Tarpinian: 2013 Eaton Conference in Progress

Professor Philip Nichols giving his lecture on the script writing styles of Ray Bradbury and Harlan Ellison

Professor Philip Nichols giving his lecture on the script writing styles of Ray Bradbury and Harlan Ellison

By John King Tarpinian: Every two years UC Riverside hosts the Eaton Science Fiction Conference. I’ve had attended in past years when they gave their Lifetime Achievement Awards to Ray Bradbury (2008) and Frederik Pohl (2009).

Conferences over the four days would start at 8:30 a.m. and continue until 8:30 p.m., running in six rooms at once. If one can get Sci-Fi overload this would have been the place to be. A list of topics: “Gods, Monsters in Science Fiction Television,” “Queering the Genre,” “Octavia E. Butler,” “Superhero Controversies in Comics and Television,” and so on and so forth. Larry Niven and David Brin are among the writers in attendance. For a more detailed list of the event meander over to: http://eatonconference.ucr.edu/

This year’s Lifetime Achievement Awards are going to Ursula K. Le Guin (2012), Ray Harryhausen (2013) and Stan Lee (2013). They will be honored at the Saturday evening banquet.

On Friday I took a day trip to hear a lecture by a friend of mine, Phil Nichols, a UK Professor from the University of Wolverhampton. Phil lectured, along with Julian Hoxter & Michael Joseph Klein who gave papers on scripts in Science Fiction. Phil specifically talked about the diverse script writing styles of Ray Bradbury & Harlan Ellison. Ray’s scriptwriting was honed by writing Moby Dick for John Huston but his first official script was for It Came from Outer Space. Harlan’s style was developed in the early 60s with is TV writing from the Alfred Hitchcock Hour through Star Trek and a script for Masters of Science Fiction.

As in books, Ray used metaphors for camera direction (sample scripts were shown on the screen), what today is called a spec-script. Ray’s scripts would allow for more input for the director. Harlan, on the other hand, would number each scene and have very specific directions as to shooting the scene. Harlan would go as far as to specify if a scene was an interior or exterior show.

I was not consulted when they selected the dates for the conference so after having lunch with my friend that was it for the day. She-Who-Must-Be-Obeyed was off on a photo safari in Death Valley and guess who had to get home to walk the dogs? Maybe the best end to a good day was getting a souvenir LASFS bookmark.

2013 Eaton Conference poster.

2013 Eaton Conference poster.

Eaton conference panel schedule.

Display at  2013 Eaton Conference.

Display at 2013 Eaton Conference.

Display at  2013 Eaton Conference.

Display at 2013 Eaton Conference.

Display at  2013 Eaton Conference.

Display at 2013 Eaton Conference.

 

Tarpinian: 2013 Vintage Paperback Show

By John King Tarpinian: The 34th Annual Vintage Paperback Show was this past weekend, the largest of its kind. There were 84 tables of stuff, from vintage paperbacks, pulps, old girlie magazines and assorted stuff of that ilk. This show is unique in that all the authors that attend will sign pretty much anything put in front of them…without charging for the honor. A number of them will bring long out of print items of their own from out of storage, not so much to make money but to clean out the attic…to the delight of fans.

It is not uncommon for the collectors’ line to have 50 people standing in line multiple times to get their entire hoard signed. In order for everybody to get something signed we often limit the number of books per turn in line. Many authors are kind enough to spend hours and hours making sure everybody goes home happy. Carrying bags and bags of books may be the only exercise us readers ever get.

The authors at this year’s show were Peter Atkins, Peter Beagle, James Blaylock, Louis Charbonneau, John DeChancie, L.J. Dopp, Dennis Etchison, Laura Freas, Bill George, David Gerrold, Gary Gianni, Mel Gilden, James C. Glass, Tony Gleeson, Donald Glut, Cody Goodfellow, Scott Tracy Griffin, Barbara Hambly, Denise Hamilton, Earl Hamner, Odie Hawkins, Glen Hirshberg, George Clayton Johnson, Bruce Kimmel, Tim Kirk, Michael Kurland, Terrill Lankford, Rick Lenz, Richard Lupoff, Ib Melchior, Lisa Morton, Larry Niven, William F. Nolan, Charles Nuetzel, Gary Phillips, Felice Picano, Jerry Pournelle, Tim Powers, Robert Reginald, John Skipp, Harry Turtledove, Len Wein, and Stephen Woodworth.

I have the honor of being the Author Wrangler during the show so I get to greet the authors and have a few very nice conversations with them. Because fortune fell my way many years ago and I was befriended by Ray Bradbury many of the authors treat me more than in a casual fanboy manner.

Getting together with William F. Nolan & George Clayton Johnson is always fun. Larry Niven and Jerry Pournelle make for a learning experience hearing them talk about the old days when Robert Heinlein would edit/review their works. A couple decades ago I ran Atari-only computer shows locally, Jerry Pournelle used to attend and write reviews for his Chaos Manor column in Byte Magazine.

Harry Turtledove is so casual about his works and very accommodating with his fans. Tim Powers and James Blaylock were paired off together this year. John Skip and Cody Goodfellow are very popular with the Steampunk crowd. The likes of Don Glut, Lisa Morton (the queen of Halloween), Robert Reginald, Peter Atkins (such a lovely fellow to write such scary stuff), John DeChancie, Dennis Etchison (master of psychological horror) and so many more authors kind enough to attend for their fans.

Two first-time guest authors doing signings this year were Gary Gianni and Len Wein. Graphic Novel fans were delighted. Think Prince Valiant with steel claws as a pairing. Len was a relatively late addition; one of the comic book oriented dealers was caught by surprise and wish he’d have brought more of Len’s work. Gary worked on the last book of Ray Bradbury’s published before his passing, The Nefertiti-Tut Express. Most readers here should know that Len is the creator of Swamp Thing and helped re-launch/revive/save X-Men not to mention the creator of Wolverine.

The show has been at the same venue for a quarter of a century. Unlike the rest of us it is beginning to show its age so most likely the show will be moving to another location next year. Now I am back to soaking my feet in Epson salts.

Tarpinian: A Wonderful Day
in the Neighborhood

Susan Bradbury Nixon (at dais).

By John King Tarpinian: Today, December 6th, the City of Los Angeles dedicated the intersection of 5th & Flower as Ray Bradbury Square. The area is just behind the main branch library, where Ray spent many hours in his teens all the way thru adulthood and beyond.

This event was spearheaded by Steven Paul Levia, who was responsible for Ray Bradbury Week for Ray’s 90th birthday. City Councilman Jose Huizar, representing the area of the dedication, also grew up in Boyle Heights where Ray and his family briefly lived in the early 1930s. That is where Ray was inspired to write The Wonderful Ice Cream Suit, and where it was filmed. The other City Councilman present was Paul Koretz, who represents where Ray lived and also went to school with Ray’s daughters. Another city representative was John Szabo, who is the head librarian.

Sci-fi writer/futurist David Brin spoke about the time he took his children to meet Ray and he briefly gained respect beyond that of a mortal parent. Sam Weller, a Bradbury biographer, gave a lovely speech and ended by vocalizing as Ray: “You are wondering why I called you here today…”

Ray’s eldest daughter and bookseller Susan Bradbury Nixon said a few words about her dad, which brought out more than a few hankies.

Last up was Joe Mantegna who first worked for Ray in 1972 in a Chicago production of The Wonderful Ice Cream Suit and went on to play the same role in the Disney movie. He told of his last meeting with Ray at the house, which choked him up a wee bit.

As much as I hate driving downtown, I now have a place to stop and sit in a shaded park while I read a few passages from one of Ray’s stories and to remember the joy he has brought so many of us with his stories.

Joe Mantegna and Sam Weller.

LA City Councilman Jose Huizar.

David Brin.

LA City Councilman Paul Koretz.

John Szabo, City Librarian of the Los Angeles Public Library.

Ray Bradbury and Joe Mantegna.

Tarpinian: Martian Chronicles Exhibit

Edited ms. page of The Martian Chronicles table of contents. Photo taken through exhibit case by John King Tarpinian.

By John King Tarpinian: The L&M Art Gallery in Venice, CA had their opening night reception “For The Martian Chronicles” on November 8. The exhibition continues until the first week of January. The exhibit had modern artist’s interpretations of Mars plus four pages of The Martian Chronicles manuscript from the UCLA archives. Books, loaned by me, were on display in their library.

What is very special about this art gallery is that the main building is the converted power station next to the house Ray lived in with his parents and brother until Ray married. Not only did Ray share a bedroom with his brother they shared a bed. The west gallery building sits on the land where the house used to be. Ray had set-up an office in the garage. This is where Ray wrote the majority of his Martian stories. That makes this exhibition very special.

GALLERY INFORMATION: L&M Arts, Los Angheles, 660 South Venice Boulevard, Venice, CA, 90291. Tuesday – Saturday, 10:00 – 5:30 and by appointment.

Curated by Yael Lipschutz in honor of Bradbury and his journey into the red unknown, the exhibition will include the original manuscript of The Martian Chronicles, alongside artists ranging from Yves Klein—whose mysterious blue sponge sculpture from 1958 is as strange and disconcerting as any Mars rock—to Larry Bell, Jonah Freeman & Justin Lowe, Matthew Ritchie, and Vija Celmins, whose exquisite renderings of the cosmos serve to propel the viewer forward through space as we travel with Bradbury on his interstellar mission. Some works directly invoke the Red Planet, such as Ed Ruscha’s Hold on For a Minute, I’m No Martian (1980), and Tom Sachs’ Phonkey (2012), a large-scale sculptural tableau, in which a lone radio sits silent, stranded atop a scorching Martian terrain.

Tarpinian: A Monstrous Presidential Debate

By John King Tarpinian: This evening the Alex Theater in Glendale, CA had a showing of Frankenstein Meets the Wolfman plus the Mickey Mouse cartoon “Runaway Brain.” There is nothing like watching classics on the big screen with a full audience.

However, the real treat was before the movie, the political debate between Frankenstein’s Monster and the Wolfman. Frankenstein was introduced by Bela Lugosi, Jr. while the Wolfman was brought on stage by Ron Chaney, grandson of Lon, Jr. and great-grandson of Lon, Sr.

Frank represented the Electrican party while Wolfie was from the Lycancrat ticket. Many topics of the day were debated; Frank thought that the best way to solve the energy crisis was with lightening while Wolfie thought moonlight was the best approach…because moonlight was more predictable.

A surprise third candidate came onstage at the last minute…the Invisible Man.

Frank was portrayed by make-up artist John Goodwin and the Wolfman was portrayed by character actor, Daniel Roebuck. They also appeared in their own political ads which have already found their way onto YouTube.

Wolfman

Frankenstein

The candidates settle their differences.

Ron Chaney

Bela Lugosi, Jr.

Tarpinian: A Final Bow

By John King Tarpinian: On Sunday, October 22 the cast of Ray Bradbury’s Pandemonium Theatre Company gave a final farewell to their friend and mentor at the Fremont Centre Theatre in South Pasadena, CA. This was a very casual event, no fancy staging, costumes or makeup, just actors who loved Ray saying goodbye. To honor Ray’s love for libraries 100% of the box office went to the Friends of the South Pasadena Library.

The mayor of South Pasadena said a few words as did the head librarian. Then a few of the actors took turns giving a reading from a scene of their favorite Bradbury play that they’d appeared in. Then they said how Ray touched their lives and careers.

People were reminded of a few actors who got their start under Ray’s wing. F. Murray Abraham’s first paying job, on stage, was in the Wonderful Ice Cream Suit in Los Angeles. Joe Mantegna played in a stage production of WICS in Chicago and went on to reprise the role in the movie of the same name. The last crop of actors in Ray’s theatre troop hopes their being touched by Ray’s magic portent great things for their future.

Afterwards, actors and patrons were invited to raise a glass of champagne (or sparkling apple juice) to Ray in a final salute.

Tarpinian: AltCar Expo Report

Bill Goodwin, Greg Bear, and Howard V. Hendrix. (The image behind them is a 3D photo of a 50 mile section of Gale crater)

By John King Tarpinian: The AltCar Expo was held at the Santa Monica Civic Auditorium on September 29. If you are in the market for a 100% electric BMW or a Dodge 2500 CNG pick-up this was the place to be. My little Volvo only has 26,000 miles on it so I’ll have to wait for next year when they show off the hovercrafts.

My attendance and the only reason to run the gauntlet known as Carmageddon was to hear the talk, “Mars and the Heart of Humanity: Ray Bradbury’s Million-Year Picnic.” Bill Goodwin, Greg Bear and Howard V. Hendrix each took turns talking about Mars in fiction and how it relates to reality, giving credit to Ray Bradbury, Robert Heinlein, H.G. Wells and Edgar Rice Burroughs. It is hard to talk about Mars, in science, without mentioning these four gentlemen and their contributions to literature.

Charles Baker brought with him a $30,000 1/10th scale model of Curiosity along with a 20” diameter wheel from the sister rover that is used to test possible maneuvers here on earth before they try them on the Red Planet.

If you have seen photos of the rover you may have noticed holes in the wheels’ treads. The reason for the holes is so that sand/pebbles will “fall out” and not weigh down the rover. The original design had the openings be the letters JPL but politics got in the way. So they redesigned it with the holes. What the geeks at JPL did not mention was that the three rows on each wheel spell out JPL in Morse Code. The geeks won!!! (You can see the holes in the photo with the rover model sitting on top of the wheel.)

1/10th scale model of Curiosity Rover being held by Charles Baker.

An extra wheel for Curiosity.

Tarpinian: Birthday Party for Earl & George

Earl Hamner Jr. and George Clayton Johnson at Mystery & Imagination Bookshop. (Photo by John King Tarpinian.)

By John King Tarpinian: The bookshop, Mystery & Imagination in Glendale, CA, hosted a dual birthday party on July 22 for two Twilight Zone legends, Earl Hamner, Jr. & George Clayton Johnson. The upstairs area of the bookshop was standing room only. Earl wrote eight TZ scripts while George wrote six. Earl and George credited Ray Bradbury for introducing them to Rod Serling.

Both talked about their lengthy careers and even lengthier marriages. They talked about the industry they were swept up in, the lessons they learned along the way.

Earl followed his TZ adventures with the movie, Spencer’s Mountain starring Henry Fonda and Maureen O’Hara which then turned into the TV show, The Waltons. His next venture was Falcon’s Crest. Earl talked about going to studio meeting now with the “twelve-year-old executives” and how the industry has changed. He read a piece he recently wrote about being eighty-nine years old.

George also talked about his career starting with writing the original Ocean’s Eleven for the RatPack, then his TZ episodes. Among them, working with a very young actor Robert Redford to Jack Klugman and Jonathan Winters. Not to mention Steven Spielberg selected his Kick the Can for the TZ movie. Having the luck of the first aired original Star Trek being his The Man Trap.

There were a few other authors who attended to pay their respects, Peter Atkins (The Hellraiser movies), Horror Writer and TZ radio writer Dennis Etchison, mystery writer and comic expert Michael Mallory.

It was a lovely afternoon honoring two men who have given us so much enjoyment over the decades.

Tarpinian: A Comic-Con Tribute to Ray Bradbury

Rachel Bloom speaks at Comic-Con's Bradbury tribute. (Photos by John King Tarpinian.)

By John King Tarpinian: The Saturday evening tribute to Ray was very beautiful and moving.  The hall sat 4,000 people and followed a Gleek Fest.  I know of a few people who attended the Glee event in order to get a good seat for the tribute.

Even with having a line-up and an outline we had fifteen minutes to set-up and decide how to actually do the panel.   It was decided to take the tables off the stage and have a single podium so each speaker would be able to give their personal tribute to Ray.

Sam Weller was the organizer-host (The Bradbury Chronicles, Listen to the Echoes & Shadow Show).  He shared podium duties with Mark Evanier (Kirby: King of Comics).  Each tribute was separated by video clips of Ray over the decades.

First up was Rachel Bloom who had prepared a PG-13 version of her Hugo-nominated song.  When she came on stage she asked the assembled masses if they wanted to hear the CENSORED version or the real version.  Not one person in the hall opted for the CENSORED version and Rachel added some audience “call & response.” 

A number of the people who spoke have known Ray for half a century or more, William F. Nolan, George Clayton Johnson and Stan Freberg.  Both Bill and George let people know how Ray helped those two young writers.  If you youngins’ do not know the name Stan Freberg, just Google “Ray Bradbury Stan Freberg prunes” then sit back and prepare to laugh out loud.  Ray introduced Stan’s wife to him and was best man at their wedding.

Joe Hill gave a lovely tribute, of course.  He mentioned he had only met Ray the one time at the 2010 Comic-Con and that a man came over to him asking if he’d like to say hello to Ray.  I am proud to say that I was “that man.”  Joe also read a moving tribute from Frank Darabont.

Margaret Atwood had never met Ray and was supposed to visit him earlier this week but that was not to be.  She talked about how she read, as a young girl, Ray’s books as they first came out. That she used some of his themes in her books.  In The Handmaid’s Tale she used that women were not allowed to read because of Fahrenheit 451.

Marc Scott Zicree told how he first met Ray.   As a young man, Marc had done a “mixed tape” mashing up various audio renditions of Moby Dick.  Marc handed this out to a few friends.  A copy wound up with Ray.  Marc says he came home one day to find a message from Ray on his answering machine asking him to call.  Marc was afraid he was in trouble when in fact Ray loved the tape and they became fast friends.

On a final personal note, the only times I attended Comic-Con were with Ray.  Not a bad way to visit the zoo.  I did not speak but in talking to the guest speakers backstage I told how Ray’s hearing aids really did not work well with the den of noise in the hall but that hundreds of times an hour you could hear people shout out such phrases as, “OMG it’s Ray Bradbury.”  “I LOVE YOU RAY.”  “THANK YOU Ray.”  But the one that really got to me was when a young father and his son, who was riding on his shoulders said to the son, “There goes Ray Bradbury the greatest writer of all time.”  Once a man came up to Ray, got down on his knees bowed three times, got up and just walked away without saying a word.  There were lots of laughs, hugs and tears backstage and that will be how I will always remember Comic-Con.

Sam Weller

Margaret Atwood

Gary Gianni

George Clayton Johnson

Joe Hill

Marc Scott Zicree

Mark Evanier

William F. Nolan

Stan Freberg

Tarpinian: Quality Time With Ray

George Clayton Johnson and Ray Bradbury watch restored "Icarus Montgolfier Wright" in 2008.

By John King Tarpinian: Ray is now resting beside his beloved Maggie and only a few blocks from where he pounded out Fahrenheit 451 on a rental typewriter for ten cents a half hour. I was in attendance but would have rather run away to a sideshow carnival to meet Mr. Electrico.

The services were beautiful and exactly what Ray would have wanted. Many people would like to know the specifics of the service but I am respecting the family wishes to keep things private. 

And instead of a eulogy I am sharing some of the quality time I was honored to experience with Ray.

We’d be at events such as Comic-Con. The den of noise was such that Ray’s hearing aids were just shy of useless unless somebody was in front of him an shouting…as did Joe Hill in 2009 when he first met Ray. As we walked down the aisles a minute would not pass when you would not hear, “WE LOVE YOU RAY,” “OMG that’s Ray Bradbury,” but the one that will always stick in my mind was the father and his son who was riding on his dad’s shoulders and the father telling his boy, “That man is Ray Bradbury…the greatest writer in the world.”

We’d be at book signings and older men would come up to get Ray to autograph their tattered copy of The Martian Chronicles and say that they were retired from JPL or NASA and became an astrophysicist because they read Ray’s books as a child. People would come up to Ray with tears in their eyes (as I now have) and tell him they became English teachers or librarians because of Ray. He touched people in so many ways.

One evening after a library event there was a group of us enjoying a meal with Ray.  People were chatting about nothing in particular but there was much laughter. All of a sudden Ray asks for a pen. A story has come to him, fully formed. The story was about Ponce de León in search of the Fountain of Youth. He finds the indigenous peoples know what the real fount is, laughter. And this from a group of friends sharing a meal and laughing.

We’d be coming home from an event. Ray would announce he’d like the driver to take him through Hollywood. The next magical hour would be Ray, as tour guide, telling us what he did, where and when. We’d go to exactly where he met a movie star, at age fourteen and on roller skates, to get their autograph. We’d sit in the car next to the cemetery he wrote about in Graveyard for Lunatics. I’d tell him that is where my paternal grandparents are buried and he’d say, “I’ll be damned.” I got to tell him that he wrote about an in-law of mine in “Who Killed Constance,” Thaddeus Lowe. He’d laugh.

Thanks to Ray, at one of his 90th birthday celebrations I got to be in the same room with THREE of my childhood idols: Ray, Buzz Aldrin and Hugh Hefner. That gave me the opportunity to tell Buzz that he knew another in-law of mine, Pancho Barnes. (Look up The Happy Bottom Riding Club). Heck, I got to tell Hugh that I dated the younger sister of Miss August ‘72. All thanks to Ray.

We were once at a screening of a cleaned-up copy of Ray’s Oscar-nominated animated film “Icarus Montgolfier Wright.” In comes a page to say that, Steven Spielberg is in the building, has learned that Ray is here and would HE be disturbing the group if he could come in to briefly pay his respects. How cool is that?

That same evening we are having dinner at one of Ray’s favorite restaurants, Musso & Frank’s. George Clayton Johnson is with us. There is a local TV celebrity also eating there, Huell Howser. Ironically Huell recognized me (Ray and George had their backs to him) because he did a special on my fountain pen collecting club the year before. So here I am, a nobody, introducing Huell to Ray and George. What’s wrong with that picture? 

Also in the restaurant that evening is the owner of another favorite restaurant of Ray’s, El Cholo. He comes over to pay his respects and leaves. When it came time to pay the bill “somebody” had already paid the bill for the whole table. 

My last remembrance is the first time I got to converse with Ray. I had been at many signings before but never got up the gumption to speak other than bowing and saying Thank You. When I finally did I asked if he minded signing my book with a fountain pen.  He kindly said yes. I then pulled out my case and asked if he would prefer a pen from the 20s, 30s, 40s, 50s or 60s. With a laugh he asked to use the one from the 40s, saying that was when he was a young man. While signing he told a story about going on a date with a young starlet. He bought a new white shirt for this date. When they got to the restaurant Ray took off his sport jacket only to discover the fountain pen had leaked all over the new shirt.

I realize how lucky I have been to be able to call Ray friend and him to call me friend.  He has made my life more fulfilled by just being who he is and sharing. May everybody be as lucky as I, to have a childhood idol become a friend.