Pixel Scroll 11/14/17 The Rise And Fall Of Ziggy Scrollbar And The Pixels From Mars

(1) PRO TIP FROM SFWA. SFWA Director Kate Baker issued this word to the wise —

(2) WINDYCON APOLOGY. At Windycon.org, the Windycon 44 statement regarding the Tutti Frutti Literature panel title and description from convention chair Daniel Gunderson.

Now that the convention is over, we have had the opportunity to read through the many posts and comments on the subject. We have taken to heart the hurt and anger caused by the poor choice of wording used in the title and description of this panel.

We are very sorry we offended. While this was not our intention, it was the result, and for this we sincerely apologize.

We will be working to ensure this does not happen in the future. These are some specific steps we will take moving forward.

We will push back the programming timeline significantly. This will allow for more careful choice in wording for panel titles and descriptions. This will also allow more time for oversight and review of titles and descriptions.

We will work to keep titles and descriptions clear and unambiguous. Panel titles should be sufficiently clear that the entire intent of the programming item can be understood from the title alone. Descriptions will be used to provide additional information about the panel, but will not be relied on to supplement an insufficient title.

We will make sure to run titles and descriptions past a larger group of individuals who were not involved in the generation process. This will provide the opportunity to have outside individuals point out potentially problematic phrasing that programing may not have been aware of, or may have been blinded to by already understanding the original intent.

As of this posting, we have removed the programming item from our online programing list, so we do not continue to offend.

Again, we deeply apologize for any pain this may have caused.

(3) HELP NEEDED. Long-time LASFSian Mike Donahue has started a GoFundMe appeal — Help Mike Donahue keep his home. He gives the full explanation at the link. It begins:

I’m in imminent danger of a bank sale on my house, which is in foreclosure. No date has yet been set. I’ve been given a pay up date of Dec 5 2017. They can move before that, I don’t know. And they don’t tell you the info you need.   Or how long after that they force the sale on the house. I was in an auto accident in January, which greatly strained my cash resources….

(4) SUPERPEDESTRIAN. In the early Seventies, Margaret Atwood wrote Kanadian Kulchur Komics under a pseudonym. She tells what it was like in — “Margaret Atwood reflects on the significance of her This Magazine comic strip”.

Yes, it’s a blast from the past! Or if not a blast, maybe a small firecracker?

Whose past? My past, obviously: I was Bart Gerrard, one of my noms de plume—the name of a then-forgotten and probably now more-forgotten Canadian newspaper caricaturist of the turn of the century.

…The central joke of the Survivalwoman comics was this: in 1972 I’d published a book called Survival: A Thematic Guide to Canadian Literature, which had made waves of a sort, not all of them friendly. This book was an attempt to distinguish what people wrote in Canada from what they wrote in the United States and the United Kingdom, in riposte to what we were so often told: that there wasn’t any Canadian literature, or if there was, it was a pale echo of things written in large, cosmopolitan, important places. Survival against the odds—both natural and human—I took to be one of the leitmotifs of such Canadian writing as I could get my hands on then, in the dark ages before the Internet, print-on-demand, and Abe Books.

Pair that leitmotif with the fact that, in the world of comix, Canada did not have a superhero of its own—Nelvana of the Northern Lights and Johnny Canuck and their bros and sisses having vanished with the demise of the wartime “Canadian Whites” in approximately 1946. (King of the Royal Mounted did not count, being American. Anyway, King had no superhuman features, unlike the present-day Wolverine.)

So what more appropriate than Survivalwoman: a superheroine with no discernable powers, who had a cape but could not fly—hey, it was Kanada, always lesser—and came equipped with snowshoes? The visual design was based on me—curly hair, short—as was part of the personality—earnest and somewhat clueless.

(5) BE ON THE LOOKOUT. If any of you have good celebrity connections, David Brin could use a hand getting invitations out to people he’d like to have involved in his 20th anniversary screening of The Postman.

I’m putting out a call! If any of you know genius cinematographer Stephen F. Windon, or genius cinematic composer James Newton Howard, I’m hoping to invite them to a special, 20th anniversary screening of The Postman at UCSD’s Arthur C. Clarke Center for Human Imagination. Whatever its faults, the film is musically and visually one of the dozen or so most gorgeous films ever made. (With a small but growing cult following.)

I’d invite Kevin Costner – who certainly gets some credit for that beauty – and screenwriter Brian Helgeland too – (or any of the younger Costners in the film) because I think the flick had more heart that any other from that era. Alas, no method I’ve researched seems to penetrate the Hollywood protective barriers, not even for Mr. Windon. And Tom Petty is now beyond reach, alack.

(6) SPFBO FINALS. Mark Lawrence has set up a post to track the “Self-Published Fantasy Blog-Off Finals”. At this stage, the 10 finalists will be chosen based on the scores of participating blogger-reviewers. They are: Bookworm Blues, Fantasy-Faction, Fantasy Book Critic, Lynn’s Books, The Qwillery, Pornokitsch, Ventureadlaxre, Fantasy Book Review, Booknest, and Kitty G video reviews.

There’s not much to see there yet, but it will become more interesting as the results are filled in.

Filers will be interested to know there are links to a large number of book reviews at the post for the first phase of the Blog-Off, in which 200 of the 300 works under consideration were eliminated.

(7) FRESH HORROR. Brett J. Talley, whose name has appeared in this blog before as a Bram Stoker nominee, is up for a federal court appointment. The Daily Beast has the story: “Before He Was Tapped By Donald Trump, Controversial Judicial Nominee Brett J. Talley Investigated Paranormal Activity”. There’s more at the link about his interest in Lovecraft.

Brett J. Talley, nominated by President Donald Trump to the Federal District Court in Montgomery, Alabama, has never tried a case, is married to a White House lawyer, and has been dubbed as unqualified by the American Bar Association.

… But ghost chasing wasn’t a quirky side-hobby. Indeed, before he became the embodiment of the Trump administration’s efforts to pack the courts with young, conservative, sometimes dubiously-credentialed judges, Halley wrote books about paranormal activities that earned him numerous plaudits. And not just within the horror fiction scene. Stuart Stevens, Mitt Romney’s campaign manager in 2012, was a fan too.

“I find it hilarious that no one is writing about his horror writing. He has a cult following.” Stevens told The Daily Beast. “I have to say I wasn’t really aware he was a lawyer as my dealings with him were as a writer on campaign. He’s an interesting, smart guy. But so is Stephen King.”

(8) FIN DE CYCLE. James Davis Nicoll, in “Seasons Crying No Despair”, says it wasn’t easy, but David Axel Kurtz’ Northern Tier won him over.

Those reservations aside, I got drawn into Slip’s story, which is saying a lot when you consider how very much I dislike bicyclists as a group. Having been run over on numerous occasions by scofflaw bicyclists, I live for a future in which the use of bicycles is limited to the Marianas Trench, the Lunar farside, and the surface of the Sun, places I do not plan to visit any time soon. I am not the target market for thrilling tales of bicyclists and the increasingly vast armies who stalk them. Nevertheless, Slip won me over; she persisted.

(9) TODAY IN HISTORY

  • November 14, 1851 Moby Dick is published.
  • November 14, 1969 – Apollo 12 took off.

(10) TODAY’S BIRTHDAYS

  • Born November 14 – Cat Rambo
  • Born November 14 – Wolf Von Witting
  • Born November 14 — Moshe Feder
  • Born November 14 – Edd Vick
  • Born November 14 – Charles Mohapel

(11) FINAL FRONTIER. Fan-made Star Trek Continues released Part II of its last episode “To Boldly Go.” (Find Part I here.) Executive Producer Vic Mignogna (also the series’ “James T. Kirk”) told Facebook followers:

No vocabulary can express how much this production has meant to me. From the very beginning, all I knew was that I wanted to make one episode of Star Trek the way I remembered it. Would anyone like it? I didn’t know. Would I make another? I didn’t know. All I knew was that I wanted to pay tribute to Bill, Leonard, Gene and everyone who made the show that meant so much to me when I was a boy. I would use all the skills that TOS inspired me to try for the first time to make the best episode I could. I never imagined so many amazing people would do so much, and I’m deeply humbled by their involvement. I will be forever grateful to the cast, crew & volunteers who selflessly gave so much to make Star Trek Continues a reality. And to you, the viewers and fans, for your support and enthusiasm. With bittersweet joy, we present our final episode. Hopefully, it will be a long lasting tribute and historic ending to the most iconic television series in history.

 

(12) COMING SOON ON AMAZON. People are having a lot of fun with the idea of a new Lord of the Rings series on Amazon. This idea beats Dynasty and Dallas to pieces.

(13) PRE-RINGS CIRCUS. Nathaniel Ingraham tries to figure out what the Amazon series will be like in “Amazon’s ‘Lord of the Rings’ prequel will need to forge its own identity”. One of his ideas comes from a video game:

Of course, Amazon new series won’t be the first new narrative set in Middle-earth. The most recent example is the 2014 video game Middle-earth: Shadow of Mordor (and its newly-released sequel). The game drew players in by using the familiar setting of Mordor, a familiar timeframe (between the events of The Hobbit and The Lord of the Rings), iconic characters like Gollum and crucial elements like the Rings of Power. But it also starred entirely new characters, expanded Tolkien’s mythology and told an entirely new story.

It wasn’t perfect (that ending!), but Shadow of Mordor overall did an admirable job at taking a familiar setting and writing a new story around it. It’s the kind of product that could serve as a blueprint for how Amazon can create a new property that will hook loads of viewers while still paying service to longtime fans. Simply being able to reference The Lord of the Rings will be enough to bring in many viewers — millions have seen Jackson’s films and won’t care if the series is telling stories Tolkien himself didn’t dream up. Add in the fact that Game of Thrones will wrap up in 2018 or 2019 and it’s easy to imagine those viewers getting their fantasy methadone from Amazon’s new series.

Ultimately, the enduring popularity of Tolkien’s work is what Amazon is banking on here. Yes, there will absolutely be a cadre of fans who hate what Amazon produces, but that group will almost certainly be outnumbered by people enjoyed The Lord of the Rings at some point in their life and decide to give Amazon’s series a shot — if the show is good.

(14) MORDANT OF THE RINGS. Adam Whitehead engages in less serious – well, frankly hilarious – speculation about “Ideas for the new LORD OF THE RINGS TV series” at The Wertzone.

This Ent-focused conservation programme, voiced over by David Attenborough, will fuse almost-thrilling episodes where the Ents discuss a problem for hours on end with notes on the shameful deforestation of Fangorn Forest and destruction of the surrounding ecosystem.

(15) DARK VADER. Mark Hepworth sent this photo with his brew review: “I thought a beer item might enliven the scroll. I came across this in a local-ish pub and obviously had to try it. It was much more drinkable than I’d expected from a Sith Lord!”

(16) MARTIANS AND SIGOURNEY WEAVER. Mark Swed reviews “‘War of the Worlds’: Delirious opera rises from the death and destruction of L.A.” in the Los Angeles Times.

So here’s what you need to know about the heavily hyped “War of the Worlds” that [Yuval] Sharon mounted at the Walt Disney Concert Hall on Sunday afternoon for the L.A. Phil, in collaboration with his own massively disruptive opera company, the Industry, and the nonprofit Now Art L.A. A new opera and new kind of opera by Annie Gosfield, it does everything an opera’s supposed to. It does a lot opera’s not supposed to do. That includes immersive opera, one of Sharon’s specialties as the mastermind of “Hopscotch,” the celebrated opera in autos two years ago.

…On the most basic level, this is a fairly straightforward operatic adaption and update of Orson Welles’ famous 1938 radio broadcast, based on H.G. Wells’ science-fiction novel “The War of the Worlds.” At a time when radio broadcasts were beginning to be interrupted by news flashes, Welles treated the play as an ordinary dance-band radio program with increasingly frightening bulletins of an alien invasion.

The brilliantly theatrical night-before-Halloween prank caused panic among some gullible listeners, giving credence to Russian futurist Velimir Khlebnikov’s prediction that radio had the power to become the Great Sorcerer. Sharon sees the panic as an early-warning sign of the imposing threat of fake news.

Riffing on the radio show, this “War of the Worlds” begins as a symphony concert, albeit one with a celebrity host, Sigourney Weaver. The opera will eventually take over the concert, which is meant to include Gosfield’s new celestial orchestral cycle to commemorate the 100th anniversary of Holst’s “The Planets.”

…Weaver breaks in again and again on the first two movements with reports from outdoors, which are beamed into the hall (audio only, this is radio). Astronomy professor Pierson (actor Hugo Armstrong), standing on a parking lot, attempts to allay fear with his soothing British accent. Mrs. Martinez (mezzo-soprano Suzanna Guzmán) offers a more feverish firsthand account of the scary machines and creatures somewhere on Main Street. Gen. Lansing (baritone Hadleigh Adams) haplessly leads the troops in attacking the aliens.

Before long the music creeps into the action. The Martians have an alien voice in soprano Hila Plitmann’s stratospherically supernatural coloratura (and she does look like she might have stepped out of an outtake of “Alien”), accompanied by theremin and otherworldly percussion. Sharon’s libretto follows Peter Koch’s original radio play fairly closely. L.A. doesn’t fare any better than New York City. Civic officials are of little help, although the mayor valiantly tries. There is political humor for all.

…Finally, there are those decommissioned sirens left over from the Second World War that still peek out from behind billboards and buildings around town, noticed primarily by history buffs. They’re the symbol of the production and were one of the motivating ideas for both Sharon and Gosfield, who was obsessed with them when she studied at CalArts in the 1980s.

In the end, they are about the least interesting thing visually, theatrically or sonically about the production. It is not that they aren’t marvelous in their mysteriously antiquated way; it is just that every other aspect of this opera and its sensational production and performance happens to be more marvelous.

(17) SECURE THE NOMINATION. Timothy the Talking Cat has picked up a new vice: “McEdifice Returns: Chapter Awards”.

“Ahem, here is what I was just writing:

Dear Mr or Mrs Pulitzer, Hello. As you may know I am one of the best writers in the world. You may have already read some parts of my latest book “McEdifice Returns” a psychological drama about one man’s struggles to come to terms with his past.

I guess you are probably thinking ‘We’d love to give Timothy one of our Pulitzer Prizes but people might think it is just a way of making our prize look more popular and relevant with the cool kids’. Fear not! That is exactly the right kind of move that will help the sadly faded and increasingly irrelevant Pulitzer Prize strike a chord with modern audiences who frankly a sick of all that liberal clap-trap and just want some good old fashioned entertainment.

So I hereby give you permission to award me a Pulitzer.

Yours,

Timothy the Talking Cat

PS This is like totally a nomination so you’ll understand that from now on I’ll be saying ‘The Pulitzer Prize nominated author Timothy the Talking Cat’. That’s great free publicity for your prize. No need to thank me – just trying to help you out.

“Hmmm, I see you have also written similar letters to ‘Mr Oscar and your friend Tony’ as well as ‘Ms or Mr Grammy'”

(18) MARVEL’S MULTIPLE AVENGERS. This cover art just jumps off the screen.

Avengers: Disassemble! The epic weekly takeover continues this February when Kim Jacinto takes the reigns to draw the second month of Marvel’s biggest team adventure, and Marvel is excited to reveal the covers for issues #679 – #682 of AVENGERS: NO SURRENDER by Mark Brooks.

“In month two of NO SURRENDER, the rubber hits the road as we learn what’s really going on and who is behind it,” says SVP and Executive Editor Tom Brevoort. “A couple different Avengers make the supreme sacrifice, the action grows ever more intense—and the stage is set for the return of a major player in the Marvel line-up of stars! Oh, and the origin of Voyager!”

Co-written by Mark Waid, Al Ewing and Jim Zub with art by Pepe Larraz, Kim Jacinto and Paco Medina, AVENGERS: NO SURRENDER unites the casts and creative teams of three titles into one weekly book of exciting action. It all starts with AVENGERS #675 this January, when the teams of THE AVENGERS, UNCANNY AVENGERS, and U.S. AVENGERS come together in a story as exciting and powerful as the Marvel Universe itself.

(19) FASHION JUSTICE. Ashley Boucher, in “‘Justice League’ Amazonian Bikinis Have Twitter in Uproar: ‘Men Ruin Everything’” in The Wrap, says that there are many tweets complaining that the Amazons in Justice League wear bikinis while those in Wonder Woman didn’t.

The costumes worn by the Amazon women are noticeably different than they were in “Wonder Woman,” and viewers are afire online with discussions about how the change represents differences in the male and female gaze.

In “Wonder Woman,” directed by Patty Jenkins, the costumes were designed by Lindy Hemming, and covered the Amazons’ torsos with armor. In “Justice League,” directed by Zach Snyder, the costumes were designed by Michael Wilkinson. And while Wilkinson’s outfits keep a similar Gladiator vibe, they feature small bra tops and bottoms that some say more closely resemble bikinis than what you’d want to wear into battle.

 

(20) HISTORIC HOOCH. Back when the Little Old Winemaker was young: “‘World’s oldest wine’ found in 8,000-year-old jars in Georgia”.

Scientists say 8,000-year-old pottery fragments have revealed the earliest evidence of grape wine-making.

The earthenware jars containing residual wine compounds were found in two sites south of the Georgian capital, Tbilisi, researchers said.

Some of the jars bore images of grape clusters and a man dancing.

Previously, the earliest evidence of wine-making was from pottery dating from about 7,000 years ago found in north-western Iran.

(21) COST CUTTING. Darth Vader has been discounted: “Star Wars game in U-turn after player anger”.

Games publisher EA has changed a rule in its Star Wars Battlefront II video game after a huge backlash.

During the game, players have to obtain credits – either by buying them or through long hours of game play – to unlock popular characters including Luke Skywalker and Darth Vader.

Many players said it was unfair as the gaming required worked out at around 40 hours per character, unless they paid.

EA says the number of credits required will now be reduced by 75%.

“Unlocking a hero is a great accomplishment in the game, something we want players to have fun earning,” said executive producer John Wasilczyk from the developer Dice, in a statement.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Dave Doering, David K.M.Klaus, Chip Hitchcock, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/7/17 Scrolly McPixelface

(1) GOODREADS CHOICE WRITE-INS. Because Mount TBR can never be high enough, Mark Hepworth did his best to figure out the write-in nominees in the Goodreads Choice Awards 2017 in the Fantasy, SF and Horror categories. These are the popular additions to Goodreads’ own handpicked finalists:

Fantasy:

  • City of Miracles by Robert Jackson Bennett
  • Oathbringer by Brandon Sanderson
  • Age of Swords by Michael J Sullivan
  • The Land: Raiders by Aleron Kong
  • Silence Fallen by Patricia Briggs

SF:

  • The Rise and Fall of D.O.D.O by Neal Stephenson and Nicole Galland
  • The Punch Escrow by Tal M. Klein
  • Seven Surrenders by Ada Palmer
  • The Stars are Legion by Kameron Hurley
  • Six Wakes by Mur Lafferty

Horror:

  • A God in the Shed by J-F Dubeau
  • Strange Weather by Joe Hill
  • What the Hell Did I Just Read by David Wong
  • The Grip of It by Jac Jemc
  • Bone White by Ronald Malfi

(2) HUNG BY THE CHIMNEY WITH CARE. Popsugar has been out shopping: “Hold the Door — These 21 Game of Thrones Gifts Are So Cool, We Want Them For Ourselves”.

Hodor Door Stop

As you know, this Hodor Door Stop ($8) will be quite dependable.

(3) BREW TO BEAM UP. Meanwhile, ThinkGeek is hustling “Star Trek Transporter Pad LED Coasters”. (Note: Will not actually materialize / dematerialize your drinks.)

Until a future comes in which condensation no longer exists, coasters will be a useful device. This is a set of 4 coasters that look and sound like ST:TOS transporter pads. Yes, we said “sound.” When you place a drink on one or remove it, the coaster lights-up and plays either a materialization or a dematerialization sound. If it’s all a little too overwhelming, you can set it just to light up. But that’s basically only half the fun.

 

(4) WHALESONG. SPECPO, the official blog of the Science Fiction and Fantasy Poetry Association, introduces a poet: “Words, Whales and Wonder: An Interview with Jenna Le”.

What inspired you to write A History of The Cetacean American Diaspora? What was the most challenging of the poems for you to include in this collection?

At least for me, a collection of poetry comes into existence in a very different way from how I’m told a novel comes into existence: each poem has its own inspiration, its own reason for being. Some of the book’s many inspirations included: the American Museum of Natural History’s 2014 exhibit “Whales: Giants of the Deep”; Rudy Boschwitz’s flavored milk stand at the Minnesota State Fair; my Taylor & Ng “La Baleine” coffee mug; the Waterboys album An Appointment With Mr. Yeats, especially the song “Sweet Dancer,” which inspired me to research the life of Yeats’s mistress Margot Ruddock; my 7th-grade English teacher Mr. Sandeen, who taught me to love the passage in The Song of Hiawatha wherein Wenonah is impregnated by the wind god; some documentary about the Fall of Saigon that was available to watch for free on Hulu, whose name I can’t remember; an advertisement I saw for Le Lam’s documentary Cong Binh: The Lost Fighters of Vietnam; my parents’ oral narratives about their own flight from Vietnam and immigration experiences; embryology class in my second year of med school; various mythology compendia and PBS nature documentaries.

(5) HOORAY. Phil Nichols chronicles the friendship of “The Two Rays”, Bradbury and Harryhausen, at Bradburymedia.

In 1993, Bradbury paid perhaps the highest tribute of all, by incorporating a fictionalised Harryhausen as a major character in his Hollywood novel A Graveyard for Lunatics. Special effects wizard “Roy Holdstrom” is a very thinly disguised Harryhausen, and accompanies the narrator in attempting to solve a murder mystery in 1950s Hollywood. Here is how the narrator first sees Holdstrom’s workshop, which we can imagine is similar to what Bradbury saw back in 1938 when first invited into Harryhausen’s garage:

Stage 13 was, then, a toy shop, a magic chest, a sorceror’s trunk, a trick manufactory, and an aerial hangar of dreams at the centre of which Roy stood each day, waving his long piano fingers at mythic beasts to stir them, whispering, in their ten-billion year slumbers.

(6) THE FORMER MRS. SISKO. CinemaBlend asked “How The Orville’s Penny Johnson Jerald Feels About Competing With Star Trek: Discovery”.

Penny Johnson Jerald has built up a hell of a resume as a veteran TV actor, with shows such as 24, The Larry Sanders Show, and even Castle all playing important parts in her body of work. But for Star Trek fans, she’s most notably known for playing Kasidy Yates Sisko on Deep Space Nine. This is a fact that wasn’t lost on anyone from the Trek fandom who also watches The Orville on Fox, which of course means that Jerald would most definitely have an opinion on her Fox show running around the same time as Star Trek: Discovery is unfurling on CBS All Access.

…While some may try to pit the two shows against each other, Penny Johnson Jerald isn’t interested in playing that game at all. As The Orville’s Dr. Claire Finn, she gets to play a role different from the law-breaking romantic interest to Avery Brooks’ law-abiding space station overseer.

(7) HAWK YOUR WARES. The SFWA Market Report for November compiled by David Steffen includes such information as —

NEW MARKETS

Guilds and Glaives

Razor’s Edge

Second Round: A Return to the Urbar

Sword and Sonnet

(8) LAUGHING ALL THE WAY. Alex Acks raves about Thor: Ragnarok:

I saw it twice this weekend. I’ll be seeing it more times before it leaves the theater. And after several days to collect my thoughts so I can write something more coherent than a high-pitched squeal of delight, I’ve calmed down to the level of OH MY GOD COLORS AND FUNNY AND LOKI AND VALKYRIE AND SO MANY JOKES PLEASE TAIKA WAITITI TAKE MY SOUL IT’S YOURS.

If you’re not familiar with Taika Waititi’s work, it’s time to get right with the world. A great place to start is with What We Do in the Shadows, which is a mockumentary about vampires living in New Zealand–and bonus swearwolves. Hunt for the Wilderpeople is also freaking amazing and easy to find. I first encountered his work in Flight of the Conchords, and was hooked. His sense of humor (heavy on the irony and diminution) and aesthetic sensibility are both right up my alley, so I’d already just about lost my mind when I found out he would be directing Thor: Ragnarok. Finally, I thought, if someone was going to get Loki right as a character, it would be him.

Well, I was right. And so much more. SO MUCH MORE.

…The big thing that doesn’t really show up in the summary is how fucking hilarious this movie is. It just doesn’t stop the entire time, even in the action sequences. And the humor cleverly disguises–and also sharpens–some incredibly fucked up things that the film examines. And between jokes, there are quiet character moments that have more impact because they occur in the ten seconds you aren’t laughing–or you are laughing and then you realize just how important this is to that character and it’s like a punch to the sternum. I’d also recommend this piece about the Maori spin on Waititi’s brand of humor as seen in the movie, though it could be considered spoilery depending on how sensitive you are about that stuff.

(9) GORDON OBIT. Astronaut Richard Gordon died November 6.

Richard Gordon

Former Apollo 12 astronaut Richard Gordon, one of a dozen men who flew around the moon but didn’t land there, has died, NASA said. He was 88.

Richard “Dick” F. Gordon Jr. was a test pilot chosen in NASA’s third group of astronauts in 1963. He flew on Gemini 11 in 1966, walking in space twice. During Apollo 12 in November 1969, Gordon circled the moon in the command module Yankee Clipper while Alan Bean and Charles Conrad landed and walked on the lunar surface.

Gordon died Monday at his home in California, according to the Astronaut Scholarship Foundation.

“Dick will be fondly remembered as one of our nation’s boldest flyers, a man who added to our own nation’s capabilities by challenging his own. He will be missed,” acting NASA administrator Robert Lightfoot said in a statement Tuesday.

Born in Seattle, a Navy captain and a chemist, Gordon was such a steely professional that after a difficult first spacewalk, he fell asleep during a break in his second spacewalk. He downplayed Apollo 12 being hit by lightning during launch.

In a 1997 NASA oral history, Gordon said people would often ask if he felt alone while his two partners walked on the moon. “I said, ‘Hell no, if you knew those guys, you’d be happy to be alone’.”

(10) MOLLO OBIT. Oscar-winning costume designer John Mollo died October 25.

John Mollo, a largely self-taught historian whose expertise on military uniforms led George Lucas to choose him to design costumes for “Star Wars,” winning Mr. Mollo the first of two Academy Awards, died on Oct. 25 in Froxfield, Wiltshire, England. He was 86. His death, in a care facility, was confirmed by his wife, Louise Mollo, who said he had had vascular dementia. Mr. Mollo had a long career in the movies, creating costumes for Richard Attenborough’s epic “Gandhi” (1982), which brought him his second Oscar; the Revolutionary War drama “Revolution” (1985), with Al Pacino; “Cry Freedom” (1987), with Denzel Washington as the South African freedom fighter Steve Biko; “Chaplin” (1992), with Robert Downey Jr. in the title role; and “The Empire Strikes Back” (1980), the second installment in the first “Star Wars” trilogy.

… Mr. Mollo’s costumes, intricate but appearing lived-in, were based on Mr. Lucas’s instructions and on his own sketches and those of a concept artist, Ralph McQuarrie, who drew some of the earliest renderings of many of the characters. The results included the weather-beaten martial arts outfit of Luke Skywalker, played by Mark Hamill; the monkish robes of Obi-Wan Kenobi, played by Alec Guinness; the dusty cowboy look of Han Solo, played by Harrison Ford; and the pure white dress draped over Princess Leia, played by Carrie Fisher. For the dark side, Mr. Mollo encased the imperial storm troopers in hard white carapaces and masks and hid Darth Vader, played by David Prowse and voiced by James Earl Jones, in a swooping black cloak and a helmet that brought to mind that of a samurai. The imperial outfits were designed to embody a fascist, dehumanizing order.

(11) COMICS SECTION.

(12) PHOTON LEAP. On Camestros Felapton’s blog, Dr Timothy the Talking Cat and Professor of Thought-Expansion Straw Puppy M.D. continue to spin their epic yarn — “McEdifice Returns: Chapters are just another way the man tries to control us”.

Journal Entry. Field Officer Qzrrzxxzq Day 39 since the dimensional distortion event.

As far as I can ascertain our current location is an urban centre called ‘Manchester’. I can confirm now that we are moving in time as well as space. Possibly we have shifted to another reality as this one appears to have been drained of much of its colour. Sky, buildings, people all appear more grey than normal. The translator device seems to be broken as the local language is unintelligible but the device insists that it is still ‘English’.

Earlier in the day we successfully infiltrated the sub-culture festival apparently named “Woodstock”. Levels of casual nudity and psychotropic substances were higher than the cultural norms we had observed elsewhere. Our mission was simple – find the cultists who had possession of McEdifice, regain the asset and then use ScanScan’s powers to evac.

“If you are going to San Francisco, be sure to wear flowers in your hair.” sang a young man at us both. A coded message? Helpful advice? Or just frankly insulting given that I’m bald? I side stepped and made my way through the crowds of long haired youths.

(13) HOW ARE YA FIXED FOR BLADES? Deadline reports “Millennium To Produce Female-Strong ‘Red Sonja’ With Cinelou”.

Millennium Media will finance and produce a new version of Red Sonja and is looking to it as a new franchise for the company. The project will be produced by Millennium’s Avi Lerner and Joe Gatta alongside Cinelou’s Mark Canton and Courtney Solomon. They are fast-tracking this project and next will hire a writer.

Red Sonja is based on a comic book heroine from the 1970s. She has appeared in hundreds of comic books over the decades, which Dynamite Entertainment continues publishing today.

“We have been waiting for the right time for this remake,” said Lerner, “and with the success of Wonder Woman, the audience has spoken. They want female heroes.”

(14) THAT IDEA IS QUACKERS. Michael Isikoff, in “Kill The Damn Duck!  Ex-DNC Head Brazile Describes Clash Over Trolling Donald Trump In Donald Duck Costumes” on Yahoo! News, says former Democratic National Committee head Donna Brazile told representatives of the Hillary Clinton campaign that showing up at Donald Trump rallies with someone in a Donald Duck outfit with a sign saying, “Don’t Duck Your Taxes” could backfire because Donald Duck was Disney’s “intellectual property” and “they could sue us.”

She called Marc Elias, the senior lawyer for the Clinton campaign, and told him “that I had heard from ABC and Disney about the duck and he had to kill it.”

“The duck is the intellectual property of Disney,” Brazile told Elias, on her account. “They could sue us, OK? Do you want that story out there? Hillary’s about to go to California to raise money, and she’s going to see Bob Iger, the CEO of Disney, who is holding this fundraiser, and this is coming from him. What do you want to do? Have him cancel the fundraiser? I know you all want that money. So get rid of the f—ing duck!”

(15) LGBT SEARCH. Autostraddle leads fans to “8 Queer Speculative Short Story Collections”. Part of the “Ask Your Friendly Neighborhood Lesbrarian” post series, this list includes —

Fist of the Spider Woman: Tales of Fear and Queer Desire edited by Amber Dawn

Starting with the two questions “What do queer women fear the most?” and “What do queer women desire the most?,” Amber Dawn created this amazing collection of stories to both turn you on and scare you, sometimes simultaneously. The stories range from ones that are genuinely terrifying and not so erotic to ones that would be at home in an erotica anthology. For example, Aurelia T. Evans’s “In Circles,” which features an intersex main character, will make you never think of that silly sleepover game Bloody Mary the same way again. Dawn’s “Here Lies the Last Lesbian Rental in East Vancouver” is part ghost story, part anti-gentrification treatise, and part mean mommy and little girl kinky erotica. “Homeland” by Kristyn Dunnion peels back the horrors possible in the average night at your local lesbian bar….

(16) HEAD’S UP. A fashionable hairstyle is a genre inspiration — “The Sci-Fi Bob Is the Out-of-This-World Hair Trend for Fall”.

Calling all you Trekkies and sci-fi fans, fall 2017 has a new hair trend that is designed with you in mind. The sci-fi bob is a simple, short blunt cut that features sharp angles and is usually paired with a baby bang. This futuristic femme style, inspired by movies like The Fifth Element and Star Trek, is here to heat up limp cold-weather ‘dos, just in time for the holiday season.

 

(17) THE POINT. Clive Barker tells The Guardian “How we made Hellraiser”.

Clive Barker, director

I worked as a hustler in the 1970s, because I had no money. I met a lot of people you’ll know and some you won’t: publishers, captains of industry. The way they acted – and the way I did, to be honest – was a source of inspiration later. Sex is a great leveller. It made me want to tell a story about good and evil in which sexuality was the connective tissue. Most English and American horror movies were not sexual, or coquettishly so – a bunch of teenagers having sex and then getting killed. Hellraiser, the story of a man driven to seek the ultimate sensual experience , has a much more twisted sense of sexuality.

By the mid-80s I’d had two cinematic abominations made from my stories. It felt as if God was telling me I should direct. How much worse could I be? I said to Christopher Figg, who became my producer: “What’s the least I could spend and expect someone to hire a first-time director?” And he said: “Under a million dollars. You just need a house, some monsters, and pretty much unknown actors.” My novella The Hellbound Heart, which mostly took place in one house, fitted those parameters. Roger Corman’s company New World – who agreed to fund a film for $900,000 – said very plainly it would go straight to video.

(18) ON STAGE. Lythgoe Family Panto’s BEAUTY AND THE BEAST – A CHRISTMAS ROSE will play December 13-17 at the Pasadena Civic Auditorium.

An updated version of the classic tale, in the style of a traditional British family Panto, BEAUTY AND THE BEAST A CHRISTMAS ROSE features family-friendly magic, with a comedic twist, dancing (with “So You Think You Can Dance” alumni), contemporary music and more…

Tickets are available online at Ticketmaster.com/PantoPasadena or by calling 626-449-7360.

(19) AREN’T YOU BLIND? Another wild ride on Twitter begins here.

(20) RETWEET. Or whatever the right term is for what I’m doing on a blog —

(21) UNSOLVED. io9 has heard “Creator Donald Bellisario Has Written a Quantum Leap Film Script”.

That news comes courtesy of this weekend’s LA Comic Con event, where Quantum Leap’s creator, Donald Bellisario, reunited with Scott Bakula during a panel discussion that inevitably turned to reboots.

“I just finished writing a Quantum Leap feature,” Bellisario announced. “I don’t know what’s going to happen with it, but I did write it.”

Quantum Leap ended infamously, with one of the most tragic (and unintentionally funny, or maybe that’s just me) end title cards in history, announcing that Bakula’s Sam Beckett never made the leap home. After five seasons of interdimensional problem solving, Sam Beckett was never going to get to solve his own.

(22) TECH DEMO. SyFy Wire explains the joke — “Stargate alum David Hewlett parodies 1980s sci-fi series Automan in hilarious short”.

We love a good fake trailer. After all, it creates its own broad vision while at the same time distilling it to hilarious specificity. The most recent one to cross our paths, Hewlogram, below, one-ups the fake trailer genre in two ways: 1) It stars David Hewlett, who played Rodney McKay, our favorite snarky scientist on Stargate: Atlantis, and 2) It doubles as a demonstration of some fairly nifty technology.

The special effects software and filmmaking company Red Giant produced Hewlogram and could have created a standard commercial to promote the release of its Red Giant Universe 2.2 tools for filmmakers and visual effects producers. Instead, it gave us a wacky short for a 1980s television show you’ve never seen but recognize in your geeky fiber, a buddy cop show spliced together with Tron and folded into 21st century reality—a self-aware Automan.

 

[Thanks to Mike Kennedy, Martin Morse Wooster, Andrew Porter, John King Tarpinian, JJ, and Cat Eldridge for some of these stories, Title credit goes to File 770 contributing editor of the day Chris S.]

Into the Unknown at the London Barbican

Twiki, menaced by Robbie in the background

By Mark Hepworth: The events that London’s premier arts venue The Barbican is currently hosting include a production of The Tempest, a viewing of a David Lynch biopic, a display of paintings on the subject of Sufism and music…and an exhibition on the history of Science Fiction. There is often a feeling of tension between SF and the artistic mainstream, be it a sense of resentment when someone like Margaret Atwood seems to try to manoeuvre away from the genre label, or slightly dismissive reviews in the ‘serious’ press. While genre barriers do seem to be falling, it’s still unusual to see SF getting such deep attention, and so I couldn’t resist the opportunity to fit in a visit to “Into the Unknown: A Journey through Science Fiction” to see how it treated its subject.

Billed as a festival-style exhibition with more than 800 works, it is scattered across several floors and areas of the Barbican. The curator is Swiss historian and writer Patrick Gyger, whose bio gives impressive credentials – he was director of the Swiss SF collection “Maison d’Ailleurs” where he opened a wing dedicated to Jules Verne, has worked with the European Space Agency, run Utopiales, and been GoH at Eurocon.

‘The Extraordinary Voyage’ itself

His exhibition begins with a walk through four loosely-themed sections, and in the first his love of Jules Verne comes through very clearly as you enter: Extraordinary Voyages begins with the early years of wonder and speculation, filling the space with models, displays, films, and books either from the early years of SF or inspired by it. It has a story to tell but doesn’t press its conclusions on you; rather it allows you to wander through and let the theme assemble itself. For example, here you can trace a line from the prehistoric creatures at the Centre Of The Earth through the modelwork of Harryhausen to portrayals of Godzilla. Finding these mini-themes among the artefacts is a voyage of discovery.

Modern Godzilla

Space Odysseys hits another familiar theme, giving us spaceships and spacesuits whose inhabitants tend to either find something wonderous, or get eaten by something terrible. The section seems to think that despite our fascination with all the things that could go wrong – from the technical challenges of The Martian to the many ravening aliens we imagine waiting for us – our native optimism is what comes through, with an interesting selection of old Soviet media showing the use of Space as a new heroic frontier shelved near to a script for “Journey Beyond the Stars” – hand-corrected as 2001 A Space Odyssey – and a copy of Merchanter’s Luck.

Spacesuit from ‘Sunshine’

Sokolov-Leonov 1960s postcards

‘Dune’ storyboards from Paul Allen’s private collection

‘Earth vs the Flying Saucers’

Next, Brave New Worlds turns its viewpoint inwards with dystopian societies and utopian cities, and reminds us that SF has always been imagining the future in ways both extravagant and – occasionally – accurate. We may not have our jetboots yet, but displays of what people were imagining of us a hundred years ago illustrate that they were hoping in vain for personal flying wings back then, too. The link between SF and architecture makes an interesting appearance here, with the cities of the future imagined by professional architects looking perhaps little different from the ones imagined by SF visionaries.

‘Mirrorshades’ and other seminal works

The main section ends with Final Frontiers: not space, but the body and the brain. Robots merge into cyborgs merge into AI as it makes the obvious – but true – observation that we’ve always been fascinated by what we will turn into, or create to compete with ourselves.

The many screens of ‘Final Frontiers’

The exhibition works by cramming so many elements together that you are forced to confront how they all interact. The result can be rather crowded and almost claustrophobic, as films overlay models and soundtracks clash so you can’t really settle and see any one thing. Each section has a fine display of books, acknowledging that while the silver screen may have produced the iconic visuals of SF, books have always provided the iconic ideas. Unfortunately, there’s not much to do with the books other than display them in cases to be stared at, which is no way to experience a story, and unfamiliar ones leave you to simply judge them by their cover. I’m sure something more could have been done to bring them fully into the story – displaying extracts or perhaps playing audio.

The books of ‘Extraordinary Voyages’

Those four parts comprise the heart of the exhibition and took me about an hour, but you could linger over some of the film clips for much longer if you wished though. I’ve only touched on the wealth of artefacts, some of which were rather rare or valuable – there was only a very thin piece of plastic between me and an Amazing Stories #1 at one point – including original props, prototypes and artworks borrowed from private collections.

You then have to head out to find other elements scattered around the Barbican. Unfortunately for me, the other thing scattered around the Barbican on the day of my visit was a few hundred happy graduates and their families and so I missed out on several small elements among the crowds. I did descend into the basement to find an art installation entitled In Light of The Machine, in which a device casts ever-differing shadows around a dark and formless room. I suspect that on most days I would have filed this under ‘Modern Art is Rubbish’ but, suitably primed by the exhibition I found it linked back to the architecture of the Brave New Worlds section in quite an interesting way.

Dimensional Portal Machine__ from ‘Red Dwarf’ (note the beer can at the centre!)

The final part I visited was a short film titled In the Future, They Ate From the Finest Porcelain which lands somewhere between science-fiction and an artistic polemic, with things to say about how history and national identities are formed – by the victors – and an attempt to fight this process through “narrative resistance.” This definitely fell on the art side of the SF-art divide, and was rather on the nose in some of its imagery, but like the Machine two floors below it was an interesting experience after being primed by the exhibition to see how SF themes are portrayed both within and without genre culture.

I think what impressed me the most about the exhibition was how it wrangled the subject into some cohesive themes, but only in order to make you pause and consider rather than insist on the categorisations that we sometimes tangle ourselves up in. I’m not sure how well it would cater to a casual viewer without knowing at least some of the context, but if you treat it as food for thought you should come away with something worthwhile.

——

“Into the Unknown: A Journey through Science Fiction” at Barbican Centre

The genre-defining exhibition of art, design, film and literature.

From the 19th century cabinet of curiosities, to the vastness of space. Through future cities, into the inner landscapes of human perception.

Uncover the mysterious lands of Jules Verne and Ray Harryhausen where Science Fiction narratives first took root. Venture on an odyssey into our solar system, with vintage artwork promoting Soviet visions of space alongside immersive work by Soda_Jerk. Visit a gallery of aliens, and stand alongside iconic spacesuits from a galaxy of blockbusters including Star Trek and Interstellar.

Imagine dystopian worlds with Margaret Atwood and 28 Days Later. Then, with nowhere left to explore but human consciousness, delve deep and experience the transformation and mutation of the body through the eyes of Jack Kirby and Ex Machina.

Curated by historian and writer Patrick Gyger, this festival-style exhibition consists of more than 800 works, many of which have never been seen in the UK before. Continuing across the Centre, it includes artwork from Isaac Julien, Larissa Sansour and Conrad Shawcross, and an installation from the creators of Black Mirror.

Into the Unknown: A Journey through Science Fiction is curated by Barbican International Enterprises with co-production partners, Brandts –Museum of Art & Visual Culture, Denmark, and Onassis Cultural Centre – Athens, Greece. It will be staged at both venues before embarking on an international tour.