By John King Tarpinian: Thursday evening the South Pasadena, CA main library screened Ray Bradbury’s Wonderful Ice Cream Suit. This is a Disney movie that very few people have ever heard of or seen, yet it is considered to be the best translation of a Bradbury story to film. Among those who thought this was Ray himself. Of course, he wrote the script.
Before the evening’s festivities there were a few guest speakers. Lisa Reynolds, owner of the Fremont Center Theatre, where Ray produced his last plays…Ice Cream Suit, twice. Lisa talked about what an honor to have had her 99-seat theater selected by Ray. Next was Robert Kerr, a member of the Ray Bradbury Pandemonium Theatre Company.
Lisa Reynolds
Up next was Stuart Gordon, director. Stuart talked about getting the film made. Ray was on set every day. Sid Caesar and Howard Morris played the tailor and his assistant. Writing a script for those two made no sense, they just improvised their scene. Ray was in tears laughing so hard during filming. If you are too young to have grown up with Your Show of Shows go directly to YouTube. If you have watched The Andy Griffith Show, Howard Morris was Earnest T. Bass.
Stuart Gordon
Last up was Joe Mantegna. One of his first acting performances while a young man in Chicago was in a stage production of Ice Cream Suit. Then 25 years later he was asked to reprise the role in the movie. Joe has done other appearances to support the movie and libraries. Last year he helped support the Pomona Library with a screening of the movie. Coming this August 22 (see Wednesday’s Scroll), he will be reading passages in the garden in front of the Los Angeles Central Library on what would have been Ray’s 96th birthday.
Joe Mantegna
The screening was in a library’s community room, which was the original Carnegie library. They had set up 125 chairs initially and had to put out more as people arrived with some late comers having to stand. This is a fun movie to watch with an audience who has never seen the movie before because of what might be one of the greatest “reveals” on film. No spoiler.
If you’ve not seen this lovely little movie I suggest you go to Amazon to either stream it or buy the DVD. It really is worth it. Not sci-fi but a lovely fairytale.
Her relationship with her younger sisters is complicated. They are our biological daughters, and this creates deep and unavoidable conflict for her. No matter how much we reassure her that we love her the same as the younger girls, she tests us.
During the scenes in Supergirl where Alex and Kara explore the painful aspects of their relationship as sisters through adoption, our whole family absorbs every word, every expression, because seeing this dynamic on mainstream television makes our family feel less alone. The fact that both Alex and Kara are kickass, strong, smart, flawed, beautiful women who work hard, cry, laugh, yell, fight, and make mistakes has been an incredible model for all of our girls.
[From Marley’s Welcome.] Welcome to the #1000blackgirlbooks Resource Guide. I started this campaign because I wanted to read more books where black girls are the main characters. With your help we have collected over 4000 books; many of them are have the same title, but we do have lots of unique ones as well. This guide includes 700 of those books and more is coming.
I believe black girl books are really important because when you are young you want to read lots of books, but you especially like to read books with people that look like you. While I have books at home about black girls, the books at school were not diverse. Children do most of their reading in schools or because of schools. Teachers assign books that you must read. If those books are not diverse and do not show different people’s experiences then kids are going to believe that there is only one type of experience that matters. Also, if books are not diverse then kids will not learn about the experiences of other members in their community.
(3) BELGIUM CALLING. Nicholas Whyte checks in from Brussels, in “Losers” at From the Heart of Europe.
I finally made it to the office at 1022, those last two kilometres having taken me 90 minutes to drive, to find most of my colleagues gathered ashen-faced in the lobby, greeting me tearfully – I was the only person who was unaccounted for, due to my phone being out of order – and giving me the headlines of what had happened. It’s nice to feel appreciated, still more so when I logged on and saw many concerned messages from friends and family, and even more so when people responded to my posts confirming that I was safe. One of the great things about the interconnectedness of today’s world is that we can often catch up with our friends quickly – Facebook’s check-in system in particular is a source of reassurance.
The horror has hit very close to home. I have flown out of Brussels airport in the morning five times this year, and was originally due to do so again on Friday to go to Eastercon in Manchester (in fact my plans have changed and I’ll take the Eurostar to London for work tomorrow and travel on up by train). My wife was flew out on Monday for a funeral in England and was due to fly back last night; her flight was cancelled and she will now return by Eurostar this evening. Maelbeek metro station (the four-pointed star on my map) is in the heart of the EU quarter, and I go past it almost every day and through it several times a month; a former colleague was actually on the train that was bombed, but fortunately escaped without injury; another former staffer (from before my time) was in the departure hall of the airport, and is recovering well from minor injuries.
… This happened because they [the terror movement] are losing. Less than a week ago, a major figure in the terror movement was arrested in Brussels; perhaps yesterday was revenge for his arrest, perhaps it was rushed into because they were afraid he would start talking (or knew that he already had). On the ground, their allies and sponsors are losing territory and resources in Syria and Iraq. I wrote a week ago about violence as story-telling, in the Irish context. This is an attempt to write a story about the weakness of our interconnected world, attacking places where people travel and meet, where many nationalities and cultures join together and build together.
It is a narrative that must not and will not win…
(4) MIND MELD. SF Signal’s current Mind Meld, curated by Andrea Johnson, asks —
Q: What non-mainstream Scifi/fantasy Graphic Novels do you recommend?
It’s obvious what’s going on here, right? That’s Hamilton/Breq in the middle, and she’s recruited Agent Carter, Lieutenant Peepsarwat, and Translator Zeiat in her search for the Presger gun. That case Agent Carter is carrying?
Think your DNA is all human? Think again. And a new discovery suggests it’s even less human than scientists previously thought.
Nineteen new pieces of non-human DNA—left by viruses that first infected our ancestors hundreds of thousands of years ago—have just been found, lurking between our own genes.
And one stretch of newfound DNA, found in about 50 of the 2,500 people studied, contains an intact, full genetic recipe for an entire virus, say the scientists who published their findings in the Proceedings of the National Academy of Sciences.
Whether or not it can replicate, or reproduce, it isn’t yet known. But other studies of ancient virus DNA have shown it can affect the humans who carry it.
In addition to finding these new stretches, the scientists also confirmed 17 other pieces of virus DNA found in human genomes by other scientists in recent years…
A new study published today in Nature reports discovery of a rare event—that Earth’s moon slowly moved from its original axis roughly 3 billion years ago.
Planetary scientist Matt Siegler at Southern Methodist University, Dallas, and colleagues made the discovery while examining NASA data known to indicate lunar polar hydrogen. The hydrogen, detected by orbital instruments, is presumed to be in the form of ice hidden from the sun in craters surrounding the moon’s north and south poles. Exposure to direct sunlight causes ice to boil off into space, so this ice—perhaps billions of years old—is a very sensitive marker of the moon’s past orientation….
“The moon has a single region of the crust, a large basaltic plain called Procellarum, where radioactive elements ended up as the moon was forming,” Siegler said. “This radioactive crust acted like an oven broiler heating the mantle below.”
Some of the material melted, forming the dark patches we see at night, which are ancient lava, he said.
“This giant blob of hot mantle was lighter than cold mantle elsewhere,” Siegler said. “This change in mass caused Procellarum—and the whole moon—to move.”
The moon likely relocated its axis starting about 3 billion years ago or more, slowly moving over the course of a billion years, Siegler said, etching a path in its ice.
(8) INDICATION OF TOR. John C. Wright still has one last book on the way from Tor – The Vindication of Man. Rather a dim-looking cover on the preorder page. The release date for the hardcover is November 22.
(9) TODAY’S BIRTHDAY BOY
Born March 23, 1952 — Kim Stanley Robinson. The other great sf writer born in Waukegan!
(10) HE WRITES ABOUT THEY. Although John Scalzi’s post about gender-neutral pronouns is interesting, I found his personal demonstration in the comments even more so:
Also, for the record, my stance on pronouns, as they regard me:
He/him/his: My preferred set. Please use them in all things involving me.
They/them/their: Not my preferred set, but I don’t mind them being used for me.
It/it/its: This is a non-gender construction but generally isn’t used for individual humans (excepting, from time to time, infants), and is mostly used for animals and objects. Please don’t use them for me; if you do I’ll wonder why you are, and also wonder if you see me as an object, which would make me wonder if you’re a sociopath of some sort.
She/her/her: Not my gender! Be aware that in my experience when someone uses these for me, they’re usually trying to insult me in one way or another. So unless you want my default impression of you to be that you’re a sexist twit, please don’t use this set for me.
Other constructions: Really, no. “He” or “They” is fine. Thanks.
(11) DO YOU FEEL LUCKY? Claire Rousseau’s series of tweets ends on a rather optimistic note, considering the 2016 Hugo ballot isn’t out yet.
The Sad Puppies are way less threatening now that we've avoided the nuclear arms race of everyone making slates. (13/?)
And after being selectively quoted by Jim Hines who pretended I was calling anyone not with the puppies worse than those who abetted the holocaust and the holodomor, by cutting out the part where I addressed those who destroy lives and reputations for a plastic rocket, we have at least established what Jim Hines is. He’s not duped by those destroying reputations and lives. He’s one of the principals. I have only one question for him: But for Wales, Jim?
(14) PUPPYING WITHOUT UMLAUTS. Some of Declan Finn’s days are better than others. “The Evil of the Puppy Kickers” at A Pius Geek.
But last time I checked, Vox Day has really never dismissed his enemies as being subhuman. Nor has he suggested murdering any of them. Not even NK Jemisen, who has her own little war with Vox going that stretches back at least two years. He’ll still debate, or reason, or scream right back at her, but he’ll at least reply to whatever is thrown his way.
You may not like what he says, but he at least acknowledges that she’s someone worth having a fight with.
Can’t say that for the Puppy Kickers. They like being the ubermensch of their own little Reich, and it’s getting tiresome, really. The ones who are really in charge rarely, if ever, acknowledge any argument outside of their own little echo chamber.
Did I mention that the MAIN MONSTER HUNTER HIMSELF, LARRY CORREIA, will be joining us on GUN STORIES WITH JOE MANTEGNA this season? The MONSTER HUNTER books are modern classics. I just finished reading SON OF THE BLACK SWORD, the first book in his newest series, and it was excellent.
(16) CROWDFUNDED CON. The Museum of Science Fiction in Washington, DC is running a Kickstarter appeal to fund guests for Escape Velocity, a convention it plans to hold July 1-3. At this writing, people have pledged $14,348 toward the $18,000 goal.
Something special is coming to National Harbor, Maryland – a science fiction convention on a mission. This July 1st to 3rd, the Museum of Science Fiction will be launching ESCAPE VELOCITY, a micro futuristic world’s fair where STEAM (science, technology, engineering, the arts, and mathematics) and science fiction will collide to create a geeky-fun, educational, and above all, fascinating spectacle for kids and adults alike!
A couple of the guests they expect to have are —
Rod Roddenberry, recently announced executive producer for the new Star Trek TV series for 2017 will make a keynote presentation to celebrate Star Trek’s 50th Anniversary and discuss his work with the Roddenberry Foundation.
Adam Nimoy, son of Leonard Nimoy, who played Mr. Spock on Star Trek, is coming to Escape Velocity to discuss his father’s legacy and his new documentary film, For the Love of Spock.
In addition to screening parts of the documentary, Nimoy will join Rod Roddenberry on an Escape Velocity discussion panel moderated by screenwriter and Museum of Science Fiction advisory board member, Morgan Gendel, who wrote the Hugo Award-winning Star Trek: The Next Generation episode, “The Inner Light.” “I’ve known both Adam and Rod for years and it’s fascinating to see how each has found a way to celebrate the work of their famous fathers,” said Gendel. “I expect the panel to be a very insightful look into the lives and legacies of two Trek icons.”
Malcolm Edwards was JG Ballard’s editor for several years and worked with him on Empire of The Sun, among other classics. He should be able to give invaluable insights into Ballard’s working methods and the wonderful books he produced – and so is uniquely placed to talk about this month’s Reading Group choice, High-Rise, not to mention the recently released film.
(18) NOT WORTH THE PAPER THEY’RE NOT WRITTEN ON? Max Florschutz takes a deep dive into the value of ebooks at Unusual Things.
You don’t see articles from music sites talking about how MP3 downloads are worthless and shouldn’t cost more than ten cents. You don’t see game review sites asking how dare Steam or Origin have a digital game on launch day cost the same as its physical compatriots.
So why in the book industry is this such a problem? Why is it that a person will look at a digital MP3 download from their favorite artist and buy it without a second of remorse, but then look at a digital book from their favorite author and send them an angry message about how that ebook shouldn’t be more than a dollar?
I don’t actually have an answer to this question. All I have are theories based on what I’m reading and hearing from other people around the internet. Maybe you’ll agree with some of these, maybe you won’t. But all of these are things I’ve heard expressed in one way or another….
1A- Physical books have physical difficulties that imply value to their purchasers. Yes, this much is true. While the story inside the pages remains the same, the trick with an ebook is that it’s hard to compete with an observation of value when looking at one. A physical book? Well, for one, you can pick it up and feel the weight of it, which, to most people, does imply a value. But you can also flip through it, jostle it, check a few pages, see how long it is.
You know what’s interesting? We can do all these things with an ebook. You can flip through it and read a sample. You can see how many pages there are. You can even check reviews—something you can’t do at a bookstore.
And yet … people don’t value that either. And why? Because it’s easy. It’s fast.
(19) GOTHIC INSPIRATION. Paul Cornell starts watching all the Hammer movies in order: “My Hammer Journey #1”.
The Quatermass Xperiment (1955)
The first thing that strikes one is how much of a Val Guest movie this is, and how much, therefore, as a director, Val Guest establishes the Hammer ethos. Guest’s forte is a kind of poetic modernist postwar British craft, a deceptive air of understated hard work that nevertheless not only gets everything right, but elevates, through the little details, the whole thing into art. (Again, that reminds one of the best years of Hammer all in all.) ….
(20) FURY FURIOUS. This was new to me, although it has been making the rounds for several years…
[Thanks to James H. Burns, DMS, Mark-kitteh, Andrew Porter, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
During the production of “The Fantasy Film World of Ray Harryhausen”, Ray Harryhausen and Ray Bradbury sat together and in a freewheeling conversation talked about their friendship, films, the future, and shared teenage escapades. Filmed in 1981, the two legends are at the the top of their games, enjoying each others company, and along the way end up giving an inspiring pep talk about chasing your dreams. Also included in this “as it happened” recording are additional comments by Bradbury, and casual conversation between the 2 Rays before and after the “official” interview. It’s a “must see” for fans of either or both Rays, and anyone looking to excel in the creative arts.
* The original plan was to re-release an extended version of “The Fantasy Film World of Ray Harryhausen documentary, with this as the main Special Feature. Now, we hope by making this conversation between the 2 Rays available, it will enable us to convert more of the original analog tape elements into digital files including the extensive interviews with Harryhausen, Charles H. Schneer, Kerwin Mathews, and Mrs. Willis O”Brien. It’s film history worth preserving, and maybe one day the extended version of the documentary will be able to be released.
Ray Bradbury is a name synonymous with one book, Fahrenheit 451, a novel set in a twisted future version of America where books are burned on sight. The book is well-regarded as a literary classic and it has been studied by academics for decades, some of whom once told Bradbury, to his face, that he was wrong about his own book. …
(3) ICE CREAM SUIT RETURNS. On June 23 the South Pasadena Library is doing a screening of The Wonderful Ice Cream Suit. Joe Mantegna is scheduled to talk about the movie since he was in the original stage production in Chicago and in the movie.
The beloved author, poet, dramatist, and visionary Ray Bradbury revisits Planetary Radio to share his memories of the first Moon landing forty years ago this week. Ray also talks about Mars and other favorite topics. Bill Nye joins our celebration of one of the greatest days in all of human history. Bruce Betts and Mat Kaplan learn what listeners might have said if they had been in Neil Armstrong’s boots. That’s after sharing news of the night sky in What’s Up, and offering a new space trivia contest..
Joe Mantegna and Liz Torres arrive at fundraiser. Photos by John King Tarpinian.
By John King Tarpinian: Today was the fundraiser for the Pomona, CA Library in the name of Ray Bradbury. The event consisted of a meet and greet for the VIP guests (paying $100 per person) before the event. Joe Mantegna and Liz Torres were present, two actors in the film The Wonderful Ice Cream Suit.
Stuart Gordon, who directed the movie for Ray Bradbury was unable to attend. They decided to have one more dress rehearsal before previews of his new stage play, ReAnimator, the Musical. Also Edward James Olmos’ daughter was coming into town, so he had a scheduling conflict.
After the screening of the movie Joe and Liz gladly signed programs and took pictures with people in attendance.
Ray believed in education through libraries and would come running whenever a library was in trouble. I was glad to have been invited to participate. My little contribution was bringing 100 different editions of Ray’s works for display. Saving libraries and keeping Ray’s works alive is worth the effort.
Joe Mantegna signing.
Liz Torres signing.
Liz Torres, Joe Mantegna on panel at Pomona Library fundraiser.
Liz Torres ans Joe Mantegna look on as Steven Paul Leiva speaks at Pomona Library fundraiser.
