Pixel Scroll 4/20/17 How Many Books Must A Pixel Scroll Down Before You Can Call Him A Fan?

(1) WORD SCULPTOR. Steve Barnes tells about his day’s writing and shares a chunk of his draft (read it at the link).

Shhhhh. I’m working on the Niven/Pournelle/Barnes collaboration today, before switching over to the pilot script. My current style of working is laying out rough text and “wireframe” and then polishing with endless drafts, embracing hacking and slashing. First drafts are like dragging a block of marble up from the quarry. Subsequent drafts are chipping away everything that doesn’t resemble an elephant. Then finally…the polishing. I’m still chipping. If I write enough, eventually a crumb of something emotional and valid will peek through, and polishing it is like….hmmm…like striking a spark. Then carefully adding tender and fanning a flame, letting that flame spread through the rest of the book. It might be ugly at first, but it’s warm. Or better, HOT. I thought I’d share the first tiny fragment from the book, which I’ve referred to as “The Cthulhu War” but might actually be called “Starborn and Godsons”.

(2) A SONG OF FLOUR AND FIRE. Camestros Felapton’s cat writes GRRM a letter – “Dear Mister Martin from Timothy T Cat”.

Dear Mister Martin,

Or can I call you George or Are-Are? You may remember me from my previous letters what I wrote you – specifically my lengthy inquiry as to whether Sue Perkins was a Stark or a Lannister or what? Camestros has since explained that I have been habitually confusing the BBC’s  ‘Great British Bake Off” with HBO’s “Games of Thrones”. This revelation has certainly cleared up many a query I had about where the story was going. Although I am still puzzled by the distinction between baking powder and baking soda – don’t worry! I understand a great writer like yourself has to have his secrets, so I’ll wait to find that out in the final episode…

That out of the way, Timothy launches into his business proposition….

(3) CULINARY PLEONASM. More restaurant hate from Jay Rayner in The Guardian — “I am sick of half-hearted desserts. Bring me a proper pudding”.

Oh sure, restaurants appear to offer desserts. But where once it would have been a list of tarts and mille-feuille, of savarins and delices, of things requiring proper pastry work, now there are just unstable creamy things on a plate. It’s an endless parade of panna cottas and half-arsed mousses. The kitchen will throw on a bit of granola or a fragment of meringue to make it look like a dessert, but that doesn’t alter the fact. It’s not. It’s a squirt from an udder, set to a wobble courtesy of a boiled down cow’s foot. It’s a failure of ambition

(4) WHO WAS THAT MASKED PERSON? Young People Read Old SFF is back, and this time James Davis Nicoll has assigned the panel James Tiptree Jr.’s “Houston, Houston, Do You Read?” Evidently James let them discover some things for themselves.

Lisa: …Once I figured out what was going on, I enjoyed the story – pieces of information were revealed throughout, and the story continued twisting and turning until I finally figured out what the story was about – a future world without men. We got to hear about worlds without men in When It Changed, A Rose for Ecclesiastes, to an extent, in the dolphin story (except the women were smart dolphins). As with A Rose for Ecclesiastes, this is a man-free story written by a man. Does the author’s gender change how the manless women carry on?

After finishing the story (which seemed to have a lot more contempt for men than most men would have), I googled “Does James Tiptree Hate Women?” The results of my google search provided me with the final twist I experienced in reading Houston, Houston. This twist was twisty enough that it made me laugh out loud at my computer in surprise. It turns out that James Tiptree is actually a pseudonym for Alice Bradley Sheldon – who is, in fact, female. Well of course she was.

(5) NAME THAT BOOK. Stump the Bookseller is a site for people who vaguely remember novels that appeared when they were kids. If you look at it you will see that most of the half-remembered books are YA sf and fantasy. Here’s their most recent request. Do you recognize it? Four people agreed on the answer in comments.

There was a book that I read in the early 1970s about a girl (A) whose family took in another girl (B), I can’t remember why. Girl B turned out to have powers that she used against Girl A. I remember two scenes. Girl A was going to the prom or a big dance with her boyfriend and was going to make her own dress. Girl B made Girl A buy a pattern and color for a dress that was unbecoming to Girl A. Also, Girl B made Girl A sick right before the dance so Girl B went with Girl A’s boyfriend. I don’t remember how Girl A got rid of Girl B, but the book ends with Girl A saying whenever she reads a story in the newspaper about a wife dying, or an accident with 3 people where the woman dies, that she wonders if it is Girl B is still out there up to her old tricks.

(6) BE FREE. Teacher and author Tracy Townsend writes a series of tweets about a little-considered benefit of free online fiction. It begins here:

(7) MOMENT OF TRUTH. In “10 Questions with Hugo Award Winner Laura J. Mixon” interviewer Ryan Schneider mostly asks about her writing, and her new book Glass Houses, but he does throw a couple of curveballs –

5.Should the question mark in the above question be inside or outside the quotes?

Outside, dammit! sayeth the engineer. The writer in me shrugs; whatever—I’m in it for the fun and glory and adventure. Just be consistent with that punctuation stuff and use it to tell a great story, and I’m yours.

6.What’s your stance on the Oxford Comma?

Pro. I’ll fight you.

(8) BEEN HERE, DONE THAT. Here are four NASA astronauts who believed in alien visitation. Leroy Gordon Cooper was one of them.

But even before he underwent the life-changing experience of becoming the first man to sleep in space, he claimed to have seen UFOs flying over Germany in 1951.

The spaceman also said he saw flying saucers spying on a secret air base where experimental American aircraft were being tested.

“I believe that these extraterrestrial vehicles and their crews are visiting this planet from other planets, which are a little more technically advanced than we are on Earth,” he told the UN in 1984.

“We may first have to show them that we have learned how to resolve our problems by peaceful means rather than warfare, before we are accepted as fully qualified universal team members.

“Their acceptance will have tremendous possibilities of advancing our world in all areas.”

(9) KUMMING OBIT. Waldemar Kumming (1924-2017) died on April 5, age 92, according to Wolf von Witting. He was best known as the editor of Munich Roundup, a photo-filled zine about European fanac. He won a European SF Award for his services to fandom in 1984, and the Big Heart Award in 2005.

(10) MITCHELL OBIT. SF Site News reports Vicki Mitchell Gustafson, who wrote as V.E. Mitchell died on April 13, six days before her 67th birthday. Vicki was the widow of art historian Jon Gustafson, who died 12 years earlier, to the day. (Jon was a columnist for my old fanzine, Scientifriction.)

(11) IF YOU’RE LUCKY. Five days left to enter the Wrongthink Sci-Fi Giveaway being run at Robert Kroese’s BadNovelist site.

The Wrongthink Sci-Fi Giveaway is about showcasing authors who have been marginalized by the gatekeepers of the sci-fi publishing industry for the sin of not complying with progressive social justice dogma. From Sarah Hoyt, who was accused of racism and ”internalized misogyny” for her association with the Sad Puppies campaign to reform the Hugo Awards, to Nick Cole, who lost a publishing contract for daring to write a story about an artificially intelligent computer who is troubled by abortion, these authors have faced smear campaigns, boycotts and blacklisting for failing to toe the progressive line.

Just for entering, you’ll get:

Brother, Frank by Michael Bunker
The Red King by Nick Cole
Darkship Thieves by Sarah A. Hoyt
The Yanthus Prime Job by Robert Kroese
The Darkness by W.J. Lundy
Nethereal by Brian Niemeier
Freehold by Michael Z. Williamson

Three lucky winners will also receive:

Wick by Michael Bunker
Ctrl+Alt+Revolt by Nick Cole
Darkship Revenge by Sarah A. Hoyt
Starship Grifters by Robert Kroese
The Shadows by W.J. Lundy
Souldancer by Brian Niemeier
Better to Beg Forgiveness by Michael Z. Williamson

Books will be provided as downloadable files, in both ebook and mobi (Kindle) formats.

(12) I, THE JURY. Aurealis Awards judge Elizabeth Fitzgerald tells what it was like.

The problem with my reckoning was that there was an embedded assumption that the award books would arrive at a regular pace. I really should have known better. The award opened for entries mid June and books trickled in until the first small rush arrived at the end of September. However, most of the entries arrived en masse in December.

To complicate matters, I suffered a bout of eye strain in November and continued to struggle with it through December. In the end, I recovered thanks to some eye drops and the inclusion of frequent breaks in my schedule. I made up for lost time by averaging a book a day throughout January and February. I didn’t watch any TV or do much of anything other than read. Now, you know I love reading, but two months and more of that started to get a bit much, even for me.

It improved my reading skills, though. I got faster. I found that 20 pages was usually long enough to judge the quality of the writing. I did a lot of skimming. And I got more comfortable with not finishing books. Prior to being a judge, I could count the number of books I’d DNFed on one hand.

I got to know my postman and the delivery guys very well. Books would show up randomly on my doorstep. It was like Christmas. And then, when it was actually Christmas, all the Aurealis books made a good disguise. My sweetheart busted me with the copy of Ninefox Gambit I’d ordered as his Christmas present. So, I told him it was another book for judging and let him take a look at it before putting it in the pile of judging books. I quietly snuck it out a couple of weeks later and wrapped it up.

(13) BOUTIQUE SERIES. Not that anybody uses the word “boutique” anymore. Recode tells why “Neil Gaiman’s ‘American Gods’ couldn’t be made into a TV show until TV changed”.

…The CEO of Starz, Chris Albrecht, previously oversaw the rise of prestige TV as CEO of HBO, including “The Sopranos,” “Deadwood” and “The Wire.”

Shows like those proved that TV didn’t have to be made for the biggest audience possible.

“When you make something like ‘American Gods,’ you go, ‘This is not going to be to everybody’s taste,’” Gaiman said. “But you’re also not going to make it more to anybody’s taste by making it less like the thing that it is. You just kind of have to lean into it.”

Later entries in the prestige TV genre, like Netflix’s “House of Cards” and Amazon’s “Transparent,” changed how people watch TV, making it normal to binge an entire show in one sitting. Gaiman noted that cheapskates who don’t yet have Starz could wait until the end of the eight-episode season, sign up for a free trial and binge away.

(14) JORDAN TV. Variety reports Sony Pictures is at work on a Wheel of Time series.

The long-gestating “Wheel of Time” TV series adaptation is moving forward with Sony Pictures Television.

The series will be based on the high fantasy novels written by Robert Jordan, the pen name of James O. Rigney Jr. There are 14 novels in total, beginning with “The Eye of the World” in 1990 and concluding with “A Memory of Light,” which was finished by Brandon Sanderson after Jordan’s death in 2007. They follow the quest to find the Dragon Reborn, who it is said will help unite forces to combat The Dark One.

Sony will produce along with Red Eagle Entertainment and Radar Pictures. Rafe Judkins is attached to write and executive produce. Judkins previously worked on shows such as ABC’s “Agents of SHIELD,” the Netflix series “Hemlock Grove,” and the NBC series “Chuck.” Red Eagle partners Rick Selvage and Larry Mondragon will executive produce along with Radar’s Ted Field and Mike Weber. Darren Lemke will also executive produce, with Jordan’s widow Harriet McDougal serving as consulting producer.

(15) SFF GEOGRAPHY. Here are “11 Famous Movie Locations You Can Actually Visit” from Harry Potter, Star Wars, Close Encounters of the Third Kind and more.

3 / 11

The Martian

Another earthly landscape stands in for an alien one in this 2015 Matt Damon film. Wadi Rum, or “The Valley of the Moon,” in Jordan is a close match for the red planet. The region also makes a cameo in Red Planet, Last Days on Mars, Lawrence of Arabia and Prometheus.

(16) WHACKS MUSEUM. Medieval peasants had their own ways of discouraging zombies.

Where else to learn about medieval zombies than in the Journal of Archaeological Science: Reports‘ latest study, (and everyone’s favorite new beach read), “A multidisciplinary study of a burnt and mutilated assemblage of human remains from a deserted Mediaeval village in England.” What a title.

If the click-baity title wasn’t evidence enough, it’s a pretty macabre read, leavened with just the right touch of osteology, radiometric dating, and strontium isotope analyses. But the upshot is that some villagers in the 11th to 13th centuries who lived near modern-day Wharram Percy in northern Yorkshire were apparently scared of zombies. So they made sure the dead would stay dead with some extra handiwork, deliberately mutilating the bodies after death.

(17) DRAMATIC PRESENTATION. Apparently this episode of Fargo featured Gloria (Carrie Coon) picking up a rocket trophy to use as a weapon. Several people thought it was a Hugo. (The linked article describes the episode, however, it doesn’t mention the trophy.)

It’s not a Hugo or an International Fantasy Award. No Hugo ever had that shape, or was designed with that kind of gap between the fins and the base. It’s an interesting puzzle. These days you can order a lot of different 3-D rocket awards online, maybe it’s one of those.

(18) SPEAKING OF. A striptease during language lessons?

….A leading adult entertainment webcam platform, unveiled “Language Lessons,” the first adult language-learning service that combines beautiful cam models with the latest translation technologies to make learning a foreign language fun and sensual. Now, in addition to camming with their favorite model in a private chatroom, fans can engage in casual conversation with them, learning an assortment of languages including Spanish, French, Romanian and English.

Daniel Dern commented – “(Obviously) (to me, a grey/white hair), I immediately thought of this classic sf story (rot13’d here to give Filers a chance to see if they can guess)…”

“Naq Znqyl Grnpu,” ol Yyblq Ovttyr, We.

Diplomat John Quincy Adams said the best way to learn a foreign language was with the help of a mistress – though he made clear he had only availed himself of the second or third best ways.

(19) MORE MARVEL. The official trailer for “Marvel’s Cloak & Dagger,” coming to Freeform in 2018.

[Thanks to Wolf von Witting, Carl Slaughter, Cat Eldridge, Daniel Dern, Steven H Silver, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day JohanP, who’s probably in the wind by now.]

Pixel Scroll 4/6/17 Dr. Pixuel Johnson’s Right About Scrollson Johnson Being Right!

(1) WERE THEY UNDER ATTACK? Chuck Wendig launches “The Great Ewok Defense of 2017”. Make sure you never find yourself standing between Chuck’s Ewoks and a stormtrooper…

(2) DRAGONS FROM OUT OF TOWN. Aliette de Bodard tells about “My Favourite Dragons and How I Designed Mine” at The Book Smugglers.

It will probably not be a surprise that I love dragons — a lot of fantasy and SF readers also do! There’s something intrinsically fascinating, for me, about flying, graceful reptiles with magical powers.

You’ll notice I don’t say “reptiles that breathe fire”, and the main reason for that is that the first dragons I encountered weren’t the Western ones that needed to be killed by the likes of Saint George, but the r?ng, the Vietnamese dragons, who tend to live underwater, have deers’ antlers and a long serpentine body but generally no wings, and who are generally benevolent entities who dispense rain (or catastrophic floods if angered).

(3) REACHING FOR THE SHELF. Nicholas Whyte created a quick introduction to the Hugo Awards, which he administers for Worldcon 75.

(4) A SINGULAR SENSATION. I wasn’t able to help Jason Kehe when he asked me about Chuck Tingle – you know as much as I do — while Vox Day said on his blog he simply refused to answer questions from the media. But Tingle himself was happy to offer a quote for WIRED.com’s article “The Hidden, Wildly NSFW Scandal of the Hugo Nominations”.

Hiscock’s nomination is the work of the Rabid Puppies, a community of reactionary sci-fi/fantasy writers and fans who in 2015 sought to derail the Hugos’ big-tent evolution by stuffing the notoriously gameable ballot box with what they saw as criminally overlooked white male nominees. After the Rabid Puppies found huge success—they placed more than 50 recommendations—predecessors the Sad Puppies smuggled in a 2016 Best Short Story nominee they hoped would really tank the proceedings: Space Raptor Butt Invasion, an erotic gay sci-fi tale self-published by an unknown named Chuck Tingle.

Incredibly, though, the plan backfired. Tingle turned out to be a ridiculously lovable, possibly insane ally—or at least a very shrewd performance artist—who used his new platform to speak out against exclusion and bigotry in all their forms. In the intervening year-plus, he’s emerged as something of a cult icon, pumping out ebook after skewering ebook of wildly NSFW prose. His latest, Pounded In The Butt By My Second Hugo Award Nomination, refers to the recognition he got this year, on his own, in the Best Fan Writer category.

Here’s what the man of the hour had to say:

Chuck Tingle: hello buckaroo name of JASON thank you for writing and thank you for congrats on this way! i believe this author is put on the nominees by THE BAD DOGS BLUES as a way to prank the hugos like when they thought author name of chuck was some goof they could push around (no way buddy not this buckaroo). so it seems to be same idea as last year dont know much about it. thing is you cant just nominate some reverse twin of chuck there is only one chuck on this timeline and he is nominated as BEST FAN WRITER all by his own! this is a good way i am so proud! so long story short i hope this new author is not a reverse twin of the void but who knows i have not seen the end of this timeline branch yet.

(5) TOUGHEST CHALLENGE. At the B&N Sci-Fi & Fantasy Blog , Ross Johnson contends “The Best Series Hugo Is the Hardest Decision on the Ballot”.

A Best Series award makes perfect sense: when a book is part of a larger story, no matter how mind-blowing, it can be tough to judge it on its own merits—so why not take a look at series as a whole? After all, we all know SFF loves its trilogies (and its 10- to 14-book epic sagas). This is a great way to recognize a body of work, especially when the nth book of an excellent series generally has little chance of being nominated (let alone winning), but is still worthy of recognition. No one was quite sure how the nominations would shake out (could the entire Star Wars Extended Universe be considered as a singular series?), but there’s no arguing that the books on this inaugural ballot don’t seem to be entirely in the spirit of the award. There’s a wide-range of serious talent on the list, venerable classics alongside burgeoning favorites, all displaying the kind of character- and worldbuilding that can only be accomplished across multiple books.

(6) GOING TO THE WORLDCON. The Shimmer Program announced that the winners of the Worldcon 75 Attending Funding for Chinese fans offered by Storycom are Yang Sumin and Zhang Jialin (Colin). Each will get RMB 10,000 for use in attending and staffing the con. They are expected to gain experience in the Worldcon organizational work and help with future Chinese bids.

Jukka Halme, Chair of Worldcon 75 and Xia Jia, Chinese science fiction writer, selected the winners from five finalists.

There are photos and introductions to the two winners at the link.

(7) ISLAND NEWS Download Progress Report #1 for NorthAmeriCon’17, to be held in San Juan, PR from July 6-9. Lots of areas where they’re looking for staff and volunteers.

(8) FIRST CLUB. Joshua Sky sold this article to Mayim Bialik of Big Bang Theory for her site, Grok Nation. It’s about the origins of science fiction fandom: “The Scienceers: Where Science Fiction Clubs Began”.

All my life I’ve been a fan of science fiction, but I never knew much about the history of the field, nor did the majority of die-hard fans that I encountered. How could we – who could instantly recall every detail from our favorite comic books and every line of dialogue from Star Wars or Back to the Future – love something so much and know so little about its origins?

Last year, I found the answer when I was given a handful of wonderful out-of-print books chronicling the rich history of science fiction and fandom, including The Way the Future Was by Frederik Pohl, The Futurians by Damon Knight and The Immortal Storm by Sam Moskowitz. In their pages, I learned about the fascinating beginnings of fandom, which was mired in political warfare between overzealous teenagers, where clubs would form and disintegrate overnight. What I found most interesting, was an account of the first science fiction club ever established, called The Scienceers. It was founded in New York, on December 11th, 1929. Nearly 90 years ago. The first president of the club was a young African-American man named Warren Fitzgerald, and the first club meetings were held in his home….

File 770 took a look at that topic in 2014 from a different angle — “Early Science Fiction Clubs: Your Mileage May Vary” and “The Planet: One Last Landing” – and The Scienceers won the verdict of “first club” then, too.

(9) ALLIANCE FINALISTS. Realm Makers has announced the shortlist for the 2017 Alliance Award, the site’s new Readers Choice award for speculative fiction novel by a Christian author.

 

A Branch of Silver, A Branch of Gold Anne Elisabeth Stengl
A Time To Rise Nadine Brandes
‘sccelerant Ronie Kendig
Bellanok Ralene  Burke
Black Tiger Sara Baysinger
Darkened Hope J. L. Mbewe
Defy Tricia Mingerink
Domino Kia Heavey
King’s Folly Jill Williamson
New Name A.C. Williams
Rebirth Amy Brock McNew
Saint Death Mike Duran
Samara’s Peril Jaye L. Knight
Scarlet Moon S.D. Grimm
Siren’s Song Mary Weber
Songkeeper Gillian Bronte Adams
Star Realms: Rescue Run Jon Del Arroz
Tainted Morgan Busse
The Shattered Vigil Patrick W. Carr
Unblemished Sara Ella

(10) HEALTH SETBACK. Eric Flint told about his latest medical problems in a public Facebook post.

Well, there’s been a glitch in my serene and inexorable progress toward eradicating my cancer. I developed an abscess at the site where the pancreas drain came out of my abdomen from the splenectomy. (Nasty damn thing! Painful as hell, too.) So I had to go back into the hospital for five days while the doctors drained it and pumped me full of antibiotics. I’m now on a home IV antibiotic regimen.

In the meantime, my oncologists suspended the chemotherapy regimen until the 20th. Chemo depresses the immune system so you really don’t want to pile it on top of an active infection. (That’s probably why I developed the abscess in the first place, in fact.) I’d just finished the third cycle, so what’s essentially happening is that we’re suspending one cycle and will resume the fourth cycle right when the fifth one would have originally started…

(11) TODAY IN HISTORY

  • April 6, 1968 — Stanley’s Kubrick’s science-fiction classic 2001: A Space Odyssey makes its debut in movie theaters.

Trivial Trivia:  In Kubrick’s next movie, Clockwork Orange, there is a scene in the record store where the LP for 2001 is displayed.

(12) RICKLES OBIT. Famous comedian Don Rickles (1926-2017) passed away today at the age of 90. His genre work included The Twilight Zone, “Mr. Dingle, the Strong” (1961), X: The Man with the X-Ray Eyes, both The Addams Family and The Munsters, The Wild, Wild, West, I Dream of Jeannie, and Tales from the Crypt. Late in life he voiced Mr. Potato Head in the Toy Story film series.

(13) DO YOU HAVE THESE? James Davis Nicoll is back with “Twenty Core Epic Fantasies Every True SF Fan Should Have On Their Shelves”

As with the two previous core lists, here are twenty epic fantasies chosen entirely on the basis of merit and significance to the field. No implication is intended that these are the only twenty books you should consider.

I agree that was wise to say, since he omits the first three authors whose names I’d expect to see on such a list. On the other hand, if not for Nicoll’s list I would have remained unaware that Kara Dalkey (someone I knew at LASFS 40 years ago) has written a well-regarded fantasy.

(14) WHITEWASHING. Steven Barnes shares “Ten Thoughts on Whitewashing”. Here are the first five.

The whitewashing controversy is pretty simple at its core:

  1. if a character’s race is changed toward yours, you will tend to be sanguine with it. If it is changed away from yours, you will tend to object. If you have control of the property, you will choose changes toward you, on average.
  2. To this end, if you are group X, you will put X’s into makeup to resemble Y’s so you can control the image systems and keep the money circulating in your own communities. When that stops working, you’ll change the back-stories. It all achieves the same result, and other X’s will support any change you make.
  3. The changers will not be honest about the fact that they simply preferred the change. They will blame the audience, the lack of actors, the material, another country. Anything but themselves.
  4. The audience prefers it too, but also will not take responsibility. It is the creators, the material, other people. Never them.
  5. As this is what is really going on, and everybody does it, you can remove this entire issue from the table and ask instead: what kind of world do we want? I can answer this for myself: I want a world where art reflects the world as it is. Not “politically correct” but “demographically correct” which, we can see, translates into “economically correct.” But #1 continues to dominate far too often, corrupting the creative process (thank God!) and creating under-performing movies and television and outright bombs.

(15) TOR LOVE. The xkcd cartoon “Security Advice” became the most-clicked link from File 770 yesterday after Darren Garrison commented, “Well, it looks like Randal Monroe is part of the Tor cabal.” Read it and you’ll understand why.

(16) ALL ABOARD. Jump on Matt Lambros’  “Los Angeles Lost Theatre Tour”.

On Saturday July 1, I’ll be co-leading tours through seven of Los Angeles’s Lost Theatres as part of the Afterglow event at the Theatre Historical Society of America’s 2017 Conclave.

Starting at 10AM, we’ll be going to The Variety Arts, the Leimert/Vision, the Rialto, the Raymond, the Uptown and the Westlake. Photography is allowed, and I’ll be conducting short demonstrations and answering any questions you may have about architectural photography.

(17) BATGIRL. “Hope Larson discusses and signs Batgirl Vol. 1: Beyond Burnside (Rebirth)” at Vroman’s in Pasadena on April 12.

Spinning out of DC UNIVERSE: REBIRTH comes the newest adventures of Batgirl in BATGIRL VOL. 1: BEYOND BURNSIDENew York Times best-selling creators Hope Larson (A Wrinkle in Time) takes one of Gotham’s greatest heroes on a whirlwind world tour in BATGIRL VOL. 1: BEYOND BURNSIDE. Barbara Gordon’s heart belongs to Burnside, the ultra-hip Gotham City neighborhood. But some threats are bigger than Burnside. And when those threats come calling, Batgirl will answer!  When Babs plans a trip to train with the greatest fighters in the Far East, she has no idea her vigilante life will follow her. Lethal warriors are out to take her down, each bearing the mysterious mark of “The Student.” And where there are Students, there must also be…a Teacher. As part of the epic Rebirth launch, Batgirl Vol. 1: Beyond Burnside is a perfect jumping-on point to start reading about Batgirl and her action-packed, crime-fighting adventures!  (DC Comics)

(18) BESTER TV EPISODE. “Mr. Lucifer,” story and teleplay by Alfred Bester, can be seen on YouTube. Broadcast in glorious b&w in four parts on ALCOA Premiere Theater, starring Fred Astaire and Elizabeth Montgomery, on November 1, 1962.

In addition to “Mr. Lucifer,” Astaire played several other characters. Music by a much younger John “Johnny” Williams.

Links to parts 2-4 listed on upper right side of page.

[Thanks to John King Tarpinian, Darrah Chavey, Darren Garrison, Cat Eldridge, Andrew Porter, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day m.c. simon milligan.]

Pixel Scroll 4/4/17 I Used To Be A Filer Like You, But Then I Took A Pixel In The Knee

(1) CATAPOSTROPHE. New Mexico fan Jack Speer’s relentless habit of correcting others’ fanwriting earned him the nickname “Grammar West of the Pecos.” Sounds like they’ve found his soul-mate in England — “’Banksy of punctuation’ puts full stop to bad grammar in Bristol”.

BBC tracks down self-styled ‘grammar vigilante’ on mission to rid city of rogue apostrophes

…He told the BBC he was a family man who worked in engineering. “I’m a grammar vigilante,” he said. “I do think it’s a cause worth pursuing.”

The man said he began by scratching out an extraneous apostrophe on a sign but had since become more sophisticated and has built an “apostrophiser” – a long-handled piece of kit that allows him to reach up to shop signs to add in, or cover up, offending punctuation marks. “This is a device that enables you to plant an apostrophe quite high up and get over any obstacles,” he said.

(2) PACK YOUR BOOKS. For years there have been stories that TOR will move out of the Flatiron Building and a new report from a real estate blog makes it sound like it could happen. Really. Maybe.

Another one of the book business’s “Big 5” publishers is seeking a new chapter in Lower Manhattan. Macmillan Publishers, the sole office tenant at the landmarked Flatiron Building, is weighing a move to Silverstein Properties’Equitable Life Building at 120 Broadway, sources tell The Real Deal.

…If the deal goes through, it would be the first time the Flatiron Building, owned by Sorgente Group of America, would be completely empty since it was built more than 100 years ago. Part of the reason Macmillan is relocating is the fact that the Flatiron District, the area named for the 22-story building, has become the epicenter of the city’s technology industry, driving up rents.

Sorgente could either lease the building to higher-paying tenants, or follow through on a plan it previously considered to convert it into a hotel.

(3) BOOK RECS WANTED. James Davis Nicoll will soon be writing two milestone reviews and is looking for book recommendations.

I have two notable reviews coming up for my Because My Tears Are Delicious To You reviews: the 150th one and the third anniversary one. Tears reviews are of books I read and liked as a teenager (between 1974 and 1981). I welcome suggestions for candidate books.

(4) JACK WILLIAMSON LECTURESHIP. The 41st Annual Jack Williamson Lectureship will be given by Melinda Snodgrass on April 7 at Eastern New Mexico University in Portales.

The 41st Annual Jack Williamson Lectureship, with events April 7, 2017, welcomes author and friend of the Lectureship, Melinda M. Snodgrass, with special guest author Michael Cassutt, and writers, friends and fans from across the region for this annual celebration of Jack Williamson and the genre to which he contributed so significantly.

This year’s theme is Wild Cards! – the shared universe anthologies by some of the best writers in science fiction, edited by George R.R. Martin and Melinda Snodgrass. First released in 1987, the series published its 23rd volume in 2016. Adapted to role-playing games and comics, the Wild Cards series is now slated for television by Universal Cable Production (UCP), executive producer Melinda Snodgrass, with SyFy Films’ Gregory Noveck….

(5) PREHISTORIC COMIC CON. At Galactic Journey, The Traveler ingeniously makes his visit to last weekend’s Wondercon look like it happened in 1962.

(6) BLACK HOLE BIRTHDAY PARTY. “Massive explosion from unknown source billions of light years away baffles astronomers” starts out as a news item, then delves deep into black holes. As so much news does these days….

This enabled a distance to the burst to be measured: about 12 billion light years. The universe has expanded to four times the size it was then, 12 billion years ago, the time it took the light to reach Earth.

GRB170202 was so far away, even its host galaxy was not visible, just darkness. Because the GRB was a transient, never to be seen again, it is like turning on a light in a dark room (the host galaxy) and trying to record the detail in the room before the light goes out.

Mystery of gamma ray burst

The flash of gamma radiation and subsequent optical transient is the telltale signature of a black hole birth from the cataclysmic collapse of a star. Such events are rare and require some special circumstances, including a very massive star up to tens of solar masses (the mass of our Sun) rotating rapidly with a strong magnetic field….

(7) ON TRACK. Yahoo!’s story “Cyborgs at work: employees getting implanted with microchips” comes from Stockholm.

The syringe slides in between the thumb and index finger. Then, with a click, a microchip is injected in the employee’s hand. Another “cyborg” is created.

What could pass for a dystopian vision of the workplace is almost routine at the Swedish startup hub Epicenter. The company offers to implant its workers and startup members with microchips the size of grains of rice that function as swipe cards: to open doors, operate printers, or buy smoothies with a wave of the hand.

The injections have become so popular that workers at Epicenter hold parties for those willing to get implanted.

(8) COMPETING NARRATIVES. David Gerrold ended his overview of the 2017 Hugo finalists with these comments:

My seat-of-the-pants analysis (I could be wrong) is that the Hugos are in the process of recovering from the 2015 assault, precisely because the Worldcon attendees and supporters see themselves as a community.

There’s a thought buried in that above paragraph — that communities unite to protect themselves when they perceive they are under attack. This works well when the attack is real, such as Pearl Harbor. But it can also have negative effects when hate-mongers such as Bryan Fischer and Pat Robertson (both of whom were in fine form this week) invent a scapegoat (LGBT people) for unwarranted attacks in an attempt to unite the community around their own agendas.

So while those who have a long history of participation in Worldcons will see this unity as a good thing — those who identify themselves as the aggrieved outsiders will see it as more evidence that the establishment is shutting them out.

Myself, I see it as a collision of two narratives — one that is based on 75 years of mostly healthy traditions, and one that is based on a fascist perception of how the world works.

Most important, however, is that most of this year’s ballot suggests that we are seeing a return to the previous traditions of nominations based on excellence. Most of the nominations are well-deserved, and my congratulations to the finalists.

(9) GLEE. The Book Smugglers were pleased with their Best Semiprozine nomination and that’s not all —

Now, the best thing about this year’s Hugos? Is that it feels GREAT to be a part of it again – it’s super easy to get excited and happy about the ballot with so many great people and works on it and with what seems to be like an almost canine-free ballot. We can’t wait to spend the next few months squeeing and discussing and agonising over who to vote for. Seriously, check out that Best Novel list – some of our favourites of 2016 are there!!

(10) NO WEISSKOPF. A lot of Finns are happy with the Hugo ballot. Not this one. Declan Finn covered the announcement: “Newsflash: Hugo Awards Swamped by Crap”.

Six nominees for best editor. See anything missing?

I’ll give you a hint: we were all told that This Person would have almost certainly have won the Hugo award for best editor, but she lost because she was a Puppy Pick.

If you said, “Who is Toni Weisskopf, Alex?” you’d be right.

But strangely enough, Toni isn’t here. But she’s not a Puppy Pick this year. We were all told that she would have won if she weren’t a Puppy Pick.

Guess what: she wouldn’t have even been NOMINATED if she weren’t a Puppy Pick.

They lied. Shocking, isn’t it?

He also did not approve of the Best Series finalists. Or anything else, really, except for Jeffro Johnson and the Castalia House blog.

(11) SCHADENFREUDE. Jon del Arroz is thrilled by the substantial dropoff in nominating ballots since a year ago.

Of course, in recent years, they’ve been telling anyone who’s a conservative or Christian that they’re not real fans, and not welcome at their conventions, certainly never allowed to speak.  And so the Sad Puppies were born, and had a good run for a few years before once again, just like their projecting meme, the establishment behind the Hugos said “these are not real fans” and changed the rules to make it impossible for anyone but their chosen to get noticed.

The Puppies pulled out. I promised you numbers, and here’s what we have.

Best Novel: 2,078 ballots in 2017 vs. 3,695 ballots in 2016, a 44% drop.

Best Novella:  1,410 ballots in 2017 vs. 2,416 ballots in 2016, a 42% drop.

Best Novelette: 1,097 ballots in 2017 vs. 1,975 ballots in 2016, a 45% drop.

Best Short Story: 1,275 ballots in 2017 vs. 2,451 ballots in 2016, a 52% drop.

I can keep going on with the numbers here, but that kind of pull out of an audience is staggering. If this were a TV show or a comic, it would be instantly cancelled. The execs would be using this as a case study as to what went wrong and why so that they could never do it again. Kinda like is beginning to happen in comics right now (but they’re still in the denial stage of grief).

You’re seeing about a thousand less votes across the board per category. That means a thousand less people with memberships than last year. Wow. Note to “real science fiction fandom”: you told about half your audience you hate them and you want them to go away. They did. This spells big trouble for you in the future.

(12) FROM A RETIREE. The world is filled with people who are pleased to pass along any piece of news they know will annoy the recipient. Larry Correia has a friend like that, and the upshot was “Don’t Forget to Nominate for the Dragon Awards”.

The reason for this post was that a friend of mine sent me a PM this morning, that they had announced the Hugo nominations, and gave me a link. Being retired from trying to cure Puppy Related Sadness, I only gave the list a brief cursory glance, saw the names of many proper goodthinkers, and counted like a dozen(+) nominations for Tor, so it appears that balance has been restored to their sainted halls of Trufans enjoying themselves in the proper approved manner. I’m sure many wooden buttholes will be sacrificed upon the altar of Social Justice.

(13) EYES RIGHT. The Castalia House blog had not posted an acknowledgement of its Best Fanzine nomination when I looked. They were just doing business as usual, showing how they earned that nomination with their two latest posts, “The Most Overrated Novel of the 20th Century by Alex Stump” (about Frank Herbert’s Dune) and “How Alan Moore, Neil Gaiman and Frank Miller Ruined Comics by Jon Del Arroz”.

(14) ON TOUR IN CLEVELAND. John Scalzi tweeted about the ballot several times. He may have been overlooked for awards, but there was good news about his latest novel.

And as Jerry Pournelle often says, “Money will get you through times of no Hugos better than Hugos will get you through times of no money.”

(15) STILL FLYING. Harrison Ford keeps license, escapes fine for piloting error after an FAA investigation into his taxiway landing:

After actor Harrison Ford landed his small plane on a taxiway, rather than a runway, at John Wayne Airport in Orange County, Calif., in February, the Federal Aviation Administration began looking into the incident….

The Federal Aviation Administration determined at the conclusion of its inquiry that “no administrative or enforcement action was warranted,” Ford’s lawyer, Stephen Hofer said in a statement. “Mr. Ford retains his pilot’s certificate without restriction.”

The actor, who played swashbuckling space smuggler and Millennium Falcon pilot Han Solo in the “Star Wars” film franchise, also was cited by the agency for his “long history of compliance” with FAA regulations and “his cooperative attitude during the investigation,” Hofer said.

Although Ford incurred no penalty, he agreed to undergo voluntary “airman counseling” before the FAA closed the matter, his lawyer said.

(The BBC used a more colorful metaphor: No fines for Ford for being a ‘schmuck’)

(16) WHAT IF THEY CHEAT BETTER? Web inventor slams US, UK attacks on net privacy.

Sir Tim Berners-Lee was speaking to the BBC following the news that he has been given the Turing Award.

It is sometimes known as the Nobel Prize of computing.

Sir Tim said moves to undermine encryption would be a “bad idea” and represent a massive security breach.

Home Secretary Amber Rudd has said there should be no safe space for terrorists to be able to communicate online. But Sir Tim said giving the authorities a key to unlock coded messages would have serious consequences.

“Now I know that if you’re trying to catch terrorists it’s really tempting to demand to be able to break all that encryption but if you break that encryption then guess what – so could other people and guess what – they may end up getting better at it than you are,” he said.

(17) WHAT IF THEY CHEAT A LOT BETTER? It depends on how much those cheaters have prospered. These guys made a lot: “Overwatch ‘cheat maker’ told to pay $8.6m to Blizzard”.

“The Bossland hacks destroy the integrity of the Blizzard games, thereby alienating and frustrating legitimate players and diverting revenue from Blizzard to defendants,” the US games developer had argued.

The tools included the ability to see other players’ positions, health scores and other information from a distance within games.

The Zwickau-based firm’s managing director said it did not accept the US court had jurisdiction over it, and that the judgement did not take into account that many of the licences it had sold had been “trials” at a fraction of the normal cost.

“We are discussing with our lawyers how to continue – if an appeal to the declined motion to dismiss is worth trying,” Zwetan Letschew told the BBC.

Bossland’s website remains active and continues to advertise cheats for several Blizzard games, insisting “botting is not against any law”.

(18) A WIZ OF A WIZ HE IS. “Ian McKellen Explains Why He Refused to Play Dumbledore in Harry Potter” at io9.

Anyway, McKellen is in good spirits about the whole thing. When host Stephen Sackur asked, “You mean you could have been Dumbledore?” McKellen responded, “Well sometimes, sometimes when I see the posters of [Harris’ eventual replacement] Mike Gambon, the actor who gloriously plays Dumbledore, I think sometimes it is me.”

(19) INVENTORY READY TO GO. I foolishly wasted my time writing news posts when I could have been preparing to monetize my nomination!

And The Mary Sue is so excited they turned the Hugo Award announcement into a Chuck Tingle promo with three of his book covers for art.  Love of money is real!

[Thanks to Carl Slaughter, Cat Eldridge, Mark-kitteh, JJ, Andrew Porter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 3/27/17 On The Gripping Hand Of Darkness

(1) SPACE, THE INITIAL FRONTIER. In a profile published in the October 17 New Yorker, Julie Phillips reveals why Ursula Le Guin’s name has a space in it.

Her husband’s birth name was Charles LeGuin.  They were married in France, and “when they applied for a marriage license, a ‘triumphant bureaucrat’ told Charles his Breton name was ‘spelled wrong’ without a space, so when they married they both took the name Le Guin.”

(2) JUST MISSPELL MY NAME CORRECTLY. By a vote of the members, the Science Fiction Poetry Association has renamed itself the Science Fiction & Fantasy Poetry Association. Although its name has changed, the organization will keep using the initials SFPA.

And nearly every time the poets talk about SFPA in the hearing of old-time fanzine fans you can depend on someone dropping a heavy hint that they’re at risk being mixed up with a pre-existing fan group that uses the same abbreviation. Today it was Andrew Porter chirping in a comment on the announcement —

Not to be confused with the Southern Fandom Press Association, which has been around for more than 40 years…

Unfortunately it’s Porter who is confused, as he seems to have forgotten the apa’s name is the Southern Fandom Press Alliance.

(3) SAMOVAR LAUNCHES. A new sff magazine, Samovar, launched today, featuring “the best of speculative fiction in translation including original stories, reprints, poetry, reviews and more material, as well as printing translations alongside the stories in their original language.” Samovar will be produced as a quarterly, special imprint of Strange Horizons.

“Stories tell us who we are, and let us see who other people are. We already have access to an enormous wealth of speculative fiction in English, but we want to know more” – The Samovar editorial team.

What wondrous fantastical tales are being conjured in Finnish? Who writes the best Nigerian space odysseys? Is Mongolia hiding an epic fantasy author waiting to be discovered? We want to know, and we aim to find out.

For Samovar, writers and translators are of equal importance, and we do our best to shine a spotlight on the talented individuals who pen both the original and the translated version of a story. We hope that in this way we can boost the profile of speculative fiction in translation so that everyone involved receives the recognition they deserve and so we can all continue to enjoy the strange, mind-bending and fantastical fiction of all cultures.

In issue one: two sisters create an imagined world where things that are lost can be found. A despot is forced to see the truth he’s tried to hide from. An academic finds poetry, science fiction and reality beginning to merge. And the Curiosity Rover turns its own sardonic gaze on Mars.

The Samovar editorial team is Laura Friis, Greg West and Sarah Dodd. Their advisory board includes Helen MarshallRachel Cordasco and Marian Via Rivera-Womack.

(4) TENSION, APPREHENSION, AND DISSENSION. The Atlantic’s Megan Garber asks: What’s the opposite of a “cliffhanger”?

Extended cliffhangers (cliffstayers? cliffhaaaaaaaaaaaaaaaangers?) have animated some of the most narratively powerful works of television of recent years; they have helped to heighten the tension in shows like Breaking Bad (how low will Walt go?) and Serial (did he do it?) and Quantico (did she do it?) and True Detective (who did it?) and Lost (who are they? where are they?) and, in general, pretty much any sitcom that has ever featured, simmering just below its surface, some will-they-or-won’t-they sexual tension.

What’s especially notable about the recent shows that are employing the device, though, is that they’re locating the tension in one (unanswered) question. They’re operating in direct opposition to the way traditional cliffhangers were primarily used: between installments, between episodes, between seasons, in the interstitial spaces that might otherwise find a story’s momentum stalling. Big Little Lies and Riverdale and This Is Us and all the rest are taking the specific narrative logic of “Who shot J.R.?” and flipping it: The tension here exists not necessarily to capture audience interest over a show’s hiatus (although, certainly, there’s a little of that, too), but much more to infuse the content of the show at large with a lurking mystery. Things simmer rather than boil. The cliffhanger is less about one shocking event with one central question, and more about a central mystery that insinuates itself over an entire season (and, sometimes, an entire series).

(5) SLOWER THAN LIGHT COMMUNICATION. This is how social media works: I never heard of Harry Potter & the Methods of Rationality until somebody complained about it.

The appeal for a 2016 Hugo nomination was posted by the author in 2015.

First, the following request: I would like any readers who think that HPMOR deserves it sufficiently, and who are attending or supporting the 2015, 2016, or 2017 Worldcon, to next year, nominate Harry Potter and the Methods of Rationality for Best Novel in the 2016 Hugos. Whether you then actually vote for HPMOR as Best Novel is something I won’t request outright, since I don’t know what other novels will be competing in 2016. After all the nominees are announced, look over what’s there and vote for what you think is best.

I don’t know how many votes he ended up getting but it wasn’t enough to rank among the top 15 works reported by MidAmeriCon II.

(6) FINALLY A GOOD WORD ABOUT THE MOVIES. Book View Café’s Diana Pharoah Francis was both nostalgic and thoughtful after hosting a Lord of the Rings marathon at home.

…Among the SF/F communities, it was this extraordinary vision come to life in a way we had never experienced before. It was not cheesy or all about the CGI. It was about strength, honor, choices, and hope. It was real characters in dreadful situations. The watching of heroes being made and broken beneath weights no one should have to bear. And Aragorn — a king in the making. A soul of strength and doubt and humility.

The movies were inspiring on a lot of fronts. I think it’s appropriate to watch it now in a world that is struggling so hard against itself. With so much fear, and worry and such dire enemies. Who are those enemies? Too many are ourselves. Our fears that turn us into monsters or traitors. Denethor, Gollum, Boromir, the Nazgul — absolute power corrupts. There are those who give up. Those who refuse to fight. Those who lose themselves.

The stories, the movies and the books, are a view into ourselves and what we can hope to be and what we may become — good and bad. It’s a reminder that it’s never a good time to quit in the battle against darkness — in whatever shape it takes….

(7) MAKE ROOM! MAKE ROOM! ON YOUR SHELVES. James Davis Nicoll names “Twenty Core Space Operas Every True SF Fan Should Have On Their Shelves”.

“Chosen entirely on the basis of merit,” says James, “with a side-order of not repeating titles that were on the first list.”

(8) TWEETS OF THE DAY ABOUT TWO WEEKS AGO. I felt a disturbance in the force. Just not right away.

(9) FIVE PLUS TWO. John Scalzi offers “7 Tips for Writing a Bestselling Science Fiction Novel” at Female First. This is my favorite:

Make your universe two questions deep. By which I mean, make it so when someone asks you a question about why/how you created or portrayed the universe, character etc the way you did, you have a smart, cogent answer for it, consistent with the construction of the book. And then when they have a follow-up question, be able to answer that effectively, too. That will make 95% of your readers happy with your worldbuilding (the other 5% are SUPER nerds. Which is fine! For them, say “Oh, I’m glad you asked that. I’m totally going to address that in the sequel.” Try it! It works!).

Strangely enough, none of his seven tips is “Start a fuss with somebody in social media.”

(10) SECOND FIFTH. But as we just witnessed last week, that is part of the Castalia House playbook – which is evidently followed by Rule #2, “Stalk real bestselling writers on their book tours.”

Here’s a video of a jackass asking John Scalzi to sign Vox Day’s SJWs Always Lie, and posing an insulting question about John’s Tor book deal. You’ll note the book in John’s hand has not been autographed by Vox Day. When is his book tour?

(11) HOT OFF THE PRESS. Liz Colter (writing as L. D. Colter) has a new book out this week – A Borrowed Hell.

Facing a sad, empty life, July always persevered by looking forward. An unhappy childhood, a litany of failed relationships, and even losing his job–none of it could stop him. But then the foreclosure notice arrives, and July is facing losing the one thing that keeps him grounded–his home.

With pain in his past and now in his future, July gives up and starts down the same road of self-destruction that the rest of his family had followed. It is only when he awakens in a hospital after a violent car accident that things change.

He starts to experience blackouts, which leave him in an alternate reality of empty desert and strange residents. It is a nightmarish world that somehow makes the real world seem that much better. Then he meets a woman that becomes a beacon of light, and his life starts to turn around.

But the blackouts continue, sending him to the alternate reality more often and for longer periods of time. Realizing that he may never escape, July asks the question he’d always been afraid to ask: How can he finally be free? The answer is one he’s not sure he can face.

I can’t resist a droll bio:

Due to a varied work background, Liz can boast a modest degree of knowledge about harnessing, hitching, and working draft horses, canoe expeditioning, and medicine. She’s also worked as a rollerskating waitress and knows more about concrete than you might suspect.

(12) HISTORY MINUS FDR. The LA Times says a bestselling author has a new trilogy on the way.

Charlaine Harris, whose Sookie Stackhouse books inspired the television series “True Blood,” will release the first book in a new trilogy next year.

Harris’ novel “Texoma” will be published in fall 2018 by Saga Press, a science fiction and fantasy imprint of Simon & Schuster, the publisher announced in a news release.

“Texoma” will be a work of speculative fiction that takes place in “an alternate history of a broken America weakened by the Great Depression and the assassination of Franklin Delano Roosevelt.”

(13) DAMP YANKEES. In New York Magazine’s author interview “Kim Stanley Robinson’s New York 2140: To Save the City, We Had to Drown It”, Robinson discusses why the book is surprisingly optimistic, how his thoughts on the global economy influenced 2140, and how he came up with the time frame for the book.

…[T]here were two goals going on that forced me to choose the date 2140, and those two goals cut against each other. I needed to put it far enough out in the future that I could claim a little bit of physical probability to the height of the sea-level rise of 50 feet, which is quite extreme. A lot of models have it at 15 feet, though some do say 50 feet. So I did have to go out like a 120 years from now.

Cutting against that future scenario, I wanted to talk about the financial situation we’re in, this moment of late capitalism where we can’t afford the changes we need to make in order to survive because it isn’t cost effective. These economic measures need to be revised so that we pay ourselves to do the work to survive as a civilization facing climate change.

I wanted a finance novel that was heavily based on what lessons we learned — or did not learn — from the crash of 2008 and 2009. All science-fiction novels are about the future and about the present at the same time.

(14) WEBCAST. Another Spider-Man trailer will be out tomorrow – here’s a seven-second teaser for it.

[Thanks to Rob Thornton, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Chris Gregory, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/16/17 Let’s Go Scrollin’ In Pixel Land

(1) YOUNG PEOPLE READ OLD SFF. The panel is getting younger. “This week actual high schooler (for about two more months) Raya joins the crew, says James Davis Nicoll. “Like most of the others, she’s familiar with recent genre but not the older material.”

Her first assignment: Joan D. Vinge’s “A View From A Height.”.

1978’s Hugo Nominee “A View From a Height” first appeared in the June 1978 issue of Analog. It was selected for Terry Carr’s The Best Science Fiction of the Year, #8, Gardner Dozois’ Best Science Fiction Stories of the Year: Eighth Annual Collection, Pamela Sargent’s Women of Wonder, the Classic Years: Science Fiction by Women from the 1940s to the 1970s, as well as other collections and anthologies. The theme of irreversible life decisions cast into doubt by new revelations seemed to me one that would have aged well. Let’s see if I was right.

(2) ORWELL PRIZE. The Orwell Prize for Books 2017 Longlist consists almost entirely of nonfiction, with one exception of genre interest —

The Power by Naomi Alderman (Viking)

It starts with teenage girls. At 14 or 15, the age when in our present world girls are waking to an awareness of their own sexuality tangled up in all the ways society will seek to stifle or exploit it, Alderman has them come alive to the thrill of pure power: the ability to hurt or even kill by releasing electrical jolts from their fingertips. “Something’s happening. The blood is pounding in her ears. A prickling feeling is spreading along her back, over her shoulders, along her collarbone. It’s saying: you can do it. It’s saying: you’re strong.”

The shortlist will be announced on May 15, and the winner on June 8.

(3) MAKING MUSIC. Sammy Cahn (“Come Fly With Me,” “Three Coins in the Fountain”) used to tell people he got his inspiration when the check arrived. Disney songwriter Alan Menken says he needs a little more.

“Where does it start and where does it end, and what’s the title and what song might it remind us of? …” Menken asks. “A million questions and only then will I sit and … start to play the piano.”

Menken’s musical chops were developed off-Broadway. He and lyricist Howard Ashman’s success with the 1982 comedy rock horror musical Little Shop of Horrors got Hollywood’s attention.

But when he first started working at Disney animation, he had some reservations. “I can’t tell you how many people said to me: Ugh, man, take a powder. Nobody takes animated musicals seriously,” he recalls.

Menken and Ashman’s first musical film — The Little Mermaid animation in 1989 — was a life saver for Disney. It lifted the studio out of a slump, and led to more big hits.

(4) UNSPOKEN MEETS UNSPEAKABLE. About a currently-running horror movie:

The new film, Get Out, defies easy classification. Though it has funny moments, it’s primarily a horror film, with racial anxiety at its center. Writer-director Jordan Peele tells Fresh Air‘s Terry Gross that he thinks of Get Out as a “social thriller.”

The movie tells the story of a young black man named Chris whose white girlfriend, Rose, takes him to meet her parents for the first time — without first telling them he’s black. Rose’s parents go out of their way to show Chris how open minded they are, but there’s something suspicious in the liberal facade they present. The film takes several twists and turns (which we won’t spoil here) as Chris figures out what is going on.

Peele wanted the audience, regardless of race, to see the subtle racism through Chris’ eyes. “It was very important to me to just get the entire audience in touch in some way with the fears inherent [in] being black in this country,” Peele says. “Part of being black in this country, and I presume being any minority, is constantly being told that … we’re seeing racism where there just isn’t racism.”

(5) DOPPLEGANGERS. NPR’s “Movie Twins? Weirdly Similar Films That Came Out Within Months Of Each Other” cites many genre examples.

The new movie Life, which opens March 24, is about astronauts who discover an alien life form and live to regret it. You could say exactly the same thing about Alien: Covenant, which was originally scheduled to open the following Friday — until someone realized that was a recipe for box-office disaster. Alien: Covenant will now open in early May, and that close call, crazy as it is, isn’t uncommon in Hollywood.

Rival studios often stare each other down, refusing to blink, in showdowns that didn’t need to happen. In 1998, Earth-snuffing asteroids were blown up in the nick of time by nuclear warheads not once, but twice: with much electronic beeping and enormous special effects in Armageddon, and slightly higher beeping and enormous special effects in Deep Impact. That same year, animated insects skittered onto movie screens in both Antz and A Bug’s Life — and all of that just one year after dueling lava flows erupted in Dante’s Peak and Volcano.

(6) ON THE CAMPAIGN TRAIL. Congressional candidate Brianna Wu was interviewed in New York Times Magazine.

Do you really think Democrats need to take pages from the Trump playbook? I would say we need to speak with our hearts more. The typical Democratic way of talking about, say, wealth inequality is to bring out Robert Reich, who will give a cute academic presentation. But at the core, wealth inequality is about people’s dreams for their families and their children. It’s friends my age who are dying to have a child and don’t know if they can afford to do that. The Democratic Party tends to have this hypereducated ruling-class mentality, and we need to realize that’s not making us connect with a lot of voters.

Considering the internet culture leading up to the election, some have said 2016 was a banner year for internet trolls. Do you think that’s accurate? Absolutely. I’ve rarely talked about Obama’s share of the blame for the rise of the alt-right and Gamergate. I had two separate calls with the White House, and they were telling me they had some ideas they were putting together to address Gamergate without needing to go through Congress, and nothing came of it. And what happened is a lot of people learned that there are no consequences to harassing women. If I play Grand Theft Auto and I decide to blow up a police helicopter, there are going to be consequences to that; eventually I’m going to go to jail and maybe pay 100 virtual dollars. We don’t even have that…..

In the aftermath of Gamergate, you said that you and the other women who were harassed “did everything right, and the system failed us.” Now you’re saying you want to be a part of that system. Do you think you can make changes inside of it? To me, the only way to get further gains on these issues is for more women to be represented in Congress. I don’t even care if it was a higher percentage of Republican women: I genuinely believe that if that number were closer to 50-50, we wouldn’t have ludicrous policies like the Hyde Amendment going through and devastating women’s access to reproductive health care. I want women out there to look at how incredibly unqualified Trump is and then ask themselves: “What on earth is holding you back? Do you think you don’t measure up with Donald Trump in the White House?”

(7) CHARACTERIZATION. Marko Kloos, whose Angles of Attack won two Rampant Manticore awards, explains how the novel came to have a gay Russian space marine.

Truth be told, when I wrote Dmitry, I didn’t know he was gay until I got to the scene in ANGLES OF ATTACK where Dmitry and young master Andrew have a drink together and show each other pictures of their main squeezes, as soldiers do when they have downtime and some alcohol in front of them. I’m not the kind of writer who claims that my characters have their own will—they do what I tell them to, goddammit, because I’m the master of their universe—but that was a moment where a character revealed a little detail that I hadn’t intentionally sketched out, but that felt natural and proper. Dmitry pulled out the picture of his spouse, and my brain just went, “He has a husband. Huh, Of course he does.”

So no, I don’t sit down with a character creation sheet and a checklist for Maximum Diversity(tm) and threw in a gay character to advance an agenda, score Social Justice Warrior brownie points, or engage in virtue-signaling. Dmitry is gay because he is, and with all the crap these soldiers have to deal with in their alien-besieged dystopia, I found it appropriate that at the very least, showing someone else a picture of your same-sex spouse is not worthy of special commentary above and beyond “Nice picture” in that version of the future.

(8) CHOOSING THE POWER. Abigail Nussbaum shares the Best Novel and Campbell Award categories on her Hugo nominating ballot. The first of her four novel picks is –

  • The Power by Naomi Alderman (review) – As I’ve said, this feels more like a Clarke award book than a Hugo award one, but nevertheless Alderman’s chilling, Handmaid’s Tale-esque story about a world in which women suddenly develop the ability to shoot bolts of electricity from their bodies, upending the world’s balance of violent potential, is one of the most interesting and thought-provoking works of science fiction I’ve read in some time.  What’s most interesting about The Power is that while it is undeniably a book about gender and the role that violence plays in maintaining gender roles, that’s not its main interest.  What Alderman is doing with her premise is using it to discuss the role that violence and the use of force play in organizing our society, even when we pretend to be beyond them.  That feels like a vital issue at this point in time.

(9) SIR POT. Mashable reports that Sir Patrick Stewart has announced that he has used medical marijuana for several years to help with his arthritis.  Stewart made this announcement to support an Oxford University proposal calling for more research into marijuana’s medical benefits. The piece is called “Patrick Stewart reveals that he uses medical marijuana every day”.

But Stewart isn’t rolling up a joint or hitting the bong, he says he typically uses sprays, ointments and edibles.

“I purchased an ointment, spray and edibles. The ointment, while providing some relief from the discomfort, was too greasy to use during daytime and so I only use it at night.”

Patrick went on to describe how he uses his medicine, later adding that he can now make a fist with his hand, which was impossible for him to do before using cannabis.

As the Captain might say, “Make it grow!”

(10) NEW PIXAR MOVIE. Coco, a Disney-Pixar movie, opens in US theatres in 3D on November 22.

(11) EYE-SEARING. Starz new American Gods trailer is violent and gory. Beware!

[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories.Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]

Pixel Scroll 3/3/2017 File Thee More Stately Pixels, O My Scroll…

(1) OKORAFOR. “A Conversation with Nnedi Okorafor” at Weird Fiction Review.

WFR: Binti’s hair, or her tentacle-like okuoko almost becomes a character in its own right. It’s striking that this kind of physical transformation is both by choice but also not by choice; it reflects the physical difference with which Binti already marks herself through her otjize. There are so many layers of cultural and biological meaning wrapped up in Binti’s hair alone. Can you talk a little about this part of the story?

NO: The theme of choice and the power of culture pops up in my stories often. Before Binti, the biggest example of this is in Who Fears Death when Onyesonwu must face the decision of whether or not to go through a ceremony that required cutting off her clitoris. To many readers, the fact that she even has to think about whether or not to do this is shocking. It’s not shocking to me at all, coming from the culture that I come from where the individual is often secondary to the community. I may have been born and raised in the United States, but there are significant parts of me that are VERY Igbo (Nigerian) and I am often in conflict with these parts. This is the plight of many Nigerian Americans. And this is the root of my deep understanding about and experience of African cultures.

The same goes for Binti. Binti is a Himba girl of the future and though many things about her ethnic group change, some things stay the same. Some of those things include a strict adherence to community and culture, and the practice of applying otjize. Culture is very deep, it can’t just be shed just as you can’t shed what is part of your DNA. But culture is also alive and can incorporate things, it blend, shifts…and there are always consequences to change.

(2) EVERY TRUE FAN. At More Words, Deeper Hole, James Davis Nicoll lists “Twenty Core SF Books Every True SF Fan Should Have On Their Shelves”. Their Billy shelves, presumably.

(3) SOMETIMES THEY DO GET WOOLLY. The BBC shares “DNA clues to why woolly mammoth died out”.

Dr Rebekah Rogers of the University of California, Berkeley, who led the research, said the mammoths’ genomes “were falling apart right before they went extinct”.

This, she said, was the first case of “genomic meltdown” in a single species.

“You had this last refuge of mammoths after everything has gone extinct on the mainland,” she added.

“The mathematical theories that have been developed said that they should accumulate bad mutations because natural selection should become very inefficient.”

The researchers analysed genetic mutations found in the ancient DNA of a mammoth from 4,000 years ago. They used the DNA of a mammoth that lived about 45,000 years ago, when populations were much larger, as a comparison.

(4) KNIGHT CHECKS KING. Brooke Seipel on TheHill.com in “Actor Patrick Stewart Applying for U.S. Citizenship to Help Fight Trump” says that SirPatStew tweeted that he is applying to become an American so he can fight the Trump Administration. She also quotes from his appearance on The View.

(5) SEPARATING PAST FROM PRESENT. “The Past, Present And Future Of Sci Fi With N. K. Jemisin”, an interview with the author on WBEZ.

Johnsen: Recently, friends have asked me for recommendations of things to read or watch. They’re like, “I’ll check out anything, except sci fi.” And that drives me crazy. Because to me, that’s like saying, “Oh, I like anything except imagination.” Can you help me make the sell to the haters? Because that’s ridiculous.

Jemisin: It is ridiculous. It’s because science fiction is terrible at marketing, I think. Science fiction has, for years, allowed a fairly vocal subset of its readership to declare that the only true science fiction is stuff that was written 50 or 60 years ago, that the pulps of the ’40s is what the genre is all about. The plain fact of the matter is that it’s an art form like any other. It has evolved. It has grown. It has expanded in ways that I think it hasn’t done the best job of revealing to the mainstream.

So I would test anybody who says they don’t read science fiction or fantasy. I’d say, “OK, what was the last science fiction or fantasy that you read? Where is this coming from? Did you just watch an episode of old school Star Trek and call it a day, or are you doing this with some real information here?”

And then, there’s multiple places that I would direct them. I would take them to the Nebula list and have them look at a few years’ worth of Nebula nominees and novels. I would show them some current science fiction on television, quite a bit of which is getting critical acclaim. I’m very excited that Stranger Things season two is coming. I just watched the first season of Westworld. I had some questions and thoughts, but it’s an example of something that you can shoot to people to say, “Hey, we’ve moved on a little from Star Trek.”

(6) THIRTY BUT NOT #30#. Scott Edelman is amazed – “Hard to believe I’ve made it this far!” – to have reached Episode 30 in his series of podcasts Eating the Fantastic. This time Scott joins Richard Bowes to eat Italian in Greenwich Village.

The venue was suggested by this episode’s guest, who happens to be a long-time resident of Greenwich Village—science fiction and fantasy writer Richard Bowes, who’s a two-time winner of the World Fantasy Award, and who has also won the International Horror Guild Award as well as the Lambda Award. That photo of him below is not from Café Reggio, however, but rather from the nearby New York Frost Factory, where we went in search of something sweet after the recording.

We discussed his early career as a designer of board games for clients like National Lampoon, why “going to conventions sober is beyond me,” the political transformation of Li’l Abner creator Al Capp, why everyone during the old folk scene days loathed Bob Dylan, what attracts him about writing mosaic novels, and more.

(7) HUGHES OBIT. Hugh Zachary (1928-2016), who wrote as Zach Hughes, died September 5, 2016.The news is just now circulating in fandom, having been learned by William G. Contento.

He wrote over two dozen sf novels as Zach Hughes, and the America 2040 series as Evan Innes. He also wrote westerns, romance, and erotica. As he put it, “I’ve written in every field except bestseller.” If he never made the New York Times list, the books he wrote under a house name for “The White Indian” series of westerns did in fact sell millions of copies over the years.

Zachary gave a very entertaining interview to a UNCW oral historian in 1998 which is still online:

Hayes: So even during the radio/TV days, writing still was kind of a driving force?

Hugh Zachary: That’s what I wanted to be, yes. And I have 375 rejections before I ever sold one single thing; I was persistent if nothing else.

Hayes: Well, talk about some of those rejections. What was the, what were you writing early on then that you were trying to get in?

Hayes: That is hard.

Hugh Zachary: Some of those were poems and at that time there was a much bigger market for poetry if you could call it that. The first thing I ever sold was a poem to a magazine called, “Drift Word” and they sent me a check for $10 and they went out of business before it was published (laughs).

(8) TODAY IN HISTORY

  • March 3, 1915 — The National Advisory Committee for Aeronautics (NACA), the predecessor of NASA, was founded.

(9) TODAY’S BIRTHDAY BOY

  • March 3, 1920 – James Doohan

(10) TODAY’S DAY

I have it on good authority from Jack Lint that this is “I cannae change the laws of physics!” Day celebrated on March 3 in honor of James Doohan’s birthday

(11) THE FANBOY DEFENSE. “3D guns accused manufacturer was a ‘science fiction fanboy’, court hears”. The ABC in Australia has the story.

A man accused of manufacturing 3D printed guns is a fan of science fiction who let his hobby get “out of hand”, a Sydney court has heard.

Sicen Sun, 27, an account manager for an advertising agency, was arrested yesterday when detectives searched his Waverley unit in Sydney’s east, following a tip-off.

Officers found four imitation pistols, including 3D-manufactured semi-automatic Glock pistols and a 3D-manufactured Sig pistol, two air pistols, computer equipment and two 3D printers.

Sun was arrested and charged with various offences relating to the manufacture of firearms using a 3D printer.

At a bail hearing at Waverley Local Court this morning Sun’s solicitor, Jason Keane, said his client was a science fiction fan who got carried away with his hobby and wanted to imitate the weapons from police shows such as NCIS and video games like Call of Duty.

(12) RUMBLINGS. While hawking t-shirts, Vox Day indicated that this year’s Rabid Puppies action is about to begin.

And here’s a hint: if you like the awesome Rabid Puppies 2016 shirt, you should probably pick one up soon, as the Rabid Puppies 2017 logo is almost ready to make its debut.

(13) BRADBURY’S PIVOTAL YEAR. Now available for pre-order, The Collected Stories of Ray Bradbury: A Critical Edition, Volume 3, 1944-1945 edited by Jonathan Eller.

The original versions of an American master’s best-known tales

Though it highlights just one year of writing, this third volume of The Collected Stories of Ray Bradbury represents a crucial moment at the midpoint of his first full decade as a professional writer. The original versions of the 1940s stories recovered for The Collected Stories of Ray Bradbury, presented in the order in which they were written and first sent off to find life in the magazine market, suggest that Bradbury’s masks didn’t always appeal to his editors. The Volume 3 stories were all written between March 1944 and March 1945, and the surviving letters of this period reveal the private conflict raging between Bradbury’s efforts to define a distinct style and creative vision at home in Los Angeles and the tyranny of genre requirements imposed by the distant pulp publishing world in New York.

Most of the twenty-two stories composed during this pivotal year in his development reflect the impact of these creative pressures. This period also produced important markers in his maturing creativity with “The Miracles of Jamie,” “Invisible Boy,” and “Ylla,” which were among the first wave of Bradbury tales to reach the mainstream markets.

The early versions of Bradbury’s stories recovered for Volume 3, some emerging from his surviving typescripts and several that restore lost text preserved only in the rare Canadian serial versions, provide an unprecedented snapshot of his writing and his inspirations. Underlying this year of creativity was the expanding world of readings in modern and contemporary literature that would prove to be a crucial factor in his development as a master storyteller.

(14) PILOT PROGRAM. A genius idea, but one that will only succeed once they have an AI to fly the drones — “Rise Of The Robot Bees: Tiny Drones Turned Into Artificial Pollinators”.

With the live-model tests deemed a success, Miyako turned his attention to drones. He settled on a bee-sized, four-propeller drone, commercially available for around $100 each. He and his colleagues found that the gel alone was not enough to hold the pollen, so they added horse hair to mimic the fuzzy exterior of bees and provide an electric charge to keep the grains attached. Using fluorescent microscopy, the team observed pollen glowing in test tubes – offering strong proof that fertilization was successful.

Although artificial pollination is already possible, it’s a tedious, time-consuming process. When done by hand, using a brush to apply the pollen, a person can pollinate five to 10 trees a day, depending on the size of the trees. Tackling thousands of trees takes major manpower and a hefty budget.

But even if cost were no object, an army of pollinating robot bees would face myriad obstacles.

“There are 1 million acres of almond trees in California,” says Marla Spivak, a MacArthur Fellow and entomologist at the University of Minnesota. “Every flower needs to be pollinated to set the nut. Two million colonies of bees are trucked in to pollinate the almonds, and each colony has between ten and twenty thousand foragers. How many robots would be needed?”

(15) SANITY CLAWS. Chris Klimek reviews Logan for NPR: “’Logan’ Is The Best At What it Does – And What It Does Is Gritty”.

Long live Logan, James Mangold’s sad, stirring requiem for the X-Men franchise’s most beloved character. The only problem with calling it the boldest and most affecting superhero flick in many years is that it’s barely a superhero movie at all.

It doesn’t talk like a superhero: too many F-bombs, including its very first word. And it doesn’t walk like a superhero: No computer-generated cities are razed in its finale, no unseen thousands sacrificed. Though with its gnarly R-rated medley of stabbings, slicings, skewerings, and impalings in what has been, Deadpool excepted, a PG-13 franchise, Logan sure feels bloodier than most of its ilk. And feels is the right verb: The deaths have weight. For once. To misquote the 40-year-old tagline of the very first big-budget comic book movie, you will believe a man can cry …

… at a movie about a 200-year-old rage monster with a silly haircut and retractable knives implanted in his knuckles.

Because Logan is unlike any capes-and-tights movie we’ve seen. It does for the creaky X series what Creed did for the Rocky cycle, restoring the integrity and emotion of the earliest installments while introducing talented new blood.

(16) PRESENTING THE BILLS. The new Duck Tales trailer.

[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Scott Edelman, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 3/2/17 Doing The Trilogy Backwards

(1) RECURSIVE NEWS. The Large Hadron Collider gets a pixel tracker.

Officials said the replacement of a key component inside the CMS experiment represented the first major upgrade to the LHC – the world’s biggest machine.

Engineers have been carefully installing the new “pixel tracker” in CMS in a complex and delicate procedure on Thursday 100m underground….

More than 1,200 “dipole” magnets steer the beam around a 27km-long circular tunnel under the French-Swiss border. At certain points around the ring, the beams cross, allowing collisions to take place. Large experiments like CMS and Atlas then record the outcomes of these encounters, generating more than 10 million gigabytes of data every year.

The CMS (Compact Muon Solenoid) pixel tracker is designed to disentangle and reconstruct the paths of particles emerging from the collision wreckage.

“It’s like substituting a 66 megapixel camera with a 124 megapixel camera,” Austin Ball, technical co-ordinator for the CMS experiment, told BBC News.

In simple terms, the pixel detector takes images of particles which are superimposed on top of one another, and then need to be separated.

(2) COLLECTING THE CURE. A bidder paid top dollar for a moldy piece of history.

The mold in question — which actually outpaced early expectations to be sold for a whopping $14,617, according to The Associated Press — is a capsule of the original Penicillium chrysogenum Alexander Fleming was working with when he discovered the antibiotic penicillin. Encased in a glass disc, inscribed with the words “the mould that first made Penicillin,” and signed by Fleming himself, the little sample comes from the collection of Fleming’s niece, Mary Anne Johnston.

(3) GOLD RUSS. James Davis Nicoll has the panelists reading “When It Changed” by Joanna Russ at Young People Read Old SFF.

With this story we enter the 1970s, the last decade in the Young People project . I knew which story I wanted to begin the decade with: Joanna Russ’ 1972 Nebula-winner “When It Changed”. Noted author and critic Russ’s story is a reply to such classics as Poul Anderson’s Virgin Planet, stories in which planets populated entirely by women are granted that most precious of treasures, a man and his unsolicited advice. Russ was not always entirely pleased by the status quo. Subtle hints of her displeasure can be detected in this classic first contact tale.

Of course, we live in a modern era of complete equality between the sexes. Who knows if this story can speak to younger people? Let’s find out!

Here’s one participant’s verdict –

….I’d still be willing to suggest that “When It Changed” is the most relevant of all the stories we’ve read so far in this project. I’m sure this is a very hard to believe statement, especially when you compare the story to some of the others we’ve read (i.e. dolphin-people and doomsday don’t-let-the-sun-set cultists), but I’m willing to say it and stand by it, for a few reasons….

(4) DEALING WITH IT. Kristine Kathryn Rusch’s “Business Musings: Writing with Chronic Health Problems” deals with something I’m sure many writers are doing after seeing people’s comments here.

It wasn’t until I got a Fitbit on a lark that exercise became do-not-miss for me. Why? Because I can hit my 10,000 steps even when I’m sick. I shuffle around the house like the walking dead, determined to hit that magic number, because I’m anal, and because finishing my steps every day before midnight is something I can control.

The knee injury got in the way. I made my doctor give me a schedule and benchmarks so that I wouldn’t start up again too soon, but also so that I would start as soon as I could. He thought I was nuts, but he did it. And I followed it, even though I didn’t want to. (I wanted to hobble around the house to hit that magic 10,000 steps.) Even with an injured knee, I got 3,000-4,000 steps per day (using crutches), because I really can’t sit down for very long.

It drives me crazy.

So why am I telling you all of this? This is a writing blog, right?

Because dozens of you have asked me, both privately and in comments, how I write with a chronic health condition.

There really is a trick to the writing while chronically ill. But the trick is personal, and it’s tailored to each individual person.

So, more personal stories—and then tips.

(5) MoPOP. Nominations for next year’s inductees to the Science Fiction Hall of Fame are being taken from the public through April 16.

We’ve opened up our Hall of Fame nominations to the public so that you can choose the creations (e.g. a movie, video game, book, comic/graphic novel, superhero, etc.) and creators (e.g. director, actor, writer, animator, composer, etc.) that have most inspired you!

MoPOP also says the public will be able to vote for the selected finalists later this year, although it’s unclear what impact that vote will have. The website says —

Founded in 1996, the Hall of Fame was relocated from the Gunn Center for the Study of Science Fiction at the University of Kansas to its permanent home at MoPOP in 2004. Nominations are accepted from the public and the final inductees are chosen by a committee of industry experts.

A public was invited to vote was taken on last year’s nominees, too, but as it says above, selected experts chose the inductees.

(6) NEBULA NOMINEE. Brooke Bolander, who calls this “sputtering,” writes a pretty good thank-you: “Nebula Finalist Frenzy, or: IT HAPPENED AGAIN WTF BBQ”.

Our Talons Can Crush Galaxies,” my thousand-word rage bark published in Uncanny Magazine, is a finalist for the Best Short Story Nebula. Again, to everyone who put it on their ballot: holy shit, thank you so goddamned much. I was helping clean up after a family funeral when I got the call, so to say that I needed that good news is a grave and frankly insulting understatement to the gift you all handed me. I didn’t expect to get on the ballot last year. I figured it was probably the last time I’d be within six city blocks of a ballot for a long, long time, if ever. Is being a finalist again so soon intimidating? You’d better fuckin’ believe it, buster. Is trying to figure out how I am going to follow this up absolutely bowel-twistingly terrifying, the fear that I’ll never write anything else worthwhile once again lurking at the edges of my internal narrative like a shadow beneath a 1 AM streetlamp? DING DING DING.

(7) SURVIVOR. Pat Cadigan is deeply reflective in this installment of “Still Making Cancer My Bitch”.

…At the same time, however, it’s a little spooky to think that, had my cancer followed its standard course––had I not gotten so extremely lucky––I wouldn’t be here now. And the two friends I lost were supposed to be living their lives as usual. John Lennon once pointed out that life is what happens while you’re making other plans. Truer words were never spoken.

A few days ago, I had started writing a post about survivor guilt. There have been a few posts I found very difficult and uncomfortable to write but this one was impossible. I have seldom written nonfiction; it’s really not my metier. I did write two nonfiction books in the late 1990s, one about the making of Lost In Space and another a year later about the making of The Mummy; they were assignments I lucked into and I think they turned out pretty well, if I do say so myself. But I digress.

Survivor guilt is one of those things easier felt than explained––easier done than said, if you will. You can’t write about it without sounding like you’re fishing for comfort: Please forgive me for still being alive. You know people are going to tell you that you have nothing to feel guilty about. Except for the few whom you secretly suspect don’t forgive you.

Personally, I’ve always thought of survivor guilt as something suffered by people who have been through terrible catastrophes––natural disasters, mass transit crashes, explosions, wars. These people have been through extreme trauma and injury themselves. So claiming I have survivor guilt sounds self-aggrandising. The truth is, I’ve never been in pain and thanks to my family and my ongoing support system of friends far and wide, I’ve never felt alone or like I had no one to talk to.

What I’m feeling is more like survivor embarrassment. It’s like this: you find out you’re terminal, and you make a big deal out of it, because what the hell, it is a big deal, to you anyway. Then, holy guacamole! Things take a completely unexpected swerve and it turns out you’re not as terminal as they thought. You’re not exactly well, not in remission, but you’re stable and you’re not leaving any time soon unless someone drops a house on you. (And even then, it would probably depend on the house.)

(8) BEAR NECESSITIES. Worldcon 75 has received a 5000 € grant from Art Promotion Centre Finland. If you read Finnish, you can find out the details in the organization’s press release.

(9) ROCK SOLID EVIDENCE. “Oldest fossil ever found on Earth shows organisms thrived 4.2bn years ago”. The Telegraph has the story.

Oldest fossil ever found on Earth shows organisms thrived 4.2bn years ago

It’s life, but not as we know it. The oldest fossil ever discovered on Earth shows that organisms were thriving 4.2 billion years ago, hundreds of millions of years earlier than previously thought.

The microscopic bacteria, which were smaller than the width of a human hair, were found in rock formations in Quebec, Canada, but would have lived in hot vents in the 140F (60C) oceans which covered the early planet.

The discovery is the strongest evidence yet that similar organisms could also have evolved on Mars, which at the time still had oceans and an atmosphere, and was being bombarded by comets which probably brought the building blocks of life to Earth.

….Space expert Dr Dan Brown of Nottingham Trent University added: “The discovery is exciting since it demonstrates how quickly life can form if the conditions are right on a planet or moon.

“This makes it clear to me that as soon as we find conditions on an exoplanet that would favour life as we know it, the probability of finding some form of life on that planet is very high. However, we are not talking about little green aliens but about microorganisms.

(10) ABSTRACT THINKING. Click here for the table of contents of the March issue of Science Fiction Studies which brings us, among other headscratchers, Thomas Strychacz’ “The Political Economy of Potato Farming in Andy Weir’s The Martian” —

Abstract. This essay examines the diverse political-economic registers of Andy Weir’s The Martian (2011) in terms of its symbolic response to the material and ideological crises of the Great Recession. The 2008 financial collapse in the US led to millions losing their homes and posed a serious challenge to the legitimacy of mainstream economic principles. Published at the height of the crisis, and concerning itself with the monumental challenge of bringing just one person home, the novel writes contested economic discourses into cultural fable. On Mars, Mark Watney’s potato farming evokes the paradigmatic neoclassical economic figure of homo economicus, the self-interested, maximizing agent who constantly prioritizes competing choices in order to allocate scarce resources rationally. NASA’s Earth, conversely, is a fantastic world of “unlimited funding” where, overturning two centuries of (neo)classical economic principle, “every human being has a basic instinct to help each other out” (Weir 368-69). The novel’s confused attempts to reconcile homo economicus with a workable concept of the common good can be historicized. Other prominent documents of the recessionary era—the US government’s official Report on the Financial Crisis and Occupy Wall Street’s Declaration among them—manifest the same yearning to restore a vanishing sense of commonwealth.

(11) REVENGE OF THE SON OF THE RETURN OF THE SHADOW CLARKE. Two more shortlists from Shadow Clarke jurors.

One of the things I wanted to do with my shortlist was to explore the idea of the Arthur C. Clarke Award as an institution that challenges the near-monopoly that genre publishing has over not only the field’s annual hype cycle but also over the construction of literary excellence. Traditionally, the Clarke Award has filled this role by smuggling a few choice mainstream titles over the ghetto walls but what if those disruptive tendencies were allowed to manifest themselves more fully? What if the Clarke Award came to represent genre publishing industry’s systematic failure to drive the genre forwards?

In order to come up with a deliberately counter-cultural shortlist, I made several passes through the submissions list in order to rule things out before making more positive choices about the things I wanted to read and write about:

…Second pass: Genre publishing has slowly developed a near-monopoly on the means through which individual works acquire a word-of-mouth buzz. This monopoly is partly a result of publishers and authors developing direct relationships with reviewers and partly a result of critics and reviewers losing influence in the age of Goodreads and Amazon reviews. With most of genre culture’s systems of recommendation skewed in favour of genre imprints and established genre authors, I chose to prioritise works that were either produced outside of conventional genre culture or which have been marginalised by genre publishing and forced towards smaller publishing venues….

…The task of compiling a shortlist is slightly different for the shadow Clarke juror, because there is more scope to set a personal agenda. What do I want my shortlist to be? This question came into sharp focus when I looked at the list of submissions, and realised that I wouldn’t want to shortlist any of the books that I’d already read.

So I have had to fall back on books that I would like to read. On that basis, I decided to orient my shortlist around the idea of discovery, focusing primarily on authors I hadn’t read much before, and taking note of a few strong recommendations from trusted sources….

Mark-kitteh sent the links along with these comments: “I did a spot of tallying up:

  • The Underground Railroad — Colson Whitehead 5
  • Central Station — Lavie Tidhar 4
  • A Field Guide to Reality?— Joanna Kavenna 4
  • The Many Selves of Katherine North?—?Emma Geen 3
  • The Power — Naomi Alderman 3
  • The Gradual?— Christopher Priest 3

“Which conveniently makes a potential shortlist of 6. It’s unlikely to be the final result, but the jurors seem to have more to agree on than to disagree.

“They are followed by another 7 chosen by two jurors, plus 10 singletons with a lone champion. Nick Hubble has the honour of being the only juror with at least one other agreeing with all his choices.”

(12) TRIVIAL TRIVIA

Monopoly Board Games produced after September 2008 come with $20,580 in play money. Standard editions produced before that came with $15,140.

(13) TODAY’S DAY

Today is Dr. Seuss Day, a full twenty-four hours to make a mess with the Cat in the Hat, dance around with the Fox in Sox, hear a Who with Horton, count the red and blue fish, help the Grinch see the error of his ways, and listen to Sam I Am’s friend complain about his dish of green eggs and ham, the ungrateful hairball!

(14) TODAY’S BIRTHDAY BOY

(15) EARLY BARR. At Galactic Journey, Victoria Silverwolf has an eye for talent — “[March 1,1962] Hearts and Flowers (April 1962 Fantastic)”:

Appropriately, The April 1962 issue of Fantastic is full of romance, along with the sense of wonder demanded by readers of speculative fiction.

Before we get to the mushy stuff, however, Judith Merril offers us a mysterious look at The Shrine of Temptation.  George Barr’s beautiful cover art appears to have inspired this ambiguous tale of good, evil, and strange rituals.  Barr’s work has appeared in a handful of fanzines for a few years, but I believe this is his first professional publication.  Based on the quality of this painting, I believe the young artist has a fine career ahead of him.

(16) IT’S MERVEILLEUX. At The New York Review of Science Fiction: “Brian Stableford: Madme De Villaneuve and the Origins of the Fantasy Novel”

The first concerted attempt to define and characterize a genre of fantasy fiction was made by Charles-Joseph Mayer between 1785 and 1789 when he published the 41 exemplary volumes of Le Cabinet des fées, ou Collection choisie des contes de fées et autres contes merveilleux [The Cabinet of the Fairies, or, Selected Collection of Fairy Tales and Other Marvelous Tales] in parallel with Charles Garnier’s Voyages imaginaires, songes, visions et romans cabalistiques [Imaginary Voyages, Dreams, Visions, and Cabalistic Fiction]. The latter is now regarded as most significant for the volumes containing imaginary voyages that can be affiliated in retrospect to the nascent genre of roman scientifique [scientific fiction] but, as the full title illustrates, it contains a good deal of material that would nowadays be considered to belong to the fantasy genre, and some of the items, such as Madame Roumier-Robert’s “Les Ondins, conte moral” (1768; tr. as “The Water-Sprites”) would have been perfectly at home in Mayer’s collection. It was, however, Mayer’s assembly that identified the two principal strands of the genre of the merveilleux as the mock folktales that became fashionable in the literary salons of the late seventeenth and early eighteenth centuries in association with the court of Louis XIV and tales written in imitation of Antoine Galland’s collection of Les Mille-et-une nuits (1707–19), which claimed to be translations of Arabian folklore, although many of the inclusions are drastically rewritten from the original manuscripts or wholly invented by Galland.

(17) PULLMAN. In “Paradise regained: ‘His Dark Materials’ is even better than I remembered”, the Financial Times’ Nilanjana Roy uses the forthcoming publication of The Book of Dust to discuss how she read Philip Pullman’s His Dark Materials trilogy ten years ago and how much she enjoyed these books. (The article is behind a paywall; the link is to a Google cache which can be read after taking a survey.)

The first in the trilogy is the most memorably dazzling, a classic quest story where the young Lyra travels to the north, befriending armoured bears and witch-queens. She has a daemon, Pantalaimon — most people in her world do, the daemon being an animal who is the external manifestation of a person’s inner spirit — and that is what I remembered most about the trilogy. When His Dark Materials came out, most of my friends abandoned their dignity and played games of Guess His Daemon? assigning slinking jackals or brown marmorated stink bug daemons to those they didn’t like.

(18) IT PAYS NOT TO BE IGNORANT. BoingBoing tells about the Norwegian news site that makes readers pass a test proving they read the post before commenting on it.

The team at NRKbeta attributes the civil tenor of its comments to a feature it introduced last month. On some stories, potential commenters are now required to answer three basic multiple-choice questions about the article before they’re allowed to post a comment. (For instance, in the digital surveillance story: “What does DGF stand for?”)

(19) THE CULTURE WARS.  Yes, it’s Buzzfeed – perhaps someday you’ll forgive me. “This Far-Right Tweet About ‘The Future That Liberals Want’ Backfired Into A Huge Meme”. A lot of tweets have been gathered in this post – here are three examples, the tweet that started everything, one of the pushback, and a third from the bizarre spinoffs.

(Buzzfeed says the photo was originally posted on @subwaycreatures, where it was used to “showcase the beauty of New York’s diversity.”)

Finally:

[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, JJ, and Mark-kitteh for some of these stories. Title inspiration credit goes to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 2/16/17 This Scroll Is Spelt Raymond Luxury Pixel, But It’s Pronounced ‘Godstalker Manfile’

(1) TINGLE ON TV. SORT OF. I’m told Chuck Tingle appeared live via remote camera on Comedy Central’s @Midnight last night and that the video is “definitely NSFW.” And that Tingle was disguised (face covered) each time he appeared. I haven’t had a chance to watch the show yet, I’d better mention…

(2) TRAD V. INDIE. Jim C. Hines isn’t trying to referee the debate about which business model works best for writers. However, people selling their work in a variety of ways shared their income data with him and he has compiled it in “2016 Novelist Income Results, Part 2: The Large/Small/Indie Breakdown”.

Indie authors still have the largest median income, which was predicted by only 19% of the folks in our informal Twitter Poll. The large press authors once again take the highest average. (I think this is mostly because of one large press author whose income was significantly higher than any others.)

(3) BEST IN SF ROMANCE. Veronica Scott lists the nominees for the 2017 SFR Galaxy Awards at Amazing Stories.

First a word about the awards themselves – a panel of well-regarded scifi romance book bloggers and reviewers make the selections, with each judge naming five or six novels, graphic novels or anthologies that they found memorable during the preceding year. The formal description of the awards’ intent, as taken from the website: “The theme of the SFR Galaxy Awards is inclusiveness. Instead of giving an award to a single book, this event will recognize the worth of multiple books and/or the standout elements they contain. The basic philosophy behind this approach is to help connect readers with books.”

Although the awards are serious, each judge gives their reasons for selecting the books, as indicated a bit light heartedly in the title of their short essays…

(4) A KIND WORD. James Davis Nicoll sets Ursula K. Le Guin’s “The Rule of Names” before the panel at Young People Read Old SFF. And this time butter wouldn’t melt in their mouths….

(5) WHY CLARION. Nancy Jane Moore rhapsodizes about her experience as “A Tricoastal Woman: Clarion West 1997” at Book View Café.

There are lots of reasons to go to Clarion West or Clarion. Yes, you will learn a lot about writing. Yes, you will get to know writers and editors. And yes, the intensity of the workshop will push you to do your best work. I’m glad for all those things.

But what really made me happy was living in a community of writers for six weeks. There is nothing like pacing the hall at two in the morning, trying to figure out how to fix a scene, and finding that someone else is also up struggling with a story.

By the end of the workshop, I wanted to figure out how to live permanently in a community of writers. I’d gladly have spent the rest of my life at Clarion West. Well, OK, with a bit less intensity, because I couldn’t have kept up with the lack of sleep and exercise much longer.

Alas, I have never figured out how to do it, though I still have fantasies about getting together to buy an apartment building with a bunch of other writers. Hell, I’d probably even be willing to live in a dorm room with the bathroom up the hall as I did at Clarion West.

(6) TODAY IN HISTORY

  • February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler.

(7) TODAY’S BIRTHDAY BOYS

  • Born February 16, 1953 – Mike Glyer
  • Born February 16, 1957 LeVar Burton

(8) MOVING ON. There’s a difference between being interested in the Hugos and feeling a sense of stewardship about them. I still feel that we’re seeing through the completion of unfinished business. On the other hand, Abigail Nussbaum, in “The 2017 Hugo Awards: Why Hugo?”, explains why she feels the award doesn’t command the same level of interest for her as last year.

The issue, therefore, is this: it’s not just that the Hugos are trivial, but that the Hugos are solved.  If last year and the year before, we had a strong argument for seeing participation in the Hugos as an important and even progressive act, this year it seems largely meaningless, precisely because the difference between the best-case and worst-case outcomes is so small.  Let’s say the Rabid Puppies come back for a third try this year, and manage to get their trash on a lot of ballots.  So what?  They’ll just get knocked down in the voting phase again, and the only people it’ll really matter to will be the ones who lost out on a nomination–and I say that as someone who did lose out on a Hugo nomination, twice, as a result of the Rabid Puppies’ actions.  Given the current state of the world, lousy Hugo nominations are pretty far down my list of things to get upset over.  And on the other hand, if the Puppies have given up (or, more realistically, moved on to greener pastures, of which there sadly seems to be an abundance), I think we all know by now that the result will not be some progressive, radical-lefty shortlist.  The Hugo will go back to what it has always been, a middle-of-the-road award that tends to reward nostalgia and its own inner circle.  Yes, there has been progress, and especially in the shadow of the Puppies and their interference–2015 best novel winner Cixin Liu was the first POC to win in that category, and 2016 winner N.K. Jemisin was the first African American.  But on the other hand, look at the “first”s in that last sentence, consider that they happened a decade and a half into the 21st century, and then tell me that this is something to crow about.

After having said all this, you’re probably now expecting me to make some huge turnaround, to explain to you why the Hugos still matter, and why it’s still important to talk about them and nominate for them.  But the thing is, I can’t….

(9) GET TO KNOW YOUR GUFFERS. Voting on the Get Up-and-over Fan Fund (GUFF) delegate to Worldcon 75 contiues until April 1.’ The candidates’ platforms and general information about voting is here. The online ballot is here. Voting is open to all interested fans, regardless of nationality.

Elizabeth Fitzgerald is interviewing the candidates online — Donna Maree Hanson, Sam Hawke, Belle McQuattie, and the tandem of Alexandra Pierce and Alisa Krasnostein. Her first two interviews are up —

You’re currently working on a PhD focused on feminism in romance. How have you found this has impacted on your SFF writing?

The PhD studies so far have benefited my writing. Part of the study involves reading widely–French philosophers, feminist theory, queer theory–and I find that all mind-expanding. I’m not free to write as much as I’d like but I find with a bit of discipline (say an hour a day, at least) I can do both the PhD and write. I take a writing day once a week too. I don’t think you can study romance without touching on feminism and gender, and that is interesting to say the least. As I’m undertaking a creative writing PhD, l will be writing a novel. That novel is going to be an SF novel, post-human, focussing on gender equality and romance too. To write that novel I have to read SF dealing with that topic as well as straight romance, which is part of my research. Lots of reading. I read Left Hand of Darkness aloud to myself so I could experience it at a deeper level. So it’s a journey that I can bend to include both sides of my interests in genre.

What are you most looking forward to about Worldcon 75?

Is it cheating to say everything? I’m really looking forward to talking to fans and learning more about other areas of SFF that I don’t get exposure to normally, especially because I don’t know much about European SFF. I’m really excited to explore Finland and see another part of the world. I’m also a super huge fan of moose, and I’m hoping to see some … from a very safe distance.

(10) FAKE KNEWS. NakedSecurity tells how everyone, including members of Congress, can spot a fake twitter account. Personally, I don’t think the problem is that they are that hard to spot, but that want to believe the messages and don’t stop to ask the question.

When was it created?

As the Washington Post notes, the fake Flynn account was created a day after the authentic @GenFlynn went offline. Suspicious timing, eh? The creation date can be helpful in spotting bogus accounts, particularly when they’re created at the same time as major news breaks about whatever parodied/spoofed person they’re based on.

(11) ZETA OVER BUT NOT OUT. Mothership Zeta announced plans to go on hiatus four months ago, and the new issue of the magazine confirms that it will be the last issue for now. Here’s a quote from Mur Lafferty’s editorial.

The discussion you hear from nearly every short fiction publication is the worry about money. We are an experiment from Escape Artists, the awesome publisher of free audio fiction; we knew we were taking a risk with creating an ezine that you had to pay for.

We’re fiercely dedicated to paying our authors, our nonfic writers, our artists, and our editorial team. We did our best with the budget we had, but once the money ran out, we had to take a hard look at ourselves. So we are taking some time to figure out a new way of delivering this publication.

We have no current plans to shutter the magazine for good. We are going to take the next few months and look at our options. We may come back with a crowdfunding effort through Patreon, Kickstarter, or IndieGogo. We may come up with other solutions. But we all believe in this magazine, and believe that the world needs satisfying, fun science fiction now more than ever. We want to bring that to you.

[Thanks to Mike Kennedy, Mark-kitteh, David K.M.Klaus, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 2/2/17 If You Give A Kzin A Kazoo…

(1) LOOKING FOR SHADOWS. Leah Schnelbach’s “Groundhog Day Breaks the Rules of Every Genre” is a masterpiece about one of my favorite movies. (It first appeared on Tor.com in 2014.)

Groundhog Day succeeds as a film because of the way it plays with, subverts, and outright mocks the tropes of each of the genres it flirts with. While some people would call it a time travel movie, or a movie about small town America, or the most spiritual film of all time, or a rom-com, it is by breaking the rules of each of those types of films that it ultimately transcends genre entirely.

(2) SHARKNADO 5. Not sure why Syfy and studio The Asylum picked Groundhog Day to announce there will be a fifth Sharknado movie, unless it’s to wink at the fact they’re doing the same thing over and over again:

The original 2013 “Sharknado” introduced the concept of a shark-laden twister via one bearing down on Los Angeles. In “Sharknado 2: The Second One,” New York City was the target of the disaster, and in “Sharknado 3: Oh Hell No!” a mega-sharknado made its way down the East Coast from Washington, D.C. to Florida. In the most recent installment, the very-close-to-copyright-infringement-titled “Sharknado: The 4th Awakens,” the shark-infested storms went national. The film ended with the Eiffel Tower ripping away from Paris and crashing down on Niagara Falls, setting the stage for the fifth edition of America’s answer to the sprawling sagas of the ancient world.

In “Sharknado 5,” with much of North America lying in ruins, the rest of the world braces for a global sharknado. Fin Shepard (Ziering) and his family must put a stop to this disaster before Earth is obliterated.

(3) TODAY’S SCROLL TITLE. On the other hand, Daniel Dern hopes you will add iterations of your own to his faux children’s book for Filers.

If You Give A Kzin A Kazoo…

whose text perhaps goes…

… he’ll <blatt> and leap.

If a Kzin <blatt>s and leaps,
he’ll rip you from gehenna to duodenum. [1]

If a Kzin rips you from gehenna to duodenum,
well, that’s the end of the story as far as you’re concerned,
unless you’ve got either an autodoc [2] nearby, or have Wolverine-class mutant healing factor.

[1] per Don Marquis, Archie & Mehitabel — Mehitabel on Marriage, IIRC.

[2] and health care insurance that will cover you 🙁

Probably if you put all that in, Filers will contribute a few dozen more verses.

(4) BOMBS AWAY. Before telling the “Five Things I Learned Writing Exo”, Fonda Lee confesses that Exo began life as a failed NanNoWriMo novel. (A guest post at Terrible Minds.)

This is how it went: I wrote 35,000 words by November 20th or so, and stalled out. It wasn’t working. At all. I read the manuscript from the beginning and hated all of it with the nauseous loathing that writers feel when looking at their own disgusting word messes. I had a shiny story idea in my head but it was emerging as dog vomit. So I quit. I failed NaNoWriMo hard.

I trashed everything I’d written and started again. I wrote a new draft over several months, and then rewrote 50% of that one. And did it again. After the book sold, I did another major revision with my editor. I was relieved and excited by how it was getter better and better, but part of me was also surprised and disheartened. I mean, Zeroboxer was picking up accolades and awards, and whoa, I got to go to the Nebula Awards as a finalist and dance on stage, so why the hell was it so hard to write another book?! This whole writing thing ought to be easier now, right?

Wrong. In talking (griping, whining, crying) to wiser authors, I learned there was wide agreement that the second book is often a complete bitch to write. A very loud voice in your head is telling you that because you’re now a Published Author, you should be writing better and faster, plus doing author promotion stuff with an effortless grin.

(5) REMEMBERING PAN. J. M. Barrie was one of several authors who put science-related observation into fantasies. The BBC tells you about it: “What Peter Pan teaches us about memory and consciousness”.

In this way, the stories appear to follow a tradition of great cross-pollination between the arts and the sciences – particularly in children’s literature. Charles Kingsley’s The Water-Babies was written, in part, as a response to Darwin’s theory of evolution, while Alice’s Adventures in Wonderland were a playful exploration of mathematics and logic. Even some of Hans Christian Andersen’s tales were inspired by new scientific and technological developments – such as the invention of the home microscope.

(6) A LARGER-THAN-EXPECTED COLLISION. The Large Hadron Collider didn’t end the world, as some cranks feared, but it did end this creature: “World’s Most Destructive Stone Marten Goes On Display In The Netherlands”

On Nov. 20, 2016, the animal hopped over a fence at the $7 billion Large Hadron Collider in Switzerland, touched a transformer and was electrocuted by 18,000 volts.

The marten died instantly. The collider, which accelerates particles to near the speed of light to study the fiery origins of the universe, lost power and shut down.

“There must have been a big flame,” said Kees Moeliker, the director of the Natural History Museum in Rotterdam and the man behind its Dead Animal Tales exhibit, where the preserved marten is now displayed.

“It was scorched. When you’re not really careful with candles and your hair, like that,” he explained. “Every hair of this creature was kind of burned and the whiskers, they were burned to the bare minimum and especially the feet, the legs, they were cooked. They were darker, like roasted.”

“It really had a bad, bad encounter with this electricity.”

Chip Hitchcock adds, “Marten furs were once sufficiently tradable that Croatia’s currency, the kuna, takes its name from the Croatian word for the beast.“

(7) YOUNG PEOPLE READ OLD SFF. James Davis Nicoll turns the panel loose on Roger Zelazny’s “A Rose for Ecclesiastes”.

I selected 1963’s A Rose for Ecclesiastes for a few reasons. The least important is because I only recently read it myself (the story kept coming up in the context of a grand review project of mine and I got tired of admitting over and over again that I had not read it.). Another is its historical significance: this is one of the last SF stories written before space probes showed us what Mars was really like. The final reason is this story was nominated for a Hugo and I am hopeful that the virtues the readers saw a half century ago are still there.

Let’s find out!

(8) THE FOUNDER. Selected writings by Hugo Gernsback have been compiled in The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction, edited by Grant Wythoff. The book was published in November by the University of Minnesota Press.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies.

…The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

Bruce Sterling gives the book a powerful endorsement:

Grant Wythoff’s splendid work of scholarship dispels the dank, historic mists of a literary subculture with starkly factual archival research. An amazing vista of electronic media struggle is revealed here, every bit as colorful and cranky as Hugo Gernsback’s pulp magazines—even the illustrations and footnotes are fascinating. I’m truly grateful for this work and will never think of American science fiction in the same way again.

(9) SARAH PRINCE. The family obituary for Sarah Prince, who died last month, appeared in the Plattsburgh (NY) Press-Republican.

Sarah Symonds Prince (born July 11, 1954) died unexpectedly of congestive heart failure in late January in her Keene Valley home. A long time resident and well-loved community member, she was active in the Keene Valley Congregational Church choir and hand bell choir, the town community garden program; she was a former member of the Keene Valley Volunteer Fire Department.

Sarah was an avid photographer and a ceramic artist, and a freelance graphic designer. She was an influential member of the science fiction fan community and publisher (in the 1980s/90s) of her own fanzine. Sarah enjoyed going to interesting places whether around the corner or halfway around the world. She loved the many dogs and cats that were constant companions in her life.

Born in Salem, Mass., Sarah was the third child of David Chandler Prince Jr. and Augusta Alger Prince. She grew up in Cincinnati, Ohio, where she graduated from Walnut Hills High School. Sarah’s love of Keene Valley, N.Y., follows family ties that date back four generations as regular summer visitors.

Sarah graduated from the Ohio State University with a BFA degree. She trained in print layout and typesetting and worked in typesetting, layout and graphic arts for several publications, including Adirondack Life from 1990-93, a job which brought her to live full-time in Keene Valley. A deep curiosity about technology and a sustainable world led Sarah to Clinton Community College to study computer technology and earn an Environmental Science AA degree in May 2016.

Sarah lived with disability from mental illness and substance abuse for many years. She worked to raise awareness and understanding of the challenges faced by herself and others. She positively touched many who were also struggling.

Sarah is survived by her mother, Augusta Prince of Hanover, N.H.; four siblings, Timothy Prince, Catharine Roth, Charlotte Hitchcock, and Virginia Prince; seven nieces and nephews; and six grand nieces and nephews.

Donations in her memory can be made to North Country SPCA or the Keene Valley Library. Arrangements have been entrusted to Heald Funeral Home, 7521 Court Street, Plattsburgh, N.Y. To light a memorial candle or leave an online condolence please visit http://www.healdfuneralhomeinc.com

(10) TODAY IN HISTORY

  • February 2, 1882 – James Joyce is born .

And that reminds John King Tarpinian of a story:

Sylvia Beach, owner of the bookstore Shakespeare and Co. in Paris, published the novel herself in 1922, but it was banned in the United Kingdom and in the United States until 1933.  Every July Ray Bradbury and his family would vacation in France.  Ray would always visit Shakespeare and Company.  The bookshop would make sure they had a book that Ray wanted, such as first editions of Jules Verne.

(11) CREEPTASTIC. Dread Central reports “Zak Bagan’s Haunted Museum to feature ‘one of the most dangerous paranormal possessions in the world’” — Peggy the Doll.

Excited about visiting Zak Bagans’ Haunted Museum when it opens? Of course you are! This latest story though… this latest addition to Zak’s house of madness? Well, it’s going to be up to you whether or not you take your chances and take a look.

Zak has just informed us exclusively that he’s now in possession of the infamous “Peggy the Doll,” which he obtained from its previous owner, Jayne Harris from England. Featured on an episode of his series “Deadly Possessions,” Peggy is not for the faint of heart. It’s said you can be affected by Peggy by just looking at her… in person or in photos. As a result “Deadly Possessions” aired the episode with a disclaimer for viewers: a first for both the show and the paranormal in general.

(12) BUNK. Jason Sanford muses about “An alternate history of alternative histories”:

Ironically, the last book my grandfather read was edited by Poul Anderson, one of our genre’s early authors of alternate histories. Anderson’s Time Patrol stories, where valiant time travelers ensure history stays on its “correct” timeline, are an integral and fun part of SF’s long tradition of time travel fiction focused on keeping history pure. He also wrote a famous series of alternate history fantasies called Operation Chaos, originally published by The Magazine of Fantasy and Science Fiction in the 1950s. In these stories World War II was fought between completely different countries with magical creatures such as werewolves and witches.

Of course, Anderson’s stories of time travelers keeping the timeline pure and correct seem a little simplistic today, just as historical narratives today are far more complex than they were decades ago. I think this is partly because most historians now recognize how imprecisely history is recorded. History as it is written can even be called the original version of the alternate history genre, where the story we’re told deviates from what really happened.

After all, history is written by the victors, as the cliche states. Which means much of what happened in the past is left out or altered before history is recorded. And even the victors don’t name all the victors and don’t celebrate all their victories and deeds.

Theodore Sturgeon famously said that “ninety percent of everything is crap.” This applies equally to history as we know it — including the history of the alternate history genre.

(13) WHITE FLIGHT. Andrew Russell and Lee Vinsel, in “Whitey on Mars”, ask if Elon Musk’s Martian proposals are part of a dream by rich and powerful people to further isolate themselves from the masses. (The title references Gil Scott-Heron’s 1970 “Whitey on the Moon.”)

Musk insists that humans in fact ‘need’ to go to Mars. The Mars mission, he argues, is the best way for humanity to become what he calls a ‘space-faring civilisation and a multi-planetary species’. This otherworldly venture, he says, is necessary to mitigate the ‘existential threat’ from artificial intelligence (AI) that might wipe out human life on Earth. Musk’s existential concerns, and his look to other worlds for solutions, are not unique among the elite of the technology world. Others have expressed what might best be understood as a quasi-philosophical paranoia that our Universe is really just a simulation inside a giant computer.

Musk himself has fallen under the sway of the Oxford philosopher Nick Bostrom, who put forward the simulation theory in 2003. Bostrom has also argued that addressing ‘existential risks’ such as AI should be a global priority. The idea that Google’s CEO Larry Page might create artificially intelligent robots that will destroy humanity reportedly keeps Musk up at night. ‘I’m really worried about this,’ Musk told his biographer. ‘He could produce something evil by accident.’

These subjects could provide some teachable moments in certain kinds of philosophy classes. They are, obviously, compelling plot devices for Hollywood movies. They do not, however, bear any relationship to the kinds of existential risks that humans face now, or have ever faced, at least so far in history. But Musk has no connection to ordinary people and ordinary lives. For his 30th birthday, Musk rented an English castle, where he and 20 guests played hide-and-seek until 6am the following day. Compare this situation with the stories recounted in Matthew Desmond’s book Evicted (2016), where an entire housing industry has arisen in the US to profit from the poverty of some families, who often move from home to home with little hope of ever catching up, let alone getting ahead.

(14) COMIC SECTION. Martin Morse Wooster says, “I think today’s Prickly City expresses the dreams of many Filers.”

(15) ANOTHER COUNTRY HEARD FROM. When the next Doctor Who is chosen, one party thinks someone besides a human deserves consideration: “New Doctor Who should be a Dalek, say Daleks”, at The Daily Mash.

The Skaro natives have petitioned the BBC for ‘better representation’ from a show which has historically ‘erased and demonised’ their proud race.

The Supreme Dalek said: “It’s not the 1960s anymore. These narratives about heroic Gallifreyans saving humanoids from extermination are outdated and offensive.

“My son is an eight-year-old New Paradigm Dalek and his eyestalk droops whenever he turns on his favourite show to see that yet again, the Daleks are the baddies.…

(16) WHEN ROBOTS LAY DOWN ON THE JOB. Fynbospress told Mad Genius Club readers about running into a wall while using Word:

Interesting quirk I learned recently on MS Word. Say you have a MilSF novel, and you haven’t added the last names, planets, etc. to the customized dictionary (So they all show as a spelling error). As you’re reading through, it pops up a window saying “there are too many spelling errors in this document to show.” And promptly cuts out the red spelling and blue grammar lines.

(17) INFERNO. JJ says, quite rightly, this photo of the West Kamokuna Skylight in Hawaii resembles sculpture of bodies being sucked into hell.

If lava has the right viscosity, it can travel across a landscape via channels. The lava either forms the channels itself or uses a preexisting one. Along the same vein, lava tubes are essentially channels that reside underground and also allow lava to move quickly. Tubes form one of two ways. A lava channel can form an arc above it that chills and crystallizes, or an insulated pahoehoe flow can have lava still running through it while outer layers freeze. Lava tubes, by their nature, are buried. However, skylights form when the lava tube collapses in a specific area and allow one to see the flow inside the tube. Tubes can collapse completely and become channels, drain out, or get blocked up.

(18) FROM BC TO DC. CinemaBlend thinks the critical success of the DC Extended Universe hinges on the forthcoming Wonder Woman movie.

While Batman v Superman: Dawn Of Justice struggled to please critics, most agreed that Gal Gadot’s performance as Wonder Woman was one of its few shining lights. It’s hoped that the opportunity to explore the character even more, as well as take a peak at her origin story, will help to propel the DC Extended Universe forward, especially considering all of its recent troubles regarding both its releases and the films it has in development.

 

💛 💛 💛 #wonderwoman @WonderWomanFilm

A post shared by Gal Gadot (@gal_gadot) on

(19) I’M OUT. It may look like a chocolate chip thumbscrew, but it’s Dunking Buddy!

why_cookie_tray_medium

What if there was an easier, cleaner, more enjoyable way to enjoy dunking cookies in milk. Well the world is finally in luck, and based on the response so far, it couldn’t have come sooner! Two cookie dunking lovers, like so many others out there, took it upon themselves and created a cookie dunking device that does just that!

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Moshe Feder, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

 

Pixel Scroll 1/19/17 She’s Got Electric Trolls, A Pixel Scroll

(1) READING ROPEMAKER IRONMONGER. At Young People Read Old SFF, James Davis Nicoll has turned the panel loose on Cordwainer Smith’s “The Ballad of Lost C’Mell”

Smith’s best known work is set several thousand years in the future, when humans have colonized the galaxy under the benevolent or at least firm hand of the Instrumentality. For humans, it’s a utopia. For the artificial Underpeople, created to serve humans and without any rights at all, it is not. “The Ballad of Lost C’Mell” was deemed worthy of inclusion in The Science Fiction Hall of Fame, Volume Two, which honored noteworthy stories denied a shot at the Nebula Award because they predated that award. How does it stand up in the eyes of my young readers?

Here’s your first clue – I say, “Fire the panelists!”

(2) WRITING BUSINESS. Kristine Kathryn Rusch analyzes the summary business reports for 2016 and extracts the nuggets for indie writers. This is just one of many —

Readers still go to bookstores, yes, and some readers will go to the brick-and-mortar store first. But most readers go online first, even if they choose not to order the book there.

There’s an interesting piece from The International Council of Shopping Centers (which I found through the Marketing Land article). On January 3, the International Council of Shopping Centers released the results of a survey conducted after the holiday season ended. The survey had a relatively small sample size (1030 adults) , but the findings seemed to be backed up by the other data that’s coming in.

The survey found that 70% of the shoppers surveyed preferred shopping at a place with an online and a physical presence. That number was even higher for Millennials—81%. Part of the reason was the ability to compare prices, but some of it was—again—convenience. Since most shoppers waited until the last minute in 2016 to shop, they ended up looking online to see if what they wanted was at a store, and then they went to the store to pick it up.

Sixty-one percent of the people who went to the store to pick up the item they purchased online bought something else at that store (75% of Millennials.) Why am I harping on Millennials? Because they are the future of the next decade or so of retailing.

(And, like it or not, writers, you’re in the retailing business when it comes to getting your books in the hands of consumers.)

This, my friends, is why Amazon is opening brick-and-mortar bookstores. Because they’re seeing similar statistics, and they understand, perhaps better than any of us, that the consumer wants a blended experience.

(3) GAINING FAME. Matthew Kressel of Fantastic Fiction at KGB reveals “How to Run a (Successful) Reading Series” at Tor.com.

Give the Authors Something for Their Time

Let’s face it, even though the author is getting lots of free promotion by reading at your series, they still have to make the effort to travel to your city, book a hotel, and get to the event on the day itself. The absolute least you can do is give them something for their time. (Simply “allowing” them to read for you is not enough). Give them a stipend/honorarium. Buy them drinks and/or dinner. Give your guests something to show them that you appreciate their time and effort.

Promote the S**t Out Of Your Events

It goes without saying that in today’s glut of media, you have to rise above the noise to be heard, especially if you’re just starting out. Establish a social media presence. Make a website. Tweet, Facebook, Tumblr, and G+ the s**t out of your readings. Create an email list. Make a Facebook event. Ask the bar/venue to put it up on their website. Leave no promotional stone unturned. It will be really hard for people to come to your reading if they don’t know about it.

(4) HEAD FOR THE BORDERLANDS. Two signings coming up at Borderlands Books in San Francisco:

  • Laura Anne Gilman, THE COLD EYE (Hardcover, Saga Press, $27.99) on Sunday, January 22nd at 3:00pm
  • Ellen Klages, PASSING STRANGE (Trade Paperback, Tor.com, $14.99) on Saturday, January 28th at 3:00pm

(5) LITERARY HISTORY. You can bid on eBay for a copy of the issue of Mademoiselle containing Ray Bradbury’s first mainstream publication. And the story gets even better —

I believe that this will be one of the rarest and coolest Ray Bradbury collectibles you will see on ebay this year. In 1946, a year before the publication of Bradbury’s first book, Ray was just starting to break out of publishing only in the pulps and weird fantasy magazines and gain some traction with more highly respected mainstream publications. He submitted his classic story Homecoming to Mademoiselle magazine but it sat in their offices for months without being read. Truman Capote, then working at the magazine as an editorial apprentice, came across the story, loved it, and passed it along to his editor. This was not a typical story for Mademoiselle. So, amazingly enough, Bradbury found himself working closely with the magazine’s staff as the story became the centerpiece for a supernatural Halloween themed issue. Even the fashion spreads reflect the ghoulish theme. It is slightly bizarre. The story is accompanied with a double page Charles Addams illustration, the same picture that is ultimately used as the Cover of From The Dust Returned. Although the image there was flipped to accommodate the book jacket, so the picture in the magazine is as the artist originally intended….

So why do you almost never see one of these come up for sale? Keep in mind that this came out the year before Ray’s first book was published. Even if you were an avid Bradbury fan (and at this time there were few of them) and were on the lookout for Ray stories you are not going to look at Mademoiselle magazine, especially since Ray’s name is not on the cover. And who is going to hold onto this for 70 years? At 325 pages it is a tome. Women do not generally collect things like this, so most of these were probably discarded early on. These magazines are almost the definition of disposable. Try to find this anywhere at any price.

(6) THOSE WEREN’T THE DAYS MY FRIEND. The Traveler at Galactic Journey warns against reading the February 1962 Analog – advice most of you should find easy to follow: “[January 19, 1962] Killing the Messenger (February 1962 Analog)”

The problem is Analog’s editor, Mr. John W. Campbell.  Once a luminary in the field, really hatching an entire genre back in the late 30’s, Campbell has degenerated into the crankiest of cranks.  And since he offers 3 cents a word for folks to stroke his ego, he necessarily gets a steady stream of bespoke stories guaranteed to be published.

Want to know the secret to getting printed in Analog?  Just include psi powers and a healthy dose of anti-establishment pseudo-scientific contrarianism, and you’re in like Flynn.

Case in point: this issue’s lead story, The Great Gray Plague, by Raymond F. Jones.  Never have I seen such a cast of straw men this side of a cornfield.  The setup is that the snooty head of a government agency that oversees science grants refuses to consider the bucolic Clearwater College as a candidate because they rank so low on the “Index.”  Said “Index” comprises a set of qualifications, some reasonable like the ratio of doctorates to students and published papers per year, to the ridiculous like ratio of tuxedoes to sport coats owned by the faculty and the genetic pedigree of the staff.  Thus, the “Index” serves as a sort of Poll Tax for institutions, making sure only the right kind remain moneyed.  The Dean of Clearwater makes an impassioned argument to the government employee that such a narrow protocol means thousands of worthy scientists and their inventions get snubbed every year in favor of established science.

(7) TODAY IN HISTORY

  • January 19, 1990 — Natives of a small isolated town defend themselves against strange underground creatures in Tremors, seen for the first time on this date. The official scientific name of the Graboid worm is “Caederus mexicana“.
  • January 19, 1996  — Quentin Tarantino and Robert Rodriguez team up for From Dusk Till Dawn.

(8) TODAY’S BIRTHDAY BOY

(9) GREAT NEWS ABOUT GOOD OMENS. Coming to Amazon Video, SciFiNow reports “Good Omens TV series confirmed, Neil Gaiman will write every episode”.

It was confirmed last year that Neil Gaiman was working on a TV adaptation of his and the late Sir Terry Pratchett’s classic novel Good Omens, and now there’s some big news to get excited about.

Variety reports that Amazon has greenlit a six-episode series, and that Gaiman himself has written every script and will serve as showrunner.

So, that’s pretty brilliant.

Because of the tragic logistics of how long things actually take to get made, we won’t see Good Omens until 2018, but this is truly wonderful news.

Good Omens will be a co-production with the BBC and Rhianna Pratchett’s production company Narrativia, and it will air on the BBC after launching on Amazon Video.

This adaptation will be “set in 2018 on the brink of an apocalypse as humanity prepares for a final judgment. But follies ensue — Aziraphale, a somewhat fussy angel, and Crowley, a demon aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist.”

(10) PATROLLING THE BEAT. Hey there, what’s that sound, everybody look what’s going down: “So Long, Mall Cop! Enter Silicon Valley Start-Up’s Robot Guards”.

The mall cop is going to have some company. Silicon Valley start-up Knightscope believes its security robots can help take a bite out of the crime that costs the American economy $1 trillion every year. Knightscope CEO William Santana Li says his robots are already on duty in several key California locations including the Sacramento Kings arena, the Microsoft campus and Westfield Valley Fair in San Jose. The robots are designed to detect and report anomalies, which help existing human security personnel perform better and stay safer.

Francis Hamit comments: “This will actually make human security officers more effective since it will increase their range. They have several accounts now in California and are raising additional funds through a Regulation A+ offering on their website. I bought some shares myself Yeah, it still looks like a Dalek. but they are not weaponized. They come in peace…”

(11) NO, I WON’T JUST SIT BACK AND ENJOY IT. Kate Paulk repeats a favorite talking point in “Making History is Messier than you Thought” at Mad Genius Club.

The forces that have dominated civil (or uncivil) discourse of late are in the process of losing what was once a near-absolute grip on public expression, and they don’t like it. This is showing up in the Big 5 versus Amazon rolling arguments, the repeated attempts to delegitimize and other all things Indie, the Sad Puppies campaigns (and yes, the Rabids as well. Had the reaction to Sad Puppies 2 been less vitriolic, the whole thing would have likely faded off and been forgotten by now. Instead, well… Take note, folks. If you don’t like something, the best way to deal with it is to politely ignore it and let it rise or fall on its own merits. If it really is as bad as you think, it will sink. Of course, if there’s manipulation behind the scenes that’s a whole nother argument).

(12) ANIMATED LOVECRAFT. “Mark Hamill, Christopher Plummer Lead Voice Cast of ‘Lovecraft’ Feature”Deadline has the story.

Mark Hamill, the beloved Star Wars actor, is taking a little time out to voice an animated Lovecraft feature. He, along with Jeffrey Combs (Transformers Prime), Christopher Plumme and Doug Bradley (Hellraiser) have been set for the voice cast in the upcoming animated feature Howard Lovecraft and the Undersea Kingdom from Shout! Factory and Arcana Studios. Written, directed and produced by Sean Patrick O’Reilly, the film is the adaption of Bruce Brown and Dwight L. MacPherson’s bestselling graphic novel of the same name, and marks the second installment of Howard Lovecraft animated film series.

(13) THE PLOTS HATCH. Tor.com’s Natalie Zutter, in “Disney All But Confirms Shared-Universe Fan Theories With Pixar Easter Eggs Video”, explains why you should watch it.

That is, by going super granular—freeze-framing and then panning over to a background character (or image) that you may not have noticed on first viewing, then jumping over to the movie it references. From Inside Out‘s Riley peering into the aquarium in Finding Dory to the shadow of Up‘s Dug chasing Remy in Ratatouille two years before the former came out… or even Skinner’s bright red moped showing up in the scrap pile in WALL-E… this is an Easter egg video to the nth degree.

 

[Thanks to JJ, Francis Hamit, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]