Pixel Scroll 11/14/17 The Rise And Fall Of Ziggy Scrollbar And The Pixels From Mars

(1) PRO TIP FROM SFWA. SFWA Director Kate Baker issued this word to the wise —

(2) WINDYCON APOLOGY. At Windycon.org, the Windycon 44 statement regarding the Tutti Frutti Literature panel title and description from convention chair Daniel Gunderson.

Now that the convention is over, we have had the opportunity to read through the many posts and comments on the subject. We have taken to heart the hurt and anger caused by the poor choice of wording used in the title and description of this panel.

We are very sorry we offended. While this was not our intention, it was the result, and for this we sincerely apologize.

We will be working to ensure this does not happen in the future. These are some specific steps we will take moving forward.

We will push back the programming timeline significantly. This will allow for more careful choice in wording for panel titles and descriptions. This will also allow more time for oversight and review of titles and descriptions.

We will work to keep titles and descriptions clear and unambiguous. Panel titles should be sufficiently clear that the entire intent of the programming item can be understood from the title alone. Descriptions will be used to provide additional information about the panel, but will not be relied on to supplement an insufficient title.

We will make sure to run titles and descriptions past a larger group of individuals who were not involved in the generation process. This will provide the opportunity to have outside individuals point out potentially problematic phrasing that programing may not have been aware of, or may have been blinded to by already understanding the original intent.

As of this posting, we have removed the programming item from our online programing list, so we do not continue to offend.

Again, we deeply apologize for any pain this may have caused.

(3) HELP NEEDED. Long-time LASFSian Mike Donahue has started a GoFundMe appeal — Help Mike Donahue keep his home. He gives the full explanation at the link. It begins:

I’m in imminent danger of a bank sale on my house, which is in foreclosure. No date has yet been set. I’ve been given a pay up date of Dec 5 2017. They can move before that, I don’t know. And they don’t tell you the info you need.   Or how long after that they force the sale on the house. I was in an auto accident in January, which greatly strained my cash resources….

(4) SUPERPEDESTRIAN. In the early Seventies, Margaret Atwood wrote Kanadian Kulchur Komics under a pseudonym. She tells what it was like in — “Margaret Atwood reflects on the significance of her This Magazine comic strip”.

Yes, it’s a blast from the past! Or if not a blast, maybe a small firecracker?

Whose past? My past, obviously: I was Bart Gerrard, one of my noms de plume—the name of a then-forgotten and probably now more-forgotten Canadian newspaper caricaturist of the turn of the century.

…The central joke of the Survivalwoman comics was this: in 1972 I’d published a book called Survival: A Thematic Guide to Canadian Literature, which had made waves of a sort, not all of them friendly. This book was an attempt to distinguish what people wrote in Canada from what they wrote in the United States and the United Kingdom, in riposte to what we were so often told: that there wasn’t any Canadian literature, or if there was, it was a pale echo of things written in large, cosmopolitan, important places. Survival against the odds—both natural and human—I took to be one of the leitmotifs of such Canadian writing as I could get my hands on then, in the dark ages before the Internet, print-on-demand, and Abe Books.

Pair that leitmotif with the fact that, in the world of comix, Canada did not have a superhero of its own—Nelvana of the Northern Lights and Johnny Canuck and their bros and sisses having vanished with the demise of the wartime “Canadian Whites” in approximately 1946. (King of the Royal Mounted did not count, being American. Anyway, King had no superhuman features, unlike the present-day Wolverine.)

So what more appropriate than Survivalwoman: a superheroine with no discernable powers, who had a cape but could not fly—hey, it was Kanada, always lesser—and came equipped with snowshoes? The visual design was based on me—curly hair, short—as was part of the personality—earnest and somewhat clueless.

(5) BE ON THE LOOKOUT. If any of you have good celebrity connections, David Brin could use a hand getting invitations out to people he’d like to have involved in his 20th anniversary screening of The Postman.

I’m putting out a call! If any of you know genius cinematographer Stephen F. Windon, or genius cinematic composer James Newton Howard, I’m hoping to invite them to a special, 20th anniversary screening of The Postman at UCSD’s Arthur C. Clarke Center for Human Imagination. Whatever its faults, the film is musically and visually one of the dozen or so most gorgeous films ever made. (With a small but growing cult following.)

I’d invite Kevin Costner – who certainly gets some credit for that beauty – and screenwriter Brian Helgeland too – (or any of the younger Costners in the film) because I think the flick had more heart that any other from that era. Alas, no method I’ve researched seems to penetrate the Hollywood protective barriers, not even for Mr. Windon. And Tom Petty is now beyond reach, alack.

(6) SPFBO FINALS. Mark Lawrence has set up a post to track the “Self-Published Fantasy Blog-Off Finals”. At this stage, the 10 finalists will be chosen based on the scores of participating blogger-reviewers. They are: Bookworm Blues, Fantasy-Faction, Fantasy Book Critic, Lynn’s Books, The Qwillery, Pornokitsch, Ventureadlaxre, Fantasy Book Review, Booknest, and Kitty G video reviews.

There’s not much to see there yet, but it will become more interesting as the results are filled in.

Filers will be interested to know there are links to a large number of book reviews at the post for the first phase of the Blog-Off, in which 200 of the 300 works under consideration were eliminated.

(7) FRESH HORROR. Brett J. Talley, whose name has appeared in this blog before as a Bram Stoker nominee, is up for a federal court appointment. The Daily Beast has the story: “Before He Was Tapped By Donald Trump, Controversial Judicial Nominee Brett J. Talley Investigated Paranormal Activity”. There’s more at the link about his interest in Lovecraft.

Brett J. Talley, nominated by President Donald Trump to the Federal District Court in Montgomery, Alabama, has never tried a case, is married to a White House lawyer, and has been dubbed as unqualified by the American Bar Association.

… But ghost chasing wasn’t a quirky side-hobby. Indeed, before he became the embodiment of the Trump administration’s efforts to pack the courts with young, conservative, sometimes dubiously-credentialed judges, Halley wrote books about paranormal activities that earned him numerous plaudits. And not just within the horror fiction scene. Stuart Stevens, Mitt Romney’s campaign manager in 2012, was a fan too.

“I find it hilarious that no one is writing about his horror writing. He has a cult following.” Stevens told The Daily Beast. “I have to say I wasn’t really aware he was a lawyer as my dealings with him were as a writer on campaign. He’s an interesting, smart guy. But so is Stephen King.”

(8) FIN DE CYCLE. James Davis Nicoll, in “Seasons Crying No Despair”, says it wasn’t easy, but David Axel Kurtz’ Northern Tier won him over.

Those reservations aside, I got drawn into Slip’s story, which is saying a lot when you consider how very much I dislike bicyclists as a group. Having been run over on numerous occasions by scofflaw bicyclists, I live for a future in which the use of bicycles is limited to the Marianas Trench, the Lunar farside, and the surface of the Sun, places I do not plan to visit any time soon. I am not the target market for thrilling tales of bicyclists and the increasingly vast armies who stalk them. Nevertheless, Slip won me over; she persisted.

(9) TODAY IN HISTORY

  • November 14, 1851 Moby Dick is published.
  • November 14, 1969 – Apollo 12 took off.

(10) TODAY’S BIRTHDAYS

  • Born November 14 – Cat Rambo
  • Born November 14 – Wolf Von Witting
  • Born November 14 — Moshe Feder
  • Born November 14 – Edd Vick
  • Born November 14 – Charles Mohapel

(11) FINAL FRONTIER. Fan-made Star Trek Continues released Part II of its last episode “To Boldly Go.” (Find Part I here.) Executive Producer Vic Mignogna (also the series’ “James T. Kirk”) told Facebook followers:

No vocabulary can express how much this production has meant to me. From the very beginning, all I knew was that I wanted to make one episode of Star Trek the way I remembered it. Would anyone like it? I didn’t know. Would I make another? I didn’t know. All I knew was that I wanted to pay tribute to Bill, Leonard, Gene and everyone who made the show that meant so much to me when I was a boy. I would use all the skills that TOS inspired me to try for the first time to make the best episode I could. I never imagined so many amazing people would do so much, and I’m deeply humbled by their involvement. I will be forever grateful to the cast, crew & volunteers who selflessly gave so much to make Star Trek Continues a reality. And to you, the viewers and fans, for your support and enthusiasm. With bittersweet joy, we present our final episode. Hopefully, it will be a long lasting tribute and historic ending to the most iconic television series in history.

 

(12) COMING SOON ON AMAZON. People are having a lot of fun with the idea of a new Lord of the Rings series on Amazon. This idea beats Dynasty and Dallas to pieces.

(13) PRE-RINGS CIRCUS. Nathaniel Ingraham tries to figure out what the Amazon series will be like in “Amazon’s ‘Lord of the Rings’ prequel will need to forge its own identity”. One of his ideas comes from a video game:

Of course, Amazon new series won’t be the first new narrative set in Middle-earth. The most recent example is the 2014 video game Middle-earth: Shadow of Mordor (and its newly-released sequel). The game drew players in by using the familiar setting of Mordor, a familiar timeframe (between the events of The Hobbit and The Lord of the Rings), iconic characters like Gollum and crucial elements like the Rings of Power. But it also starred entirely new characters, expanded Tolkien’s mythology and told an entirely new story.

It wasn’t perfect (that ending!), but Shadow of Mordor overall did an admirable job at taking a familiar setting and writing a new story around it. It’s the kind of product that could serve as a blueprint for how Amazon can create a new property that will hook loads of viewers while still paying service to longtime fans. Simply being able to reference The Lord of the Rings will be enough to bring in many viewers — millions have seen Jackson’s films and won’t care if the series is telling stories Tolkien himself didn’t dream up. Add in the fact that Game of Thrones will wrap up in 2018 or 2019 and it’s easy to imagine those viewers getting their fantasy methadone from Amazon’s new series.

Ultimately, the enduring popularity of Tolkien’s work is what Amazon is banking on here. Yes, there will absolutely be a cadre of fans who hate what Amazon produces, but that group will almost certainly be outnumbered by people enjoyed The Lord of the Rings at some point in their life and decide to give Amazon’s series a shot — if the show is good.

(14) MORDANT OF THE RINGS. Adam Whitehead engages in less serious – well, frankly hilarious – speculation about “Ideas for the new LORD OF THE RINGS TV series” at The Wertzone.

This Ent-focused conservation programme, voiced over by David Attenborough, will fuse almost-thrilling episodes where the Ents discuss a problem for hours on end with notes on the shameful deforestation of Fangorn Forest and destruction of the surrounding ecosystem.

(15) DARK VADER. Mark Hepworth sent this photo with his brew review: “I thought a beer item might enliven the scroll. I came across this in a local-ish pub and obviously had to try it. It was much more drinkable than I’d expected from a Sith Lord!”

(16) MARTIANS AND SIGOURNEY WEAVER. Mark Swed reviews “‘War of the Worlds’: Delirious opera rises from the death and destruction of L.A.” in the Los Angeles Times.

So here’s what you need to know about the heavily hyped “War of the Worlds” that [Yuval] Sharon mounted at the Walt Disney Concert Hall on Sunday afternoon for the L.A. Phil, in collaboration with his own massively disruptive opera company, the Industry, and the nonprofit Now Art L.A. A new opera and new kind of opera by Annie Gosfield, it does everything an opera’s supposed to. It does a lot opera’s not supposed to do. That includes immersive opera, one of Sharon’s specialties as the mastermind of “Hopscotch,” the celebrated opera in autos two years ago.

…On the most basic level, this is a fairly straightforward operatic adaption and update of Orson Welles’ famous 1938 radio broadcast, based on H.G. Wells’ science-fiction novel “The War of the Worlds.” At a time when radio broadcasts were beginning to be interrupted by news flashes, Welles treated the play as an ordinary dance-band radio program with increasingly frightening bulletins of an alien invasion.

The brilliantly theatrical night-before-Halloween prank caused panic among some gullible listeners, giving credence to Russian futurist Velimir Khlebnikov’s prediction that radio had the power to become the Great Sorcerer. Sharon sees the panic as an early-warning sign of the imposing threat of fake news.

Riffing on the radio show, this “War of the Worlds” begins as a symphony concert, albeit one with a celebrity host, Sigourney Weaver. The opera will eventually take over the concert, which is meant to include Gosfield’s new celestial orchestral cycle to commemorate the 100th anniversary of Holst’s “The Planets.”

…Weaver breaks in again and again on the first two movements with reports from outdoors, which are beamed into the hall (audio only, this is radio). Astronomy professor Pierson (actor Hugo Armstrong), standing on a parking lot, attempts to allay fear with his soothing British accent. Mrs. Martinez (mezzo-soprano Suzanna Guzmán) offers a more feverish firsthand account of the scary machines and creatures somewhere on Main Street. Gen. Lansing (baritone Hadleigh Adams) haplessly leads the troops in attacking the aliens.

Before long the music creeps into the action. The Martians have an alien voice in soprano Hila Plitmann’s stratospherically supernatural coloratura (and she does look like she might have stepped out of an outtake of “Alien”), accompanied by theremin and otherworldly percussion. Sharon’s libretto follows Peter Koch’s original radio play fairly closely. L.A. doesn’t fare any better than New York City. Civic officials are of little help, although the mayor valiantly tries. There is political humor for all.

…Finally, there are those decommissioned sirens left over from the Second World War that still peek out from behind billboards and buildings around town, noticed primarily by history buffs. They’re the symbol of the production and were one of the motivating ideas for both Sharon and Gosfield, who was obsessed with them when she studied at CalArts in the 1980s.

In the end, they are about the least interesting thing visually, theatrically or sonically about the production. It is not that they aren’t marvelous in their mysteriously antiquated way; it is just that every other aspect of this opera and its sensational production and performance happens to be more marvelous.

(17) SECURE THE NOMINATION. Timothy the Talking Cat has picked up a new vice: “McEdifice Returns: Chapter Awards”.

“Ahem, here is what I was just writing:

Dear Mr or Mrs Pulitzer, Hello. As you may know I am one of the best writers in the world. You may have already read some parts of my latest book “McEdifice Returns” a psychological drama about one man’s struggles to come to terms with his past.

I guess you are probably thinking ‘We’d love to give Timothy one of our Pulitzer Prizes but people might think it is just a way of making our prize look more popular and relevant with the cool kids’. Fear not! That is exactly the right kind of move that will help the sadly faded and increasingly irrelevant Pulitzer Prize strike a chord with modern audiences who frankly a sick of all that liberal clap-trap and just want some good old fashioned entertainment.

So I hereby give you permission to award me a Pulitzer.

Yours,

Timothy the Talking Cat

PS This is like totally a nomination so you’ll understand that from now on I’ll be saying ‘The Pulitzer Prize nominated author Timothy the Talking Cat’. That’s great free publicity for your prize. No need to thank me – just trying to help you out.

“Hmmm, I see you have also written similar letters to ‘Mr Oscar and your friend Tony’ as well as ‘Ms or Mr Grammy'”

(18) MARVEL’S MULTIPLE AVENGERS. This cover art just jumps off the screen.

Avengers: Disassemble! The epic weekly takeover continues this February when Kim Jacinto takes the reigns to draw the second month of Marvel’s biggest team adventure, and Marvel is excited to reveal the covers for issues #679 – #682 of AVENGERS: NO SURRENDER by Mark Brooks.

“In month two of NO SURRENDER, the rubber hits the road as we learn what’s really going on and who is behind it,” says SVP and Executive Editor Tom Brevoort. “A couple different Avengers make the supreme sacrifice, the action grows ever more intense—and the stage is set for the return of a major player in the Marvel line-up of stars! Oh, and the origin of Voyager!”

Co-written by Mark Waid, Al Ewing and Jim Zub with art by Pepe Larraz, Kim Jacinto and Paco Medina, AVENGERS: NO SURRENDER unites the casts and creative teams of three titles into one weekly book of exciting action. It all starts with AVENGERS #675 this January, when the teams of THE AVENGERS, UNCANNY AVENGERS, and U.S. AVENGERS come together in a story as exciting and powerful as the Marvel Universe itself.

(19) FASHION JUSTICE. Ashley Boucher, in “‘Justice League’ Amazonian Bikinis Have Twitter in Uproar: ‘Men Ruin Everything’” in The Wrap, says that there are many tweets complaining that the Amazons in Justice League wear bikinis while those in Wonder Woman didn’t.

The costumes worn by the Amazon women are noticeably different than they were in “Wonder Woman,” and viewers are afire online with discussions about how the change represents differences in the male and female gaze.

In “Wonder Woman,” directed by Patty Jenkins, the costumes were designed by Lindy Hemming, and covered the Amazons’ torsos with armor. In “Justice League,” directed by Zach Snyder, the costumes were designed by Michael Wilkinson. And while Wilkinson’s outfits keep a similar Gladiator vibe, they feature small bra tops and bottoms that some say more closely resemble bikinis than what you’d want to wear into battle.

 

(20) HISTORIC HOOCH. Back when the Little Old Winemaker was young: “‘World’s oldest wine’ found in 8,000-year-old jars in Georgia”.

Scientists say 8,000-year-old pottery fragments have revealed the earliest evidence of grape wine-making.

The earthenware jars containing residual wine compounds were found in two sites south of the Georgian capital, Tbilisi, researchers said.

Some of the jars bore images of grape clusters and a man dancing.

Previously, the earliest evidence of wine-making was from pottery dating from about 7,000 years ago found in north-western Iran.

(21) COST CUTTING. Darth Vader has been discounted: “Star Wars game in U-turn after player anger”.

Games publisher EA has changed a rule in its Star Wars Battlefront II video game after a huge backlash.

During the game, players have to obtain credits – either by buying them or through long hours of game play – to unlock popular characters including Luke Skywalker and Darth Vader.

Many players said it was unfair as the gaming required worked out at around 40 hours per character, unless they paid.

EA says the number of credits required will now be reduced by 75%.

“Unlocking a hero is a great accomplishment in the game, something we want players to have fun earning,” said executive producer John Wasilczyk from the developer Dice, in a statement.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Dave Doering, David K.M.Klaus, Chip Hitchcock, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/3/17 Third Pixel To The Right And Scroll On ‘Til Morning

(1) DISCLAIMERS. Daniel Dern noticed this disclaimer on latest 30-second Justice League trailer (at the very end): “Sequences of Sci-Fi Action and Violence”

“Accurate. Intriguingly specific,” he says. “Makes me wonder what other disclaimers might be.” And he suggests —

  • For THE MAGICIANS

“Cussing, pouting, and attitude. Do not attempt these magic experiments without proper protective gear and spells.”

  • For THE EXPANSE

“Warning: If you’ve read the rest of the books, you know things keep getting worse.”

  • For A GAME OF THRONES:

“Warning: It’s not Bob who’s your uncle.”

(2) KINGS OF THE PUBLISHING WORLD. The family that sells together rings cash register bells together…. “Stephen and Owen King and Joe Hill are all on the New York Times bestseller list right now”.

In what’s a first for the Kings, three out of five members of the family are all on the New York Times bestseller list as of this week.

Stephen King and his youngest son, Owen, collaborated on the highly entertaining horror yarn “Sleeping Beauties,” about a mysterious mystical occurrence that puts all the women of the world to sleep — and if they wake up, well, watch out. That book came out on Sept. 26 and immediately shot to the top of the hardcover fiction list; it still remains at number four, five weeks in.

Meanwhile, Joe Hill, the eldest of the King kids, last week released “Strange Weather,” a collection of four novellas about the supernatural and horrific. It debuted this week at number nine on the hardcover fiction charts.

(3) GRIPE SESSION. ComicsBeat’s Heidi MacDonald covers the complaints about the Central Canada Comic Con held in Winnipeg: “When a con goes badly: Area man claims C4 Winnipeg was ‘The Worst Convention I Have Ever Attended’”. According to webcomics creator Michael McAdam —

Blanket statement that remained true for the entire weekend: No volunteer anywhere could answer any questions. They were confused, lost, disjointed, or had incorrect information. In fact, a Facebook friend of mine tried to attend on Saturday- and was given so many incorrect directions to registration that he gave up and left without entering the con! Think about that: a paying attendee, who wants to come in and spend his money, can’t even get directed to the proper entrance due to absolute incompetence and ignorance. How many people do you think gave up? How much in terms of potential earnings was lost due to stupidity?

Followed by lots more like that.

(4) THIS JUST IN. Meanwhile, back at World Wombat HQ….

(5) BINTI MEETS TED. Tor.com tells how “Nnedi Okorafor’s TED Talk Explains Afrofuturism vs. Science Fiction Using the Octopus Analogy”, including this quote from Okorafor:

This idea of leaving but bringing and then becoming more is at one of the hearts of Afrofuturism, or you can simply call it a different type of science fiction. I can best explain the difference between classic science fiction and Afrofuturism if I used the octopus analogy. Like humans, octopuses are some of the most intelligent creatures on earth. However, octopus intelligence evolved from a different evolutionary line, separate from that of human beings, so the foundation is different. The same can be said about the foundations of various forms of science fiction.

(6) ORIGINAL CUT DISCOVERED. Bradbury scholar Phil Nichols made a discovery:

In the Center for Ray Bradbury Studies today I discovered the original release version of SOMETHING WICKED THIS WAY COMES, previously considered lost. The film previewed badly in 1982, and the Disney studios panicked and decided to rework the film. The lost version has never been released, and is believed never to have been screened since that preview.

(7) PARK PLACE. There was a summer groundswell of public support to name a Tacoma park after Dune author Frank Herbert. Metro Parks Tacoma Public Information Officer Michael Thompson answered Andrew Porter’s request for an update with this statement:

Still under consideration, still no decision. Our planning department is dealing with several construction projects, so the decision probably will be pushed back to later in the year instead of “fall.”

Herbert was born in Tacoma in 1920 and lived there as an adult. The idea to name a newly developed park for him was first suggested in 2013.

(8) RUSSELL OBIT. Pioneering television director Paddy Russell (1928-2017) has died at the age of 89. Doctor Who News paid tribute:

Patricia Russell, known to all as Paddy, had a long and distinguished career as one of the first female Directors in British television….

In the 1950’s Television was crying out for theatre staff to work in the new medium and Russell was recruited as a production assistant, working with the famed director Rudolph Cartier. Acting as the director’s eyes and ears on the studio floor, Russell worked on some of the most innovative and pioneering dramas of the day including the Quatermass science-fiction serials as well as the 1954 adaptation of George Orwell’s novel Nineteen Eighty-Four starring Peter Cushing.  …Her first encounter with Doctor Who came in 1966 when she became the first female Director to work on the show. She helmed the First Doctor story The Massacre of St Bartholomew’s Eve.

…It was eight years later that Russell returned to the show working on the six-part Jon Pertwee story Invasion of the Dinosaurs. It was a story fraught with technical difficulties in the attempt to bring dinosaurs to London using the primitive methods available in the early 1970’s. While not always successful it was a story Russell was very proud of.

…Two more stories followed, both staring the Fourth Doctor, Tom Baker. In 1975 she directed the fan favourite Pyramids of Mars, followed in 1977 by the Horror of Fang Rock. She had a prickly relationship with the lead actor whom she found increasingly difficult to work with….

(9) TODAY’S DAY

International Speculative Poetry Day

The Science Fiction and Fantasy Poetry Association persuaded the State of Minnesota to declare November 3 to be International Speculative Poetry Day.

International Speculative Poetry Day seeks to highlight the vibrant legacy and extraordinary achievement of speculative poets. It seeks to introduce communities to the delights and benefits of reading and writing speculative poetry as well as make speculative poetry an important and innovative part of our cultural life.  Speculative poetry has produced some of the nation’s leading creative artists and influential books, performances, and exhibitions, inspiring other artists, educators, and community builders around the world.

(10) TODAY IN HISTORY

  • November 3, 1957 – Laika becomes the first dog in space.

And the bards of the Science Fiction and Fantasy Poetry Association have put up a page of verse honoring the pioneer, “Remembering Laika”.

This year, November 3rd coincides with the 60th anniversary of Laika’s historic mission into outer space. (That’s 420 in space dog years!) She advanced Earth’s knowledge and paved the way for space exploration and much of our modern world today.  Several of our SFPA members recently shared poems inspired by Laika and our canine companions to mark the day. A special thanks to them and Dr. Suzie GeeForce for illustrating the occasion! You can also find additional poems by our members in our list-serv.

  • November 3, 1976 — The original Carrie debuted

(11) TODAY’S BIRTHDAY KAIJU

  • Born November 3, 1954 Godzilla. (I think this means it’s the day the film was released.)

(12) WAVES. Lela E. Buis questions whether some TV participants are “Asking for contradictory things?”

I’m probably going to get into serious trouble with this post, as it touches on third wave feminism. Various people have urged me to address the topic before and I’ve just not gotten to it. Up front, let me say I’m a second wave feminist, and I have opinions that sometimes diverge sharply from the current platform.

Here’s the issue: A while back I watched a panel discussion on the Weinstein scandal, and I was struck with some contradictions. This show was Friday, Oct. 13, Third Rail with Ozy asks: Is sexual harassment inevitable in the workplace? Along with Colorado College Professor Tomi-Ann Roberts, the panel included three younger women.

Roberts related her personal experience with Weinstein as a 20-year-old and her subsequent decision that she wasn’t cut out for work in Hollywood. The panel then went on to define sexual harassment in the workplace to include compliments on appearance and beauty. Hm. Okay, second wave question here: Roberts looks professional. She’s got on a boxy jacket and restrained hair and makeup, but the other women look like they’ve spent hours on their appearance, plus a big chunk of change. They have on form-fitting clothing, heavy make-up and trendy hair styling. Why?

If we assume appearance is expression and therefore a type of speech, what are they saying?…

And she continues from there with her analysis.

(13) ANOTHER ATWOOD IN DEVELOPMENT. This one is based on a historical novel: “Margaret Atwood’s ‘Alias Grace’ adapted as Netflix series”.

Another Margaret Atwood novel is getting the Hollywood treatment, this time on Netflix.

In “Alias Grace,” a six-episode Netflix miniseries starring Sarah Gadon, an Irish immigrant working as a maid in Canada in the 1840s is accused of murdering her boss and his mistress. Her case is covered with breathless scrutiny, making the young woman infamous.

Based on Atwood’s historical novel, Gadon plays Grace, who recounts her life story to a young psychiatrist trying to help jog her memory.

(14) IT IS TO BLUSH. Slate’s Sam Adams declares “Stranger Things’ “Punk” Episode Is Unbelievably Awful”

The second season of Stranger Things—or, if we must, Stranger Things 2—effectively recaptures the meme-spawning magic of its first. But for a season that mostly follows the template of “What if that thing you liked, but more?” the new episodes make a pronounced departure in splitting Millie Bobbie Brown’s Eleven off from her group of demogorgon-fighting pals, most of whom think she’s disappeared or dead. As the series’ breakout character, played by its strongest young actor, Eleven is a natural candidate to carry her own largely self-contained storyline, but the strain of building a new world for her to inhabit taxes the Duffer brothers’ self-mimicking skills to the limit, and finally exhausts them altogether in its seventh episode, “The Lost Sister.” The result is an unmitigated embarrassment…

(15) BRINGS THE HAMMER. NPR’s Chris Klimek says “‘Thor: Ragnarok’ Is Hela Good”:

Ragnarok, an incontrovertibly bitchin’ word that refers in Norse myth to the final, winner-take-all smackdown between good and evil, is an awfully heavy subtitle for a movie as affably insubstantial as The Mighty Thor’s mighty third.

Catching us up on what your friendly neighborhood Thunder-God (and your friendly neighborhood Incredible Hulk) were doing while they were absent from last year’s Captain America: Civil War, the movie earns the backhanded compliment of being the best Thor picture by an Asgardian mile, and the more sincere one of being not in the least a chore to sit through. It’s funnier and prettier than most of the other Marvel movies, having figured out that adopting the visual palette of Frank Frazetta’s glossy swords n’ monsters n’ muscles fantasy paintings — rather than trying to cross that uncanny valley into photorealism — is a good way to make the wall-to-wall CGI less fatiguing. Half the frames in this film would look right at home airbrushed on the side of a 1978 Ford Econoline “shaggin’ wagon” van, which would almost certainly be blasting Led Zeppelin’s “Immigrant Song,” a vintage headbanger that the Thor 3 soundtrack Ragna-rocks twice. (I am getting choked up thinking about all the 10-year-olds who will see this thing and shortly thereafter download their very first Led Zep.)

(16) GOURD EMERGENCY. Or, why they call it “felonious abandonment of zucchini”: German man believes 11-pounder is unexploded bomb, calls police: “German police find ‘WW2 bomb’ was big courgette”.

The 5kg (11-pound) courgette had probably been thrown over a hedge into the 81 year old’s garden, police said.

Luckily no evacuation was required in Bretten, a town near Karlsruhe in south-west Germany.

The last part is by no means a joke — On 3 September 65,000 people were evacuated from their homes in Frankfurt, so that a 1.4-tonne British bomb could be defused. It was the biggest evacuation in post-war German history for an unexploded bomb alert.

(17) THIRSTING FOR ACTION. SyFy Wire looks forward to seeing “Beer-loving giant ants terrorize teens in trailer for It Came from the Desert

New levels, man — new levels. In the never-ending quest to escalate campiness to heights that beggar irony, here comes a movie. A movie, based on a Commodore Amiga video game from the late 1980s, about giant ants; ants that live in the desert; ants who enjoy beer straight from the keg and can only be vanquished — at great personal cost — by a mostly-expendable cast of libidinous teens.

You know how these things make us feel.

If you gamed in the ‘80s, you may remember It Came from the Desert, an Amiga title that drew heavy inspiration from Them! and other B-horror flicks from the 1950s. As the game’s protagonist, Dr. Greg Bradley traversed the Nevada desert landscape, staging desperate battles against radioactively-mutated ants in a variety of interesting locations.

Now Cinemaware, the game’s original developer, is teaming with Finnish VFX effects studio Roger! Pictures to revive the goofy premise in a live-action format. The trailer for the eponymous movie seems to lie somewhere between a proof of concept and an enticing synopsis of what we’re (admittedly) hoping will end up as a finished product.

 

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Atwood Accepts Franz Kafka Prize

Margaret Atwood

Margaret Atwood was presented with the Franz Kafka Prize at a ceremony in the Old Town Hall of Prague, Czech Republic, on October 17.

Atwood received a small statue of Kafka by Czech artist Jaroslav Rona and a cash prize of $10,000.

The international literary award named for the German novelist was first awarded in 2001 and is co-sponsored by the Franz Kafka Society and the city of Prague.

It is given to “authors whose works of exceptional artistic qualities are found to appeal to readers regardless of their origin, nationality and culture.”

Atwood is the 17th recipient of the award. Past winners include American Philip Roth, British playwright Harold Pinter, and Japanese novelist Haruki Murakami.

[Thanks to John King Tarpinian for the story.]

Atwood Wins Peace Prize of the German Book Trade

Margaret Atwood has been awarded the Peace Prize of the German Book Trade, one of Germany’s most prestigious cultural prizes, at the Frankfurt Book Fair.

Margaret Atwood’s full acceptance speech is here.

Every country, like every person, has a noble self – the self it would like to believe it is – and an everyday self – the good-enough self that gets it through the mundane weeks and months when everything is going on as expected – and then a hidden self, much less virtuous, that may burst out at moments of threat and rage, and do unspeakable things.

But what causes these times of threat and rage – or what is causing them now? You will have heard many theories about that, and you will doubtless hear many more. It is climate change, some will say: floods, droughts, fires, and hurricanes affect growing conditions, and then there are food shortages, and then there is social unrest, and then there are wars, and then there are refugees, and then there is the fear of refugees, because will there be enough to share?

It is financial imbalance, others will say: too few rich people control too much of the world’s wealth, and they are sitting on it like dragons, and causing large financial disparities and resentments, and then there will be social unrest, and wars, or revolutions, and so forth. No, say others: it is the modern world: it is automation and robots, it is technology, it is the Internet, it is the manipulation of news and opinion that is being done by an opportunistic few for their own advantage: the army of Internet trolls and astroturfers, for instance, who took such pains to influence the German election, and, it seems, the similar Russian efforts in the United States via Facebook. But why are we surprised? The Internet is a human tool, like all others: axes, guns, trains, bicycles, cars, telephones, radios, films, you name it – and like every human tool it has a good side, a bad side, and a stupid side that produces effects that were at first not anticipated.

Among those tools is possibly the very first uniquely human tool: our narrative capability, enabled by complex grammar. What an advantage stories must once have given us – allowing us to pass along essential knowledge so you didn’t have to find our everything for yourself by trial and error. Wolves communicate, but they do not tell the story of Little Red Riding Hood.

Stories, too, can have a good side, and bad side, and a third side that produces unanticipated effects. As a writer of stories I am supposed to say how necessary they are, how they help us understand one another, how they build empathy, and so forth – and that is true. But because I am a writer of stories, I am also aware of their ambiguities and dangers. Let us just say that stories are powerful. They can change the way people think and feel – for better or for worse.

So what is the story we are telling ourselves about this present moment and its tribulations? Whatever the cause of the change we are living through, it is the kind of moment when the rabbits in the meadow perk up their ears, because a predator has entered the scene.

Along will come a wolf in sheep’s clothing, or even a wolf in wolf’s clothing, and that wolf will say: Rabbits, you need a strong leader, and I am just the one for the job. I will cause the perfect future world to appear as if by magic, and ice cream will grow on trees. But first we will have to get rid of civil society – it is too soft, it is degenerate –– and we will have to abandon the accepted norms of behaviour that allow us to walk down the street without sticking knives into each other all the time. And then we will have to get rid of Those people. Only then will the perfect society appear!

Those people vary from place to place and from time to time. Maybe they are witches, or lepers, both of whom were blamed for the Black Death. Maybe they are Huguenots, in eighteenth century France. Maybe they are Mennonites. (But why Mennonites? I asked a Mennonite friend. You seem so harmless! We were pacifists, he answered. In a continent at war, we set a bad example.)

Anyway, the wolf says:  Do as I say and all will be well. Defy me, and snarl snarl, gobble gobble, you will be crunched into tiny bits.

The rabbits freeze, because they are confused and terrified, and by the time they figure out that the wolf does not in fact mean them well but has arranged everything only for the benefit of the wolves, it is too late.

Yes, we know, you will say. We’ve read the folktales. We’ve read the science fictions. We’ve been warned, often. But that, somehow, does not always stop this tale from being enacted in human societies, many times over….

The official site of the award also has an English translation of the introductory remarks by Heinrich Riethmüller, head of the German Booksellers’ Association.

Several weeks ago, when we visited Margret Atwood in Canada to discuss today’s ceremony, we very quickly came to the topic of the extraordinary political developments in the USA. At that point, she said with a sigh, “I’m probably the only person in the world profiting from Donald Trump”. Of course, she was referring to the surprising and sudden success of a novel she had written several decades ago, one that was undergoing not only a renaissance but also a frighteningly renewed relevance in many countries. Indeed, many readers are drawn to the visions Atwood sets forth; they discover parallels to our own social order and uncover similarities in today’s power structures and power holders.

The fact that people continue to turn to literature for guidance – especially when seeking answers to urgent questions in an age of insecurity, danger and fear about the future – is a truly amazing phenomenon. When we sense that our world is losing its equilibrium, that is, when we feel our trusted environment is being threatened, we reach out to books in hopes of confirmation, consolation and new insight. Books are escape vessels, buoys we hold onto in times of uncertainty. They help us reflect upon where we stand. They synthesise and store the knowledge and experience of thinkers and poets who portray the world as it is or might soon become, often in the hopes of bringing about some sort of change in their readers….

A laudatory speech was given by Austrian writer Eva Menasse, whose older brother Robert just won the German Book Award.

What a joy and an honour it is to deliver a speech in praise of Margaret Atwood! She has long been a role model and a source of motivation for me, first and foremost thanks to her literary oeuvre. This makes it all the more painful to have so little time today, since I cannot possibly do justice to her body of work in the few minutes I have. Indeed, I would much prefer to give several hour-long lectures about the knife-thrower’s precision with which she sketches her characters and renders them utterly unforgettable in the space of only three or four sentences. I would much prefer to delve deeply into the dramaturgical genius with which she sashays from one temporal level to the next, especially in her short stories. And, of course, I would much prefer to spend hours elucidating her famous x-ray vision – that unique perceptive faculty that compels her to leave no stone unturned amongst the wealth of human subterfuge and ignominy, only then to provide us with some comfort via her trademark mischievous humour.

Equally as worthy of praise and admiration is Margaret Atwood’s political voice. This voice speaks directly out of her literature, but it can also be heard time and again outside of her fiction, that is, in pointed interviews and, most recently, in Payback, her intelligent and entertaining piece on the subject of financial debt. In this book, she shows how economic missteps have often enough precipitated a hero’s downfall in works of literature, too. Indeed, she proves that this fall is not always brought about by moral failings alone. And yet, somehow, we neglect the fact that Madame Bovary – to name just one example – was not only deep in despair, but also deeply in debt. Who knows what might have happened to her otherwise? Might she have survived? No doubt as a heavily damaged soul, but still. In novels, we tend to overlook these things – the complicated and poisoned relationship between creditor and debtor, the whole budgetary disaster of it all, etc. – preferring to focus our attention on the emotional drama taking place. This is precisely what Margaret Atwood – an almost frighteningly well-read writer – examined with Cassandra-like prophecy in this outstanding series of non-fiction essays written in the summer of 2008, that is, only months before the collapse of Lehman Brothers sparked the global financial crisis….

[Thanks to Cora Buhlert for the story.]

Pixel Scroll 10/12/17 O, Brave New Scroll, That Has Such Pixels In ‘t!

(1) SECOND BITE OF THE APPLE. Steve Davidson left a comment telling File 770 readers about a turnaround in Amazing Stories’ situation with NBC since yesterday’s social media offensive:

Folks, I am officially “in discussions for a resolution” with NBC.

This was a DIRECT result of the tweeting and commenting that took place all of yesterday:

Specifically, NBC’s attorney requested that my attorney ask me to “stop tweeting” because certain people and certain giant corporations were “very upset”.

I had my doubts that my yelling about a toe stepped on would bring results, but in fact it took less than 12 hours for the story to get picked up and, while I have complied with the request (seeing as how we are talking again), the ripples are still going, so people on the west coast are going to continue to experience upset for a bit longer.

We’re very close to an agreement…very close..but not quite there yet.

I’m hoping we will finalize things today – 10-12.

I’m sure that an association with “Spielberg” and “Apple Inc” gave this story traction, but it would not have gone anywhere if fans didn’t pick it up and run with it. I think we can count this as a minor example of the “Star Trek” effect.

(2)THE PAST THROUGH YESTERDAY. Jo Walton has updated her “Revisiting the Hugo Awards” at Tor.com with a post on the newly-discovered 1956 Finalists: “Revisiting the Recently Rediscovered 1956 Hugo Awards Ballot”.

When I wrote my post in 2010 about the Hugos of 1956, the nominees for that year were lost in the mists of time. Last month they were found again, by Olav Rokne in an old Progress Report, which is very exciting, because it gives me the chance to compare what I thought they might be to what they really were. It’s great to be wrong, and goodness me I was wrong!…

(3) THE YOUNG AND THE RUTHLESS. For the newest installment of Young People Read Old SFF, James Davis Nicoll unleashed his panel on “The Women Men Don’t See” by James Tiptree, Jr.

The story was not a hit with Jamie –

This was weird and slow and racist. Also sexist. The whole thing was uninteresting in general, the pacing was glacial, and the main character was a maddeningly horrible person who can seemingly only thnk about sex and whose first thought upon meeting aliens was to attack them and steal their stuff.

(4) REDDIT AMA. Two genre figures participated in Reddit “Ask Me Anything” sessions today.

G. WILLOW WILSON: Oh my God. It took Sana and I NINE MONTHS to settle on this power set. It was by far the most difficult part of the planning phase. Marvel came to me with a total tabula rasa–they wanted to do an all-ages series about an American Muslim girl (the idea was inspired by Sana’s own stories about her childhood) but this character had no name, no background, no power set, no nothing. I didn’t want her to have pretty powers–no sparkling, no floating in the air, no “I have a headache” telepathy. So that ruled some things out. And giving her violent powers–your laser beams, your plasma bolts–would be read as a political statement. (This is a whole ‘nother AMA.) So we had to get very creative. It had to be something useful and adaptive and fun to look at on the page. Getting to this specific variety of polymorphism took quite awhile.

GARDNER DOZOIS: For writing short fiction, my advice would be to immediately start with an interesting character in an interesting situation faced with a problem, rather than starting with landscape descriptions or details about how the society works. It’s hardwired in us to want to know what happens to that character NEXT, once you’ve involved us with them.

No real horror stories about fans sending me things, although I did once open a slush manuscript and had a big cardboard finger sprong up out of it, giving me the bird. A writer so certain his story was going to be rejected that he was taking his revenge in advance.

(5) COME CELEBRATE. Here’s a video of Pulphouse mascot Stomper doing a cartwheel to celebrate hitting their Kickstarter’s $15,000 stretch goal:

(6) BRADBURY RE-EULOGIZED. Paris Review ran Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” in August.

This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles.

… What Sam and I were discussing was the launch of the collection, which was to be published by HarperCollins, and was to be called Shadow Show—from the 1962 Bradbury novel, Something Wicked This Way Comes. Ray himself had written an introduction, and it was hoped that he could be present at the grand celebration that was to take place at Comic-Con—the vast gathering of graphic artists, comics writers, and their fans, plus related enterprises and genres—that was slated for San Diego in mid-July. Five of us were going to do a Bradbury panel there: Sam, Mort Castle, Joe Hill, me, and Ray himself.

But Ray had been feeling a little frail, said Sam; it was possible he might not make it. In that case, the four of us would do the panel, and Sam and I would visit Ray in his home, webcast him to the world, connect him with his fans, and ask him to sign some covers of the book for them on the Fanado.com website I’d been involved in developing. Ray was keen to do it, said Sam, despite his qualified distrust of the Internet. His enthusiasm for his many devoted readers and his fellow writers never waned, and if using the questionable Internet was the method of last resort, then that is what he would do.

I was greatly looking forward to meeting a writer who had been ?so much a part of my own early reading, especially the delicious, clandestine reading done avidly in lieu of homework, and the compulsive reading done at night with a flashlight when I ought to have been sleeping. Stories read with such enthusiasm at such a young age are not so much read as inhaled. They sink all the way in and all the way down, and they stay with you.

But then Ray Bradbury died. He was ninety-one, but still….

(7) RIGHTS OF FAN. The Concord (New Hampshire) Monitor covered Steve Davidson’s side of the trademark dispute on Wednesday — “‘Amazing Stories’ trademark owner says Spielberg, Apple proposal ignored him”.

…Davidson said he’d always had dreams of doing more with the name, and he said he signed a contract with NBC in 2015 giving the company rights to option the “Amazing Stories” name.

His plan was to use the money to expand the online magazine, which he said now has “upward of about 4,000 unique views a day,” paying for one piece of new fiction every week, then bundling it all at the end of each quarter into print-on-demand and electronic editions.

However, he said Wednesday that NBC never paid him, leading him to file a notice of breach of contract and termination of the contract in May. He said he and NBC have recently reopened discussions, but Tuesday’s news changed his opinion.

“I don’t want to have anything to do with NBC,” he said. “I want the notice of breach and termination to be put into effect – they have no rights – so I can go out and do what I need to do.”

(8) TODAY’S BIRTHDAY BOY

  • Born October 12, 1968 – Hugh Jackman, an actor whose roles include Wolverine.

(9) KEEPING THE PUN IN PUNCHEON. Crave interviews the author of a stfnal bartending guide — “New Book Unites Cocktail Drinkers and Sci-Fi Fans”.

Alcohol and sci-fi movies are two of Andy Heidel’s favorite things. In his new book The Cocktail Guide to the Galaxy, the owner of Brooklyn bar The Way Station brings both his passions together in over 100 out-of-this-world cocktails. Pop culture touchstones like Back to the Future, Bill and Ted’s Excellent Adventure, and Game of Thrones become imbibe-able through his pun-derful recipes. Heidel makes it easy to play mixologist at home with just a few ingredients, minimal accouterments, and easy instructions. He also slips in a few “Heidel Hints” so booze-drinking rookies don’t embarrass themselves at the bar. Comic illustrations throughout make this a visually intoxicating read as well.

(10) WHERE’S YOUR TOWEL? SF Site News carried a report that a sixth series of Hitchhiker’s Guide to the Galaxy will be broadcast next year, using a combination of the original radio and the television casts. According to the Telegraph, the new series will air in on BBC Radio 4 in 2018.

The series is to be based on Artemis Fowl author Eoin Colfer’s spin-off novel And Another Thing…, but will also include previously unpublished material by original writer Douglas Adams, who died in 2001.

Simon Jones is to reprise his starring role as Arthur Dent, the mild-mannered Englishman who finds himself dragged across the universe, after the Earth is destroyed to make way for an intergalactic bypass.

Other returning cast members include Geoff McGivern as Ford Prefect, a travel writer for the titular guide, Mark Wing-Davey as two-headed alien Zaphod Beeblebrox, and Sandra Dickinson as astrophysicist Trillian. Jane Horrocks is to guest-star as Arthur’s love-interest, Fenchurch.

(11) UNMANNED FOOD TRUCK. Subtler bodega-killers? BBC’s The Disruptors covers potential changes to shopping in ”How May I Help You?”

Imagine you’re in a crowd pouring out of a late night concert. Tired and hungry, you remember the cupboards at home are bare. Do not despair.

In the brave new world of retail this won’t necessitate a trek out to the nearest late night supermarket. Instead the shop can come to you.

With the touch of an app button, you hail a low-slung electric vehicle, like a glass-sided motorhome, which quietly glides into a parking space near you.

You enter the shop by swiping your mobile phone at the door, pick up your wares and swipe out again. There’s no cashier or sales assistant, and no-one to clean up if you drop a carton of milk on your toe.

(12) A WAY TO MAKE A BUCK-BUCK. What an eggs-ellent idea — “How chicken feathers could warm our homes”.

Where there are people, there are chickens. Pretty much every country on Earth has poultry or their eggs on the menu.

So, from Norway to New Zealand, and Cuba to Cambodia, chickens root around even the most isolated settlements, and fill giant farms in their thousands.

One result of a huge chicken population is a huge amount of chicken feathers, which are normally burned or taken to landfill, polluting the environment.

Ryan Robinson, a biology graduate from Imperial College London, is one of a duo that believes it might have come up with a different solution for this feathery waste.

Along with designer Elena Dieckmann, Robinson has discovered a way to turn feathers into an insulating material for buildings or a packing material for food or medicine.

(13) VERDANT VERTICALS. Not the Jetsons’ future: “Why Milan is covering its skyscrapers in plants” – there’s a gallery at the link.

(14) DIRTY BIRDS. After dendrochronology, ornithochronology? “‘Sooty birds’ reveal hidden US air pollution”.

…Cities were soon coated in sooty air thanks to the unregulated burning of coal in homes and factories.

While the huge impact of black carbon on the health of people living in urban centres has been recognised for decades, it is only in recent years that scientists have understood the role it plays climate change.

When it is suspended in the air, the substance absorbs sunlight and increases warming in the atmosphere.

When it hits the ground it increases melting of snow and ice, and has been linked to the loss of ice in the Arctic region.

US researchers have struggled to find accurate records of the amount of black carbon that was emitted in the manufacturing belt of the US, around Chicago, Detroit and Pittsburgh at the end of the 19th century.

This new study takes an unusual approach to working out the scale of soot coming from this part of the US over the last 100 years.

The scientists trawled through natural history collections in museums in the region and measured evidence of black carbon, trapped in the feathers and wings of songbirds as they flew through the smoky air….

(15) A VR PR DISASTER. Is that Facebook or Facepalm? “Virtual Zuck fails to connect”.

It must have seemed like a good idea. As a taster for a big announcement about Oculus VR on Wednesday, send Mark Zuckerberg on a little virtual reality trip, including a stop in Puerto Rico.

But the reviews are in – and they are not good.

The sight of Mr Zuckerberg using VR to survey the devastation of an island still struggling to recover from Hurricane Maria may have been meant to convey Facebook’s empathy with the victims.

The fact that he was there in the form of a cartoon seemed to many the perfect visual metaphor for the gulf in understanding between Silicon Valley and the real world.

Sure, he was talking about all the activities which his company had initiated to help the island, from helping people tell their families they were ok using Safety Check to sending Facebook employees to help restore connectivity.

But cartoon Zuck showing us a 360 degree view of a flooded street before zipping back to a virtual California just seemed a little, well, crass. Is Facebook really concerned about the plight of Puerto Rico, or is it merely a handy backdrop to promote Oculus, whose sales have so far proved disappointing?

(16) HE’S GOT IT COVERED. From the “news to me” archives, a Doctor Who fan performing a rather formidable challenge on British TV game show You Bet!

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Steven H Silver, Andrew Porter, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 8/16/17 A Hyperloop Named Desire

(1) THE BARGAIN BIN. NASA’s trash is their cash: “NASA flight suits bought for $1.20 could fetch thousands”.

A pair of Florida college students browsing the racks at a thrift shop ended up paying $1.20 for a stack of NASA flight suits that experts said could be worth more than $5,000.

Talia Rappa and Skyer Ashworth said they were shopping at a thrift store in Titusville when they came across the five blue NASA flight suits and a white “control suit” under some sweaters in a plastic bin.

… The American Space Museum said the names and flight dates on the suits’ labels match the time frame of the 1983-1985 shuttle missions flown by astronauts George “Pinky” Nelson, Robert A. Parker and Charles D. Walker.

(2) CROWDFUNDING VOL. 2 OF THE DELANY JOURNALS. Kenneth James is editing the personal journals of Samuel R. Delany in a multivolume series for Wesleyan University Press.  The first volume, In Search of Silence, with Delany’s journals from the 1960s, came out earlier this year and received positive reviews in The New Republic (“Samuel R. Delany’s Life of Contradictions”), The Gay & Lesbian Review, and at the Barnes & Noble Sci-Fi & Fantasy Blog by SF critic Paul Di Filippo. (The G & L Review article is unfortunately behind a paywall).

James has just launched a crowdfunding campaign at Indiegogo — Autumnal City: The Journals of Samuel R. Delany — to fund the completion of next volume.

The next volume, which I’m working on now and which is entitled Autumnal City, collects Delany’s personal journals from the ’70s — during which time Delany wrote some of his most groundbreaking work, including Dhalgren, Trouble on Triton, and Tales of Neveryon.  During this time he also did substantial preliminary work for the novel Stars in My Pocket Like Grains of Sand.

…The goal of this campaign is to raise $30,000 to support the remaining year’s worth of work needed to complete the second volume. This funding will cover three areas: expenses associated with the project (travel to the archives, travel to interview subjects, office expenses, and so on), expenses associated with this campaign (fees and percentages, cost and shipping of rewards, and so on), and personal expenses. Funds raised in this campaign will not support Wesleyan University Press, but rather will go directly to me, in support of my scholarly labor. In academic publishing, an author’s income comes not from book advances or sales, but rather from a university paycheck – or, if the author is an independent scholar (as I am), from some other source. For this project, you will be that source.

(3) ELLISON BIO. As for Paul Di Filippo, today at Locus Online he reviews A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff.

Chapter two takes our hero through high school, through SF fandom, and into the professional world of editing Rogue magazine, among other accomplishments. Segaloff shows that he, as biographer, is willing to skip around in time thematically when the narrative demands. Thus, hearing of Ellison’s first marriage, we also get an immediate foretaste of those to come. And in fact, as we shall soon see, Segaloff will abandon strict chronology at a certain point, in favor of totally thematic chapters, out of which the linear factual events of Ellison’s later life can be readily assembled.

(4) ALL RISE. Walter Jon Williams alerts the media to “Stand By for Greatness”.

So while I was in Finland, Orbit reverted the rights to all three of the Dagmar Shaw books.

I’ll try to make those available as soon as I can.  I can hardly do a worse job of promoting them than the original publisher.

(5) KEEP FIVE IN MIND. Victor Milán knows the magic number – “Five Classic Works of SFF by Authors We Must Not Forget” at Tor.com. Here’s one of his picks:

Jirel of Joiry by C. L. Moore

Catherine Lucille Moore (1911-1987) had to use her gender-neutral initials to get published in the 1930s. That didn’t stop her creating the fledgling genre of sword and sorcery’s first female protagonist in Jirel of Joiry. As brave, capable, and arrogant as any man, yet far from invulnerable, Jirel was more than just a red-haired, female Conan. While her adventures were clearly influenced by Robert E. Howard, as well as by Moore’s and Howard’s literary acquaintance H. P. Lovecraft, they focus less on her sword-swinging than her spirit and furious determination. A curious blend of compassion and cruelty, she’s a pious Catholic who’ll risk damnation to gain the means to overcome her foe—then brave the very Hell she sent him to, to free his soul from eternal suffering.

And you’ll never catch Jirel in a mail bikini. She wears the same practical armor as any other warrior of her unspecified Medieval period would.

Moore’s writing is brisk, strongly sensory, and evocative of settings Earthly and alien, though flavored with a few too many adjectives for the modern palate. She had a long and successful career with Jirel and the space opera adventures of Northwest Smith, then writing in collaboration with her husband, Henry Kuttner. Jirel of Joiry is a collection of most of the Jirel tales.

(5) SECOND FIFTH. Moments after posting this Scroll I learned, via Paul Weimer, that Deadline is reporting N.K. Jemisin’s ‘The Fifth Season’ Book To Be Developed As TV Series At TNT.

N.K. Jemisin’s Hugo Award-winning sci-fi fantasy novel The Fifth Season is getting the drama series treatment at TNT. The project is in early development at the cable network with Leigh Dana Jackson (24: Legacy, Sleepy Hollow) set to pen the adaptation and Imperative Entertainment’s (All the Money in the World) Dan Friedkin, Tim Kring and Justin Levy serving as executive producers.

Jackson brought the novel, the first in a three-book series, to Imperative, which secured the rights before the The Fifth Season‘s Hugo nomination. Jemisin went on to become the first black writer to win the Hugo Award for best novel. She followed that up last week by winning the prestigious science fiction award for the second consecutive year for the second book in the series, The Obelisk Gate. The third book was published Tuesday

(6) THE RECYCLE OF LIFE. NPR’s “All Tech Considered” asks, “Ashes to Ashes, Dust to … Interactive Biodegradable Funerary Urns?”

Earlier this summer, a modest little startup in Barcelona, Spain, unveiled its newest product — a biodegradable, Internet-connected funeral urn that turns the ashes of departed loved ones into an indoor tree. Just mix the cremains with soil and seedlings, and the digital-age urn will automatically water and care for your memorial sapling, sending constant updates to an app on your smartphone.

At first glance, the concept seems gimmicky — evidently, we’re running out of ideas for smart appliances. But the Bios Incube system can also be seen as the latest example of a gradual transformation in modern culture.

Technology is fundamentally changing how we deal with death and its attendant issues of funerals, memorials and human remains. Much of this change is for the good. Some developments are a little spooky. But one thing is for sure: You can do a lot of cool things with ashes these days.

(7) TODAY’S BIRTHDAY GIRL

  • Born August 16, 1991 — Evanna Lynch (actress; plays Luna Lovegood in Harry Potter films)

(8) TODAY’S BIRTHDAY BOYS

  • Born August 16, 1884 – Hugo Gernsback
  • Born August 16, 1930 – Robert Culp. Fans probably know him best from The Outer Limits episode “Demon With A Glass Hand,” written by Harlan Ellison.

(9) FROM HELL. New York City’s Miskatonic Institute of Horror Studies relaunches in September with “Paperbacks from Hell”. The event takes place Tuesday, September 19 from 7-9:30 p.m. at Film Noir Cinema (122 Meserole Ave., Greenpoint, Brooklyn, NY). Admission $12 advance / $15 door.

In the early ’70s, three books changed horror forever: “Rosemary’s Baby,” “The Exorcist,” and “The Other.” The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drugstore shelves throughout the ’70s and ’80s, before “Silence of the Lambs” slit the genre’s throat in the early ’90s.

Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… the Paperbacks from Hell!

Following Grady’s illustrated presentation will be a live round table discussion and Q+A with several artists who painted the book covers under discussion, including Jill Bauman, Lisa Falkenstern, and Thomas Hallman.

(10) BRADBURY BY ATWOOD. Yesterday the Paris Review posted Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” with the outro –

This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles. 

….He ducked classification and genre corrals as much as he could: as far as he was concerned he was a tale teller, a writer of fiction, and as far as he was concerned, the tales and the fiction did not need to have labels.

The term science fiction made him nervous: he did not want to? be shut up in a box. And he, in his turn, made science-fiction purists nervous, as well he might. Mars in his hands, for instance, is not a place described with scientific accuracy, or even much consistency, but a state of mind; he recycles it for whatever he needs at the moment. Spaceships are not miracles of technology but psychic conveyances, serving the same purpose as Dorothy’s whirlwind-borne house in The Wonderful Wizard of Oz, or the trance of the traditional shaman: they get you to the 0therworld.

(11) CAN’T MAKE THIS STUFF UP. John Scalzi’s latest op-ed for the LA Times: “During Trump’s present, it’s hard to write the future, says science fiction writer John Scalzi”.

The thing is, science fiction has its setting in the future, but the people writing it and reading it live now, and the stories they’re writing and reading reflect the hopes and fears of whatever age the story is written in. There’s a reason science fiction literature of the late ’60s and early ’70s was about overpopulation, why in the ’80s cyberpunk reflected the uncertainty about the accelerating computerization of our world, and why much of the best science fiction of the last decade, from Paolo Bacigalupi’s “The Windup Girl” to N.K. Jemisin’s “The Fifth Season,” is rooted in ecological disaster. Science fiction sees the world today and speculates out from there.

The secret, however, is to come at it from an angle. There’s a thin line between using contemporary themes to extrapolate from and entertain readers, and stepping up on a soapbox and using a political agenda to cudgel people. The least successful science fiction to me is the stuff that takes today’s political catfights and dumps it uncut into the deep future, hundreds if not thousands of years in the future. To have characters in far-flung times prattling on about issues clearly specific to our time would be like writing a novel where people in 2017 are having knock-down, drag-out fights about the Alien and Sedition Acts or the Boer War. Better that science fiction breathes life into today’s anxieties and aspirations in more clever and possibly subtler ways.

His article made me remember the experience of reading Doonesbury during the Watergate hearings, when cartoonist Garry Trudeau found it practically impossible to think up wilder stuff than was coming out in the daily news.

(12) RETRIEVAL. Beyond Skyline shows promise.

A tough-as-nails detective embarks on a relentless pursuit to free his son from a nightmarish alien warship.

 

(13) ONE OF THE FIRST OF ITS KIND. The BBC says “‘Frankenstein dinosaur’ mystery solved”.

Matthew Baron, a PhD student at Cambridge University, told BBC News that his assessment indicated that the Frankenstein dinosaur was one of the very first ornithischians, a group that included familiar beasts such as the horned Triceratops, and Stegosaurus which sported an array of bony plates along its back.

“We had absolutely no idea how the ornithischian body plan started to develop because they look so different to all the other dinosaurs. They have so many unusual features,” the Cambridge scientist said.

“In the 130 years since the ornithischian group was first recognised, we have never had any concept of how the first ones could have looked until now.”

(14) BE ON THE LOOKOUT. Connecting to a past discussion of chocolate in various climates: “Truck With 20 Tons Of Nutella And Chocolate Vanishes; Police Hunt For Semi’s Sweets”.

“Anyone offered large quantities [of chocolate] via unconventional channels should report it to the police immediately.”

We trust you’ll abide by those instructions from law enforcement in Germany, where more than 20 tons of chocolate treats have gone missing after thieves stole a refrigerated trailer packed with Nutella, Kinder Surprise eggs and other sweets.

(15) REQUEST FROM TYRION. Gina Ippolito of Yahoo!, in “Peter Dinklage Urges ‘Game of Thrones’ Fans To Stop Buying Huskies Just because They Look Like Direwolves”, says that Dinklage and PETA are combining to urge people not to buy huskies if they can’t handle big dogs just because they want a “direwolf” at home.

“Please, please, if you’re going to bring a dog into your family, make sure that you’re prepared for such a tremendous responsibility and remember to always, always, adopt from a shelter,” Dinklage said in an official statement.

So if Game of Thrones has you itching for a Ghost, Nymeria, Summer, Shaggydog, Lady, or Grey Wind of your own, but you’re not sure you can commit to taking care of a live one, maybe consider an adorable stuffed animal instead?

(16) THOR INTERNATIONAL TRAILER #2. I’ve always been a strong believer that movie trailers are much better with Japanese subtitles.

(17) GODZILLA: MONSTER PLANET. The drawback with TOHO’s own trailer for this animated Godzilla picture is that it doesn’t need subtitles.

 [Thanks to Paul Weimer, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mark-kitteh, Andrew Porter, and Kenneth James for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pullman and the Grenfell Tower Fundraiser

Philip Pullman, author of His Dark Materials, offered to let readers bid for a chance to name one of the characters in his next book to benefit the victims of the recent Grenfell Tower disaster. A teacher is bidding for the name of one of his students, a resident of the tower who did not survive the fire — “Teacher’s bid to name Philip Pullman character after Grenfell Tower pupil gets £16,000 backing”.

Authors and well-wishers raising money for the victims of the Grenfell Tower fire are augmenting a bid by a teacher to name a character in His Dark Materials author Philip Pullman’s new book after one of his former pupils, who lost her life.

Nur Huda, 16, died in the fire along with her parents Abdul Aziz and Fouzia, and her siblings Yasin, 21, and Mehdi, 8.

The teacher’s £1500 bid has been augmented by others’ donations, both small and large (one for £5000).

Many in the publishing industry are joining the Authors for Grenfell Tower online auction, offering items to help raise money for British Red Cross’s relief fund for Grenfell Tower residents and neighbors.

In addition to Pullman, sff donors include:

[Thanks to Nigel for the story.]

Pixel Scroll 6/18/17 ‘Twas Pixel And The Filey Scrolls Did Fifth And Godstalk ‘Neath The Wabes

(1) FILIAL PROS. “For Father’s Day, 9 famous writer dads and their awesome authorial offspring” – the LA Times feature includes a segment on Stephen King, and sons Joe Hill and Owen King.

Bookwürms.

A post shared by Joe Hill (@joe_hill) on

(2) BAD MARVEL DADS. Hidden Remote considers “Who is the worst dad in the Marvel Cinematic Universe?”

Before we break down who the worst dad is, let’s give an honorable mention and round of applause to the very few awesome fathers and father-figures in the MCU!

  • Uncle Ben — He didn’t only step up and raise Peter to be good and kind, but he also taught us all that “With great power, comes great responsibility.”

And the winner (loser?) as worst dad? It’s a tie!

Guys, this one is a toss up. Ego and Thanos are both so terrible, we’re not sure which is the most wicked. But, personally, I believe Ego is the worst of the worst.

(3) WISCON REPORT. Claire Light at Literary Hub tells what it was like “At the World’s Preeminent Feminist Speculative Fiction Convention”.  

The way this 5-day, 1000-attendee, multigenerational festival plays out is not quite what you might expect from a bunch of futurist nerds. Public bathrooms (separated genders—to be determined by the user—and all-gender bathrooms alike) have bottles of Dr. Bronner’s at each sink, for the chemically sensitive. The convention reserves a quiet place for those with a tendency to become overwhelmed by sensory input, as well as “safer spaces” dedicated to trans/genderqueer people, people of color, and people with disabilities. WisCon’s accessibility policies are a model of thoughtfulness.

…Other events founded at WisCon and becoming convention staples include the Floomp, an annual queer dance party, which started out seven years ago as “The Gender Floomp” to bring a new generation of queer and genderqueer issues to the forefront in a fun and celebratory way. As WisCon has come to increasingly demarginalize queerness, the Floomp has been folded into the traditional social programming of the convention and is now its primary and most popular party.

There’s also the POC dinner, once a table for 11 at a restaurant, and now an annual organizational headache for short story writer and Angry Black Woman blogger Tempest K. Bradford, who has to find a room to fit nearly 10% of the convention’s attendees every year. And last year, a group of Asian attendees got shabu shabu together; as they’ve already repeated the dinner once, it’s already well on its way to becoming a new tradition.

(4) CARRYING A TUNE. Charlie Jane Anders speaks from firsthand experience about “The Wild Magic of Karaoke” at Tor.com.

And yes, if you can’t sing at all, that just means more wild spoken-word stylings. Take a page from the master of songcraft, William Shatner, whose singing ability remains somewhat theoretical but who has recorded the definitive renditions of countless songs at this point.

The point is, karaoke is magic. It’s taking songs that we all know, and turning them into something ephemeral and wonderful and frequently a bit bizarre. Karaoke is a chance for everybody to expose his or her own inner avant-garde pop diva, and let the musical insanity burst out for everyone to see.

When I was teaching Clarion West back in 2014, I had some amazing times with my students, and I like to think we bonded a lot in general—but I really didn’t get to know them, and discover the full range of their personalities, until we went to this weird nautical-themed karaoke bar where half the decorations were mermaids and the other half were signs explaining that the bartender didn’t need to put up with your s—-t. Some of science fiction’s most promising new writers busted out with renditions of Lady Gaga, Madonna, and The Cars that stay with me to this day.

(5) WHAT ATWOOD THINKS. While authors always have opinions about adaptations of their work, they’re not always willing to talk about them publicly – here’s a rare instance: “‘The Handmaid’s Tale’: Margaret Atwood on the 5 Biggest Differences Between the Book and the TV Series”.

Her Name Is June

In the novel, the heroine is given the name “Offred” by her captors at the Red Center, where fertile women are retrained to be Handmaids: breeders who are assigned to the ruling families in the hopes of bringing new babies into this fertility-challenged world. That name translates as “Of Fred,” the identity of the man whose home she lives in, and who rapes her on appointed nights every month. We are pointedly never told Offred’s pre-Gilead name. For the show, Miller made the conscious choice to give Offred a distinct identity for the flashbacks to the era before America fell and picked the name June, confirming a long-held fan theory.

Atwood says: “The readers have already decided that’s her name, and who am I to disagree with them? It wasn’t in my mind, but there wasn’t any other name in my mind either. It fits because in the first chapter, the women exchange names and all those names show up again later on except June. So by default that would have to be her name! That’s a pretty good deduction and I’ll go with that. This is June, and she really does have an identity; it’s forbidden, but it’s there. I’ve told fans before, if it works for you, go for it.”

(6) IX GALLERY. “IX Gallery Opens Its Virtual Doors”. Gallery’s inaugural online art show just went live on Thursday. This first show is exhibiting about 120 pieces of art from some of the most recognizable SF&F artists working today. It appears that they have already sold 3 pieces of artwork since Thursday afternoon.

The IX Gallery Inaugural Show runs June 15-August 14.

IX Gallery, a division of IX Arts, is the first online-only gallery dedicated exclusively to contemporary imaginative realism. As a natural extension of IX’s reach and solidly established inspiration value, this year-round effort is designed to provide gallery curation and structure in an online-only environment that allows for the widest possible access while reducing the burden on artists for participating.

It is structured like a normal gallery – rotating shows that are a combination of group and solo efforts, rather than a constant online inventory or catalog, and we do not “rep” any of the artists in the show. Everything is handled on a show-by-show basis to allow the artists maximum flexibility in their participation.”

Click for a list of coming Exhibitions. These artists are listed as part of the inaugural show.

Linda Adair, Samuel Araya, Julie Bell, Shaun Berke, Brom, Armand Cabrera, Jeremy Caniglia, Dan Chudzinski, Kinuko Y. Craft, Felipe Echevarria, Bob Eggleton, Craig Elliott, Jody Fallon, Scott Fischer, Teresa N. Fischer, Marc Fishman, Annie Stegg Gerard, Justin Gerard, Donato Giancola, Lars Grant-West, Rebecca Guay, John Harris, Michael C. Hayes, James Herrmann, Richard Hescox, Stephen Hickman, Greg & Tim Hildebrandt, Greg Hildebrandt, Luke Hillestad, Patrick Jones, Rich Klink, J. Anthony Kosar, Jota Leal, Vanessa Lemen, Don Maitz, Gina Matarazzo, Matt Mrowka, Aaron Nagel, Tran Nguyen, Ryan Pancoast, Lucio Parrillo, Colin & Kristine Poole, Colin Poole, Mark Poole, Rob Rey, Tooba Rezaei, Forest Rogers, Laurence Schwinger, Dave Seeley, Hajime Sorayama, Matthew Stewart, Bryan Mark Taylor, Vince Villafranca, Chet Zar, and Dariusz Zawadzki.

(7) ON EXHIBIT IN LONDON. “‘Anime Architecture’: windows on dystopia” is En Liang Khong’s review in Financial Times of Anime Architecture: Backgrounds of Japan , an exhibit at the House of Illustration in London that has lots of illustrations for cyberpunk anime movies, including Ghost in the Shell, Patlabor: The Movie, and other examples of “real-kei”, “where futurity is set in counterpoint with realism.”

Anime Architecture at London’s House of Illustration traces the production design behind these cyberpunk anime — “noir” films reimagined for the future — in which specialist artists pioneered a visual language that drew on the booming Asian megacities of the early 1990s in order to broadcast a vision of future dystopias.

But the future is fleeting, constantly outdated by our own shifting socio-political fears and dreams. Wandering through the rooms of Anime Architecture is a reminder of how quickly visions of the future can become old, spooky and elegiac. And there is poignancy to these images: the artists represented here come from the last generation of Japanese animators who still believed in drawing by hand.

(8) COHEN OBIT. Morton Norton Cohen (1921-2017), an American author and scholar, hdied June 12. He was a Professor Emeritus of the City University of New York. He is best known for extensive studies of children’s author Lewis Carroll including the 1995 biography Lewis Carroll: A Biography.

(9) MEADOWS OBIT. Author Patrick Meadows (1934-2017) died April 22. A graduate of Florida State University with a Degree in English, he had lived in Majorca since 1969. His first published story, “Countercommandment” appeared in Analog in 1965. His other four published stories appeared in Fantasy & Science Fiction later in the Sixties, and three of them have been digitized and made available on his website. [Via Gordon Van Gelder.]

(10) TODAY IN HISTORY

  • June 18, 1983 — Sally Ride became the first American woman in space.

(11) SHY. Wil Wheaton – a star on the outside, is still a shy guy on the inside.

(12) HOL-RY COW! Screenwriter James Gunn told his Facebook followers that “‘Scooby-Doo’ wasn’t supposed to be a kids’ movie”.

Gunn added the film would have looked completely different if he had it his way.

“And yes, the rumors are true — the first cut was rated R by the MPAA, and the female stars’ cleavage was CGI’d away so as not to offend,” he wrote. “But, you know, such is life. I had a lot of fun making this movie, regardless of all that. And I was able to eat, buy a car, and a house because of it.”

(13) READY, AIM. The Traveler from Galactic Journey tweets an ad from 1962.

(14) VISITING THEIR FUTURE. By the way, here is a photo of Professor Elliott and The Traveler from their visit to Wondercon.

(15) BEAUTIFUL MACHINES. “If memory serves me correctly (and it alas doesn’t always),” says Cat Eldridge, “Gibson typed Neuromancer on a typewriter.” Snopes suggests the old technology still has appeal — “Call it a Comeback: Old-School Typewriters Attract New Fans”.

Typewriter enthusiasts gather at an Albuquerque restaurant to experiment with vintage Smith Coronas. Fans in Boston kneel in a city square and type stories about their lives during a pro-immigration demonstration. A documentary on typewriters featuring Tom Hanks and musician John Mayer is set for release this summer.

In the age of smartphones, social media and cyber hacking fears, vintage typewriters that once gathered dust in attics and basements are attracting a new generation of fans across the U.S.

From public “type-ins” at bars to street poets selling personalized, typewritten poems on the spot, typewriters have emerged as popular items with aficionados hunting for them in thrift stores, online auction sites and antique shops. Some buy antique Underwoods to add to a growing collection. Others search for a midcentury Royal Quiet De Luxe — like a model author Ernest Hemingway used — to work on that simmering novel.

(16) ATARI RISES AGAIN. But Rhett Jones at Gizmodo says “Atari’s New Console Sounds Like a Bad Idea”.

“We’re back in the hardware business,” Atari’s CEO Fred Chesnais told VentureBeat in an interview at E3 2017. Beyond that, Chesnais offered no other information aside from saying it will be based on “PC technology” and that it will be revealed at a later date. The teaser video claims that the “Ataribox” is a “brand new Atari product years in the making.”

This is the online ad that triggered Jones’ article.

The ad reminds John King Tarpinian “In the first Bladrunner movie there was an ATARI Fuji logo-shaped building in the city.”

(17) A TOUCH OF HARRY IN THE NIGHT. For those of you near Pasadena, here’s something for you to do September 9 — “Eat See Hear Outdoor Movie: Harry Potter & The Sorcerer’s Stone”. Food trucks. Dogs welcome.

“It takes a great deal of bravery to stand up to our enemies, but just as much to stand up to our friends.”

This is the tale of Harry Potter, an ordinary 11-year-old boy who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Hagrid, the grounds keeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined.

(18) BESTSELLING TOY PREDICTED. The generations have run from Chatty Cathy to Prattling Peter: “Sphero’s Adorable Spider-Man Toy Will Make You Forget BB-8”.

Rumored in late March, the app-enabled superhero was officially unveiled this morning with a video that reveals what’s essentially a chatty Amazon Echo (“Alexa!”) with Peter Parker’s attitude and sense of humor.

Featuring emotive LCD eyes, not unlike the mask in Spider-Man: Homecoming, this adorable little wall-crawler (it’s about 9 inches tall) has its own Spider-Sense, enabling it to detect and react to movement. He can tell jokes, relate stories, wake you up and even patrol for “intruders.” More intriguing, perhaps, is that Spider-Man can talk kids through more than 100 storylines, and allow them to make their own plot-altering decisions in a Choose Your Own Adventure fashion. Don’t worry about running out of stories, though, as Sphero plans to add more through the device’s web connection.

(19) MINDGAMERS TRAILER. Here’s your grim future. Or is it present?

[Thanks to John King Tarpinian, Martin Morse Wooster, Sean R. Kirk, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jabberin’ Joe H.]

Pixel Scroll 5/21/17 What A Strange Pixel — The Only Winning Scroll Is Not To File

Just an appetizer Scroll today, as my cold has devolved to the flu.

(1) DEMON MEME. And I‘ll make the first course of this appetizer “Occult sandwiches”. No excerpt (can’t get more lo-cal than that) because it looks to be one long Imgur graphic. Its style of humor will reward the attention of anyone who likes the kind of wordplay indulged in by Gaiman and Pratchett.

(2) THE REAL ATWOOD. Years ago all the focus was on Margaret Atwood’s insistence that she didn’t write science fiction. It kept us from learning so many very interesting things about her, as illustrated by this Guardian profile about “Margaret Atwood: a high priestess of fiction who embraces the digital age”.

At 77, Atwood combines the loftiness of a high priestess who does not suffer fools gladly with an unstinting generosity to those she deems not to be foolish. She is a passionate environmentalist, with a particular interest in birds, which she shares with her husband, Graeme Gibson.

If her determination to live by her principles occasionally seems incidentally comic — as when she embarked by boat on an international tour of a stage show publicising the second novel of her MaddAddam trilogy, The Year of the Flood — she also brings to her politics a healthy dose of intentional humour.

On a recent visit to her Toronto home, her longtime UK publisher Lennie Goodings was surprised to meet her carrying a paper bag bulging with four large rubber turkeys. “She showed them to me with that funny, head on a tilt, wicked smile of hers. They squawked when she pressed them.” It turned out that she and Gibson were about to present the prizes at an annual RSPB competition. “The winners each receive a rubber turkey from Margaret, at which point she conducts them in a squeezing squawking choir.”

Atwood traces her concern with the environment back to a childhood spent criss-crossing the forests of Canada with her entomologist father. She was the second of three children, and the family’s itinerant lifestyle meant that she did not go to full-time school until she was eight years old. She began publishing her poetry while a student at the University of Toronto, won her first major literary prize for a poetry collection published in 1964, and three collections later diversified into fiction in 1969 with The Edible Woman, about a woman driven mad by consumerism

(3) I KNOW I DIDN’T VOTE FOR IT. Edmonton’s Hugo Award Book Club blog just came online in May and they’ve attracted attention with their verdict:

1973: The Worst Hugo Award

1973 was a very good year. Income inequality was at its historical lowest in America, union density was at its highest, major victories were happening in civil rights.

But in the world of science fiction, it was the year that one of the worst novels ever to win the top Hugo award was honoured for all the wrong reasons.

And, yes, they already took into account the traditional loser in the debate.

(4) ELVISH. Greg Hullender (via Nicholas Whyte’s website) discovered Carl F. Hostetter’s “Elvish as She Is Spoke” [PDF file] and he enthusiastically forwarded the link with a flurry of comments.

It’s a linguistic assessment of attempts to flesh out Tolkien’s two Elvish languages.

The first key point is that Tolkien obviously wasn’t fluent in either language himself, partly because he kept changing them both, and partly because he doesn’t seem to have ever worked out all the details of the syntax. He doesn’t seem to have been trying to construct a language like Esperanto that anyone would actually use; he was simply having fun. So this is why he didn’t leave a lot of examples of Elvish text behind: he had difficulty writing anything in Elvish himself.

Second, the “neo” languages that people have tried to construct from Tolkien’s work are terribly naive, and often contradict some of the little bits of Elvish that Tolkien actually left us. The author compares it to the hilarious 19th-Century work “English as She is Spoke.” (If you don’t read anything else, skip to page 249, starting with “Elvish as She is Spoke.”)

That said, I think the author is a little hard on the neo-Elvish folks. Tolkien simply didn’t leave enough behind for them to do what they want to do. Lacking that, they’ve tried to be inventive. In the process, they’ve produced something that at least has a very Elvish “feel” to it, and (judging from the movies) sounds very nice. Also, the things that would make it more realistic (e.g. irregularity and polysemy) would make it much harder for native English speakers to learn. Even though neo-Elvish doesn’t withstand close study, it’s good enough for most people to suspend disbelief. That’s probably the most you can reasonably ask of a fantasy language.

Carl Hostetter is part of the Elvish Linguistic Fellowship which has spent decades having scholarly fun exploring Tolkien’s languages.

(5) COMIC SECTION. Wiley in Non Sequitur today comments on the cartoonists’ favorite award, the Reuben.

(6) REUBEN AWARD. The National Cartoonist Society will present the Reuben Awards on May 278. The 2016 Cartoonist of the Year nominees were announced March 2.

LYNDA BARRY is a cartoonist and writer. She’s authored 21 books and received numerous awards and honors including an Honorary Doctor of Fine Arts degree from University of the Arts, Philadelphia, two Will Eisner Awards, The American Library Association’s Alex Award, the Washington State Governor’s Award, the Wisconsin Library Associations RR Donnelly Award, the Wisconsin Visual Art Lifetime Achievement Award, and was inducted into the Will Eisner Hall of Fame in 2016. Her book, “One! Hundred! Demons!” was required reading for all incoming freshmen at Stanford University in 2008. She’s currently Associate Professor of Interdisciplinary Creativity and Director of The Image Lab at the University of Wisconsin-Madison were she teaches writing and picture-making. Lynda was nominated for Cartoonist of the Year for 2016 and will be the recipient of the Milton Caniff Lifetime Achievement Award at the 71st Reuben Awards dinner in Portland Oregon this year. You can follow Lynda on Twitter at @NearSightedMonkey.

STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Universal Uclick. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children. This is his ninth nomination for Cartoonist of the Year. Visit Stephan’s blog and the Pearls Before Swine website.

HILARY PRICE is the creator of Rhymes With Orange, a daily newspaper comic strip syndicated by King Features Syndicate. Created in 1995, Rhymes With Orange has won the NCS Best Newspaper Panel Division four times (2007, 2009, 2012 and 2014). Her work has also appeared in Parade Magazine, The Funny Times, People and Glamour. When she began drawing Rhymes With Orange, she was the youngest woman to ever have a syndicated strip. Hilary draws the strip in an old toothbrush factory that has since been converted to studio space for artists. She lives in western Massachusetts. This is Hilary’s fourth nomination for the Cartoonist of the Year. You can visit Rhymes With Orange online here.

MARK TATULLI is an internationally syndicated cartoonist, best known for his popular comic strips Heart of the City and Lio, which appear in 400 newspapers all over the world. He currently has written three books in a children’s illustrated novel series titled Desmond Pucket, which has been optioned for TV by Radical Sheep. He also has two planned children’s picture books coming from Roaring Book Press, an imprint of McMillian Publishing. The first, Daydreaming, will hit bookstores in September 2016. Lio has been nominated three times for the National Cartoonists Society’s Best Comic Strip, winning in 2009. Lio was nominated for Germany’s Max and Moritz Award in 2010. This is Mark’s third nomination for Cartoonist of the Year. You can follow Mark on Facebook at https://www.facebook.com/mtatulli/ and find his Lio strips here http://www.gocomics.com/lio.

ANN TELNAES creates editorial cartoons in various mediums- animation, visual essays, live sketches, and traditional print- for the Washington Post. She won the Pulitzer Prize in 2001 for her print cartoons. Telnaes’ print work was shown in a solo exhibition at the Great Hall in the Thomas Jefferson Building of the Library of Congress in 2004. Her first book, “Humor’s Edge”, was published by Pomegranate Press and the Library of Congress in 2004. A collection of Vice President Cheney cartoons, “Dick”, was self-published by Telnaes and Sara Thaves in 2006. Other awards include: The National Cartoonists Society Reuben division award for Editorial Cartoons (2016), The National Press Foundation’s Berryman Award (2006) — The Maggie Award, Planned Parenthood (2002) — 15th Annual International Dutch Cartoon Festival (2007) — The National Headliner Award (1997) — The Population Institute XVII Global Media Awards (1996) — Sixth Annual Environmental Media Awards (1996).

Telnaes worked for several years as a designer for Walt Disney Imagineering. She has also animated and designed for various studios in Los Angeles, New York, London, and Taiwan.

Telnaes is the current president of the Association of American Editorial Cartoonists (AAEC) and is a member of the National Cartoonists Society (NCS). This is Ann’s first Cartoonist of the Year nomination.You can visit Ann’s website, http://www.anntelnaes.com, and follow her on twitter at @AnnTelnaes.

And there are 45 nominees in 15 NCS Divisional Categories. Needless to say, it’s a lot more entertaining to look at the illustrated lists over at the NCS site.

(7) BATTLE OF THE BOTTLES. Ommegang Brewery is coming out with an additional three beers in its Game of Thrones series, this time in a new line called “Bend the Knee”.

Bend the Knee:

When fans last gripped their glasses at the end of Game of Thrones’ sixth season, the great houses of Westeros were on the brink of an epic conflict. Cersei had ascended to the Iron Throne as the first queen of Westeros, Jon Snow and Sansa Stark had just reclaimed the North, and Daenerys Targaryen had set sail for the Seven Kingdoms. To commemorate the coming melee in the Emmy® Award-winning show’s epic seventh season, Brewery Ommegang and HBO Global Licensing are excited to announce a new beer in their collaborative series: Bend the Knee Golden Ale.

Paying homage to the struggle for control of the Seven Kingdoms, Bend the Knee will be available on draft and in a series of three collectible 750ml bottles, all finished in matte black and adorned with one of the three Great House sigils: Stark, Targaryen, or Lannister.

And while the show returns on July 16, fans can mark their calendars for the official nationwide release of the beer, which will be on shelves around Memorial Day.

(8) A CARD OF HIS OWN. At last night’s Nebula Award ceremony veteran SFWA volunteer Steven H Silver was given a great surprise — he has been added to the Science Fiction Historical Trading Cards Series.

[Thanks to John King Tarpinian, Cat Eldridge, Greg Hullender, Martin Morse Wooster, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 5/20/17 Men And Women in [YOUR AREA] Are Scrolling BIG BUCK$ With THIS ONE WEIRD PIXEL

(1) BACK TO THE PRESENT. Rob Hansen has added a preliminary version covering 1991-2000 UK zines to his British Fanzine Bibliography.

(2) GETTING THE BOMB EARLY. Gregory Benford discusses his latest book The Berlin Project with Scientific American in “An Alternate History of the Atomic Age”.

Tell me more about your research process, how you developed this.

I simply went in and read enormous amounts of known correspondence, mostly in the Manhattan Project. It took me four and a half years of work and writing, plus personally knowing most of the characters.

I found all sorts of amazing things — like a memo between Groves and Pres. Eisenhower, where Groves asked Eisenhower’s permission to deploy Geiger counters with every infantry battalion that made a landing at Normandy on D-day. I asked my father James Benford about that — he went into Normandy on the fifth day. He said he remembered them vaguely, and then I found in fact the Geiger counters stayed in the field for about a month before we realized the Germans were not going to use their uranium — of which they had over 150 tons — as essentially a pollutant, a crude terror weapon. But they certainly contemplated doing it — we know that.

The entire history of nuclear weapons is filled with scientists considering the future using science fiction as a prompt. As a scientist and an author of science fiction, I find that fascinating. The idea of using radioactive dust as a weapon came from a short story by Robert Heinlein: “Solution Unsatisfactory,” published in Astounding Science Fiction in 1941, which was about the strategic standoff that would occur from the development of nuclear weapons. But in Heinlein’s story the weapons aren’t explosives, they’re contaminants. That idea went through Astounding directly into the ears of the German rocket scientist Wernher Von Braun, who was still receiving and reading the magazine through a subscription he began in the 1930s via deliveries through the German embassy in Stockholm. He read about it and relayed it to Albert Speer, so the Nazi elite must have known of it as a weapon. The U.S. kept it secret because it occurred to them also, at the same time as Heinlein — in fact, some believe because of Heinlein. There are a bunch of now-declassified memos I have read about uranium as a contaminant, and I quote them in the book! All the memos, letters and so forth in the book are real. I didn’t make them up!

(3) FOR THE BIRDS. A science fiction writer with her own brand of coffee — Balzac’s Atwood Blend. There’s name recognition for you.

Balzac’s is delighted to partner with Canadian author and bird lover Margaret Atwood in creating a Smithsonian Institute certified Bird Friendly blend to help raise funds and awareness for Canada’s Pelee Island Bird Observatory (PIBO).

(4) WHAT COMES AFTER F. Fran Wilde will teach a workshop on “Cussin’ in Secondary Worlds”.

Cursewords, expletives, and more — those things your characters say when nothing else will do — tells you more about the world (including issues of class, cultural taboos, and more) than you might imagine. How cussing and worldbuilding interrelate. AKA the class where we say F*ck a lot.

Join Norton Award winning author Fran Wilde, author of Updraft, Cloudbound, and The Jewel and Her Lapidary for a workshop that will leave you ready to swear magnificently.

Classes are taught online via Google hangouts and require reliable Internet connection, although in the past participants have logged on from coffee shops, cafes, and even an airplane; a webcam is suggested but not required…

The workshop is happening Saturday, June 10, 9:30-11:30 AM Pacific Time. Click the link for further details, cost, and information about how to register.

(5) PINING FOR THE FJORDS? Once more real life outstrips science fiction — RockPaperShotgun reports “Many pet rabbits will die in Second Life on Saturday”.

Virtual rabbits across Second Life [official site] will fall asleep on Saturday then never wake up, now that the their digital food supply has been shut down by a legal battle. The player-made and player-sold Ozimals brand of digirabbits are virtual pets that players breed and care for in the sandbox MMO, and even need to feed by buying DRM-protected virtual food. But they rely on servers. Waypoint reported earlier today that the seller of Ozimals and the Pufflings virtuabirds has received a legal threat he says he cannot afford to fight, so they’ve shut down. By Saturday, rabbits will run out of food and enter hibernation.

The rabbits aren’t dead, they’re sleeping. They simply can never wake up.

The “breedables“ craze, which Ozimals played a big role in, may have peaked a while back but a lot of virtual animals still exist. Well, for now. If digirabbits can’t eat, they enter “hibernation’ after 72 hours and will only wake up when fed again. Ozimals need to check in with servers but these shut down on Wednesday, so no rabbits can be fed. Even players who’ve bought a big supply of food will find their rabbits, er, very still forever. I’ve read that some are already gone….

Sounds awful! But before you start thinking up five or six ways this tragedy could have been averted, the company already has:

Ozimals did give rabbit owners a brief chance to save their rabbits. Before shutting down, they gave away items which make rabbits not need food — and leaves them sterile. Some rabbits will live on forever, the last of their kind. If you wish that fate upon your rabbit, apparently some kindly players have a stash you’re welcome to.

(6) MORE SUPER TV. The CW has debuted the first trailer for Black Lightning.

(7) LISTEN UP. “On Star Trek: Discovery and Michelle Yeoh’s accent”: Swapna Krishna tells why a particular moment in the new Star Trek: Discovery trailer was so moving.

This article is about one specific moment in the trailer: when Michelle Yeoh’s character, Captain Philippa Georgiou, speaks for the first time.

“It’s hard to imagine you’ve served under me for seven years,” she tells First Officer Michael Burnham, played by the exquisite Sonequa Martin-Green, as they walk through a searing desert.

This line might seem innocuous, and it is. But that didn’t stop me from bursting into tears the second I heard Yeoh deliver the line. Why?

Because Michelle Yeoh kept her accent.

(8) TERMS OF COMPLIANCE. Gary Westfahl begins “Contractual Obligations: A Review of Alien: Covenant” with a reassurance and a warning.

In contemporary Hollywood, the announced information about a film often conveys an implied contract — a covenant, as it were — between filmgoers and filmmakers: if you buy a ticket to see this movie, you are guaranteed to experience certain desired forms of entertainment. Thus, a picture with the word “Alien” in its title, directed by Ridley Scott, promises potential viewers that they will observe numerous images of H. R. Giger’s iconic “xenomorphs” bursting out of human bodies and energetically attacking any person in their vicinity. And unquestionably, Alien: Covenant fulfills its contractual obligations: so, if you have been longing to watch scene after scene of lunging aliens latching on the faces of intended victims and gruesomely slaughtering every one of them, this film represents the answer to your prayers. The very open question is whether anyone without that fervent yearning will want to sit through two hours and three minutes of this otherwise lamentable movie.

(9) MORE SPOILERS. As Carl Slaughter phrases it:

Michael Fassbender versus Michael Fassbender:

If there’s anything better than an alien, it’s an android.

If there’s anything better than an android, it’s 2 androids.

If there’s anything better than 2 androids, it’s 2 identical looking androids.

If there’s anything better than 2 identical looking androids,

it’s 2 identical looking androids with opposite character.

Matthew Jacobs titles his review for HuffPo “An Ode To Michael Fassbender Seducing Michael Fassbender In ‘Alien: Covenant'”.

Alien: Covenant“ has two Michael Fassbenders. Both are androids. They engage in existential disputes on a remote planet. They debate the poetry of Percy Bysshe Shelley. One teaches the other to play a flute. More importantly, they kiss.

These two Michael Fassbenders form the hallmark of “Alien: Covenant,” the sixth installment in the 38-year-old “Alien” franchise. One Fassbender is the prototype David, returning from “Covenant” predecessor “Prometheus.” David’s devilish God-like tendencies have annexed the planet where the titular colony ship is investigating a rogue radio transmission. For his next trick, Fassbender plays Walter, a new-and-improved humanoid that takes care of the Covenant and strains to protect his crewmates from the extraterrestrial beasts David has cultivated.

(10) IT’S A WRAP. The movie arrives June 9, heralded by The Mummy – Official Trailer #3

[Thanks to John King Tarpinian, Cat Eldridge, and Andrew Porter for some of these stories. And Paul Weimer, who always retweets the best stuff. Title credit goes to File 770 contributing editor of the day Kip W.]