Pixel Scroll 8/28/23 It Was Scrolling Hard In Pixel, I Needed One More File To Make My Night

(1) WE’LL BE GONE FOR YEARS AND YEARS AND THEN. Cass Morris tells what it was like aboard Disney’s Halcyon Starcruiser in “Together As One”, first in a series of posts where she’ll capture full details of this Star Wars immersive experience. And joining her vicariously will be your best opportunity because the attraction will close at the end of September.

… And there was just… there was so much. Especially on Day 2. Noah and I spent four hours in Batuu, and almost all of that time was completing missions. We were running around all over the Outpost. And then once back on the Halcyon, we had a little breather (and much-needed time to clean up, considering the effect that Batuu’s balmy climate has) followed by lightsaber training, but from 3:30 onward? It was just go-go-go. Of the four major paths available, I ended up on three of them. (Or, at least, pieces of each — there are sort of sub-tracks to at least the Resistance path, with different characters and objectives). My schedule was bonkers. I think I had seven alarms set on the evening of Day 2 to make sure I moved when I needed to.

If you’re willing to go hard, it pays off. You absolutely cannot do everything — many things are mutually exclusive just due to scheduling. But you can do a lot if you’ve got the energy, the focus, the time management skill, and the willingness to dash up and down a few flights of stairs many times.

Anyone who was inclined to mock the price tag has no idea just how much goes into creating something like this — both creating it in the first place and then running it on a daily basis. I have some idea, but the work I do is on such a smaller scale, to say nothing of a smaller budget. But I know how many documents it takes to get the story set, to plan the props and scenic elements, to train the performers for something that’s really just a couple of hours of “on” time, without the complex branching trees the Starcruiser has. To do something for a 45-hour long experience, with so many variables… it would have to be utterly gargantuan….

(2) WHERE’D IT GO? For the record, David A. Riley has deleted from his blog the two posts discussing the sale of his novelette to The Magazine of Fantasy and Science Fiction. News of the magazine’s decision not to publish it is at the link.

(3) ABOUT BRADBURY. Issue 7 of The New Ray Bradbury Review is out, the first completely online, open access issue. Editor Phil Nichols tells what readers can expect in times to come.

…As we enter this new phase of the The New Ray Bradbury Review, we hope to explore the four  cornerstones  of  Bradbury’s  life  and  work  which  have  informed  the Bradbury  Center’s mission.  The  first  of  these,  underpinning  many  of  the  articles in  this  current  issue,  is the advancement of literacy, a cause which seems ever more timely in 2023, where we see the states of  Florida  and Texas enacting  policies  which restrict readers’ access—and especially young learners’ access—to  diverse  voices. The  Ray  Bradbury  Center’s  home  state  of  Indiana  is regrettably heading along a similar path, while there is a glimmer of light in the darkness in Illinois, which has legislated to ban book bans. The other three cornerstones of Bradbury’s life and work will be explored in future issues of NRBR: freedom of imagination and First Amendment rights; advocacy for space exploration; and the preservation of libraries…

(4) WORKAROUNDS. Joe Yao of the Chengdu Worldcon committee responded to concerns from those having difficulty logging into the website to purchase memberships, or vote for the Hugos and 2025 Site Selection. This is a diagnosis of one individual’s problem, but includes much general information.

…The credential message was sent by Tencent Cloud, which I believe is one of the leading IT companies with the most advanced technologies in China. However, there are still some of the email systems recognize it as spam. I have checked the back-end records trying to figure out this issue, and here is some information I would like to share with you.

There are 1,084 requests for credential emails since we opened the Site Selection and the Hugo Packet, not all of them were logging in for the purpose of voting but for other membership purchases, including the Chinese members to buy admissions. And 1,057 of the requests arrived at the email addresses successfully, in other words, the receiving rate is about 97.5%. Most of the emails that failed to arrive were BLOCKED by the receivers, which we have no way to help from my side and I believe it happens not only to Chengdu Worldcon.

The way I can help is suggest you use gmail account if possible to login and if you are a voting member in DisCon 3 or you have already purchased any memberships of Chengdu with other emails but cannot login right now, I can re-upload your gmail information to the system from my side….

(5) FILM OVER BOOK. A Buzzfeed writer names “17 Movies That Were 100 Times Better Than The Book”. Of course I had to click on that. Here’s one of the better entries:

5. “The Shining. One of my favorite movie facts is from The Shining. In the book, the Torrance family drives a red Volkswagen Beetle; in the movie, they drive a yellow one. Later in the movie, as Halloran is driving in the snowstorm, he passes a car accident where a semitruck has crushed a red Beetle. This is thought of as director Stanley Kubrick knowing he totally changed the story and was actively snubbing it with this shot.”

(6) ANOTHER WRITE-OFF? “Disney finishes shooting Spiderwick Chronicles series, decides not to air it” reports Fansided.

…And indeed, Disney shot six episodes, with a cast that includes Jack Dylan Grazer, Lyon Daniels, Noah Cottrell, Joy Bryant, Mychala Lee, and Christian Slater as the shape-shifting ogre Mulgarath. But as it ends up…nah.

According to The A.V. Club, Disney has opted not to air the show on Disney+, even though it’s basically finished. This is a phenomenon we’re seeing more and more of lately. Remember the furor that resulted when Warner Bros. Discovery decided not to release the Batgirl movie after it had already finished shooting? How about when Disney spent over $100 million making a TV show based on the fantasy movie Willow only to remove it from Disney+ after a few months? Why are these studios spending all this money if they’re not going to let people watch what they bought?

A lot of it has to do with the economics of streaming. Will airing The Spiderwick Chronicles get more people to subscribe to Disney+? If not, it may be more cost-effective for Disney to dump it and write off the expenses on its taxes. It’s not like they can sell commercials during episodes, and they probably won’t sell a home video version, so there’s little way for the show to make money by itself. It’s a weird world we’re in now, and studios are trying to figure it out….

However, this line in Variety’s report “Spiderwick Chronicles Series Adaptation Not Moving Forward at Disney+” blurs the part about who’s footing the production bill:

The completed six-episode series, which hails from Paramount Television Studios and 20th Television, is currently being shopped to other potential buyers.

(7) KEEPING THE DISCWORLD NICE AND ROUND. The Gamer defends how the Pratchett rights are handed: “The Terry Pratchett Estate Is Right To Turn Down Subpar Adaptations”.

…The Pratchett estate has likely been burned by its experience with The Watch, something which languished in adaptation limbo for a number of years after the rights were bought. While the Amazon adaptation of Good Omens has been received far better by fans, the star power and intoxicating chemistry of stars David Tennant and Michael Sheen help things along. It will also help that co-author and lifelong friend of Pratchett’s Neil Gaiman is credited as creating the show and serves as a hands-on showrunner as the series moves past the events of the novel. If anyone knows how to continue the Pratchett legacy, it’s him.

In response to a headline decrying Discworld as another huge franchise “going to waste”, the Pratchett estate posted a status to the social media platform formerly known as Twitter saying, “It’s not going to waste, it’s just very much wanting to do the right thing and definitely not do the wrong thing. Again.”

The account, run by Pratchett’s longtime assistant and business manager Rob Wilkins, followed up by saying, “Our nuclear weapon remains our ability to say no and you simply wouldn’t believe how often we still have to use it”, adding the hashtag #Narrativia, referencing Pratchett’s production company that owns the multimedia rights to all of the author’s work….

… Rhianna Pratchett responded too, saying that “we are more mindful than ever, than when we give the ‘yes’ it has to be right”. After the decidedly unPratchett adaptation of The Watch, she has every right to be cautious. While the books are timeless, and continuously prove that Pratchett was ahead of his time in more ways than you could ever imagine, a slew of poor quality adaptations could tarnish that legacy….

(8) ARLEEN SORKIN (1955-2023). Arleen Sorkin, known for voicing Harley Quinn in animated DC Universe productions, died August 26 at the age of 67.

…In 1992, Sorkin began voicing Harley Quinn in Batman: The Animated Series. She would reprise her role in other shows like Superman: The Animated SeriesBatman Beyond: Return of the JokerGotham GirlsJustice League and Static Shock. Sorkin also lent her voice as Harley Quinn for DC video games like Batman: Arkham AsylumDC Universe Online and DC Universe Online: The Last Laugh….

(9) CAREER INCLUDED HARRY POTTER FILM. Actress Matyelok Gibbs died August 14 at the age of 91.  

…On film, she played Erik’s mum in Terry Jones’s Erik the Viking (1989) – Tim Robbins was Erik, discovering there might be more to life than raping and pillaging, with Mickey Rooney as Erik’s grandad – and Auntie Muriel Weasley in Harry Potter and the Deathly Hallows (2010), a gaudily attired, rude and gossipy great-great-aunt of the Weasley children resembling a bad-tempered flamingo….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 28, 1915 Tasha Tudor. American illustrator and writer of children’s books. Her most well-known book is Corgiville Fair, published in 1971, the first of a series to feature anthropomorphic corgis. (Died 2008.)
  • Born August 28, 1916 Jack Vance. Where to start? The Dying Earth series? Or perhaps the Lyonesse trilogy? I think I’ll pick the Demon Princes series. Damn he was good. Hugos? Oh yes. Discon was his first for “The Dragon Masters” short story followed by winning one for “The Last Castle” novelette at NYCon 3. His autobiography, This is Me, Jack Vance! (Or, More Properly, This is “I”), Jack Vance, won at Aussiecon 4. Let’s not forget that he has a World Fantasy Award for Life Achievement as well. And a SFWA Grand Master Award, too. (Died 2013.)
  • Born August 28, 1917 Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. (Another DC film that got cancelled, damn it.) I had forgotten that he created the Black Panther. (Died 1994.)
  • Born August 28, 1925 Arkady Natanovich Strugatsky.The Strugatsky brothers were well known Russian SF writers who were Guests of Honor at Conspiracy ’87, the Worldcon that was held in Brighton, England. Their best-known novel in the West, Piknik na obochine, has been translated into English as Roadside Picnic. It is available from the usual suspects with a foreword by Le Guin. (Died 1991.)
  • Born August 28, 1948 Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short story of hers done as a faux encyclopedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Neat. (Died 2019.)
  • Born August 28, 1951 Barbara Hambly, 72. Author of myriad genre works including the James Asher, Vampire NovelsThe Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Was married for some years to George Alec Effinger.

(11) COMICS SECTION.

  • Tom Gauld has his own version of “Writer Beware!”

(12) CELEBRITY COMIC COLLECTION GOES UNDER THE HAMMER. “Kevin Smith is Auctioning His Personal Comic Book Art Collection” and CBR.com hits the highlights.

…A highlight of the auction is Green Arrow cover art by Matt Wagner from issues #1 – #12, estimated to bring in between $1500.00 and $3000.00 each. Additionally, the collection features one of Smith’s rarest gems, a page from Frank Miller’s Daredevil #161, penciled by Miller and inked by Klaus Janson, estimated to cost $20,000.00 to $40,000.00. Each lot in this historic auction will come with a Certificate of Authenticity (COA) from Bodnar’s and Smith’s autograph.

A percentage of the proceeds from the auction will be donated to a scholarship fund for the Joe Kubert School in Dover, New Jersey. Smith, in his characteristic manner, exclaimed, “My current reduction in home wall space is going to make some ardent comic collectors’ dreams come true!” He added, “This will be the sale of the century.”…

(13) PLANET STEWARDS. The U.S. National Oceanic and Atmospheric Administration has chosen eight books and a film for their Planet Stewards Book Club. Craig Russell’s climate-crisis novel, Fragment, was selected alongside the film Don’t Look Up and the work of many other excellent authors, including Pulitzer Prize winner, Annie Proulx. Dates and subjects of club sessions and video links are here.

(14) COVER ARTIST. The Guardian shares Matt Stevens’ work in “Cover version: films reimagined as vintage paperbacks – in pictures”.

…For his project Good Movies As Old Books , Matt Stevens combined two of his main interests: recreating his favourite films in the style of vintage paperbacks. The North Carolina -based designer and illustrator begins with iPad sketches before using Photoshop to create the effect of old paper and weathered cover textures. The first 100 designs were collected in a Kickstarter-funded art book, and a second one is in the works. “You have to be efficient with the visuals and really distil down the concept into something simple, while still making an impact,” he says. “I love the challenge of that.”…

Andrew Porter dropped the link with a note: “Stephens apparently has no idea that another James Gunn is an actual author of SF books… One of the cover designs looks suspiciously like it’s by Mike Hinge.”

(15)  TIME CAPSULE. There are still 153 photos of fans and writers on Mike Resnick’s Facebook album, spanning the decades of his life in fandom. Moshe Feder pointed this out a few days ago.

(16) WHO DID YOU SAY YOU WERE? “TV Characters With Mystery Names” at TVLine. The genre examples are not the most interesting ones, but there are some.

…What follows is an extensive small-screen history consisting of the following:

Characters whose first, last or full names have never been revealed.

Characters whose names were kept secret for multiple seasons. (Angels, aliens and other inhuman entities were not included.)

Here’s one example:

AGENT 99, GET SMART

The name of Maxwell Smart’s partner-turned-wife was never disclosed. The show would later follow tradition when she gave birth to their twins — a boy and a girl — and never revealed the daughter’s name.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Naomi.]

The Cheshire Korsgaard

Sean CW Korsgaard, assistant editor and media relations manager for Baen Books, covered here in March for throwing shade on the Nebula Awards results, got his Twitter account suspended in July because he posted a fantasy about travelling back in time to kill directors Joss Whedon and Kevin Smith (Google cache file): [Click for larger image.]

(This was posted to his personal account, not the official Baen account.)

Kevin Smith is the showrunner of Masters of the Universe: Revelation. The post attracted the attention of a great many Kevin Smith fans, maybe even Smith himself since he’s quite active on Twitter. At any rate, some people tagged Smith in their replies.

Shortly thereafter Korsgaard’s account disappeared, suspended for violating Twitter rules.

Although the original tweet is gone, the replies and the thread itself are still online here. Note that the first response by Declan Finn (who else?) registered over 13.5K views, which shows how active the thread became. [Click for larger image.]

In August Korsgaard opened a brand new Twitter account (@SeanCWKorsgaard) where so far he has made only a couple of posts, the earliest dated August 1. His original account (@SCWKorsgaard) remains suspended.

It may come as a surprise to learn Twitter will still ban accounts if enough users complain. But considering Korsgaard fantasized about killing two directors with big fan bases, there’s no telling how many people may have reported him. 

Pixel Scroll 4/29/23 Don’t Go Chasing Waterscrolls, Please Stick To The Pixels And The Clicks That You Know

(1) HUGO NOMINATING DEADLINE 4/30. The deadline for submitting nominations to the 2023 Hugo Awards is tomorrow, April 30 at 11:59 p.m. Hawaiian time.

Eligible voters can submit or make change to their selections up until the deadline. Submit nominations here. The committee says:

The nomination traffic is often heavy in the final moments of the process, which can sometimes slow down the process. Please nominate in advance of the deadline to make sure your selections are counted appropriately.

If you have any problems in accessing the website or other questions about the nomination, please feel free to contact us at [email protected]

(2) WFA SHORT ON ANTHOLOGIES. Ellen Datlow has a word for fantasy publishers:

The deadline for consideration is June 1 – and note: that’s when judging ends. As Peter Dennis Pautz has said, “If, for instance, something is received on May 31 the judges may well have only one day to read it before their deliberations conclude. Anything received after June 1 will receive little or no consideration.”

(3) A LOOK IN THE MIRROR. “Masters-of-the-Universe-Piece Theatre: ‘The Story of Keldor (In His Own Words)’” | Cora Buhlert

This story was inspired by getting a new toy in the mail, namely the Masters of the Universe Origins He-Skeletor figure. So who is He-Skeletor? Well, best let him tell his story himself.

“I am Keldor, Prince of Eternia and defender of the secrets of Castle Grayskull…”

“…and this is Panthor, my fearless friend.”

“Meow.”

“And yes, I know you think you know how this story goes, but trust me, you don’t.”

(4) STAND BY TO READ. Publisher Weekly stokes the hype machine for Chuck Tingle’s horror novel Camp Damascus, coming from Tor Books: “Chuck Tingle Goes Mainstream…ish”.

…To a niche corner of the internet, Tingle has since achieved superstardom due to his delightfully outrageous book covers. All sport stock image collages and titles that take on a Mad Libs quality, generally beginning “Pounded in the Butt by….” Tingle then fills in the blank with whatever supernatural creature, sentient object, or personified concept strikes his fancy. (Pounded by President Bigfoot is on the tame end of the spectrum; things get more high-concept in Pounded in the Butt by My Own Butt, which realizes its conceit through some unexpectedly intricate sci-fi worldbuilding.)

These covers have earned Tingle the nickname My Favorite Author I’ve Never Read, but he hopes that Camp Damascus will make this moniker obsolete. Asked about his decision to traditionally publish, Tingle cites the opportunity to grow his readership: “I am constantly striving to prove love to a broader audience.”…

Camp Damascus is never sleep-with-the-lights-on scary, but it conjures a menacing atmosphere. Though the book is crawling with demons, it’s the humans that truly terrify. This was intentional.“Writing horror for any marginalized group,” Tingle says, “you have to recognize that what is happening in the dang world—without any supernatural elements—is already traumatic.”…

(5) NEXT TRIBUTES. The Hunger Games: The Ballad of Songbirds & Snakes in theaters November 17, 2023.

THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES follows a young Coriolanus (Tom Blyth) who is the last hope for his failing lineage, the once-proud Snow family that has fallen from grace in a post-war Capitol. With his livelihood threatened, Snow is reluctantly assigned to mentor Lucy Gray Baird (Rachel Zegler), a tribute from the impoverished District 12. But after Lucy Gray’s charm captivates the audience of Panem, Snow sees an opportunity to shift their fates. With everything he has worked for hanging in the balance, Snow unites with Lucy Gray to turn the odds in their favor. Battling his instincts for both good and evil, Snow sets out on a race against time to survive and reveal if he will ultimately become a songbird or a snake.

(6) THINKING THE UNTHINKABLE. The New York Times makes a strike sound almost inevitable: “Hollywood, Both Frantic and Calm, Braces for Writers’ Strike”.

Writers scrambling to finish scripts. Rival late-night-show hosts and producers convening group calls to discuss contingency plans. Union officials and screenwriters gathering in conference rooms to design picket signs with slogans like “The Future of Writing Is at Stake!”

With a Hollywood strike looming, there has been a frantic sprint throughout the entertainment world before 11,500 TV and movie writers potentially walk out as soon as next week.

The possibility of a television and movie writers’ strike — will they, won’t they, how could they? — has been the top conversation topic in the industry for weeks. And in recent days, there has been a notable shift: People have stopped asking one another whether a strike would take place and started to talk about duration. How long was the last one? (100 days in 2007-8.) How long was the longest one? (153 days in 1988.)

“It’s the first topic that comes up in every meeting, every phone call, and everyone claims to have their own inside source about how long a strike will go on and whether the directors and actors will also go out, which would truly be a disaster,” said Laura Lewis, the founder of Rebelle Media, a production and financing company behind shows like “Tell Me Lies” on Hulu and independent movies like “Mr. Malcolm’s List.”

Unions representing screenwriters have been negotiating with Hollywood’s biggest studios for a new contract to replace the one that expires on Monday. The contracts for directors and actors expire on June 30….

(7) MISSED CONNECTION. Dark Worlds Quarterly’s G.W. Thomas profiles “Albert dePina, Space Opera Specialist”. DePina, like Ray Bradbury, got a lift from Henry Hasse – so it’s surprising that although this article does mention Bradbury, it does not note that Hasse also co-authored Bradbury’s first sale.

Albert dePina was a name blazoned across the covers of Planet Stories in 1944. He was never a prolific writer, not a professional in terms of volume. But dePina was a fan. Writing with Henry Hasse, he produced ten stories over ten years, 1943 to 1953. (Robert) Albert dePina died in 1957. (He is not to be confused with the comics creator, Alberto dePina 1907-2002). Sadly, there is little solid information on him….

(8) PUTTING A LIGHT ON INJUSTICE. Among Cora Buhlert’s most recent “Non-Fiction Spotlights” is one about “The Life and Art of Dave Cockrum by Glen Cadigan”.

Tell us about your book.

The Life and Art of Dave Cockrum is a cradle to grave biography of the comic book artist best known for co-creating the All New, All Different X-Men for Marvel, and before that, for revitalizing the Legion of Super-Heroes at DC. It tells the story of how he went from an enthusiastic fan and aspiring pro in the ’60s to the driving force behind the X-Men reboot in the ’70s to a down-on-his luck-creator in the early 2000s, fighting for his life in a veteran’s hospital while Marvel was making millions off his creations as he made nothing.

It’s a story about justice and injustice, both on the page and off.

(9) CARRIE FISHER WILL BE ADDED TO WALK OF FAME. Actress Carrie Fisher will be honored posthumously by the Hollywood Chamber of Commerce with a posthumous star on the Hollywood Walk of Fame on May 4th, Star Wars Day. The star, in the category of Motion Pictures, be unveiled near the historic El Capitan Theatre at 6840 Hollywood Boulevard at 11:30 a.m.

(10) MEMORY LANE.

1953[Compiled by Cat Eldridge.]

Our Beginning tonight is short but oh-so- sweet.  It is from Alfred Bester’s The Demolished Man which was published by Shasta Publishers in 1953. 

As you know, the version printed in Galaxy in January, February and March won a Hugo at Philcon II.

The novel is dedicated to Galaxy’s editor, H. L. Gold, who made suggestions during its writing. 

Yes, it’s one of my favorite novels, both to read and to listen to. Gerard Doylle narrates the novel and does a fantastic job of doing so.

Without further notes, here’s our Beginning…

IN THE ENDLESS UNIVERSE there is nothing new, nothing different. What may appear exceptional to the minute mind of man may be inevitable to the infinite Eye of God. This strange second in a life, that unusual event, those remarkable coincidences of environment, opportunity, and encounter… all may be reproduced over and over on the planet of a sun whose galaxy revolves once in two hundred million years and has revolved nine times already. 

There are and have been worlds and cultures without end, each nursing the proud illusion that it is unique in space and time. There have been men without number suffering from the same megalomania; men who imagined themselves unique, irreplaceable, irreproducible. There will be more… more plus infinity. This is the story of such a time and such a man… 

THE DEMOLISHED MAN.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 29, 1887 H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Game are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. Wildside Press published in 2006 a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
  • Born April 29, 1908 Jack Williamson. By the end of his long career in sff he had won eight lifetime achievement / grand master honors, and been inducted to the Science Fiction Hall of Fame. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. Aussiecon Two awarded him a Hugo for Wonder’s Child: My Life in Science Fiction (1985), and Millennium Philcon saw him get one for his “Ultimate Earth” novella (2000), which also won the Nebula. (Died 2006.)
  • Born April 29, 1923 Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way, several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
  • Born April 29, 1943 Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God was his first novel, I remember that novel as being a rather excellent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made into the digital realm yet. (Died 1986.)
  • Born April 29, 1946 Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.)
  • Born April 29, 1960 Robert J. Sawyer, 63. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive.  And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name.  Interesting series that ended far too soon. 

(12) COMICS SECTION.

  • The Far Side shows why it can be dangerous to work as a scientist.
  • The Far Side notes there are hazards to working as an artist, too.
  • Tom Gauld displays a librarian’s idea of good architecture.

(13) CONAN COMICS WRITER INTERVIEWED. The Rogues in the House podcast interviews Jim Zub, writer of the new Conan comics for Titan.

(14) THEY MADE IT SO. “‘The Bridge Is Yours:’ You Can Now Virtually Visit Every Star Trek Enterprise Bridge” says Gizmodo. (The direct link is: “U.S.S. Enterprise NCC-1701-D (2364) – Roddenberry Archive”.)

Save for Star Trek: Deep Space Nine, and—obviously—Star Trek: The Lower Decks, most of the action for Star Trek takes place upon the fabled bridge. Over the course of Star Trek’s over-five decade runtime, there have been more than one fan who has imagined themselves working under lights at their station. You can close your eyes and imagine yourself among a crew of like-minded people sharing in that optimistic hope for the future that the show was known for. Finally, there’s now a way to truly put yourself into the captain’s chair of whatever version of the show was your favorite and watch through the viewscreen at all the twinkling stars and imagine where you too might boldly go.

To commemorate the end of Star Trek: Picard’s third and final season, on Thursday the Roddenberry Archive created a new web portal that includes dozens and dozens of accurate 3D models of the famed Starship Enterprise alongside an inside look at its bridge….

(15) FRANK TALK ABOUT MENTAL HEALTH. Kevin Smith, director of Dogma, Clerks, Mallrats and many other at least SFF-adjacent movies and showrunner of Masters of the Universe: Revelation, opens up about his struggles with mental health at People: “Kevin Smith Tells PEOPLE About His Recent Mental Health Crisis”.

One morning last January, film director Kevin Smith awoke in terror, convinced he was losing his mind.

The next day Smith, 52, checked into Arizona’s Sierra Tucson treatment center where he spent the next month in intensive therapy, learning how several childhood traumas had led him to create and hide behind a “larger than life” public persona he calls “the other guy” that eventually usurped his core sense of self.

“It was scary,” he says, speaking about the incident—that he describes as a “complete break from reality”—publicly for the first time in this week’s PEOPLE.

“At that moment, I wouldn’t have been averse to not being around any longer. I called a friend and said, ‘I’m in a weird, dark place. I need to go somewhere and get help.'”…

(16) SCI-FI LONDON FILMS. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi London has just announced its initial tranche of films for this year’s fest 31st May to 6th June 2023.

Even if you are not in the London region, you can check out the trailers below and keep an eye out for the DVD.

All the films are recent and a good few are having their UK, some even, World, premiere at the fest.

There will also be six thematic sessions of short films among much else.

(17) VIDEO OF THE DAY. [Item by Cora Buhlert.] The Dad-at-Arms podcast has a great interview with Netflix producer Ted Biaselli: “Revolution News! Dad-at-Arms Interview: Netflix MOTU Producer Ted Biaselli”. It’s a Masters of the Universe podcast, so the interview focuses on Masters of the Universe: Revelation, but Biaselli worked on a lot of Netflix SFF shows like Wednesday, The Dark Crystal and Castelvania. He also offers some excellent insights into the workflow of an animated TV episode is made and how long it takes. For example, I had no idea that they record the dialogue first and then do the animation, though it makes sense.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Cora Buhlert, Danny Sichel, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/28/22 You Shall Not Pass…Go! Also, You Shall Not Collect Two Hundred Dollars!

(1) YOU’RE A GOOD HOMAGE (TO) CHARLIE BROWN. [Item by Daniel Dern.] Celebrating Charles Schultz’s 100th birthday on November 26, numerous comic strips included Peanuts characters/references — many on the 26th, some (at least one) during the week leading up to Saturday.

Here’s an article from DailyKos.com on it – “A Very Special Tribute to Charles Schulz of ‘Peanuts’ Fame — The Week in Editorial Cartoons” — which includes this Twitter hashtag #Schulz100 linking to a lot of the ‘toons. (Possibly all, I’m still sussing that out).

And here’s a post from comic-strip syndicate ComicsKingdom which they say aggregates not just strips they carry, but others as well, though the strips don’t appear to be clickable 🙁 — “Editor’s Dispatch: Happy 100th Birthday, Charles Schulz!”.

(Note, here’s my File770 post “Reading Daily Comic Strips Online”if you want info on subscribing to ComicsKingdom and/or GoComics)

So here’s some from ComicsKingdom (Note, paywall limits may not let you see more than about a dozen):

And from GoComics.com

UPDATE: All of the tribute strips to Charles Schulz are readable, fully, on the Charles M. Schulz Museum site here: https://schulzmuseum.org/tribute/ (Thanks to Frank Catalano.)

Also, on Nov 24, Terri Gross did most of NPR’s Fresh Air on Schultz: “’Fresh Air’ marks the centennial of Charles Schulz, creator of Charlie Brown”.

“Schulz, who died in 2000, spoke in 1990 about his iconic Peanuts comic strip. Plus, jazz critic Kevin Whitehead talks about pianist Vince Guaraldi, who created the music for A Charlie Brown Christmas.”

And the US Post Office’s 20-stamp sheet of Charles M. Schulz Stamps with Peanuts characters (10 designs, 2 of each), issued September 30 2022, might finally be available at your local Post Office

Happy (belated) birthday, Sparky!

U.S. Postal Service Reveals More Stamps for 2022. Peanuts, Holidays and Space Exploration Featured.

(2) DIAL T. On Cyber Monday, Camestros Felapton is “Announcing the TimFone®”. The product diagram is especially funny.

The busybody elitist gatekeepers at Apple, Google and the FDA have censored my revolutionary ¡TIMMR social media app on the spurious grounds that it is “so toxic it may an engender a civilisation collapse”, which is just a fancy elitist way to say that it has TOO MUCH FREEDOM for our tech overlords….

(3) WILLOW POD. The Rogues in the House podcast discusses the 1988 fantasy film Willow before the new TV series comes out: Willow by Rogues in the House”.

At long last, the Rogues dive into the 1988 Ron Howard/George Lucas classic, Willow.   

Are you “the greatest swordsman who ever lived”?  

(4) GET AN EARFUL OF HORROR. Yesterday’s BBC Radio 4 Open Book half-hour program was on female horror writers: “Women subverting horror with Mariana Enríquez, Claire Kohda and Sophie White”.

Octavia Bright talks to highly-acclaimed Argentinian author Mariana Enríquez. about her unsettling new novel which addresses the horrors of her country’s past through the prism of family, heritage and the occult.

And how are a new wave of women writers subverting traditional forms of horror fiction? Claire Kohda discusses the connections between mixed-race experiences and vampires, and Irish writer Sophie White explains why women have always had an affinity with the often male-dominated genre.

(5) FOND FAREWELL. Director Kevin Smith shares a tribute to the late Kevin Conroy.

Kevin Smith shares a few personal anecdotes about the recently departed voice of Batman himself, Kevin Conroy.

(6) MEMORY LANE.

1987 [By Cat Eldridge.] Star Trek: The Next Generation’s “Haven”

Stop this petty bickering, all of you! Especially you, Mother! — Deanna Troi

Could you please continue the petty bickering? I find it most intriguing. — Data

So let’s talk about the First Lady of Star Trek and her final role which begins in Star Trek: The Next Generation‘s “Haven,” broadcast thirty-five years ago this weekend  in syndication.  

It would introduce us to the magnificent and yes more than occasionally overbearing presence of Lwaxana Troi, mother of Ship’s Counsellor Deanna Troi. Not that they overused her as she only appeared about once per season for the rest of the run. It just seemed she was there more often.

SPOILER ALERT. REALLY I DO MEAN IT. GO DRINK SOME RIGELLIAN BRANDY LIKE GUL MARAK FAVORS.

Deanna’s been summoned by her mother to get married as she was betrothed to a human when she was just a wee Betazoid. Now we know that won’t happen, but oh it’s so delicious to watch why. It doesn’t go off in the end. 

Meanwhile Lwaxana, being ever so on the prowl, has set her sights on seducing Jean-Luc, who is appalled by the idea to say the very least. Not as we’ve seen that he doesn’t mind a great romp. Just not with her. Isn’t there a mud bath scene with her, Worf and others later on in the series?

Meanwhile a race long extinct is engaged in hostile action against Haven. Or his Picard says, “Captain’s log, supplemental. It has been believed the Tarellian race was extinct, an assumption contradicted now by the sight of one of their vessels approaching Haven.” 

That ship is carrying a deadly plague and, to make matters even complicated, is linked to Deanna’s intended in some psychic link. (I love when SF shows go into fantasy realms.) The marriage is off when he decides to help the alien race find a way overcome their plague.

All’s well that ends well. 

FINISHED YOUR RIGELLIAN BRANDY? GOOD, YOU CAN COME BACK NOW.

Lwaxana Troi will make six appearances on New Generation and, surprisingly, she’ll show up on Deep Space Nine where poor Odo gets to fend off her advances. She does three episodes there. Don’t get me wrong, she does form meaningful friendships in the course of these nine episodes including with Jean-Luc.

Fiction writers had a great deal of fun with the character, such as in Peter David’s Q-in-Law where Lwaxana formed a romantic attachment to Q. 

All in all, a most excellent, if somewhat silly episode. The First Lady of Star Trek was magnificent here.

As always, I’ll note it’s streaming on Paramount +.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 28, 1944 Rita Mae Brown. 78. Author of the Sister Jane mysteries which features foxes, hounds and cats as characters with their own unique voices which in my mind makes them genre novels. Not to mention her creation of Sneaky Pie Brown who “is a New York Times best-selling writer and cat who co-authors the Mrs. Murphy series of mystery novels with her owner, Rita Mae Brown.” And who she has an entire series devoted to. Just don’t get me going on the unfortunate conservative politics of the latter Sister Jane mysteries. 
  • Born November 28, 1946 Joe Dante, 76. Director and Producer. Warning, this is a personal list of works he directed that I’ve really, really enjoyed – starting off with The Howling, then adding in the Saturn-nominated Innerspace, both of the Saturn-nominated Gremlins films (though I think only the first is a masterpiece, which is why that Saturn nom got him a trophy), Small Soldiers, and The Hole (2009). For television work, he’s directed episodes for quite a number of series, but the only one I can say I recall and was impressed by was his Legends of Tomorrow “Night of the Hawk” episode. As Producer, I see he’s responsible for The Phantom (proving that everyone has a horrible day), the Jeremiah series, and an upcoming horror film called Camp Cold Brook.
  • Born November 28, 1950 Ed Harris, 72. Actor, Director, and Producer with a lengthy genre resume whose first role was in the Michael Crichton-directed version of Robin Cook’s Coma, but whose most famous genre role, depending on your flavor of fandom, might be his Oscar-nominated turn as Flight Director Gene Kranz in the Hugo finalist Apollo 13 (which earned him a sly voice cameo as Mission Control in Gravity), his Saturn-winning lead role as The Man in Black in the TV series Westworld, his Saturn-nominated performance as an undersea explorer in the Hugo finalist The Abyss, or his Oscar- and Saturn-nominated part as the exploitative genius of The Truman Show. (JJ)
  • Born November 28, 1952 S. Epatha Merkerson, 70. Actor who has spent around 25 years in main roles in Dick Wolf’s Law & Order and Chicago procedural dramas, but who managed to sneak in genre roles in the films Jacob’s Ladder, Terminator 2: Judgment Day, and Slipstream, and a main role in the short-lived 1990s cyborg police series Mann & Machine.
  • Born November 28, 1961 Alfonso Cuarón, 61. Writer, Director, and Producer from Mexico who has directed three impressive genre films: the Hugo finalists Harry Potter and the Prisoner of Azkaban and Children of Men (based on P. D. James’ 1992 novel of the same name) and the Hugo Award-winning Gravity, for which he also won an Oscar. He also produced the Hugo-winning Pan’s Labyrinth, and is the creator of Believe, a TV series about a young girl born with special supernatural abilities she can not control, which lasted thirteen episodes. The Possibility of Hope, a documentary short film which he directed, looks at different matters of the world such as immigration, global warming and capitalism through the eyes of scientists and philosophers. (JJ)
  • Born November 28, 1962 Mark Hodder, 60. Best known for his Burton & Swinburne alternate Victorian steampunk novels starting off with The Strange Affair of Spring-Heeled Jack that deservedly garnered a Philip K. Dick Award. He also wrote A Red Sun Also Rises which recreates sort of Victorian London on a far distant alien world. Emphasis on sort of. And then there’s Consulting Detective Macalister Fogg which appears to be his riff off of Sherlock Holmes only decidedly weirder. 
  • Born November 28, 1987 Karen Gillan, 35. Amy Pond, companion to the Eleventh Doctor. Nebula in the Guardians of The Galaxy and in later MCU films, Ruby Roundhouse in Jumanji: Welcome to the Jungle. Two episodes of Who she was in did win Hugos, “The Pandorica Opens/The Big Bang” at Renovation and “The Doctor’s Wife” at Chicon 7. 

(8) COMICS SECTION.

A few more Charles Schulz tributes:

  • Tom Gauld has thought up his own variation on Monopoly.

(9) YOU’VE GOT TROUBLE MY FRIEND. “Letter from Holy Roman Emperor written in secret code finally cracked after 5 centuries to reveal he was worried about being assassinated” at MSN.com.

…Until now, the contents of the letter have remained a mystery as it was composed of about 120 encrypted symbols and some French passages. 

Pierrot gave all the symbols a name and loaded the makeshift alphabet into Python, a programming language, but it could not unlock the mysterious language.

Pierrot and her team — which included French cryptographers Pierrick Gaudry and Paul Zimmermann and historian Camille Desenclos — set to work for months wading through the strange script invented by Emperor Charles, identifying decoy letters and getting slow and steady eureka moments. 

The team has not yet issued a complete translation, but the themes identified have revealed an invaluable insight into the thinking of a giant figure at a turning point in Europe’s history. 

(10) VIDEO OF THE DAY. [Item by Andrew Porter.] The 2022 Montefiore Health System Christmas ad is really excellent. A combination of live action and animation: “A Holiday Village Discovers that Caring Makes Magic”.

The holidays are magic. And, when the toy shop owner needs help, the village discovers that Caring Makes Magic, too.

[Thanks to Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Daniel Dern, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]

Pixel Scroll 11/11/22 There Was A Filer Who Had A Blog, And Pixel Was Its Name-O

(1) LAW ENFORCEMENT ACTIVITY NEARBY AS WINDYCON BEGINS. [Item by Steven H Silver.] This year’s Windycon [in the Chicago area] started out in an interesting way.  A police presence in the inside of the ring access road due to a high-speed chase and a search for bullet casings.  Never good to see helicopter views of the building your con is in.  Some inconvenience to members getting in and out of the parking lot, but otherwise no real impact.

File 770 located a brief video report here: “Lombard police investigating report of shots fired at Yorktown Shopping Center”.

(2) VONNEGUT CENTENARY. “100 years after his birth, Kurt Vonnegut is more relevant than ever to science” asserts Science.

…As a philosopher, Vonnegut was no stranger to science. Under pressure from his brother, a renowned atmospheric chemist, he studied biochemistry at Cornell University in the 1940s before dropping out and enlisting in the Army during World War II. He later worked as an institutional writer for General Electric and, until his death in 2007, said he spent more time in the company of scientists than of writers.

Perhaps that’s why, beneath his persistent skepticism about science, there was always a deep appreciation for its potential. In the novel Cat’s Cradle, for instance, a dictator on the brink of death urges his people to embrace science over religion because “science is magic that works.” Even within ultimately dystopian tales, “you can see a sort of romanticization of the scientific endeavor,” says David Koepsell, a philosopher of science and technology at Texas A&M University, College Station….

(3) E.T. FOR SALE. The “Icons & Idols: Hollywood” auction presented by Julien’s Auctions and Turner Classic Movies will feature this high ticket headliner: the E.T. filming model.

Headlining this epic event is the E.T. the Extra Terrestrial Hero “#1” Mechatronic filming model “actor” that brought the eponymous character to life in Steven Spielberg’s 1982 classic E.T. the Extra-Terrestrial (estimate: $2,000,000 – $3,000,000). Pre-dating modern CGI technology and effects, this one-of-a-kind cinematographic relic (constructed in 1981) features 85 points of movement and is regarded as an engineering masterpiece.

“Carlo Rambaldi was E.T.’s Geppetto.” – Steven Spielberg

Created by “The Father of E.T.,” Carlo Rambaldi was an Italian special effects master, designer and mechatronics expert best known for his work on King Kong (Paramount Pictures, 1976), Alien (20th Century Fox, 1979), Close Encounters of the Third Kind (Columbia Pictures, 1977), Dune (Universal Pictures/DDL Corp. 1984), and E.T. the Extra-Terrestrial

(4) GOLDSMITHS PRIZE. The 2022 winner of the Goldsmiths Prize is the non-genre novel Diego Garcia by Natasha Soobramanien and Luke Williams.

It won out over five other works on the shortlist, which included two of genre interest, Maps of Our Spectacular Bodies by Maddie Mortimer (Picador) and Peaces by Helen Oyeyemi (Faber).

(5) THE BIG SQUEEZE. Dave Doering was left scratching his head after reading the plug for “BookyCon 2022: A Mega Meta Book Festival”.

You up for the world’s largest virtual book festival? 
Reserve your ticket here! (Space is limited)

(6) KEVIN CONROY (1955-2022). Kevin Conroy, longtime voice of the animated Batman, died November 10 at the age of 66. Deadline says he reportedly had been battling cancer:

… An actor with credits on stage, television and film, Conroy became a premier voice actor as the title character of Batman: The Animated Series (1992-96). He’d eventually give voice to the Dark Knight in nearly 60 different productions, including 15 films and more than 15 animated series spanning nearly 400 episodes and more than 100 hours of television.

Conroy also voiced Batman in dozens of video games and was featured as a live-action Bruce Wayne in the Arrowverse’s 2019-20 “Crisis on Infinite Earths” crossover event.

“Kevin was perfection,” said Mark Hamill, who voiced the Joker opposite Conroy’s Batman. “He was one of my favorite people on the planet, and I loved him like a brother. He truly cared for the people around him – his decency shone through everything he did. Every time I saw him or spoke with him, my spirits were elevated.”…

(7) MEMORY LANE.

1946 [By Cat Eldridge.] Molle’ Mystery Theatre’s “Come Back to Me” (1946)

This May 17, 1946 radio show is an adaption of Ray Bradbury’s story, “Killer, Come Back to Me” which was published two years earlier in  the July 1944 issue of Detective Tales. It was adapted for radio by Joseph Ruskall.

It was a fairly meaty story at twenty pages when published in Detective Tales.  It was in three parts, the first of which describes Julie, a stereotypical Forties femme fatale who it turn out is anything but not, and Broghman, a young man who conducts a robbery alone and then finds himself now allied with her. Or so he thinks.

The second part of this story is about the dealings of a Los Angeles crime syndicate Angeles and Broghman’s realization that he is not afraid of them; while the third part is at a meeting between him and the head of the syndicate, who naturally thinks of his thugs as “respectable businessmen” which they are most decidedly not. 

The primary actors here were Richard Widmark and Alice Reinhart in the lead roles. Widmark as one site put it has “the leading role of a cheap hoodlum with delusions of grandeur who assumes the role of a dead gangster while taking up with the crook’s delusional girlfriend.” Alice Reinhart Is Julie, that femme fatale and really delusional girlfriend.

Mollé Mystery Theatre was a thirty-minute radio program that ran from 1943 to 1948 on the NBC network before moving to the CBS network where the show became only the stories of Inspector Hearthstone. It would end its run on the ABC network.  The show was sponsored first by Sterling Drugs, manufacturers of Mollé Brushless Shaving Cream, hence the name. When it was not sponsored by Mollé, the program was called Mystery Theater.

Of its estimated 237 episodes, only 73 are known to be still in circulation.

You can hear it thisaway.

The original story is collected in, not at all surprisingly, Killer, Come Back to Me: The Crime Stories of Ray Bradbury which is published by Titan Books. It’s available from the usual suspects. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 11, 1922 Kurt Vonnegut Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1916 Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of the Neffer Amateur Press Alliance.  Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2003.)
  • Born November 11, 1917 Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con.  He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius.  And I’ve seriously enjoyed his short fiction. Wildside Press has seriously big volumes of his fiction up at the usual suspects for very cheap prices. (Died 1983.)
  • Born November 11, 1925 Jonathan Winters. Yes, he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as the very, very silly role of Albert Paradine II in More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow film, The Adventures of Rocky and BullwinkleThe Flintstones, both of The Smurfs films and quite a bit more. He of course was a guest on The Muppets Show. Who wasn’t? (Died 2013.)
  • Born November 11, 1945 Delphyne Joan Hanke-Woods. Artist and Illustrator whose grandfather taught her to read using science fiction pulp magazines. After discovering genre fandom at Windycon in 1978, she became one of the leading fan artists in fanzines of the time, including providing numerous covers for File 770. In addition to convention art shows, her art also appeared professionally, illustrating books by R.A. Lafferty, Joan D. Vinge, and Theodore Sturgeon, and in magazines including Galaxy, Fantastic Films, and The Comics Journal. She won two FAAn Awards for Best Serious Artist and was nominated six times for the Best Fan Artist Hugo, winning in 1986. She was Fan Guest of Honor at several conventions, including back at a Windycon, where her fandom started. (Died 2013.) (JJ) 
  • Born November 11, 1947 Victoria Schochet, 65. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. She has worked editorially at Analog as Managing Editor.
  • Born November 11, 1948 Kat Bushman, 74. Costumer and Fan from the Los Angeles area who has chaired/co-chaired Costume-Cons, and has worked on or organized masquerades at a number of Westercons, Loscons, and a Worldcon. She received Costume-Con’s Life Achievement Award in 2015. She is a member of LASFS and of SCIFI, and ran for DUFF in 1987. Her essay “A Masquerade by Any Other Name” appeared in the L.A.con III Worldcon Program Book. (JJ) 

(9) GOING ROGUE. For a spoiler-filled look at Andor, read Variety’s profile: “’Star Wars’ Series ‘Andor’ Showrunner Talks Sex, Revolution, Geekdom”.

… As anyone who has watched the show and/or been on Twitter since it debuted Sept. 21 knows, “Andor” has been one of the most enthusiastically well received “Star Wars” projects of the Disney era. Between its sprawling cast and labyrinthine plotting, the 12-episode series has raced headlong into territory many “Star Wars” fans did not know was possible: mature, dramatic storytelling about everyday people. With each new episode, the social media adulation for “Andor” has only grown louder, as millennials and Gen Xers who grew up with “Star Wars” have become further enthralled by the realization that the family-friendly franchise has proven capable of growing up with them….

(10) SOFT LANDING. “NASA Launched an Inflatable Flying Saucer, Then Landed It in the Ocean” – the New York Times takes a look at the future of Martian valet parking.

On Thursday morning, NASA sent a giant inflatable device to space and then brought it back down from orbit, splashing in the ocean near Hawaii.

You might think of it as a bouncy castle from space, although the people in charge of the mission would prefer you did not.

“I would say that would be inaccurate,” Neil Cheatwood, principal investigator for the Low-Earth Orbit Flight Test of an Inflatable Decelerator, or LOFTID for short, said of the comparison during an interview.

LOFTID may sound like just an amusing trick, but the $93 million project demonstrates an intriguing technology that could help NASA in its goal of getting people safely to the surface of Mars someday. The agency has landed a series of robotic spacecraft on Mars, but the current approaches only work for payloads weighing up to about 1.5 tons — about the bulk of a small car….

(11) VERBAL HINT. The BBC’s Fred Harris talks to game developers at Infocom about interactive fiction in this clip from 1985.

Fred Harris goes behind the scenes at Boston software company Infocom. The developer has enjoyed great success with its line of text adventure games – the likes of Zork, Planetfall, Enchanter, and The Hitchhiker’s Guide to the Galaxy – which eschew graphics in favour of a simple text display, and arcade gameplay in favour of what the company calls ‘interactive fiction’. Game designer Dave Liebling – one of Infocom’s founder members – is currently putting the finishing touches to a new game called Spellbreaker. He explains the processes that go in to making a good text-adventure game. This clip is from Micro Live, originally broadcast 29 November, 1985.

(12) PAINT YOUR DRAGON. From Kevin Smith’s YouTube channel: “Curious George: An Evening with GEORGE R.R. MARTIN and KEVIN SMITH!”

A Bayonne boy goes down the shore to geek out with a Highlands nerd about comic books, movies, TV, the dawn of fandom, writing, success, failure, and DRAGONS! It’s a once-in-a-lifetime audience with a living legend: the celebrated, world renowned author of the A Song of Fire & Ice novels, the source for HBO’s Game of Thrones! Watch as he’s interviewed by a guy who was traumatized by The Red Wedding!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jennifer Hawthorne, Steven H Silver, Dave Doering, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/6/22 I’m Called Little Barlennan, Strong-Pincered Barlennan

(1) BRIDGING WORLDS EDITOR Q&A. Insightful questions, great answers in “Hugo Book Club Blog: Interview with Oghenechovwe Donald Ekpeki, editor of Bridging Worlds”.

It strikes me that your previous anthology Dominion was extremely successful. It seems to me like it would be tempting to take the easy route and follow that up with something very similar. One of the things that impresses me about Bridging Worlds is that you’ve taken a risk. Could you speak to that risk? To the fact that you’re tackling new ground here?

[ODE] I consider myself a literary explorer. I want to enjoy and experience things across the entire gamut of the literary, starting with the speculative. That is why I am engaged in a wide range of activities like writing and editing, long and short fiction, non-fiction, slush reading, publishing, conrunning, organizing awards, presses, etc. Even in my fiction, you’ll notice this. O2 Arena my Nebula-winning story is mundane sci-fi as Geoff Ryman coined, where my Nommo-winning “Witching Hour” is fantasyish. “Mother’s Love, Father’s Place” is a historical fantasy and “Destiny Delayed” in Asimov’s and Galaxy’s Edge published this year is a genre blender. My latest story “The Magazine of Horror”, yet unpublished is epistolary, written as a series of letters between magazine editors and a submitter. 

My editing is the same. After Dominion, an original fiction anthology, I undertook to do the first-ever Year’s Best African Speculative Fiction anthology, a Hugo, Locus, WFA & BFA finalist. It was a reprint anthology. And next was Bridging Worlds, an original non-fiction anthology, then I edited several collections with Interstellar Flight Press before returning to editing original fiction with Sheree Renée Thomas and Zelda Knight again in Africa Risen. I believe in exploring, charting and discovering new courses, to challenge myself to growth as you cannot find without risk. Rather than stagnating on the capitalist, hollywoodish attitude of being safe and dying on the altar of ‘never change a winning formula.’ The truest wins, are yet undiscovered and continued progress and the ongoing growth of the genre hinges on going outside our comfort zones to find what’s different, new, needed.

(2) NOBEL PRIZE FOR LITERATURE. Annie Ernaux is the winner of the 2022 Nobel Prize for Literature, a French author cited “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” The summaries of Ernaux’ major works do not indicate that any are genre, but you wanted to know who won, didn’t you?

(3) RELATED WORKS. Cora Buhlert’s new “Non-Fiction Spotlight” is for Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-up Kids, edited by Jim Beard.

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

[Jim Beard] Because of the width and breadth of SF and Fantasy in pop culture, and how we all as fans have connection points throughout it. I personally love coming across a non-fiction book on a subject I love, whether well-known or obscure, and while I myself am chugging away on doing my own publications, I can’t wait to see what other editors and publishers are doing. We’ve only scratched the surface of what can be discussed, debated, and delivered in SFF non-fiction.

(4) TROLLING TOMLINSON. The Daily Beast gives mainstream media attention to a story fans have been following for some time: “Internet Trolls Have Tormented Patrick Tomlinson for Years and He Can’t Stop Them”.

…Tomlinson and his wife have both been the victims of impersonators spoofing their email and social media accounts to send bigoted messages to colleagues and random people, prompting intensive cleanup efforts on the sci-fi writer’s behalf.

All the while, the author continues to receive dozens of insulting texts, voicemails, and emails on a daily basis from his nameless stalkers, some of whom even send pictures indicating they’re just outside his house.

Yet, as Tomlinson told The Daily Beast, the efforts they’ve taken to identify his harassers and potentially bring them to justice have not only come up empty but cost them tens of thousands of dollars in legal fees. All because a court recently found that the identity of the anonymous owner of the message board can remain hidden and thus cannot be subpoenaed to provide information about the identities of the users on their site.

Tomlinson’s plight is somewhat similar to that of trans Twitch streamer Clara Sorrenti, who has been the focus of a lengthy, vicious, anti-trans harassment campaign by users on the internet message board Kiwi Farms. In fact, Tomlinson himself was the target of a 1,400-page thread on the notoriously toxic online community, whose users single out specific individuals to stalk and harass….

…During this period of time, Tomlinson filed a court action attempting to subpoena Cloudflare in an effort to seek the identity of the anonymous blogger who runs the OnA Forums. Tomlinson’s lawyers argued that he needed the ability to depose the forum owner in order to learn the identities of dozens of anonymous users he sought to sue for posting defamatory statements about him on the site.

In September 2021, a California judge granted John Doe’s order to quash Tomlinson’s petition to subpoena Cloudflare to learn Doe’s identity, citing protections under Section 230 that allows for anonymity for those who passively engage on the internet.

…Besides quashing the subpoena, Judge Ethan P. Schulman also ordered Tomlinson to pay a mandatory amount of $23,739.25 in attorneys’ fees and costs.

(5) CITY TECH SF SYMPOSIUM. The Seventh Annual City Tech Science Fiction Symposium has put out a “Call for Papers: Science Fiction and the Archive”. The online event, sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY, will take place Tuesday, December 6, 2022 from 9:00AM-5:00PM Eastern.

Continuing the explorations and conversations of the previous two symposia on “Race” and “Access” respectively, this year’s City Tech Science Fiction Symposium is focused on the idea of the “Archive.” The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesn’t get included within what we might call the SF Archive as well as who does and doesn’t get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved. 

The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation. 

The Symposium is also where Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices Award.

(6) CROWDSOURCED QUESTIONS FOR KEVIN SMITH. [Item by Cora Buhlert.] Readers of the Guardian interview director Kevin Smith. Of his works Dogma and Masters of the Universe: Revelation are explicitly genre, the rest is at the very least genre-adjacent: “Kevin Smith: ‘How are you going to get laid if you look like an old person?’”. The answer to the first question is really sad BTW, because Smith says he received so much harassment from toxic fanboys about Masters of the Universe: Revelation that he wouldn’t even want to do a Star Wars or Marvel movie, because he fears it would be worse.

 What was it like working with Alan Rickman in Dogma? CWilliams1955

Bliss. Alan Rickman, it turns out, was my friend. I was such a fan from the moment I saw him in Die Hard. I assumed we were just associates, but he stayed in touch the rest of his life. Whenever I was in England, he would call out of the blue and say – I can’t do the voice: “I know you’re here, it’s time to hang out.” He wasn’t just being professionally courteous because we made a movie together 20 years ago. I still can’t believe Alan Rickman actually liked me.

One of my favourite memories is when he came to one of my shows at the O2 in London and we drove back to town together. He said: “I’ve finally broken and bought an apartment in New York.” I said: “That’s excellent.” He said: “It’s not excellent, it’s in the same building as my friend Ralph.” I said: “Why is that bad?” And he said: “Ralph Fiennes. If the Harry Potter world found out that Snape and Voldemort live in the same building, they’d burn it to the ground!”

(7) MEMORY LANE.  

1962 [By Cat Eldridge.] Sixty years ago, the very first novel in James White’s most exemplary Sector General series was published, Hospital Station

Now I wasn’t originally was going to do an essay on this series as I was about to do a UPN series about a human interstellar hospital series (and yes I’ll tell you about it next year) but I remember this series and yes I liked it a lot, so decided to essay it this time. Me, fickle? No. 

(That series, Mercy Point, was considered influenced by White’s series. It lasted seven episodes. No, I’ve not seen it.)

I think I was in University when I discovered the Ballantine Books paperback of the first novel  in a wonderful bookstore near the public library in the town near the University. (It had four used bookstores. Bliss!) I won’t say it was it was the cover that it attracted me as it wasn’t at all appealing, but the tag line of “the fabulous story of a hospital in the sky” did get my attention.  

It certainly didn’t disappoint. Hospital Station was quite amazing from beginning to end. It was the home of many strange creatures, including humans! 

As one reviewer so aptly put it, “Good-natured, high quality, pacifist SF that is ideal comfort food when looking to elevate your mood into the upper range of the happy scale.”  It was the antithesis of all the military SF in existence and I loved deeply it for being so. Humans and aliens not attacking each other, but working together instead. Oh how so very wonderful!

White was very good at envisioning both how humans would handle dealing with various aliens and those aliens themselves. One of the lasting advantages of text fiction over video fiction is it is easier to create in the mind’s eye an alien for the reader. And damn cheaper too! 

Some reviewers and readers have criticized the twelve novel series saying that as it went along its way that it got weaker, less interesting. Not for me, as I think it was perfectly fine right to the end, even the sometimes far too jokey The Galactic Gourmet. 

Okay, food in genre fiction is a tricky thing to doJust look at Steven Brust’s Cowboy Feng’s Space Bar and Grille which is the only novel by him that I deeply loathe with all my heart. (Don’t worry, he knows that. He gets dark chocolate from me.)

One critic compared the setting to that of Deep Space Nine which I must say makes me go WTF? Yes it’s a station in outer space but that’s the only resemblance. A pacifist hospital versus a heavily armed station? Huh?

I’ve re-read some of the novels several times such as Hospital Station forty years on and the steel booted Suck Fairy stubbed her toe on the way to it and broke her leg. It’s just as fine now as it was way back then. 

The first three novels, Hospital StationStar Surgeon and Major Operation are really a Meredith Moment from the usual suspects at twelve bucks.

White was a Guest of Honor of the L.A.con III Worldcon that Our Ever So Gracious Host chaired in 1996. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1942 Britt Ekland, 80. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. 
  • Born October 6, 1946 John C. Tibbetts, 76. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
  • Born October 6, 1950 David Brin, 72. Author of several series including Existence, the Postman novel, and the Uplift series which began with Sundiver, followed by Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II (1984). I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end.
  • Born October 6, 1955 Ellen Kushner, 67. If you’ve not read it, do so as her now sprawling Riverside series is amazing. I’m quite sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
  • Born October 6, 1952 Lorna Toolis. Librarian, editor, and fan Lorna was the head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library from 1986-2017, a collection started in 1970 with a donation from Judith Merril. Toolis was a significant influence on the Canadian SF community, a founding member of SFCanada, who won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
  • Born October 6, 1963 Elisabeth Shue, 59. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D. Really Piranha 3D? Let’s look that up on Rotten Tomatoes… The audience reviewers there gave it a twenty-two percent rating.

(9) COMICS SECTION.

(10) ACTING IN THE AGE OF CGI. [Item by Francis Hamit.] I trained as an actor when I was a Drama major.  A Method actor should be able to handle this. British-trained actors may have a harder time of it.  But this may explain why the performances in comic book movies are so uneven. “Does it really matter if Marvel’s stars act in a state of utter bewilderment?” in the Guardian.

Ewan McGregor revealed earlier this year that he spent virtually the entirety of filming for 2002’s Star Wars: Attack of the Clones wandering round a blue-screen studio talking to inanimate objects while portraying the young Obi-Wan Kenobi, an experience he clearly found disgruntling. “I spent a lot of time off on my own and on this planet with tall aliens, and of course, none of that was there,” he said during interviews for the recent Disney+ show that revived the Jedi knight. “For me, it was, like, a long time walking around blue sets speaking to tennis balls and sticks and it was just not what I was used to, and it was hard to make. Hopefully, we made it realistic and we did the best we could.”

In the early days of CGI film-making, actors regularly reported similar unease, but in recent years the problem seems to have diminished. This is probably down to the increased use of motion capture where actors can bounce off their fellow cast members in a more organic fashion….

(11) STAR POWER. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Timmy Fisher discusses “When You Wish Upon A Star” from Pinocchio.

…The song was penned for Walt Disney’s original animated feature, with in-house composer Leigh Harline setting words by ex-Broadway lyricist Ned Washington.  That wistful version–a homage to the nursery rhyme ‘Star Light, Star Bright’–was perfectly suited for the crooning falsetto of Cliff Edwards, aka Ukulele Ike, a vaudeville star who voiced Jiminy Cricket and recorded abridged versions for the opening credits and the final scene….

Though Pinocchio initially struggled at the box office. ‘When You Wish’ was an instant hit:  a re-recording with Edwards and the Victor Young Orchestra jostled for attention among covers by Glenn Miller, Kate Smith, and Vera Lynn, as well as the movie soundtrack release.  Foreign-language versions such as the Swedish “Ser du Stjärnan I Det Blå” (“Do you see the star in blue”) soon popped up.  Even Nazi Germany succumbed.  According to Albert Speer, Hitler whistled it at the Palais de Chaillot overlooking a conquered Paris.

(12) THE DOC AND SPOCK. “Star Trek’s Leonard Nimoy nearly directed the Doctor Who TV movie” reports RadioTimes.

Having premiered just over 25 years ago to a mixed reception, the 1996 Doctor Who TV movie has slowly garnered an appreciation alongside a strong fandom for Paul McGann’s Eighth Doctor, who made a brief return appearance as part of the show’s 50th anniversary celebrations in 2013….

…While best known for his iconic role as Spock in Star Trek, Nimoy is no stranger to directing, having helmed Star Trek III and IV as well as Three Men and a Baby, which went on to become the highest-grossing film of 1987.

With an impressive track record not only with sci-fi fans but also at the box office, Nimoy might have seemed like a no-brainer to come on to direct. So, what happened?

“FOX did not want him to do it. They were concerned it looked very kitsch to go, ‘Aren’t we clever? We’ve got Spock from Star Trek directing.’”…

(13) YOU GOT TROUBLE, MY FRIEND. In the Washington Post, Michael Cavna says newspapers are slashing the space given to comic strips, with Lee Enterprises saying in its 77 dailies the comic strips will be cut to half a page.  Comic strip creators are scrambling to replace the lost income. “Is the print newspaper comics page in trouble?”

…And Patrick McDonnell, creator of the strip “Mutts,” which he says lost dozens of clients, underscores why comics are a popular staple of the newspaper, with readers developing long-term relationships with their favorite strips: “Over time, the characters are like family. Newspapers should consider this bond before they decide to make drastic changes.”…

(14) BOO! Alasdair Beckett-King sums up all haunted house movies in this clip from 2021.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Metal:  Hellsinger,” Fandom Games says this game combines the thrill of blasting creatures with the throbbing beats of metal, with a different headbanging song on every level.  They say “We wonder what these guys could do with an actual budget,” but adds the key to success here is “just don’t expect to use any part of your brain that you can’t find on a lizard.  But sometimes smooth brain fun is the best kind of fun.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, mark, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern & Sullivan.]

Pixel Scroll 8/10/22 Put Me In A Con, Hurry, Hurry, Hurry Before The Scroll Is Gone; I Can’t Control My Reading, I Can’t Control My Blog

(1) WONDERS NEVER CEASE. The 1982 Trans-Atlantic Fan Fund delegate Kevin Smith has finished his trip report: “I finally got a round tuit”. You can read it online here: “TAFF Trip”.

40 years ago, in September 1982, I went to the USA, primarily to attend Chicon IV, the World Science Fiction Convention in Chicago. The trip was paid for by TAFF, the Trans-Atlantic Fan Fund, and one of the expectations is that anyone going on a TAFF Trip should write a report about it. That’s what I’ve done, finally. You can find it under ‘TAFF Trip’ in the menu bar above.

From the “Introduction”:

What I said before I left America to come home was: “I’ll write a short trip report, but do it quickly when I get back.”

As I recall, I wrote this in my next fanzine: “It were great!”

Well, it met the ‘short’ and ‘do it quickly’ criteria, but probably failed the ‘trip report’ hurdle.

So here we are. It has taken a mere 40 years, but is quite short. What more could you ask…?

[That’s what we call a rhetorical question, in the trade. You’re not supposed to answer it. Especially not like that, it’s not nice.]

(2) SCARES IN THE REAR-VIEW MIRROR. Scares That Care announced in a press release they are discontinuing their Charity Weekend event:

Since its founding in 2006, the Scares That Care charity has raised nearly $400,000 for organizations, children, and families impacted by illness, burns, or breast cancer. We’ve achieved that thanks to the generosity of you – our Scares That Care family. Due to rising costs involved in producing a show of this type, the Board of Directors has unanimously decided to discontinue our Charity Weekend event. This will allow us to focus on our other fundraising efforts, so that we can expand our goals. While we understand that many of you will be disappointed by this news, we ask you to remember that we have never been a charity that supports a convention. Rather, the convention has always supported the charity. As such, our overall mission continues, and we invite our Scares That Care family to support our other upcoming fundraisers and events. Details on our annual Christmas Dance, AuthorCon II, and other surprises are forthcoming.

Brian Keene added in his newsletter:

…But I do want to assure people that the convention was profitable. That’s not the issue. the issue is that we are a charity, and as a charity, we need to look at costs versus profit. The economy and rising costs in everything from fuel to food is hitting all of these big multi-media conventions….

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Richard Butner and Veronica Schanoes in-person on Wednesday, August 17 at 7:00 p.m. Eastern. Masks welcome.

Richard Butner

Richard Butner’s short fiction has appeared in Year’s Best Fantasy & Horror, been shortlisted for the Speculative Literature Foundation’s Fountain Award, and nominated for the Shirley Jackson Award. His collection The Adventurists was published by Small Beer Press in March. He lives in North Carolina, where he runs the annual Sycamore Hill Writers’ Conference.

Veronica Schanoes

Veronica Schanoes is a writer whose debut short story collection, Burning Girls and Other Stories, appeared in paperback from Tordotcom in June. She is also an associate professor in the English department of Queens College – CUNY. In both guises, she works with fairy tales and fantasy.

Where: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

(4) NEWS FROM THE FRONT. In “Covers! What are They Good For?” Sarah A. Hoyt continues her Mad Genius Club series about book covers by telling us —

What covers aren’t for:

1- to be beautiful. I mean, the eye is attracted to beautiful things, so beauty helps, but is not needed.

2- to be an accurate representation of your book. Again, if your character is a slim redhead and the cover model is a zaftig brunette (who is also very pretty) no one cares. Before they read the book, the readers don’t know that. And after they read the book they might leave a review that says “I don’t know where the cover brunette came from” but that won’t stop them promoting you if they loved the book.

3- be exactly what you envisioned in your head while writing the book. Unless of course, you’re an amazing cover artist on the side, and know exactly what sells in your genre or subgenre the month your book comes out.

4- (Contra insty trolls) signaling to the world how smart and sophisticated you are. (Unless you’re selling litewawy and little because the illusion of smart and sophisticated is essential there.)

She follows that beginning with a longer list of what covers are for.

(5) ROUNDUP TIME. G.W. Thomas shares a list of “Science Fiction Writers Who Wrote Westerns” at Dark Worlds Quarterly.

The collection Westerns of the 40s (1977) surprised me when I saw who the editor was, Damon Knight. That pillar of the Science Fiction community published the award-winning anthology series Orbit for decades. But he also did a couple of books about Pulp SF from the 1930s and 1940s. So why not some Cowboy stories from the same time period?

The bigger surprise was who he chose for that book. Not your usual W. C. Tuttle, Luke Short and Walter Tompkins stuff. Nope, Clifford D. Simak, John D. MacDonald and Murray Leinster. Three of the seven were written by Science Fiction authors. Now you can make the case for John D. MacDonald’s true fame is in the detective/suspense field. This is true, but old John D. did write Science Fiction for a spell before he quit it because it was too easy….

(6) TOO MUCH THE SAME THING? At Black Gate, Joe Bonadonna talks about his personal experiences with the sword and sorcery genre and why it withered in the 1980s in “IMHO: A Personal History Of Sword & Sorcery And Heroic Fantasy”.

Conan, King Kull, Cormac, Bran Mak Morn — names that conjure magic, characters often imitated, but never duplicated. These creations of Robert E. Howard (circa 1930) started the Sword and Sorcery boom of the 1960s and early 1970s. Then there are the barbarian warriors inspired by Howard — “Clonans,” as one writer recently referred to these sword-slinging, muscle-bound characters. A fair observation, but in some cases, not so true….

(7) WRITING FOR ANIMATION. [Item by Cora Buhlert.] The For Eternia podcast has a lengthy interview with Tim Sheridan, who was one of the writers of Masters of the Universe: Revelation and also worked on a lot of other animated shows. Even if you haven’t watched the show, Sheridan has a lot of things to say about writing and storytelling.

(8) GET HUMBLE. There’s a Humble Bundle for “Image Comics 30th Anniversary: The 2000s” – pay what you want and help charity.

Image Comics turns 30 this year and we’re ready to celebrate! This bundle is all about Image in the 2000s, including the debuts of well-loved series like Invincible Volume 1: Family Matters, The Walking Dead Volume 1: Days Gone By, and Fear Agent: Final Edition Volume 1! On top of the new heroes, villains, and sagas the decade brought, this bundle also includes the continuing adventures of fan-favorite Image characters Spawn,The Darkness, and Savage Dragon. Grab this bundle and help support BINC (Book Industry Charitable Foundation)!

Daniel Dern comments on the deal: “At this price (range), if you have any interest in these Image titles — or even want to see if you’re interested — it’s a hard bargain to resist.

“(Note, I only recently discovered Eric Larsen’s Savage Dragon. They are great! A mix of whacky plots, text/character/art references to Marvel, DC and other bits, and more. (Caution: Lots of violence, sex, gore and bad science. If you want to start ’em from the beginning, Hoopla has them — the Archives editions have more per borrow (~25 issues each), but, IIRC, are in black-and-white, it’s possible (I haven’t checked) that the fewer-paged non-Archives are in color.)”

(9) RAYMOND BRIGGS (1934-2022). [Item by Cora Buhlert.] Writer and illustrator Raymond Briggs died August 9 aged 88. He is best known for The Snowman (which is genre, because it features a magical flying snowman), but a lot of his other work such as Fungus the Bogeyman is genre as well. He also wrote and drew the terribly depressing nuclear war graphic novel (also filmed) Where the Wind Blows, where a nice elderly British couple dies slowly of radiation poisoning in spite of attempting to follow the official UK government civil defense guidelines.

Lots of tributes to him from the Guardian:

(10) MEDIA BIRTHDAY.  

2008 [By Cat Eldridge.] Fourteen years ago on this day, the animated Star Wars: The Clone Wars premiered. It is the first fully animated film in the Star Wars franchise and takes place shortly after Episode II – Attack of the Clones, at the start of the Clone Wars.

Ok let me note that I was in the minority of individuals that really liked it. I liked the voice acting and thought the story was quite excellent. Yes, the animation was odd, but Lucas has the right to do what he wants as it’s his damn universe, not ours, something’s fans seem to keep forgetting. 

It received largely hostile, and I mean hostile reviews mainly due to both the story here and the animation style which offended, well, almost everyone.  Now that’s out of the way let’s look at it.

It was written by Henry Gilroy, Steven Melching and Scott Murphy. Keep the first writer in mind as he will go to be the writer on oh-so-stellar Star Wars: The Clone Wars which will run for seven series and over one hundred and thirty episodes. 

The voice talent was second to none: Matt Lanter, Ashley Eckstein, James Arnold Taylor, Dee Bradley Baker, Ian Abercrombie, Catherine Taber, Christopher Lee, Samuel L. Jackson and Anthony Daniels. Many of these will carry over into the later series. Tom Kane is the narrator here as he is in later series. 

So why the hostile reaction? The style is an homage to the stylized looks of both Japanese anime and manga, something fans and critics alike weren’t expecting. Roger Ebert in his review said, “the characters have hair that looks molded from Play-Doh, bodies that seem arthritic, and moving lips on half-frozen faces—all signs that shortcuts were taken in the animation work.”  

Curiously the New York Post in its review lauded the original Star Wars film for its depth of character development (huh?) saying of this film, “Director Dave Filoni is so concentrated on the action that we’re never given the chance to care who lives and who is blown into spare parts.” 

Also curious is the claim that Star Wars: The Clone Wars did very poorly at the box office. Yes, compared to the live action films in the franchise it was a disaster, but animated features generally never do as well as live action films. (Spider-Man: Into the Spider-Verse is the very rare exception.) It cost eight million to make and made sixty-three million in its first run, not bad at all. It obviously put a lot of asses in the seats that autumn. 

Audience reviewers at Rotten Tomatoes currently give a middling forty percent. What I must note is Lucas had in mind all along a Star Wars: The Clone Wars series which debuted in October of that year. That series holds a ninety-three percent rating over there.

Oh, and the animation style for that series is the same. Just saying. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 10, 1896 John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. (Died 1981.)
  • Born August 10, 1902 Curt Siodmak. He is known for his work in horror and sf films such as The Wolf Man and Donovan’s Brain. The latter was made from his own novel and ISFDB notes it was part of the Dr. Patrick Cory series. He wrote quite a few other genre novels as well. Donovan’s Brain and just a few other works are available in digital form. (Died 2000.)
  • Born August 10, 1903 Ward Moore. Author of Bring the Jubilee which everyone knows about as it’s often added to that mythical genre canon, and several more that I’m fairly sure almost no one knows of. More interestingly to me was that he was a keen writer of recipes. ISFDB documents that four of his appeared in Anne McCaffrey’s Cooking Out of This World: “Kidneys — Like Father Used to Make” and “Pea Soup — Potage Ste. Germaine“ being two of them. (Died 1978.)
  • Born August 10, 1913 Noah Beery Jr. Genre-wise, he’s best remembered as Maj. William Corrigan on the Fifties classic SF film Rocketship X-M, but he showed up in other genre undertakings as well such as 7 Faces of Dr. LaoThe Six Million Dollar ManFantasy IslandBeyond Witch MountainThe Ghost of Cypress Swamp and The Cat Creeps. I think he appeared in one of the earliest Zorro films made where he’s credited just as a boy, he’d be seven then, The Mark of Zorro which had Douglas Fairbanks Sr. and his father, Noah Beery Sr. (Died 1994.)
  • Born August 10, 1952 David C. Smith, 70. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard. Most notable are the six novels which involved Red Sonja. Those novels are available on Apple Books but not on Kindle.
  • Born August 10, 1955 Tom Kidd, 67. Genre illustrator, he’s won an impressive seven Chelsey Awards. Though he didn’t win a Hugo for Best Professional Artist, he was nominated  at Aussiecon Two, Nolacon, Conspiracy ‘87 and ConFiction. Since I’m fond of this Poul Anderson series, I’m giving you his cover for Maurai & Kith.
  • Born August 10, 1955 Eddie Campbell, 67. Best known as the illustrator and publisher of From Hell (written by Alan Moore) which is, errr, interesting and won an IHG Award, and Bacchus, a series about the few Greek gods who have made to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s adaptation of an as-yet unmade screenplay by C. Gaby Mitchell. 
  • Born August 10, 1965 Claudia Christian, 57. Best-known role is Commander Susan Ivanova on Babylon 5. She has done other genre roles such as being Brenda Lee Van Buren in The Hidden, Katherine Shelley in Lancelot: Guardian of Time, Quinn in Arena, Lucy in The Haunting of Hell House and Kate Dematti in Meteor Apocalypse. She’s had one-offs on Space RangersHighlanderQuantum LeapRelic Hunter and Grimm. She’s Captain Belinda Blowhard on Starhyke, a six-episode series shot in ‘05 you can watch on Amazon Prime.

(12) WONG TO PEN DEADPOOL. Alyssa Wong and Martin Coccolo launch Deadpool’s next era in November.

Deadpool’s new ongoing series will be written by Alyssa Wong, known for her acclaimed work on thrilling books like Star Wars: Doctor Aphra and Iron Fist, and drawn by Martin Coccolo, the artist currently wowing readers in the action-packed Hulk vs. Thor: Banner of War crossover. The two rising Marvel stars will take out their pent up aggression on everyone’s pizza-faced, jabber-mouthed, misguided, hate-to-love, love-to-hate fave in new Deadpool adventures loaded with riotous violence and relentless body horror. Deadpool’s latest solo exploits will kick off with a bang as a new mercenary group sends Deadpool on one of his most dangerous missions, an intoxicating villain unleashes a twisted plan on Wade’s body with horrifying side effects, and a hot new romance arrives on the scene to drive Wade crazy!

The world knows Wade Wilson is one of the top mercenary/assassins in the Marvel Universe, even if he is simultaneously the most annoying one…but he’s pushing to make that recognition official as he auditions for the elite group known as the Atelier. Now, he has 48 hours to kill one of the world’s most famous supervillains. Only problem? He’s been kidnapped, and something…strange…is GROWING INSIDE HIM.

“I love chaos. And what is Deadpool if not chaos incarnate? I’m honored to take the reins for Wade’s next solo adventure–expect romance, expect body horror, and expect a wild time!” Wong promises….

(13) DROPS OF WISDOM. Neil Gaiman answers tweets from people with questions about Greek, Roman, Norse, and Egyptian mythology for WIRED in “Neil Gaiman Answers Mythology Questions From Twitter”.

(14) ARTIFICIAL BURRITO INTELLIGENCE. Midjourney creates a portrait of John Scalzi. Then Chuck Wendig gets it to answer the question “What if you are what you eat?”

https://twitter.com/ChuckWendig/status/1557400055392489472

(15) CATCH THE WAVE. [Item by Martin Morse Wooster.] Jason Momoa talks about his roles in fantasy movies, including an explanation about why the 2011 Conan The Barbarian was awful, and reveals that Denis Villeneuve would like to adapt Dune Messiah into a third Dune movie in the British GQ article “Jason Momoa, Aquaman and real life superhero, is on a quest to save the ocean”.

Jason Momoa doesn’t exactly love that he keeps dying, if you really want to get into it. “My kids are always like, ‘Are you gonna die again? You always die,” he says, a little forlornly. “I obviously made a name for myself dying so if you see me it’s like, ‘Momoa’s gonna jump on the bomb, I know it!’”

Thus far he has been shot in the head, blown up, smothered, died by suicide, had his throat slashed, and been stabbed in both the stomach and the chest. It was watching his most recent death, in Denis Villeneuve’s sci-fi spectacular Dune with his 12-year-old son, that really got to him. “It was pretty heart wrenching, cause I was like, ‘I’m right here buddy!’ But he was like, ‘Papa nooooooooo,’ he recalls, howling like a dog at the moon. “I said: ‘Listen dude: if you’re gonna go out, go out big.’”

Which might make it sound as though the Aquaman actor is a mere mortal, but if you saw Jason Momoa walking down the street (and not, say, emerging from the ocean with a trident in his hand, and the promise of avenging his sea queen mother glinting in his eye) you might still wonder if this towering man didn’t arrive on dry land using a branch of coral as a surfboard, having caught a wave from a kingdom far more exciting than anywhere on planet earth…. 

(16) PRIME TARGET. Cyber warfare is unleashed in The Enigma Factor, first in the twelve-book Enigma Series by Charles Breakfield and Rox Burkey.

A brilliant programmer is targeted by cyber predators! Jacob Michaels, computer network security-tester extraordinaire, tries to settle into a quiet life of work to polish his cyber security skills after the death of his mother. Jacob is unaware that his growing reputation makes him a person of interest. Cyber-criminals are hunting for new recruits. They target this brilliant programmer to seduce him into joining their cause. More people are hunting him than just the Russian cyber kingpin. Jacob sets off to find those who are targeting him. He discovers he’s in the crosshairs of previously unknown global experts. Of course, having his identity erased puts him front and center above anything else.

Buzz, when looking for the easy way, makes a ghastly judgement error and inadvertently crosses the line to the darknet. He pleads to his best friend Jacob for help. Jacob, brilliant as he is, doesn’t have enough experience to help Buzz on his own. Jacob battles against global cyber masterminds using his knowledge of programming, identity theft, and hacking. He is pulled up short when his security knowledge is dwarfed following his introduction to the distractingly beautiful encryptionist Petra. Jacob’s challenge is how to keep ahead of the criminals and learn who to trust. In their debut TechnoThriller, The Enigma Factor, award-winning authors Breakfield and Burkey weave a complex tale of danger, intrigue, and international cyber combat. They use a relevant technology foundation, then layer on travel, romance, humor and mystery. Like rust, the cat and mouse game of the new cyber warfare age never sleeps.

The book is published by ICABOD Press and is available worldwide across all platforms including from Amazon.com, Amazon.ca, and as an audiobook.

Charles Breakfield is a technology expert in security, networking, voice, and anything digital. Rox Burkey is a technology professional who excels at optimizing technology and business investments. Together these Texas authors create award-winning stories that resonate with males and females, as well as young and experienced adults.

(17) IN THE BEGINNING. Vice explains how “China Is Planning to Turn the Moon Into a Giant Space ‘Shield’”.

Chinese astronomers aim to peer for the first time into the cosmic “dark ages,” an unexplored era about 200 million years after the Big Bang, by using the Moon as a shield to block out noisy radio signals caused by human activity on Earth, reports the South China Morning Post.

The Discovering the Sky at the Longest Wavelength (DSL) mission envisions sending a fleet of satellites to the Moon that could capture ultralong radio waves made by hydrogen atoms in the darkness before cosmic dawn, when the first stars were born bursting with radiant light…. 

(18) A FULLY OPERATIONAL ASTRONOMICAL STATION. [Item by Chris Barkley.] The NASA article is from April 2020, but it’s a nice counterpoint to the Chinese mission…JUST LIKE For All Mankind!!! “NASA’s Plan to Turn the Moon Into a Telescope Looks Like the Death Star” at Vice.

Called the Lunar Crater Radio Telescope (LCRT), the proposal is the brainchild of Saptarshi Bandyopadhyay, a robotics technologist at NASA’s Jet Propulsion Laboratory. On Tuesday, LCRT was selected for initial “Phase 1” funding ($125,000) by NASA Innovative Advanced Concepts (NIAC) program, which aims to explore advanced, far-future technologies.

LCRT is still in “very early stages of development,” said Bandyopadhyay in an email, noting that “the objective of Phase 1 is to study the feasibility of the LCRT concept.”

“[W]e will mostly be focusing on the mechanical design of LCRT, searching for suitable craters on the Moon, and comparing the performance of LCRT against other ideas that have been proposed in the literature,” he added.

Bandyopadhyay envisions building the LCRT in a crater that measures about three to five kilometers (two to three miles) in diameter. The telescope’s wire-mesh scaffolding could be delivered and erected by wall-climbing robots, such as NASA’s DuAxel rovers, which would be capable of scaling the vertical slopes of the crater…

…“LCRT could enable tremendous scientific discoveries in the field of cosmology by observing the early universe in the 10–50m wavelength band (i.e., 6–30MHz frequency band), which has not been explored by humans to date.”

In particular, the telescope could shed new light on the mysterious processes that occurred more than 13 billion years ago, as the first stars in the universe were being born, according to a 2018 paper led by Bandyopadhyay. It could also examine fine details about exoplanets that orbit other stars….

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Mario Strikers:  Battle League,” the Screen Junkies say that this newest edition of the Mario franchise you can have your favorite Mario characters fight each other in a battle royale that’s vaguely like soccer except people actually score goals and you can drop kick your opponents into a giant banana.  “This is a fun family game to play together,” the narrator says, “which will naturally lead to you cussing out your friends and family while you’re in front of the TV.”

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 1/10/22 All Have Scrolled And All Must Have Pixels

(1) HIPY PAPY BTHUTHDTH THUTHDA CTHULHU. Scott Lynch noticed that Pooh entered the public domain on New Year’s Day. Thread starts here.

He’s not the only creator to hit the ground running: “’Winnie-the-Pooh’ just entered the public domain. Here’s what that means for fans” in the Washington Post.

Luke McGarry began drawing a nude Pooh Bear as soon as he heard the news. The original, nearly 100-year-old “bear of very little brain” from the Hundred Acre Wood had rung in this new year by entering the public domain. Now quite humbly, McGarry’s creative appetite felt rumbly.

The Los Angeles-based artist sat and penned his Winnie-the-Pooh idea in four panels, announcing the 1926 character’s free-for-all status as of Jan. 1, with a winking if satirically speculative interpretation: “Disney still owns their version of me. … But as long as I don’t put a little red shirt on, I can do as I like” — a reference to how the character’s attire regularly began to be depicted beginning in the 1930s.McGarry waited a day to post his colorful cartoon on social media. Later he checked his accounts: “I didn’t think it was going to blow up like it did.” On Twitter alone, the illustration received nearly 40,000 likes. The artist realized his Pooh toon could bring some cash flow. “Had I anticipated there being any demand, I would’ve probably had prints done in advance.”…

(2) SPIDER-MAN CRUSHING IT. Spider-Man: No Way Home is still breaking box office records. Having grossed $1.53 billion worldwide, it’s now the eighth-highest grossing movie ever globally (not adjusted for inflation) reports Variety.

In the U.S. the film sits in sixth place, having just passed James Cameron’s Titanic, and Deadline estimates it is around $10 million away from overtaking Avengers: Infinity War ($678.8 million) as the fifth-highest grossing movie ever stateside.

(3) BUTLER ADAPTATION SERIES ORDERED. “FX Picks Up ‘Kindred’ Series Based on Octavia E. Butler Novel”The Hollywood Reporter has details.

FX is moving ahead with its adaptation of Octavia E. Butler’s Kindred.

The Disney-owned outlet has given a series order to Kindred, which comes from FX Productions and writer and showrunner Branden Jacobs-Jenkins (Watchmen). It’s based on the influential 1979 novel by Hugo Award winner and MacArthur Fellow Butler, following a young Black woman in Los Angeles who finds herself pulled back and forth in time.

FX ordered a pilot for Kindred in March 2021. Janicza Bravo (Zola) directed the pilot episode. The series stars newcomer Mallori Johnson, Micah Stock, Ryan Kwanten, Gayle Rankin, Austin Smith, Antoinette Crowe-Legacy and David Alexander Kaplan.

(4) DAW: THE FIRST TEN YEARS. At Dark Worlds Quarterly, G.W. Thomas begins a series on Donald A. Wollheim: “Donald A. Wollheim Part 1: 1934-1945”.

When you say the name “Donald A. Wollheim” you have to say which one you are referring to. Is it the force behind ACE Books or the creator and publisher of DAW Books? Or the Avon editor who tried to combine comics and Pulps? Or the editor of The Avon Fantasy Reader?  Is it the editor who published the unauthorized edition of The Lord of the Rings and created the modern fantasy boom? Is it the fanzine editor who published H. P. Lovecraft, C. L. Moore, Robert E. Howard, A. Merritt and Frank Belknap Long? Is it the editor without any budget who cobbled together Pulps with the help of the Futurians? Or is it the writer who so often appeared under a pseudonym like Martin Pearson, Millard Verne Gordon or Lawrence Woods? Donald A. Wollheim was all of them in his career spanning over fifty years….

(5) THE JAWS THAT CATCH. G.W. Thomas would also like to tell you about big bugs, zillions of ‘em! “Giant Ants of the Pulps” at Dark Worlds Quarterly.

Giant Ants of the Pulps seems like a no-brainer, right? Of course the Pulps were crawling with mad scientists creating giant bugs, or ones that comes from other planets, or are encountered when we arrive on jungle planets. A fascination with the formic race goes back to writers like H. G. Wells, who despite the film versions, never actually did giant ants. What he did do was write the first giant monster novel in The Food of the Gods (Pearson’s, December 1903-June 1904) but he chose giant bees over ants. Later he wrote “The Empire of the Ants” (The Strand, December 1905), in which he supposed an intelligent race of army ants that begin to take over the world. These critters have weapons but are not gigantic in size. Hollywood combined the two along with Joan Collins.

(6) OPEN SESAME. [Item by Daniel Dern.] Watch The Door into Summer on Netflix:

A pioneering roboticist awakens in 2025 after decades in cryosleep. To change the past and reunite with his adopted sister, he seeks a way back to 1995.

I saw somebody’s Facebook post out this earlier today (and I see that sundry more are posting/commenting. We just finished watching it. This was one of the Heinlein sf novels I grew up reading/re-reading (when they’re short and one-offs, and not competing with a Borges-level Mount Can’t-Read-Em-All, it’s easier), and they dun good. (I could drop a cheap shot at Starship Troopers here, but I’ll refrain.) There are sundry differences in details, but the core plot remains intact (including Petronius The Arbiter, aka Pete, our protagonist’s credential).

The dialogue is all in Japanese, with subtitles available (often harder-to-read than I would have liked when the background was mostly white). (If there was a change subtitle settings, we didn’t see it.)

We didn’t see Heinlein’s name in the credits — although, it might have been lurking in the untranslated credits… but the Netflix listing includes:

Kento Yamazaki (“Alice in Borderland”) stars in this science fiction tale adapted from the novel by Robert A. Heinlein.

(7) GIZZARD-FI. The Odyssey Writing Workshop Blog has posted an interview with graduate Larry Hodges.

You’re a 2006 graduate of the Odyssey Writing Workshop. What made you decide to attend? What insights did you gain into your own work?

I did some research and asked around, and Odyssey seemed the most recommended workshop. (Having Robert J. Sawyer as a “Writer in Residence” that year greatly helped!) Probably the biggest insight I learned about my own work was that I’m an “idea” and “humor/satire” writer who needs to focus on character and other aspects equally. I also went in knowing that I had little feel for description, and so have spent years working to overcome that. One thing that helped: Robert and Odyssey Director Jeanne Cavelos suggested writing a story that was all about description, and so I wrote and sold “In the Belly of the Beast,” where the whole story takes place in the belly of a dragon that has swallowed a bunch of people, including a wizard who creates a field to protect them in the dragon’s stomach—and much of the story revolved around vivid descriptions of the “venue.” It also became a character story about the wizard….

(8) THE INFLUENTIAL LE GUIN. Tor.com’s Vanessa Armstrong has a recommendation: “New Crafting with Ursula Podcast Has Writers Like Becky Chambers Delving Into Ursula K. Le Guin’s Work”.

… This series, called Crafting with Ursula, stems from David Naimon’s long-running Between the Covers podcast. In each episode, Naimon will talk with an author about how specific works of Le Guin have influenced aspects of their own creative process.

The first episode, which is available now, has Becky Chambers (Wayfarers series, A Psalm for the Wild-Built) discussing the craft of creating aliens and alien cultures, something Chambers has beautifully done in her own stories. …

(9) MEDIA BIRTHDAY.

1969 [Item by Cat Eldridge.] Fifty-three years ago this evening, Star Trek’s “Let That Be Your Last Battlefield” first aired on NBC. It was the fifteenth episode of the third season. It written by Oliver Crawford who also penned “The Galileo Seven” as based on a story by Gene L. Coon who was writing under his pen name “Lee Cronin” due to contractual reasons. Coon was the showrunner for the series through most of the second season and was responsible for such major elements as the Klingons and the naming of the United Federation of Planets and Starfleet Command. 

The cast stars here were Frank Gorshin as Commissioner Bele and Lou Antonio as Lokai. Gorshin would be known in this period for his recurring role on Batman as The Riddler. Lou Antonio did a few genre one-offs. 

The episode has since been rated as one of the best of the Trek series with ColliderHollywood ReporterPopMatters, SciFi and ScreenRant all rating it among the best episodes produced. 

Spock’s comment that “Change is the essential process of all existence” which remains one of the most memorable lines of dialogue ever said on Trek comes from this episode.

The original version when Beale and Lokai run through the Enterprise shows the burning cities of World War II Europe. The remastered version shows the Cheron cities still burning from space. (That scene was done because the episode was running short.) 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904 Ray Bolger. Best remembered obviously as The Scarecrow In The Wizard of Oz. He also showed as the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and as Vector In “Greetings from Earth” on the classic version of Battlestar Galactica.  He narrated a version of Peter and The Wolf which certainly is genre. (Died 1987.)
  • Born January 10, 1924 Mike Butterworth. In 1965, he became the primary script writer at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire, which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
  • Born January 10, 1937 Elizabeth Anne Hull. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”. (Died 2021.)
  • Born January 10, 1944 Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through the mid-Seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
  • Born January 10, 1944 William Sanderson, 78. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner. but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least three times  as it’s an amazing series in both the characters and the setting. I never read the short stories in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review and they were quite excellent as well.  I really should listen to the stories soon to see how they work that way. (Died 2002.)
  • Born January 10, 1959 Fran Walsh, 63. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? Huh The Hobbit films did not win Hugos.  
  • Born January 10, 1958 Jeff Kaake, 64. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons but really isn’t genre. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well which is genre. 

(11) MARK YOUR BALLOT “X”. The polls are open! Marvel is asking fans to help select the newest X-Men team once again. As with last year’s X-Men election, the second annual event to choose the newest protectors of Krakoa will run until 11:59 p.m. EST on Thursday, January 13. Participants can vote at marvel.com/xmenvote.

In 2021, True Believers everywhere voted in the first-ever X-Men election. They shaped X-Men history by choosing Polaris to star in Gerry Duggan and Pepe Larraz’s X-Men. Throughout the election, fans campaigned for their favorite candidates resulting in “X-MEN VOTE” trending worldwide on Twitter and ultimately changed the future of all mutantkind!

Several nominations have been accepted to determine the final member of one of the most iconic teams in the Marvel Universe. Now, the last member of this new X-Men team is in YOUR hands! Each person can only cast one vote, so read about each nominee below and make your decision carefully!

X-Men Ballot Nominations:

  • ARMOR: Hisako Ichiki can create a powerful psionic force field around herself, giving her superhuman strength and durability. She planted the first Krakoan flower on Mars, and as a member of the New Mutants aided her brethren across the globe.
  • AVALANCHE: A long-standing member of the Brotherhood, Dominikos Petrakis used his seismokinetic powers against the X-Men. Though he was killed by the Red Skull, he was one of countless mutants to be resurrected on Krakoa, where he became an agent of S.W.O.R.D.
  • BLING!: A former member of Gambit’s Chevaliers squad at the Xavier school, Bling! has more recently teamed up with Psylocke and her team to defend Krakoa despite still questioning the new mutant nation’s motives. She possesses a diamond-hard body, superhuman strength and the ability to fire crystalline projectiles.
  • FIRESTAR: Angelica Jones is a veteran super hero, boasting former memberships in the Avengers, New Warriors, Young Allies, and the X-Men themselves – in addition to being one of Spider-Man’s most amazing friends. Despite her codename, her powers are microwave-based, allowing her to ignite, melt, or otherwise superheat whatever she targets. She has yet to claim Krakoan citizenship…
  • GENTLE: The first X-Man to hail from the nation of Wakanda, Nezhno Abidemi now calls Krakoa his home. His mutant power allows him to exponentially increase his musculature, giving him almost limitless strength and invulnerability.
  • GORGON: Like the mythical creature of his namesake, Tomi Shishido’s gaze can turn anyone who meets it into stone. Although he possesses many other superpowers, Gorgon’s proficiency with swords is his greatest strength. Due to his skill with a blade, he was able to turn the tide at a crucial moment during the Contest of Swords in Otherworld. Unfortunately, he died doing so and came back… different.
  • MICROMAX: A British mutant, Scott Wright has served as an agent of various agencies of the Crown including MI13 and F.I.6. In the past, he was also briefly a member of Excalibur – and controversially O*N*E* – when he came into conflict with many of his fellow mutants.
  • PENANCE: Monet St. Croix touts herself as a near-perfect mutant specimen, with a wide range of powers and talents. Also, though she once considered it a burden, Monet is now capable of shifting to and from her deadly Penance form at will. She currently is the co-CXO of X-Corp.
  • SIRYN: The daughter of lauded X-Man Banshee, Theresa Cassidy made a name for herself as a member of X-Factor, making use of the same sonic powers as her father. The current X-Factor team was finally able to free her from the influence of the divine being known as Morrigan, to whom she’d sacrificed to save a fellow mutant.
  • SURGE: One of the most powerful electrokinetics on Krakoa, Noriko Ashida can produce devastating blasts of lightning and move at incredible speeds. She’s poised to team-up with her fellow New X-Men alums to protect the next generation of mutantdom.

Election results, along with the full X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this June.

(12) SUPERMAN IS FEELING BETTER. Kevin Smith chats with Yahoo! Entertainment about his efforts to write a Superman movie in the 1990s. “Kevin Smith’s Superman movie that never was: Filmmaker revisits bonkers ’90s project that nearly starred Sean Penn”.

…Smith’s unfiltered critique and suggestions for for a different direction ultimately landed him an audience with then-studio boss Lorenzo di Bonaventura, who in turn hired Smith to write a new screenplay. Based on DC’s 1992-93 crossover comic event The Death of Superman, the film would be revamped with the title Superman Lives.

But Smith would have to collaborate on the project with producer Jon Peters — and that’s where things got really interesting. Peters had quite a Hollywood trajectory, starting as Barbra Streisand’s hairdresser then becoming her lover and then producing her films, eventually becoming a veritable power player (he’s currently portrayed by Bradley Cooper via a madcap performance in Paul Thomas Anderson’s Licorice Pizza, to give you one perspective on him). In the early ’90s, Peters acquired the film rights to Superman from Warner Bros. and he would have the final say on the new movie.

Smith recalled various visits to Peters’s “gigantic f**king house” where the eccentric producer told Smith they’d make a great Superman movie together because they were “from the streets” (as Smith points out, neither Superman nor Peters nor Smith was from the streets) and insisted Smith read aloud his entire script drafts to Peters while the producer parked himself on a nearby couch….

(13) JEOPARDY! Andrew Porter tuned into tonight’s Jeopardy! where an entire category was devoted to a familiar subject.

Category: Hugo Awards

$1000 clue

This author, Hugo nominated in his 20s for “Babel-17,” has the middle initial “R” for “Ray.” He won a few years later.

Photo shows Delany in whitest photo I’ve ever seen of him.

No one could ask, “Who is Samuel R. Delany?”

(14) AS LONG AS WE’RE IN THE NEIGHBORHOOD. James Davis Nicoll ponders “Five Hypothetical Reasons Aliens Would Bother Visiting Earth”.

…A question that may well occur to our hypothetical aliens: “If humans are willing to use nuclear weapons on each other, what will they do to beings who are not related to them at all?” The worst-case scenario is that the aliens will conclude it’s safest not to find out. That possibility is explored in works like Greg Bear’s The Forge of God, in which what initially appears to be benign first contact very rapidly is revealed as an effort to expunge humans and all our works from the universe before we become a menace to other species….

(15) RUTLAND WEEKEND TELEVISION. “Ichthyosaur: Huge fossilised ‘sea dragon’ found in Rutland reservoir”BBC News has the story.

Rutland is more than thirty miles from the coast, but 200 million years ago higher sea levels meant it was covered by a shallow ocean.

When water levels at the Rutland reservoir were lowered again in the late summer of 2021, a team of palaeontologists came in to excavate the remains. Special attention was paid to the removal of the huge skull.

A large block of clay containing the ichthyosaur’s head was carefully dug out before being covered in plaster and placed on wooden splints.

The block, weighing almost a tonne, was raised out of the mud and will now be examined further.

“It’s not often you are responsible for safely lifting a very important but very fragile fossil weighing that much,” said Nigel Larkin, palaeontological conservator and Visiting Research Fellow at Reading University. “It is a responsibility, but I love a challenge.”

(16) VIDEO OF THE DAY. Marvel is ready for its closeup: “All of the Trick Arrows in Marvel Studios’ Hawkeye!”

All of the trick arrows up close and personal! Greg Steele, VFX Supervisor of Marvel Studios’ Hawkeye talks to Lorraine Cink about how they created all of the arrows in the show, and how they work with the Stunt and Special Effects department to make the show come together.

[Thanks to John King Tarpinian, Andrew Porter, P J Evans, Chris Barkley, Bill, Elektra Hammond, Jon F. Zeigler, Danny Sichel, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 6/20/21 Teenage Mutant Fannish Pixels, Heroes On The File Scroll

(1) FATHER’S DAY AND THE NIMOY FAMILY. “I absolutely adored Spock. Loving Dad was much more complicated” – by Adam Nimoy in the Boston Globe. (I usually hit a paywall at the Globe, but I was able to push past the pop-ups and read this article, so maybe you will too.)

…“We are now passing Beacon Hill, home to John F. Kennedy, John Hancock, and John Kerry, the three Johns. And we’re coming up on the West End, formerly an immigrant neighborhood that was demolished in the 1950s to make way for quote-unquote urban renewal. Of course, the most famous resident of the original West End is none other than Leonard Nimoy, who starred as Mr. Spock on ‘Star Trek.’ Do we have any ‘Star Trek’ fans on board?”

About a half dozen people raised their hands. Some yelped their excitement. I got all warm and fuzzy inside. Dad sat with his arms crossed over his linen jacket and gave one of his approving nods. Paul Revere, John Adams, John Kennedy, and . . . Leonard Nimoy. What a lineup — “highly illogical,” as Mr. Spock would say.

The trip to Boston gave me the chance to see the city through my father’s eyes while giving Dad an opportunity to relive the events that shaped his life and career. Father and son closeness was relatively new to us….

Dad’s zeal for work had its downside. His career always came first. He was not one to come to Little League games, for example — a regular source of disappointment for a boy who just wanted to please the father he so admired….

Alternatively, CinemaBlend hosted this Nimoy tribute: “Leonard Nimoy’s Daughter Julie Pens Sweet Father’s Day Letter To Late Star Trek Actor”.

In the world of Star Trek, Spock was never a father, but the actor who played him, Leonard Nimoy, certainly was. The actor juggled a busy career along with being a good father to his two children, Adam and Julie and, on Father’s Day, Julie Nimoy shared a special letter with CinemaBlend to her father on this special holiday….

“…Forever my rock, I could always depend on him for his wise advice. Like most dads, he was very protective, but always encouraged me to be independent, starting at very young age….”

(2) INFLUENTIAL IDEAS. Samuel R. Delany shares his experiences reading and meeting Arthur C. Clarke on Facebook.

…(I’ve incorporated a lot of his ideas into my own, such as his early defense of the space program as a money saver on the large scale, because of the weather damage it prevented.) I met him—possibly, but I don’t even remember for sure—at a gathering at Michael Moorcock’s home at the end end of my first (’66) or in the midst of my second (for three weeks, covering Christmas/New Years ’66-’67) trip to London. The gathering was overshadowed by the presence of J. G. Ballard, whom most of his friends called Jimmy, and the growing pains of the “New Wave” and *New Worlds.* To me he was always Dr. Clarke—and when I met him the second time, in this country, at the opening of his, I-can-only-call-it World-Changing collaboration with the consistently greatest American filmmaker, Stanley Kubrick, “2001: A Space Odyssey,” he recognized me as “Chip.” (That made it into the first volume of my journals and the review I wrote, one of a pair—the other by filmmaker/artist Ed Emshwiller— that were published on the film in F&SF.)…

Delany’s post mentions the side-by-side ads taken out in 1968 prozines by writers to express either their support for or opposition to the Vietnam War. Todd Mason blogged about it (in 2012) and included a screencap of the pages here: “1968: Judith Merril and Kate Wilhelm put together an ad against the Vietnam War…”

…it appears in The Magazine of Fantasy and Science Fiction and in GalaxyWorlds of If and International Science Fiction magazines (the latter three of which are published by the same publisher, Robert Guinn of the Galaxy Publishing Co., and edited by Frederik Pohl, the first edited by Edward Ferman and published by his father Joseph Ferman), along with a corresponding ad from “hawks” who are moved by Wilhelm and Merril’s canvassing….

(3) NOT THROWIN’ AWAY MY SHOT. Black Gate presents Sara Light-Waller’s commentary: “Lord Kalvan of Otherwhen: Piper’s Connecticut Yankee Tale”.

…As mentioned, Lord Kalvan is part of the Paratime universe. It was originally published in two parts, the second posthumously to Piper’s death. “Gunpowder God” first appeared in Analog in November 1964. The second part — “Down Styphon” — was published in the November 1965 issue. The novel, Lord Kalvan of Otherwhen (1965), is a compilation of the two which also includes new material expanding on the original stories.

In our reality and timeline, Pennsylvania state trooper, Corporal Calvin Morrison, is part of a group of police about to burst in on a criminal hiding out in an old farmhouse. As he walks forward with pistol drawn, he is accidently caught up in a Ghaldron-Hesthor temporal field…. 

Back on Home timeline, paracops quickly figure out what’s happened. Our old friend Verkan Vall, Special Assistant to the Chief of the Paratime Police, is there to see the damage.

A man who can beat a Paracop to the draw won’t sink into obscurity on any time-line,” he says and decides to take charge of the case himself…

(4) WELLINGTON PARANORMAL. The New Zealand show has been mentioned here a few times – and now it’s coming to U.S. screens says SYFY Wire: “Wellington Paranormal: What We Do in the Shadows spinoff gets U.S. premiere date and trailer”.

Before What We Do in the Shadows became a hit TV series on FX, the first spinoff from the iconic 2014 mockumentary arrived on TV in its homeland of New Zealand. First announced in 2017Wellington Paranormal began broadcasting into Kiwi homes in 2018, and has since produced three successful seasons and a holiday special, all without being widely available to U.S. viewers who’ve been enjoying a spinoff of their own. Next month, that holdout finally ends. 

Back in the spring, The CW announced that it would begin airing Wellington Paranormal for American audiences this year, with episodes made available to stream the next day on HBO Max. Now, a new trailer’s here to get us all excited about finally seeing this show in all its clumsy paranormal cop glory. Check it out:

(5) CRT 451. “Opinion: To leave out these discussions of history is akin to burning books” writer Howard Stacy in a letter to the Gainesville Times.

Visiting a local book store recently, I bought the book “Fahrenheit 451” by Ray Bradbury. I had read some of Bradbury’s books in the past (I’m a science fiction fan) and thought I would enjoy this one. Unfortunately, the book written in 1951 has so many parallels with today’s political climate that I am not sure I can finish it. 

The plot covers the life of Guy Montag, a fireman in the not too distant future. The occupation of the firemen in Bradbury’s story is markedly different from the firemen today. Montag’s crew of firemen are tasked with burning books as well as the houses of the people that own them. It does not matter what books are in the house; their mere presence qualifies for destruction. 

The firemen pull their hoses from the fire truck and start spraying kerosene on the offensive house. The kerosene is ignited, and the fire destroys the house and the books in it. 

If the owner of the house refuses to leave, then the firemen burn him or her, too. The government has ordered that this is to be done because books contain dangerous ideas. 

The similarity to today is the effort of the Trump Republicans and the Georgia State Board of Education to limit the discussion of Critical Race Theory. The full definition of CRT is complicated, involving White privilege and economic advantage based simply on the color of skin. However the CRT acronym makes it something that the Trump Republicans can get excited about. It looks good on a poster held up at a school board meeting, and it allows a racist to appear as someone that is only interested in having the youngsters in public schools receive the “correct” history instruction….

(6) WALTER SCHNEIDERMAN (1922-2021). The acclaimed makeup artist Walter Schneiderman died April 8 at the age of 98 reports The Guardian:

…The complex makeup required for the title character of The Elephant Man was nearly the undoing of that celebrated 1980 film. … But applying the resulting designs, which had been modelled from a cast of the real Joseph Merrick … fell upon the makeup artist Walter Schneiderman.

Schneiderman, who has died aged 98, called the film “one of the hardest pictures I had to do”. It took seven hours each day to put the makeup on Hurt, and another two to take it off again. Schneiderman was acclaimed for his work on the movie, which was nominated for eight Oscars. The lack of official recognition for … Schneiderman caused a furore, which led to the implementation the following year of a new Oscar category for best makeup.

Uncredited early work came his way on … Powell and Pressburger’s Tales of Hoffman (1951). 

He spent five years, first as makeup artist and then as makeup supervisor, on the television series The Adventures of Robin Hood (1955-60). He moved into more film work with … One Million Years BC (1966), … Rollerball (1975). Schneiderman was makeup supervisor on the fantasy Labyrinth (1986), starring David Bowie as the flamboyant Goblin King.

Although an inventive and resourceful practitioner, he was always practical. “Directors think you open your box and out pops magic,” he said. “It does. But you’ve got to know how to apply it.” After his retirement, he went on to create and sell a line of commercial products under the name Make-Up International. Among them were Quick Action Powder Blood, Bruise Simulation Gel and Omaha Action Mud.

(7) MEMORY LANE.

  • 1981 — Forty years ago at Denvention Two, The Empire Strikes Back which was released the previous year by Lucasfilm, won the Hugo for Best Dramatic Presentation. Other nominated works were Lathe of Heaven, the Cosmos series, The Martian Chronicles and Flash Gordon.  It was directed by Irvin Kershner from the screenplay by Leigh Brackett and Lawrence Kasdan with story by being George Lucas. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 20, 1897 — Donald Keyhoe. Early pulp writer whose works included the entire contents of all three published issues of the Dr. Yen Sin zine. The novels were The Mystery of the Dragon’s ShadowThe Mystery of the Golden Skull and The Mystery of the Singing Mummies. He would create two pulp characters, one with ESP who was a daredevil pilot and one who was blind that could see none-the-less in the dark. He’s best remembered today for being one of the early believers in UFOs and being very active in that community. (Died 1988.)
  • Born June 20, 1913 — Lilian Jackson Braun. Author of The Cat Who… series which I think is genre. The two cats in it are delightful and one, Koko, certainly has a sixth sense, but the author never suggests is psychic. The first, The Cat Who Could Read Backwards, was published in 1966. She’d publish twenty-nine more novels plus three collections of The Cat Who… shorter tales over the next forty years.  Good popcorn reading. (Died 2011.)
  • Born June 20, 1928 — Martin Landau. I’ve got his first genre role as being on The Twilight Zone as Dan Hotaling in “Mr. Denton on Doomsday” episode. Of course his longest running genre role was as Rollin Hand on Mission Impossible though he had a good run also on Space: 1999 as Commander John Koenig. His last role was in Tim Burton’s Frankenweenie voicing Mr. Rzykruski. (Died 2017.)
  • Born June 20, 1951 — Tress MacNeille, 70. Voice artist extraordinaire. Favourite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain
  • Born June 20, 1952 — John Goodman, 69. Some may know him as the TV husband of a certain obnoxious comedian but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry film that came out recently.  
  • Born June 20, 1947 — Candy Clark, 74. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-DStephen King’s Cat’s Eye and The Blob inthe role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon because it’s not the Whedon Buffy.
  • Born June 20, 1967 — Nicole Kidman, 54. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical MagicThe Stepford WivesBewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), the splendid Paddington and her latest was as Queen Atlanna in the rather good Aquaman
  • Born June 20, 1968 — Robert Rodriguez, 53, I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll.

(9) COMICS SECTION.

(10) FIRE IN THE SKY. Did the monks see what they say they saw in 1178? Connie Willis is rooting for them in her Facebook post. Astronomers and scientists have their own ideas:

Canterbury Cathedral was part of St. Augustine’s Abbey, a monastery founded in 598 A.D. It endured Viking raids, William the Conqueror’s invasion, a large fire (in 1168), and the murder of its archbishop, Thomas a Becket, and was finally done in by Henry VIII. But possibly the most important event in its long history was something happened on a summer night in June in 1178.

That night, “after sunset when the moon was first seen,” five monks were sitting outside looking at the sky and the crescent moon when the upper part of the horn “suddenly split in two. From the midpoint of this division, a flaming torch sprang up, spewing out fire, hot coals, and sparks. The body of the moon writhed like a wounded snake. Afterwards it resumed it proper state. This phenomenon was repeated a dozen times or more, the flame assuming various twisting shapes at random and then returning to normal. Then, after these transformations, the Moon, from hook to horn, that is, along the whole length, took on a blackish appearance.”

The five monks told Gervase of Canterbury, the chronicler of the Abbey, what they’d seen, and he wrote it all down, adding that the monks were “prepared to stake their honor on an oath that they have made no addition or falsification in the narrative.” Unfortunately, they were the only people to have seen it. According to European chroniclers of the time, the continent was “fogged in” that night, so the five Canterbury monks were the only witnesses, and nobody paid any attention to their account for nearly eight hundred years, at which point geologist Jack B. Hartung proposed a theory for what they might have seen: a giant asteroid slamming into the moon.

If it had, there should be a crater at the place the monks described the explosion as being, so Hartung went about looking for one–and found a likely candidate…

(11) THE DAWN OF HARRY. Harry Harrison started out drawing horror comics in the 1950s. Here is a post by G. W. Thomas which looks at his comics work:  “Harry Harrison… Beware!”

Harry Harrison… Beware! Not of Harry Harrison’s writing because that’s excellent. Beware he drew horror strips for more than just EC Comics. While he and Wally Wood produced some classic comics there, HH began selling off other strips to packagers for a fee. The authors are not know for sure but Harry wrote most of these, including the writing in the fee. Some of these free market sales ended up at Youthful’s Beware and later Trojan’s Beware when the comic changed hands….

(12) NEFFY NOMS. The National Fantasy Fan Federation, in the June issue of TNFF, corrected the omission of Elizabeth Bear’s novel Machine, and the fanzine Outworlds, from the previously-announced list of finalists for the Neffy Awards.

(13) SENTENCES OF DEATH. “The Becoming of Italo Calvino” in The New Yorker discusses the collection Last Comes the Raven.

… The Calvino of “Crossed Destinies” is a familiar one, the magical realist with a playful approach to the author-narrator-reader relationship. But the book also captures one of his spinier qualities: his aura of danger. He likes to pry things open, often in uncomfortable ways; “Crossed Destinies” throws together characters who can communicate only through tarot cards, and ends when the deck scatters, along with their identities. This is formal violence, the story flying apart like a tossed hand, but a bodily analogue is never far away: one man describes being dismembered, how “sharp blades .?.?. tore him to pieces.” And yet, because much of Calvino’s cruelty is abstracted, it seems free of malice, which makes it all the more magnetic. Even before they disintegrate, the characters in “Crossed Destinies” are subject to bizarre structural rigors: pulled from the forest, stripped of their voices, severed from their pasts. When brutality occurs at the level of form, flashing in every choice (or “renunciation”), it can surface how narrative is not just an act of creation but—for the unseen, unwritten alternative—a death sentence….

(14) KEVIN SMITH NEWS. [Item by Martin Morse Wooster.] Kevin Smith says he really enjoyed his time running the He-Man and The Masters of the Universe universe and 12-year-olds of all ages will love Masters of the Universe: Revelation when it comes to Netflix in July.

[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Cora Buhlert, James Reynolds, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster  for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

Pixel Scroll 4/7/21 Pixels Who Need Pixels Are The Luckiest Pixels In The Scroll

(1) AN APPEAL. [Item by rcade.] In a series of tweets Tuesday, Astounding Award winner Jeannette Ng asks for more nuanced takes on problematic elements of literary works and less pat conclusions about what they reveal about the author. Thread starts here.

One of the commenters references the literary critic F. R. Leavis.

https://twitter.com/wim_owe/status/1379500086917357568

Leavis was an influential British critic who took the position that a great work must be a demonstration of the author’s intense moral seriousness and that by reading it “the reader would acquire moral sensibility — a sense of what was true and good — which transcended social differences,” according to the Cambridge History of Literary Criticism.

(2) HE HAS THE ANSWER – DO THEY HAVE THE RIGHT QUESTION? “Fans campaign for LeVar Burton to host ‘Jeopardy!’” reports the New York Post.

… “Leaving this here in the event that the powers that be are listening,” Burton, 64, tweeted Monday alongside a petition started by a fan of the beloved “Star Trek” actor. The document boasted over 130,000 signatures as of Tuesday morning.

The petition comes amid a feverish push on Twitter for the wholesome television icon to host the gameshow.

(3) NEXT ON NETFLIX. Yahoo! assures fans Jupiter’s Legacy Trailer Packs Superpowered Family Drama”.

…We also get brief snippets about the origin of Sheldon (a.k.a. The Utopian) and his cohort’s powers; the trailer ominously teases the long-ago events “on the island” that turned a group of mere mortals into superhuman beings. (This group would then bear the name The Union). More will reveal as the series approaches, and we’re looking forward to unwrapping some of these mysteries once it hits Netflix on May 7.

(4) BUSTED. In “Cracking the Case of London’s Elusive, Acrobatic Rare-Book Thieves”, Marc Wortman tells Vanity Fair readers

Impossible,” said David Ward. The London Metropolitan Police constable looked up. Some 50 feet above him, he saw that someone had carved a gaping hole through a skylight. Standing in the Frontier Forwarding warehouse in Feltham, West London, he could hear the howl of jets from neighboring Heathrow Airport as they roared overhead.

At Ward’s feet lay three open trunks, heavy-duty steel cases. They were empty. A few books lay strewn about. Those trunks had previously been full of books. Not just any books. The missing ones, 240 in all, included early versions of some of the most significant printed works of European history.

Gone was Albert Einstein’s own 1621 copy of astronomer Johannes Kepler’s The Cosmic Mystery, in which he lays out his theory of planetary motion. Also missing was an important 1777 edition of Isaac Newton’s Mathematical Principles of Natural Philosophy, his book describing gravity and the laws of physics. Among other rarities stolen: a 1497 update of the first book written about women, Concerning Famous Women; a 1569 version of Dante’s Divine Comedy; and a sheath with 80 celebrated prints by Goya. The most valuable book in the haul was a 1566 Latin edition of On the Revolutions of the Heavenly Spheres, by Copernicus, in which he posits his world-changing theory that Earth and the other planets revolve around the sun. That copy alone had a price tag of $293,000. All together, the missing books—stolen on the night of January 29, 2017, into early the next day—were valued at more than $3.4 million. Given their unique historical significance and the fact that many contained handwritten notes by past owners, most were irreplaceable.

Scotland Yard’s Ward was stunned. He couldn’t recall a burglary like this anywhere. The thieves, as if undertaking a special-ops raid, had climbed up the sheer face of the building. From there, they scaled its pitched metal roof on a cold, wet night, cut open a fiberglass skylight, and descended inside—without tripping alarms or getting picked up by cameras.…

(5) BOOKS FOR PRISONERS ASKED. [Item by rcade.] The shelves of the Appalachian Prison Book Project are running low on science fiction and fantasy, the charity revealed recently in a tweet:

The project sends free books to people imprisoned in Kentucky, Maryland, Ohio, Tennessee, Virginia and West Virginia.

They seek new and used paperbacks only and have more detailed donation guidelines on their website.

“We receive about 200 letters every week from people incarcerated in our region,” a project coordinator told File 770 in email. “It’s a wide range of requests. Generally, people choose a few genres they are interested in to ask about in their letter. We have sci-fi and fantasy as two separate categories on our genre list, and we don’t include subgenres, so people choose whatever genres they want to read.”

Asked if there are particular preferences within SFF, the coordinator replied, “We occasionally get requests for specific authors, but unless they have a specific title in mind, most people list themes and topics. For example, thay may want to read books about time travel or vampires or wizards or interstellar exploration. It’s our volunteers who search through our donated books to find the best fit for them.”

The charity’s Voices from the Inside page shares testimonials from grateful prisoners about the books they’ve received.

A prisoner in Whiteville, Tennessee, praised a 2002 vampire novel by Simon Clark: “Thank you so much for my copy of Vampyrrhic! I loved it! As I have said before not many people want to fool with us old convicts.”

Donations of books should fill no more than two medium-sized boxes and be sent using the U.S. Postal Service to this address:

Appalachian Prison Book Project
PO Box 601
Morgantown, WV 26507

(6) CALLING 1984. Not that 1984. I mean the year that gave us Ghostbusters and the line “I tried to think of the most harmless thing. Something I loved from my childhood. Something that could never ever possibly destroy us. Mr. Stay Puft!” “Ghostbusters: Afterlife unleashes a mini Stay Puft army in first clip”SYFY Wire sets the scene.

The iconic Stay Puft Marshmallow Man is coming back in Ghostbusters: Afterlife, but he’s a lot smaller and more numerous than you remember. In the first official clip from director Jason Reitman’s long-delayed film, seismologist Mr. Grooberson (Ant-Man‘s Paul Rudd) comes across a army of mini Stay Puft men while shopping for ice cream.

They’re wreaking absolute havoc in the store, riding around on Roombas and roasting each other on BBQs (their chaotic antics bringing to mind Joe Dante’s Gremlins and composer Rob Simonsen subtly pays homage to Elmer Bernstein’s eerie score from 1984). Don’t be fooled by their cuteness, though — Grooberson attempts to poke one of the Stay Puft men in the stomach — à la the Pillsbury Doughboy — with painful results.

(7) MEDIA BIRTHDAY.

  • April 7, 1933 — On this day in 1933, King Kong premiered. It was directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay was written by James Ashmore Creelman and Ruth Rose from an idea by Merian C. Cooper and Edgar Wallace. It stars Fay Wray, Bruce Cabot and Robert Armstrong. Critics mostly loved it, the box office was quite amazing and the audience reviewers at Rotten Tomatoes currently give it an astonishing ninety eighty percent approval rating. It has been ranked by Rotten Tomatoes as the fourth greatest horror film of all time.  You can watch it here as it’s very much in the public domain. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 7, 1882 – Ogawa Mimei.  (Personal name last, Japanese style.)  Called the founder of Japanese fairy tales.  The 2018 collection under that name has “The Mermaid and the Red Candles”, five more.  See another story here – I mean that, do see it.  (Died 1961) [JH]
  • Born April 7, 1915 Stanley Adams. He’s best known for playing Cyrano Jones in “The Trouble with Tribbles” Trek episode. He reprised his role in the Star Trek: The Animated Series episode “More Tribbles, More Troubles” and archival footage of him was later featured in the Deep Space Nine “Trials and Tribble-ations” episode. He also appeared in two episodes of the Batman series (“Catwoman Goes to College” and “Batman Displays his Knowledge”) as Captain Courageous. (Died 1977.) (CE)
  • Born April 7, 1915 Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with C. L. Moore, his wife, and much of what they would publish was under pseudonyms.  During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.) (CE) 
  • Born April 7, 1928 James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many I read but I’m certain that it was quite a few. I’m not sure what else by him I’ve read but I’m equally sure there was other novels down the years. It appears that only a handful of the novels are available from the usual suspects. (Died 1999.) (CE) 
  • Born April 7, 1930 – Ronald Mackelworth.  Five novels “usually involving complex but rarely jumbled plotting” (John Clute), a score of shorter stories.  Here is a Barbara Walton cover for Firemantle.  (Died 2000) [JH]
  • Born April 7, 1935 – Marty Cantor, age 86.  Long-time fanziner; self-knowledge entitled his Hugo-finalist (as we must now say) fanzine Holier Than Thou; with another, No Award, I could tell him “You are worthy of No Award, and No Award is worthy of you.”  While he & Robbie Bourget were married they were elected DUFF (Down Under Fan Fund) delegates together, publishing two reports, one each, bound head-to-tail like an Ace Double; they were Fan Guests of Honor at Alternacon.  MC later chaired Corflu 34 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable), published Phil Castora’s memoir Who Knows What Ether Lurks in the Minds of Fen?  Arrived among us in his forties, an exception to yet another theory.  Earned LASFS’ Evans-Freehafer Award Los Angeles Science Fantasy Soc.; service).  [JH]
  • Born April 7, 1939 Francis Ford Coppola, 82. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a red head into Morrison — strange experience that was. Other genre works of note include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled Rip Van Winkle, Twixt (a horror film that I’m betting almost no one has heard of), Captain EO which featured Michael JacksonMary Shelley’s FrankensteinJeepers Creepers and Jeepers Creepers 2. (CE)
  • Born April 7, 1945 – Susan Petrey.  Six novels, nine shorter stories.  Her vampires are non-supernatural.  Interviewed in Lightspeed.  Good writing and an early death prompted a Clarion scholarship in her name.  (Died 1980) [JH]
  • Born April 7, 1946 Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that he won an Oscars for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.) (CE) 
  • Born April 7, 1951 Yvonne Gilbert, 70. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emilia for Roc in 2000. (CE) 
  • Born April 7, 1981 – Lili Wilkinson, Ph.D., age 40. A novel and two shorter stories for us; many others (I’m not counting e.g. Joan of Arc).  Won a stopwatch in a Readathon.  Established Inky Awards at the Centre for Youth Literature, State Library of Victoria.  [JH]
  • Born April 7, 1982 – Zoë Marriott, age 39.  Nine novels.  Sasakawa Prize.  Two cats, one named Hero after the Shakespearian character (hurrah! she’s so cool! – JH), and the other Echo after the nymph in Greek myth.  Finishes a list of favorite songs with Spem in alium (hurrah! hurrah!).  [JH]

(9) COMICS SECTION.

  • Shoe’s answer to a science question might qualify as science fantasy.

(10) SO THE ONE THING CAPTAIN AMERICA AND VOX DAY HAVE IN COMMON IS THEY BOTH DISLIKE THIS GUY? The Captain America comic portrays Red Skull as suspiciously close to Jordan Peterson…and Peterson decided to lean into it. Which is kind of hilarious. “Captain America supervillain the Red Skull has been behaving a lot like Jordan Peterson lately, thanks to Ta-Nehisi Coates” at Slate.

Jordan Peterson is a Canadian professor of psychology who was embraced by right-wingers in 2016 after refusing to honor his students’ requests to use their preferred pronouns, then leveraged his YouTube channel and fear of political correctness to build a career as a self-help guru to the alt-right. He also appears to be the basis for the current incarnation of Marvel’s Nazi supervillain the Red Skull, who has returned to the comic book universe courtesy of Between the World and Me writer Ta-Nehisi Coates. Coates is currently wrapping up a 2½-year run on Captain America, and in Captain America No. 28, which was released on March 31, the Red Skull has a YouTube channel that looked very familiar to Peterson, except for the red skull part…

If for some inexplicable reason you want a more serious look at the topic, there’s Camestros Felapton’s “A short Twitter diversion on Jordan Peterson” and The Mary Sue’s “Jordan Peterson Mad He Inspired Ta-Nehisi Coates’ Red Skull”.

(11) LATE NIGHT. In Stephen Colbert’s “Quarantinewhile…” segment a University of Illinois gymnast sticks his vault and then brandishes his COVID-19 vaccine certificate, immediately followed by a reference to our favorite AI researcher, Dr. Janelle Shane, who taught AI to generate pickup lines. (For the background, see Vice’s article “A Scientist Taught AI to Generate Pickup Lines. The Results are Chaotic”.

(12) CHINA’S ANSWER TO SPOT? [Item by Mike Kennedy.]  IFL Science introduces a “Video Showing ‘Robot Army’ Released By Chinese Robotics Company”. The story includes two tweets with embedded videos. The one with a large number of robot dogs where they just stand up then lay back down appears to me to be real. The other one, where they do tricks together, is pretty clearly CGI layered over the real world.

Unitree Robotics appears to be China’s answer to Boston Dynamics, designing and manufacturing mobile, autonomous four-legged robots that are able to handle obstacles and right themselves after a stumble.  

Their products are all variants of a similar dog-like design, including BenBen, Aliengo, Laikago, and A1….

(13) A TIDY PROFIT. AP’s story entitled “Man, a steal! Rare Superman comic sells for record $3.25 million” says that Comicconnect.com sold a copy of Action Comics #1 yesterday for $3.25 million, beating the old record of $3.2 million.

One of the few copies of the comic book that introduced Superman to the world has sold for a super-size, record-setting price.

The issue of Action Comics #1 went for $3.25 million in a private sale, ComicConnect.com, an online auction and consignment company, announced Tuesday.

It narrowly bested the previous record for the comic, set in the auction of another copy in 2014 for slightly over $3.2 million.

The comic, published in 1938, “really is the beginning of the superhero genre,” said ComicConnect.com COO Vincent Zurzolo, who brokered the sale.

It told readers about the origins of Superman, how he came to Earth from another planet and went by Clark Kent.

The seller of this particular issue bought the comic in 2018 for slightly more than $2 million.

(14) DISCOVERY’S NEW SEASON. “Star Trek: Discovery Season 4 Trailer Faces an Unknown Threat” promises Coming Soon.

Paramount+ has released the first trailer for the upcoming fourth season of Star Trek: Discovery, which is set to premiere later this year. The video features Sonequa Martin-Green’s Captain Burnham as she leads the crew against an unknown threat that could possibly destroy all of them without any warning.

(15) BURGER COSPLAY. [Item by Daniel Dern. Except for tasteless quote selected by OGH.] Given Kevin Smith’s sf activities, e.g., writing comics like the (wonderful) Green Arrow Quiver series (plot arc?), some involvement with the semi-recent WB “Crisis” episodes (or at least one of the aftershows) and other stuff i can’t remember – let’s mention “Kevin Smith talks fast food ahead of his Boston pop-up restaurant ribbon-cutting”. (I saw this info as an article in today’s Boston Globe, but I know the MSN link isn’t paywalled..)

Boston’s House of Blues will transform into a pop-up Mooby’s, the fictional burger chain that appears in various Kevin Smith movies, April 8-16.

Fans will remember the mascot, Mooby the golden calf, that enrages Matt Damon and Ben Affleck’s characters in “Dogma.” Chris Rock’s character eats at a Mooby’s in the same film. Mooby’s also appears in “Jay and Silent Bob Strike Back” and “Clerks II.”…

Q. So why Boston?

A. House of Blues reached out, and said: We’d do that. We never pressure anybody. We just wait for folks to reach out. The good thing about Mooby’s is it’s fake, so [no matter what building you dress up] people can’t say: ‘Well this don’t look like Mooby’s!’ Well what does? How many Mooby’s you been to exactly? Give us a day, and Derek will make it a Mooby’s.

Q. What’s your favorite menu item?

A. There’s a chicken sandwich in ‘Jay and Silent Bob Reboot’ called ‘Cock Smoker.’ We have that on our menu. It’s awesome to watch people try to order it in person. Generally everything is done on the reservation system in advance, but in LA, toward the end of the run, we opened it up [to walk-ins] and had four older ladies, each of giggling harder than the next when they ordered ‘Cock Smokers.’ I won’t get rich off restaurants, but that is wealth that you can’t measure.

(16) VIDEO OF THE DAY. In “Godzilla Vs. Kong” on Honest Trailers, the Screen Junkies say the film has such poor continuity with its two predecessors that it has “characters who forgot to mention they were related,” “characters they forgot to mention entirely” and a major plot point that didn’t appear in the two earlier films.  And watch out for Brian Tyree Henry as an annoying exposition-spouting podcaster! BEWARE SPOILERS.

[Thanks to Mike Kennedy, Michael Toman, Jennifer Hawthorne, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Daniel Dern, John Hertz, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]