Pixel Scroll 6/18/17 ‘Twas Pixel And The Filey Scrolls Did Fifth And Godstalk ‘Neath The Wabes

(1) FILIAL PROS. “For Father’s Day, 9 famous writer dads and their awesome authorial offspring” – the LA Times feature includes a segment on Stephen King, and sons Joe Hill and Owen King.

Bookwürms.

A post shared by Joe Hill (@joe_hill) on

(2) BAD MARVEL DADS. Hidden Remote considers “Who is the worst dad in the Marvel Cinematic Universe?”

Before we break down who the worst dad is, let’s give an honorable mention and round of applause to the very few awesome fathers and father-figures in the MCU!

  • Uncle Ben — He didn’t only step up and raise Peter to be good and kind, but he also taught us all that “With great power, comes great responsibility.”

And the winner (loser?) as worst dad? It’s a tie!

Guys, this one is a toss up. Ego and Thanos are both so terrible, we’re not sure which is the most wicked. But, personally, I believe Ego is the worst of the worst.

(3) WISCON REPORT. Claire Light at Literary Hub tells what it was like “At the World’s Preeminent Feminist Speculative Fiction Convention”.  

The way this 5-day, 1000-attendee, multigenerational festival plays out is not quite what you might expect from a bunch of futurist nerds. Public bathrooms (separated genders—to be determined by the user—and all-gender bathrooms alike) have bottles of Dr. Bronner’s at each sink, for the chemically sensitive. The convention reserves a quiet place for those with a tendency to become overwhelmed by sensory input, as well as “safer spaces” dedicated to trans/genderqueer people, people of color, and people with disabilities. WisCon’s accessibility policies are a model of thoughtfulness.

…Other events founded at WisCon and becoming convention staples include the Floomp, an annual queer dance party, which started out seven years ago as “The Gender Floomp” to bring a new generation of queer and genderqueer issues to the forefront in a fun and celebratory way. As WisCon has come to increasingly demarginalize queerness, the Floomp has been folded into the traditional social programming of the convention and is now its primary and most popular party.

There’s also the POC dinner, once a table for 11 at a restaurant, and now an annual organizational headache for short story writer and Angry Black Woman blogger Tempest K. Bradford, who has to find a room to fit nearly 10% of the convention’s attendees every year. And last year, a group of Asian attendees got shabu shabu together; as they’ve already repeated the dinner once, it’s already well on its way to becoming a new tradition.

(4) CARRYING A TUNE. Charlie Jane Anders speaks from firsthand experience about “The Wild Magic of Karaoke” at Tor.com.

And yes, if you can’t sing at all, that just means more wild spoken-word stylings. Take a page from the master of songcraft, William Shatner, whose singing ability remains somewhat theoretical but who has recorded the definitive renditions of countless songs at this point.

The point is, karaoke is magic. It’s taking songs that we all know, and turning them into something ephemeral and wonderful and frequently a bit bizarre. Karaoke is a chance for everybody to expose his or her own inner avant-garde pop diva, and let the musical insanity burst out for everyone to see.

When I was teaching Clarion West back in 2014, I had some amazing times with my students, and I like to think we bonded a lot in general—but I really didn’t get to know them, and discover the full range of their personalities, until we went to this weird nautical-themed karaoke bar where half the decorations were mermaids and the other half were signs explaining that the bartender didn’t need to put up with your s—-t. Some of science fiction’s most promising new writers busted out with renditions of Lady Gaga, Madonna, and The Cars that stay with me to this day.

(5) WHAT ATWOOD THINKS. While authors always have opinions about adaptations of their work, they’re not always willing to talk about them publicly – here’s a rare instance: “‘The Handmaid’s Tale’: Margaret Atwood on the 5 Biggest Differences Between the Book and the TV Series”.

Her Name Is June

In the novel, the heroine is given the name “Offred” by her captors at the Red Center, where fertile women are retrained to be Handmaids: breeders who are assigned to the ruling families in the hopes of bringing new babies into this fertility-challenged world. That name translates as “Of Fred,” the identity of the man whose home she lives in, and who rapes her on appointed nights every month. We are pointedly never told Offred’s pre-Gilead name. For the show, Miller made the conscious choice to give Offred a distinct identity for the flashbacks to the era before America fell and picked the name June, confirming a long-held fan theory.

Atwood says: “The readers have already decided that’s her name, and who am I to disagree with them? It wasn’t in my mind, but there wasn’t any other name in my mind either. It fits because in the first chapter, the women exchange names and all those names show up again later on except June. So by default that would have to be her name! That’s a pretty good deduction and I’ll go with that. This is June, and she really does have an identity; it’s forbidden, but it’s there. I’ve told fans before, if it works for you, go for it.”

(6) IX GALLERY. “IX Gallery Opens Its Virtual Doors”. Gallery’s inaugural online art show just went live on Thursday. This first show is exhibiting about 120 pieces of art from some of the most recognizable SF&F artists working today. It appears that they have already sold 3 pieces of artwork since Thursday afternoon.

The IX Gallery Inaugural Show runs June 15-August 14.

IX Gallery, a division of IX Arts, is the first online-only gallery dedicated exclusively to contemporary imaginative realism. As a natural extension of IX’s reach and solidly established inspiration value, this year-round effort is designed to provide gallery curation and structure in an online-only environment that allows for the widest possible access while reducing the burden on artists for participating.

It is structured like a normal gallery – rotating shows that are a combination of group and solo efforts, rather than a constant online inventory or catalog, and we do not “rep” any of the artists in the show. Everything is handled on a show-by-show basis to allow the artists maximum flexibility in their participation.”

Click for a list of coming Exhibitions. These artists are listed as part of the inaugural show.

Linda Adair, Samuel Araya, Julie Bell, Shaun Berke, Brom, Armand Cabrera, Jeremy Caniglia, Dan Chudzinski, Kinuko Y. Craft, Felipe Echevarria, Bob Eggleton, Craig Elliott, Jody Fallon, Scott Fischer, Teresa N. Fischer, Marc Fishman, Annie Stegg Gerard, Justin Gerard, Donato Giancola, Lars Grant-West, Rebecca Guay, John Harris, Michael C. Hayes, James Herrmann, Richard Hescox, Stephen Hickman, Greg & Tim Hildebrandt, Greg Hildebrandt, Luke Hillestad, Patrick Jones, Rich Klink, J. Anthony Kosar, Jota Leal, Vanessa Lemen, Don Maitz, Gina Matarazzo, Matt Mrowka, Aaron Nagel, Tran Nguyen, Ryan Pancoast, Lucio Parrillo, Colin & Kristine Poole, Colin Poole, Mark Poole, Rob Rey, Tooba Rezaei, Forest Rogers, Laurence Schwinger, Dave Seeley, Hajime Sorayama, Matthew Stewart, Bryan Mark Taylor, Vince Villafranca, Chet Zar, and Dariusz Zawadzki.

(7) ON EXHIBIT IN LONDON. “‘Anime Architecture’: windows on dystopia” is En Liang Khong’s review in Financial Times of Anime Architecture: Backgrounds of Japan , an exhibit at the House of Illustration in London that has lots of illustrations for cyberpunk anime movies, including Ghost in the Shell, Patlabor: The Movie, and other examples of “real-kei”, “where futurity is set in counterpoint with realism.”

Anime Architecture at London’s House of Illustration traces the production design behind these cyberpunk anime — “noir” films reimagined for the future — in which specialist artists pioneered a visual language that drew on the booming Asian megacities of the early 1990s in order to broadcast a vision of future dystopias.

But the future is fleeting, constantly outdated by our own shifting socio-political fears and dreams. Wandering through the rooms of Anime Architecture is a reminder of how quickly visions of the future can become old, spooky and elegiac. And there is poignancy to these images: the artists represented here come from the last generation of Japanese animators who still believed in drawing by hand.

(8) COHEN OBIT. Morton Norton Cohen (1921-2017), an American author and scholar, hdied June 12. He was a Professor Emeritus of the City University of New York. He is best known for extensive studies of children’s author Lewis Carroll including the 1995 biography Lewis Carroll: A Biography.

(9) MEADOWS OBIT. Author Patrick Meadows (1934-2017) died April 22. A graduate of Florida State University with a Degree in English, he had lived in Majorca since 1969. His first published story, “Countercommandment” appeared in Analog in 1965. His other four published stories appeared in Fantasy & Science Fiction later in the Sixties, and three of them have been digitized and made available on his website. [Via Gordon Van Gelder.]

(10) TODAY IN HISTORY

  • June 18, 1983 — Sally Ride became the first American woman in space.

(11) SHY. Wil Wheaton – a star on the outside, is still a shy guy on the inside.

(12) HOL-RY COW! Screenwriter James Gunn told his Facebook followers that “‘Scooby-Doo’ wasn’t supposed to be a kids’ movie”.

Gunn added the film would have looked completely different if he had it his way.

“And yes, the rumors are true — the first cut was rated R by the MPAA, and the female stars’ cleavage was CGI’d away so as not to offend,” he wrote. “But, you know, such is life. I had a lot of fun making this movie, regardless of all that. And I was able to eat, buy a car, and a house because of it.”

(13) READY, AIM. The Traveler from Galactic Journey tweets an ad from 1962.

(14) VISITING THEIR FUTURE. By the way, here is a photo of Professor Elliott and The Traveler from their visit to Wondercon.

(15) BEAUTIFUL MACHINES. “If memory serves me correctly (and it alas doesn’t always),” says Cat Eldridge, “Gibson typed Neuromancer on a typewriter.” Snopes suggests the old technology still has appeal — “Call it a Comeback: Old-School Typewriters Attract New Fans”.

Typewriter enthusiasts gather at an Albuquerque restaurant to experiment with vintage Smith Coronas. Fans in Boston kneel in a city square and type stories about their lives during a pro-immigration demonstration. A documentary on typewriters featuring Tom Hanks and musician John Mayer is set for release this summer.

In the age of smartphones, social media and cyber hacking fears, vintage typewriters that once gathered dust in attics and basements are attracting a new generation of fans across the U.S.

From public “type-ins” at bars to street poets selling personalized, typewritten poems on the spot, typewriters have emerged as popular items with aficionados hunting for them in thrift stores, online auction sites and antique shops. Some buy antique Underwoods to add to a growing collection. Others search for a midcentury Royal Quiet De Luxe — like a model author Ernest Hemingway used — to work on that simmering novel.

(16) ATARI RISES AGAIN. But Rhett Jones at Gizmodo says “Atari’s New Console Sounds Like a Bad Idea”.

“We’re back in the hardware business,” Atari’s CEO Fred Chesnais told VentureBeat in an interview at E3 2017. Beyond that, Chesnais offered no other information aside from saying it will be based on “PC technology” and that it will be revealed at a later date. The teaser video claims that the “Ataribox” is a “brand new Atari product years in the making.”

This is the online ad that triggered Jones’ article.

The ad reminds John King Tarpinian “In the first Bladrunner movie there was an ATARI Fuji logo-shaped building in the city.”

(17) A TOUCH OF HARRY IN THE NIGHT. For those of you near Pasadena, here’s something for you to do September 9 — “Eat See Hear Outdoor Movie: Harry Potter & The Sorcerer’s Stone”. Food trucks. Dogs welcome.

“It takes a great deal of bravery to stand up to our enemies, but just as much to stand up to our friends.”

This is the tale of Harry Potter, an ordinary 11-year-old boy who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Hagrid, the grounds keeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined.

(18) BESTSELLING TOY PREDICTED. The generations have run from Chatty Cathy to Prattling Peter: “Sphero’s Adorable Spider-Man Toy Will Make You Forget BB-8”.

Rumored in late March, the app-enabled superhero was officially unveiled this morning with a video that reveals what’s essentially a chatty Amazon Echo (“Alexa!”) with Peter Parker’s attitude and sense of humor.

Featuring emotive LCD eyes, not unlike the mask in Spider-Man: Homecoming, this adorable little wall-crawler (it’s about 9 inches tall) has its own Spider-Sense, enabling it to detect and react to movement. He can tell jokes, relate stories, wake you up and even patrol for “intruders.” More intriguing, perhaps, is that Spider-Man can talk kids through more than 100 storylines, and allow them to make their own plot-altering decisions in a Choose Your Own Adventure fashion. Don’t worry about running out of stories, though, as Sphero plans to add more through the device’s web connection.

(19) MINDGAMERS TRAILER. Here’s your grim future. Or is it present?

[Thanks to John King Tarpinian, Martin Morse Wooster, Sean R. Kirk, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jabberin’ Joe H.]

Pixel Scroll 6/11/17 To Your Scattered Pixels Scroll

(1) NATIVE AMERICAN COMICS STORE. Red Planet Books and Comics opened June 3 — “Unique Native American comic book store opens in Albuquerque”.

The idea for the store started in October.

“I kept walking by. I was like, is this shop being used at all? They’re like, no, and I was like, well maybe we might want to do something with that,” [owner Lee] Francis said.

He had already launched Native Realities to publish indigenous comic books.

Now, the company has a storefront for that work, along with other stories of Native American superheroes.

“Because we’re here in Albuquerque, we have such a high population of Native folks. My family’s from the Pueblo of Laguna,” he said.

Tales of the Mighty Code Talkers is one of Native Realties’ comics.

Based on the true stories of the Native American Code Talkers this incredible graphic novel features nine original stories by Native American artists and writers documenting the heroic tales of Code Talkers from World War I through Korea. The graphic novel also features a history of the Code Talkers and a lesson plan for teachers who wish to use the book to teach students about the struggle and accomplishments of these Native American heroes.

(2) STILES MEDICAL UPDATE. Fan artist Steve Stiles writes about his medical treatment: “The news is that I have a tumor in my right lung and that there’s a 70% chance (doctor’s words) that it’s cancer. I’m going in for a PET scan on the 14th and a biopsy on the 20th, probably followed by surgery shortly after that.”

Steve says, “I wouldn’t mind having friends know. I think they’ll have caught in time; it certainly came on me quickly.”

(3) INEXPLICABLY THEY ARE NOT DISCOURAGED. Variety asks “Poll: Which ‘Dark Universe’ Movie Are You Most Excited For?”

Though reviews for “The Mummy” have been unfavorable and box office tracking is far from through the roof, the studio hasn’t said it will slow down on its planned monster universe. The films will mine from Universal’s vault of monsters –Dracula, Frankenstein, Invisible Man, etc. — and reboot them for movies in the next few years.

Aside from “The Mummy,” “Bride of Frankenstein” is the only planned movie to be dated thus far, to be released on Feb. 14, 2019. “The Invisible Man” and “Frankenstein” have already nabbed stars in Johnny Depp and Javier Bardem, respectively. Angelina Jolie has been linked to the lead role in “Bride of Frankenstein,” but has yet to officially sign on. A new musical theme for the “Dark Universe,” composed by Danny Elfman, will debut in theaters ahead of “The Mummy.”

(4) IT’S ON THE COVER. I learned a bunch of things I didn’t know before about licensing cover art from Amanda S. Green’s column “Think before hitting enter” at Mad Genius Club.

If you go to Amazon and browse through the various genres, you will sooner or later come across covers that are the same or close to the same. This happens because most indies license their cover art elements from sites like Dreamstime or Adobe Stock. It’s a cheap way to find good art that fits the genre. The danger is you are only licensing the artwork and not buying it. That means others can license it as well.

(5) GREEN SCREEN. Luxury Daily comments on an unusual ad campaign: “Gucci unveils science fiction-flavored teaser for fall/winter 2017”. Will they clean up in the marketplace?

The designs are eclectic and strange

The “Clevercare” video series celebrated Earth Day April 22 with tips for how to maintain Stella McCartney clothes and ways to minimize a consumer’s carbon footprint. The six-part series takes an unconventional approach for most luxury brands by making the films highly comedic in nature (see story).

Gucci’s campaign, curious as it is, is evocative and stands out from typical high-fashion marketing. It taps into a wealth of imagery almost never aligned with luxury: the golden age of cheap ’50s science fiction movies.

“The risk of positioning an ad campaign with a surrealistic humorous bent, such as the new Gucci campaign, may find their current clientele and desired target audience consider it off brand and or too bizarre to waste time trying to figure out the message or how to relate,” Ms. Miller said. “Any strategy, if not well thought out against the DNA of a brand, may suffer if the subsequent intent is not executed well.

“Taking a stand of being different simply to be different may be a slippery slope. Viewers may be so distracted by the obscure that they remember neither the brand nor its intended message.”

(6) TODAY IN HISTORY

  • June 11, 1982E.T.: The Extra-Terrestrial released. “More legs than Harlan’s A Boy and His Dog,” says John King Tarpinian offering a unique viewpoint. So to speak.

(7) TODAY’S BIRTHDAYS

  • Born June 11 — John Mansfield

(8) COMIC SECTION. John King Tarpinian points to Bizarro artist Dan Piraro’s Batman eulogies. His weekly cartoon for June 11 is another.

John also recommends this baseball-themed sff reference from Steve Moore’s In The Bleachers.

(9) TBR THIS SUMMER. The Washington Post’s Summer Reading 2017 feature recommends Borne by Jeff VanderMeer, George Saunders’ Lincoln in the Bardo, and Norse Mythology by Neil Gaiman.

(10) BINGO. Here’s a robotic Tingle title mashup.

(11) SAY IT AIN’T SO. No Star Trek beyond Star Trek Beyond? “Star Trek: ‘no guarantee’ of another film says Zachary Quinto” at Den of Geek.

Even though Paramount Pictures got moving on a further Star Trek outing just as Star Trek Beyond was docking in cinemas last year, the incumbent Spock, Zachary Quinto, has played down just a little talk of a further film.

Star Trek Beyond ultimately grossed $343m in cinemas worldwide, over $100m down on the takings for Star Trek Into Darkness. Critically, it fared better, and Star Trek is heading back to the small screen in the next 12 months, with Star Trek Discovery.

But whilst we’d been promised another screen adventure, one that would bring Chris Hemsworth back alongside Chris Pine, there’s been not a great deal of progress since that was first mooted last July. And now Quinto, whilst confirming that a new film is being worked on, has suggested that it’s no certainty.

(12) HE’S ON THE FRONT. Francis Hamit, Managing Director of The Kit Marlowe Film Co. announces “We are offering new affinity products for our fans” in the Christopher Marlowe Shoppe — including the Kit Marlowe movie t-shirt.

(13) NOS4A2TV. The Verge reports “AMC is developing a series based on Joe Hill’s NOS4A2”.

AMC announced that it is opening writers’ rooms to develop three new shows, one of which is an adaptation of Joe Hill’s vampire novel NOS4A2. Jami O’Brien, who worked on the network’s Hell on Wheels and Fear the Walking Dead, will be the show’s executive producer.

According to Deadline, the network is skipping the typical pilot process, and working on a “detailed look at a potential first season,” before deciding whether or not to greenlight the show right out of the gate. AMC first announced that it was adapting the novel back in 2015, but word that Joe Hill’s NOS4A2 is still under consideration is pretty exciting. Hill is the son of Stephen King, and he’s forged his own career as a horror author in recent years. This extremely creepy novel is one of his best to date. AMC is also developing a crime thriller, Pandora, and Silent History, about a group of children who are born without the ability to comprehend language, under the same arrangement.

Published in 2013, NOS4A2 follows a girl named Vic McQueen who has an ability to find lost objects by way of a mysterious bridge that transports her to wherever the object that she’s looking for is hiding.

(14) THEY’RE GOING AT NIGHT. NASA has a plan to touch the sun.

In 2018, NASA will send a probe to one of the locations in the solar system that it never has before: the sun. In a series of orbits, the spacecraft will come closer to our star than any space vehicle before it could possibly withstand, and the mission is expected to reveal things about the sun that researchers have long wondered. In a news conference today, NASA revealed a few key details about its plans to ‘touch the sun,’ including a new name for the daring probe that will make the journey.

(15) INACTION FIGURES. There is such a thing as the LEGO NINJAGO MOVIE. I’m just not sure why.

[Thanks to Cat Eldridge, Carl Slaughter, John King Tarpinian, Steve Stiles, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]

Pixel Scroll 3/30/17 Do Not Taunt Happy Fun Scroll

(1) WAX TREK. The Orange County Register’s Keith Sharon should get a Pulitzer Prize for the first line of his article “$80,000 later, why this trio gave up their ‘Star Trek’ wax figures, Enterprise replica”:

Mr. Spock’s head cooled in a wooden crate for 10 years before someone noticed something was wrong.

Equally good is the rest of the article — about the fate of the wax Star Trek crew since the defunct Movieland Wax Museum sold its exhibits in 2006.

Steve and Lori had 24 hours to decide whether they wanted to pay about $40,000 for Kirk, Spock, Sulu, Uhura, Dr. McCoy, Chekov and Scott. Or they could buy just one, or just a few.

They went to Don Jose’s restaurant and had margaritas over dinner. They knew other people wanted to buy the individuals in the crew. One guy wanted to put Spock in a bar. Another guy wanted to put Captain Kirk in his house. So they decided to buy them all, to keep the crew together. They made it their mission to save the crew of the Enterprise.

“Let’s protect them,” Steve told Lori.

“We took them home and put them in our dining room,” Lori said.

That’s when it got weird. Steve couldn’t stand the life-like eyes looking at him all the time.

“We put paper bags over their heads,” Steve said.

 

Steve Greenthal puts on the head of his Captain Kirk wax figure at the Fullerton Airport before donating them to the Hollywood Sci-Fi Museum on Saturday, March 25, 2017. The figures were purchased when the Movieland Wax Museum went out of business. (Photo by Nick Agro, Orange County Register/SCNG)

(2) NOT ENOUGH HAMMER. Ursula K. Le Guin reviews Neil Gaiman’s Norse Mythology for The Guardian and finds it very well-written but wanting in some ways:

Gaiman plays down the extreme strangeness of some of the material and defuses its bleakness by a degree of self-satire. There is a good deal of humour in the stories, the kind most children like – seeing a braggart take a pratfall, watching the cunning little fellow outwit the big dumb bully. Gaiman handles this splendidly. Yet I wonder if he tries too hard to tame something intractably feral, to domesticate a troll.

… What finally left me feeling dissatisfied is, paradoxically, the pleasant, ingratiating way in which he tells it. These gods are not only mortal, they’re a bit banal. They talk a great deal, in a conversational tone that descends sometimes to smart-ass repartee. This chattiness will be familiar to an audience accustomed to animated film and graphic narrative, which have grown heavy with dialogue, and in which disrespect is generally treated as a virtue. But it trivialises, and I felt sometimes that this vigorous, robust, good-natured version of the mythos gives us everything but the very essence of it, the heart.

(3) FROM BUFFY TO BATGIRL. Joss Whedon is in talks to do a Batgirl movie says The Hollywood Reporter.

Whedon is in negotiations to write, direct and produce a Batgirl stand-alone movie for Warner Bros., adding another heroine to the studio’s DC cinematic universe.

Warner Bros. Pictures president Toby Emmerich will oversee the project, along with Jon Berg and Geoff Johns….

Batgirl will be the second female superhero stand-alone in Warner Bros. DCU (Wonder Woman will hit theaters on June 2). Whedon has long been credited as a pioneering voice for female-focused genre fare, having created the hit TV show Buffy the Vampire Slayer two decades ago.

(4) DIETZ ESTATE SALE. Over 300 sf/f collectible books and other items from Frank Dietz’ are for sale on eBay. Dietz passed away in 2013.

He was chairman of the first 14 Lunacons, and was Fan Guest of Honor at the 2007 Lunacon. His activities as “Station Luna,” an effort to record the proceedings of many World SF Conventions, continued for many years. He recorded events at the 1951 Worldcon in New Orleans.

(5) WOTF IN TOWN. Ron Collins reports on Day 2 of the annual Writers of the Future Workshop.

“It’s a little overwhelming,” Andrew Peery told me during a break after the opening session. He meant it in a good way. Peery, from North Carolina, is the 4th quarter first prize winner. The group had just walked through the Author Services Hall of Writers and been given a presentation of past judges throughout the contest’s history. People here have asked me how things have changed in the 18 years since my last visit. One thing that’s different is that the list of judges has gotten a little longer and a little more prominent. It’s very cool to think about.

One thing that hasn’t changed, however, is the purpose of the workshop.

“Our goal in this workshop is to help you train yourself to be a professional writer,” Dave Farland said in his opening remarks. He and Tim [Powers] then covered several topics, focusing on things like how to develop writerly habits, how stories are structured, and how to create and use suspense. And that was just before lunch. Along the way the two of them did a little brotherly bickering about the speed with this things should be done. “If you’re here, we already know you’re good,” Dave said. “But now we want to help you think about producing that good work more quickly.” Tim, followed that up with: “My first drafts take forever and are never any good.” Then he explained why that was just fine by him. I’ve seen that before, but, yeah, it holds up on second viewing! It’s always great to see how creativity is different for two such high-caliber artists.

Other authors have written about Day 1 and Day 3.

(6) EGYPT IN SF. Tim Powers was recently interviewed by Rachel Connor and described his preparation.

Rachel: I was first introduced to your work when I read The Anubis Gates, a historical fiction with time-travel, Victorian corruption and ancient Egyptian folklore. Can you tell us a little about your approach to historical fiction? What is it about a certain period of time that intrigues you?

Tim: A novel for me generally starts with something I stumble across in recreational non-fiction reading. I’ll notice some peculiarity — like Edison working on a phone to talk to dead people with, or Albert Einstein going to a séance — and I’ll start to wonder if a story might not be built around what I’m reading.

If I come across another oddity or two — like Edison’s last breath being preserved in a test tube in a museum in Michigan, or Einstein turning out to have had a secret daughter who disappears from history in 1902 — I’ll decide that this isn’t recreational reading after all, but research for a book.

For The Anubis Gates, it was a note in one of Lord Byron’s letters. He said that several people had recognized him in London at a particular date in 1810, when at that time he was in fact in Turkey, very sick with a fever.

I wondered how he might have a doppelganger, and started reading all about Byron, and his doctor in Turkey, and London at the time, looking for clues

(7) EVERY JOT AND TITTLE. Tom Easton and Michael Burstein’s collaborative short story Sofer Pete” has been published in Nature

The visitors were crowded against one wall of bookcases, facing a large table on which was stretched a long piece of parchment. An inkwell filled with black ink sat off to the side. A hand holding a traditional goose-quill pen moved over the parchment, leaving rows of Hebrew characters behind it more quickly than a human hand ever could.

Because the hand did not belong to a human. The gleaming metal hand belonged to a humanoid robot seated on the other side of the table. Its name was Pete.

(8) THANKS DAD! Most people know Joe Hill’s father is Stephen King. Here’s what happened when young Joe turned to him for advice….

(9) “EVERY WINDOW’S A SEAT”. How much will people pay to be in space for a few minutes? “Jeff Bezos just revealed a mock-up of the spacecraft his rocket company will use to take tourists into space”.

Each launch will rocket a handful of wealthy tourists more than 62 miles (100 kilometers) above Earth on a roughly 11-minute trip.

Near the top of a high arc, the rocket will detach from the space capsule, which will fall toward the ground, granting passengers about four minutes of weightlessness and letting them take in an incredible view of the fringes of our planet’s outer atmosphere.

(10) GHOSTESS WITH THE MOSTEST. The BBC says the animated Ghost in the Shell was good, but the live-action is better.

The Japanese anime Ghost in the Shell isn’t just one of the most acclaimed science-fiction cartoons ever made, it’s one of the most acclaimed science-fiction films, full stop. Conceptually and visually breathtaking, Mamoru Oshii’s cyberpunk detective flick bridged the gap between analogue blockbusters and digital ones, between Blade Runner and The Terminator, with their cyborgs and androids, and The Matrix and Avatar, with their body-swaps and virtual realities. The makers of The Matrix, in particular, were happy to acknowledge that they were following in Oshii’s future-noir footsteps.

The question is, then, is it worth bothering with a belated live-action version? Considering that the cartoon is now a cult classic, and that several other films have taken its innovations and run with them, can a mega-budget Hollywood remake have anything of its own to offer? The answer to both questions is a definite yes.

(11) RELAUNCH. First reuse of a SpaceX recoverable boosterNPR reports:

SpaceX launched a communications satellite from the Kennedy Space Center in Florida using a rocket stage that has already been to space and back. SpaceX is betting that this kind of recycling will lower its costs and revolutionize space flight.

(12) NOT FIVE? At the B&N Sci-FI & Fantasy Blog, Corinna Lawson shares the four rules that tell her “How to Know When It’s Okay to Read a Series out of Order”.

  1. When the character arcs are resolved by book’s end

In Sins of Empire, there are three leads, and all set out on emotional journeys that are fully resolved by book’s end.

Meanwhile, ASoIaF readers are still waiting to see what happens via-à-vis Jamie Lannister’s redemption arc, whether the Khaleesi will ever seize her birthright, if Tyrion’s suffering will amount to anything, or if Jon Snow will ever stop flailing about and realize who and what he is.

In Bujold’s The Warrior’s Apprentice, a young man who dreams of being a soldier finds more than he bargained for, and, at the end, his journey has a resolution, despite a fair dozen books that follow.

But Bishop’s Others, series, well, readers have been waiting for four books to see what happens with Simon and Meg, and though their patience is rewarded, it took four other books to get there.

(13) REVIEW HAIKU. Aaron Pound begins with a 17-syllable plot summary, then goes on to tell why he loved Kelly Sue DeConnick’s graphic story Pretty Deadly, Vol. 1: The Shrike.

Full review: I must confess that I obtained this book almost solely because it was written by Kelly Sue DeConnick, and at this point I am pretty much willing to at least take a look at anything she writes. Pretty Deadly not only met the high expectations I have for work from DeConnick, it exceeded them. This is, quite bluntly, mythic storytelling that manages to be both epic in scale and simultaneously intensely personal. Told via a combination of tight and brilliant writing from DeConnick and stunningly beautiful and evocative artwork from Emma Rios, this story presents a violent and visceral enigma shrouded in mystery wrapped up in magic, gunfights, and swordplay.

(14) THREE SHALL BE THE NUMBER THOU SHALT COUNT. This is a public service announcement from N.K. Jemisin.

(15) KORSHAK COLLECTION. An exhibit from “The Korshak Collection: Illustrations of Imaginative Literature” will be on display April 10-May 16 at the Albin O Kuhn Library and Gallery on the University of Maryland Baltimore County campus. The collection, now owned by Stephen Korshak, was started by his father Erle Korshak, past Worldcon chair and founder of the imprint Shasta Publishers, and has its own impressive website.

Truly a vision of the fantastic, this exhibition is an amazing exploration of both illustrative art and the evolution of the visual landscape of science fiction and fantasy literature. Featuring work by both American and European artists and spanning more than a century, these vivid illustrations bring to life adventures, beings, and worlds conjured in novels such as Don Quixote, Alice’s Adventures in Wonderland and Tarzan, and pulp magazines including Amazing Stories, Weird Tales, Fantastic Adventures, and Wonder Stories. Accomplishing far more than simply guiding readers in their explorations of new and sometimes bizarre realms, the range and impact of these illustrations is far-reaching.

The exhibition will also include books, pulp magazines, and other items drawn from UMBC’s Rosenfeld Collection, revealing how the illustrations in the Korshak Collection were meant to appear when encountered as artifacts of material culture.

(16) BEYOND ORWELL. The 2084 Kickstarter has funded. The collection —

features 11 stories from leading science fiction writers who were all asked the same question – what will our world look like 67 years from now? The anthology features new and exclusive stories from:

Jeff Noon, Christopher Priest, James Smythe, Lavie Tidhar, Aliya Whiteley, David Hutchinson, Cassandra Khaw, Desirina Boskovich, Anne Charnock, Ian Hocking, and Oliver Langmead.

(17) BOOKS WERE SOLD. This is John Scalzi’s executive summary of The Collapsing Empire’s first week:

So, in sum: Top selling science fiction hardcover in the US, second-best-selling audio book in the US, my highest debut on the USA Today bestseller list, and a TV deal.

That’s a pretty good week, y’all.

Fuller details at the post.

(18) JURY CALL. The Shadow Clarke Jury continues to review its Clarke Award picks.

I put this novel on my shadow shortlist after reading the opening chapters on Amazon, because I was fascinated by the premise: the seemingly inexplicable overnight irruption of masses of full-grown trees into our familiar world. I said, when I explained my choices, that I was intrigued because it reminded me somewhat of John Wyndham’s The Day of the Triffids, in which the world is transformed, first by meteors, which cause mass blindness, and then by the apparently coordinated escape of the triffids, seizing the opportunities afforded by this new blindness. I was curious to see how much The Trees might be in conversation with Triffids more than half a century on.

De Abaitua wrote one of the most complex and difficult novels from 2015, If Then, and I still find myself wondering about it at random times. I was so taken by that strange novel about an algorithmic society in decay—a novel that feels so uneven on the surface, yet so complete in substance—I couldn’t articulate my thoughts well enough to write a decent review. Since then, The Destructives has been on my “most anticipateds” list. Placed on a Clarke award shortlist only once before, for The Red Men in 2008, de Abaitua was unaccountably left off the list for If Then in 2016. The Destructives is the latest piece in this abstract thematic series and, given its scope, it seems primed to make up for last year’s Clarke snub.

Any work of fiction is a formal exercise in the controlled release and withholding of information. What is withheld and for how long is a key element in how we read the work and even how we classify it. To give an obvious example, in a detective story in the classical mode it is essential that the identity of the killer is withheld until the last page, the structure of the novel is therefore dictated by the need to steadily release information that leads towards this conclusion without actually pre-empting it. How successful the novel is depends upon the skill with which this information is managed. If too much is given away so that readers can guess whodunnit too early, the work is adjudged a failure; similarly, if too little is revealed so that the denouement comes out of the blue, it is seen as a cheat and again the work fails.

In a recent article for the Guardian, ‘How to build a feminist utopia’, Naomi Alderman briefly sets out some pragmatic measures for helping pave the way to a world in which genitals, hormones and gender identification don’t matter because ‘everyone gets to be both vulnerable and tough, aggressive and nurturing, effortlessly confident and inclusively consensus-building, compassionate and dominant’. Among suggestions such as trying to establish equal parenting as the norm and teaching boys to be able to express their emotions, she also proposes teaching every girl self-defence at school from the age of five to sixteen. In effect, this is what happens in The Power when it becomes apparent that a generation of teenage girls across the world have developed the capacity to emit electric shocks. The only difference is that this doesn’t just allow the girls to defend themselves against male violence but instead enables them to become the aggressors.

(19) STATUARY GRIPE. Copied to Twitter, a grumpy letter to the editor from a “Disgusted of Tunbridge Wells” type about a proposed Terry Pratchett statue.

(20) TV IS COMING. HBO’s latest series promo, Game of Thrones Season 7: Long Walk.

[Thanks to John King Tarpinian, rcade, Rob Thornton, Cat Eldridge, Mark-kitteh, David K.M.Klaus, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 1/22/17 Tickle Me Pixel

(1) OOPS. Earth’s most famous genius warned us against talking to strangers. Did we listen? “Stephen Hawking warned us about contacting aliens, but this astronomer says it’s ‘too late’”.

In 2010, physicist Stephen Hawking voiced concern about the possibility that we might contact extraterrestrial life by transmitting signals into space.  However, SETI senior astronomer Seth Shostak told us that it’s too late to consider whether we should send such transmissions, because we’ve already been doing it for decades.

 

(2) CRUSHING IT. Meanwhile, Wil Wheaton gets his own rock.

(3) MAKING THE LEAP. At the B&N Sci-FI & Fantasy Blog: “How Myke Cole Went from Fantasy Writer to Reality TV Star”.

Landon: Myke, congratulations on being cast on CBS’ Hunted. I’m sure like everyone, I’m wondering how in the hell a fantasy novelist ended up being cast in TV show?

Cole: Thanks, man. It’s pretty surreal. Believe me when I say that I’m just as surprised as you are. I’ve spoken about my career in the intelligence services before I got my first book deal. A huge part of that was Counterterrorist “Targeting,” which is a fancy way of saying “manhunting.” I like to think I was good at it, and my reputation clearly circulated widely enough that when Endemol Shine (the production company making the show) was digging around casting for the show, they were passed my name, and then I got a call out of the blue.

(4) QUOTABLE QUOTE. Is a picture worth a thousand words in a case like this?

Bradbury quote

(5) TODAY’S BIRTHDAY GIRL

  • January 22, 1959 – Linda Blair

(6) TODAY’S BIRTHDAY BOYS

  • Born January 22, 1906 — Robert E. Howard
  • Born January 22, 1934 – Bill Bixby, actor and director.

(7) WORLDCON 75 ACCESSIBILITY HOUSING. The Helsinki Worldcon, after a prolonged silence, announced on Facebook that they have granted all accessible hotel room requests already received.

200 days until Worldcon 75! Hooray!

Still haven’t reserved a room yet for your Worldcon stay?

Now is the time! Our block reservations expire this spring. Check out our hotel page for our current block status: www.worldcon.fi/hotel/

For those of you whom have access or reduced mobility needs, we have an update on Holiday Inn-Messukeskus sleeping rooms:

The cutoff date for requesting a room at this hotel is Friday, April 7 unless the requests surpass hotel capacity before then (which we’ll announce.) Room allocation will begin at that time and is expected to take about 2 weeks, and you’ll receive information from Member Services then about how to finalize your reservation with the Holiday Inn.

All requests to stay at the HI-Messukeskus that have been received up to now due to accessibility/reduced mobility needs will be granted. Details regarding rooms to accommodate differing, specific accessibility needs and connecting those people to the correct room are still being confirmed.

Anyone with questions or concerns about their accessibility housing request should e-mail memberservices@worldcon.fi .

(8) THE HORROR. The Horror Show with Brian Keene podcast is about to present their milestone 100th podcast. Keene and co-host Dave Thomas decided to mark the occasion with a special edition of the show.

It won’t be a podcast.

Instead they have gathered a large group of friends, authors, and notables within the horror genre to present a 24-hour telethon-style broadcast.  The show is an homage to the old Jerry Lewis style telethon.

In this case, the telethon will be raising funds to support the Scares That Care charity.

The show will begin on Thursday, January 26th at noon and end on Friday, January 27th.  It will be broadcast live on Brian’s YouTube channel.

Adds Dann, who sent the item, “As with some other podcasts, adult discussions that sometimes use adult language will probably occur…”

(9) BELLY UP TO THE CANTINA BAR. A writer at SciFiDesign says “These Mos Eisley Brewing Beer Posters Are Making Me Thirsty”.

Mos Eisley imperial stout walker

(10) TWO WRITERS BOLSTER THEIR CAREERS. Fans at home abed will call themselves accursed they were not there: The Joe Hill/John Scalzi pillow fight at ConFusion.

[Thanks to Dann, John King Tarpinian, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 12/6/16 Good King Wencescroll, On The Feast Of Pixel

(1) TAKING LIBERTIES. Gothamist reports New York City is plagued with another round of Nazi-themed ads — “Statue of Liberty Gives Nazi Salute in Huge Times Square Billboard for Amazon’s ‘The Man in the High Castle’”. (Photo here.)

(2) APPEALING ANACHRONISMS. Beware, Ryan Skardal’s review at Fantasy Literature may cause this book to land on your TBR pile: Last Year: Time travel tourism”.

Jesse Cullum works security at the City of Futurity – in fact, he just saved President Ulysses S. Grant from an assassination attempt, though he lost his Oakleys in the process.

The science fiction premise of Robert Charles Wilson’s Last Year (2016), is outlined in its opening scene. Oakleys are sunglasses that come from our time, but Ulysses S. Grant was one of the most important generals in the American Civil War. How can both exist in the same place? Well, in this novel, a “mirror” allows people to travel back in time, but to a specific point in the past — and it will produce a different a future. The people who travel back are tourists, and the City of Futurity, run by August Kemp, makes money from the past’s wealthy, who are curious to see the many inventions of the future. Also, Kemp steadily ships the past’s gold into the future. When the novel begins, The City of Futurity is about to begin its “last year” in the 19th century….

(3) THE NARRATOR’S TOUCH. Bookworm Blues has a wonderful variation on a common theme – “Best Audiobooks of 2016”.

The Fireman – Joe Hill

Narrated by Kate Mulgrew

I really want Kate Mulgrew to narrate all the thoughts in my head. I do. Honestly. I just want her to dig her way into my brain and just read my mind to me constantly. She’d make my random musings of, “Huh, I wonder what Frodo would look like with cockroach feet?” actually sound interesting. The Fireman is a fantastic book, and Kate Mulgrew is one of the best narrators out there. I think she kind of struggled with the English accent, but that’s easy to forgive because… LISTEN TO HER. She made this book one of those rare experiences where I listened to the book as much for the story as to just hear her talk to me.

(4) HINES BENEFIT AUCTION #10. The tenth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed book and a Tuckerization from Tricia Sullivan.

Today’s auction comes from award-winning author Tricia Sullivan, for an autographed copy of OCCUPY ME and a Tuckerization (meaning you’ll show up as a minor character) in Sullivan’s forthcoming novel SWEET DREAMS ARE MADE OF THIS.

About the Book:

A woman with wings that exist in another dimension. A man trapped in his own body by a killer. A briefcase that is a door to hell. A conspiracy that reaches beyond our world. Breathtaking SF from a Clarke Award-winning author.

Tricia Sullivan has written an extraordinary, genre defining novel that begins with the mystery of a woman who barely knows herself and ends with a discovery that transcends space and time. On the way we follow our heroine as she attempts to track down a killer in the body of another man, and the man who has been taken over, his will trapped inside the mind of the being that has taken him over.

And at the centre of it all a briefcase that contains countless possible realities.

(5) VOYAGERS. Big Think tells you how to see it — “Massive Poster Details Humanity’s Missions Through the Universe So Far”.

By our count, there are 113 spacecraft in this image. It’s a catalogue of all of the vehicles launched into space so far, from the U.S.S.R’s Luna 2 in 1959 to the U.S.’s DSCOVR in 2015. Every orbiter, lander, rover, flyby, and impactor is here, along with its trajectory. It’s actually an image of a physical poster from PopChart Lab that any space maven could spend some quality time with.

Open another tab in your browser and click here for a zoomable version of the image. (If you’re on your phone, you may want to bookmark this and check it out when you’re near a big screen.)

(6) PROJECTS ON THE WAY. Natalie Zutter promises “(Almost) Every SFF Adaptation Coming to Television and Movie Theaters!)” at Tor.com.

Thanks to major properties like Game of Thrones and Marvel’s Cinematic Universe, we’ve entered a golden age of sci-fi and fantasy properties being developed for film and television. It seems that nearly every network and studio has snatched up the rights to old and new classics, with a bevy of projects in production or premiering in the coming months. To keep you on top of the latest news, we’ve updated our master list of every SFF adaptation currently in the works, from American Gods to Y: The Last Man. And surprising no one, prolific writers Neil Gaiman and John Scalzi each have a number of projects in varying stages of development.

Check out this list and get your DVRs and Netflix queues ready, because you’re going to be wonderfully busy for the foreseeable future.

(7) BAD NEWS. Andrew Porter reports that Ted White told members of a listserve that he has lost his son, Aaron, to suicide.

Aaron was Ted’s son with Lynda Spencer, who has since remarried, and is equally devastated.

According to Moshe Feder, Spencer told Facebook readers:

Dear Friends,

Our darling son, Aaron died early Monday morning. He had been fighting depression and took his own life. We are so deeply devastated that we are having difficulty finding our way right now.

We’ve tried to contact many of you outside of FB, but there are so many of you that we want to know about our dear child that I’m taking to FB to share this horrible news.

We will let everyone know when and where the memorial service will be once we know the details.

Here is a photo of Ted and Aaron that was published earlier this year in the Falls Church News-Press.

ted-white-and-aaron-white-min

FALLS CHURCH RESIDENT TED WHITE (left) speaks with his son Aaron White in the living room of his house on Tuckahoe street. Ted grew up in the house and raised his children, including Aaron in the house. (Photo: Drew Costley/News-Press)

(8) VAUGHAN OBIT. Peter Vaughan, known to American audiences as butler William Stevens, the father of Anthony Hopkins’s character in Merchant Ivory’s film The Remains of the Day, and for five years as Jon Snow’s blind, scholarly mentor Maester Aemon Targaryen in HBO’s epic fantasy of Game of Thrones, has passed away at the age of 93.

(9) CLASSIC CHARLIE BROWN. At Dreaming About Other Worlds, Aaron Pound removes our rose-colored glasses — “Musical Monday – Christmas Time Is Here by the Vince Guaraldi Trio”.  

This Christmas program, created more than fifty years ago now, shows that the “good old days” weren’t really that “good” to begin with. After all, Charlie Brown could plausibly lament the commercialization of Christmas as long ago as 1965, and Lucy could claim that the entire holiday was run by a “big Eastern syndicate”, and while Lucy’s claim was supposed to be mostly ridiculous, it was also supposed to be something that someone might actually believe. When Charlie Brown goes to buy a Christmas tree, the place that sells them is a gaudy showplace with spotlights, and almost all of the trees available are artificial. Even “back then” the world was commercialized, no matter what our hazy nostalgic gaze might tell us.

(10) DRAGON BREATH, Doris V. Sutherland, in “Dragon Awards Reviews: Horror, War and the Apocalypse” for Women Write About Comics, says the award-winning novels of Niemeier, Weber and Cole fall short of the mark.

A sequel to Brian Niemeier’s earlier novel Nethereal, Souldancer is one of the Dragon Award winners that benefited from Sad Puppy votes. It is primarily a space opera, making it an awkward fit for Best Horror Novel. Indeed, Niemeier acknowledges on his blog that the book was voted into this bracket for tactical reasons.

“I tip my hat to author and publisher Russell Newquist of Silver Empire,” he says, “who suggested Souldancer for the horror category, the only one where it wasn’t guaranteed to get annihilated.”…

Niemeier seems to view himself as working in the high-flying pulp adventure tradition of E. E. “Doc” Smith, but I do not recall Smith ever being this turgid. A closer comparison would be with Amazing Stories’ “Shaver Mystery” narratives, which, likewise, offered leaden mixtures of space opera and mythology. Now remembered only as curios, these were sold on the esoteric notion that they were true stories plucked from mankind’s racial memory.

Souldancer also has a distinct sales point. It is promoted on the grounds that, being written by a supporter of the Sad Puppies campaign, it somehow contains an essential sincerity and value that cannot be found in fiction from the SJW-dominated science fiction/fantasy/horror establishment. This marketing tactic will fail to attract anybody who is not already a convinced Puppy, of course. Should the Dragon Awards ever become a fandom institution, future generations will surely scratch their heads at how the first award for Best Horror Novel could have gone to this mediocre space opera.

(11) LITERARY BARTENDER. Nick Mamatas is co-editing Mixed Up: Cocktail Recipes (And Flash Fiction) For the Discerning Drinker (and Reader) with libations editrix Molly Tanzer, a volume forthcoming from Skyhorse in October 2017. He just posted the complete table of contents for the fiction element of the book.

  • Maurice Broaddus “Two Americans Walk Into a Bar” (Pimm’s Cup)
  • Selena Chambers “Arrangement in Juniper and Champagne” (French 75)
  • Libby Cudmore “One More Night To Be Pirates” (Dark ‘N’ Stormy)
  • Gina Marie Guadagnino “In The Sky She Floats” (Manhattan)
  • Elizabeth Hand “Eat the Wyrm” (margarita)
  • Cara Hoffman “I’ve Been Tired” (Negroni)
  • Jarett Kobek “Wes Anderson Uses A Urinal” (champagne cocktail)
  • Carrie Laben “Take Flight” (aviation)
  • Carmen Machado “There and Back Again” (corpse reviver #2)
  • Nick Mamatas “The End of the End of History” (vodka martini)
  • Jim Nisbet “Mint Julep Through the Ages” (mint julep)
  • Benjamin Percy “Bloody at Mazie’s Joint” (Bloody Mary)
  • Dominica Phetteplace “Gin is Stronger Than Witchcraft” (orange blossom)
  • Tim Pratt “But You Can’t Stay Here” (fin de siècle)
  • Robert Swartwood “Dinner with the Fire Breathers” (Smoking Bishop)
  • Jeff VanderMeer “Marmot Season” (Moscow Mule)
  • Will Viharo “Hot Night at Hinky Dinks” (mai tai)

(12) ANCIENT FANNISH VIDEOS RECOVERED. Here are four new uploads at the Fanac Fan History YouTube Channel.

  • Noreascon 2 (1980) Worldcon – Guest of Honor Speeches by Damon Knight and Kate Wilhelm [Audio recording only, with added photos and captions]

Noreascon 2, the 38th Worldcon, was held in Boston in September 1980. This audio recording with images preserves/presents the Guest of Honor Speeches by Damon Knight and Kate Wilhelm. Toastmaster Robert Silverberg is entertaining as always, with long introductions and not a little hyperbole. Damon Knight’s talk is full of anecdotes including how “Fred Pohl saved my life” and other stories about the Futurians. Kate Wilhelm gives a more serious talk about the nature of our reality.

 

  • My Favorite World Tomorrow panel

Featuring Jerry Pournelle, Arsen Darnay, Jim Baen, Karl T. Pflock, and Spider Robinson, this discussion is structured with the panelists describing their favorite future and then discussing and taking questions. The future visions range from the mystic to the moral to the technological. Jerry Pournelle moderates, with Jim Baen taking the editor’s role and commenting only.

 

  • Joe Haldeman sings “Stan Long”

We hope you enjoy this delightful clip of author Joe Haldeman, singing one of his most entertaining songs.

 

  • Transtemporal Institute for Fannish Studies

This video, “Know the Hotel Staff” made in “cooperation with the Institute for Transtemporal Fannish Studies”, was used as filler on the closed circuit video feed. Introduced by Dr. Dodd Clegler (a fannish reference old at the time), the film shows a time traveler interacting with various hotel staff as a training film for other travelers. It was created in the summer of ’76 by Minneapolis fans.

 

[Thanks to John King Tarpinian, Moshe Feder, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Schnookums von Fancypants.]

Pixel Scroll 9/16/16 Amok Pixel

(1) HE’S FROM THE FUTURE. Dennis Mathis tells how he learned to understand “the reader” in “The Future Began on a Tuesday” at the SFWA Blog.

The future was twenty-five years old and not getting any younger when I was accepted to the Iowa Writers Workshop, the legendary (even then) graduate program for writers. Kurt Vonnegut, who had taught there, said, “Picture Harvard Law School if only one out of ten graduates actually becomes a lawyer.” Dedicated to the principle that the last thing you’d want happening in a classroom is teaching, the Workshop strove to be the opposite of academic, and more or less succeeded. Zipping their lips about how writing should be done, the staff was restricted to role-modeling the lifestyle of a writer: mostly competitive drinking, womanizing, wrestling, and snorting at weaklings; the Viking concept of higher education. Despite being a weakling myself, I did the best writing of my life.

And then in my second year, a last-minute substitute on the Workshop staff. A guy named Frank Conroy, author of only one book, and it wasn’t even fiction — who writes a memoir in their twenties? — who’d taught creative writing only once before, at (get this) M.I.T.

He specified we were to read the worksheets (someone’s delicate work-in-progress cast into the lion’s den) pen-in-hand, poised to mark any point in the text where we felt a “bump,” no matter how vague. In class, we went through the worksheets sentence-by-sentence, hashing-out whether some reader’s bump was an idiosyncratic misreading or an actual problem. They always turned out to be problems. If a reader misreads, Conroy taught us, it’s always the writer’s fault…..

(2) CHINA’S SPACE PROGRAM. Motherboard has the story: ”China’s Newly Launched Space Station Will Receive Its First Crew Next Month” .

China successfully launched its second space station, Tiangong-2, into orbit on Thursday at 10:04 AM EDT, from Jiuquan Satellite Launch Center in the Gobi Desert. It will soon be an orbiting home to two taikonauts (the Chinese term for astronauts).

The mission is regarded as a key stepping stone towards the nation’s larger spaceflight ambitions, which include sending taikonauts to the Moon and eventually to Mars….

This second generation spacecraft, whose name translates to “Heavenly Palace” in Mandarin, will conduct some initial tests before boosting itself even higher to an altitude of 393 kilometers, roughly on par with the International Space Station (ISS).

If all goes according to plan, the tubular orbital laboratory will receive its first taikonauts in late October on a spacecraft called Shenzhou-11. Though the names of the two crew members have not been released, they are both men, and they are expected to spend 30 days aboard Tiangong-2, according to Xinhua News. If successful, it will be the longest manned Chinese space mission to date.

In terms of specs, the new station is almost identical to its precursor, Tiangong-1, which operated in space from September 2011 until March 2016, and is on track to deorbit and immolate in the atmosphere next year.

(3) COMIC ART EXPLORED. Superheroes have taken over the Huntsville Museum of Art in the Rocket City of Huntsville, Alabama.

“My Hero: Contemporary Art & Superhero Action” is the name of the show running through December 11.

For decades popular culture has been fascinated by superheroes — their superhuman capabilities, their desire for truth and justice, and their ability to save the day. Their storylines have captivated many, and their images have become contemporary idols throughout the world. My Hero presents a rich array of work by over 50 international artists, including painting, illustration, photography, sculpture, mixed media and video, that celebrates and re-envisions the lives of iconic superheroes.

(4) ROOTS OF THE GENRE. Atlas Obscura writes about Margaret Cavendish. “One of the Earliest Science Fiction Books Was Written in the 1600s by a Duchess”.

No one could get into philosophical argument with Lady Margaret Cavendish, Duchess of Newcastle-upon-Tyne, and walk away unchanged. Born in 1623, Cavendish was an outspoken aristocrat who traveled in circles of scientific thinkers, and broke ground on proto-feminism, natural philosophy (the 17th century term for science), and social politics.

In her lifetime, she published 20 books. But amid her poetry and essays, she also published one of the earliest examples of science fiction. In 1666. She named it The Description of a New World, Called the Blazing World.

In the story, a woman is kidnapped by a lovesick merchant sailor, and forced to join him at sea. After a windstorm sends the ship north and kills the men, the woman walks through a portal at the North Pole into a new world: one with stars so bright, midnight could be mistaken for midday. A parallel universe where creatures are sentient, and worm-men, ape-men, fish-men, bird-men and lice-men populate the planet. They speak one language, they worship one god, and they have no wars. She becomes their Empress, and with her otherworldly subjects, she explores natural wonders and questions their observations using science.

(5) MEMBERSHIP IN THE GUARDIAN. The Guardian is going through a financial squeeze.

According to the Huffington Post:

The Guardian is scaling back its U.S. operation through a staff reduction of 30 percent, according to a source with knowledge of the plans.

The Guardian, a 195-year-old British newspaper and global news site, has struggled financially as print revenue and circulation collapsed throughout the industry. Earlier this year, The Guardian announced plans to cut costs by 20 percent over three years, and nearly 270 employees in the U.K. operation took buyouts in June.

Now the U.S. operation, which was launched in 2011, is grappling with what Guardian Media Group CEO David Pemsel described Thursday in a staff meeting as a “course correction.” Guardian US chief Eamonn Store informed staff the company was facing a $4.4 million budget shortfall, thereby necessitating major cuts.

(6) PRIDE OF STARFLEET. Nalo Hopkinson went to her first sf convention in 1978 outfitted as Lt. Uhura.

(7) TODAY IN HISTORY

  • September 16, 1966  — Fahrenheit 451 premiered in theaters.

(8) THE BEST WAY TO ATTEND THE WORLDCON. Mike Headley reports on his first Worldcon – “Hugo Awards – a (Belated) Retrospective”. Many things underscored his feeling of being an outside until —

Things changed when I volunteered; I ended up hauling ice and stocking drinks for the hospitality suite. I was only there for a couple hours, but I got to glimpse this community at its best. I saw MIMO crew helping set up plates of vegetables, people who brought their whole family to volunteer. People who talked about how this was there 10th, 20th, or more convention. They weren’t writers, or publishers, they were just sincere fans. On top of that the con staff were so grateful I helped out in a pinch, and there sincerity stunned me. It made me feel like I had made a difference, however small, and I like that I got to give back, even a tiny bit.

That’s when I saw this wasn’t a community of writers talking about writerly things. This was a community of fans, of people pitching in to make sure that this worked. They helped each other, and they did it to make the best experience they could for everyone.

The second major turning point was during the Hugo ceremony itself. At one point they did a retrospective of all the members who had died in the previous year. And as I watched this somber stream of names scrolling up, I noticed that yes there were several creators, screen-writers, and editors. There was also plenty of people listed as just “fan” or “volunteer.” The fact that the organization took time to recognize these people, some of whom were just and only fans, showed just how deeply some people cared about this community.

(9) TWEETER’S DIGEST. It’s a commonplace that not everything people want to say will fit in a 140-character tweet. And yet here’s someone who has summarized every Stephen King novel in 140 characters or less.

(10) NOT ONLY A MESSAGE. Those who are allergic to political messages in sf may break out in hives by the time they’ve made it through “The G’s List of Mind-Bending/Expanding SF/F Novels” at Nerds of a Feather.

In my case I don’t have a political message to convey *with* my list, but rather have chosen a list of books that either have political messages or which made me think about the world in different terms. Even that was too big, so I decided to further limit myself to books that are either science fiction or transgress the boundaries between science fiction, fantasy, horror and mimetic fiction. It’s not an exhaustive list by any means–I probably could have done one with 50 entries or more. But 21 is a snazzy number, isn’t it? 1. Aldiss, Brian. Non-Stop [Faber and Faber, 1958]

Curiosity was discouraged in the Greene tribe. Its members lived out their lives in cramped Quarters, hacking away at the encroaching ponics. As to where they were – that was forgotten. Roy Complain decides to find out. With the renegade priest Marapper, he moves into unmapped territory, where they make a series of discoveries, which turn their universe upside-down… (GoodReads) The best #GenerationStarship novel I’ve ever read. Thought-provoking, with an ending that still manages to unsettle many years later. Also make rats utterly terrifying. (G)

(11) NERDCON APPROACHES. NerdCon: Stories will soon return, and several leading sf/f writers will be in the mix — Mary Robinette Kowal, Mikki Kendall, Wesley Chu, Patrick Rothfuss, Paolo Bacigaulpi, and Saladin Ahmed. (And who knows, maybe more if I’d kept scrolling…..)

(12) ORSINIA. The Paris Review has posted an excerpt from the introduction to Ursula K Le Guin’s Library of America editions — Ursula K. Le Guin: The Complete Orsinia (Library of America, 2016).

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Much as I loved my studies, their purpose was to make me able to earn a living as a teacher, so I could go on writing. And I worked hard at writing short stories. But here my European orientation was a problem. I wasn’t drawn to the topics and aims of contemporary American realism. I didn’t admire Ernest Hemingway, James Jones, Norman Mailer, or Edna Ferber. I did admire John Steinbeck, but knew I couldn’t write that way. In The New Yorker, I loved Thurber, but skipped over John O’Hara to read the Englishwoman Sylvia Townsend Warner. Most of the people I really wished I could write like were foreign, or dead, or both. Most of what I read drew me to write about Europe; but I knew it was foolhardy to write fiction set in Europe if I’d never been there.

At last it occurred to me that I might get away with it by writing about a part of Europe where nobody had been but me. I remember when this idea came: in our small co-op dorm at Radcliffe, Everett House, in the dining room, where you could study and typewrite late without disturbing sleepers. I was twenty years old, working at one of the dining tables about midnight, when I got the first glimpse of my other country. An unimportant country of middle Europe. One of those Hitler had trashed and Stalin was now trashing. (The Soviet takeover of Czechoslovakia in 1947–48 had been the first event to rouse the political spirit in me.) A land not too far from Czechoslovakia, or Poland, but let’s not worry about borders. Not one of the partly Islamized nations—more Western-oriented … Like Rumania, maybe, with a Slavic-influenced but Latin-descended language? Aha!

I begin to feel I’m coming close. I begin to hear the names. Orsenya—in Latin and English, Orsinia. I see the river, the Molsen, running through an open, sunny countryside to the old capital, Krasnoy (krasniy, Slavic, “beautiful”). Krasnoy on its three hills: the Palace, the University, the Cathedral. The Cathedral of Saint Theodora, an egregiously unsaintly saint, my mother’s name … I begin to find my way about, to feel myself at home, here in Orsenya, matrya miya, my motherland. I can live here, and find out who else lives here and what they do, and tell stories about it.

And so I did.

(13) THIS JUST IN 17 YEARS AGO. J. K. Rowling sounds a little exasperated here.

(14) DINNER BELL. Scott Edelman has released Episode 18 of his Eating the Fantastic podcast where you are invited to  “Dig into a lobster roll with F. Brett Cox”.

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Now it’s time to say farewell to Readercon with a visit to The Lobster Stop in Quincy, Massachusetts for (what else?) lobster rolls … and F. Brett Cox.

Brett co-edited (with former Eating the Fantastic guest Andy Duncan) Crossroads: Tales of the Southern Literary Fantastic (which featured a story about Randy Newman by yours truly!), and has had fiction, poetry, essays, and reviews appear in Eclipse Online, War Stories, Century, Lady Churchill’s Rosebud Wristlet, Postscripts, and many other venues. He’s also hard at work on a book-length study of Roger Zelazny for the University of Illinois Press.

(15) MEMORABLE TV THEMES. Catherynne Valente asks:

I don’t know what she’d pick as the best theme for a dramatic series – for me it’s the theme from Hawaii 5-0. I’m also a fan of the Mission: Impossible theme, and have a real soft spot for the full rendition of The Virginian theme.

[Thanks to Steven H Silver, Marc Criley, Stuckinhistory, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/13/16 I Know Why The Crottled Greep Pings

Art by Camestros Felapton.

Art by Camestros Felapton.

(1) TALKING ABOUT “DESTROY” OR “DIG” COLLECTIONS? Neil Clarke, editor of Clarkesworld, raises the question of whether special collections for underrepresented communities is a good idea.

(2) THE ELDER CLODS. The Huffington Post continues to cover the full horror of this year’s presidential election: “Stephen King Compares Donald Trump To Cthulhu; Cthulhu Issues Angry Denial”.

(3) NEXT FROM LIU CIXIN. Death’s End, the last book in Liu Cixin’s trilogy which started with The Three-Body Problem, will be released September 20. A preview can be read here on the Tor/Forge Blog.

And the author’s next translated novel is announced in a tweet from Ken Liu.

(4) AUTHOR LIFE. What is Joe Hill doing today?

So we’re doing #authorlife today. Okay. I’ll play. I’ll try to write 1500 words on a new novella (the last in a book of four), working longhand in an oversize National Brand account book. If it goes badly, I’ll accept 1000 words and hope for better tomorrow. When I’m done (1 PM? 2?) I’ll have a salad and read forty pages of A MAN LIES DREAMING, the current book (starring Adolf Hitler, PI, no, really). The afternoon is for office chores and email. If I can I’ll write a snail mail letter to a friend. Because I like doing that. At some point I’ll also listen to a chapter of the current audio book (PRINCE CASPIAN). Over the course of the day I’ll have four cups of tea. Three black, no cream, no sugar. The last is green and has honey and lemon. It all sounds very exciting, doesn’t it? Living life on the edge, that’s me. I’d like to be more physical but haven’t been on any kind of regular exercise schedule since before THE FIREMAN book tour. Hummmm. I also started playing piano this year for the first time since I was 13, and come evening I like to practice for a half hour. But I won’t today cos one of my fingers is f’d up. Maybe I’ll have an episode of THE AMERICANS. Then it’ll be 10PM and I’ll go to bed, like an old person. Shit. I think I’m an old person.

(5) I’VE HEARD THIS SONG BEFORE. Cora Buhlert’s “The Three Fractions of Speculative Fiction” jumps off from a Nathaniel Givens article recently linked in the Scroll, analyzing the sources of complaints about Hugo Award winners, then goes back to 2013 when Sad Puppies had barely begun for an eye-opening comparison of Hugo complaints then being made by fan critics and iconoclasts totally unrelated to the Puppies. Extra points to Buhlert for remembering what those other voices were saying.

Nonetheless, I did remember that there was a controversy involving the 2013 Hugos at the time, a controversy I chronicled in several posts here, here and here.

Interestingly, most “The Hugos are broken” complaints that year came not from the puppy side (though Larry Correia waded into the fray, being his usual charming self) but from overwhelmingly British critics, who complained about the alleged lack of sophistication of the nominees. For examples, check out these posts by Justin Landon, Aidan Moher, Adam Callaway and Jonathan McCalmont.

The critics who wrote those posts are not puppies. Quite the contrary, they are probably the polar opposite. Where the puppies complain that the Hugos aren’t populist enough and reward obscure literary works, these critics complain that the Hugos are too populist and not sophisticated enough. However, if you read through those posts (and particularly Justin Landon’s remains a marvel of condescension) you’ll notice that their criticisms of the Hugos eerily mirror those made by the sad and rabid puppies a few years later: The Hugos are broken, they are dominated by a small and incestous clique of aging babyboomers who have been attending WorldCon for decades and/or an equally incestous clique of livejournal posters voting for their friends, those cliques are hostile to outsiders and disregard everybody who doesn’t attend cons as “not a real fan”, only works that appeal to that clique of insiders are nominated and the books/authors the critics like are never nominated. So the Hugos should be burned to the ground or reformed to represent all of fandom or maybe a new award should be established to better represent what’s best in SFF. And as if the puppy parallels weren’t striking enough, many of those posts also contain some bonus condescension towards women writers and writers of colour. Oh yes, and they all agree that Redshirts is an unworthy nominee. Ditto for Lois McMaster Bujold and Mira Grant/Seanan McGuire. Opinions are divided on Saladin Ahmed.

So what is going on here? Why do two seemingly diametrically opposed groups make so very similar points? …

(6) TODAY IN HISTORY.

  • September 13, 1977 – Jay Anson’s The Amityville Horror is published.

(7) TODAY’S BIRTHDAY BOYS

  • Born September 13, 1916 — Roald Dahl
  • Born September 13, 1939 — Richard Kiel

(8) NOT ALL CATS ARE SJW CREDENTIALS. L. Jagi Lamplighter, in “The Bifrost Between Calico and Gingham”, explains the difference between Sad Puppies and those who are satisfied with the Hugos, using “Cat Pictures Please” as an illustration [BEWARE SPOILERS].

I have been asked what the Puppies—Sad and Rabid alike—are objecting to? If they are not racist or homophobes—ie, if it is not the author’s identity that they object to—why do they think that so many of the stories that have been winning the Hugo and the Nebula are receiving their awards for the wrong reasons?

I think I can explain. I will use, for my example, the short story that won the Hugo in 2016: “Cat Pictures Please.” ….

So, to Left-Leaning readers, “Cat Pictures Please” is a witty story with a common, but perhaps new-to-them, SF premise, which also reinforces their idea of truth about the world and comes to a delightfully-satisfying conclusion.

The mixture of the simple SF premise, the wit, and the satisfying political leaning make it a very delightful story indeed.

To anyone who is Right-Leaning, “Cat Pictures Please” is a witty story with a common, and perhaps not-so-new-to-them, SF premise, which is full of concepts and moral choices that grate on them the wrong way, and the end is, while a bit amusing, rather unpleasant.

The first group says, “This is a great story!

The second group says, “Look, I’ll be fair and overlook all the pokes in the eye, but as I am regarding the story through my blurry, now-painful eyes, I want to see some really fantastic science fiction. Something that wows me so much that I am going to think it is worth putting next to “Nightfall” or “Harrison Bergeron.” And I just don’t see it.

 “Your stuff is not new. If you take today’s problems and put them in space, that’s not science fiction. You need the new, the controversial, to be SF. 

“Where is the stuff that’s going to shake my world and make me think, the way the Hugo winners of years gone by, such as “The Ones Who Walk Away from Omelas”, did?

(9) HOW HUGO VOTING CHANGES MAY WORK. Cheryl Morgan wrote an analytical post after watching the MACII Business Meeting videos – “WSFS Has Spoken – What Does It Mean?” —  which I just got a chance to read today. I found Cheryl’s speculation about the impact of the changes to the Hugo voting rules very interesting, indeed. Here’s just one brief excerpt:

So I have no objection to the detection of “natural slates”. Politically, however, I suspect it will be a minefield. If, next year, when EPH is used on the actual voting, people who are not on the Puppy slates get eliminated by it, I think that there will be an outcry. Fandom at large is expecting EPH to get rid of all of the Puppies, and no one else. It will not do either. People are not going to be happy.

Another potential issue here is the effect that EPH will have on Helsinki in particular. Finnish fans will presumably want to vote for Finnish works. Because there are a lot fewer Finnish writers than non-Finnish ones, there will be much less diversity in their nominations. I suspect that EPH will see the Finnish votes as a slate and kick some of the nominees off. That too will make some people unhappy, including me.

(10) JEOPARDY! Another science fiction question on Jeopardy! This one was worth $800 in Numerical Literature. Steven H Silver sent a long a screencap, and confirmed “They got it right.”

jeopardy-que

[Thanks to John King Tarpinian, Steven Silver, Rose Embolism, Mark-kitteh, and Steve Davidson for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

 

Joe Hill Signs in Pasadena

—Joe Hill takes questions before signing at Vroman's in Pasadena on May 25.

—Joe Hill takes questions before signing at Vroman’s in Pasadena on May 25.

By John King Tarpinian: Joe Hill is doing a book signing tour to promote his new book, The Fireman.  (In the book he admits he stole the title from Ray Bradbury)  This is my third encounter with Stephen’s boy, who has made quite a name for himself on his own.  Joe’s pen name was chosen by him to distance himself from his dad so people would not think he was just “writing” on his father’s coattails, so to speak.  Hill is a shortening of him mother’s maiden name, Hillcrest.  Wednesday’s signing was in Pasadena, CA with Thursday’s being in San Diego.

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My first encounter with him is at ComicCon 2009.  I was part of Ray Bradbury’s entourage and another in our group noticed Joe across the hall.  I went over to ask Joe if he wanted to say hello to Ray, not knowing he had never met Ray.   My second encounter was when Joe talked at the ComicCon tribute to Ray after his passing.  What I took from that as a child his dad would read The Halloween Tree to him and his siblings on Halloween.

Joe Hill and Ray Bradbury at Comic Con 2009. Photo by John King Tarpinian.

Joe Hill and Ray Bradbury at Comic Con 2009. Photo by John King Tarpinian.

The man is very personable, a delightful speaker that kept the audience fully entertained.  He started his talk by giving a brief history of his literary works…as if the audience did not know.  He then took a panorama picture of the audience that he posted on something called Twitter. (If you go to look I am the fat man wearing the suit.)  Joe then read from his new book.

Joe Hill takes photo of Vroman's audience.

Joe Hill takes photo of Vroman’s audience.

Among the things we learned is that he is working on a spec. script of Locke & Key for television.  Just before the event he received a text telling him that The Fireman is entering the New York Times Bestseller list at #1.  At that news the audience gave him another of many rounds of applause.

One of his guests for the evening was Canadian comic book illustrator, Kate Leth. She was constricted to participate with the kazoo band.  Among her works is Adventure Time.

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Joe Hill gets ready for the kazoo performance. Kate Leth is in the center, standing.

Joe selected three people in attendance, at semi-random; to receive custom made Fireman Kazoos and then lead the audience in renditions of “Hey Jude” and “Chim Chim Cher-ee.”  After that, he held a Q&A until our hosts decided it was time to start the signing.  The rules of the house were you could bring three things from home for each copy of The Fireman you purchased, more than fair.

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Pixel Scroll 5/17/16 There and Gernsback Again

(1) I WONDER WHAT THE KING IS DOING TONIGHT. Kameron Hurley observes that fame and fortune don’t go hand-in-hand: “Dancing for Dinner: Fame, Publishing, and Breakout Books”.

In my own life, I find I have to remind people often that I have a day job. I actually had a client email me after a conference call one time and ask, “Are you THE Kameron Hurley?” and I had to admit that I was. I had to have a conversation with my boss about online harassment, and how the release of my upcoming essay collection, The Geek Feminist Revolution, might create some pushback at my job, and how we should handle that should it happen. The whiplash you get in going to an event where people literally scream with happiness when you walk into a room and back to private life where you’re just another cog is really weird (to be truthful, I greatly enjoy my anonymity in Ohio, and don’t want it another way, but the dissonance is weird).

Yet this balancing act between public and private life, or public personae and private day job, is something that many thousands of other writers and artists struggle with every day. I was reading that Joe Abercrombie kept his day job for a lot longer than you might have thought (and even then, picked up freelancing jobs until a few years ago), and Gene Wolfe has had a day job his whole career. Most of us have to do this. It’s just… increasingly awkward to find that the fame part comes so much faster than the money part (if the money comes at all). There’s this strange assumption that by being an artist, you have traded away your private life in exchange for money. But what about those of us who never have the money to keep ourselves safe from the fame?

(2) HILL’S DARKSIDE. Coming in October from IDW, “Joe Hill’s Terrifying Scripts For Tales From The Darkside Collected”.

Originally planned as a reboot for the storied series, Hill’s scripts for these never-broadcast television episodes allow the New York Times bestselling author to stretch his creative muscles, his effortless mastery of the twisted subject matter injecting new terrors into this silver screen legend.

Joining Hill in resurrecting this classic is Charles Paul Wilson III, known to many Joe Hill fans as the artist responsible for the nightmare vision made real in their most recent collaboration…

“When I was offered a chance to reinvent Tales from the Darkside, I leapt,” said Hill. “This was a landmark show for my generation: our Twilight Zone, our Outer Limits. Right away, I wanted to do something that honored the spirit of the original Darkside… and at the same time I wanted to go bigger, to do something fresh, something with scope. In the end I wrote three scripts and sketched a vision for a whole Darkside universe. I envisioned a series of individual horror stories that would, ultimately, turn out to be connected by a single mythology. I really wanted to do something with the scale of Locke & Key. TV is tough and in the end we didn’t quite make it to the little screen. But it’s a delight and a thrill to share the scripts alongside Charles Paul Wilson’s beautifully sick illustrations. Here’s the show that could’ve been, now playing in your imagination.”

Tales From The Darkside was created by George A. Romero.

(3) MONSTER CENSUS. Max Florschutz, in “Being a Better Writer: Micro-Blast #3”, answers the question “Do I Need Fantastic Creatures in My Fantasy?”

No, actually.

All right, let me explain a bit more. Usually when we think of fantasy we think of fantastic creatures: Beings like dragons, unicorns, monstrous beasts, etc. Such creatures fill the realm of myth and legend the world over, and are a common sight in fantasy stories. But do you need one in your story?

Well, no. There are plenty of stories out there where the fantastic and the incredible happen without any sort of mythical, shocking, or otherwise out-of-the-ordinary beasts and creatures entering the narrative. A lot of stories are about human interaction, no beasts needed. You can still write a fantastic fantasy without any indication or even mention of fantastic beasts, and there are plenty of fantasy books that prove this as well. For example, take the success of GRRM’s Game of Thrones books. Granted, they pull in dragons and other fantastic beasts as the series moves on, but such elements only, if I recall correctly, appear right at the end of the first book—the rest of that introduction to the series draws more on the characters and the goings-on of a political kingdom to keep you reading (as well as lots of incest and other elements, which is why I only ever read that first book and didn’t care to move on).

My disinterest in the series aside, the first title in the series shows that your fantasy doesn’t need to have fantastical beasts in order to be gripping. You can write a fantastic amount of drama, magic, and excitement without ever needing a fantastical creature.

(4) STRAW WARS. Bence Pintér, editor-in-chief of the Hungaran SF portal Mandiner.sci-fi, recommends a funny video from Hungary. Public workers created Star Wars sculptures from bales of straw in Tiszaigar, a small village in the Great Hungarian Plain.

(5) PLANETARY SOCIETY. Robert Picardo’s Planetary Post, “A Visit to JPL.”

Welcome to the fourth installment of The Planetary Post, our monthly newsletter from Robert Picardo featuring the most notable space happenings. This month we head to JPL for a tour with two young friends.

 

(6) LONGLIST. Aaron Pound is gathering data for “The Hugo Longlist Project” at Dreaming of Other Worlds.

As I noted a few days ago, it does not appear that anyone is tracking the nominees on the Hugo longlist. There are plausible reasons for this, the most important of which is that it is entirely informal and unofficial. The Hugo administrators usually do not even bother to determine if a particular nominee is eligible in the category they have been nominated in unless it makes the list of finalists. This does not mean, however, that this data is not without value. Thus far, however, it has not been compiled into a coherent whole. This project is intended to fill in this gap by compiling all of the Hugo longlist data into a series of posts so it is all accessible in one location. Some notes:

  1. Though the Hugo statistical data that is released concerning the top fifteen nominees lists the total number of nominations each work received and ranks them accordingly, they are presented here in alphabetical order. Perusing the statistics, it is not uncommon for a work to receive the most nominations in the nominating round, but not win the Hugo award in the award selection round. This indicates to me that the raw number of nominations is not a worthwhile guide to whether one work is “better” than another in the eyes of the Hugo voters.

(7) NEBULA TRIP REPORT. Zak Zyz filled in readers about “My trip to the Nebulas, Installment 1: Cry Havoc and let slip the Blogs of War”.

I was sick as hell on Thursday but made a point to get out to see at least @MikeRUnderwood’s sales panel. Very valuable info, he first went into an explanation of a few retail-style presentation techniques useful for displaying books when working a booth at a con.

Two presentation points I plan to implement:

  1. Have bookstands, a tablecloth, and ideally a banner or a sign that complement your brand
  2. Have a stack of books underneath yours, so people know they aren’t taking your last copy.

Mike Underwood has a lot of sales and retail experience and it shows. He talked about a flowchart method to his sales pitch, favoring a soft-sell approach with a lot of emphasis on gauging the comfort and interest level of a prospective buyer. He talked about the importance of genre familiarity, knowing what’s popular for comparison not just to your own genre, but to build bridges to people who aren’t necessarily SFF readers (or even big readers at all) in larger conventions with a more diverse crowd. A final tip was offering people who were interested but not willing to commit to a sale a chance to join your email list.

This was a valuable panel that taught me a few things that will make it easier to sell books in person. He also fielded my question about selling books to independent stores, with some great advice about talking to book buyers. Just the information in this one panel was worth the price of admission to me.

I should also note Mike has an active Kickstarter going for Genrenauts.

(8) CAMERA ARTISTE. John Scalzi announced on Whatever that he posted an exquisite set of photos of the Nebula Awards banquet in this Flickr album.

(9) ZERO YOBS. Nigel battled Damien Walter on Twitter.

I don’t think Walter is actually wrong. Those looking for WSFS rules permitting an action should try the thought experiment of looking instead for rules that will prevent that action. The WSFS rules give great latitude to the committee in all matters that aren’t specifically addressed in the WSFS constitution. The necessary ingredient is for the corporate entity running the con to have the political will to act — I have no idea whether MACII has even discussed the idea. Also, it would cost money to refund memberships — don’t underestimate that issue.

(10) S.H.I.E.L.D. TRAVELS IN TIME. Comic Book Resources reports “ABC Bumps ‘Agents of SHIELD to New Timeslot”.

When “Agents of S.H.I.E.L.D.” returns to ABC this fall, the show will air in a new timeslot: Tuesday nights at 10 pm EST. This pushes the show back an hour from its original 9 pm slot, which will now be filled by “Fresh Off the Boat” and “The Real O’Neals.”

The news follows the cancellation of “Agent Carter,” which aired during “S.H.I.E.L.D.’s” past two winter hiatuses, and ABC’s decision not to move forward with the Mockingbird-centric “Marvel’s Most Wanted” spinoff.

(11) INNOVATION. The Valley Forge in 2017 NASFiC bid has posted a new progress report on Facebook.

We’re pleased to announce the Valley Forge 2017 Mobie Fund!

Mobie Fund Mission: The Mobie Fund will provide monetary assistance to those fans who have difficulty attending NASFIC due to the financial burden of mobility scooter rental. We will seek donations from all who want to help make NASFiC accessible. Valley Forge 2017 will match donations to the fund, up to $500.

After the site selection vote at MidAmeriCon II, the 2016 WorldCon, we will accept donations in cash or through Paypal via our website. At the same time, those who wish to apply for financial assistance for mobility scooter rental can contact us through our website.

Please note: The Mobie Fund is first-come, first-serve. We will confirm that your spot is available, but it won’t be secured until we receive your registration for the con. Upon arrival at the hotel, you can pick up your pre-paid mobie at the mobie rental spot. If, at the end of the con, the Mobie Fund still has a balance, we will reimburse that money among the other mobie riders at the con.

(12) SUICIDE SPINOFF. According to Yahoo! Movies, “Margot Robbie Spearheads Proposed Harley Quinn Movie With More Female DC Comics Characters”.

Months ahead of the opening of Suicide Squad, Warner Bros. is already contemplating a spin-off for the DC Entertainment anti-heroine, Harley Quinn.

Margot Robbie, who stars as the villainess in Suicide Squad, is attached to reprise the character and would also produce the untitled spin-off, The Hollywood Reporter has learned.

But in an interesting twist, the project is not a Quinn solo movie. Rather, it would focus on several of DC’s female heroes and villains.

Details are being closely guarded but names such as Batgirl and Birds of Prey have surfaced, although in what capacity, it’s not clear. Warner Bros. isn’t commenting.

There is also a scribe penning the script but those details, too, are being kept secret, although it is known that the writer is female.

(13) STANISLAW LEM HONORED. A Kraków Science Festival will be named after Stanislaw Lem says Radio Poland.

Late science-fiction writer, philosopher and futurologist, Stanislaw Lem, is the patron of the 16th edition of the Science Festival, which begins in Kraków, southern Poland, on Thursday.

This year marks the 10th anniversary of Lem’s death. The slogan of this year’s festival is “Time and Space”. “Lem’s work strongly refers to the concept of time and space, which are also the domain of science,” the chairman of the festival’s organising committee, prof. Robert Stawarz, said.

(14) OLDIE BUT GOODIE. Just discovered this 2011 Robot Chicken video today: “Aliens Acid Blood.“

[Thanks to John King Tarpinian, Bence Pintér, JJ and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Leslie C.]

Pixel Scroll 5/10/16 Who Scrolls There?

(1) GO RIGHT TO THE SOURCE. Joe Hill will bring his comic series to the air — see “Locke & Key TV Show Happening with Original Creator Joe Hill” at MovieWeb.

IDW Entertainment (IDWE) announced today that the award-winning, fan-favorite property Locke & Key is being developed as a television series. Author/creator Joe Hill will be writing the pilot and serving as an executive producer. Locke & Key has garnered both awards and acclaim during its five-year run.

Following the titular Locke family as they encounter magic beyond belief and evils beyond redemption, Locke & Key quickly won over readers and has since become a staple in introducing new readers to the medium. With the series adapted in dozens of languages across the globe, and more than a million copies sold worldwide, Locke & Key is an obvious choice to make the transition to the screen. New York Times bestselling author, Joe Hill, has continually captivated readers through his gripping novels and award-winning comic series.

(2) DIG HERE. According to The Independent, a 15-year-old boy believes he has discovered a forgotten Mayan city using satellite photos and Mayan astronomy

William Gadoury, from Quebec, came up with the theory that the Maya civilization chose the location of its towns and cities according to its star constellations.

He found Mayan cities lined up exactly with stars in the civilization’s major constellations.

Studying the star map further, he discovered one city was missing from a constellation of three stars.

Using satellite images provided by the Canadian Space Agency and then mapped on to Google Earth, he discovered the city where the third star of the constellation suggested it would be….

(3) DISABILITY METAPHORS. The Our Words launch included reposting “Corinne Duyvis on Minding Your Metaphors”, which first appeared on SF Signal in 2014.

I’m a co-founder of the website Disability in Kidlit as well as an author who regularly writes disabled characters; both my recently published fantasy novel Otherbound and my upcoming sci-fi novel On the Edge of Gone feature disabled protagonists. On top of that, I’m disabled myself. It’s pretty safe to say I’m a huge fan of disability representation. Specifically, I’m a fan of accurate, respectful, and textual disability representation.

However, when writing science fiction and fantasy, it doesn’t just stop at featuring textually disabled characters. Many SFF stories contain disability metaphors. These span a wide range—from purposeful to unintentional, from obvious to subtle, and from well-done to inadvertently offensive.

(4) SWIRSKY ASKS. Rachel Swirsky conducts a “Silly interview with Spencer Ellsworth whose bedpost notches are real people”.

…Every time I see Spencer, I always ask the same question. You see, several years ago when Ann Leckie was running Giganotosaurus, I sometimes did first-round reading for her. And while Ann and I have very similar taste, we don’t have identical taste. So once in a while we’d come up against a story that I was jazzed about, but that didn’t quite cross her threshold. So every time I see Spencer, I ask about that one story that got away…

(5) PKD COMES TO TV. io9 has the story: “Philip K. Dick Is Getting an Anthology Show, Courtesy of Bryan Cranston and Ronald D. Moore”.

“Ronald D. Moore, Bryan Cranston, and Philip K. Dick” are three names you probably never expected to see in the same sentence together. But that’s what’s happening as the longtime scifi producer and the acclaimed actor are teaming up to bring the legendary writer’s work to TV in a new anthology series for the UK.

Electric Dreams: The World of Philip K. Dick will be a 10-part miniseries written by Moore, who will executively produce alongside Michael Dinner (Justified, Masters of Sex) and Bryan Cranston, who will also star in the series itself. Each episode will be a standalone story that illustrates Dick’s “prophetic vision” and “[celebrates] the enduring appeal” of the writer’s past work. Isa Dick Hackett, whose past work includes The Adjustment Bureau and The Man in the High Castle and is Dick’s daughter, will also produce the show.

(6) WILLIAM SCHALLERT OBIT. His best known role was as the dad in The Patty Duke Show, but William Schallert appeared in dozens of series in a career that spanned eight decades (1947-2014). He passed away May 8.

Most fans would consider the peak of his sf career to be playing Nilz Baris, under secretary in charge of agricultural affairs for the United Federation of Planets, in Star Trek’s “The Trouble with Tribbles” episode.

Schallert on Star Trek

His genre work started with many bit parts, like the uncredited Gas Station Attendant in Mighty Joe Young (1949), and most of the time he was a supporting actor. IMDB shows he was in The Man From Planet X (1951), Space Patrol (1951-52), Invasion U.S.A. (1952), Gog (1954), Them! (1954), Tobor the Great (1954), Commando Cody, Sky Marshal of the Universe (1955), The Incredible Shrinking Man (1957), The Monolith Monsters (1957), Men into Space (1960), The Twilight Zone (1960), One Step Beyond (1959), The Wild, Wild West (1967-69), Land of the Giants (1969), Colossus: The Forbin Project (1970), The Six Million Dollar Man (1974), The Bionic Woman (1976), Legends of the Superheroes (1979), Twilight Zone: The Movie (1983), The Twilight Zone (revived series) (1986), Quantum Leap (1989), Star Trek: Deep Space Nine (1993), and Lois and Clark: The New Adventures of Superman (1994).

Schallert recorded this promo for MeTV in April 2014 when he was 91 years old.

Schallert featured in one of the Patty Duke Show themed PSA’s the Social Security Administration put online in 2010.

(7) SLATE THOUGHTS. Gary Denton of the Nightly Nerd News said as part of a long comment on Facebook:

I agree that slates violate the intention of the Hugo Awards that individuals should only nominate what they enjoyed and thought worthy of an award for best of the year. I also believe all elections eventually come to be dominated by parties and people have a right to oppose parties or support parties. Just don’t vote blindly folks, have an opinion on each item, don’t follow orders.

I believe that E Pluribus Hugo will only lessen the problem with slates, 20% of voters all following orders on how to vote even with votes on each ballots fractionalized will still allow disciplined Fascists treating this as a show of strength to dominate the ballot. Fascist is the correct term here, they are blindly following orders on what to vote for.

A digression, I dislike the editor nominations. Samples of what they actually did that year need to be included and that seems problematic. On all awards you need to have samples if not the whole thing to cast an informed vote, otherwise it is a popularity contest. If I can’t determine what they worked on last year and make a guess at how well they did they won’t get a vote from me. It is easier with short form editors. Wow, that magazine or anthology had a lot of amazing stories, that editor deserves an award…

(8) IT AIN’T ME. Max Florschutz processes a conflict some young writers have: “Being A Better Writer: Author Morals and Character Morals” at Unusual Things.

…Think about the last book that you read or movie that you watched that has a dangerous, unstable, or otherwise alarming character in it. Maybe they were a sleazy scumbag, or maybe a serial killer. A ruthless businessman, or an unscrupulous social worker. Basically, a character that was dangerous, alarming, or perhaps just unstable.

Now think about that character in relation to the author. And here’s where today’s topic comes into play. Do you think that because the author created a character like that, it means that they are, in some way, like that character?

The obvious—and correct—answer is no. I’ll say that again for emphasis, no, it does not. And this is where we run once more back into the question that plagues so many young writers: how can they write characters like that despite being nothing like them?

The trick is that for many this is not a question of being able to write good characters or filling their pages with creative prose. That’s not the consideration at all.

No, what a lot of these young writers are asking is how you deal with writing a character that’s not just different from themselves, but is different in a way that they find morally objectionable….

Yeah, some of you might be chuckling right now or even laughing and shaking your heads, but this is a real barrier that a lot of young writers run into. There’s a real question of where they stand on their own feet while writing characters that may hold different views than the, attitudes, or morals than them….

These characters are not you. They will swear. They will fight. They will make poor choices and good ones. As the author writing these characters, separate what they believe from what you believe because, unless you’re writing self-inserts (common enough), these characters are going to be as different from you as anyone else you meet in your life, and their emotions, thoughts, and other assorted things are theirs, not yours. That distinction is important. Your morals, ethics, and concepts, the stuff that makes you a person is not the same as theirs.

For instance, I am not a sociopath serial killer who stalks young couples. But one of my characters, Amacitia Varay, is. That doesn’t mean that I agree at all with her mentality, or the things that she says, or at all in any way what she does (all of which you can read about in the pages of Unusual Events). But I wrote the story … and it was her story, from her perspective and about her beliefs.

(9) MEET THE NEIGHBORS. Nerd & Tie’s Trae Dorn has learned Anime Midwest (July 8-10) will be sharing space with a porn convention:

In a bizarre coincidence, this year Anime Midwest will end up sharing the Donald E. Stephens Convention Center [in Rosemont, IL] with the Exxxotica Expo, a touring convention for “Adult Entertainment.” Exxxotica bills itself as “the Largest Adult Event in the USA Dedicated to Love & Sex.”

While Anime Midwest’s management (I’m just guessing) probably wants to distance themselves from Exxxotica publicly, Exxxotica management has embraced the proximity between events. Apparently, anyone with an Anime Midwest badge is being offered discounted admission to the porn expo and is planning “adult anime” events including a cosplay contest and “sexy anime seminars.”

You can’t make this stuff up.

This is… probably terrible? Pretty sure this is terrible. Frankly, many anime convention attendees are under the age of 18, and the idea that these underage attendees are going to be in immediate proximity of this kind of event doesn’t really do anyone any good. There are a list of bad things happen from the merely uncomfortable to the dangerous that are racing through my head.

I want to be clear that this is patently not Anime Midwest’s fault. It’s not a big enough event to rent the entirety of the Stephens Convention Center (which also is the home to the much larger Anime Central), and they cannot control what the owners of the site do with the space they don’t have under contract. We’re not huge fans of AnimeCon.org around here (for both obvious and not so obvious reasons), but honest to god there is no way they could have seen this coming.

(10) HOGWARTS. Costume sketches from Harry Potter and the Cursed Child.

(11) WILLIS, WHITE, AND IAN MCDONALD. Visual Artists Ireland says Richard Howard will speak about The Secret History of Northern Irish Science Fiction at the Centre for Contemporary Art Derry~Londonderry on May 19 at 7:30 p.m.

Using the exhibition Scissors Cut Paper Wrap Stone (ending May 21st, info here) as a point of departure, this talk will sketch the history of a science fiction tradition in Northern Ireland. Beginning in the late nineteenth century with Robert Cromie, it will trace the development of this tradition in the region, a tradition solidified by Belfast natives Walt Willis and James White, who instigated the Irish Fandom science fiction group in the 1940s and produced the fanzines Slant and Hyphen. Willis and White were eventually joined by Bob Shaw, one of the most prolific science fiction authors the region has produced. Shaw and White’s own efforts in the genre from the mid-twentieth century to its end will also be discussed; short stories and novels that were received in the context of the international science fiction community, but that extrapolated from and estranged the material conditions of Northern Irish society. As the latest iteration of the tradition, there are many schisms within the genre that separates the work of Ian McDonald from those that came before him. The paper will nevertheless attempt to propose a unified theory of Northern Irish science fiction, if only to detect the remainders and contradictions that might answer the questions: to whom is Northern Irish science fiction a secret and why?

(12) IS CAPTAIN JACK COMING BACK? Den of Geek speculates whether Captain Jack will be appearing on Doctor Who.

After he brought back Alex Kingston’s River Song for last year’s Doctor Who Christmas special, it’s starting to look like Steven Moffat may repeat the trick this year by bringing back another long-time absentee from the supporting cast for a festive reprive.

John Barrowman has teased that he has work in Cardiff in the near future, which has led the internet to suggest that he could be appearing in the 2016 Doctor Who Christmas special. Or maybe even the spin-off series, Class.

For the record, all Barrowman said – while promoting his new book in a Welsh Waterstones – was that “I will be back in Cardiff in about a week and a half… but I’m not telling you what for!”

That’s enough to get a rumour started, since the Welsh capital is synonymous with the production of Doctor Who at this stage. Perhaps it’s a bit soon to get excited, but the idea of Captain Jack Harkness bantering with Peter Capaldi’s Doctor is a tantalising proposition, isn’t it?

(13) LONDON ROBOT EXHIBIT NEXT YEAR. The London Science Museum’s 2017 show about robots in the Daily Mail is accompanied by a small photo gallery.

Throughout history, artists and scientists have sought to understand what it means to be human and create machines in our own image.

Soon, a new exhibition will explore our obsession to recreate ourselves, revealing the remarkable 500-year history of humanoid robots.

The forthcoming show at London’s Science Museum will include a collection of more than 100 robots from a 16th-century mechanical monk to robots from science fiction and modern-day research lab.

Set in five different periods and places, this exhibition will explore how robots and society have been shaped by religious belief, the industrial revolution, 20th century popular culture and dreams about the future.

As well as celebrating machines of the past, the exhibition will examine scientists’ quest to build ever more complex and human-like robots that are able to learn from their mistakes and express emotions.

Ian Blatchford, Director of the Science Museum Group said: ‘This exhibition explores the uniquely human obsession of recreating ourselves, not through paint or marble but in metal.

Seeing robots through the eyes of those who built or gazed in awe at them reveals much about humanity’s hopes, fears and dreams.’ …

The Science Museum has also launched a Kickstarter campaign that will pay to rebuild Eric, the UK’s first robot.

Originally built in 1928 by Captain Richards and AH Reffell, Eric was one of the world’s first robots and travelled the world to amaze curious crowds in the UK, US and Europe before disappearing.

If the full £35,000 ($50,596 is raised, the historic replica will become part of the museum’s permanent collection, as well as featuring in the Robots exhibition. It will also travel the world as part of the exhibition’s international tour, just like the original Eric did 90 years ago.

[Thanks to John King Tarpinian, Will R., James H. Burns, JJ, and Hampus Eckerman for some of these stories. Title credit goes to File 770 contributing editor of the day Peace Is My Middle Name.]