The Future Is Female! More Classic Science Fiction Stories By Women Volume Two: The 1970s. Edited by Lisa Yaszek (Library of America, 2023)
Review by Warner Holme: Lisa Yaszek’s The Future Is Female! More Classic Science Fiction Stories By Women Volume Two: The 1970s is a continuation of the previous volume from the same editor. Putting together a selection of stories from a more condensed period of time, this volume focused on a single decade nonetheless includes a fascinating assortment of material.
A very nice introduction by the editor provides context for the pieces in the collection as well as thoughts from individuals for working at the time. In addition there are a number of unadvertised pieces by women involved. Specifically, as early as page xiv there are illustrations from various SF publications which were created by women of the time. The first of these is a very nice figure originally in Galaxy magazine circa June 1975 which is by the well-known artist Wendy Pini. While these are a major surprise, they are all carefully credited and appreciated, although a few that definitely appeared in color are rendered in black and white.
“Bitching It” by Sonya Dorman Hess opens the volume with real action. While many think of the early 1970s as still a time when science fiction was clean and aspirational about the future, this piece is dark and twisted and grotesque in a way that seems well matching horror or dystopia of the time. Featuring everything from spousal abuse to dog attacks, it’s a strangely disturbing story that actually has a lot to say.
Another interesting piece is Elinor Busby’s “Time to Kill.” Featuring a mixture of disturbing thematic ideas for time travel and a strange look at the idea of time evening itself out, it begins with a woman running back to her time machine before flashing back to her decision to commit a very specific murder. Really it is extremely short and doesn’t do much that hadn’t been done before with the concept of time travel, however it does so in a very in your face way that addresses a problem of both rejecting the past and taking drastic action to make matters worse. On the other hand the fact a number of less severe solutions are offered and rejected in favor of a religious version of child murder could be seen as making the entire story at metaphor for avoiding extremism.
Wrapping up the book are a variety of nice biographical pieces on the offers as well as a very detailed selection of notes which occasionally include single commentaries lasting for multiple pages.
The biographies leave the reader in a strange position of remembering that this is one of the rare collections by Library of America in which a large percentage of the authors have passed on. This doesn’t so much affect the quality of the book as make it a very different read than one might have expected, at least with that little detail in the back of a reader’s mind.
The Future is Female! Volume Two represents a very nice companion.to the first book. While we mentioned stories each represent fascinating moments in the history of the genre, other included pieces are often brilliant and well-known, including the science fiction horror piece “The Screwfly Solution” by Raccoona Sheldon and Kate Wilhelm’s “The Funeral.” While not every story appeals to every taste, it does represent a fascinating book at that decade for women working in the field.
… “They didn’t know what was wrong,” said Charles, a popular author of fantasy novels, a three-time Aurora Award winner, and a member of Canada’s Science Fiction Writers Hall of Fame. “They assumed it was a virus of some sort. It looked like they had 70 little machines feeding her different kinds of antibiotics.”
Today, more than a year and a half after falling ill, MaryAnn hasn’t been back home. She still breathes with a ventilator and remains nearly paralyzed.
The culprit? A tick bite that transmitted the rare but increasingly common Powassan virus, a potentially deadly pathogen that caused encephalitis.
“We were never aware of the bite. We never even saw the tick,” Charles said. MaryAnn fell ill during the lockdown and the couple hadn’t travelled anywhere.
They figure she picked up the tick bite either in the yard of their Alta Vista area home or during one of their frequent walks around the community gardens in Pleasant Park. And it’s hardly the only question that can never be answered.
“If she was going to get sick,” Charles asks, “why did it have to be something so rare?”
Powassan virus was first identified in 1958 when it infected and killed a young boy in Powassan, Ont., on the outskirts of North Bay, 200 km northwest of Ottawa. Until 1998, there had been only 27 cases in all of North America. Since then, the numbers have been rising: 5-10 cases a year in the U.S. from 2010 to 2015; and 25-30 a year since. Since 2017, there have been 21 cases in Canada. Most infections occur in the northeastern U.S., Eastern Canada and the Great Lakes region.
…The couple — Charles is 71 and MaryAnn is 70 — have been together for 47 years and married for 42. With their guitar and banjo, they are well-known in Ottawa’s folk and bluegrass music scene.Charles’s novels, many of them set in the fantasy city of Newford, have a worldwide following. MaryAnn is his business manager, editor and illustrator. Her illness has left Charles with little time to write since he now spends five hours a day at Saint-Vincent Hospital, six days a week. He pays for a caregiver on the seventh.
Friends, family and fans have rallied around the couple. Musicians have visited the hospital to play for MaryAnn. A GoFundMe started to help pay for the many expenses they now face has topped $90,000. Fans have also subscribed to Charles’s Patreon account to help support his writing.
One fan, Julie Bartel, manages the GoFundMe and posts regular updates on MaryAnn’s progress on social media. Bartel, 52, grew up in tiny Orem, Utah, and as a teenager immersed herself in Charles’s fantasy novels….
As you’ll know if you’re a regular reader of this blog (and from your own experience if you’ve ever self-published), we are currently in the midst of a tsunami of scam companies that aggressively solicit authors with out-of-the-blue emails and phone calls touting phony services–“endorsement” to Big 5 publishers or major film studios, “nominations” for representation at book fairs or other costly-but-useless PR strategies, and more.
These ripoff artists often seek to boost their credibility–and stroke writers’ egos–by naming some made-up organization or group that has recommended or otherwise validated the author’s book. The Guild of Literary Agents, Book Acquisitions Guild of America, Book Acquisition Society, The Literary Arts Organization, Affiliation of Creator Agents, Hollywood Database, Literary Review of Books…I could go on, but you get the picture. Despite the official-sounding names, none of these so-called organizations (which I’ve seen referenced in multiple scam solicitations) exist–as even a cursory websearch will confirm.
Scammers, of course, are counting on writers not to check. But writers have become much more savvy about solicitation scams than they used to be–partly because there are now so many of them, and partly because there are so many warnings about them. This has caused some predators to up their game, attempting to create credibility for their made-up endorsement organizations by giving them actual websites.
I ran across two of these this week….
They are the American Booksellers Federation and The Acquisitions Guild.
J.K. Rowling says that when it comes to the backlash she’s received around her Harry Potter books and her personal stances on the rights and identities of trans people, criticism from her “allies” hit differently than conservatives claiming she was promoting witchcraft.
“If it’s coming from people that you would, well, you would have thought were allies? Yes, that’s absolutely going to hit differently, but I don’t hold myself —” Rowling said before The Witch Trials of J.K. Rowling host Megan Phelps-Roper cut her off in the podcast’s latest episode. “I would assume we share certain values. So yeah, that hits differently. Of course, it hits differently.”…
The podcast’s fifth episode, titled “The Tweets,” dropped March 14 and is largely dedicated to Rowling expounding on the motivation behind her past social media messages and essay regarding her position on trans women as women and their presence in women’s spaces.
“It is very biblical language that is used of women who say, ‘You know what? I think any measure that makes it easier for predators to get at women and girls is a bad idea,’” Rowling said of critics, who have said her refusal to acknowledge trans women as women is “evil.” She continued, “There are plenty of women who don’t even … identify themselves as feminists who are very concerned about this.”
During the episode, various voices, including Phelps-Roper, repeatedly read unattributed tweets allegedly sent to Rowling. But speaking to her own initial tweet in 2019, which ultimately sparked the first major wave of criticism against the author over her support of a U.K. woman embroiled in an employment case around language and discrimination in the workplace, Rowling said she notified her team ahead of time.
“I drafted the tweet, and then I was considerate enough to phone my management team and say, ‘You cannot argue me out of this,’” the author explained. “And I read out what I was about to say because I felt they needed warning because I knew it was going to cause a massive storm.”
At another point, she added that she “absolutely knew” that people who love her books would be “deeply unhappy” with her, but that “time will tell whether I’ve got this wrong. I can only say that I’ve thought about it deeply and hard and long, and I’ve listened — I promise — to the other side.”
On the larger response to her public stances, the author describes “fury and incomprehension” on one side and “a ton of Potter fans who were grateful that I had said what I said” on the other after sharing her first and subsequent tweets. But Rowling ultimately questions the motivations of the Harry Potter fans who didn’t stick by her. “What’s interesting is the fans that have found themselves in positions of power online, did they feel they needed to take this position because they themselves had followers? Possibly, I don’t know,” she said….
(4) THESE FANS LITERALLY KEEP WATCHING THE SKIES. [Item by SF Concatenation’s Jonathan Cowie.] In Nature, “Fan astronomers show pros how to help in asteroid collision”. “Astronomy, like other scientific fields, continues to benefit from working scientists collaborating with amateur colleagues.”
When NASA’s Double Asteroid Redirection Test (DART) spacecraft slammed into an asteroid on purpose last September, many telescopes were trained on this one-of-a-kind celestial event. Some were operated by teams of amateur astronomers — skilled skywatchers for whom astronomy is not their full-time day job (or, more accurately, night job). Three such teams on France’s Réunion island in the Indian Ocean, plus one in Nairobi, managed to watch the impact in real time.
These skywatchers are among the authors of a study in Nature that describes how the asteroid, named Dimorphos, became temporarily brighter and redder as the spacecraft hit it. One of five papers about the impact published in Nature1–5, it describes a real-time view of a cosmic collision — similar to that when Comet Shoemaker–Levy 9 slammed into Jupiter in July 1994.
(5) JERRY SAMUELS (1938-2023). Singer Jerry Samuels, died March 10. Under the name Napoleon XIV, he recorded the 1966 novelty hit “They’re Coming to Take Me Away, Ha-Haaa!” Listeners to Doctor Demento are likely familiar with it.
(6) MEMORY LANE.
2018 – [Compiled by Cat Eldridge.]
For these Beginnings I usually prefer to use the first novel in a series, so why use the twenty-first of twenty-three novels published to date?
Because Robicheaux: A Novel, published by Simon & Schuster five years ago, thirty-one years after the first novel by James Lee Burke in the series, The Neon Rain, came out, has one of the best Beginnings of all.
It won’t spoil much to tell you that the series center around Dave Robicheaux, a former homicide detective in the New Orleans Police Department. He now lives in New Iberia, Louisiana, and he works as a detective for the Iberia Parish Sheriff’s Office.
I’ve read around half the books so far. It’s a quite brilliant series where the characters, both principal and secondary, continue to evolve as the series goes on, the stories are complex if usually quite violent and not for the squeamish. And the setting? The story goes often into the squalid side of New Orleans and other places just as disgusting. Need I say more?
Oh, and Will Patton narrates the series quite amazingly in terms of giving each character their own unique voice. If you listen to books, you’ll really enjoy these.
Now here’s our very interesting Beginning…
LIKE AN EARLY nineteenth-century poet, when I have melancholy moments and feel the world is too much for us and that late and soon we lay waste to our powers in getting and spending, I’m forced to pause and reflect upon my experiences with the dead and the hold they exert on our lives.
This may seem a macabre perspective on one’s life, but at a certain point it seems to be the only one we have. Mortality is not kind, and do not let anyone tell you it is. If there is such a thing as wisdom, and I have serious doubts about its presence in my own life, it lies in the acceptance of the human condition and perhaps the knowledge that those who have passed on are still with us, out there in the mist, showing us the way, sometimes uttering a word of caution from the shadows, sometimes visiting us in our sleep, as bright as a candle burning inside a basement that has no windows.
On a winter morning, among white clouds of fog out at Spanish Lake, I would see the boys in butternut splashing their way through the flooded cypress, their muskets held above their heads, their equipment tied with rags so it wouldn’t rattle. I was standing no more than ten feet from them, although they took no notice of me, as though they knew I had not been born yet, and their travail and sacrifice were not mine to bear.
Their faces were lean from privation, as pale as wax, their hair uncut, the rents in their uniforms stitched clumsily with string. Their mouths were pinched, their eyes luminous with caution. The youngest soldier, a drummer boy, could not have been older than twelve. On one occasion I stepped into the water to join them. Even then, none acknowledged my presence. The drummer boy stumbled and couldn’t right himself, struggling with the leather strap around his neck and the weight of his drum. I reached out to help him and felt my hand and arm sink through his shoulder. A shaft of sunlight pierced the canopy, turning the fog into white silk; in less than a second the column was gone.
Long ago, I ceased trying to explain events such as these to either myself or others. Like many my age, I believe people in groups are to be feared and that arguing with others is folly and the knowledge of one generation cannot be passed down to the next. Those may seem cynical sentiments, but there are certain truths you keep inside you and do not defend lest you cheapen and then lose them altogether. Those truths have less to do with the dead than the awareness that we are no different from them, that they are still with us and we are still with them, and there is no afterlife but only one life, a continuum in which all time occurs at once, like a dream inside the mind of God.
Why should an old man thrice widowed dwell on things that are not demonstrable and have nothing to do with a reasonable view of the world? Because only yesterday, on a broken sidewalk in a shabby neighborhood at the bottom of St. Claude Avenue, in the Lower Ninth Ward of St. Bernard Parish, under a colonnade that was still twisted out of shape by Katrina, across from a liquor store with barred windows that stood under a live oak probably two hundred years old, I saw a platoon of Confederate infantry march out of a field to the tune of “Darling Nelly Gray” and disappear through the wall of a gutted building and not exit on the other side.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 18, 1888 — Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliche Bug-Eyed Monster as that’s what his illustrations showed. (Died 1961.)
Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian-filmed Mission Impossible which if you’ve not seen it you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
Born March 18, 1947 — Drew Struzan, 76. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the Future, The Goonies and The Dark Crystal.
Born March 18, 1950 — J. G. Hertzler, 73. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on QuantumLeap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Charmed, Roswell and the Enterprise series; for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us.
Born March 18, 1959 — Luc Besson, 64. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and comments leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
Born March 18, 1960 — Richard Biggs.Another way too young death. On Babylon 5 as he appeared as Dr. Stephen Franklin, and reprised the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
Born March 18, 1961 — James Davis Nicoll, 62. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
On a rainy Tuesday in San Francisco, Apple executives took the stage in a crowded auditorium to unveil the fifth-generation iPhone. The phone, which looked identical to the previous version, had a new feature that the audience was soon buzzing about: Siri, a virtual assistant.
Scott Forstall, then Apple’s head of software, pushed an iPhone button to summon Siri and prodded it with questions. At his request, Siri checked the time in Paris (“8:16 p.m.,” Siri replied), defined the word “mitosis” (“Cell division in which the nucleus divides into nuclei containing the same number of chromosomes,” it said) and pulled up a list of 14 highly rated Greek restaurants, five of them in Palo Alto, Calif.
“I’ve been in the A.I. field for a long time, and this still blows me away,” Mr. Forstall said.
That was 12 years ago. Since then, people have been far from blown away by Siri and competing assistants that are powered by artificial intelligence, like Amazon’s Alexa and Google Assistant. The technology has largely remained stagnant, and the talking assistants have become the butt of jokes, including in a 2018 “Saturday Night Live” sketch featuring a smart speaker for seniors.
The tech world is now gushing over a different kind of virtual assistant: chatbots. These A.I.-powered bots, such as ChatGPT and the new ChatGPT Plus from the San Francisco company OpenAI, can improvise answers to questions typed into a chat box with alacrity. People have used ChatGPT to handle complex tasks like coding software, drafting business proposals and writing fiction.
And ChatGPT, which uses A.I. to guess what word comes next, is rapidly improving. A few months ago, it couldn’t write a proper haiku; now it can do so with gusto. On Tuesday, OpenAI unveiled its next-generation A.I. engine, GPT-4, which powers ChatGPT.
The excitement around chatbots illustrates how Siri, Alexa and other voice assistants — which once elicited similar enthusiasm — have squandered their lead in the A.I. race….
(10) STAR TREK INSIGHTS. Rachel Stott is on to something here.
From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.
[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Ferrak MacGoogan, Peer, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
This year, as the Hugo Awards come closer, I thought I’d combine my current hobby (throwing weird prompts as Midjourney AI) and a guessing game.
I used the names of each of the Hugo Award finalist novels as prompts for the AI. It drew a quartet of pictures for each. Based on the picture, you have to guess which pictures match which novels…
(2) L, D + R. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with several people associated with Love, Death, and Robots because one episode from the show is up for an Emmy.
Executive producer Tim Miller says he came up with the idea of “reviving Heavy Metal” over a decade ago. He and David Fincher started pitching this idea and Netfix greenlit the series, which is renewed for season 4. Jennifer Yuh Nelson, who directed Kung Fu Panda 2 and Kung Fu Panda 3, says as supervising producer her role is to create the storyboards animators use and “head the quality control department.” Sound editors Brad North and Craig Henigan explain what sound editors do, and we learn that the great sound editor Ben Burtt got part of the voice for Darth Vader from a noisy projector at the University of Southern California film school that is still being used.
Finally, Leonard Maltin said that Alfred Hitchcock once opined that the advantage an animator has over a live action director is “If you don’t like your leading man, you can rip him up.” “Emmy Nominees for Love, Death & Robots” at Maltin on Movies.
…Damo Mac Choiligh: Did Russ retain her perception of SF as a worthwhile literature into later life? I have always been struck by how she was optimistic about its potential, despite the extent to which it is dominated by writers and fans for whom her feminism was anathema or who simply did not understand it.
[Lisa Yaszek:] I’ve always liked Russ’s optimism as well! Russ spoke often about how she began reading science fiction as a teenager because it promised her that “life could be different!” than the stifling world of midcentury America. And then many of her early critical essays were all about why SF is an important genre. And of course, she continued to write both professional SF and amateur “slash” fiction until her death. If her production slowed down in the 1980s and 1990s, it was largely due to health issues. Having said that, Russ did become increasingly disenchanted with certain factions of the SF community as the 1970s unfolded. When Russ started out in the 1960s, she was actually quite well-received by the largely male/male-identified SF community because she wrote about the possibilities of science fiction as the premiere story form of modernity and her first really successful stories—the Alyx tales—followed the adventures of a strong, smart, successful woman living mostly amongst men. But then Russ began to write essays about the patriarchal limits of SF as it was currently practiced (in essays such as “The Image of Women in Science Fiction” and “Amore Vincent Foeminam!”) and more literarily-experimental stories about all[1]female futures and the women who would go to war with men to preserve them, such as “When It Changed” (1972), The Female Man (1975), and The Two of Them (1978). This led SF authors and editors including Poul Anderson, Judy Del Rey, and Avram Davidson to publicly turn against Russ, dismissing her as a “second rate academic” masquerading as an author. Even Samuel R. Delany—a queer Black experimental SF author who was friends with Russ and who Russ was careful to include in important gender and SF events, such as the 1974 Khatru symposium on “Women and Science Fiction”—was quite critical of her writing at the time. Little wonder then, that Russ gave up her post as a reviewer for the Magazine of Fantasy and Science Fiction in 1980 and began to focus more on writing and publishing in feminist and lesbian venues—even if she never quit writing science fiction itself….
(4) HUGO PICKS. Kristenelle – SFF Reader is a science fiction and fantasy focused booktuber who reads a lot of new releases and does commentary on awards such as the Hugos and Nebulas. Here are her “2022 Hugo Award Predictions”. The whole concept of booktubers fascinates me, I wish I had time to keep up with them.
Despite its history and Loftus’s conclusions, I did not get the sense that Mensa is an unhealthy place to find community. Many of its members think of themselves as outsiders and feel like Mensa is a place where they can be themselves and connect with people who understand and appreciate them. It’s a place where they can find other folks who love to play Set or who have encyclopedic knowledge of minute Disney trivia. This isn’t to say that there aren’t toxic subsections of Mensa, because there are, but that’s true of any group that runs tens of thousands of members deep. And in an era when the internet and the pandemic have scrambled our sense of community and alienation reigns supreme, that’s no small thing.
…This latest trailer opens with a voiceover by Galadriel, telling us that her brother gave his life “hunting the enemy.” She takes up the cause in his stead. She asks for others to stand with her, as we see shots of several central characters who, one presumes, will become her comrades in arms. Or perhaps they will decline the offer. That seems to be the case with Halbrand, who insists, “I am not the hero you seek,” suggesting a dark secret in his past. “Whatever you did, be free of it,” Galadriel tells him.
Galadriel seems to be emerging as the most major protagonist, but we also get new footage of several other characters scattered throughout Middle-earth, including dwarves and hobbits. The latter, while humble, do have their strengths. “One thing we can so better than any creature in all Middle-earth—we stay true to each other, with our hearts even bigger than our feet,” Nori’s dad, Largo Brandyfoot (Dylan Smith), says. It looks like different kinds of struggles and battles will be waged on many different fronts, as befitting a sweeping epic series of this magnitude….
… “Impossible crime” and “locked-room mystery” are two analogous terms referring to mysteries in which how a crime was committed is equally important as who committed it. Crimes which are seemingly impossible, which appear to have been committed in defiance of both physics and logic. As such, these mysteries are often tinged with a hint of the surreal, the sinister, and the uncanny. However—and this is particularly important—the crime always, always has a rational explanation. By its nature, this is a fiendish subgenre, but when done right it’s also one of the most satisfying for both writers and readers. The puzzle and the atmosphere are perfectly intertwined; all the clues are there, but they are so ingeniously disguised as to make it nigh-on impossible for the reader to suss out what is going on….
At the top of his list:
1. The Three Coffins/The Hollow Man by John Dickson Carr
Whenever I am asked what is my favorite locked-room mystery or impossible crime story, this is always my answer. The murder of Professor Charles Grimaud by the mysterious “hollow man” who vanishes without trace is a perfect locked-room problem. Meanwhile, the killing of illusionist Pierre Fley in a street carpeted with unmarked snow is an archetypal example of the popular impossible crime variant, the no-footprints puzzle.
As well as one of the most famous examples of the subgenre, this novel remains an indisputable masterpiece. Not only is it a tour-de-force of plotting, prose, and atmosphere, it also happens to contain within it one of the definitive critical overviews of the genre itself: the famous “locked-room lecture,” a perfect piece of meta-fiction in which Dr. Gideon Fell examines the very nature of the impossible crime. It’s a treatise which probes just about every category of impossible crime, providing numerous examples of methods by which they could be achieved. But is the solution to these two murders lurking somewhere in those scant few pages? Or is the locked-room lecture itself just a red herring?
When I first read this book, the brilliance of the solution left me giddy. Reading it again today, it has lost none of its impact. This book is one of the many reasons that John Dickson Carr remains (to borrow a phrase from Agatha Christie) the “supreme conjurer, the King of the Art of Misdirection.”
(8) MEDIA BIRTHDAY.
1966 – [By Cat Eldridge.] Fifty-six years ago, Fantastic Voyage premiered. It would the next year be nominated for a Hugo at NyCon 3 but Star Trek’s “The Menagerie” won.
It was directed by Richard Fleischer and produced by Saul David. Fleischer had been responsible for the earlier 20,000 Leagues Under the Sea and David had produced Our Man Flint. (It is definitely genre.) The screenplay was by Harry Klein off an adaptation by David Duncan (yes, our David Duncan) of the story by Jerome Bixby and Otto Klement which I assume is “Small War” though nowhere is that stated.
The film starred Stephen Boyd, Raquel Welch, Edmond O’Brien, Donald Pleasence, and Arthur Kennedy. Of course it has Welch in it , there had to be one sexy female on the crew, didn’t there?
Klement and Kleiner claimed to the studio that it would be “the most expensive science-fiction film ever made”, a odd thing I think to say to sell anything to a studio. It cost five million dollars which certainly was expensive but not that expensive. It didn’t do that well at the box office returning just twelve million.
I’ll quote but one review from the time, that of Variety: “Fantastic Voyage is just that. The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space – the body of a man.”
Asimov wrote the novelization which readers thought the film was based on as it came out well before the film premiered. He was displeased with that take so he wrote another take, Fantastic Voyage II: Destination Brain, and a third novel would follow written not by him but by Kevin J. Anderson, Fantastic Voyage: Microcosm.
It would spawn a short-lived animated series, Fantastic Voyage, thirteen episodes to be precise, and a Fantastic Voyage comic book, based on the series, published by Gold Key which lasted an amazingly short two issues.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 24, 1899 — Gaylord Du Bois. He was a writer of comic book stories and comic strips, as well as Big Little Books. He wrote Tarzan for Dell Comics and Gold Key Comics from the Forties to early Seventies.) He was one of the writers for Space Family Robinson which was the basis for the Lost in Space series. (Died 1993.)
Born August 24, 1899 — Jorge Luis Borges. I’m reasonably sure my first encounter with him was at University with the assignment of The Library of Babel. I’m not deeply read in him but I loved The Book of Imaginary Beings, and though not genre, recommend The Last Interview and Other Conversations for an excellent look at him as a writer. (Died 1986.)
Born August 24, 1915 — Alice Sheldon. Alice Sheldon who wrote as James Tiptree Jr. was one of our most brilliant short story writers ever. She only wrote two novels, Up the Walls of the World and Brightness Falls from the Air but they too are worth reading even if critics weren’t pleased by them. (Died 1987.)
Born August 24, 1932 — William Morgan Shepard. Best remembered I think as Blank Reg in Max Headroom: 20 Minutes into the Future. Genre wise I’d add him being the most believable Klingon Prison Warden In Star Trek VI: The Undiscovered Country, Merrit in The Prestige (nominated for a Hugo at Nippon 2007),the rather scary Soul Hunter on Babylon 5 and a Vulcan Science Minister in Star Trek. (Died 2019.)
Born August 24, 1934 — Kenny Baker.Certainly his portrayal of R2-D2 in the Star Wars franchise is what he’s best known for but he’s also been in Circus of Horrors, Wombling Free, Prince Caspian and the Voyage of the Dawn Treader series, The Elephant Man, Sleeping Beauty, Time Bandits, Willow, Flash Gordon and Labyrinth. Personally I think his best role was as Fidgit in Time Bandits. (Died 2016.)
Born August 24, 1936 — A. S. Byatt, 86. Author of three genre novels, two of which I’m familiar with, Possession: A Romance which became a rather decent film, and the Mythopoeic Fantasy Award for Adult Literature-winning The Djinn in the Nightingale’s Eye, and one I’ve never heard of, Ragnarok: The End of the Gods, but I’m actually much, much more fond of her short fiction. I’d start with the Little Black Book of Stories and Angels & Insects collections.
Born August 24, 1951 — Tony Amendola, 71. Prolly best known for being the Jaffa master Bra’tac on Stargate SG-1. He’s also had recurring roles as Edouard Kagame of Liber8 on Continuum and on Once Upon a Time as Pinocchio’s creator, Geppetto. His list of one-off genre appearances is extensive and includes Angel, Charmed, Lois & Clark,Space: Above and Beyond, the Crusade spin-off of Babylon 5, X Files, Voyager, Dirk Gently’s Holistic Detective Agency, Terminator: The Sarah Connor Chronicles, Alias, She-Wolf of London and Kindred: The Embraced. He’s also been a voice actor in gaming with roles in such games as World of Warcraft: Warlords of Draenor, World of Warcraft: Legion and World of Final Fantasy.
Born August 24, 1957 — Stephen Fry, 65. He’s Gordon Deitrich in V for Vendetta, and he’s the Master of Laketown in The Hobbit franchise. His best role is as Mycroft Holmes in Sherlock Holmes: A Game of Shadows (I absolutely adore both films as I noted in my essay on them)though he made an interesting narrator in the film version of The Hitchhiker’s Guide to the Galaxy, and not to be overlooked is that he’s also the narrator for all seven of the Potter novels for the UK audiobook recordings.
Born August 24, 1958 — Lisa A. Barnett. Wife of Melissa Scott. Some of her works were co-authored with her: The Armor of Light, Point of Hopes: A Novel of Astreiant and Point of Dreams: A Novel of Astreiant. They wrote one short story, “The Carmen Miranda Gambit”. (Died 2006.)
The video opens gauzily on an empty New York City streetscape, with sirens echoing in the distance, as a woman dressed in black strolls in with some hypothetically catastrophic news.
“So there’s been a nuclear attack,” she says nonchalantly. “Don’t ask me how or why, just know that the big one has hit.”
The 90-second public service announcement, which instructed New Yorkers about what to do during a nuclear attack, was released by the city’s Department of Emergency Management in July.
It attracted attention: While most of the videos on the department’s YouTube page have recorded fewer than 1,000 views, at last count the nuclear preparedness video had been seen more than 857,000 times.
… Many Americans are concerned about the prospect of a nuclear attack. Nearly 70 percent of residents said they were “worried the invasion of Ukraine is going to lead to nuclear war,” according to a survey in March by the American Psychological Association.
Still, some questioned whether the city should have prioritized the nuclear preparedness video at a time when emergency officials are grappling with more imminent threats, like extreme heat and catastrophic flooding, and the city is dealing with the monkeypox health crisis.
Mr. Harvin, the former city official, said that emergency management professionals traditionally focus on events that are more likely to occur, including flash floods or mass shootings. New York City has recently experienced both….
Years late and billions over budget, NASA’s new moon rocket makes its debut next week in a high-stakes test flight before astronauts get on top.
The 322-foot (98-meter) rocket will attempt to send an empty crew capsule into a far-flung lunar orbit, 50 years after NASA’s famed Apollo moonshots.
If all goes well, astronauts could strap in as soon as 2024 for a lap around the moon, with NASA aiming to land two people on the lunar surface by the end of 2025.
Liftoff is set for Monday morning from NASA’s Kennedy Space Center.
The six-week test flight is risky and could be cut short if something fails, NASA officials warn.
“We’re going to stress it and test it. We’re going make it do things that we would never do with a crew on it in order to try to make it as safe as possible,” NASA Administrator Bill Nelson told The Associated Press on Wednesday.
It turns out that unrelated doppelgangers may have quite a bit in common beyond just twin faces. New research suggests that lookalikes with incredibly similar faces tend to share many genetic variants—variants that don’t just seem to shape their appearance but general aspects of their life. At the same time, other important influences, such as the microbiome, appear to contribute little to their symmetry.
Study author Manel Esteller, a geneticist and director of the Josep Carreras Leukemia Research Institute (IJC) in Barcelona, Spain, is interested in what makes people the way they are. In 2005, he and his colleagues published research showing that identical twins weren’t as identical as they appear at first glance. While they had the same basic genetic patterns, they differed noticeably in their epigenetics: changes in how our genes express themselves, which are caused by environmental or behavioral factors, such as smoking or age.
In their new research, published Tuesday in Cell Reports, Esteller’s team wanted to look at the other side of the coin—people who look so similar that they could be twins but aren’t actually related…
(13) WOODEN IT BE ROMANTIC. Disney+ dropped their trailer for Pinocchio today (which is not Guillermo Del Toro’s Pinocchio–the Disney version is directed by Robert Zemeckis.)
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in this sketch that dropped four days ago, wonders what the billionaires would do when the apocalypse happens!
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]
The announcement was made September 2 at Dragon Con.
The award is for original speculative short fiction stories no longer than 20,000 words published for the first time in the English language in the previous year.
This is a juried award, that begins with a long list of nominations coming from publishers and editors, supplemented by choices of select readers. A selection committee of sf fans picked the finalists. The winner was chosen by a panel of judges.
