Pixel Scroll 4/14/17 A Long Time Ago, When Pixels Scrolled The Earth, A Filer Was Climbing Mount Tsundoku

(1) SF IN CHINA. At Amazing Stories, Shaoyan Hu highlights the developing science fiction scene in China

Science fiction is a growing phenomenon in China: the various organizations are living evidence of that. It’s not just Star Wars or The Three-Body Problem now, but a substantial foundation quickly coming into shape. Although speculative fiction is still a small portion of the market, the large population in China suggests a considerable potential return for whoever ventures into this new area. As it happens, quite a few principal investors already have eyes on the genre, but this is perhaps a topic for another time. For now, suffice it to say that the unceasing efforts of all the people within the SF community have given the genre a positive outlook in China and a flourishing future is yet to come.

(2) FILLING THE MISS PIGGY BANK. The Museum of the Moving Image in Queens, NY has launched a Kickstarter appeal to fund conservation of its Muppet collection reports the Seattle Times.

A museum is asking fans of Jim Henson’s Muppets to help pay for an exhibition featuring original puppets of beloved characters like Elmo, Miss Piggy and Kermit the Frog.

The Museum of the Moving Image launched a Kickstarter campaign on Tuesday seeking $40,000 to help preserve the puppets for posterity.

“Jim Henson’s work has meant so much to so many people, myself included,” actor Neil Patrick Harris says in a video on the Kickstarter page. “His humor and inventiveness have inspired people to find their own creative voices.”

The Queens museum owns hundreds of Henson puppets and other objects including costumes and props, all donated by Henson’s family in 2013. Henson died in 1990.

Museum staff members are working to conserve the items along with Jim Henson’s Creature Shop, which was founded by Henson in 1979 and carries on his work, and fine-arts conservators.

The Kickstarter campaign has already raised $66,416, far in excess of its goal, with 26 days remaining.

(3) JEDI CRITIC. USA Today’s Jesse Yomtov took a look at The Last Jedi teaser trailer and decided it was time to speak up: “Why the Jedi were actually the worst and really should ‘end’”.

At the end of the first trailer for Star Wars: The Last Jedi (aka Episode VIII), Luke Skywalker brings up an important issue.

“I only know one truth,” he says. “It’s time for the Jedi to end.”

That sounds ominous and bad, but Luke is 100% correct. It’s not even up for debate that a group like the Jedi would be the bad guys in any other movie.

The Jedi were nearly brought to extinction at the end of Episode III, and while yeah it was the result of Palpatine’s super-evil scheme, it only got to that point because of their own incompetence and self-destructiveness.

Here are some of the most off-putting things about the Jedi Order:

(contains information/spoilers from The Clone Wars animated show, which ended three years ago so that’s kind of on you)…

(4) FINAL WORD ON CARRIE FISHER’S FUTURE IN STAR WARS. VIII yes, IX nay. That’s the word from Kathleen Kennedy.

Carrie Fisher will not appear in Star Wars: Episode IX, Lucasfilm head Kathleen Kennedy said on Friday.

The announcement came during an interview with ABC News and was something of a bombshell, as Todd Fisher, the late actress’ brother, previously said his sister would be in the planned ninth installment of the blockbuster franchise. Kennedy said he was “confused.”

“Sadly, Carrie will not be in nine,” said Kennedy. “But we will see a lot of Carrie in eight.”

(5) FAMILY PORTRAIT. On the first day of the Star Wars Celebration happening in Florida, Mark Hamill and Harrison Ford posed with Billie Lourd, Carrie Fisher’s daughter.

(6) ACHIEVEMENT UNLOCKED. Ken Liu was finally able to reveal he is at work on a Star Wars book.

So, the news is out: I’m writing a Star Wars book as part of the Journey to Star Wars: The Last Jedi project. Working with the team at Lucasfilm Publishing has been such a pleasure — they’re the best.

I can’t tell you much about the book yet, except that it’s called The Legends of Luke Skywalker, it’s going to go on sale on 10/31/2017, and it’s going to be awesome….

I think a writer’s job is to build a strong, welcoming house. Readers then move in and fill the rooms with their individual experience and understanding of the world. And only then, after they’ve settled in and begun to explore, do they discover its little nooks and crannies, its hidden passages and secret staircases, and following these, they find breathtaking vistas of other planets, rogues who prize friendship more than treasure, mystical sages full of wisdom, princesses leading grand armies, and farm boys dreaming of walking among the stars …

The Star Wars universe is grand and beautiful, and it is ever expanding. To be able to build a house in this universe after my fashion, to welcome fellow fans and readers into this house, and to see them get comfortable and discover its secrets … I don’t have the words for my joy.

(7) ZUCCHINIS VS. BEETS. On March 31, Margaret Atwood discussed 10 of her favorite speculative fiction novels at the website Omnivoracious: The Amazon Book Review. But as you might expect, she has a few things to say about defining the term first:

There is still some fuzziness around the terms “speculative fiction” and “science fiction.” Some say that “speculative fiction” includes such things as horror and reality-based dystopias and vampire stories, with “science fiction” being a subset. Others make a distinction between “science fiction” – hard and soft, but involving other planets and universes accessed by devices we do not currently have and cannot realistically expect to have – and “speculative fiction,” located on this earth and containing no devices that we cannot currently foresee. Let’s just say that there is a difference in nature between stories set in a universe far, far away – some call these “science fiction fantasy” — and those set on this planet, in a future we can plausibly describe, though not infallibly predict. (No predictions are infallible.) All fictions both entertain – otherwise nobody turns the pages – and also instruct – because stories will inevitably be given a moral interpretation by readers, language and people being what they are. But the far, far away galaxy kind – let us call them “zucchinis” – will inspire less immediate fear than the other kind – let us call them “beets.”

The list below is a list of “beets.”  There are many more, but these are some of the books I have read and enjoyed. They concern this earth and what is possible on it, given the knowledge available at the time of their writing. They are mostly dystopias – they describe a world we would rather not have. But some are utopias – they point to improvements.”

From the middle of her list –

Riddley Walker by Russell Hoban

A personal favourite. Written in the Future-English of a post-apocalyptic British teenager. The apocalypse has been atomic, as they once were. Young Riddley is on a quest, as his riddle-based first name and his ambulatory last one would suggest. A puppet show featuring Mister Clevver is his day job, insofar as he has one. Beware of Mister Clevver!

(8) TWEETS OF THE DAY. The investigation begins at SFWA.

(9) TAKE-OUT. Episode 34 of Scott Edelman’s Eating the Fantastic podcast takes place in the middle of Brian Keene’s live-streamed fundraising telethon. At first, Keene couldn’t find time in his schedule —

But when it came time for Brian to record the 100th episode of The Horror Show as a live 24-hour-long telethon to raise funds for the Scares That Care charity, he had a brainstorm—that I invade his event with a meal of some sort, and record my own show as part of his livestream.

So that’s what I did—show up at a conference room of a Hunt Valley hotel with a ton of takeout from Andy Nelson’s Barbecue, which has repeatedly been voted best BBQ by Baltimore Magazine—bringing enough to feed Brian, his co-hosts, and some of the live studio audience you’ll hear in this episode, too.

Brian’s published more than 40 novels, including the best-selling The Rising, and he’s the winner of the 2014 World Horror Grand Master Award. He’s also written comics, including the adventures of the Doom Patrol.

We discussed why the ending to The Rising isn’t as bewildering as some seem to think it is, whether new horror writers should try to replicate his career path, how Marvel Comics creator Steve Gerber is responsible for him becoming a writer, the shady way Brian amassed the largest comics collection in the sixth grade, if he’s a Scully who changed into a Mulder as he got older or if he’s been a Mulder all along, and more…

(10) GETTING AROUND HELSINKI. Going to Worldcon 75? Then this info is for you:

The Helsinki Regional Transit Authority (Helsingin Seudun Liikenne) has announced that as of June 19, 2017, tickets will no longer be sold on Helsinki commuter trains, and therefore must be purchased in advance from one of the available outlets: ticket machines (map of ticket machine locations), the HSL mobile phone application, or HSL Travel Cards.

(11) TODAY IN HISTORY

  • April 14, 1912 – The Titanic strikes the iceberg.

(12) A NIGHTMARE TO REMEMBER. As a child, Steve Vertlieb was haunted by the image of the Titanic:

One hundred five years ago tonight, at 11:40 PM, RMS Titanic fulfilled its terrifying date with history as innumerable heroic souls perished beneath the icy waters of The Atlantic. This horrifying remembrance remains among the most profoundly significant of my own 71 years. As a little boy, during the early-to-mid-1950s, I was tormented night after night by nightmares of finding myself upon the deck of a huge ocean liner cruising the darkened waters of the Atlantic. After a time, I’d find myself walking along the brooding ocean floor, enveloped in crushing darkness, when I sensed a horrifying presence behind me. I’d turn slowly each night with fear and encroaching trepidation. As I gazed up into the watery sky, I’d find myself next to the enormous hull of a wrecked and decaying ship. I awoke screaming on each of these nights. I’d never heard of Titanic in my early years, but I was tormented by these crippling dreams, night after suffocating night, for years. To this day, the very sight and sound of the name “Titanic” sends me into cold sweats and an ominous sense of dread, and foreboding. I’ve come to believe that I may have been aboard the doomed ocean liner that awful night, and that I’d been reincarnated three decades later. I fear the ocean still. Suffice to say, it is a chilling remembrance that will forever haunt my dreams. May God rest Her immortal soul, and all those who perished that terrible night.

(13) HOPE FOR THE WORLD. It’s Good Friday, but this is not about that. Rather, James Artimus Owen draws our attention to another epochal breakthrough:

I’m…feeling some very, very strong emotions that I don’t know how to process. I think I knew, somehow, but didn’t realize until just now – Burger King really does have Froot Loops shakes. They exist. And thus give me hope for the whole world. #apexofcivilization

We confirmed this with Fox News. (How often do you get to say that with a straight face?) Froot Loops shakes debut at participating Burger King stores nationwide on April 17, but will only be around for a limited time.

So what, exactly, is in a cereal milkshake?

According to a spokeswoman for Burger King, the drink features “velvety Vanilla-flavored Soft Serve, Froot Loops Cereal pieces and sweet sauce.”

(14) TODAY’S BIRTHDAY SLAYER

  • Born April 14, 1977 – Sarah Michelle Gellar

(15) PUPPIES FOR PRESIDENT. Lou Antonelli ran a poll on his Facebook page asking people to vote for the sf writer they’d most like to see as President of the U.S.

In Antonelli’s case, that doesn’t necessarily mean he was looking for any great departure from the current tenant of the White House – and he certainly didn’t end up with one.

TRUMPETS!

DRUM ROLL!

THROAT CLEARING…

President… Larry Correia!

The clear winner with 18 votes.

It was very close for second place. John Ringo had nine votes and Tom Kratman had eight.

A strong fourth place showing goes to an author who would not be considered right-of-center by any definition, David Brin – which shows there is come diversity of political opinion among my Friends.

Dr. Jerry Pournelle received five votes, and Ursula LeGuin – also certainly not a right-winger – received four.

(16) TAD WILLIAMS. Patrick St-Denis of Pat’s Fantasy Hotlist interviewed Tad Williams about his return to the universe of Osten Ard in The Witchwood Crown.

Stephen R. Donaldson once said that he waited for so long to write The Last Chronicles of Thomas Covenant because he wasn’t ready and needed to grow as an author before he felt comfortable tackling such a project. Would you say that, at least to a certain extent, this was one of the reasons why it took so long for you to finally decide to write the long-awaited sequel to Memory, Sorrow, and Thorn?

Yes, but not necessarily in the same way as Donaldson’s talking about. I said for years that I wouldn’t write a sequel to anything or even re-visit a world unless I had a story first, a story that cried out to be written. And for years Osten Ard was in that category, although I had thought a bit about the Chronicle project. Then, when I sat down one time to list off for Deborah (my wife and business partner) all the reasons I had no more stories about Simon and Miriamele and Binabik and the rest, I realized that I had left most of the main characters still very much in the bloom of their youth, and that after decades of life and growing responsibility — which I had undergone myself since I wrote it — they must all look at the world very differently. That set me to thinking, and within one night the first rudiments of the story for The Last King of Osten Ard (the title for the whole series) had begun to take real shape. So every moment I was aging, and moving from one country to another, and becoming a parent, and so on, I was actually creating a plot for new Osten Ard books without realizing it.

(17) YOUR SHADOW CLARKE JURY AT WORK. Racing to finish ahead of the shortlist announcement, scant weeks away —

This is the first novel I’ve read from my shortlist that feels like it belongs on the actual Clarke shortlist. Written by a genre outsider, but built definitively upon a classic sci-fi concept, and clearly aware of decades of science fiction fandom and inside jokes, it ticks a few those well-established Clarke-preferred boxes. It’s also quite enjoyable for those same reasons.

It follows the Toula/Tolliver family over four generations of delusions of grandeur beginning with Ottokar Toula: family patriarch, pickle cultivator, and mad scientist of the pre-Atomic Age. His “discovery” of the Lost Time Accidents is overshadowed by the work of “the patent clerk” in Switzerland, dooming the Toula name to forgotten history. That is, until his son, Waldemar, seizes upon Ottokar’s ideas and uses Nazi-era concentration camps to carry out his secret, malevolent time experiments…

We awaken in a contemporary alternate Finland, a country whose path diverged from its realworld twin’s shortly after World War One. We discover that Finland is now a eusistocracy – all for the best in the best of all possible worlds – separated technologically and politically from the ‘hedonistic democracies’ of the rest of Europe and forging its own path to racial purity, social stability and material content. In this new Finland, a systematic program of eugenics has been implemented in order to reinstitute traditional gender roles and relieve the increasing psychological and social tension that has been the inevitable result of female emancipation:

Nowadays, when people talk about science fiction being socially relevant, they often gesture towards Dave Hutchinson’s on-going Fractured Europe series and how the early books seemed to pre-empt not only the break-up of the European Union but also the brutal militarisation of European borders. Though dystopias will always have a role to play in helping us to prepare for unwanted futures, there is also something to be said for books that make a positive case for what it is that we are about to lose. Hutchinson’s books may be about the ugly, regressive, and nationalistic future we are going to get but Lavie Tidhar’s Central Station is about the beautiful, strange, and unapologetically multicultural future we need.

Science fiction is not and never has been about predicting the future. But it is about using satire, extrapolation, exaggeration, distortion and any other tools at its disposal to reflect and comment upon the present. Right now, Europe is in a parlous state. The enterprise of friendship and cooperation that began in the wake of the Second World War is under unprecedented threat from the emergence of just such nationalist movements that it was deliberately conceived to counter. There are currently populist movements whose avowed aims are directly counter to the European ideal active and prominent in the UK, France, Holland, Germany, Italy, Austria, Greece, Hungary, Poland and elsewhere. This is the world we live in. It is not the world we encounter in contemporary science fiction.

The Fractured Europe sequence may not be a perfect way of bringing this modern world into science fiction, but since it is the only way that anyone is currently attempting, it is de facto the best.

The last one is a roundup rather than a review:

…On which note, it seems only fair that I come clean regarding how I, personally, feel about my personal shortlist now that I’ve read it. Did the books I chose turn out to be as worthwhile, not to mention as Clarke-worthy, as I hoped they would be? The short answer, I suppose, would have to be partly, and no. Above a certain level, very few books are ever entirely a waste of reading time, and that certainly holds true here….

(18) BE YOUR OWN RORSCHACH. Who was that masked man? — “How what you wear can help you avoid surveillance”.

Imagine you’re living in a dystopian future. Surveillance cameras scan the streets to recognise and record the faces of passersby – but you’re wearing a HyperFace scarf. Amid a kinetic assortment of grid-like structures printed on the fabric, black squares suggest tiny eyes, noses and mouths. The cameras’ facial recognition algorithms are confused. Your identity is secure; your privacy, protected.

(19) FANTASTIC FICTION AT KGB. On April 19, Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Laura Anne Gilman & Seth Dickinson.

Laura Anne Gilman

Laura Anne Gilman is the author of the best-selling Devil’s West novels (Silver on the Road and The Cold Eye) which NPR described as “a true American myth being found,” the Nebula-nominated Vineart War trilogy, and the story collection Darkly Human. Her writing past encompasses a ten-book urban fantasy series, a quartet of cozy mysteries, three paranormal romances, and a middle-grade Arthurian adventure. A once and future New Yorker, she currently lives in the Pacific Northwest.

Seth Dickinson

Seth Dickinson’s short stories have been published in in ClarkesworldStrange HorizonsLightspeed and Beneath Ceaseless Skies, and elsewhere. He also contributed writing to video games, including Destiny: The Taken King. His first novel the epic fantasy The Traitor Baru Cormorant was published in 2015 and he’s working on a sequel.

Wednesday, April 19th, 2017, 7pm at KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.)

(20) CONCERN TROLL ON DUTY. Superversive SF’s “sciphi” (which I believe is editor Jason Rennie) is worried about the impact Monica Valentinelli’s decision to quit as Odyssey Con GoH will have on other women authors. Sure he is. — “Why doesn’t Monica Valentinelli want women as Guests of Honour?”

What I am wondering though is, has Monica considered the wider implications of this sort of diva behaviour? If you were organising a Con would you invite her as Guest of Honour? I wouldn’t given this is her idea of professional behaviour. More than that, this will likely cause any rational Con organiser, even if only unconsciously, to be less willing to invite any women as Guest of Honour. Who wants the headache of someone flaking at the last second because they have decided their feelings of “unsafeness” trump any consideration of professional behaviour or the enormous problems it will cause other people? Monica in her betrayal of the trust shown in her has made it harder for women everywhere. What if a guest you have invited and planned for decides to “Pull a Valentinelli” at the last second? I suppose it isn’t fair to generalise this to all female authors, as much as it would be more reasonable to generalise this to any sort of grievance peddling group instead.

The people I feel most sorry for are the Jagi Lamplighters, Sarah Hoyt’s and other female authors of the world who are actual professionals and would never engage in this sort of childish tantrum, but whose prospects are damaged by one ridiculous drama queen and idiots who are enabling her behaviour.

(21) SUPERVERSIVE SF’S RESPECT FOR WOMEN. Immediately preceding that post on the site is a reprint of one of their “more popular Superversive articles,” “The Bosom-Jiggle Factor”, which is indeed about what you were assuming. With illustrations. And the name of the author? Answer: L. Jagi Lamplighter Wright.

“The Needs of Drama vs. The Needs of Culture, as illustrated by the BJF Index:”…

The Needs of Drama—the qualities that make a story dramatic, eye-catching, intriguing. Sex, sizzle, bang, POW! Seduction! Explosions! LOTS OF CAPTIALS AND EXCAMATIONS!!!!!!

The Needs of Culture—the desire to use the story to teach lessons needed to participate in the culture, like an Asops Fable or a morality play. These stories include topics like: How to behave. How to treat friends. How to treat strangers. What is and is not moral. – the message of the work.

It is not my opinion that one of these forces is better than the other. Rather, I believe that there needs to be a harmonious marriage of the two of a work to be really great.

Too much drama leads to meaningless sex and bloodshed. Too much culture leads to boring message fiction….

(22) A WORD FROM THE SPONSOR. Because you don’t watch enough commercials already, click this link to watch Baby Groot and the GEICO gecko trying to sell you insurance.

(23) CIRQUE DU PIZZA. Hampus Eckerman is right – you shouldn’t miss this.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, Rob Thornton, Steve Vertlieb, Mark-kitteh, and Hampus Eckerman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Benford Reviews Bandersnatch

Bandersnatch coverBandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings by Diana Pavlac Glyer, illustrations by James A. Owen (Kent State University Press, 2016)

By Gregory Benford: I recommend this excellent study, from which I learned much: about the Inklings, and how creative intersections fuel greatness. I can’t think of any depiction of group inspiration that makes it point so specifically, citing text, and so well. How unpredictable a collective of agreeable creators can be! I’d never have guessed that C.S. Lewis and Tolkien began writing their great series of novels—Out of the Silent Planet etc; Lord of the Rings etc) on a resolve to both write imaginative adventure, and decided on subject (space travel vs time travel) on the toss of a coin! What if it had gone the other way?

Bandersnatch’s more valuable lesson is showing in detail the way the writing community of Inklings worked in a range of ways, encouraging but not getting into critical derogation. Writers might well extrapolate from that to get more from their own creative communities, workshops and even online groups.

Diana Pavlac Glyer Makes Statement About Bandersnatch Eligibility Year

By Diana Pavlac Glyer: I found out today that my book Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings is listed on http://hugonoms2015.wikia.com/ as a possible nominee for a 2015 Hugo Award. I am deeply touched that people have noticed the book and commended it. There’s been a lot of controversy swirling around the Hugos in recent years, but my roots in fandom go way back, and this award means the world to me.

Bandersnatch coverThe problem is that I don’t think that Bandersnatch is eligible until next year. The book has a 2016 copyright date. The beautiful illustrations by James Artimus Owen are also copyright 2016. Kent State University Press considers Bandersnatch to be part of its Winter Catalog, which means the book was not released to their distributors until mid-January 2016. Copies did not become generally available until that time.

The complicating factor is that Amazon lists December 2015 as the official release date. But Amazon didn’t actually ship books until January 2016.

I know that these things aren’t as straightforward as they appear. Like a lot of things, it’s complicated. But here’s my take on it: the book has a 2016 copyright and WorldCat identifies it as a 2016 title. I hope it will be a contender in the next voting cycle.

Pixel Scroll 2/3/16 Superscrollapixelistbutextrabraggadocious

(1) THANKS FACEBOOK. Pat Cadigan joined the legions who have committed this social media gaffe — “Happy Birthday, Sorry You’re Dead”.

Well, it happened again…I wished someone a Happy Birthday on Facebook and then discovered they had passed away last year. This is what happens when you have an impossible number of Facebook friends, most of whom you don’t know personally….

Anyway, thinking or not, I have committed a birthday faux pas. And as usual, I feel awful about it. When the person’s loved ones saw that, they probably wanted to go upside my head. Because that’s how it is when you’re on the sharp end of a disaster, whether it’s something of epic proportions or the personal loss of a beloved friend or relative. Your life has changed forever, and yet the world goes on like nothing out of the ordinary has happened. Like, WTF? The stock exchange opens and closes. The sun rises and sets and rises again. People go to work, go home, go grocery shopping, go online, tweet, check Facebook––and they can’t even take a few extra minutes to find out if someone’s alive or dead? Seriously, WTF?

(2) THANKS TSA. James Artimus Owen shared a memo with his Facebook readers.

Dear TSA – I’m breaking up with you. It’s you, not me. Or anyone else you and American Airlines conned into this big threeway. We were awesome dates, going along with everything you asked for, giving you sweet, sweet lovin’, and lots of money, and always on time, and you didn’t care. You still just wanted me to get half undressed, and to feel me up, and poke me in my special place, and go through all my stuff – and then your drunk buddy American Airlines overbooked the flight…, and complained about carryons, and then broke their own damn plane while we were sitting here. And now someone is trying to “fix” things, but the air is off, and we have to sit here for another half an hour, and the paperwork is going to take longer than the repair. So, I just wanted you to know – I’m getting a private plane. With my own crew. And you can date my “people” but I’m not taking my belt and shoes off for you again just so you can lecture me about the difference between 3.5 ounces and 11 ounces.

(3) HOW DID SOME GOOD NEWS SLIP IN HERE? Hobart and William Smith Colleges (in New York’s Finger Lakes region) have announced that Jeff VanderMeer will join the Trias Residency for Writers for the 2016-17 academic year.

Jeff VanderMeer

Jeff VanderMeer

Winner of the Shirley Jackson Award, the Nebula Award, and three-time winner of the World Fantasy Award, VanderMeer is the author of more than 20 books, including the NYT-bestselling Southern Reach trilogy (“Annihilation,” “Authority,” and “Acceptance”), released in 2014 by Farrar, Straus and Giroux. The trilogy explores, among other issues, environmental degradation in extremis, creating, as the New York Times puts it, “an immersive and wonderfully realized world” with language that is “precise, metaphorical but rigorous, and as fertile as good loam.”

During the residency, VanderMeer will teach one class in the fall of 2016 and work with a number of select students the following spring. Additionally, he will offer a public reading and lecture, participate in a service event for the greater Geneva community and curate a reading series featuring Dexter Palmer (who writes sf), Ottessa Moshfegh and a third writer to-be-announced.

Beyond his work on campus, VanderMeer adds that he is looking forward to “a creative writing visit to the super max prison [in Auburn, N.Y.] and a possible partnership with the Colleges’ environmental center.” He has also invited artist John Jennings, a professor at University of Buffalo, to visit in the fall of 2016 “for some cross-media conversation about narrative and creativity.”

…The Peter Trias Residency at Hobart and William Smith Colleges is designed to give distinguished poets and fiction writers time to write. Academic expectations allow for sustained interaction with our best students while providing the freedom necessary to produce new work. Residents are active, working artists whose presence contributes to intellectual environment of the Colleges and the town of Geneva.

(4) MORE THAN MONEY. “Stephen King On What Hollywood Owes Authors When Their Books Become Films: Q&A” at Deadline.

DEADLINE: So rather than making the old deal, with big upfront money, you figure you’ll make your money on the other side?

KING: The other side of this, too, is that if you do that, you can say to these people, what I want is a share in whatever comes in, as a result, from dollar one. So it isn’t just a creative thing, it’s also the side where I say, if you want to do this, let me make it easy for you up front and if the thing is a success, the way that 1408 was a success for the Weinstein brothers, then we all share in it together. You know, of all the people that I’ve dealt with, Harvey and Bob Weinstein were the ones who were most understanding about that. They were perfectly willing to go along with that. A lot of people feel like you want to get in their business. I don’t want to do that at all. I want to be part of the solution. There were things about the 1408 screenplay that I thought were a little bit wonky actually, you know. There’s a part where you brought in the main character’s sad relationship about how his wife had died, she’d drowned, and he was kind of looking for an afterlife a la Houdini. I thought, well this seems a little off the subject. But it was great in the movie.

DEADLINE: So you’re not an author who feels that what’s in your book is sacrosanct, even when it’s translated to the screen?

KING: No. And the other thing is, you start from the belief that these people know their business. There are a lot of writers who are very, very sensitive to the idea, or they have somehow gotten the idea that movie people are full of sh*t. That’s not the truth. I’ve worked with an awful lot of movie people over the years that I think are very, very smart, very persistent and find ways to get things done. And I like that.

(5) TIL DADDY TAKES THE T-BIRD AWAY. From The Guardian: “Elon Musk personally cancels blogger’s Tesla order after ‘rude’ post”.

Unimaginable wealth has brought Elon Musk a lot of benefits, from being able to build a private spaceflight company to planning a magnet-powered vacuum tube supersonic transport system between LA and San Francisco – and be taken seriously. But perhaps the best perk of being Elon Musk is the ability to be unbelievably petty.

The Californian venture capitalist Stewart Alsop learned that to his cost, he says, after he wrote an open letter to Musk about the badly run launch event for the Tesla Motors Model X (the newest car from Musk’s electric vehicle startup).

Headlined “Dear @ElonMusk: you should be ashamed of yourself”, the letter listed Alsop’s issues with the event: it started late, it focused too much on safety, and it was so packed that even people like Alsop, who had placed a $5,000 deposit on the car (which was originally supposed to ship in 2013, but had only delivered 208 cars by the end of 2015), didn’t get the chance to test drive it.

Alsop concluded that “it would still be nice if you showed some class and apologised to the people who believe in this product”.

Instead, Alsop says, Musk cancelled his pre-order.

(6) HARTWELL OBIT IN NYT. Here is the link to David G. Hartwell’s obituary in the New York Times.

Mr. Hartwell worked at several publishing houses before starting as a consulting editor at Tor/Forge Books in the early 1980s. At his death, he was a senior editor there. He was nominated more than 40 times for Hugo Awards, among the most prominent prizes in science fiction, and won three times for editing.

Patrick Nielsen Hayden, a senior editor at Tor, said in an email that Mr. Hartwell had edited and published hundreds of books, including Mr. Dick’s novels “The Divine Invasion,” “The Transmigration of Timothy Archer” and “Radio Free Albemuth,” as well as novels in Mr. Herbert’s “Dune” saga and Gene Wolfe’s “The Book of the New Sun” series.

He also compiled dozens of anthologies, many with Ms. Cramer, including “The Space Opera Renaissance” (2006) and “Spirits of Christmas: Twenty Other-Worldly Tales” (1989), and he wrote “Age of Wonders: Exploring the World of Science Fiction” (1984).

Mr. Hartwell championed genre fiction long before crossover hits like the “Lord of the Rings” films, HBO’s “Game of Thrones” series and AMC’s “The Walking Dead” broadened its audience.

(7) BERKELEY AUTHOR APPEARANCE. Carter Scholz, author of Gypsy, Kim Stanley Robinson, author of The Lucky Strike, and Terry Bisson, author of Fire on the Mountain, at Books Inc. in Berkeley, CA on February 18th.

Carter Scholz, Kim Stanley Robinson, and Terry Bisson.

Carter Scholz, Kim Stanley Robinson, and Terry Bisson.

(8) DOLLENS ART REMEMBERED. Ron Miller’s post at io9 has a gallery of “Scenes from the 1950s Space Movie That No One Saw”.

Morris Scott Dollens is best known to aging SF fans as one of the most prolific space artists who ever lived.…

These three interests—-astronomy, photography and model-making—-led to an endeavor that that was especially close to his heart: The creation of a movie that would take audiences on a journey through the solar system.

It was to be called “Dream of the Stars,” and Dollens created dozens of meticulous models of space ships and alien landscapes. He assembled these into tabletop dioramas which were then photographed in the same way Hollywood special effects artists would create miniature effects scene. Dollens sent these photos to magazine and book publishers, who ran them with captions that declared that “Dream of the Stars . . .is said to be best space film yet.” I remember seeing these photos in books about space when I was a kid and desperately trying to track down this movie. It wasn’t until decades later, when I contacted Dollens while researching my book, “The Dream Machines,” that I finally learned the truth: that “Dream of the Stars” was just that: a dream.

(9) HAT TIP. The New York Post noticed a fan favorite is back — “’X-Files’ tips a (straw) hat to iconic ’70s TV character”.

The latest episode finds FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) interrogating a person of interest, Guy Mann (Rhys Darby), as they hunt for a reptilian “were-monster.” Mann’s quirky attire — straw hat, seersucker jacket and cheap knit tie — bears a striking resemblance to clothing worn by Carl Kolchak, the rumpled creature tracker played by the late Darren McGavin in the 1970s ABC series “Kolchak: The Night Stalker.”

The homage to McGavin’s vampire- and werewolf-hunter is intentional.

(10) HINES ON REPRESENTATION. Suvudu interviewed “Jim C. Hines on Representation and the Seeds of Possibility”, and Jim made his case in a lucid and fair manner, as he always does. It’s not his fault that his examples play so well against the next item in today’s Scroll….

I don’t understand why this is such a heated topic, but people get quite distraught when you suggest our genre should be more inclusive. Just look at the attempted boycott of Star Wars for daring to cast a woman and a black man in lead roles, or the oceans of man-tears surrounding Mad Max: Fury Road and its competent and kick-ass protagonist Furiosa.

Imagine the backlash to a science fiction show in which the main starship crew—the captain, first officer, navigator, engineer, and doctor—are all women. The only male character is basically a switchboard operator.

(11) TIMING IS THE SECRET. Who knew Ghostbusters will be putting Jim’s example to the test? “Receptionist Chris Hemsworth is Here For You” at Tor.com.

Last night Paul Feig announced that the official Ghostbusters site is up and running, with the first trailer set to drop later this month. If you poke around on Ghostbusters.com (which also has pages for the original movies), you’ll find a new batch of images, featuring the ladies in civilian garb… and their adorable receptionist, played by Chris Hemsworth.

You know how there’s that silly TV/movies trope of putting glasses on a girl to make her less attractive? Yeah, that definitely doesn’t work here.

(12) CHATTACON REPORT. Ethan Mills of Examined Worlds writes about “The Importance of Community”.

Do we need Cons like ChattaCon today?  Aren’t SF fans all shut-in introverts who make snarky anonymous comments on blogs and YouTube videos?  Even if we do need communities, couldn’t we move the Con experience to the internet, where we’ve moved so much of our communal interactions in the 21st century? A ChattaCon Report While the internet is great (you’re reading it!), I think physical meetings are still an essential part of community.  To make my case, consider some of the things I did last weekend:

…One of the guests was Larry Correia (of the Sad Puppies).  I went to one of his panels with a few friends.  Given my opposition to the whole Sad Puppy fiasco, I was wondering what he’d be like in person.   Answer: not all that different than most author guests, although nobody asked him about the Puppies.

(13) SHOCKING. Max Florschutz at Unusual Things calls it “The Indie Scam”.

There are a lot of blogs, posts, and news articles out there decrying the pricing of the big publisher’s books. They make regular appearances on smaller author’s sites, reddit’s r/books, and very frequently in the circles of indie authors. “Publishers are making their books too expensive!” they cry. Look at the price of these books!

…Then came the bit I didn’t agree with. That everyone should flock (and was flocking) to ebooks and indie because the prices were so much better.

The problem is, this isn’t always true….

Let me tell you a story. About a year ago, I was attending a con and talking with a bunch of authors about ebook sales and indie publication. One man in the “group” we’d sort of formed in the hallway was a known trailblazer in the ebook world, one of the first authors to jump ship from his publisher and go straight indie, a decision that had been great for him. Naturally, he being the one with the most experience in success, everyone was letting a lot of questions and comments gravitate his way.

At some point, ebook pricing came up, and I mentioned I was trying to figure out a price for the draft I was about to finish. He shrugged and said it was simple, and asked me how long it was. 300,000-odd words, I said. Eyes wide, he shook his head, and then told me the best way to sell a book of such length:

Cut it up into 8 or 10 sections and sell them for $2-3 a pop.

This, readers, is what I’ve started to see as “The Indie Scam.”

You see, as already mentioned, a lot of indie authors will decry the cost of “big pubs” and their ilk. Like the classic meme, they repeat the line that the prices are “just too d**n high” while showing that their books are so much cheaper at their low, low prices.

But are they really? Well, in a lot of cases … no. And that’s the problem. It’s a misdirect. Because a lot of these indie books? They’re a lot smaller than what they’d have you believe.

(14) RABID PUPPIES TODAY. Vox Day’s picks for the Rabid Puppies slate in the Best Fan Writer category are Jeffro Johnson, Dave Freer, Morgan, Shamus Young, and Zenopus.

(15) KEEPING THE WARDROBE BUDGET DOWN. Den of Geek asks: “Saturn 3: the 1980s’ weirdest sci-fi movie?”

Saturn 3 wasn’t exactly the sci-fi blockbuster its makers might have hoped. Neither broad and upbeat like Star Wars nor as claustrophobic and disturbing as Alien, it instead became one of the great oddities of 80s science fiction. This is, after all, a movie which features such bizarre lines as “No taction contact!” and “That was an improper thought leakage.”

Then there’s the bizarre scene in which Kirk Douglas (nude, of course) chokes out Harvey Keitel after he utters the line, “You’re inadequate, Major. In EVERY department.”

Saturn 3’s by no means a classic, then, but it is undoubtedly one of the most weirdly fascinating sci-fi misfires of the 1980s.

(16) DON’T ORDER THE SOUP. Gizmodo touts a photo series created by Benjamin Wong, a.k.a. Von Wong.

A lovely shepherdess in a flowing white dress tends to her flock in these gorgeous photographs reminiscent of a fairy tale. The twist: the shepherdess is underwater, and her charges are white-tipped reef sharks.

The image is part of the latest series from conservation photographer Benjamin Wong, a.k.a. Von Wong, who has a bit of an adventurous streak, taking his models into the field for a bit of storm-chasing and to underwater shipwrecks—all in the name of capturing that perfect shot. This time, he took model Amber Bourke to Fiji, a hot spot for ecotourism specializing in shark dives.

But his focus isn’t on thrill-seeking or purely aesthetic pursuits; in this case, he wanted to draw attention to the plight of sharks worldwide. “Sharks are almost always depicted as menacing and terrifying, yet it is humans that are responsible for killing them in the millions just to make soup,” he wrote on his blog. “I wanted to create a series of images that would help break those stereotypes.”

 

[Thanks to James H. Burns, David K.M. Klaus, John King Tarpinian, Jeff VanderMeer, Susan Toker, Moshe Feder, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day John Stick.]

Diana Glyer’s New Inklings Book

Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings by Diana Pavlac Glyer will be released November 30 in paper and can be preordered at Amazon.

The Bandersnatch title comes from C.S. Lewis’ famous denial, “No one ever influenced Tolkien — you might as well try to influence a bandersnatch!”

Yet influence there was, between all the members of the legendary writers’ group.

Bandersnatch is adapted from Diana’s The Company They Keep, a 2008 nominee for the Best Related Work Hugo. It is designed to reach a broader audience, and new chapters give practical tips on doing what the Inklings did.

Her book —

offers an inside look at the Inklings of Oxford, and a seat at their table at the Eagle and Child pub. It shows how encouragement and criticism made all the difference in The Lord of the Rings, The Chronicles of Narnia, and dozens of other books written by the members of their circle. You’ll learn what made these writers tick, and more: inspired by their example, you’ll discover how collaboration can help your own creative process and lead to genius breakthroughs in whatever work you do.

James Artimus Owen has done a suite of illustrations, including this one of the Bandersnatch itself, one of 11 drawings commissioned for the book.

Bandersnatch by James Artimus Owen

Bandersnatch by James Artimus Owen

James is currently under contract with Kent State University Press to produce a coloring book based on the illustrations for this book. It might be the first time ever that a highly respected University press is issuing a coloring book, much less a coloring book of images drawn by a leading genre artist.

Diana and James met when they were both guests of honor at Mythcon 40, chaired by Sarah Beach.

Diana Pavlac Glyer and James Artimus Owen at Mythcon 40.

Diana Pavlac Glyer and James Artimus Owen at Mythcon 40.

James Artimus Owen is the author and illustrator of the Starchild graphic novel, the Mythworld series of novels, the bestselling The Chronicles of the Imaginarium Geographica, and the forthcoming series Fool’s Hollow. He has also written the inspirational nonfiction trilogy The Meditations and the illustrator/designer of The Hundred Books Project, a series that showcases some of the greatest books ever published. He works in the Coppervale Studio, a 14,000 square-foot, century-old restored church in Northeastern Arizona.

Get updates about the book from the Bandersnatch Facebook page.

Colin Duriez and Diana Pavlac Glyer. Photo (c) by Lancia E. Smith, used by permission.

Colin Duriez and Diana Pavlac Glyer. Photo (c) by Lancia E. Smith, used by permission.

More Inklings news: Diana Glyer and Colin Duriez, another well-known scholar, were recently interviewed about their work on the Inklings by Lancia E. Smith. (With terrific photos of them, too.) Glyer and Duriez are going to be featured speakers at the 10th Annual Frances White Ewbank Colloquium on C. S. Lewis and Friends at Taylor University on June 2-5, 2016. The hosts’ Facebook page has more information.