Pixel Scroll 4/6/17 Dr. Pixuel Johnson’s Right About Scrollson Johnson Being Right!

(1) WERE THEY UNDER ATTACK? Chuck Wendig launches “The Great Ewok Defense of 2017”. Make sure you never find yourself standing between Chuck’s Ewoks and a stormtrooper…

(2) DRAGONS FROM OUT OF TOWN. Aliette de Bodard tells about “My Favourite Dragons and How I Designed Mine” at The Book Smugglers.

It will probably not be a surprise that I love dragons — a lot of fantasy and SF readers also do! There’s something intrinsically fascinating, for me, about flying, graceful reptiles with magical powers.

You’ll notice I don’t say “reptiles that breathe fire”, and the main reason for that is that the first dragons I encountered weren’t the Western ones that needed to be killed by the likes of Saint George, but the r?ng, the Vietnamese dragons, who tend to live underwater, have deers’ antlers and a long serpentine body but generally no wings, and who are generally benevolent entities who dispense rain (or catastrophic floods if angered).

(3) REACHING FOR THE SHELF. Nicholas Whyte created a quick introduction to the Hugo Awards, which he administers for Worldcon 75.

(4) A SINGULAR SENSATION. I wasn’t able to help Jason Kehe when he asked me about Chuck Tingle – you know as much as I do — while Vox Day said on his blog he simply refused to answer questions from the media. But Tingle himself was happy to offer a quote for WIRED.com’s article “The Hidden, Wildly NSFW Scandal of the Hugo Nominations”.

Hiscock’s nomination is the work of the Rabid Puppies, a community of reactionary sci-fi/fantasy writers and fans who in 2015 sought to derail the Hugos’ big-tent evolution by stuffing the notoriously gameable ballot box with what they saw as criminally overlooked white male nominees. After the Rabid Puppies found huge success—they placed more than 50 recommendations—predecessors the Sad Puppies smuggled in a 2016 Best Short Story nominee they hoped would really tank the proceedings: Space Raptor Butt Invasion, an erotic gay sci-fi tale self-published by an unknown named Chuck Tingle.

Incredibly, though, the plan backfired. Tingle turned out to be a ridiculously lovable, possibly insane ally—or at least a very shrewd performance artist—who used his new platform to speak out against exclusion and bigotry in all their forms. In the intervening year-plus, he’s emerged as something of a cult icon, pumping out ebook after skewering ebook of wildly NSFW prose. His latest, Pounded In The Butt By My Second Hugo Award Nomination, refers to the recognition he got this year, on his own, in the Best Fan Writer category.

Here’s what the man of the hour had to say:

Chuck Tingle: hello buckaroo name of JASON thank you for writing and thank you for congrats on this way! i believe this author is put on the nominees by THE BAD DOGS BLUES as a way to prank the hugos like when they thought author name of chuck was some goof they could push around (no way buddy not this buckaroo). so it seems to be same idea as last year dont know much about it. thing is you cant just nominate some reverse twin of chuck there is only one chuck on this timeline and he is nominated as BEST FAN WRITER all by his own! this is a good way i am so proud! so long story short i hope this new author is not a reverse twin of the void but who knows i have not seen the end of this timeline branch yet.

(5) TOUGHEST CHALLENGE. At the B&N Sci-Fi & Fantasy Blog , Ross Johnson contends “The Best Series Hugo Is the Hardest Decision on the Ballot”.

A Best Series award makes perfect sense: when a book is part of a larger story, no matter how mind-blowing, it can be tough to judge it on its own merits—so why not take a look at series as a whole? After all, we all know SFF loves its trilogies (and its 10- to 14-book epic sagas). This is a great way to recognize a body of work, especially when the nth book of an excellent series generally has little chance of being nominated (let alone winning), but is still worthy of recognition. No one was quite sure how the nominations would shake out (could the entire Star Wars Extended Universe be considered as a singular series?), but there’s no arguing that the books on this inaugural ballot don’t seem to be entirely in the spirit of the award. There’s a wide-range of serious talent on the list, venerable classics alongside burgeoning favorites, all displaying the kind of character- and worldbuilding that can only be accomplished across multiple books.

(6) GOING TO THE WORLDCON. The Shimmer Program announced that the winners of the Worldcon 75 Attending Funding for Chinese fans offered by Storycom are Yang Sumin and Zhang Jialin (Colin). Each will get RMB 10,000 for use in attending and staffing the con. They are expected to gain experience in the Worldcon organizational work and help with future Chinese bids.

Jukka Halme, Chair of Worldcon 75 and Xia Jia, Chinese science fiction writer, selected the winners from five finalists.

There are photos and introductions to the two winners at the link.

(7) ISLAND NEWS Download Progress Report #1 for NorthAmeriCon’17, to be held in San Juan, PR from July 6-9. Lots of areas where they’re looking for staff and volunteers.

(8) FIRST CLUB. Joshua Sky sold this article to Mayim Bialik of Big Bang Theory for her site, Grok Nation. It’s about the origins of science fiction fandom: “The Scienceers: Where Science Fiction Clubs Began”.

All my life I’ve been a fan of science fiction, but I never knew much about the history of the field, nor did the majority of die-hard fans that I encountered. How could we – who could instantly recall every detail from our favorite comic books and every line of dialogue from Star Wars or Back to the Future – love something so much and know so little about its origins?

Last year, I found the answer when I was given a handful of wonderful out-of-print books chronicling the rich history of science fiction and fandom, including The Way the Future Was by Frederik Pohl, The Futurians by Damon Knight and The Immortal Storm by Sam Moskowitz. In their pages, I learned about the fascinating beginnings of fandom, which was mired in political warfare between overzealous teenagers, where clubs would form and disintegrate overnight. What I found most interesting, was an account of the first science fiction club ever established, called The Scienceers. It was founded in New York, on December 11th, 1929. Nearly 90 years ago. The first president of the club was a young African-American man named Warren Fitzgerald, and the first club meetings were held in his home….

File 770 took a look at that topic in 2014 from a different angle — “Early Science Fiction Clubs: Your Mileage May Vary” and “The Planet: One Last Landing” – and The Scienceers won the verdict of “first club” then, too.

(9) ALLIANCE FINALISTS. Realm Makers has announced the shortlist for the 2017 Alliance Award, the site’s new Readers Choice award for speculative fiction novel by a Christian author.

 

A Branch of Silver, A Branch of Gold Anne Elisabeth Stengl
A Time To Rise Nadine Brandes
‘sccelerant Ronie Kendig
Bellanok Ralene  Burke
Black Tiger Sara Baysinger
Darkened Hope J. L. Mbewe
Defy Tricia Mingerink
Domino Kia Heavey
King’s Folly Jill Williamson
New Name A.C. Williams
Rebirth Amy Brock McNew
Saint Death Mike Duran
Samara’s Peril Jaye L. Knight
Scarlet Moon S.D. Grimm
Siren’s Song Mary Weber
Songkeeper Gillian Bronte Adams
Star Realms: Rescue Run Jon Del Arroz
Tainted Morgan Busse
The Shattered Vigil Patrick W. Carr
Unblemished Sara Ella

(10) HEALTH SETBACK. Eric Flint told about his latest medical problems in a public Facebook post.

Well, there’s been a glitch in my serene and inexorable progress toward eradicating my cancer. I developed an abscess at the site where the pancreas drain came out of my abdomen from the splenectomy. (Nasty damn thing! Painful as hell, too.) So I had to go back into the hospital for five days while the doctors drained it and pumped me full of antibiotics. I’m now on a home IV antibiotic regimen.

In the meantime, my oncologists suspended the chemotherapy regimen until the 20th. Chemo depresses the immune system so you really don’t want to pile it on top of an active infection. (That’s probably why I developed the abscess in the first place, in fact.) I’d just finished the third cycle, so what’s essentially happening is that we’re suspending one cycle and will resume the fourth cycle right when the fifth one would have originally started…

(11) TODAY IN HISTORY

  • April 6, 1968 — Stanley’s Kubrick’s science-fiction classic 2001: A Space Odyssey makes its debut in movie theaters.

Trivial Trivia:  In Kubrick’s next movie, Clockwork Orange, there is a scene in the record store where the LP for 2001 is displayed.

(12) RICKLES OBIT. Famous comedian Don Rickles (1926-2017) passed away today at the age of 90. His genre work included The Twilight Zone, “Mr. Dingle, the Strong” (1961), X: The Man with the X-Ray Eyes, both The Addams Family and The Munsters, The Wild, Wild, West, I Dream of Jeannie, and Tales from the Crypt. Late in life he voiced Mr. Potato Head in the Toy Story film series.

(13) DO YOU HAVE THESE? James Davis Nicoll is back with “Twenty Core Epic Fantasies Every True SF Fan Should Have On Their Shelves”

As with the two previous core lists, here are twenty epic fantasies chosen entirely on the basis of merit and significance to the field. No implication is intended that these are the only twenty books you should consider.

I agree that was wise to say, since he omits the first three authors whose names I’d expect to see on such a list. On the other hand, if not for Nicoll’s list I would have remained unaware that Kara Dalkey (someone I knew at LASFS 40 years ago) has written a well-regarded fantasy.

(14) WHITEWASHING. Steven Barnes shares “Ten Thoughts on Whitewashing”. Here are the first five.

The whitewashing controversy is pretty simple at its core:

  1. if a character’s race is changed toward yours, you will tend to be sanguine with it. If it is changed away from yours, you will tend to object. If you have control of the property, you will choose changes toward you, on average.
  2. To this end, if you are group X, you will put X’s into makeup to resemble Y’s so you can control the image systems and keep the money circulating in your own communities. When that stops working, you’ll change the back-stories. It all achieves the same result, and other X’s will support any change you make.
  3. The changers will not be honest about the fact that they simply preferred the change. They will blame the audience, the lack of actors, the material, another country. Anything but themselves.
  4. The audience prefers it too, but also will not take responsibility. It is the creators, the material, other people. Never them.
  5. As this is what is really going on, and everybody does it, you can remove this entire issue from the table and ask instead: what kind of world do we want? I can answer this for myself: I want a world where art reflects the world as it is. Not “politically correct” but “demographically correct” which, we can see, translates into “economically correct.” But #1 continues to dominate far too often, corrupting the creative process (thank God!) and creating under-performing movies and television and outright bombs.

(15) TOR LOVE. The xkcd cartoon “Security Advice” became the most-clicked link from File 770 yesterday after Darren Garrison commented, “Well, it looks like Randal Monroe is part of the Tor cabal.” Read it and you’ll understand why.

(16) ALL ABOARD. Jump on Matt Lambros’  “Los Angeles Lost Theatre Tour”.

On Saturday July 1, I’ll be co-leading tours through seven of Los Angeles’s Lost Theatres as part of the Afterglow event at the Theatre Historical Society of America’s 2017 Conclave.

Starting at 10AM, we’ll be going to The Variety Arts, the Leimert/Vision, the Rialto, the Raymond, the Uptown and the Westlake. Photography is allowed, and I’ll be conducting short demonstrations and answering any questions you may have about architectural photography.

(17) BATGIRL. “Hope Larson discusses and signs Batgirl Vol. 1: Beyond Burnside (Rebirth)” at Vroman’s in Pasadena on April 12.

Spinning out of DC UNIVERSE: REBIRTH comes the newest adventures of Batgirl in BATGIRL VOL. 1: BEYOND BURNSIDENew York Times best-selling creators Hope Larson (A Wrinkle in Time) takes one of Gotham’s greatest heroes on a whirlwind world tour in BATGIRL VOL. 1: BEYOND BURNSIDE. Barbara Gordon’s heart belongs to Burnside, the ultra-hip Gotham City neighborhood. But some threats are bigger than Burnside. And when those threats come calling, Batgirl will answer!  When Babs plans a trip to train with the greatest fighters in the Far East, she has no idea her vigilante life will follow her. Lethal warriors are out to take her down, each bearing the mysterious mark of “The Student.” And where there are Students, there must also be…a Teacher. As part of the epic Rebirth launch, Batgirl Vol. 1: Beyond Burnside is a perfect jumping-on point to start reading about Batgirl and her action-packed, crime-fighting adventures!  (DC Comics)

(18) BESTER TV EPISODE. “Mr. Lucifer,” story and teleplay by Alfred Bester, can be seen on YouTube. Broadcast in glorious b&w in four parts on ALCOA Premiere Theater, starring Fred Astaire and Elizabeth Montgomery, on November 1, 1962.

In addition to “Mr. Lucifer,” Astaire played several other characters. Music by a much younger John “Johnny” Williams.

Links to parts 2-4 listed on upper right side of page.

[Thanks to John King Tarpinian, Darrah Chavey, Darren Garrison, Cat Eldridge, Andrew Porter, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day m.c. simon milligan.]

Pixel Scroll 2/21/17 Troll, Troll, Where’s My Scroll? Gone To The Pixel, Lol Lol Lol!

(1) SPIRIT QUEST. The Society of Illustrators in New York City will host a Will Eisner centennial exhibit from March 1-June 3.

  • An opening reception will be held at the Society of Illustrators on the evening of March 10, from 7:30 – 11:00pm. Suggested donation of $20 helps support our programming and exhibitions. Cash bar will be open until midnight.
  • On April 22, there will be a gallery talk led by curators Denis Kitchen and John Lind.
  • A panel discussion on Will Eisner is scheduled for May 9.

The lasting legacy that Will Eisner (1917–2005) has in sequential art cannot be overstated—he is known as the Champion of the Graphic Novel. His innovative storytelling, layouts, and art on his newspaper series The Spirit inspired a generation of cartoonists, and his turn toward an acclaimed run of graphic novels, beginning in 1978 with A Contract with God, helped pioneer the form. Among the honors bestowed upon Eisner are the Reuben Award, the Milton Caniff Lifetime Achievement Award, the Yellow Kid Award, and multiple Harvey Awards and Eisner Awards—the latter of which were named in his honor.

This two-floor retrospective—the largest Eisner exhibition ever in the United States—curated by Denis Kitchen and John Lind, comprises over 150 pieces including original artwork from Smash Comics (1939), key sequences from his graphic novels including A Contract with God (1978), Life on Another Planet (1983), A Life Force (1988), To the Heart of the Storm (1991), and over 40 pages of originals from The Spirit (1940–1952) newspaper section.

SI is located at 128 East 63rd Street between Lexington and Park Avenue in New York City.

(2) DRAGON CON LOSING AWARD? SF Site News carried the Parsec Awards announcement that they are surveying fans about their receptivity to a virtual awards ceremony in place of the annual presentations at Dragon Con. The Parsec Awards “celebrate speculative fiction podcasting.” From the awards site —

This is not something we take lightly. Over the years the awards ceremony has been an opportunity for us to share laughs, music, triumph and tragedy as a community. You, who have supported us and each other, are the reason the awards exist and we would be remiss if we didn’t attempt to serve you in the best way possible.

We feel that a virtual awards ceremony may help us do that.

By dissociating the awards with Dragon*Con, we feel that more of our community will be able to participate. No longer will travel to Atlanta be a prerequisite for presenters, entertainers or recipients. Many of those who attended Dragon*Con even found their schedules did not allow their attendance at the awards. We also feel that we can have a better chance of securing judges’ time when we are not smack in the middle of Con season as we can now have some flexibility in scheduling the awards.

So far 73% of the respondents to the survey favor moving to a virtual awards ceremony.

(3) ONE STOP. Marco Zennaro has organized a cover gallery for the “2016 Nebula Award Nominees” plus a synopsis of each work and links where to buy or find them for free.

(4) PRAISE FOR RAMBO. Rich Horton comments on “Nebula Nominees”.

Three stories that showed up on my list of potential Hugo nominees. (“Red in Tooth and Cog” was on my Short Story list (my word count for it is 7000, making it technically a Short Story but eligible for nomination as a Novelette).) The other two are “Blood Grains Speak Through Memories” and The Jewel and Her Lapidary. (Curious that in length those three stories are at the very bottom end of novelette, right in the middle, and at the very top end.) The remaining three stories are decent work that I didn’t have listed among my favorites of the year, but none of them strike me as poor stories. So, again, a pretty strong shortlist, with my personal inclinations favoring either Cat Rambo’s story or Jason Sanford’s story; with Fran Wilde’s a close third — a win for any of those would make me happy.

UPDATE: Apparently there is no deadband for Nebula nominations, and “Red in Tooth and Cog” has been declared too short for novelette. It would have been nominated as a Short Story, but Cat Rambo graciously declined the nomination.

This is a shame from my point of view — Rambo’s story is (to my taste) definitely one of the best couple of stories on either the short story or novelette list, and so the shortlist is diminished by its absence. (“The Orangery”, the replacement novelette, is a fine story, to be sure, but not as good as “Red in Tooth and Cog” (in my opinion).)

This also makes the overall shortlist even more Fantasy-heavy (vs. SF), which is of course totally allowed, but to my taste again a bit to be regretted. I do think the Nebulas recently are tending to lean a bit heavily to the Fantasy side.

(5) NOW READ THE STORY FREE. You can find “Red in Tooth and Cog” in its entirety online at at Cat Rambo’s website.

(6) GONE WITH THE WIND IN THE WILLOWS. In a piece called “Warfighter: Toad Hall”, The Angry Staff Officer reimagines The Wind in the Willows as if it were a wargame for military strategists to analyze, complete with the use of animal intelligence or AMINT.

How Wind in the Willows can teach us about small unit actions in warfare.

That sound? Oh, that’s just the clunking of heads hitting desks, as people react to their beloved childhood book being brought under the scrutiny of the military microscope. But really, we’d be doing an injustice to that mighty asymmetric warfighter, the Badger, if we neglected to share his courageous story with an entirely new generation of military strategists. Wind in the Willows is not a military work by any means. But the Battle for Toad Hall bears noting, because Kenneth Grahame unwittingly factored in some key elements of small unit warfare.

(7) BELLE CHIMES IN. Emma Watson sings in this new Beauty and the Beast clip.

(8) SUCH A DEAL. Director Alfred Hitchcock paid $9,000 anonymously for the film rights to Robert Bloch’s novel Psycho.

(9) SAVAGELAND. The award-winning Savageland from Terror Films will be released online February 24.

Terror Films has locked in a U.S. release date for the multi-award winning film, Savageland. To celebrate the film’s February launch, a “Dead Alive” clip is available, now!

The film is centered on the night of June 2, 2011. On this date, the largest mass murder in American history occurs in the off-the-grid border town of Sangre de Cristo, Arizona, just a few miles north of Mexico. The entire population of fifty-seven disappears overnight and the next morning nothing is left but blood trails leading into the desert.

 

(10) LENGTHENING SHADOW. The final three Shadow Clarke jury members introduce themselves, followed by the first shortlist post.

In the world of translation lit-blogging, I also discovered the Independent Foreign Fiction Prize (now Man Booker International Prize) shadow jury. The idea was that a group of bloggers would read the Prize longlist; write about and discuss the books; create their own shortlist; and choose their own winner. It sounded great fun, so I asked to join – and it was.

I’ve had such wonderful times as a shadow juror, it has become a highlight of my reading year. I’m delighted that Nina Allan has adapted the idea for the Clarke Award, and excited to be participating in the project. I look forward to new conversations about science fiction, new insights, thoughts and perspectives.

These days I would describe myself as a reader on the outer edge of the sf genre; a frequent dipper of toes but a dipper nonetheless. I say that in context. I read 100 fiction books last year, of which just under a quarter could be characterised as science fiction or fantasy.  That’s quite a significant proportion I suppose, and if asked I would identify sf as something I’m interested in.  But I know that in some parts of the reading universe that’s not a great deal, and that what I’ve read doesn’t qualify me as an expert in any shape or form. At the most basic level I think of my role in the shadow judging process in this way: I’m the kind of person who uses the Clarke Award as a litmus test of quality and a steer to sf books to look out for.  I’m looking for ways to supplement the limits of my expertise and this is one of them.  As a reader of predominantly ‘literary’ and historical fiction I’d like to think the Clarke shortlist is a shortcut to the most critically challenging, engaging and powerful fiction in the field in any given year.

Even as I grew to recognise science fiction as a specific branch of literature, I remained wholly ignorant, for a long time, of the culture surrounding it. I had no idea there was such a thing as SF fandom and, most likely because I knew no one else who read SF or even knew about it beyond the Doctor Who or Star Wars level, I rather think I cherished the idea that novels like The Time Machine and The Day of the Triffids had been written especially for me. How could it be otherwise, when these books contained everything I might hope to find in a story: mystery, adventure, that fabled sense of wonder and that secret silver seam of something else, something that tastes like fear but is closer to awe.

[Before I start, I would like to state for the record that for the purposes of the shadow jury I am pretending that The Gradual – written by my partner Christopher Priest – does not exist. As such I will not be considering it for inclusion in my personal shortlist, or talking about it in this post.] 

So here we are again – the submissions list for the 2017 Clarke Award has just been posted, and the speculation about the runners and riders can officially begin. I’ve been playing this game by myself for a number of years now, poring over the list, winnowing the wheat from the chaff, trying to arrive at a list of six books that I would consider my ‘ideal’ shortlist. It’s never easy. Out of the thirty to forty novels I would personally consider as genuine contenders – and for me that would be books that aren’t zombie/vampire/horror/fantasy novels with no science fictional sensibility or run-of-the-mill commercial SF – there are always around eight to ten I could pick quite happily, with the result that I usually end up feeling I’ve short-changed one book or another by not including it in my reckoning.

(11) MONSTER ARTIST. A Guardian interview: “Emil Ferris: ‘I didn’t want to be a woman – being a monster was the best solution’”.

There has never been a debut graphic novel quite like Emil Ferris’s My Favorite Thing Is Monsters. The 55-year-old artist’s first published work, which came out last week, is a sweeping 60s-era murder mystery set in the cartoonist’s native Chicago. It’s composed of ballpoint pen drawings on wide-ruled notebook paper and is the first half of the story with the second volume out in October. Before she began work on Monsters, Ferris paid the bills with freelance work as an illustrator and a toy designer, making figurines for McDonald’s – she sculpted the Mulan line of Happy Meal prizes for one of the fast food behemoth’s subcontractors – and for Tokyo toymaker Tomy, for whom she worked making the Tea Bunnies line of dolls.

But in 2001, Ferris contracted West Nile virus. At the time a 40-year-old single mother, Ferris’s work was all freelance, she said – with the effects of west Nile hindering the use of three of her limbs, her work dried up, and she looked for another outlet, in part for her creative output, and in part to exercise a dominant hand damaged by the effects of the disease. She went back to school and produced My Favorite Thing Is Monsters, which draws on her own childhood and on the experiences of family and friends who survived the Holocaust. But when her book was finished the Chinese company shipping the copies from the printer in South Korea to the United States went bankrupt and the whole print run was held hostage at the Panama Canal by the shipping company’s creditors along with the rest of the cargo on the ship carrying it.

Now, it is finally here.

(12) LOADED SF. Joshua Sky tells Tor.com readers about “Collecting Philip K. Dick: Science Fiction’s Most Powerful Gateway Drug”.

Philip K. Dick has a way of taking the reader there. Each of his novels presents a whole new experience in of itself; a totally different world that is both new yet enticingly familiar. The reader, upon finishing the book, finds that they’re no longer the same person who started it. As I’ve said, his work is perception-altering.

By age 22, I landed my first job out of college at Marvel Entertainment—it was just as the crash of 2008 was happening, so I was relieved to find something full-time. In my department was a Japanese fellow, Teru, who also collected PKD’s work and we bonded over that, swapping books and chatting about our interpretations of his stuff. Teru suggested that I also read Alfred Bester and J.G. Ballard. Another friend and co-worker during this time was a Brooklynite named Eric. We’d met at Brooklyn College and would discuss Dick’s work and make up different word games–my personal favorite was coming up with bad titles for PKD novels (since Dick himself had some deeply strange titles for his books, such as The Man Whose Teeth Were All Exactly Alike and The Three Stigmata of Palmer Eldritch, to cite just two examples.)

The more I read, the more I learned about PKD himself. Turns out, most of what he wrote was first draft material with just a bit of polishing. He’d probably laugh at how most of the universities have trained an entire generation of writers to be self conscious and to over-rewrite, probably one of the most detrimental things a writer can do.

(13) LIBERATED JEDI. FANAC.org has added to its YouTube channel the video of MidAmeriCon’s (1976) audience Q&A session with the producer and leading man from the yet-to-be-released movie Star Wars.

Right out of the gate, some fan questions Princess Leia’s costume choice, and asks haven’t they seen covers of Amazing?

Gary Kurtz answers, “And we’ve got to remember women’s liberation. At this time we can’t be, we aren’t sexually selling females or males in this film.”

You didn’t know that, did you?

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976. Before the film was released, before Star Wars and George Lucas were household names, producer Gary Kurtz, star Mark Hamill and marketing director Charles Lippincott came to MidAmeriCon to promote Star Wars. This Q&A session is full of fascinating background information about the film, the filming and the attitudes of the Star Wars team. For example, listen to Kurtz talk about the massive $18M gate they would need to break even. This is brought to you by the FANAC Fan History Project, with video from the Video Archeology project (coordinated by Geri Sullivan, with technical work by David Dyer-Bennet).

 

[Thanks to Andrew Porter, JJ, Darrah Chavey, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]

Pixel Scroll 1/13/17 Pixelcrantz And Guildenscroll Are Dead

(1) WHEN IRISH EYES ARE SMILING. Graeme Cameron has a great installment of “The Clubhouse” about the legendary Walt Willis at Amazing Stories.

In 1952 Walt was the recipient of the first Trans-Atlantic Fan Fund (TAFF) which paid his way to attend the Chicon II Worldcon in Chicago that year. To give you an idea of his inventiveness, he immediately wrote WILLIS DISCOVERS AMERICA (OR WHY MAGELLAN SAILED COMPLETELY AROUND IT), a report on his TAFF trip, BEFORE he made the trip. He crammed into its pages his impressions of America derived from all the American fanzines and correspondence he’d read to date.

“A Roscoeite!” exclaims the Chief Immigration Officer in horror. “By Ghu, this is a purple-letter day for us. We’ll show you how we treat vile infidels here. Men! Seize Ellis and transport him to Willis Island. His confederate too.”

“The South shall rise!” shouts Shelby defiantly as the Ghuist hordes close in on him. “Yeast is Yeast and …”

…Next, Willis and Shelby concoct a fiendish plan. They overpower a guard and a nurse, intending to put on their uniforms and walk out the door….

Willis and Shelby prepare to escape, but the unexpected happens.

“Now,” says Willis, “All we have to do is walk quietly out.”

He unlocks the door with the guard’s keys and is opening it slowly and noiselessly when there is the sound of rushing feet in the corridor and several men in prison guard uniform burst into the cell. Before Vick and Willis can utter a word they are gagged and bound by six of the strangers while the rest carry out the unconscious guard and nurse. The leader pauses dramatically on the threshold. “If anyone asks you who rescued Willis and Vick,” he says proudly, “tell them it was Harlan Ellison and the Cleveland Science Fantasy League. That’ll show Ken Beale. It’s not every fan group who would have thought of overpowering some of the guards and taking their uniforms.”

But every fan group does. Six in all, in fact, in sequence. Each offering Willis an opportunity to poke fun at them. Needless to say, no one escapes.

(2) GETTING AN AGENT FOR TV WRITING. Joshua Sky taps into his experience when offering his “Advice on Landing a Genre TV Lit Agent” at the SFWA Blog.

The first thing a writer will need are two killer television scripts, in the same format and in their target genre. This may sound obvious, but is nevertheless true. The hardest part isn’t just writing your script, it’s getting someone to read it, which is why it has to be excellent because second chances with a script reader are rare. The reason the writer will need at least two samples is because the agent wants proof that the scribe can do it more than once.

The writer will need to be very specific about exactly what kind of scribe they are gunning to be. A Hollywood agent won’t want someone who is open to any genre. For example: someone who blithely says that they’ll write anything, or enjoys both comedy and drama. So be precise. For our intents and purposes, we are targeting the science fiction / genre market. The samples that got me my second TV agent were two science fiction pilots. I pitched myself as the kind of writer who understood high-concept genre fare and yearned to write one-hour dramas. Shows like Man in the High Castle, Westworld and The Expanse.

After you have the requisite samples, and only then, you can begin submitting and querying agents. But to be honest, referrals work best. In my ten years in the industry, I have never met any writers who have been able to obtain a reputable TV agent via email query. I’ve heard tales of that happening, but they are very rare, like people who sell scripts that don’t live in LA, it’s more the exception than the rule.

(3) TWO OCTAVIA BUTLER ARTICLES. Salon interviews Junot Diaz — “Remembering Octavia Butler: ‘This country views people like Butler and like Oscar as aliens and treats people like us like we’re from another planet”.

But the readers and writers who admire Butler and dig her work are everywhere. One of them is Junot Díaz, author of “The Brief Wondrous Life of Oscar Wao” and “This Is How You Lose Her” and a lifelong science-fiction fan. Díaz, who teaches at MIT and lives outside Boston, corresponded with Salon about Butler and her work.

Let’s start with her achievement as a writer. How “significant” substantial. original, inventive, etc. was Octavia Butler?

Butler is a foundational figure and in my option one of the most significant literary artist of the 20th century. One cannot exaggerate the impact she has had across canons — as creators, readers, critics, we’re still wrestling with her extraordinary work. I teach her every single year without fail. To me she is that important.

Sheila Liming tells about “My Neighbor Octavia” at Public Books.

For years, I knew Octavia E. Butler, the famed African American science fiction and fantasy writer, by her first name only. That was the way she introduced herself when I first met her back in the fall of 1999. Butler had just purchased the house across the street from my parents’ and joined the ranks of our rather conventional suburban community in Lake Forest Park, WA, located just north of Seattle. A spate of rumors had attended her arrival on the block: “Octavia” wrote novels (about aliens!); “Octavia” had one of those “genius” grants; “Octavia” lived alone and was a reclusive artist type.

Andrew Porter sent these links together with this never-before-published photo of Butler.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

Octavia Butler. Photo by and © Andrew I. Porter; all rights reserved.

(4) BECOMING A WINNER. 2016 Tiptree fellowship winner likhain’s application statement has been posted online. (likhain appears to be the desired name, but they have also used M. Sereno, Mia S., or Mia Sereno, per this post by Rose Lemberg).

I want to share with you the personal statement I submitted as part of my application, answering the question of how I work with speculative narrative to expand or explore our understanding of gender. I wrote this at the eleventh hour before submissions for the Fellowship application closed; I was quite sure I wouldn’t get the fellowship anyway, but I felt I had to speak, to say why I was doing my work — even if it came out broken and incoherent and raw.

I’m glad the selection committee saw something in my words that resonated. I’m glad they felt my work deserved supporting — that there is something in it that bears developing, some form of brightness to be seen. I’m so honored to be a Tiptree Fellow.

How do I work with speculative narrative to expand or explore our understanding of gender?

Through my art, I explore the weight of my heritage as a queer Filipina, heir to a history of struggle and revolution, colonization and war; descendant of women who spoke and fought, built and taught, and were as unflinching in their pursuit of their goals as they were wholehearted in their love. My understanding of being a woman is different from the dominant narratives I see in the white West: from childhood, we were always the brave ones, the bright ones, the ones who gave the impossible because we were strong enough to shoulder unbearable cost, the ones who did what was needful when it was too difficult for men, the ones who stood as the last line of defense against annihilation and the dark.

(5) A NEW RECORD. Foz Meadows posted a screencap on Tumblr with this endorsement:

Dear internets, please enjoy the single most batshit ridiculous comment ever left on my blog.

It was left on her blog post “Westworld: (De)Humanising the Other”, but it was inspired by a slam against her and Steve Davidson by Vox Day.

(6) STAR WARRIOR. An actor who has had many memorable roles since becoming famous on Cheers adds his iconic mug to a new franchise — “Woody Harrelson officially joins young Han Solo film”.

Harrelson will join Game of Thrones actress Emilia Clarke, who also has an unspecified role, as well as Atlanta star Donald Glover as Lando Calrissian.

Alden Ehrenreich (Hail, Caesar!) has the lead part of the galactic smuggler, and he was recently photographed by a fan having lunch with Harrison Ford. We have yet to learn what words of wisdom the original Han Solo had for the new guy, although the bearded Ehrenreich appeared to have Ford beat in the “scruffy nerf-herder” department.

(7) BLATTY OBIT. William Peter Blatty, author of The Exorcist, has died at the age of 89. The New York Times obituary says —

“The Exorcist,” the story of a 12-year-old girl possessed by the Devil, was published in 1971 and sold more than 13 million copies. The 1973 movie version, starring Linda Blair and directed by William Friedkin, was a runaway hit, breaking box-office records at many theaters and becoming the Warner Bros. studio’s highest-grossing film to date. It earned Mr. Blatty, who wrote the screenplay, an Academy Award. (It was also the first horror movie nominated for the best-picture Oscar.)

“The Exorcist” marked a radical shift in Mr. Blatty’s career, which was already well established in another genre: He was one of Hollywood’s leading comedy writers.

Mr. Blatty collaborated with the director Blake Edwards on the screenplays for four films, beginning in 1964 with “A Shot in the Dark,” the second movie (after “The Pink Panther”) starring Peter Sellers as the bumbling Inspector Clouseau and, in some critics’ view, the best. His other Edwards films were the comedy “What Did You Do in the War, Daddy?” (1966); the musical comedy-drama “Darling Lili” (1970); and “Gunn” (1967), based on the television detective series “Peter Gunn.” He also wrote the scripts for comedies starring Danny Kaye, Warren Beatty and Zero Mostel.

(8) TODAY IN HISTORY

  • January 13, 1930 — Mickey Mouse comic strip debuted in newspapers.
  • January 13, 1957 — The Wham-O Company developed the first Frisbee.
  • January 13, 1972 A Clockwork Orange has its first showing in the UK.

(9) A FORETASTE OF HORROR. American Horror Story will return for a seventh season and has been renewed for two more beyond that.

The first details about the seventh edition of American Horror Story are being revealed.

The next edition of the hit horror anthology is adding two very familiar names: Emmy-winning actress Sarah Paulson and her fellow AHS franchise veteran Evan Peters are both on board, executive producer Ryan Murphy told reporters at the Television Critics Association’s press tour in Pasadena, California after a panel for the upcoming limited series Feud.

The next cycle will also be set in modern times, he said.

The revelations came after Murphy was asked if the upcoming season will keep its subject matter a mystery — like FX did with last year’s Roanoke.

(10) BIZARRE COLLECTABLES. Having a bunch of these around the house, sure, that will cheer you right up (rolls eyes) – Dangerous Minds tells about collectable Hieronymus Bosch figurines.

I’m not a big knickknack person. I like to keep my home sparse in the “tiny objects” departament. But I must admit I really do dig these Hieronymus Bosch figurines. They’re kinda cool-looking in their own obviously weird way. I especially like the ones from Bosch’s Garden of Earthly Delights.

They’re also not too expensive. The figurines start at around $45, depending on quality, size and detail. I’ve posted a range of different figurines and where to purchase below each image if you’re interested.

tree-man-hybrid-creature-statue-adaptation-by-hieronymus-bosch-5h-jb01-1_1024x1024_465_623_int

(11) RICHARD MATHESON FLASHBACK. From Time Magazine’s 2013 obituary:

Fear lives forever. If as kids we are scared witless by some moment in a story, movie or TV show, it goes into a bank of memories we can tap and withdraw, with a shudder or a smile, for the rest of our lives. In popular culture of the past 60 years, few writers deposited more images of dread in the cultural consciousness than Richard Matheson, who died Sunday June 23 at his Calabasas, Cal., home at the age of 87. Here are a few of the images he implanted:

A man notices he is losing wright — no, he’s getting smaller (The Incredible Shrinking Man). An airline passenger sees a gremlin cavorting maliciously on an airplane wing (“Nightmare at 20,000 Feet” on The Twilight Zone). A driver on a lonesome highway is menaced by a killer truck (“Duel,” made into a 1971 TV movie by Steven Spielberg). A child disappears into the fourth dimension, her cries still audible to her father (“Little Girl Lost,” The Twilight Zone). A plague of vampires roams the Earth (the novel I Am Legend). A man discovers he has psychic powers that make him hear the thoughts of his neighbors, and of the restless dead (A Stir of Echoes). A young couple is visited by a stranger who tells them they’ll be rich if they just push a button that will instantly kill someone they don’t know (“Button, Button,” The Twilight Zone). A woman buys a Zuni fetish doll as a joke gift, then is attacked and assaulted when the doll comes to life (“Prey,” later a segment in the TV movie Trilogy of Terror).

(12) WATCH THE SYMPOSIUM. Tiptree Winner Eugene Fischer links to eight 2016 Tiptree Symposium videos.

In December I traveled to Eugene, Oregon to attend the 2016 Tiptree Symposium, a two-day academic conference on the work of Ursula K. Le Guin. I got to see some old friends, made some new ones, briefly met Le Guin herself, and heard many thoughtful panels and lectures. If that sounds like something you’re sad to have missed, you’re in luck: the University of Oregon has put videos of the presentations online.

I’m planning to rewatch several of these, starting with the incredible panel Alexis Lothian put together on “Speculative Gender and The Left Hand of Darkness,” featuring Aren Aizura, micha cárdenas, and Tuesday Smillie presenting three trans perspectives on the novel. I took five pages of notes on this panel alone, and came away feeling I hadn’t been able to jot down everything I wanted to think more about.

(13) HARD TRUTHS. Selections from Chuck Tingle’s visit to “Ask Me Anything” on Reddit.

  • well the timelines get HARDER as they go deeper and deeper into the tingleverse and techincally the hardest timeline is THE TINGULARITY i have never gone that far down as I am worried I would not make it back. the farthest i have visited is the timeline where all language is the word butt and there channing tatum makes up most of reality
  • well it is easy to see that love is real when you think about the way the sun shines or the way CHANNING TATUM looks handsome with his new haircut. so you can think on these things and consider that there are other timelines where channing tatum does not exhist or even one where he is a large frog. but it is also important to remember that IT IS OKAY TO BE SAD and IT IS OKAY TO BE WORRIED this is a normal part of being a buckaroo, then we consider this am move forward togeather as courageous bucks
  • when i sit down to write a tingler I think about the basic way of the story (this is through meditation on the deck) and then I think WHAT IS THE BEST WAY TO MAKE THIS PROVE LOVE. sometimes a story is good and fun or maybe spooky but it does not prove love and this is the most important part. so i think the key as a true buckaroo is to think HOW CAN THIS MAKE ME PROVE LOVE? how can this make a reader feel hot-to-trot after like they want to prance and maybe kiss a handsome plane or a handsome meatball or even maybe a handsome concept of playoff odds

[Thanks to John King Tarpinian, JJ, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/18/16 Scroll Measured By Weight. Pixels May Settle In Packing

(1) PROMETHEUS AWARDS RECOMMENDATIONS. Members of the Libertarian Futurist Society can formally nominate a work for any category of the Prometheus Awards.

Here are the works nominated so far in 2016 for the Prometheus Award for Best Novel:

2016 Prometheus Award Best Novel nominations
(Nominations as of Dec. 17, 2016. Nominations deadline: Feb. 15, 2017)

  • Morning Star: Book III of The Red Rising Trilogy, by Pierce Brown (Del Rey, Feb., 2016)
  • Speculator, by Doug Casey and John Hunt (HighGround Books, Sept. 2016)
  • Dark Age, by Felix Hartmann (Hartmann Publishing, June 2016)
  • Kill Process, by William Hertling (Liquididea Press, June 2016)
  • Through Fire, by Sarah Hoyt (Baen Books, August 2016)
  • The Corporation Wars: Dissidence by Ken MacLeod (Orbit, 2016)
  • Too Like the Lightning, by Ada Palmer (TOR Books, 2016)
  • Written in Fire, (Book 3 of The Brilliance trilogy) by Marcus Sakey (Thomas & Mercer, Jan. 2016)
  • The Core of the Sun, by Johanna Sinisalo and Lola Rogers (Grove Press/Black Cat, January 2016)
  • Blade of p’Na, by L. Neil Smith (Phoenix Pick, October 2016)
  • Arkwright, by Allen Steele (TOR Books, March 2016)
  • On to the Asteroid, by Travis S. Taylor and Les Johnson (Baen Books, August 2016)
  • Necessity, by Jo Walton (TOR Books, July 2016)

(2) THEATRICAL ALIENS. Alastair Reynolds’ story is being brought to the stage using puppets designed by Mary Robinette Kowal — “The House Theater of Chicago to Stage World Premiere of Sci-Fi Thriller DIAMOND DOGS”.

The House Theatre of Chicago presents their initial production in 2017, Diamond Dogs, adapted from Alastair Reynolds’ science fiction adventure by Althos Low and directed by Artistic Director Nathan Allen, playing at the Chopin Upstairs Theatre, 1543 W. Division St., January 13 – March 5. Diamond Dogs is also a participant in the 2017 Chicago International Puppet Theater Festival, January 19 – 29. Preview performances are January 13 – 20. Opening/press night is Sunday, Jan. 22.

Diamond Dogs follows a 26th century team of humans and transhumans as they investigate a mysterious alien tower, bent on brutally punishing all intruders. Uncovering clues and solving puzzles, each crusader will make dangerous, eye-popping sacrifices to get to the mysteries atop the spire. Blood will spill. This thriller is one of 16 stories set in novelist Reynolds’s expansive Revelation Space Universe. Artistic Director Nathan Allen teams up with The House’s most inventive designers and guest artists to bring this unique universe to life. Body modification is the norm in the future, and award-winning puppet designer Mary Robinette Kowal, who is also an award-winning sci-fi author, articulates and re-shapes the actors’ human forms into powerful mechanized players battling for their lives. Reynolds is one of a new generation of hard science-fiction authors, a craft he began during his decade-long career as an astrophysicist with the European Space Agency. Diamond Dogs is a pure example of the “Deadly Maze Story,” a staple of Science Fiction since H. P. Lovecraft. This world premiere production at The House Theatre of Chicago marks the first of Reynolds’ works to be adapted for another medium.

(3) RESNICK ON WRITING. Joshua Sky interviews Mike Resnick for Omni.

JS: What other elements are important in a new writer? Is it attitude, is it talent? What’s your take on that?

MR: First, you’ve got to be a smooth enough writer so that it’s not an effort for the editor, or the reader to get to the bottom of each page. That’s essential. You’ve got to know how to push a noun up against a verb with some grace. And of course you should have a knowledge of the field, because while there’s still a million ideas we haven’t touched, there’s probably half a million ideas that have already seen print. And unless you have a totally new take on it you’re not going to sell it. There used to be a rejection slip from Amazing Stories, back when Ted White was editing it, where there’d be a number of boxes he could check to explain why he’d rejected it. The box he checked most was, “Heinlein did it better – and earlier.”

I would love to have a rejection slip like that, but all Galaxy’s Edge’s rejections are personal. But yeah, you’ve got to know the field if you want to write in it. Which makes sense. I mean, shouldn’t you care enough about the field in which you want to make all or part of your living so that you’ve been reading it and know about it, and know what has been done to death and what hasn’t?

(4) ANSWERS WANTED James Davis Nicoll wants to tap into File 770 readers’ collective wisdom about project management tools useful for conrunners.

A local theatrical organization has ongoing communications challenges. The current means of communication (email, facebook, facebook messages) all seem to lend themselves to communications breakdowns [1]. I recall that Basecamp worked pretty well for the Tiptrees but Hipchat, Slack and Telegram have also been suggested as well. I know a bunch of you run cons. Would you recommend any of these tools?

[1] Facebook lends itself to amnesia but even in email it can be hard to find the specific email you want, particularly if you’ve forgotten it exists. Or never knew.

(5) BILL WARREN REMEMBERED. Scott Shaw! told Facebook readers that Svengoolie paid tribute to the late Bill Warren on this week’s program.

Tonight on Me-TV, during his presentation of Hammer’s 1960 classic THE BRIDES OF DRACULA, Svengoolie (AKA Rich Koz) made a VERY nice mention of Bill Warren‘s passing. He showed the photo of Bill with Robby the Robot and Kerry Gammill‘s cover for the new edition of Bill’s KEEP WATCHING THE SKIES! Sven mentioned Bill’s work with Forry Ackerman and his insanely voluminous knowledge about the films we all love. He even mentioned Beverly Warren! It made me very proud to see such a wonderful acknowlegement of the sweet, funny guy we all miss.

I wasn’t aware that Sven’s tribute to Bill was gonna be tonight, but surely some of you out there recorded tonight’s episode of SVENGOOLIE

(6) GABOR OBIT. Zsa Zsa Gabor (1917-2016) died December 18. Her Internet Movie Database bio says —

Undoubtedly the woman who had come to epitomize what we recognize today as “celebrity”, Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her “dahlink” catchphrase, her actions, life gossip, and quotations on men, rather than her film career.

Her biggest genre credit was the movie Queen of Outer Space. She also appeared in Nightmare on Elm Street 3, and episodes of Night Gallery (segment “The Painted Mirror”), Batman, and Supertrain.

queen-of-outer-space

(7) TODAY IN HISTORY

  • December 18, 1839 — John William Draper took the first photo of the Moon. (“Say ‘Cheese!’”)
  • December 18, 1968Chitty Chitty Bang Bang opens in New York

(8) TODAY’S BIRTHDAY BOYS

  • Born December 18, 1913 – Alfred Bester
  • Born December 18, 1946 — Steven Spielberg (Amazing Stories) and
  • Born December 18, 1958 — Steve Davidson (Amazing Stories)

(9) OUR REPLACEMENTS. Kate Macdonald looks back at early cyborgs in her “Review of ‘No Woman Born’ (1944) by C.L. Moore and ‘Lady in the Tower’ (1959) by Anne McCaffrey” at Science Fiction and Other Suspect Ruminations

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Woman Born’ this year, and was deeply impressed. This story is a glowing beacon of fine writing and an impressive acceleration of how the cyborg operates in fiction. No longer a destructive masculine, war-making automaton from the post-WW1 years, this cyborg is a dancer and singer whose new flexibility and vocal range enhance her art, and successfully disguise her strength of purpose by using her femininity to cloak her developing ambitions. Deirdre is a person who is now a cyborg, and her humanity is totally present throughout this novella, despite her gleaming gold body, and her inhuman speed and agility.

The story could just as well be a three-act play. It’s set in Deirdre’s apartment where Harris, her former manager, comes to visit her for the first time after her rehabilitation following a disastrous fire, then when he and her besotted surgeon Maltzer watch her first public performance on TV in her new body, and finally when Harris witnesses Maltzer’s threat to prevent any more cyborgs being made, and Deirdre’s command. ‘No Woman Born’ is not just a story of one person, it’s an opening up of possibilities: cyborgs are stronger and faster, so what will that mean for women, as well as for men? What will that mean for the humans left behind? Can relations between a man and a woman be the same now that the woman is made of metal? How will a woman feel about her body, when no-one is there to admire it? And does this matter? By creating a female cyborg whose primary attributes, in the eyes of the men who managed and created her, are her grace and beauty, Moore shows us that when a cyborg claims autonomy, she becomes nobody’s creature, and can decide how she will live her extended, augmented life. It is a tremendous, game-changing story for feminism in sf, and for how we need to learn to think about being post-human. It’s also beautifully written, with unforgettable images of Deirdre learning to see, to stand, move and dance humanly again, in her glittering robe of metal mesh, and her golden, visored face.

(10) LOVECRAFT COUNTRY MUSIC. If you are looking for a Christmas present for your favorite dark ambient fan, the Cryo Chamber label has been releasing massive collaborations named after Lovecraftian gods. The latest one is named Nyarllathotep. The albums are available in CD and digital formats.

A 190 minute dark soundscape album recorded by 25 ambient artists to pay tribute to H.P. Lovecraft. Field recordings from the deepest dark corners of 4 continents. Dusty tapes out of forgotten archives. Strings through crackling amplifiers and distorted drone combine into a sea of pitch black. Nyarlathotep is a manipulative being in the Lovecraftian Mythos. Unlike Cthulhu, or Azathoth, he delights in cruelty and deception. Causing madness is more important than destruction to him.

Smell the burning embers as you kneel outside the sunken temple before Nyarlathotep. Feel the raspy touch of the faceless pharaoh as he leads you to the ancient Pyramid. Hear his inhuman summoning call to gods beyond reality.

(11) AFROFUTURISM. The New York Times highlighted Afrofuturism in their Year in Style 2016 section. In the article, Ytasha L. Womack, author of the 2013 Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, speaks almost in counterpoint to the Puppies:

“When…in the imaginary future… people can’t fathom a person of non-Euro descent a hundred years into the future, a cosmic foot has to be put down.”

…Afrofuturism’s resurgence could not be more timely, arriving as it does in a climate perceived as indifferent, if not downright inimical, to racial and ethnic minorities. In her book, Ms. Womack recalls a time when black or brown sci-fi characters were all but invisible in the culture at large. As a girl, she would fantasize that she was Princess Leia of “Star Wars.”

“While it was fun to be the chick from outer space in my imagination,” Ms. Womack writes, “the quest to see myself or browner people in this space age, galactic epic was important to me.” It was in the absence of minorities from pop lore, she goes on, “that seeds were planted in the imaginations of countless black kids who yearned to see themselves in warp-speed spaceship too.”

Count among them Tim Fielder, a New York graphic artist and animator whose sci-fi illustrations, produced over a 30-year span, drew visitors last spring to “Black Metropolis,” at the Gallatin Galleries at New York University. Mr. Fielder’s pioneering cartoon narratives — notably those of “Matty’s Rocket,” his spirited black female cosmonaut, who will lift off next year in graphic novel form — are particularly relevant now, he maintained: “They let young artists know that they’re not on dangerous turf, that someone has gone there before them.”

(12) BEFORE YOUR EYES. NPR combines story and video in its report “Google assembles decades of satellite photos to show changes on Earth”.

Google Earth’s time lapse videos of earth’s landscape could make you think about the great baseball player Yogi Berra.

“I thought about one of the quotes attributed to Yogi Berra,” says Marc Levy, a political scientist at Columbia University’s Earth Institute who specializes in issues of global health and development. “He said, ‘You can observe a lot just by watching.'”

To show just how much the Earth’s landscape has changed over the past three decades, Google sifted through 5 million satellite images containing three quadrillion pixels. The result is a series of high-resolution, zoomable time-lapse videos that capture, in unprecedented detail, the human impact on this planet.

 

(13) SCIENCE HISTORY. Genevieve Valentine reviews “’Hidden Figures,’’The Glass Universe,’ And Why Science Needs History” for NPR.

But history tends to get simplified; a map becomes a single road leading from point to point. It’s not surprising that some scientists who contributed invaluably to the field have been kept out of the dominant narrative because they were women, and they were considered anomalies of their time. (That those times practically overlap — meaning a steady line of crucial work being done by women — is one of those scientific patterns that tend to get forgotten.)

But in the last days of the 19th century and the early days of the 20th, Henrietta Swan Leavitt — one of the many woman “computers” at the Harvard Observatory — used the measurements of variable stars to determine fixed distances across space. And fifty years later, Katherine Johnson — a black woman working at NASA’s Langley Research Center in Virginia when the state was still deeply segregated — would map John Glenn’s space flight, and America’s trip to the moon.

(14) RADIO ART. A few months ago we reported the drawing competition BBC Radio 4 was having  to draw episode art for their re-broadcast of Neil Gaiman’s Stardust radio adaptation. The program is airing this month – there will be a repeat Christmas weekend. Schedule here: Stardust – Next on – BBC Radio 4.)

[Thanks to John King Tarpinian,  Bruce Arthurs, Chip Hitchcock, Michael J. Walsh, Steve Davidson, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 11/21/16 Pon Far. Squa Tront.

(1) FOR LONG DISCUSSIONS ABOUT SHORT STORIES. Standback and Levana Taylor have launched the Short Story Squee & Snark website. It began as a Facebook group and all of the 50+ discussions from the existing group have been imported to the new site.

But it’s safe to assume the real action will be around the newest, most recent story selections. For our first few weeks, we’ve got story suggestions from Chinelo Onwualu, from Charles Payseur, and Abigail Nussbaum. Our first discussion begins tomorrow.

After that, we’ll be pressing on with selections from your humble hosts, Standback and Levana – and suggestions from you. You can follow us on RSS or on Twitter to join along.

(2) OCCASIONAL TIRADER. Julie Phillips profiles “The Fantastic Ursula Le Guin” ini The New Yorker.

To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life. I asked her recently about a particularly violent story that she wrote in her early thirties, in two days, while organizing a fifth-birthday party for her elder daughter. “It’s funny how you can live on several planes, isn’t it?” she said. She resists attempts to separate her more mainstream work from her science fiction. She is a genre author who is also a literary author, not one or the other but indivisibly both.

Le Guin can be polemical, prone to what one close friend calls “tirades” on questions she feels strongly about. I once watched her participate in a panel discussion on gender and literature at WisCon, an annual gathering of feminist science-fiction writers, readers, and academics in Madison, Wisconsin. Scowling like a snapping turtle, she sat waiting for illogical remarks, which she then gently but firmly tore to bits. Yet a conversation with Le Guin is often full of comic asides, laughter, and—a particularly Le Guin trait—good-natured snorts. Humor seems to be her way of taking the edge off the polemic, as well as an introvert’s channel of communication. Behind even the lightest remarks, one is aware of a keen intelligence and a lifetime of thought, held back for the purposes of casual conversation.

(3) DEMON WITH A BRASS BAND. Omni’s Joshua Sky interviewed Jason Davis, editor of many Harlan Ellison collections, about the project to digitize and preserve all of Ellison’s writings, in “To Preserve A Demon”.

Writer/editor Jason Davis has a special ambition — to catalog, digitize, edit, correct, annotate and re-publish (or publish for the first time, in some cases) all of Harlan Ellison’s writings. Twenty-six four-foot-wide drawers of typescripts, over 100 feet of paper if stacked, the lifework of a man who is easily one of the most influential and cantankerous authors of the 20th century. Jason is spearheading the Harlan Ellison Books Preservation Project, a grand undertaking “To create definitive versions of all Harlan Ellison’s writings, fiction and non-fiction, to preserve in print for posterity.”…

JS: How did this project come about?

JD: I took over HarlanEllisonBooks.com in 2012. For the most part, I’ve been limited to publishing the previously uncollected, and un-reprinted stuff. His other works were with other publishers. I could do a new collection, like Harlan 101, which contains stories that you’ll find spread across many other Ellison collections. I can do that as a unique volume, and it did very well.

Certain economic factors were built into the original business model before I took over, and — as previously noted — the rights to most of the iconic collections are tied up elsewhere, so because of the need to sell X copies of a given book to make a return, I’ve concentrated on material that wasn’t available in any form elsewhere, with a few exceptions — like Harlan 101 or 8 in 80 by Ellison — where there was some unique aspect to the book that made it worth releasing.

For the Preservation Project, I’m working at the story/essay level, so I’m not stepping on anyone else’s toes. The entirety of Harlan’s work will be digitized and corrected to make sure it’s as the author intends it. In the future, if a publisher comes to him and says, “I want to put out a new edition of Shatterday in hardback,” it will be a simple matter of pushing a button, and a complete text of that collection goes off to the publisher in electronic form after the contract is signed. As it currently stands, that publisher would receive a large box of photocopied typescripts which would have to be scanned or typed into a computer for publication, which leads to inputting errors and a lot of back-and-forth between the publisher’s employees and Harlan’s office via phone, fax and e-mail. One of the goals of this project is to make republishing Harlan’s writings more appealing to publishers — who have their own economic pressures to deal with — by front-loading a lot of the editorial work.

To date the Kickstarter has raised $78,375 of the $100,000 goal.

(4) THE CALCULUS OF ONLINE BOOK SHOPPING. After Max Florschutz sells you the book, he’ll try to sell you on reviewing that book on Amazon.

Now, there’s some truth to why we think this way, after all. I’m not saying that those that pass over a book with only three reviews are being subconsciously manipulated. Rather that the reasoning for such is so valid and ingrained that we as consumers tend to let it subconsciously spill into all sorts of areas.

So, getting back to that review number, it turns out that it’s really important, because people recognize that a higher number of reviews is a good thing. It means a wider variety of readers purchased the product and then left their opinion. And if the book was poor, even with a few outliers that enjoyed it immensely and gave it high reviews, the average rating would reflect that. In this manner, a book that has five stars at ten reviews is, to many, less trustworthy and less likely to be a truly good read than a book that has three stars but three hundred reviews.

And this compounds. The higher the number of reviews, the greater the variety among those leaving them, and the greater chance that the average rating is, the way a prospective reader sees it, accurate. Which therefore increases the chance that they will then seriously consider purchasing the book.

(5) NO TWO SNOWFLAKES ARE ALIKE. Camestros Felapton reviews the reviewer: “MetaReview: Dave Truesdale Reviews Diabolical Plots #21”.

That the reviewer frames his review around a comment by the author—the “unjust violent death of Michael Brown”—and then gives the reader of Truesdale review a totally different narrative that is nothing short of intellectual dishonesty. Truesdale’s review fails on literary grounds (the shift of focus from a fictional story about emotional pain in the face of perceived injustice and violence to Truesdale’s evaluation of whether the author is justified in feeling angry about a real-world event), and from an error in judgment by Truesdale in attempting to justify a judicial killing, which not only reveal the weakness in the review itself, but which highlights how the reviewer’s own strong prejudice in the matter clouded his thinking, and obstructed his capacity to give a professional review.

(6) TREVOR OBIT. Irish novelist, playwright and short story writer Sir William Trevor (1928-2016) died November 20 reports The Bookseller. He won the O. Henry Prize four times and the Whitbread Award three times; he was also nominated for the Booker Prize five times.

The Internet Science Fiction Database lists his genre work as:

Novels

The Children of Dynmouth (1976)

Shortfiction

Miss Smith (1967)
The Only Story (1971)
The Love of a Good Woman (1972)
George and Alice and Isabel (1973)
Visions of Hell (1974)
Mrs. Acland’s Ghosts (1975)
The Death of Peggy Morrissey (1975)
Broken Homes (1977)
The Raising of Elvira Tremlett (1977)
Autumn Sunshine (1980)

(7) CLOWES OBIT. Jonathan Clowes, Doris Lessing’s agent, has died at the age of 86. The Bookseller published a tribute:

After founding Jonathan Clowes Ltd. in 1960, Clowes assembled a select and high-powered client list including international bestseller Len Deighton, novelist, poet and playwright Maureen Duffy, Nobel Prize winner Doris Lessing, novelists Sir Kingsley Amis, Elizabeth Jane Howard and Brian Freemantle.

His clients also included television writers David Nobbs, Carla Lane and Dr David Bellamy.

Clowes took an unlikely path to become one of London’s most renowned and respected literary agents, having left grammar school aged 15 and worked in a number of different trades, from gardener to decorator, even going on to serve time in prison for his stance as a conscientious objector.

(8) TODAY IN HISTORY

  • November 21, 1942: “Tweety Bird” debuted

(9) TODAY’S BIRTHDAY BOYS

  • Born November 21, 1924 – Christopher Tolkien
  • Born November 21, 1944 – Harold Ramis

(10) BEASTLY CAPITALISM. ScienceFiction.com has a question: “Weekend Box Office (11/18-11/20): ‘Fantastic Beasts’ Did Fantastically… But Fantastically Enough?”

It’s no surprise that ‘Fantastic Beasts and Where to Find Them’ topped the box office charts this weekend, with $75M in the US and $218.3M globally.  This film kicks off a series of five projected movies– with the first sequel already scheduled to arrive on November 16, 2018– all penned by J.K. Rowling, the creator of ‘Harry Potter’, but did studio Warner Brothers bite off more than they could chew?  That’s what some insiders are wondering, as this movie’s opening is below that of other franchise players like ‘Doctor Strange’ ($85M opening weekend) and WB’s own ‘Suicide Squad’ ($133.6M… and that was considered a disappointment).

(11) ATTENTION BAKER STREET REGULARS. Sherlock Season 4 is almost upon us. Reportedly, for the first time shows in the UK and the US will be broadcast on the same dates.

Sherlock will return in “The Six Thatchers” on January 1, 2017 on MASTERPIECE on PBS.

Coming in 2017, Sherlock will return with three brand-new episodes that promise laughter, tears, shocks, surprises and extraordinary adventures.

Season four begins with the mercurial Sherlock Holmes (Benedict Cumberbatch), back once more on British soil as Doctor Watson (Martin Freeman) and his wife Mary (Amanda Abbington) prepare for their biggest challenge yet: becoming parents.

(12) ANOTHER ITEM FOR THE WISH LIST. Dread Central is making a list and getting it wet.

Leave it to Mondo to tug on our nostalgic heartstrings just before Christmas. They’re releasing a vinyl version of the soundtrack to Joe Dante’s Gremlins, and the packaging literally changes when exposed to water and sunlight… just like the titular creatures.

gremlins_front%20cover_uv%20lightgremlins_sleeve%201gizmo_dry

(13) THREE STOOGES AT THE ALEX. Glendale’s Alex Theatre hosts the 19th Annual The Three Stooges® Big Screen Event this Saturday at 2:00 & 8:00 p.m.. Order tix online here.

The LA Weekly has named The Affordable Curly Care Act: Poking Medicine in the Eye Since 1933 their “Pick of the Week.” What more can we say? How about, “Buy your tickets early to avoid the lines at the box office.”

A special surprise bonus will be shown in addition to this lineup of five classic Stooges shorts:

  • FROM NURSE TO WORSE (1940 – Jules White)
  • CASH & CARRY (1937 – Del Lord)
  • SOME MORE SAMOA (1941 – Del Lord)
  • SCRAMBLED BRAINS (1951 – Jules White)
  • ALL THE WORLD’S A STOOGE (1941 – Del Lord)

(14) WHAT TOOLS THESE MORTALS BE. Mark-kitteh writes: “A performance of The Tempest with a live motion-capture Ariel on stage? I’m sure some will say the Bard will be spinning in his grave, but I suspect he’d just be updating his list of stage directions to include ‘exeunt stage upwards’,” — The Tempest review: Real-time digital avatar brews storm in a teacup” at ArsTechnica.

(15) ANYTHING YOU CAN DO. ScreenRant knows “Everything Supergirl Can Do That Superman Can’t”.

Supergirl is more than a chip off the ol’ Krypton block. While her younger cousin gets all the credit for bench-pressing the earth and saving the universe, Supergirl’s individual strengths have been sorely undervalued….

  1. She Can Shapeshift

Superman is dead. This is the reality of the post-Crisis “pocket universe” where Lex Luthor was a good guy who bet the ranch on recreating his long lost love, Lana Lang. Lex’s advanced form of AI was called the “protoplasmic matrix,” or just “Matrix” for short. Indeed, Luthor’s weird science led to the recreation of his lady love, now called Matrix– an unholy hodgepodge containing the memory of Lana with the Kryptonian specs of Superman (whom he knew about thanks to his otherworldly technology).

In addition to being almost as strong as Kal-El, this new creation had the powers of invisibility, telekinesis, and shapeshifting, which she took full advantage of by morphing into Supergirl 2.0. In a battle against General Zod, Faora, and Quex-UI, Matrix/Supergirl held her own but ultimately had to call on the support of Superman to take down the triumvirate. Though the pair defeated the Krypton criminals, the pocket universe was basically destroyed, and the new shapeshifting Matrix was taken back to the mainline DC Universe where she became the first post-Crisis Supergirl.

(16) ANOTHER MILLION BRICKS IN THE WALL. How many LEGO bricks does it take to build these various science fictional structures?  This infographic from earlier in the year has the theoretical answers.

How Many Lego Would It Take To Build Sci-Fi Megastructures
How Many Lego Would It Take To Build Sci-Fi Megastructures Created By: Ebates

[Thanks to Mark-kitteh, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 10/27/16 Take a Pixel, Maria, Scroll It Up My Screen

(1) HARASSMENT CLAIMS ANOTHER CREATOR. Comics Beat’s Heidi MacDonald reports another woman comics creator abandoned Twitter because of abuse — “Bestselling author Chelsea Cain driven off Twitter by harassment from comcs ‘fans’”.

Mockingbird writer Chelsea Cain, the bestselling author of Heartsick and other thrillers, deleted her Twitter account today after receiving abusive tweets yesterday….

In a now vanished series of tweets (one screencapped above)  Cain noted that she was getting harassing tweets, presumably over the above Mockingbird cover and her work there in general. It’s possible that she was targeted from 4chan or Reddit as well. After saying she was considering pulling the plug…she did just that.

This ignited a firestorm of support on Twitter as well….

And a #standwithchelseacain hashtag was trending for quite a while and is still gaining steam. I doubt this is going to calm down any time soon.

I guess everyone feels a little burnt on social media at the mo, but the harassment problem isn’t a woman’s problem, it’s a MAN’S problem. The good men of comics and everywhere need to make it clear they do not support or tolerate hate, abuse and misogyny. This isn’t a borderline case. It’s clear, indisputable harassment. And that should not be part of the “comics conversation.”

The abuse against women in comics is equally clear and indisputable, and the abuse against women of color is even worse. And so on down the line. It’s toxic and inexcusable.

(2) TAKE THE LONGER WAY. Scifinow has an interview with Becky Chambers.

[CHAMBERS] So when they asked me, “What would you like to do next?” I was like, “Well, I don’t have anything for this crew, but Pepper and Lovelace, those two are, they’ve got stuff that I’d like to explore.” So that was just the thread I picked up and went with.

They’re such a great pairing! So they were the starting point?

Yeah, it really did happen by accident. That was one of the last things that I figured out in The Long Way. A lot of the stuff that happened in the book I’d scribbled down and imagined well before I actually sat down and wrote the thing, but I was a long way through the first draft before I knew where Lovelace was going to go after the first book. Somehow Pepper just sort of naturally took that spot.

It was one of those wonderful moments where something happens when you’re writing that you didn’t intend and it’s just like, “Oh, that actually works really well!” I started thinking about how these two women have vastly different backgrounds and life experiences but they actually have quite a bit in common, and it was fun playing with that. It was fun finding the similarities between two characters who, at first blush, don’t look like they could have anything similar at all and yet are walking such similar paths.

(3) THE SCIENCE IN SCIENCE FICTION. Joshua Sky interviewed Larry Niven for Omni.

JS: One of your goals as a writer is to continuously publish science fiction that is at the cutting edge of science. Is that still the case?

NIVEN: Yes, Fred (editor of If and Galaxy magazines at the time) gave me that goal, because I was already doing it, without quite making it a goal. He in fact suggested me writing stories and he finding scientists to write articles alongside the stories on the same subject, and we never got that far. I think he must’ve found that to be too much work.

JS: Is your process that you check the news, read the latest discoveries in science, and then write a story based on your findings?

NIVEN: That was my goal. In fact, I never really managed it.

JS: Is it difficult to keep track of the latest developments in science?

NIVEN: That’s easy. That’s a hobby. Doing your research for fun, and hoping it generates stories. Sometimes it does.

(4) WHAT I REALLY MEANT TO SAY. Here’s a Los Angeles Times article that will refresh your memory about the new California law requiring autographed memorabilia come with a certificate of authenticity —  “The high cost of an autograph”.

The bill’s author, Assemblywoman Ling Ling Chang, faced with a firestorm of protest from booksellers, issued this letter that argues her legal language should not be interpreted in the draconian way people assume.

assemblywoman-letter-p-1

assemblywoman-letter-p-2

(5) VANISHING CULT. The LA Times’ Josh Rottenberg asks, “In an age of comic-book blockbusters and viral sensations, whatever happened to the cult movie?”

Those old video stores have virtually all disappeared now, of course, along with many of the independent movie theaters that, in decades past, drew steady crowds to such “midnight movies” – all of it swept away in the transition to a fully digital, on-demand world. And the cult movies themselves? It seems they’re in danger of going extinct as well.

In today’s fragmented, ever-churning pop culture ecosystem, the long tail of home video that once gave oddball movies a shot at a glorious cult afterlife has shortened to the point of vanishing. With even big-budget commercial films often struggling to break through the endless clutter of content, the challenge for smaller, quirkier fare is that much harder.

Even when a particular offbeat film – say, “The Babadook” or “It Follows” – manages to catch a viral wave, it is almost instantly overcome by the next fresh piece of “must-watch” entertainment that demands your already overtaxed attention. Instead of a long tail, we now have a collective case of incurable cultural ADHD.

(6) WRITER’S NOTEBOOK. In his latest post at This Way To Texas, Lou Antonelli shares an idea for a story – “The Revenge of the Internet” — inspired by this premise:

OK, the big problem with social media – which I think everyone recognizes – is that it allows you to attack or insult people with impunity. it unleashes our worst nature. We can get away with saying things to people we would never say to their face, or even on the phone, and we can do it across great distances….

(7) GENDER COUNTING. Juliet McKenna says this is what the numbers say about “Gender in Genre and the Self-Published Fantasy Blog-Off 2016”.

When the only thing that counts is what readers make of the writing, the story really is all that matters.

The second thing I’m seeing here? Out of three hundred SPFBO [Self-Published Fantasy Blog-Off] submissions this year, the field was 49% male, 33% female and 18 unknown as they were using initials. Can we assume those initials all belong to women? I’d say that’s a risky assumption – and even if that were the case, that still means only a third of the books were written by women prepared to raise a hand to be identified as such. What does that tell us?

Once again, it confirms something I’ve seen time and again since I started writing about inequalities in visibility in SF&F. Something I’ve had confirmed as an endemic problem in fields such as medicine, science, computing, literary criticism, history and the law. Women are still culturally conditioned to put themselves forward much less and to hold their own work to a far higher standard before offering it for publication. It’s a problem that frustrates and infuriates editors, from those working on academic journals, through fiction anthologies in all genres, to the commissioning editors in publishing houses. With the best will in the world, the best initiatives to improve diversity and representation can only work if those who’ve been historically excluded now step forward.

(8) BEFORE THERE WAS DYSTOPIA. In his article “We should remember HG Wells for his social predictions, not just his scientific ones” at The Conversation, Victorian fiction professor Simon John James notes that it’s H.G. Wells’s sesquicentennial, and gives back ground on Wells’s political achievements, including how Wells’s ideas inspired the UN Declaration of Universal Human Rights.

Today, given the role that national identity continues to play in human beings’ efforts for greater self-determination, the prospect of Wells’s world state seems even less likely. One surprising legacy remains, however, from Wells’s forecasts of a better future for humankind. Letters from Wells to The Times led to the Sankey Committee for Human Rights and Wells’s 1940 Penguin Special The Rights of Man; Or What Are We Fighting For? (recently reissued with a preface by novelist Ali Smith). Wells argued that the only meaningful outcome for the war would be the declaration of an agreed set of universal human rights and an international court to enforce them.

Wells’s aspiration was the guaranteeing of the right to life, education, work, trade and property for every man and woman on Earth. (Surprisingly, given his earlier flirtation with positive eugenics, Wells also insisted on “freedom from any sort of mutilation or sterilisation” and from torture.) The influence of Wells’s work is clear in the United Nations 1948 Declaration of Universal Human Rights. These rights now have legal force if not universal existence: so are perhaps Wells’s most significant prophetic aim.

(9) JABBA’S JAZZ BAND ON THE TITANIC. I was amused by a sportswriter’s use of a Star Wars metaphor here. (There’s no reason to go read the whole article unless you want to know why a pro basketball team – the Philadelpha 76ers – has been tanking for years.)

Maduabum is not at the center of this story, but as a part of The Process he is known to the community of people who believe in it, roughly in the same way that the name of the lead singer in the band playing on Jabba the Hutt’s barge is known to your harder core Star Wars weirdos. Maduabum is a component part of a bigger story, in other words, and a peripheral cast member in that story’s expanded universe.

It’s a story that, as so often happens with things like this, is now being told by people with significantly more emotional investment in it than the original credited author. The person who came up with all this was, however idiosyncratically, trying to tell a compelling story successfully through to its conclusion, which is a complicated but prosaic thing. That story didn’t really come to life, and so cannot really have been said to work in any meaningful way, until it changed hands, as generally happens to stories that work the best. The story becomes the shared property of people who really care about it, who have more invested in it, for one, but also pursue it with both a more robust and a more authentic imagination than the story’s creator brought to it. The Process is no longer in Hinkie’s hands. It belongs, now, to the community of believers that keep it alive, and who care about it for reasons that go well beyond the stated goal of building a winning basketball team or attending some cramped and beery victory parade down Broad Street. ChuChu Maduabum is a peripheral part of that story, but he’s part of it. He’s Sy Snootles, yes, but he’s also a real guy. The Philadelphia 76ers owned his rights for six months, and then they traded them.

(10) DON’T SKIP OVER THIS. Steven Lovely picked “The 30 Best Science Fiction Books in the Universe” for Early Bird Books. You may think it’s only been ten minutes since you saw a list of sf/f greats, but this one includes a bunch of present day greats, too, like Ancillary Justice and Three-Body Problem.

(11) ORIGINAL TOURIST TERROR TOWER. In the October 27 Washington Post, John Kelly interviews Itsi Atkins, who probably invented the haunted house attraction in St. Mary’s County in 1971.  Atkins talks about how he came up with the idea and how much he enjoyed scaring people at “Blood Manor” in the 1970s: “He dreamed of screams: Meet the man behind the modern haunted house”.

With Halloween bearing down on us like an ax-wielding maniac, now’s a good time to remember Edwin “Itsi” Atkins, pioneer of fright.

“In all my research, I can’t find anybody who has a live-action haunted house before 1971,” Itsi told me when I rang him up in Georgia, where he lives now. Yes, people had “yard haunts” — elaborate decorations in their front yards — and Disneyland had its Haunted Mansion. But that was an amusement-park ride, which took safely seat-belted riders through a gently scary attraction.

What Itsi claims to have invented is the interactive experience of walking through a haunted house while being assaulted by scary actors amid frightful tableaux.

[Thanks to John King Tarpinian, and Martin Morse Wooster for some off these stories. Title credit goes to File 770 contributing editor of the day Mart.]