Tradition! Tradition! NYRSF Readings’ Annual Family Night Again Features Kushner & Sherman

By Mark L. Blackman: On the evening of Monday, December 12, 2016, the New York Review of Science Fiction Readings Series continued its tradition of celebrating the December Holidays Season with “Family Night,” featuring one of its favorite families, Ellen Kushner and Delia Sherman (in their eighth, by my count, December appearance). Also traditional was the December guest host. (Her anonymity here is due to her outside professional concerns.)

The event, held at the Series’ venue, the Brooklyn Commons Café (in the outskirts of Downtown Brooklyn – dare we call it “Bordertown?”), opened with a welcome from its Executive Curator, Jim Freund, who is otherwise the longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy (the show broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 a.m.) He cautioned the gathering that the readings were being Livestreamed (this later surprised Kushner, who’d expected only to be “seen” on radio), and thanked those who had donated (the readings are nominally free, with a suggested donation of $7) as they help the Series continue (there is a rental fee for the space).

Moving into 2017, upcoming readers will be:

  • Tuesday, January 10th, Phenderson Djeli Clark and Shan Chakraborty, with guest curator Rob Cameron (who was running the cameras and whose nom de video-wiz is Cam Rob);
  • Friday, February 10th, James Morrow and Jack Womack;
  • Tuesday, March 7th, we’ll all be getting Older, siblings Malka Older and (the elder Older) Daniel José Older (also getting older, these jokes; guest curator Amy Goldschlager had earlier called it Family Night II);
  • Saturday, April 1st (despite the date, not an April Fool’s joke), the Series will host a 75th birthday gathering for Samuel R. (Chip) Delany
  • May 2nd, Goldschlager returns as host for an evening with the Serial Box podcasters (Max Gladstone, et al.).

Family Night came about, said the evening’s guest host, because December is traditionally a family time; since then, the theme has grown from the readers to encompass the audience regulars, who have become a family of sorts (Kushner soon after referred to “the NYRSF Holiday Reading family”), and stated that it was “an honor to be part of it.”  Tonight’s readers, she concluded, were “a very special pair of writers, spouses and people,” and introduced the first reader.

delia-sherman

Delia Sherman

Delia Sherman is the author of, among other works, the Prometheus and Andre Norton Award-winning The Freedom Maze, The Evil Wizard Smallbone and The Fall of the Kings (written with Kushner). Prefacing her reading, she promised a selection that wouldn’t “bring blushes to young cheeks.”  (Ellen’s offering, however, “will bring blushes to many cheeks.”) With that caveat, she read from Chapter 2 of The Evil Wizard Smallbone. On a cold December night in Maine, Nick, a runaway lost in the woods, stumbles into the Victorian mansion of the titular evil wizard – it even says “Evil Wizard” on his business card, and moreover he is the proprietor of Evil Wizard Books. Smallbone declares that Nick (whom he calls Foxkin) is his apprentice and promptly puts him to work around his house, farm and shop. The boy finds it magically impossible to run off, and, when he talks back, discovers to his dismay that he has, it seems, spent most of a week (and missed Christmas) turned into a spider. The evil wizard’s brusqueness was a source of much humor.

During the intermission, a raffle was held (for those who’d donated), with the prizes being a “rare” set of press-on tattoos from the online serial program Tremontaine (pronounced, we learned, “Trem-on-ten,” not “-taine”), a “Live, Laugh and Love” mug, and the copy of The Evil Wizard Smallbone from which Sherman had just read; all raffle winners also received a pencil commemorating Ellen’s and Delia’s 20th anniversary. (That the tickets drawn were consecutive, and one winner was the guest curator, might have prompted cries of “rigged” from someone who shall not be named.)

ellen-kushner

Ellen Kushner

The second reader of the evening, Ellen Kushner, is the author of the World Fantasy Award-winning Thomas the Rhymer, the children’s book The Golden Dreydl (adapted by her) as The Klezmer Nutcracker), and the much-loved novels and related short stories in the Riverside series, which has been called a “fantasy of manners” and “mannerpunk,” alternating wit, intrigue, sex, swordplay and chocolate. Swordspoint (an audiobook of which won an Audie Award) introduced readers to the setting, and was visited again in The Privilege of the Sword, The Fall of the Kings (written with Sherman), and an online collaborative prequel to Swordspoint, called Tremontaine, with the e-publisher Serial Box (SerialBox.com; season two premiered this past October). In addition, Kushner co-edited (with Holly Black) Welcome to Bordertown, a revival of the original urban fantasy shared world series created by Terri Windling.

The story from which she read, “When I was a Highwayman,” is brand new and slated to appear in The Book of Swords, edited by Gardner Dozois. Set in Riverside, 4-5 years before Swordspoint and 12 years after Tremontaine, it is a standalone that she hoped is comprehensible to non-readers of the Riverside series. (The series is not written in order, and Kushner has gone back to prequels and sequels to fill in and expand on incidents; at times this may be limiting.) Here the young swordsman-for-hire Richard St. Vier (who serves as narrator) is in partnership with the grifter Jessamyn. When work for them dries up – she’s recovering from a terminated pregnancy and the nobles for whom he performs in demonstration bouts of swordplay or as a bodyguard at weddings are in the country for the summer – and they’re running out of things to pawn or sell, he’s talked into accompanying two lowlife acquaintances as they waylay traveling nobles. (His sword is to be the incentive to “stand and deliver.”) Unfortunately, he foregoes a mask and their very first robbery victim turns out to be a young nobleman with whom he’s quite intimately acquainted. Laughter was frequent and out loud (I’m uncertain about occurrences of cheeks blushing).

As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, while at another table, books by Sherman and Kushner were for sale and autograph.

The capacity crowd of about 60 included Melissa C. Beckman, Richard Bowes, Rob Cameron (running tech), Randee Dawn (whose Christmas lights skirt was appropriate as well for the Festival of Lights), Amy Goldschlager, Lynn Cohen Koehler, Barbara Krasnoff (managing the door), Josh Kronengold, Lisa Padol, James Ryan, Terence Taylor, Gay Terry, Leah Withers and Claire Wolf Smith. Afterward, people milled around, socialized and grabbed a bite at the Café.

Wonder and Horror at the KGB Bar With Langan and Kressel

By Mark L. Blackman: On the evening of Wednesday, November 16, 2016, the Fantastic Fiction Readings Series hosted readings by authors John Langan and Matthew Kressel, both very familiar faces, at its longtime venue, the distinctively décored 2nd-floor Red Room of the KGB Bar in Manhattan’s East Village.

The Series is co-hosted by Kressel (for the past 8 years), however, as he was reading, David Mercurio Rivera ably filled in for him and welcomed the crowd. For over two decades, he noted, the Series, whose other co-host is Ellen Datlow, has presented readings (always free, and thank the Bar by buying drinks) both by luminaries and up-and-comers on the third Wednesday of the month. He announced that next month’s readers would be –

  • December 21 – Livia Llewellyn and Sarah Pinsker.
  • January 18, 2017 – Holly Black and Fran Wilde.
  • February 15 – Michael Cisco and Nicholas Kaufmann
  • March 15 – Nova Ren Suma and Kiini Ibura Salaam.

(Details are available at here.)  Concluding, he introduced the first reader.

Matthew Kressel

Matthew Kressel

Aside from co-hosting, Matthew Kressel is the author of the novels King of Shards and the forthcoming Queen of Static. His short fiction has twice been nominated for a Nebula Award.  Additionally, he published the World Fantasy Award-winning anthology Paper Cities, and, for his publishing work, received a World Fantasy Award nomination for Special Award Non-Professional.

At the mike, he expressed his humility at reading here, which is a very different experience from hosting. He did not recite Blade Runner in its entirety from memory, but instead read “In Memory of a Summer’s Day,” a story that will be appearing in an as-yet-entitled Alice in Wonderland-themed anthology edited by Datlow. Wonderland has here become a tourist destination and its celebrated locales attractions – the Mad Tea Party, the Croquet Ground (where hedgehogs scream), the Queen’s Court (there are no actual beheadings), etc., and eateries offer Beautiful Soup and Lobster Quadrille. (There are warnings about the Drink Me bottles, and the Caterpillar has an illegal trade in psychedelic mushrooms. Before going down the Rabbit Hole, visitors must sign a waiver. There is also, by the way, a Through the Looking Glass Tour.) Narrated by a veteran tour guide, whose British accent Kressel happily did not attempt, the humor had a strong element of inherent horror (think about it – Wonderland is far from a fun place), and ultimately the question surfaces …where is Alice?

John Langan. Photo by Mark Blackman.

John Langan. Photo by Mark Blackman.

After a break, Datlow introduced John Langan. He is the author of the novels The Fisherman and House of Windows, and the collections The Wide Carnivorous Sky and Other Monstrous Geographies and Mr. Gaunt and Other Uneasy Encounters., as well as the co-editor of Creatures:  Thirty Years of Monsters. A forthcoming third collection of his stories, Sefira and Other Betrayals, will be published by Hippocampus Press in February, and new stories will shortly appear in Children of Lovecraft, The Madness of Dr. Caligari, The Mammoth Book of Cthulhu, Swords v. Cthulhu, and Children of Gla’aki. This venue is one of the first places where he read, he said, and felt privileged to be back. The novella from whose beginning he read, “Hunger,” will be appearing in one of the Lovecraftian anthologies. The story, he revealed, is about two poets, though in the selection that he shared a boy and his father (who are into antique weaponry – they carry, respectively, a spear and a sword) confront an unearthly giant orange bear in their Upstate New York driveway who may be tied to a recent houseguest.

Copies of Langan’s and Kressel’s books were for sale at the back of the room by the Word Bookstores of Greenpoint, Brooklyn and Jersey City.

Datlow’s photos of the event may be seen at the Series’ website, http://www.kgbfantasticfiction.org/ .

Poetry and Prose at NYRSF Readings With Kij Johnson and Sonya Taaffe

By Mark L. Blackman: On the evening of Tuesday, November 15, 2016 – an otherwise dreary day – the New York Review of Science Fiction Readings Series presented Kij Johnson and Sonya Taaffe  at its venue, the Brooklyn Commons Café in Brooklyn.

The evening opened as ever with executive curator Jim Freund welcoming the audience, cautioning that we were on Livestream (go to livestream.com’s Look At tab, then nyrsf or, for that night, Kij or Taafe), and, after briefly reporting that he broke his phone, announcing future readers:

  • Monday, December 12th, Annual Family Night (a traditional sub-series) with Ellen Kushner and Delia Sherman;
  • January 10, 2017, Phenderson Djeli Clark and Shan Chakraborty; with guest curator Rob Cameron (aka Cam);
  • Friday, February 10th, James Morrow and Jack Womack;
  • Tuesday, March 7th, we’ll all be getting Older, siblings Malka Older and Daniel José Older (guest curator Amy Goldschlager called it Family Night II).
  • Saturday, April 1st, the Series will host a 75th birthday gathering for Samuel R. (Chip) Delany.

Finally, he introduced the first of the “two really cool readers,” Sonya Taaffe, whose most recently collected fiction and poetry (her poem “Matlacihuatl’s Gift” won the Rhysling Award) are found in Ghost Signs.

Sonya Taaffe

Sonya Taaffe

Taaffe (her name rhymes with “strafe”) began by expanding on a tidbit in her bio. When she was in high school, with her father’s help, she built a radio telescope to determine if one could map a small part of the Milky Way galaxy from 42°N (the Boston area); ultimately, this led to her naming a Kuiper Belt Object (trans-Neptunian), Vanth, forthe moon of dwarf planet Orcus. The name comes from Etruscan myth – she “reads dead languages for fun” – a winged deity who guides the souls of the dead to the underworld and who is akin to Charon, and, with that, read a poem, “The Etruscan Prince,” inspired by the discovery of a tomb in Tarquinia and told from the perspective of his consort. Her next poem, “After the Red Sea,” was based on the figure of Lilith, who ran away from Adam to the Red Sea, where she became the consort of the demon Ashmedai. She followed with “When Can a Broken Glass Mend?,” “a story I’m very proud of.” From childhood, a woman encounters a demon in a mirror and a bond forms.

She continued with a series of “ghost poems,” invocations to historical figures, among them Kafka (“The Process”), Alan Turing (“The Clock House”) and a number of ancient Greeks; the first, though, “About Building,” was dedicated to her late grandparents. Addressing the current political climate (the next President was endorsed by the Ku Klux Klan), she brought her “most radical” poetry, describing herself as “a queer Jew, with a uterus, and also a brain.” She invoked Axiothea, a woman who had attended Plato’s Academy (at first disguised as a male), the Sirens, Sappho (in her Aeolic dialect Tsap’pho), the Carthaginians (Carthage’s destruction displeased her – Rome had practices no less barbaric) and Catullus (whose poetry was “seriously filthy,” as was her poem).

On her blog, she related, she frequently writes about film. Her poem “The Ghost Marriage” was loosely based on Black Angel, a 1946 film noir (which featured Dan Duryea, another of her focuses of interest). Not every woman in a noir is a femme fatale or damsel in distress, she pointed out; in some, they are protagonists, independent, even anti-heroes. “Mercury Retrograde Theatre” was for her husband, who writes radio drama (and who was present to be embarrassed). She concluded with “Post-Millennial Augury Blues,” a poem written three nights earlier, after the Election results, expressing her frustration with people who draw parallels between now and the past, imagining themselves into it, often imposing their present-day perspectives and second-guessing (for instance, everyone says that if they lived before the Civil War, they’d “definitely have been an Abolitionist”). (In that vein, she lauded Ernst Lubitch’s To Be or Not to Be, a comic anti-Hitler film which was courageously made before the War’s outcome was certain.)

In a postscript, Freund reminded the audience that they could hear Taaffe another story (“The Trinitite Golem”) as part of the Clockwork Phoenix 5 anthology launch at the NYRSF Readings on April 5th.

During the intermission, a raffle was held (for those who donated), with the prizes being copies of

Ghost Signs and The Dream-Quest of Vellitt Boe. (There was no drawing for an abandoned umbrella.) Freund then introduced the second reader, who was appearing here for the first time.

Kij Johnson. Photo by Anthony Hildebrandt.

Kij Johnson. Photo by Anthony Hildebrandt.

Kij Johnson (from her initials K.I.J., pronounced “Kidge”) has won the Theodore Sturgeon Award (for “Fox Magic”), the IAFA’s Crawford Award (for best new fantasist, for The Fox Woman), the World Fantasy Award (for “26 Monkeys, Also the Abyss”), the Nebula Award (for “Spar,” “Ponies” and “The Man Who Bridged the Mist”) and the Hugo Award (as well for “The Man Who Bridged the Mist”). Her latest books are The River Bank, “a sly response to The Wind in the Willows” and The Dream-Quest of Vellitt Boe (Tor.com), from which she read two selections.

Vellitt, a 55-year-old professor (Johnson said that she was “tired of stories about spunky girls” or “17-year-olds with impulse control changing the world”; she herself teaches at a college and is close to that age) at a women’s college in the Dreamlands, having in her youth been a “far traveler” or adventurer, is sent by her dean to bring back a student who has run off to the Waking World with her lover (the girl’s father is a trustee). There’s also a small black cat (who’s not anthropomorphic and doesn’t talk) and strange things in the seas; the novella, she said, “twists H.P. Lovecraft around.”

Freund reminded that we could make “this fabulous evening relive” on Livestream.

The traditional Jenna Felice Freebie Table offered books. The audience of about 40 included Melissa C. Beckman (who, in addition, as usual, to photographing the event, brought brownies), Rob Cameron, Barbara Krasnoff, John Ordover (showing off his new, hard-won svelteness), Brad Parks, Mark W. Richards and Sam Schrieber (who was running the controls).

Afterward, the readers and some audience members enjoyed the Café’s fare.

NYRSF Day of the Dead Readings Remember Margot Adler

By Mark L. Blackman: On the evening of Tuesday, November 1, Samhain (rhymes with “how-when”), All Saints’ Day/All Hallows’ Day (following October 31, All Hallows’ Eve, and preceding November 2, All Souls’ Day) and the Day of the Dead (a three-day festival) – the New York Review of Science Fiction Readings Series launched (or “conjured”) a “pop-up sub-series” within that Series, the Margot Adler Memorial Readings. This inaugural edition, held at the Series’ venue, the Brooklyn Commons Café in Downtownish Brooklyn, featured Terence Taylor (who served also as guest curator and semi-retired Tech Director) and Sabrina Vourvoulias.

Margot Adler in 2004.

Margot Adler in 2004.

The evening opened as ever with executive curator Jim Freund welcoming the audience, cautioning that we were on Livestream. After briefly reporting upcoming happenings at the Café, including a pre-Election gathering and a visit by Green Party Presidential candidate Jill Stein, Freund announced future readers:

  • November 15, Kij Johnson and Sonya Taaffe;
  • December 12, Annual Family Night (another sub-series) with Ellen Kushner and Delia Sherman;
  • January 10, 2017, Phenderson Djeli Clark and Shan Chakraborty; with guest curator Rob Cameron (aka Cam, who was engineering this evening’s event);
  • February 10, James Morrow and Jack Womack;
  • March 7, siblings Malka Older and Daniel José Older (guest curator Amy Goldschlager called it Family Night II).
  • April 1, the Series will host a 75th birthday gathering for Samuel R. (Chip) Delany.

Moving along to the theme of the night’s readings, Freund observed that it was an appropriate day to initiate the Margot Adler Memorial Readings. On Samhain, like the Latino Christian Day of the Dead, he enlightened us, the veil between those who’ve passed on and our plane of existence is thinnest. He spoke at length, and with deeply heartfelt sentiments, about how Margot Adler had been a big part of his life for nearly five decades, far beyond originating in 1972 the radio program on sf and fantasy that he inherited and still hosts, Hour of the Wolf. (The live program, which took its name from the iconic Ingmar Bergman film, broadcasts and streams every Thursday morning – or, for those who haven’t yet gone to bed, Wednesday night – from 1:30-3 am on WBAI, 99.5 FM.)

He only had time to touch on her remarkable career and achievements:  broadcast journalist (on KPFA, the original Pacifica radio station, on WBAI, and on NPR’s All Things Considered and Morning Edition), Wiccan (he suggested that he may have introduced her to Neo-Paganism and called her “the Queen of Wicca of North America”), political activist, reviewer and author (Drawing Down the Moon and Vampires Are Us). It is fitting that the Series remembers her as Adler had been a speaker and guest host at a number of NYRSF readings, particularly if they involved one of her more recently acquired passions, vampire stories. In her latter years, she had become “obsessed” with vampires and vampire novels, reading and writing capsule reviews of some 300 (culminating in her aforementioned book), and how their popularity in different eras reflects (even if vampires can’t cast reflections) society. Summing up, he said, “her interests ranged far and wide, and any of these diverse interests will be the subject(s) of these readings.” He regretted that he (ironically) had forgotten to bring rosemary to pass around (“rosemary for remembrance”). “Blessed be,” he intoned.

TT-Head 2

Terence Taylor

With that, he turned emceeing duties over to the guest host and first reader, Terence Taylor, a familiar face at NYRSF readings, and an award-winning children’s television writer who has joked that “after a career of comforting young kids, [is] now equally dedicated to scaring their parents.”  His offering came from his work-back-in-progress Past Life, the conclusion of his trilogy “The Vampire Testaments,” which began with Bite Marks and continued with Blood Pressure. (Margot, he noted, had lauded the novels and was looking forward to the next volume; he regretted that he hadn’t completed the trilogy in time for her to have read it.)

In the selection that he read, vampire Turner has, after witnessing Germany’s horrors, become an unofficial agent for the OSS (the World War II predecessor of the CIA) and has trailed two Nazi agents back to America and, following an altercation with them on a train (they ejected him from it, which they should not have been able to do), turns up on the 1941 Hollywood doorstep of writer (and folklorist/anthropologist) Zora Neale Hurston on the night of October 31, seeking advice. (The Nazis’ plot, he let slip during the intermission, is rooted in magic – more than that I won’t give away – and they find common cause with the Klan; Taylor found following real-world connections fascinating.) The prospect of having the two (Zora and Turner) meet up again (she had been present the night that he turned) had inspired Taylor to go back to working on the third book. In an aside, he noted that he had listened to recordings of her and reported that he would be lecturing on Hurston and voodoo at the Museum of Morbid Anatomy in Brooklyn on February 2.

Taylor additionally read five pages (“that’s all you get for free”) from his story that ran in the anthology (edited by John Joseph Adams and Douglas Cohen) What the #@&% Is That? (the title is pronounced as “What the Gravlax?” – the symbols used in comics to indicate cursing have been dubbed “gravlax,” like the Scandinavian sushi). The story, “The Catch,” he said, turns from horror to sf, as a mad vivisectionist who cuts up couples (“catch” is as in “the catch of the day”) finds something alien in a victim.

During the intermission, a raffle was held for those who donated to the Series (admission is free, with a suggested donation of $7, which is very likely to be rising as the Series pays to rent the space and to treat its guests at the Café). The prizes were identical flash drives featuring Hour of the Wolf broadcasts with Freund and Adler. Taylor then introduced the evening’s second reader.

sabrina-vourvouliasSabrina Vourvoulias is the author of Ink, a parallel universe/near-future novel set in a fictional city and rural town in the U.S. that draws on her memories of Guatemala’s armed internal conflict and of the Latina/Latino experience in the United States (she is an American citizen by birth but grew up in Guatemala), and of stories that have appeared at Tor.com and in Strange Horizons, Crossed Genres and a number of anthologies (including The Best YA Speculative Fiction of 2015 and Latino/a Rising), as well as articles in various Pennsylvania periodicals and posts on her blog Following the Lede.

The piece that she read, “Flying With the Dead,” was the first speculative fiction story that she ever sold (it appeared in Crossed Genres), was about magic circles. (In another “magic circle,” she noted that the term “illegal immigrant,” which had been renamed “undocumented immigrant,” had, in the current political climate, sadly gone back to “illegal immigrant.”) In keeping with the evening’s theme, the story was set on the Day of the Dead and centered on an assimilated Latino (his feelings about his heritage are symbolized by a box from his late mother that he carts around but has never opened) who works for the ICE (Immigration and Customs Enforcement) and uses his background to help round up “illegal immigrants” (he’s “good at it”), a job which becomes complicated when he’s drawn to a Guatemalan girl. We were introduced to Día de Muertos customs and festivities (cemeteries become picnic grounds, “barrios of the dead,” food is left at graves and kids fly kites), and it is implied that the immigrants’ migration north reflects that of the Monarch butterfly and in turn the flight of the souls of the dead.

The traditional Jenna Felice Freebie Table of books and magazines also offered a variety of Hallowe’en candy. The audience of about 25-30 included Melissa C. Beckman, Richard Bowes, Rob Cameron, Amy Goldschlager, Lynn Cohen Koehler, Barbara Krasnoff, John Kwok and James Ryan.

Afterward, the readers and some audience members availed themselves of the Café’s menu.

Undebatably Fantastic Fiction as KGB Readings Series Features Ketchum and Kiernan

By Mark L. Blackman: The “K” in KGB stood for Ketchum and Kiernan as, on the evening of Wednesday, October 19 – a record-breaking warm day and the night of the third and final Presidential Debate – the monthly Fantastic Fiction Readings Series hosted authors Jack Ketchum and Caitlin R. Kiernan at its venue, the 2nd floor Red Room at the KGB Bar in Manhattan’s East Village.

The crowd in the room, distinctive for its red walls and Soviet era-themed décor, was smaller than usual, was ascribed by co-host Ellen Datlow to some regular attendees staying home to watch the Debate and she expected that part of the audience would dash out quickly to catch it. She encouraged those present not to “get your stomachs in a knot,” but to stay here “and have fun.” They could, she noted, always watch the Debate on YouTube.

Continuing, she announced that next month’s readers, on November 16 will be John Langan and Series co-host Matthew Kressel. On December 21, Livia Llewellyn and Sarah Pinsker will be reading; and on January 18, 2017, Holly Black and Fran Wilde will be featured. (Details are available at the Series website.) The Series, ongoing since the 1990s, is known for reliably offering an outstanding mix of writers and styles.

Caitlin R. Kiernan. Photo by Kyle Cassidy.

Caitlin R. Kiernan. Photo by Kyle Cassidy.

The evening’s first reader, Caitlin R. Kiernan, is a four-time winner of the International Horror Guild Award and a two-time recipient of the World Fantasy, Bram Stoker and James Tiptree, Jr. Awards. Her work includes the novels The Red Tree and The Drowning Girl: A Memoir, and the short fiction collections A is for Alien, The Ape’s Wife and Other Tales, and the forthcoming Dear Sweet Filthy World. She read from a novella due to be published in February by Tor, Agents of Dreamland, a marvelously descriptive, furiously stream of consciousness evocation of modern culture, with allusions ranging from Charles Manson to the mandatory supplanting of analog tv by digital.

kiernan-agents-of-dreamland

After a break, Matt Kressel took the podium and urged the crowd to support the Bar, whose generosity allows the Series’ readings to be free, by buying a drink or soft drink. He noted too that the Series nevertheless has expenses (such as treating the readers to dinner afterward) and that they planned a fundraising drive after the new year, offering nifty premiums like signed books.

 

Jack Ketchum

Jack Ketchum

Jack Ketchum, the second reader of the evening, is a five-time winner of the Bram Stoker Award, most recently for Lifetime Achievement, and has been called “probably the scariest guy in America” by Stephen King. A wide-ranging talent, he is the author of thirty books, including novels – five of which have been filmed – novellas, collections, nonfiction and poetry. His most recent books are the novel The Secret Life of Souls (written with director Lucky McKee) and the collection Gorilla in My Room, both due out later this year. His offering, the mystery shocker “Bully,” was from the latter. A woman’s question to her third cousin about an old photo elicits uncomfortable reminiscences and slowly reveals a terrible family secret.

ketchum-cover

Copies of Ketchum’s and Kiernan’s books were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn and Jersey City.

Datlow’s photos of the event may be seen at the Series website.

Season of the Witch at NYRSF Readings, Featuring N.K. Jemisin and Kai Ashante Wilson

By Mark L. Blackman: On the evening of Tuesday, September 27 at its venue, the Brooklyn Commons Café, the New York Review of Science Fiction Readings Series skirted the haunting season of Hallowe’en, presenting fantasy writers N.K. Jemisin and Kai Ashante Wilson.

The event opened as usual with a welcome from producer/executive curator Jim Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy (the show broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 am and worldwide at wbai.org, and for a time afterwards may be heard on-demand as well as an RSS feed for podcasts), and a tongue-in-cheek caution that we were on Livestream (video and audio).  Admission to the readings are always free, but, to fund the Series (which pays to rent its current space), the suggested donation (currently $7) may be raised; crowdfunding plans are in the thinking stage.

He then announced upcoming readings:  November 1st (All Saints’ Day – not All Souls’ Day) will be the inaugural Margot Adler Memorial Reading; on November 15th, readers will be Kij Johnson and Sonya Taaffe; and Monday, December 12th, will be the traditional Family Night with Ellen Kushner and Delia Sherman.  Looking ahead to 2017, take note that April 1st will be Samuel R. Delany’s 75th birthday.

The first reader, Kai Ashante Wilson, is a rising star of fantastic fiction, the author of the stories “Super Bass” (pronounced like the musical instrument, not the fish), “The Devil in America” (nominated for both the World Fantasy and Nebula Awards) and “Kaiju maximus®,” the novellas The Sorcerer of the Wildeeps and A Taste of Honey.  His offering was a selection from his novelette, “Légendaire,” which appeared in the anthology, Stories for Chip (which celebrates the legacy of the aforementioned science fiction grandmaster Samuel R. Delany). Kai Ashante Wilson lives in New York City.  Dedicated to Whitney Houston and Michael Jackson, and subsequently Prince, the fable, set in a sort of fantasy New Orleans, concerns a small boy whose prodigious dancing has attracted the attention of the local witches, or racosi (spelling uncertain).  One counsels him to “get in some trouble” because the best dancers all have broken hearts.  The imagery was beautiful.

Kai Ashanti Wilson performing for New York Review of Science Fiction Readings.

A post shared by Jim Freund (@jimfreund) on

During the break, a raffle was held, the prizes a copy of “The Devil in America” and what Freund described as the Kai Ashante Wilson Chapstick, and access at the $50 level to N.K. Jemisin’s Pantheon blog, Epiphany 2.0, along with a print out of part of her blog.

The evening’s second reader, N.K. (the “N” stands for Nora)  Jemisin, has been nominated multiple times for the Hugo, the Nebula and the World Fantasy Awards; shortlisted for the Crawford, the Gemmell Morningstar and the Tiptree Awards.  In addition, she has won a Locus Award for Best First Novel as well as the Romantic Times’ Reviewer’s Choice Award, and, last month, won the Best Novel Hugo for The Fifth Season.  (She is, noted Freund, the first black writer to win the Hugo Award in that category, Delany and Octavia Butler having received it in other categories.)  Seven of her novels, a novella and a short story collection are out now from Orbit Books (the most recent is The Obelisk Gate, a follow-up to The Fifth Season and the second book in the Broken Earth Trilogy).  Besides all that, she is the New York Times’ science fiction reviewer.

She shared “Red Dirt Witch,” a story that is not finished (this was its second draft), though it has already been sold, and that she is “not entirely happy with.”  In Deep South Alabama in the still-segregated early ’60s, a poverty-stricken black herbalist is confronted both in this world and in dreams by a White Lady (the capitals soon became clear), a Celtic fae who steals (and taps) children of Power, and wants her newly adolescent daughter.  In return, she offers an unsavory deal, that one life for the family’s prosperity and safety.  (The Civil Rights movement would involve great struggle and lead to triumphant progress.)  By audience demand, Jemisin read to the story’s (as it stood) conclusion.

In a Q&A, a woman asked “How are you not happy with that?”  Another even said that she cried.  Jemisin was “not sure” about why, and what was off.  (The first draft was longer.)  In response to another question, Jemisin revealed that it was based in part on her father’s side of the family; he was from the named town outside Birmingham, that her great-grandmother made a living healing and working magic for people, and that her grandmother was named Pauline, like the daughter in the story.  (Perhaps the deeply personal connection to the story is why she was dissatisfied?)  Wilson reported that he has other stories in that universe, and was urged to write a full novel.  A photo session followed.

N. K. Jemisin reads for NYRSF Readings.

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As customary at these Readings, the Jenna Felice Freebie Table offered giveaway books, and, for food and beverages, the Café was a few steps away.

The capacity crowd of about at least 70 included Melissa C. Beckman, Richard Bowes, Catelynn Cunningham, Lynn Cohen Koehler, Barbara Krasnoff, Matt Kressel, John Kwok, Mark Richards and Terence Taylor, the Series’ Technical Director, plus a cheering section of members of the Altered Fluid writing group and a brief walk-in from WBAI’s Max Schmid.  Schmoozing and more partaking of the Café’s wares ensued.

Fantastic Fiction at KGB Reading Series Presents Barron and Wong

Alyssa Wong and Laird Barron.

Alyssa Wong and Laird Barron.

By Mark L. Blackman: On the evening of Wednesday, September 21 – the last day of summer – the monthly Fantastic Fiction Readings Series hosted readings by authors Laird Barron and Alyssa Wong at its venue, the Red Room at the KGB Bar in Manhattan’s East Village. Up a steep flight of stairs to the 2nd-floor, the Bar is made further distinctive by its red walls and Soviet era-themed décor. “It’s one of the truly great venues to read at,” said Barron. The Series, running since the late ’90s, reliably offers stellar lineups, often pairing established authors and up-and-coming newcomers, and readings are always free. (The Bar is a cordial and hospitable host, and the Series’ presenters duly exhort the audience to express gratitude by buying something to drink.)

As traditional, as the room filled, co-host Ellen Datlow swirled through the crowd, taking photos.  (They may be seen on the Series website, http://www.kgbfantasticfiction.org/.)

Series co-host Matthew Kressel welcomed the capacity crowd, and reported on upcoming events in the Series.  Next month’s readers, on October 19th, are Jack Ketchum and Caitlìn R. Kiernan.  Reading on November 16th will be John Langan (who was in attendance) and Kressel himself; on December 21st, Livia Llewellyn and Sarah Pinsker; and on January 18, 2017, Holly Black and Fran Wilde. Concluding, he introduced the evening’s first reader.

fist-of-permutatons-alyssa-wongAlyssa Wong’s story, “Hungry Daughters of Starving Mothers,” won the 2015 Nebula Award for Best Short Story, and her work has been shortlisted for the Pushcart Prize, the Bram Stoker Award, the Locus Award, and the Shirley Jackson Award.  The story that she read, “The Clamor of Bones,” was set in San Francisco’s Chinatown.  A “dead-talker,” tasked by the underworld to look for a missing 9-year-old girl, consults the finger bone of a corrupt detective whom she had killed, chopped up and dumped into the Bay.  It seems that he had been retrieved and magically reanimated (though missing bits, rotting and tending to ruin carpets), and been the last one seen with the girl.  Oddly, he seems reluctant to cooperate with his murderer.  Despite its essential ickiness, the story’s macabre humor had the audience laughing.

swift-to-chase-laird-barronAfter a break, Datlow introduced the second reader of the night.  Hailing from Alaska (where he raced the Iditarod three times during the early 1990s, and against whose backdrop many of his stories are set), Laird Barron is the author of X’s for Eyes, The Imago Sequence, The Beautiful Thing That Awaits Us All, and the forthcoming (in two weeks) Swift to Chase.  The story that he shared, “The Cyclotron,” appeared in a Canadian anthology riffing on “a famous franchise character” (hint:  his first name is James and there are references to “Double-O” and the British Secret Service), so, for predictable reasons, “may never be reprinted in my lifetime.”  Written in the second-person, the story presents the world-saving agent, past retirement and ill, through his memories of car chases, pointless shootouts, “sequences of horror,” death traps, assassination attempts, and seduction of and betrayal by women (he has had “extensive serious difficulties with women”), under the shadow (or should that be spectre?) of the black-clad Dr. Hemlock.  Recognition of the familiar, hackneyed tropes and their flippant treatment provided chuckles.  (As far as we know, though, no one in the Bar ordered vodka martinis shaken, not stirred.)

Copies of Barron’s X’s for Eyes and The Imago Sequence were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn and Jersey City, while, at the front of the room, Wong had copies of a short horror comic.

NYRSF Readings Celebrate 50 Years of Star Trek

Keith DeCandido in 2010. Photo by Luigi Novi..

Keith DeCandido in 2010. Photo by Luigi Novi..

By Mark Blackman: On the evening of Thursday, Sept. 8, 2016 (or Star Date [-27] 04610.00), the New York Review of Science Fiction Readings Series boldly commemorated the 50th anniversary of the premiere of Star Trek on NBC-tv with a stellar crew of writers reading from their or others’ Trek-related works and performing a comedic skit about Trek Fandom.  (Fittingly, the day was as hot as Vulcan.)  The event, opening the Reading Series’ 26th season, and held at its current venue, the Brooklyn Commons Café, located in the Alpha Quadrant near the Romulan Neutral Zone and the Barclays Center, was guest-curated by Keith R.A. DeCandido, the author of 16 Trek novels (several of them best-sellers), 13 novellas, seven short stories, six comic books, and the coffee-table book The Klingon Art of War, as well as articles, reviews and overviews on Star Trek.

The voyage began with a welcome from producer/executive curator Jim Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, and giving a rundown of upcoming readings:  On Sept. 27th (the last Tuesday of the month), readers will be N.K. Jemisin (“the award-winning N.K. Jemisin,” he beamed) and Kai Ashanti Wilson.  Nov. 1st – all Souls Day, the day after Hallowe’en – will debut the Margot Adler Memorial NYRSF Readings Series, with Terence Taylor its first guest curator.  (Margot was the original host of Hour of the Wolf; the Series’ topics might range from vampires – in her later years, she became addicted to the genre, reading 325 vampire novels, and, in fact, once guest-curated a NYRSF Reading spotlighting the creatures of the night – to Faerie to Wicca and psychology.)  One of the readers on Tuesday, Nov. 15th will be Kij Johnson.  Also reading in November will be Matthew Kressel, Alyssa Wong and Madeline Ashby.  December will, as traditional, feature a Family Night, with readings by Ellen Kushner and Delia Sherman.

Continuing, Freund plugged a variety of CDs from Skyboat Media for sale, including a 13-volume set of his interviews over the years, and, marking Star Trek’s 50th anniversary, Harlan Ellison’s full-cast original teleplay of “The City on the Edge of Forever” (which is not what aired on tv).  He also noted that, as it happens, Gordon Van Gelder, the first curator of the NYRSF Readings Series, was born on the very date that Star Trek broadcast its premiere episode, “The Man Trap” (aka “The Salt Monster”).

(Curiously, there was, I observed, what might be called a generation gap, with some in the audience – and even of the readers – having never seen the show in its original run and had watched it only in its syndication on local stations, demonstrating Trek’s enduring appeal.  The other generation gap – between the classic and the subsequent series – never really arose.)

In due course, Freund turned the podium over to guest host Keith DeCandido, who described himself as “a Star Trek fan since birth, having grown up watching the show in reruns on Channel 11.”  (Coincidentally, he remarked, it was also the 47th anniversary of the premiere of the underrated animated series.)  Star Trek, he extolled, gave us “a wonderful future,” where Earth – where humanity – had come together and was working together in space.  It was the era of the Civil Rights Movement and the Cold War, and here were an African-American, an Asian and a Russian (not to mention an alien) as part of the crew.

Steven Barnes

Steven Barnes

That diversity was an apt introduction to his pre-recorded interview with Steven Barnes. Barnes is a New York Times bestselling author who has written comic books, animation, newspaper copy, magazine articles, television scripts – from Stargate SG-1, The Outer Limits and Andromeda to Baywatch (that’s a fantasy, right?) – and three million words of published fiction (including the novelization of the Star Trek: Deep Space Nine episode “Far Beyond the Stars,” the alternate history Lion’s Blood, and collaborations with Niven and Pournelle), and has been nominated for the Hugo, Nebula, and Cable Ace awards, and received the Endeavor and the NAACP Image Awards.  Regrettably, the recording was badly glitched (Keith probably forgot to open hailing frequencies before Skyping), and DeCandido was obliged (with profuse apologies to us and to Barnes) summarize his talk about writing and about race on ’60s tv.  Barnes respected the intent of “Let That Be Your Last Battlefield” (Frank Gorshin and Lou Antonio in split black/whiteface), what they were trying to do, though it looks ridiculous now.  (Isn’t that a satisfying sign of progress since?)  He also discussed the importance of black characters equal with and alongside whites on Trek, Mission: Impossible and I Spy, and of having Benjamin Sisko (Avery Brooks) as a nonwhite lead on a genre show.

David Mack in 2010. Photo by Luigi Novi.

David Mack in 2010. Photo by Luigi Novi.

There being fewer technical glitches in a live reading, DeCandido introduced the first reader, David Mack, a New York Times bestselling author of roughly 30 sf, fantasy and adventure novels, including the Star Trek Destiny and Cold Equations trilogies, and the forthcoming Star Trek: Legacies, Book II: Best Defense, part of a new trilogy celebrating the franchise’s 50th anniversary.  Mack’s offering departed from The Original Series as it was set in the Next Generation era several years after Nemesis.  The Enterprise follows clues to a planet where someone has been cranking out copies of Lore – Dr. Noonian Soong, they learn, who has uploaded his consciousness into an android body.  Soong is soon laboring to resurrect Data (B-4 may have Data’s memories, but not his “soul” or his emotion chip), even at the cost of his own existence.  (Mack did a delightful Worf, by the way.)

Emily Asher-Perrin

Emily Asher-Perrin

Next up was Emily Asher-Perrin, who described herself as a kid as “a great big geek who preferred to talk about robots and aliens and lightsabers and magic,” and who works on the internet, notably on Tor.com, “talk[ing] and get[ting] excited about all the science fiction and fantasy that she loves most.”  She read a couple of scenes from Jean Lorrah’s The Vulcan Academy Murders; in the first, Kirk, Spock and McCoy are on Vulcan, and have joined Sarek and Amanda’s healer for dinner at an Italian restaurant (meatless, of course – vegan Vulcans, you know); and in the second, they are at a funeral (spoiler:  no, not Amanda’s), where they encounter T’Pau, the Vulcan matriarch from “Amok Time.”

During the intermission, people grabbed a bite (happily, the Commons Café did not offer gakh) and a raffle was held for a flash drive that might be called a mix tape, including miscellany like Shatner’s rendering of “Rocket Man” and bridge sound effects, and for two tickets to an astronomy lecture at the Intrepid on Saturday the 10th.

The second half of the program opened with a comedic skit by another New York Times bestselling Trek novelist, Dayton Ward (who was not present).  Set in a movie theater “somewhere in the U.S.” on June 9, 1989 where Star Trek V: The Final Frontier is about to begin, a group of Trek fans (the word “Trekkie” was never, never uttered all evening), played by Keith, David, Emily and Jim (typecasting) schmooze about – and one persistently pans – the year’s sf movies, and Batman.  (Some ironic humor was derived from what we know about subsequent films.)  Plus ça change …

Finally, DeCandido, drawing from his “Federation version of The West Wing,” delivered the Federation President’s commencement address to Starfleet Academy in the wake of the events of Nemesis.

The crowd of about 40 included Melissa C. Beckman, Catelynn Cunningham, Melissa Ennin (the landlady), Nora (NK) Jemisin, Barbara Krasnoff, John Kwok, Nora Larker, Mark W. Richards, Wrenn Simms, Ian Randal Strock, and Bill Wagner.  As customary at these Readings, the Jenna Felice Freebie Table offered giveaway books, and copies of Trek books and stories by DeCandido and Mack were available for sale and autographs.  As the evening concluded, various audience members hung around or adjourned to the Café.

Mummies and Mars at the KGB Bar

By Mark L. Blackman: On the evening of Wednesday, July 20 — the 47th anniversary of the first Moon Landing – the monthly Fantastic Fiction Readings Series hosted authors David D. Levine and Helen Marshall at the 2nd floor KGB Bar in Manhattan’s East Village. The Bar is known for its red walls and Soviet era-themed décor, and the Series for the excellence of its readers; readings are always free.

Series co-host Matthew Kressel welcomed the capacity crowd, exhorted us to buy drinks (generously, there is no cover charge), and reported on upcoming events in the Series. Next month’s readers, on August 17, are Leanna Renee Hieber and Theodora Goss. Reading on September 21 will be Laird Barron and Alyssa Wong; on October 19 Jack Ketchum and Caitlìn R. Kiernan; and on November 16 John Langan and Kressel himself. (Details are available at http://www.kgbfantasticfiction.org/.) Concluding, he introduced the evening’s first reader.

David D. Levine is the author of the novel Arabella of Mars and over fifty sf and fantasy stories, one of which “Tk’tk’tk,” won the Hugo Award.  Some of his stories have been anthologized in the Endeavour Award-winning collection Space Magic.  (Full disclosure:  years ago, we were in an apa, or fannish amateur press association, together.  He is, of course, not the New York gamer of that name – though, to their mutual consternation, that distinction was lost by one Worldcon’s “Voodoo Message Board” – nor the caricaturist at the New York Review of Books.)

Levine began with a well-received rap (“Ey girl, what’s your name?,” complete with background music) summarizing the plot of Arabella of Mars, then read from the Prologue, “The Last Straw.” The novel is set in an alternate cosmology (or alternate astrophysics) previously described as “Mars the way it used to be before science ruined it,” with canals, Martians and breathable atmosphere (Venus, of course, has swamps), a reality – a term here used loosely – in which further there is interplanetary atmosphere and airships voyage between worlds.  The heroine, Arabella Ashby, an 18th-century English colonist on Mars (the use of “Marsman,” to distinguish from Martians, was employed as well in a similarly titled novel about a girl named Podkayne), we learn, has been hauled off to Earth and urgently must return to Mars to save her family fortune.  In the final part of his presentation, Arabella is attempting to do just that, disguised as a boy among an airship’s crew as it lifts from London.  Venerable literary devices blend imaginatively and charmingly.

Helen Marshall

Helen Marshall

After a break, Series co-host much-honored editor Ellen Datlow introduced the second reader of the night. Helen Marshall’s first collection of fiction, Hair Side, Flesh Side, won the Sydney J. Bounds Award in 2013, and her second, Gifts for the One Who Comes After, the World Fantasy Award and the Shirley Jackson Award.  The story that she read, “The Embalmer,” appears in The Mammoth Book of the Mummy, though, as she described it, it’s “the least mummy-like” story that she could write.  It was nonetheless quirky and amusing.  The boy Henry has a penchant and talent for digging up and mummifying neighbors’ dead and buried pets, including the girl next door’s (Dalia), late Labradane, which he’s anonymously gifted to her and which she smuggles to school.  (We must count it as fortunate that her little brother was not buried in the backyard.)

Copies of Arabella of Mars and Gifts for the One Who Comes After were for sale at the back of the room from the Word Bookstores of Brooklyn and Jersey City.

Afterward, the crowd headed out to dinner.

At NYRSF Readings, A Clockwork Melange

_CP5_cover_mockup_small COMPBy Mark L. Blackman: On the still-wintry-cold evening of Tuesday, April 5 the New York Review of Science Fiction Readings Series, heading into the “home stretch” of its 25th Anniversary Season, hosted a launch party for the anthology Clockwork Phoenix 5 at its venue The Commons Café in Brooklyn. Guest-emcee was Mike Allen, editor of the Clockwork Phoenix anthologies, as well as of Mythic Delirium magazine and, in addition, a Nebula Award and Shirley Jackson Award finalist and winner of three Rhysling Awards for poetry. The occasion featured readings from seven(!) of the contributors to the volume. (A beautiful, full-color program spotlighting the anthology and the septet of readers was crafted by Series producer/executive curator Jim Freund.)

The festivities opened with the customary welcome from Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy. The show broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 am and worldwide at wbai.org, and for a time afterwards may be heard on-demand as well as an RSS feed for podcasts. Additionally, the Readings stream live via Livestream – this evening was, in essence, a broadcast – where they remain archived for a period of time, and may be accessed by going to Livestream.com and searching for NYRSF. (Here is the link to tonight’s Readings.)

The Readings Series, Freund reminded us, is supported entirely by donations. They are free, but there is a suggested contribution of $7.) Next month’s event, on May 3, he announced, will be a play, a project by Andrea Hairston and Pan Morigan; and on June 7 a gala will celebrate Space & Time Magazine’s 50th anniversary, with Gordon Linzner and Hildy Silverman. He concluded by thanking Terence Taylor, the Series’ technical director, and the Café’s landlady, Melissa Ennen. The Café, he noted, now has a special menu for us as well as table service, and directed attention to its menu. Not remarked on was the change in décor, the room’s long tables replaced by small, two-person round tables. This would prove difficult in a full house. Finally, Freund turned hosting duties over to Mike Allen.

Mike Allen

Mike Allen

Tonight was not only a launch party for Clockwork Phoenix 5, said Allen, but its actual all-over-the-world launch day. He described how great it was to edit the anthologies, and how proud he was that the fantastic stories don’t easily fit in commercial categories. They have an offbeat feel and a powerful emotional impact. Those in Clockwork Phoenix 5 explore the intersection between love and death. All five volumes, indicated Allen, were for sale here. He nodded to the volume’s cover artist, Paula Arwen Owen (she too should be asked to autograph the book, he said), before introducing the first reader in what Freund had quipped was “a cast of thousands.”

Brooklynite Rob Cameron paused from “working on his Buddha-like glow” to read “Squeeze.” The narrator, in the throes of lost love, encounters a ghost-child on the #7 train (much of the audience was familiar with the 7, which runs between Mid-Manhattan and Flushing, Queens) that only he and an African woman with one arm (and a phantom limb) can see.

Next to read was South Asian fantasy writer Shveta Thakrar. In her charming story, “By Thread of Night and Starlight Needle,” a twin brother and sister consult a plain-speaking witch, their requests revealing both their similarity and their differences. The tale included footnotes, perhaps indicating how influential Terry Pratchett was.

The third reader was Barbara Krasnoff, a very familiar face at the NYRSF Readings, another Brooklynite, and, in Allen’s words, “a repeat offender,” having appeared also in Clockwork Phoenix 2 and 4. Having read from her story, “Sabbath Wine,” here just two months earlier, she opted for sharing a different portion of it. In the story, set in Brownsville, Brooklyn in 1920, a pre-adolescent Jewish girl befriends a black boy, who tells her that he’s dead, and invites him to her home for a full-ceremonial Sabbath dinner. Her loving father, who has abandoned religion for radicalism, nevertheless gives in to her entreaty and goes off to obtain the titular kosher wine, a task complicated by it being the Prohibition Era and the local rabbi being only all-too-aware of his irreligiosity. Needless to say, the two argue, and her father seeks out the boy’s father, a bootlegger. (Some of us recall the story’s heartrending ending.)

During the intermission, there was a raffle drawing with the first two prizes a grab bag from Mythic Delirium and the grand prize “a real doozy,” all five volumes of Clockwork Phoenix.

Resuming, Allen introduced the next reader, Sonya Taaffe, a short fiction writer and award-winning poet.  (It is noteworthy that several of the guests were poets.  Taaffe’s biography also notes that she once named a Kuiper Belt Object.) In “The Trinitite Golem,” J. Robert Oppenheimer, who had headed the Manhattan Project, here already under surveillance by the FBI and on the verge of losing his security clearance, is visited by the titular creature who asks him to “undo” him.

A.C. Wise was another “a repeat offender,” having been represented also in Clockwork Phoenix 4, and is the author of the recently published debut collection The Ultra Fabulous Glitter Squadron Saves the World Again. Her offering, “A Guide to Birds by Song (After Death),” was beautiful and eerie, as a woman tries to understand her lover’s suicide through her typed manuscript. “Absence shapes the world around it.”

The final reading of the evening was a “fun” collaboration between C.S.E Cooney, a Nebula Award nominee for “Bone Swans” and, like Allen, a Rhysling Award-winning poet (for “The Sea King’s Second Bride”), and Carlos Hernandez, author of the short story collection The Assimilated Cuban’s Guide to Quantum Santeria. The two met at Readercon a couple of years ago and their story, “The Book of May,” began as a Facebook dare. In a series of e-mail exchanges with her old D&D buddy (with Cooney and Hernandez enlivening their respective parts), a young woman with a brain tumor muses about what type of tree she wants to become after death, an oak?, a sugar maple? Amid the underlying sadness there were shifts to hysterical, laugh-out-loud bits that brilliantly illuminated the protagonists’ deep friendship.

Allen returned to the podium to be presented by Freund with a suitably decorated apple cake for him and the readers. (For the audience, it was, as someone near me quipped, “Let them watch cake.”)

As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, while the Café saw to “wining, dining and other worldly needs.”

It was a record-breaking crowd of about 90 – the Series biggest turnout ever – and not all were readers or even contributors to Clockwork Phoenix. Included among the audience were (to name a small few) Melissa C. Beckman, Richard Bowes, Amy Goldschlager (filling in as ticket-taker for Barbara), Lynn Cohen Koehler, Ellen Kushner, John Kwok, Lissanne Lake, Gordon Linzner, James Ryan, Delia Sherman and Terence Taylor. Afterward, many stuck around to schmooze, and some adjourned to the Café.