Pixel Scroll 2/5/24 To Boldly Scroll Where No Fan Has Scrolled Before

(1) MCCARTY Q&A. Chris Barkley’s audio interview with Dave McCarty was published here overnight: “Barkley — So Glad You (Didn’t) Ask #81”. The audio recording is at Soundcloud. A transcript is here.

(2) SPARE CHANGE? The New Zealand Mint has a line of The Lord Of The Rings™ Collectible coins.

Set in the mythical world of Middle-earth, The Lord of The Rings fantasy saga follows hobbit Frodo Baggins, Samwise Gamgee and a fellowship of characters as they embark on a quest to destroy the One Ring. Considered one of the greatest works of the 21st century, its popularity has spawned numerous adaptions.

Return to Middle-earth with our limited-edition THE LORD OF THE RINGS™ coins. Made from pure gold or silver, they feature characters and landscapes from the epic fantasy adventure films. Crafted in fine detail with themed packaging, they make the perfect memento for any fan!

Famed Middle-Earth locations feature in these gold coins.

And the silver series includes one with Gollum. Heads he wins, tails you lose!

(3) LEST GRIMDARKNESS FALL. [Item by Anne Marble.] Sebastian Milbank, in an article for the British magazine The Critic (called a “contrarian conservative magazine”) refers to “grimdark” as “Grimdull” — and seems to think they are both “liberal” and “leftist.” (Umm, those are not the same thing.) The article also flings darts at Michael Moorcock and Phillip Pullman. And it calls Breaking Bad grimdark?! Boy, does this article ever make a lot of assumptions about the writers (and readers) of grimdark! And it uses a lot of words in which to do so.

For those unblessed (or uncursed) with an interest in contemporary fantasy, the phrase “Grimdark” may suggest the name of some 2000s era Goth club. It’s a recent coinage for an ongoing craze in “gritty” and dark fantasy settings, epitomised and popularised by George RR Martin, becoming the default tone for a whole range of feted fantasy offerings from Joe Abercrombie’s First Law series featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it — to Mark Lawrence’s Broken Empire Trilogy featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it.

It’s a genre with a number of consistent features. It’s generally in a mediaeval fantasy setting, but shorn of any romance. Characters are overwhelmingly cynical, and those few who exhibit nobility are treated as foolish or naive. Generally a chaotic war is happening, or about to happen. Religion features, but largely as a tool of social control, often portrayed (usually with some real effort given the baseline awfulness) as even more cruel and cynical than the secular world around it. Dark observations about human nature substitute for any moral drama, with characters seeking to outwit, manipulate or overpower one another in a kind of Darwinian struggle for dominance.

It’s a script born of vaguely liberal, vaguely radical, vaguely anarchic sentiments common to most contemporary creative “industries”. But fantasy, with its over escapism and heroic aristocratic setting, presents something of a problem. This is the inner tension of left wing fantasy — how can a genre defined by apparent escapism not end up serving reactionary ends?…

Grimdark author Joe Abercrombie has a very concise takedown:

(4) ALERT FOR CONVENTION EMAIL RUNNERS. Andrew Trembley shared this alert on Facebook.

For y’all running conventions and running convention email, if you haven’t set up SPF, DKIM and DMARC, you need to do it yesterday. If you’re reading this on Monday, February 5, literally yesterday, because today is the day Google and Yahoo started refusing mail from many email services that have failed to implement SPF, DKIM and DMARC.

(ETA long version, did not include in the share)

I’m seeing people saying “Google is starting to block more non-Gmail senders.” Now they’re right from the perspective they’re looking at this from, but they’re not seeing the whole picture.

It’s not non-Gmail senders. It’s also not just Gmail.

So what is happening? Bear with me, this is long…

(5) MARY SOON LEE Q&A. Space Cowboy Books hosts an “Online Reading and Interview with Mary Soon Lee” on Tuesday, February 6 at 6:00 p.m. Pacific. Register for free HERE.

How-to astronomy poetry to answer vexing questions such as How to Surprise Saturn, How to Blush Like Betelgeuse, and How to Survive a Black Hole.

“Unraveling meaning from partial glimpses of the universe has preoccupied astronomers for thousands of years. Mary Soon Lee’s remarkable collection of poetry traces this journey, capturing the wonder of the celestial bodies that comprise our universe, the elegance of the rules that guide its evolution and the humanity of those who search to better our understanding.” -Andy Connolly, Professor of Astronomy, University of Washington

Mary Soon Lee is a Grand Master of the Science Fiction & Fantasy Poetry Association, and has won the Rhysling Award, the Elgin Award, and the AnLab Readers’ Award. Her work has appeared in Science, American Scholar, Spillway, Asimov’s Science Fiction, and Strange Horizons. This is her second collection of science poetry, following on from Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pittsburgh.

(6) FAN FALLOUT. The Seattle 2025 Worldcon committee answered a query on Facebook by saying that neither Dave McCarty nor anyone else from the Chengdu Worldcon team will be involved with their Hugo Awards.

(7) SALAM AWARD OPEN FOR SUBMISSIONS. The Salam Award, which promotes imaginative fiction in and about Pakistan, reminds Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at this link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.

(8) DANISH COMPLETIST. “Modstand og håb” at Superkultur is written in Danish, however, Lise Andreasen has provided an English translation in the first comment.

Niels Dalgaard is a patient man – not only in his persistent attempt to collect all the science fiction that has been published in odd corners of the Danish publishing world, but more specifically in this case in his project: to read through the approximately 250 novels that has been published in Danish, which can be placed in the category “youth dystopias”….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 5, 1941 Stephen J. Cannell. I have come this Scroll to talk of not cabbages and kings but a man who as a mystery writer showed up regularly playing poker as himself in the Castle series with Nathan Fillion as Richard Castle — Stephen J. Cannell. James Patterson, Michael Connelly, and Dennis Lehane were the other such writers here. I’ll talk about his work as a novelist later. 

Nathan Fillion as mystery writer Richard Castle, playing poker with real-life authors Michael Connelly, James Patterson and Stephen J Cannell.

The Zorro rip-off, scripted in its one season by him, The Night Rider, described by IMDB this way, “A refined New Orleans gentleman becomes a masked crimefighter by night, both to uphold law and order and to find the men who murdered his family in order to get their silver mine” is genre the same The Shadow or Doc Savage is in that it’s pulp.

Between that series and what I’m about to note next, scripting shows, the good, the bad and the truly awful made him very wealthy. So he got to produce a series that he said was one he’d to do a very long time ago — The Greatest American Hero.  You know the story of it so I want go into deep detail here, but suffice it to say that he was very happy with its success.

Veering way out of genre, I’m going to note he created Baa Baa Black Sheep (which was renamed Black Sheep Squadron for the second season for reasons unknown by the Powers That Be), a series I really liked.

I’ll note next 21 Jump Street which he created with Patrick Hasburgh which was about the cases of an undercover police unit composed of really great looking young officers specializing in youth crime. Definitely not genre, so why mention it? Because that featured Johnny Depp who would later do so many genre performances. And yes, he’d done one before this series as Greg Lantz in A Nightmare on Elm Street.

He loved making low budget horror films such as The Demon HunterThe Fairy and Left in Darkness. All shot on all cheap budgets (and this is after he became very wealthy), shot on locations you wouldn’t go without security in armor and shot fast enough you’d suspect use of interesting drugs to keep everyone alert, there’s more than makes sense of these in his IMDB listings. Stephen, you devil. Possibly literally.

Now about that poker game on Castle. All four of those players are there because they are mystery writers. Cannell wrote a series of novels about Shane Scully who was a detective in the LAPD force. I don’t know if they actually played poker in those scenes but I suspect they did. 

(10) SATISFIED FAN. Cora Buhlert heaps praise on a He-Man adaptation: “The Revolution Will Be Televised: Some Thoughts on Masters of the Universe Revolution”.

…So I watched Revelation and it turned out to be not just some nostalgic fun, but so much more. Here was the He-Man story I always wanted to see, a series which took the characters seriously in all their beautiful absurdity and found new depths in them and even managed to make me cry (something western animation in general very rarely does – crying is for anime), while also harkening back to the early 20th SFF which had inspired Masters of the Universe in the first place. Plus, the animation was gorgeous and finally looked as good as the Filmation cartoon looked in my memory, but never in reality, and the voice cast was stellar….

(11) GROUNDHOG DAY CAST REUNION. “Bill Murray celebrates ‘Harold Ramis Day’ Groundhog Day” at CBS Chicago.

This Groundhog Day, Woodstock Willie did not see his shadow — and thus said we should expect an early spring this year.

But at a ceremony in Chicago on Friday, a groundhog named Chicago Harry did not agree.

But first off, why is there a groundhog prognosticating on the trajectory of winter in Woodstock, Illinois? The answer, of course, is that in the 1993 film “Groundhog Day,” Woodstock stood in for Punxsutawney, Pennsylvania — home of Groundhog Day celebrations since the 1880s.

Ever since the movie came out 31 years ago, Woodstock Willie has been up there with Punxsutawney Phil in the real Punxsutawney among large-rodent long-range winter forecasters.

Members of the cast of the iconic film reunited for the first time at Navy Pier Friday, marking 31 years since the film was released. But Friday was also about honoring Harold Ramis and commemorating 10 years since his death….

…”I think it’s great that we’re here and, I don’t want to be too Irish, but it’s very nice of Harold to make it a very nice, mild day for today,” Murray said. “He’s up there stirring the clouds around, making that low pressure move out to Indiana and just drenching, ruining those people’s lives over there in Indiana.”

Ramis’ wife, Erica, was in attendance, beaming with pride as many spoke wonders about her husband. She even read a letter from former President Barack Obama encouraging people to enjoy the day as Ramis would. 

The ceremony included re-enactments of Punxsutawney festival emcee Buster Green (Brian Doyle-Murray) knocking at the tree stump with his cane, where a groundhog named Chicago Harry made his prediction.

Ken Hudson Campbell (“man in hallway”), Robin Duke (Doris the waitress), Marita Geraghty (Nancy Taylor), Richard Henzel (the DJ), Don Rio McNichols (drum player), David Pasquesi (the psychiatrist), and Peggy Roeder (the piano teacher) were also in attendance.

And unlike Woodstock Willie, and Punxsutawney Phil, Chicago Harry saw his shadow — and predicted six more weeks of winter after all.

(12) GOING ROGUE. [Item by SF Concatenation’s Jonathan Cowie.] Just learned that the 2000AD strip Rogue Trooper film is at last moving forward. Director Duncan (Moon, Source Code) Jones teased about this back in 2018 and it now looks like a cast is being pulled together. “Duncan Jones’ Rogue Trooper Movie Cast Announced, Including Hayley Atwell, Sean Bean, and Matt Berry” at IGN.

The cast for Rogue Trooper, the upcoming movie from Moon and Warcraft director Duncan Jones, has been announced. The animated adaptation of the classic 2000 AD comic will be headlined by Aneurin Barnard, Hayley Atwell, and Jack Lowden, and will also feature a number of other well-known British stars such as Sean Bean.

Aneurin Barnard, who previously starred in The Goldfinch and Dunkirk, plays the titular Rogue Trooper, a blue-skinned, genetically-engineered soldier fighting on the toxic battlefields of a seemingly never-ending war. The sole survivor of a massacre that killed his squadmates, he’s on the hunt for the traitor that arranged their deaths. He does this with the aid of three of his killed-in-action squadmates, whose digital personalities still remain conscious after death and are uploaded into Rogue’s gun, helmet, and backpack….

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Science Futurism with Isaac Arthur this week took a look at Death Worlds. These are planets on which, once you land, they set out to kill you.  Unlike most of Isaac Arthur’s episodes (other than his monthly ‘Sci-Fi Sundays’) which have a (highly speculative) science take, this one has as much a science fictional approach, starting as it does with the legendary Harry Harrison’s DeathWorld series of the 1960s. Along the way, he gives us a number of SFnal examples… So, pour a mug of builders and sit back for a half-hour episode (it won’t kill you)…

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Lise Andreasen, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 1/24/24 A Fist Full Of Typos

(1) HELP NEEDED. Writer Richard Kadrey, whose work includes the Sandman Slim novels, is asking for financial help in a GoFundMe for “Medical bills, rent, and a big, hungry cat”.

This is one of the hardest things I’ve ever had to do, but my back is against the wall. Because of physical and mental health issues over the last year, plus disappearing gigs and jobs that never came through, I have to suck up my pride and ask for help.

I’ve been living off savings and credit cards for a year. I had one good, steady gig but got blindsided when it ended abruptly. Now that money is gone, my cards are pretty much played out, and the IRS is giving me the side eye. And there are still health issues and bills I need to deal with. Basically, I could use some help to feed my cat and keep my stupid life intact.

If you could spare a couple of bucks, you’d a life saver. And if one of the good gigs I’m hoping for comes through later this year, I promise to pay your kindness forward to another artist down on their luck.

So, here I am with my dumb hat in my dumb hand, humbled as hell. This is the last thing in the world I ever wanted to do. But I don’t have a choice. Even if you can’t help, thanks for reading this. I appreciate it and so does Aces, my hungry cat who will eat me if I don’t keep up with the kibble.

(2) MORE QUOTES ABOUT HUGO CONTROVERSY FROM CHINA SOCIAL MEDIA. On Bluesky, Angie Wang has some screencaps and computer translations to go with this introduction:

RE the Hugo Awards, if you go on Weibo and do a public search right now, you’ll see some Chinese fans cussing the hell out of the Chengdu organizers specifically, and some cryptic remarks from someone who seems related to the event and the organizers about trying to prevent all this from happening

(3) PAIJIBA. Pajiba’s Nate Parker brings schadenfreude to bear on the topic in “The Hugo Awards Step In It Again”.

… If you look through McCarty’s thread – and you should, because it’s fun to watch him get wrecked in real time – you’ll see Gaiman’s about the only one who gets a polite answer. “After reviewing the Constitution and the rules we must follow, the administration team determined those works/persons were not eligible.”

He repeats the same answer ad nauseum despite multiple polite requests for clarity. It’s a vague answer for an organization that prides itself on inclusivity and transparency…. 

(4) POLYGON. Chris Barkley is quoted in Polygon’s coverage, which otherwise contains nothing new to readers here: “Hugo Awards controversy sparks censorship allegations”.

… The Hugos are among the most prestigious awards in science fiction and fantasy, and it’s incredibly disheartening to see what should be a celebration of all the great work happening in that space be tainted by controversy. With the committee still refusing to give answers and with no central governing body to step in, it seems unlikely we’ll ever know the details of what occurred — or see anyone held accountable if anything unconstitutional did.

What is clear is that the community is determined never to see a repeat of what occurred this year. As Barkley wrote, “this incident, whether it was at the behest of the government of the People’s Republic [of] China or some other entity, will NEVER be forgotten and that doing something about preventing such a thing from happening again will be at the top of the agenda at the Glasgow Worldcon Business Meeting in August…”

(5) WHERE IN THE WORLD. At Winter Is Coming, Daniel Roman’s article “Controversy strikes the 2023 Hugo Awards, causing uproar over censorship speculation” ends with this conclusion.

…I happened to be at DisCon III when Chengdu won the bid for this year’s Hugo ceremony, and one of the prominent arguments in its favor that I heard floated around was that Worldcon should be a world convention, not just one that floats back and forth across the U.S. and a handful of other western countries. Bringing it to countries in, for example, East Asia and Africa would be a great way to include fans in parts of the world who have not typically been able to attend, and to recognize the writers doing amazing work in those regions.

However, if each Worldcon must logically abide by the local and regional laws of the country where it’s being held, and those laws mean that the Hugo Awards cannot be conducted legitimately and fairly because of things like censorship — or even worse, that certain groups of people might have their safety put in jeopardy — then that must be considered as well. We have a situation right now where it’s being speculated that there was government censorship on the 2023 Hugos, and regardless of whether there was or not, it seems clear that the people behind the event do not feel that everyone involved is safe enough to explain the situation in full. In that sort of circumstance, it’s hard to imagine any scenario where the awards can actually take place in a legitimate manner.

(6) OKAY, HERE IT IS. You want the truth? You think you deserve the truth? Sarah A. Hoyt will give it to you: “This Thing Isn’t Entirely Under My Control” at Mad Genius Club.

…Among the many strange things I get asked — and other writers get asked — is how we do what we do. I.e. how we create the stories, and stay on track and write them and all. 

Now, normally when I’m asked this I’m at a panel, where I’m under writ to tell a lot of lies, provided I make them entertaining. Also, on principle, I’m supposed to sound like a professional who know what she’s doing. Of course, acting like a pro should be easy after 30 years or so of being published (okay, 25 years just about in novels. But yeah, about 30 from first semi-pro short story.) And if you believe that, I have some primo Florida swamp I’d like to sell you at a really good price.

I often wonder, though, if my fellow writers lie like moth eaten rugs at this panels. Because they make the whole thing sound so rational, so controlled. “Well, I wanted to write a book about the manufacture of bells in the planet Korud, so, I thought, how do I wrap an adventure around that?” And we all smile and nod sagely as someone explains how he researched the manufacture of bells for five months, then went to a Buddhist monastery and sat contemplating the metalness of bells, before the idea of having pirates come to the planet and remove the bells, and then our hero….”

I know I lie. I lie a lot about the writing process, when I want to sound like I did things for a reason. Well, and when I worked for Trad Pub. Because you don’t want your editor and publisher to think you’re a complete loon. But more and more I just tell the truth.

And the truth is “this thing isn’t fully under my control.”…

(7) BIG CUTS AT LA TIMES. From Politico: “LA Times slashes newsroom as paper struggles under billionaire owner”.

The Los Angeles Times on Tuesday laid off at least 115 people, including about a quarter of its newsroom, in a stunning second round of major layoffs in less than a year that underscored broader challenges facing the news business.

Cuts included reporters, editors and columnists, according to the union that represents the newsroom and social media posts from individual journalists. Layoffs fell disproportionately on Black, Latino and Asian employees who tend to have less seniority, the Guild said in a statement….

(8) CHASING MOBY CHATGPT. In a recent email to members from the Authors’ Licensing and Collecting Society the ALCS’ Deputy Chief Executive Richard Combes expects the coming year to provide more clarity around AI, authorship and copyright.

My piece last year opened and closed with a few sentences generated by ChatGPT. At the time, this seemed like a novel way of demonstrating the capability of the technology; then I found the acres of other articles doing the exact same thing. But as Herman Melville observed, “it is better to fail in originality than succeed in imitation.”

During the intervening year, the think pieces have piled up, commenting on various policy initiatives, lawsuits and existential crises, while AI-generated content has sprouted online like fungi on the forest floor (including, notoriously, several foraging guides offering unreliable advice about edible mushrooms).

As judicial decisions and statutory rules emerge and evolve over the coming year, we should begin to find answers to key questions about copyright, authorship and creativity in the age of AI. Conceptually, we’ve been here before, repeatedly. The first quarter of this century has seen successive technologies redefine the way that creators’ works are consumed and distributed without due consideration for how they will be credited and paid, and the latest wave is no different.

The false dilemma that’s often presented between an innovative tech sector and a robust framework for copyright and creators’ rights is as artificial as it is banal. It is possible and, if we want to maintain the value and stature of our creative industries, essential to develop models whereby the tech sector is an ally to those creating the works upon which their products and services rely. So, how do we get there from here?

…For almost 20 years, the ALCS authors’ earnings surveys have described a fixed direction of travel, a stubbornly downward trend. This threatens not only the viability of existing careers but also creates barriers to entry for new and diverse voices. So, our work this year is about plotting a new course, on what promises to be an interesting, challenging but vitally important journey; which leads me to close as I opened, with Melville, “it is not down in any map; true places never are”.

(9) LOVIN’ SPOONFUL. Charlie Jane Anders argues on behalf of “10 Space TV Shows That Don’t Get Enough Love” at Happy Dancing.

The first two on the list are:

1) Space Cases.

Peter David and Bill Mumy created this YA TV show about kids exploring space, including a young Jewel Staite. It aired for two seasons on Nickelodeon, and it was cute as hell, not to mention quite subversive at times. George Takei plays an alien conqueror named Warlord Shank, and when I say Takei chews all the scenery… You’ll see tooth marks all over the sets. This show was sort of a precursor of Star Trek: Prodigy, and I remember it being fun as all heck.

2) Quark.

Quark was a short-lived spoof of Star Trek and Star Wars that aired in 1977, featuring a host of campy characters. The thing is, it had so many cool ideas in the mix. Long before Firefly (or even Alien), this is the story of the crew of a humble blue-collar starship — a garbage scow, in this case – getting involved in vital, dangerous shenanigans. There’s a gender-fluid character, a pair of clones who both insist they’re the original (just like the Maulers in Invincible!) and a plant in humanoid form. In many ways, Quark was ahead of its time.

(10) AFTER ACTION REPORT. [Item by Steven French.] The recently wrapped-up “Fantasy: Realms of Imagination” exhibition included several science-fiction related items, including this copy of the March 1956 issue of Ploy, a fanzine edited by Ron Bennett, a member of the Leeds Science Fiction Association which, as the exhibit’s label notes, was the successor to the group formed after the famous 1937 convention (not just the first in the U.K. but the first in the world!). For some reason the Library chose to display these letters from fellow fans, one of which including a description of a talk given to the Sheffield Junior (and Parents) Astronomical Society which contains language ‘of its time’ that would definitely be deemed inappropriate nowadays.

Elsewhere in the issue (available here at the FANAC site) there are brief contributions from mega fans/editors/authors Shirley (Lee) Hoffmann and Terry Carr. 

(11) FRANK STROM DIES. Comics fan and writer Frank Strom recently died, mourned by his friend Tom Brevoort in “Mortality” at Man With A Hat.

Frank had aspirations of breaking into the field professionally, and he operated on the fringes of it for many years, but was never quite able to find that break that would make it a full time vocation. He wrote a ton of issues of the licensed ELVIRA comic book, he had a short-lived series in Fantagraphics’ X-Rated Eros line in the 1990s, CHEETA POP, SCREAM QUEEN, and he wrote one story for Marvel. That one I commissioned from him especially; it starred the 1940s/1950s character Venus who was a fascination of both of ours, and guest-starred both a number of the girl comics stars of the 1950s but also a small bevy of Marvel’s pre-hero monsters. I was able to convince Dan DeCarloFrank’s favorite, to draw it. Eventually, though, he settled into a routine day job…. 

(12) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 24, 1944 David Gerrold, 80. How could I not start by acknowledging he wrote one of the best scripts ever in the Trek series, “The Trouble with Tribbles”? Seriously it’s a perfect script from the very beginning to those Scottie saying “Aye, sir. Before they went into warp, I transported the whole kit ‘n’ caboodle into their engine room, where they’ll be no tribble at all.”  It garnered a Hugo nomination at Baycon. 

David Gerrold. Photo by and (c) Andrew Porter.

Not that he stopped there of course. He was responsible for an uncredited rewrite on “I, Mudd”, and he scripted along with Oliver Crawford the rather excellent “The Cloud Minders” in season three. 

The animated series which I still truly adore and which of course is on Paramount + saw him  following up his “The Trouble with Tribbles” script with one for “More Tribbles, More Troubles”. His other animated script was “Bem” in which he reveals James T. Kirk’s middle name to be Tiberius. I had thought it’d been done in the series but that’s just my memory. It’ll next be used in The Undiscovered Country

David Gerrold and Diane Duane at the 1975 Westercon. Photo by and (c) Andrew Porter.

He left Star Trek: The Next Generation and the Trek verse as Memory Alpha explains here: “He left the show near the end of the first season, partly because of the dispute over his controversial script, ‘Blood and Fire’. The story, which was basically an allegory of AIDS, and involved allegedly homosexual characters, was initially scrapped by the producers. It was re-written by Herb Wright as ‘Blood and Ice’, removing the gay characters, but it still remained unproduced.” Well and other reasons that he into in great detail as well. 

Not at all surprisingly, he got involved in those video fan fictions, as a series consultant for fan-produced series Star Trek: New Voyages, and Star Trek: Phase II for which he was named show runner. He fell out later with other members of the latter series over creative differences and left. 

Let’s see… let’s not overlook that JMS actually did produce his “Believers” script on Babylon 5, a story involving our good doctor, aliens and a very unfortunate outcome. 

Books? Oh yes. When HARLIE Was One is an extraordinary novel. Though I’ve sampled his other novels, it’s his most original, most interesting and certainly most intriguing work. Interestingly, at least to me, I discovered doing this essay that When HARLIE Was One is not a one-off but is rather just one novel in a rather extensive series entitled simply Harlie. Intriguingly the first one is titled Oracle for a White Rabbit. Was that Rabbit there? 

The War Against the Chtorr series of books, about an invasion of Earth by deliberately not sketched out aliens was, errr, ok. I read A Matter for Men and A Day for Damnation but stopped there. There were two more published then a comedy or tragedy of reasons for why the series wasn’t completed have followed in the decades since. 

Other novels? Well there’s this novelette called “The Martian Child” won a Hugo at Intersection which became a film. There’s the most readable The Man Who Folded Himself that nominated for a Hugo at Discon II. It’s wonderful and certainly deserved that Hugo.

Now my favorite work by him is the first novel that he did, The Flying Sorcerers which started out in If as “The Misspelled Magician” which I like better as a title. It was co-written with Larry Niven. 

There’s too much other fiction, both long form and short form which I’ve not encountered to deal with here. I know all of you well enough that you’ll note anything that you think I should mentioned. 

(13) WEIGHING MJOLNIR. After viewing Neil deGrasse Tyson’s analysis of “How Much Thor’s Hammer Weighs”, Daniel Dern notes (anticipating much of Tom Galloway’s initial comment-worthy thoughts) (playlist: “She’s So Heavy,” The Beatles) —

Overspecialized nerds missing the point: Neil deGrasse Tyson forgets (or never read the relevant Marvel comics, nor watched the right Marvel movies). Unlike Superman’s super-heavy regular-sized front door key to his Fortress of Solitude (see Grant Morrison & Frank Quiteley’s All-Star Superman) (as opposed to the original classic humongous key pretending to be a road sign for plane flight paths), Mjolnir’s liftability was a function of the lifter’s worthiness.

(14) MICKEY AND FRIENDS PLAY AVENGERS AND X-MEN IN NEW DISNEY WHAT IF? COVERS. This time marking the 60th anniversary of two of Marvel’s most iconic super hero teams—the Avengers and the X-Men — new Disney What If? variant covers kicked off earlier this month with Amazing Spider-Man #41 and will continue to adorn select issues of Amazing Spider-Man throughout 2024. 

(15) DISNEY IMAGINEER JOINS INVENTORS HALL OF FAME. “Lanny Smoot Becomes The Second Person From Disney, Since Walt Disney Himself, To Get Inducted Into The National Inventors Hall Of Fame” reports Yahoo!

… The Disney Parks Blog reports that The National Inventors Hall of Fame announced its Class of 2024 inductees during a ceremony at the Walt Disney Imagineering campus in Glendale, CA.

Smoot is making history as the first Disney Imagineer to receive this honor. He’s also only the second Walt Disney Company employee since Walt Disney to earn the recognition.

During Smoot’s 45-year career, he has been a theatrical technology creator, inventor, electrical engineer, scientist, and researcher. The innovator has amassed a collection of over 100 patents, 74 of them created during his 25-year stint at the Walt Disney Company….

… Smoot has been integral in creating some of the most technically advanced special effects at Disney theme parks and experiences. Some examples of these special effects include Madame Leota’s floating in the Séance Room at Disneyland’s Haunted Mansion, Disney Live Entertainment’s extendable lightsaber, the Magic Playfloor interactive game experience on the Disney Cruise Line, and the Fortress Explorations adventure at Tokyo DisneySea….

(16) EVERYBODY KNOWS LOTR. [Item by Daniel Dern.] “The Trick to the Fluffiest Muffins May Already Be in Your Kitchen” says the New York Times.

As winter set in this January, Sarah Kieffer recalled how it snowed for eight months last year in her hometown, Minneapolis. For weeks on end, the temperature dipped below minus 20. Surrounded by grayness, she baked blueberry muffins for the cheer of their bright pops of blue.

“It’s like when the hobbits got to Mordor, and Sam looks up and sees a bright shining star, and has a little bit of hope,” she said. “That’s what a blueberry muffin feels like in February.”

Ms. Kieffer, the author of “100 Morning Treats” (and a self-described “super nerd”)…

Daniel Dern comments: Implicit in the text is the assumption (by the writer and NYT section editor) that the reader is at least familiar to recognize the source (Lord of the Rings) without the invocation of Frodo, Gandalf, Bilbo or Gollum — and simply saying “Sam” rather than “Samwise” or “Sam (Frodo’s more-than-a-sidekick)” although “hobbits” and Mordor” do help provide key context, of course.

At least Ms. Keiffer didn’t close with an ending like “I’ll bet even Gollum might exclaim ‘Better than Precious!’”

(17) MEET JOE GREEN. The FANAC FanHistory Zoom Joseph L. Green Interview is now available to watch on YouTube.

Title: Joseph L. Green – An Interview conducted by Edie Stern

YouTube Description: Joe Green’s interest in science fiction began in the 1940s, before he knew there was even a name for this kind of literature. His introduction to science fiction fandom came in the early 1950s, and  first published fiction in the 1960s. Add to that his long career in the military and civilian space programs, and you have a trajectory that is the envy of a many a science fiction reader.

In this fascinating interview, Joe Green talks about his life and career, and his views on science fiction and fandom after more than 70 years in the SF community.  With a professional career spanning more than 60 years, (his last published work was in 2023),  in this discussion Joe starts with his introduction to fandom, and his early fanzine contributions, his first professional sales and the struggle to balance fandom, professional writing and a growing family.  

With a decades long career revolving around space, he tells anecdotes ranging from the Cuban missile crisis of the 60s to one of his most important accomplishments – editor and principal writer of the NASA report on the Challenger disaster. Here  he talks about that difficult but necessary work….Starting in the days of the manned Apollo launches, the Greens hosted spectacular and now legendary launch parties. Joe couldn’t help but share his joy at one of the finest achievements of mankind. In this session, there are great anecdotes about well-known writers and fans, including Poul Anderson, Sam Moskowitz, Arthur C. Clarke and A.E. Van Vogt, and Joe’s unorthodox  advice about getting entrée to NASA launches. It’s a delight to hear, and makes you wish you had been there.

One story we didn’t get to was what happened when Joe Green heard filk music for the first time. Joe was delighted, especially with the space-oriented pieces, and not too long after he heard the “Minus Ten and Counting” recording,  one of those songs was played as the wake-up music for the astronauts in space.

Many thanks to Joe’s daughter, Rose-Marie Lillian for her technical support, enabling Joe to participate in the Zoom. 

(18) TURNING TWENTY ON MARS. From an National Air and Space Museum email:

20 years ago this month, Mars Exploration Rovers Spirit and Opportunity landed on the Martian surface, on opposite sides of the Red Planet. Soon after, the twin rovers, boasting a level of mobility that far surpassed the 1997 Mars Pathfinder rover Sojourner, embarked on their respective journeys. Spirit was sent to the floor of a 90-mile-wide crater named Gusev and Opportunity was sent to Meridiani Planum, a smooth area near the Martian equator.

Spirit and Opportunity

With identical sets of science instruments onboard, Spirit and Opportunity conducted comprehensive geological surveys and atmospheric analyses. Both rovers were able to find compelling evidence of the Red Planet’s ancient environments, revealing a past where conditions were intermittently wet and potentially capable of supporting life.

Panoramic view (consisting of hundreds of images stitched together) of the Martian surface. The images were captured by Spirit with the rover’s deck visible.

Both rovers exceeded their initial 90-day mission durations by a significant margin. Spirit traveled five miles on the Martian surface and sent its last message to Earth on March 22, 2010, after operating for over six years. Opportunity covered a total of 28 miles and holds the record as the longest-serving rover on Mars, having conducted over 14 years of exploration before it sent its last signal on June 10, 2018. Together the duo sent over 340,000 images back to Earth.

Mars Exploration Rover Surface System Test Bed (middle) was used on Earth to troubleshoot problems that Spirit and Opportunity encountered on Mars. It is on display next to Sojourner’s flight spare Marie Curie and a Curiosity model in the “Kenneth C. Griffin Exploring the Planets Gallery” at the Museum in DC.

The twin rovers’ landings on Mars also marks 20 years of continuous rover exploration of the Red Planet, with rovers Curiosity and Perseverance currently active on Mars and continuing on the legacy of Spirit and Opportunity.

(19) VIDEO OF THE DAY. I haven’t viewed it because my hearing is awful and there’s no closed captioning, but no reason you should deprive yourself: “The Litigation Disaster Tourism Hour: World Contastrophe, Trademark Edition” on Twitch.TV.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Danny Sichel, Francis Hamit, Trey Palmer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/17/24 Send Pixels, Scrolls And Files, The Fifth Has Hit The Fan

(1) SEATTLE 2025 WORLDCON MEMBERSHIP RATES RISE TOMORROW. At least for a few more hours the cost of a WSFS Membership + Attending Membership Supplement for an adult over the age of 25 is $175. The other permutations are explained at the Memberships – Seattle Worldcon 2025 page.

Mark Roth-Whitworth sent a few editorial comments along with the foregoing reminder:

I just got our memberships for Seattle in ’25. Ouch. This far out, $175 each, and I think it goes up after tomorrow.

Was the same demographic going as did back in the Sixties and Seventies, it would be a *lot* smaller. Most of us were working class. Hell, my late wife and I together maybe made the median income, or maybe just under. In 1993 it would have been hard to pay for this.

Forget the graying of fandom, how about the economic stratification of fandom? Where are the folks who are making a living working construction, or flipping burgers, or barista, or drive a cab, or working in a thousand other jobs that we need, but make crap wages? Or people on SSI or other welfare?

I know I ghosted a con or two in my mid-twenties, when I just did not have the money. I don’t know a lot of folks who go to other than their local cons, and work them to afford it.

Have we become elite?

(2) EMMY AWARDS. Genre TV was shut out at the 75th Primetime Emmy Awards ceremony which aired on January 15. The complete list of winners – largely repeated wins by Succession, The Bear, and Beef — is here.

(3) HISTORIC MOMENTS IN TELEVISION. There are, however, plenty of genre highlights in the Television Academy’s anniversary list of 75 “Top TV Moments”.

Arguably the first one on the list is genre, because fans voted the Hugo Award to TV coverage of the Apollo 11 mission. Beyond that, you have to wait ‘til way down the list before there’s another.  

1. The Moon Landing. After Apollo 11 landed on the moon, astronaut Neil Armstrong proclaims “One small step for man, one giant leap for mankind. 1969.

40. The Twilight Zone. “Time Enough at Last” After a nuclear catastrophe, loner Harry Bemis (Burgess Meredith) is left with all the time in the world to read his beloved books, only to shatter his glasses, leaving him virtually blind. 1950.

50. Star Trek – Kirk and Uhura kiss, 1968

51. Game of Thrones — “The Rains of Castamere” At Robb’s (Richard Madden) wedding, Catelyn (Michelle Fairley) reveals chain mail under Bolton’s (Michael McElhatton) clothes just as Robb’s wife is murdered, Robb is shot with arrows, and his men’s throats are cut.

And there are several more beyond that, from The Last of Us, Lost, another from Game of Thrones, and the Mary Martin version of Peter Pan.

(4) DEEP IMPACT. Animation World Network’s Kevin Geiger anticipates “The Impact of AI on Hollywood in 2024: 12 Predictions”. Short version: AI will take away a bunch of existing jobs. Here’s an excerpt of what he forsees.

4. Deepfake filmmaking has become the new paradigm.

The continued evolution of deepfake technology enables filmmakers of all resource levels to create younger versions of living actors or bring deceased actors back to the screen. This has already been used to tell stories that span different periods. While the technology offers exciting creative opportunities, it raises significant ethical concerns regarding consent and the potential misuse of digital likenesses. Seeing is no longer believing.

5. Rise of the AI-driven extras and stunt doubles.

The use of AI-generated virtual extras and stunt doubles will be a game-changer in reducing production costs and logistical complexities, particularly in scenes requiring large crowds or dangerous stunts. However, the application of AI technology will accelerate the reduced employment opportunities for human extras and stunt performers.

6. The visual effects industry becomes more director-driven.

AI’s ability to produce sophisticated visual effects quickly and cost-effectively is set to enhance the visual storytelling in films. The prospect of generating visual effects via “prompting” (otherwise known as “directing”) will make VFX more director-driven, and encourage greater creative expression and experimentation. The number of “technical directors” required on a film will be reduced: a benefit to major studios and indie producers, but a threat to hired guns.

7. AI-assisted editing is now the default starting point.

AI-assisted editing is revolutionizing work reels and post-production by autonomously selecting takes, suggesting edits, and assembling rough cuts. This can significantly speed up the editing process and reduce costs, but over-reliance on AI could reduce the editor’s creative control, lead

(5) AAFCA AWARDS. The 15th Annual African-American Film Critics Association (AAFCA) Award Winners include Spider-Man: Across the Spider-Verse.

Best Drama: Origin
Best Comedy: American Fiction
Best Musical: The Color Purple
Best Director: Ava DuVernay (Origin)
Best Screenplay: American Fiction
Best Actor: Colman Domingo (Rustin)
Best Actress: Aunjanue Ellis-Taylor (Origin)
Best Supporting Actor: Sterling K. Brown (American Fiction)
Best Supporting Actress: *TIE* Da’Vine Joy Randolph (The Holdovers), Danielle Brooks (The Color Purple)
Best Ensemble: The Color Purple
Breakout Performance: Lily Gladstone (Killers of the Flower Moon)
Emerging Filmmaker: Cord Jefferson (American Fiction)
Best Independent Feature: A Thousand and One
Best Animated Feature: Spider-Man: Across the Spider-Verse
Best Documentary: Stamped From The Beginning
Best Music: The Color Purple
Best International Film: Io Capitano
Best Short Film: The After

(6) EKPEKI Q&A. Paul Semel interviews “’The Year’s Best African Speculative Fiction 2022’ Co-Editor Oghenechovwe Donald Ekpeki”.

While other Best Of type anthologies only consider short stories, The Year’s Best African Speculative Fiction 2022 also includes poems. I recently interviewed Stephen Kotowych, the editor of Year’s Best Canadian Fantasy And Science Fiction: Volume One, which also includes poetry. Is there something going on in the speculative realm where poetry is becoming more popular or respected?

Speculative poetry is such a wide and important form that we decided to include this year to make the book separate from last year’s. Hopefully, it’s something that matches up with the vibrancy the speculative poetry world exudes [and this is a] chance to showcase some of that speculative poetry vibrancy going on

(7) THE METERS OF MIDDLE-EARTH. And CBR.com studies “How The Lord of the Rings Made Poetry Exciting”.

…The characters of The Lord of the Rings used poetry as a coping mechanism to deal with negative emotions. Shortly after leaving the Shire, the hobbits were overwhelmed with uncertainty and weariness about the journey ahead. To raise their spirits, Frodo recited “The Road goes ever on and on,” a poem that Bilbo had taught him. In Jackson’s The Lord of the Rings: Fellowship of the Ring, Gandalf and Bilbo both sang sections of this same poem. As the hobbits rested at Weathertop, poetry again assuaged their worries. In the chapter “A Knife in the Dark” from Tolkien’s The Fellowship of the RingAragorn “began to tell them tales to keep their minds from fear.” These tales came in the form of poems, such as the song of Beren and Lúthien….

(8) FREE READ. Entries in the Quantum Shorts flash fiction contest are available to read at the link. The shortlist will be announced in March.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 17, 1931 James Earl Jones, 93. This Scroll you’re getting James Earl Jones, most notably known in our circles as the voice of a certain Sith Lord whose voice he did up to Star Wars: The Rise of Skywalker, but he’s got much more, and sometimes surprisingly diverse career here. So let’s see what he’s done…

His film debut was as Lieutenant Lothar Zogg, the B-52’s bombardier  in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

In 1969, Jones participated in making short films for what became Sesame Street. These were combined with animated segments, then were shown to groups of children to see if the format appealed to children. As cited by production notes included in the Sesame Street: Old School 1969–1974 DVD, the short that had the greatest impact with test audiences was one showing a bald-headed Jones counting slowly to ten. And yes, it was shown on the show when it aired.

I truly love him in Conan the Barbarian as Thulsa Doom, an antagonist for the character Kull of Atlantis. Thulsa Doom was created by Robert E. Howard in the “Delcardes’ Cat” story. Neat character for him, I’d say. 

He’s in Allan Quatermain and the Lost City of Gold withthe name of Umslopogaas, a fearless warrior and old friend of Allan Quatermain. I looked him up in the original novel, Allan Quatermain. Please don’t make me do that again. Really. Don’t. 

Ahhh, Field of Dreams: “Ray, people will come Ray. They’ll come to Iowa for reasons they can’t even fathom. They’ll turn up your driveway not knowing for sure why they’re doing it.” Great role. To say more would involve spoilers, right? 

He voices Mufusa, the lion murdered by his brother in The Lion King and its sequel, who death does not stop from being present. Really present. Extraordinary performing by him. 

Did you know that he narrated Stallone’s Judge Dredd? Well he did. He was uncredited at time but as is with these things, it didn’t stay a secret permanently, did it? 

He had series appearances on Faerie Tale Theatre (as, and I simply love it, Genie of the Lamp, Genie of the Ring), Highway to HeavenShelley Duvall’s Bedtime StoriesPicket FencesLois & Clark: The New Adventures of Superman, (he was the uncredited narrator of 3rd Rock from the Sun (maybe he’s the nameless narrator for all of the multiverse?), Touched by an Angel in which he’s the Angel of Angels, cool name, Stargate SG-1 , Merlin and finally as himself on The Big Bang Theory.

He hosted Long Ago and Far Away, a children’s series that lasted thirty-five episodes with each of them based on a folk or fairy tale. Stop motion animation, live actors and traditional animation were all used.

That’s it, folks.

Carrie Fisher, James Earl Jones and Jim Parsons in a scene from Big Bang Theory.

(10) COMICS SECTION.

(11) PAYDAY FOR COMIC OWNER. “Rare copy of The Amazing Spider-Man No 1 sells for more than £1m” – the Guardian wanted you to know. And weep if you ever owned a copy in your youth.

A rare copy of the first issue of The Amazing Spider-Man has sold for more than £1m.

The comic, published in March 1963, reached a record-setting $1.38m (£1.1m) at auction. It is one of only two copies of The Amazing Spider-Man No 1 rated “near mint/mint” by comic book grading service Certified Guaranty Company (CGC).

“It was obvious this Spider-Man was an opportunity not likely to come around, and the final price reflected that,” said Barry Sandoval, vice president at Heritage Auctions, the company that ran the auction, according to Fine Books magazine.

The copy sold for nearly three times as much as a CGC-rated “near mint” version sold in July last year for $520,380 (£410,184)….

(12) TODAY’S THING TO WORRY ABOUT. The lede is the most interesting part of Variety’s article “When Superman and Batman Copyrights Expire in a Decade, Will It Be Kryptonite for DC?”.

About a decade ago, Zack Snyder developed a storyline for the DC Extended Universe that involved Bruce Wayne impregnating Lois Lane.

The subplot in which Batman cuckolds Superman was poised to unfold in “Justice League,” with Batman dying in the sequel and Lois raising their spawn with Superman. Snyder’s vision for Wonder Woman was equally unorthodox, with visuals featuring a superheroine who brandished the decapitated heads of her conquered enemies like an ISIS jihadi.

Warner Bros. and DC Studios — which hold a firm grip on their intellectual property — rejected Snyder’s ideas, which were deemed “super creepy,” according to a source familiar with the back and forth. (DC declined to comment for this story. A representative for Snyder did not respond to a request for comment.) But in the next decade, artists and rival studios won’t need permission to create their own take on the characters.

A sad fact of Hollywood is that while superheroes never truly die, all copyrights do. On Jan. 1, Disney lost control of “Steamboat Willie,” and within 24 hours two horror-comedies starring Mickey Mouse were announced. The DC characters are the next major expirations looming on the horizon. Superman and Lois Lane will enter the public domain in 2034, followed by Batman in 2035, the Joker in 2036 and Wonder Woman in 2037….

(13) FIREFLY ON THE CHEAP. SYFY Wire admires “How Serenity Slashed Its Budget from $100 Million to $39 Million” and was able to get greenlighted.

…In a 2005 interview with the Los Angeles Times, the effects crew and film’s creators opened up about the ways they shaved tens of millions off the film’s cost. Basically, they shot it like a TV show, creating only what was necessary and meticulously storyboarding things out so no resources were wasted.

One of the movie’s most ambitious set pieces, a wild chase scene early in the film, was projected to be one of the costliest segments in the film. So instead of trying to build out a massive CGI chase, they built a trailer with a cantilevered arm big enough to hold the on-screen hovercraft and actors. Then they just shot the scene on Templin Highway around Santa Clarita. For the Reaver vehicle chasing the crew, they hacked an old pick-up truck together with some CGI overlays for final effects. In the end, a scene expected to take 30 days was finished up in five.

To create the spaceship models in the space-set scenes, they used a common cost-cutting approach called “kit bashing,” where you combine several different ship models and kits and mix them all together to create something new. It’s a cheap alternative to full-on spaceship design, and it saved time and money for plenty of those space scenes.

They even had to rebuild the Serenity ship itself for sets, using old blueprints and DVD screen grabs for reference, a process they knocked out in a brief 14 weeks and under budget. All the explosions and pyrotechnics in the film were also done on a tight schedule, filmed across three nights at Mystery Mesa near Valencia. Traditionally, that level of sci-fi action pyro work for a blockbuster movie would’ve taken around two weeks….

(14) KLINGONS DON’T DRINK MERLOT. TrekMovie.com invites as to watch as “Paul Giamatti Auditions For Star Trek, Recreates His Iconic ‘Merlot’ Moment In Klingon”.

Danish movie journalist and friend of TrekMovie Johan Albrechtsen has once again used a non-Star Trek promotional junket to recreate a Star Trek moment. As Paul Giamatti was promoting his award-winning role in The Holdovers Albrechtsen brought up the actor’s previously expressed interest in playing a Klingon in Star Trek. And he persuaded the Giamatti to recreate his famous “I am not drinking any f###ing Merlot!” moment from the 2004 wine-themed film Sideways, but this time in Klingon. The moment was then edited to create a new Star Trek “audition tape” with Giamatti as a Klingon captain, cut into a scene from The Next Generation….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/10/24 Tom Swift And His Scrolling Pixels

(1) TEXAS LIBRARY ASSOCIATON ASKS TINGLE FOR DO-OVER. Today the Texas Library Association’s executive director Shirley Robinson published a “TLA Statement Regarding Author Chuck Tingle” which says they want him to reconsider participating in their annual conference, although it says nothing one way or the other about him going masked.

As you may know, the Texas Library Association is currently planning and securing speakers for our annual conference in April. Last fall, we extended an initial invitation to author Chuck Tingle to participate as a panelist at our Evening with Authors event. We later offered Mr. Tingle the opportunity to participate in a different conference event.

This was a misstep that we regret, and it is counter to our mission to ‘unite and amplify voices…through intentional equity, diversity, and inclusion.’

I contacted Mr. Tingle’s publisher today to apologize and to ask whether or not he might reconsider participating in our Evening with Authors event. I hope Mr. Tingle will accept, and we can discuss what has transpired so that we may all come to a place of greater understanding.

TLA has spent the last two years fighting for the freedom to read and freedom of knowledge in school libraries, and we are always on the side of authors. We set a high standard for ourselves, and in this instance, we did not meet it. In the future, we will be more diligent in our processes and clearer and more thoughtful when discussing opportunities with potential speakers at our events. I am sorry for this mistake. We will learn from this and do better in the future.

(2) FOR FAN MAIL. The US Postal Service will have a Dungeons & Dragons-themed stamp issue this year: “USPS Reveals Additional Stamps for 2024” at American Philatelic Society.

This stamp release marks the 50th anniversary of Dungeons & Dragons, described by its owners as the World’s Greatest Role-playing Game, that has become a cultural phenomenon. By inviting participants to imagine themselves as wizards, warriors and other adventurers in exciting and treacherous fantasy worlds, Dungeons & Dragons opened doors to whole new universes of creativity for generations of players. The pane of 20 stamps features 10 different designs that highlight characters, creatures and encounters familiar to players of the game. Greg Breeding, an art director for USPS, designed the stamps and pane with existing illustrations.

(3) TWO TO TANGO. The Guardian brings news of an unexpected collaboration: “Keanu Reeves and China Miéville to release collaborative novel The Book of Elsewhere”.

…Their joint novel is titled The Book of Elsewhere and is set in the world of the BRZRKR comic book series created by Reeves, first published in 2021. It follows an immortal warrior on a millennia-long journey to understand his immortality.

The novel is due to be published on 23 July by Penguin. Reeves, who is best known for his roles in The Matrix and John Wick franchises, said it was “extraordinary” to work with Miéville. “China did exactly what I was hoping for – he came in with a clear architecture for the story and how he wanted to play with the world of BRZRKR, a world that I love so much. I was thrilled with his vision and feel honoured to be a part of this collaborative process.”…

…“Sometimes the greatest games are those you play with other people’s toys,” said Miéville on the collaboration. “It was an honour, a shock and a delight when Keanu invited me to play. But I could never have predicted how generous he’d be with toys he’s spent so long creating,” he added….

…Upon its release, BRZRKR, created with writer Matt Kindt and artist Ron Garney, became the highest-selling original comic book series debut in more than 25 years. The comic will also be adapted into a live-action Netflix film starring Reeves and an anime series….

(4) ON THE ROAD AGAIN. Annalee Newitz soon will be touring to promote their far-future epic The Terraformers. Check the venue website to reserve free tickets.

(5) ALDERMAN Q&A. NPR interviews Naomi Alderman whose new book “’The Future’ asks if technology will save humanity or accelerate its end”.

NPR’s Ari Shapiro speaks with author Naomi Alderman on her new novel, The Future, which asks whether the giants of technology more likely to save humankind or accelerate its end.

…ALDERMAN: When I heard about these billionaires building their bunkers, I immediately thought of Lot. So this is a story that is about how you cannot escape from a terrible situation. If you think that, oh no, I’m powerful; I can escape; I can go to my bunker; I’m going to be all right, you just have to know that you take it with you. On a more broad level, I think Bible stories, particularly the stories of Genesis – I grew up reading them in the original Hebrew because I grew up very religious Jewish. And it seems to me that those stories are the foundations of what we might call Western civilization now, and we have sort of ceded them to religious education. So you learn those stories if you have a strong biblical schooling where you’re maybe taught that all of this is literally true, but actually, they’re incredibly important stories.

SHAPIRO: So, like, everybody can talk about the lesson of Icarus. Don’t fly too close to the sun.

ALDERMAN: Right…

(6) HE FOUGHT THE LAW AND THE LAW LOST. AND SO DID HE. Norman Spinrad’s latest “Norman Spinrad at Large” tells why he hasn’t had a new novel out for years.

…When I read that I am “One of the Four “Great Speculative Writers of the Past”  I feel that I’m reading my own obituary. Sometimes when I am asked about things of my history I feel like I’m writing it.  

Which, I suppose, is one good reason to let my Wikipedia answer such questions instead of myself. When I’m interviewed I’m much more interested in talking about what I’ve written about than talking about myself.

And another reason is that I don’t have time for much of such pondering of my past. I am indeed still crazy after all these years.  Since my last new published novel THE PEOPLE’S POLICE in 2017 I’ve written dozens of  my On Books column in Asimov’s. Songs.  Journalism. This and that in the arts world. Political screeds. Published short stories and novellas, some of which are waiting to become a novel. Even  a full first draft of a novel which needs a proper publisher with a good editor.

So why have I not published a new novel since THE PEOPLE’S POLICE in 2017?

That’s a story you won’t find in my wikipedia. That’s a story that is still going on.

There is a lot of talk today that because of the Woke vs. Maga literary political war,  white male writers are finding it unfairly difficult getting their work published. Well, I confese that I am a white man, but I don’t think that is what had happened to me. 

What Tor books did to THE PEOPLE’S POLICE is why I haven’t been able to publish a novel ever since. My editor on it there was the great David Hartwell.  I was so confident of what he would  do for the publication that Dona and I went to  New Orleans on our own money to shoot promotional video for the book, knowing of course that Tor itself would not pay for any such thing.

But when we came back to New York, the shit hit the fan. David Harwell died in an accident, which among other things, turned THE PEOPLE’S POLICE into what is called a orphan book, meaning no one in Tor championed its publication.  A horrible cover of a black cop and a white cop back to back on the hardcover against what the novel was actually hopefully about.

No one showed me the cover until it was too late to change,, telling me that David had approved it while he was still alive without showing it me, which he never would have done, and Tor refused to do anything at all with the videos that we had fronted with several thousand dollars of our money or even spend any at all on promoting the book.

What with the cover and the refusal of Tor to spend anything at all,  what could have been a big seller at least in the South, the hard cover sanked.  As you might imagine, I was not amused, but I thought a good cover, a just conver, could be put on the trade paperback, and Tor would have the freebee video for nothing.

Instead I was told that there would be no trade paperback. Well I was already crazy and did what most writers were not crazy enough to do. I went to war with Tor.  And I won it. I got back my novel away from them so that I could at least create my own trade paperback on Amazon where it still is the only place you can find it.

But I paid a high price for my victory.  I lost my agent because no agent can fight on the side of his writer against a publisher, and indeed shouldn’t for the sake of his other writers.  And by then, it was becoming just about impossible get a proper publisher to even look at a novel except through an agent.  And thusfar  there has been no agent willing to  take a chance on “One of the Four Great Speculative Writers of the Past.”…

(7) DARRAH CHAVEY OBITUARY. Wisconsin fan Darrah Chavey died January 6, 2024 from complications of heart surgery.

He was a mathematics professor at Beloit College in Wisconsin, teaching Computer Science, Ethnomathematics, and Ballroom Dancing.  

He was a member of the Beloit Science Fiction and Fantasy Association.  He was an active volunteer in putting on WisCon for a number of years, including running the “Internet Lounge”.

As a contributor to the Internet Science Fiction Database, one of his specialties was SF by women authors, especially works before the mid-80’s. Some of his research was captured on the SF Gender page.

He is survived by his wife Peggy Weisensel Chavey and other family members.

(8) TERRY BISSON (1942-2024). Author Terry Bisson died January 10 at the age of 81. He was especially well-known for short stories including “Bears Discover Fire”, winner of the Hugo and Nebula and Theodore Sturgeon Memorial awards, and ”They’re Made Out of Meat”. His story “macs” also won a Nebula (2001), as well as French and Spanish sff awards.

He recently was profiled in The New Yorker, “Terry Bisson’s History of the Future”, which noted his beginnings in the sff field.

…He sold his first science-fiction novel, “Wylrdmaker,” to the publisher David Hartwell in 1981, for fifteen hundred dollars. The novel was pulp: it told the story of Kemen of Pastryn, a satirical futuristic version of Conan the Barbarian. It wasn’t the book Bisson wanted to write, he told me, but “it was the smartest thing I ever did. That’s when I discovered you didn’t have to be fucking Hemingway or Fitzgerald to write a novel.” His second novel, “The Talking Man,” was more of a passion project—it was a fantasy novel set in the rural South, with junkyards instead of castles…

He also wrote many film novelizations, including William Gibson’s Johnny Mnemonic; Virtuosity; The Fifth Element by Luc Besson; Alien Resurrection; Dreamworks’ Galaxy Quest; and The Sixth Day, and three Jonny Quest novels, plus other media tie-in novels.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1987 — Sharyn McCrumb’s Highland Laddie Gone, published in hardcover by Avon Bokks thirty-seven years ago, is the third of the Elizabeth MacPherson mysteries and I think can safely discuss the setting of this novel and the prime character. 

Sharyn McCrumb I’ve covered before, looking at several of her Ballad novels here as well as the genre Jay Omega series as well.  

These novels are apparently her take at Agatha Christie as she has told interviewers. Now I don’t see that when I it read them but none-the-less Elizabeth MacPherson, forensic anthropologist, who’s from Scotland is a delightful central character. 

Most of these novels are set in the mid Atlantic region of the States, and this one was no exception. The mystery is set at a Highland Games of which there are some hundred in the US alone. Now consider men wearing kilts, haggis on a stick, far too many bagpipes (and I like them) and way too much Scottish themed junk for sale. And everyone is of course Scottish for the day. Now she, our writer, manages to find the humor in all of that and make it quite interesting. 

(Yes, I’m part Scottish. Scotch-Irish on my maternal side. No, not Scottish-Irish as I had to explain to more one person who said Scotch was a drink. Scotch-Irish are descendants of Ulster Protestants who emigrated from Ulster to North America during the 18th and 19th centuries. And I’m Welsh on the paternal side.) 

MacPherson has to solve her mystery while dealing with the eccentric culture of the Highland Games. I think that McCrumb did a spot-on job of capturing the feel of those games. 

Here’s our Beginning…

CLAN CHATTAN 

Dear Elizabeth, How are you? It’s been ages! Due to a security leak in your organization (your mom), I have obtained your address and am writing to ask a favor. (In business school they teach us to come to the point in the first paragraph.) Did you know that I’m getting my MBA at Princeton! The folks are so thrilled about it—Daddy’s plastered bumper stickers on every vehicle we own, even the riding lawn mower. It’s quite sweet, really, to see them so happy. Your mother didn’t say what you were doing. 

Haven’t seen you at the Highland games festivals since high school. You really ought to come to one. Surely you’re not still upset about the dance competition. Goodness, there’s so much more to a festival than that! There’s the hospitality tent, and the nametag chairman. Not everybody is meant to be graceful, you know. 

Anyway, I hope I can persuade you to come to the Labor Day games (see enclosed brochure), because there is something that I need a volunteer for. You remember Cluny, don’t you? He’s fine, as reserved as ever. For the past two years, I’ve been the person in charge of him for the festivals. You know how they like a pretty girl to show him off. Well, this year I simply can’t come! I’ll be in Europe during term break with my flatmate. So, I need someone to take my place. Buffy and Pax and Cammie-Lynn were all booked up, so I’m hoping that you’ll show the old Clan spirit and volunteer for the job. But if you can’t afford it, do say so, and I’ll understand. 

Please let me know soon about this. I’m off to Europe next week. Oh, and what have you been doing lately? Teaching? Got to run! 

Mary-Stuart Gillespie

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 10, 1957 George Alec Effinger. (Died 2002.) I first experienced him when I read the Marîd Audran novels (Gravity FailsA Fire in The Sunand The Exile Kiss). Though he set them in a 22nd-century Middle East, the setting isn’t really faithful to that reality but reflects more the city of New Orleans where he lived much of his life. Truly exceptional novels. 

He started work on a fourth Audran novel, Word of Night, but died before that work was completed. The existing two chapters of Word of Night that he did complete are now available in Budayeen Nights, along with the other Budayeen stories and some other short stories as which was edited by Marty Halpern at Golden Gryphon. 

The “Schrödinger’s Kitten” novelette won a Hugo at Noreascon 3, it also garnered a Sturgeon and Nebula too;  his “Marîd Changes His Mind” novella was nominated for a Nebula but was withdrawn for a Hugo after the nomination was declined. 

He wrote a lot, and I do mean a lot, of novels besides the Marîd Audran works  but I’ll confess that I’m largely unfamiliar with most of them. I’ve immensely enjoyed The Red Tape War co-written with Resnick and Jack L. Chalker, but that’s it. Anyone care to give an opinion on the rest of his novels? 

I see he did the scripts for about a dozen comics, one of which was “The Mouse Alone!” in which he created the character of a young Gray Mouser. Huh. That was the Sword of Sorcery #5 issue, DC Comics, Nov.-Dec. 1973. 

And I was surprised to learn he did a Sandman story as well, “Seven Nights in Slumberland” which ran in The Sandman: Book of Dreams. I must’ve read it at some point as I read that anthology. It’s a very good anthology too.

Planet of the Apes novels? Really? Anyone here read these? 

George Alec Effinger in 1988. Photo by and (c) Andrew Porter.

(11) ANNIVERSARY CELEBRATION.

[Item by Cat Eldridge.]

2001–So this date was when The Lord of the Rings: The Fellowship of the Ring film was premiered at the Odeon Leicester Square in London twenty-three years ago. 

I don’t as a rule watch films or series based off literary works that I deeply, madly love. That’s because I’ve got in my mind’s eye my own vision of what each character looks like already, what the landscape is and so forth. So I’m usually disappointed by what is visually created by even the best of our video creators.  Not their fault of course. 

I cannot begin to remember the number of times that I’ve read The Fellowship of the Ring as it is a novel that I both deeply loved and found to be one that I find always is fresh when I read it. Forty years on since by my first reading of it and now I’m listened to being the tale narrated by Andy Serkis, and I was once again deeply and fully delighted by this story as written by Tolkien.

The very first words of “When Mr. Bilbo Baggins of Bag End announced that he would shortly be celebrating his eleventy-first birthday with a party of special magnificence, there was much talk and excitement in Hobbiton” were enough to draw me and they’ve drawn me ever since. The rest of the novel is just as good. 

So did Peter Jackson do that to me? Very much not at all. He was faithful to the source material as he much as could be given the difference in story telling mediums, and the script as written by him, his wife Fran Walsh and Philippa Boyens (they were the writing team for all of the Tolkien films) was quite delightful indeed.

The actors? Stellar they were, one and all in creating the feel that characters of this novels had come alive. I can’t possibly detail all of them here. I really can’t. My favorites? Ian Holm as Bilbo Baggins, Elijah Wood as Frodo Baggins, Ian McKellen as Gandalf and John Rhys-Davies as Gimli. Those are my favorite actors the first time that I watched it and they remained so with repeated reviewings. 

McKellen it is said by several sources was the fourth choice as the first three approached to play that role turned it down because of ill health — Patrick McGoohan, Anthony Hopkins and Christopher Plummer. 

Oh and the universe they inhabited.  John Howe and Alan Lee were deeply involved as conceptual artists throughout the project, Lee mainly on the architecture such as creating Hobbiton; Howe on characters such as Gandalf, the Ents and the Balrog. Weta was responsible first such things as armour, miniatures and weapons. 

Oh those Ents. They were just what I expected them to be, perfectly realised to be what was in my minds eye. I did look for a nicely crafted one after the film came out even then they were they were running well several hundred dollars unfortunately. Still want one to have who will sit among my plants here. 

So let’s not forget the New Zealand landscape standing in for Middle-earth.  It worked magnificently as it has on oh so many occasions for other series and films now. I felt like I was seeing Middle-earth made real. 

So I fell in love with it and have stayed so. And therefore I’m not at all surprised that it won at Hugo at ConJosé. It certainly deserved that Hugo. 

(12) COMICS SECTION.

  • Baldo isn’t sure what he can buy with this.
  • Shoe features a writer with a disturbing perspective.

(13) NEXT TREK. “Star Trek: New Movie in the Works at Paramount Set Before 2009 Film” according to The Hollywood Reporter.

After years of stops and startsParamount is making a step toward returning Star Trek to the big screen. Toby Haynes, who directed episodes of of the Star Wars series Andor, will helm a new feature, with Seth Grahame-Smith writing.

This would mark the first feature for Haynes, who helmed the dark, celebrated Star Trek-inspired episode of Black Mirror, “USS Callister.”

Deadline’s article adds, “Insiders add that the final chapter in that main series, Star Trek 4, remains in active development.”

(14) THE APPRENTICE RETURNS. The Mary Sue rejoices: “Heck Yeah, We’re Getting Season 2 of ‘Ahsoka’!”

Ahsoka‘s renewal is welcome, if unsurprising. The series premiere got 14 million views in the first five days following its premiere, and the series holds an 86% fresh rating on Rotten Tomatoes. Ahsoka joins Andor, which is also getting a second season.

Ahsoka stars Rosario Dawson as Ahsoka Tano, a former Jedi Padawan apprenticing under Anakin Skywalker. Dawson first played the character in season two of The Mandalorian followed by an appearance in The Book of Boba Fett. The first season of Ahsoka premiered on Disney+ in August 2023 with 8 episodes….

(15) EXPOSURE. The LA Public Library announced a way for indie authors to submit their e-books for circulation. The info doesn’t discuss any payment for authors.

The Los Angeles Public Library is partnering with BiblioBoard to bring the Indie Author Project public library e-book discover service to L.A. residents.

Indie Author Project provides L.A.’s self published authors a wonderful opportunity to submit their e-book for circulation at LAPL, libraries throughout California, and possibly libraries nationwide. This is a great way to reach a wider reading audience and build buzz on your book.

Indie Author Project also provides adventurous readers access to exciting new literary voices in a variety of genres. Discover a great new author before they make it big!

Click here if you are interested in submitting your title and read the terms of agreement.

Submissions must be in the epub or pdf file format—here are a few sites that provide simple free tools to convert files from MS Word to epub: Online-ConvertZamzar. Or, use our free Pressbooks tool to create a professional quality formatted ebook file.

(16) ARTIST INTELLIGENCE. [Item by Steven French.] What do you do when you don’t have a photo to go with a creepy story about a Tennessee ghost or an Aboriginal Australian cryptid? You ask an illustrator for an equally spooky image of course! Atlas Obscura shared its best illustrations of the year: “In 2023, We Illustrated the Darkest Corners of the Human Imagination”.

At Atlas Obscura, we’re always curious about the unusual, and that doesn’t always lend itself to photos. So we turn to an amazing army of illustrators to bring readers into our stories. This year, we noticed that many of our favorite illustrations were commissioned to depict the dark and the mysterious—pretty on-brand for us—whether it’s of menacing creatures of the spring, un-jolly characters of Christmas, or myths of the Egyptian underworld. Our artists around the globe took on the art direction challenges with spooky glee, and brought these unearthly stories to life with bewitching visuals….

…Illustrator Harshad Marathe generally enjoys working on otherworldly subject matter, such as mythology, or creatures, demons, and dieties. So he took naturally to the Egyptian sun god, on a boat towed on snakes, in a desert. He conceived other trippy and colorful scenes for our series on Egypt’s netherworld, a highlight of our annual month-long Halloween bacchanalia….

(17) VIDEO OF THE DAY. The trailer has dropped for Monolith, available in theaters and on digital beginning February 16.

While trying to salvage her career, a disgraced journalist begins investigating a strange conspiracy theory. But as the trail leads uncomfortably close to home, she is left to grapple with the lies at the heart of her own story.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Ita, Kathy Sullivan, Carl, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 12/23/23 He Was Scrolling Pixels When Scrolling Pixels Wasn’t Cool

(1) FOR ART’S SAKE. If you want to read “Bodily Autonomy in the Murderbot Diaries: Martha Wells Interviews Herself and ART” you need to buy F(r)iction’s “The Bodies Issue (No. 20)” – digital for $12, print & digital for $20. But Murderbot, right?!

(2) GET READY FOR SMOFCON $ALE. Marah Searle-Kovacevic, Chair, Smofcon 41announced they will be having a post holiday membership sale! From December 26-31, attending memberships will be $65! Get yours, they’ll never be any lower! Sign up here starting next week: “Membership – Smofcon 41”

(3) WORLDCON BID Q&A SESSIONS. [Item by Kevin Standlee.] SMOFCon 40 allowed the Worldcon Events YouTube channel to extract the presentations from past and future Worldcons and from those bids who had representatives either in person or remotely.

I tried to trim these down to just the presentations/Q&A, not including the changeover time between presenters or any issues with getting the tech set up.

There were presentations from the following Worldcons and bids:

None of the other bids that have previously announced interest and that are currently listed on our Worldcon bids page (Tel Aviv in 2027, Brisbane in 2028, Texas in 2031, Minneapolis in 2073) had representatives at SMOFCon 40.

(4) TALKING ABOUT TOLKIEN. Tom Emanuel of the University of Glasgow is looking for nonreligious people to interview about Tolkien:

Are you a fan of The Lord of the Rings? Do you identify as nonreligious? Would you be interested in talking to me (Tom Emanuel) for 1-2 hours about why you love Tolkien?

If you answered “yes” I would love it if you filled out this questionnaire for my PhD research at the University of Glasgow!

Robin Anne Reid forwarded the request with a couple of links to Tom’s previous scholarship that is open-access if people are interested in seeing what sort of work he does in Tolkien scholarship. 

(5) GOBLIN SONG FALLING AFTER SPLASH DEBUT. [Item by SF Concatenation’s Jonathan Cowie.] After climbing to number 12 in its first week in release, Doctor Who’s “The Goblin Song” has now slipped to 52 on UK charts.

There had been a concerted campaign to make it number one.

(6) MIKE NUSSBAUM (1924-2023). [Item by Cat Eldridge.] Actor Mike Nussbaum was The Principal in Field of Dreams, Gentle Rosenberg in Men in Black, Yuri Rosanov in Early Edition, and Mr. Wallace in The Water Engine. Look the last one up, it’s fascinating. No series work at all of a genre nature save a character on the Twilight Zone Radio Dramas called Nathaniel Harris. 

Deadline’s complete tribute is here: “Mike Nussbaum Dies: Veteran Actor In ‘Men In Black’ And ‘Fatal Attraction’ Was 99”.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

December 23, 1960 Twilight Zone’s “The Night of The Meek”

On December 23rd in 1960, Twilight Zone’s “The Night of the Meek” first aired. It was one of the six episodes of the second season which was shot on videotape in a failed attempt saved to cut costs. Networks and their bean counters.

This was a Christmas themed story with Art Carney as a Santa Claus fired on Christmas Eve who finds a mysterious bag that gives an apparently unlimited stream of gifts. But before we learn that we have this opening scene and narration:

As snow begins to fall, a drunk Henry Corwin ((Carney) wearing his Santa Claus suit, leans against a curbside lamppost. He is approached by two tenement children begging for toys, a Christmas dinner, and “a job for my daddy.” As he begins to sob, the camera turns to Rod Serling standing on the sidewalk:

This is Mr. Henry Corwin, normally unemployed, who once a year takes the lead role in the uniquely popular American institution, that of the department-store Santa Claus in a road-company version of ‘The Night Before Christmas’. But in just a moment Mr. Henry Corwin, ersatz Santa Claus, will enter a strange kind of North Pole which is one part the wondrous spirit of Christmas and one part the magic that can only be found… in the Twilight Zone.

The script would be used over in the Eighties version of this series and on the radio program as well. 

Serling ended the original broadcast with the words, “And a Merry Christmas, to each and all”,  but that phrase was deleted in the Eighties for reasons never made clear and would not be back until Netflix started streaming the series. The series runs on Paramount+ now in its original full, uncensored version. The line is still missing from all the DVD versions.

John Fielder who is Mister Dundee here would have a second Twilight Zone appearance in “Cavander is Coming” in which he has the lead as the Angel Harmon Cavender.

Oh, and let’s note that it’s a cat that mysteriously starts off this tale by knocking down a large burlap bag full of empty cans, which when Corwin trips over it, is then filled with gifts. See cats are magical! 

Serling ends with this narration:

A word to the wise to all the children of the Twentieth Century, whether their concern be pediatrics or geriatrics, whether they crawl on hands and knees and wear diapers or walk with a cane and comb their beards. There’s a wondrous magic to Christmas and there’s a special power reserved for little people. In short, there’s nothing mightier than the meek. And a Merry Christmas to each and all.

(8) COMICS SECTION.

  • Tom Gauld’s Christmas shopping advice.
  • Or maybe the person on your list has dropped a heavy hint?

(9) SNYDERVERSE’S LATEST. Camestros Felapton has a very wry way of telling everyone how little he thinks of Zack Snyder’s new production: “Review: Rebel Moon (Netflix)”. There are three or four lines even funnier than this:

…This is Part 1 of 2. The Seven Samurai haven’t got to the village yet, Thanos knows Gamora is leading them and Darth Vader isn’t actually dead (spoiler), so there is a lot to expect in Part 2 including the whereabouts of the magic space princess….

(10) THE VOICE-CLOCK SANG. The National Review pointed readers to “Ray Bradbury’s ‘There Will Come Soft Rains’” with a commentary by Luther Ray Abel that says in part:

…Something splendid this way comes from “Rains”: its treatment of the works of man. Even the seemingly immortal machines we build — contraptions subservient to our whims and intelligence that can operate without our input — will disappear in time, much faster than one would expect, even.

There’s this idea from the utopianists among us, many of them progressives, that technology will undergird the socialist state — that objects will remove the necessity for man to do and to make, and, ultimately, be answerable for anything. Scruton refuted this irrational optimism as only he could, “[Political optimists] ignore or despise the findings of experience and common sense. The millions dead or enslaved do not refute utopia, but merely give proof of the evil machinations that have stood in its way.”

There is nothing inherently wrong with technology, but with its false promises, we pick through the ruins of Babel and dream of raising her again. Man cannot save himself, even with infinite microprocessors and processes. To think of technology as anything other than a temporary salve — a way to soften the effects of the Fall — is folly; the family vaporized on the wall of their home consider the purported benefits of progress fatally unfulfilling….

(11) TYPE LIKE TOLKIEN. Slashfilm has its Eye on “Cool Stuff: Colorful Lord Of The Rings Custom Keyboards Come In Elvish, The Black Speech & More”.

Taking cues from the various realms of Middle-earth… Drop’s keyboards and keycaps utilize various fantastical languages, including Elvish, Dwarvish, and even the sparsely spoken Black Speech that adorns the Ring of Power, to give your mundane keyboard a beautiful upgrade. Don’t worry if you don’t speak any of those languages fluently; these keyboards still have English where needed to define keys you might not use frequently….

With another green color scheme, you might also be interested in the Elvish keyboard featuring custom artwork by OSHETART depicting the Two Trees of Valinor (because the time of the elves is not over)….

(12) CHECKING IT TWICE. Santa’s feeling the last-minute stress, too, in this old Emsh cover for Galaxy Magazine.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Robin Anne Reid, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 12/21/23 Scrollabye Of Cordwainer Birdland

(1) BRAND NEW AUDIO FEATURE. Daniel Dern sent a music video playlist to accompany his Pixel Scroll title today.

“Lullabye of Broadway” (from 42nd Street)

“Birdland”

Optional play(list)

(2) NEW VOICE CHIMES IN. There’s a slight changing of the guard at the “Worldbuilding for Masochists” podcast. Marshall Ryan Maresca and Cass Morris will now be joined by Natania Barron, who’s taking over from Rowenna Miller.

Cass Morris made the announcement on her Scribendi newsletter.

There’s been some change and excitement on the Worldbuilding for Masochists podcast! Rowenna Miller, who’s been a co-host since the beginning, is stepping back for reasons of Life And Everything. She’s not disappearing forever; she’s still working on the anthology with us, and we’ll certainly pull her in to be a guest in the future. Marshall and I will miss her, but we’re also very excited to welcome Natania Barron as our new co-host!

Natania is a fantastic person who I first met through, if I’m remembering it correctly, yelling about corsets on Twitter-that-was. She had the popular #ThreadTalk feature there, showcasing her expertise as a fashion historian. She’s also a medievalist and Arthuriana-ist! I got to hang out with her at ConCarolinas a couple of years ago, and she’s as delightful in real life as she is online. Listeners can get to know her a bit in this week’s episode, Passing the Torch.

(3) THE RUNAWAY BRIDE IS RUNAWAY WINNER. When Radio Times finishes counting the votes, “David Tennant bests Matt Smith in Doctor Who Christmas episode poll”. And Cat Eldridge says, “Why we should be in the least bit surprised that David Tennant bested Matt Smith in this particular poll?” He’s been the best loved Doctor of the modern era in almost every poll taken, if not all of the them.

… The first round, in which they were split by Doctor (with the Tenth Doctor getting two separate polls due to the vast number of his specials) saw The Runaway Bride, The End of Time Part 2, A Christmas Carol, The Husbands of River Song and Eve of the Daleks all sail through.

Meanwhile, in the second round, it was just The Runaway Bride and A Christmas Carol which made it through, with the former going on to take the crown, with 53.4 per cent of the final vote, against the latter’s 46.6 per cent….

(4) MAIL FROM THE NORTH POLE. [Item by Steven French.] This is well known but it’s still lovely to see his drawings: “J.R.R. Tolkien Is Our Favorite Father Christmas” at Atlas Obscura.

On December 24, 1920, J.R.R. Tolkien sat down in his study and wrote a letter to his three-year-old son, John, who had recently asked about Father Christmas. In spidery handwriting, in red ink, Tolkien replied as Father Christmas (the English folkloric figure now widely equated with Santa Claus), addressed from “Christmas House, North Pole.”

The accompanying picture that he drew is charmingly Tolkien-esque. A red-coated figure with a long white beard and a rosy red nose walks through the snow. His dome-shaped house glows from a wintery hillside, at the end of a staircase lit with lanterns.

For the next 23 years, every Christmas Eve, Tolkien wrote a letter to his four children from Father Christmas. What began as short, informative letters—“I am just now off to Oxford with a bundle of toys”—evolved into longer tales about life at the North Pole. The 1932 letter begins, “Dear Children, There is alot to tell you. First of all a Merry Christmas! But there have been lots of adventures you will want to hear about. It all began with the funny noises underground … ”

(5) A MOVING TRIBUTE. “Lord Of The Rings Lego Rivendell Set Comes to Life in Epic Stop-Motion Video” at Nerdist.

Earlier in the year, Nerdist went on its own epic journey and built LEGO’s Rivendell set. As expected, the results were astounding. The build features all the hallmarks of The Lord of the Rings movies’ elven sanctuary, including the bridge and gazebo where Arwen and Aragorn share a moonlit moment and the Council Ring where our favorite fellowship forms. Not to mention, it comes with 15 Minifigures. In short, it gives you everything you need to recreate sequences from the beloved franchise in LEGO form. And in a gorgeous stop motion video, shared by Warner Bros. itself, DigitalWizardsStudios did exactly that. Watch as LEGO’s The Lord of the Rings Rivendell set transforms into a stop-motion animation masterpiece that reimagines all our favorite cinematic scenes….

(6) OCTOTHORPE. Episode 99 of Octothorpe is “Keep Sending Ops Until They Fix It”.

Merry Christmas! The three of us are scattered to the four winds this week, so we’ve recorded something to tide everyone over until 2024. We play “If I Ran the Zoo…Con”, a game which models conrunning. Will we succeed in running a great convention? Or will our decisions have dire consequences? Listen here, and we’ll see you next year! 

(7) HARLAN’S 4-HOUR CAREER AT DISNEY. Part of Lifehacker’s article “Is Disney Actually Woke, or Is It All a Conspiracy Theory?” detours to pull in this story:

Truth: Harlan Ellison was fired from Disney for imitating Disney characters having sex

Irascible science fiction writer Harlan Ellison once worked for Disney, and according to an autobiographical essay in his 1982 book Stalking the Nightmare, Ellison’s tenure ended after one day at lunch with his co-workers when he jokingly suggested Disney should make a porn movie starring his well-known creations. He then acted out the noises various Disney characters might make in said porn movie. What Ellison didn’t realize was that Roy Disney was at the next table and overheard the whole routine. Roy apparently didn’t find it amusing, and Ellison was terminated. 

Yes, it’s true. And Harlan tells the story in full, complete with dialogue and sound effects, in “The 3 Most Important Things in Life” at the Internet Archive.

(8) IN CASE YOU DIDN’T KNOW. [Item by Daniel Dern.] There’s only a few interesting (to me) bits in “10 Things You Didn’t Know About Flash Gordon (1980)” but watching this is enough to add a re-re-watch to my mental list (particularly now that I’m somewhat more attuned to the sound of Queen). Two particular Things to report:

  • George Lucas originally wanted to make the movie, but that didn’t happen. So instead, he went on to create his own space opera. (The one with the Force and lightsabers etc.)
  • Music almost done by Pink Floyd rather than Queen. That would have been very different!

Also, there’s several cast overlaps between this movie and Bond movies.

(9) DR. JAMES HOSEK (1964-2023). The SFWA Blog paid tribute to Jim Hosek, who died December 3. “In Memoriam: Jim Hosek”.

Dr. James Hosek (13 October 1964 – 03 December 2023) known to many in the community as Jim, was a writer of veterinary mystery and philosophical humor. Especially proud of his role as Nebula Award Commissioner, his own story “Total Loss” was published in Analog Science Fiction and Fact magazine. He wrote the Dr. At stories about a house call veterinarian who lands in the middle of mysteries, and the novel, A Really Good Day, a lighthearted and humorous story about an underdog golfer whose story of an incredible single day on the course finds an unexpectedly happy ending….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 21, 1937 Jane Fonda, 86. I know that I saw Barbarella, her seventeenth film, on a large screen  but it would been years after it came out so this was one of the arts cinemas, and I’m guessing it was in Seattle. It’s a very impressive looking film though I’m not sure I can say much for the script. 

Roger Vadim, the director had attempted to cast other actresses to wit Brigitte Bardot, Virna Lisi and Sophia Loren for this role before choosing Fonda, his wife. I wonder what he’d have done if she turned him down?

So what else for genre roles? Well she’s Countess Frédérique de Metzengerstein in the “Metzengerstein” story of the three stories in Histoires extraordinaires directed by Roger Vadim, Louis Malle and Federico Fellini. It was dubbed in English as Spirits of The Dead.

Next up is Klute which I know as a “neo-noir psychological thriller” isn’t even an associational mystery but I think her role in it is fascinating so I’m including it here. 

The Blue Bird in which she played Night being a children’s fantasy is most definitely in our wheelhouse. It was the fifth screen adaptation of the play, following two silent films, the studio’s 1940 version starring Shirley Temple, and a 1970 animated feature. 

This was Twentieth Century Fox’s attempt forty-seven years ago at recapturing the magic of the highly successful Temple version. It was a disaster.  Interesting note: Elizabeth Taylor who had a lead role here approached David Bowie to star in the film but he turned it down.

In Elena and the Secret of Avalor, she has her first animated voicing gig as Shurkiki. Next in Luck, she’s voicing Babe, a female dragon who is the really cheerful Good Luck CEO. Finally, she voices Grandmamah, the Warrior Queen of the Seven Seas in the Ruby Gillman, Teenage Kraken film. 

(11) I’VE GOT A SECRET. [Item by Andrew (not Werdna).] Critic Peter C. Baker says “Joanne McNeil’s ‘Wrong Way’ Takes the Shine Off the Self-Driving Car” in The New Yorker.

For sci-fi writers, driverless cars have long been a supremely efficient shorthand for dramatic change, an effective way of immediately grounding a story in the future, where things are different. The Czech American physician and author Miles J. Breuer’s 1930 novel, “Paradise and Iron,” is set largely on an island where most technology works without human input.  The narrator gets a “queer feeling at the complete absence of wheel and gear-shift levers,” or any person operating them. Sci-fi storytellers have been leveraging that queer feeling ever since, often-in the case of movies-with help from carmakers. Audi helped design the autonomous cars in “I, Robot” (2004) and “Ender’s Game” (2013), which concretize the films’ visions of the future.. But what happens when a long-standing symbol of the future arrives in reality? How do you write about it?

Joanne McNeil’s début novel, “Wrong Way,” is a useful literary bellwether of this shift: a novel about the self-driving-car business that feels less like a vision of the future than a dispatch from the present. The story is told from the perspective of Teresa, a forty-eight-year-old Massachusetts woman who responds to a vague “Drivers Wanted” Craigslist ad posted by a recruiter on behalf of a Google-ish tech conglomerate called AllOver. At her orientation, she’s shown a video advertising an AllOver driverless electric taxi called the CR. But each CR, it turns out, has a human backup operator stashed inside, hidden from passengers, watching the road on a video screen. Teresa is a safety driver, of sorts, but a secret one: her passengers, she’s told, won’t know she’s there….

(12) TARNATION. At The Mary Sue, Jack Doyle sure has a funny way of celebrating that “’La Brea’ Is Returning To Wreak Prehistoric Havoc on Los Angeles”.

….What I want is to go out into my backyard on Christmas morning, where I have left the figgy pudding from the night before to congeal in a kiddie pool. I will then strip naked in the cool December air, and submerge myself entirely in the figgy pudding. And I will lie there in wait, for thousands—perhaps millions—of years. At least until a concerned relative comes out to check on me. Then I will leap out from the figgy pudding, roaring like a saurian of old, and pounce upon my in-laws who made the foolish decision of attempting to look out on the backyard Christmas lights in my domain. Dinosaurs are not merciful, and neither am I.

That is why—more than anything in the world—I want La Brea season 3 to arrive as soon as possible. I wish to learn the hunting skills of the dinosaurs of old. I will wait. I am many things, but above all else … I am patient….

(13) WARHAMMER COMING TO PRIME. T3 reports “Amazon Prime Video is new home to the most exciting sci-fi TV and movie franchise out there” – streaming content based on the Warhammer 40,000 tabletop games by Games Workshop.

…Games Workshop has confirmed that the contract has been signed and Warhammer 40K movies and TV shows are planned for Amazon Prime Video….

…There’s certainly a wealth of stories that can be told within such a massively detailed franchise. Warhammer 40,000 was first created as a tabletop wargame offshoot of the fantasy equivalent Warhammer in 1987. Since then, it has been expanded upon greatly, with hundreds of novels, video games, and rulebook revisions now available.

What made it unique at the time is that it combined the fantasy theme of Warhammer including orcs, goblins, and necromancy, with the high tech, spacefaring tropes of sci-fi. Oh and guns… many, many guns….

…It will certainly make for a visual feast when it finally does make it onto our screens via Amazon. However, don’t expect it anytime soon – Games Workshop warns that it could take years yet: “TV and Film production is a mammoth undertaking. It’s not unusual for projects to take two to three years from this point before something arrives on screen,” it said….

(14) BURIED ALIVE. NPR’s “The Indicator from Planet Money” feature tells “What Coyote vs. Acme reveals about Hollywood economics”. Audio – no transcript.

The movie Coyote vs. Acme was set to release this summer featuring characters from the iconic Looney Tunes cartoons. The studio behind the film, Warner Bros. Pictures, had some other ideas. Instead of releasing the completed film, the studio canceled Coyote vs. Acme, with no intention of ever releasing it.

Today on the show, we explain the Hollywood economics behind why Warner Bros. Discovery might not want to release movies that its own studio spent years putting together.

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Andrew (not Werdna), Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/18/23 Happiness Is A Scrolled Pixel

(1) CAN YOU DIG IT? “And the winner for San Jose BART’s boring machine name competition is…” The Mercury News tears open the envelope.

After more than 400 submissions and 1,175 votes on a name for San Jose BART’s tunnel boring machine, we have a winner — and it’s sure to make sci-fi fans giddy.

“Shai-Hulud” came in first place, with 229 votes, a nod to the sand worm creatures in the popular “Dune” novels and movies that many readers say resemble the boring machine that will carve a nearly five-mile tunnel underneath San Jose for the future BART extension. The Valley Transportation Authority purchased the $76 million dollar device in November from Germany and it will be shipped to the South Bay in pieces before being reassembled. Construction is set to begin in 2025.

…In second place is “Boris,” with 220 votes. In third: “Chewy” with 200 votes.

Here are the names that didn’t make it into the top three for BART’s project:

– Diggy McDigface – 127 votes

– Dionne Warwick (Grammy Award-winning singer of “Do You Know the Way to San Jose”) – 114 votes

– Boring McBoringface – 87 votes

– Janet Gray (San Jose’s first female mayor) – 86 votes

– Sarah Winchester (Designer and resident of San Jose’s Winchester Mystery House) – 64 votes

– Susan Hammer (San Jose’s second female mayor) – 26 votes

– Dianne Feinstein (Former California senator) – 22 votes

(2) COURT SQUELCHES FANFIC PUBLISHER’S SUIT AGAINST AMAZON, TOLKIEN ESTATE. The BBC tells what the court decided after “Lord of the Rings fan fiction writer sued for publishing own sequel”.

A fan fiction writer has been sued by the estate of JRR Tolkien for copyright after publishing his own sequel to The Lord of the Rings.

US-based author Demetrious Polychron published a book called The Fellowship of the King in 2022.

He dubbed it “the pitch-perfect sequel to The Lord of the Rings.”

The court ruled that Polychron must stop distributing copies of the book and destroy all physical and electronic copies.

In April 2023 Polychron attempted to sue the Tolkein estate and Amazon, claiming the TV series, Rings of Power, infringed the copyright in his book.

The case was dismissed after the judge ruled that Polychron’s own book was infringing on Amazon’s prequel that was released in September 2022.

Judge Steven V Wilson called the lawsuit “frivolous and unreasonably filed” and granted the permanent injunction, preventing him from selling his book and any other planned sequels, of which there were six….

Deadline’s story has additional details: “The Tolkien Estate & Amazon Win ‘Lord Of The Rings’ Lawsuits”.

The Tolkien Estate and Amazon have been victorious in their court battle with an author who first published a book titled The Fellowship of the King and then demanded $250M after claiming Prime Video had stolen the idea for its TV series.

In court documents issued by the District Court of California on December 14, both cases brought by Demetrious Polychron were thrown out by Judge Stephen V. Wilson, who ordered Polychron to pay the Tolkien Estate and Amazon’s legal fees totalling around $134,000 (read the Tolkien order here).

In 2017, the same year Warner Bros and the Tolkien Estate settled their five-year $80 million rights legal battle, Polychron registered a fan fiction sequel book titled The Fellowship of the King, which he claimed to be the  “the pitch-perfect sequel to The Lord of the Rings,” according to the Tolkien Estate lawyers. Rather incredibly, he then commenced a $250M lawsuit against the Tolkien Estate and Amazon in April of this year, claiming that Amazon’s TV series The Rings of Power infringed the copyright in his book.

Wilson’s judgment threw out the claims around the Amazon TV series and granted a permanent injunction, which prevents Polychron from ever distributing any further copies of The Fellowship of the King, his planned sequels to that book, or any other derivative work based on the books of JRR Tolkien. He is also required to destroy all physical and electronic copies of his book and to file a declaration, under penalty of perjury, that he has complied. The judge also turned down Polychron’s requests to have his legal fees paid by Amazon and the estate….

(3) SLF WANTS ART. The Speculative Literature Foundation has put out a call for its “Illustration of the Year 2024” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2024.  Full guidelines at the link.

The Speculative Literature Foundation (SLF) announces an open call for original artwork combining fantasy and science fiction themes to be featured as its 2024 Illustration of the Year.

The winning artist will receive $750.00 (USD) and will be announced, along with the selected artwork, on SLF’s website and social media and in a press release. The winning artwork will be displayed on the SLF’s website and social media accounts and used as a visual element of SLF’s marketing material and swag.

Submission Dates: The deadline for submissions has been extended to December 31, 2023. The winner will be announced in January 2024.

Submission Instructions: Email submissions to [email protected] with subject line: “YOUR NAME – Illustration of the Year 2024.” In the body of the email, please include your name, email address, phone number, name of your artwork (if any), and short bio.

For more information and complete criteria and terms, visit speculativeliterature.org/ioty .

(4) JAPAN SCIENCE FICTION AWARDS FINALISTS. The Science Fiction Writers of Japan have announced the finalists for the 44th Japan Science Fiction Awards. Names and titles from computer translation.

  • Mitsunori Yuki, “Absolute Cold” (Hayakawa Shobo)
  • Yuki Shinsendo, “Kaiju” (Hayakawa Shobo)
  • Fumio Takano, “Graf Zeppelin: That Summer Airship” (Hayakawa Shobo)
  • Toshiji Hase, “Protocol of Humanity” (Hayakawa Shobo)
  • Mikihiko Kunaga, “Our Monster” (Tokyo Sogensha)

(5) OUTCOME OF ACTIVISION SEXUAL HARASSMENT ALLEGATIONS. The New York Times analyzes “The Questions Raised by California’s Dropped Sexual Harassment Suit Against Activision”.

On Friday, the California state agency that accused the video game maker Activision Blizzard of fostering a culture of sexual harassment against women withdrew those allegations in a $54 million settlement with the company.

The California Civil Rights Department found that “no court or any independent investigation has substantiated any allegations” about “systemic or widespread sexual harassment at Activision Blizzard.”

As part of the settlement, however, Activision agreed to pay as much as $47 million to address accusations of pay disparity and discrimination. All female employees who worked at the company between 2015 to 2020 will be offered a kind of monetary relief; they will get paid based on a formula. The company maintains it has offered equitable pay.

It is a stunning reversal. In 2021, the state agency estimated that Activision’s liability was about $1 billion, according to The Wall Street Journal. How the state agency went from accusing Activision of fostering a culture in which female employees were “subjected to constant sexual harassment” to withdrawing those claims a couple of years later isn’t clear.

Was it enforcement zeal? This all started with an anonymous complaint in 2018. That letter was followed by a lawsuit from the Federal Equal Employment Opportunity Commission in 2021 and shortly later another from the California Civil Rights Department, which was then called the Department of Fair Employment Housing. The state agency objected to the settlement reached in the E.E.O.C. case. And then finally came a scathing Wall Street Journal story about accusations that the company didn’t handle sexual misconduct allegations properly.

The journalist Matt Taibbi wrote about this investigation: “Corporate regulation often begins with an investigation and ends with a devastating headline, but California flipped the script.”

The settlement leaves big questions unanswered. In a news release, the California Civil Rights Department declared victory, heralding the $54 million payout and stating that “California remains deeply committed to promoting and enforcing the civil rights of women in the workplace.” That the agency found no legal wrongdoing doesn’t mean it found no wrongdoing at all.

But the case utilized vast resources. The chief counsel at the agency was fired last year. And it all comes about a year after Microsoft, which presumably conducted its own due diligence, paid $69 billion to acquire the gaming company, whose shares took a hit after the allegations came to light.

(6) SPECTRAL DOGS. The first episode of Rhianna Pratchett’s BBC Radio 4 program Mythical Creatures is “Black Dogs”. Hear it at the link.

Fantasy writer Rhianna Pratchett takes us across an enchanted British Isles to discover mythical creatures that lurk in all corners of the land. She uncovers what they can tell us about our history, our world and our lives today.

In the first episode of the series, Rhianna is on the trail of Black Dogs. She visits Suffolk, to hear a tale of a hellhound that left its mark on the small town of Bungay. It’s one of many spectral black dogs that are said to stalk coastal paths and lonely crossroads. Rhianna explores why Black Dogs appear so often in folklore, and their psychological link to fear and negative emotions.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

1966 How the Grinch Stole Christmas! (the fuller name being Dr. Seuss’ How the Grinch Stole Christmas!) first aired fifty-seven years ago this night on CBS. It was directed and co-produced by Chuck Jones. Who of course did the stellar animation. 

Jones and Theodore Geisel (Dr. Seuss) had worked together on the Private Snafu training cartoons at Warner Bros. Cartoons during World War II. Jones’s considered Grinch the equal of Scrooge for Christmas villains. 

The show is based on the 1957 children’s book of the same name by Dr. Seuss, and tells the story of the pre-reform Grinch, who tries to ruin Christmas for the townsfolk of Whoville below his mountain hideaway. (Whoville which lives on the trunk of Horton.) Will Christmas be saved? Will the Grinch be getting a bigger heart? I’m assuming I don’t need any spoilers here.

Boris Karloff is the Grinch and the narrator, and Thurl Ravenscroft sings that song which you know all so well: “You’re a vile one, Mr. Grinch. You have termites in your smile! You have all the tender sweetness. Of a seasick crocodile, Mr. Grinch.” 

Additional casting here is June Foray as Cindy Lou Who, Dallas McKennon as Max and the MGM Studio Chorus as the ever so talented Citizens of Whoville. Damn I loved those voices.

And now I must go watch it again…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 18, 1946 Steven Spielberg, 77. One of my favorite directors ever. Not as risk-taking as say Terry Gilliam but definitely one who’s done a lot of work that I find pleasing and that in my book counts for a lot.

I’m going to do a rewatch of Columbo this winter, so I was delighted to discover that he directed the first non-pilot episode of the series, “Murder by the Book”. He is credited with giving us the mannerisms of the detective and the look of the series.

He got that gig for having worked with Rod Serling on The Night Gallery where in one episode he directed Joan Crawford, that being “Eyes”. What other episodes that he directed are unclear because as a new director credit may gone to more senior directors, so it is thought that “A Matter of Semantics” that featured Cesar Romero and was credited to Jack Laird might have been his work. 

His first major hit was Jaws which is not my fish and chips so I’ll pass by it here as we’re discussing what I like by him. 

He made up for Jaws with Close Encounters of the Third Kind which is simply brilliant, E.T. the Extra-Terrestrial which still makes me sniff, and two out of three of the Indiana Jones trilogy. 

No, I vehemently did not like the Indiana Jones and the Temple of Doom. I saw it once and that was more than enough, thank you. 

Now Jurassic Park is one of the best monster films ever. Why it was so excellent that it even won a Hugo at ConAdian! Who came and accepted that Hugo? 

There is a lot of lot films next in his career that I didn’t care for until we come to the extraordinary undertaking that is The Adventures of Tintin from the French strip by Hergé. A true treat in animation this was. 

(Digression for a moment. He was an Executive Producer or Producer on way too many undertakings to list here that I liked. Who Framed Roger RabbitGremlinsAnimaniacs (both series), Pinky and the BrainFreakazoid! — that’s just a few I like.) 

Then there’s Hook with Robin Williams as an adult Peter Pan, Julia Roberts as Tinker Bell and the Dustin Hoffman as Captain Hook. Need I say more. Well there is the crocodile…

I think I’ll finish with The BFG, his adaptation of Roald Dahl’s children’s book. Fantastic film that’s true to the book, no mean feat.

(9) COMICS SECTION.

(10) MAIL FROM RAY. Critic Dwight Garner throttles the new Ray Bradbury letter collection and its editor, Jonathan R. Eller, in a New York Times review: “What Wonders Do Ray Bradbury’s Letters Reveal?”

…There is no sugarcoating it: Bradbury’s letters are amazing in their dullness and sterility. If I had to sum up their tone and content in a sentence, it would be: “Thank you for your eight tons of sycophantic bloviating, here are 16 tons in return.” While reading “Remembrance” I began to dream about cutting off my fingers, like Brendan Gleeson in “The Banshees of Inisherin,” one by one, so I wouldn’t have to turn another page.

You can’t blame writers for the quality of their letters — unless they sought to have them published. Apparently, late in life, Bradbury did so. This collection was edited by Bradbury’s biographer, Jonathan R. Eller, who is also a co-founder of the Center for Ray Bradbury Studies at Indiana University.

His trilogy of Bradbury biographies is comprehensive and sympathetic, but here he’s done his subject no favors. I am going to resort to making a short list of this book’s drawbacks, to provide scaffolding for my inchoate feelings of distress.

A) The introduction doesn’t introduce Bradbury. The reader requires a certain amount of core information — a gloss of Bradbury’s childhood, education, career, prizes, family, homes, travel, the themes of his work — so as not to enter blind. The introduction is instead a summary of what is to come in the book. This is the least felicitous type of introduction, for the same reason that “as I will demonstrate later” are the worst five words in the English language, after “brace for a water landing.”

B) This book is oddly sorted. Bradbury’s letters are presented not in chronological order but grouped by theme and then, in sub-groupings, by correspondent, so that we are always pinging around in time, like Bill and Ted on their excellent adventure. A letter from 1965 will be followed by one from 2004, and then we are suddenly back in the 1950s. This prevents us from charting the development of Bradbury’s voice and of his inner resources. The hero of our narrative is lost in a maze.

C) Many letters not from Bradbury but to him are included. These are filler and might have been summarized. More to the point, they’re confusing. It’s easy to forget, in a book of Bradbury’s letters, that you are not currently reading Bradbury….

(11) TUNED UP. Neil Gaiman will be singing in the Sydney Opera House reports the Guardian: “’Like a gothy yoghurt starter’: how Neil Gaiman and an Australian string quartet fell in love”.

Neil Gaiman is well known for his melodic, dreamy voice, which has been put to use on everything from audiobooks to voicing the Simpsons’s cat Snowball. But Neil Gaiman the singer? When he’d occasionally perform live with his ex-wife, the musician Amanda Palmer, his voice was described by the New York Times, perhaps a little unkindly, as “a novelist’s version of singing”.

Next month Gaiman is bringing that voice to the Sydney Opera House, where he’ll be performing with the Australian string quartet FourPlay. How is he feeling about singing on one of the most prestigious stages in the world?

“Terrified. Absolutely terrified,” Gaiman sighs. “I’ve had to learn to trust FourPlay. I’m always reassured by the fact that Lara can actually sing.”

“I’ve been a singer for 30 years and I’m equally terrified, Neil!” interjects Lara Goodridge, one part of FourPlay along with Shenzo Gregorio and brothers Tim and Peter Hollo. “We are all vulnerable on stage together. But I think that’s a really lovely part of it – we’re there to catch each other. It’s exciting to be that alive.”…

(12) SHORE THING. [Item by Steven French.] From Viking longboats to satellites: “Shetland island to house UK’s first vertical rocket launch spaceport”.

For centuries, Unst has been famous for its richly varied wildlife, pristine beaches and unspoilt sea views. Now the remote Shetland island is leading Britain into space.

A former RAF base on a remote peninsula of the island has become the UK’s first licensed spaceport for vertical rocket launches. It will allow up to 30 satellites and other payloads to be launched into commercially valuable polar, sun-synchronous orbits, which are in high demand from satellite operators for communications and Earth observation.

The site, SaxaVord spaceport, was identified in a 2017 report as a place where rockets carrying the greatest payloads could be launched into space with the lowest risk to people on the ground, if the spacecraft failed and crashed back to Earth.

The island, which has about 650 inhabitants, is at the northernmost tip of the British Isles and was one of the first Viking outposts in the North Atlantic. Its location means that rockets lifting off from the site do not need to pass over populated areas, unlike those launched from other sites, which have to perform dog-leg manoeuvres, limiting the weight of the payload they can carry…

…Developing the spaceport, which includes three launch pads and a hangar for assembling rockets, has cost just under £30m so far. There are also plans to build a hotel and visitor centre at SaxaVord….

(13) FIRST ONE SHOE DROPS, THEN THE OTHER. The actor who played Kang lost in court, then lost his MCU role. Variety reports: “Jonathan Majors Guilty of Harassment and Assault”.

Jonathan Majors was convicted of assaulting his ex-girlfriend, Grace Jabbari. A Manhattan jury found the Marvel actor guilty on Monday of two misdemeanor counts of harassment and assault but acquitted him on two other counts. 

The six-person jury found Majors not guilty on one count of intentional assault in the third degree and one count of aggravated harassment in the second degree. Majors, wearing a dark gray suit and seated in the courtroom with his attorneys and current girlfriend Meagan Good, did not react when the verdict was read….

…Majors was arrested in March in New York City after he assaulted Jabbari in the backseat of a private vehicle. Jabbari, a 30-year-old choreographer who met Majors on the set of Marvel’s “Ant-Man and the Wasp: Quantumania,” testified she grabbed Majors’ phone after seeing a text message from another woman. Jabbari described that as Majors attempted to forcefully retrieve his phone from her, she felt “a hard blow” across her head that resulted in bruising, swelling and substantial pain….

Variety followed with news that “Jonathan Majors Dropped by Marvel Studios After Guilty Verdict”.

Marvel Studios has parted ways with Jonathan Majors — the actor cast to play Kang, the central antagonist in the Multiverse Saga of the Marvel Cinematic Universe — after he was convicted on Dec. 18 of two misdemeanor counts of harassment and assault of Grace Jabbari, his ex-girlfriend. A source close to the studio confirmed the decision to Variety.

In the verdict, Majors was also found not guilty of one count of intentional assault in the third degree and one count of aggravated harassment in the second degree….

(14) FAST EXPOSURE. “MIT camera can capture the speed of light” at Upworthy.

A new camera developed at MIT can photograph a trillion frames per second.

Compare that with a traditional movie camera which takes a mere 24. This new advancement in photographic technology has given scientists the ability to photograph the movement of the fastest thing in the Universe, light.

The actual event occurred in a nano second, but the camera has the ability to slow it down to twenty seconds.

For some perspective, according to New York Times writer, John Markoff, “If a bullet were tracked in the same fashion moving through the same fluid, the resulting movie would last three years.”…

(15) THE FINAL GIFT. What the kids want to find under the tree. Humor or horror? “Pongo” on Saturday Night Live.

(16) VIDEO OF THE DAY. Ryan George takes us inside “The Hunger Games: The Ballad of Songbirds and Snakes Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Kathy Sullivan, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 11/28/23 Scrollmas Won’t Be Scrollmas Without Any Pixels

(1) WORLD FANTASY CONVENTION 2025 ACCESSIBILITY. Karen Fishwick, Chair of World Fantasy Convention 2025, responded to Mari Ness’ comments about accessibility issues at the 2025 WFC hotel quoted in yesterday’s Scroll.

There have been some very valid concerns raised on social media about the accessibility of World Fantasy Convention 2025. 

Some of these concerns are based on experiences at a previous WFC held at the same Hotel, so I wanted to make sure that these were put into context. 

  • The hotel has recently undertaken some renovations in the front/lobby area, which has improved access. 
  • The bedrooms have been renovated since 2013. 
  • We are not using function rooms in the hotel that are not accessible to people in wheelchairs (including the mezzanine room on the staircase). The function rooms we are using are on the lower ground floor and the upper ground floor. We do also have options to use rooms on Floor M as well.
  • Details of the entrances to the hotel are on our Accessibility Audit https://worldfantasy2025.co.uk/accessibility-audit/

There are still some things we are working on:

  • Parking for high sided vehicles – this particularly affects dealers, event organisers and people with larger mobility vehicles – There is space to drop people/unload at the venue, but the car park is height limited. We are looking for parking options. If these are further away from the venue, we will look at the logistics of getting drivers to and from that site. Details of the current provision and height limits are on our Accessibility Audit. https://worldfantasy2025.co.uk/accessibility-audit/
  • We will be talking to adjacent hotels to identify options for people with different budgets and access needs to make sure that people have a range of options to choose from. 

We would very much like people to read our Accessibility Policy https://worldfantasy2025.co.uk/accessibility-policy/ that sets out the measures we are taking to improve the accessibility of our event. We will add any additional measures/accommodations to this page as they are confirmed. 

If anyone has specific concerns or have a question about the venue, they can contact me directly on [email protected]

On a personal note, I myself am physically disabled, so we do take these concerns very seriously and want to work with our potential attendees to ensure they enjoy the event. 

(2) OF COURSE THERE WERE VFX. “No Visual Effects in ‘Barbie’? Glen Pratt Reveals the Truth”Animation World Network sets the record straight.

Much has been made of Barbie and Oppenheimer sharing the same theatrical release date to the point that clever fan posters were created to promote a possible double bill coined Barbenheimer. Both productions also notably shared the declaration that they contained no visual effects when in fact, the famed physicist’s biopic, directed by Christopher Nolan, utilized digital compositing; and there are full CG shots as well as CG augmentation used to bring the adventures of a Mattel doll to life by Greta Gerwig. 

Caught the middle of the controversy are Glen Pratt and Andrew Jackson, the visual effects supervisors responsible for the two projects. Their presence on the credit list highlights the ludicrous nature of the public statements….

… “Even if you look at the sets that were physically built like the Barbie Dream House,” Pratt continues. “We shot clean plates of that for certain shots and in those clean plates, when you looked at them without any actors or crew in them, it looked like a toy.  We were taking that and extrapolating further upon that language.”

There are over 20 fully CG shots in the film. “In the Dawn of Women sequence, which is Greta’s version of 2001: A Space Odyssey there is an entirely CG shot of the original Barbie doll which doubles as the monolith,” Pratt reveals. Framestore did concept art, visual development, previs, postvis, and virtual production, totalling 1,300 shots, while Chicken Bone FX, FuseFX, UPP, and Lola VFX contributed 300 shots. 600 of the 1,600 shots required extensive visual effects work.  “When Barbie is first driving out onto the open road environment and you have the big Barbie Land rainbow, all of that was essentially bluescreen,” Pratt shares. “There was a tiny bit of set and pink road but the car had to be moving.  The sky, distant vista of Barbie Land and the mountains were created digitally from reference photography of the sets that were built.  We created an entirely CG environment.”…

(3) LIST OF PRIORS. [Item by Jim Janney.] Ars Technica has a long dive into movie time travel, from George Pal to Christopher Nolan’s Tenet, with separate scores for entertainment and science. Includes some I haven’t seen and some I hadn’t even heard of.  “The Ars guide to time travel in the movies”.

…Even without scientific accuracy, we can still ask for logical consistency. Alas, that is also pretty thin on the ground, although in this case, there are true exceptions. The most straightforward way for travel to the past to make sense is if you can visit but you can’t actually change anything—“Whatever happened happened,” in the memorable formulation of fictional physicist Daniel Faraday in the TV show Lost. Physicists have dubbed this the “Novikov self-consistency principle,” but it can really just be summed up as “making sense.” Somewhat more ambitiously, we can imagine one or more alternative parallel timelines that are created by a sojourn into history. For the most part, however, our cinematic heroes make a cheerful hash of logic and narrative sense as they traipse through their pasts….

Hot Tub Time Machine (2010)

…You will not be surprised to learn that Hot Tub Time Machine doesn’t work too hard to maintain scientific plausibility in its portrayal of time travel….

(4) EGGSCLUSIVE. [Item by Cat Eldridge.] Did you there was an Alien series? I didn’t.

But Deadline does: “’Alien’: Timothy Olyphant Cast In Noah Hawley’s FX Series”.

Timothy Olyphant is reuniting with Noah Hawley and FX, signing on for a major role in the upcoming Alien series. Olyphant, who recurred on Season 4 of Hawley’s FX anthology series Fargo, is set to star opposite Sydney Chandler in Hawley‘s prequel to the Alien franchise, sources tell Deadline.

Details about Olyphant’s character are not being disclosed. I hear he plays Kirsh, a synth who acts as a mentor and trainer for Chandler’s Wendy who is a hybrid, a meta-human who has the brain and consciousness of a child but the body of an adult….

(5) GONE BUT NOT FORGOTTEN. “From Local, to Global, to Gone: On the Rise and Fall of Borders Books” — an excerpt from Among Friends: An Illustrated Oral History of American Book Publishing & Bookselling in the 20th Century, edited by Buz Teacher and Janet Bukovinsky Teacher — at Literary Hub.

… Rookie Mistake #2: they ordered some new books and mixed them with used books on the same shelves. Customers were confused, not knowing if a slightly worn new book was “used,” or if a gently used book was “new.”

Rookie Mistake #3: They finally understood that Ann Arbor was a readers’ town and that antiquarian books were of marginal interest to the local avid readers. All the used books were culled from the shelves. After surviving three moves in two years, Borders Book Shop was in a good location with enough space to make a splash, and selling the kind of books people wanted. Their ambitions were rekindled.

That year, Joe Gable, fresh from Madison, Wisconsin, swaggered into Borders Book Shop. During a stand-up job interview in front of the fiction section Tom asked him “What do you know about books?” Sounding a bit like Marlon Brando, looking straight into Tom’s eyes, Joe said humbly: “I know more about books than anyone in this store.” Tom was momentarily stunned by the hubris of the comment. But he took the insult like a man, and after a few pointed questions, he hired Joe on the spot. In fact, Joe did know more about books than anyone in the store. And he proved it over the next quarter century….

(6) RECOMMENDED CLASSICS. The Martian Chronicles and Lord of the Rings are on Her Campus’ list of “ Classics That Are Worth The Read”.

Often it feels like to consider yourself a true reader, you have to know the classics. But the most classic of classics can feel impossible to read. I’ve read my fair share of incredibly boring classics, but have also managed to find some entertaining and important stories among them. Here is my list of five classics that are absolutely worth the read….

(7) DAVID ELLIOTT (1931-2023). Director David Elliott, who worked on several Gerry and Sylvia Anderson series, died November 10. Stephen La Riviere paid tribute in the Guardian.

Like many film back-room boys, my friend David Elliott, who has died aged 92, was not a household name, although he had seven decades worth of credits. Many thousands, however, will remember the happy childhood images he created as a director on the classic 1960s puppet TV series Thunderbirds, created by Gerry and Sylvia Anderson.

David first met Gerry Anderson while they were both working on feature films in the 50s. When Anderson went on to become a producer of puppet series for the fledgling medium of television, he brought David over to picture edit. A back-breaking schedule saw him cut one episode of The Adventures of Twizzle (1957-58) a day. The work paid off and soon a marionette empire was born.

David then started directing, shooting puppet stars as if they were film stars. Each production brought greater worldwide success. Four Feather Falls (1960), Supercar (1961-62), Fireball XL5 (1962-63), Stingray (1964-65) and Thunderbirds (1965-66) entertained and pushed the boundaries of TV. At one point, Anderson’s production company AP Films was the largest consumer of colour film, when TV was still black and white. It was a far-sighted decision that ensured new audiences for their work for decades….

(8) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 28, 1946 Joe Dante, 77. He started off as one as us as he wrote columns and articles for fanzines and APAs.  

Now let’s look at what he’s done that I find interesting.

The first would be his collaboration with John Sayles when they completely rewrote the first draft of Gary Brandner’s The Howling novel for that film. Brandner was said to extremely angry with the film that was produced.

Because of The Howling, Speliberg offered up Gremlins, one of my all time favorite films, to him. I’ve watched it more times than I can count and I enjoyed it each time. Gremlins II, not so much. 

Spielberg also brought him on as one of the directors on John Landis’ Twilight Zone: The Movie. Dante’s segment, a remake of the original Twilight Zone “It’s a Good Life” episode as written by Serling. That story was based off a Jerome Bixby story published in 1953 in the Star Science Fiction Stories anthology series, edited by Frederik Pohl.

Ahhh, Innerspace with Dennis Quaid, Martin Short, and Meg Ryan. The Studio  hated it, Dante made the film he wanted to despite the Studio and audiences stayed home. I thought it was sweet. 

I hadn’t realised to now that Dante was responsible for Small Soldiers, an interesting film. Not a great film but it have a possibility of being something. Not sure what that something would have been. Dante says that there were twelve writers involved in writing the script. Ouch. 

So Dante directed Looney Tunes: Back in Action. Moving on.

Finally Dante came back to Gremlins by serving as a consultant on the Max Gremlins: Secrets of the Mogwai prequel series. Don’t get too excited as this is an animated series and I’ll give you the promo poster of this kid friendly series as I take leave of you.

(9) PROTEST DAMAGE TO LIBRARY. “New York Public Library facing steep graffiti cleanup costs after protests”Gothamist forecasts the bill.

…Protesters have caused at least $75,000 in graffiti damage to the famous New York Public Library’s Stephen A. Schwarzman building, where some carved reliefs may need to be replaced.

The damage was caused by at least three separate pro-Palestinian protests over the last few weeks, officials said. The worst damage, however, occurred on Thanksgiving Day when protesters sprayed “Free Palestine” in dark green paint and smeared red handprints on the steps, fountain and facade.

The graffiti damage from Thursday covered parts of marble where donors’ names are engraved with delicate crevices that can be easily eroded by cleanup efforts, said Garrett Bergen, director of facilities for the library.

Cleaning dark paint from the building requires applying a number of applications of solvent for days at a time, he said.

“We could have to replace certain elements if a rosette is too damaged for the paint to be removed. So it’s a little unclear,” Bergen said….

(10) SNAKES, IT HAD TO BE SNAKES. “Box Office: ‘Hunger Games’ Beating ‘Wish’ With $43M, ‘Napoleon’ $30M+ Over Thanksgiving” reports Deadline.

Lionsgate’s The Hunger Games: The Ballad of Songbirds & Snakes won Black Friday and Saturday at the box office, respectively with $11.4M and $11.2M, soaring above a Disney animated movie (Wish) which are typically the champs of Thanksgiving weekend, and big streamer Apple’s $200M war epic, Napoleon, for a No. 1 win over the holiday stretch with a 3-day $28.8M and 5-day of $42M….

… Disney Animation’s Wish came in third on Friday and Saturday (eeks) with respectively $8M and $7M, behind Apple Original Production’s Sony-distributed Napoleon, which earned an estimated $8.4M on Friday and $7.5M [Saturday]…

(11) PAYING IT FORWARD. “Dr. Jerry Pournelle’s advice to writers from advice given to him by Robert Heinlein” – a Writers & Illustrators of the Future video from a number of years ago.

(12) LAUGHING WITH BARBIE. “’Barbie’ Gotham Awards Tribute: Watch Greta Gerwig & Margot Robbie Get Silly” – an invitation from Deadline.

Barbie writer-director Greta Gerwig and star-producer Margot Robbie showcased their comedy chops in a one-two bit tonight, thanking the Gotham Awards for a Global Icon & Creator tribute. Watch their speech above.

“We love a restaurant in a bank!” said Gerwig of the Cipriani Wall Street locale, which is just that. 

The duo was lovingly introduced by Laura Dern. …… “Four years ago, I asked Greta to come and write Barbie with me,” said Robbie. Gerwig and her husband and co-writer Noah Baumbach “took an object — a doll with no character or story — and cooked up the most ridiculous, outrageous, bananas script in an attempt to conjure back what they loved about the movies.”

Said Gerwig about making the film during the Covid lockdown: “We figured that if no one was making movies anyway, they might as well not make this one. And we showed it to everyone. And Warner Bros., miraculously, said yes, and Mattel, miraculously, said yes.” 

Robbie: “Essentially. Mostly. With some notes, which Greta and Noah ignored.”

Gerwig: ”We carefully considered the notes. And then we presented our case.”

Robbie: “You ignored them.” …

(13) THE EVOLUTION OF THE BOOK. [Item by SF Concatenation’s Jonathan Cowie.] This is a charming, and surprisingly informative 15 minute documentary from the one and only Moid Moidelhoff over at  Media Death Cult. Actually, this came out a couple of weeks ago, but I have only just watched my downloaded copy. Trust me, I think you’ll find two or three things you did not know. (Have you ever heard of the paperback original revolution of the 1950s?…) In the middle of domestic chaos, Moid took the trouble to make this the week before he moved house.  So make a mug of builders and join Moid…

[Thanks to Chris Barkley, Cat Eldridge, Lise Andreasen, Jim Janney, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian,  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/3/23 Scrolled Things Are aFiled At The Pixel K

(1) GAHAN WILSON TV. Episode One of Gahan Wilson’s Tales of Horror TV series debuted on Halloween at GahanWilson.net where it is streaming exclusively.  They will be premiering one or two new episodes each month for the next two years. Episode One is “Phyllis” starring Bourke Floyd and Rachel Alig.

CHATGPT LOVES MY BOOK. [Item by Francis Hamit.]

STARMEN, A blended genre story merging Apache myths, witchcraft, science fiction, fantasy, history, detective, espionage, politics, and romance in a captivating narrative.

Had a conversation with ChatGPT that resulted in that promotional blurb.:  Now I know a bit about AI from covering it during my trade magazine journalism career and my experiments with Artspace.ai.  Any conversation with ChatGPT trains it to serve your needs but the “captivating narrative” bit at the end threw me for a bit.  It seems almost human, doesn’t it, as if it has read the book.

So was that just a lucky accident or could the ChatGPT program have done this? Could it have reached into my computer and read my novel and then compared it to the thousands of other novels and their reviews that have been uploaded to its massive database?  And now makes a value judgement like that?

It could do so in a nanosecond. There is an excerpt on Amazing Stories and other reviews of my other work online and several other books of mine in the Cloud at AWS..  

Will ChatGPT become a literary arbiter because it will always know more than humans do.  (And whose fault is that?  We trained it.)  I suspect that a ChatGPT review may become a default item for book promotion. I’m certainly going to use this just to see if it has any influence.

Two things; ChatGPT is also trained to be very polite so negative reviews are unlikely and a new book is now expected to get dozens of reviews from a variety of  sources; publications, book bloggers, Book Tok influencers, etc. So it will not displace any human reviewer but be just another data point.

(3) MIKE ALLEN Q&A. West Virginia Public Broadcasting interviews writer, editor and publisher Mike Allen about “Sci-fi, Horror And Ghosts In Western Virginia”.

Adams: I’m curious as to what you see when you look at Appalachia. What’s it look like from your perspective in the sci-fi/fantasy/horror world?

Allen: So here’s an interesting thing for me: Roanoke is unique. Some of it, I think, actually goes back to Nelson Bond having been based here, who was extremely active in the 1930s and ‘40s and ‘50s in the magazine scene that existed at that time. Writers like Sharyn McCrumb were making Roanoke, or at least the Roanoke region, their home base. Roanoke has this very robust culture for celebrating its writers, regardless of what they write. Those of us who are based here like myself, like Rod Belcher, who writes under the name R.S. Belcher, or Amanda McGee, who’s an up-and-coming writer whose work is definitely Appalachian and has a bit of witchery involved, we’ve experienced the benefit of that.

There’s no way for me to kind of sweepingly talk about everybody with an Appalachian connection. But there are some I do want to mention. Nathan Ballingrud, who lives in Asheville, is a horror writer who’s had some really high profile things happen lately. His first short story collection, “North American Lake Monsters,” was adapted into the Hulu series, “Monsterland.” The title story in that book, he considers to be an Appalachian story. I mentioned Rod Belcher whose novels have events in West Virginia and the Carolinas. Manly Wade Wellman might be the classic Golden Age writer who’s most associated with the Appalachians. He has a series of stories about John the Balladeer, or Silver John, who is a gentleman who has a guitar strung with silver strings. He wanders through this magical realist version of the Appalachian Mountains and has encounters that are very much based on Appalachian folklore….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.] Today’s updates are briefer than planned, as I’ve been working on some other stuff, which might make it into tomorrow’s update.

Photos and video from the Iain M. Banks panel

This Weibo post has some photos from, and a brief write-up of, the Iain M. Banks panel.  (A translated edition of Look to Windward has just been released in China.)

The same person also posted a subtitled video of a 7-minute clip from a Sky documentary, which seems like it was maybe shown during the panel.

YouTube report from the con

I’ve only briefly skimmed this subtitled 19-minute video about the con, so I don’t know how worth watching it is.  The source seems to be a reporter who normally covers Silicon Valley and the tech industry, so there’s a fair bit of stuff about the “businessy” panels as well as things more likely to be of interest to Filers.  There’s a bit of footage from the panel/presentation Nnedi Okorafor was on.

Group photos from the con

It’s not clear to me if the person who posted this image gallery to Xiaohongshu was a volunteer or some other member of the con team, but some of the faces seen in the photos will be recognizable to Filers.

(5) SFWA RESPONDS TO GOVERNMENT CALL FOR COMMENTS ON AI. SFWA has posted the text of a letter the organization sent to the US Copyright Office about artificial intelligence – “SFWA Comments on AI to US Copyright Office” at the SFWA Blog.

On October 30, the SFWA Board and the SFWA Legal Affairs Committee sent the following letter to the US Copyright Office in response to their August 2023 Notice of Inquiry regarding copyright law and policy issues in artificial intelligence, which is part of their AI Initiative….

Quoting from the letter:

… it is with much regret that we cannot yet speak in favor of using AI technology in the business of creating art.

The current crop of artificial intelligence systems owes a great debt to the work of creative human beings. Vast amounts of copyrighted creative work, collected and processed without regard to the moral and legal rights of its creators, have been copied into and used by these systems that appear to produce new creative work. These systems would not exist without the work of creative people, and certainly would not be capable of some of their more startling successes. However, the researchers who have developed them have not paid due attention to this debt. Everyone else involved in the creation of these systems has been compensated for their contributions—the manufacturers of the hardware on which it runs, the utility companies that generate their electrical power, the owners of their data centers and offices, and of course the researchers themselves. Even where free and open source software is used, it is used according to the licenses under which the software is distributed as a reflection of the legal rights of the programmers. Creative workers alone are expected to provide the fruits of their labor for free, without even the courtesy of being asked for permission. Our rights are treated as a mere externality.

Perhaps, then, creative workers uniquely benefit from the existence of these artificial intelligence systems? Unfortunately, to date the opposite has been the case: SFWA has thus far seen mainly harm to the business of writing and publishing science fiction and fantasy as a result of the release of AI systems.

For example, short fiction in our genres has long been recognized as a wellspring of the ideas that drive our work as well as inspiring works in film, games, and television. Writers in our genres rely on a thriving and accessible landscape, which includes online and paper magazines. Part of the success of these publications depends on an open submission process, in which writers may submit their stories without a prior business relationship. This has frequently served as a critical opportunity for new and marginalized authors to have their voices heard.

Over the last year, these venues, particularly the ones that pay higher rates for stories, have been inundated with AI-written stories. The editors uniformly report that these submissions are poorly conceived and written, far from being publishable, but the sheer volume materially interferes with the running of these magazines. Once submission systems are flooded with such content, it takes longer to read and reject a submission than it took someone to have an AI produce it in the first place. Every submitted work must be opened and considered to verify that the writers for whom the system was originally designed are not missed or forgotten….

(6) JOANNA RUSS. LitHub provides readers with “Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ”.

…Eventually Russ would find a way to channel that disjunction into a remarkable body of literature, including the revolutionary novel The Female Man (1975).

That novel and a selection of other novels and stories by Russ have now been collected and reissued by the Library of America. Not long ago, I sat down with the volume’s editor, Nicole Rudick, to talk about Russ’s life, work, and her reputation as one of the fiercest critics ever to write about science fiction.

JM: Let’s talk about Russ’s development as a writer. She grew up in New York, went to Cornell. She studied with Nabokov, correct?

NR: True, though I think it’s a little overstated. She studied with him in her last year at Cornell and dedicated “Picnic on Paradise” to him and to S.J. Perelman, but I think she came to feel a little silly about that. She named them both as stylistic influences, and she and Nabokov certainly share a metafictional approach, but she talked a lot more throughout her life about George Bernard Shaw.

She grew up loving science, and was a top 10 finalist in the Westinghouse Science Talent Search in 1953. She graduated high school early, and then went to Cornell and switched over to literature. She said that she came out to herself as a lesbian privately when she was a kid and went right back in because she had no models. She didn’t feel that it was real, that it could be done. And that continued at Cornell, where things were pretty traditional in terms of gender roles. And then she went to Yale and studied playwriting but found that she was not very good at it. When she returned to New York, she worked odd jobs, did some theater work, and made some adaptations for radio at WBAI. She was also writing stories and publishing them in little journals and SF magazines.

In the late 60s, she started writing stories about Alyx. She said it was the hardest thing she ever did in her life, to conceive of a tough, independent female protagonist and get it on the page. Feminism was not widespread in the United States at that moment and Russ wasn’t involved in consciousness-raising groups or anything like that, so it was a solitary time to be writing these sorts of things. But they did well. Picnic in Paradise, her novella about Alyx, won a Nebula Award. And then in ‘67, she was back at Cornell, as a teacher, and in ‘69, there was a colloquium on women in the United States organized by the university in the intercession period—Betty Friedan and Kate Millett and a bunch of other panelists talking about sexuality, race, and why women see each other the way that they do. They approached these issues as social problems, not individual problems. Russ was there, and her description of it is so funny—“Marriages broke up; people screamed at each other who had been friends for years…. The skies flew open.” A wave of feminism washed over Cornell, and she sat down and wrote “When it Changed” in the weeks afterwards. Six months later, she saw a novel in the story and wrote The Female Man. But she couldn’t find a publisher. She wanted it published by a trade press and they all rejected it. The excuses were like, “There’s more feminism than science fiction”—that from Viking Press. A lot of women editors were baffled by it and turned it down. It finally got bought by Frederik Pohl [at Bantam Books] in 1975….

(7) CUTTING EDGE. The UK’s Crime Writers Association is expanding their Dagger Awards with two new categories: “Dagger awards adds categories for ‘cosy crime’ and psychological thrillers” in the Guardian.

The growing popularity of two crime fiction subgenres has prompted the creation of two new categories in the annual Crime Writers’ Association awards, including one for “cosy crime” – the subgenre of comforting mysteries that originated with Agatha Christie and is now most associated with Richard Osman.

The Daggers, as the CWA awards are known, recognise authors across 11 categories including historical crime, translated crime and lifetime contribution to crime writing. Next year, the two new awards will be the Twisted Dagger, for psychological thrillers, and the Whodunnit Dagger, for cosy crime….

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to binge BBQ with the legendary Mike Gold in Episode 211 of the Eating the Fantastic podcast.

Mike Gold

I’m extremely pleased I was able to convince the legendary Mike Gold to head out for dinner the night before the con began.

Gold entered the comic industry as DC’s first public relations manager. But as I was astounded to discover, he did some PR earlier than that — as the media coordinator for the defense at the Chicago Conspiracy trial, acting as the intermediary between the press and the likes of Abbie Hoffman and Jerry Rubin, when he was only a teen.

After DC, in 1983, he launched First Comics, where he edited Howard Chaykin’s American Flagg, Mike Baron and Steve Rude’s Nexus, Jim Starlin’s Dreadstar, Mike Grell’s Jon Sable Freelance, and many other classic series. Then after his move back to DC in 1986, he edited such titles as LegendsThe ShadowThe QuestionAction Comics WeeklyGreen Arrow: The Longbow HuntersBlackhawk, and others.

In 2006, he co-founded ComicMix, and in 2011, he received the first Humanitarian Award from the Hero Initiative. And — since he’s five years older than I am — meaning I would have read Fantastic Four #1 at age six, and Mike at eleven, five years counting for a lot back then — I enjoyed digging into our differing perspectives about the early days of comics.

We discussed the way his hiring at DC Comics was all Neal Adams’ fault, how the guerrilla marketing he learned from Abbie Hoffman helped him quadruple direct market sales, the Steve Ditko Creeper cover which sent a not-so-secret message to publisher Carmine Infantino, why editor Murray Boltinoff compared Marvel Comics to the Beatles (and not in a good way), which staffer was “the most disgusting human being I’d ever met in my life,” how First Comics was born, his secret weapon for getting creators to deliver their work on time, our differing contemporaneous exposure to Fantastic Four #1 (and how his related to Merrick Garland), the way an off-hand comment led to a classic John Byrne comic, how the comic book field is like a donut shop, and much more.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 Neal Barrett, Jr. Heavily nominated for many awards including a number of Hugos but he never won. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual digital suspects. (Died 2014.)
  • Born November 3, 1933 Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 Martin Cruz Smith, 81. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf
  • Born November 3, 1952 Eileen Wilks, 71. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well!
  • Born November 3, 1953 Kate Capshaw, 70. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1963 Brian Henson, 60.  Can we all agree that The Happytime Murders should never have been done?  Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 David Edison, 46. His Waking Engine series, beginning with the rather excellent Waking Engine novel, an urban fantasy set in the afterlife, would’ve been great. His only other novel, Sandymancer, merges fantasy and hard SF. 

(10) IN THE SAME SPIRIT. “We Almost Got a Superhero Movie from The Exorcist Director William Friedkin” says Literary Hub.

In 1975, four years after the release of The French Connection, William Friedkin revealed to a reporter the inspiration for the film’s celebrated car chase scene.

It was the cover of a comic book: a man runs terrified on elevated tracks, just a few steps ahead of a train. He is handsome and athletic. Save for a domino mask, he is dressed like a classic Hollywood detective, in a blue suit and loose tie; he bears no resemblance to Gene Hackman’s slovenly everyman “Popeye” Doyle. The cover was from The Spirit, a comic that ran as a seven-page newspaper insert throughout the 40s and early 50s. The series, created by Will Eisner, was admired for its black humor, innovative compositions, shocking violence, and its setting in a precisely realized urbanscape. “Look at the dramatic use of montage, of light and sound,” Friedkin told the reporter. “See the dynamic framing that Eisner employs, and the deep, vibrant colors.”

Friedkin may not have been telling the truth. The comic he showed the reporter was a reprint that had been published after the release of The French Connection. The stories were three decades old, but the covers were new. Still, it was good publicity for the project he was then planning, a feature-length pilot for an NBC series that would feature the Spirit, aka Denny Colt, a detective who has risen from the dead, lives in a cemetery, and fights crime with his wits, his fists, and a willingness to withstand pain that borders on masochism….

(11) ITALIAN POLITICAL BRANDING USING LOTR. Jamie Mackay asks “How did The Lord of the Rings become a secret weapon in Italy’s culture wars?” in a Guardian opinion piece.

As a longtime fan of JRR Tolkien, I’ve long felt put out by Giorgia Meloni’s bizarre obsession with The Lord of the Rings. Over the years, Italy’s ultra-conservative prime minister has quoted passages in interviews, shared photos of herself reading the novel and even posed with a statue of the wizard Gandalf as part of a campaign. In her autobiography-slash-manifesto, she dedicates several pages to her “favourite book”, which she refers to at one point as being a “sacred” text. When I read the news this week that Italy’s culture ministry is spending €250,000 to organise a Tolkien show at Rome’s National Gallery of Modern and Contemporary Art, and that Meloni will attend the opening, I couldn’t help wondering: why? What is this government trying to achieve by stamping its mark so aggressively on one of the world’s most loved fantasy sagas?

My Italian friends don’t get the fuss. This is everyday politics, they say, a simple branding exercise to soften Meloni’s image. Perhaps. But there’s a deeper, and frankly stranger, side to this story. When The Lord of the Rings first hit Italian shelves in the 1970s, the academic Elémire Zolla wrote a short introduction in which he interpreted the book as an allegory about “pure” ethnic groups defending themselves against contamination from foreign invaders. Fascist sympathisers in the Movimento Sociale Italiano (MSI) quickly jumped on the provocation. Inspired by Zolla’s words, they saw in Tolkien’s world a space where they could explore their ideology in socially acceptable terms, free from the taboos of the past. Meloni, an MSI youth wing member, developed her political consciousness in that environment. As a teenager she even attended a “Hobbit Camp”, a summer retreat organised by the MSI in which participants dressed up in cosplay outfits, sang along to folk ballads and discussed how Tolkienian mythologies could help the post-fascist right find credibility in a new era….

(12) STREAMING TOP 10. JustWatch has released the top 10 streaming movies and TV shows for October 2023.

(13) VIDEO OF THE DAY. “Marvel Studios’ Echo” official trailer dropped today. The series begins streaming January 10 on @DisneyPlus and @Hulu.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Francis Hamit, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/24/23 They Say It’s Only A Rebel Moon

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Hugo winner RiverFlow’s con report

Some of the events in this length con report, with lots of photos, have been briefly covered in a prior Scroll, and comments, but this report is absolutely worth reading all the way through, for all the extreme highs and lows.  Via Google Translate, with very slight edits:

But when the opening ceremony progressed to the interactive session between [Cixin] Liu and the fans, I felt that my breathing rate was significantly accelerated and became more and more difficult. My chest felt tight and painful, my airway was extremely stiff, I had waist pain and abdominal numbness, and I felt dizzy and wanted to sleep. I asked the person next to me, Lu Ban, if I could leave early.

Lu Ban communicated with the volunteers, and then helped me walk to the medical aid room. The doctor gave me oxygen, asked about my various conditions and conducted a preliminary examination. Two other volunteers also arrived. The doctor said that to be on the safe side, he suggested staying at the Pidu District People’s Hospital for one night for observation. As a result, I became the first patient hospitalized during this World Science Fiction Convention.

(Note: for some reason, machine translation often renders 河流 as Hehe rather than Heliu; the latter being the Chinese for RiverFlow.  Also note that “Tianjue” is Hugo Fan Writer finalist Arthur Liu, who uses the online name HeavenDuke, an anglicization of 天爵/Tian Jue.)

Although it’s not clear from the page itself, he also posted the full text of his acceptance speech; per his con report, he was not able to read all of it out on stage.

Zhang Ran’s con report

I wasn’t aware of Zhang Ran, the author of this Chinese-language piece, but a search for “Taiko Science Fiction Academy” came up with this English language article which provides a fair bit of background.  Some of the text (as processed through Google Translate) in his report on the Chengdu Worldcon raises eyebrows.

The Chengdu Science Museum, which cost more than 1 billion yuan ($137 million USD) and was designed by Zaha Hadid Architects, is a spectacle…

It was held in Asia for the second time since Nippon 2007 Worldcon in Yokohama in 2007. This should be a carnival for Chinese science fiction fans, but I couldn’t find any carnival look on the faces of many people attending the conference.

The volunteers were stiff and frightened, as if they were fulfilling some grand historical mission. The security check is dense and solemn, as if guarding some mysterious core…. The science fiction market, which should be reserved for ordinary fantasy fans, will naturally be run by companies that have little to do with science fiction.

It is commendable that this conference effectively compressed the time of leaders’ speeches to a length that foreign friends can understand. However, hundreds of primary school students walked in uniform steps at the conference venue, which was inevitably confusing….

Don’t get me wrong, I fully support China’s hosting of the World Science Fiction Conference, and I also understand that this conference has given Chengdu, Sichuan, and China a boost in Chinese science fiction.

But if, just if, the investment spent on the facade is shifted a little bit to the fans, so that they can reduce the walking distance, attend two more panels with the guests sitting next to them (rather than on the stage), and participate in one It is possible, just possible, to set up two stalls selling bookmarks and second-hand books during a parade and have lunch near the venue without having to fight for a seat. It would make the guests and hosts enjoy themselves more like a great country.

If I were a member of the organizing committee, I would definitely not invite myself to be a guest next time. It would be shameless for me to be a good person after getting an advantage.

But if I can attend a conference where everyone has smiles on their faces instead of solemn expressions, such as singing songs around a campfire, then I will definitely come at my own expense.

(Note: I put the text through DeepL and Vivaldi’s Lingvanex translation software, and got similar results, so I assume the above is reasonably accurate, whilst suffering a fair number of ungrammatical bits that I didn’t have time to clean up.)

Chinese reaction to one of their Hugo winners

Arthur Liu made some interesting observations in reply to a Hugo Book Club reposting of one of their old tweets  (1)(2)(3).

I’ve not had time to uncover much of the negative discussion referred to – I suspect that it’s happening in WeChat/Weixin groups, which I don’t have access to.  On Weibo, I did find this negative review and another brief comment, but both of those postdate Arthur’s tweets.

I suspect such discussion is also the reason behind SF Light Year reposting an earlier Weibo post of that Hugo Book Club tweet.

Hai Ya can hopefully console himself with being featured on a TV news report.  The ballad playing in the background probably wasn’t part of the original broadcast.

An observation on the different preferences between Chinese authors and readers

In an English-language Mastodon post, author Taiyo Fujii reported a recent chat he had about the Chinese SF industry (slight edits for style and grammar):

At Tianfu airport, I met a young scholar who studies Asian SF history.  I met her once before in Chengdu in 2019.  At that time, I only gave her an autograph, but we had a good discussion around SF.

Her worry about Chinese SF is a conflict between hard and soft SF.  Publishers say that readers love scientific hard SF, but young writers prefer to write more human related works.

I agreed, and gave some examples of workarounds.

And we discussed the theme of Ted Chiang, Gu Shi and Kim Choyop.

An attendee’s video of the con

The first minute or so of this Bilibili video is perhaps a little too Cixin Liu heavy, but then we get a good look at the fan table and dealers area.  That section of the video has been sped-up, but Bilibili does have a button to let you change the playback speed to 0.5x or 0.75x, allowing you a better look at things.

(2) HARRY POTTER AND THE PARALYZED STUNT PERFORMER. [Item by Mike Kennedy.] One stuntman — stunt boy, really — subbed for Daniel Radcliffe through almost all of the Potter movies. Until, that is, a tragic accident on the set of the penultimate film left David Holmes paralyzed.

Now a documentary about Holmes is coming out. Radcliffe not only is interviewed during the film, but signed on as an executive producer. Variety has the story: “Daniel Radcliffe’s ‘Harry Potter’ Stunt Double Was Paralyzed After ‘Deathly Hallows’ Set Accident — Now They’ve Teamed Up for a Doc to Tell His Story”.

… The documentary features “candid personal footage shot over the last decade, behind-the-scenes material from Holmes’ stunt work, scenes of his current life and intimate interviews with David, Daniel Radcliffe, friends, family, and former crew,” HBO adds. “The film also reflects universal themes of living with adversity, growing up, forging identities in an uncertain world, and the bonds that bind us together and lift us up.”

“David Holmes: The Boy Who Lived,” directed by “Lad: A Yorkshire Story” filmmaker Dan Hartley, is just the latest collaboration between Radcliffe and Holmes following their work together across the “Harry Potter” movies. During the pandemic in 2020, the two joined forces to launch the “Cunning Stunts” podcast in which they shined a greater light on stunt performers across Hollywood.

“I think there’s a myth around stuntmen that they are just superhuman in some way,” Radcliffe said at the time about the podcast. “When the public see something really painful or horrible, they think it was a visual effect or that there’s some clever, safe way of doing it. Often that’s not the case. There’s no way of faking, for example, falling down stairs. When you get hit by a car, you’re still getting hit by a car, even if it’s going slower than it would. They find the safest way of doing it, but it can still hurt.”…

(3) PEN NAME PRO TIPS. The SFWA Safety Committee today posted “Safety Dispatch: How to Establish and Use a Pen Name” at the SFWA Blog.

Have you ever considered writing under a pen name? Some authors use pseudonyms to separate works under different genres, reboot their careers after a dry spell, or replace the names of multiple authors on the cover. These are all great reasons, but some authors want to use a different name for privacy or safety reasons, and that’s what we’ll cover here.

Maintaining anonymity in the digital age can be challenging. Most publishers expect authors to have some way to communicate with fans. This kind of interaction is even more critical for indie authors, who often rely on newsletters and hand-selling to move their books. It might seem daunting to separate your legal identity from your author-life, and a determined hacker can trace your pen name back to your legal name, but here are some best practices that can help safeguard your privacy….

(4) ALIENS BEFORE TV GOT HOLD OF THEM. BBC Futures introduces us to “The weird aliens of early science fiction”.

…Humanity’s ideas about aliens have been evolving for millennia – but in the era before television, they were considerably stranger….

…Generations before, the aliens of early science fiction were considerably more fantastical – bloodcurdling octopus-beings, intelligent swarms of insect-creatures and monstrous reptiles.

In 1887 – before the invention of sliced bread, ice lollies or even the word “teenager” – the science fiction author Joseph Henri Honoré Boex set pen to paper in his Brussels office and imagined up Les Xipéhuz. 

The book is set on Earth, a thousand years before the ancient Mesopotamian cities of Nineveh and Babylon were founded, and begins with a dream-like encounter in a forest clearing. A nomadic tribe of people are looking for somewhere to rest one night, but instead they stumble upon “Les Xipéhuz”, translated as “The Shapes”.

The bizarre, geometric creatures resembled “bluish, transparent cones” with their point facing upwards. Each was around half the size of a human, with some stripey markings and “a dazzling star near its base like the sun at midday”. The creatures are considered among the first non-humanoid aliens in science fiction, within a cautionary tale that shows how devastating first contact can be with an unfamiliar “other”. After many battles, (spoiler alert), it becomes clear that there’s no room for diplomacy. Even the way the Shapes communicate, by tracing symbols on each other’s bodies using the rays of their stars, is alien. In the end, they are exterminated.

As it happens, the timing of this story is no accident….

(5) STINKER REX. There’s a meme going around poking fun at those who frequently think about the Roman empire. When this new Mary Beard book arrives they won’t be doing it any less! “A Very Bad Emperor Indeed: An Exclusive Guest Post from Mary Beard, Author of Emperor of Rome” at Barnes & Noble.

…Elagabalus was an extreme version — almost a caricature — of a very bad Roman emperor indeed.

But when I came to write my new book Emperor of Rome, I began to think about Elagabalus rather differently. It’s not that I decided he had been terribly maligned and was probably a decent kind of chap after all. But I did see that many of the stories told about him were more pointed than just random tales of capricious misbehaviour on the part of a teenaged emperor — he was about 18 years old when he was, predictably, assassinated in 222 CE.

True or not (and many, I suspect, were not), these flamboyant anecdotes often highlight the fears and suspicions that the Roman population had of their rulers…. 

(6) IN CASE YOU WONDERED. Victoria Strauss explains “Why Writer Beware Doesn’t Recommend or Endorse Agents or Publishers” at Writer Beware.

“You warn about so many bad literary agents and publishers, why don’t you ever tell us about the good ones?”

It’s a question Writer Beware has been getting for almost as long as we’ve been around, from writers bewildered about where to go for reliable information, frustrated by the abundance of author-focused schemes and scams, or just exhausted by the work of finding a good home for their manuscripts.

I have a standard answer that I provide when people email me with this question or ask me on social media. But with writing scams more prevalent than ever, and writers more beleaguered by fraudulent solicitations than at any time in Writer Beware’s history, I thought it would be helpful to offer a more detailed explanation of why we call out the bad guys but don’t focus on the good guys.

1. Writer Beware has a relatively narrow mission, and it’s all about fraud.

Our purpose is to track, expose, and raise awareness of the prevalence of fraud and other bad practice in and around the publishing industry, with the aim of providing writers with the information they need to protect themselves from exploitation. (More detail is here.)

In other words, we’re not an everything-about-publishing organization; we are laser-focused on just one aspect of the publishing world. We feel it’s better to do one thing intensively and well than to try and be all things to all people.

More practically, we are a small, all-volunteer group–we simply don’t have the staff to handle the time-consuming, careful research that would be needed to maintain and update a database of “good” agents and publishers and bring that information to the public. Instead, by identifying the characteristics of common schemes and scams and shining a light on their inner workings–by educating writers on what to avoid, in other words–we try to give them tools they can use to safely research agents, publishers, self-publishing platforms, etc. on their own.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 24, 1915 Bob Kane. Writer and Artist who co-created, along with Bill Finger, the DC character Batman. Multiple sources report that “Kane said his influences for the character included actor Douglas Fairbanks’ movie portrayal of the swashbuckler Zorro, Leonardo da Vinci’s diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Roberts Rinehart’s mystery novel The Circular Staircase.” He was inducted into Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. The character he created has been featured in countless comic books, stories, movies, TV series, animated features, videogames, and action figures in the last eight decades. The 1989 movie based on his creation, featuring Michael Keaton in the title role, was a finalist for both Hugo and British Science Fiction Association Awards. (Died 1998.) (J) 
  • Born October 24, 1948 Margaret “Peggy” Ranson. Artist, Illustrator, and fan, who became involved with fandom when she co-edited the program book for the 1988 Worldcon in New Orleans. She went on to provide art for many fanzines and conventions, and was a finalist for the Best Fan Artist Hugo every one of the eight years from 1991 to 1998, winning once. She was Guest of Honor at several conventions, including a DeepSouthCon. Sadly, she died of cancer in 2016; Mike Glyer’s lovely tribute to her can be read here. (Died 2016.)
  • Born October 24, 1952 Jane Fancher, 71. In the early 80s, she was an art assistant on Elfquest, providing inking assistance on the black-and-white comics and coloring of the original graphic novel reprints. She adapted portions of C.J. Cherryh’s first Morgaine novel into a black-and-white comic book, which prompted her to begin writing novels herself. Her first novel, Groundties, was a finalist for the Compton Crook Award, and she has been Guest of Honor and Toastmaster at several conventions.
  • Born October 24, 1952 David Weber, 71. Best known for the Honor Harrington series, known as the Honorverse. He has three other series (DahakWar God and Safehold), none of which I’m familiar with. The Dragon Awards have treated him well giving him three Best Military Science Fiction or Fantasy Novels for Hell’s Foundations QuiverA Call to Vengeance and Uncompromising Honor. His only other Award is a Hal Clement Young Adult Award for A Beautiful Friendship.
  • Born October 24, 1954 Wendy Neuss, 69. Emmy-nominated Producer. As an associate producer for Star Trek: The Next Generation, her responsibilities included post-production sound, including music and effects spots, scoring sessions and sound mixes, insertion of location footage, and re-recording of dialogue (which is usually done when lines are muffed or the audio recording was subpar). She was also the producer of Star Trek: Voyager. With her husband at the time, Patrick Stewart, she was executive producer of three movies in which he starred, including a version of A Christmas Carol which JJ says is absolutely fantastic, and a rather excellent if stylistically different The Lion in Winter too. 
  • Born October 24, 1955 Jack Skillingstead, 68. Husband of Nancy Kress, he’s had three excellent novels (HarbingerLife on the Preservation and The Chaos Function) in just a decade. I’ve not read the third one yet but I’ve no reason not to assume that it’s not as good as his first two works. He’s due for another story collections as his only one, Are You There and Other Stories, is a decade old. All of his works are available at the usual suspects for quite reasonable rates. 
  • Born October 24, 1956 Dr. Jordin Kare. Physicist, Filker, and Fan who was known for his scientific research on laser propulsion. A graduate of MIT and Berkeley, he said that he chose MIT because of the hero in Heinlein’s Have Spacesuit, Will Travel. He was a regular attendee and science and filk program participant at conventions from 1975 until his untimely death. He met his wife, Mary Kay Kare, at the 1981 Worldcon. He should be remembered and honored as being an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, a crucial filksong collection, and later as a partner in Off Centaur Publications, the very first commercial publisher specializing in filk songbooks and recordings. Shortly after the shuttle Columbia tragedy, astronaut Buzz Aldrin, on live TV, attempted to read the lyrics to Jordin’s Pegasus Award-winning song “Fire in the Sky”, which celebrates manned space exploration. He was Guest of Honor at numerous conventions, and was named to the Filk Hall of Fame. Mike Glyer’s tribute to him can be read here. (Died 2017.) (JJ)
  • Born October 24, 1972 Sofia Samatar, 52. Teacher, Writer, and Poet who speaks several languages and started out as a language instructor, a job which took her to Egypt for nine years. She won the Astounding Award for Best New Writer, and is the author of two wonderful novels to date, both of which I highly recommend: Stranger in Olondria (which won World Fantasy and British Fantasy Awards and was nominated for a Nebula) and The Winged Histories. Her short story “Selkie Stories are for Losers” was nominated for the Hugo, Nebula, BSFA, and BFA Awards. She has written enough short fiction in just six years that Small Beer Press put out Tender, a collection which is an amazing twenty-six stories strong. And she has a most splendid website. (Standback)

(8) STRONG OATHS. After reading this installment of Hagar The Horrible Daniel Dern asks, “Is this Mandarin grawlix?”

Grawlix is the term for symbols denoting swearing in comic strips.

(9) SUPERCREDENTIALS. In January,“’Marvel Meow’ Makes Its Print Comic Debut!”.

The cats of the Marvel mythos will claw their way to comic shops this January! Marvel Meow #1 collects Nao Fuji’s hit Marvel Unlimited Infinity Comic and features brand-new covers and an exclusive new Marvel Meow story. The series spotlights adorable interactions between the cats of the Marvel Universe and your favorite heroes and villains. These delightful adventures are perfect for all ages and are sure to delight Marvel fans, cat lovers, and everyone in between! 

Marvel’s most fearsome – and furriest – heroes are here to save the day and beg for treats in the process! Follow Chewie, Liho, Alpine and the rest of the Avengers’ feline friends as they cause a few cat-tastrophes…and maybe vanquish some villains in the process! Whether it’s crashing Captain Marvel’s apartment or defeating Doc Ock, you can always count on these cats for some cute chaos!

(10) LOTR LAGNIAPPE. GameRant calls these “The Best Lord of the Rings Books That Aren’t The Tolkien Series”.

Whether you’re a crafty, good in the kitchen, or just a major nerd for Middle-earth history, there’s a LOTR-adjacent book out there that you’re sure to fall in love with. These books are ranked as the best you can get for their attention to canon and lore and the value they offer for those LOTR lovers who are looking to either expand their knowledge or celebrate Tolkien’s magical world….

For example:

The Unofficial Lord of the Rings Cookbook

If you’re handier in the kitchen, this LOTR cookbook that includes over 60 recipes inspired by Tolkien’s stories will be perfect for you! The recipes come with stunning full-color photographs so you can have a good idea of what you’re making, with Middle-earth recipes ranging from Lembas Bread to Sam’s Coney Stew.

(11) SFF SPECIAL EFFECTS HUB CELEBRATED. The Gunnersbury Park and Museum in the UK is hosting the “Set to Stun: Designing & Filming Sci-Fi in West London” exhibit through June 2, 2024.

Beyond the stars and behind the scenes… for nearly a century west London has been home to a hive of workshops and design studios that fed into some of the country’s most iconic Sci-Fi films and TV shows.

Our major new exhibition ‘Set to Stun’ will celebrate sci-fi film and television from the 1960s through to today, turning the camera onto the west London artisans, artists and crafts people who brought it all to life.

From laser beams to paranoid androids, exploring faraway planets to alien invasions – visitors will get to enjoy an engaging and interactive showcase of the sets, costumes, prosthetics, props, and artistic visualisations that went into British Sci-Fi classics, including Doctor Who, the Hitchhiker’s Guide to the Galaxy and Red Dwarf. We’ll also bring the story up to date with a motion capture interactive.

The exhibition will encompass informative and engaging content for enthusiasts and fun and fascination for families, with workshops for both adults and kids.

(12) WEIRD FICTION EXPLAINED. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has a stab at explaining weird fiction in under 13 minutes.  Unlucky for some, weird or what?

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]