Pixel Scroll 7/6/17 Microcosmic Godstalk

(1) AT THE CORE. James Davis Nicoll returns with a new list: “Twenty Core Speculative Fiction Mysteries Every True SF Fan Should Have On Their Shelves”. Here are the first four —

Zoo City by Lauren Beukes

White Cat by Holly Black

The Mountains of Mourning by Lois Bujold

Tea from an Empty Cup by Pat Cadigan

(2) YOUR GUIDE TO MOUNT TBR. Gabino Iglesias devotes his LitReactor column to explaining “10 Things Only Hardcore Bookworms Do”.

  1. Buy the same book more than once

We buy books because they are great and smell good and feel right and occupy empty space and they’re our friends. “I don’t have this edition.” “This cover is too amazing to pass up.” “This one is signed.” “This is the one I had when I was a kid.” “This is only a dollar!” “I’ll keep it around and give it away to someone later.” I’ve even used this one to rationalize the purchase of a third edition of Langston Hughes’ The Dream Keeper and Other Poems: “I mean, I have two editions already, but this one’s illustrated!” Yeah, hardcore bookworms will come up with amazing reasons why they “need” to buy a book they already have. On the other hand, we will also buy the same book twice by accident. It’s there and it’s affordable…and we’re not going to drive home and look through our piles for it: we’re going to buy it again.

  1. Judge people by their books/shelves

I know this one is tough to swallow. I also know some of you will debate that you’re better human beings than me and you are above and beyond judging others. Well, fuck it, I’m being brutally honest here and being judgmental has kept me alive this far, so I’m gonna keep doing it. If you invite me to your house and give me a tour of it and I don’t see a single book, I kinda want to get out of there because who the hell doesn’t own at least a couple of books? A house without books is like a body without a soul. If you do have some books, us bookworms will find a way to sniff them out and study them. Then, silently and with a smile on our faces, we will judge you. John Waters said “If you go home with somebody and they don’t have books, don’t fuck them,” and I think most bookworms agree with that sentiment wholeheartedly. Likewise, we will probably change the way we feel about you based on the quality of the books on your shelves. For me, the books you own/read and the way you treat animals are the two factors that lie at the top of the list. You read good shit and you’re good to animals, I’ll get down with you even if you’re a mercenary. Is this horrible? Yes. Is this unfair because “good books” is a subjective term? Yes. Does it matter to us? Nope. Will we change or stop doing it? Yeah…no.

(3) ACT CLEANUP NEEDED. Kisha Bertrand delivers a powerful rant about how trolls are coddled on a certain convention’s OFFICIAL Facebook group: “Shame on you, Dragon Con”.

Earlier today, a black girl posted this Io9 article in the group as she was excited about the movie adaptation and release of Black Panther along with the plethora of cosplay opportunities available to people of color. The post was meant to be positive and celebratory, but we all know what happens when black people get together in excitement of something that positively highlights us in any form of media. Yep. Angry and fragile white folx with their exclamations of, “But what about me? Why does it have to be about race?” and my all time favorite, “You only like it because it’s about black people.” Racist trolls begin crawling out of the woodwork spewing bile and nonsense to whoever will give them the time of day. I mean, god forbid PoC (“people of color” for those of you asleep in the back) are excited about a film involving superheroes who look like us and are at the forefront of the storyline.

Trolls are trolls and we all know they live to stir the pot and poke to get a rise out of people. Most of us know not to feed the trolls. In most cases we look the other way. I tend to bite my tongue because I don’t have the energy to challenge and educate bigots via social media. I’m fucking tired, y’all. I’m SOOO goddamn tired, BUT, there are those instances where trolling goes too far which is what happened today in the OFFICIAL Dragon Con Facebook group.

What started out as ignorant incompetence from some random redneck, turned into comments that were not only racist, but anti-semitic, transphobic, ableist and misogynist. It got to a point where it was no longer a matter of ignoring the troll. This guy was threatening people – a group of con goers who will be gathered in my city for Dragon Con in less than two months. People were pissed, myself included. I mean, the racist did refer to me as a monkey when I challenged him. A monkey… how clever.

Regardless of the troll, serious conversations were happening on this post. Some people were actually listening and being educated by PoC putting in the emotional labor to teach them. To be honest, some of these conversations were actually kind of awesome. The majority of white folx were celebrating the film and some of the more stubborn lot were legit backing off and LISTENING. Any PoC will tell you that getting white folx to stop making it about them and actually listen when we talk about our experiences is a pretty big deal. We’re unpacking some complicated stuff in these conversations.

Of course the troll wasn’t having it. He kept on pushing and taunting, reaching into the collection of shitty memes he was no doubt waiting to unleash at the right time – some of which were direct threats to Black and Jewish people specifically. This went on for several hours, all while members of the group were reporting this guy to not only the moderators of the OFFICIAL Dragon Con Facebook group, but also sending emails to the Dragon Con staff via dragoncon.org. Strength in numbers right? I was so proud of my extended nerd family of all backgrounds joining together to vanquish the evil troll. We were all just waiting on the moderators of the OFFICIAL Dragon Con Facebook group to swoop in, swing the ban hammer, and let us continue with our conversations and celebration of Black Panther and black cosplay. That was, in fact, the whole point of the post to begin with.

I guess banning the troll would have been too challenging for the moderators of the OFFICIAL Dragon Con Facebook group because what did they do? Rather than simply remove this terrible waste of human flesh from the group, they deleted the post in its entirety. They essentially swept the issue under the rug AND KEPT THE FUCKING RACIST PIECE OF SHIT TROLL IN THE GROUP.

What makes this terribly tragic (aside from the obvious) is this is NOT the first time such an instance has occurred in the OFFICIAL Dragon Con Facebook group. They deleted posts and conversations that came up after the 2016 convention when people wanted to discuss the costumes done in poor taste (e.g. blackface and the burning world trade center towers) and what we as a community could do to stop it. People wanted to discuss what they saw at Dragon Con in the OFFICIAL Dragon Con Facebook group because isn’t that what the fuck the group is for?!?! When members asked why they weren’t allowed to openly discuss these topics, one of the moderators (there are seven of them, five guys, two women, ALL WHITE) simply said, “You’re giving these people the attention they were looking for by discussing it. We just don’t have time to moderate and read through every post.” So your solution is to silence people in the community and ignore it? You don’t have time? Well golly gee, isn’t that what you’re supposed to do as a moderator of a group? MODERATE?!?! If you don’t have the time, maybe don’t volunteer to be a moderator of a group of over 12k members. I dunno. Just using a bit of logic here.

I guess we can expect any post about Black Panther and/or the celebration of black cosplay to eventually be deleted. Posts such as these will almost always bring out the racist assholes who want to stir the pot…because racism and transphobia and anti-semitism and ableism and misogyny sure are fucking funny, aren’t they? Rather than cut away the rot, you slap a band-aid over it and let it continue to fester because, “you don’t have the time”…

This was Dragon Con’s response:

(4) SPECULATIVE POET LAUREATE. The SPECPO blog announced that poet Tracy K. Smith, whose collection, Life on Mars won the 2012 Pulitzer Prize, has been named the Poet Laureate of the United States.

Here’s an excerpt of the New York Times’ article:

Now the Library of Congress has named Ms. Smith its new poet laureate, the nation’s highest honor in that field. With the appointment, announced on Wednesday, Ms. Smith will take on a role held by some of the country’s most revered poets, among them Rita Dove, Louise Glück, Billy Collins, W. S. Merwin, Charles Simic and most recently, Juan Felipe Herrera.

Ms. Smith often plays with genre in her work and says it serves as “a distancing device.” Some of the verses in her 2007 collection, “Duende,” were inspired by westerns. Her 2011 collection, “Life on Mars,” which won the Pulitzer, is inflected with dystopian themes and tropes from science fiction. Many of the poems are meditations on cosmic affairs, like the incomprehensible vastness of space and humanity’s efforts to understand our place in the universe, but the collection is also anchored in the personal. The escapist, fantastical themes in the collection are blended with intimate reflections: mournful, elegiac verses about the death of her father, an engineer who worked on the Hubble Space Telescope.

“I was thinking about loss, and thinking as someone who was about to become a parent,” said Ms. Smith, who lives in Princeton with her husband, Raphael Allison, and their three children. “The distancing device of science fiction was helpful, and it changed the metaphors.”

(5) TODAY IN HISTORY

  • July 6, 1990 — George Jetson took Jane and the rest of his gang from the boob tube up onto the silver screen as Jetsons: The Movie.

(6) BOOTS ON THE FACE. In keeping with the great tradition of Vice Presidential speeches about the space program, Mike Pence has made an Orwellian-sounding promise:

Vice President Mike Pence vowed Thursday to make space exploration a priority for the U.S., including the conquering of another planet.

“Our nation will return to the Moon and we will put American boots on the face of Mars,” Pence said during remarks at the Cape Canaveral headquarters in Florida.

(7) KICKOFF. Sports news blog SBNation.com is doing a serial science fiction story (July 5 through 15) about “What football will look like in the future”. The far future.

Danny Sichel sent the link with this endorsement: “Jon Bois is doing some incredible things with the medium, and I say this as someone who really doesn’t care about football.”

The whole thing was kind of dizzying to me – you’ve been warned.

(8) BRAVE NEW WORLD. Visiting the real site behind The Technicolor Time Machine: “The first European settlement in the New World”.

Twenty minutes later, I continued on my journey; it was another 80km to L’Anse Aux Meadows National Historic Site. Stepping out of the car, my nostrils filled with the crisp, briny sea air carried in by a breeze that rippled across the grassy landscape.

It is here, on the northern tip of Newfoundland, that a significant moment in human migration and exploration took place.

In the year 1000, nearly 500 years before Christopher Columbus set sail, a Viking longboat, skippered by Leif Erikson, brought 90 men and women from Iceland to establish a new settlement – the first European settlement in the New World.

(9) SCENERY CHEWER. Adam Rowe reprises “The Secret History of J. Jonah Jameson, Comics’ Greatest Supporting Character” at the B&N Sci-Fi & Fantasy Blog.

J. Jonah immediately latched on to Spider-man for a weirdly specific reason: he feared the young hero’s violent actions would lead children to idolize him, and they’d get themselves hurt in the process. “He is a bad influence on our youngsters” is a direct quote from page five of Amazing Spider-Man #1, and a direct summation of Wertham’s views. The parallels get stronger from there: while Wertham compared superheroes to the “Nazi myth” of the Ubermensch, J Jonah contrasted Spider-man against his own son, all-American astronaut John Jameson. Wertham called for comic censorship, and J. Jonah called for Spider-Man to be “outlawed.”

(10) BACK TO THE PRESENT. Marvel has announced the following creative teams and Legacy titles:

FALCON #1: TAKE FLIGHT! PART 1
Written by RODNEY BARNES
Art by JOHN CASSARA

THE INCREDIBLE HULK #709: RETURN TO PLANET HULK PART 1
Written by GREG PAK
Art by GREG LAND

X-MEN GOLD #13: MOJO WORLDWIDE PART 1
Written by MARC GUGGENHEIM
Art by MIKE MAYHEW

X-MEN BLUE #13: MOJO WORLDWIDE PART 2
Written by CULLEN BUNN
Art by JORGE MOLINA

(11) NOT THE SON OF A CARPENTER. But the creator himself! Variety has the story — “John Carpenter Inks Overall Deal With Universal Cable, to Develop Two New Series”.

Horror master John Carpenter has signed an overall deal with Universal Cable Productions (UCP), Variety has learned.

Under the new deal, Carpenter will executive produce scripted programming with UCP for the NBCUniversal Cable Entertainment portfolio, as well as for external networks and streaming services, along with his producing partner, Sandy King, under their Storm King Productions banner.

UCP and Carpenter are already in development on “Tales for a Halloween Night” for SYFY. Based on Carpenter’s award-winning graphic novel anthology of stories, the series brings together storytellers from the worlds of movies, novels, and comics for a collection of horror stories featuring graveyards, sunken ships, and all the things that go bump in the night. A search for a writer is underway. Additionally, UCP and Carpenter are developing “Nightside,” based on the literary series by New York Times bestselling author Simon R. Green, with “Scream” TV series co-creator Jill Blotevogel attached to write the script. In the series, Nightside is the secret heart of London where creatures of the night congregate

“John Carpenter is an incredible creator whose dark imagination has left an indelible mark in film and in our dreams,” said Dawn Olmstead, executive vice president of development at UCP. “We are thrilled to have a master of the horror genre join UCP.”

(12) HEAVY DUTY. LHC “double heavy” particle to shine light on strong force.

Scientists have detected a new particle at the Large Hadron Collider at Cern.

The discovery will help researchers learn more about the so-called “strong force” which holds the centres of atoms together.

The existence of the new particle was theoretically predicted but this is the first time it has been identified.

The details of the Xi-cc++ particle were presented at a high-energy physics conference in Venice.

…Nearly all the matter that we see around us is made of neutrons and protons, which form the centres of atoms. These are made up of three smaller particles called quarks which can be either light or heavy.

New arrangement

There are, however, six different types of quarks which combine in different ways to form other kinds of particle. Those that have been detected so far contain at most, one heavy quark.

This is the first time that researchers have confirmed the existence of one with two heavy quarks. According to Prof Guy Wilkinson of Oxford University, there is an intriguing difference between the new particle and the ones that have been discovered before.

“In contrast to other particles of this type, in which the three quarks perform an elaborate dance around each other, a particle with two heavy quarks is expected to act like a planetary system, where the heavy quarks are like two stars orbiting one around the other, with the lighter quark orbiting around this binary system.”

The research team will now measure the properties of the Xi-cc++ to establish how this new arrangement of quarks behaves and how the strong force holds the system together. They also expect to find more double heavy quark particles.

(13) THE SOOTH IS OUT THERE. Looking for the remnants of a volcano bigger than the one that spawned Frankenstein: “The massive volcano that scientists can’t find”.

It was 10 October 1465 – the day of the hotly anticipated wedding of King Alfonso II of Naples. He was set to marry the sophisticated Ippolita Maria Sforza, a noblewoman from Milan, in a lavish ceremony. As she entered the city, the crowds gasped. Before them was a sight so strange and beautiful, it was like nothing they had ever seen before.

….In fact, what Alfonso’s wedding party witnessed may have been more extraordinary than anyone imagined. Many thousands of miles away in the tropics, a giant volcano was making geological history. This was an eruption so big, it produced an ash cloud which enveloped the Earth and led to the coolest decade for centuries.

The blast itself would have been heard up to 2,000km (1,242 miles) away and created a tsunami which caused devastation hundreds of kilometres away. In terms of scale, it surpassed even the 1815 eruption of Tambora, which unleashed energy equivalent to 2.2 million Little Boy atomic bombs and killed at least 70,000 people. Traces of the eruption have been found from Antarctica to Greenland.

The thing is, scientists can’t find the volcano that did it. What’s going on?

(14) FIBER COUNT. Dirty laundry: Are your clothes polluting the ocean?

“Not many people know that lots of our clothes are made of plastic,” says Imogen Napper, a PhD student at Plymouth University, “polyester, acrylic.”

Ms Napper and Prof Richard Thompson study marine microplastics – fragments and fibres found in the ocean surface, the deep sea and the marine food chain.

And in a recent lab study, they found that polyester and acrylic clothing shed thousands of plastic fibres each time it was washed- sending another source of plastic pollution down the drain and, eventually, into the ocean.

(15) MORTALITY TABLES. Robert Chan, in a Yahoo! piece “‘Game of Thrones’ Season 7 Peril-o-Meter: Who Dies Next?”, looks at 20 characters on Game of Thrones and ranks them by the likelihood they will be killed.

It’s not easy predicting who will be the next to go on Game of Thrones. Some deaths seem so certain as to be almost predestined (Ramsay Bolton); some were literally predestined (Cersei’s children, Hodor); and some feel like they’re there just to mess with us — Ned Stark’s death basically told us, “This ain’t your grandfather’s fantasy series.” We did pretty well with last year’s Peril-o-Meter, so here are our best predictions for this season on a scale of 1 to 5 — with 1 being “Very Likely to Survive” and 5 being “Call a Mortician.”

 [Thanks to John King Tarpinian, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Stephen Burridge, Andrew Porter, Jim Henley, and Danny Sichel for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/11/17 There’s A File, Over At The Pixel Scroll Place…

(1) GIVE ‘EM HELL HARRY! Harry Potter and the Cursed Child is the new record-holder for winning the most Olivier Awards.

The Broadway-bound “Harry Potter and the Cursed Child” shattered records at the Olivier Awards for London theater here on Sunday night, picking up nine prizes, including best new play, and honors for the actors playing Harry, Hermione Granger and Draco Malfoy’s son, Scorpius.

The previous record was seven awards for one production.

Jamie Parker took best actor for his portrayal of Harry, while Noma Dumezweni won supporting actress honors as Hermione and Anthony Boyle supporting actor honors as Scorpius.

Harry Potter” also won for best director (the Tony winner John Tiffany) and for its lighting, sound, costumes and set design. The production had tied the record for the most nominations for any show in Oliviers history, with 11.

The play is expected to open at the Lyric Theater on Broadway in 2018.

(2) BILLIE PIPER TOO. And walking away with the Olivier Award for Best Actress was Billie Piper. The former Doctor Who companion (as Rose Tyler) won for her performance in Yerma.

The extraordinary Billie Piper plays Her, a woman driven to the unthinkable by her desperate desire to have a child. Simon Stone creates a radical new production of Lorca’s achingly powerful masterpiece.

(3) PULITZER WINNING OPERA. Rob Thornton points to another sff work that took a Pulitzer Prize yesterday.

Du Yun’s opera “Angel’s Bone,” about a couple who rescues two angels, clips their wings and exploits them for money, has won the 2016 Pulitzer Prize for Music. The jury stated that the work “integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world.” According to the website NewMusicBox, the opera features a “disturbing supernatural story” by librettist Royce Vavrek.

(4) EARLY ADOPTING. How new tech is showing up first in slums:

Cities need new ways to create energy and cut down on waste, and some of the most innovative – and low-tech – solutions may well be found in the parts of town the city authorities are least likely to talk about.

While some bemoan crowded commutes, for slum-dwellers it is access to basic services such as running water or electricity that is the real issue.

And where there is need, there is often innovation.

So can the technology being rolled out in the world’s most deprived urban areas offer not just hope for those who live there but also lessons for the richer parts of the city?

(5) FURRY CONVENTION LOSES ITS PELT. Furry fan news site Flayrah bids adieu: “Rocky Mountain Fur Con canceled following neo-Nazi associations, tax irregularities”.

Colorado furry convention Rocky Mountain Fur Con has been canceled. Funds collected in advance of this August’s event are to be spent on existing liabilities, and refunding attendees and dealers where possible; any remainder will go to the convention charity.

While their official statement cites rising security costs, the closure follows the controversial issues surrounding CEO Kendal Emery (Kahuki Liaru), and the “Furry Raiders” group. It has also been discovered by Flayrah that the convention’s parent company’s Federal tax-exempt status, obtained in 2009, had lapsed, and it had not filed taxes for a period of seven years, while still claiming to be a registered 501(c) non-profit. In this investigative report we can identify the issues that have contributed to the end of Denver’s furry convention.

(6) CALL OF THE WILD CAFFEINE. This conversation sounds familiar.

(7) STAR WARS CHARITY CONTEST. Deadline Hollywood reports “’Star Wars: Force For Change’ & Omaze Kick Off 40th Anniversary Of Sci-Fi Franchise With New Charity Campaign”.

Over the course of four weeks between April 11– May 11, fans may enter at Omaze.com/StarWars for a chance to win once-in-a-lifetime Star Wars experiences including the chance to appear in the upcoming Han Solo movie, tickets to the world premiere of Star Wars: The Last Jedi in Hollywood, or, an overnight stay at Skywalker Ranch. The grand prize is winning all three of these experiences.

Starlight Children’s Foundation is the newest charity to benefit from Star Wars: Force for Change. Through a $1 million grant, Star Wars: Force for Change supports the foundation’s core programs at 700-plus children’s hospitals, clinics, and camps. Over the last three years, Star Wars: Force for Change and UNICEF have raised more than $9M together and saved the lives of 30K-plus children suffering from severe acute malnutrition through the distribution of over 4M packets of Ready to Use Therapeutic Food Packets (RUTF) around the world.

The contest is here.

(8) DUNNING OBIT. Washington State fan Karrie Dunning died April 11. Dunning had been in fandom since the Seventies. She emceed the masquerade at the first Norwescon in 1978. She was part of the Seattle in 1981 Worldcon bid that lost to Denver, and involved with the city’s Vanguard group.

(9) TODAY IN HISTORY

  • April 11, 1939  — Buck Rogers first aired on radio.
  • April 11, 1970 — Apollo 13 was launched, manned by astronauts James Lovell, John Swigert, and Fred Haise.

(10) WARNING, TANNED PECS AHEAD. Erin Horáková deconstructs Captain Kirk, interstellar oinker, in “Freshly Remember’d: Kirk Drift” at Strange Horizons.

I’m going to walk through this because it’s important for ST:TOS’s reception, but more importantly because I believe people often rewatch the text or even watch it afresh and cannot see what they are watching through the haze of bullshit that is the received idea of what they’re seeing. You “know” Star Trek before you ever see Star Trek: a ‘naive’ encounter with such a culturally cathected text is almost impossible, and even if you manage it you probably also have strong ideas about that period of history, era of SF, style of television, etc to contend with. The text is always already interpolated by forces which would derange a genuine reading, dragging such an effort into an ideological cul de sac which neither the text itself nor the viewer necessarily have any vested interest in. These forces work on the memory, extracting unpaid labour without consent. They interpose themselves between the viewer and the material, and they hardly stop at Star Trek.

….Besides, if Star Trek is going to be part of the conversation whether or not the Left wants to claim it (and look at how SFnal texts are being deployed in the discourse for conversation surrounding the Reprise of Fascism—look at how authoritarian forces are deploying the grammar of Star Trek, and at Nu!Trek’s imperial subtexts), then our memory of the text should not actively derange said text to suit political projects we do not necessarily consent to participate in. For these projects live in us and through us, like parasites that make us their unwitting and unwilling hosts. Like dybbuks that possess and consume us, taking our thoughts, our very eyes, and making them their own.

(11) BRAND NAME COMICS. John Carpenter of movie fame is starting a comics series:

Carpenter and his wife and collaborator Sandy King are bringing us Tales of Science Fiction, a monthly anthology series that will show us the darkness and wonder of everything the genre has to offer. The first three-issue arc is called “Vault” and has been written by James Ninness with art by Andres Esparza. The first issue will be available in July, and we’re waiting with baited breath.

(12) THE ONES FANS’ MOTHERS DIDN’T BURN. Drum roll, please. Here is ScreenRant’s list of “The 18 Rarest and Hard To Find Comic Books”.

  1. Detective Comics #27

Of course, this comic had to make it onto the list. While no single issue of Detective Comics is particularly rare, there’s no denying the appeal of the very first appearance of the character described on the cover as “The Batman” – the inclusion of the word “the” in the hero’s title dates back long before Ben Affleck was set to direct a movie of the same name, and even before the animated series The Batman.

There are less than two hundred copies of Detective Comics #27 remaining in the world today, which would mean that it’s actually fairly common compared to some books on this list. In spite of that, though, thanks to its impressive place in the annals of comics, this is one book that you’re unlikely to ever own, as each of the surviving copies of the book are worth at least a six figure sum

(13) GAME THERAPY. Post-trauma visual games may prevent PTSD.

But it turns out the particular brand of disconnection provided by Tetris may reflect a mental state long sought by healers to treat patients who have lived through a trauma.

I’m referring to the idea that some combination of facing negative memories, but also being distracted from them, might help alleviate the vivid psychological scars of trauma. Clinicians and philosophers have tried countless ways of treating trauma and anxiety through the years — of finding, as Roman stoic philosopher Seneca called it, tranquillitas, or peace of mind. And many of them were, in all likelihood, bunk. But the science now shows that activities as simple as playing distracting video games or focusing on eye movements can help patients cope with a tragic experience.

(14) PROFESSIONAL HELP. Remember SFWA’s resources for topics like event accessibility.

(15) SCHOLARSHIPS FOR WRITING CLASSES. Cat Rambo is increasing the number of Plunkett scholarships she offers for her writing classes.

Something I’m trying to do this year is pay things forward as much as possible. Recent technological upgrades means I can now fit more than 8-9 people in a class (can now handle up to twice that many, which is more suited to some classes than others), so I figured one way to do that is to make more class slots available to people who couldn’t otherwise afford the class.

So, each class now has three Plunkett scholarship slots, the third of which is specifically reserved for QUILTBAG and POC applicants. Everyone is encouraged to apply, but I want to make sure it’s getting to a diverse range. The only qualification for a Plunkett is this: you would not be able to afford the class otherwise. Just mail me with the name/date of the class and 1-3 sentences about why you want to take it.

Classes Offered April-June 2017

(16) PUTTING A CAP ON HIS CAREER. If this is what traditional publishers are making writers do, indie authors have one more reason to be thankful.

(17) TAFF FINAL CALL. Trans-Atlantic Fan Fund voting ends April 17 at midnight GMT. Curt Phillips – TAFF Administrator, North America and Anna Raftery – TAFF Administrator, UK/Europe encourage you to participate.

The Loooong 2017 TAFF voting season is finally approaching a conclusion as voting ends this coming Sunday, April 17 at Midnight GMT (that’s UK time), which time marks the end of this year’s Eastercon.  Voting had been extended to allow in-person voting at Eastercon; a longstanding tradition for TAFF and that convention.  UK TAFF Administrator Anna Raftery will be on hand at the convention to take those votes, so please do keep her busy!  And as a special attraction for Eastercon attendees there will be a League of Fan Funds auction during the convention.  Rare and valuable artifacts of fannish loot and booty have been gathered to entice your pounds from your wallets and purses to benefit TAFF, GUFF, and other fan funds including a new one which hopes to benefit fandom in Brazil!  But there’s room for more, so *please* bring along a little loot and booty of your own to donate to the fan fund auction at Eastercon.  *Many* fans will benefit from your generosity!   On-line and postal voting will continue through that time as well both in North America and in the UK/Europe – and all around the planet, for that matter and you can find a link to the ballot and the candidate platforms at David Langford’s excellent TAFF website found at http://taff.org.uk/

No matter who you vote for, thank you for supporting TAFF.  You are contributing to a life changing experience for a fan, and a very noble and worthwhile tradition for all of Fandom.

(18) PRO RATES. Here’s the SFWA market report for April, compiled by David Steffen.

(19) TRACK RECORD. ComicsBeat brings word that a pair of successful moviemakers will shepherd Invincible to the big screen.

First they kicked things off co-writing the 2011 Green Hornet film.

Then they took on the task of adapting and showrunning the current adaptation of Preacher for AMC.

After that, they opted to bring another Garth Ennis-written comic, The Boys to Cinemax.

And today? Variety reports that writing and directing duo Seth Rogen and Evan Goldberg will be writing/directing/producing a big screen adaptation of the Robert Kirkman and Cory Walker superhero saga, Invincible for Universal.

(20) STREAMING SF. Netflix released the SENSE8 Season 2 – Official Trailer

[Thanks to Chip Hitchcock, lurkertype. Cat Rambo, Cat Eldridge, Rob Thornton, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/16/17 I’m A Boxticker, Jim, Not A Pixel!

(1) DEDICATED TO MEREDITH. It’s ”Appreciate a Dragon Day”.  According to the Donita K. Paul website:

Appreciate a Dragon Day was started in 2004 by Mrs. Paul to celebrate the release of DragonSpell. We encourage you to join us as we celebrate literacy and have some fun!

appreciate-a-dragon-day-e1421395592126-808x380

(2) NEANDERTHALS. Jon Mooallem delivers a thoroughly fascinating account of paleoanthropological research in “Neanderthals Were People, Too” at the New York Times.

For millenniums, some scientists believe, before modern humans poured in from Africa, the climate in Europe was exceptionally unstable. The landscape kept flipping between temperate forest and cold, treeless steppe. The fauna that Neanderthals subsisted on kept migrating away, faster than they could. Though Neanderthals survived this turbulence, they were never able to build up their numbers. (Across all of Eurasia, at any point in history, says John Hawks, an anthropologist at the University of Wisconsin-Madison, “there probably weren’t enough of them to fill an N.F.L. stadium.”) With the demographics so skewed, Stringer went on, even the slightest modern human advantage would be amplified tremendously: a single innovation, something like sewing needles, might protect just enough babies from the elements to lower the infant mortality rate and allow modern humans to conclusively overtake the Neanderthals. And yet Stringer is careful not to conflate innovation with superior intelligence. Innovation, too, can be a function of population size. “We live in an age where information, where good ideas, spread like wildfire, and we build on them,” Stringer told me. “But it wasn’t like that 50,000 years ago.” The more members your species has, the more likely one member will stumble on a useful new technology — and that, once stumbled upon, the innovation will spread; you need sufficient human tinder for those sparks of culture to catch.

I picked that paragraph because it reminds me of Robert Zubrin’s argument about the need for population growth as a prerequisite in developing a starship.

To achieve a 200-times increase over today’s GDP, we will need a population of 54 billion. We will need energy of 2500 terawatts by the year 2200.

Pounding away at the opposite conclusions reached in Paul Ehrlich’s famous book The Population Bomb, Zubrin said, “If humans destroyed more than they made, the earth would be barren already. The real resource is human creativity.” Every mouth comes with a pair of hands and a brain. If we accept Malthusian advice, and act to reduce the world’s population, we will impoverish the future by denying it the contributions the missing people could have made.

(3) THE AI TROPE. Ann Leckie’s “Vericon 2016 GoH Speech” overflows with interesting ideas, just like her fiction.

The very first robot story–the first ever use of the word “robot” in fact–is a robot uprising story. But when Karel ?apek wrote RUR he wasn’t worried about artificial intelligence. The robots of his story aren’t mechanical, they’re made of some sort of synthetic biological material. And the word “robot” which ?apek famously coined, comes from a Czech word for “slave.” It’s a story about the revolt of people made on an assembly line (the first actual assembly line had debuted just ten years earlier). It’s a story about the rebellion of people who were built to be the cheapest, most efficient workers possible, workers you didn’t have to pay, or feed anything in particular, or take any notice or care of. In other words, slaves. And ?apek ‘s story hit a nerve. It didn’t just give us the word for robot, it is the ultimate model for nearly all the robot uprising stories since. So that model–robots as slaves, with all the assumed dangers attendant on enslaving people who outnumber you–is the model we’re using when we think about super smart machines. This has not been lost on any number of science fiction writers, who have used robot and AI stories to comment explicitly on oppression and racism. But just personally–well, I won’t go into my problems with the whole “slaves in my allegory are machines and the masters are human beings” bit, though that’s kind of icky when you think about it, but on top of that I think it’s a dangerous model to use as a basis for actual, serious real world predictions about artificial intelligence.

(4) AUSSIE FANHISTORY. Now available at eFanzines.com, issues of iOTA, a fanzine with news of Leigh Edmonds’ Australian fandom history project.

Here are a pair of excerpts from iOTA #2:

  • The purpose of this little efanzine is to serve as a progress report on my current history project which is to research and write a history of Australian fandom, focusing on the period between 1956 and 1975. It is also a place where I can publish little bits and pieces of the writing and art of Australia’s fan past to help introduce you to the rich vein of material that previous generations of fans have left us.
  • Fanzine Review what you missed in 1939. Our friend Robin Johnson turns up with the most interesting things at times.  Usually it is old airline timetables – and we share an interest it air transport so we can find hours of harmless interest and amusement in airline timetables – but not on this occasion. This time it was a little fanzines with a pink cover produced in the old fashioned way using carbon paper.  (If you are not aware of this form of reproduction, I’m thinking about writing a little series called something like ‘Reproductive Pleasures’ in some future issues.  Some people have never heard of carbon paper, which means that they are young and happy folk.) This little pink and carbon paper produced fanzine is Ultra 1, produced by Eric Russell in Sydney, bearing the date October 1939.  It is probably the fourth fanzine title to be published in Australia after John Devern’s single issue of Science Fiction Review published in February 1939, Australian Fan News, a single issue of which was published by William Veney, Bert Castellari and Eric Russell in May 1939 and three issues of the JSC Bulletin (Junior Science Club) published by Vol Molesworth and Ken Jeffreys in June 1939.  (Thanks to Chris Nelson for his extensive research in this area.)  Of these early titles Ultra was among the early successful Sydney fanzines, seeing fourteen issues published between October 1939 and December 1941 when the commencement of the Pacific War brought an end to most of this kind of frivolity in Australia.

(5) GERONIMO! Neil Clarke has quit his day job and gone into editing full-time.

I’m quite excited—and a little terrified—by the prospect of taking the leap. There are a bunch of uncertainties, like healthcare costs and filling the income gap between Lisa’s new job and my old one, but we’re close enough to give this career switch a try. As some of you know, this has been a major goal of mine since my heart attack four years ago. At age fifty, and after ten years working part-time, I’m finally going to be a full-time editor!

Naturally, my first priority has to be those uncertainties I mentioned: income gap and insurance. As I see it, I have a few things to target:

  1. I’ve altered the Clarkesworld Patreon goals to include direct salary and healthcare expenses. Would be nice if it was that simple, but I figure it’s worth putting out there….

(6) HOW TO MAKE IT TO THE FINISH LINE.  The New York Times tells “Obama’s Secret to Surviving the White House Years: Books”. Some of these titles are of genre interest.

Even books initially picked up as escape reading like the Hugo Award-winning apocalyptic sci-fi epic “The Three-Body Problem” by the Chinese writer Liu Cixin, he said, could unexpectedly put things in perspective: “The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade!”

…To this day, reading has remained an essential part of his daily life. He recently gave his daughter Malia a Kindle filled with books he wanted to share with her (including “One Hundred Years of Solitude,” “The Golden Notebook” and “The Woman Warrior”). And most every night in the White House, he would read for an hour or so late at night — reading that was deep and ecumenical, ranging from contemporary literary fiction (the last novel he read was Colson Whitehead’s “The Underground Railroad”) to classic novels to groundbreaking works of nonfiction like Daniel Kahneman’s “Thinking, Fast and Slow” and Elizabeth Kolbert’s “The Sixth Extinction.”…

(7) CERNAN OBIT. “Gene Cernan, last man to walk on Moon, dies aged 82” reports the BBC.

Captain Cernan was one of only three people to go to the Moon twice and the last man to leave a footprint on the lunar surface in 1972.

The final words he spoke there were: “We leave as we came and, God willing, as we shall return with peace and hope for all mankind.”

He was the commander of the Apollo 17 mission at the time.

Twelve people have walked on the Moon, and only six of them are still alive today

(8) THOUGHT FOR THE DAY

Neil Armstrong, recalling how it felt to look back at Earth from the surface of the moon: “I didn’t feel like a giant. I felt very, very small.”

(9) TODAY’S BIRTHDAY BOY

  • Born January 16, 1948 – John Carpenter.

(10) QUOTABLE QUOTE: “In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum.” – John Carpenter.

(11) BRANDON EASTON INTERVIEW. From Motherboard, “How Diversity Writing Programs Can Help Sci-Fi Live Up to Its Ideals”.

Motherboard: What do you think is really the problem that people aren’t talking about?

Brandon Easton: A lot of the reason why white writers who are entry level aren’t getting work has nothing to do with diversity programs. It’s because showrunners are hiring their buddies who are also EP’s [executive producers] and co-producer level who have these immense salaries that eat up the budget, so that they can’t hire anybody underneath a story editor level. This is what’s going on. Everyone knows this, yet still you have all these disgruntled writers scapegoating diversity programs instead of talking about the real issue at hand, which is nepotism. If you look at how many people graduate from these programs every year that number is so fucking low, it doesn’t even register as a percentage.

Motherboard: Science fiction has a long history of being open-minded about multiculturalism. Some argue that it’s the most open-minded of the genres. Do you think that’s true?

Brandon Easton: Science fiction as a literary genre, in theory, has open-minded concepts. And the fact is that historically, black writers have not been allowed in because for a while the editors, the people who controlled it, the publishing industry itself, even if someone had a great story – once racial politics were revealed, those people didn’t get to work. Now, if you’re talking about TV and film, there has been some really cool stuff that has progressive undercurrents thematically, but, when it comes to hiring practices we still revert back to straight white men as writers and creators of science fiction. Again, I do believe science fiction in its content itself can be extremely progressive and extremely life affirming, but we’re talking about the content versus the content creators. And I think that’s the issue.

Motherboard: I still think science fiction is special versus the other genres. Not only historically in terms of casting, but because when I read the genre, I don’t care what the race of the writer is. I just want to be blown away. Show me a new way of thinking.

Brandon Easton: I don’t think anyone would disagree with that. What I’m saying is that it helps when people get the opportunity. That’s where the problem is. If you want to be really serious about it, the only genre that’s really helped black people more than anything else has been comedy. Historically, I’m going back to the early 1900s, comedy was the only place where black writers could get a chance to write. Several generations of mainstream black stars came out of comedy: Will Smith, Chris Rock, Dave Chappelle, Jamie Fox, Bill Cosby, Chris Tucker, Eddie Murphy, Steve Harvey, Tyler Perry, Wanda Sykes, Whoopi Goldberg and so many others. Comedy is where African Americans have had a shot, as opposed to science fiction, particularly television, has almost been completely closed to black writers.

(12) PRIZEWORTHY. Jonathan Edelstein’s picks in short fiction – “Another year of awards” at Haibane.

I’ll start with novelettes rather than short stories, because that way I can start with my favorite story of 2016: Polyglossia by Tamara Vardomskaya (GigaNotoSaurus, March 2016). GigaNotoSaurus doesn’t usually get much attention from reviewers and critics, but this is a rich, multi-layered story that is well deserving of an award.

Polyglossia is a story of linguistics, cultural survival, family and resistance to oppression – not necessarily in that order – set in a low-magic fantasy world that suggests the early twentieth century. I’ve mentioned before that I’m a fan of good world-building, and the world of this story is intricately detailed and plausible; more than that, the world-building is integrated into the plot and informs the characters’ actions such that no detail is wasted. The linguistics are also tightly integrated into the plot – the author is a Ph.D. candidate in linguistics with an interest in the philosophy of language, and it shows – and the politics of language and cultural preservation come to play a key part in its resolution. At the same time, the story calls into question what we call family, what duties we owe to our ancestors, and how to balance those duties against the exigencies of politics. Polyglossia is rewarding on several levels – thus far, I’ve never failed to get something new out of it with each rereading – and if I had to pick one story that defined speculative fiction for me in 2016, it would be this one.

(13) STEALING A MARCH. Dan Wolfgang very carefully avoids stepping on Sarah A. Hoyt’s Sad Puppies turf while offering slates for the Dragon Awards and Hugo Awards in “A Very Special Message About Pooka Related Sadness”.

Sad_Pookas--678x381

The post is labeled “satire,” but here are typical examples of the names and works populating the slates:

Best Editor, Long Form

Best Semiprozine

Best Fanzine

(14) ROCKET RESOURCE. Greg Hullender sends word that Rocket Stack Rank has posted its page to help people pick artists for the 2017 Best Professional Artist Hugo.

We’ve added some features to make this easier to use, based on our own use (we’ve both already used it ourselves to make our own nominations) but we’ve realized that Eric and I use it very differently, so we’d welcome feedback from others. As with much else involving awards, there’s no one “right” way, so it’s good to support a number of different ways.

Eric is the artistic one (he can actually draw), so he wants to see several pieces by the same artist and makes judgments on that artist’s style overall. When he sees things he likes, he wants to visit that artist’s site, look at their gallery—even read interviews with the artist.

I don’t know art, but I know what I like. I want to quickly flip through all the pictures, extract the ones that I like, and then winnow down the list. (“Extract” means “Press ctrl-click on the author’s name at the top of the lightbox.” That opens a new tab, with that author’s work at the top of it.)

So this year the list contains eligible pictures as well as some that aren’t eligible (either they’re from last year or else they’re from semiprozines). The award is for an artist, not a particular work, after all, and this provides a bit more context on many of the artists. No one is listed who doesn’t have at least one eligible work, though, and those are highlighted.

Since the usual way to use the list is by opening the lightbox and then flipping through the pictures, we inserted an image of the Hugo rocket to separate artists. Eric found that useful, but I discovered that I paid almost no attention to which artist was which until after I’d selected about fifteen pictures I liked.

Winnowing the list wasn’t that hard (for me—Eric’s process was more sophisticated). I looked at all fifteen just at the thumbnail scale, and dropped three or four that I decided weren’t really as good. I dropped a few more because they really only had one picture I’d liked and the rest looked different. (In one case, I went to the artist’s home page to confirm that other pics in his/her gallery really did look like the single picture I was using to judge.) When I had six, I eliminated one because I didn’t like any of that artist’s pictures that were actually qualified for 2016. (So much for the idea that it’s about the artist, not the art.)

To fill out the Hugo Ballot, I copy/paste the author’s name from the web site and for the example of that author’s work, I use a link to that artist’s place on the main Professional Artists’ page. For example, http://www.rocketstackrank.com/2017/01/2017-professional-artists.html#JulieDillon points to Julie Dillon’s work on our page. (It’s what you get when you click on her name in the lightbox.)

We’d love to know how well this works for other filers and what we might do to make it better.

(15) HIDDEN HISTORY. Lauren Sarner, in “Tim Powers Loves Conspiracies” at Inverse, interviews the author of The Anubis Gates, Last Call and Declare about hanging out with Philip K. Dick and the allure of conspiracy.

What was Philip K. Dick like?

Since his death, there has arisen a kind of caricature of him. If you just read casually, you’d get the impression that he was this drug addled, crazy visionary who imagined God spoke to him. Actually he was a very sociable, funny, realistic, generous, gregarious friend. Not at all the William Blake crazy mystique the general impression has become. If you read his last few books, like VALIS and The Transmigration of Timothy Archer, you can see that this was a rational, skeptical, humorous person. But it always does annoy me when people say, ‘Didn’t he like live in a cave and wander up and down the street talking to himself?’

(16) YOU CAN TELL A BOOK (COVER) BY ITS COVER. JJ sent this link — “The Cover of Each Max Gladstone Book Has Predicted the Cover of the Next One” from Tor.com — with a recommendation:

Okay, this is not new, but it is too fucking funny (you have to read all the way to the end for the final cover).

I say it lives up to the hype…

(17) RESURRECTED TALENT. IMDB shows some pretty hefty credits for Citizen Vader (2014):

A lonely widower stalks his deserted mansion, gloomily contemplating ending his own life. His last word may hold the key to what has sent him down this dark path.

 

Writing Credits (in alphabetical order)

Aidan Duffy
George Lucas (characters)
Orson Welles (characters)

Music Department

Bernard Herrmann original score music
John Williams original score music

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Aziz H.Poonawalla, Cat Rambo, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 7/30/16 Two Pixels Diverged In A Scroll, And I – I Took The One That Had The Most Bacon

(1) ALWAYS TO CALL IT RESEARCH. An appeals court affirmed that Luc Besson’s Lockout plagiarized John Carpenter’s Escape From New York.

The French filmmaker will have to fork over nearly half a million dollars

An appeals court has ruled that French filmmaker Luc Besson is guilty of plagiarizing from John Carpenter’s 1981 classic “Escape From New York” and must now pay the fellow filmmaker nearly half a million dollars.

As Yahoo reports, Besson has long denied that his 2012 thriller, “Lockout,” was a copy of Carpenter’s Kurt Russell-starring actioner. In Carpenter’s film, Russell plays a former government agent who is tasked with retrieving the U.S. president from the island of Manhattan — which has been turned into a massive prison — after his plane crashes there (thanks, Air Force One, thanks a lot). In “Lockout,” Pearce is a convict sent to a giant space jail who is given the chance to win back his freedom if he can rescue the U.S. president’s daughter, who is trapped in said giant space jail.

The court ruled that Besson’s film had “massively borrowed key elements” of Carpenter’s feature…

[Via Ansible Links.]

(2) MIDAMERICON LOSES HOTEL. The MidAmeriCon II committee announced on Facebook that one of its hotels will be unavailable, and members who reserved there are being shifted elsewhere:

HOTEL UPDATE: The Courtyard/Residence Inn has let us know that their construction has run over schedule and they will not be open in time for MidAmeriCon II. We have been working with their staff and Passkey to contact those displaced to advise them of the situation and to find our members a hotel room with one of our other contracted properties. Please be aware that the new reservations will not be in the individual hotel systems until later this week. Once that occurs, the affected members will be contacted with information on where they have been relocated and provided new confirmations. Any questions can be sent to hotel@midamericon2.org.

(3) FURNISHING THE NEXT STAR TREK. iDigital Times learned that “’Star Trek: Discovery’ Ship Has Its Captain’s Chair”.

Star Trek: Discovery showrunner Bryan Fuller revealed the captain’s chair aboard the starship U.S.S. Discovery NCC-1031. It’s very much in line with classic captains’ seats, with the swept open armrests of Jean-Luc Picard’s luxurious, tan cathedra.

 

(4) THE PRICE OF FAME. Of course, by “the price of fame” we mean what price the fans will pay. CNN Money has the going rates: “Want a picture with Captain Kirk? That’ll be $100”.

Star Trek’s massive 50th anniversary convention starts next week in Las Vegas, and celebrities have posted their prices for photos with fans.

…Resistance is, of course, futile.

Older actors who starred in Star Trek: The Original Series from the 1960s charge higher prices. And the clairvoyant Whoopi Goldberg tops the charts.

(5) OWL SERVICE. A gig on Fiverr: “I will design a Harry Potter Hogwarts Personalized Acceptance Letter for $5”.

acceptance letter

Have you been waiting forever for your special letter to come? OMG! Don’t wait anymore! You can receive your very own letter, stating that you’ve been accepted to Hogwarts and feel the magic! Makes the perfect Hogwarts gift for anyone of any age and it is fully personalised with their very own name and address.!

What you get is a PDF file – when you pay only $5, you have to provide your own bells and whistles….

(6) THE DISNEY-TOLKIEN INTERSECTION. The original story is on Cracked, but this Hello Giggles writer explains it more clearly. Maybe that’s because she’s sober. “This insane theory says ‘Snow White’ is a sequel to ‘Lord of the Rings’”

While Snow White’s dwarfs seem pretty standard—they’re short, unsocial, and obsessed with treasure—Diplotti explains that Tolkien took many of the names of his dwarves from a centuries-old Norse epic called the Voluspa, which has a section devoted to dwarf names and their meanings. Durin? That’s “Sleepy,” thank you very much. Dwalin, or “Dvalinn” in the “Voluspa,” is torpid, lazy, or sleepy. Oin? That would be “shy,” a.k.a. “bashful.” Well, that’s creepy!

(7) LIFE IS NOT A REHEARSAL. As Kameron Hurley frees herself, she offers hope to other writers: “You Don’t Owe Anyone Your Time”.

Certainly one in a position of privilege does have a moral imperative to state, “This atrocity is wrong.” But when you buckle down to engage the haters on any issue, consider what your end goal is in having that conversation, and consider what other valuable work you could be doing with that time. I can pretty much guarantee you that, say, writing The Geek Feminist Revolution and getting it into people’s hands was worth about a billion times more than spending that time arguing with dudes on the internet who were just there to distract me. They aren’t here to change minds. They are here to keep us from doing the work that changes the world.

We all have a finite amount of time on this earth. Those of us with chronic illness or who have had near-death experiences appreciate that more than others. I feel that it’s my moral imperative to remind you that you could get hit by a bus tomorrow. And if you did, would you regret how you’d spend the hour, the day, the week, the month, the year before?

My goal is to live the sort of life where I won’t feel I’ve wasted my time if I die tomorrow. It has kept me on target through a lot of bullshit. The truth is that all this shit is made up, and because it’s made up, it can be remade. But only if we focus our efforts on creating the work that moves the conversation forward, instead of letting ourselves get caught up in the distraction.

(8) TODAY IN HISTORY

  • July 30, 1932 — Walt Disney released his first color cartoon, “Flowers and Trees,” made in three-color Technicolor.
  • July 30, 1999Blair Witch Project released

(9) TODAY’S BIRTHDAY TERMINATOR

  • Born July 30, 1947 — Arnold Schwarzenegger

(10) BANG THE GAVEL SLOWLY. Frank Darabont is auctioning off rare Hollywood memorabilia. The Hollywood Reporter explains:

Frank Darabont, the filmmaker behind The Shawshank Redemption who helped launch The Walking Dead on AMC, is parting ways with some of his most prized possessions.

The director is putting more than two dozen rare items up for the gavel Saturday as part of Profiles in History’s art and movie memorabilia auction — including plenty of items that would make fanboys and fangirls weak in the knees.

“One thing I’ve always known is this amazing art wouldn’t be mine forever. It couldn’t be. We don’t own these things. We can only be their caretakers for a time, enjoying them as much as possible until inevitably they must pass on to the next caretaker” Darabont said in a statement. “For me, that time has come. I won’t lie to you and say that parting with these things is easy. Trust me, it really, really isn’t. But the time for everything passes, and so has my position as caretaker. I will be ever grateful for the joy these wonderful pieces of art have brought me. I can only hope that they will bring their next caretakers (and all caretakers after that, ad infinitum) equal or greater joy.”

And Art Daily has more details about the items going up for auction.

Following the hugely successful sale of Frank Frazetta art from the collection of Dave Winiewicz, this unique auction will be presented in two sessions. Session One, The Frank Darabont Collection, includes original works by master artists Bernie Wrightson, Mike Mignola, Sanjulian, Jack Davis, Will Eisner, Eric Powell, Bob Peak, Rich Corben, Vaughn Bode, a bronze of the “Cyclops” creature by Ray Harryhausen, and rare movie posters including the only known Frankenstein 1941 Italian 4-fogli, and much more.

Session Two comprises a superb collection of vintage comic and illustration artwork featuring the finest original oil paintings by Frank Frazetta ever offered at auction, including “Sea Witch” (pre-sale estimate of $1,000,000 – $1,500,000) and “Bran Mak Morn” (pre-sale estimate of ($450,000 – $550,000), the most expensive Frazetta paintings ever offered at auction. These two paintings have never been offered for sale. The sale also features a wealth of works by “The Studio” artists Bernie Wrightson, Mike Kaluta, Jeffery Jones, and Barry Windsor-Smith, as well as Spider-Man art by John Romita, a Golden Age cover by Jack Kirby, horror and fantasy art by Richard Corben, an important work by John Buscema, among many other pieces by notable masters of the comic medium. Most of these works have been hidden away in private collections for decades, and this sale represents the first and likely only chance to obtain them.

 

(11) AUSTRALIA IS ON THE MOVE – LITERALLY. The BBC tells why “Australia plans new co-ordinates to fix sat-nav gap”

Because of the movement of the Earth’s tectonic plates, these local co-ordinates drift apart from the Earth’s global co-ordinates over time.

“If you want to start using driverless cars, accurate map information is fundamental,” said Mr Jaksa.

“We have tractors in Australia starting to go around farms without a driver, and if the information about the farm doesn’t line up with the co-ordinates coming out of the navigation system there will be problems.”

The Geocentric Datum of Australia, the country’s local co-ordinate system, was last updated in 1994. Since then, Australia has moved about 1.5 metres north.

So on 1 January 2017, the country’s local co-ordinates will also be shifted further north – by 1.8m.

Chip Hitchcock commented, when he sent the link: “A fascinating reminder that the world we live on is still changing. (I’d love to see comparable numbers for the US, cf the Grand Canyon docent snarking ‘If you want to go to Europe this is the year, because it will never be any closer.’) The story also quotes a claim that this inaccuracy affects self-driving cars, but I’d hope such cars would rely on immediate observation rather than stored memories of coordinates of fixed objects like curbs.”

(12) THE SHARK, DEAR. The Wrap reviews the sequel a day before it airs on SyFy: “’Sharknado 4’ Review: This Joke Has No Teeth Anymore”.

A joke might be funny the first time, but by the fourth time you hear it, the punchline gets tired.

“Tired” is a good description for “Sharknado 4: The 4th Awakens,” which premieres Sunday on Syfy. Although the parody movie is as absurd and silly as the first three installments were, this time around the whole thing feels forced.

On one hand, you can tell stars Ian Ziering, Tara Reid and David Hasselhoff are having fun. Ziering even manages to mock his stint as a Chippendales dancer. But the novelty of this campy killer-shark franchise has clearly worn off, and now the nudges and winks from the made-for-TV flick’s cast and writers border on punishing.

(13) SOUTH KOREA’S GAMERGATE? NPR raises the spectre that “South Korea Is Contending With A ‘Gamergate’ Of Its Own – Over A T-Shirt”.

An online controversy over a South Korean voice actress’s tweeted image of a T-shirt has escalated into what is now being called East Asia’s version of Gamergate — a reference to the vitriolic controversy that pitted gamers, largely men, against women in tech.

Twelve hours after posting a photo of a shirt reading “Girls Do Not Need A Prince,” Kim Jayeon — who had been providing a voice for the popular video game Closers — was out of her job.

Part of the problem was the source of the shirt. It’s put out by Megalia4, a South Korean feminist group.

When Kim’s tweet surfaced on July 18, scores of male gamers demanded that she apologize for supporting what they call a “anti-man hate group.” When Kim refused to budge, they bombarded Nexon, her employer and publisher of Closers, with complaints and refund requests, and soon, she was out.

“We have to be responsive to our customers’ opinions,” Nexon told The Hankyoreh, a South Korean news outlet. “The voice actress exacerbated the issue by posting inflammatory tweets such as ‘what’s wrong with supporting Megalia?'”

(14) HANDICAPPING THE HUGOS: This reader predicts Chuck Tingle will get a rocket.

(15) MACII ONLINE PRE-REG ENDS AUGUST 5.

MidAmeriCon II will be closing online pre-registration for all classes of membership on Friday, August 5, 2016.  Fans planning to attend the convention are encouraged to buy their membership before this date, both to take advantage of the best membership rates and for maximum convenience when they arrive at the convention. Full (five-day) Adult Attending Membership rates will increase from $210 now to $240 at the door, while Young Adult and Military Attending Membership rates will increase from $100 now to $120 at the door. Pre-registered members may collect their badges and other membership materials from 5 p.m. to 7 p.m. on Monday, August 15 and 10 a.m. to 7 p.m. on Tuesday, August 16.  Members who can collect their materials on these days can expect to benefit from reduced waiting times.

Full details of all MidAmeriCon II membership categories and rates, as well as at-con opening hours, can be found on the convention website at http://midamericon2.org/home/registration-hotel-member-information/registration/.

(16) YELLOW F&SF DAYS. Paul Fraser at About SF Magazines provides a retro review of “The Magazine of Fantasy and Science Fiction #5, December 1950”.

(17) TREK BREW. The Nerdist relays plans to “Celebrate 50 years of Star Trek with golden anniversary beer”.

Trek Pale Ale

A quote:

“Star Trek Golden Anniversary Ale: The Trouble With Tribbles” will debut at the premiere of Star Trek Beyond, at the IMAX Embarcadero Marina Park on July 20, and Comic-Con at the San Diego Convention Center on July 21 – 24. It will also available at the “Star Trek Las Vegas” convention at the Rio Hotel & Casino from August 3 – 7, 2016. Then in the fall, Shmaltz will bring Voyage to the Northeast Quadrant to the Mission New York Convention at the Javits Center from September 2 – 4, 2016.

(18) JULES VERNE MOVIE. The Galactic Journey crew was among the first to see what they dubbed “[July 30, 1961] 20,000 Leagues in a Balloon (Jules Vern’s Mysterious Island)”.

Perhaps the most famous of Verne’s protagonists is Captain Nemo, skipper of the magnificent submarine, the Nautilus.  In 20,000 Leagues under the Sea, adapted to film in 1953, Nemo led a one-man crusade against war, sinking the world’s warships in the cause of pacifism.

My daughter and I just came back from the premiere of Mysterious Island, the latest translation of a Verne novel.  It is a sequel of sorts to 20,000 Leagues, though this is not immediately apparent from the beginning.  The initial setting is the siege of Richmond at the end of the American Civil War.  Four Yankee prisoners make a daring escape in a balloon along with an initially wary, but ultimately game, Confederate prisoner.  The film begins with no indication of where it’s going other than the title (and the mention of Nemo in the cast list – an unfortunate spoiler).

(19) APOLLO TREK. Space.com’s Leonard David has a piece about how George Takei and Buzz Aldrin got an assist from William Shatner to celebrate the 47th anniversary of the Apollo 11 landing and the 50th anniversary of Star Trek at Cape Canaveral.

An audience of some 250 people took part in the evening event, which was dominated by a huge Saturn 5 moon rocket perched overhead. The occasion raised funds for Apollo 11 astronaut Buzz Aldrin’s ShareSpace Foundation, a nonprofit organization dedicated to inspiring children to be passionate about science, technology, engineering, the arts and math.

The anniversary gala was hosted by George Takei, best known for his portrayal of Mr. Sulu in the original “Star Trek” TV series and movies….

Takei had a special surprise video beamed in from one of his “Star Trek” crewmates — William Shatner, who played USS Enterprise Capt. James T. Kirk.

Shatner said he wished he could be present at the Apollo 11 anniversary event. He was in Los Angeles, tied to a previous engagement with the other starship captains of “Star Trek” celebrating the past 50 years, Shatner said.

(20) UNSPARING CHANGE. Black Gate’s Derek Kunsken experiences “A Tremendously Disappointing Re-Read: The Soaked-in Misogyny of Piers Anthony’s Xanth”

How bad is the sexism and misogyny? I mean, can we cut it some slack because it was published in 1977?

Um. No. The 1970s were the 1970s, but there were still lots of remarkable writers creating compelling stories with well-rounded characters back then.

All the female characters in the first two novels occupy a narrow range of man-created stereotyped roles that were already fossils in the 1970s. Anthony has:

  1. the dumb love interest,
  2. the smart love interest,
  3. the nagging love interest, and
  4. the cautionary tales for Bink’s choice of love interest.

[Thanks to John King Tarpinian, Cat Eldridge, Keith Kato, Martin Morse Wooster, Dawn Incognito, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 6/1/16 This Scroll Will Self-Pixelate In Five Seconds

(1) HOAX OF THRONES. From Entertainment Weekly, Game of Thrones producers reveal 4 of their epic cast pranks”.

  1. John Bradley’s Ridiculous New Costume.

During the making of season 6, Kit Harington (Jon Snow) and Hannah Murray (Gilly) asked the producers to help them play a wicked trick on their costar and friend, John Bradley (Samwell Tarley). Explains Weiss: “Hannah has long had the sh–tiest costumes on Game of Thrones; she’s been in a burlap sack for five years. She was so happy that she finally gets into a real piece of clothing this year. So Kit and Hannah thought it would be funny to play a joke on John and let him think he’s going to get a new costume too.”

The producers wrangled the show’s costume department to stage a mock fitting for Bradley in a fake costume before shooting began. “We thought it would be great to make the costume ludicrous, but just believable enough to not know it was a gag – so he’d think he would be wearing this on screen,” Weiss says. The result, as you can see in the exclusive photo above, “was all rental stuff, very Henry the VIII, with Tudor bloomers and a massive codpiece that wasn’t even the same color as the rest of the costume.”

(2) CAST PHOTOS. At Pottermore, “A first look at Ron, Hermione and Rose Granger-Weasley as they will appear in Harry Potter and the Cursed Child Parts One and Two. Noma Dumezweni ‘gets Hermione inside out,’ according to J.K. Rowling”.

Yesterday, we got a sneak peek at Harry, Ginny and Albus Potter in full Cursed Child costume and make-up. Now, let’s meet the Granger-Weasleys.

Here we see Harry’s two best friends Ron Weasley (Paul Thornley) and Hermione Granger (Noma Dumezweni) in full costume with their daughter Rose Granger-Weasley, who will be played by actress Cherrelle Skeete.

‘It’s 19 years later when the play begins,’ Paul explained. ‘Ron is married to Hermione Granger and they’re now the Granger-Weasleys. Our magnificent daughter Rose Granger-Weasley is about to start at Hogwarts, which is obviously a big day for everyone.’

 

(3) EARLY GRRM. It’s not a hoax, but it may be a hallucination. Dangerous Minds, an underground music and culture site, discusses “’The Armageddon Rag,’ George R.R. Martin’s Rock-and-Roll Occult Fantasy Novel”,

In 1983 Game of Thrones creator George R.R. Martin published a standalone novel drenched in classic rock that featured the following: a sorceress marshaling a menacing army of loyal warriors, a faithful direwolf cut down in the act of protecting its master, and a scary henchman of well-nigh mountain-ous stature.

The book is called The Armageddon Rag, and a perusal of the synopses of his other pre-Song of Ice and Fire output leads me to the conclusion that the book is Martin’s most realistic novel and surely represents his most sustained homage to the works of J.R.R. Tolkien—unless, of course, the still-uncompleted Westeros/Essos series qualifies.

It also doesn’t really work.

According to the author, The Armageddon Rag nearly sank Martin’s career—and also (HBO subscribers, rejoice) prompted the writer to investigate the possibilities of writing for television….

(4) CELEBRATING WOMEN SF/F ARTISTS. The Society of Illustrators exhibit “Points of Vision – Celebrating Women Artists in Fantasy and Science Fiction” runs June 8-August 20 in New York.

When people think of the Science Fiction and Fantasy genre they often think of it as a male-dominated field, both in authorship and art. However, women have always been a critical part of the genre, and have often brought a slightly different point of view to the way that they create around the themes of myth, heroism, science, and futurism. Mary Shelley wrote one of the first, if not the first science fiction books in Frankenstein. For every Tolkien there was an Ursula K. Le Guin. For every Frank Herbert an Octavia Butler. When we think of Science Fiction and Fantasy Art, it is often the names like Frazetta and Hildebrandt that come first to mind. However, all along through the art history of the genre you have women such as Kinuko Craft, Mary Blair, Julie Bell, and many more who have been creating their own visual worlds and illustrating the worlds of authors, filmmakers, and game designers. For the first time, the work of women in this genre will be exhibited together in Point of Vision: Celebrating Women Artists in Fantasy and Science Fiction at the Museum of Illustration at the Society of Illustrators.

We have chosen to exhibit these women artists together to propose that although both men and women have always created art in the worlds of Science Fiction and Fantasy, women inherently have a slightly different point of view, a unique way of internalizing the themes and stories and then creating visuals imbued with their perspective. However it would be a mistake to say that art created by women is automatically “feminine” — in this exhibit the viewer will see that there are as many different definitions of “woman artist” as there are women creating art.

This exhibit is curated by Irene Gallo and Lauren Panepinto.

(5) PROPHECY REDEEMED. “It’s 2016 — where’s my reusable spacecraft?” demands Chip Hitchcock, setting up the BBC’s reply in “One thing spacecraft have never achieved – until now”.

So a short explanation for why reusable rockets haven’t arrived earlier is simply the technical difficulty. However, the idea of reusable spaceplanes dates back to before World War Two.

Before the Apollo programme, spaceplanes were thought to be the future of reusable spacecraft, says Roger Launius at the Smithsonian Institution’s National Air & Space Museum in Washington DC. “The idea has been out there since the Buck Rogers and Flash Gordon science fiction comic strips in the 1920s and 1930s. Every single one of the spacecraft in those strips was a reusable spaceplane. So since before World War Two we always thought spaceflight would be like airplane activity.”

After 1945, captured German rocket scientists revealed they had planned – but never built – a suborbital spaceplane, the Silverbird, with which the Nazis had hoped to bomb the US. A novel design feature was that it was shaped like a wing, so its shape helped add aerodynamic lift. This ‘lifting body’ idea was harnessed by the US Air Force in 1958 when it started work on a reusable winged spaceplane, the X-20 Dyna-Soar – but the Moon program saw that canned in 1963.

(6) SIXTIES BATMAN ACTORS COLLABORATING. CinemaBlend says when they’re not busy collecting Medicare, “Batman’s Adam West And Burt Ward Are Working On A New Project”. (Okay, I made up the Medicare part.)

Although Adam West’s information was sparse, we may already have a clue about what this thing is. Last year, he and Burt Ward mentioned that they would be voicing their versions of Batman and Robin in a 90-minute animated project. It seems unlikely that this would be a movie released in theaters. Instead, it seems like a much better fit as a direct-to-DVD movie, something streamed on an online platform or even as a TV special. However, there’s been no official announcements concerning that particular project, and it’s unclear whether what West is currently talking about is the same project or something entirely different. Either way, having the old guard together again is intriguing.

(7) DEVIL IN A BLUE RAY. The other day Guillermo del Toro praised director John Carpenter in a long series of tweets that included this story:

(8) BIRTHDAY DEITY

  • Born June 1, 1936 – Morgan Freeman, who in addition to playing God in two movies, has performed as a leader of all three branches of the US government, the President, the Chief Justice, and the Speaker. (And you can throw in the Director of Central Intelligence for good measure.)

(9) BIRTHDAY MUPPET

  • Born June 1, 2000 — Oscar the Grouch. [Updated. Oscar has been on Sesame Street since 1969. But the birthday is official.]

(10) STRETCH GOALS. Diana Pavlac Glyer’s Bandersnatch audiobook Kickstarter not only funded, but hit three stretch goals.

And for unlocking the last goal, backers will soon learn if illustrator James A. Owen can really draw a bandersnatch blindfolded.

(11) THE DOORS OF HIS MOUTH. David Brin will speak in Washington DC to Caltech alumni on June 14. Tickets are $10.

Knocking on Doors

What Caltech Taught Me about Self-Education

Join us for a special conversation with Hugo award winning and New York Times bestselling science fiction author David Brin (BS ’73). Brin will speak about how his experience at Caltech prepared him for a three decade career at the intersection of science and imagination.

(12) ONLINE PAYMENT OPENS. MACII opened Site Selection voting the other day, however, today they made it possible to pay the Advance Supporting Membership fee online.

All Adult Attending, Young Adult Attending, and Supporting members of MidAmeriCon II are eligible to take part in the site selection process. Ballots may be submitted by postal mail or in person at the convention, up to the close of voting at 6 p.m. on Friday, August 19, 2016. All ballots must be accompanied by an Advance Supporting Membership fee, which will automatically be converted to a Supporting Membership of the respective convention, regardless of which convention the member voted for. This fee has been set at $40 for the 2018 Worldcon selection and $35 for the 2017 NASFiC.

Full information on the site selection process, including a printable ballot form, can be found on the MidAmeriCon II website at www.midamericon2.org/home/hugo-awards-and-wsfs/wsfs/site-selection/. A copy of the ballot form will also be included in MidAmeriCon II’s Progress Report 3, which will be mailed to convention members in the coming weeks.

In accordance with the requirements of the World Science Fiction Society, each bidder has submitted an official bid filing package. This documentation can also be found on the MidAmeriCon II website at www.midamericon2.org/home/hugo-awards-and-wsfs/wsfs/site-selection/.

(13) 2017 WISCON. The WisCon 41 guests of honor have been named.

  • Amal El-Mohtar – Nebula-nominated Canadian poet and writer of speculative fiction
  • Kelly Sue DeConnick – American comic book writer and editor and English-language adapter of manga

(14) ONE THUMB UP FOR GHOSTBUSTERS. Executive producer Dan Aykroyd praised the new Ghostbusters. Is he an objective critic? You decide!

Dan Aykroyd, who played Ray Stantz in the original Ghostbusters film, has praised the upcoming reboot.

Aykroyd is listed as an executive producer on the movie, which features a female-led cast including Melissa McCarthy and Kristen Wiig.

He commended the “brilliant, genuine performances from the cast both female and male”.

The actor made the comments after seeing a test screening of Paul Feig’s new film.

“It has more laughs and more scares than the first two films, plus Bill Murray is in it!” Aykroyd wrote on Facebook.

(15) FLEXIBLE FLYERS. This picture of posable dragons comes from Patricia Briggs fans FB page.

posable dragons

(16) TIME AND AGAIN. Details about the 2017 season of Doctor Who continue to leak: “Doctor Who Season 10 Is Bringing A Major Character Back”.

Actress Michelle Gomez actually dropped the news herself at this weekend’s MegaCon in Orlando, confirming that she would definitely be bringing Missy back into the Doctor’s life for Season 10, according to Doctor Who News. And it doesn’t appear that she was in character while making the admission, so we don’t have to worry about this being a trick of some kind that she’s playing on humanity. Or do we?

The latest incarnation of the Doctor’s arch nemesis The Master, Missy first appeared in “Deep Breath,” after already being introduced by name in a previous episode. She is more of a trickster than earlier Masters when it comes to playing mind games with the Doctor, and has appeared in a handful of episodes since her introduction. She was last seen in Season 9’s “The Witch’s Familiar,” where she was left on Skaro amidst a huge group of Daleks, remarking on a clever idea she’d just had. Was that idea to show up in Season 10? It fits.

(17) FORGED PROPERTY. Suvudu knows how few can resist a headline like “King Tut’s Dagger Has an Extraterrestrial Origin”.

Conspiracy theorists are fond of pointing to things like the pyramids as proof that the Egyptians were in communication with an extraterrestrial civilization. While that’s very, very, very unlikely, a recent scientific discovery has revealed a surprising connection between Egyptian royalty and outer space. According to the Guardian, Italian and Egyptian scientists have concluded that a dagger found in the tomb of King Tutankhamen was forged from iron extracted from a meteorite.

(18) JUST SAY NO. Steven Harper Piziks shares his social media strategy at Book View Café.

Links I don’t click on:

–Anything that uses the phrase “mind blown”…

–Or “90% of readers won’t share this” (Now we just need to work on the other 10%.)

–Or “This major event in space is happening any second! Click here to learn more about how fake it is!”

[Thanks to Chip Hitchcock, John King Tarpinian, JJ, Rob Thornton, Andrew Porter, and Craig Miller for some of these stories. Title credit goes to File 770 contributing editor of the day katster.]

Carpenter’s Halloween Screens at South Pasadena Library 10/31

John Carpenter’s horror movie Halloween (1978), one of the most successful independent films ever made, was shot almost entirely in South Pasadena. That’s why the South Pasadena Library will hold a showing in the Community Room on Thursday, October 31 at 7 p.m. — with a very special guest. Tickets are $10 from Eventbrite.com. Seating is limited

Halloween catapulted Carpenter to a legendary filmmaking career and helped make South Pasadena a desirable location for the industry. The South Pasadena City Council has declared October 31, 2013 as John Carpenter Night because of the positive economic and cultural influence of his signature film on the city.

The event will be a fundraiser for the Friends of the South Pasadena Library and the sCARE Foundation which helps homeless teens The Community Room is located at 1115 El Centro Street. A giant screen and professional projection equipment will be used. This is an R-rated film and no one under 17 will be admitted without a parent.

Halloween stars Donald Pleasance and Jamie Lee Curtis in her first major film role. It was shot in only 20 days and cost just $320,000. It has grossed more than $200 million in 2013 dollars. There have been seven follow-ups in the franchise.

[Thanks to John King Tarpinian for the story.]