Roverfield 7/5

aka Muttropolis.


Last roundup tomorrow, July 6.

Banner art changes tomorrow.

What the future holds for File 770 arrives tomorrow!

Meanwhile, roundup content today is provided by Lou Antonelli, Joseph Tomaras, Jonathan Crowe, Laura “Tegan” Gjovaag, Mark Ciocco, Lis Carey, Len Schiff, and Bonnie McDaniel. (Title credit belongs to File 770 contributing editors of the day Will Reichard and Brad J. Book cover lifted from Will Reichard’s “Wishlist: Soviet Space Dogs”.)

Lou Antonelli on This Way to Texas

“Genrecide” – July 5

The dispute that arose when the Sad Puppy selections did so well in the Hugo nominations has probably created a permanent split of science fiction fans – not one created by the literature, but for social reasons.

Both sides have said such horrible things about each other that I doubt the rift will ever be healed. I wouldn’t be surprised if some semantic distinction arises later – such as the Sad Puppies’ type of fiction being called spec fic as opposed to science fiction.

Teresa Nielsen Hayden and her blog Making Light started the civil war when she realized her chums – the usual suspects – were not getting their Hugo nomination notice emails as usual. She blew up and started the vituperation a week before the actual announcement was made – proving the point, as Larry Corriea was pointed out, that there is an insider clique after all.

Mike Glyer, who’s been running his fan site File 770 since dirt was invented, unfortunately has kept the wildfires burning by collecting up Puppy posts and republishing them on his site. The comments threads there have become the clearing house for all Puppy Kicker resentment.

I don’t believe either side of completely right or completely wrong, but it really doesn’t matter anymore, because regardless of how or who started it, and how it ends, thanks to the internet too much has been said attacking too many people by so many people that there will probably be a long-term drop in readership and popular support.

Perhaps in the future people will say they read magic realism, or space opera, or dystopia, or alternate history – but as a result of the Puppy Wars, no one will actually want to admit they read “science fiction” because of all the negative connotations in the wake of the current unpleasantness.


Joseph Tomaras on A Skinseller’s Workshop

“I Lied: A Few More Words about the Hugos” – July 5

….As more people post their ballots and/or their critical response to the items on the ballot, I have been surprised at how critical judgment on Kary English’s “Totaled” has lined up. People who fault contemporary SF for leaving too little room for ambiguity have criticized it for unclear, unreliable narration in the early sections. (To which I respond: As if a recently revived brain-in-a-jar would be a reliable narrator.) People who have a habit of calling for “good stories” in the whiz-bang mode of military SF have praised the story for its emotional trajectory. It has scrambled the factional lines, and that, I think, suggests a few points in its favor. There is room for dispute over it, and is worth being revisited and debated on aesthetic grounds.

What I think is indisputable, unfortunately, is how thoroughly English herself stumbled over the politics of this year’s hyper-politicized Hugo. She went months after the announcement of the ballots before disavowing both the Sad and Rabid Puppies slates on which she had been placed: Long enough that most of the anti-canine wings of the Hugo electorate had already dismissed her as a fellow traveler, but not long enough to avoid the wrath of the Rabid Majordomo himself. I take this as an object lesson in how the center-right, quasi-depoliticized “common sense” that passes as “moderation” in the U.S. context can succeed, in a global context, only in pissing people off, whether in small matters (e.g. the Hugos) or in big ones (e.g. Guantánamo, drone bombings).


Jonathan Crowe

“Best Saga Proposal Revised” – July 5

So the proposal for a Best Saga Hugo Award (see previous entry) has since been revised: they’ve abandoned getting rid of Best Novelette, which was needlessly zero-sum, and have lowered the minimum word count. The proposal now says 300,000 words; the draft posted to File 770 at more or less the same time says 240,000. A series cannot win more than once, but it can certainly be nominated multiple times (so long as two new installments requalifies it) until it wins — I think of this as the “my favourite series better damn well win this time” provision.

I’m still not a fan: it’s going to be a popularity contest for very popular (if not always good) ongoing series. And any minimum word count is going to be exclusionary. A 240,000-word lower limit would have rendered ineligible the original Foundation trilogy — which won a one-off “Best All-Time Series” Hugo in 1966.

And as far as I can tell the amendment would still allow series to appear on the Best Novel ballot when the final installment is published, like The World of Time did last year.


Laura “Tegan” Gjovaag on Bloggity-Blog-Blog-Blog

“Hugo Blatherings” – July 5

Still, it means I’m going to be part of Worldcon for at least the next two and a half years. I’ll be voting in two more Hugos after this one. And I’ll be trying to actively look for things to nominate, as well. I’ll be checking out Renay’s Hugo Spreadsheet of Doom and the Hugo Nominees 2016 Wikia regularly once I’ve finished with this year’s packet to look for suggestions to read. I’ve already got a couple of things I plan to nominate, and a few more I haven’t finished reading yet but I think might make my list. I’ll post a few lists of possible nominations as I go, and once the deadline for nominations has passed, I might even post my actual nomination form.

The round-ups at File 770 have slowed down, mostly because there just isn’t that much to talk about the Hugos right now. Everyone is busy going through the packets or have finished voting and are just waiting for the convention. I fully expect another fake outrage to be manufactured soon, but I can’t guess what direction it will come from. I’ve been continuing to read David Gerrold on Facebook… he’s the guy that got me into this whole kerfuffle in the first place. I don’t think I would have cared as much if not for him.


Mark Ciocco on Kaedrin Weblog

“Hugo Awards: Novella” – July 5

The other shorter-than-a-novel-but-longer-than-a-short-story category, these tend to be longer reads, which is a shame because I didn’t particularly care for any of them. It’s also one of the weirder categories in that three of the five nominees are from the same author. Two of the stories are also significantly expanded versions of much shorter stories (which, given my complaints below, would probably have been much better for me). None of the nominees are particularly terrible, per say, I just failed to connect with them, and it makes me wish there was a little more variety here. I don’t want too dwell on this, so let’s just get to it:…

[Comments on all five nominees.]

For the first time this year, I’m actually thinking about deploying No Award on my ballot, if only to get past the ridiculous notion that one author wrote the three best novellas of the year or something. I mean, I guess such a thing is possible, but not with these three stories. That being said, Wright also wrote my clear favorite of the bunch, so I’m not slotting No Award very high.


Lis Carey on Lis Carey’s Library

“Guardians of the Galaxy, written by James Gunn and Nicole Perlman, directed by James Gunn (Marvel Studios, Moving Picture Company)” – July 5

This is a Best Dramatic Presentation, Long Form nominee for the 2015 Hugos. This is not a movie with any deep thoughts in its head. It’s pure, fun, over-the-top adventure, with colorful space battles and explosions…..


Bonnie McDaniel on Red Headed Femme

“The Hugo Project: Campbell Award” – July 5

(Note: This is the latest in an ongoing series of posts reviewing as many of the 2015 Hugo nominees as I can before the July 31 deadline, and explaining why I will or will not vote for them.)

The John W. Campbell Award for Best New Writer advertises itself, famously, as “not-a-Hugo,” celebrating what the Worldcon community decides is the best new science fiction/fantasy writer of the year. Unfortunately, like so much of the rest of the ballot, this category has been tainted by the shenanigans of the Impacted Canines.

(Forgive me for sounding testy. Several weeks of slogging through godawfully bad stories not worth their weight in puppy piss will do that to you. I mean, if you’re going to behave lawfully-but-unethically and game the awards, can’t you at least nominate something halfway decent? Apparently not, as most of the ballot proves.)

Listed from worst to best….

[Comments on all five nominees.]


[Nothing to do with Sad Puppies, but an interesting article.]


The Scarlet Litter 6/21

aka Puppy on a Hot Tin Roof

Today’s roundup brings you Spacefaring Kitten, Gary Farber, Peter Grant, Tom Knighton, Sgt. Mom, Martin Wisse, David Nickle, Edward Trimnell, John Scalzi, N. K. Jemisin, Neil Clarke, David Gerrold, Ferrett Steinmetz, Jonathan Crowe, Andrew Hickey, Jason Cordova, Nicholas Whyte, Tim Hall, Mari Ness, Kevin Standlee, Mark Ciocco, Lis Carey, Vivienne Raper, and Jonathan Edelstein. (Title credit goes to File 770 contributing editors of the day Daniel Dern and James H. Burns.)

Martin Wisse on Wis[s]e Words

“Having a successful boycott is not the point” – June 21

As I said before, Day is following the Tea Party/Breitbart Culture Wars playbook. Gin up outrage, energise your base, focus their attention on the designated enemy, then fleece the suckers. Vox knows how the game is played because he’d been working for Worldnet Daily one of the low rent rightwing clearing houses his daddy had set up until he became too loony even for them. What are the odds on the next instructions of Day, as “leader of the Rabid Puppies”, will next issue instructions that the only proper way to boycott Tor is to instead buy books by goodthink publishers like Baen or his own vanity press?

The key is not to win, the key is to keep the fight going and make some money doing so. That’s been the career path for whole generations of roghtwing bloviators: fart out articles and blogposts and books about the evil of libruls and blag your way onto wingnut welfare. But to do so you need that red meat to keep the suckers in line. Without the month late fauxrage at Gallo’s comments the Puppies wouldn’t have anything to talk about. But this? This they can spin out until long after this year’s Hugo results are revealed.

It’s hard to deal with this. Just ignoring it is one option, not giving the oxygen of publicity to these people, but can obviously backfire. You can’t deal with this thinking these are normal fans, and that just ignoring it will starve this “controversy” of the fuel it needs. People like Day (and Larry and Brad) are perfectly capable of keeping the fire stoked indefinitely. Not responding just cedes ground and helps them keep up the pretence that they’re speaking for some imagined silent majority.


Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“Kittens Will Prevail” – June 21

The culture war in science fiction and fantasy fandom is practically over before it even began — and it sure was the lamest war ever. The thing that has been clear for everybody except the Sad Kennelkeepers is that an overwhelming majority of SFF fans, authors and editors are and have always been liberal, in the broad sense of the word.

Yes, a huge part of fandom consists of unpolitical SFF enthusiasts who may from time to time sneer at pro-diversity people who suggest things they find a bit hardline, such as not reading books by straight white males for a year or something, but they’re still open-minded and tolerant. And sure, there are political conservatives in SFF too, but very few of them are interested in really taking any part in the culture war project lead by Larry Correia, Brad R. Torgersen and Vox Day/Theodore Beale, because they’re aficionados first and political activists second or third (and they, too, are mostly open-minded and tolerant). Importing the culture war dynamic somewhere where the other side is missing is not going to end well.


Gary Farber on Facebook – June 21

I can barely skim the Puppy summaries at FILE 770 any more because I literally start to feel physically ill. These people and their utter lack of interest in facts, their lunatic paranoia, their rationales for justifying every kind of tactic and practice on the grounds of imagining and alleging that their enemies do it, their crazy tropes (the Nazis were really left-wing!; Planned Parenthood is genocidal!; Emanuel A.M.E. Church isn’t a black church!; Tor Books is an leftist ideological publisher!”), literally make me sick. John C. Wright: “The other side consists of people at Tor who regard Tor as an instrument of social engineering, an arm of the Democrat Party’s press department, or a weapon in the war for social justice.” That would be why they publish … John C. Wright. Thirteen of his books so far.


Peter Grant on Bayou Renaissance Man

“Latest developments over the Tor imbroglio” – June 21

Speaking of Vox, he’s taken note of speculation from SJW’s and their ilk that the individuals at Tor who’ve been named in connection with the boycott may be at risk of violence.  Since I’ve seen not a single reference to that – even the vaguest hint – from our side of the fence, I, like him, can only put it down to paranoia, or an utterly warped, twisted sense of reality (or the lack thereof), or deliberate lying.  It’s absolutely insane . . . yet they’re hyping it up.  (Edited to add:  James Sullivan absolutely nailed the process in a comment at Vox’s place.)



Sgt. Mom on The Daily Brief

“Making Blight at Tor” – June 21

And what ought to be the response of those who feel deeply and personally insulted by employees of Tor, such as MS Gallo, and those who clearly stand in agreement with her ill-considered remarks? And what ought Tor to do, over what they already have done? Clean house seems to be the basic consensus; leaving the precise details up to Tor. And to effect that? Some of the offended recommend and are participating in an outright boycott. Some of them – like me – have tastes that run to other and non-Tor published authors, and haven’t bought anything from Tor in years. Others favor purchasing their favorite Tor authors second-hand, and hitting the authorial tip-jar with a donation. I still have the sense that for many of us – after having weathered numerous comments along the same line as MS Gallo’s without much complaint – this was just the final straw.


David Nickle on The Devil’s Exercise Yard

“Art Lessons” – June 21

It seems to me that the life of my father Lawrence is a good example to bring up right now, in this very political culture war about what is at its root, an art form.  The point of doing art, to paraphrase Neil Gaiman, is to make good art. It is not to chase awards, or other sorts of validation; it is not to look enviously at those who do receive those awards, who bask in that validation, and try to supplant them through forces democratic or otherwise.

It would be naive to say that such things don’t happen in communities of proper artists. They do, again and again, and are happening now in this science fiction and fantasy community of proper artists.

But I think my father would have said that the behaviour of the Puppies whether sad or angry, is the one sure sign of not being a proper artist. He would take it as a vulgar sign of weakness. It would earn his quiet but certain contempt.


Edward Trimnell

“Boycott Tor Books, you ask?” – June 21

A few readers have recently emailed me to ask if I plan to join the boycott of Tor Books, or if I publicly support the boycott.

The short answer is: No. But let me give you the longer answer—because this covers some important issues.

First of all: I am on record as disagreeing with the positions of Patrick Nielsen Hayden and John Scalzi. (I’ve taken Mr. Scalzi to task on this blog many times.) I’m not as familiar with Moshe Feder and Irene Gallo. But what I have seen of them so far, I don’t evaluate favorably.

That said, I think the boycott is a bad idea. And here’s why:

I dislike the Internet mob—whether it is a rightwing mob, or a leftwing mob. I dislike the Internet’s hive mindset, which says:

“If you say something we don’t like, we’re going to whip up all of our minions into a frenzy, and then destroy your livelihood, or harass you into silence at the very least. Oh—and we’re going to do all of this anonymously, hiding behind bogus screen names, avatars, and IP addresses! And aren’t we courageous!”

That is, of course, exactly what the SJW crowd does. But I’m not one of them—and I’m not a joiner, either. Just because I disagree with John Scalzi & Co. doesn’t mean that I’m eager to flock to the banner of Vox Day and others on the far right.


John Scalzi on Whatever

“Note to WSFS Members: Killing the Best Novelette Hugo is a Terrible Idea” – June 21

[Excerpts two of five points.]

  1. It is unnecessary to get rid of the Best Novelette category in order to “make room” for the Best Saga category. I’m unaware of the need in the WSFS constitution to limit the number of Hugo Awards given out; it’s not a zero sum game. Speaking as someone who has both emceed the Hugos and sat in its audience, I understand the desirability of not having an infinite proliferation of Hugo categories, because the ceremony can be long enough as it is. But that’s not a good enough reason to give one fiction category the axe at the expense of another, nor can I think of another good reason why the inclusion of the “saga” category requires the doom of another fiction category. It is, literally, a false dichotomy.

This false dichotomy is bad in itself, but also offers knock-on badness down the road. For example:

  1. It privileges novel writing over short fiction writing. Bud Sparhawk, a writer and human I admire rather a bit, complained to me once (in the context of the Nebulas) that calling the Best Novel award “the big one,” as many people often do, is an implicit disrespect of the art of short fiction writing, and of the skills of those who write to those lengths.


John Scalzi in a comment on Whatever – June 21

Now, if the Best Saga Hugo proposal hadn’t had tried to unnecessarily murder the Best Novelette category, is it something I could see my way toward voting for?

My current thought about it is “no, not really.” Here’s why: …

[Makes a four-point argument.]




David Gerrold on Facebook – June 21

You can have my Best Novelette Hugo when you pry it out of my cold dead hands.



Jonathan Crowe

“Some Initial Thoughts on a Couple of Hugo Award Amendments” – June 21

The [Best Saga] amendment points out that most sf/fantasy comes out in series nowadays — around two-thirds, they claim — whereas Hugo voters tend to vote for standalone books. According to the proposal,

for the past decade, the Best Novel category has been dominated by stand-alone works, with nine out of the eleven winners being such (and one of the two series novels is a first book in its series). The distribution of Best Novel winners is badly out of step with the general shape of the market, even though the nominees run close to the market trend.

I’d argue that a decade doesn’t give us nearly enough data points. Over the past quarter century, the split between standalone books and series books among Hugo winners is about fifty-fifty — and I’m including the first books of eventual trilogies, such as Ann Leckie’s Ancillary Justice (2014), Robert J. Sawyer’s Hominids (2003) and Robert Charles Wilson’s Spin (2006). Sequels to have won Hugos include Lois McMaster Bujold’s Paladin of Souls (2004), Vernor Vinge’s Deepness in the Sky (2000), and Orson Scott Card’s Speaker for the Dead (1987). Books two and three of Kim Stanley Robinson’s Mars series won Hugos, as did the fourth installments of the Harry Potter and Foundation series. And that doesn’t get into the number of Bujold’s Miles Vorkosigan books that have won Hugos as well.

So I’m not sure that the proposal’s premise holds up.


Andrew Hickey on Sci-Ence! Justice Leak!

“Hugo Blogging: Sagas” – June 21

Were the “best saga” award to be brought in *and all books in series to be removed from the “best novel” category*, I would be ecstatic, because that would give more exposure to the standalone novels the field should be producing. As it is, though, it seems likely that it will encourage even further the decline of the field into a niche of thirty-book series called The Chronicles Of The Saga Of Dullworld. When the playing field is already tilted in one direction, tilting it further seems a bad idea.



Nicholas Whyte on From The Heart of Europe

“E Pluribus Hugo, and other proposals (long post)” – June 21

My conclusions on the various proposals: So with a slightly heavy heart – I regret that small-minded slate-mongers have killed off a large part of the wisdom-of-crowds aspect of the Hugo nominations process – I endorse E Pluribus Hugo as the best fix to prevent slates from dominating the process in future without irreparable damage to the credibility of the awards. Edited to add: I no longer think that a “large” part of the wisdom-of-crowds aspect has been killed off.

Three other proposals for reforming the Hugo process have been submitted to Sasquan. One is to abolish the 5% threshold; as I mentioned above, I agree with this faute de mieux, but E Pluribus Hugo removes the threshold requirement anyway, so I would only support it if E Pluribus Hugo is rejected.

I don’t support the proposal to merge two of the short fiction categories and create a “Best Saga” category. The multiple short fiction awards at present reward writers who express their ideas succinctly rather than at big commercial length, and I’m in favour of that. The “Best Saga” proposal doesn’t fix any existing problem but does create new ones – not least of which, who is going to have time to read all the finalists between close of nominations and close of voting?

I do support the “4 and 6” proposal, to restrict voters to a maximum of four nominations rather than five as at present, but to extend the final ballot to include six rather than five finalists. If E Pluribus Hugo is not adopted, the “4 and 6” proposal is a lesser safeguard against slates, in that it becomes much more difficult to marshall your minions to support six slated works if they have only four votes each. And if E Pluribus Hugo is adopted, voters who nominate five candidates will get less value for their nomination than those who nominate four, and so on; the first part of the “4 and 6” proposal seems to me a decent indication to voters that a slightly different nominating strategy is now necessary (even though it’s not actually part of E Pluribus Hugo). As for the second part, I do feel that good work is left off the Hugo ballot every year, and while Mike Scott’s proposal from April (1, 2, 3) would have designed a certain responsiveness in the system specifically in reaction to the slates, I’d prefer a broader, simpler and less slate-dependent change, and I think that expanding the final ballot to six rather than five does that.


Tim Hall on Where Worlds Collide

“E Pluribus Hugo” – June 21

Out of Many, A Hugo, the proposal from Making Light for changing the Hugo Awards voting system in an attempt to fix the problems that came to a head this year.

It uses a Single Divisible Vote, which is a form of proportional system rather than the first-past-the-post system used up to now, and is designed to prevent any well-organised minority from dominating the nominations out of all proportion to their numbers.

I like the system a lot, although the complexity of the counting system means the count must be computerised. It has many of the same advantages as the widely-used Single Transferrable Vote system, though a notable difference is that you don’t need to rank your nominations in any kind of order.


Mari Ness

“Proposed changes to Hugo Awards” – June 21

Moving onto the “KILL THE NOVELETTE CATEGORY ALREADY!” question, well, I’m a short fiction writer, so I’m an interested party here.

First, I’ll note that there’s some precedence for this, with the World Fantasy Award which does not offer a separate category for novelettes. Second, I am deeply sympathetic with the complaints of voters who do not want to check the word count for the short fiction they’ve read, and that the dividing line between novelette and short story has issues because of where it lands (at 7500 words) and that really, novelettes are just long short stories and should be treated like that. Not to mention the complaints that the Hugo ballot is waaaaayyyyyyyy too long as it is. I’ve made that last complaint myself. My understanding is that the novelette category has historically gotten fewer nominations than other categories, so even as a short fiction writer, I fully get the keeeeellll it! keeellllllll it dead! feeling here.


The first problem is the number of eligible short fiction works versus the number of eligible works in most of the other categories. Novels possibly come close, and, with blog posts eligible for the catch-all category of Best Related Work (which this year includes a nominee that isn’t even particularly “related”), that category does as well. Novellas are currently experiencing a resurrection, so those numbers might creep up.

Otherwise – the number of eligible podcasts is in the double digits. The number of semi-prozines and fanzines is also in the double digits; the same names keep popping up in those categories for a reason. The number of eligible graphic novels probably in the triple digits. Films are in the double, maybe triple digits. Television episodes, including cartoons, might pop up to a little over 1000. The number of eligible short stories, in that category alone, is conservatively around 6000. Expanding that category to include works up to 10,000 words will just expand that number.


Kevin Standlee on Fandom Is My Way Of Life

“New Business Is New Business”  – June 21

The deadline for submitting proposals to the Business Meeting this year is August 6, 2015. The procedure for submitting proposals is listed on the Business Meeting page on the Sasquan web site under “New Business Submissions.” The WSFS Rules are published online and are distributed to the members in the progress reports. None of this is secret. And if you have questions about the process, you can write to me or to the entire WSFS business meeting staff through the wsfs-business address

I’ve written a Guide to the Business Meeting that tries to explain this. I’m available to answer questions. I just beg of people to not assume the worst of everything. It’s very frustrating to work this hard and to hear people assuming that it’s all rigged in some way. Well, it’s set up to allow the members who choose to participate in the process to come to a decision in a way that balances the rights of the members as a whole, of the members who attend, of majorities and minorities, of individuals, and of absentees, in a fair manner. However, “fair” and “I got what I personally wanted” are not always the same thing, and it would be wise to keep that in mind when approaching any form of deliberative assembly.


Mark Ciocco on Kaedrin Weblog

“Hugo Awards: Novelettes” – June 21

[Reviews all five nominees]

Novelettes! Good old novelettes! What do you call something that’s longer than a short story, but shorter than a novel? A novella, of course, but that’s too easy. Let’s invent something between a short story and a novella, and call it a novelette! On the one hand, it is a bit odd that SF/F seems to be the only genre in literature that makes this distinction (something about a legacy of SF’s pulpy magazine roots, where different sized works had different pay scales) and it seems rather pointless and confusing for no real reason. On the other hand, it just means we get to read more fiction, which is actually a pretty cool thing. Once again, none of my nominees made the final ballot, but such is the way of short fiction awards. Last year’s Novelettes were pretty darn good (with one obvious and notable exception), and it looks like this years will rival that:…


Lis Carey on Lis Carey’s Library

“Andromeda Spaceways In-Flight Magazine” – June 21

Andromeda Spaceways In-Flight Magazine is a 2015 Hugo nominee for Best Semiprozine.

Visually, I found this a lot more appealing than Abyss & Apex, the only other nominated semiprozine I’ve looked at so far. On the other hand, I was not as impressed by the accessible fiction. Also, there seemed to be no means to access the relevant material, i.e, what was actually published during 2014.


Vivienne Raper on Futures Less Traveled

“Reading the Rockets – Best Short Story” – June 21

[Reviews all five nominees.]

First up, Best Short Story. The nominees are:

  • “On A Spiritual Plain”, Lou Antonelli (Sci Phi Journal #2, 11-2014)
  • “The Parliament of Beasts and Birds”, John C. Wright (The Book of Feasts & Seasons, Castalia House)
  • “A Single Samurai”, Steven Diamond (The Baen Big Book of Monsters, Baen Books)
  • “Totaled”, Kary English (Galaxy’s Edge Magazine, 07-2014)
  • “Turncoat”, Steve Rzasa (Riding the Red Horse, Castalia House)

These range between dire and good. And only one of them, in my view, is even remotely worthy of being considered for a Hugo Award (if I’m being charitable). And that, surprisingly, is the military SF story Turncoat.


Jonathan Edelstein in a comment on File 770 – June 21

Officer Pupke


Dear kindly Sergeant Pupke You gotta understand It’s just that we’re fed up-ke About our losing hand; The lefties run the ballot And us they underrate: Golly Moses, that’s why we’re a slate!


Officer Pupke, we’re really upset Our writing never got the love that it ought to get. We’re not really rabid, we’re misunderstood – Deep down, our books are pretty good.


There’s some good!


There is good, there is good There is unread good! In the worst of us, there is some good.



Jonathan Edelstein in a comment on File 770 – June 20

[Parody of ”Guys and Dolls”]

…When you see a guy froth without knowing why You can bet that he’s angry about some CHORF. When you spot a dude sounding like he’s von Krupp Chances are he’s a Pup whose full-measured cup of outrage is up.

When you see Vox Day swear he’ll make Gallo pay And direct all his minions to cut Tor off Call it dumb, call it cloying But the thing that is most annoying Is that he’s only angry about some CHORF….