Pixel Scroll 10/17/17 If I Have Scrolled Further Than Others, It Is Because I Stood On The Pixels Of Filers

(1) NOW YOU KNOW. Ron Howard says the movie will be called Solo: A Star Wars Story.

(2) ATOMIC AGE LORE. Tony Rothman kicks off his American Scientist article “The Forgotten Mystery of Inertia” with – of all things – a Worldcon anecdote.

In days of yore, at a World Science Fiction Convention in Boston, a Harvard graduate student polished his reputation as a brilliant mad scientist by roaming the convention halls, brandishing what at first glance appeared to be a rather peculiar steel bowling ball. Portholes perforated its surface, providing a glimpse of electronic hardware inside; tangled wires sprouted from the same holes, and a gear train surrounded the mysterious object’s equator.

“What’s that?” I asked him.

“It’s the gyro platform for an intercontinental ballistic missile,” he replied. “If you put it on a Titan rocket, it will fly to Kiev.”

“How do you know?”

“It’s an inertial guidance system, stupid. It knows where Kiev is.”

“I know how inertial guidance systems work, but how do you know it knows where Kiev is?”

“Oh, that. It was stamped on the box.”

This sorcerer’s apprentice had discovered that for $900 you could buy a surplus intercontinental ballistic missile, 10 years before the electronics were declassified. His Titan was delivered on two railway cars, “Kiev Titan Missile” stamped on the crates. He junked the body, donated the engines to an art museum, and saved the electronics for his research. A tall tale? Sounds like one, but the gyro platform was there for all to see.

That is the question. At what, exactly, is the gyroscope pointed? According to the law of inertia, objects tend to continue doing what they’ve been doing: If at rest, they remain at rest; if moving, they continue moving at the same speed in the same direction. The gyroscope also bends to inertia’s will, but in confounding ways. Touch it, and the gyro opposes you by veering in unexpected directions. If it is spinning extremely rapidly, the gyroscope remains rigidly locked in the direction it has been set, its sights fixed on…Kiev—hence the term inertial guidance systems. If a rocket veers off the gyro’s fixed course, a sensor detects the error, and a servomechanism realigns the missile with the gyroscope axis.

Was that Russell Seitz? When I first got into fandom that was the story going around about him, of which the following is one version:

In the late 70’s, when most of our nuclear arsenal was converted from liquid to solid fuel, the U.S. Government auctioned off a number of obsolete missile silos and their contents. Mostly the silos got bought by local farmers who converted them for grain storage. I only know what happened to one of the missiles. It was offered at sealed bid auction and a friend of mine, Russell Seitz, bought it. When you bid on something like this, you have to send in a check for 10% of your bid as a deposit. He looked at his bank account, and figured he could spare about $300 that month, so that’s what he sent. When he discovered that he’d won the bid, he had to scrounge up the rest. Now the buyer must pick up the goods himself, but he can request that his purchase be delivered, at government expense, to the nearest military base. Being an undergraduate at M.I.T. at the time, he had the missile shipped to Hanscom Airforce Base, about 12 miles away. He then arranged for a truck, and donated the missile to a local modern art museum (I forget which one). Tax laws were a little different in those days, and if you donated something to an art museum, you could deduct not the just the purchase price, but the original value of the object, which was considerable. Income averaging allowed him to spread the “loss” out over a number of years so that he didn’t have to pay taxes for a long time! He was legendary at M.I.T. for quite a while, and acquired the nickname “Missile” Seitz.

(3) ED KRAMER BACK IN THE NEWS. Ed Kramer, Dragon Con founder and convicted sex offender, has sued the producers of The Disappearance of Natalee Holloway, claiming they owe him for his work in creating and developing the program. The Huffington Post has the story: “Sex Offender Claims Responsibility For Natalee Holloway TV Series”.

Just when it seemed the Natalee Holloway case couldn’t get more peculiar, HuffPost has uncovered another twist in the teenager’s 2005 disappearance: A registered sex offender is claiming responsibility for a recent television series about the mystery.

Edward Kramer is suing producers of “The Disappearance of Natalee Holloway,” a TV series that began in August on the Oxygen Network, alleging he is “co-owner, developer and writer,” according to his lawsuit, filed in U.S. District Court in California. Kramer wants unspecified “just compensation” for his work, plus punitive damages.

Kramer’s personal website claims:

Edward E. Kramer is the creator and developer of the six-part series, The Disappearance of Natalee Holloway for Brian Graden Media (BGM) and NBC Universal’s newly re-branded Oxygen Crime Network. This landmark series, featuring Dave Holloway and Private Investigators T. J. Ward, Kathy Wainscott, Trace Sargent and Eric Bryant, Detective Frank Karic and Forensic Scientist Jason Kolowski, which finally puts to rest the 2005 murder of Natalee Holloway.

The defendants in the lawsuit, Brian Graden Media and Lipstick Inc., filed an answer to the suit, denying they owe anything to Kramer.

He wasn’t “named as a writer, screenwriter, or co-creator,” they said, and was working as an “employee or agent of T.J. Ward,” a private investigator who appeared on the series with Holloway’s father, Dave Holloway.

Read a copy of the original lawsuit filing and the defendants’ answer here.

(4) MARVEL EXEC’S COMICS COLLECTION LOOTED. Marvel’s Joe Quesada is looking for help to recover or reacquire comics and other art stolen from his collection. He gives the background in a long public post on Facebook, leading up to recent discoveries of his artwork for sale, and the arrest of the culprit.

In early June I was contacted by a longtime friend, he was looking at some comic art auctions and was curious as to why I was auctioning a piece that he knew was part of my personal collection and something I would never, ever sell. He sent me a link where I discovered 24 pieces in total from my private collection up for auction including pieces I did long before I was a working professional. While at the moment I’m not at liberty to give the details, investigating this further it turns out that the artwork that was up for auction was all originally purchased from a Mr. Francesco Bove.

Further investigation uncovered that, since the time he was thrown out of my house, at least 185 more pieces of my stolen art were sold at auction and all of it originally purchased directly from Mr. Bove. That’s 185 pieces, sold and gone! How much more was sold privately is unknown at the moment but I’m not feeling optimistic.

So why is this news breaking now? As the case was being investigated the Detective in charge discovered Mr. Bove had left the country and had gone to Italy. Upon his return he was arrested which brings us to right now. From what I know so far it’s believed that Mr. Bove has sold portions of my art to comic shops, dealers and collectors in Manhattan, Brooklyn, The Bronx, as well as parts of Long Island and New Jersey. It could be wider spread than that but I’m not at liberty to say.

And here’s the thing that keeps me up at night. These were pieces that I was never intending to sell, art that had deep personal meaning to every member of my family. There was an enormous collection of Archie art from various artists like Stan Goldberg, Harry Lucey, Sam Schwartz but the majority of it by Dan DeCarlo. There were also Laugh Comics pages by Bill Woggon, The Adventures Of Pipsqueak by Walt Lardner as well as Pat The Brat and Shrimpy by Joe Harold and a huge assortment of other artists from the 50s and 60s to today. I lost pages of my own professional art as well as art I purchased from dear and talented friends. But what stings the most is that Mr. Bove took artwork that I had discovered many years ago stored in my father’s home after he had passed away. Drawings and paintings I did in elementary school, high school and college. Practice sample pages I had done before ever seriously thinking I could be in comics. This was art I was leaving behind for my daughter just as my father had left it for me. It kills me to think that I’ll never get this stuff back now that it’s been scattered to the four winds perhaps bought and sold more times than I care to imagine… or possibly even destroyed. So yes, heartbreak after heartbreak. Not only was the thief someone who I trusted, allowed into my home and helped during rough times, but the items he stole in order to keep himself afloat once he realized he irreversibly burned his bridge with me were the ones most irreplaceable and of personal importance.

Now here’s the part where I could use your help.

While I’m hopeful that now in custody Mr. Bove may lead the Detectives to the people and locations where he sold the art, perhaps some of you reading this might be able to point the Sparta New Jersey Police Department in the right direction. If you’ve purchased any art from Mr. Francesco Bove and have it in your possession or know someone who does please contact

Det. Jeffrey McCarrick at (973) 726-4072

Or the Sparta New Jersey Police Department spartanj.org or on their FB page https://www.facebook.com/sparta.police/

You can also reach out to me here on FB as well. Please know that I understand completely that this was sold under false pretenses and I fault no one for not knowing that. All I want is to retrieve as much of the art as I possibly can especially the attached Dan DeCarlo cover for Archie #322 which means the world to me and my family. Unfortunately it has been sold at least twice over that I’m aware of but if you know where I can find it I will gladly purchase it back.

(5) BOOTS ON THE GROUND. The Planetary Society reports on the first meeting of the newly reconstituted National Space Council in “We choose to go to the Moon and do the other things”.

Returning to the Moon

The biggest news to come out of today’s meeting was [Vice President] Pence’s authoritative declaration that Americans will return to the lunar surface.

“We will return American astronauts to the Moon, not only to leave behind footprints and flags, but to build the foundation we need to send Americans to Mars and beyond,” Pence said.

This wasn’t unexpected, considering prior statements by Pence, other administration officials, and the backgrounds of space council executive secretary Scott Pace, and NASA administrator nominee Jim Bridenstine.

Very few details were given on how a return to the lunar surface would work, or when it would occur. Pence did not say whether the Americans on the surface would be government or commercially-employed astronauts. And the agency’s exploration goals already include a return to lunar space via the Deep Space Gateway, a small space station in lunar orbit, which would provide a test-bed for closed-loop life support, deep space maneuvering, and other technologies necessary for travel to Mars.

In a statement, NASA acting administrator Robert Lightfoot said the agency has “highlighted a number of initiatives underway in this important area (cislunar space), including a study of an orbital gateway or outpost that could support a sustained cadence of robotic and human missions.” That implies the Deep Space Gateway is still on the table, and could theoretically fit within the broad plans outlined by Pence.

The fate of the Space Launch System rocket and Orion crew capsule have been a perennial point of discussion among space advocates, particularly during the transition to this new, business-friendly administration. Though it wasn’t stated explicitly, today’s discussions seemed to assume the continuation of SLS and Orion, at least for now. The programs have always had strong congressional support, and were intended to be destination-agnostic, both by design and congressional directive. NASA can thus shift its focus without a drastic restructuring of its major hardware programs.

(6) TAKE A SHOWER. Space.com tells you — “Orionid Meteor Shower 2017: When, Where & How to See It”.

One of the year’s best sky shows will peak between Oct. 20 and 22, when the Orionid meteor shower reaches its best viewing. The meteors that streak across the sky are some of the fastest and brightest among meteor showers, because the Earth is hitting a stream of particles almost head on.

The particles come from Comet 1P/Halley, better known as Halley’s Comet. This famous comet swings by Earth every 75 to 76 years, and as the icy comet makes its way around the sun, it leaves behind a trail of comet crumbs. At certain times of the year, Earth’s orbit around the sun crosses paths with the debris.

(7) NOTABLE SIGNATURES. Michael Burstein posted copies of some historic letters his grandfather received from Einstein, Teller and Isaac Asimov.

Among other things, my grandfather Rabbi Abraham Burstein was secretary of the Jewish Academy of Arts and Sciences. One of his tasks was reaching out to various luminaries to see if they would be interested in joining the academy. Sometimes he reached out to people whom he knew were Jewish but who might not be very public about it; joining the academy was a way to express solidarity without becoming too public. From what I understand, the academy had annual meetings with speakers.

I do not know what was in the letters my grandfather sent out to these three recipients, but we can see what they said back.

The earliest letter is from Albert Einstein, dated June 7, 1936. The next letter is from Edward Teller, dated December 21, 1962. The last letter is from Isaac Asimov, dated October 21, 1965.

(8) HONOR AN AUSTRALIAN SFF CONTRIBUTOR. The A. Bertram Chandler Award is calling for nominations.

So why is a person awarded this honour?  It’s because the recipient has demonstrated over many years untiring commitment and selfless work within Australian fandom or the Aussie SF scene in general.  Work such as convention running, local club activities, publishing, writing of merit in the genre whether that be blogs, fanzines, short stories or novels, artistic endeavours such painting, graphics or other such forms.  The criteria is not limited to any one activity; but mostly it is for activities that are visible and evident to the Aussie SF community.

So, do you know someone who has made a significant contribution to Australian science fiction and/ or Australian fandom, not just over the last year, but year in, year out? Feel that they should be honoured / recognised for this work? Then why not nominate them for the A Bertram Chandler Award. It is really easy to do: just write to the ASFF and outline why you think that the person is deserving of the award.  No forms to fill out, no entrance fee, nothing but a simple few paragraphs outlining the person’s achievements.

For more information about the A Bertram Chandler Award and the Australian Science Fiction Foundation visit our website ( www.asff.org.au )

To nominate a worthy person, send to awards@asff.org.au

(9) EBOOK TIDE RECEDING? A Wall Street Journal blogger relates what publishers had to say at the Frankfurt Book Fair in “Book Publishers Go Back to Basics”.

Book publishers are giving an advance review of the industry’s future, and it looks a lot like the past. After a decade of technological upheaval and lackluster growth, executives at the top four U.S. consumer book publishers say they are done relying on newfangled formats to boost growth.

It has been nearly 10 years since Amazon.com Inc. introduced its Kindle e-book reader amid the financial crisis, destabilizing publishers and challenging their well-honed business models.

Now, e-book sales are on the decline, making up a fraction of publishers’ revenue, and traditional book sales are rising. The consumer books industry is enjoying steady growth in the U.S., with total revenue increasing about 5% from 2013 to 2016, according to the Association of American Publishers.

Executives gathered in Frankfurt for the industry’s biggest trade fair said they are returning to fundamentals: buying and printing books that readers want to buy—and they are streamlining their businesses to get them out faster than ever before.

It is about “knowing what [readers] want,” said Markus Dohle, chief executive of Bertelsmann SE and Pearson PSO -1.91% PLC’s joint venture Penguin Random House, “to drive demand at scale.”

The shift is a surprise reversal for an industry that experts just a decade ago predicted was facing radical change, if not a slow death, because of digitization and changing reading habits. Instead, e-book sales in the U.S. were down about 17% last year, according to the AAP industry group, while printed book revenue rose 4.5%.

…Mr. Murray blamed flagging e-book sales on “screen fatigue,” and said HarperCollins was upping investment in printed books, “the value anchor” for the entire business. Printed books are “more beautiful now,” he said. “You’ll see endpapers [and] a lot more design sensibility going into the print editions because we recognized that they can’t be throwaway.”

(10) IT’S THE PRICE. Amanda S. Green’s opinion about the above news is that trad publishers constantly talk around the real obstacle to e-book sales, which she identifies in “The delusions continue” at Mad Genius Club.

…Simon & Schuster CEO Carolyn Reidy claims that nothing “went wrong” with e-books. It seems she believes people have gotten tired of reading on their screens. Again, a complete disconnect from reality. People don’t want to pay as much — or more — for an e-book as they will for a print copy. But the laugh out loud moment comes further down in the article when Reidy says she firmly believes “a new version of the book based on digital delivery will come eventually, though she does not know what it might look like.”

Blink.

Blink. Blink.

Hmm, wouldn’t that be an e-book? The bells and whistles might be a bit different, but it if walks like a duck and quacks like a duck and looks like a duck, isn’t it a duck?

And what about her argument that e-book sales have leveled off because we are tired of reading on our screens?

It constantly amazes me the way these folks continue to tie themselves into knots trying to explain how e-books are bad, or are a passing fad or a way for writers not good enough for traditional publishing to get their works into the hands of readers. All I know is that the real numbers, the numbers that look at more than the Big 5 titles, tell a different tale. As a reader, I know I find myself picking up more and more books from indie authors because they are writing stories I want to read and they are doing it at prices that allow me to read two or three or more books for the price of a single Big 5 title. When is the point going to come where an accountant who isn’t afraid of rocking the boat says they can actually sell more — and make more money — if they lower their prices to something reasonable?

(11) SPLATTERPUNK AWARD SEEKS NOMINATIONS. As announced recently on Episode 136 of The Horror Show with Brian Keene, the SplatterPunk awards are now taking nominations for works of horror.  The categories are:

  • BEST NOVEL (for works of more than 50,000 words)
  • BEST NOVELLA (for works from 15,000 to 50,000 words)
  • BEST SHORT STORY (for works from 500 to 14,000 words)
  • BEST COLLECTION (for single-author works over 50,000 words)
  • BEST ANTHOLOGY (for multiple-author collections over 50,000 words)

Anyone registered to attend next year’s KillerCon is eligible to nominate.  Early registration is $89.99 until the end of 2017.  Registration is capped at 250 attendees.

Dann sent the link along with an observation, “The nomination form is a little unusual in that there is only one space provided for a nomination.  The attendee is supposed to indicate the appropriate category in one box and the work being nominated in a second box.  It isn’t clear how an attendee is supposed to nominate works in more than one category.”

Guests of honor at next year’s Killer Con include Brian Keene, Edward Lee, and Lucy Taylor.  Special Guests include author Matt Shaw and freelance editor Monica J. O’Rourke.

The 2018 Splatterpunk Awards jurors are David J. Schow, Gerard Houarner, Monica J. O’Rourke, Mike Lombardo, and Tod Clark.

The Founders of the SplatterPunk Awards, Wrath James White and Brian Keene, will select the Lifetime Achievement Award winner.

(12) TODAY IN HISTORY

  • October 17, 1937: Huey, Dewey, and Louie (Donald Duck’s nephews) first appeared in a comic strip.

(13) TODAY’S BIRTHDAY BOYS

  • Born October 17, 1914 – Jerry Siegel, co-creator of Superman.
  • Born October 17 – Michael J. Walsh, publisher, Old Earth Books, and former Worldcon chair (1983)

(14) THE NEIGHBORS’ HALLOWEEN DISPLAY. That would be a two-story tall Star Wars Imperial Walker —  “‘The Force’ is strong in Parma as residents unveil towering Star Wars’ robot”.

Everyone wants to see Nick Meyer’s latest Halloween decoration.

“That is an imperial armored transporter from (‘Star Wars: Episode V – The) Empire Strikes Back,’” said Meyer.

Star Wars’ fans would know the official name for the towering rover: an AT-AT (All Terrain Armored Transport).

Seven years ago, Meyer and his family started the tradition of building a Halloween display in the front yard.

“I love it, I encourage it,” said Nick’s wife Becky Meyer.

It gets bigger every year.

“I liked the clowns we did one year. Last year we did ‘Friday the 13th’ cabin, that was one of my favorites,” Becky said. “Last year was pretty awesome, and he topped it,” said next door neighbor, Amber Johnson.

One would think some neighbors might not want to stare at a two-story Star Wars robot for a few weeks, you’d be wrong.

“No, this is our fourth year living next door to them, and we love it,” Johnson said.

(15) IN MEMORY YET GRAY. Lawrence Schoen asks the inevitable question of Vivian Shaw, author of Strange Practice, in “Eating Authors: Vivian Shaw”.

LMS: Welcome, Vivian. What’s your most memorable meal?

VS: If you’d asked me this two years ago, I would have had no difficulty whatsoever in coming up with the best meal I’d ever eaten. That was in 2004, in Chicago, the same day I met Scott McNeil and George Romero: I was at a Transformers convention and decided to take myself to an actual steakhouse for an actual steak, and I can still so clearly remember the gorgeous rich mineral taste of that first-ever filet mignon, the way it almost dissolved in my mouth. The vivid greenness of the two asparagus spears on the plate, the peppery kick of the Shiraz that accompanied it — even thirteen years later it’s incredibly easy to recall.

(The most memorable, however, was the time on British Airways in the 1990s where for reasons known only to themselves somebody had decided to add bits of squid to the fruit salad. Memorable doesn’t equal pleasant.)

(16) LECKIE’S PROVENANCE Camestros Felapton reviews the new novel Provenance by Ann Leckie.

The people of Hwae (or at least the high-ranking ones) obsess over social status in a way that the Radch obsesses over rank (and tea). Central to this cult-like obsession is the veneration of ‘vestiges’ – artifacts that demonstrate the age of a family and possible connections to historical events. Vestiges can be anything from physical objects to letters and postcards or ticket stubs.

When we first meet Ingray she is off planet, embroiled in a scheme that is within her cognitive capacity to execute but for which she is not temperamentally prepared. As events unfold, a prison break, stolen spaceships, a murder of foreign dignitary and an invasion plot unfold around Ingray in a story that has elements of a mad-cap caper along side space-opera and Leckie’s trademark examination of the potential variety of human culture.

Above all Ingray is an honest person caught in a story in which most people she meets (both the good and the bad) are liars. This is such a clever trick by Leckie, as she manages to encapsulate Ingray very quickly as a character very early in the book, while giving her a backstory that gives her reasons to attempt a devious scheme (returning a notorious exiled criminal/disgraced vestige keeper to Hwae to embarrass her parent’s political rival). Ingray’s basic niceness wins her some useful allies and her naturally bravery pushes her further into the events.

(17) VIDEO OF THE DAY. Andrew Finch tells the inspiration for his short film Others Will Follow.

But Why?

Thanks for watching, Others Will Follow was inspired by this speech written for President Nixon to deliver in the event that the Apollo 11 astronauts were stranded on the moon. Fortunately they never used it, so I figured I would. NASA has parked its space ships in museums in the decades since the contingency speech was written. Most humans alive today didn’t exist the last time humanity left low earth orbit. I wanted to make something that would outline the importance of human space flight by imagining a brute-force mission to Mars in the early 2000s that, despite disastrous circumstances still manages to pass the torch of inspiration. I spent 4.5 years making this short and attempted to do every aspect of its creation myself, from pyrotechnics to music composition. Many of the disciplines were completely new to me like designing and building the space ship and constructing the space suit, others like VFX and cinematography I had a background in.

The lone survivor of the first mission to Mars uses his last moments to pass the torch of inspiration.

Making of: Others Will Follow

VFX Breakdowns and funny funny stuff from the set of Others Will Follow

 

[Thanks to John King Tarpinian, JJ, Mark-kitteh, Dann, Michael J. Walsh, Steve Davidson, Cat Eldridge, Andrew, and Rose Mitchell for some of these stories. Title credit goes to File 770 contributing editor of the day Brad J.]

Pixel Scroll 7/6/16 And She Gave Away The Pixels Of Her Past And Said, “I’ve Lost The Scroll Again”

(1) BLAME THOSE GUYS SOUTH OF CANADA. T. R. Napper’s “Americans Destroy Science Fiction” was passed along by JJ with the observation, “I find this piece ridiculously clueless about the history of Worldcon and the Hugo Awards, and about the actual reasons for the kerpupple and the American domination of the Awards. However, it certainly contains a different point of view, with some very valid points.”

…But let’s rewind a little. When I first started writing a few years back I heard there was this controversy in the genre. That diversity was being blocked, or rolled back, by a conservative praetorian guard of writers. My first thought was to man the barricades: to fight with those fighting for this thing they said was diversity, a concept I’ve always correlated with equity.

I worked in international aid for fifteen years. In that time, friends and colleagues of mine have been shot at, beaten, kidnapped, murdered, blown up, car-jacked, abused, and imprisoned. These horrific things were done to them because they tried to build a school for girls, or they ran a women’s empowerment program, or simply because they had the temerity to stand with the poor against a corrupt and violent social order.

So, you see, social justice, equity, are things I have a passing concern with.

The problem, I soon discovered, is that this debate is not about equity, and sure as hell isn’t about diversity. Rather, it is an inside-the-bubble conversation between two groups of American writers, each attempting to claim victim status. Worse, the boundaries of the discussion almost completely exclude non-Americans, and even within the US context there was little mention of disability, and none of class.

This particular tributary of the American culture wars is little more than tiny elite – the middle and upper-middle class of the most powerful country in the world – debating and defining diversity in the genre as a whole. It boils down to insiders arguing how to make awards more representative of 45% of the population (the middle and upper class) in a country accounting for 4% of the global population (the US).

(2) GAMING ADDICTION. On Real Life Magazine, Tony Tulahwitte, in an article called “Clash Rules Everything Around Me” talks about his love of Clash of Clans and tries to make the case for the positive things about spending all that time gaming.

Clan Prestige kicked me out immediately; Clan Friendship kicked me out for donating weak troops; Clan Love communicated mostly in Arabic. So I stayed awhile in the dead-silent Clan Maturity, left a week later for Clan Corgi Butts, and ended up where I always suspected I belonged: in the Trash Clan.

(3) KEEPS ON GOING. A total of nine NASA missions received extensions this week, including the two in the headline: “New Horizons Receives Mission Extension to Kuiper Belt, Dawn to Remain at Ceres”.

Following its historic first-ever flyby of Pluto, NASA’s New Horizons mission has received the green light to fly onward to an object deeper in the Kuiper Belt, known as 2014 MU69. The spacecraft’s planned rendezvous with the ancient object – considered one of the early building blocks of the solar system — is Jan. 1, 2019.

“The New Horizons mission to Pluto exceeded our expectations and even today the data from the spacecraft continue to surprise,” said NASA’s Director of Planetary Science Jim Green. “We’re excited to continue onward into the dark depths of the outer solar system to a science target that wasn’t even discovered when the spacecraft launched.”

Based upon the 2016 Planetary Mission Senior Review Panel report, NASA this week directed nine extended missions to plan for continued operations through fiscal years 2017 and 2018.  Final decisions on mission extensions are contingent on the outcome of the annual budget process.

In addition to the extension of the New Horizons mission, NASA determined that the Dawn spacecraft should remain at the dwarf planet Ceres, rather than changing course to the main belt asteroid Adeona.

Green noted that NASA relies on the scientific assessment by the Senior Review Panel in making its decision on which extended mission option to approve. “The long-term monitoring of Ceres, particularly as it gets closer to perihelion – the part of its orbit with the shortest distance to the sun — has the potential to provide more significant science discoveries than a flyby of Adeona,” he said….

(4) EASTERCON 2012 CHOW. Lawrence Schoen posted “Eating Authors: Adrian Tchaikovsky” on Monday —

And there, in that weird moment of existential, Star Trek-related crisis, I was found by a band of SF academics from Oxford who I very tentatively knew, mostly through a common acquaintance with Paul Cornell (who is the Kevin Bacon of the UK SF scene). And like some kind of choir of angels they took me from the windowless confines of the convention hotel, first into the Outside, which I had almost forgotten existed, and then off to a Chinese restaurant with a bunch of other fans.

(5) SMOOTH SEGUE. Here’s where I drop in the Rob James Morgan tweet in response to Delilah S. Dawson’s fears about something literally eating authors.

(6 FEELS GUIDE TO FANAC. Suvudu’s Matt Staggs recommends a book and podcast discussion: “Therapist Kathleen Smith Talks About ‘The Fangirl Life’ on ‘Beaks & Geeks’”.

In her book The Fangirl Life: A Guide to Feeling All the Feels and Learning How to Deal, Kathleen Smith, a licensed therapist, introduces readers to her own brand of fan-friendly self-help: a unique niche in therapeutic thought where Doctor Who is more important than Doctor Freud, and the feels is very real. This is her first book aimed at fangirls, but Smith has been offering sage advice to female fandom for handling anxiety, relationship troubles, and more for a long time at her site www.fangirltherapy.com.

If you enjoy flailing over badass fictional ladies or speculating endlessly over plot points, but would like to carve more space for the narrative of your own life, this is the book for you. Written by a proud fangirl who is also a licensed therapist, The Fangirl Life is a witty guide to putting your passions to use in your offline life, whether it’s learning how writing fan fiction can be a launching point for greater career endeavors, or how to avoid the myths that fictional romance perpetuates.

(7) T5S. Aaron Pound reviewed Fifth Season by N.K. Jemisin for Dreaming of Other Worlds. (Haiku warning!)

Full review: There is a vague and indistinct region in between the genres of fantasy and science fiction. While some books rest comfortably on one side of this division or the other, others are happy to rest in that ambiguous zone between them, maybe from some angles a work of fantasy, and from others a work of science fiction. The Fifth Season is one of those books, with elements that make one think that the story is a pure fantasy, and others that are squarely within the realm of science fiction. Against this backdrop, Jemisin weaves a brutal story of enslavement, oppression, and anger that is at once intensely personal and breathtaking in its scope.

(8) QUOTE OF THE DAY:

Kyra: I consider SFWA to be a one-syllable word, pronounced as spelled.

(9) EATING THE FANTASTIC. Scott Edelman joined Gene O’Neill for lunch in Las Vegas on Episode 12 of the Eating the Fantastic podcast.

For the fifth and final episode of Eating the Fantastic recorded in Las Vegas during StokerCon, I headed out to Hash House A Go Go, one of my favorite restaurants—at least in its San Diego incarnation. My breakfast there is always one of my favorite Comic-Con meals. But alas, there turned out to be more than a 90-minute wait that Sunday morning in Vegas, so I moved on to Yard House at the recommendation of my guest, Gene O’Neill, who’d eaten there earlier that weekend.

Gene, with whom I attended the Clarion Science Fiction & Fantasy Writers’ Workshop when dinosaurs still roamed the Earth, has been nominated 11 times for the Bram Stoker Award, and has won twice, in the categories of Long Fiction and Fiction Collection.

(10) INDIANAPOLIS FANDOM. Tony Schaab wrote a report on InConJunction for ScienceFiction.com.

Dubbed “The Crossroads of the Multiverse,” the small but mighty InConJunction celebrated it’s amazing 36th show this year on July 1-3, 2016, at the Marriott East in Indianapolis, IN.  A fan-run convention since the beginning some 30-plus years ago, the show is organized by The Circle of Janus Science Fiction & Fantasy Club.  With a heavy focus on sci-fi and fantasy, the show boasts several unique and entertaining aspects, including a fully-functional Bridge Simulator, an expansive Live Auction, a cosplay Masquerade, and specific rooms dedicated to ‘Doctor Who,’ anime, and more.

(11) SEVENTH HELL OF WHO. Not everyone thinks it was bad, however, “’Doctor Who’ Showrunner Steven Moffat Admits Series Seven Was ‘Miserable’”, at ScienceFiction.com.

If you don’t recall, Season Seven of NuWho involved a “monster movie of the week” feel with a series of standalone episodes that built up to the departure of Amy and Rory in the midseason episode ‘The Angels Take Manhattan’, the Doctor’s first adventures with Clara Oswald, and the introduction of John Hurt as the War Doctor. But with important moments like these, how could the season have been so generally bad? Well, it sounds like the pressure of Matt Smith leaving the show and the 50th anniversary got to Moffat a little bit:

“Matt [Smith], who was a friend and ally, was leaving – I couldn’t get him to stay. It felt like everything was blowing up around me. I was staggering into the 50th, with no Doctors contracted to appear in it, battered with endless hate mail about how I hadn’t got William Hartnell back and ‘Sherlock’ series three at the same time. I was pretty miserable by the end of it, and I couldn’t bear to let that be the end.”

(12) THE LOST WORLD. “See Gigantic Prehistoric Monsters Battle Modern Lovers” when the Alex Film Society screens The Lost World (1925) on Sunday, July 10 at 2:00 p.m.

“Imagine a Lost World—millions of years old—and now found by a daring exploring party. Imagine this world still existing as in the beginning of time—with gigantic antediluvian monsters roaming it—ape men—prehistoric men living on it—fighting at every turn for existence—fighting the monsters who would devour them. And it all happens in this tremendous love and adventure drama—and people from your own world were brave enough to encounter hardships and dangers to bring back this story to you. Without doubt the biggest motion picture achievement.”

Featuring some of the biggest stars of the silent era, including Wallace Beery, Bessie Love and Lewis Stone, as well as no less than a dozen different species of dinosaur, our print of The Lost World is a fully restored version from the George Eastman House collection. Famed composer and pianist Alexander Rannie will accompany the film with the musical score that was written for the original release.

 

Lost World poster COMP

(13) CHANGING ICON. In The Hollywood Reporter, Graeme McMillan has the story: “Tony Stark Replaced by Black Woman as Marvel’s Comic Book Iron Man”. The theory is that a brilliant MIT student who built her version of Iron Man armor will replace Tony Stark from Invincible Iron Man #7 onwards.

Williams debuted in Invincible Iron Man No. 7 in March of this year, and will headline a relaunched version of the title later this year as part of the Marvel NOW! relaunch. Created by series writer Brian Michael Bendis — who also co-created Miles Morales, the half-black, half-Latino Spider-Man who debuted in 2011 — and artist Mike Deodato, Riri has been shown to be even more resourceful than Stark himself, and just as stubborn.

Williams’ ascension as Iron Man (The title of the series will remain the same, according to Marvel) continues a trend for replacing, or at least adding to, the traditional white male heroes with a more diverse cast over the last few years; in addition to the Miles Morales Spider-Man, Sam Wilson became Marvel’s second black Captain America in 2014, the same year that Jane Foster took over as Thor.

imvim2015_promo-p_2016

(14) WILL THERE BE A MELTDOWN? Breitbart.com is canvassing the internet hoping to find negative reactions to the Iron Man story. This is a tweet they included in their news item.

(15) CAP CLAIMED BY BATTLING BOROUGHS. BBC reports a Marvel will place a statue of Captain America in a Brooklyn park. Naturally, this is causing controversy. For a change, it has nothing to do with Hydra.

The company has commissioned a 13-ft (3.96m) bronze statue which will be housed in Prospect Park in Brooklyn.

It will be unveiled at the San Diego Comic Con later this month before being placed in the park from 10 August.

A sketch of the statue released by Marvel shows the character holding his signature shield in the air…..

The figure will also bear the superhero’s quote “I’m just a kid from Brooklyn” – said in the 2011 film Captain America: The First Avenger.

However, some fans have pointed out the original comic book character was actually from Manhattan’s Lower East Side.

In the comics, the superhero was the son of Irish immigrants – a similar background to that of co-creator Jack Kirby, who was the son of Austrian-Jewish immigrants living in the same area.

(16) COMIC STRIP. The eponymous character of The Wizard of Id is attending Wizardcon this week. Today he has a tough decision to make.

(17) NEXT ROGUE ONE TRAILER COMING. UPI says the second Rogue One trailer will premiere in the US on ABC.

According to fansite Making Star Wars, television listings for ABC reveal that they plan on airing a new Star Wars special on July 15 that will also include a new three minute trailer for Rogue One.

The title of the special, Secrets of The Force Awakens, shares the same name as a making of documentary that was included in the blu-ray release of Star Wars: The Force Awakens.

(18) JUNO. NASA posted images received from Juno as a time-lapse video of moons orbiting Jupiter.

NASA’s Juno spacecraft captured a unique time-lapse movie of the Galilean satellites in motion about Jupiter. The movie begins on June 12th with Juno 10 million miles from Jupiter, and ends on June 29th, 3 million miles distant. The innermost moon is volcanic Io; next in line is the ice-crusted ocean world Europa, followed by massive Ganymede, and finally, heavily cratered Callisto. Galileo observed these moons to change position with respect to Jupiter over the course of a few nights. From this observation he realized that the moons were orbiting mighty Jupiter, a truth that forever changed humanity’s understanding of our place in the cosmos. Earth was not the center of the Universe. For the first time in history, we look upon these moons as they orbit Jupiter and share in Galileo’s revelation. This is the motion of nature’s harmony.

 

[Thanks to John King Tarpinian, JJ, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day mc simon milligan.]

Pixel Scroll 6/13/16 Carry On My Wayward Scroll

(1) NEXT STEP. Sigrid Ellis responds to the Orlando attack with a series of autobiographical notes in “The road to murder is paved with microaggressions”.

  1. I was horrified to hear the news out of Orlando. But I wasn’t surprised. I wish I found murders of LGBTQIA folk to be surprising. But I have been found guilty of being gay my entire life. I know how much, how casually, how thoughtlessly I am hated. Hated not because I am evil, but because I am merely the most horrible disgusting thing people can imagine.
  2. The shooter went to a place of refuge, of joy, of celebration. He went to a place where queers go when we are told we are too queer to be seen anywhere else. He went to the place where all the shoving and flaunting of queer would have been hidden away from him. He sought it out, this crusader vigilante, this one good man with a gun we hear so much about. He took his righteousness and hunted down the gay he hated and feared.
  3. So how do we go on. How do we live in a world that hates and fears us?

I cannot stop anyone from murdering anyone else. I don’t have that power. But I am … done. I am done with letting the jokes and remarks slide by. I cannot continue to passively agree that I am a punchline, a threat, a bogeyman, a cautionary tale. I just, … I am done.

I can’t stop the Orlando murders, or any other murders of queers.

But I am done being complicit.

(2) HELPING. Stephanie Burgis researched a list of links about ways to help Orlando victims, and community LGBTQ organizations.

This is not the post I wanted to write today. Today, I was planning to announce a fun new project up for pre-order. I was going to talk about other stuff, the normal, small incidents of life. But I’m still reeling. So I’ll post about all those things another day. Today, I just want to pass on the things I’ve seen that might help a bit:…

(3) DIAMOND TIME. Alastair Reynolds’ story “Diamond Dogs” will be on stage in Chicago this season.

An adaptation by Althos Low (the pen name for Steve Pickering and creatives from Shanghai Low Theatricals) of Alastair Reynolds sci-fi story “Diamond Dogs” will complete The House Theatre’s 2016-17 season.

The production, set in the future, follows characters caught in an alien tower and will be third in the company’s season, running Jan. 13-March 5. Artistic director Nathan Allen will direct.

(4) TIME TRAVELERS PAST. The Economist discusses“Time-travel from H.G. Wells to ‘Version Control’”.

MUCH of what is good in science fiction is not about the future. Rather, the genre uses the future as a canvas on which to imprint its real concerns—the present. Counterintuitively, perhaps, time travel stories are often those tales that are most anchored in the present. As Sean Redmond argues in “Liquid Metal: the Science Fiction Film Reader”, time travel “provides the necessary distancing effect that science fiction needs to be able to metaphorically address the most pressing issues and themes that concern people in the present”.

One of the earliest time-travel novels, H.G. Wells’s “The Time Machine”, can, for example, be read as reflecting contemporary anxieties about the effects of the industrial revolution on Britain’s rigid class system. The elfin “upper class” Eloi are seemingly content, but are in fact easy prey for the ape-like “working class” Morlocks. The fear that a strong but supposedly inferior working class, empowered by industrialisation, could come for them would have resonated with many of Wells’s Victorian readers.

Robert Heinlein’s time and dimension-hopping novels featuring Lazarus Long, who lives for over 2,000 years, are rooted in the author’s rejection of the social norms of his times. With their enthusiasm for nudism and free love, the novels, which must have seemed provocative in the 1950s and 60s, can now feel dated.

(5) REYNOLDS WOULD STAY. Alastair Reynolds tells “Why I’m for the UK remaining in the EU” at Approaching Pavonis Mons by balloon.

Many of the arguments for and against membership of the EU seem to revolve around economics, which seems to me to be an extremely narrow metric. Even if we are better off out of the EU, which we probably won’t be, so what? This is already a wealthy country, and leaving the EU won’t mend the widening inequality between the very rich and almost everyone else. More than that, though, look at what would be lost. Friendship, commonality, freedom of movement, a sense that national boundaries are (and should be) evaporating.

(6) THE CENTER WILL NOT HOLD. SF Gate reveals the crime of the millennium — “The great city of San Francisco no longer has a center”.

A brass surveyor’s disk, recently installed on an Upper Market-area sidewalk to mark the precise geographic center of San Francisco, has been stolen.

On Wednesday, city surveyors and Public Works Director Mohammed Nuru visited the spot in the 700 block of Corbett Avenue to call attention to the disk and to the work of the surveyors who had established the spot as the precise center of town.

It wasn’t technically the center of town — that spot is under a bush on a nearby hillside — but it was close, and it was publicly accessible.

At the time, surveyor Michael McGee predicted that the small brass disk — attached to the concrete with heavy-duty glue — would suffer the fate of similar markers and be stolen by vandals.

“I’d give it about six weeks,” McGee said.

He was off by five weeks and six days.

On Thursday, an orange arrow and shakily written “Geographic Center of City” were still on the sidewalk. A circular patch marked the spot where the disk had been, briefly.

(7) YOU SHOULD WEAR A HELMET. “Could a satellite fall on your head?” BBC follows German scientists’ efforts to find out.

“There are a lot of satellites in orbit and they will come down sooner or later,” he says. “They’ll probably break up and the question for us is: what is the chance of an impact?”

In other words, could sections of dead satellites survive re-entry to hit something or, worse, someone?

The wind tunnel being deployed for Willems’ experiment resembles a giant deconstructed vacuum cleaner attached to a pressure cooker, arranged across a concrete floor. The gleaming machine is covered in a mass of pipes and wires. Capable of producing air currents of up to 11 times the speed of sound, the wind tunnel is used for testing the aerodynamics of supersonic and hypersonic aircraft designs.

(8) GENRE DINERS. Lawrence Schoen presents — Eating Authors: Naomi Novik, the June 13 edition of his Q&A series.

I’m preparing this week’s post from New Mexico, where I am ensconced at a writers’ retreat and working hard to up my craft (while also enjoying great company, fabulous meals, and some truly awesome leisurely walks through nature). But such things cannot stop the juggernaut that is the EATING AUTHORS blog! Which is about as much of a segue as you’re going to get this week by way of an introduction for my latest guest, Naomi Novik, who should already be known to you for her Temeraire series which blends fantasy and alternate history (or, as it’s more commonly described, the Napoleonic Wars with dragons!).

(9) SEND ONE BOOK. Throwing Chanclas pleads the case for a Nevada high school library looking for book donations. Cat Rambo says SFWAns are pitching in.

I live in a town of 1200 people in the Northern Sierra Nevada –where it meets the Cascade Range near Mt. Lassen National Park and about two hours drive northwest of Reno, NV.  Two hundred of that population is students. Over the years as the population dwindled after mines closed, then mills–nothing except tourism and retirement have emerged as ‘industries.’ Many businesses have closed down and with it many things we take for granted—like libraries….

What we’re lacking is pretty much everything else.

We need racially diverse books. We need graphic novels. We need women’s studies. We need science. We need series. We need film. We need comics. We need music. We need biographies of important people. Looking for Young Adult. Classics. We want zines! Contemporary. Poetry. Everything that would make a difference in a young person’s life. Writers send us YOUR BOOK. We have many non-readers who we’d love to turn on to reading. We need a way to take this tiny area and bring it into the 21st century. We have a whole bunch of kids who don’t like to read because all they’ve ever been given is things that are either dull , dated, or dumbed down.

The students who are excelling are doing so because they have supportive parents at home and access to books and tablets elsewhere. But most students are without.

So here’s what I’m asking. Will you donate a book? A real book. Something literary or fun—something that speaks to your truth, their truths. Something that teaches them something about the world. Makes them feel less alone?

I’m not asking for money. I’m asking for you to send a new book or film or cd to us to help us build a library we can be proud of. Just one book.

So who is with us?

Send us one book.

Greenville High School/Indian Valley Academy
Library Project Attn: Margaret Garcia
117 Grand Street
Greenville, CA 95947

Thank you for your support.

If sending during the month of July (when school is closed) please send to

Library Project/Margaret Garcia
PO Box 585
Greenville, CA 95947

(10) SFWA. Today was the second SFWA Chat Hour. Streamed live and saved to video, you can listen to Operations Director Kate Baker, member Erin Hartshorn, Volunteer Coordinator Derek Künsken, President Cat Rambo, and Chief Financial Officer Bud Sparhawk talk about the organization’s new member experience, game writer criteria, the state of SFWA finances, volunteer opportunities, Worldcon plans, the 2017 Nebulas, awards for anthologies, what they’re reading, and more.

(11) TODAY’S BIRTHDAY BOY

  • Born June 13, 1943 — Malcolm McDowell

(12) TSF&HF. Leonard Pierce experiments with placing the emphasis on each different word in this six-word phrase, and ends up with a column called “Third Booth on the Left”.

“So, what do you guys sell?”

“Traditional science fiction and high fantasy.”

“Your average author isn’t 83 years old and nearly dead, then?”

Traditional science fiction and high fantasy.”

“Oh.  Okay.  But, I mean, you don’t just do space operas based on the technical education of someone who was an undergraduate when Eisenower was in the White House, right?”…

(13) TEH FUNNY. John King Tarpinian recommends today’s Reality Check cartoon by Dave Whamond.

(14) CHINA SF AWARD. “The Chinese Government is Setting Up Its Own Major Science Fiction Award” reports the Lifeboat Foundation.

This is pretty interesting: during the latest national congress of the China Association for Science and Technology, chairman Han Qide announced that the country would be setting up a program to promote science fiction and fantasy, including the creation of a new major award.

Throughout much of its genre’s history, China’s science fiction has had a legacy of usefulness, often promoted to educate readers in concepts relating to science and technology. This new award will be accompanied by an “international sci-fi festival” and other initiatives to promote the creation of new stories.

(15) HE BITES. A deliberately harmful robot named “First Law” has been built to hype discussion about the risks of AI.

A robot that can decide whether or not to inflict pain has been built by roboticist and artist Alexander Reben from the University of Berkeley, California.

The basic machine is capable of pricking a finger but is programmed not to do so every time it can.

Mr Reben has nicknamed it “The First Law” after a set of rules devised by sci-fi author Isaac Asimov.

He said he hoped it would further debate about Artificial Intelligence.

“The real concern about AI is that it gets out of control,” he said.

“[The tech giants] are saying it’s way out there, but let’s think about it now before it’s too late. I am proving that [harmful robots] can exist now. We absolutely have to confront it.”

(16) VERY LATE NEWS. Appropriate to the previous item, Bill Gates was named 2015 Lifeboat Foundation Guardian Award Winner – in January.

Story

January 3, 2016 — The Lifeboat Foundation Guardian Award is annually bestowed upon a respected scientist or public figure who has warned of a future fraught with dangers and encouraged measures to prevent them.   The 2015 Lifeboat Foundation Guardian Award has been given to Bill Gates in recognition of his fight against infectious diseases, his warnings about artificial intelligence, and his funding of improvements in education since a smarter civilization is one that is more likely to survive and flourish.

About Lifeboat Foundation

The Lifeboat Foundation is a nonprofit nongovernmental organization dedicated to encouraging scientific advancements while helping humanity survive existential risks and possible misuse of increasingly powerful technologies, including genetic engineering, nanotechnology, and robotics/AI, as we move towards the Singularity.

(17) PLAY BALL. “Chewbacca Mom and some special ‘Star Wars’ friends threw the first pitch at the Rays game”, as major league baseball blogger Chris Landers told Cut4 readers.

Over 150 million Facebook views later, “Chewbacca Mom” was born. She sang with James Corden. She was offered a full scholarship to Southeastern University in Florida. She started charging $20 for an autograph. And finally, on Saturday, the cherry on top: Payne threw out the first pitch before the Rays’ 4-3 loss to the Astros.

But, befitting a woman who was brought happiness to so many, it wasn’t just any first pitch. It was a “Star Wars” first pitch — featuring the cantina song, another Wookiee, and of course, Taylor Motter at catcher wearing a Chewy mask.

[Thanks to Cat Rambo, Jim Henley, Martin Morse Wooster, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]

Lawrence Schoen on Linguistics, Hypnosis and Cuisine — With a Side of Buffalitos

Lawrence Schoen has been nominated for a Hugo for best short story, 3 Nebulas for best novella, and a Nebula for best novel, as well as a Campbell for best new writer.  He is the editor-publisher of the Paper Golem anthology small press, a founding member of Codex Writers Group, a graduate of the Taos Tookbox, the editor of the Eating Authors blog, and a recipient of the SFWA’s service award.  He is a hypnotism and linguistics aficionado and is fluent in Klingon.  He has a B.S. in psycholinguistics and a M.S. and Ph.D. in psychology.

CARL SLAUGHTER:   Let’s start with a really big topic.  How does linguistics fit into science fiction?

LAWRENCE SCHOEN:  I think you can make a case that about the time of the New Wave we started seeing more science fiction with an emphasis on “soft sciences” (e.g., anthropology, psychology, sociology) in addition to or instead of the classic “hard sciences” of hard SF (physics, chemistry, biology). Linguistics is a natural extension of this, and the first impact of this on my own reading, lo some four decades ago, was when I discovered Le Guin’s novels (I have no doubt others were addressing some of the same topics before her, though perhaps not as rigorously or consistently).

The focus shifts from things (spacecraft, planets and stars, intergalactic empires) to people (customs and behavior of aliens and humans from other realms/times, etc.). The stories are writ smaller, more personal. What we lose in scope, we gain in individual relevance. But it’s not just a matter of scale. I would argue that it yields a qualitatively different kind of “wonder.”

CS:  What have you discovered in your study of memory and does it fit into science fiction?

LS:  Most people (by which I mean, folks who haven’t made a point of studying cognitive psychology beyond that one undergraduate course they slept through back in their junior year of college) tend to think of “memory” as a single thing, like it’s a big file cabinet in the mind where we keep things. Digging a bit deeper we find that there are many different kinds of memory (back in my professoring days, I would invoke the parable of the blind men and the elephant — hint: the elephant is memory), and getting into the details of the various flavors of this aspect of mind can be quite captivating to readers, particularly when you take some piece that we all know and use every day and either give it a new wrinkle or simply take it away from a protagonist. But then, a lot of the history of psychology (and general medicine, for that matter) involves studying people who have some deficit and understanding the working person by examining what is lacking.

CS:  What is hypnosis, what are the common misconceptions about hypnosis, and does it have a place in science fiction?

LS:  One way to understand hypnosis is to say it is the deliberate creation and/or manipulation of a trance state. Trance is a perfectly natural phenomenon. We all go into trance every day. Trance occurs any time you separate your awareness from your environment. So, if you’ve ever been lost in a good book or film (and I know you have), you’ve entered a trance state. Likewise, that common experience of driving home after a long day from work and suddenly you find yourself parking the car with no conscious memory of the drive, that was trance.

This is NOT what most people think of when they think of hypnosis, but I’d argue that’s because what most people know about hypnosis is utterly wrong and informed only by popular culture. Which is great if you want to defend against the mesmerizing gaze of a vampire, but otherwise not much help.

Hypnosis is the deliberate manipulation of an altered state of consciousness. As such, it has as much of a place in SF as the author can utilize it to tell a compelling story. But, that’s the same criteria I’d apply to any question of”does X have a place in SF.”

CS:  Why the interest in Star Trek and what has been your involvement in/contribution to the Trekkie community?

LS:  Since 1992 I’ve been involved in promoting the use and study of the Klingon language. I’m the founder and director of the Klingon Language Institute. I’ve given lectures at conventions and museums in a dozen or more countries, and I’m responsible for organizing language practitioners, and the creation of such projects as have resulted in publishing Hamlet, and the Tao Te Ching, and Gilgamesh, in Klingon. As well as an annual, international conference of Klingon speakers that in 2016 will enjoy its 23rd year.

But I came to Klingon because of a fascination with language in general (and constructed language in particular) that actually began two decades or so before that when I fell in with some fans who were playing with Tolkien’s Eldarin languages.

Dr. Lawrence Schoen

Dr. Lawrence Schoen

CS:  Is Paper Golem still publishing?  Who and what have you published and what have you learned along the way?

LS:  My small press continues, but it’s had to take a distant backseat due to demands on my time as a novelist. The main focus has been in two directions. The first is a series of novella anthologies, because when I started Paper Golem there were very few markets where a writer could sell a 20-40K story. The second is a series of single author collections, basically exciting new writers that didn’t have a novel contract yet but who I thought were writers to watch.

As for learning along the way, editing has taught me a considerable amount about my own writing. Seeing how other authors create particular effects of style and pacing and plot has informed my work. It’s been a real win-win journey.

CS:  Why the fascination with cuisine and how did you get so many speculative fiction authors to share extensively about their experiences with food?

LS:  The protagonist of my Buffalito stories and novels is a stage hypnotist who goes by the name of the Amazing Conroy. Food is his weakness. Any time he visits a new place, he has to sample the local cuisine. When he was wealthy, he went to fancy restaurants and when he was broke he ate at local dives. He’s a foodie. I started my Eating Authors blog series using his predilections as an excuse to invite other authors to tell me about their most memorable meal. Part of the thinking was to drive more traffic to my blog by getting content from more recognizable names, but only part because about half of the authors I invite are brand new novelists eager to pimp their first book. So here too there’s a bit of “paying it forward.” The final piece of the series is that I believe readers like to get a little peek into the minds of the authors they read, and seeing the what and why of a great meal provides that.

CS:  BTW, what’s the current head count at Eating Authors.

LS:  I think I’m at just over 260 thus far (not counting the episodes that I have on deck, awaiting the turn of the calendar). The series started on Monday morning, June 6, 2011, and I’ve only missed a single Monday since then.

CS:  I interviewed Loren Rhoads and she shared how food was a part of a her Templars series.  Any other Eating Authors contributors talk about food in their stories?

LS:  Some do, but usually only as an aside. The one question that I ask if “What’s your most memorable meal?” If they get to that by way of invoking what a character ate in a story, that’s fine, but it’s not what I’m interesting in for the blog.

CS:  What did you do to for the SFWA that they were grateful enough to give you their service award?

LS:  It’s a mystery to me. I’d been the head of the Election Committee for about eight years, and took a turn on the Norton Award jury some while back, and I’ve lent my resonance and volume to some SFWA auctions at cons now and again, but seriously I think they should have given the prize to someone else. But too late for that, and I’m not giving it back. I’m particularly happy with it for two reasons: 1) because it’s named for Kevin O’Donnell, and I really enjoyed his books, and 2) because Gay Haldeman was the one to present it to me and she is just one of the sweetest people in the world.

CS:  Elephant’s Graveyard was up for a Nebula.  The main characters are advanced Earth animals.  How much of human characteristics do they retain and how much of their old animal nature do they retain?

LS:  The term “advanced” may be a bit misleading. David Brin tends to use the term “Uplifited,” but I went with a more restrictive “Raised Mammals” which I like to abbreviate as RM. In any case, we’re talking about imposing sapience on a variety of species that don’t otherwise possess it, and presumably altering their physiology so they walk around upright and are able to be tool users (i.e., hands and fingers and opposable thumbs). These are all, arguably, human characteristics, but what else is? And likewise, what constitutes an animal’s nature? I did a fair amount of ethological reading for Barsk and tried to transition traditional species traits to the respective raised mammals in the book. Thus, the elephants have a sexually stratified society, all the adult males are off on their own in bachelor apartments or rooming homes or lodges. Adult females live in large households of extended families with groups of sisters and cousins and aunts, and all the children, not unlike elephants in our world.

CS:  Does it matter that they are animals?  Could they be humans without affecting the plot?

LS:  Yes and no. There is a major plot point that I don’t want to give away that hinges on them being animals. But for the most part, no, they’re people. People who happen to be descended from elephants or yaks or sloths. They have complex motivations and goals, and interact with one another according to their nature as people more so than because of their species, though of course some of their respective world views are shaped by their physiology and species specific behaviors.

CS:  What do we hope to learn from Elephant’s Graveyard?

LS:  That probably depends on who you are or who you ask. I’ve had people come up to me and insist that the book is about this thing or that thing, and while I can see why they might think as they do, I don’t agree. Though, any book should be an interactive experience, and so all those differing perspectives are valid in and of themselves. I’m still not sure if being the author really gives me the final say in the matter.

For me, the lesson is that friendship transcends even death, that the relationships we create in life define who we are and how the universe will remember and understand us.

CS:  What exactly is a Buffalito?

LS:  Also known as a “Buffalo Dog,” a “Buffalito” is an alien creature about the size of a breadbox that bears a very strong resemblance (except for size) to an adult American Bison. Also, they have big, anime eyes. They are capable of eating anything, from conventional food to the plastic containers it came in, everything from metal to toxic waste. And through the miracle of a biology we do not understand, they perform what amounts to internal acts of fission and fusion, because everything that goes in the front end comes out the back as pure oxygen.

One buffalito, Reggie, is the companion animal of the Amazing Conroy, the stage hypnotist protagonist I mentioned earlier. At another level, I suppose it’s fair to say that I started writing about buffalo dogs because I was mourning the loss of my own canine companion of eighteen years. Mind you, I didn’t realize that’s what I was doing. I thought I was just writing funny stories. I had to have someone else point it out to me after she’d read the first Conroy novel. That’s when I realized that it was okay to stop mourning that dog and I went off to the shelter and found another that needed a home. That’s coming up on six years now. It’s good to have a dog again.

CS:  Do the main characters in your Buffalito series find adventure or does adventure find them?

LS:  The latter. Seriously, Conroy just wants to do his act and grab a good meal now and then. Stuff just happens, people make assumptions, or have plans, or both, and like it or not they drag Conroy into their own agendas. Sure, he ends up saving the day, but he is at best a reluctant hero.

CS:  How long will the Buffalito series continue?

Assuming another publisher picks them up, I have a story arc that runs another five books (and includes two spinoff novels, and possibly a spinoff series). But that’s a ways down the line (unless that mysterious publisher shows up with a bonus incentive!).

CS: What’s on the horizon for Lawrence M. Schoen?

LS:  I have ideas for at least two more books involving our friends on Barsk, and there’s plenty of room left to write other novels in that same universe (lots of other RMs on many other worlds). I also want to write a series of shorter stories about other characters on the planet Barsk, some of whom are contemporary with Jorl and Pizlo, and others who are from the planet’s history.

Meanwhile, I’m also working on the first book in a new fantasy series that involves the entelechies of cities and how they exist to push civilization forward. Among other things, it lets me go back seven thousand years, and bring Gilgamesh to modern Philadelphia (you know, as one does).

Beyond that, I have several short stories and a novella to write, both for my own amusement and to play in the backyards of other authors, pushing myself to grow by trying new things. It’s all very exciting.

Schoen Wins 2016 Service to SFWA Award

Dr. Lawrence Schoen

Dr. Lawrence Schoen

Dr. Lawrence Schoen is the winner of the 2016 Kevin O’Donnell, Jr. Service to SFWA Award for his work on the group’s election committee.

Dr. Lawrence M. Schoen has spent several years heading the election committee, working to find suitable candidates for the SFWA Board of Directors.  His success is demonstrated by the number of candidates who have run for the board and the broad range of experience represented by the board members.  In addition to his duties as the head of the election committee, he has often volunteered his time to help SFWA staff tables at conferences and makes himself generally available when help has been needed.

The award will be presented to Schoen on May 14 at the SFWA Nebula Conference in Chicago.

The Kevin O’Donnell, Jr. Service to SFWA Award recognizes a member of SFWA who best exemplifies the ideal of service to his or her fellow members. O’Donnell won the Service Award in 2005. He passed away in 2012.

Pixel Scroll 12/28 The Android Who Was Cyber-Monday

(1) VITA BREVIS. Arnie Fenner’s tribute at Muddy Colors to artists and cartoonists who passed in 2015 is excellent.

(2) DOCTOR STRANGE. “First Look at Benedict Cumberbatch as Doctor Strange” at Yahoo! Movies.

The first official glimpse of Benedict Cumberbatch as Marvel hero Doctor Strange graces the new cover of Entertainment Weekly, and the biggest revelation is that he probably isn’t spending much time in the makeup chair. The actor sports facial hair and a cloak that will be familiar to comic-book fans, as well as Strange’s powerful amulet, the Eye of Agamotto.

(3) DARTH ZIPPO. “Watch This Homemade, Gas-Powered Lightsaber Destroy Things” at Popular Science.

The entire thing was built and modified from existing components, using a replica Skywalker lightsaber shell, a section from a turkey marinade injector, and several 3D printed parts to make it all work together. The result is a finished product by a Youtube craftsman that is neither as clumsy or random as a blaster.

 

(4) PALMER AND SHAVER. “When Good Science Fiction Fans Go Bad” is a companion article to Wired’s “Geeks Guide To The Galaxy” podcast which interviewed Ray Palmer’s biographer and learned about the Shaver Mystery.

Author Fred Nadis relates the strange story of Palmer in his recent biography The Man From Mars, which describes how Hugo Gernsback, founder of the first pulp science fiction magazine, Amazing Stories, helped inspire his readers to create a better future.

“He saw [science fiction] in very practical terms of shaping the future,” Nadis says in Episode 182 of the Geek’s Guide to the Galaxy podcast. “Almost a visionary experience of imagining the future and new technologies and what they could do, but he also felt like we had to spread this faith.”

If you’re interested in comparing viewpoints, here’s a link to the post I wrote about fandom’s response to Richard Shaver.

(5) WRITING NEUROMANCER. William Gibson’s 2014 piece for The Guardian, “How I wrote Neuromancer” was news to me, and perhaps will be to you.

On the basis of a few more Omni sales, I was approached by the late Terry Carr, an established SF anthologist. Terry had, once previously, commissioned a limited series of first novels for Ace Books – his Ace SF Specials. Now he was doing it again, and would I care to write one? Of course, I said, in that moment utterly and indescribably terrified, something I remained for the next 18 months or so, when, well out of my one-year contract, I turned in the manuscript.

I was late because I had so very little idea of how to write a novel, but assumed that this might well be my first and last shot at doing so. Whatever else might happen, I doubted anyone would ever again offer me money up front for an unwritten novel. This was to be a paperback original, for a very modest advance. My fantasy of success, then, was that my book, once it had been met with the hostile or indifferent stares I expected, would go out of print. Then, yellowing fragrantly on the SF shelves of secondhand book shops, it might voyage forward, up the time-stream, into some vaguely distant era in which a tiny coterie of esoterics, in London perhaps, or Paris, would seize upon it, however languidly, as perhaps a somewhat good late echo of Bester, Delany or another of the writers I’d pasted, as it were, on the inside of my authorial windshield. And that, I assured myself, sweating metaphorical bullets daily in front of my Hermes 2000 manual portable, would almost certainly be that.

(6) INTERNET TAR. Ursula K. Le Guin tells readers at Book View Café she never said it:

The vapid statement “the creative adult is the child who survived” is currently being attributed to me by something called Aiga

https://eyeondesign.aiga.org/design-quote-creative-adult-is-child-who-survived-ursula-le-guin/

…Meelis pointed out this sentence in the 1974 essay “Why Are Americans Afraid of Dragons?” (reprinted in the collection The Language of the Night):

I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.

Nothing about “creativity” whatever. I just said a grown-up is somebody who lived through childhood — a child who survived….

It is high time that this sentence, “The creative adult is the child who has survived,” be attributed to its originator, Prof. Julian F. Fleron.

If he did not originate it, and wishes to be freed from the onus of supposedly having done so, that’s up to him or to those who wish to preserve his good name. I just wish, oh how I wish! that he hadn’t stuck me with the damn thing.

(7) SCHOEN. Lawrence M. Schoen is interviewed by Sara Stamey at Book View Café.

Can you tell us about your small press, Paper Golem, which aims to introduce readers to fresh new authors? Any advice for those interested in setting up a small press?

More than a decade ago, one of my graduate students lured me away from academia to come work for him in the private sector as the Director of Research at the medical center where he was CEO. The result was fewer work hours and more money. I mention this because it meant that I was in a position to start a small press, going into the venture not with an eye toward making a fortune (stop laughing!) but rather the more modest goal of breaking even and using the press to “pay it forward.”

(8) STRAUB SELLS HOUSE. “Horror Author’s Not-Scary UWS Townhouse Sells for $7M” reports NY Curbed.

Despite the nature of author Peter Straub‘s work—he’s a horror author known for Ghost Story, The Throat, and his collaborations with Stephen King—his former Upper West Side townhouse is very much not terrifying. The gorgeous home, located on West 85th Street, was built in the 1880s and has some of its original details, including a stained-glass panel over the staircase and six fireplaces. It went on the market back in April, but unsurprisingly went quickly; according to StreetEasy, it sold at the beginning of the month, for slightly under its original $7.8 million asking price. (h/t 6sqft) Coincidentally, Straub’s daughter Emma, an author herself, recently sold her equally gorgeous townhouse in Prospect Lefferts Gardens.

Andrew Porter commented, “This is very disturbing news. I’ve known Straub for decades. He recently decided not to attend the World Fantasy Convention, held the beginning of November in Saratoga Springs NY, because of health concerns. I wonder if the effort of climbing up and down all those stairs finally got to be too much for him.”

(9) COINCIDENCE. Hundreds of readers “liked” the mainstream political graphic David Gerrold posted on Facebook but it seems an ill-considered choice by someone who recently hoped to convince people an asterisk had another meaning than ASSH*LE.

(10) MYTHBUSTER. Sarah A. Hoyt’s discussion of “The Myths of Collapse” is a good antidote to misinterpretations of history that are fairly common in the backstory of created worlds, however, it is also intended as political advice, and while fairly mild as such YMMV.

1 Myth one — collapse creates a tabula rasa, upon which a completely different society can be built.  Honestly, I think this comes from the teachings on the collapse of Rome and the truly execrable way the middle ages are taught.

First of all, once you poke closer, Rome only sort of collapsed.  Depending on the place you lived in, your life might not have changed much between the end of the empire and the next few centuries.  I come from a place where it’s more like Rome got a name change and went underground. In both the good and the bad, Portugal is still Rome, just Rome as you’d expect after 19 centuries of history or so.

Second the society that was rebuilt wasn’t brand new and tabula rasa but partook both of the empire and the incredible complexity of what happened during collapse.

(11) TODAY IN HISTORY

In 1894, Antoine Lumiere, the father of Auguste (1862-1954) and Louis (1864-1948), saw a demonstration of Edison’s Kinetoscope. The elder Lumiere was impressed, but reportedly told his sons, who ran a successful photographic plate factory in Lyon, France, that they could come up with something better. Louis Lumiere’s Cinematographe, which was patented in 1895, was a combination movie camera and projector that could display moving images on a screen for an audience. The Cinematographe was also smaller, lighter and used less film than Edison’s technology.

(12) TODAY’S BIRTHDAY BOY

  • Born December 28, 1922 — Stan Lee

(13) SF-LOVERS. “Scientists on their favourite science fiction”:

We invited scientists to highlight their favourite science fiction novel or film and tell us what it was that captivated their imagination – and, for some, how it started their career….

Matthew Browne, social scientist, CQUniversity

Consider PhlebasIain M. Banks

I love a lot of science fiction, but Iain M. Banks’ classic space-opera Consider Phlebas is a special favourite.

Banks describes the “Culture”, a diverse, anarchic, utopian and galaxy-spanning post-scarcity society. The Culture is a hybrid of enhanced and altered humanoids and artificial intelligences, which range from rather dull to almost godlike in their capabilities….

Perhaps the best thing about Consider Phlebas (apart from the wonderfully irreverent ship names the Minds give themselves) is the fact that a story from this conflict is told from the perspective of an Indiran agent, who despises the Culture and everything it stands for.

My own take on the book is as an ode to progressive technological humanism, and the astute reader will find many parallels to contemporary political and cultural issues.

(14) THE CLIPULARITY. The December 28 Washington Post has a lengthy article by Joel Achenbach about whether robots will kill us all once AI becomes smarter than people. He references Isaac Asimov and Vernor Vinge and discusses the nightmare scenario developed by Nick Bostrom about whether a machine programmed to make something (like paper clips) Goes Amok and starts ransacking the world for resources to make paper clips, destroying everything that gets in its way.

People will tell you that even Stephen Hawking is worried about it. And Bill Gates. And that Elon Musk gave $10 million for research on how to keep machine intelligence under control. All that is true.

How this came about is as much a story about media relations as it is about technological change. The machines are not on the verge of taking over. This is a topic rife with speculation and perhaps a whiff of hysteria.

But the discussion reflects a broader truth: We live in an age in which machine intelligence has become a part of daily life. Computers fly planes and soon will drive cars. Computer algorithms anticipate our needs and decide which advertisements to show us. Machines create news stories without human intervention. Machines can recognize your face in a crowd.

New technologies — including genetic engineering and nanotechnology — are cascading upon one another and converging. We don’t know how this will play out. But some of the most serious thinkers on Earth worry about potential hazards — and wonder whether we remain fully in control of our inventions.

(15) BAEN AUTHOR JOHN SCALZI. John Scalzi explains why his next novel won’t be out until 2017 in “Very Important News About My 2016 Novel Release (and Other Fiction Plans)” but makes it up to everyone by highlighting several pieces of short fiction that will be in our hands next year including….

* A short story called “On the Wall” which I co-wrote with my pal Dave Klecha, which is part of the Black Tide Rising anthology, co-edited by John Ringo, for Baen. Yes, that John Ringo and that Baen. Pick your jaws up off the floor, people. I’ve made no bones about liking Baen as a publisher, and I’ve noted for a while that John Ringo and I get on pretty well despite our various differences and occasional snark. Also, it was a ton of fun to write in his universe and with Dave. The BTR anthology comes out June 7th.

This news was broken in August but may have been overlooked by fans occupied by another subject at the time….

Black Tide Rising’s announced contributors are John Ringo, Eric Flint, John Scalzi, Dave Klecha, Sarah Hoyt, Jody Lynn Nye, Michael Z. Williamson, and Kacey Ezell.

(16) WRITER DISARMAMENT TALKS STALL. “George R.R. Martin and Christmas Puppies” is Joe Vasicek’s response to the recent overture.

Now, I don’t disagree with Mr. Martin’s sentiment. I too would like to see reconciliation and de-escalation of the ugliness that we saw from both sides in 2015. And to be fair, Mr. Martin does give a positive characterization of what’s going on right now with Sad Puppies 4. That’s a good first step.

The trouble is, you don’t achieve reconciliation by shouting at the other side to lay down their guns first. You achieve it by hearing and acknowledging their grievances. You might not agree that those grievances need to be rectified, which is fine—that’s what negotiations are for—but you do have to make an effort to listen to the other side. And it’s clear enough that Mr. Martin is not listening.

The core of the Sad Puppies movement is a rejection of elitism….

(17) OUT OF DARKNESS. Were reports that Mark Lawrence is a Grimdark author premature? In Suvudu’s “’Beyond Redemption’ Author Michael R. Fletcher: ‘NO SUCH THING AS GRIMDARK’”, Lawrence says he meant “Aardvark”….

Does anyone actually set out to write grimdark?

I certainly didn’t. I thought Beyond Redemption was fantasy, and maybe dark fantasy if you wanted to label it further. But then I live under a rock.

So I reached out to a few of the authors who have been accused of defiling reality with their overly dark writings.

All quotes are exact and unedited.

Mark Lawrence (Author of The Broken Empire series, and the Red Queen’s War series): “aardvark.”

Other quotes follow, from Django Weler, Teresa Frohock, Scott Oden, Anthony Ryan, Tim Marquitz, and Marc Turner.

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Will R., and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

San Marino Worldcon Bid: Faux But Fun

San marino Worldcon bidThe new San Marino in 2019 bid asks “Why settle for a convention in a city when you could have an entire country?”

If they win, they’d like to run a 3,000-person Worldcon beginning August 7, 2019.

Even if they don’t – which I suspect is their preference — they will have succeeded in drawing attention to the John W. Campbell Award for Best New Writer, presented at the Hugo ceremony but inevitably overshadowed.

We think this is a mistake, that there should be more noise made about this award. Every year, the list of nominees should be a blazing signpost of authors you should be watching, or better still, reading.

The bid will underscore its message by publishing at least three volumes of an anthology series, Cream of San Marino: Stories by Campbell Award Nominees.

Lawrence Schoen, the editor, says they will only be available to preupporters. The first volume will include work by these 22 authors:

Charles Sheffield, Dan Wells, Daniel Marcus,  David Brin, Elissa Malcohn, Elizabeth Bear, Joel Rosenberg, John Varley, Judith Moffett, Julie Czerneda, K. J. Bishop, Katharine Eliska Kimbriel, Laura Resnick, Lawrence M. Schoen, Lev Grossman, Max Gladstone, Michael Burstein, Michael Kandel, Michaela Roessner, Ruth Berman, Seanan McGuire and Shane Tourtellotte.

So the bottom line is that the bid is a hoax but the anthologies are real.

The first official bid party will be November 22 at Philcon in Cherry Hill, NJ.

Presupport information is on the bid website. A basic presupporter gets their choice of one volume of the anthology series, higher levels get more volumes — and loftier titles.

2012 Endeavour Award Finalists

Five novels are finalists for the 2012 Endeavour Award, which honors a distinguished science fiction or fantasy book, either a novel or a single-author collection, created by a writer living in the Pacific Northwest:

Anna Dressed in Blood by Kendare Blake
City of Ruins by Kristine Kathryn Rusch
River Marked by Patricia Briggs
Robopocalypse by Daniel H. Wilson
When The Saints by Dave Duncan

The finalists were selected from entries read and scored by seven preliminary readers. The winning entry will be chosen by 2012 Endeavour judges Gregory Benford, Lawrence M. Schoen, and Susan Shwartz.

The award comes with a $1,000 honorarium.

The winner will be announced November 2 at OryCon, Oregon’s major science fiction convention.

The full press release follows the jump.

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Klingon Language Institute
Leads in to Renovation

Want to hear some buy’ ngop (“Great news!”)?

For three days before the Worldcon, Lawrence M. Schoen will be leading the Klingon Language Institute’s annual summer conference (qep’a’) in Reno. The official verbal battles begin Sunday morning, August 14, and run through Tuesday evening, August 16. Advance registration is $35, or $40 at the door.

The full press release follows the jump.

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Wooster’s Comments on Invented Languages Book

By Martin Morse Wooster: I finished Arika Okrent’s In the Land of Invented Languages (Spiegel and Grau, 2009). The book mentions sf fandom in several places. She attended a Lojban conference that was held at the 2006 Philcon. She also discusses Suzette Haden Elgin’s feminist language Laadan, and discusses Wiscon’s role in promoting discussion of this language. She also says that Lojban adapted some of Laadan’s features, and did so because of Lojban founder Bob LeChevalier’s connections with fandom. Finally, there are several chapters about Klingon, and the work of Lawrence Schoen’s Klingon Language Institute is discussed.

I wouldn’t say that artificial language fandom is something that spun off of sf fandom (except for Klingon) but rather that artificial languages are something that fans are interested in.

Diana would want to know that Tolkien is discussed, including his creation of Quenya. But I thought the Tolkien discussion was rather slight.