THE VOYAGE HOME
  6. BEYOND
  7. THE UNDISCOVERED COUNTRY
  8. THE SEARCH FOR SPOCK
  9. INSURRECTION
  10. GENERATIONS
  11. STAR TREK: THE MOTION PICTURE
  12. NEMESIS
  13. THE FINAL FRONTIER

(15) ST:WTF! Adam Whitehead decided there was also clickbait potential in criticizing EW’s “gratuitous list”. And my linking only helps prove him right.

The point of Gratuitous Lists is that the things on it are not listed in order of excellence, but are just on there so people can talk about the shows/games in question rather than argue about the order, which is often arbitrary. But sometimes arguing about the order is just too much fun. After Entertainment Weekly issued a list of Star Trek movies ranked by quality that is simply objectively wrong (how high up is Nemesis?), here’s my riposte…

(16) TODAY IN HISTORY

  • July 29, 1958 — The U.S. Congress passes legislation establishing the National Aeronautics and Space Administration (NASA).
  • July 29, 2002 — M. Night Shyamalan’s Signs.  Shyamalan cited The Birds, Night of the Living Dead and Invasion of the Body Snatchers as the influences for this film.

(17) TODAY’S BIRTHDAY BOY

  • Born July 29, 1972 – Wil Wheaton

(18) BELATED BIRTHDAY GIRL

  • Born July 28, 1866 — Beatrix Potter, British author/illustrator of the Peter Rabbit stories.

(19) FIRST TREK CON. Stu Hellinger announced he’ll be part of a fan panel at Star Trek Mission New York over the September 2-4 weekend.

On September 2 – 4, at the Javits Center here in NYC, ReedPOP is running a 50th Anniversary Star Trek Convention called Star Trek: Mission New York.

One of the program items is titled: “The First Convention and How it Helped Resurrect Star Trek”.

The panel description: The first Star Trek Convention, in New York City, began as a crazy idea with a shoestring budget that created ripples all the way to the Klingon Empire and helped put the Enterprise back in space. A panel discussion with members of the original organizing committee.

The participants on this panel are Linda Deneroff, Devra Langsam, Elyse Rosenstein, Joyce Yasner and myself as the moderator.

We have not been informed, as yet, what date and time the panel will be, but I will post the information as soon as I know.

Join us to reminisce or to learn more about what we did that helped create the ongoing phenomena that is Star Trek.

(20) JEFF STURGEON. Fascinating work at “Welcome to the Art of Jeff Sturgeon”

After his long time friend and art collaborator artist Jeff Fennel  ( www.Jefffennel.com ) convinced him to try painting on aluminum Jeff left the game business behind and went to painting full time with aluminum his new canvas. Through the new millennium Jeff’s work became nationally known with increased appearances as a exhibitor,guest,panelist and guest of honor at conventions around the country and as a illustrator and cover artist. Jeff’s work is much sought after by art collectors whether one of his classic SF/ astronomical pieces or his beautiful renderings of the american west. Jeff’s newest project is Jeff Sturgeon’s last Cities of Earth as his much anticipated shared world project comes to fruition with an anthology with the top writers in the field, an art book of Jeff’s city paintings and concept art., other platforms are in negotiation to try and bring this amazing world Jeff has created to life. Jeff lives in great pacific NW with wife and artist Leslie Kreher and sons Duncan and Corwin.

(21) WALL OBIT. SF Site News has learned Canadian fan Alison Wall died on March 5. More information at the link.

(22) WILSON OBIT. SF Site News reports Toronto fan Ian Wilson, a past Ad Astra chair, died July 28.

(23) STRACZYNSKI TRIBUTE TO DOYLE. Babylon 5 Creator J. Michael Straczynski On the Death of Jerry Doyle” in Epic Times.

When it came to politics, Jerry Doyle and I disagreed on, well, pretty much everything. Politically, Jerry was just to the right of Attila the Hun. There is a line in Babylon 5 where his character, Michael Garibaldi, suggests that the way to deal with crime is to go from electric chairs to electric bleachers. That line is quintessential Jerry Doyle. I say this with confidence because I overheard him saying it at lunch then stole it for the show.

Despite our differences, when Jerry ran for congress as a Republican not long after Babylon 5 ended, I donated to his campaign. Not because I agreed with him, but because I respected him; because there was one area in which we agreed: the vital intersection between the arts of acting and storytelling. In that respect, Jerry was a consummate professional. Regardless of whatever was going on in his life, whether it was marital issues, a broken arm, forced couch-surfing with Bruce and Andreas or other problems, he never once pulled a prima donna on us; he showed up every day on time, knew his lines, and insisted that the guest cast live up to the standards of the main cast, to the point of roughing up one guest star who showed up not knowing his lines. Trust me when I say that after Jerry got done with him, every day he showed up, he knew his lines. And then some.

He was funny, and dangerous, and loyal, and a prankster, and a pain in the ass; he was gentle and cynical and hardened and insightful and sometimes as dense as a picket fence…and his passing is a profound loss to everyone who knew him, especially those of us who fought beside him in the trenches of Babylon 5. It is another loss in a string of losses that I cannot understand. Of the main cast, we have lost Richard Biggs, Michael O’Hare, Andreas Katsulas, Jeff Conaway, and now Jerry Doyle, and I’m goddamned tired of it.

So dear sweet universe, if you are paying attention in the vastness of interstellar space, take a moment from plotting the trajectory of comets and designing new DNA in farflung cosmos, and spare a thought for those who you have plucked so untimely from our ranks…and knock it off for a while.

Because this isn’t fair.

And Jerry Doyle would be the first person to tell you that. Right before he put a fist in your face. Which is what I imagine he’s doing right now, on the other side of the veil.

(24) PROFESSIONALISM. Amanda S. Green reminds readers “It is a business. . .” at Mad Genius Club. It’s a good point in its own right, and a lesson that can be expanded to apply to fan activities as well.

So treat it as one. Yesterday, as I was looking at FB, I came across a post from someone I respect a great deal. He also has one of the most unverifiable jobs there is in publishing. No, not reading the slush pile, although that is part of his job. He has taken it upon himself to do what so many publishers don’t do. He responds to those who send something in, letting them know whether or not their work has met the minimum threshold to be passed up the line for further consideration. Believe me, that is definitely more than a number of publishers do. Too many simply never get back to you unless they are interested.

What caught my eye with his post was how unprofessional someone had been in response to his email letting them know their story had not been passed up the line. Now, I know how it stings when you get a rejection. It’s like someone telling you your baby is ugly. But it happens and we have to accept it with grace and move on. Yes, we can kick and scream and curse in public but you do not send a note back telling the editor how wrong they were. Nor do you tell them that the title has been published during the time the editor was considering it, especially if the editor has gotten back to you in less than half the time they say it normally takes.

And that is where this particular author screwed up. Not only did they send back an unprofessional note to the editor, insuring he will remember the author and not in a good way, but he went ahead and self-published the book without removing it first from consideration by the publishing house. That is two very big strikes and, in this case, the author doesn’t get a third strike before he’s out….

(25) WAGON TRAIN IN SPACE. BBC Radio 4’s “Caravans in Space” investigates space habitats and visits the Tennessee Valley Interstellar Workshop in Chattanooga. Stephen Baxter makes a brief comment in the program.

Is the Earth too perfect? The Moon too grey? Mars too dusty? Then how about setting up a human colony in the depths of space?

Richard Hollingham travels to the Tennessee Valley Interstellar Workshop in Chattanooga, Tennessee to meet scientists, engineers, doctors and anthropologists planning human colonies in space and spaceships that will take humanity to the stars.

These are not dreamers – although they all have an ambitious dream – but well qualified experts. Several work at Nasa, others have day jobs at universities and research institutes.

Richard hears of proposals to build giant space stations and worldships – vessels packed with the best of humanity. These caravans in space might be lifeboats to escape an approaching asteroid or perhaps the first step to colonising the galaxy.

The programme features conference chair and Technical Adviser to Nasa’s Advanced Concepts Office, Les Johnson. He is keen that any discussions about our interstellar future are rooted in reality, not Star Trek.

We also hear from John Lewis, Director of the Space Engineering Centre at the University of Arizona, who advocates mining asteroids and suggests the first space colonies would be like lawless frontier towns.

Other contributors include architect Rachel Armstrong, who is engineering soils for living, breathing organic spaceships and anthropologist Cameron Smith.

As the programme is recorded on location in Chattanooga, it would be remiss of us not to make some reference to trains. Fortunately, our spacefaring future is being discussed in a railroad-themed hotel and on the local tourist train passengers are surprisingly open to living life permanently away from Earth.

(26) STATE FAIR FOOD. When I saw that bacon-wrapped churros were among the semifinalists in the State Fair of Texas annual fried food contest, I hastened to bring this to John Scalzi’s attention. It wouldn’t have surprised me to be the five hundredth person to send him the news, but he said I was actually number seven.

If you read the entire list of semifinalists, you’ll understand why I’m tempted to run a set of brackets and let people pick which sounds most deadly.

Next to “Lollipop Fried Bacon Wrapped Quail Breast on a Stick,” a bacon-wrapped churro sounds like health food….

[Thanks to John King Tarpinian, Martin Morse Wooster, Cat Rambo, JJ, Dawn Incognito, Michael O’Donnell, David K.M. Klaus, Carl Slaughter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 3/25/16 Phantom MacSpaceface O’Trollington

(1) SOLID NUMBERS. “So How Many Books Do You Sell?” is the question. Kameron Hurley dares to answer.

It’s the question every writer dreads: “How many books have you sold? ”

It’s a tricky question because for 99% of the year, those with traditionally published books honestly have very little idea. But two times a year – in the spring and in the fall – we receive royalty statements from publishers, which give a sometimes cryptic breakdown of what has sold where. So for those keeping track here with my “Honest Publishing Numbers” posts, here’s an update.

(2) HAND JIVE. Star Trek 50th Anniversary Celebration Honors Leonard Nimoy’s Artwork”.

More than 50 pieces will be featured during a 50th-anniversary Star Trek art exhibit honoring a half-century of exploring the final frontier. That includes the final piece of art created by original series star, the late Leonard Nimoy.

The event, which San Diego Comic-Con attendees will arrive just in time for, opens on July 21 at the Michael J. Wolf Fine Arts in San Diego, CA. It will then travel to Las Vegas, Toronto, and the UK.

The official Star Trek site is rolling out all the pieces bit by bit, but the artistic work of the beloved Nimoy was one of the first released. The piece, which depicts multiple images of Nimoy’s hand giving the “Live Long and Prosper” salute, was created for the Star Trek Art Exhibit.

The red, yellow and blue motif is a nod to the uniform colors worn by the Star Trek cast of characters in the original show.

(3) LISTEN UP. In “These hearing aids aren’t just for show A.k.a. This message speaks volumes”, Swedish fan Feeejay describes how her being hard of hearing impacted her experiences at the 2014 Swecon, her coping strategies, and how we can assist them.

What can you do to help? In social situations:

Face me when talking.
Repeat or double check that I’ve got the important information.
Help me sit in the center so I can hear everyone.
Speak clearly, and if I ask you to repeat yourself, try to raise your voice just a tad, but mostly speak slower and more clearly.
If you have a induction loop in a facility, use it.
Microphones should always be used, and if an audience microphone is available, use it too.
Alternatively, have the moderator repeat the questions.

When I’m at conventions, I always sit in the front row. If I’m in a panel I prefer to sit in the middle. This is what works for me — if you don’t know what works for someone else, try asking!

And how did it go at the Steampunkfestival?

Some panels went just fine, if I was placed in the center and didn’t get an audience question. Some panels worked less fine if the moderator forgot to repeat the audience question before someone answered it.

In one panel, I got an audience question and waited for the moderator to repeat it. My silence was interpreted as confusion or not having a good answer, so other panel members answered instead, while I looked like a question mark. I felt really stupid.

(4) THE MAGIC NUMBER FIVE. Lavie Tidhar, interviewed by Shelf Awareness, is asked a numerical question.

Your top five authors:

The writers who most influenced me (for good or bad) are probably Philip K. Dick, Raymond Chandler, Cordwainer Smith (the pen name of Paul Linebarger, who was an intelligence specialist and the godson of Sun Yat-sen and wrote the most extraordinary and peculiar science fiction stories). Tim Powers–I still remember discovering him for the first time and being so blown away. T.S. Eliot.

It’s a sort of Hardboiled Five, isn’t it? It’s more a list of people who directly influenced my writing in some way than anything else.

(5) READ COATES. Rachel Swirsky makes a “Favorite Fiction Recommendation: ‘Magic in a Certain Slant of Light’”

I met Deborah Coates when I was in graduate school at the University of Iowa. She and I were in a writers group together with a lot of other people. We called it Dragons of the Corn.

Deb writes beautiful magical realism, fantasy and science fiction. At one point, she was tossing around the term “rural fantasy.” Her prose is lovely, and the moods she creates are delicate and pervasive.

“Magic in a Certain Slant of Light” is one of my favorites of her short stories….

(6) HAMNER. Earl Hamner, Jr.’s family thanked everyone for their condolences on Facebook, and at the post provides addresses of charitable institutions he supported.

We have been asked about a memorial or service and all I can tell you at this time is that Dad was emphatically opposed to the idea. He even made my mother promise him not to even consider the idea! So, we are respecting his wishes, but at the same time trying to imagine a way to remember him that he would like. (I.e., we all meet at the James River in Virgina and go fishing and drink a lot of Jack Daniels.) In the meantime, if you feel you need to do something to honor him, you will find below a list of organizations that Dad supported. A charitable gift in his memory would make him proud.

(7) TODAY IN HISTORY

  • March 25, 1956 — Lon Chaney stars as “Butcher” Benton, The Indestructible Man.

(8) RED MARS HITS RED LIGHT. Deadline reports “Spike TV ‘Red Mars’ Series On Pause After Showrunner Exits”.

Spike TV has pushed the pause button on Red Mars, its 10-episode straight-to-series drama adaptation of Kim Stanley Robinson’s best-selling “hard” science-fiction trilogy. The move comes as executive producer/showrunner Peter Noah has exited the project, produced by Skydance TV.

…. I hear Straczynski, who had written the pilot script out of his passion for the books, had the option to stay on as showrunner or leave and keep an executive producer credit. The writer, who had been busy in features and TV, opted for the latter, and Noah came in as showrunner. He has now departed too over what I heard were creative differences with Spike.

(9) THE MESSAGE. Chris Van Trump is “Back In The Sad-dle Again” at Shambling Towards Bethlehem.

…What bothers me about the whole Sad Puppies situation is how often the existence of talent in the opposition has been denied, by both sides in this small battlefield of the culture war. Obviously that was Correia’s point in kicking off the whole affair; to expose what he considered to be ideological filtering in the Hugo nomination and voting process.

Personally, I think he was right. Not because of some grand cabal of liberal hypocrites willing to trash good authors on the grounds of political dissent, but because communities develop specific cultures, and those cultures create preferences.

And WorldCon has its own subculture, and as a result its own preferences, and those preferences lean towards the kind of pretentious twaddle that bores me to tears. But hey, it has the right messages, and that’s what’s important.

Or is it?

You see, there’s something that bothers me more than the denial of talent on the grounds of ideology, and that is the degradation of talent in the service of ideology.

One of the problems you run into, and this is something I’ve seen in other mediums as well, is that when you place the perceived political and social value of a work over its artistic value when determining merit, you get, well, precisely what you deserve. Passive, politically-correct-for-your-critical-lens pablum. A checklist of boxes to be marked off, with the expectation of accolades if enough boxes are checked.

You get boring message fiction. Or games. Or art of any kind….

(10) ON THE DOGS. Lela E. Buis, in “Discrimination against the Puppies?”, applies the thoughts from her recent posts about multiculturalism to the Puppy dilemma.

But, is Kate Paulk telling it straight? I don’t quite think so. Unfortunately I’m not going to have time to read the whole list of recommendations before the award nominations are due, but I have worked through the short stories and some of the related works. I can’t speak for the novels, but much of what I’ve read are not neutral recommendations. If you’re keeping up with my reviews, these works are slanted to present the Puppies side of the recent conflict. That means they are written by SJW’s on the Puppy side.

Who’s right? I suspect the SFF community needs to consider the Puppies’ point of view. If you’re reading along on my social commentary, you’ll note that the 50-year era of multiculturalism has closed, and we are now entering a period where community is becoming more important. This means the actions of divisive activists will be less well received than in the past—on all sides. I know people like to fan the flames, but wouldn’t community building be time better spent?

(11) PERFECTION. Sarah A. Hoyt begins “Perfectly Logical” with an epic autobiographical introduction to justify her view about why people asked off the Sad Puppies 4 List.

….It wasn’t a stupid fear.  It was real.  Even though writers can’t control who reads them and likes them, if you’re liked by the “far right” you must be using “dog whistles” — and thus the blacklisting starts.

So those people asking to be removed from the Hugo recommendations which were made by fan vote?  Perfectly logical.  Getting tainted by association is a thing in their circles.

The people proclaiming that we: Larry, Brad, myself, John C. Wright, I don’t know if they were stupid enough to include Kevin J. Anderson and Butcher in that, but definitely everyone else in the list, had “ruined their careers” are right.  For their world and their definition of career.  None of the big four will ever publish us again, except Baen.

They are stuck in the old push-model days in their head.  They think that everyone down the chain will now boycott us.  And they want to make d*mn sure it doesn’t splash on them.

Meanwhile we’re living in a different world.  We’ve tried indie, and it worked.  (Even though in my case it was just toe dipping.  More to come once internet is fixed and bedrooms, kitchen and office unpacked. (It’s all we’re unpacking in this house.)

We’re living in a world where we can be rude to whomever we please, love our fans whoever they are, and have our own opinions.  Because NYC publishing is NOT the boss of us….

(12) CASTING DUDES. “’Why Can’t We Have One White Superhero?’ Said No One Ever” is the topic today at Angry Asian Man.

Many of us who were following the casting of Marvel’s upcoming Iron Fist Netflix series were disappointed when news broke that some white dude named Finn Jones would play the title role of Danny Rand.

Inspired by this thoughtful plea by Keith Chow of The Nerds of Color, over the last two years a vocal fan movement had swelled and rallied around the possibility of an Asian American Iron Fist. While Danny Rand has traditionally been depicted as white in the comic books, there is no legitimate reason why he had to be played by a white actor. This could have been an interesting opportunity to cast an Asian American actor in the lead role, and complicate and reclaim some of the more problematic, orientalist elements of the character’s mythos.

It was a nice thought. But alas, Danny Rand will be white and it’s business as usual. Some people had some gripes about that. And of course, some people had gripes about the people with gripes.

Comic book creator Joshua Luna, best known for his work as a co-creator and writer of such books as Ultra, Girls and The Sword with his brother Jonathan Luna, recently posted a funny comic offering his take on the Iron Fist casting. Imagine, if you will, an alternate dimension…

(13) BEST SF TV. Adam Whitehead offers his list of the 20 Best SF TV shows of all time at The Wertzone.

In the grand tradition of Gratuitous Lists, here’s a look at the twenty Best Science Fiction TV Shows of All Time (that I can think of today). The list is in alphabetical order, not order of quality, nor is there a #1 choice as I’d probably have a totally different choice tomorrow. So rather than argue about arbritary placements on the list, you can instead yell at me at what got left off.

In case you’re wondering, the list contains only overtly science fictional TV shows. No fantasy (that’d be another, different list) and no anime, as I’m not well-enough versed in the field. After some debate, also no superhero stuff as the SF credentials of those shows can vary wildly and there’s enough of them now to make for another list.

(14) LEGO ACTORS. The LEGO Batman Movie – Batcave Teaser Trailer.

(15) DO YOUR DAMN DUTY. The Onion has a jaded view of the Batman v Superman experience:

Promising that it would be best to just buy a ticket and take care of the unpleasantness right away, a new Batman V. Superman: Dawn Of Justice promotional campaign launched this week reportedly urged filmgoers to simply get this whole thing over with. “Listen, you all knew this day was coming, so just go sit your ass in the theater, stare up at the IMAX screen for a couple hours, and be done with this shit once and for all,” said Warner Brothers marketing strategist Elizabeth Harris, who encouraged fans to make plans with friends right now so they could all bite the fucking bullet over opening weekend.

(16) PRE-SUMMER HUMMER. No matter what you may have heard about the movie, Deadline says Batman v Superman: Dawn of Justice set the cash registers spinning.

East coast registers are winding down and Warner Bros.’ Batman v Superman: Dawn of Justice is still on track to be the biggest pre-summer opening day with $80.5M (beating Furious 7‘s $67.4M) and weekend with $169.5M (outstripping The Hunger Games $152.5M) at 4,242 theaters. In sum, this is $20M better than where the industry originally estimated the film to be.

(17) THEME SONG. Darren Garrison’s salute to the late Garry Shandling takes a peculiar turn:

This is the theme to Glyer’s blog,
The theme to Glyer’s blog.
Glyer tweeted me and asked if I would write his theme song.
I’m almost halfway finished,
How do you like it so far?
How do you like the theme to Glyer’s blog?

This is the theme to Glyer’s blog,
The opening theme to Glyer’s blog.
This is the music that you hear as you read the comments.
We’re almost to the part of where he starts to Pixel Scroll.
Then we’ll read Michael Glyer’s blog.

This was the theme to Michael Glyer’s blog.

For those scratching their heads (starting around 30 seconds in):

(18) FLAME ON. Stoic Cynic rocked this verse.

With apologies to BOC:

You see me now a veteran
Of a thousand Usenet wars
I’ve been living on the edge so long
Where the posts of flaming roar

And I’m young enough to look at
And far too old to see
All the scars are on the inside
I’m not sure if there’s candy left in me…

[Thanks to Karl-Johan Norén, Michael J. Walsh, John King Tarpinian, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 1/26/16 Things Scroll Apart, The Pixel Cannot Hold

(1) MILLIONS STAYED HOME. The Force Awakens made plenty of money in China, but it did not blow up the way it did in the U.S. Inverse ponders “Why Chinese Audiences Skipped The Force Awakens”. BEWARE SPOILERS.

But Zhen, also the director of NYU’s Asian Film and Media Initiative, says there’s another simple reason why Star Wars isn’t as successful in China.

“Chinese audiences are not as familiar with the series and franchise as a whole,” she says. “There is much less knowledge of it or a cult following, but the curiosity is there.”

It makes perfect sense. The Chinese market is blooming so quickly that it’s easy to forget it’s Hollywood’s youngest sibling. The first Star Wars film to be released in China was The Phantom Menace in 1999, making both the rapid proliferation of Hollywood blockbusters in China in recent years impressive, but also the extreme newness of Star Wars as a phenomenon that much more apparent.

China’s primary moviegoing audience is made up of 17-to-31 year-olds who didn’t get the same embedded, multi-generational cultural significance as American audiences that came of age when Star Wars debuted in 1977.

(2) EYE CANDY. Terra Utopische Romane 1957-68 on the Retro-Futurism LiveJournal.

“These old covers are like candy,” says Will R. And Planet X makes an appearance.

(3) FANDOM’S CLOSER. A pitcher for the Oakland Athletics doubles as a trivia maven — “Watch Sean Doolittle answer your deepest, most important Star Wars Questions”. Cut4 warns there could be SPOILERS – at least there could be if any of the stuff he says is true.

(4) GAME APP. In “Super Barista: Manage your own coffee shop and alien clientele in space”.

If you’re a nerd like us, chances are you also love coffee. Those things tend to go hand-in-hand, and today’s app combines coffee nerdiness with space action gaming nerdiness, and it’s called Super Barista.

The premise behind Super Barista is that you serve a very specific, yet broad clientele in your coffee shop. The trick is, that coffee shop is set in space, and your clientele is an assortment of strange, interesting, and sometimes dangerous alien beings. Your shop will take you across the galaxy to five different unique planets where you’ll have to manage your resources, build your staff and crew, and serve your delicious drinks in a timely and efficient manner.

(5) IN MEMORIAM. Steven H Silver has posted his annual In Memoriam list at SF Site.

(6) PEN HONORS ROWLING. “PEN America to Honor J.K. Rowling, Hachette CEO Michael Pietsch at Annual Literary Gala”.

Harry Potter creator J.K. Rowling will receive the 2016 PEN/Allen Foundation Literary Service Award at PEN America’s annual Literary Gala on May 16 at the American Museum of Natural History in New York. PEN America, the country’s largest writer-driven free expression advocacy organization, presents the award annual to a critically acclaimed author whose work embodies its mission to oppose repression in any form and to champion the best of humanity….

Since her rise from single mother to literary superstar, J.K. Rowling has used her talents and stature as a writer to fight inequality on both a local and global level. Her charitable trust, Volant, supports causes in the United Kingdom and abroad that alleviate social exclusion, with particular emphasis on women and children. In 2005 she founded Lumos, a nonprofit organization that works to help eight million children institutionalized around the world regain their right to a family life. Herself the frequent object of censorship in schools and libraries across the globe, as well as online targeting, Rowling has emerged as a vocal proponent of free expression and access to literature and ideas for children as well as incarcerated people, the learning -disables, and women and girls worldwide….

(7) MORE ON FANFIC. Sharrukin at Sharrukin’s Palace tells what he finds helpful about writing fanfic. His is set in the universe of the Mass Effect game.

First advantage of writing fan-fiction: You will immediately start to build an audience, and get feedback for your work.

By the end of that month, I had posted thirteen chapters, about 40,000 words of new material, and I was still going strong. I finished that entire first novel in a little over four months.

Memoirs was followed by a second novel, composed of substantially original work since most of it was set during a period when Liara and Shepard are not on stage together. I took the opportunity to flesh out Liara’s character arc, introduce a bunch of new supporting characters, and start patching the big plot holes I saw in the games. By the time I got to my novelization of the third game, I was working almost entirely without a net, openly rewriting the story from the ground up.

The experience was tremendously valuable. I learned more about my craft from writing a fan-fiction trilogy than I had learned in decades of on-again, off-again dabbling. I even broke my long-standing aversion to the shorter forms, writing several short stories and a novella along the way.

Some pro authors are a little disdainful of fan-fiction. I believe George R. R. Martin has compared it to paint-by-numbers, something that doesn’t rank with original work as a creative endeavor. I’m not going to dispute that. There are several reasons why I’m working hard now to move away from fan-fiction, and one of them is the desire to create something worthwhile that’s really mine. But as an exercise in improving your craft so that you can survive as a genre author, there’s a lot to recommend it.

You won’t have to do all the work yourself. The source material provides a framework on which you can build and experiment. Your audience will already be familiar with it. Still, you will have to work on the mechanics: prose style, description, exposition, dialogue, point of view, characterization and voice. You will end up taking the original material apart and analyzing it, seeing what worked and what didn’t, in the process of putting together your own version. You will get practice in the simple art of sitting down and cranking out word count, week after week, so that your audience doesn’t get bored and wander away.

(7) EBOOK PRICING. Amanda S. Green compares print book and ebook pricing in “Publishers, You Need To Hear This” at Mad Genius Club.

So, is there a trend — or possibly a clue — here as to why e-book sales for the Big 5 are leveling off?

Some folks were having this discussion yesterday in a private FB group I belong to. The consensus among those taking part in the discussion was that the price point publishers were charging, especially for newly released titles, was more than they were willing to pay. Not just for e-books but for hard covers as well. Those who aren’t big fans of  e-books lamented the fact they were turning to used bookstores to buy those hard cover titles they wanted. Not because they were paying less for the book but because they knew authors don’t receive royalties for those sales.

Note, they weren’t worried about the publishers.

And that is something the Big 5 needs to realize. The reading public is starting to look at the prices they pay for their books — whether they are print or digital — and wonder why the prices are so high. They are following their favorite authors, many of whom write for publishers that aren’t the Big 5 or who are indies, and they are paying attention to what the authors are saying. They understand that the life of the writer is closer to struggling author working in a coffee shop than it is to Castle. They are beginning to realize that the majority of the money they pay for that book, the vast majority of it, goes not to the person who created it but to the corporation what distributed it.

(8) STRACZYNSKI INTERVIEW. Lightspeed Magazine has a transcription of the J. Michael Straczynski interview that was originally part of WIRED’s Geeks Guide to the Galaxy podcast.

I was a street rat, had grown up a street rat, I come from nothing, my family has no connection to literature or writing, and in his introductions I found a kindred spirit. Harlan Ellison was a street rat. He had run with gangs; he was considered trouble. I remembered that in one of his introductions, he had given his phone number. “I wonder if that’s real,” thought I, so I dialed the number and waited and it began to ring. There was a click and I heard, “Yeah?”

“Is this Har-har-har-lan Ellison?” says I.

“Yeah, what do you want?”

“My-my-my-my name is Joe,” I say, stammering through the whole thing, “And I’m a writer and my stuff isn’t selling and I thought you might have some advice.” Which is the stupidest thing to ask any writer; it’s like saying to someone, “What are you doing to my wife?” There is no good answer to that question.

So he says, “All right. Here’s what you do: If it’s not selling, it’s shit. My advice to you? Stop writing shit.”

“. . .Thank you, Mr. Ellison.” Years later, I got to LA and we met in bits and pieces and eventually we became friends, and I finally reminded him of that conversation. And he said, “Were you offended?” And I said, “Had you been wrong, I would’ve been offended.” But he wasn’t.

(9) SANDIFER WONDERS ALOUD. It’s funny that some people will think Phil Sandifer was the first person to ask this question, in “An Open Letter to Sad Puppies IV”.

As the science fiction community mutters “I thought MidAmericon said nominations would open in early January” with baited breath, I note that certain fascist pricks have begun to ramp up their performative chortling. So I figured “why not write a mildly trolling open letter to someone else entirely?”

Ms. Paulk et al:

I note with some bemusement your efforts to reform the Sad Puppies movement from its oft-criticized 2015 form, stripping away its overtly conservative trappings, widening it to a ten-item recommendation list, et cetera. By and large, I have to admit, these seem like, if not strictly speaking good things, at least less bad things. So thank you for your efforts to be less odious than your predecessors. It’s genuinely appreciated. That said, there’s one rather large issue that you don’t seem to have addressed, and that I’d like to raise.

Simply put, why are you doing this?

(10) GRRM RESPONDS. For the record, here’s how George R.R. Martin answered John C. Wright’s latest overture.

I agree, death has a way of putting life’s other trials and triumphs in perspective. My own political and social views are very much at odds with yours, Mr. Wright, and our views on literary matters, especially as regards science fiction and fantasy, are far apart as well. But I have always believed that science fiction has room for all, and I am pretty sure that David Hartwell believed that as well. If we want to heal the wounds our community suffered last year, all of us need to stop arguing about the things that divide us, and talk instead about the things that unite us… as writers, as fans, as human beings. Our grief in David’s passing is one of those things. Everyone who ever knew him or worked with him will miss him, I do not doubt. So thank you for your note, and your heartfelt and compassionate words about David.

(11) A DIFFERENT WRIGHT. The home of the late Jack Larson – “Jimmy Olsen” on the original Superman TV series – is up for sale.

Frank Lloyd Wright‘s George Sturges House, owned by actor and playwright Jack Larson, will be auctioned on 21 February, 2016, for an estimated $2.5 million to $3 million. It is among 75 lots from the estate owned by Larson to be sold after the actor passed away in September. The residence, designed in 1939, was the first Usonian house on the West Coast and was acquired by Jack Larson and Jim Bridges in 1967.

(12) DON’T PANIC. Thug Notes has done a summary and analysis of The Hitchhiker’s Guide to the Galaxy. Got to love the moment our narrator explains, “But Dude don’t know what the question is!”

[Thanks to John King Tarpinian, Martin Morse Wooster, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contrbuting editor of the day Ian P.]

Pixel Scroll 1/1 Let Scrolled Acquaintance Be Forgot…

rhinowaiting(1) HORNING IN. Another rhino run starring Jim Mowatt — “New Year Parkrun Rhino Running at Temple Newsam House”

We set off past the glorious Elizabethan mansion and out through the formal gardens. Down the long hill, left at the motorway and curl back along the edge of the woods until we are once again struggling up the hill toward the house. Twice around we go and the second time we are curved around the hill a little until we burst out into the finish funnel. I queue to be scanned behind the girl in the orange tee shirt. I’d finished before her at Woodhouse Moor but she was really pleased to finish in front of me here at Temple Newsam. “I couldn’t be beaten by a rhino twice in one day” she said.

 

(2) CARRIE FISHER. James H. Burns writes: “Considering that I was never particularly a fan of Carrie Fisher as an actress, I am finding myself becoming quite a fan of her mind!” Burns had just read “Carrie Fisher shuts down the ageist haters as only Carrie Fisher can” on Salon.

She soon followed up with a more direct command, saying, “Please stop debating about whether OR not aged well. unfortunately it hurts all 3 of my feelings. My BODY hasn’t aged as well as I have. Blow us.” It’s been favorited over 35 thousand times — and still going.

(3) FIRST AMENDMENT. Has he been listening to Fisher, too? George Lucas definitely spoke freely on the Charlie Rose show broadcast on December 25:

At one point he said that filmmakers in the Soviet Union had more freedom than their counterparts in Hollywood, who, he maintained, “have to adhere to a very narrow line of commercialism.”

Mr. Lucas appeared particularly unhappy with the direction the “Star Wars” franchise has taken since he sold the rights to it, along with Lucasfilm, his company, to Disney for $4 billion. He compared the sale to a breakup and a divorce.

“These are my kids. All the Star Wars films,” he said. “I love them, I created them, I’m very intimately involved in them.”

He added, trailing off with a laugh: “And I sold them to the white slavers that take these things and. …”

(4) BABYLON 5.1. Blastr’s headline runs a little ahead of the facts – “Straczynski bringing sci-fi classic Babylon 5 back to life with movie reboot in 2016” – in that he hasn’t finished a script and he doesn’t have a commitment from a studio to produce the movie.

Thanks to some shrewd negotiating, Straczynski actually owns the film rights to the franchise — so he isn’t beholden to getting a particular studio to sign on. But he is apparently hoping Warner Bros. (the studio that produced the original series) might be interested once the script is complete. You know, assuming it’s good.

If Warner Bros. doesn’t bite, Straczynski apparently aims to finance the film through his own Studio JMS, though that might be a tall order to bankroll an $80-100 million sci-fi epic. But considering the franchise’s name cachet with genre fans — not to mention the fact that studios are mining just about any brand they can get their hands on these days — you’d think someone would be interested in co-producing.

(5) MARSHAL BURNS. Ken Burns the documentarian was this year’s Rose Parade Grand Marshal, prompting an exchange between John King Tarpinian and Phil Nichols:

[Tarpinian] The documentarian is this year’s Rose Parade grand marshal.  They keep taking about his “moving” stills as having been groundbreaking, calling it Ken Burns effect. Now his documentaries are very well done and quite enjoyable however when I saw the first one this moving-still effect reminded me of Icarus Montgolfier Wright.  I’m thinking Ray Bradbury and George Clayton Johnson’s contribution to this effect was a bit earlier.

[Nichols] Good point, jkt! In fact, the technique had been used prior to ICARUS, most famously in a Canadian documentary called CITY OF GOLD (1957). In the UK, it has only recently become known as the Ken Burns effect. We have our own Ken (Ken Morse) who did similar work for the BBC for decades. We used to call it “movement in stills”, until the American influence became irresistible.

(6) STAR WARS SPOILERS. Beware spoilers in Alex Ross’ fine discussion of “Listening to Star Wars” at The New Yorker.

Williams’s wider influence on musical culture can’t be quantified, but it’s surely vast. The brilliant young composer Andrew Norman took up writing music after watching “Star Wars” on video, as William Robin notes in a Times profile. The conductor David Robertson, a disciple of Pierre Boulez and an unabashed Williams fan, told me that some current London Symphony players first became interested in their instruments after encountering “Star Wars.” Robertson, who regularly stages all-Williams concerts with the St. Louis Symphony, observed that professional musicians enjoy playing the scores because they are full of the kinds of intricacies and motivic connections that enliven the classic repertory. “He’s a man singularly fluent in the language of music,” Robertson said. “He’s very unassuming, very humble, but when he talks about music he can be the most interesting professor you’ve ever heard. He’s a deep listener, and that explains his ability to respond to film so acutely.”

(7) 40% PUPPY CONTENT. Brandon Kempner at Chaos Horizon takes his first cut at predicting the 2016 Best Novel Hugo. Pups get 2 spots out of the top 5.

The difficulty in predicting the 2016 Hugo lies in how little information we have: how big will the Rabid Puppies vote be? How will the Sad Puppies 4 operate? How much will the rest of the Hugo vote increase? Will other Hugo voters change their voting habits to stop a Puppy sweep? Will specific authors turn down endorsements and/or nominations?

(8) RETURN TO SENDER. Kate Paulk, in “Offer? What Offer?” at Sad Puppies 4, dismisses Steve Davidson’s reconciliation post for failing to treat with “the management.”

I’ve heard through the Internet (all right, Facebook) that someone who fancies himself a big shot in the field has “offered” to stop claiming Sad Puppies 4 is all things evil in return for a few “reasonable concessions” on our part.

Since the person in question hasn’t bothered to make this offer to me, Sarah Hoyt, or Amanda Green, Sad Puppy supporters can reasonably assume that the so-called offer is not actually genuine.

(9) KNOW JOHN, NO PEACE. John C. Wright deconstructed George R.R. Martin’s reconciliation post in “Peace on Mars, Good Will Toward Puppies” .

…Mr. Martin wills the ends without willing the means. He wishes for a cessation of enmity but does not identify who caused it and why, nor does he offer any apology or concession. Perhaps he is merely wishing for the status quo ante. Perhaps he regards his role in the matter as an entirely innocent one.

Be that as it may, honor demands a courteous response to a courteous overture….

The second group is a parasite on the first. Its sole purpose rests on expropriating the glory and reputation the award in times past painfully and honestly earned in the public esteem, and expending this stored capital profligately on unworthy objects to give them an outward momentary appearance of worth.

For example, the parasites seek to elevate REDSHIRTS to the stature of DUNE by an outward show of praise without the book being as praiseworthy. However, according to the inevitable rules governing such counterfeits, as soon as the public opinion grows aware of the inflation and adjusts its estimates accordingly, the parasites fail, and the original host fails with them.

In this case, failure means the Hugo Award no longer represents to anyone an honest judgment of worth. The boast ‘Hugo Award Winning!’ becomes a leper’s bell rather than a badge of honor, and any undeceived science fiction readers flee it. REDSHIRTS is not elevated to the stature of DUNE, but DUNE sinks.

Perhaps Mr. Martin can see a means whereby the host and the parasite that forever seeks to destroy the host can coexist in peace. I, for one, cannot….

(10) AN INTERVIEW WITH URASIS DRAGON. But once Wright had a look at Steve Davidson’s reaction to Martin, he discovered a new comradely admiration for GRRM, as expressed in “Constant Discord from Imaginary Dragons”.

Good grief. Observe that by kicking up this smokescreen of false reconciliation, Mr. Davidson actually makes it more difficult for any parties wishing for true reconciliation (I believe George RR Martin is one such) to accomplish the task…..

For the sake of any undecided readers toying with the notion that the puppykickers have some sort of valid argument or same vestigial desire for peace, allow me to address Mr. Davidson’s four points in order.

Point One: Please note that in the same column he says ” Anyone can become a member and all members enjoy the same rights and privileges as any other member.”

So, when we Sad Puppies did exactly this, Mr. Davidson uses this as an example of us “scamming the system” and advises us, as a condition of reconciliation, that we stop.

Logically, since we cannot cease to do what was never done to begin with, the condition cannot be met. As if one offered peace to a confirmed bachelor on the condition he stop beating his wife.

And Mr. Davidson also uses this to contradict our (accurate) accusation that a small group of inside elite writers and editors over the last fifteen years has been manipulating and dominating the awards secretively, that is, scamming the system.

(11) AMAZING NEGOTIATIONS. Meanwhile, Fandom’s self-appointed Ambassador Plenipotentiary Steve Davidson is experimenting with a unilateral cease-fire, which he calls a “Self-Inflicted Puppy Moratorium”.

I’ve finally whittled my suggestions down to two:  1.  leave the current SPIV recommendation list as a pure recommendation list.  (It’s almost not a slate – all that needs doing is to drop the associated political rhetoric and the curation down to a “final list” and it will BE a recommendation list) and 2. disassociate SP from RP in a publicly demonstrable way.

I’ll note in passing that BOTH of these suggestions are things that the Sad Puppies are claiming to want to do – or to have already done.  It would, therefore, seem to be an easy set of requests to comply with.

As quid pro quo, I offered the following:  I would consult and participate in their recommendation list(s) (participate in order to ‘prove’ that I was doing so); I would give serious consideration to any proposal(s) they might make at WSFS business meetings (they’ve called for a Hugo for tie-ins, among other things);  I will honor their votes and nominations as being valid participation in the Hugos (in other words, won’t assume it’s all politics and market grab on their part); will continue to keep Amazing as an open source (that it has always been – the ONLY people I’ve ever received a “never coming here again” are those who complain the site is biased against them, which, if they stuck around instead of running for the hills….)

AND – I promised a unilateral moratorium on puppy-related posts for two weeks (starting yesterday) while I awaited their response.

(12) NEW YEAR’S FIREWORKS DISPLAY. Scott Lynch, who for reasons explained in the post felt unable to do so immediately after Sasquan, rang in the New Year with a defense of Patrick Nielsen Hayden against John C. Wright’s characterizations.

…This was especially frustrating in the wake of the 2015 World Science Fiction Convention, after which the ponderously self-important blowhard John C. Wright publicly accused veteran editor and lifelong fan Patrick Nielsen Hayden of both assaulting Wright’s wife and masterminding the long-term “corruption” of the Hugo Awards, to which the SF/F field largely replied: “Meh.” Now, some of that is certainly due to Wright’s tireless self-marginalization and frothing bigotry, but regardless, I think Patrick deserved better of his friends and colleagues. He deserved to have someone stand up and state plainly what he could not– that John C. Wright talks a big game about truth and courage, but that he is demonstrably full of shit.

I wanted to be that person. I prepared a lengthy post to that effect. And then anxiety did its usual crushing, grinding thing, and days became weeks, which became months. It is now the new year, Hugo chat has started up in earnest, and Wright is once again plying his mealy-mouthed combination of false civility and vicious nonsense on the subject. I have decided to weigh in with a reminder that the narrative Wright wants to push is an absolute full-blown fabrication….

(13) YEAR IN REVIEW. Like on that game show, Lou Antonelli delivers the answer in the form of a question: ”2015? The Year in Review?” at This Way to Texas.

And then, what I would have thought would be be a great thing, being nominated for the Hugo award twice, turned out to be the worst thing that ever happened in my life. But it helped me realize that, in the end, I really only write for myself and friends, and in literature – as in other things in life – trying to please other people is the fast track to misery.

[Thanks to Stephen Burridge, Morris Keesan, Nila Thompson, John King Tarpinian, Zenu, and Bruce Arthurs for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Update 01/02/2016: Corrected item (8) after readers pointed out Paulk was commenting about Steve Davidson’s reconciliation post, not George R.R. Martin’s.

Pixel Scroll 8/3 Crisis in Infinite Victories

A Hollywood bomb that made money, a cable hit with a future, and the perpetual love feast that is the Worldcon, all in today’s Scroll.

(1) James Earl Jones played B-52 bombardier Lt. Lothar Zogg in Dr. Strangelove.

It was his seventh professional credit. In five of his first 10 roles he was cast as a doctor. That early typecasting wasn’t enough to get him the part of Dr. Strangelove himself, though… Jones first appears in this YouTube clip at :40.

James Earl Jones would establish his greatness as an actor a few years afterwards on Broadway, earning a Tony as the lead in The Great White Hope, and an Academy Award nomination in the film version of the play. Because of his prominence in mainstream entertainment, gigs like voicing Darth Vader or Mufasa in The Lion King seem like sidelines, however, Jones has often worked in genre, fantasy and offbeat productions.

He played alien abductee Barney Hill in a 1975 TV movie, Thulsa Doom in Conan the Barbarian, the warrior Umslopogaas in Allan Quatermain and the Lost City of Gold (1986), reclusive author Terence Mann in Field of Dreams (1989), and also has been in many obscure genre and animated productions.

(2) J. Michael Straczynski, interviewed by Comic Book Resources, is cautiously optimistic about a second season of Sense8.

While the streaming service hasn’t officially given the green light to second season, a promising gesture occurred when Netflix hosted a “Sense8″ panel during the Television Critics Association summer press tour with cast and creators in attendance, including Straczynski who updated the status of a possible renewal. “We’re still awaiting word,” he said on stage. “We’re in the process. We’re waiting for a final determination. We’re cautiously optimistic, but ultimately it’s Netflix’s call.”

If the call does come, Straczynski said he and the Wachowskis have already given plenty of thought to the next phase of the “Sense8” universe. “We’re looking at expanding that as far as logic goes,” he said. “What’s kind of fun about the characters is that what they’re sharing are not necessarily [powered] – like, in other concepts, which might be superpowers, flight. They have ordinary abilities, and we’re trying to say that there is value and merit and power in [that] – whether you’re an actor or you are a martial arts person or a bus driver, you have something to contribute.”

(3) You have til tomorrow to bid on a copy of the American first edition of Verne’s Twenty Thousand Leagues Under The Sea. Currently up to $2,400.

twenty thousand leagues vern

(4) “7 Science Fiction Publishers that Pay $750+ for Short Stories” seems to have valid info (I checked the Analog entry and it is good) even if the page itself is an ad for writing jobs.

(5) Today’s birthday boy – Clifford D. Simak, three-time Hugo winner, for “The Big Front Yard” (1959), “Grotto of the Dancing Deer” (1981), and one of my very favorite sf novels, Way Station (1964). He was named a SFWA Grand Master, received a Bram Stoker Award for Life Achievement, and won the First Fandom Hall of Fame Award.

After the original Dean of Science Fiction, Murray Leinster, passed away, Isaac Asimov considered only two writers had earned the right to succeed to the unofficial title, saying in The Hugo Winners: 1980-1982 (1986) “the only writer who can possibly compete with [Clifford D. Simak] as ‘dean of science fiction’ is Jack Williamson, who is four years younger than Cliff but has been publishing three years longer.”

Clifford Simak

Clifford Simak

(6) Artist Bob Eggleton predicts the demise of the Worldcon art show in “We LOVE Worldcon….but here’s what happened…”

Back in the 1980s, it was commonplace for us Pro Artists to schlep or ship our work to the convention. The 80s was a great time,  SF looked good,  major authors were doing major works, the covers were the best they’d ever been.  Costs were low.  Even in the 90s it was still viable. I can remember in 1996 shipping 3 large boxes of artwork to the LACon of that year in Anaheim.  It was a lot of fun, I won a Hugo in fact. The boxes cost me something like $300.00 each way for a total of $600 and change.  I made something like $4500 in the show, so including everything, I still made money.

….It’s the shipping costs that it all comes down to vs the return in sales that are not always congruent. So while people ask “What happened to all the name artists?”….it’s simply cost that we can’t do this anymore. My personal view is also that, Worldcon has changed and few people are interested in the physical art like they used to be, with all the interest in digital media. And it has become a lot of work to prepare for these events. My memories are long and I will always remember the good times, but, they’ve passed. I see a future of an artshow-less Worldcon, due to insurance costs and lack of manpower and, as digital art becomes the mainstay, a lack of physical art.

(7) Dave Freer’s “Show me” at Mad Genius Club is a one-man roundup post.

In this case I’m talking about all those folk who have been telling us ‘we’re doing it wrong’. You know precisely the sort of individuals I’m talking about. They’ll tell me I’m an evil cruel man for killing a chicken or a wallaby… but they have never done it. They’ve never been faced with a choice of that, or no food (let alone meat). They buy a product in the supermarket… which magically makes it appear in the freezer. They’ll tell you that you did your book all wrong and that it is terrible and full of typos… but they haven’t written one. Or if they have, they didn’t have to survive the mill of the slush-pile as I did (or self-pub), but thanks to their ‘disadvantages’ and connections had a publisher pay an editor to help, and proof reader to clear some of those typos. They’ll tell you that the puppies efforts are dragging sf back in time (yes, JUST in time), yet they’ve done nothing to alter the catastrophic plunge of sf/fantasy sales from traditional publishers. If you force them to confront the figures showing they’ve been part of excluding anyone to the right of Lenin from traditional publishing and the various awards (which, it seems extremely likely, downgraded the sale-value of those awards, and the popularity of the genre… they’ll tell you there might be a problem (but of course nothing like as bad as you make it out to be) and we, the puppies just did it wrong.

(8) But never let it be said the Puppies haven’t left their noseprint on the field. Dave Hicks’s cover art for Novacon 45’s progress reports is themed for GoH Stan Nicholls’s Orcs fantasies. Here’s the topical #2.

Art by Dave Hicks.

Art by Dave Hicks.

[Thanks to David Langford and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Snowcrash.]

Straczynski Picked To Script Red Mars

Babylon 5 creator J. Michael Straczynski will write Spike TV’s Red Mars, based on the first book in Kim Stanley Robinson’s trilogy about the terraforming of Mars.

HBO’s Game of Thrones co-executive producer Vince Gerardis is the producer, and author Robinson is a consultant.

All three novels in the trilogy won major sf awards — Red Mars (Nebula), Green Mars (Hugo) and Blue Mars (Hugo) — and are esteemed as examples of hard sf.

In recent years Straczynski has written the Clint Eastwood feature The Changeling and co-wrote Thor and World War Z. On the TV side, he is wrapping the first season of Sense8 for Netflix, an sf series he co-wrote and executive produces/runs with the Wachowskis.

JMS Bringing Sense8
To Netflix in 2015

Sense8 is an upcoming sf drama series created, co-written and co-directed by Andy and Lana Wachowski (The Matrix). J. Michael Straczynski, executive producer of Sense8, pulled back the curtain a little more on the project for his Facebook fan group on October 13.

[Now] that we’re about a month from the end of shooting on season one of Sense8, with vast amounts of the footage now in hand, I’m sufficiently confident with what we’re doing to make another promise.

Sense8 is going to debut on Netflix in 2015. And it is going to change the way you see television, in terms of production values, storytelling, scope, scale, and action. All of it.

We are going to tell a story on a planetary scale. No cheats. In ways no one else has ever done before.

We are going to treat subjects that most TV series, and pretty much all SF series have avoided.

We are going to present visuals and action in ways that you have simply never, ever seen before. Anywhere.

In 2015 we are going to blow the doors off the television business.

Count on it.

That’s not all Straczynski has in the works. As quoted in the JMS News, he told an audience at this summer’s San Diego Comic-Con —

Here’s the plan: We’re going to have, through Studio JMS, at least two, maybe three TV series on the air next year. We’re going to have at least one or two movies going ahead. And we’ll use that to parlay serious investment in the studio. I’m not talking Kickstarter, I’m talking about one hundred million dollars, two hundred million dollars; we already have people who are lined up and interested in doing that.

So in 2015 I will write a Babylon 5 screenplay. I’ll be giving Warner Bros. the opportunity – if they want to step up, “Help yourself”. If they don’t, 2016: We make it. I’m not going to wait around for more of our cast members to die.

The B5 movie would be a reboot, however, he plans to use many of the original cast in other roles.

Straczynski’s Back

Netflix has ordered 10 episodes of Sense8, a science fiction drama produced by Andy and Lana Wachowski in partnership with J. Michael Straczynski.

Just what it will be about has yet to be made public. The Wachowskis only toldThe Hollywood Reporter —

“We’re excited to work with Netflix and Georgeville Television on this project, and we’ve wanted to work with Joe Straczynski for years, chiefly due to the fact his name is harder to pronounce than ours, but also because we share a love of genre and all things nerdy,” said Andy and Lana Wachowski. “Several years ago, we had a late night conversation about the ways technology simultaneously unites and divides us, and out of that paradox Sense8 was born.”

The show will debut in late 2014.

[Thanks to John King Tarpinian for the story.]

Before Watchmen Panel at C2E2

James Bacon said in an e-mail, “I got the opportunity to see a Before Watchmen presentation, so I told the Vice President I was pissed off.”

“Biden?” I wondered. But no, James’ report for Comic Buzz shows he meant someone with real power — in the comics industry:

I waited a little, then approached the stage…trying to catch Dan Didio [Co-Publishers of DC Comics]…. He leaned over, and I said; ‘I’m one of those angry guys, you’ve pissed me off with this, and I didn’t want you thinking people like me are not here’.

The panel also featured several of the talents who are working on Before Watchmen. One of them addressed the controversy in fandom about enlarging on Alan Moore’s creation:

JMS [J. Michael Straczynski] fields the question about how he is dealing with criticism. He explains that on an ‘Emotional level’ he ‘gets it’, but goes on to state that DC ‘Legally and contractually have the right.’ to do this. As an analogy for the use of Watchmen characters, he makes mention of Hyde from League of Extraordinary Gentlemen, and wondered Robert Louis Stevens approve of Mr Hyde raping a character to death. He of course makes light of this analogy, saying it will be reported out of context, but I don’t think the specific is the issue, rather that this is a weak argument, Stevenson is dead, and the copyright for his character is available, Hyde is used cleverly in another work, not rewritten as a whole novel. Its a poor comparison, and one that sits badly with me, but the crowd lap it up.

Check the report for more information and reaction about DC’s new project.