Pixel Scroll 6/9/17 A Simple Scrollable Pixel, Or How I Was Mike Glyered Into Filing

(1) OPENING ROUND. Fantasy-Faction, in “The SPFBO: Introducing Round One!”, tells how they’re getting ready to participate in Mark Lawrence’s Self-Published Fantasy Blog-Off.

As you know, 300 competing titles have now been split into batches of 30 and assigned to one of the ten participating blogs. Here’s the tough part: we can’t keep them all. It’s a bit like being asked to foster a small herd of kittens, then being told you’re only allowed to adopt one of them. We try hard not to become too attached, but it proved very difficult last year and I wouldn’t be the least surprised if the same were true again this time.

(2) SPACEBALLS. Profiles in History will be auctioning “Rick Moranis hero ‘Dark Helmet’ helmet from Spaceballs.” At the end of the month reports Invaluable.

Rick Moranis hero “Dark Helmet” helmet from Spaceballs. (MGM, 1987) This articulating oversized signature helmet was worn by Moranis as Dark Helmet throughout the Mel Brooks classic Sci-Fi spoof. Consisting of 20 in. round by 14 in. tall cartoonish “Darth Vader” -stylized helmet constructed of heavy vacuum formed plastic component shell affixed to internal construction worker’s hard-hat liner to fit the actor. With screw-hinged movable faceplate section featuring vents, metalized shower drain mouth piece and triangular embedded tinted see-through lenses. Exhibiting only minor production wear and age. In vintage very good to fine condition. $8,000 – $12,000

(3) M. BANKS. Sam Reader at the B&N Sci-Fi & Fantasy Blog honors the late author — “With The Algebraist, Iain M. Banks Perfected His Space Opera”.

The Scottish author Iain Banks famously led a double life in publishing. Some of his books — the ones published under the name Iain Banks — were sold to readers as “literature,” and shelved as such in bookstores. The rest — the ones that applied his talent for creating boldly unlikeable characters and enormously complex plots to the tropes and trappings of science fiction — were published under the name “Iain M. Banks,” that middle initial serving as a beacon to genre readers across the world, telling them: this one. This is the Banks you’re looking for.

The Algebraist is peak Iain M. Banks. It’s also the only book he ever wrote to be nominated for the Hugo Award, a fact that seems almost unbelievable in retrospect.

The late, great SF pioneer, who died on this day in 2013, spent most of his life experimenting with space opera …

(4) ANY SUFFICIENTLY ADVANCED TECHNOLOGY. Yesterday, you didn’t care about this. But today you will passionately brawl about it. Natalie Zutter asks “Is Time Travel Science Fiction or Fantasy?” at Tor.com.

Even though you would expect time travel to require hard rules, it seems to most often appear in both science fiction and fantasy stories that require a certain amount of handwaving on the details. We’re given some sense of how the TARDIS operates — the chameleon circuit, and the sometimes-isometric, sometimes-telepathic controls — but it’s best just to jump in and hang on. Similarly, there’s no clear explanation for the time travel in Kindred or Outlander aside from supernatural forces working outside of our understanding or control, forces that cause certain events to occur as part of some larger cosmic plan.

(5) NEVERMORE. Maybe there’s a more subtle reason Noah’s raven didn’t come back? The Verge reports “If you wrong a raven, it will remember”.

These nine ravens were raised in captivity, growing to become familiar with the researchers. Then came the test.

The ravens were put in a cage along with two trainers on each one. The first trainer gave the raven a piece of bread. The raven then carried the bread to the other trainer on the other side, and exchanged it for cheese.

The second time, the raven was soundly rejected. Instead of getting the cheese, it had to watch as the trainer just ate the cheese in front of it.

Two days later, the researcher rounded up up seven of the birds and presented them with three trainers: the fair one who gave them the bread, the unfair one who ate food in front of them, and a neutral one. Six out of seven birds chose the fair one. One chose the neutral one. Nobody wanted to play with the mean one.

(6) I FORGOT. The City, Awake by Duncan Barlow was released in March by Stalking Horse Press.

Barlow’s metaphysical noir The City, Awake is a novel of chemically induced amnesia, doppelgangers, fanatics, and killers. Saul, a man without a history, awakes in a hotel room with a note in his pocket. Hunting for answers, he must survive rival assassins, a millionaire with an axe to grind, a shape-shifting femme fatal, a silent hit man, and a psychotic who is only looking for an exit. Barlow evokes a vast mid-century modernist cityscape in prose that is by turns hard-boiled, then unexpectedly psychedelic and delicate. With temporal and spatial distortions reminiscent of A. E. van Vogt’s The World of Null-A, the novel that inspired Godard’s Alphaville, this is a vivid investigation of identity, scientific speculation, and Biblical Apocrypha. The City, Awake is a mirror maze of dark streets and darker secrets.

(7) FEAR OF THE ARTS. Omni’s Joshua Sky asks the questions in “Where X Marks the Spot: An Interview with Steve Barnes”.

Walk me through it. I’ve read about you, but I haven’t been able to find much on your childhood. Can you give me a recap of your youth?

Steve Barnes: Born and raised in South Central, Los Angeles. I was interested in science fiction, fantasy, films and stories from a very early age. My mother and sister raised me; there wasn’t a father in the home. So I was always very interested in macho adventure.

First book that I can remember clearly reading was called Space Cat. I was in second grade, before then, I loved monster movies and stuff like that. It’s always been apart of my life. The first real sci-fi novel I’ve ever read was probably Robert Heinlein’s, Have Spacesuit Will Travel, in the fifth grade.

When did you start making attempts at writing?

The first story I remember ever writing, was in like, third grade. It was called, The Yeti. It was about an abominable snowman in a Canadian lumber camp. After that, I wrote a lot of sci-fi action adventure, space ship monster stuff. I was doing that from third to fourth grade, up through college.

(8) NOTED FUTURIST. Joshua Sky also did an “Interview with Trina Phillips, Chief Futurist at SciFutures” for Omni.

Describe what SciFutures is. I’ve read about it, I know about it, but I’d like to hear it from you.

TRINA: We do a range of things, but our main idea is that a lot of companies don’t do well with changing their ways and staying up to date with new and near future technology. This isn’t just using new systems. We’re talking about thinking forward. Some of these companies have been around for over a hundred years; being forward thinking and moving fast are not their specialty. The idea behind it is that not only do you use science fiction ideas to help propel them into the future, but we use storytelling to help them understand it, to help them comprehend this new information better. Because someone can sit there and say, I’m doing projections, and with all the graphs and charts and this and that. And we don’t do that. We go further out than those are realistic for, you know, guessing at. We’re not going to tell you what you should do next year; we’re going to tell you what you should be looking to do in five to ten years, or more — if you prefer the long view.

But it’s all theoretical in a sense, because it’s from a science fictional standpoint, right?

TRINA: Yes, except it is based on the tech that’s available now, and we have a really good handle on modern technology. Half of our staff consists of tech people — a little more than half, actually. So we have a real grounding in where the tech is, where it’s going. We know what’s feasible, and we base our suggestions on that information. But that doesn’t mean we’re not inventing things that don’t quite exist yet. In fact, that’s exactly what we’re doing.

(9) NO FUTURIST. Meantime, John Scalzi was shocked to discover that his go-to soda, Coke Zero, is on its way out: “Is This the End of Our Hero, Coke Zero?!??!!??!?”

It’s that “no sugar” part that’s apparently important, because these days, or so the news reports suggest to me, sugar is in bad odor as being the worst possible thing you can put in your body short of heroin, a proposition I’m not convinced of, but then I’m kind of a sugar fiend, so I may be biased. By calling the new product Coke No Sugar, Coke is making it clear there’s, uh, no sugar in it. So, good for hyper-literal branding, I guess. I think “Coke No Sugar” is kind of terrible as a brand name, and suspect that if consumers didn’t know Coke Zero had, you know, zero sugar in it, the problem was marketing, and not the branding per se. Mind you, if memory serves, the whole point of Coke Zero marketing in the early days was to hide from dudes with fragile masculinity the fact that they were drinking a diet beverage, which is why the word “diet” was never put anywhere near the product dress. So again, I’m not sure consumers are 100% to blame here if they didn’t catch on about the zero sugar thing.

(10) MORE ON BOOKEXPO. Shelf Awareness insists the cup is half-full: “BookCon Draws 20,000; Trade Attendance Up at BookExpo”.

BookExpo drew 7,425 non-exhibiting attendees–primarily booksellers, librarians, retailers and media members — while BookCon brought in 20,000 readers, up 2,000 from two years ago, when the consumer event was last held in New York, ReedPOP announced this week. According to Brien McDonald, event director for BookExpo and BookCon, trade attendance was significantly up this year compared to last year’s show in Chicago, Ill., and in particular, attendance at the show’s author talks and educations sessions was “exceptionally high.” McDonald also noted that for 2017, ReedPOP implemented a review process for all non-buying categories of trade attendees, including self-published authors, bloggers and consultants, in an effort to curate more “high-quality attendance.”

(11) TODAY IN HISTORY

  • June 9, 1965 — Ursula Andress stars with Cushing and Lee in Hammer Films’ She
  • June 9, 1978 — Walt Disney’s seminal science fiction classic *coff*  The Cat From Outer Space premieres.
  • June 9, 1989 Star Trek V: The Final Frontier was first seen in theaters.

(12) TODAY’S BIRTHDAY BOYS

  • Born June 9, 1925 — Keith Laumer
  • Born June 9, 1930 — Lin Carter
  • Born June 9, 1943 — Joe Haldeman

(13) ON THEIR WAY OUT. If you’re trying to make sense of the British elections, actively avoid Camestros Felapton’s “Exit Poll”. But if you need a laugh, click away.

(14) INCONSISTENCY. J.K Rowling calls out a problem I’ve often observed — critics of misogyny who decide to give themselves a pass whenever they have an opportunity write an insult about a politically conservative woman. If someone values human respect, that should control their choices all the time.

(15) ZOMBIES TO THE RESCUE. In the May 25 Financial Times Charles Clover and Sherry Fei Ju note that China, which has long banned any film with ghosts or the supernatural (such as the Ghostbusters remake or the acclaimed South Korean film Train to Busan) has relented and allowed the latest Resident Evil film and Logan to be shown in China, possibly as a way to stimulate slumping box office sales. (“China unleashes zombie films to boost the box office” , behind a paywall.)

(16) GHOSTING CONS. Kara Dennison says “Let’s Talk About Lobbyconning”.

I was very confused by a comment left on Facebook concerning a convention I work for. A potential attendee asked if the con would be “open” or “closed.” No one really had any idea what this meant, until it was clarified: do you have to buy a badge to enter the convention space at all, or can you chill in the hotel lobby without buying a badge? The practice is known as “lobbyconning,” and I had never heard of it until within the last year or so. Essentially, rather than buying a membership to a convention, the lobbyconner just hangs out in the non-convention spaces of the hotel, seeing friends, showing off their cosplay, using Street Pass, etc. They see it as harmless and a way to save money. Now, quickly up front. I have sped by hotels where a convention is going on to say hi to a friend. Like. If the con is in the area. Usually if I want to see a friend at a nearby convention I’m not attending, we go get lunch or something, or if I go to the hotel we’ll meet for a drink in the bar or I go to their room. But if I’m going to see the friend, we generally leave the convention space. If I’m going to the convention to see the friend, I buy a day pass. Why? Because I am using the convention as a way to pass time with my friend, because it means they can still enjoy all parts of the con without having to abandon me for panels, and because dammit, supporting a con.

(17) A MATCH MADE IN HECK. A newsflash from Cattimothy House — “Jon Del Arroz hires Timothy the Talking Cat as his Publicist”.

Prominent local author, Jon Del Arroz entered into extensive negotiations with Cattimothy House yesterday to massively boost his profile by recruiting the services of Timothy the Talking Cat. Timothy, who is notable for his work with John C Wright, Declan Finn, Hillary Clinton and Vladimir Putin, is one of the leading editors of modern science fiction and is at the forefront of what he calls “the Pulp Revolution” (Timothy’s Jarvis Cocker cover band).

Timothy is alread taking proactive steps to boost Mr Del Arroz’s profile including new cover design concepts …

Naturally (or perhaps unnaturally), Jon was thrilled to realize “The File 770 Crowd Loves Me, Quite Literally”.

Today, Camestros Felapton upped the game of having a crush on me by making a full on book cover based on For Steam And Country — which is releasing next Thursday. This looks like a pretty time consuming effort, maybe even more so than the File 770 commenter who purchased and distributed convention ribbons for a full weekend homaging me …

[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, Jon Del Arroz, Peer Sylvester, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 6/8/17 The Pixel Who Circumnavigated Filerland In A Scroll Of Her Own Making

(1) BUM OF THE MONTH CLUB. The time is ripe for “The Official Pornokitsch Taxonomy of Villains”.

So we’ve been at this Villain of the Month thing for a while now — since August 2016, to be precise — and by this point we’ve accumulated an interesting roster of villains….

First up, we have the True Believer (the Operative, Dolores Umbridge). True Believers have a cause to which they are faithfully devoted. That’s not to say they lack other ambitions — wealth, for example, or glory — but those take a back seat to one all-important ideological goal. For the Operative, that goal is creating “a world without sin”. For Umbridge, it’s a fascist regime ruled by the Ministry of Magic. Villains who obsequiously serve a Dark Lord (e.g. Bellatrix Lestrange) or fight to preserve the existing order (e.g. Agent Smith) would also fall into this category. For me, the most interesting True Believers are those fighting for a cause the audience could nominally get behind (e.g. the aforementioned world without sin), but whose methods are beyond the pale….

(2) MISSING THE APOCALYPSE. “Yeah, why DON’T authors deal with climate change??? <rolleyes>,” wrote JJ after seeing Tobias Buckell, Daniel Abraham and some other sff authors on Twitter get a little peeved because Publishers Weekly touted an article by Siddhartha Deb in The Baffler that said only nonfiction writers seemed to be dealing with it.

Such are the absurdities of the fossil-fuel lifestyle we are locked into globally, folly piling upon folly, the latest among them the decision by the United States to pull out of a Paris Climate Agreement that itself is like a band-aid applied to an earthquake. (Its target is to limit the global rise in temperature to between 1.5 and 2 degrees centigrade but, since it comes into effect only in 2020, it is seen by many critics as putting such a target beyond reach.) Yet in spite of all the evidence of the destruction visited upon the world by our resource-heavy appetites, accompanied by a gnawing recognition that something is fundamentally wrong in our relationship with the Earth and in the way we live, and all the cumulative knowledge about climate change and the irreplicable characteristics of an era that some have named the Anthropocene, the end result is still a kind of imaginative fatigue.

This makes itself evident in the paucity of fiction devoted to the carbon economy, something the Brooklyn-based Indian writer Amitav Ghosh addresses in his marvelous recent book, The Great Derangement, writing, “When the subject of climate change occurs . . . it is almost always in relation to nonfiction; novels and short stories are very rarely to be glimpsed within this horizon.”

(3) FAUX POP CULTURE. The Book Smugglers reminds all that Yoon Ha Lee’s Raven Stratagem comes out next week with this guest post from the author, “You Were Watching What on TV, Cheris?”

One of the most entertaining things I’ve gotten to do in the background worldbuilding for the hexarchate is its popular culture. For example, in Ninefox Gambit, my heroine Cheris spends her free time watching crackalicious TV shows (“dramas”). In Raven Stratagem, one of the Kel recalls a classmate who used to read trashy adventures involving “dungeon-crawling” in the bowels of the campus. And it also reveals that Jedao’s mom used to like reading equally trashy sci-fi novels involving survivalists and tentacled monsters from outer space. Just because she’s a science fantasy character doesn’t mean she can’t like sci-fi, right?

(4) INDIGENOUS VOICES. Silvia Moreno-Garcia and Robin Parker have succeeded in creating the Emerging Indigenous Voices Awards, which is now hosted by the Indigenous Literary Studies Association. And the ILSA has announced the award judges. (No excerpt, because the news item is one big image file — not text!) ILSA has set a funding target of $150,000 to”make the award sustainable for many years to come.” As of this writing, the Indiegogo appeal has raised $109,298 (Canadian). [H/T to Earl Grey Editing.]

(5) TIPTREE FELLOWSHIP REPORTS. The two 2016 Tiptree Fellowship winners have reported on how their work has been facilitated by the fellowships. [H/T to Earl Grey Editing.]

First on Porpentine Charity Heartscape’s list:

Here’s what I’ve been up to since I got the Tiptree fellowship. I made Miniskirt World Network: Business Slut Online, a video/music hypertext about a femme vaporwave world where fashion is a basic computer peripheral. I wanted to evoke the contradictory tensions of feminine-coded clothing and the weird emotional textures that come with it.

Mia Sereno (Likhain) explains:

I cannot separate my being Filipino, of the Philippines, from my being a woman; they are inextricably intertwined. Thanks to the Tiptree Fellowship I was able to examine this intertwining more closely through my art. Life has not been easy this past year and between trying to keep my household afloat and taking care of my own health, I’ve had less time than I would have liked to work on my art series built around the concept of Filipinas as monsters, monstrosity reclaimed and embraced. Still, I’d like to share with you some work-in-progress pencils and concept sketches featuring both high fantasy settings and the supernatural as the second skin of our everyday.

(6) THIS LAND IS YOUR LAND. The Wombat Conservancy, Winery, and Writer’s Retreat — a hilarious conversation on Twitter.

To reach the beginning, JJ advises, “You have to keep scrolling up until you get to the top (land for sale listings).”

(7) RARE POWER. ScreenRant tells you what they think is the “Wonder Woman Movie’s Most Important Scene”. But I will excerpt a less spoilery part of the article.

By now most superhero fans with an eye for gender representation will have noticed a discrepancy between males and females with superpowers in comic movies, fantasy, science fiction, etc., etc.. Where the men either immediately or eventually see their superpowers as a gift, and the testing and mastery of the powers as a thrilling ‘coming of age’ story (or montage), women face a different road ahead. Often, the surfacing of a latent or new superpower is treated as an illness: something to hide, remove, control, or at the very least suspect as a problem to be solved (no matter how cool those superpowers may be). For every ‘Professor X’ there is a Jean Grey, for every Flash there is a Killer Frost, for every super-fast Quicksilver, there is a mentally-traumatized Scarlet ‘Witch.’

It’s a gender difference that means men will typically exert power by hitting things, while women are given powers rendering them unpredictable, mentally unstable, or simply tied to forces from an ‘unknown, mystical, potentially harmful’ source. But with Wonder Woman, Diana’s discovery of her ability to punch straight through stone is treated as the world-altering, empowering, and thrilling gift the viewers would take it to be. After smashing her hand through the stone in a frantic fall, Diana deduces that she is stronger than any Amazon before her

(8) NEBULA SHOWCASE. Don’t forget the Nebula Awards Showcase 2017 edited by Julie Czerneda.

The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories of the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America (SFWA). This year’s editor, selected by SFWA’s anthology Committee (chaired by Mike Resnick), is Canadian science fiction and fantasy writer and editor Julie Czerneda. This year’s Nebula Award winners are Naomi Novik, Nnedi Okorafor, Sarah Pinsker, and Alyssa Wong, with Fran Wilde winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book. Also included in this volume are works by N. K. Jemisin and Ann Leckie.

(9) ON THE ROAD. I laughed.

(10) TODAY IN HISTORY REDUX

  • June 8, 1949 — George Orwell published his most significant book, 1984. (You may be pardoned for thinking there’s an echo around here.)
  • June 8, 1984 Ghostbusters is released in theaters across the United States.

(11) TODAY’S BIRTHDAY BOY

  • June 8, 1910 — John W. Campbell, Jr

(12) BRYANT MEMORIAL. George R.R. Martin tells about attending the memorial service for Ed Bryant in “Saying Farewell”.

Ed was a talented writer and a great workshopper, who mentored and encouraged many writers younger than himself and helped them on their way. He was one of my Wild Cards authors, creator of Sewer Jack and Wyungare. But most of all he was a sweet, kind man, with a warm smile and a gentle wit. Science fiction and fantasy will be poorer without him. Memorials like this are not for the deceased so much as they are for those left behind, I believe. It was good to get together with so many others who cared about Ed, and to share our memories of him, with laughter and love.

(13) TURNABOUT. Queen Idia’s Africa: Ten Short Stories by Cordelia Salter was released May 11.

Africa is rich and the West is poor. That’s the setting for Queen Idia’s Africa: Ten Short Stories by Cordelia Salter with a foreword by Zeinab Badawi.

This is a world where slavery and colonialism never happened and Africa is the rich global superpower.

The West is mired in poverty, politically unstable and relies on aid from Africa. Zeinab Badawi, Chair of the Royal African Society, points out in the foreword that the stories make us think what things could have been like if the boot had been on the other foot.

What would Africa do about swarms of illegal European migrants trying to get to Africa in search of a better life? How would Africa respond to droughts, famines and rebel warfare in North America? Could there have been apartheid the other way round?

(14) SHE, THE JURY. Naomi Alderman, whose sf novel The Power just won the Baileys Prize for Women’s Fiction, has been added to the jury for the The Royal Society Insight Investment Science Book Prize.

Alderman will be one of five judges, chaired by award-winning writer and television presenter, palaeontologist and Royal Society Fellow, Richard Fortey. They are joined by: writer and presenter of BBC Radio 4’s All in the Mind, Claudia Hammond, Channel 4’s Topical Specialist Factual Commissioner, Shaminder Nahal and former Royal Society University Research Fellow, Sam Gilbert.

The Prize has worked with many eminent judges over its illustrious 30-year history, among them Ian McEwan, Sarah Waters, Terry Pratchett, David Attenborough, Tracy Chevalier and Michael Frayn.

The Prize celebrates outstanding popular science books from around the world and is open to authors of science books written for a non-specialist audience. Over the decades, it has championed writers such as Stephen Hawking, Jared Diamond, Stephen Jay Gould and Bill Bryson.

Naomi Alderman commented: “It’s a terrible shame that arts and sciences are so often seen as mutually opposed, and that there’s so little understanding of what makes great work in ‘the other’ culture. So many of the most urgent problems that face us today can only be solved by thinking in an interdisciplinary way. That’s why I’m particularly thrilled to be a judge of this Prize, where we’ll be looking both for great science and excellent writing and storytelling. There’s no reason that a science book can’t be a bloody good read, and I can’t wait to get stuck in, and to discuss the best new science writing with the other judges.”

(15) ILLEGAL ESPIONAGE. In Section 31: Control, frequent Star Trek novelist David Mack takes on Starfleet’s secretive, rogue agency. Dr. Bashir, as he was in Deep Space Nine episodes involving Section 31, is the chief protagonist.

No law…no conscience…no mercy. Amoral, shrouded in secrecy, and answering to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group pledged to defend the Federation at any cost.

The discovery of a two-hundred-year-old secret gives Doctor Julian Bashir his best chance yet to expose and destroy the illegal spy organization. But his foes won’t go down without a fight, and his mission to protect the Federation he loves just end up triggering its destruction.

Only one thing is for certain: this time, the price of victory will be paid with Bashir’s dearest blood.

(16) TOASTY. A “heat battery” in use in real world: “From hand-warmer to house-warmer for tech firm”.

It took a creative leap to take the idea further: could you scale up the phase change process so a hand-warmer became a house-warmer?

Several big corporations – over several decades – tried to make it happen but each time the research petered out.

Now an East Lothian company with fewer than 30 employees has succeeded.

The equipment Sunamp have developed at their base in Macmerry has already been installed in 650 Scottish homes, providing heat and hot water for about half the cost of gas.

(17) HAWKING MEDAL. Space.com reports “Neil deGrasse Tyson Becomes 1st American to Receive Stephen Hawking Medal”.

Astrophysicist Neil deGrasse Tyson received the Stephen Hawking Medal for Science Communication Tuesday (June 6), becoming the first American scientist to earn the prestigious award.

Tyson, who refers to himself as “your personal astrophysicist,” is most known for his television series “Cosmos: A Spacetime Odyssey” and podcast-turned-television-series “StarTalk.” He is the director for the Hayden Planetarium at the American Museum of Natural History here in New York City, where Tuesday’s announcement was made.

The Stephen Hawking Medal is an annual award created in association with the Starmus Festival, an international gathering celebrating science and art that will take place in Trondheim, Norway, on June 18-23 this year. Medals are given to science communicators in three categories: writers, musicians and artists, and people in the film and entertainment industry. Hawking, a famous theoretical physicist and author of several best-selling books about the universe, handpicks the recipients himself. [The Most Famous Astronomers of All Time]

(18) WHEN MEN WERE MEN AND DINOS WERE FROGS. Looking for a Father’s Day present? How about this “ORIGINAL JURASSIC PARK Screenplay SPECIAL Copy”, asking price (reduced 30%!) now $2,450 on eBay.

[JURASSIC PARK – THE FILM]. CRICHTON, MICHAEL, DAVID KOEPP. Original Limited and Numbered Confidential Shooting Script for the Film ‘Jurassic Park’ by David Koep. Based on the Novel by Michael Crichton and on Adaptations by Michael Crichton and Malia Scotch Marmo. Los Angeles: Amblin Entertainment, 1992. Original limited and numbered copy of a 126 page shooting script with color rewrite pages for the film ‘Jurassic Park’ by David Koep, based on the novel by Michael Crichton and on adaptations by Michael Crichton and Malia Scotch Marmo. A special printed page at the beginning reads: “HIGHLY CONFIDENTIAL – You are a part of a very limited distribution. This numbered copy of JURASSIC PARK has been assigned to you and is for your eyes only.” next to which “JP” and “64” are stamped in red and throughout the script. This copy belonged to the film’s safety coordinator

(19) MARKET OVERVIEW. David Steffen’s “SFWA Market Report for June” at the SFWA Blog includes these opening markets.

OPENING MARKETS

(20) NOT THAT ANYONE WOULD REMEMBER. Chris Chan continues his Orwellian remaking of recent fanhistory in “‘No Award’: The Hugo Awards, Sad Puppies, and Sci-Fi/Fantasy Literature — Part Two: A Short History of the Sad Puppies at the Hugos” at Nerd HQ.

The results of the 2015 experiment were dramatic and explosive. The recommendations of the Sad Puppies (and also those put forward by the Rabid Puppies) dominated the 2015 Hugo Nominations. John C. Wright received five nominations in three categories (he initially was awarded a sixth slot, but one was revoked on a technicality). The Hugo nominee list changed over the coming weeks. Aside from the aforementioned instance, some nominees chose to decline their nomination (Hugo nominees have this option and can decline for any reason they like — some original nominees did not approve of the Sad or Rabid Puppies and did not wish to have any connection with them, and others objected that they believed that the voting process was being corrupted), and the slots were then filled by the runners-up. Incidentally, Correia’s Monster Hunter Nemesis received enough votes to qualify for a Best Novel nomination, but he turned down the nod to make the point that Sad Puppies was not being organized in order to receive honors for himself.

And yet that’s exactly why Correia started down this road — see the first post in 2013, “How to get Correia nominated for a Hugo. :)”, and the follow-up post that initiated the Sad Puppies theme, “How to get Correia nominated for a Hugo PART 2: A VERY SPECIAL MESSAGE”. There was really nothing noble about it, in the beginning or later.

(21) THERE ARE TWO KINDS OF PEOPLE. Jon Del Arroz, after studying the wildlife in its native habitat, offers his “Behavioral Observations In Science Fiction”.

There’s two groups, the old guard burnout mentality, and the new indie pulp revolution. There’s a bit of a line up along political lines, but not as much as you’d expect, and in fact, that’s used as an excuse a lot of the time to poo poo the new. This is the state of science fiction today. I’ve talked about it briefly before, but here’s a broader look at the experiences I’ve had after engaging with both.

Old Guard

You walk into social media, or a group, or a convention of what I called the “old guard”, they’e hesitant. They’re the type to complain that they’re introverts, having to recharge after social interactions (which is fine to be, but knowing that — why complain so often?). A new person is immediately greeted with a stand-offish attitude, like they have to vet you to make sure you’re “really one of them” or that you have to pay your dues to prove yourself somehow. They’re hyper-political. If you look at their social media posts, 70-90% of them are endless shrieking about politics they don’t like. They keep talking about how they’re too busy for anyone or anything — including the next generation of fans and writers. And this is all before they know that you’re on the “wrongthink” side of politics.

(22) WE INTERRUPT THIS PROGRAM. The Coode Street Podcast will take a couple of breaks this year. The announcement provoked this hilarious exchange.

(23) ALTERNATE REALITY HUMOR. It might be too late for this to be funny — Loki Runs For President, a video from last November. (Was it funny then? It’s basically somebody talking a mile a minute over scans of a comic book.)

(24) APE CLIP. Two minutes of War for the Planet of the Apes about “Meeting Nova.”

She is the future. Meet Nova in the first clip from #WarForThePlanet and be the first to #WitnessTheEnd on Monday, June 19

 

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Earl Grey Editing, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor the day Oneiros.]

If You Give Del Arroz Publicity

By Camestros Felapton:

If you give Del Arroz publicity
He’s going to ask for an interview.
When you give him the interview
He’ll probably ask for a review.
When he’s got his review
He’ll ask you about your con.
Then he’ll want to be on a panel
To make sure you aren’t political.
And if you invite him as a guest
He might notice you’re an SJW.
So he might give you a stern lecture
About how you are spoiling all the fun
…so maybe you won’t invite him.
But then he’ll be upset
And he’ll talk to everybody
About how you wouldn’t let him in.
So you’ll end up talking about him
And give Del Arroz publicity.

 
*

Pixel Scroll 5/19/17 And He Beheld White Scrolls And Beyond Them A Far Green Pixel Under A Swift Sunrise

(1) BUSINESS MEETING. Worldcon 75 has posted the Business Meeting Agenda [PDF file] on the WSFS Business Meeting page. It’s 18 pages — and it may not be done growing yet.

(2) DELANY. The New Republic devotes an article to “Samuel R. Delany’s Life of Contradictions”.

The first volume, In Search of Silence, begins in 1957, when the author was just fifteen, a student at the academically exclusive (and very white) Bronx High School of Science. It ends in 1969, when he was already a successful novelist, about to leave for San Francisco to spend arduous years crafting the novel Dhalgren, his masterpiece. Traversing Delany’s youth, we see a precocious mind grappling with his own talent. Remarkably absent are extended reflections on the difficult circumstances of his outer life: At the time, Delany was navigating through the racism and homophobia of his era, and struggling with poverty, an early marriage, and his own disability. In light of this, the diaries’ portrayal of his serenely intellectual inner life is startling.

(3) COMING TO GRIPS. “On convention hugging” by Sigrid Ellis is a rational model for solving a social dilemma.

It’s SF/F convention season again, and once more we are all presented with the conundrum —

Do I hug this person hello and goodbye, or not?

Social hugging! It’s a thing! Yet, it is MOST DEFINITELY NOT A THING for a lot of people.

Here is how I, personally, navigate these situations. While this may not work perfectly for you, feel free to modify it for your own use….

(3) EMERGING INDIGENOUS VOICES. Silvia Moreno-Garcia says:

We are in touch with the Indigenous Studies Association (ILSA) and it seems this [award] will become a reality. Therefore you can find an IndieGoGo to funnel money via: https://www.indiegogo.com/projects/emerging-indigenous-voices#/. My name doesn’t appear on that page, it says Robin Parker, but I am in touch with Robin so don’t worry.

Through today, $70,485 has been pledged. Moreno-Garcia’s latest update has further information:

The Indigenous organization in question will reveal details about how the money will be handled once some logistics are determined, but they are a trustworthy group so don’t be afraid, the money will reach a good place.

There are many other place you could support: Indian and Cowboy, Red Rising Magazine. There’s the Centre for Indigenous Theatre, Native Earth Performing Arts, and last but not least Full Circle, which supports the development of Indigenous playwrights.

There are other ways to support Indigenous creators. Read, share and discuss their books. This should not be a one-time occurrence, guilt should not be the vector that guides your actions, virtue-signaling should not be your driver.

(4) APPERTAINMENT AT THE NEBULA CONFERENCE. They couldn’t slip a blatant typo like this past the pros:

(5) KAREN DAVIDSON OBIT. Karen Lynn Davidson, wife of Amazing Stories’ Steve Davidson, passed away today after a long battle with cancer. Steve said on Facebook, “Goodbye baby doll. I hope you got where you wanted to go.”

He also wanted everyone to know how much credit Karen deserved for the existence of Amazing Stories.

It is very important for me to be sure that everyone knows the following:

Behind the scenes, Karen made Amazing Stories happen.

Before we were married, Karen became well acquainted with my love for science fiction. She was not as interested (preferring Stephen King), but she happily indulged my passion…including all of my books.

When I discovered that the Amazing Stories trademarks had lapsed, Karen was the one who double checked me and confirmed that unbelievable fact.

When it came time to register new trademarks for the name, Karen was the one who agreed to spend some of our (very limited) cash reserves to fund the project.

When our investors dried up, Karen agreed to go back to work and allow me to try to bootstrap the magazine.

Whenever I was unsure what direction to take, Karen always provided valuable insight.

Whatever you may think of Amazing Stories, please know that without Karen, none of it would have happened.

This makes me wonder how many other non-fan supporters are owed a big debt by fandom and the genre for that support.

I’m taking the time now to thank Karen for this very special thing she did for me. If you know someone like her, it might be a good idea for you to do the same.

(6) TODAY IN HISTORY

  • May 19, 1928 — First Jumping Frog Jubilee in Calaveras County, California.
  • May 19, 2011 — HP Lovecraft’s The Whisperer in Darkness opens in Los Angeles.

(7) TODAY’S BIRTHDAY BOY

(8) NATAL YEAR FLIX. Thrillist invites you to check out “The Biggest Movie From the Year You Were Born”. It’s no surprise that I was considered old enough to see the “biggest” picture long before the “Best Picture” winner.

If you were born in 1953…

The BIGGEST movie was The Robe , which grossed $17.5 million in the United States.

The Best Picture winner was From Here to Eternity, which also won Oscars for Best Director (Fred Zinnemann), Best Supporting Actress (Donna Reed), Best Writing, Screenplay, Best Supporting Actor (Frank Sinatra), Best Cinematography, Black-and-White, Best Film Editing, Best Sound

But the best movie was Tokyo Story. A delicate, heart-crushing view into the lives of two grandparents reaching out to their narcissistic children for support and finding none — marked by director Ozu Yasujiro’s pristine attention to detail and framing.

(9) A HUNK OF BURNING LOVE. Add this to the list of things I’ve never heard about before: “China claims breakthrough in mining ‘flammable ice'”.

The catchy phrase describes a frozen mixture of water and gas.

“It looks like ice crystals but if you zoom in to a molecular level, you see that the methane molecules are caged in by the water molecules,” Associate Professor Praveen Linga from the Department of Chemical and Biomolecular Engineering at the National University of Singapore told the BBC.

Officially known as methane clathrates or hydrates, they are formed at very low temperatures and under high pressure. They can be found in sediments under the ocean floor as well as underneath permafrost on land.

Despite the low temperature, these hydrates are flammable. If you hold a lighter to them, the gas encapsulated in the ice will catch fire. Hence, they are also known as “fire ice” or “flammable ice”.

Chip Hitchcock suggests, “Filers may remember a sudden release of hydrated methane starting off a John Barnes(?) novel.”

(10) ICE HOUSE. Meanwhile, in the land of the midnight blog, Jon Del Arroz trolls the Worldcon.

(11) MEMORY VERSE. Carl Slaughter thought I should know this:

“I do not aim with my hand,
I aim with my eyes.

 

I do not shoot with my hand,
I shoot with my mind.

 

I do not kill with my gun,
I kill with my heart.” – The Gunslinger

 

The Dark Tower
Stephen King

(12) TRAGIC TROPE. Steven Harper Piziks tells “Why I Won’t See Alien: Covenant” — and he hopes everyone else will give it a miss, too. BEWARE SPOILERS.

I will not see this movie. I will not rent the DVD. I will not support this movie. And here’s why.

SPOILERS (you are warned)

According to various on-line sources, the sins of the same-sex relationship portrayal are the standard ones we’ve come to expect. First, although there were several initial shots to the contrary, there is little or no indication of a marriage–or any kind of relationship–between the two men throughout the film. They don’t touch. They don’t exchange endearments. There was apparently a brief moment of hugging between them in a preview, but that scene has been cut from the film, and that preview has been removed from the Internet. In other words, gay people are still invisible. No LGBT characters are actually in the spotlight. No LGBT protagonists. Just a couple of background guys who may or may not be in a relationship.

But the worst sin comes early in the second act. Hallett, one of the (so far probably) gay men, becomes infected with the alien infection, and a baby alien bursts out of his face. (Not his chest, like in the other movies, but out of his freakin’ face. He’s probably gay, so we have to up the nastiness.) While the ship’s captain leans in to murmur quiet apologies, Lope, the other probably gay guy, whispers, “I love you” and then is forced to walk away.

One more time, we have the gay tragedy….

(13) CRACKED CORNERSTONE. Critics gave the movie that launched the franchise a cool reception (for different reasons) — “‘Alien’: Why Critics in 1979 Hated It”. (I liked it a lot, myself.)

“Don’t race to [Alien] expecting the wit of Star Wars or the metaphysical pretentions of 2001: A Space Odyssey and Close Encounters of the Third Kind,” wrote Vincent Canby of The New York Times. A better comparison, he wrote, would be Howard Hawks‘ 1951 monster movie The Thing from Another World, all suspense and jump scares. Canby wasn’t the only critic to associate Alien with the kinds of horror flicks that played at 1950s drive-ins. Variety compared the film to It! The Terror from Beyond Space (1958), and The Guardian’s Derek Malcolm to The Creature from the Black Lagoon (1954). To these critics, Scott’s film was a throwback to a less sophisticated era of filmmaking. That’s why The Chicago Sun-Times’ Roger Ebert dismissed Alien as “basically just an intergalactic haunted-house thriller,” while Chicago Reader‘s Dave Kehr described the film’s conceit as “a rubber monster running amok in a spaceship.”

(14) PRIZE-WINNING ADS. Adweek reports “Graham, the Human Redesigned to Survive Car Crashes, Wins Best of Show at New York Festivals”. “Field Trip to Mars” and “Gravity Cat” also received awards.

Clemenger BBDO Melbourne has won Best of Show at New York Festivals for “Meet Graham,” the PSA campaign for Australia’s Transport Accident Commission (TAC) that involved the model creation of a human designed to withstand car-crash forces.

Automobiles have evolved much faster than humans. Graham was created by artist Patricia Piccinini, with help from a trauma surgeon and an accident research engineer, after she was commissioned to study the effects of road trauma on the human body. As the only “human” developed to withstand trauma on our roads, Graham is meant to make people stop and think about their own vulnerability, Clemenger says.

Two other campaigns received two Grand Prize Awards each: Lockheed Martin’s “The Field Trip to Mars” by McCann New York, in Activation & Engagement and Outdoor/Out of Home Marketing; and Sony Interactive Entertainment/Gravity Daze 2’s “Gravity Cat” by Hakuhodo Tokyo, in Branded Entertainment and Film–Cinema/Online/TV.

[Thanks to Chip Hitchcock, Mark-kitteh, Cat Eldridge. Steve Davidson, Carl Slaughter, John King Tarpinian, and Michael J. Walsh for some of these stories. A little bit short today because I’m fighting a terrible cold. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/16/17 Will No One Pixel Me This Troublesome Scroll?

(1) CLOSE THE GAP. David Dean Bottrell, Producer, Sci-Fest LA, is asking people to help support The Tomorrow Prize, due to be presented this weekend:

Although Sci-Fest LA has been temporarily side-lined our amazing short story competitions continue!! Unfortunately, a grant we were depending on, has fallen through at the last second, and the awards are this coming weekend! We need your help to make up a $500.00 gap IMMEDIATELY needed to award the prizes to our winners!

Donate at:  http://www.lightbringerproject.org/support/

You can make a donation via our new non-profit sponsor, LIGHTBRINGER PROJECT. Please add a note during the payment process for what the donation’s for — You can mention Sci-Fest, Tomorrow Prize or Roswell Award.

(2) INDIGENOUS VOICES. Silvia Moreno-Garcia has posted an update about her efforts to fund and launch an Emerging Indigenous Voices Award. (This would not be an sff award, but was prompted by the Canadian literary controversy reported here last week.)

I’ve gathered $4355 in pledges from people who wish to make this a reality. I’ve also e-mailed Robin Parker, who has also obtained pledges for a similar drive. We could be talking about more than $7,000 if we pool those resources together.

I have sent an e-mail to folks at the UBC Longhouse asking for some guidance.

I feel that if an award does become a reality, it must be managed by an Indigenous organization. I aim merely to help funnel money to them.

It may take some time to sort things out. I am putting together documentation tracking who pledged, how much, etc.

In the meantime, you can fund or support local organizations which represent Indigenous people in your community.

We should not turn to Indigenous and marginalized groups only when bad stuff happens and there are ways to support them that don’t involve donations. Read and review Indigenous literature. Suggest Indigenous artists as guests of honor at conventions. If you have access to a platform, invite them to write op-eds, guest posts, etc….

(3) ESCHEW CHRONOLOGICAL SNOBBERY. L. Jagi Lamplighter Wright raised her voice in defense of Anne McCaffrey at Superversive SF — “When New Is (Not) Best–The Degradation of Grand Master Anne McCaffrey”.

People talk about strong female characters today. Sometimes they mean kickbutt fighters. But when the term first got started, it meant females who held their own, who acted and achieved and accomplished, female characters who were smart.

Lessa was all that. To me, she was the sole female character in SF who really had the qualities I wanted to have. I adored her.

Recently, I was in a store and I picked up a copy of Dragonflight, the original Pern book. I remember thinking, Huh, it probably wasn’t that good. I’ve just glamorized it. Let me see… After all, some of her later books were a bit fluffy. Maybe this early book was just fluff, too, and I had just not noticed. I started flipping through it.

I read an astonishing amount of it before I realized I was standing in a bookstore and embarrassedly put it down.

It was still that good.

(4) THEY KNOW WHEN YOU’RE AWAKE. An author tells about eavesdropping on fan sites in “The Big Idea: Megan Whalen Turner” at Whatever.

As a newbie author, I was self-Googling like mad and just before The King of Attolia was published. I found a livejournal site dedicated to my books. I lurked. I did tell them I was lurking, but I knew right from the start that having authors around is a great, wonderful, exciting thing—right up until they make it impossible to have an honest conversation about their books, so I was careful not too lurk too often. In return, I got to watch these smart, funny people pick through everything I’d written and I became more and more convinced that they didn’t need my input, anyway. Everything in my books that I hoped they’d see, they were pointing out to one another. Watching them, I decided I should probably probably keep my mouth shut and leave readers to figure things out for themselves. That’s why when they got around to sending me a community fan letter, I’m afraid that my answer to most of their questions was, “I’m not telling.” Over the years, it’s hardened into a pretty firm policy.

(5) SPACE OPERA WEEK. Tor.com has declared: It’s Space Opera Week on Tor.com!

Alan Brown has a handle on the history of the term: “Explore the Cosmos in 10 Classic Space Opera Universes”.

During the Golden Age of Science Fiction, there was a lot of concern about the amount of apparent dross being mixed in with the gold. The term “space opera” was originally coined to describe some of the more formulaic stories, a term used in the same derisive manner as “soap opera” or “horse opera.” But, like many other negative terms over the years, the term space opera has gradually taken on more positive qualities. Now, it is used to describe stories that deal with huge cosmic mysteries, grand adventure, the long sweep of history, and giant battles. If stories have a large scope and a boundless sense of wonder, along with setting adventure front and center, they now proudly wear the space opera name.

Ellen Cheeseman-Meyer discusses why she embarked on her Vorkosigan Saga reread series for Tor.com in Space Opera and the Underrated Importance of Ordinary, Everyday Life

The Vorkosigan series is space opera in the really classic style. There are big ships that fight each other with weapons so massive and powerful that they don’t even have to be explained. The most dramatic conflicts take place across huge distances, and involve moving people, ideas, and technology through wormholes that span the Galactic Nexus, and watching how that changes everything. So it’s also about incredibly ordinary things—falling in love, raising children, finding peace, facing death.

And Cheeseman-Meyer’s latest entry “Rereading the Vorkosigan Saga: Borders of Infinity covers a lot of ground, but I must applaud this comment in particular —

At this point, I suddenly realize how little time we really get to spend with the Dendarii Mercenaries, who have now appeared as a fighting force in only two of the seven books in the reread.

Liz Bourke, in “Sleeps With Monsters: Space Opera and the Politics of Domesticity”, reminds readers that relationships are the web that connect the infinite spaces of this subgenre.

Let’s look at three potential examples of this genre of… let’s call it domestic space opera? Or perhaps intimate space opera is a better term. I’m thinking here of C.J. Cherryh’s Foreigner series, now up to twenty volumes, which are (in large part) set on a planet shared by the (native) atevi and the (alien, incoming) humans, and which focus on the personal and political relationships of Bren Cameron, who is the link between these very different cultures; of Aliette de Bodard’s pair of novellas in her Xuya continuity, On A Red Station, Drifting and Citadel of Weeping Pearls, which each in their separate ways focus on politics, and relationships, and family, and family relationships; and Becky Chambers’ (slightly) more traditionally shaped The Long Way to a Small Angry Planet and A Closed and Common Orbit, which each concentrate in their own ways on found families, built families, communities, and the importance of compassion, empathy, and respect for other people’s autonomy and choices in moving through the world.

But lest we forget the reason Tor.com exists, Renay Williams plugs the franchise in “A Plethora of Space Operas: Where to Start With the Work of John Scalzi”.

101: Beginner Scalzi

If you’re brand-new to Scalzi’s work, there a few possible starting places. If you want a comedic space opera adventure, you’ll want to start with Old Man’s War and its companion and sequel novels, The Ghost Brigades and The Last Colony. If you’re in the mood for straight up comedy SF, then Agent to the Stars is your entry point. And if you want some comedy but also kind of want to watch a political thriller in your underwear while eating snack food and don’t know what book could possibly meet all those qualifications at once, there’s The Android’s Dream, which is the funniest/darkest book about sheep I’ve ever read.

(6) AMEN CORNER. The celebration also includes a reminder from Judith Tarr: “From Dark to Dark: Yes, Women Have Always Written Space Opera”.

Every year or two, someone writes another article about a genre that women have just now entered, which used to be the province of male writers. Usually it’s some form of science fiction. Lately it’s been fantasy, especially epic fantasy (which strikes me with fierce irony, because I remember when fantasy was pink and squishy and comfy and for girls). And in keeping with this week’s theme, space opera gets its regular turn in the barrel.

Women have always written space opera.

Ever heard of Leigh Brackett? C.L. Moore? Andre Norton, surely?

So why doesn’t everyone remember them?

Because that second X chromosome carries magical powers of invisibility.

And having read that, who would you be looking to for an “Amen!” Would you believe, Jeffro Johnson at the Castalia House Blog? Not from any feminist impulse, but because it fits his own narrative about the Pulp Revolution — “The Truth About Women and Science Fiction”:

…Yes, the “Hard SF” revolution did turn the field into something of a boy’s club. The critical frame that emerged from it has unfairly excluded the work of a great many top tier creators that happened to be female. And much as it pains me to admit it, feminist critics do have a point when they complained about women being arbitrarily excluded.

However… when they treat the Campbellian Revolution as the de facto dawn of science fiction, they are perpetuating and reinforcing the real problem. If you want creators like Leigh Brackett and C. L. Moore to get the sort of attention they deserve, you have to recover not only the true history of fantasy and science fiction. You have to revive and defend the sort of classical virtues that are the root cause of why they have been snubbed in the first place.

(7) TODAY’S DAY

Sea Monkey Day

The history of sea monkeys starts, oddly enough, with ant farms. Milton Levine had popularized the idea of Ant-farm kits in 1956 and, presumably inspired by the success of his idea, Harold von Braunhut invented the aquatic equivalent with brine-shrimp. It was really ingenious looking back on it, and ultimately he had to work with a marine biologist to really bring it all together. With just a small packet of minerals and an aquarium you’d suddenly have a place rich with everything your brine-shrimp needed to survive. So why sea monkeys? Because who was going to buy brine-shrimp? It was all a good bit of marketing, though the name didn’t come about for nearly 5 years. They were originally called “instant life”, referencing their ‘just add water’ nature. But when the resemblance of their tails to monkeys tails was noted by fans, he changed it to ‘Sea-Monkeys’ and so it’s been ever since! The marketing was amazing too! 3.2 million pages of comic book advertising a year, and the money just flowed in the door. So what are Sea Monkeys exactly? They’re clever mad science really. Sea Monkeys don’t (or didn’t) exist in nature before they were created in a lab by hybridization. They’re known as Artemia NYOS (New York Ocean Science) and go through anhydrobiosis, or hibernation when they are dried out. Then, with the right mixture of water and nutrients they can spring right back into life! Amazing!

Wait a minute, that sounds a lot like Trisolarians!

(8) TODAY’S BIRTHDAY BOY

(9) COMIC SECTION. Daniel Dern recommends today’s Candorville: “We already knew the creator’s a Star Trek geek, clearly he’s also a (DC) comic book fan…”

(10) DOCTOROW. This is the book Cory Doctorow was promoting at Vromans Bookstore when Tarpinian and I attended his joint appearance with John Scalzi a couple weeks ago. Carl Slaughter prepared a summary:

WALKAWAY
Cory Doctorow
Tor
April 25, 2017

Hubert was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be?except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society?and walk away.

After all, now that anyone can design and print the basic necessities of life?food, clothing, shelter?from a computer, there seems to be little reason to toil within the system.

It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down.

Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years…and the very human people who will live their consequences.

PRAISE FOR WALKAWAY

  • “Thrilling and unexpected….A truly visionary techno-thriller that not only depicts how we might live tomorrow, but asks why we don’t already.” Kirkus
  • “Doctorow has envisioned a fascinating world…This intriguing take on a future that might be right around the corner is bound to please.” ?Library Journal
  • “Memorable and engaging. …Ultimately suffused with hope.” ?Booklist
  • “The darker the hour, the better the moment for a rigorously-imagined utopian fiction. Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle. A wonderful novel: everything we’ve come to expect from Cory Doctorow and more.”?William Gibson
  • “Cory Doctorow is one of our most important science fiction writers, because he’s also a public intellectual in the old style: he brings the news and explains it, making clearer the confusions of our wild current moment. His fiction is always the heart of his work, and this is his best book yet, describing vividly the revolutionary beginnings of a new way of being. In a world full of easy dystopias, he writes the hard utopia, and what do you know, his utopia is both more thought-provoking and more fun.”?Kim Stanley Robinson
  • “Is Doctorow’s fictional utopia bravely idealistic or bitterly ironic? The answer is in our own hands. A dystopian future is in no way inevitable; Walkaway reminds us that the world we choose to build is the one we’ll inhabit. Technology empowers both the powerful and the powerless, and if we want a world with more liberty and less control, we’re going to have to fight for it.”?Edward Snowden

(11) LITFEST PASADENA. In addition to the Roswell Award  and Tomorrow Award readings, this weekend’s LitFest Pasadena includes these items of genre interest:

Saturday

Famed afro-futurist writer Nalo Hopkinson (The Chaos) joins the Shades & Shadows Reading Series for an evening of dark fiction from noir mystery to sci-fi.

Sunday

Popular comic book and TV writer Brandon Easton (Agent Carter), joins fellow comic book writers to discuss “Manga Influences on American Culture.”

(12) SPEAKING PARTS. Pornokitsch shows why someone could argue “Middle Earth Has Fewer Women Than Space”.

This research is from April 2016. The folks at The Pudding analysed thousands of screenplays and did a word count of male and female dialogue.

Unsurprisingly: Hollywood skews heavily in favour of dudes talking.

Naturally, I looked for all the nerdiest films I could find. This was a lot of fun, although the results were… pretty bleak. …..

There follows a whole chart about genre films.

2001 is literally a film about two dudes floating in space, and it has a higher percentage of female dialogue than two of the Lord of the Rings films.

(13) IOU. Jon Del Arroz thinks I should be paying him when I put him in the news. Now there’s an innovative marketing mind at work.

(14) PANTHER UNPLUGGED. Ernie Estrella at Blastr demands — “So why did Marvel pull the plug on Black Panther & The Crew after just two issues?”

How long should a comic book aimed at reaching a more socially aware audience be given latitude before it’s canceled? According to Marvel Comics, just two. Marvel is canceling one of two monthly titles that Ta-Nehisi Coates writes, Black Panther & The Crew. After two issues have underperformed in sales, the title has been abruptly put on notice. Marvel had seen enough and was not satisfied by the early numbers to stick with a title while it finds its audience. Coates told Verge that issue #6 will be the series’ finale, wrapping up the storyline that was introduced in the debut issue, which came out in this past March.

Coates co-writes the series with Yona Harvey, and together they crafted a story starring Black Panther, Storm, Misty Knight and Luke Cage investigating the murder of a civil rights activist who died while in police custody, Ezra Keith. Relevant to America’s current societal problems facing inherent racism, Coates and Harvey’s story also dives into the main four heroes and tries to look deeper at their varied experiences as black people in the Marvel Universe….

(15) NEW GRRM ADAPTATION. George R.R. Martin gives fans the background on developments they’ve been reading about in the Hollywood trade papers — “Here’s the Scoop on NIGHTFLYERS”.

In 1984 I sold the film and television rights to “Nightflyers” to a writer/ producer named Robert Jaffe and his father Herb….

This new NIGHTFLYERS television series — actually, it is just a pilot script at present, still several steps short of going on-air, but I am told that SyFy likes the script a lot — was developed based on the 1987 movie, and the television rights conveyed in that old 1984 contract. Robert Jaffe is one of the producers, I see, but the pilot script is by Jeff Buhler. I haven’t had the chance to meet him yet, but hope to do so in the near future.

Since I have an overall deal that makes me exclusive to HBO, I can’t provide any writing or producing series to NIGHTFLYERS should it go to series… but of course, I wish Jaffe and Buhler and their team the best of luck. “Nightflyers” was one of my best SF stories, I always felt, and I’d love to see it succeed as a TV series (fingers crossed that it looks as good as THE EXPANSE).

[Thanks to Greg Hullender, Carl Slaughter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, with an assist from Camestros Felapton.]

Pixel Scroll 5/15/17 Scroll Sat Alone On His File Of Stone, And Pixeled And Godstalked A Bare Old Bone

(1) ADVANCED ALT-MARKETING. Jon Del Arroz is convinced you can sell more books if you fight with the right people. And the right people are on the left.

His business had a good day on Monday, as he garnered negative attention from Paul Weimer, and tangled on Twitter with SF Bluestocking’s Bridget McKinney.

Things got rolling after this Weimer tweet:

Jon took all that back to his blog and positioned himself as a staunch defender of Anne McCaffrey against a benighted feminist in “The Cult Of The New And Its Destruction Of Culture”.

…It started because I was talking to a Tordotcom reviewer. A Hugo Nominated Fanzine writer chimed in to tell me how irrelevant I am by referencing my last novel, how she looked up “Rescue Run” and found that there was “nothing in sci-fi that returned on a google search”.

I corrected, of course, stating not only is there my extremely highly regarded, award nominated and well-reviewed book, but that I chose the title intentionally as an homage to the late great Anne McCaffrey, who wrote a book by the same name. This work was demeaned by her first as “it’s only a short story” (It’s a novella, actually) and this person who is nominated for the Hugo Award for fanzine work, retorted to that by calling Anne Mccaffrey “old and irrelevant.”

… And of Hugos? This fanzine writer who writes self-described “feminist” commentary on science fiction is attacking the first woman ever to win the award! For shame! It boggles my mind to see this kind of lack of reverence for her.

When it comes to protecting the reputation of Anne McCaffrey, I didn’t know Jon had a dog in this fight. Now I know he’s got at least a puppy.

(2) HIGH ON KYLO. If you think the death of Han Solo might make people question having children at all, that’s because you haven’t met last year’s crop of new parents: “Turning to the Dark Side: Kylo is the fastest growing baby name in the US in honor of the latest Star Wars villain” — the Daily Mail has the story.

  • The name, inspired by Star Wars’ Kylo Ren, has jumped a massive 1,467 spaces
  • Popular culture also inspired parents to name their girls after popstar Kehlani
  • The most popular boys’ name is still Noah and it’s Emma for girls once again
  • Despite being in news every day, Donald and Hillary proved unpopular names

… The Social Security Administration released its annual list of the 1,000 most popular baby names for 2016 on Friday.

(3) ANOTHER CAPTAIN ON ANOTHER BRIDGE. This part is obvious – The Verge says “Seth MacFarlane’s upcoming TV series looks like a parody of classic space adventure shows” – but the idea that it takes inspiration from GalaxyQuest is hopeful.

(4) TRIVIAL TRIVIA

Why do the Imperial Stormtroopers all appear to be left-handed?  It’s because their ammunition magazines on their weapons are on the left side, so it’s easier to hold the guns left-handed.

So is this Lego Storm Trooper inaccurately showing a right-hander?

(5) BONUS TRIVIAL TRIVIA

And while we’re on the subject of Star Wars, did you know….? (Via Scifihistory.net.)

(6) BOOTHE OBIT. Powers Boothe, who appeared in Deadwood and Sin City died May 15 at the age of 68. Boothe also played Gideon Malick in the Marvel Cinematic Universe, first in The Avengers (2012), then on TV in ABC’s Agents of S.H.I.E.L.D.

(7) TODAY’S BIRTHDAY BOY

  • Born May 15, 1856 – L. Frank Baum

(8) HEADQUARTERS IN THE SADDLE. Gamer and comic owner lives the life as a jouster: “The boss who lives as a medieval knight”.

Given how Jason spends his weekends, you might imagine that his day job is equally daring, that he is some sort of professional stuntman.

Instead, he is the chief executive of one of the UK’s largest computer games companies – Rebellion Developments.

Jason set up the Oxford-based business with his younger brother Chris in 1992, and today it has an annual turnover of more than £25m.

Still wholly owned by the two siblings, its best-selling titles include Sniper Elite and Rogue Trooper.

For the past 17 years the company has also owned cult UK comic book series 2000 AD, and publishes a range of novels.

(9) CALLING DR. DYSON. Maybe there is a Ringworld? “The most mysterious star in the galaxy”.

The starlight dips in an irregular pattern, suggesting that something is intermittently blocking the star. This bizarre behaviour, first reported in autumn 2015 and not seen in any other star, has scientists baffled. Researchers have proposed a myriad of explanations, including black holes, comet swarms, and interstellar clouds. But a conclusive answer remains elusive. And one hypothesis in particular has raised eyebrows: aliens.

Yes, aliens.

Perhaps, researchers have posited, an advanced alien civilisation has constructed a vast structure encircling their star, maybe an enormous power plant that harnesses the star’s energy. When parts of the structure pass in front of the star, it creates dips in the starlight.

(10) I HEARD THE NEWS TODAY. A local Albuquerque TV station recently  devoted 1-minute video bio to — “George R.R. Martin Living and Loving New Mexico”.

(11) UNLUCKY STRIKE. The Chicxulub asteroid hit “the worst possible place”:

Scientists who drilled into the impact crater associated with the demise of the dinosaurs summarise their findings so far in a BBC Two documentary on Monday.

…It is becoming clear that the 15km-wide asteroid could not have hit a worse place on Earth.

The shallow sea covering the target site meant colossal volumes of sulphur (from the mineral gypsum) were injected into the atmosphere, extending the “global winter” period that followed the immediate firestorm.

Had the asteroid struck a different location, the outcome might have been very different.

“This is where we get to the great irony of the story – because in the end it wasn’t the size of the asteroid, the scale of blast, or even its global reach that made dinosaurs extinct – it was where the impact happened,” said Ben Garrod, who presents The Day The Dinosaurs Died with Alice Roberts.

(12) ORION DELAYED. And we’re getting farther from returning to the Moon — “NASA nixes Trump’s moonshot plan” reports The Register.

NASA will miss its deadline for the first flight of the Orion capsule and the Space Launch System, with the launch moved from 2018 to 2019.

The agency’s Bill Gerstenmaier also told media in a briefing last Friday that as well as delaying the first flight (designated Exploration Mission One, EM-1), the EM-2 mission that will carry astronauts will probably miss its original 2021 date.

In February, the new Trump administration asked NASA to assess the feasibility of changing the EM-1 mission, planned as an uncrewed jaunt into cislunar space between Earth and Luna, to instead carry human cargo around the moon.

NASA has concluded that it can’t justify the cost of such a change to the schedule.

(13) FLYING TOYOTA IN YOUR FUTURE? The car maker pushes in a big stack of chips: “Toyota ‘backs flying car project’ in Japan”.

Japanese carmaker Toyota has announced its backing for a group of engineers who are developing a flying car.

It will give 40 million yen (£274, 000) to the Cartivator group that operates outside Toyota city in central Japan.

The Nikkei Asian Review reports Toyota and its group companies have agreed in principle to support the project.

So far crowdfunding has paid for development of the so-called Skydrive car, which uses drone technology and has three wheels and four rotors.

(14) GIFTED CHILDREN. Here is the trailer for Fox’s series The Gifted, set in the X-Men universe. It will air this fall.

(15) INSTANT CLASSIC. Bill filed the numbers off an old earworm in this update to “Hello Muddah, Hello Faddah”

With apologies to Allan Sherman

Hello Scrolls and Hello Pixels
Many posts are just for ticks. You’ll
Find that some are entertaining.
But not those that end up being all mansplaining.

I follow daily the blog of Glyer.
And I’ve become a faithful Filer.
You remember Rabid Puppies?
Their campaign to win the Hugos got them bupkis.

Some folks come here to rant and foment
But I’d prefer a Meredith Moment
A nice movie for my Roku,
Or a book to put on top of Mount Tsudoku.

[bridge]
Let’s go scroll, we pixel filers
Let’s go scroll, my reading pile has
Climbed so high. It’s not so long til the
Ballots are due in Helsinki.

I see my comment is second fifth.
It’s regarding Bob Asprin’s Myth.
But it’s missing a URL link
So I shall leave and appertain myself a cold drink.

[Thanks to Lex Berman, Cat Eldridge, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to  File 770 contributing editor of the day Andrew.]

Pixel Scroll 4/25/17 If All You Have Is A Pixel, Every Problem Looks Like A Scroll.

(1) POTTER SCROLLS. I made a mistake about the lead item in yesterday’s Scroll. The people behind Harry Potter and the Sacred Text are not going to sit in the Sixth & I synagogue for 199 weeks talking about Harry Potter. They’re doing a 199-episode podcast – matching the total number of chapters in the seven Harry Potter books – and the Sixth & I appearance is one of many live shows on a country-wide tour. (Specifically — Washington DC Tuesday July 18th @ 7pm — Sixth & I.)

The presenters also have several sample videos on their YouTube channel that demonstrate the lessons they illustrate with Rowling’s stories.

(2) WRITER UPDATE. When we last heard from Bonnie Jo Stufflebeam, she had just come out with ”Strange Monsters”, (which Carl Slaughter discussed at Amazing Stories).  Since then, she has been nominated for a Nebula for “The Orangery” in Beneath Ceaseless Skies;  won the Grand Prize in the Wattpad/Syfy The Magicians #BattletheBeast contest, which means her story will be turned into a digital short for the TV show The Magicians;  sold ”Needle Mouth” to Podcastle;  and sold “Maneaters” and “Something Deadly, Something Dark” to Black Static.

(3) WHEN IN VROME. John King Tarpinian and I joined the throngs at Vroman’s Bookstore in Pasadena tonight to hear the wisdom and humor of John Scalzi and Cory Doctorow, and get them to sign copies of their new novels The Collapsing Empire and Walkaway.

A bonus arriving with the expected duo was Amber Benson, once part of the Buffy the Vampire Slayer series, now a novelist and comics writer, who also voiced the audiobook of Scalzi’s Lock-In.

Amber Benson, John Scalzi, and Cory Doctorow.

Amber Benson, John Scalzi, and Cory Doctorow. Photos by John King Tarpinian.

(4) GAME CHANGER. Hard to imagine the sff field without her, but apparently it might have happened: Rewire tells “Why Mary Robinette Kowal Traded in Puppets for Science Fiction”

A “catastrophic puppeteer injury” wouldn’t mean the beginning of an award-winning career for most people—but Mary Robinette Kowal is a different sort of someone.

… Thus began 25 years as a professional puppeteer. Kowal toured the country with a number of shows, including another production of “Little Shop of Horrors” (she’s been a puppeteer for seven “Little Shop” productions). While helping again to bring killer plant Audrey II to life, Kowal popped a ligament in her right wrist.

For most, a bum wrist is an annoyance. But for a puppeteer, it’s a catastrophic career interruption.

(5) THE CHOW OF YOUR DREAMS. Scott Edelman is back with a new Eating the Fantastic podcast.

Actually, this one’s going up a little early. I’d normally have posted it Friday — but since I’ll be at StokerCon then, where I will either win my first Bram Stoker Award or lose my seventh, thereby becoming the Susan Lucci of the HWA — I figured I’d better get it live now so I had no distractions while aboard the Queen Mary.

In Episode 35 you’re invited to “Eat one of George R. R. Martin’s dragon eggs with K. M. Szpara”.

K. M. Szpara

I was glad to be able to return for a meal with K.M. Szpara, who has published short fiction in Lightspeed, Shimmer, Glittership, and other magazines, and has recently completed his first novel. He edited the acclaimed anthology Transcendant: The Year’s Best Transgender Speculative Fiction, about which Kirkus wrote that it “challenges readers’ expectations in ways that few have managed to do before.”

Listen in and learn about his formative years writing Hanson and Harry Potter fanfic, which darlings he had to kill to complete his first novel, why rewrites are like giving a floofy poodle a haircut, what he didn’t know about short stories when he began to write them, the many ways conventions are like big sleepovers, the reason he was able to eat one of George R. R. Martin’s dragon eggs, and more.

(6) SCRATCHED. Like the rest of America you probably weren’t watching, so you won’t need to start now – SciFi Storm has the story: “Powerless indeed – NBC pulls show from schedule”.

From the “never a good sign” department, NBC has abruptly pulled the DC comics-tinged comedy series Powerless from the prime-time schedule, without any word on when the remaining episodes may air. The show, which starred Vanessa Hudgens, Alan Tudyk, Danny Pudi and Christina Kirk, struggled to find an audience from the start, despite the success of comics-based series of late.

(7) I WAKE UP STREAMING. Although NBC is shoveling a DC flop off its schedule, Warner Bros. is launching an entire service built around DC Comics properties.

Deadline.com says DC Digital will launch with a Titans series from the guy who does the shows on The CW and a Young Justice animated series: “DC Digital Service To Launch With ‘Titans’ Series From Greg Berlanti & Akiva Goldsman And ‘Young Justice: Outsiders’”

The DC-branded direct-to-consumer digital platform, in the works for the past several months, marks the second major new service launched by Warner Bros Digital Networks — the division started last year with the mandate of building WB-owned digital and OTT video services — following the recently introduced animation-driven Boomerang. The DC-branded platform is expected to offer more than a traditional OTT service; it is designed as an immersive experience with fan interaction and will encompass comics as well as TV series.

(8) SUSPENDED ANIMATION. Digital Trends sums up “‘Star Trek: Discovery’ 2017 CBS TV series: Everything we know so far”. What we know is nobody can say when it’s going to air.

The first episode of Star Trek premiered 50 years ago, and the beloved sci-fi franchise is now scheduled to return to television in 2017 with a new series on Netflix and CBS — or more specifically, on CBS All Access, the network’s new stand-alone streaming service.

CBS unveiled the first teaser for its new Star Trek series in early 2016, and the show’s official title was revealed to be Star Trek: Discovery during Comic-Con International in San Diego in summer 2016. With the latest movie (Star Trek Beyond) in theaters this past summer, many Star Trek fans are wondering exactly how the television series from executive producer Bryan Fuller (HannibalPushing Daisies) and showrunners Gretchen Berg and Aaron Harberts (Pushing Daisies) will fit into the framework of the sci-fi franchise as it exists now.

Star Trek: Discovery was originally slated for a January release, but the network subsequently pushed the premiere date back to an unspecified date in mid- or late 2017. Here’s everything else we know about the series so far….

(9) IT TOOK AWHILE. Disney’s Gemini Man may be emerging from development hell says OnScreen in “Ang Lee to helm sci-fi actioner Gemini Man”.

Acclaimed director Ang Lee has entered negotiations to helm the long in-development sci-fi action thriller, Gemini Man.

First developed by Disney back in the nineties, the story sees an assassin forced into battle with his ultimate opponent: a younger clone of himself. Tony Scott was previously set to helm Disney’s take, based on a pitch by Darren Lemke. Several writers have taken a pass at the project over the years, including David Benioff, Brian Helgeland, and Andrew Niccol.

(10) TODAY IN HISTORY

  • April 25, 1940 — Batman’s arch-nemesis The Joker debuted in Batman #1, published 77 years ago today.
  • April 25, 1950 — The board game Scrabble trademark was registered.

(11) LEFT ON. The London Review of Books’ Russian Revolution book review includes China Miéville: “What’s Left?”

…That person, as it turns out, is China Miéville, best known as a science fiction man of leftist sympathies whose fiction is self-described as ‘weird’. Miéville is not a historian, though he has done his homework, and his October is not at all weird, but elegantly constructed and unexpectedly moving. What he sets out to do, and admirably succeeds in doing, is to write an exciting story of 1917 for those who are sympathetically inclined to revolution in general and to the Bolsheviks’ revolution in particular. To be sure, Miéville, like everyone else, concedes that it all ended in tears because, given the failure of revolution elsewhere and the prematurity of Russia’s revolution, the historical outcome was ‘Stalinism: a police state of paranoia, cruelty, murder and kitsch’. But that hasn’t made him give up on revolutions, even if his hopes are expressed in extremely qualified form. The world’s first socialist revolution deserves celebration, he writes, because ‘things changed once, and they might do so again’ (how’s that for a really minimal claim?). ‘Liberty’s dim light’ shone briefly, even if ‘what might have been a sunrise [turned out to be] a sunset.’ But it could have been otherwise with the Russian Revolution, and ‘if its sentences are still unfinished, it is up to us to finish them.’

(12) ALT-MARKETING. Most of you know that two weeks ago Monica Valentinelli refused to continue as Odyssey Con GoH after discovering the committee not only still included a harasser she’d encountered before (their Guest Liaison!), but she was going to be scheduled together with him on a panel, and then, when she raised these issues, the first response she received from someone on the committee was a defense of the man involved. The con’s other two GoHs endorsed her decision and followed her out the door.

Normal people responded to that sad situation by commiserating with the ex-GoHs, and mourning Odyssey Con’s confused loyalties. Jon Del Arroz set to work turning it into a book marketing opportunity.

First, Del Arroz discarded any inconvenient facts that didn’t suit his narrative:

A couple of weeks ago, an invited headlining guest flaked on a convention, OdysseyCon. No notice was given, no accommodations were asked for, simply bailing two weeks before it happened, leaving the fans without an honored guest. The Con responded professionally and nicely, trying to work things out as much as possible, but that wasn’t enough for this person who took to social media, and got a cabal of angry virtue signallers to start swearing, berating and attacking anyone they could.

Then he showed his empathy by arranging a book bundle with the works of Nick Cole, Declan Finn, Marina Fontaine, Robert Kroese, L. Jagi Lamplighter, John C. Wright (“nominated for more Hugo Awards in one year than any person alive”), himself, plus the Forbidden Thoughts anthology, Flyers will be handed to attendees at next weekend’s con telling them how to access the books.

Because Jon evidently feels someone needs to be punished for the unprofessionalism of that guest. After the fans at Odyssey Con read those books, they can tell us who they think he punished.

(13) RUN BUCCO RUN. Major League baseball’s Pittsburgh Pirates have a huge new scoreboard and an interactive video game to go with it.

After the fifth inning, the team debuted a new feature on PNC Park’s renovated digital scoreboard, which runs the length of the Clemente Wall in right field: “Super Bucco Run.”

Inspired by the hit mobile game, the Pirates had one of their fans running and “bashing” blocks while “collecting” coins and items on the scoreboard. Keeping with the tradition, the flag went up the pole at the end of the segment when the fan completed the challenge….

It was a genius bit of mid-game entertainment that the Pirates plan to rotate with more videoboard games throughout the 2017 season. Over the offseason, they updated the old scoreboard with an 11-foot high and 136-foot long LED board with features like this in mind….

 

(14) ROCKET MAN. More on the Fargo Hugo, the story that keeps on giving.

And here is Genevieve Burgess’ post for Pajiba.

The silver rocket on a base follows the exact specifications laid out for the Hugo award trophies which means that someone did their research on how to fake a Hugo. However, it does not MATCH any of the Hugo Award trophies that actually exist, which means someone did even more research to make sure they weren’t exactly copying one.

(15) FACTS ON PARADE. Yahoo! Style has a gallery of the best signs from the March for Science.

[Thanks to JJ, rcade, Stephen Burridge, Martin Morse Wooster, Jon Del Arroz, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]

Pixel Scroll 4/4/17 I Used To Be A Filer Like You, But Then I Took A Pixel In The Knee

(1) CATAPOSTROPHE. New Mexico fan Jack Speer’s relentless habit of correcting others’ fanwriting earned him the nickname “Grammar West of the Pecos.” Sounds like they’ve found his soul-mate in England — “’Banksy of punctuation’ puts full stop to bad grammar in Bristol”.

BBC tracks down self-styled ‘grammar vigilante’ on mission to rid city of rogue apostrophes

…He told the BBC he was a family man who worked in engineering. “I’m a grammar vigilante,” he said. “I do think it’s a cause worth pursuing.”

The man said he began by scratching out an extraneous apostrophe on a sign but had since become more sophisticated and has built an “apostrophiser” – a long-handled piece of kit that allows him to reach up to shop signs to add in, or cover up, offending punctuation marks. “This is a device that enables you to plant an apostrophe quite high up and get over any obstacles,” he said.

(2) PACK YOUR BOOKS. For years there have been stories that TOR will move out of the Flatiron Building and a new report from a real estate blog makes it sound like it could happen. Really. Maybe.

Another one of the book business’s “Big 5” publishers is seeking a new chapter in Lower Manhattan. Macmillan Publishers, the sole office tenant at the landmarked Flatiron Building, is weighing a move to Silverstein Properties’Equitable Life Building at 120 Broadway, sources tell The Real Deal.

…If the deal goes through, it would be the first time the Flatiron Building, owned by Sorgente Group of America, would be completely empty since it was built more than 100 years ago. Part of the reason Macmillan is relocating is the fact that the Flatiron District, the area named for the 22-story building, has become the epicenter of the city’s technology industry, driving up rents.

Sorgente could either lease the building to higher-paying tenants, or follow through on a plan it previously considered to convert it into a hotel.

(3) BOOK RECS WANTED. James Davis Nicoll will soon be writing two milestone reviews and is looking for book recommendations.

I have two notable reviews coming up for my Because My Tears Are Delicious To You reviews: the 150th one and the third anniversary one. Tears reviews are of books I read and liked as a teenager (between 1974 and 1981). I welcome suggestions for candidate books.

(4) JACK WILLIAMSON LECTURESHIP. The 41st Annual Jack Williamson Lectureship will be given by Melinda Snodgrass on April 7 at Eastern New Mexico University in Portales.

The 41st Annual Jack Williamson Lectureship, with events April 7, 2017, welcomes author and friend of the Lectureship, Melinda M. Snodgrass, with special guest author Michael Cassutt, and writers, friends and fans from across the region for this annual celebration of Jack Williamson and the genre to which he contributed so significantly.

This year’s theme is Wild Cards! – the shared universe anthologies by some of the best writers in science fiction, edited by George R.R. Martin and Melinda Snodgrass. First released in 1987, the series published its 23rd volume in 2016. Adapted to role-playing games and comics, the Wild Cards series is now slated for television by Universal Cable Production (UCP), executive producer Melinda Snodgrass, with SyFy Films’ Gregory Noveck….

(5) PREHISTORIC COMIC CON. At Galactic Journey, The Traveler ingeniously makes his visit to last weekend’s Wondercon look like it happened in 1962.

(6) BLACK HOLE BIRTHDAY PARTY. “Massive explosion from unknown source billions of light years away baffles astronomers” starts out as a news item, then delves deep into black holes. As so much news does these days….

This enabled a distance to the burst to be measured: about 12 billion light years. The universe has expanded to four times the size it was then, 12 billion years ago, the time it took the light to reach Earth.

GRB170202 was so far away, even its host galaxy was not visible, just darkness. Because the GRB was a transient, never to be seen again, it is like turning on a light in a dark room (the host galaxy) and trying to record the detail in the room before the light goes out.

Mystery of gamma ray burst

The flash of gamma radiation and subsequent optical transient is the telltale signature of a black hole birth from the cataclysmic collapse of a star. Such events are rare and require some special circumstances, including a very massive star up to tens of solar masses (the mass of our Sun) rotating rapidly with a strong magnetic field….

(7) ON TRACK. Yahoo!’s story “Cyborgs at work: employees getting implanted with microchips” comes from Stockholm.

The syringe slides in between the thumb and index finger. Then, with a click, a microchip is injected in the employee’s hand. Another “cyborg” is created.

What could pass for a dystopian vision of the workplace is almost routine at the Swedish startup hub Epicenter. The company offers to implant its workers and startup members with microchips the size of grains of rice that function as swipe cards: to open doors, operate printers, or buy smoothies with a wave of the hand.

The injections have become so popular that workers at Epicenter hold parties for those willing to get implanted.

(8) COMPETING NARRATIVES. David Gerrold ended his overview of the 2017 Hugo finalists with these comments:

My seat-of-the-pants analysis (I could be wrong) is that the Hugos are in the process of recovering from the 2015 assault, precisely because the Worldcon attendees and supporters see themselves as a community.

There’s a thought buried in that above paragraph — that communities unite to protect themselves when they perceive they are under attack. This works well when the attack is real, such as Pearl Harbor. But it can also have negative effects when hate-mongers such as Bryan Fischer and Pat Robertson (both of whom were in fine form this week) invent a scapegoat (LGBT people) for unwarranted attacks in an attempt to unite the community around their own agendas.

So while those who have a long history of participation in Worldcons will see this unity as a good thing — those who identify themselves as the aggrieved outsiders will see it as more evidence that the establishment is shutting them out.

Myself, I see it as a collision of two narratives — one that is based on 75 years of mostly healthy traditions, and one that is based on a fascist perception of how the world works.

Most important, however, is that most of this year’s ballot suggests that we are seeing a return to the previous traditions of nominations based on excellence. Most of the nominations are well-deserved, and my congratulations to the finalists.

(9) GLEE. The Book Smugglers were pleased with their Best Semiprozine nomination and that’s not all —

Now, the best thing about this year’s Hugos? Is that it feels GREAT to be a part of it again – it’s super easy to get excited and happy about the ballot with so many great people and works on it and with what seems to be like an almost canine-free ballot. We can’t wait to spend the next few months squeeing and discussing and agonising over who to vote for. Seriously, check out that Best Novel list – some of our favourites of 2016 are there!!

(10) NO WEISSKOPF. A lot of Finns are happy with the Hugo ballot. Not this one. Declan Finn covered the announcement: “Newsflash: Hugo Awards Swamped by Crap”.

Six nominees for best editor. See anything missing?

I’ll give you a hint: we were all told that This Person would have almost certainly have won the Hugo award for best editor, but she lost because she was a Puppy Pick.

If you said, “Who is Toni Weisskopf, Alex?” you’d be right.

But strangely enough, Toni isn’t here. But she’s not a Puppy Pick this year. We were all told that she would have won if she weren’t a Puppy Pick.

Guess what: she wouldn’t have even been NOMINATED if she weren’t a Puppy Pick.

They lied. Shocking, isn’t it?

He also did not approve of the Best Series finalists. Or anything else, really, except for Jeffro Johnson and the Castalia House blog.

(11) SCHADENFREUDE. Jon del Arroz is thrilled by the substantial dropoff in nominating ballots since a year ago.

Of course, in recent years, they’ve been telling anyone who’s a conservative or Christian that they’re not real fans, and not welcome at their conventions, certainly never allowed to speak.  And so the Sad Puppies were born, and had a good run for a few years before once again, just like their projecting meme, the establishment behind the Hugos said “these are not real fans” and changed the rules to make it impossible for anyone but their chosen to get noticed.

The Puppies pulled out. I promised you numbers, and here’s what we have.

Best Novel: 2,078 ballots in 2017 vs. 3,695 ballots in 2016, a 44% drop.

Best Novella:  1,410 ballots in 2017 vs. 2,416 ballots in 2016, a 42% drop.

Best Novelette: 1,097 ballots in 2017 vs. 1,975 ballots in 2016, a 45% drop.

Best Short Story: 1,275 ballots in 2017 vs. 2,451 ballots in 2016, a 52% drop.

I can keep going on with the numbers here, but that kind of pull out of an audience is staggering. If this were a TV show or a comic, it would be instantly cancelled. The execs would be using this as a case study as to what went wrong and why so that they could never do it again. Kinda like is beginning to happen in comics right now (but they’re still in the denial stage of grief).

You’re seeing about a thousand less votes across the board per category. That means a thousand less people with memberships than last year. Wow. Note to “real science fiction fandom”: you told about half your audience you hate them and you want them to go away. They did. This spells big trouble for you in the future.

(12) FROM A RETIREE. The world is filled with people who are pleased to pass along any piece of news they know will annoy the recipient. Larry Correia has a friend like that, and the upshot was “Don’t Forget to Nominate for the Dragon Awards”.

The reason for this post was that a friend of mine sent me a PM this morning, that they had announced the Hugo nominations, and gave me a link. Being retired from trying to cure Puppy Related Sadness, I only gave the list a brief cursory glance, saw the names of many proper goodthinkers, and counted like a dozen(+) nominations for Tor, so it appears that balance has been restored to their sainted halls of Trufans enjoying themselves in the proper approved manner. I’m sure many wooden buttholes will be sacrificed upon the altar of Social Justice.

(13) EYES RIGHT. The Castalia House blog had not posted an acknowledgement of its Best Fanzine nomination when I looked. They were just doing business as usual, showing how they earned that nomination with their two latest posts, “The Most Overrated Novel of the 20th Century by Alex Stump” (about Frank Herbert’s Dune) and “How Alan Moore, Neil Gaiman and Frank Miller Ruined Comics by Jon Del Arroz”.

(14) ON TOUR IN CLEVELAND. John Scalzi tweeted about the ballot several times. He may have been overlooked for awards, but there was good news about his latest novel.

And as Jerry Pournelle often says, “Money will get you through times of no Hugos better than Hugos will get you through times of no money.”

(15) STILL FLYING. Harrison Ford keeps license, escapes fine for piloting error after an FAA investigation into his taxiway landing:

After actor Harrison Ford landed his small plane on a taxiway, rather than a runway, at John Wayne Airport in Orange County, Calif., in February, the Federal Aviation Administration began looking into the incident….

The Federal Aviation Administration determined at the conclusion of its inquiry that “no administrative or enforcement action was warranted,” Ford’s lawyer, Stephen Hofer said in a statement. “Mr. Ford retains his pilot’s certificate without restriction.”

The actor, who played swashbuckling space smuggler and Millennium Falcon pilot Han Solo in the “Star Wars” film franchise, also was cited by the agency for his “long history of compliance” with FAA regulations and “his cooperative attitude during the investigation,” Hofer said.

Although Ford incurred no penalty, he agreed to undergo voluntary “airman counseling” before the FAA closed the matter, his lawyer said.

(The BBC used a more colorful metaphor: No fines for Ford for being a ‘schmuck’)

(16) WHAT IF THEY CHEAT BETTER? Web inventor slams US, UK attacks on net privacy.

Sir Tim Berners-Lee was speaking to the BBC following the news that he has been given the Turing Award.

It is sometimes known as the Nobel Prize of computing.

Sir Tim said moves to undermine encryption would be a “bad idea” and represent a massive security breach.

Home Secretary Amber Rudd has said there should be no safe space for terrorists to be able to communicate online. But Sir Tim said giving the authorities a key to unlock coded messages would have serious consequences.

“Now I know that if you’re trying to catch terrorists it’s really tempting to demand to be able to break all that encryption but if you break that encryption then guess what – so could other people and guess what – they may end up getting better at it than you are,” he said.

(17) WHAT IF THEY CHEAT A LOT BETTER? It depends on how much those cheaters have prospered. These guys made a lot: “Overwatch ‘cheat maker’ told to pay $8.6m to Blizzard”.

“The Bossland hacks destroy the integrity of the Blizzard games, thereby alienating and frustrating legitimate players and diverting revenue from Blizzard to defendants,” the US games developer had argued.

The tools included the ability to see other players’ positions, health scores and other information from a distance within games.

The Zwickau-based firm’s managing director said it did not accept the US court had jurisdiction over it, and that the judgement did not take into account that many of the licences it had sold had been “trials” at a fraction of the normal cost.

“We are discussing with our lawyers how to continue – if an appeal to the declined motion to dismiss is worth trying,” Zwetan Letschew told the BBC.

Bossland’s website remains active and continues to advertise cheats for several Blizzard games, insisting “botting is not against any law”.

(18) A WIZ OF A WIZ HE IS. “Ian McKellen Explains Why He Refused to Play Dumbledore in Harry Potter” at io9.

Anyway, McKellen is in good spirits about the whole thing. When host Stephen Sackur asked, “You mean you could have been Dumbledore?” McKellen responded, “Well sometimes, sometimes when I see the posters of [Harris’ eventual replacement] Mike Gambon, the actor who gloriously plays Dumbledore, I think sometimes it is me.”

(19) INVENTORY READY TO GO. I foolishly wasted my time writing news posts when I could have been preparing to monetize my nomination!

And The Mary Sue is so excited they turned the Hugo Award announcement into a Chuck Tingle promo with three of his book covers for art.  Love of money is real!

[Thanks to Carl Slaughter, Cat Eldridge, Mark-kitteh, JJ, Andrew Porter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Jon Del Arroz Off BayCon 2017 Program, Claims Decision Is Politically Motivated

Jon Del Arroz

San Francisco-area writer Jon Del Arroz has spent the past few Memorial Day Weekends speaking at BayCon, but he wasn’t asked back in 2017. He says it’s because he’s a Trump supporter. Del Arroz’ version has been discussed or reblogged today by Vox Day, Nick Cole, Declan Finn, Superversive, Brian Niemeier, and Marina Fontaine, who characterize him as a martyr of science fiction’s culture wars.

The BayCon committee, however, says he had just been rotated off programming for this year. They had already pre-invited him to return in 2018.

Del Arroz, in “Bringing Home The Baycon (Or What I Learned From Being Blackballed)”, accused BayCon of trying to destroy his career, of bigotry — and of simple bad manners.

A couple of weeks ago,  I found out that I had been blackballed from speaking at my own home convention, a place I’ve loved and cherished for almost a decade. This was a wanton act of discrimination, and perhaps more importantly, a show of utter disinterest in promoting prominent local science fiction authors. With a supposed emphasis on diversity, this act done to a Hispanic author casts an even darker shadow. It’s about as disturbing as it gets to see folk that you considered friends for years treat you with that level of disregard, while in the same stripe ignoring attendees who deliver me death threats.

Most shockingly, the event organizers (of whom I know very well and very personally) in question did not respond personally, but delivered a form letter to explain the ostracization. It’s disingenuous and displays a dismissal and dehumanization of which I could hardly conceive….

The reason I was disinvited was because it is well known that I support the President of the United States, duly elected and all, and that I’m happy about the way the country is being run. You know, like most normal people are. That’s the only thing that’s changed between then and now. It’s the same dangerous rhetoric out there that many of these folk who run the convention post on such a consistent basis that has turned Facebook from a “fun catching up with friends” website to a hellhole of fear, anger and hate (which as Master Yoda taught us, leads to suffering!). It’s impossible to communicate anymore, and as such, there is a small but vocal power structure of people in the convention scene and publishing that can’t tolerate the concept of seeing my pretty face. I am a minority that’s been discriminated against, not because of my race, but because of my ideas. In Science Fiction, ideas are everything, and it’s frightening to think about those being shut down as a consequence. These people want my career to fail, and they believe they can accomplish that by silencing me and giving me the cold shoulder.

BayCon chair Chris Castro answers that politics never entered into the decision, it was the result of an overall change in policy designed to freshen the program, Castro wrote on Facebook:

This was shared before, but I want to make sure everyone has had a chance to read how our process for implementing programming this year has changed.

http://baycon.org/bcwp/programming-2/

There never has, nor ever will be any decisions made to invite or not invite guests based on their political beliefs or personal philosophies. Every decision we make in regards to who participates in our con as a guest always takes into consideration our theme and focus for the year. Each decision is made professionally, communicated professionally, and always comes down to a group decision by executive and programming staff.

BayCon always seeks to make each convention weekend a fun, engaging and safe place for fans to connect with each other, geek out, and enjoy themselves without harassment. Our decisions are always made with this goal in mind.

The linked text includes this explanation —

“But I’m always on the program!” Going forward there is no such thing as a guest who is guaranteed to be on the program every year. The overwhelming feedback we’ve gotten has been that our attendees have their favorites, but they want new voices and new ideas mixed in with the classic program items and long-time guests. In order to make room for those new voices we will be asking some of our long-standing guests to step back and take a year off now and then. Not receiving an invitation one year does not mean you are off the list, just that this year was a better fit for other participants. At the discretion of the board, the chair and the programming staff, some guests who have been accustomed to an annual invite will be finding themselves with a year off. We encourage those people to come to BayCon as attendees both to enjoy the convention and to support their fellow panelists until they are asked back themselves. “Not this year” is absolutely not code for, “never again!”

Susie Rodriguez, of BayCon’s programming staff, answered File 770’s question about Jon Del Arroz specifically.

Jon has absolutely been a valued member of our program and our community in the past. This year he was not issued an invitation. When he contacted me to ask if he’d been accidentally overlooked, I sent him the following:

“Dear Jon,

Thank you for your interest in BayCon 2017. We have made some changes to the programming which are discussed in detail here: http://baycon.org/bcwp/programming-2/

At this time we are not issuing you an invitation for this year’s convention. You are definitely on our guest list for 2018 and we hope very much to see you there.

Sincerely,

BayCon Programming”

It is not a form letter. It is a personalized letter that was created for him and only him. As you can see, it even included a pre-invitation to participate next year, a thing that is not part of our standard rejection letter.

We are sorry he feels the need to conduct himself in this manner and that he has decided that being off the program for a single year constitutes a blackball. We are choosing to respect his decision not to participate in BayCon in the future and letting it go at that. Other guests have been rotated out in the past and while there are sometimes hurt feelings, this reaction has been unique.

I will reiterate Chris’s words above. Political beliefs and personal philosophies are not a litmus for choosing guests. Who a guest voted for is simply not an issue.

There’s only so many places to use people on convention panels. BayCon’s effort to make room on program for new voices by cycling off some of the regulars addresses a similar problem our local LosCon has also faced. I am reminded that when a friend of mine was left off LosCon program after decades of participation he took it very personally and made the rounds complaining to everyone he knew, exerting all the emotional pressure he could to regain something he felt entitled to have. (It worked, in his case.)

But no, this can’t just be a case of hurt feelings. It must be the tragic fate befalling someone who is a lonely dot of red in California’s sea of blue.