Pixel Scroll 2/10/24 No, That’s Not A Pixel, It’s A Cat Dreaming It’s A Pixel

(1) 2027 WORLDCON RACE HEATS UP. A Montréal in 2027 Worldcon bid was announced this weekend. The committee is led by Worldcon-running veteran Terry Fong, who lives there. Montréal previously hosted the 2009 Worldcon.

Terry Fong and Rebecca Downey were at Boskone today running a bid table – thanks to Lisa Hertel for this photo.

Terry Fong and Rebecca Downey at Boskone. Photo by Lisa Hertel.

According to Kevin Standlee their proposed site, the Palais des Congrès, is scheduled for a major renovation in 2028, so a bid for that year would not be practical.

The other announced bid for 2027 is WorldCon 2027 in Tel Aviv, Israel.

(2) MEDICAL UPDATE. Kaja Foglio has returned home from the hospital. Phil Foglio posted the good news.

(3) CHTORR GAME IN OUR FUTURE. David Gerrold has told Facebook readers that Dan Verssen Games has licensed the use of one of his Chtorr novels for a version of DVG’s Warfighter games series.

(4) VERSE WANTS TO BE FREE. Bobby Derie in “’A Dracula of the Hills’ (1923) by Amy Lowell” at Deep Cuts in a Lovecraftian Vein looks at the Lowell novel, what Lovecraft thought of Lowell, and how both were influenced by Bram Stoker’s novel.

… Time and experience somewhat mellowed Lovecraft’s attitudes towards free verse and Amy Lowell. While the 1922 publication of T. S. Eliot’s “The Waste Land” prompted Lovecraft to write his own satire in free verse, “Waste Paper.” For all that Lovecraft remained a lifelong devotee of traditional meters and rhyme schemes, continued interaction with poets that used free verse such as Hart Crane and Edith Miniter seems to have led him to a begrudging acceptance of the practice. When Amy Lowell died 12 May 1925, Lovecraft wrote:

“When I say that Miſs Lowell wrote poetry, I refer only to the essential contents—the isolated images which prove her to have seen the world transfigured with poetic glamour. I do not mean to say that the compleat results are to be judg’d as poems in any finish’d sense—but merely that there is poetical vision in the broken & rhythmical prose & disconnected pictorial presentations which she gave us. She is also, of course, the author of much genuine poetry in the most perfect metres—sonnets & the like—which most have forgotten because of the greater publicity attending her eccentric emanations.”

H. P. Lovecraft to Lillian D. Clark, 8 Aug 1925, Letters to Family and Family Friends 1.340

(5) BUT THE GROUND’S GETTING CLOSER. The Coyote may still be up in the air, however, his destiny seems certain: “’Coyote Vs. Acme’: With Pic’s Fate In Limbo At Warners, Phil Lord Observes, ‘How Funny It Would Be For This To End With A Congressional Hearing’” reports Deadline.

Warners Bros has screened their axed Coyote vs. Acme to around 12 buyers we hear with a rigid buy price of $70M+; which is how much the animated live-action hybrid movie cost.

Netflix and Paramount put forth bids, which we told you about, but they were lower than the $70M asking price (between $30M-$50M), therefore in Warner’s eyes, rivals didn’t want the feature for what it cost.

What Deadline has received clarity on is that Warner Bros took a $70M writedown on Q3 earnings, not the upcoming Q4. Nonetheless, the movie, which the Burbank, CA lot decided back in early November not to release — remains in purgatory. That said, we hear the door isn’t officially closed on Coyote vs. Acme‘s prospects yet — it’s just that the Coyote could wind up in the cave with Batgirl.

Phil Lord, whose Lego Movie made Warner Bros. over $471M in addition to spuring a feature franchise, took umbrage with the David Zaslav-run conglomerate on Twitter tonight exclaiming, “Is it anticompetitive if one of the biggest movie studios in the worlds shuns the marketplace in order to use a tax loophole to write off an entire movie so they can more easily merge with one of the bigger movie studios in the world? Cause it SEEMS anticompetitive.”

Lord is among those with Chris Miller, Michael Chaves, Daniel Scheinert and Deadline who’ve seen the movie.

Lord further added in reference to the climax of Coyote vs. Acme, “If you could see Coyote vs. Acme, you’d know how funny it would be for this to end with a congressional hearing.”…

(6) YOU AND YOU AND YOU AND THE MULTIVERSE. [Item by SF Concatenation’s Jonathan Cowie.] We at SF2 Concatenation enjoy diving into the really important questions of life, the Universe and everything, especially those on that fertile boundary between science fact and science fiction, feeling that there are more useful answers there than just a two-digit figure… And so is Becky Smethurst, who has used Rick and Morty as a starting point to explore the concept of the multiverse.

Is there really a parallel universe with an identical you in it? And which multiverse theory does Rick and Morty subscribe to? Indeed, how broad is SF’s approach to the multiverse concept?

Here, Brit Cit astrophysicist Dr. Becky would like to know of any SF story or film that employs the ‘bubble universe’ theory of the multiverse. If you have an example, put it in the comments beneath her 15-minute YouTube video. There’s a challenge for Filers. (Sadly, the end of video the good doctor displays worries that some (just some) of her science colleagues will object vehemently for her use of SF to explore science… There are trolls everywhere, even in science alas.)

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 10, 1953 John Shirley, 71. Did you know that John Shirley has written n historical novel, a western about Wyatt Earp — Wyatt in Wichita? I wonder how many of our sff writers beside him and Emma Bull (whose novel Territory was decidedly not historical) have written novels on this incident and the individuals there? 

John Shirley. Photo by Sunni Brock.

I really enjoyed his first novel City Come A-Walkin which I think is a brilliant rendering of a City come to life. 

I’ll admit I’m not much at all for grim dystopian SF but I did find his A Song Called Youth trilogy of EclipseEclipse Penumbra and Eclipse Corona fascinating if in a horrifying manner.

His best known script work is The Crow film, for which he was the initial writer, before David Schow reworked the script. I’m not sure he got actually any credit at all. He also wrote scripts for Poltergeist: The Legacy.

I see that to my surprise he wrote an episode of Deep Space Nine, “Visionary” and also wrote three episodes of the ‘12 Teenage Mutant Ninja Turtles series. 

He wrote novels in the AliensDoomHaloResident EvilPredators franchise, Borderlands video gaming DC metaverse and Grimm series.

His latest novel which I’ve not read so do tell me about it is SubOrbital 7.

(8) COMICS SECTION.

  • The Argyle Sweater has an update about Peter and Wendy.
  • Tom Gauld has been busy since we last checked in.

(9) THE FUNGUS AMONG US. [Item by SF Concatenation’s Jonathan Cowie.] Could The Last Of Us fungi be a real risk? The all-party Science Innovation & Technology Committee of the House of Commons Select Committee has held a special one-off session on fungi.

The session explored some of the risks and drawbacks of fungi, which can cause disease in plants and animals including humans. We know that one fungus, cordyceps, can infect and completely “take over” the life functions of insects like ants. But could they really start the zombie apocalypse as depicted in the video game and TV series The Last Of Us? The Daily Mail reported on the meeting

 A fungus called cordyceps, or zombie-ant fungus, is able to control insects’ minds using psychoactive chemicals. It drains their bodies of nutrients before directing them to a high place and releasing spores to infect others. Emmy Award-winning The Last of Us, a post-apocalyptic drama based on a hit video game, shows a world in which cordyceps has spread to humans and wiped out most of humanity. Alarmingly, Professor Fisher said rising global temperatures are causing fungi like cordyceps to evolve and adapt to warmer conditions – which could enable them to colonise human bodies. Dawn Butler MP asked: ‘Is a zombie apocalypse driven by fungal infections a possibility? Professor Fisher said: ‘Well, all the bits exist, don’t they? ‘Fungi can produce strongly psychoactive chemicals, which can influence our behaviour dramatically, and they can also spread and invade humans. 

However, don’t take the Daily Mail too seriously, it is not the best of British newspapers.

The meeting also noted that few fungi can flourish in the warmth of the human body, nonetheless with a changing climate there will be more fungi about.

(10) YEAR OF THE DRAGON ON LEARNEDLEAGUE. [Item by David Goldfarb.] Filers might be interested in this One-Day Special quiz: Year of the Dragon at LearnedLeague. It actually has surprisingly little SFF content for a dragon-themed quiz.

(11) JABBA Q&A. Can you guess why this is topical?

(12) PHANTOM RETURNING. And this might be a good place to announce “Star Wars: The Phantom Menace 25th Anniversary Cinema Release Confirmed For May The 4th Weekend” at Empire Online.

The epic Darth Maul vs. Obi-Wan and Qui-Gon Jinn duel. The thunderous Boonta Eve Podrace. The battle of Naboo. Star Wars: Episode I – The Phantom Menace is packed with moments best witnessed on the big screen, spooling back to the very beginning of the Skywalker Saga to depict Anakin Skywalker’s first encounter with the Jedi, the beginnings of the galactic civil war, and the menacing meddling of Palpatine. Well, good news: to mark 25 years since the film first hit cinemas in 1999, it’s coming back to cinemas later this year. Cue the fanfare!

This May the 4th weekend (so, from Friday 3 May), The Phantom Menace will be re-released in cinemas for a limited time, meaning you can revisit all your favourite moments as large and loud as George Lucas intended….

 (13) VIDEO OF THE DAY. At first I thought he made this up.

But no! I’m stunned to learn this is a real product.

[Thanks to Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/7/23 East Is East And West Is West, And The Wrong One I Have Chose, Let’s Go Where They Keep On Wearin’, Those Files And Fifthers And Pixels And Scrolls

(1) CLARKESWORLD AGAIN DELUGED WITH AI MSS. Neil Clarke told Facebook readers today his magazine Clarkesworld has been inundated with another round of AI-produced submissions.

After a bit of a reprieve, we started getting hit hard with generated submissions/spam again this month. We’re approaching 300 for the month. This morning, I finally figured out where they were coming from. Took some effort to track down since the video (and its copycats) aren’t in English. Another make quick money scam, but this time targeting us specifically. The person behind it shows our website and even lingers around the “No ChatGPT” statements in the guidelines and submission form, before going to ChatGPT, generating, and submitting. He was previously banned for this, so he knows it won’t work. Have filed a complaint with YouTube, but I doubt they’ll do anything about it.

I’m not looking to start another round of the AI argument. It’s just our policy, like word count limits and genre restrictions.

I have upped our settings on my home-grown spam filter, so if you are submitting and use a proxy or VPN, you might find yourself with a slower response time.

(2) MEANWHILE, A CLARKESWORLD SUCCESS. Neil Clarke’s May Clarkesworld editorial says that when it comes to one of his sf-in-translation projects, “Something Went Mostly Right”.

…Finally, in early 2023, we were in a position to launch our pilot project. From January 15th through February 15th, we held our first open call for submissions written in Spanish, but never published in English.

The key element for this project was having a strong team that was well-aligned with our tastes and goals. I want to express my deepest gratitude to Nelly Geraldine Garcia-Rosas, Cristina Jurado, and Loreto ML for their time and work as part of the fiction team. They handled all of the first reading for the 1124 submissions we received, providing me with detailed summaries and personal assessments. From there, we narrowed the pile down to thirty-three works. Those endured a much more in-depth second round of consideration that ultimately led to the acceptance of eight stories that we will translate and publish over the course of next year.

In the interest of transparency, I want to explain how the second round evaluation process was carried out. Each of the thirty-three works was read by the entire team. In my case, that required the use of machine translation. These tools are horribly unreliable, but understanding that, I placed more emphasis on the reader’s description and team members’ individual feedback. Those bad translations often prompted me to ask more questions, which led to a better understanding of the strengths and weaknesses of each story. Just as with our English language submissions, there were strong works that were ultimately rejected because they didn’t fit our publication. (If there was a trend among those, it might have been that they drifted a bit further into horror than I typically like.)…

(3) WINNIPEG NASFIC WILL RAISE MEMBERSHIP RATES. Pemmi-Con, the 15th North American Science Fiction Convention, announced that membership rates will increase May 15. Full details at the link.

The convention is happening July 20-23 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg.

(4) WAIT, ARE WALLACE AND GROMIT JEDI NOW? [Item by Mike Kennedy.] Empire tells “How Aardman Took On Star Wars: The Making Of ‘I Am Your Mother’”.

Like all good Star Wars stories, it began with a vital transmission. Except, this one wasn’t from Princess Leia, nor was it delivered in the memory unit of an R2 droid.

It was, simply, a phone call to the offices of Aardman Animations – beamed from Skywalker Ranch, home of the legendary Lucasfilm, to the Bristol-based HQ of Britain’s most beloved animation studio, back in March 2021. It was, says Aardman’s Executive Creative Director Sarah Cox, “a mysterious call”. And like Leia’s message, it came with a mission: for the quintessentially British stop-motion studio behind Wallace & Gromit and Chicken Run to create its very own short for animated anthology Star Wars: Visions, with an open remit for what that might entail. The possibilities were vast. But for the studio that once delivered a definitive answer on whether the moon is made of cheese (it is, as we now know, similar to Wensleydale) Cox had one big question: “Can we be funny?”

Comedy has rarely been at the forefront of Star Wars’ mind. Thankfully, pushing the boundaries of what Star Wars can be is Visions’ entire raison d’être. Volume 1, released in September 2021, was a thrilling visual and narrative experiment, letting seven Japanese anime studios loose on the iconography of the galaxy far, far away to interpret as they pleased – resulting in everything from black-and-white samurai showdowns, to vibrant rock band rhapsodies. For all the wildness, it remained rooted in the Japanese traditions that George Lucas drew from when first creating Star Wars – a cyclical cultural exchange. In Volume 2, streaming from today on Disney+, the series goes worldwide, featuring shorts from countries including India, Ireland, South Africa, Chile, France – and, yes, the UK. “I always framed it as, ‘Think of it like the Street Fighter map’,” laughs Lucasfilm’s James Waugh. “The cultural element of Volume 1 was so unique, that we felt that could happen in Volume 2 with multiple perspectives. There was an opportunity here to really showcase all of those incredible voices.”…

(5) BRUCE MCCALL (1935-2023.) Humorist and illustrator Bruce McCall died May 5. The New York Times obituary discussed his memorable satires.

Bruce McCall, whose satirical illustrations for National Lampoon and The New Yorker conjured up a plutocratic dream world of luxury zeppelin travel, indoor golf courses and cars like the Bulgemobile Airdreme, died on Friday in the Bronx. He was 87.

His wife, Polly McCall, said his death, at Calvary Hospital, was caused by Parkinson’s disease.

Borrowing from the advertising style seen in magazines like Life, Look and Collier’s in the 1930s and ’40s, Mr. McCall depicted a luminous fantasyland filled with airplanes, cars and luxury liners of his own creation. It was a world populated by carefree millionaires who expected caviar to be served in the stations of the fictional Fifth Avenue Subway and carwashes to spray their limousines with champagne…

…A wider audience knew Mr. McCall through the collections “Bruce McCall’s Zany Afternoons” (1982), “The Last Dream-o-Rama: The Cars Detroit Forgot to Build, 1950-1960” (2001), and “All Meat Looks Like South America: The World of Bruce McCall” (2003).

He was “our country’s greatest unacknowledged design visionary,” the critic and graphic designer Michael Bierut wrote in Design Observer in 2005, “the visual poet of American gigantism.”…

(6) MEMORY LANE.

2013[Compiled by Cat Eldridge.]

Today’s Beginning is from Esther Friesner who has written a lot of fiction that I’ve read. Her humorous style of writing can be a bit much sometimes but I like it when I’m in the right mood.  

She has won no Hugos but did garner two Nebulas for short stories, “Death and the Librarian” and “A Birthday”.  (The latter got her a Hugo nomination at L.A. Con III.) She also got a much deserved Edward E. Smith Memorial Award for Imaginative Fiction. 

I decided upon E. Godz which was co-written by Esther Friesner and Robert Asprin.  It was published by Bean Books a decade ago. The cover was illustrated by Gary Ruddell. 

This being Baen Books, it is not available from the usual suspects but only from Bean Books. Surely you’re not surprised, are you?

So here’s our Beginning. I think it’s quite interesting…

On a lovely spring morning in the hyperborean wilderness of Poughkeepsie, New York, Edwina Godz decided that she had better die. She did not make that decision lightly, but in exactly the manner that such a (literally) life-altering choice should, ought, and must be made. That is to say, after a nice cup of tea. 

It wasn’t as if she was about to kill herself. Just die. 

She reached the aforementioned decision almost by accident, while pondering the sorry state of her domestic situation and seeking a cure for the combination of headache, tummy trouble, and spiritual upheaval she always experienced every time she thought about her family. Under similar circumstances, most women would head right for the medicine cabinet, but Edwina Godz was a firm believer in the healing power of herbs. Better living through chemistry was all very well and good, yet when it came down to cases that involved the aches, pains, and collywobbles of day-to-day living, you couldn’t beat natural remedies with a stick.

Especially if the stick in question was a willow branch. Surprising how few people realized that good old reliable aspirin was derived from willow bark. 

Edwina realized this, all right. In fact, she was a walking encyclopedia of herbal therapy lore. It was partly a hobby, partly a survival mechanism. You didn’t get to be the head of a multicultural conglomerate like E. Godz, Inc. without making a few very . . . creative enemies. When you grew your own medicines, you didn’t have to worry about the FDA falling down on the job when it came to safeguarding the purity of whatever remedy the ailment of the moment demanded. Perhaps it was a holdover from her chosen self-reliant life-style all the way back in the dinosaur days of the ’60s, but Edwina Godz was willing to live by the wisdom that if you wanted to live life to the fullest, without the pesky interference of the Man, you should definitely grow your own.

No question about it, Edwina had grown her own, and it didn’t stop at herbs for all occasions. However, at the moment, herbs were the subject under consideration. 

Specifically: which one to take to fix Edwina’s present malaise? It wasn’t going to be an easy choice, not by a long shot. Peppermint tea was good for an upset tummy, though ginger was better, but valerian was calming and chamomile was the ticket if you were having trouble getting to sleep. Then again, green tea was rich in antioxidants, which were simply unsurpassed when it came to maintaining one’s overall health, and ginseng was a marvelous source of all sorts of energy, while gingko biloba—

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 7, 1912 Clyde Beck. Fan and critic who wrote what Clute says in EoSF is the first work of criticism devoted to American SF: Hammer and Tongs which was published in 1937 by Futile Press. It was assembled from four essays and the reviews Beck wrote for The Science Fiction Critic, a fanzine by his brother Claire P. Beck with a newly written author’s preface by Clyde. He wrote four pieces of genre fiction between the Thirties and Fifties. None of what he wrote is in-print. (Died 1986.)
  • Born May 7, 1918 Walt Liebscher.  His fanzine Chanticleer was a finalist for the 1946 Retro-Hugo; Harry Warner said “Liebscher did incredible things with typewriter art.  He specialized in little faces with subtle expressions…. the contents page was frequently a dazzling display of inventive borders and separating lines.”  His later pro writing was collected in Alien Carnival (1974).  He was given the Big Heart, our highest service award, in 1981. (Died 1985.) (JJ)
  • Born May 7, 1922 Darren McGavin. Carl Kolchak on Kolchak: The Night Stalker — How many times have I seen it? I’ve lost count long, long ago. Yes, it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. By the way, I’m reasonably sure that his first genre role was in the Tales of Tomorrow series as Bruce Calvin in “The Duplicates” episode. (Died 2006.)
  • Born May 7, 1931 Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate FreedomThe Sorcerer’s House and the Book of the New Sun series. He’s won the BFA, Nebula, Skylark, BSFA and World Fantasy Awards but to my surprise has never won a Hugo though he has been nominated quite a few times. He has been honored as a Grand Master by the Science Fiction and Fantasy Writers of America. (Died 2019.)
  • Born May 7, 1940 Angela Carter. Another one taken far too young by the damn Reaper. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. And I’d also recommend The Curious Room as it contains her original screenplays for the BSFA-winning The Company of Wolves which starred Angela Lansbury, and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. I’ve done several essays on her so far and no doubt will do more.  A smattering of her works are available at the usual suspects. (Died 1992.)
  • Born May 7, 1951 John Fleck, 72. One of those performers the Trek casting staff really like as he’s appeared in Next GenerationDeep Space Nine in three different roles, Voyager and finally on Enterprise in the recurring role of Silik. And like so many Trek alumni, he shows up on The Orville.
  • Born May 7, 1951 Gary Westfahl, 72. SF reviewer for the LA TimesInternet Review of Science Fiction and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.

(8) LAYOFFS AT IDW. “IDW to Slash Workforce by 39%, Delist from NYSE” reports Publishers Weekly.

IDW Media will lay off 39% of its staff and delist from the New York Stock Exchange in what the company called “cost-cutting measures” taken in “response to operational challenges.”

Among the staff affected by layoffs are the entire marketing and PR departments and half of the editorial department, including publisher Nachie Marsham, who has served in the role since September 2020. In all, 28 employees are being let go and IDW has budgeted $900,000 to cover severance costs.

IDW has also announced several changes to senior management in light of the staff reduction and NYSE delisting. CEO Allan Grafman will be replaced by Davidi Jonas, who most recently served as IDW’s chief strategy officer, and is the son of IDW chairman Howard Jonas. Grafman had served as CEO since August 2022. Additionally, CFO Brooke Feinstein has been let go, and Amber Huerta, previously senior v-p of people and organizational development, has been promoted to COO.

IDW operates in two groups—its publishing division, which publishes comic books and graphic novels and includes the Top Shelf imprint, and its entertainment division, which produces and distributes multimedia content based on the publishing group’s original book content….

(9) MAURICE HORN (1931-2022). Comics historian, author, editor and curator Maurice C. Horn passed away on December 30, 2022, at the age of 91. The Comics Journal profiles his achievements and controversies.

… The success of the encyclopedias gave Horn the financial stability and clout to write about other comics-related topics. Books such as Comics of the American West (Winchester Press, 1977), Women in the Comics (Chelsea House, 1977), Burne Hogarth’s The Golden Age of Tarzan, 1939-1942 (Chelsea House, 1977), and Sex in the Comics (Chelsea House, 1985) proved commercially successful enough to warrant multiple printings and new editions over the course of several decades, but none had the lasting impact of The World Encyclopedia of Comics. Marshall laments that too many of Horn’s later works “essentially were rehashes of his pioneering books, brought out in multi-volume editions to enhance library-sale profits, or justified by anniversaries of the business.”

100 Years of American Newspaper Comics, published by Gramercy in 1996, was Horn’s final major publication.Horn returned to his roots in 1996 with 100 Years of American Newspaper Comics, an illustrated encyclopedia published by Gramercy in belated celebration of the centennial of the Yellow Kid. The 414-page volume, with its tighter focus, less-rushed publication schedule and dedicated team of writers and researchers who benefited from the nearly decades of comics scholarship that followed the publication of The World Encyclopedia of Comics, is considered by many historians to be Horn’s most accurate and comprehensive work….

(10) LOOKING AHEAD. At Instant Future, John Shirley interviews Rudy Rucker. “Flash Forward: An Interview with Rudy Rucker!”

Q. What do you think of the “science fiction future”, in re the fiction out there?

A. It seems about the same as ever, although way more diverse. And there’s more emphasis on social issues and the environment. Not as much wild science as I’d like to see, but that stuff is hard to invent. As ever, a good procedure is to glom onto some standard SF trope and work it into a transreal novel about your own life. Transreal? That’s a word I invented in 1983 to describe my process of writing SF novels in which characters are based either on me or on people I know. See my “Transrealist Manifesto.” 

Transrealism is kind of a beatnik thing, writing novels about your own life. And of course Phil Dick and Kurt Vonnegut and Kim Stanley Robinson did it too…

(11) CHAT CHIMPANZEE. The Library of America’s “Story of the Week” is Charles Portis’ “The Wind Bloweth Where It Listeth”.

In Portis’s final story, a local reporter investigates a billionaire-funded project in which armies of monkeys generate massive volumes of text to supersede the “old elitist notion of writing as some sort of algebra.”

. . . Is the musty old prophecy at last being fulfilled? We now have millions of monkeys pecking away more or less at random, day and night, on millions of personal computer keyboards. We have “word processors,” the Internet, e-mail, and “the information explosion.” Futurists at our leading universities tell us the day is at hand when, out of this maelstrom of words, a glorious literature must emerge, and indeed flourish.

So far, however, as of today, Tuesday, September 14, late afternoon, the tally still seems to be fixed at:

Shakespeare: 198, Monkeys: 0

(12) VIDEO OF THE DAY. Just for fun, here’s Amaury Guichon sculpting a Stormtrooper helmet out of chocolate. Jennifer Hawthorne says, “His chocolate creations are amazing but this is the first time I’m aware of that he’s done something of the SFF genre.  Maybe a campaign could be organized to request that he do the NCC-1701, or a chocolate Balrog!”

I have created this wearable chocolate helmet in preparation of May the 4th! It was a lot of fun crafting it without the use of any molds. What do you think of the final result?

 [Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Paul Di Filippo, Jennifer Hawthorne, Murray Moore, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/30/23 I Demand That The Emergency Pixel System Be Activated Immediately 

(1) ROAD TRIP. Connie Willis told her Facebook readers all about attending the 2023 Jack Williamson Lectureship in mid-April:

…This year’s guest of honor was Arkady Martine, and she brought her wife, Vivian Shaw, with her, so we got two guests for one. They were great, and so were the panels, which the Lectureship features. I especially loved the one on Artificial Intelligence, which focused on the new dangers and possibilities of ChatGPT, and one on worldbuilding. I also loved Cordelia’s lecture on a very out-of-the-ordinary experience she had while working at the Santa Clara County Crime lab. Unlike the usual investigation of shoeprints, surveillance tapes, cell phones, etc., she suddenly found herself in a convoy with a SWAT team in L.A., driving a coworker’s car without the lights on in an attempt to arrest a bunch of human traffickers….

(2) SAWYER GETS LIFETIME ACHIEVEMENT AWARD. Robert J. Sawyer was presented with the L. Ron Hubbard Lifetime Achievement Award at the Writers and Illustrators of the Future award banquet in LA on April 28. In his acceptance speech Sawyer describes career decisions where he followed his heart in ironic terms as if they had been mistakes. But they weren’t mistakes, were they.

…Many writers do media tie-ins or work in other people’s universes. My first agent tried to steer me in that direction, too, getting me a three-book contract in the STAR WARS universe. But I bailed out; I just couldn’t bring myself to play in somebody else’s sandbox.

And then I screwed up AGAIN: my second novel was called FAR-SEER, and, at its end, I gave the protagonist, a talking dinosaur named Afsan, a heroic death scene. Well, when I sent the manuscript to my agent, he said I was nuts for killing the main character: “Rob, baby,” he said — that’s how agents talk — “Rob, baby, this could be an ongoing series, and, if not a cash cow, then certainly a monetary Megalosaurus!”

So, Afsan got a reprieve and I forced out two more books about the lovable lizard. But, as before, I just couldn’t stand it; at the end of the third book, I took the same escape route Charlton Heston did from the PLANET OF THE APES sequels: I destroyed the entire planet!…

(3) BEM IN A FLASH. Cora Buhlert has had a flash story called “Bug-eyed Monsters and the Women Who Love Them” published at Way Station, a brand-new space opera magazine, which she says doesn’t have an actual issue out yet.

Captain Crash Martigan of the rocket scout squad was on patrol, protecting New Pluto City and its inhabitants from bug-eyed monsters.

Of course, bug-eyed monsters wasn’t their real name. No, the creatures had a long and official Latinate name that no one could remember nor pronounce. So the colonists took to calling them bug-eyed monsters, because that’s what they looked like….

(4) IS ANALOG USEFUL AGAIN? [Item by Mike Kennedy.] Back in the day (the 1970s when I was an Electrical Engineering student at the University of Alabama), I had occasion to build a special-purpose hybrid analog/digital computer. The only reason for its existence was so high school students visiting us as prospective UA engineering students could play tic-tac-toe and see EE at work. It was used one day, then stripped down for parts. The very idea of a programmable analog component gets my EE juices flowing a little bit, though it’s certainly nowhere enough to entice me out of retirement. There have always been problems for which analog computation was perfectly suited. But, as the article below notes, building those damn things is no joke, and every time the problem changes, the design changes. Or, perhaps, the tense should be changed to, well, “changed.“ This could become a very exciting field going forward.  “The Unbelievable Zombie Comeback of Analog Computing” in WIRED.

When old tech dies, it usually stays dead. No one expects rotary phones or adding machines to come crawling back from oblivion. Floppy diskettes, VHS tapes, cathode-ray tubes—they shall rest in peace. Likewise, we won’t see old analog computers in data centers anytime soon. They were monstrous beasts: difficult to program, expensive to maintain, and limited in accuracy.

Or so I thought. Then I came across this confounding statement:

Bringing back analog computers in much more advanced forms than their historic ancestors will change the world of computing drastically and forever.

Seriously?

I found the prediction in the preface of a handsome illustrated book titled, simply, Analog Computing. Reissued in 2022, it was written by the German mathematician Bernd Ulmann—who seemed very serious indeed.

I’ve been writing about future tech since before WIRED existed and have written six books explaining electronics. I used to develop my own software, and some of my friends design hardware. I’d never heard anyone say anything about analog, so why would Ulmann imagine that this very dead paradigm could be resurrected? And with such far-reaching and permanent consequences?

I felt compelled to investigate further….

(5) HOWARD DAYS. Ken Lizzi shares a report and several photos of the Robert E. Howard Days, which took place in April this year: “Howard Days 2023. Plus Savage Journal Entry 41.”

I made the Hajj, the Pilgrimage, to Cross Plains, Texas this weekend to visit the Robert E. Howard museum. Not coincidentally, it was also the weekend of the 2023 edition of Howard Days. I am, to be blunt, tired. It is only a five hour drive from Casa Lizzi, which is why I had no excuse to put off the visit. Still, on top of non-stop activity and limited sleep, that drive back proved less pleasant than the lovely drive out: putting a Gulf Coast thunder storm behind me Thursday morning as I wended my way north and west deep into the heart of Texas, into cattle and old oil boom country to the AirBnB I shared with Bryan Murphy and Deuce Richardson….

(6) APPENDIX N. The good folks at Goodman Games continue their articles on SFF authors listed in Appendix N:

Ngo Vinh-Hoi profiles Jack Williamson: “Adventures in Fiction: Jack Williamson”.

In the storied list of Appendix N authors, there is one name that encapsulates nearly the entire course of modern American science fiction and fantasy: Jack Williamson. John Stewart Williamson was born on April 29th, 1908 in an adobe hut in what was then still the Arizona Territory. Seeking to better themselves, the Williamson family travelled by horse-drawn covered wagon to New Mexico in 1915, where Williamson recalled that they “homesteaded in Eastern New Mexico in 1916 after the good land had been claimed. We were living below the poverty line, struggling for survival.”

This isolated, hardscrabble existence continued throughout Williamson’s entire youth, but his imagination and inquisitive mind helped him to endure…. 

Jeff Goad profiles Fletcher Pratt: “Adventures in Fiction: Fletcher Pratt”.

The Appendix N is a list of prolific authors of science fiction and fantasy. But Fletcher Pratt is not one of them, at least not in comparison to most of the authors on the list. He primarily wrote historical nonfiction about the Civil War, Napoleon, naval history, rockets, and World War II. So why is Fletcher Pratt listed in the Appendix N and why does he have the coveted “et al” listed after The Blue Star?

Well, digging a bit deeper into his writings and his career, it is no surprise that Gary Gygax was smitten with this fellow….

(7) MEMORY LANE.

1999[Compiled by Cat Eldridge.]

Our Beginning this Scroll comes courtesy of Richard Wadholm. Green Tea was a novella first published in Asimov’s Science Fiction in the October-November 1999 issue. It was shortlisted for the Theodore Sturgeon Memorial Award. 

Wadholm, a Clarion graduate, had a very brief visit in our corner of things writing one novel, Astronomy, and six stories. None are available at the usual suspects. 

He was, interestingly enough, a contributing writer, to Synapse, the Electronic Music Magazine  which published in the Seventies.

And now for our Beginning…

Friend Beltran, this moment has weighed on me for the past six days. At last we meet.

Will you take tea with me? Not to worry, I am not here to poison you with tainted tea. Not from a beautiful service like this, certainly. This tea kettle is pewter, yes? And the brew pot— terra cotta, in the manner of the great smuggling mandarins of the Blanco Grande? Quite so. I must beg your indulgence for its use. I was very thirsty; I have come a long way to see you.

Perhaps my name escapes you. That is the way in this profession we share. Say that I am your delivery man. Indeed, the item you procured at such dear cost is close to hand.

My fee? Whatever you arranged with the navigator Galvan will suffice. A cup of tea from this excellent terra cotta pot would do nicely. And, if you are not too pressed, the answer to a simple question?

Who was it for, the thing you birthed on our ship? Was it for the mercenaries on Michele D’avinet? Or for the Chinese smugglers who used the glare of D’avinet to hide their passing?

I suppose it doesn’t matter much either way. Whoever your treasure was intended for, they were someone’s enemy, but they were no enemy of Beltran Seynoso’s, yes? And we, the crew of the Hierophant, we were merely witnesses. Our only offense was that we could connect you with the destruction of a little star in the outer reaches of Orion.

I wronged you, my friend. You are indeed a man of pitiless resolve. Sitting here, making tea in your kitchen, in this rambling manse, on this pretty little moon of yours, I underestimated you. I pictured a dilettante, playing at a rough game.

Forgive, forgive.

That story you told our captain, that you represented an Anglo syndicate dealing in—what was it? April pork bellies? We took that for naivete. No one goes from trading in April pork bellies to dealing in ‘Tuesday morning perbladium. Not even the Anglos.

And then there was that improbable load you hired us to turn.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1913 Jane Rice. Her first story “The Dream” was published in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
  • Born April 30, 1920 E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
  • Born April 30, 1926 Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
  • Born April 30, 1934 William Baird Searles. Author and critic. He‘s best remembered for his long-running review work for Asimov’s  where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
  • Born April 30, 1938 Larry Niven, 85. One of my favorite authors to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading but did listen in preparing this Birthday — most excellent!) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
  • Born April 30, 1968 Adam Stemple, 55. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy TalesPay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging. 
  • Born April 30, 1973 Naomi Novik, 50. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novel which won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. 

(9) COMICS SECTION.

(10) WHAT’S ON THE WAY? John Shirley interviews Charles Stross about The Future in “Optimism Optimized & Pessimism Prodded” at Instant Future.

Q. Will the pace of change overwhelm us? I seem to perceive, behind many of your novels, a writer conflicted about technological advancement; not against it, certainly no luddite, but concerned about its nature. It would seem that we need that advancement—but we’ve failed to develop a protocol for advancing technology intelligently. For one thing, a technology that pollutes is only half-invented. This seems clear in the age of anthropogenic climate change. Should we slow the pace? Can we?

A: I think, going by the news headlines, the pace of change has *already* overwhelmed us. The Tofflers made this case fairly well in their book *Future Shock* back in the 1970s, and that was in a then-stable media environment that wasn’t polluted with memes generated by bad actors (eg. state level disinformation agencies) and chatbots (often just trying to sell something — Ivermectin as a cure for COVID19, for example).

One problem is that we’re nearing the crest of a sigmoid curve of accelerating advances in a new technological area — computing, networking, and information processing. It seems unlikely progress on miniaturization of semiconductors will proceed for many more generations (our densest integrated semiconductor circuits already have tracks and other features on the order of a hundred atoms wide: it’s hard to see how we can shrink mechanisms below the atomic scale). So, just as progress with steam locomotion had tapered off by the 1920s after a brisk acceleration from roughly 1790 through 1870, and aviation surged from the original Wright Flyer and its contemporaries around 1900 to the SR-71 and Boeing 747 by the early 1970s but subsequently stopped getting bigger or faster, we’re approaching an era of consolidation and very slow incremental gains in our IT. People are now exploring the possible ways of monetizing the technologies we’ve acquired over the past few decades, rather than making qualitative breakthroughs. I first saw a virtual reality headset and interface in use at a conference in the early 1990s; the fact that Apple are apparently bringing one to market this summer, and Meta (aka Facebook) sank billions — evidently fruitlessly — into trying to commercialize VR over the past few years, should be a huge warning flag that some technologies just don’t seem to be as useful as people expected.

(11) UPHEAVAL IN THE SIXTIES. [Item by Cora Buhlert.] At Galactic Journey I was talking about some of the 1968 unrest in (West) Germany as well as the 1968 Oberhausen Short Film Festival, where George Lucas won an award for the original short film version of THX-1138 4EB. Also present at the festival was a very young Werner Herzog, which is interesting since Herzog claimed not to be familiar with Star Wars or Lucas, when he guest-starred in The Mandalorian. Of course, Herzog might just have forgotten meeting at a festival Lucas 55 years ago. Oh yes, and there also was a scandal at that festival surrounding a short film with a very upstanding cast member. “[April 14, 1968] In Unquiet Times: The Frankfurt Arson Attacks, the Shooting of Rudi Dutschke and Electronic Labyrinth THX-1138 4EB” at Galactic Journey.

…With West Germany burning and all the terrible things happening here and elsewhere in the world, it’s easy to forget that there are bright spots as well. One of those bright spots is the 14th West German Short Film Days in Oberhausen….

(12) SURVIVING THE RUNWAY. “Louis Vuitton collaborates with the director of Squid Game in a bid to woo South Korea’s elite”Yahoo! has the story.

…The event was dreamed up by Ghesquière and Hwang Dong-hyuk, the director of the hit Netflix series, Squid Game, in which contestants compete in a series of children’s games and are murdered if they lose. He could hardly have found a more effective way of winnowing out weaklings than this runway. HoYeon Jung, a Korean actress who opened the show, took it in her stride. She was probably used to tough conditions having starred in Squid Game….

[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, Paul Di Filippo, Lise Andreasen, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 4/6/23 Other Files Just Make You Swear And Curse, When You’re Chewing On Life’s Pixel

(1) CHANGES IN PUBLISHING. Pete Kahle of Bloodshot Books is stepping down from publishing and Joe Mynhardt of Crystal Like Publishing is stepping in to help Bloodshot Books’s authors by offering them all a new home at Crystal Lake — or offering them the option to simply take their rights back if they prefer. See “Big Publishing News” on the Crystal Lake Publishing website.

Anyone who knows me [Joe Mynhardt] knows that I’m a big supporter of great books and great authors. I believe in the power of stories, and want to give my all to the genre fiction community.

So whenever I see authors or even a publisher in need, I reach out. Sometimes it’s to help publishers end things on the best of terms, and other times to help authors find a new home for their books.

That’s why I made the decision to step in and offer all the authors at Bloodshot Books a new home at Crystal Lake Publishing. I’m familiar with most of the authors there (yip, I always keep an eye on talented authors), and some of the actual books. Plus, I know Pete Kahle at Bloodshot Books has a great eye for talent. Unfortunately Pete has to step down from publishing, so this is our way of helping him and the 40+ authors involved.

We have given all the authors the option to take their rights back, in case they want to sub elsewhere or self-publish, but I’m confident that Crystal Lake is a great publishing house. We’re trustworthy, pay on time, and hell, we’ve been around for over 10 years. Which is almost impossible in this industry.

If any Bloodshot Books authors are reading this and you haven’t received our emails (there are a few authors we’re struggling to get a hold of), please message me. Even if you’re not interested, you’ll need a rights reversion letter from us.

The essence of why Pete Kahle would be stepping down can be discerned in Brian Keene’s “An Open Letter to Pete Kahle of Bloodshot Books” from last December.

(2) GET READY BEAGLE FANS! The Essential Peter S. Beagle, which celebrates the storied career of the bestselling author of The OverneathSummerlong, and The Last Unicorn, will be released May 16 by Tachyon Publications. They will begin taking preorders on April 11 starting at noon Pacific time.

In addition to the two-volume trade editions, Tachyon Publications has announced single-volume, lettered and numbered limited editions. See details at the link.

Beagle, one of America’s most influential fantasists, continues to evoke glowing comparisons to such iconic authors as Twain, Tolkien, Carroll, L’Engle, and Vonnegut. From heartbreaking to humorous, these tales show the depth and power of Beagle’s incomparable prose and storytelling.

Featuring original introductions from Jane Yolen (The Devil’s Arithmetic) and Meg Elison (Find Layla), and gorgeous original illustrations from Stephanie Law (Shadowscapes), The Essential Peter S. Beagle is a must-have for any fan of classic fantasy.

(3) MATTER HERE, MATTER THERE. James Davis Nicoll takes us to “Five SF Futures Where Teleportation Is Possible (But Not Necessarily Safe)” at Tor.com.

Few headlines thrill like “‘Counterportation’: Quantum breakthrough paves way for world-first experimental wormhole.” The article itself delivers, raising the possibility that “disembodied transport (…) without any detectable information carriers” may prove to be physically realizable.

Teleportation by another name is still teleportation….

First on his list is —

All the Colors of Darkness by Lloyd Biggle, Jr. (1963)

The Universal Transmitting Company has a simple dream: provide the Earth of the mid-1980s with facilities that would allow travellers to step from city to city or continent to continent in a single stride. The business would be instantly profitable and the founders able to sit back and rake in the dough.

This elegant plan is straightforward in concept. In practice, the project has met impediment after impediment. Why, it’s almost as if the Universal Transmitting Company had a very determined enemy…

(4) PUTTING CHATGPT TO WORK. Joe Pitkin says “I Used ChatGPT to Write My Novel!” at The Subway Test. But he doesn’t mean what was probably the first thought that came to your mind.

Well, not really. Or at least not in the way that you might think: I’m definitely not one of those scammy side hustlers sending ChatGPT-generated concoctions to award winning science fiction magazines.

But the novel I’m working on now, Pacifica, begins each of its 74 chapters with an epigraph. Much like the computer game Civilization, each chapter is named after one of the technologies that have made modern humanity possible. And, much like Civilization, each technology is accompanied by an apposite quote. Leonard Nimoy was the gold standard narrator for those quotes in Civilization IV (though Sean Bean has his moments in Civilization VI).

One of the most fun parts of drafting Pacifica has been finding the right quotes for each chapter. I picked from books and poems that I love (as well as a few books that I hated) to put together what I imagined as a kind of collage or mosaic of human knowledge. I imagined the task as something like a literary version of the cover of Sgt. Pepper’s Lonely Hearts Club Band, where The Beatles assembled a photo-collage crowd of their favorite thinkers and artists and goofball influences.

… So I asked ChatGPT to find me some quotes about superconducting….

(5) AN INDEX OF FOOLISHNESS. “The Post ruins April Fools’ Day, 2023 edition” is a compilation of shenanigans published yesterday by the Washington Post. Here are a couple of literary-themed examples.

(6) SLF GULLIVER GRANT. The Speculative Literature Foundation announced in February that Em North is the winner of the 2022 Gulliver Travel Grant. North’s winning piece is The School of Forgetting.

Since 2004, the Gulliver Travel Grant has sought to assist writers of speculative literature (in fiction, poetry, drama, or creative nonfiction) in their research. The grant awards one writer $1000 annually, to be used to cover airfare, lodging, and/or other travel expenses.

Em North is a writer who has lived in eighteen different states and still can’t figure out where to settle down. Their debut novel, IN UNIVERSES, is forthcoming from Harper Books (US) and Heinemann Hutchinson (UK) in March 2024. They received their MFA from Johns Hopkins University, where they were awarded the Benjamin T. Sankey Fellowship for a graduating student. They have also received fellowships from the Bread Loaf Writers’ Workshop, the Tin House Summer Workshop, Aspen Words, and the Clarion Writers’ Workshop. Their fiction and essays have appeared or are forthcoming in The Sun, Conjunctions, Lightspeed Magazine, Threepenny Review, and Best American Experimental Writing 2020.

Before becoming a writer, they studied physics and philosophy, writing their undergraduate thesis on the many-worlds interpretation of quantum mechanics. In previous lives, they’ve worked as an observational cosmologist, snowboard instructor, horse trainer, wine taster, pure math researcher, (very brief) investment banker, ranch caretaker, and creative writing instructor.

(7) SLF VIRTUAL CLASSES. The Speculative Literature Foundation has three courses and workshops on its April schedule – see full details and registration cost at the link.

Nancy Hightower, essayist and author, is teaching a workshop on writing about mental health on April 22. The day after, our course on screenwriting begins with Ted Schneider, director and writer of films like “Early Light” and “Iqaluit.” On May 13 our Writing the Taboo workshop returns, instructed by our very own director, Mary Anne Mohanraj.

(8) LEO D. SULLIVAN (1940-2023). Animator Leo D. Sullivan, whose most famous work was the chugging engine that opened Soul Train, died March 25 at the age of 82 reports Deadline.

…In addition to creating the memorable Soul Train opener, Sullivan contributed to cartoons featuring Fat Albert, Transformers and My Little Pony. He worked as an animator for five decades.

His resume included television work for The Incredible Hulk, Flash Gordon, BraveStarr and Scooby-Doo, his family said.

Born in Lockhart, Texas, Sullivan moved to Los Angeles in 1952, and started working for Looney Tunes animator Bob Clampett. In the 1960s, he joined forced with Floyd Norman, the first Black animator at Disney, and cofounded Vignette Film, which created educational films about historic Black figures.

He also published a video game that honored the Tuskegee Airmen and taught at the Art Institute of California-Orange County.

Sullivan was honored by the Black Filmmakers Hall of Fame in 1979 and 1991….

(9) MEMORY LANE.

1984[Compiled by Cat Eldridge.] Poul Anderson & Karen Anderson’s “Cosmic Concepts”

This is less about “Cosmic Concepts” which this is the Beginning of, but rather all of the splendid poetry of The Unicorn Trade.

Now most of you know that this collection which is mostly by Poul Anderson & Karen Anderson was published first by Tor thirty-nine years ago. It’s an amazing collection of stories, poems, and, errr, science fiction haikus, something I never knew even existed. 

I am not by any means a big poetry fan but I was quite delighted by everything that was here for poetry, most of which is by her.  The poetry is a sheer joy to read. Of the collection starts off with “The Unicorn Trade”, a stellar affair, by her but I will also single out “Haiku for Mars” and “Professor James” by both of them. A deep drink of their favorite ale is in order! 

And now the Beginning of “Cosmic Concepts”… 

This is the science fiction story.
This is the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

This is the elder scientist,
every year on the honors list,
who trained the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 6, 1924 Sonya Dorman. Her best-known work of SF is “When I Was Miss Dow” which received an Otherwise retrospective award nomination. Her “Corruption of Metals” received won the Rhysling Award of the Science Fiction Poetry Association. She also appeared in Dangerous Visions with the “Go, Go, Go, Said the Bird” story. (Died 2005.)
  • Born April 6, 1926 Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the DC Universe Infinite app. (Died 2000.)
  • Born April 6, 1935 Douglas Hill. Canadian author, editor and reviewer. For a year, he was assistant editor of Michael Moorcock’s New Worlds magazine. I’m going to admit that I know more of him as a decidedly and to be admired Leftist reviewer than I do as writer, indeed he held the same post of Literary Editor at the socialist weekly Tribune as Orwell earlier did. Who here is familiar with fiction? He was quite prolific indeed. (Died 2007.)
  • Born April 6, 1948 Sherry Gottlieb, 75. Best remembered and loved as owner of the Change of Hobbit bookstore whose origin story you can read in her memoir. It closed in 1991. She’s written two horror novels Love Bites and Worse Than Death
  • Born April 6, 1948 Larry Todd, 75. Writer and cartoonist, best known for the decidedly adult Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science FictionAmazing Science Fiction and Imagination were three of his venues. He also did some writing for If. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet.
  • Born April 6, 1956 Mark Askwith, 67. Did you know there was an authorized Prisoner sequel? Well there was. The Prisoner: Shattered Visage is a four-issue comic book series written by him and Dean Motter who was also the artist. Askwith also wrote for DC Comics, specifically Batman: Gotham Knights
  • Born April 6, 1977 Karin Tidbeck, 46. Her first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written by her in Swedish, was translated into English by her which won her a Science Fiction & Fantasy Translation Award in the Short Form category.

(11) NEVER LET THE FACTS STAND IN THE WAY. “ChatGPT is making up fake Guardian articles. Here’s how we’re responding” says the Guardian’s Chris Moran.

Last month one of our journalists received an interesting email. A researcher had come across mention of a Guardian article, written by the journalist on a specific subject from a few years before. But the piece was proving elusive on our website and in search. Had the headline perhaps been changed since it was launched? Had it been removed intentionally from the website because of a problem we’d identified? Or had we been forced to take it down by the subject of the piece through legal means?

The reporter couldn’t remember writing the specific piece, but the headline certainly sounded like something they would have written. It was a subject they were identified with and had a record of covering. Worried that there may have been some mistake at our end, they asked colleagues to go back through our systems to track it down. Despite the detailed records we keep of all our content, and especially around deletions or legal issues, they could find no trace of its existence.

Why? Because it had never been written.

Luckily the researcher had told us that they had carried out their research using ChatGPT. In response to being asked about articles on this subject, the AI had simply made some up. Its fluency, and the vast training data it is built on, meant that the existence of the invented piece even seemed believable to the person who absolutely hadn’t written it.

Huge amounts have been written about generative AI’s tendency to manufacture facts and events. But this specific wrinkle – the invention of sources – is particularly troubling for trusted news organisations and journalists whose inclusion adds legitimacy and weight to a persuasively written fantasy. And for readers and the wider information ecosystem, it opens up whole new questions about whether citations can be trusted in any way, and could well feed conspiracy theories about the mysterious removal of articles on sensitive issues that never existed in the first place.

If this seems like an edge case, it’s important to note that ChatGPT, from a cold start in November, registered 100 million monthly users in January. TikTok, unquestionably a digital phenomenon, took nine months to hit the same level. Since that point we’ve seen Microsoft implement the same technology in Bing, putting pressure on Google to follow suit with Bard….

This reminds me of the punchline from an old Peanuts strip.

(12) JEOPARDY! David Goldfarb brings us more highlights from Wednesday’s Jeopardy! episode, which had (in the Double Jeopardy round) a category called “Literary Bad Day for the Planet”. 

$1600: Early in this novel Prostetnic Vogon Jeltz informs humanity Earth will be destroyed for a hyperspatial express route

Returning champion Brian Henegar responded: “What is the Hitchhiker’s Guide to the Galaxy?”

$400: Set in Melbourne, Nevil Shute’s 1957 novel “On the Beach” finds much of the world destroyed by this man-made disaster

Brian: “What is a nuclear war?”

$800: In Neal Stephenson’s “Seveneves”, this mysteriously blows up into 7 pieces that rain bolides onto Earth

Brian: “What is the moon?”

$1200: Arthur C. Clarke’s “The Star” is a sun that went supernova, killing a planet, & is this celestial object from the New Testament

Teresa Browning: “What is the Star of David?”
Silence from the other two.

$2000: John Wyndham’s novel about “The Day of” these meat-eating plants sees most of humanity blinded before being featured on the menu

Brian: “What are the triffids?”

(13) FUTURISM RESOURCE. John Shirley and Brock Hinzmann have launched Instant Future, a new site for essays and articles.

Instant Future offers both quick jumps and deep dives into futurist prediction. We look with open minds, informed by critical thinking, to refine the lens of prediction, sorting through new research and media reports so you don’t have to. We look for the most insightful voices in the field of prediction, to cite and to interview. We combine the insights of professional futurists and forward-thinkers of all kinds, to give you an advanced look at what’s coming.

We’re offering a brisk trip to the edge the future itself…an edge that’s always edging away.

(14) DO CHICKENS HAVE LIPS? Maybe they would have if they were descended from T. Rex. “Facelift for T. rex: analysis suggests teeth were covered by thin lips” is a report in today’s Nature. “Crocodiles and Komodo dragons provide evidence to support the idea of a scaly cover over the teeth of dinosaur Tyrannosaurus rex.”

…In crocodiles, the enamel is thick and stays hydrated because they live in the water. Even so, crocodile teeth bear the signs of cracks and damage on their outer surface. That’s not the case in theropods, she says. Theropod teeth are covered by just a thin layer of enamel, indicating that these dinosaurs probably had lips to keep the teeth protected and coated in saliva when their mouths were closed….

(15) FREE SHOWING OF SF CLASSIC. The UCLA Library Film & Television Archive will be showing a restored print of Invaders from Mars at the campus’ Billy Wilder Theater on April 9 at 7:00 p.m.

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.

Invaders From Mars. U.S., 1953

Young David (Jimmy Hunt) wakes up in the middle of the night and sees a flying saucer land in his backyard. So begins the visually stunning and whimsical film that has been captivating audiences for 70 years, directed by production designer William Cameron Menzies (Gone with the Wind) and photographed by studio legend John F. Seitz (Double Indemnity). Politically and socially charged, this superbly crafted sci-fi thriller captures the paranoia of the time, complemented by a curiosity for the universe. Physically compromised shortly after its release—butchered, recut, elements scattered—Invaders from Mars has been retrieved from the brink of extinction thanks to this dazzling new restoration. Screening on the same date the movie premiered in 1953, the film will be preceded with a presentation about the restoration by former Head of Preservation at the UCLA Film & Television Archive, Scott MacQueen.

DCP, color, 78 min. Director: William Cameron Menzies. Screenwriter: Richard Blake. With: Leif Erickson, Jimmy Hunt, Helena Carter, Arthur Franz.

Restored by Ignite Films in collaboration with the UCLA Film & Television Archive, George Eastman Museum and the National Film and Sound Archive of Australia.

(16) VIDEO OF THE DAY. Philip Harbottle’s 1950s British Science Fiction YouTube channel has over 60 videos on the topic. The latest is “John Russell Fearn Inspired Comic Strips (#62)”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, David Goldfarb, Moshe Feder, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/17/22 Filefjonk, Scrollmaiden, And Other Moominpixels

(1) HE PUT THE BOMP. “Cyberpunk pioneer John Shirley survived Portland’s 1970s music scene, discovers you can go home again” – the author is profiled by The Oregonian.

…Ultimately, he didn’t make it as a punk rocker. And that was OK. He loved performing for an audience, creating noise and upheaval. But he loved sitting by himself in front of a typewriter too.

He wrote wild stories that took readers to distant worlds, and inside the heads of killers, sex fiends and sadists.

This was how he made his mark — his X.

Shirley pioneered cyberpunk (just ask William Gibson, the best-known writer associated with the influential science-fiction subgenre). He’s published more than 50 novels and many more short stories, earning a dedicated fan base. He co-wrote the screenplay for the cult movie “The Crow” and penned a series of paperback novels that inspired the Sylvester Stallone movie “The Specialist.”…

(2) JOCULARITY. “I Feel Funny: Humor Writing Tips for Novelists” by Kathy Flann at the SFWA Blog

Fairly or unfairly, the general public doesn’t associate science fiction and fantasy (SFF) with hilarity. In fact, a recent fake survey revealed that 72% of readers expected these novels to be “Moby-Dick in space … (or the moors or wherever).” However, what is humor if not an observant reimagining of the familiar, typically with some kind of an unexpected twist? Writers of SFF create ten interesting twists before their well-observed breakfasts. So, why aren’t our bookshelves and our zeitgeists chock-full of hilarious SFF novels? 

My guess is that SFF writers already feel overwhelmed. Not only do they face the challenges of any novel—including character development, plot, point of view, and so on—but also the mandate to build worlds for characters to inhabit and confront. I think writers suffer from knee-knocking fear of the additional layer of “trying” to be funny. A corny novel that makes readers groan may erode their suspension of disbelief. All that work for nothing!… 

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on butter chicken with Paul Kupperberg in episode 169 of the Eating the Fantastic podcast.

Paul Kupperberg

It’s time once again to step into the time machine, as this episode’s guest, Paul Kupperberg, is one of the two people in comics I’ve known the longest. He, along with former guest of the podcast Paul Levitz, ran fanzine sales at Phil Seuling’s 1971 4th of July weekend Comic Art Convention. We were both 16 then.

Paul’s another one of those guests I’d planned to sit across the table from during a day trip north sometime during the past two years, but that couldn’t happen, so to prevent the state of the world from stealing from us the conversation we would have had in better times, this became another one of the remote episodes I started doing once our world narrowed in early 2020, urged on by my Patreon supporters, who felt as much of a need for community during this difficult period as I did.

A lot has changed over the past half century since Paul and I met, as he’s written more than 1,000 short stories and comic book stories during those years. Among the characters whose adventures he’s scripted are Superman, Supergirl, Superboy, the new Doom Patrol, Green Lantern, the Justice League of America, Aquaman, Conan, and many others. He also scripted something near and dear to my heart — the first appearance of Keith Giffen’s Ambush Bug character in DC Comics Presents #52 (Dec. 1982). He wrote the syndicated The World’s Greatest Superheroes newspaper comic strip with José Delbo from 1981–1985. He’s the author of more than three dozen books of fiction and nonfiction, including The Same Old StoryJSA: RagnarokDirect Comments: Comics Creators in Their Own Words, and Paul Kupperberg’s Illustrated Guide to Writing Comics. He’s been an editor at DC Comics, WWE Kids’ Magazine, and the Weekly World News.

Paul ordered in Butter Chicken from Curry & Hurry in Riverside Connecticut, I ran over to Spice Connexion in Martinsburg, West Virginia for take-out Lamb Rogan Josh, and I hope you grab some Indian food so you can better pretend to be part of the gabfest.

We discussed which superhero starred in his first favorite comic book, the reasons we’re in agreement when it comes to the Stan vs. Jack debate, why his introduction to Superman had nothing to do with comics, what we each felt was lacking in our own early comic book writing, the surprising identity of the DC editor whose books sold the best, what caused legendary artist Don Heck to curse him out, the special challenges of writing comic strips, how he needed to get ready (or not) before writing all those legacy characters, what it was like rebooting Doom Patrol, which Archie character’s death upset him so much he had to step away from the keyboard, and much more.

 (4) THE RESISTANCE. Publishers Weekly is “Confronting Cultural Illiteracy: LGBTQ Books 2022”.

The recent spate of challenges to books with LGBTQ content has been met with equally vocal resistance from booksellers, librarians, parents, and other advocates. Caught in the middle are the people who create the books.

George M. Johnson’s All Boys Aren’t Blue, a YA essay collection revolving around themes of identity and family, was, according to the ALA, the third most challenged book of 2021; it was cited for LGBTQ content, profanity, and because it was considered sexually explicit. “It’s never easy to wake up to Google alerts mischaracterizing your work as something that it isn’t or seeing it used as a pawn for political partisanship,” Johnson says. “It only makes me want to create more stories in the world—find newer, cooler mediums to tell my stories.”

Another author, Jarrett Dapier, had a virtual presentation of his picture book Mr. Watson’s Chickens cancelled when the school librarian told the principal that the story features a gay couple. The principal then suggested offering parents the choice to opt out of the event, which Dapier found unacceptable. The presentation was rescheduled, the author says, after the school agreed to his terms: he insisted that the principal not send the opt-out letter, and that “teachers would not change their approach to the book or point out the characters’ relationship in anything but a positive, normal light, if they did at all.”…

(5) DENIS MEIKLE (1947-2022). Author Denis Meikle, a scholar who wrote about Hammer Films, died this week reported his daughter. His books included A History of Horrors-The Rise and Fall of the House of Hammer (1996), Jack the Ripper-The Murders and the Movies (2001), Vincent Price-The Art of Fear (2002), Johnny Depp-A Kind of Illusion (2004), The Ring Companion (2006), Roman Polanski-Odd Man Out (2007), Mr Murder-The Life and Times of Tod Slaughter (2019). And he wrote numerous articles for magazines such as My Little Shoppe of Horrors, The Dark Side, etc. He was the publisher of The Fantastic Fifties, The Sensational Sixties, and The Age of Thrills magazines.

(6) MEDIA BIRTHDAY.

1964 [Compiled by Cat Eldridge.] The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone. — Opening narration of this episode. 

On this evening fifty eight years ago, The Twilight Zone‘s “The Jeopardy Room” first aired on CBS.  The plot is Major Ivan Kuchenko  as played by Martin Landau, a KGB agent who is attempting to defect, is trapped inside a hotel room in an unnamed, politically neutral country with a bomb about to go off unless he can disarm it. I’m assuming that you’ve seen, but on the grounds that you might not have, I won’t say more. It’s a splendid bit of Cold War paranoia. 

Not surprisingly, it was written by Serling. It was directed by Richard Donner who later on would be known for The OmenScrooged and Superman but this was very early on in his career and he had just three years earlier released X-15, an aviation film that presented a fictionalized account of the X-15 research rocket aircraft program. Neat indeed. 

It is one of only a handful of The Twilight Zone episodes that has no fantastical elements at all. It’s a classic Cold War story more befitting a Mission: Impossible set-up than this series. It even involves a message delivered by way of a tape recorder, but mine you that series is two years in the future so that has to be just a coincidence. Or The Twilight Zone being The Twilight Zone

Like all of The Twilight Zone series, it’s streaming on Paramount +. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 17, 1919 Julius Fast. He was the first recipient of the Edgar Award given by the Mystery Writers of America for the best first novel of 1945, Watchful at Night.  (He wrote a lot of mystery novels.) He was also a sff genre writer and he released Out of This World, a collection of SF stories while he was still in the Army during WW II. He only genre novel was written in the Seventies, The League of Grey-Eyed Women. (Died 2008.)
  • Born April 17, 1923 Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing-wise, his best known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. His “Monument” story published in Analog was a finalist at Chicon III for a Short Story Hugo. I find it interesting that he wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
  • Born April 17, 1923 Earl Norem. An illustrator who signed his work simply Norem. He did a lot of work in Goodman’s men’s magazine but for our purposes I’m interested in the fact that he did a lot of for the same line of black-and-white comics magazines affiliated with his Marvel Comics division. Here is three of his covers, first for the trade paperback of Star Lord: Guardian of The Galaxy, next for Punisher/Black Widow: Spinning Doomsday’s Web (1992) #1, and finally for Moon Knight #6. (Died 2015.)
  • Born April 17, 1942 David Bradley, 80. It’s his Doctor Who work that garners him a Birthday honor.  He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time and then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories.  He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain
  • Born April 17, 1948 Peter Fehervari, 74. Ok I’ll admit I’m including him because he’s written a number of novels set in the Warhammer Universe and I’ve never read anything set there. Who here has read the fiction set there? Is it worth reading, and if so, is there a good starting point?  I’ll admit that as a causal collector of action figures that some of those do seriously interest me as they have a definite SF vibe as you can see here.
  • Born April 17, 1959 Sean Bean, 63. His current role that garners him recognition is Joseph Wilford on Snowpiercer, though he gave an iconic performance as Ned Stark in Game of Thrones, and he’s been in our area of interest a long time.  His first genre role was in GoldenEye as the antagonist of Bond, Alec Trevelyan (Janus). Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark which purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playing Mitch Henderson. 
  • Born April 17, 1972 Jennifer Garner, 50. Back before there was the Marvel Cinematic Universe, there were Marvel Comic movies which have not been retconned into the MCU reality. Such was the case with Elektra and its lead character of Elektra Natchios. She also had the same role in Daredevil which was at best an OK film though I’m fond of the Kingpin character. And yes, I know some of you don’t like that Kingpin. 
  • Born April 17, 1973 Cavan Scott, 49. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which bring me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Dr. Who (including the full blown subgenre of Professor Bernice Summerfield), Blake’s 7Judge DreddSkylanders UniverseThe Tomorrow PeopleStar Wars and Warhammer Universe (yes again). Judge Dredd?  Novels? Who knew? 

(8) COMICS SECTION.

(9) ASIMOV PROFILE. The Jerusalem Post published this feature to mark the thirtieth anniversary of the author’s death: “Isaac Asimov: The biochemist who created new worlds – The Jerusalem Post (jpost.com)

Isaac Asimov is considered one of the greatest science fiction writers, and definitely the most famous of them all. He has written some of the most influential and popular books of the genre, which contained ideas, prophecies and quotes that appear in multiple references to this day. He has written and edited more than 500 books in different fields and was legendarily prolific as a writer. The American writer Harlan Ellison once commented about Asimov, “He had writer’s block once. It was the worst ten minutes of his life.”

Owing to his huge success as an author, it’s easy to forget that Asimov was also a scientist and a professor of biochemistry. Science was an integral part of his life and greatly influenced his stories…. 

(10) SELF-PUBLISHED BOOKS HONORED. Among those receiving medals in the 2022 Global Book Awards for Self-Published Authors this week in the science fiction categories were:

  • VS Holmes, author of Heretics won Silver for Sci Fi/ Hard
  • Kristina Rienzi, author of Among Us won Silver for Sci-fi / Space Exploration

Heretics

Hot-tempered Dr. Nel Bently is not cut out to save the world. After her last project ended in fire and death, Nel must put aside her distrust of just about everyone and embark on a lo-fi search for a deadly radio transmission.

Earth’s survivors are torn between the austere superpower of IDH and the high-tech grassroots Los Pobledores. At every turn more allies go missing and Nel questions where everyone’s true loyalties lie–and on which side Lin will fall when a line is finally drawn.

They need experts. They need firepower. But it looks like the only thing standing between Earth and devastation is Nel: archaeologist, asshole, and functioning alcoholic with anger issues.

Among Us

Marci Simon lives a double life: conservative professor of English by day, and controversial blogger of aliens by night. But when a classified document lands in her lap, her two worlds collide in an explosive revelation of shocking and deadly secrets.

Despite imminent danger at every twist, Marci embarks on an unstoppable quest to expose the terrifying truth. Only she never anticipated the entangled nebula of dark lies, nor the never-ending wormhole the government would spiral through to silence her forever.

Knowledge can kill.

And Marci knows too much. With global security at risk, no one can be trusted. To debunk the stratosphere of deceit, Marci races at the speed of light to escape the grips of the clandestine Extraterrestrial Security Agency (ESA) hunting her before she vanishes like all the others. But Marci is unique. Despite being the ESA’s prime target, she’s also the skeleton key to the deadliest truth in the history of the universe.

The nightmare is real, and it’s only just begun. Marci must take a nefarious leap of faith before her options, and her breaths, evaporate into a black hole for all eternity.

(11) VOYAGER NEWS. An excerpt has been released from a new documentary on Star Trek:  Voyager.“To The Journey”.

(12) GYGAX. [Item by Martin Morse Wooster.] The BBC interviews E. Gary Gygax, the great game creator Sid Sackson, and goes to a British national gaming convention in this Classic BBC Clip from a 1982documentary that dropped this week. “Why do we play TABLETOP GAMES?”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, John Lorentz, Mickey Mikkelsen, Lise Andreasen, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 9/15/16 Scroll On the Water, Pixels In The Sky

(1) A BEST EDITOR WINNER. SFFWorld interviewed editor Ellen Datlow:

A working life spent reading SF,  Fantasy, and horror short stories sounds like a dream come true.  Are there down sides to being an editor? Do you have any advice for aspiring editors?

ED:  I’ve always loved short stories, so working in the short fiction field is indeed the perfect job for me. It’s hard to find time to read outside the genres in which I’m currently working. I mostly read short fiction for work, so picking novels that I hope I’ll enjoy is the challenge. They usually have to be dark/horror so I can cover them in my annual Best Horror of the Year. The administration is a pain: sending out contracts, paying royalties to a hundred writers is onerous (even with Paypal).  But everything else is great. I love the whole editing process, from soliciting new stories that would not exist except for me asking; working with my authors on story revision (if necessary); and even the line edit.

Advice: Read. Read slush. If you don’t love reading, you have no reason to be an editor

(2) SCIENCE ADVISOR. Financial Times profiled Cal Tech physicist Spyridon Michalakis in “’I help Hollywood film-makers get their science right’”. (Warning: I had to answer a 10-question survey ad to see the full article.)

In the article Michalakis discusses his work through The Science and Entertainment Exchange, “which connects film and TV producers with scientists.”  He’s consulted on Ant-Man, Marvel’s Agents of S.H.I.E.L.D. and other shows.

Here’s what he had to say about Gravity:

“It’s a shame when I see films that inadvertently forgo scientific accuracy for added drama.  For instance, in the movie Gravity when Sandra Bullock’s character grabs hold of George Clooney’s character while they’re both floating out in space, he tells her she has to let go of him, otherwise both of them are going to fly off and die because he’s pulling her farther and farther away from the space station.  The trouble is, they’re so far away from Earth that, in reality, nothing would actually be pulling them.

“I find myself watching that scene and thinking they could have achieved the same drama just as easily with something called ‘conservation of momentum.” With this, the only way for her to get back to the station would be for Clooney’s character to actively sacrifice himself by pushing Bullock away from him.  It would have been real science and it would have made the movie better.  You watch these things and you say to yourself, ‘I’m just a phone call away.'”

(3) OHH-KAYYY…. The Washington D.C. public library has an idea for drawing attention to oft-challenged books. Is it innovative, or over-the-top?

Every year, libraries around the country observe Banned Books Week, to remind the public that even well known and much loved books can be the targets of censorship. This year, Washington D.C.’s public library came up with a clever idea to focus attention on the issue: a banned books scavenger hunt.

Now, readers are stalking local shops, cafes and bookstores looking for copies of books that are hidden behind distinctive black and white covers. There is no title on the cover, just a phrase — such as FILTHY, TRASHY or PROFANE — which describes the reason why some people wanted the book banned.

(4) SUPPORT YOUR LOCAL CONSERVATIVE. John Shirley, who identifies as a progressive, argues “Why Conservatives are a Necessary Component of a Vital Society” in a post for Tangent Online. I have to say it brings to mind the ending of Harlan Ellison’s “Beast Who Shouted Love at the Heart of the World.”

….Every democracy genuinely needs conservatives. And not so we can have someone to argue with. We need them for their perspective; we need them for their call for individual hard work, which is always a good thing in itself, when people can find it; we need them for the reluctance at least some of them show to get engaged in wars that squander blood and treasure. And we need them to be skeptical of our schemes.

We need them to push back.….

This website, Tangent Online, relates to the science-fiction field, and so do I. From time to time the sf field has been storm-lashed by political controversies, essentially conservative vs. liberal and vice versa. Going back, it cuts both ways: back in the day, Donald Wollheim and Fred Pohl and Judith Merril and others were slagged by conservative sf writers and editors for leaning left. Now the pendulum has swung way, way the other direction and certain reasonable conservatives amongst science fiction writers and critics are sometimes being over scrutinized, even punished, for outspokenness and some fairly normal speech tropes—most recently, Dave Truesdale was actually ejected from the Worldcon for having declared on a short story panel, in the space of a few minutes, that science fiction was being unfairly truncated by politics, and free speech gagged by political correctness emanating from the left. I listened to a tape of the remarks and could find nothing that broke any convention rules. Some defending the convention fall back on claims that his use of the term “pearl clutchers” is sexist, is hateful to women. But in my experience the term does not apply to women, particularly—it’s about people who are making a drama of nothing, probably just to get attention. Underlying the con committee’s action was, I suspect, emotional fallout from the “Sad Puppies” Hugo Award controversy. But people shouldn’t let emotions dictate their interpretation of the rules.

(5) TODAY’S BIRTHDAY GIRL

  • September 15, 1907 – Fay  Wray

(6) RICK RIORDAN PRESENTS. Disney has announced a new Rick Riordan Presents imprint reports Publishers Weekly. Riordan will curate a line of books that introduces selected writers of mythology-based novels.

Rick Riordan has gotten a variation on the same question from his fans about a zillion times: When are you going to write about (fill in the blank): the Hindu gods and goddesses? Ancient Chinese mythology? Native American legends?

Now, he has an answer – of sorts: Disney-Hyperion is launching Rick Riordan Presents, an imprint devoted to mythology-based books for middle grade readers. The imprint, which will be led by Riordan’s editor, Stephanie Owens Lurie, hopes to launch with two books in summer 2018. The books will not be written by Riordan, whose role will be closer to curator than author.

…The plan is to launch the imprint in July 2018 with two books, though those books have not yet been acquired yet. “We’ve approached a couple of people but some of them are adult writers so they would be trying to do something completely different,” Lurie said. “The point of making this announcement now is to get the word out about what we’re looking for.”

“Rick just can’t write fast enough to satisfy his fans,” said Lurie, whose official title will be editorial director of the imprint. “I think he’s doing an incredible job writing two books a year already.”

There’s also this: ”I know he feels that, in some instances, the books his readers are asking for him to write are really someone else’s story to tell,” Lurie said.

(7) MAJOR SF ART EXHIBIT. The IX Preview Weekend Popup Exhibition will take place at the Delaware Art Museum in Wilmington, DE from September 23-25. Tickets required.

Imaginative Realism combines classical painting techniques with narrative subjects, focusing on the unreal, the unseen, and the impossible. In partnership with IX Arts organizers, the Delaware Art Museum will host the first IX Preview Weekend, celebrating Imaginative Realism and to kick off IX9–the annual groundbreaking art show, symposium, and celebration dedicated solely to the genre.

Imaginative Realism is the cutting edge of contemporary painting and illustration and often includes themes related to science fiction and fantasy movies, games, and books. A pop-up exhibition and the weekend of events will feature over 16 contemporary artists internationally recognized for their contributions to Star Wars, The Lord of the Rings, Avatar, Marvel, DC Comics, Blizzard Entertainment, and Wizards of the Coast, among others.

There will be workshops by two leading sf artists as well.

Sept 24 @ 7:00 pm

Workshop with Bob Eggleton: Seascapes Sept 24 @ 10:15 am – 12:15 pm and 2:00 pm – 4:00 pm During this hands on demonstration and group painting salon, Bob Eggleton will walk participants through creating a seascape in acrylic paint with a nod to the ocean as ‘character’. Incorporated into the illustration storytelling aspect of this demonstration will be construction of the ocean as narrative using elements, from the subtle to the extreme, like sea monsters, antique ships, rocks, waves, clouds, lighting, and odd bits of flotsam and jetsam debris. Bob will share his own experience as well as that of his heroes, classic 19th and 20th century illustrators and fine art Masters.  Pre-registration required. Supplies: Attendees should bring preferred acrylic painting setup, including brushes, paints, and paper/panels/boards.

Drawing Workshop and Lecture with Donato Giancola: Compositional Drawing Sept 25 @ 10:15 am – 12:15 pm and 2:00 pm – 4:00 pm Donato will share his knowledge and approach to producing skillfully drafted drawings. From sketch to finish, the aesthetic and technical decisions the artist makes will be laid bare for observation and comments offering wonderful insight into the foundations of creativity of a modern artist. The four-hour workshop is for the artist who aspires to pursue further development and refinement of their skills in composition and as storytellers. Attendees of all skill levels are welcome as the focus of the workshop is upon creative problem solving, not technical execution. Pre-registration required. Supplies: Attendees should bring along their own preferred drawing utensils (pencils, paper,sketchbooks, etc) as well as a few favorite images/photos of themes they wish to create work upon. Alternative drawing supplies will also be available for use.

delaware-sf-art

(8) WHAT’S A HUGO WIN WORTH? Kay Taylor Rea of Uncanny Magazine says Hugo wins are helping sales there. (Uncanny won the 2016 Best Semiprozine Hugo.)

(9) NOT LETTING THE CAT OUT OF THE BAG. Mary Robinette Kowal posted a photo of what’s in the suitcase she’s taking to the Writing Excuses Workshop.

(10) NO ONE BEHIND THE WHEEL. Matthew Johnson is the latest Filer to leave a poetic masterwork in comments:

Inspired by item 7:

My self-driving car must think it queer
To stop without a charger near.
I wonder, did I hurt its pride
When I pressed DRIVER OVERRIDE?

Whose woods these are I think I spy:
in June the Google Car went by
And so the trees, though deep in snow, are green
When viewed upon my tablet screen.

Most days I doze away the route
That my car drives on our commute
And trade the sight of forests dark and deep
For just another hour’s sleep.

This night, the darkest of the year
Some demon woke me, passing here,
And so I stopped, though home is far
Got out and left my loyal car.

A single line of deer track goes
Into the forest, deep with snow
My road, I know, was once just such a trail
Blazed by cloven hooves and white-tipped tails

Crowdsourced by deer to find the gentlest route
Through tree and mountain, lake and chute
Then followed feet, at first in leather clad
To travel where the hooves of deer had.

My car’s soft beep awakens me:
To stay longer would unreasonably
Expose the maker to liability
And besides, it voids the warranty.

Well, a contract is a contract, after all,
And speaks louder than the forest’s call
So I return, my feet no longer free,
Because I clicked on I AGREE.

The woods are lovely, dark and deep,
But I have Terms of Use to keep,
And miles to go while fast asleep,
And miles to go while fast asleep.

[Thanks to Lee, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Dawn Incognito.]

Bleeding Edge Signing in Glendale

Seated: Ray Bradbury, Norman Corwin, George Clayton Johnson. Standing: Cody Goodfellow, John Tomerlin, Lisa Morton, Earl Hamner Jr., John Shirley, William J. Nolan. Photo by John King Tarpinian.

Ray Bradbury and many other contributors to the The Bleeding Edge signed copies of the book at the Mystery and Imagination Bookstore in Glendale, CA on February 20.

Stefan Rose posted two YouTube videos of the event. In the first Ray Bradbury arrives and greets Norman Corwin. The second scans the writers assembled around the autograph tables

John King Tarpinian notes, “Very nice event. The only ones missing in action were Richard and R.C. Matheson due to their having forgotten that it was Richard’s birthday when they committed to attend. Darn. We hope that he will be making it to the Charles Beaumont documentary premiere next month. Everybody else listed on the flyer was in attendance plus John Shirley came down from the Bay Area.” 

[Thanks to John King Tarpinian for the story.]

Bradbury Coming to Egyptian Theater

Ray Bradbury will speak before a showing of the Charles Beaumont documentary at the Egyptian Theater on Saturday, March 27 (the theater’s March calendar has yet to be posted online, so no direct link.) 

The new Beaumont documentary features a long interview with Harlan Ellison, as well as Ray Bradbury, Richard Matheson, S.T. Joshi, John Shirley, the late Forry Ackerman, George Clayton Johnson, Bill Nolan and Marc Scott Zicree.

Johnson, Nolan and Zicree will answer questions after the March 27 screening.

That same weekend the Egyptian will show Logan’s Run (March 26). The novel’s author’s Bill Nolan and George Clayton Johnson will be there, and they will be back for the showing of The Intruder on March 28.

[Thanks to John King Tarpinian for the story.]