Pixel Scroll 6/23/17 Fifth Scroll And Seven Pixels Ago

(1) ASK LOVECRAFT OUT AT YOUTUBE. Ask Lovecraft has been taken down by YouTube for reasons that are unclear. The channel itself is unsearchable, and peoples’ playlists of the episodes now read “This video is no longer available because the YouTube account associated with this video has been terminated.”

The Ask Lovecraft outpost on Facebook is no more enlightening about the reasons:

We apologize for the inconvenience but in the midst of our travels, we discovered that our YouTube channel has been temporarily suspended and are working to restore it.

Thank you for your patience.

(2) FUSSIN’ AND FEUDIN’. Entertainment Weekly reveals the new series will make a change in Trek’s culture: “Star Trek: Discovery to ditch a long frustrating Trek rule”.

in “Star Trek:  Discovery Throws Out Long-Standing Trek Rule” on ENTERTAINMENT WEEKLY, James Hibberd says that the showrunners for Star Trek:  Discovery have thrown out the rule that crew members can’t fight each other or be portrayed negatively.

As part of Trek creator Gene Roddenberry’s utopian vision of the future (and one that Trek franchise executive producer Rick Berman carried on after Roddenberry’s death in 1991), writers on Trek shows were urged to avoid having Starfleet crew members in significant conflict with one another (unless a crew member is, say, possessed by an alien force), or from being shown in any seriously negative way.

This guideline wasn’t strictly followed across all 700 previous franchise episodes, of course (there are especially some notable exceptions in The Original Series). But in an aspirational effort to make the future more idyllic, Starfleet crew members typically weren’t supposed to demonstrate baser human flaws. For writers on Trek shows, the restriction has been a point of behind-the-scenes contention (one TNG and Voyager writer, Michael Piller, famously dubbed it “Roddenberry’s Box”). Drama is conflict, after all, and if all the conflict stems from non-Starfleet members on a show whose regular cast consists almost entirely of Starfleet officers, it hugely limits the types of stories that can be told.

So for the CBS All Access series coming Sept. 24, that restriction has been lifted and the writers are allowed to tell types of stories that were discouraged for decades….

(3) TECHNICAL CORRECTION. When I checked NerdConHQ’s poll “Con of the Year 2016 – FAN Votes”, leading the voting was Cyprus Comic Con in Nicosia on the island of Cyprus. Either that’s one hell of a con, or somebody is doing to this poll what the Plokta cabal did to a Scifi Channel poll back in the dawn of the internet.

(4) WISE CRACKS. In Episode 41 of Eating the Fantastic, Scott Edelman invites listeners to “Crack open fortune cookies with Dennis Etchison”.

Dennis is a writer and editor who’s a three-time World Fantasy Award winner and a three-time British Fantasy Award winner. His 1982 debut short story collection, The Dark Country, is one of the best horror short story collections ever. And you don’t have to take my word for how good he is—some guy named Stephen King has called him “one hell of a fiction writer.”

We discussed how Philip K. Dick staged scenes as he wrote his stories, Ray Bradbury’s baffling advice which helped Etchison make his first fiction sale, whether he’d still have become a writer had he not been an only child, why most writing workshops don’t work, how he came to write his best-selling Halloween novel for John Carpenter in six weeks, the speech he really wanted to give when he received his Lifetime Achievement Award from the Horror Writers Association, and more.

(5) FROM THE TOP OF THE STACK. In “Recent Reading”, Ann Leckie shares her thoughts about The Last Good Man by Linda Nagata, All Systems Red by Martha Wells, and Barbary Station by R.E. Stearns.

(6) SO SUMO. Who doesn’t love fighting robots, right? The Verge has video: “These autonomous sumo wrestling bots are freakishly fast”.

If you haven’t seen robot sumo wrestling before, then you’re in for a treat. Trust me. Most robot versions of human sports are underwhelming, but as this video compilation shows, the mechanical take on Japan’s national sport is very fast and very furious. And why? Because engineers aren’t trying to copy human performance. Instead, they concentrate on the qualities that robots excel at: namely lightning-fast decision-making and insane turns of speed.

(7) TODAY’S DAY

  • Typewriter Day

“There is nothing to writing. All you do is sit down at a typewriter and bleed.” ~ Ernest Hemingway

There’s a sound we all know, even if we don’t quite recall it. It’s the mechanical clatter of a typewriter in action. It is reminiscent in the soulless tapping of keys on modern keyboards and recalled in the sounds of the elite of the keyboard world, the mechanical keyboard. But none of them quite reach the splendor and grandeur of a typewriter in action. Typewriter Day celebrates this humble device and the amazing pieces of literature it’s brought to us over the decades.

(8) TODAY IN HISTORY

  • June 23, 1956 — Abbott & Costello met the Mummy
  • June 23, 1976 — Dystopic sci-fi classic Logan’s Run races into theaters
  • June 23, 1989 — Tim Burton’s blockbuster Batman opens to huge crowds

(9) COMIC SECTION

We commend to C.S. Lewis fans’ attention Rhymes With Orange for June 21.

(10) BRILLIANT CASTING. David Thayer picked up what he likes to call his Retro-Hugo Nominee pin — a little, Flash Gordon-esque rocket — at Jim Clift’s lapel pin site. Clift has created quite a few interesting items, for example, his collection of science lapel pins.

(11) ELECTRICAL CONDUCTOR. The orchestra that recorded Star Wars used modern tech for advertising: processed motion capture of Simon Rattle as poster backgrounds. “Watch Conductor Simon Rattle Turn Into A High-Tech Tangle Of Spaghetti” advertises London Symphony Orchestra.

Now here’s a creative way to promote your upcoming symphony season and up your brand: Strap your conductor in a motion capture suit, switch on a dozen high-tech cameras, and get an artist to translate the data into kaleidoscopic shapes and colors.

Then sit back and watch as Simon Rattle, who takes over the storied London Symphony Orchestra (LSO) this fall, morphs into an oozing blob, a twisting tower of metallic rods and, rather deliciously, a tangle of angel hair pasta. (Well, that’s what it looks like to me.)

 

Chip Hitchcock adds, “And Disney would plotz if he could see some of the web advertising from the same tech: web advertising from the same tech.”

(12) WHAT WOULD SCOTTY THINK? Entertainment Weekly teases more images from Star Trek: Discovery.

Here’s a first look one of the transporter rooms (yes, there are more than one) featured in the upcoming Star Trek: Discovery. Above we see Michael Burnham (Sonequa Martin-Green) and Captain Philippa Georgiou (Michelle Yeoh) preparing to beam down to … somewhere.

You’ll notice they’re wearing body armor (another interesting addition) and have old school The Original Series phasers at the ready. In the foreground on the left is the back of Lt. Saru (Doug Jones) a new form of alien in the Trek universe who plays a key role.

This particular transporter bay is aboard the U.S.S. Shenzhou and it’s unlike any that Trek fans have ever seen before. So if you love this new design, great, it’s in the show. If you don’t, hold that thought, because the transporter bay in the U.S.S. Discovery is very different from this one (and has not yet been seen).

Star: Trek Discovery is a prequel set 10 years before the events in The Original Series and focuses on two Starships, the Discovery and the Shenzhou. The Discovery is a newer vessel while the Shenzhou is an older model. The bridge scenes in the trailer are also aboard the Shenzhou rather than the Discovery.

 

(13) RELIC OF WAR. My benighted boast about my site traffic is destined to live on in the annals of humor unto the second fifth generation. Someone screencapped this hack of File 770’s Wikipedia entry. The punchline at the end of the second paragraph made me laugh.

(14) PLANETARY AWARD. Your 2016 Planetary Award winners are:

  • Best Short Story: “Athan and the Priestess” by Schuyler Hernstrom (Thune’s Vision)
  • Best Novel: Swan Knight’s Son by John C. Wright

Any book blogger, podcaster, or “booktuber” is eligible to nominate for the award. This year’s nominators included Jeffro Johnson, Jon del Arroz, Brian Niemeier and The Injustice Gamer.

(15) APPROACHING THE FINNISH LINE. SFWA broadcasts Sylvia Spruck Wrigley’s “Ten Tips For First-Time Travelers to Helsinki”.

WorldCon in Helsinki is THE social event of the year, and we’re all really looking forward to it. However, for many people, it might be the first time traveling to a country where English is not the native language. This can be nerve-wracking because it is impossible to know what to expect. In a vague attempt to help, I’ve created this ten-point list of how to cope.

1) Research before you go. Read articles. Pick up a travel book. If you are comfortable with Reddit, browse through https://www.reddit.com/r/helsinki/ or even take part in https://www.reddit.com/r/Worldcon75/ and get to know people before you even arrive. Use Google Street View to explore your neighborhood. Look up the address and phone number of the American consulate. Install Duolingo and practice five minutes of Finnish a day for four weeks.

[Thanks to JJ, James Davis Nicoll, Cat Eldridge, Chip Hitchcock, Mark-kitteh, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belong to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/18/17 For I Am A Bear Of Very Little Files, And Long Scrolls Bother Me

(1) NO NEED TO SAY MORE. Michael Swanwick recounts what he labels the shortest and most succinct discussion about the horror genre in the history of the speculative fiction community:

MICHAEL SWANWICK: “I don’t like horror because it scares me.”

ELLEN DATLOW: “That’s why I love it.”

(2) A FINE ROMANCE. Welcome to 21st-century dating. “This Man Is Suing His Date For Texting During ‘Guardians Of The Galaxy'”.

Texting during a movie is rude.

Brandon Vezmar from Texas is taking a stance on the issue by suing his Bumble date after she used her phone during a movie. The Austin American-Statesman reported that Vezmar filed a small court claim for $17.31, the price of a 3D showing of “Guardians of the Galaxy 2.”

“It was kind of a first date from hell,” he told the local newspaper.

The 36-year-old said that his date was on her phone “at least 10-20 times in 15 minutes to read and send text messages.” According to Vezmar, he told her she should text outside, so she left and took the car in which they both arrived.

Ouch.

Vezmar claimed he tried to text and call his date before taking the matter to court. He tweeted a screenshot once his date sent a statement to KVUE anonymously to say that, while she felt bad that his feelings were hurt, she chose to leave because he made her feel unsafe.

“His behavior made me extremely uncomfortable, and I felt I needed to remove myself from the situation for my own safety,” the statement read. “He has escalated the situation far past what any mentally healthy person would.”

Director James Gunn, who might have stayed safely out of this, unfortunately decided to show his ass, as if texting in the theater was the entire issue.

(3) TRAILER PARK. Aziz H. Poonawalla goes into deep analysis about the Star Trek: Discovery trailer.

But really, hairless Klingons? With a H.R. Geiger armor aesthetic?

It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly — they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all — just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection — purely a Han shot first decision.

(4) MESSAGE TO THE PAST. If the term “calendrical rot” hadn’t been invented for a different purpose, and we had a way to send it into the past, it would find the perfect Petri dish in this incredibly technical discussion of alternate timelines in Star Trek held on Reddit in 2015.

(5) SASQUATCH APPROPRIATED. In the Walrus, Robert Jago introduces his op-ed about Canada’s latest cultural appropriation controversy with an sff illustration: “On Cultural Appropriation, Canadians Are Hypocrites”.

Harry and the Hendersons is a 1987 fantasy movie about a Seattle family’s encounter with a friendly bigfoot (Harry) and their efforts to protect him from harm before releasing him in the mountains of the Pacific northwest. It’s a forgettable film, but it has undoubtedly been seen and heard in more Indigenous homes than has the story of Sasq’ets–the original sasquatch.

Sasq’ets, whose name was one of the few Halkomelem words to make their way into English, was one of a host of other legendary “wild people” living in the forests on the Pacific coast. For hundreds of generations, Salish and Kwakwaka’wakw children were raised on the stories of the wild people and taught to listen for their characteristic hu-hu-hu calls. Sasq’ets, along with Dzunuka, were said to capture wayward children, take them away from their families, and eat them. With their supernatural healing powers, the wild ones were thought to be invincible; only once was a wild person taken by angry villagers and burned alive. But to the mortals’ horror, the ashes began buzzing in a tiny chorus of little hu-hu-hu’s, and each particle sought out human flesh. This was the origin myth of mosquitos.

Sasq’ets taught our children to stay out of the forests at night. It connected us to our part of the world, in the same way that Hansel and Gretel or Little Red Riding Hood connected Europeans to their ancient forests–and possibly for the same purposes. Our stories are works of genius and beauty, and vital to our relationship with the land. By no means do I want to restrict our legends to Indigenous people. I want you to know about Sasq’ets, and the psychedelically odd stories of the spirit of the South Winds, and all of the legends of our country.

But when the story is taken from us and told by outsiders without our involvement, its identity can be lost, and Sasq’ets becomes Bigfoot. The cultural dominance of non-Natives means that a B-movie like Harry and the Hendersons can have more influence over Salish children than the legend that inspired it.

(6) WESTLAKE’S BOND. Daniel Dern says be on the lookout for copies of Donald Westlake’s James Bond novel(ization) released last fall. “I’ve already just put a reserve-request in to my library.”

Forever And A Death

In the mid-1990s, prolific mystery and crime thriller author Donald E. Westlake submitted two treatments for the 18th Bond film (which would ultimately become ‘Tomorrow Never Dies’)….Never one to waste a good story, Westlake turned his treatments into a novel.

Dern adds:

Fewer Filers than normally expected might be familiar with Westlake, since he wrote near-zero scifi, by choice. OTOH, he wrote lots of great mystery/thriller/crime and other novels and stories, ranging from humorous, e.g. his John Dortmunder stories, and his tabloid-reporter ones, to serious, notably the ones written as Richard Stark.

See the Donald Westlake site.

My favorite Westlake book: Up Your Banners

(7) MACE WINDU GETS HIS OWN BOOK. The Jedi have always been the galaxy’s peacekeepers — but with the Clone Wars on the horizon, all that is about to change.

This August, writer Matt Owens (Elektra) will team with artist Denys Cowan (Nighthawk, Captain America/Black Panther: Flags of Our Fathers) to unveil the exciting story of one of the Jedi’s greatest warriors in STAR WARS: JEDI OF THE REPUBLIC — MACE WINDU #1!

One of the most accomplished and storied members of the Jedi High Council, his wisdom and combat prowess are legendary. Now, in this new story, readers will get to see Mace Windu lead his Jedi into battle, and face the ultimate test of leadership!

(8) PETER OLSON OBIT. SF Site News reports that Boston area fan Peter Olson (1949-2017) died April 28. He was active in NESFA and participated in the Ig Nobel Awards.

(9) TODAY’S BIRTHDAY GIRLS

  • Born May 18 — R. Laurraine Tutihasi
  • Born May 18 — Diane Duane

(10) TODAY’S BIRTHDAY BOY

  • Born May 18, 1897 — Frank Capra

(11) COMIC SECTION. John King Tarpinian says Ziggy has a point.

(12) WHIP OUT YOUR ROLL OF HUNDREDS. Nicole Pelletier on Good Morning America has a piece called “Classic Disney animation art featuring Snow White, Pinocchio headed to auction” about how a tranche of Disney cels from the 1940s is headed for auction in an event sponsored by Bonhams and Turner Classic Movies.

Bonhams Fine Art Auctioneers and Turner Classic Movies (TCM) will present the movie memorabilia auction, “An Important Animation Art Collection, The Property of a Gentleman” in New York City on June 5.

The sale will feature more than 290 original Disney animation drawings, storyboards, posters, concept art and celluloids, according to Bonhams’ press release.

(13) WARNING LABEL. While I was browsing Bertie MacAvoy’s Amazon page, I especially enjoyed this self-introduction:

Robert A.MacAvoy

If you are young to the S.F. field and don’t know who I am, I will prep you by warning that I often kill off my heroes, sometimes at the most unexpected times. But never in a depressing manner. I’ve never wanted to depress my readers. My outlook is essentially comic.

(14) DRYING OFF. This may be the first good news I’ve ever heard about a convention associated with the Ozarks. Nerd & Tie’s Trae Dorn reports how some fans are overcoming a natural disaster: “West Plains, MO Based Oz-Con Plans Game Day Event to Make Up For Canceled Day of Con”.

I think any reasonable person would forgive the con, considering this was an extreme, unpredictable situation where homes and lives were literally lost. What’s the Sunday of a con compared to that? To the extreme credit of the Oz-Con organizers though, they still want to try to make it right.

Yesterday Oz-Con organizers announced an event they’re calling “Flood Con.” It’s a free game day the con is hosting from 9:00am until 10:00pm on June 17th at the Missouri State University-West Plains Student Rec Center. Admission is free, but they’ll also be accepting cash donations and canned food items to help with ongoing flood relief in the area. There will be video games, tabletop games, and fellow geeks to have a grand old time with.

Admittedly, I haven’t heard much about sff in the Ozarks — just that famous story about the time Larry Niven arrived expecting to be GoH of Ozarkon only to find out the con had been cancelled. (Fans involve swear they tried to get a message to him, but in those pre-internet days it failed to reach him on the road.)

(15) FAME IN PIXELS. Who needs a monument when you can be an answer on Jeopardy!

(16) LOVECRAFT COUNTRY TO TV. Get Out writer-director Jordan Peele and J.J. Abrams’ Bad Robot and Warner Bros Television are teaming on Lovecraft Country, a one-hour drama that has been given a straight-to-series order by HBO.

There is connective tissue to Peele’s breakout genre feature Get Out, which brought a Black Lives Matter theme to the horror genre. Lovecraft Country, the 2016 novel from Matt Ruff, focuses on 25-year-old Atticus Black. After his father goes missing, Black joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America to find him. This begins a struggle to survive and overcome both the racist terrors of white America and the malevolent spirits that could be ripped from a Lovecraft paperback. The goal is an anthological horror series that reclaims genre storytelling from the African-American perspective.

[Thanks to Carl Slaughter, Andrew Porter, JJ, Dawn Incognito, Daniel Dern, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]

Pixel Scroll 4/18/17 There Is A Scroll In Everything, That’s How The Pixel Gets In

(1) WISDOM. Chuck Wendig’s birthday gift to himself can also be shared with the universe — lucky us: “What I’ve Learned After 5 Years And 20 Books: 25 Lessons”. JJ’s favorite is #21. This is my pick —

  1. The Opposite Of ‘Kill Your Darlings’ Is ‘Know Which Hill To Die On’

Early on you learn to kill your darlings. Your work has these precious, preening peacocks who strut about for their own pomp and circumstance. These darlings are like chairs you can’t sit on, food you can’t eat — they’re just there to look pretty and take up space. So, you kill them. You learn to kill them. You get good at killing them. And then, one day, you realize maybe you got too good at it. Maybe you went too far. You started to think of everything as expendable, everything as negotiable. But it isn’t. It can’t be. I learned this writing Star Wars: yes, those books are not purely mine. They belong to the galaxy, not to me. Just the same? It’s my name on those books. If they fail, they fail on my watch. If there’s something in there you don’t like, it doesn’t matter if it’s something Mickey Mouse his-own-damn-self demanded I put in there: it lands on my doorstep. That’s when I saw the other side of the brutally execute your peacocks argument: some peacocks stay. Some peacocks are yours, and you put them there because that’s where you want them. Maybe they add something specific, maybe you’re just an asshole who demands that one lone peacock warbling and showing its stuff. But you own that. You have to see when there are battles to lose, and when there are wars to win. There are always hills to die on. It can’t be all of them. You want to die on every hill, then you’re dead for no reason and the book will suffer. But some things are yours and you have to know which ones to fight for, and why. You have to know why they matter and then you have to be prepared to burn the book to ash in order to let it stay.

(2) WRITE LIKE THE LIGHTNING. Too Like the Lightning author and Hugo nominee Ada Palmer is interviewed in the Chicago Maroon.

CM: Where’d your inspiration arise from, and what made you want to write a book with such an intersection of so many topics like philosophy, politics, science fiction?

AP: I mean, good science fiction is like that. Great science fiction is full of ideas, not just one, or two, or five ideas, but new ideas in every page. Also, I was inspired by reading pre-modern science fiction, which I do as a historian. We think of science fiction as a late 19th- and 20th-century genre, but Voltaire wrote a science fiction short story called “Micromegas,” in which aliens from another star and from Saturn come to the Earth. When they make first contact with people, the first thing they discuss is, “Is Plato or Descartes correct about how the soul and body connect to each other?” and “Is Thomas Aquinas’s discussion of Aristotle’s divisions of the parts of the soul true?” Voltaire’s society was obsessed with providence, so providence and the existence of God and the immaterial soul was what his people talked to aliens about, and it was as plausible to him as our science fiction works are to us.

So I wanted to write science fiction that used the amazingly sophisticated vocabulary of modern science fiction, all the great developments we’ve had in terms of thinking about AI and flying cars, but to ask questions like Voltaire would.

(3) GOT TO HAVE IT. A couple of other Hugo nominees woke up the internet.

Ditch Diggers has been nominated for a Hugo Award! You did it! Mur and Matt will go up against the likes of The Coode Street Podcast and Tea & Jeopardy in Helsinki for Best Fancast (even though we’re all professionals. Because there’s only one podcast category)! Thank you to all Ditch Diggers listeners who supported the show and don’t forget to vote for Mur and Matt for the Hugo itself!

(4) PROFESSIONALISM. Michi Trota reinforces the lessons of Odyssey Con in “Volunteers, Professionals, and Who Gets to Have Fun at Cons”.

…Being on the job at a con doesn’t have to ruin my fun–or anyone else’s for that matter–but you know what does? The dude with the grabby hands and eyes trained on my chest. The person who kills a conversation with their racist jokes. The gatekeeper who quizzes me on the X-Men then tries to play Gotcha! with a question about Legend of Zelda because obviously the brown Asian woman’s just playing at being a nerd. The asshole selling misogynistic art. A concom that selectively enforces their code of conduct and dismisses concerns I’ve expressed about my safety because “Stories about X’s behavior are just exaggerated.” Not only does that ruin any fun to be had, it also makes my job that much harder to do, potentially costs me opportunities as a creator, and makes me wonder how much of my investment that con is actually worth (Elise Matthesen had some excellent things to say about the real costs of harassment and who pays them).

This is where the argument that having things like rules, codes, and policies that attendees and organizers are expected to abide by also ruins everyone’s fun usually comes up. But it begs the question: just whose fun are we referring to here? Because let’s be real, con’s haven’t always been fun for everyone.

… The widespread adoption and implementation of anti-harassment policies and codes of conduct has made it a bit easier for people like me to be more involved in fandom. They don’t mean that I never run into problems, but it’s less likely those problems will outweigh the time and effort I invest in those cons. It’s because of my participation and attendance at cons as both a fan and a pro that I was able to meet people and find opportunities that helped me get to where I am now. Expectations of professionalism on the part of con organizers are not unreasonable simply because those organizers are volunteers. There’s absolutely nothing wrong about professionals treating cons as a workplace (particularly if they’re guests who have been contracted by the con for their presence) and nothing preventing pros and fans from being friendly with each other. There’s nothing about running your con with a minimum of professional standards, practices, and behavior that excludes everyone also having fun.

If your fun is dependent using your status as a volunteer as an excuse to not act responsibly, if it requires victims to stay quiet about mistreatment: then it’s not really a fun time for “everyone” is it? It’s not the expectation of professionalism that’s killing the fun at cons, it’s the lack of it.

As Deb Geisler says, “Never, ever, ever should “but we’re just volunteers” be an excuse not to do the finest job of which we are capable.”

(5) STUMBLING BLOCK QUESTIONS. Alyssa Wong says it in her own way in “Why ‘I’m a feminist, but –‘ isn’t enough”.

ii.

Incidents of sexual harassment in the SFF field are distressingly numerous. And it’s nothing new; Isaac Asimov was so well known to grope women that in 1961 he was asked to deliver a “pseudo lecture” on “the positive power of posterior pinching” (read the correspondence between Earl Kemp, chairman of Chicon III, and Asimov here).

But this isn’t 1961. SFF is more global, diverse and inclusive than ever, and much richer for it. Writers who challenge and explore systematic injustice and oppression through their work are myriad; their work can be found in bookstores, presses, and online across genres, across the world.

And yet we keep asking:

are you sure she didn’t just have a vendetta?

how could it be sexual harassment if he didn’t touch her?

why do we need to be so politically correct?

Why? Because real people are affected. Because both macro- and microaggressions are harmful.Because everyone deserves to feel safe in professional settings, and for writers and industry professionals, that is what conventions are. Moreover, Wiscon is a feminist SFF convention. If safe feminist space exists in genre, Wiscon should definitely be part of it.

What concerns me is the number of women and men who continue to stand up for known abusers. In this sense, it seems that Jim Frenkel is not alone.

(6) CARPENTRY. Cat Rambo also says it is “Time to Fix the Missing Stair”, in a multifaceted post that includes this allusion to a Superversive SF post, and highlights from a relevant panel at last weekend’s Norwescon.

…[Re: Monica Valentinelli’s departure as OdysseyCon guest] One manifestation of that is a brief statement asking why she hates women, declaring that her example will make conventions reluctant to invite any women in the future. Let’s unpack that one a little because the underpinnings seem ill-constructed to me.

There are many kinds of humans in the world. That means there’re also many kinds of women. The logic of the above statement says two things: 1) that it is wrong for people speak out about conditions that are uncomfortable, unprofessional, or sometimes even dangerous and 2) that only people with the strength to survive a gauntlet that can include being groped onstage, being mocked publicly, having their work denigrated for no reason other than having been produced by a woman, and a multitude of other forms of harassment deserve careers and the rest are out of luck. Does that really need to be demanded for someone to have a career? Writers are notoriously unstable mentally as it is. Serial harassment is a professional matter.

This was underscored for me on a Norwescon (a con that does a great job with selecting programming and volunteers and understands the issues) panel that I moderated last Friday, Standing Up to the Mob, with panelists Minim Calibre, Arinn Dembo, Mickey Schulz, and Torrey Stenmark. The description was:

How do you support female creators who are being harassed online by the ravening hordes of the unenlightened? Tips for voicing your support in ways that mean something.

Here are Arinn Dembo’s excellent notes on the panel overall.

(7) THEY’RE GONE. Would you like to bet this writer’s stance was a factor in today’s decision to retire the Lovecraft nominee pins?

(8) THE ONE-PERSON SALES FORCE. A lot of things affect an indie author’s sales and it isn’t easy to keep all of them in mind, as Amanda S. Green explains in “It really is a business” at Mad Genius Club.

The next thing I looked at happened to be my product pages. Oh my, there is so much there we have to take into consideration and we don’t tend to. At least I don’t. Sure, I want to have the best possible cover to draw the reader’s eye. I want a snappy and interesting blurb to grab the reader and make them want to buy the book. But I don’t tend to check the product page on anything other than my laptop. I forget to look at it on my Kindle Fire or Mom’s iPad. I sure forget to look at it in my phone. Or, more accurately, I used to forget it. After the last few days, I won’t. What I learned is that the longer blurbs will work on a tablet or computer screen but, on a phone, they are a pain because you have to keep scrolling. Not good. Scrolling for a screen or two is one thing but for screen after screen after screen — nope. Not gonna happen. Fortunately, most of mine weren’t that bad and those that were happen to be on two titles I am going to withdraw because they were supposed to be short term promo titles initially.

(9) I’M A DOCTOR NOT A MILLIONAIRE. By the way, if you want to know how much the tricorder X Prize was worth, the Washington Post article says that Final Frontier Medical Devices, led by Dr. Basil Harris, won the $2.6 million first prize in this contest, with Dynamical Biomarkers Group got $1 million for second place.

(10) MAGAZINE LAUNCH. Anathema has published its first issue. The free, online tri-annual magazine publishes speculative fiction by queer people of color. The magazine was funded by a 2016 IndieGoGo campaign.

Exceptional art is a bruise: it leaves its mark on you. At its best it leaves us vulnerable and raw, transformed by the experience. At Anathema we’re interested in giving that exceptional work a home. Specifically the exceptional work of queer people of colour (POC). As practicing editors we’re keenly aware of the structural and institutional racism that makes it hard for the work of marginalized writers to find a home.

So Anathema: Spec from the Margins is a free, online tri-annual magazine publishing speculative fiction (SF/F/H, the weird, slipstream, surrealism, fabulism, and more) by queer people of colour on every range of the LGBTQIA spectrum.

(11) TODAY IN HISTORY

  • April 18, 1938 – Superman made his first appearance in Action Comics #1. (Cover-dated June, but published in April.)

(12) TAFF. SF Site News reports John Purcell has won the Trans-Atlantic Fan Fund race. Voting details at the link.

(13) CARTOON OF THE DAY. Martin Morse Wooster recommends The Bigger Picture, a cartoon by Daisy Jacobs done in the style of a painting about two brothers feuding over their ailing mother. It was a 2015 Academy Award nominee

(14) DEVIL’S DICTIONARY. In McSweeney’s, Rajeev Balasubramanyam’s “A Short Description of Cultural Appropriation for Non-Believers” supplies a wryly amusing 10-point illustration of the term.

(15) WINTER IS HERE. Dave Truesdale, who had a lot to say about “special snowflakes” at last year’s Worldcon, has been using an F&SF forum discussion to call into account Liz Bourke’s Tor.com post “Thoughts on the 2017 Hugo Awards Ballot”.

….Going back to 1993, women received the majority of the 15 Hugo short fiction nominations that year. Hardly discrimination by the entire SF field. And that was just shy of 25 years ago!

But now it’s not yay!, look how far we’ve come in a positive celebration for a year in which women and poc dominate several major awards ballots, it’s neener neener we dominated an award ballot and “This year is a historic one for the Hugo Awards in more ways than one. In addition to the changes to the awards process, this is the first year in which the Best Novel nominees have been so completely devoid in white men.” [[Link added]]

Why the F bring up white men I ask for the umpteenth time. Why not white straight women too, then, who have been on the ballot plenty over the past 40 or 50 years and have taken up plenty of slots that could have gone to poc, especially in the past decade or so (pick your starting point).

Why just white men? An unconscious bias perhaps? A conscious prejudice? Give me a sound reason why not just “white” people, or “men” were noted in the article, but “white men.” There’s something else going on here. The article doesn’t have to come right out and be the instigation of a flame war in its use of inflammatory language and tone to reveal certain things about the writer or her view of the situation. That she’s more subtle in doing it doesn’t give her a pass.

He came back again and added:

In the stuff-you-always-think-of-later department:

CJW wrote: “She noted the lack of white men on the Best Novel list, because there were no white men on the Best Novel list.”

There were also no black, brown, yellow, or red men on the list either. So why single out white men I ask again for the 3rd or 4th time? Subconscious prejudice bubbling to the surface because that is her default–that pesky white color? What could possibly be the reason she forgot non-white men? I mean, there has to be a perfectly reasonable explanation for her discriminatory statement.

Although other commenters weren’t interested in engaging with Truesdale’s complaint, they couldn’t resist dropping in another coin to see him go off again.

SHamm ended a reply —

P.S.: Dave, I am not quite sure from your phrasing: are you under the impression that Milo Yiannopoulos is a “straight white male”?

P.P.S.: Dave, I believe Best Novel nominee Liu Cixin qualifies as a “yellow man,” in your parlance, although I am told that particular descriptor is no longer much in vogue.

P.P.S.: Dave, does it have to be a “straw MAN”? Asking as a man.

Truesdale answered:

SHamm, of course Milo is gay, but he doesn’t agree with the party line and so is reviled and efforts are made to silence him.

Liu Cixin is a yellow man in historical terminology, which makes the essayists use of “white men” even more telling. Person of color=OK. White men not OK.

Straw man is just a phrase we are all familiar with. No need to make anything out of it.

Why bring Puppies into this? No Sad Puppy I know of is afraid of women/people of color/LGBTQ writers dominating the awards. Certainly not me. I’ve said it a hundred times, the more the merrier. The problem for me arises when these same people heralding diversity for their own benefit try to silence diversity of thought from everyone else. And if you dare speak out you suffer the consequences–inside and outside the SF field, witness Milo and others lately who have suffered similar fates while trying to express differing views on university campuses (though maybe not with the violence attendant at Milo’s cancelled talk). It’s the darker underside agenda of those rallying behind good causes such as diversity that puts the lie to their true agenda. And it’s hurting SF. Again, writers aren’t taking the kinds of chances in speaking of social or political issues they used to, for fear of various forms of reprisal from those waving the banner of diversity. Their diversity only runs in one way, and its killing free speech and controversial thought experiments in our stories. That Puppy crap still being thrown out is ridiculous and an intellectual dodge. Besides, there was no SP this year as far as I know, but every time this discussion comes up someone thinks that tossing in SP or RP is the answer to everything, when it is an excuse to honestly address the issue.

(16) MAKES SENSE. The head of Netflix isn’t worried about Amazon and HBO because, he says, they aren’t the competition.

But today, on Netflix’s Q1 earnings call, [Netflix CEO Reed] Hastings got a little more expansive, in a bong-rip-in-a-dorm-room way, if that’s still a thing. (Is that still a thing?) Here’s the answer he gave to an Amazon competition question; we join this one mid-response, right after he finished praising Amazon and Jeff Bezos:

They’re doing great programming, and they’ll continue to do that, but I’m not sure it will affect us very much. Because the market is just so vast. You know, think about it, when you watch a show from Netflix and you get addicted to it, you stay up late at night. You really — we’re competing with sleep, on the margin. And so, it’s a very large pool of time. And a way to see that numerically is that we’re a competitor to HBO, and yet over 10 years we’ve grown to 50 million, and they’ve continued modestly growing. They haven’t shrunk. And so if you think about it as, we’re not really affecting them, the is why — and that’s because we’re like two drops of water in the ocean, of both time and spending for people. And so Amazon could do great work, and it would be very hard for it to directly affect us. It’s just — home entertainment is not a zero-sum game. And again, HBO’s success, despite our tremendous success, is a good way to illustrate that.

(17) AND NOW FOR MORE SCIENCE. This unauthenticated video may date before the Ice Age. Or before breakfast today.

(18) INKLINGS NEWS. Inklings Abroad is developing an international registry of known Inklings groups.

(19) DANCE WITH ME. Believe it — Guardians of the Galaxy has a La La Land moment!

(20) THINK TWICE BEFORE GETTING THAT EXTRA LARGE SODA. In its own way, Guardians of the Galaxy Vol. 2 threatens to have as many endings as Return of the King. As ScienceFiction.com says — “Just To Outshine The Rest Of Marvel’s Movies, ‘Guardians Of The Galaxy Vol. 2? Will Have 5 Post-Credit Scenes!”

Director James Gunn blew away expectations with his first foray into Marvel’s Cinematic Universe, and now he’s doing it again by adding five post-credit scenes at the end of ‘Guardians of the Galaxy Vol. 2‘! Originally it was being announced that he had four included from early press screenings and now Gunn himself took to clarify that it would be five. That’s one announcement he could make that would easily top his return to helm ‘Guardians of the Galaxy Vol. 3, ‘ but honestly, I think we were all hoping that was going to happen anyway.

This will set an all new record for the most post-credit scenes in a superhero movie, possibly of any genre.

[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, Carl Slaughter, John King Tarpinian, Cat Rambo. and Kate Nepveu for some of these stories. Title credit goes to File 770 contributing editor of the day Schnookums Von Fancypants.]

Keep Watching the Screens

By Carl Slaughter: More news from the worlds of entertainment.

(1) Women MCU Writers. Here are 10 of “The women you didn’t know were behind the MCU”.

The Marvel Cinematic Universe has been a game-changer in a number of ways. It helped to redefine comics-based films, creating the model of a shared universe.”…

Kelly Sue DeConnick

While everyone’s excited to see the Avengers and Thanos slugging it out in Infinity War, Marvel is already preparing for its next wave of hit movies—movies like Captain Marvel, currently slated to premiere on March 8, 2019. Featuring Oscar winner Brie Larson as the title character, it’ll likely follow her adventures in space, as the character’s more recent comics exploits have found her exploring the universe alongside the Guardians of the Galaxy and other colorful characters. Interestingly, the character of Captain Marvel, formerly Ms. Marvel, has been around for decades, but the demand for a Captain Marvel movie is relatively recent…and it’s all thanks to Kelly Sue DeConnick.

DeConnick was serving as a freelance writer for Marvel when she started writing Captain Marvel’s adventures in 2012. During her three-year run on the comic, the character’s popularity exploded with new readers all over the world, many of them members of the ever-growing “Carol Corps” of superfans. DeConnick specialized in presenting a complex Captain Marvel who was headstrong, bighearted, and a bit goofy at times, all traits that helped make her outer space adventures highly memorable. While DeConnick has gone on to write other successful books such as Bitch Planet, the legacy of her Captain Marvel issues will almost certainly inform the onscreen adventures of the MCU’s first female solo movie, and she’s thrown her support behind Larson’s casting.

(2) Star Wars Anthology. A 40th anniversary special — “Star Wars anthology will tell the stories of unsung characters”.

Star Wars: From a Certain Point of View will feature 40 stories by 40 authors based on lesser-known characters from the first movie….

To celebrate the 40th anniversary of the franchise, the official Star Wars website announced Star Wars: From a Certain Point of View, a unique anthology novel that will bring together 40 authors with 40 stories told from the point of view of lesser-known characters from the first movie, A New Hope.

While we don’t know all of the characters who will be featured, the synopsis mentions “X-wing pilots who helped Luke destroy the Death Star” and “the stormtroopers who never quite could find the droids they were looking for.” If you ask us, this sounds like a brilliant idea. And who knows? Maybe one of the stories will eventually be expanded into a full anthology flick in the future. Lucasfilm does love those.

(3) No Lovecraft Movie. Would it help if somebody gave him a bag of Lovecraft lapel pins? “Guillermo Del Toro Still Thwarted in Quest to Film H.P. Lovecraft’s ‘Mountains of Madness’”.

A lot of the confusion surrounding the difficulties in getting At the Mountains of Madness made is that fans seem to think del Toro, and directors like him, have more decision-making power than they actually do:

(4) Carl Sagan versus Star Wars. “Carl Sagan Critiqued ‘Star Wars’ in 1978,and His Complaints Will Sound Familiar”.

Revisit the astrophysicist on The Tonight Show Starring Johnny Carson and his lament the movie didn’t take greater care with science in its science fiction

 

(5) What, Me Wookiee? Mad Magazine Versus Star Wars – the Never Ending Roast”.

In typical Mad fashion, the film has been rechristened Rough One: A Star Bores Snorer, and is chock full of sight gags (AT-ACTs with dog collars and wagging tongues, Sebastian the crab from Little Mermaid on the Scarif beach, Ewok headphones on one of the Rebels) along with the requisite jokes on the film’s storyline (“if we don’t beam up those plans, we’ll never fill the 40-year-old plot hole about how the most powerful weapon in galactic history had such a ridiculous design flaw”). Snoopy and George Lucas even make cameos. Take a look at our high-res version and see what else you can find.

(6) Fame and Misfortune. Looper thinks there were 11 “Acting Careers Ruined by Star Trek Roles”.

Avery Brooks

As the Commander (and later Captain) of Deep Space Nine, Avery Brooks was a force to be reckoned with. He had the unenviable task of helming both a role (Benjamin Sisko) and a show (Star Trek: Deep Space Nine) that debuted in the shadow of the critically and commercially successful Star Trek: The Next Generation. Despite that difficulty, he took his role into bold directions, navigating issues of race, religion, and family in a way that Trek hadn’t before—and hasn’t since. When Deep Space Nine ended, his character had been saved from certain death by the Prophets, where he’d live outside of linear time for the foreseeable future. For the fans, it seems like the same thing happened to Brooks, as he’s largely disappeared from acting since the show ended in 1999.

What happened? In many ways, Brooks returned to his “day job.” He has the amazing distinction of being the first African-American to get an MFA in acting and directing from Rutgers University, and he became a professor at Rutgers in 1976. He gained tenure and was promoted to full-time Professor over the years, and though Deep Space Nine disrupted his academic career, he’s returned to teaching since, while continuing to pursue parts in theatrical productions. His commanding voice has also been behind the camera as narrator on several documentaries. Perhaps most entertainingly for Star Trek fans, the musical Benjamin Sisko ended up being musically gifted in real life: Avery Brooks has performed at music festivals, and released an album in 2009.

(7) Wha’ happened? Some would call these spoilers – beware — “Confusing sci fi moving endings explained”

“Sci-fi movies can have really confusing endings if you don’t pay close attention. These are confusing even when you do!”

(8) No bat poop on Alfred permitted.  Batman: Animated Series Trivia”.

The story behind the scenes is arguably just as entertaining as the episodes that eventually made it to the screen….

Launched in 1992, Batman: The Animated Series is still revered as one of the greatest cartoons ever conceived. It pushed the boundaries of what you could do with the animated medium, and its timeless design holds up as well today as it did 25 years ago.

But this beloved version of the Dark Knight didn’t come about easily—and the story behind the scenes is arguably just as entertaining as the episodes that eventually made it to the screen. Here’s everything you might not know about a show you almost certainly still love.

Pixel Scroll 4/15/17 The Late-Night, Double-Feature, Motion Pixel Scroll

(1) CALL THE MOUNTIES. Imagine that — when you walk around town costumed as an armed survivalist, some people just can’t help believing their lying eyes: “Cosplay goes bad for gamer in Grande Prairie”.

Grande Prairie RCMP draw firearms in response to man dressed as video game character

It was almost game over in Grande Prairie this week for a cosplay enthusiast.

Dressed as a character from Fallout, a popular post-apocalyptic video game series, the man walked down a street wearing a gas mask, helmet, armour and bullet belt.

He carried a flag that said “New California Republic” — one of the factions from the games.

A man dressed as a character from the Fallout video-game series walks down a street in Grande Prairie. (Kyle Martel/Facebook)

RCMP Cpl. Shawn Graham told CBC News that police received calls just before 5 p.m. Tuesday from citizens concerned the man was wearing what looked like a bomb on his back.

At least eight officers responded with their long guns drawn. Photos show them crouched behind vehicles and bushes

(2) HPL. Thanks to rcade, we know what a World Fantasy Award nominee pin looks like:

(3) NEW DIGS. LASFS sold its clubhouse and is vacating the premises. They haven’t bought a replacement property yet, so the club will be meeting temporarily at the Art Directors Guild in Studio City beginning May 4. More details at Meetup.

(4) A HAMMER FILM. We’ve seen ice cream made with liquid nitrogen; Nottingham University professor Martyn Poliakoff shows that same liquid gas can be used to make the new “indestructable” 5-pound note destructible.

In a clip uploaded to his Periodic Videos series on YouTube, the professor said:

“The Bank of England is issuing new bank notes starting with the five pound note, and they made them plastic and there have been all sorts of advertisements that you cannot break them.

“I felt immediately challenged, and I had the idea that if we froze it with liquid nitrogen, the strands of the polymer would be frozen rigid and you may be able to break it, hitting it with a hammer.”

 

(5) WHO BLABBED? CBR.com reports animated adaptation of Alan Moore and Dave Gibbons’ Watchmen is on the way.

An animated adaptation of Alan Moore and Dave Gibbons’ celebrated “Watchmen” is on the way, and it may arrive sooner than you’d think.

A recent survey by Warner Bros. “A-List Community” program, which regularly asks subscribers for their opinions on upcoming or recent film and television projects, has revealed the studio is bringing the graphic novel to animated form.

Reading the survey’s description of the project as “an upcoming made-for-video movie,” it’s apparent the film is already either in development, or in the final stages of production.

The survey further describes the film as “A faithful adaptation of the Watchmen graphic novel executed in an animation style that mirrors the source material.” Going by that description, it’s safe to assume Warner Bros. Animation has opted to take a similar approach to the comic as it did when bringing Frank Miller’s “Dark Knight Returns” and Moore and Brian Bolland’s “The Killing Joke” to life; both of those films homaged the respective artist’s style, making changes as needed to properly animate the story.

It’s interesting to note, though perhaps not surprising, that at no point in the survey are Moore or Gibbons mentioned. While Gibbons participated in the production and promotion of director Zack Snyder’s 2009 live-action “Watchmen” adaptation, Moore has made his disapproval of any “Watchmen” follow-up extremely clear. He was once quoted as saying he’d be “spitting venom all over” the Snyder-directed film, and has expressed on numerous occasions his preference that the original story be left to stand on its own.

ComicsBeat  sounded cranky when they relayed the story – “Someone broke NDA and revealed that an R-rated watchmen animated movie is coming”.

It’s a little surprising that news of this new adaptation of Watchmen has leaked to the general public so quickly as membership to Warner Bros. A-List Community program requires the signing of an non-disclosure agreement….

Then they proceeded to quote the NDA language at length, presumably to shame the rival news site. Bad, naughty news site!

(6) I LIKE CAKE. Lynn Hirschberg, in W magazine article “Gal Gadot Listened to Beyonce in Preparation for her Wonder Woman Debut”, profiles Gadot, who discusses how Beyonce provided inspiration, how she auditioned blindly for the part, and how despite being in a superhero movie she still likes to decorate cakes.

On the day we met, she was channeling her powers into decorating a cake. (Who would’ve guessed that the actress had such a way with fondant?) “I want to start with a blue cake,” Gadot said definitively, as we entered Duff’s CakeMix, in Los Angeles. She was wearing simple black pants, a navy sweater, and classic black Gucci loafers.

Although she was six-months pregnant with her second child, the baby bump was nearly undetectable. Gadot, who has a doelike quality, wasn’t wearing makeup and her dark hair was pulled back in a ponytail. “You couldn’t have invented a more perfect ­Wonder Woman than Gal,” Patty Jenkins, the film’s director, told me later.

(7) YOUR MOROSE ROBOT PAL. I think this is cool, although the name “Orpheus – The Saddest Music Machine” is a bit of anthropomorphizing I could do without. Having survived the effects of puppy sadness, do I really need robotic sadness?

We need companions in our lives. And it’s always helpful to have one who needs you in return. Orpheus, a robot-shaped DIY music box that plays music and lights up, is a bit sad and melancholic. But he looks cheerful, and he has a big heart. Orpheus will be a steadfast companion to any older child or adult. Though he needs some help being his best self, right out of the box.   Assemble Orpheus yourself or with your kids from the laser-cut wood pieces, and soon you will have your own hand-cranked music box with moving gears and lights, as well as arms and legs. His melody is called “Cycle of Happiness,” which you can play any time you need some inspiration, or when you feel Orpheus needs some attention. Orpheus is available in the U.S. through ThinkGeek before anyone else.

 

(8) THE WRITE CHOICE. Although it won’t be a pal, you could spend more than a hundred times more money on this geeky Chushev pen.

The “Complication” fountain pen pays homage to the Swiss watchmaking trade for all the innovations in precision mechanics it has achieved. Inspired by the craftsmanship of the Swiss masters, Chavdar Chushev, saw the miniature details in the watches as ideal specimens for abstract art compositions. From that moment, he spent the next three decades refining his technique and evolving his creative vision. The sophisticated design of the “Complication” is the result of countless artistic iterations and technological evolutions.

(9) COMIC SECTION. John King Tarpinian knows you’ll appreciate the sf reference in Frank and Ernest.

He also recommends the cinematic humor in Brevity.

On the other hand, Martin Morse Wooster is certain Tolkien fans will want to throw things at Stephen Pastis after reading today’s Pearls Before Swine.

(10) HANSEN OBIT. Actor Peter Hansen died April 9 at the age of 95. He was one of the stars of the 1951 science-fiction film When Worlds Collide, which won an Academy Award for special effects. He also appeared in an episode of TV’s Science Fiction Theatre.

However, his real claim to fame was years spent playing a character on the soap opera General Hospital, earning an Emmy in 1979 as Best Supporting Actor.

More details here.

(11) TODAY’S BIRTHDAY WIZARD

  • Born April 15, 1990 – Emma Watson

(12) DOOMED AGAIN. LegalVision analyzes why an Australian court ordered the destruction of The One Ring – “This Apparently Precious Ring: Tolkien Estate Limited v Saltamacchia”.

The Infringement Issues

The Respondent hosts a website called “Australian Jewellery Sales”. Over the course of eight years, the Respondent sold approximately 1300 rings with the One Ring Inscription between $5 and $30 AUD each. He advertised the rings by referencing phrases such as: “The Lord of the Rings”; “The Hobbit”; and “Bilbo Baggins”.

The Respondent has about 50 remaining rings with the One Ring Inscription left. Right up until the date of the proceedings he continued to offer them for sale. The Respondent argued his rings did not accurately replicate the One Ring Inscription. It is important to note, here, that reproduction of copyright work does not need to be exact. The infringement must be a “substantial part”.

(13) WHAT’S COOKIN’? Enceladus also shows signs of life, although there’s still more hope for Europa:

Could there be life under the icy surface of Saturn’s moon Enceladus?

Scientists have found a promising sign.

NASA announced on Thursday that its Cassini spacecraft mission to Saturn has gathered new evidence that there’s a chemical reaction taking place under the moon’s icy surface that could provide conditions for life. They described their findings in the journal Science.

“This is the closest we’ve come, so far, to identifying a place with some of the ingredients needed for a habitable environment,” Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, said in a statement.

However, the scientists think that because the moon is young, there may not have been time for life to emerge.

In 2015, researchers said that there was evidence of a warm ocean under the moon’s surface, as NPR’s Geoff Brumfiel reported.

This posed an exciting prospect — researchers wondered whether that warm ocean might be interacting with rock to create a form of chemical energy that could be used by some forms of life.

If true, it would be analogous to ancient organisms on Earth fueled by the energy in deep-sea ocean vents.

(14) IMPROVING RECOGNITION. AIs are biased, probably due to inadequate samples: “Artificial intelligence: How to avoid racist algorithms”.

The Algorithmic Justice League (AJL) was launched by Joy Buolamwini, a postgraduate student at the Massachusetts Institute of Technology, in November 2016.

She was trying to use facial recognition software for a project but it could not process her face – Ms Buolamwini has dark skin.

“I found that wearing a white mask, because I have very dark skin, made it easier for the system to work,” she says.

“It was the reduction of a face to a model that a computer could more easily read.”

It was not the first time she had encountered the problem.

Five years earlier, she had had to ask a lighter-skinned room-mate to help her.

“I had mixed feelings. I was frustrated because this was a problem I’d seen five years earlier was still persisting,” she said.

“And I was amused that the white mask worked so well.”

(15) IT’S CALLED ACTING. Variety’s Lawrence Yee, in “Meet Rose, The Biggest Little Part’ in Star Wars: The Last Jedi, discusses how Grace Marie Tran, who plays Rose, appeared on a panel at the Star Wars Celebration in Orlando and while she couldn’t say anything about the film, she did say she told her parents she was shooting “an indie movie in Canada” and bought some maple syrup to prove to her parents she was in another country.

(16) THAT THING THEY DO. George Saunders probes “What writers really do when they write”.

…An artist works outside the realm of strict logic. Simply knowing one’s intention and then executing it does not make good art. Artists know this. According to Donald Barthelme: “The writer is that person who, embarking upon her task, does not know what to do.” Gerald Stern put it this way: “If you start out to write a poem about two dogs fucking, and you write a poem about two dogs fucking – then you wrote a poem about two dogs fucking.” Einstein, always the smarty-pants, outdid them both: “No worthy problem is ever solved in the plane of its original conception.”

…I had written short stories by this method for the last 20 years, always assuming that an entirely new method (more planning, more overt intention, big messy charts, elaborate systems of numerology underlying the letters in the characters’ names, say) would be required for a novel. But, no. My novel proceeded by essentially the same principles as my stories always have: somehow get to the writing desk, read what you’ve got so far, watch that forehead needle, adjust accordingly. The whole thing was being done on a slightly larger frame, admittedly, but there was a moment when I finally realised that, if one is going to do something artistically intense at 55 years old, he is probably going to use the same skills he’s been obsessively honing all of those years; the trick might be to destabilise oneself enough that the skills come to the table fresh-eyed and a little confused. A bandleader used to working with three accordionists is granted a symphony orchestra; what he’s been developing all of those years, he may find, runs deeper than mere instrumentation – his take on melody and harmony should be transferable to this new group, and he might even find himself looking anew at himself, so to speak: reinvigorated by his own sudden strangeness in that new domain.

It was as if, over the years, I’d become adept at setting up tents and then a very large tent showed up: bigger frame, more fabric, same procedure….

(17) VISITING SPACE SOON. A European Shuttle?

While Tumino and his team have worked on IXV and then Space Rider, there have been other European concepts in the background. UK company Reaction Engines has a design for an unmanned spaceplane, Skylon, that will launch satellites and the German Aerospace Agency has a concept called SpaceLiner that carries people. But, neither will be in orbit before Space Rider or anytime soon.

Space Rider could be in orbit in 2020 or 2021, as design funding was approved by Esa’s 27 member states in December last year. The money will enable Esa to work with the Italian Aerospace Agency, Cira, which is managing the project, and Thales Alenia Space and Lockheed Martin to complete the spaceplane’s design in 2019.

Its first flights will not, however, leave the Earth’s atmosphere. A full-scale model will be dropped in 2019 – both by atmospheric balloon and helicopter to test how it lands.

(18) ANOTHER APRIL FOOLS CLASSIC. Mount Vernon’s newest website translation for visitors is in Klingonese. And it’s dialed-in to Klingon sensibilities, as this video tour of George Washington’s home shows.

[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 3/28/17 Nevertheless, She Pixelisted

(1) EXPANSE FREAKOUT PREMATURE. James S. A. Corey says to settle down.

Anyway, they always have the books to fall back on…

(2) DON’T BE SHOCKED. Jim C. Hines didn’t expect people to be surprised when he told them “Yes, I Still Get Rejections”.

A while back, I posted something on Facebook about a rejection I’d received on a project. I was a bit taken aback when several people offered to “have a talk” with the editor. Others questioned the editor’s mental health for rejecting a Jim Hines story. It was flattering, in a way — I love that I have fans who are so enthusiastic about reading new stuff from me — but I think it might also reflect a basic misunderstanding.

Rejections are part of the job. They don’t suddenly stop when you become more successful. They’re less frequent, yes. Much less frequent, and my own mental well being is unspeakably grateful for that. But with the possible exception of folks like Rowling and King, we all risk rejection when we write.

Over the past year, I wrote a short story for an anthology that got cancelled. Another editor said they were interested, so I sent the story their way. They read it, said some nice things, and rejected the story. And they were right to do so….

(3) SF MUSEUM EXHIBIT. From June through August 2017, the Barbican Centre museum in London will present the exhibition Into The Unknown: A Journey Through Science Fiction, which is curated by historian and writer Patrick Gyger and will explore science fiction as an experimental genre. The Wire supplies the details in its article “A new Barbican exhibition will explore science fiction from a multidisciplinary angle”.

It’ll include more than 200 books, original manuscripts and typescripts, contemporary and existing art works, 60 film and TV clips, unseen footage, adverts, concept art, film props, comics, video games and robots.

Australian duo Soda_Jerk will present Astro Black, a two-channel video installation with a focus on Sun Ra’s theories of Afrofuturism and featuring footage of Kraftwerk, DJ Kool Herc, Afrika Bambaataa, Grandmaster Flash and Public Enemy. Plus Ben Frost and Daníel Bjarnason’s score inspired by Andrei Tarkovsky’s 1973 film Solaris will be performed with Poland’s Sinfonietta Cracovia, plus video accompaniment by Brian Eno and Nick Robertson.

(4) THIS IS SO WRONG. “Firm Floats Plan to Hang Colossal Skyscraper From an Asteroid”NBC News has the story.

Dubbed Analemma, the fanciful tower wouldn’t be built on the ground, but suspended in air by cables from an asteroid repositioned into geosynchronous Earth orbit just for the purpose.

Over the course of each day, the floating skyscraper would trace a figure-eight path over our planet’s surface, according to plans posted online by Clouds Architecture Office. It would swing between the northern and southern hemispheres, returning to the same point once every 24 hours.

The speed of the tower relative to the ground would vary depending upon which part of the figure eight it was tracing, with the slowest speeds at the top and bottom of each loop, the plans say. The asteroid’s orbit would be calibrated so that the slowest part of the tower’s path would occur over New York City.

…Analemma would be powered by solar panels and use recycled water. Lower floors would be set aside for business use, while sleeping quarters would be sited about two-thirds of the way up. The plans don’t say exactly how people would get on and off the building, though one illustration seem to show people parachuting from the tower to the ground.

(5) EXTENDED FAMILY. Lightspeed Magazine’s Christian A. Coleman interviewed Nnedi Okorafor.

You wrote in the acknowledgments of Binti that your daughter, Anyaugo, essentially came up with the plot of the novella. Was she also involved in plotting Binti: Home?

Anya didn’t come up with the whole plot of Binti. I was stuck on that ship with Binti and the murderous aliens; I knew the ending, but I wasn’t sure what should happen next. I told her about being stuck and she suggested something that went on to become a major part of the plot. The same happened with Binti: Home. When I write, Anya is very often around me or FaceTiming with me. So I’ll look up from writing and talk to her about what I’m writing. She always has something to say, and nine times out of ten, it’s good stuff. The same with part three. There was a major part in part three that we actually argued over because it was disturbing. I wanted one thing; she was like, “Heck no! You can’t do that.”

We live with my characters.

(6) GRRM AND LIBRARIANS. StokerCon is coming up April 27-30 aboard the Queen Mary in Long Beach, CA.

George R.R. Martin will be there on Saturday for an interview and signing.

HWA is sponsoring Librarians’ Day at StokerCon 2017 – which is essentially a day pass for Thursday of StokerCon, as I haven’t seen anything requiring proof of being a librarian in the purchase information.

(7) TUMMY TIME. “Karen Gillan’s ‘Jumanji: Welcome to the Jungle’ Costume Explained, but Does the Reason Make It Okay?” Yahoo! Movies ponders the answer.

When the first footage of the film was released during CinemaCon, the reason for her ensemble was revealed. The plot involves four high-school students who are forced to clean out the basement of their school while in detention. They find an old video game (rather than a board game like in the version of the movie starring Robin Williams) and each chooses a character to play. The teenagers become the characters they selected, leading a nerdy boy to become The Rock’s character and a popular girl to become Jack Black‘s character.

A more shy, reserved teenage girl ends up becoming Karen Gillan‘s character. The video game is old and dusty, so presumably the reason that she is dressed in tiny clothing is because that’s how female video game characters used to be dressed.

Is that enough of a reason for a movie to dress the character this way? Should the objectification of the female lead in the movie become permissible because Jumanji: Welcome to the Jungle’s film creators wanted to be hyper-accurate to old video games? Does the fear of being anachronistic by giving Gillan pants or a fully formed top justify the male gaze? Do the critics who hated Gillan’s outfit feel soothed by this explanation?

(8) DON’T SOUND SO SURPRISED. Io9’s take is “The First Footage From Jumanji Is Surprisingly Very Fun”.

…They realize that, because they are in a video game, they each have video game powers. For example, Johnson’s character is super strong and Gillan’s character is a dance fighter, which they joke about. And also, she very quickly acknowledges how ridiculous it is that the game makes her outfit so skimpy. A kind of guide character tells them they have to place a jewel back into a statue to leave—but as they progress, the challenges get greater and greater. Killer animals, evil men on motorcycles, just lots of crazy stuff. And, like a video game, they each have three lives. If they lose those, they die for real.

(9) TODAY IN HISTORY

  • March 28, 1979 Phantasm was released. John King Tarpinian adds, “Angus Scrimm, The Tall Man, used to come to Ray Bradbury’s Pandemonium Theater Company‘s plays.”

(10) IN GREAT DEMAND. James A. Owen’s seven-day Kickstarter to publish an Inklings Art Print Set hit 200% of its goal on Day One. These involve the illustrations he produced for Bandersnatch by Diana Pavlac Glyer.

Not only can you see the drawings of the individual Inklings at the Kickstarter site, several are matched with photos of scholars and fans who visited to the English locations and recreated the authors’ poses, which I found highly amusing.

(11)THE TRICORDER HAS ARRIVED. And in more than one version. The Washington Post’s Karen Heller, in “This ‘Star Trek’-inspired gizmo could win its inventors $9 million”, profiles George, Basil, and Gus Harris, who are hoping to win a prize of up to $9 million from the Qualcomm Foundation for producing the first successful “tricorder”–defined as a hand-held medical device that could detect blood pressure, diabetes, anemia, and nine other conditions.  The rules are that this device has to weigh less than five pounds and can be mass-produced.

… Harris assembled a seven-member team — himself, three of his siblings and three friends — all of whom were managing full-time jobs. They worked nights and weekends in his home outside Philadelphia, crashed after 72-hour engineering marathons, churned out prototype after prototype on three 3-D printers in Harris’s jumble of an office, each plastic part taking up to 24 hours to fabricate and with his three children, ages 11 to 15, often overseeing sanding and wiring.

The XPrize field began with 312 teams from 38 countries.

Now, improbably, Harris’s group is one of two finalists for the $9 million prize. The winner is scheduled to be announced April 12.

Harris’s competition is Dynamical Biomarkers Group, as formidable as its name: a group of 50 physicians, scientists and programmers, many of them paid for their work, led by Harvard Medical School professor C.K. Peng, a physicist with a 29-page résumé, and backed by the Taiwanese cellphone leviathan HTC and the Taiwanese government.

So, this is basically a Basil and Goliath story….

 

Brothers George, Basil and Gus Harris examine prop tricorders from the Star Trek series. (Courtesy of XPRIZE)

(12) LUCAS INCREASES SCHOLARSHIPS. Liz Calvario on Deadline.com, in a piece called “George Lucas Family Foundation Donates An Additional $10M to USC in Support of Student Diversity”, reports that the George Lucas Family Fund has donated $10 million to the USC School of Cinematic Arts for scholarships for African-American and Hispanic students.

The George Lucas Family Foundation has donated an additional $10 million to USC’s School of Cinematic Arts, expanding its support of student diversity, announced Dean Elizabeth M. Daley. The new endowment raises the Foundation’s total donation to $20 million.

Established in the fall 2016 semester with an initial $10 million, the George Lucas Family Foundation Endowed Student Support Fund for Diversity was created for students from underrepresented communities who qualify for financial support. African American and Hispanic students in both undergraduate and graduate programs receive priority consideration for support from the Fund. Students are known as George Lucas Scholars or Mellody Hobson Scholars….

(13) IT MUST GO OFF. The File 770 comments section yielded an item for the Wordspy newsletter.

WORD OF THE WEEK

Chekhov’s lesbian n. The principle that every reference to a minority in a fictional story must be relevant and irreplaceable. [This is a play on “Chekhov’s gun,” the Russian short-story writer’s famous dictum that memorable story elements should also be necessary and relevant (see this week’s Quote, Words, Unquote).]

Okay, let’s codify it — Chekhov’s Lesbian: if a character in fiction is portrayed as a member of a minority group, that character’s minority status must become a relevant plot point before the end of the story. (Term used sarcastically.) —Darren Garrison, “Pixel Scroll 5/19/16 I Am Not In The Scroll Of Common Men” (comment), File 770, May 20, 2016

 (14) SHORT NOTE TO L.D. COLTER. The Michael Glyer who’s on Twitter is not me. I don’t have a Twitter account because occasionally I’d fly off the handle and tweet something dumb and there it would be for the rest of time. The other Michael Glyer doesn’t appear to have that problem. So there could be worse things than me being mistaken for him.

(15) LOVECRAFT IN NEW MEXICO. As the locals say, it’s not new, and it’s not Mexico, H.P. Lovecraft of Ask Lovecraft visited George R.R. Martin in Santa Fe and recorded a couple segments of his vlog, which can be viewed at the link.

Seeing HPL at Meow Wolf was especially fun, since there are a couple of… ahem… decidedly Lovecraftian touches to be found in the House of Eternal Return.

If you ever get a chance to see Leeman Kessler perform as HPL, do catch him. It’s the next best thing to a shuggoth on your doorstep.

(16) MARTIAN ODDITIES. FiveThirtyEight does both a statistical analysis and a historical survey of Mars in the annals of pop culture — “This Is Why We Love Stories About Mars”.

Movies about aliens are getting more popular. Movies about Martians peaked a while ago.

…But multiculturalism was only part of the era’s Mars story. The 1950s and ’60s saw Martians firmly established on television as belligerent invaders. Marvin the Martian was introduced to give Bugs Bunny a worthy foe hell-bent on destroying Earth.3

There is something poetic about Marvin being the referee in “Space Jam” in the game between the Tunes and the Aliens. After all, he’s a creature of both worlds.

A 1960 episode of “The Twilight Zone” called “People Are Alike All Over” featured a Martian society that was just as indifferent and cruel as humans on Earth. The episode “Will the Real Martian Please Stand Up” played into the anyone-could-be-the-enemy-spy fears of the early 1960s, with invaders posing as humans to begin their infiltration.

In comic books, Martians are — with one notable exception — the baddies. Martians who show up in a Marvel comic are sure to be villains. Sometimes they’re Nazis dressed up as Martians to scare New York. Either way, these comics are stories about external threats made real, conquerors, spies, warlords and assorted monsters of the week. In DC Comics, the White Martians are boilerplate invader types, as are Yellow Martians and the original Burning Martians. Only the Green Martians, of which there remains one — the Martian Manhunter — aren’t out for Earthling blood, despite their ridiculous power.

In the contemporary era, humans dealing with Martians are occupiers, not collaborators. It rarely goes well….

[Thanks to Gregory N. Hullender, Rich Lynch, Rob Thornton, Cat Eldridge, Martin Morse Wooster, DMS, rcade, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 3/19/17 1984 Was Not Supposed To Be An Instruction Manual!

(1) FAKE REVIEWS FOR CHARITY. For Red Nose Day, March 24, 2017, “Pay a fiver to Comic Relief and TQF will review your book. (But we won’t read it.)”.

The Theaker’s Quarterly Fiction team have written for the most respectable reviewing publications in the world, including Interzone! Black Static! The BFS Journal! And the Reading University student newspaper! But on Friday, 24 March 2017, for one day only, they will cast aside their scruples and review books they’ve never read, all in aid of Comic Relief.

For authors and publishers, big and small, this will be a great way to publicise your books while supporting a good cause. And maybe it’ll help people to recognise fake reviews when they see them. The book doesn’t have to be yours. You could order a review for a friend’s book. Or your favourite novel. Or your least favourite. Or buy several reviews. Anything you like!

We are taking bookings in advance. Once you have made a donation of five pounds, email us with the cover and blurb, or just include an Amazon link to the book in your message when making the donation, and we’ll book you in.

(2) GRUMPY OR DOC? The Guardian’s Zoe Williams asks “Beauty and the Beast: Feminist or Fraud?”

Has Disney really turned Beauty and the Beast into a feminist fairytale? Or is it all just posh frocks and women’s work with a slice of Stockholm syndrome thrown in? We delve beneath the furry facade

1) Incomplete subversion of the genre

The main – indeed the only – stated piece of feminism is that Belle has a job, so escapes the passivity and helplessness that has defined heroines since Disney and beyond. Eagle eyed feminist-checkers noted even before the film’s release that Belle’s inventing is unpaid – so it’s not a job, it’s a hobby. I don’t mind that. The future of work is automation, and even feminists will have to get used to finding a purpose outside the world of money.

I do, however, feel bound to point out that Belle’s invention is a washing machine, a contraption she rigs up to a horse, to do her domestic work while she teaches another, miniature feminist how to read. The underlying message baked into this pie is that laundry is women’s work, which the superbly clever woman will delegate to a horse while she spreads literacy. It would be better if she had used her considerable intellect to question why she had to wash anything at all, while her father did nothing more useful than mend clocks. It’s unclear to me why anyone in this small family needs to know the time.

(3) WHAT IF THEY THROW ROCKS? Eavesdrop on the “Confessions of an asteroid hunter” in The Guardian.

Space physicist Dr Carrie Nugent talks about the chances of Earth being hit by a giant asteroid – and why she owes her job to a Bruce Willis movie

The New Scientist reported research that speculated that millions could die if an asteroid came down over a city. Or that a tsunami would kill 50,000 people in Rio de Janeiro if it landed in the sea off the coast of Brazil. How likely is that? An asteroid impact in the worst-case scenario is a terrifying thing. It seems very uncontrollable: in popular culture it’s often a metaphor for human powerlessness over the world. But when you actually look at the problem and you look at statistics, you realise that we can find asteroids, and we can predict where they are going incredibly accurately. That’s kind of unique for something that’s a natural disaster. And, if we had enough warning time, we could actually move one away. It’s a solvable problem.

And these include firing a nuclear missile at the asteroid? Certainly. I interviewed Lindley Johnson who’s got the coolest title in the world: planetary defence officer. He makes the point that nuclear is something that’s being considered, but he also says that it’s a last resort. One thing I found surprising is that the most effective thing might just be to get out of the way. If it’s a small asteroid – and depending on where it’s going to come down – you might just want to evacuate. In the same way you would deal with a flood.

(4) IT’S ACCURACY IN JOURNALISM. This past week George R.R. Martin and the Mayor Santa Fe helped launch The Stagecoach Foundation, whose assets include a small office building. Martin wrote immediately after the launch —

Stagecoach will be a non-profit foundation. Our dream is to bring more jobs to the people of Santa Fe, and to help train the young people of the city for careers in the entertainment industry, through internships, mentoring, and education.

Apparently news reports got significant facts wrong, even the nearest big city paper. When when he saw the news reports, GRRM wrote a list of corrections:

— the Stagecoach building is not 30,000 square feet. Someone pulled that number out of their ass, and dozens of other reports have repeated it. That’s a rough approximate figure for MEOW WOLF, an entirely different place on the other side of Santa Fe. The Stagecoach building is perhaps a third that size,

— I did not “build” Stagecoach. David Weininger did that in 1999, as the headquarters for his compnay, Daylight Chemical Information Systems,

— I am not “opening a film studio.” Stagecoach is a non-profit foundation dedicated to bringing more film and television production to Santa Fe, it is not a film studio,

— there are no sound stages at Stagecoach (though there are several here in town, at the Santa Fe Studios and the Greer Garson Studios). It’s an office building, and will be used primarily for pre- and post-production purposes,

— I am not going to be “running” a foundation, much less a studio. That task I’ve given to a dynamic young lady named Marisa X. Jiminez, who helped open Santa Fe Studios here in town, and who will have total charge of the day-to-day operations of Stagecoach, under a board of directors.

(5) OVER THE TRANSOM. Compelling Science Fiction editor Joe Stech says they’re once again open for submissions. He’s looking for stories to include in issue 7 (and beyond). The submissions window will remain open until 11:59pm MDT on June 1st, 2017. Full details on the submissions page.

(6) MONTAIGNE OBIT. An actor who appeared in two original Star Trek episodes, Lawrence Montaigne (1931-2017) has died.

StarTrek.com is saddened to report the passing of Lawrence Montaigne, the veteran actor who played the Romulan, Decius, in the Star Trek: The Original Series episode “Balance of Terror” in 1966 and returned a year later to portray Stonn, a Vulcan, in “Amok Time.” The actor died on Friday, March 17, at the age of 86.

(7) BERRY OBIT. Famed guitarist Chuck Berry (ob-sf — he was referenced Back to the Future) died March 18. The Guardian has the best obit says Cat Eldridge.

Chuck Berry, who has died aged 90, was rock’n’roll’s first guitar hero and poet. Never wild, but always savvy, Berry helped define the music. His material fused insistent tunes with highly distinctive lyrics that celebrated with deft wit and loving detail the glories of 1950s US teen consumerism.

His first single, Maybellene, began life as “country music”, by which Berry meant country blues, but was revamped on the great postwar Chicago label Chess in 1955. It was not only rock’n’roll but the perfect indicator of just what riches its singer-songwriter would bring to the form. Starting with a race between a Cadillac and a Ford, told from the Ford-owner’s, and therefore the underdog’s, viewpoint, this immeasurably influential debut record featured one of the most famous opening verses in popular music: “As I was motorvatin’ over the hill / I saw Maybellene in a Coupe de Ville …”

Berry’s recording of “Johnny B. Goode” was included on the disk attached to Voyager, per a birthday letter sent from Carl Sagan.

(8) WRIGHTSON OBIT. Swamp Thing co-creator Bernie Wrightson (1948-2017) died March 18 of brain cancer. He was 68.

Wrightson was best known for co-creating the DC Universe character Swamp Thing with writer Len Wein and for illustrating the Swamp Thing comic in the early ’70s. His many other projects included a comic book version of the 1982 Stephen King-penned anthology horror film Creepshow and a 1983 edition of Mary Shelley’s Frankenstein, for which he spent seven years creating around 50 illustrations. Wrightson also worked as a conceptual artist on a number of films including the original Ghostbusters, Galaxy Quest, and Creepshow director George A. Romero’s zombie movie Land of the Dead.

(9) TODAY’S DAY

History of International Read To Me Day International Read To Me day was established by the Child Writes Foundation to encourage the growth and spread of adult literacy. It became clear that in countries throughout the world adult literacy is a problem, and many adults simply lack the ability to read even for pleasure. When trying to find ways to help offset this, it became apparent that being read to as a child helped to encourage literacy and a love of reading in adults. The result of these findings was obvious! A holiday needed to be established to encourage the foundations of literacy by reading to our children, and thus was born “International Read To Me Day”!

(10) PORTALS OF DISCOVERY. Will you want to read the book after you play the game? “Joycestick: The Gamification of ‘Ulysses’” on the Boston College website.

A literary critic once asserted that the characters in James Joyce’s Ulysses – the sprawling, modernist opus that has bewitched or bedeviled readers for decades – were not fictitious: Through them, Stuart Gilbert said, Joyce achieved “a coherent and integral interpretation of life.”

Now, through a project titled “Joycestick,” Boston College Joyce scholar Joseph Nugent and his team of mainly BC students have taken this “interpretation of life” to a whole other realm.

Joycestick is Ulysses adapted as an immersive, 3D virtual reality (VR) computer game – a “gamification,” in contemporary parlance. Users don a VR eyepiece and headphones and, with gaming devices, navigate and explore various scenes from the book. Nugent, an associate professor of the practice of English, and his team are continuing to develop, refine and add to Joycestick with the hope of formally unveiling it in Dublin this coming June 16 – the date in 1904 on which Ulysses takes place, now celebrated as Bloomsday in honor of the book’s main character, Leopold Bloom.

(11) CAN’T BE FOUND. The author’s influence on pop culture is pervasive. So “Where Are All the Big Lovecraft Films?” asks this video maker.

H.P. Lovecraft is one of the most important horror and science fiction writers of all time, yet there really aren’t that many large scale adaptations of his work, and even fewer successful ones. So where are all the Lovecraft films?

 

(12) KEEPING UP THE RAY QUOTA. Just in case Camestros Felapton ever does another count….

FATHER ELECTRICO: RAY BRADBURY LIVES FOREVER! is a documentary film based on a collaboration between the author and sculptor Christopher Slatoff.

The frontal view of the sculpture depicts a young Ray’s father carrying him home from a very long day spent at two circuses. Turn the sculpture around and the image of the Illustrated Man and his tattoos come to life and tell their stories.

The other namesake, Mr Electrico, was a carnival magician who charged 12 year-old Ray to “live forever!” The budding author begin writing that day and never stopped.

The video can’t be embedded here, it has to be watched at Vimeo.

(13) NEITHER SNOW NOR SLEET. See Ellen Datlow’s photos from the March 15 KGB Reading.

Nova Ren Suma and Kiini Ibura Salaam read their stories (and parts of stories) the day after NYC’s mini-blizzard when the temperature was still icy

(14) EMAIL ASSAULT. “Shades of Langford’s ‘basilisks’,” says Chip Hitchcock — “US man held for sending flashing tweet to epileptic writer”.

A man accused of sending a flashing image to a writer in order to trigger an epileptic seizure has been arrested, the US justice department says.

John Rayne Rivello, 29, of Maryland, sent Kurt Eichenwald an animated image with a flashing light on Twitter in December, causing the seizure.

He has been charged with criminal cyber stalking and could face a 10-year sentence, the New York Times reports.

“You deserve a seizure for your post,” he is alleged to have written.

Mr Eichenwald is known to have epilepsy. He is a senior writer at Newsweek magazine, a contributing editor at Vanity Fair and a best-selling author of books including The Informant.

(15) HOW THEY DID IT. The Mummy (2017) Zero Gravity Featurette goes behind the scene of a stunt shown in the trailer.

[Thanks to Carl Slaughter, Andrew Porter, Chip Hitchcock, Cat Eldridge, John King Tarpinian, and Ellen Datlow for some of these stories. Title credit goes to File 770 contributing editor of the day lurkertype.]

Pixel Scroll 3/9/17 ‘Is There Anyone There?’ Said The Pixeler, Knocking On The Moonlit Scroll.

(1) DINOS DOUBLE DOWN. Jurassic Park 2, planned for release in 2018, is starting to crank up its publicity machinery 

(2) BLOGGERS STICK TOGETHER. Steve Vertlieb reminds me his blog Better Days, Benner Nights, is up for a Rondo Award as Best Blog of 2016.

It’s an affectionate remembrance of the Saturday Matinee and 1950’s television when classic cliffhanger serials thrilled and excited “children of all ages”… when careening spaceships and thundering hooves echoed through the revered imaginations and hallowed corridors of time and memory…and when Buster Crabbe lovingly brought “Flash Gordon,” “Buck Rogers,” and “Captain Gallant Of The Foreign Legion” to life in darkened movie palaces all over the world. Return with us now to “those thrilling days of yesteryear” when Zorro, “Space Patrol,” Ming, The Merciless, and Larry “Buster” Crabbe lit the early days of television, and Saturday afternoon motion picture screens, with magical imagery and unforgettable excitement.

Anyone can vote in the Rondos – see the nominees here —  just send your selection (along with your name and E-Mail address) to David Colton whose voting address is taraco@aol.com prior to Sunday night, April 16th, 2017, at midnight.

(3) TO THE MOON. A Business Insider writer says we’re getting close to having a Google Lunar XPrize winner.

A real lunar race that has been in the making for years is now in the final stretch.

The Google Lunar XPrize Foundation recently announced five final teams that will compete for the honor of being the first private group to land on the moon — and a $20 million prize.

The Google Lunar XPrize is more than pronouncements by Elon Musk and Jeff Bezos. It will prove the utility of commercial lunar exploration.

Sometime before the end of 2017, one or more of the final five groups will shoot for the moon. The Final Five are Moon Express, SpaceIl, Synergy Moon, Team Indus, and Team Hakuto.

All the winning team has to do to gain the prize is to cross a quarter of a million miles of space, soft land on the lunar surface, return high resolution videos and images to Earth, and move 500 meters from the landing site.

(4) UNCONDITIONAL LOVE. Cat Rambo is grieving the loss of her cat Raven.

I record the notes of my grief: my eyes feeling as though filled with hot sand, the tired and lonely ache inside my heart, the way my throat hardens,  my vision blurring more at the bottom than the top when tears well. The wet tremble as they linger on my cheeks. It’s the only thing I can think to do.

(5) IT’S COMPLICATED. Paul La Farge writes about “The Complicated Friendship of H.P. Lovecraft and Robert Barlow, One of His Biggest Fans” in The New Yorker.

On June 18, 1931, a young man named Robert Barlow mailed a letter to the horror writer H. P. Lovecraft. Lovecraft’s stories about monstrous beings from beyond the stars were appearing regularly in the pulp magazine Weird Tales, and Barlow was a fan. He wanted to know when Lovecraft had started writing, what he was working on now, and whether the Necronomicon—a tome of forbidden knowledge that appears in several Lovecraft tales—was a real book. A week later, Lovecraft wrote back, as he nearly always did. It’s estimated that he wrote more than fifty thousand letters in his relatively short lifetime (he died at the age of forty-six). This particular letter was the beginning of a curious friendship, which changed the course of Barlow’s life, and Lovecraft’s, too—though almost no one who reads Lovecraft these days knows anything about it. Who keeps track of the lives of fans?

Raises hand.

(6) CARNEGIE AND GREENAWAY LONGLISTS. The longlists for the CILIP Carnegie and Kate Greenaway medals have been announced.

The Carnegie Medal, established in 1936, is awarded annually to the writer of an outstanding book for children. The Kate Greenaway Medal has been given since 1955 for distinguished illustration in a book for children.

Locus Online identified the following as titles of genre interest:

Carnegie Medal

  • Sputnik’s Guide to Life on Earth, Frank Cottrell Boyce (Pan Macmillan)
  • Whisper to Me, Nick Lake (Bloomsbury)
  • Beetle Boy, M.G. Leonard (Chicken House)
  • Beck, Mal Peet & Meg Rosoff (Walker)
  • Railhead, Philip Reeve (Oxford University Press)
  • Orbiting Jupiter, Gary D. Schmidt (Andersen)
  • Island, Nicky Singer (Caboodle)
  • Time Travelling with a Hamster, Ross Welford (HarperCollins)

Greenaway Medal

  • Harry Potter and the Philosopher’s Stone, J.K. Rowling, illustrated by Jim Kay (Bloomsbury)

The shortlists will be announced on March 16, and winners will be announced June 19.

(7) ALETA JACKSON OBIT. Loretta Jackson Delong, known in fandom as Aleta Jackson, died December 4, 2016.

Aleta worked for Xerox for ten years as a repair technician and wrote both science fiction and non-fiction stories. She worked for the L-5 Society, both in Tucson and later in Washington DC. During her stay in DC, Aleta became an aide to General Daniel Graham and helped create the DC-X launch vehicle, later renamed the Clipper Graham. She also edited the Journal of Practical Applications of Space while with Graham’s Strategic Defense Initiative Organization.

As an indefatigable supporter of launch vehicle development, Aleta then became one of Rotary Rocket Company’s first employees, where she was general office manager. When the propulsion group was laid off from Rotary, Aleta was the person who told Jeff Greason, Dan DeLong, and Doug Jones that they had to stick with it, and founded XCOR Aerospace.

I first met her at NOLAcon II in 1988. Years later, when she was at XCOR and I was organizing Loscon program we crossed paths again.

(8) WELCOME ABOARD. “’Star Trek: Discovery’ Finds Its Captain In Jason Isaacs” reports Deadline Hollywood.

Former Awake and Dig star Jason Isaacs has been cast in Star Trek: Discovery for CBS All Access as Captain Lorca, Captain of the Starship Discovery. It is a major role opposite lead Sonequa Martin- Green in the series, which eyes a debut in late summer or fall….

Isaacs’ recently co-starred in the Netflix mystery drama series The OA and will next be seen in Weinstein Co.’s Hotel Mumbai and Armando Iannucci’s Death of Stalin.

(9) FACE THE TRUTH. Wesley Chu, the Edison of digital publishing, has invented a new service for authors.

(10) ANOTHER GAME OF THRONES CASUALTY? The Azure Window of Malta collapsed into the sea after a recent storm. The Azure Window was a backdrop for the wedding of Daenerys Targaryen, a recurring character played by Emilia Clarke, to Khal Drogo, portrayed by Jason Momoa, in the first episode in mid-2011.

(11) TRASH BECOMES TREASURE, AGAIN. Atlas Obscura says they were hidden in a circulation chamber in an old Chicago theater — “Found: A Treasure Trove of Candy Wrappers Dating Back to the Depression”. Pictures over there.

Eric Nordstrom of Urban Remains has been exploring Chicago’s Congress Theater, which was built in 1926 and is currently under renovation. Earlier this year, Nordstrom, whose business reclaims objects from old buildings, started working his way through the old theater, finding newspapers, pipes, tools, and blueprints left there since the 1920s.

Recently, he returned to the theater, and this time, as DNAInfo reports, he found a trove of candy wrappers and matchbooks that date back to the theater’s earliest years.

(12) WHEN MAN PURSUETH. Motherboard says the “Anti-Social ‘Shybot’ Rolls Around the Sonoran Desert, Running Away From Humans”.

We’re all afraid of our future robot overlords, but what if those robots were afraid of us, too?

Over the course of the last week, California’s Coachella Valley hosted a strange, anti-social visitor. Its name was Shybot, a six-wheeled rover whose only purpose in life is to roam the Sonoran desert avoiding humans at all costs.

(13) A HISTORY OF VIOLENCE. In “This Land of Mine Revised” on Vimeo, Nina Paley updates the classic song from Exodus to show the bloody history of the Middle East.

[Thanks to JJ, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Cat Rambo, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Museum of Pop Culture 20th Anniversary SFF Hall of Fame Inductees

MoPOP in Seattle

MoPOP in Seattle

Seattle’s Museum of Pop Culture (MoPOP) has announced 24 new inductees to the Science Fiction and Fantasy Hall of Fame for 2016 year.

Creators:

  • Douglas Adams
  • Margaret Atwood
  • Keith David
  • Guillermo del Toro
  • Terry Gilliam
  • Jim Henson
  • Jack Kirby
  • Madeleine L’Engle
  • C.S. Lewis
  • H.P. Lovecraft
  • Leonard Nimoy
  • George Orwell
  • Terry Pratchett
  • Rumiko Takahashi
  • John Williams

Works:

  • 2001: A Space Odyssey
  • Blade Runner
  • Dungeons & Dragons
  • The Matrix
  • Myst
  • The Princess Bride
  • Star Trek
  • Wonder Woman
  • X-Files

Last spring, as part of its 20th anniversary celebration, the public was invited to nominate their favorite creators and works for the Hall of Fame. Twenty finalists were selected and the public was given a May 2016 deadline to vote, however, the results were never published, and the current class of inductees includes some who were not finalists, and omits others who were.

According to today’s press release:

Inductees were nominated by the public and selected by a panel of award-winning science fiction and fantasy authors, artists, editors, publishers, and film professionals. The 2016 committee included Jane Espenson (Buffy the Vampire Slayer, Torchwood), Cory Doctorow (Co-Editor, Boing Boing; Down and Out in the Magic Kingdom), Jen Stuller (Co-Founder, GeekGirlCon), Linda Medley (Castle Waiting), and Ted Chiang (Story of Your Life and Others).

A new exhibition commemorating the 20th anniversary Science Fiction and Fantasy Hall of Fame, opening March 4, 2017, will invite visitors to explore the lives and legacies of the 108 current inductees through interpretive films, interactive kiosks, and more than 30 artifacts, including Luke Skywalker’s severed hand from George Lucas’ The Empire Strikes Back, the Staff of Ra headpiece from Steven Spielberg’s Raiders of the Lost Ark, author Isaac Asimov’s typewriter, and the “Right Hand of Doom” from Guillermo del Toro’s film Hellboy.

The Hall of Fame was previously shown as part of the Icons of Science Fiction exhibit when MoPOP was called the Experience Music Project Museum. Founded in 1996, the Hall of Fame was relocated from the Gunn Center for the Study of Science Fiction at the University of Kansas to EMP in 2004.

Pixel Scroll 12/18/16 Scroll Measured By Weight. Pixels May Settle In Packing

(1) PROMETHEUS AWARDS RECOMMENDATIONS. Members of the Libertarian Futurist Society can formally nominate a work for any category of the Prometheus Awards.

Here are the works nominated so far in 2016 for the Prometheus Award for Best Novel:

2016 Prometheus Award Best Novel nominations
(Nominations as of Dec. 17, 2016. Nominations deadline: Feb. 15, 2017)

  • Morning Star: Book III of The Red Rising Trilogy, by Pierce Brown (Del Rey, Feb., 2016)
  • Speculator, by Doug Casey and John Hunt (HighGround Books, Sept. 2016)
  • Dark Age, by Felix Hartmann (Hartmann Publishing, June 2016)
  • Kill Process, by William Hertling (Liquididea Press, June 2016)
  • Through Fire, by Sarah Hoyt (Baen Books, August 2016)
  • The Corporation Wars: Dissidence by Ken MacLeod (Orbit, 2016)
  • Too Like the Lightning, by Ada Palmer (TOR Books, 2016)
  • Written in Fire, (Book 3 of The Brilliance trilogy) by Marcus Sakey (Thomas & Mercer, Jan. 2016)
  • The Core of the Sun, by Johanna Sinisalo and Lola Rogers (Grove Press/Black Cat, January 2016)
  • Blade of p’Na, by L. Neil Smith (Phoenix Pick, October 2016)
  • Arkwright, by Allen Steele (TOR Books, March 2016)
  • On to the Asteroid, by Travis S. Taylor and Les Johnson (Baen Books, August 2016)
  • Necessity, by Jo Walton (TOR Books, July 2016)

(2) THEATRICAL ALIENS. Alastair Reynolds’ story is being brought to the stage using puppets designed by Mary Robinette Kowal — “The House Theater of Chicago to Stage World Premiere of Sci-Fi Thriller DIAMOND DOGS”.

The House Theatre of Chicago presents their initial production in 2017, Diamond Dogs, adapted from Alastair Reynolds’ science fiction adventure by Althos Low and directed by Artistic Director Nathan Allen, playing at the Chopin Upstairs Theatre, 1543 W. Division St., January 13 – March 5. Diamond Dogs is also a participant in the 2017 Chicago International Puppet Theater Festival, January 19 – 29. Preview performances are January 13 – 20. Opening/press night is Sunday, Jan. 22.

Diamond Dogs follows a 26th century team of humans and transhumans as they investigate a mysterious alien tower, bent on brutally punishing all intruders. Uncovering clues and solving puzzles, each crusader will make dangerous, eye-popping sacrifices to get to the mysteries atop the spire. Blood will spill. This thriller is one of 16 stories set in novelist Reynolds’s expansive Revelation Space Universe. Artistic Director Nathan Allen teams up with The House’s most inventive designers and guest artists to bring this unique universe to life. Body modification is the norm in the future, and award-winning puppet designer Mary Robinette Kowal, who is also an award-winning sci-fi author, articulates and re-shapes the actors’ human forms into powerful mechanized players battling for their lives. Reynolds is one of a new generation of hard science-fiction authors, a craft he began during his decade-long career as an astrophysicist with the European Space Agency. Diamond Dogs is a pure example of the “Deadly Maze Story,” a staple of Science Fiction since H. P. Lovecraft. This world premiere production at The House Theatre of Chicago marks the first of Reynolds’ works to be adapted for another medium.

(3) RESNICK ON WRITING. Joshua Sky interviews Mike Resnick for Omni.

JS: What other elements are important in a new writer? Is it attitude, is it talent? What’s your take on that?

MR: First, you’ve got to be a smooth enough writer so that it’s not an effort for the editor, or the reader to get to the bottom of each page. That’s essential. You’ve got to know how to push a noun up against a verb with some grace. And of course you should have a knowledge of the field, because while there’s still a million ideas we haven’t touched, there’s probably half a million ideas that have already seen print. And unless you have a totally new take on it you’re not going to sell it. There used to be a rejection slip from Amazing Stories, back when Ted White was editing it, where there’d be a number of boxes he could check to explain why he’d rejected it. The box he checked most was, “Heinlein did it better – and earlier.”

I would love to have a rejection slip like that, but all Galaxy’s Edge’s rejections are personal. But yeah, you’ve got to know the field if you want to write in it. Which makes sense. I mean, shouldn’t you care enough about the field in which you want to make all or part of your living so that you’ve been reading it and know about it, and know what has been done to death and what hasn’t?

(4) ANSWERS WANTED James Davis Nicoll wants to tap into File 770 readers’ collective wisdom about project management tools useful for conrunners.

A local theatrical organization has ongoing communications challenges. The current means of communication (email, facebook, facebook messages) all seem to lend themselves to communications breakdowns [1]. I recall that Basecamp worked pretty well for the Tiptrees but Hipchat, Slack and Telegram have also been suggested as well. I know a bunch of you run cons. Would you recommend any of these tools?

[1] Facebook lends itself to amnesia but even in email it can be hard to find the specific email you want, particularly if you’ve forgotten it exists. Or never knew.

(5) BILL WARREN REMEMBERED. Scott Shaw! told Facebook readers that Svengoolie paid tribute to the late Bill Warren on this week’s program.

Tonight on Me-TV, during his presentation of Hammer’s 1960 classic THE BRIDES OF DRACULA, Svengoolie (AKA Rich Koz) made a VERY nice mention of Bill Warren‘s passing. He showed the photo of Bill with Robby the Robot and Kerry Gammill‘s cover for the new edition of Bill’s KEEP WATCHING THE SKIES! Sven mentioned Bill’s work with Forry Ackerman and his insanely voluminous knowledge about the films we all love. He even mentioned Beverly Warren! It made me very proud to see such a wonderful acknowlegement of the sweet, funny guy we all miss.

I wasn’t aware that Sven’s tribute to Bill was gonna be tonight, but surely some of you out there recorded tonight’s episode of SVENGOOLIE

(6) GABOR OBIT. Zsa Zsa Gabor (1917-2016) died December 18. Her Internet Movie Database bio says —

Undoubtedly the woman who had come to epitomize what we recognize today as “celebrity”, Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her “dahlink” catchphrase, her actions, life gossip, and quotations on men, rather than her film career.

Her biggest genre credit was the movie Queen of Outer Space. She also appeared in Nightmare on Elm Street 3, and episodes of Night Gallery (segment “The Painted Mirror”), Batman, and Supertrain.

queen-of-outer-space

(7) TODAY IN HISTORY

  • December 18, 1839 — John William Draper took the first photo of the Moon. (“Say ‘Cheese!’”)
  • December 18, 1968Chitty Chitty Bang Bang opens in New York

(8) TODAY’S BIRTHDAY BOYS

  • Born December 18, 1913 – Alfred Bester
  • Born December 18, 1946 — Steven Spielberg (Amazing Stories) and
  • Born December 18, 1958 — Steve Davidson (Amazing Stories)

(9) OUR REPLACEMENTS. Kate Macdonald looks back at early cyborgs in her “Review of ‘No Woman Born’ (1944) by C.L. Moore and ‘Lady in the Tower’ (1959) by Anne McCaffrey” at Science Fiction and Other Suspect Ruminations

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Woman Born’ this year, and was deeply impressed. This story is a glowing beacon of fine writing and an impressive acceleration of how the cyborg operates in fiction. No longer a destructive masculine, war-making automaton from the post-WW1 years, this cyborg is a dancer and singer whose new flexibility and vocal range enhance her art, and successfully disguise her strength of purpose by using her femininity to cloak her developing ambitions. Deirdre is a person who is now a cyborg, and her humanity is totally present throughout this novella, despite her gleaming gold body, and her inhuman speed and agility.

The story could just as well be a three-act play. It’s set in Deirdre’s apartment where Harris, her former manager, comes to visit her for the first time after her rehabilitation following a disastrous fire, then when he and her besotted surgeon Maltzer watch her first public performance on TV in her new body, and finally when Harris witnesses Maltzer’s threat to prevent any more cyborgs being made, and Deirdre’s command. ‘No Woman Born’ is not just a story of one person, it’s an opening up of possibilities: cyborgs are stronger and faster, so what will that mean for women, as well as for men? What will that mean for the humans left behind? Can relations between a man and a woman be the same now that the woman is made of metal? How will a woman feel about her body, when no-one is there to admire it? And does this matter? By creating a female cyborg whose primary attributes, in the eyes of the men who managed and created her, are her grace and beauty, Moore shows us that when a cyborg claims autonomy, she becomes nobody’s creature, and can decide how she will live her extended, augmented life. It is a tremendous, game-changing story for feminism in sf, and for how we need to learn to think about being post-human. It’s also beautifully written, with unforgettable images of Deirdre learning to see, to stand, move and dance humanly again, in her glittering robe of metal mesh, and her golden, visored face.

(10) LOVECRAFT COUNTRY MUSIC. If you are looking for a Christmas present for your favorite dark ambient fan, the Cryo Chamber label has been releasing massive collaborations named after Lovecraftian gods. The latest one is named Nyarllathotep. The albums are available in CD and digital formats.

A 190 minute dark soundscape album recorded by 25 ambient artists to pay tribute to H.P. Lovecraft. Field recordings from the deepest dark corners of 4 continents. Dusty tapes out of forgotten archives. Strings through crackling amplifiers and distorted drone combine into a sea of pitch black. Nyarlathotep is a manipulative being in the Lovecraftian Mythos. Unlike Cthulhu, or Azathoth, he delights in cruelty and deception. Causing madness is more important than destruction to him.

Smell the burning embers as you kneel outside the sunken temple before Nyarlathotep. Feel the raspy touch of the faceless pharaoh as he leads you to the ancient Pyramid. Hear his inhuman summoning call to gods beyond reality.

(11) AFROFUTURISM. The New York Times highlighted Afrofuturism in their Year in Style 2016 section. In the article, Ytasha L. Womack, author of the 2013 Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, speaks almost in counterpoint to the Puppies:

“When…in the imaginary future… people can’t fathom a person of non-Euro descent a hundred years into the future, a cosmic foot has to be put down.”

…Afrofuturism’s resurgence could not be more timely, arriving as it does in a climate perceived as indifferent, if not downright inimical, to racial and ethnic minorities. In her book, Ms. Womack recalls a time when black or brown sci-fi characters were all but invisible in the culture at large. As a girl, she would fantasize that she was Princess Leia of “Star Wars.”

“While it was fun to be the chick from outer space in my imagination,” Ms. Womack writes, “the quest to see myself or browner people in this space age, galactic epic was important to me.” It was in the absence of minorities from pop lore, she goes on, “that seeds were planted in the imaginations of countless black kids who yearned to see themselves in warp-speed spaceship too.”

Count among them Tim Fielder, a New York graphic artist and animator whose sci-fi illustrations, produced over a 30-year span, drew visitors last spring to “Black Metropolis,” at the Gallatin Galleries at New York University. Mr. Fielder’s pioneering cartoon narratives — notably those of “Matty’s Rocket,” his spirited black female cosmonaut, who will lift off next year in graphic novel form — are particularly relevant now, he maintained: “They let young artists know that they’re not on dangerous turf, that someone has gone there before them.”

(12) BEFORE YOUR EYES. NPR combines story and video in its report “Google assembles decades of satellite photos to show changes on Earth”.

Google Earth’s time lapse videos of earth’s landscape could make you think about the great baseball player Yogi Berra.

“I thought about one of the quotes attributed to Yogi Berra,” says Marc Levy, a political scientist at Columbia University’s Earth Institute who specializes in issues of global health and development. “He said, ‘You can observe a lot just by watching.'”

To show just how much the Earth’s landscape has changed over the past three decades, Google sifted through 5 million satellite images containing three quadrillion pixels. The result is a series of high-resolution, zoomable time-lapse videos that capture, in unprecedented detail, the human impact on this planet.

 

(13) SCIENCE HISTORY. Genevieve Valentine reviews “’Hidden Figures,’’The Glass Universe,’ And Why Science Needs History” for NPR.

But history tends to get simplified; a map becomes a single road leading from point to point. It’s not surprising that some scientists who contributed invaluably to the field have been kept out of the dominant narrative because they were women, and they were considered anomalies of their time. (That those times practically overlap — meaning a steady line of crucial work being done by women — is one of those scientific patterns that tend to get forgotten.)

But in the last days of the 19th century and the early days of the 20th, Henrietta Swan Leavitt — one of the many woman “computers” at the Harvard Observatory — used the measurements of variable stars to determine fixed distances across space. And fifty years later, Katherine Johnson — a black woman working at NASA’s Langley Research Center in Virginia when the state was still deeply segregated — would map John Glenn’s space flight, and America’s trip to the moon.

(14) RADIO ART. A few months ago we reported the drawing competition BBC Radio 4 was having  to draw episode art for their re-broadcast of Neil Gaiman’s Stardust radio adaptation. The program is airing this month – there will be a repeat Christmas weekend. Schedule here: Stardust – Next on – BBC Radio 4.)

[Thanks to John King Tarpinian,  Bruce Arthurs, Chip Hitchcock, Michael J. Walsh, Steve Davidson, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]