Posts Tagged ‘Leigh Ann Hildebrand’

John Hertz: Loscon XXXVI Report
November 27-29, 2009

Sunday, December 27th, 2009

By John Hertz, from Vanamonde 863-865: About 1,100 attended Loscon XXXVI, our local convention, currently at the L.A. Int’l Airport Marriott Hotel; Author Guests of Honor Steven Barnes & Tananarive Due, Artist GoH Tim Rickard, Fan GoH Christian McGuire; Art Show sales $6,800 by 47 artists.

In the Art Show, building the Rotsler Award exhibit of the 2009 winner Dan Steffan, I had the help of Jan Bender & Gary Echternacht, Robert Jansen, and Wolfcat. I found Rickard finishing his exhibit and brought him over. Drawing Brewster Rockit since 2004 he knew not our community. “That’s professional,” he said; “you mean this guy is an amateur?” Chris Garcia’s Fanzine Lounge was full of fanzines, fanart displays, and fanziners; España Sheriff and Leigh Ann Hildebrand hosted the Fanzine Lounge by Night on the party floor. I finally brought something Hildebrand would drink.

On Friday afternoon I moderated “Women in S-F,” D.M. Atkins, Due, Shauna Roberts, Sharan Volin. Roberts said publishers think boys won’t read about girls but girls will read about boys. Atkins said her 13-year-old son was very particular. Due said she had a 17-year-old protagonist who was indecisive, like other 17-year-olds. Volin said some games let one pick a female or a male character. A woman in the audience said she missed femmes fatales. Then a book talk on The Man in the High Castle. Bruce Briant in the audience said “Where’s the science?”; in ch. 7 Betty & Paul Kasoura take up that very point. We noted the wealth of falsities: even Mr. Tagomi has an empty briefcase.

After Regency Dancing, I took Sheriff who was off duty awhile to the party Paul Turner threw in memory of Bill Rotsler, though we missed Jerry Pournelle and Tim Powers. Then Keith Kato’s chili. Then the Seattle for Westercon LXV bid party. Two a.m. in Operations, Chinese-style Mah Jongg going strong. Someone said “I’m sorry I didn’t say goodbye to you, I was talking to the police.”

Saturday morning at 10, to moderate “Blurring the Lines,” Atkins, Laura Frankos, Val Ontell. Atkins said different genres have different expectations. I noted how Frankos’ husband de-Anglicized his name to Turteltaub for a different book. Computers, she said, look at an author’s name, and order according to how many the last book over that name sold. Ontell noted how the 2001 book Seabiscuit drew interest outside the horse genre.

Toni Weisskopf took my tour of the Art Show. I was glad to see a set of woodwork spaceships by Johnna Klukas. One, dark as the void, gleamed with stars. Guessing right I used my magic tour-leader power to open the ships: they were boxes. “For the rest of you,” I said, “try this only at home.” Then a talk on From the Earth to the Moon. We liked the pace and wit. It detailed conceiving the project, building, and firing, then ended. I loved Michel Ardan’s superb four words “I won’t come back.”

At 2:30 to moderate “There’s a Bimbo on the Cover of My Book,” Laura Brodian, Amy Casil. Brodian, widow of Kelly Freas, said he read all he illustrated, often several times; yet authors might not grasp illustration, and he used to crack “I prefer my authors dead.” Casil with a lapsize computer showed 200 color images of book and magazine covers suitable to the topic. Then Lisa & Harold Harrigan’s 32nd-anniversary party, where pleasant signs explained 32 = 24 + 42 and 11 + 22 + 33. Then España Sheriff’s Art Show tour. Then shopping with co-hosts Becky Thomson and Tom Veal for the Prime Time Party at which, every Loscon from 1 a.m. Sunday till dawn, we try for good food, drink, talk.

Ten a.m. Sunday, to moderate “World Domination,” Brad Lyau, V.J. Waks, she saying everyone had an internal ape that made us dominate, he full of overseas experiences which, like Lao Tzu, said maybe not. Then a talk on Brain Wave. We praised its poetry, in both the small sense of its choice of words, and the large sense of its choice of incident. We discussed whether its vignettes, which carried breadth, left loose ends. This was a book of pain and hope. Then cleaning, the Dead Dog party and another in the Fanzine Lounge by Night, and eventually home.

The Drink Tank’s Bicentennial Issue

Friday, February 6th, 2009

The double-century issue of The Drink Tank (#200), its fourth annish, is more than historic — it’s a hoot-and-a-half. Chris Garcia and a whole slate of interesting fans have packed it with laughs.

When Chris invited Cheryl Morgan to contribute, the word annish seems to have been garbled in transmission. But who could have done a better job than Cheryl of envisioning traditional Amish fanac?

A fanzine produced by science fictional Amish, therefore, would be composed on an Apple Mac, or a Dell running Windows XP (which, incidentally, is still on sale in the future because Microsoft still haven’t got the bugs out of Vista, or whatever they are calling the latest release).

Cheryl shows that being a fine writer can take you far. Beth Zuckerman proves that fine writing combined with advance preparation goes even farther toward ensuring your convention experiences will yield great fanzine material. No conreport of mine can ever hope to achieve anything like her account of Arisia 2009:

I did have to seek out a t-shirt vendor, because while my 51-lb suitcase was fully equipped with rocketship pajamas, the ostentatiously unnecessary coin bra, an entire No. 6 costume with eyebrow makeup, a veritable mountain of lingerie, and a generous supply of little rubber things, somehow I entirely failed to bring anything to wear during the day before the parties started.

Pro wrestling is one of Chris Garcia’s passions. In this issue, his friend Bobby Toland has a lot to say about professional wrestler Kurt Angle’s need to learn humility, and how those lessons might be imparted. One of the hallmarks of good fanwriting is its ability to make fascinating a subject that ordinarily would be of little interest, which is my default response to pro wrestling. Toland held my attention from start to finish.

I also admired the trivia quiz “Fantastic Fours” by Frank Wu and Brianna Spacekat Wu. I answered more than half of them wrong, but everyone reading this review should be able to name the foursome composed of Leonardo, Raphael, Donatello, and Michelangelo.

Christian McGuire spends most of his time as one of the leading conrunners of the age, but thanks to Chris Garcia he hasn’t been completely lost to the world of fanwriting. Plenty of people will want to read all about McGuire’s adventures at Further Confusion 2009 once I mention that one of the lines in the report is: “A prurient Pink Panther holding up the tail of the Tiger before him offered Andy the choice to play jump rope with the tail. All I can say is that Andy can Double-Dutch with me any day.”

Leigh Ann Hildebrand is yet another friend of Chris’s with a great sense of humor. This is not even the funniest line in her list of “Five Things I’m No Longer Allowed To Do in the Fanzine Lounge”:

4. Not allowed to offer impromptu origami classes using materials at hand, even with the justification that it’s a form of performance art expressing my thoughtful critique of the phrase “core fandom.”

Every issue of The Drink Tank is highlighted by a combination of original art and assorted graphics liberated from the internet. An example of the latter, my favorite in issue #200, is the wry parody of RIAA’s anti-piracy ads showing a woman in a pre-WWI hairdo manipulating two Edison phonographs under the caption “Home Cylinder Duplication Is Killing the Music Industry.”

It doesn’t seem that long ago Chris was gushing poetically about what it might be like to produce his hundredth ish, at the time something only a select few active faneds like Arnie Katz, Knarley Welch and Mike Glyer could claim. Within five seconds after mentioning this in File 770, I immediately heard from myriads of offended fans who’d been left off the list, the most impressive being Mark and Evelyn Leeper who wondered what was the big deal, since their MT Void has published fifteen “one-hundredth” issues.

But the point is that it’s my turn to live vicariously through Chris’s experience. At the rate I’m producing issues there’s a good chance I will have to wait until 2028 or so to have a 200th issue experience of my very own. Great work Chris!