Adventure Sci-Fi Storybundle Helps Challenger Learning Centers for Space Science

The Adventure Sci-Fi Storybundle curated by Kevin J. Anderson launched today.  For the next three weeks you can get the 13 books in the bundle for as little as $15 — works by KJA, Paul diFilippo, Jody Lynn Nye, Robert Lynn Asprin, Brenda Cooper, Gray Rinehart, and many others. You name your own price, and a portion of the proceeds goes to support the Challenger Learning Centers for Space Science Education.

 

On Anderson’s blog he gave a rundown on the books in the bundle:

Strap into your cockpit, fire up the faster-than-light engines, and set course for the nearest star. I’ve got a grab bag of 13 excellent science fiction books all in one new Adventure SF StoryBundle. Get them all for as little as $15, and help out a great charity, too!

I put in a brand new action-packed story, The Blood Prize, featuring the popular character Colt the Outlander from Heavy Metal magazines, with all new art by the Aradio Brothers. Robert J. Sawyer offers his classic novel Far Seer (a planet of intelligent dinosaurs!). Raymond Bolton’s Awakening shows a fantasy civilization on the cusp of the industrial revolution faced with an alien invasion.

You’ll read different adventures on very different lunar colonies in Gray Rinehart’s Walking on a Sea of Clouds, Lou Agresta’s Club Anyone, and T. Allen Diaz’s Lunatic City, as well as Louis Antonelli’s alternate space race and murder on the moon in Dragon-Award nominee Another Girl, Another Planet.

Jody Lynn Nye’s Taylor’s Ark follows the adventures of a star-traveling MD with a specialty in environmental medicine, and Brenda Cooper’s Endeavor-Award winning The Silver Ship and the Sea is a gripping story of prisoners of war abandoned on a rugged colony planet. Acclaimed, award-winning author Paul di Filippo gives a collection of his best stories in Lost Among the Stars.

And for thrilling military SF, the bundle also has Honor and Fidelity by Andrew Keith and William H. Keith, Recruit by Jonathan P. Brazee, and the hilarious adventures of Phule’s Company in Robert Lynn Asprin’s Phule’s Paradise.

Buyers can choose to donate part of every purchase to help support the Challenger Learning Centers for Space Science Education, was founded in 1986 by the families of the astronauts who died in the Space Shuttle Challenger disaster.

The organization offers hands-on exploration and discovery opportunities to students around the world the chance to become astronauts and engineers and solve real-world problems as they share the thrill of discovery on missions through the Solar System. Using space simulation and role-playing strategies, students bring their classroom studies to life and cultivate the skills needed for future success.

The Adventure Sci-Fi Storybundle runs for only three weeks. You can get the base level of five books for $5, or all 14 for as little as $15.

Kevin J. Anderson interviewed about the “united artists” model vs. the “big publisher/little author model”

Kevin J. Anderson

Kevin J. Anderson

By Carl Slaughter: How do you sell more books than a major publisher? By going face to face with 4 million readers. So if you see Kevin J. Anderson at a con, he might be promoting one of his many books, but he might just as likely be helping 100 other authors promote their books, and they might just as likely be promoting his. Kevin calls this new marketing model “united artists” versus “big publisher/little author”. This is the same model for authors whose publishers say yes to some stories and no to others. Authors who have joined forces with him include Mike Resnick, Brian Herbert, Allen Dean Foster, and Tracy Hickman.

CARL SLAUGHTER: What’s the “big publisher/little author” model and why is it bad for everybody? What’s the “united artists” model and how is it good for everybody?

KEVIN J. ANDERSON: Ah, the good old days! Previously, a perfectly viable model, a big publisher with big distribution and big offices in New York would take on an author and produce a book, using all their muscle to get copies out into bookstores. It’s very equivalent to big record labels making musicians into stars and then controlling their careers.

But, for good or bad, technology, marketing, and distribution have blown that bottleneck to pieces. Think about it—when is the last time you bought an album in an actual music store? Authors are able to go direct to readers now, selling eBooks and print books without having to get distribution through a chain bookstore. Authors are often more ambitious and more innovative in promoting their books. And the marketing is changing at warp speed—what worked six months ago may flop now. Indie authors are often right on top of these changes, which big old-school publishers may not embrace. Indie authors working together can be quite formidable.

CS: WordFire Press is a business, not an NGO. So what’s the business model? How do you be more friendly toward the author without endangering your own financial viability?

KJA: I started as an indie author reissuing my own backlist, but that proved so successful that other authors came to me. With my personal reputation in the field I brought in major authors with much to offer, as well as ambitious new authors who were motivated to promote their own books with the assistance of the tools I could bring to the table. We share in the effort, cooperate in pushing the titles, exchange podcasts and interview opportunities, and most importantly we appear at big shows together, selling each others’ books. The books don’t sell themselves, and It’s a synergy that really helps.

CS: What’s the sales/distribution model?

KJA: WordFire books are available in all eBook formats—Kindle, Kobo, Nook, iBooks, and all the others via Smashwords—and also in print, which we hand sell at the numerous comic conventions we attend. In 2016 alone, we exhibited at 22 conventions and were seen by 1.5 million attendees. If you count the reach of the TV, podcasts, and other social media we did at those shows, bump that number up to four million. But the authors are expected to help the promotion, and to help promote other authors’ books as well. United we stand, and all that.

CS: What was the inspiration for this project?

KJA: I saw the potential and started with my own old titles first, and then some specialty collections or editions of books that I knew I couldn’t sell to a traditional publisher. When those proved successful, Brian Herbert approached me for his own backlist as well as many novels of Frank Herbert that other publishers didn’t consider viable. We sold those very well, and then other authors came, Alan Dean Foster, Mike Resnick, Jody Lynn Nye, Allen Drury, Michael Stackpole, Tracy Hickman, as well as ambitious new authors who needed extra resources to meet their potential. Then our model of exhibiting at comic cons and meeting the fans directly also proved to be innovative and successful.

CS: What type of books do you publish?

KJA: We have done some outliers—romance, thrillers, non-fiction—but our real wheelhouse is in science fiction and fantasy, the field and the authors I know so well.

CS: How long have you been publishing? How many authors? Which authors? How many books? What kind of sales figures?

KJA: We’ve published nearly 300 titles and over a hundred authors. Our titles are on all platforms (many indie authors just go for Kindle and nothing else), and we are also widely distributed through the Baen eBook Library. We are expanding by leaps and bounds and always looking for new techniques. The sales depend on the authors—an unknown who really promotes can sell better than a big name who is more passive.

CS: How is the “united artists” model going to change book publishing?

KJA: No one has more incentive to sell their book than the authors themselves. We give them direct input in their cover art and their cover copy. By leveraging the energy and connections of the author, while adding the resources we bring to the table, we can make a big impact. This is much different from the big publisher saying, “There, there, author, we know what we’re doing. Go to your corner and let us handle it.” Authors like to be empowered, but they also like a helping hand. We give them the best of both worlds.

Kevin J. Anderson’s Veiled Alliances

By Carl Slaughter:

VEILED ALLIANCES
a prequel novella to Saga of Seven Suns
by Kevin J. Anderson

anderson-veiled-alliances

It is a time of great beginnings. Set a century before the grand events of the Saga of Seven Suns, Veiled Alliances chronicles the origin of the green priests on Theroc, the first Roamer skymining operations on a gas-giant planet, the discovery of the Klikiss robots entombed in an abandoned alien city, the initial Ildiran expedition to Earth, the rescue of the generation ship Burton and the tragedy that leads to sinister breeding experiments.

Veiled Alliances is an excellent starting point for readers new to the Saga, as well as an unforgettable adventure for fans of the series.

BONUS: This edition also includes the complete script for the Wildstorm/DC Comics graphic novel of Veiled Alliances.

Kevin J. Anderson

Kevin J. Anderson

KJA Simultaneously Finishes Two Trilogies

By Carl Slaughter: In September, the prolific Kevin Anderson will have two books out, each of which completes a different trilogy. Here is the jacket copy.

eternitys mind coverETERNITY’S MIND

Eternity’s Mind is the climactic final book in Kevin J. Anderson’s Saga of Shadows Trilogy, which began with the Hugo nominee The Dark Between the Stars. The Saga of Shadows, as well as its predecessor series, the international bestselling Saga of Seven, are among the grandest epic space operas published in this century.

Two decades after the devastating Elemental War, which nearly destroyed the cosmos, the new Confederation restored peace and profitable commerce among the peoples and worlds of the Spiral Arm. The ambitious, innovative Roamers went back to their traditional business of harvesting the vital stardrive fuel ekti from the clouds of gas giant planets, and the telepathic green priests of Theroc provided instantaneous galaxy-wide communication via their connection to the powerful and sentient worldtrees. The alien Ildiran Empire rebuilt their grand Prism Palace under the light of their seven suns, and their Mage-Imperator declared a new age of expansion and discover.

But peace was not to last. The malevolent Klikiss robots soon found an ally in the ancient and near-omnipotent Shana Rei, destructive creatures who are the personification of darkness and chaos … awakened after millennia of slumber to destroy all sentient life in the universe. The Confederation and the Ildiran Empire fought in every way possible, but the Spiral Arm itself seemed doomed.

All across the transportal network, space is tearing apart, the links between the gateways are breaking down, the fabric of space unraveling. The worldtrees are dying, entire planets are englobed in impenetrable black barriers erected by the Shana Rei, and the murderous taint has infiltrated the Ildiran race as well as Mage-Imperator Jora’h himself.

Desperate for stardrive fuel to power the military and all space travel, the industrialist Lee Iswander has been extracting ekti?the blood of the cosmos?from mysterious giant nodules found floating in empty space, draining these “bloaters” dry by the thousands. But in doing so, is he weakening the only ally that all of civilization may have against the Shana Rei?

A breathtakingly large canvas with a huge cast of characters, Eternity’s Mind is the grand finale of a story as complex as any Science Fiction epic you will ever read.

navigators of dune

NAVIGATORS OF DUNE

Brian Herbert and Kevin J. Anderson’s Navigators of Dune is the climactic finale of the Great Schools of Dune trilogy, set 10,000 years before Frank Herbert’s classic Dune.

The story line tells the origins of the Bene Gesserit Sisterhood and its breeding program, the human-computer Mentats, and the Navigators (the Spacing Guild), as well as a crucial battle for the future of the human race, in which reason faces off against fanaticism. These events have far-reaching consequences that will set the stage for Dune, millennia later.

Pixel Scroll 3/8/16 I Want To Tell You About Texas Pixel And The Big Scroll

(1) INTERNATIONAL WOMEN’S DAY. Iain Clarke’s image of astronaut Mae Jemison, created for the Dublin in 2019 Worldcon bid, makes a great reminder that March 8 is International Women’s Day.

(2) THE FRANCHISE. And the BBC marked the occasion with its article “International Women’s Day: Why women can thrive in sci-fi”.

While the Star Wars expanded universe has a number of popular, female characters, the cultural impact of seeing a female Jedi’s hero journey on the silver screen can not be overstated. “For years we’ve been hearing that women couldn’t front a sci-fi/action film,” Jenna Busch, founder of Legion of Leia.

“The fallacious perception is that they just won’t sell. But, now we have Katniss, Furiosa, and Rey to prove that attitude wrong. There is something about seeing the box office numbers that might be a step in the right direction.”

(3) THERE IS ANOTHER. Last November, James H. Burns saw a van tricked out as the Mystery Machine on Long Island. Now, on the other side of the country, California authorities are seeking a different fan of the Scooby gang who’s been speeding around in her own version of those wheels — “Redding police: Suspect flees in ‘Scooby-Doo’ Mystery Machine”.

On Sunday, March 5, the Redding Police Department was alerted by Shasta County Probation Department about a subject who had allegedly violated their probation around 12:50 p.m. The subject was identified as Sharon Kay Turman, 51, Sgt. Ron Icely said in a news release.

According to the report, officers spotted Turman in the Mystery Machine, a 1994 Chrysler Town and Country minivan, at California and Shasta streets. Turman fled when officers tried to pull her over, traveling at high speeds. A CHP helicopter and Shasta County Sheriff’s Deputies joined the pursuit. Turman is reported to have reached speeds of over 100 m.p.h.

(4) FAKE FAN. A fake GalaxyQuest fan site, created to promote the movie, can still be viewed via the Wayback Machine. One of its features is ”Travis Latke’s” interview with Gwen DeMarco, replete with fannish typos. (I think Travis learned copyediting from me).

TL: How do you do it? How d you deliver one blockbusting performance after another?

GDM: It’s all about the craft. As an actor I try put myself inside the head of my character. Since I sgtarted acting, I always try to become the charactere, that sometimes is very trying. For instance I once played Medea in summerstock in the Hamptons and, gosh, for weeks I hadthey nauseating feeling of having done all the bad things Medea does in the Euripides play.

With Galaxy I delved into scientific research that by the time the show was cancelled I knew enough for a PhD in astrophysics. I mean, it’s a fascianting subject. I made some great friends at the Pasadena Jet Prupolsion Lab who I still consult whenever I have a question aboput quassars and wormholes.

(5) WINE PRESS. To this day, fake fans are still being used to promote things. Hats off to Trae Dorn, who’s been drilling to the bottom of “Wine Country Comic Con’s Bizarre Litany of Lies” at Nerd & Tie. There is no end to it!

Last week we published a piece on Wine Country Comic Con. A first year convention currently scheduled for April 23-24 in Santa Rosa, CA, we were alarmed to find they were using a fake Facebook account to spam groups and talk with potential attendees.

But the more we looked into this event, the more we discovered that this story went further than just the fictional “Frida Avila.” Wine Country Comic Con organizer Uriel Brena has constructed a complex charade of lies, fake staffers, and a whole bunch of weirdness.

This rabbit hole runs deep.

A Full Complement of Fake Staffers

The first thing we found out was that “Frida Avila” wasn’t the only weirdly complex fake staffer created by Wine Country Comic Con. Thanks to some email tips (and a bit of our own digging) we found several more:….

(6) A ROBOT WITH KEANE EYESIGHT. Kirsty Styles at TNW News says “Aido is pretty much the robot they promised everyone back in the 1950s”.

Aido will be friends with your weird kid, act as a security guard, remember your schedule and project movies onto the wall to help with anything from cooking to plumbing.

This is the robot to kill all robots. With kindness.

 

(7) ROWLING ON NORTH AMERICAN MAGIC. Will there be anything left to say about this topic by the time I post it to the Scroll? We’ll find out. Today Pottermore ran the first installment of J. K. Rowling’s revelations about wizardry in the New World.

The first piece of writing from ‘History of Magic in North America’ by J.K. Rowling is here, and we can also give you a taster of what’s to come this week.

Today’s piece goes back through the centuries to reveal the beginnings of the North American magical community and how witches and wizards used magic before they adopted wands.

Wednesday’s piece will divulge more about the dangers faced by witches and wizards in the New World, and on Thursday you’ll discover why the Magical Congress of the United States of America (MACUSA) took steps to move the magical community deeper underground.

The last piece will take us right up to the Roaring Twenties, when the magical community in North America was under the watchful eye of MACUSA President, Madam Seraphina Picquery – played by Carmen Ejogo in Fantastic Beasts and Where to Find Them.

These stories will give you some idea of how the wizarding world on this continent evolved over the years, and of the names and events that lay the foundation for the arrival of Fantastic Beasts and Where to Find Them in November.

(8) TROPE TRIPE. Arguing over Rowling should put everyone in the mood for Mark J. Turner’s post at Smash Dragons, “Five Fantasy Tropes That Should Be Consigned to History”.

2. The Chosen One

In fantasy books the protagonist often begins life as Mr A.N.Other, minding his own business in some nowhere village doing nothing in particular. Then we discover that he is the son of a king or a powerful wizard or warrior, and suddenly he is able to take on the world, no training required. Or if there is training, the author presses the fast forward button on the process, and our protagonist learns in a year what it would take others a lifetime to master.

And the transformation in our hero doesn’t end there. He has spent his formative years as a farm boy or a swineherd, yet for some reason that has prepared him perfectly for the demands of running a kingdom. When he rises to the throne, everyone lives happily ever after. There seems to be a sub-text in these books that in order to stop the world slipping into chaos, all you have to do is put the “right” person in charge. It’s as if the natural order is somehow disturbed if there isn’t a man or a woman ruling everything. Whereas in reality we don’t have to look too far in our own world for examples of where putting all the power in the hands of one person isn’t necessarily a good idea.

(9) ON STAGE. James Bacon reviews The Ghost Train Doesn’t Stop Here Anymore at Forbidden Planet. The play features segments written by authors Christopher Fowler, Stephen Gallagher, Kim Newman, Robert Shearman, Lynda E. Rucker and Lisa Tuttle, alongside a wraparound story by director Sean Hogan.

The writing is hilarious, within moments of our travellers sitting down and their unpleasantness becoming clear, the audience are laughing at dark contemporary humour, riffing off recent well-known scandals, while smart language and profanity reflect more closely the mores and morals of modern society. Using traditional ideas of what we consider horror monsters, the authors skilfully show what monsters really are, that nothing is as monstrous as humanity, and the writers with their sharp razor-like ability to find angles in people, left the audience contemplating where the horror truly lies and what being a monster really is….

The framing worked well – a fancy dress party, as one’s favourite monster on a vintage steam train, a very nice little conceit to create the right atmosphere for the portmanteau of stories. Strobe lights, sudden intrusions, the chimey tinkley creepy music as the stage went dark for the changes, the sound effects and stage work, props and masks/costumes all were just right, adding the perfect amount of tangibility for a lively suspension of belief….

(10) OVER THERE. Larry Correia’s next tour stop is —

(11) SAVE GAME OF THRONES FAVORITES. George R.R. Martin’s characters face “Danger! Peril! Death!” Only this time, it’s not because he’s writing scenes for them in his next novel.

Suvudu is doing another one of their Cage Match tournaments. This time the theme is Dynamic Duos. Jaime (one-handed) and Brienne have been paired together. In the first round they are facing Garth Nix’s Sabriel… and a pussycat.

http://suvudu.com/2016/03/cage-match-2016-round-1-jaime-lannister-and-brienne-of-tarth-vs-sabriel-and-mogget.html

In the first Cage Match, lo these many years ago, Jaime defeated Cthulhu (with a little help from Tyrion). Surely he cannot lose to a fluffy little ball o’ fur (and fleas). Not with the mighty maid of Tarth by his side.

(12) TYSON HOSTS DEBATE. Panelists for the 2016 Isaac Asimov Memorial Debate will engage the question: “Is the Universe a Simulation?”

What may have started as a science fiction speculation—that perhaps the universe as we know it is actually a computer simulation—has become a serious line of theoretical and experimental investigation among physicists, astrophysicists, and philosophers. Join host and moderator Neil deGrasse Tyson and his panel of experts for a lively discussion and debate about the merits and shortcomings of this provocative and revolutionary idea.

The Asimov Debate panelists are: David Chalmers, Professor of philosophy, New York University; Zohreh Davoudi, Theoretical physicist, Massachusetts Institute of Technology; James Gates, Theoretical physicist, University of Maryland; Lisa Randall, Theoretical physicist, Harvard University; and Max Tegmark, Cosmologist, Massachusetts Institute of Technology.

The debate takes place April 5 at the American Museum of Natural History’s Hayden Planetarium. Check the website for tickets. The debate also will be livestreamed via <amnh.org/live>.

(13) BOOKS SCIENTISTS LOVE. Charlie Jane Anders at io9 pointed to a forum in reddit’s Print SF Resources where scientists talk about their favorite books and the scientific problems they find in SF. Filer Greg Hullender makes an appearance there.

(14) STEAMPUNK RULES WHERE STEAMBOATS DOCKED. The Riverfront Times was there when “The Science Center Went Steampunk on Friday – and Everyone Had a Victorian Good Time”.

The St. Louis Science Center takes Fridays very seriously, with a themed evening of special events the first Friday of each month. Last Friday was no exception, as the Science Center hosted a night entirely devoted to steampunk science. The event drew everyone from families to costumed fanatics. All enjoyed a night of demonstrations (did someone say “escape artist”?), activities (where else can you try a steampunk shooting range?), films and more devoted to this take on Victorian-era science fiction.

(15) HYPNOTIC SCULPTURES. Everybody with a quarter-of-a-million spare dollars is going to want one of these.

(16) SUPERGIRL WILL BE BACK. The Mary Sue has deduced Supergirl will get a second season.

While technically nothing official’s been announced, while speaking at Deutsche Bank Media, Internet & Telecom Conference, CBS President Les Moonves pretty much stated that Supergirl is getting another season. Well, specifically he said:

We have about five new shows on this year. Of those five, I believe all five of them will be renewed, and we own four of them.

[Via Nerd & Tie.]

(17) A NEW SUIT. Another Comic Con is being sued for trademark infringement – but the mark involved is not “Comic Con,” as the Houston Chronicle explains — “Convention bureau sues comic convention over ‘Space City’ trademark”

Houston’s convention bureau is suing the operators of a popular local convention over the use of “Space City” in its name, claiming it infringes on a 12-year-old trademark.

The convention in question, Space City Comic Con, also happens to compete with a similar event that is half-owned by the Greater Houston Convention and Visitors Bureau itself. The bureau acquired a 50 percent stake in the more established Comicpalooza last September, spokesman A.J. Mistretta said….

Houston has billed itself “Space City,” a boastful nod to its founding role in U.S. space exploration, since the 1960s. Over the decades, dozens of local companies from plumbers to construction outfits to tattoo parlors have used the moniker as part of their name. But they are not affected by the trademark registered by the convention bureau in 2004, said Charles S. Baker, an intellectual property lawyer with Locke Lord in Houston who is representing the bureau in its lawsuit.

The trademark is narrowly constructed and applies solely to efforts that promote tourism, business and conventions in the greater Houston area, Baker said.

(18) TODAY IN HISTORY

  • March 8, 1913 – The Internal Revenue Service began to levy and collect income taxes in the United States. (Go ahead, ask me what that has to do with sf. They’re raising money for the space program, okay?)

(18b) TODAY’S BIRTHDAY GIRL

Born March 8, 1967 — Tasha Turner

(19) MAGNIFICENT SEVEN. Amazing Stories’ Steve Davidson makes an ingenious comparison in “The 7 Levels of Recommending”.

Maimonides, a Jewish scholar and Rabbi (which are pretty much the same things: he was an astronomer too…) once developed a “hierarchy of charitable giving”.  He essentially analyzed the different kinds of charity that people extended and attempted to define the different types and then ordered them from least to most selfless.  He ended up with 8 different levels of giving.  The lowest form of charity is giving grudgingly – forced to hand over a dollar to the street bum because he’s blocking your path.  The highest form is giving before it is even needed (my father thought that included my allowance….).

I mention this because, as a result of all of the discussion regarding slates vs recommended readings lists, I thought that a similar hierarchy of the levels of recommending might be instructive.

(20) SHUT UP, PLEASE. Max Florschutz uses “The Loud Neighbor” as a social media analogy. I found his argument appealing until he decloaked his attack —

And this is where a lot of “social” groups these days get it wrong. A lot of what’s being touted online and in social circles these days is the act of calling the landlord to complain about noise, while being just as loud on one’s own, but giving one’s self a free pass to be loud because you have the “right.” It’s wanting the freedom to do what you want, produce as much friction as you want, while not being willing to extend that same courtesy to others. It’s the kind of mentality that leads to things like “safe spaces” where only individuals of one sex or skin tone are allowed entry. Freedom to produce as much friction as possible while denying others the same freedom. One group is allowed to be “loud” while simultaneously “calling the landlord” to complain that the other group needs to be silent.

Is it a perfect allegory? No. But it still holds. We can’t be as loud as we want and expect that no one else be given the same treatment. We need to extend the courtesy that we give ourselves to others. If we don’t do that, then what are we doing but putting ourselves on a pedestal and pushing those around us down?

(21) IS THIS A GOOD THING? You can now pre-order 2113: Stories Inspired by the Music of Rush, edited by Kevin J. Anderson and John McFetridge, at various places including Amazon. (My header, there, is just a joke. A message board I used to follow had a devoted Rush fan, and yanking his chain about it was an indirect way of expressing affection.)

Ron Collins drew my attention to the book in a promotional e-mail —

I’m super-thrilled to announce that you can now pre-order copies of 2113, an anthology of stories inspired by Rush songs that includes my work “A Patch of Blue.” I can’t begin to tell you how excited I am about this one. I’ve spent a lot of good times listening to those guys. [grin]

My story is one inspired by Rush’s “Natural Science,” which is a monstrous work in three acts that’s just cool as all get-out. It was a total blast to write, partially because I got to put it on endless loop while I did it–so, yeah, the song is pretty much indelibly inked onto my brain now.

(22) ENERGIZE – THEN DIE! This is freaking alarming — The Trouble with Transporters.

(23) RAVEN MANIAC. From Amoxtli, the poetic masterwork of the day.

A sainted maiden whom the angels name Lenore:

Lenora Rose, people are bound to confuse us, given the name similarity (or not notice that our names were autocorrected to the other version, as my computer tried to do to your name just now).

As I was on the File a-tapping on my keyboard, posts o’erlapping
Over many a quaint and curious volume of forgotten lore,
Suddenly there came a fwapping: “The Rose and Jones are not for swapping.”
“Sir,” said I, “or Madam, truly your forgiveness I implore;
When the accurs’d hour tolls our doom, shall we mistake the name Lenore?”
Said the Filers, “Fear no more.”

[Thanks to Chip Hitchcock, JJ, John King Tarpinian, Rob Thornton, David K.M. Klaus, James Bacon, Martin Morse Wooster, and Kendall for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 3/1/16 If You Like To Pixel, I Tell You I’m Your Scroll

(1) NO BUCKS, NO BUCK ROGERS. “Can you make a living writing short fiction?” is the question. Joe Vasicek’s in-depth answer, filled with back-of-the-envelope calculations, is as carefully assembled as any classic hard sf tale.

First of all, it’s worth pointing out that short stories are not like longer books. In my experience (and I am not a master of the short form by any stretch), short stories do not sell as well in ebook form as longer books. That’s been corroborated anecdotally by virtually every indie writer I’ve spoken with.

At the same time, they aren’t like longer form books in the traditional sense either. I have three deal breakers when it comes to traditional publishing: no non-compete clauses, no ambiguous rights reversion, and no payments based on net. Short story markets typically only buy first publication rights with a 6-12 month exclusivity period, and pay by the word. That means that there’s no reason (unless you want to self-publish immediately) not to sell your short stories to a traditional market first.

(2) PAT SAYS IT’S PERFECT. Patrick St-Denis, who reviews at Pat’s Fantasy Hotlist,  just awarded a novel a rare (for him) 10/10 score.

People have often criticized me for being too demanding when I review a novel. They often complain about the fact that very few books ever get a score higher than my infamous 7.5/10. But the fact is that year in and year out, there are always a number of works ending up with an 8/10 or more.

When I announced on the Hotlist’s Facebook page last week that Jacqueline Carey’s Kushiel’s Avatar would get a 10/10, some people were shocked. I received a couple of messages asking me if it was the first book to get a perfect score from me. I knew there were a few, but I actually had to go through my reviews to find out exactly how many of them had wowed me to perfection. Interestingly enough, in the eleven years I’ve been reviewing books, Carey’s Kushiel’s Avatar will be the 11th novel to garner a perfect score. The 13th, if you throw the Mötley Crüe biography and GRRM’s The World of Ice and Fire into the mix.

(3) GOLDEN SOUNDS. Trisha Lynn on “Road to the Hugo Awards: Fight the Future for Best Fancast” at Geeking Out About….

What Works

There are many podcasts out there which are dedicated to reviewing books and movies from a critics’ perspective. However, I believe this is one of the first podcasts I’ve heard of which reviews the actual worlds in which the books or movies take place. Of all the episodes I’ve heard, there are very few instances in which I feel that either Dan or Paul or their guests know or care too much about the current science fiction/fantasy literary blogosphere’s opinions of the works, its creators, its production team, or the actors portraying the characters. They are just there to discuss the work and only the work. When they do bring in references to other works or the greater outside world, they do it either near the beginning or near the end so that the discussion of most of the episode is focused on just the world inside the movie or book. It’s both fan discussion and literary criticism in its purest form, where the only clues you have are the work itself, the world you currently inhabit, your personal experiences, and that’s it.

(4) A BRIDGE JOKE TOO FAR? The Guardian asks “Could Cthulhu trump the other Super Tuesday contenders?”

“Many humans are under the impression that the Cthulhu for America movement is a joke candidacy, like Vermin Supreme – a way for people disgusted by a political system that has long since perished to voice a vote for a greater evil to end the status quo and the world,” says [campaign manager] Eminence Waite, sighing in a way that makes you think she’s been asked this question many times before. “They have never been so wrong, yet so right. Cthulhu is no joke.”

(5) HOW MUCH IS YOUR HARRY WORTH? Old editions of Harry Potter books may be worth up to $55,000.

First up, hardcover first editions of the original Harry Potter and the Philosopher’s Stone could fetch anywhere from $40,000 to $55,000. Only 500 were published, and 300 went to libraries, so if you have one, go ahead and treat yourself to a nice dinner. You can afford it.

This edition has a print line that reads “10 9 8 7 6 5 4 3 2 1” and credits of “Joanne Rowling” rather than JK.

(6) BUD WEBSTER MEMORIAL. There will be a Memorial for Bud Webster on March 12, from noon til 5 p.m., at the Courtyard by Marriott Williamsburg, 470 Mclaws Cir, Williamsburg, VA 23185.

Hotel Rooms: $89.00 – Please ask for the Bud Webster Memorial Rate – Also mention Mary Horton or Butch Allen if there is some confusion while trying to book the room. We are not catering anything. Sodas and snacks are available at registration

(7) DON’T GET STUCK IN THE MIDDLE. Kameron Hurley (according to her blog, an “intellectual badass”), reveals how to “Finish your Sh*t: Secrets of an Evolving Writing Process”.

People often ask how I’m able to do all that work on top of having a day job, and the answer is, most days, I just don’t know. But one thing I have learned in the last three months is that I have a lot easier time completing a draft that has me stuck in the mucky middle if I just skip ahead and write the ending.

I tend to spend a lot of time on the openings of my novels and stories, and it shows. My latest short story for Patreon, “The Plague Givers,” is a good example of this. There’s a very polished beginning, as far as the prose goes, and then it veers off into simplier language for much of the middle, and returns a bit toward the end to the more polished language. I will most likely go back and polish out the other half of the story before finding a home for it elsewhere, but watching how I completed that story reminded me of how I’ve hacked my process the last few months to try and get work out the door just a little faster.

I’m a discovery writer, which means I like to be surprised by events that happen in a book just as a reader would be.

(8) LURKER QUEST ACHIEVED. In the February 8 Scroll (item 10) a lurker described a story and asked for help identifying it.

The answer is Kent Patterson’s “Barely Decent”, published in Analog in 1991. The literary estate holder was located with an assist from Kevin J Anderson, who had anthologized another Patterson story, and from Jerry Oltion. The rights holder has authorized a link to a free download of the PDF for the story.

(9) THE POWER OF LOVE. Barbara Barrett shows how mighty love is in the worlds of Robert E. Howard: “Discovering Robert E. Howard: ‘My Very Dear Beans, Cornbread and Onions’ (Valentine’s Day—Robert E. Howard Style)” at Black Gate. But this otherwise serious roundup begins with a leetle joke —

For those of you who searched for the right way to describe your feelings for that certain special someone on February 14, Robert E. Howard might have been be a good source. After all, he was a wizard with words. And he did have a novel approach when it came to romance. As Bob Howard explains to Novalyne Price Ellis in her book One Who Walked Alone:

[M]en made a terrible mistake when they called their best girls their rose or violet or names like that, because a man ought to call his girl something that was near his heart. What, he asked, was nearer a man’s heart than his stomach? Therefore he considered it to be an indication of his deep felt love and esteem to call me his cherished little bunch of onion tops, and judging from past experience, both of us had a highest regard for onions. (106)

(10) OSCARS. At the Academy Awards on Sunday night, sf favorites The Martian and Star Wars: The Force Awakens won nothing, but Mad Max: Fury Road, so often praised here in comments, won six Oscars (Best Costume Design, Best Production Design, Best Make-up and Hair, Best Editing, Best Sound Editing and Best Sound Mixing), more than any other film.

Other sf/fantasy winners — Best Animated Feature Film: Inside Out and Best Visual Effects: Andrew Whitehurst, Paul Norris, Mark Ardington, and Sara Bennett for Ex Machina.

(11) FAST OUT OF THE GATE. R. S. Belcher, fresh from his GoH-ship at MystiCon, is ready to impart “Lessons Learned at a Writing Workshop”.

Lead strong, hook ’em, and keep ’em hooked: This advice given to several of the workshop participants made an amazing difference between draft one and draft two. The sooner you get the reader’s attention and begin to unwind the reason for your tale, the stronger the likelihood, your reader will keep reading to learn more. Novels can afford a little more leisurely pace…but only a little, and for short fiction, a strong, powerful hook is needed right out of the gate. You may only have a few sentences of an editor’s attention before they decide to keep reading or toss the Manuscript—make them count.

(12) MESSAGE FIRST. SFF World’s “Robert J. Sawyer Interview” offers this self-revelation.

What came first – the story or the characters?

Neither. I’m a thematically driven writer; I figure out what I want to say first and then devise a storyline and a cast of characters that will let me most effectively say it. For Quantum Night, the high-level concept is this: most human beings have no inner life, and the majority of those who do have no conscience. And the theme is: the most pernicious lie humanity has ever told itself is that you can’t change human nature. Once I had those tent poles in place, the rest was easy.

(13) A LITTLE LIST. David Brin asks, “Trumpopulists: what will be the priorities?” at Contrary Brin.

There is often a logic, beneath shrill jeremiads. For example, Ted Cruz has proclaimed that even one more liberal or moderate justice appointed to the U.S. Supreme Court might shift the reading of the Second Amendment (2A) — does it give private individuals an unlimited right to own guns, or reserve that right only to members of a militia?  (Go read the amendment and come back. In Heller v. D.C. the court went with Red America’s wishes by one vote, one interpretative vote. Moreover, let me shudder and add that Cruz is probably right about this one thing. The swing between those two interpretations is very likely to teeter for our lifetimes and more. But in railing about the near-term, he and his followers ignore the long term implication — …

that the Second Amendment, as currently worded, is by far the weakest in the entire Bill of Rights.  If this court or the next one does not reverse Heller, then it will inevitably happen when some huge national tragedy strikes. That’s called the “Ratchet Effect” (see The Transparent Society), and you are behooved to plan, during good times, for what you’ll do at some future crisis, when the public is scared.

If today’s political rightwing were rational, it would be working right now to gather consensus for a new Constitutional Amendment that might protect weapon rights far more firmly than the ambiguous and inherently frail Second. I have elsewhere described just such an amendment, which could actually pass! Because it offers some needed compromises to liberals and moderates – some positive-sum win-wins – while protecting a core of gun rights more firmly than 2A.

(14) JUDGING LOVECRAFT AND OTHERS. Frequent readers of Jim C. Hines will find his Uncanny Magazine essay “Men of Their Times” not only deals with its topic in a significant way, it also outlines the analytical process he applies to history.

…This argument comes up so quickly and reliably in these conversations that it might as well be a Pavlovian response. Any mention of the word “racism” in association with names like Tolkien or Burroughs or Campbell or Lovecraft is a bell whose chimes will trigger an immediate response of “But historical context!”

Context does matter. Unfortunately, as with so many arguments, it all tends to get oversimplified into a false binary. On one side are the self–righteous haters who get off on tearing down the giants of our field with zero consideration of the time and culture in which they lived. On the other are those who sweep any and all sins, no matter how egregious, under the rug of “Historical Context.”

….In an ideal world, I think most of us would like to believe humanity is growing wiser and more compassionate as a species. (Whether or not that’s true is a debate best left for another article.) If we assume that to be true, we have to expect a greater amount of ignorance and intolerance from the past. We also have to recognize that humanity is not homogenous, and every time period has a wide range of opinion and belief.

When we talk about historical context, we have to look both deeper and broader. Were Lovecraft’s views truly typical of the time, or was his bigotry extreme even for the early 20th century? Did those views change over time, or did he double–down on his prejudices?

Recognizing that someone was a product of their time is one piece of understanding their attitudes and prejudices. It’s not carte blanche to ignore them.

(15) STORIES OF WHAT-IF. At Carribean Beat, Philip Sander talks to Nalo Hopkinson, Tobias Buckell, Karen Lord, and R.S.A. Garcia.

Caribbean Beat: How do you define speculative fiction?

Nalo Hopkinson: I generally only use the term “speculative fiction” in academic circles. Science fiction and fantasy are literatures that challenge the complacency of our received wisdoms about power, culture, experience, language, existence, social systems, systems of knowledge, and frameworks of understanding. They make us reconsider whose stories deserve to be told, whose narratives shape the future and our beliefs, and who has the “right” to make and remake the world.

Is there a distinctively Caribbean kind of spec-fic?

A bunch of Caribbean SF/F [science fiction/fantasy] writers will be gathering to discuss this in March at the University of California, Riverside, as part of a year of programming I’m co-organising on alternative futurisms. I suspect one of the things we’ll end up talking about is Caribbean relationships to the experience of resistance — how it’s shaped our histories and imaginations, and so how it must shape our imaginative narratives. For instance, when I watch The Lord of the Rings, I wonder what the orcs do to rebel against their forced existence as beings created to be foot soldiers and cannon fodder.

We’ll probably also talk about the unique impact of place and space on the Caribbean psyche. I recently wrote a short story for Drowned Worlds, a fiction anthology on the theme of the effects of rising sea levels worldwide. For me, coming from island nations whose economies are often dependent on bringing tourists to our beaches, and which are the guardians of so much of the world’s precious biodiversity, it was particularly painful and personal to write a story about what will become of our lands. The resulting piece is angry and spooky, and combines science with duppy conqueror in ways that are uniquely Caribbean.

On the panel, we might also talk about language. The multiple consciousness that Caribbean history gives us is reflected in our code-switching, code-sliding, code-tripping dancehall-rapso-dubwise approach to signifying simultaneously on multiple levels. Science fiction reaches for that in its use of neologisms. Caribbean people, like so many hybridised peoples the world over, live it. We are wordsmiths par excellence.

(16) PUPPY COLLATION. Kate Paulk shut off comments at Sad Puppies IV and says “I’ll be going through them and collating the results over the next 2 weeks”. The Hugo nominating deadline is March 31.

(17) TALKING TO THE CUSTOMERS. The Video Shop presents “400 Fourth Wall Breaking Films Supercut”. (Most of you already know that when somebody on stage acknowledges the audience, that’s called breaking the fourth wall.) (Via io9.)

Since you’re reading this let me give you a bit of background and a couple of provisos.

This is not meant to be a comprehensive list of fourth wall breaking films. There are shitloads. Definitely more than 400. But 400 seemed a tidy number to end on. It’s not an academic study and there’s no rhyme or reason behind the grouping of the clips other than what seemed to work. So while yes, there are highbrow French new wave films in there I’ve also had to include The Silence of the Hams and Rocky and Bullwinkle. But then I kind of like that.

And because it’s mine I give more screen time to my favourite serial offenders, just because I can. Take a bow John Landis, Woody Allen and Mike Myers.

 

[Thanks to John King Tarpinian, Andrew Porter, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Mart.]

Wrap-up of Life, The Universe & Everything #34

By David Doering: LTUE—affectionately pronounced “lootee” despite the spelling, is a great hybrid of con, symposium, and workshop. Author Dan Wells calls it “the learning con” to differentiate it from the “spectator cons” like the Comic Con-type.

Here’s the logo—notice the ingenious design combining SF, Fantasy, and the fannish feline “Luna” in the negative space. Neat, huh?

LTUE logo

This year set new records:

  • Up to 10 events in each hour
  • Over 220 hours of programming (not including gaming, filking, film festival or the autograph party)
  • Over 1700 in attendance

LTUE continues to be the largest writers and creators conference in the Intermountain West.

Attendees from around the globe—as far as Saudi Arabia and Australia.

Guests of honor were Kevin J Anderson, Rebecca Moesta, and Shannon Hale. Other notables were the Writing Excuses team: Brandon Sanderson, Dan Wells, Howard Tayler, and Mary Robinette Kowal (our Toastmaster); L.E. Modesitt, Dave Farland, Larry Correia, editors Stacy Whitman and Lisa Mangum, artist Brian Hailes, Eric James Stone, and Michaelbrent Collins.

United Airlines needed 3 planes to get GoHs Kevin J Anderson and Rebecca Moesta to Salt Lake from Denver…Not only does United break guitars but it also breaks planes. Two had mechanical issues half way and had to turn back. (Wait. If you’re half way and have to turn around, wouldn’t it just be easier to fly the rest of the way to Salt Lake than turn around?? It’s only 400 air miles.)

(Despite this, KJA had a kind word to summarize his visit to LTUE:

KJA tweet

Kevin J Anderson also introduced a new measurement for writer productivity: the “Sanderson”. Based on Brandon’s 10K average word count of writing a week, Kevin jocularly says he only does about .1 Sanderson a week. (Which makes me feel like I only do like .005 sandersons.)

[Another term I heard for the first time, but likely is common amongst fantasy writers, was “horse dragon”—a dragon you can ride. Dd]

KJA’s main address was his life story on becoming a writer. Afterwards, Kevin complimented the LTUE audience as attentive and appreciative. “I give this talk at comic cons and the audience does politely laugh at the right parts. Here it was like I was speaking to a roomful of people like me 30 years ago eager to become writers.”

Todd Gallowglass, probably the finest professional live storyteller in fandom, gave a wonderful 15 tale of Scottish bravery to the LTUE banquet on Saturday night. (Yes, we still do a banquet to meet the hotel’s request for a food function.) After Todd’s storytelling with active audience participation, he thanked everyone because everyone really _wanted_ to participate when he signed to have them do cheers, oohs and aahs.

A real highlight was Shannon Hale’s main address on diversity. Shannon, though, didn’t stand up and be a firebrand to castigate. Instead, she noted how few boys come to her autograph sessions and, if they do, they say “well, my sister really likes your books”. She says she writes her books for human beings, so why does her being female or the title have “princess” in it make boys uncomfortable? Even young boys. Where does this start? This should be something we can fix today.

The most egregious example was of one school (of the 100 or so she visits each year) which said that boys didn’t need to attend her assembly—overtly indicating that either her books or her as an author would not be of interest to boys.

Mary Robinette Kowal’s toastmaster speech at the banquet was a sidesplitting recounting of her working with a malfunctioning marionette during a live performance of Sleeping Beauty(?) with recorded dialog. The ambiguous dialog suggested a whole different meaning to the scene when the maiden encounters the witch where the witch could only perform one action: a stroking movement with her hand.

Programming at LTUE primarily focuses on creators—writers, screenwriters, or artists—but there’s plenty of serious academic content. I loved the last presentation on Saturday “Time Travel” presented by surprisingly enough Salt Lake Comic Con’s own Bryan Brandenburg (who serves as their head of marketing). This was an intense, Einsteinian discussion with lots of “meat”:

Einstein

Okay, yes, that was one of his slides, but the rest of the content was in fact very scientific:

Einstein’s well accepted relativity physics states that time travel is possible, when one object is traveling faster than another object, especially as one object approaches the speed of light, relative to the other.

The earth and all of its inhabitants are traveling near the speed of light relative to a number of other objects in the universe. So has our future already happened, relative to some other observer in the universe?

HIGHLIGHTS (And Lowlights)

Here’s a dreadful picture of me during setup. Looks like the baby’s due in about three months. Egads. Smile’s pretty good. And the t-shirt with the Steve Keele-designed logo for Westercon 67 looks great! (Some are still available!)

David Doering

David Doering

Here’s Shannon Hale, author of fantasy series like the Princess Academy books, doing her main address. Note one of our mascot “Douglas” the dragon on the podium. (Wonder why LTUE would choose the name “Douglas”?)

Shannon Hale

Shannon Hale

Here’s some of the main guests discussing writing natural dialog. Notice how Brandon doesn’t need to have a nameplate. (Yes, we did record some events with permission to share on our Youtube channel.)

Sanderson no sign

Here’s the Writing Excuses podcast recording six sessions live at LTUE. Another super great event, and sadly one I didn’t get to hear or see. So I don’t know what the headbands are all about.

Panel 2

Yes, there’s gaming at LTUE. And with Brandon Sanderson involved, it’s quite a tournament!

Sanderson gaming

Expanded dealers room—like most cons, its books with some jewelry and a massage parlor. More unusual is that Barnes and Noble has four tables full of hardcovers and paperbacks and do a brisk business. Great support from our local B&N.

Kelly Olson

Even our libation station got kudos!

Bowman tweet

I missed this one. Dang, our first “official” after party too. (Keeping with fannish tradition, it was held the first night of the con.)

After Party

New this year is a full Professional Development track. LOTS of great feedback on this!

LTUE plug

Something very unique to Utah cons:

Meeks tweet

Another unique aspect at LTUE? Actual full rooms for 9AM panels:

Other good wrap-ups:

Drew Gerken

I was able to hang out my dearest friends for three days and talk the craft of writing – what else does a boy need? If you get the opportunity to go next year, please do so – you will not regret it.

Max Florschutz

LTUE 2016 was, as each LTUE before it, well worth attending. Over the years I’ve started to see it as the writing convention to attend, and I have no reservations in saying that if you want to attend a convention to help with your writing, this one should be it. Dozens of high-profile, A-list authors, all offering as much advice as they can while still having fun.

Rampant Coyote

Me? I’m definitely signing up for next year. I learned a lot, met a lot of great people, and had an absolute blast.

Kevin J. Anderson offered a really great analogy with respect to writing…there are a couple of ways to make popcorn: you can take a clean pan, put it on the oven burner, add exactly 1 tablespoon of oil and evenly spread the oil across the entire surface of the pan. You then turn the burner up to get the pan to exactly the right temperature – no more, no less. Then you select the perfect kernel of popcorn from your container of popcorn, and place it in the exact center of the pan where the heat is perfect. Then wait as the ripples form, and then (hopefully) when the kernel pops you immediately remove it to a paper towel to soak up the excess oil. Then you turn off the burner, let the pan cool, and then wash it and clean it so the pan is in pristine condition. Then you repeat the entire process all over again.

Or, of course, you can just dump all the popcorn in, not really be able to predict in advance which kernel will pop or which direction it will pop. In the end, you’ll have a whole bowl full of popcorn either way, but in the first case you may starve to death before you get there.

Pixel Scroll 10/2 The Roads Must Roll Over

(1) Shea Serrano at Grantland asks “Which Movie Astronauts Would You Want To Be Stranded With In Outer Space?”

And which ones would you definitely not want to be with in outer space?

This doesn’t necessarily presume that you and your astronaut friend will definitely face a life-or-death situation, but it does consider how that astronaut would navigate any life-or-death situation that might arise. Other things involved: How would he or she handle the mental punishment that being in space inflicts upon the brain? How would he or she deal with the possibility of having to spend the rest of his or her life in space? How would he or she react should aliens turn out to be real? And so on.

Normally, these sorts of conversations require rules to function efficiently, but really there’s only one that needs to be instituted here. It’s easy: We need to get rid of the astronauts from movies in which people live in space full time (or mostly full time), because those characters are already comfortable with the unnaturalness of Being In Space. So let’s consider only those who have traveled to space or been placed into space in a temporary context.

His article lists lots of obvious favorites, and others I’d never thought of in those terms.

(2) ”Skin Feeling” , Sofia Samatar’s beautifully-written essay on what it is like to be an African-American professor (she teaches at the University of California Channel Islands) covers a lot of ground, and one of her points is this:

In the logic of diversity work, bodies of color form a material that must accumulate until it reaches a certain mass. Once that’s done, everyone can stop talking about it. For now, we minimize talk by representing our work with charts that can be taken in instantly, at a glance. In her book On Being Included: Racism and Diversity in Institutional Life, Sara Ahmed writes of diversity workers of color: “We are ticks in the boxes; we tick their boxes.” The box is the predictable form, the tick the sign of how quickly you can get past it. Get past us.

Well, you ask, should we dissolve all the committees, then? Keep faculty of color off them? What’s your solution? Try to read the demand for solutions and your frustration for what they are: products of the logic of diversity work, which wants to get the debt paid, over with, done. Diversity work is slow and yet it’s always in a rush. It can’t relax. It can’t afford the informal gesture, the improvised note, the tangential question that moves off script, away from representation into some weird territory of you and me talking in this room right now. Diversity work can’t afford to entertain the thought that some debts can’t be paid, that they might just be past due. With agonizing slowness, this work grinds on toward payment—that is, toward the point where it will no longer exist. It’s a suicidal project.

(3) The sf magazine field is probably about to experience a contraction, says Neil Clarke in “Editor’s Desk: The Sad Truth About Short Fiction Magazines” at Clarkesworld.

  1. Quality

If the number of quality stories isn’t growing as fast as the number of stories publishers need to fill all their slots, then quality must dip to fill the void.

  1. Sustainability

If the number of readers willing to pay for short fiction isn’t growing as fast as the financial need of the publishers, the field begins to starve itself.

…But what can any of us do about it? Here’s a few suggestions:

  • Subscribe to or support any magazine that you’d be willing to bail out if they were to run aground. Just-in-time funding is not a sane or sustainable business model. If you want them to succeed, then be there before they need you.
  • If a magazine doesn’t offer subscriptions or have something like a Patreon page you can support them financially through, encourage them to do so.
  • Encourage SFWA to raise their qualifying rate for short fiction. Why? Given the small explosion in markets that are paying that rate, it’s clearly too easy for publishers to earn that badge. Yes, that rate is a badge of honor for publishers. Seriously though, the authors deserve better.
  • Don’t support new (or revival) projects until they clearly outline reasonable goals to sustain the publication after their initial funding runs out.
  • Introduce new readers to your favorite stories and magazines. This is particularly easy with so many online magazines being freely available at the moment. We need more short fiction readers if all this is to remain sustainable. This plays into my comments on short fiction reviews last month.

(4) Neal Stephenson has been named a Miller Distinguished Scholar at the Santa Fe Institute. He visited SFI this week and will return for periodic visits through the end of 2016.

The Miller Distinguished Scholarship is the most prestigious visiting position at SFI, awarded to highly accomplished, creative thinkers who make profound contributions to our understandings of society, science, and culture.

Stephenson will be the sixth SFI Miller Scholar since SFI Board Chair Emeritus Bill Miller conceived and underwrote the scholarship in 2010. Stephenson follows philosopher of science Daniel Dennett (2010), quantum physicist Seth Lloyd (2010-2011), actor/playwright Sam Shepard (2010-2011), philosopher/author Rebecca Goldstein (2011-2012), and author/narrative historian Hampton Sides (2015-2016).

(5) George R.R. Martin describes his fascination with the red planet for the Guardian in “Our long obsession with Mars”.

Once upon a time there was a planet called Mars, a world of red sands, canals and endless adventure. I remember it well, for I went there often as a child. I come from a blue-collar, working-class background. My family never had much money. We lived in a federal housing project in Bayonne, New Jersey, never owned a car, never saw much of anywhere. The projects were on First Street, my school was on Fifth Street, and for most of my childhood those five blocks were my world.

It never mattered, though, for I had other worlds. A voracious reader, first of comic books (superheroes, mostly, but some Classics Illustrated and Disney stuff as well), then of paperbacks (science fiction, horror and fantasy, with a seasoning of murder mysteries, adventure yarns, and historicals), I travelled far and wide while hunched down in my favourite chair, turning pages.

… Growing up, I think I went to Mars more often than I went to New York City, though Manhattan was only 45 minutes and 15 cents away by bus.

Mars, though … I knew Mars inside and out. A desert planet, dry and cold and red (of course), it had seen a thousand civilisations rise and fall. The Martians that remained were a dwindling race, old and wise and mysterious, sometimes malignant, sometimes benevolent, always unknowable. Mars was a land of strange and savage beasts (thoats! Tharks! sandmice!), whispering winds, towering mountains, vast seas of red sand crisscrossed by dry canals, and crumbling porcelain cities where mystery and adventure lurked around every corner.

(6) “Still not a reason to start drinking coffee,” says John King Tarpinian. Star Wars Spiced Latte.

Star Wars spiced latte

(7) Today in History:

October 2, 1950 —

  • The “Peanuts” comic strip by Charles M. Schulz was published for the first time.

 

October 2, 1959 —

Twilight zone earl holliman

  • Rod Serling’s The Twilight Zone debuts on TV with the episode Where Is Everybody? in which a man finds himself alone in the small town and without any recollection of where or who he is.

(8) Today’s birthday boy –

(9) Kevin J. Anderson recommends the Superstars Writing Seminar, to be held February 4-6, 2016.

If you’re serious about taking your writing career to the next level, this business seminar is a must—three days and nights immersed in a heightened atmosphere of real-world wisdom and professional advice dispensed by best-selling authors Kevin J. Anderson, Rebecca Moesta, David Farland, Eric flint, and James A. Owen. Some of the guest speakers for the 2016 Seminar include Jody Lynn Nye, Penguin/Putnam editor Ann Sowards, and some urban fantasy author named…Bisher…Bonger…no, uhm…Butcher. Yeah, that’s it. Jim Butcher.

There are five scholarships available from the Don Hodge Memorial Scholarship Fund.

(10) Harrison Ford will be honored by BAFTA on October 30 at the Britannia Awards.

Ford will receive the Albert R. Broccoli Britannia Award for Worldwide Contribution to Entertainment at the ceremony to be held at the Beverly Hilton.

“It is impossible to imagine the past 40 years of Hollywood history without Harrison Ford, and his performances are as iconic as the films themselves,” BAFTA Los Angeles chairman Kieran Breen said in a statement.

The ceremony, hosted by actor-comedian Jack Whitehall, will air Nov. 6 on Pop. The Britannia Awards had aired on BBC America in recent years but were carried by TV Guide Network, the predecessor of Pop, in 2010 and 2011.

Other Britannia honorees this year include Orlando Bloom, who will receive the Britannia Humanitarian Award, and Meryl Streep, who will receive the Stanley Kubrick Britannia Award for Excellence in Film. Sam Mendes, James Corden, Amy Schumer and event production company Done + Dusted will also be recognized.

(11) Here’s a list of “The Best Haunted House for Adults in Los Angeles”.

Though there are nearly 5,000 professional haunted attractions operating nationwide every Halloween, there’s never a guarantee when it comes to true, bone-chilling quality. From haunted mansions and abandoned asylums to old prisons or open fields, you want the haunts that’ll scare you the most. They provide visitors with a horror experience that just makes you feel like you’re in your favorite horror movie. Given its close ties to the entertainment industry, it shouldn’t be a surprise that Los Angeles is home to some of the best haunted houses for adults. This Halloween, you’ll have plenty of opportunities to face your fears at the five best haunted houses for adults in Los Angeles.

(12) A new film clip from The Hunger Games: Mockingjay Part 2 – “Star Squad”

[Thanks to Andrew Porter, Martin Morse Wooster, Will R., Mark sans surname, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Signal Boost For Danielle Wolverton Search

Kevin J. Anderson is helping get out the word:

The daughter of my very close friend David Farland (Dave Wolverton) is missing. Dave is a well-known, bestselling author of epic fantasy and Star Wars. Please help us get a signal boost by sharing this around:

David and Mary Wolverton’s 27 year old daughter Danielle is missing. She drives a Silver Toyota Yaris with a dented hood. Last seen Tuesday (June 30) driving north on I-5 in Los Angeles. This is a recent photo of her at her brother’s HS graduation. If you see or hear anything, please contact your local police department, or the Wolverton family in Southern Utah (St. George area).”

People posting on the Dave Farland Facebook page call her Danielle Wolverton, so I have followed that usage here.