Does the suit make the man? Spider-Man: Homecoming arrives in theaters July 7.
Does the suit make the man? Spider-Man: Homecoming arrives in theaters July 7.
(1) CASHING IN. Naked Security has discovered “Spock will unlock Kirk ransomware – after you beam up a bunch of Monero”.
Star Trek fans might remember an episode from the original series where our heroes were transported to a mirror universe where their counterparts served an evil version of the Federation. At the end of “Mirror Mirror“, it is the alternate universe’s Spock who begins to set things right.
One has to wonder if the creators of the recently discovered Kirk ransomware had that episode in mind. SophosLabs threat researcher Dorka Palotay told Naked Security that this new specimen appeared a few days ago….
Monero is the new (or old) latinum
Unlike the ransomware families SophosLabs has seen so far, this family uses Monero for ransom payment, which is a cryptocurrency similar to bitcoin. Monero has already been popular among cyber-criminals. You could say it’s the new latinum – the favored currency of the Ferengi. Or, you could say it’s the old one. (These temporal paradoxes give us a headache.)
(2) SPOOK FANAC. Naked Security also disclosed that the CIA named one of its hacking tools after a famous science fictional gadget – “Latest Wikileaks dump shows CIA targeting Apple earlier than others”.
Here’s a breakdown of the tools documented and their purpose:
Sonic Screwdriver: Fans of Doctor Who know that the Sonic Screwdriver is the Doctor’s trusty device for analysis and defense. In the CIA’s world, it’s a “mechanism for executing code on peripheral devices while a Mac laptop or desktop is booting,” allowing attackers to “boot its attack software even when a firmware password is enabled”. The CIA’s Sonic Screwdriver infector is stored on the modified firmware of an Apple Thunderbolt-to-Ethernet adapter. The documentation for this was released internally at CIA headquarters November 29 2012….
(3) IRON FIST. While my Facebook friends have leveled plenty of criticism, Comicbook.com declares “Iron Fist Is The Second Biggest Marvel Netflix Premiere”.
Marvel’s Iron Fist may not have gone over well with critics, but fans can’t seem to get enough.
According to a report by Parrot Analytics, Marvel’s Iron Fist is the second-biggest debut for a Marvel series on Netflix so far, performing better than both Marvel’s Daredevil and Marvel’s Jessica Jones in the first week it was available to stream. Iron Fist falls just short of Marvel’s Luke Cage, which was Marvel’s best debut to date.
It should be noted that Parrot Analytics is a third party industry analyst and that these metrics are not endorsed by Netflix. Netflix does not share its viewership numbers publically.
(4) DO’S AND DON’TS. Here are the first two of “Ray Bradbury’s 12 Rules For Writers” at Tripwire.
- Don’t start out writing novels. They take too long. Begin your writing life instead by cranking out “a hell of a lot of short stories,” as many as one per week. Take a year to do it; he claims that it simply isn’t possible to write 52 bad short stories in a row. He waited until the age of 30 to write his first novel, Fahrenheit 451. “Worth waiting for, huh?”
- You may love ’em, but you can’t be ’em. Bear that in mind when you inevitably attempt, consciously or unconsciously, to imitate your favorite writers, just as he imitated H.G. Wells, Jules Verne, Arthur Conan Doyle and L. Frank Baum.
(5) BY YOUR ROYAL LEAVES. Standback guested on Jonah Sutton-Morse’s Cabbages and Kings podcast. (I’m not trying to blow his cover, he sent the link indicating it should be a “scroll item for Standback.”)
This episode I am joined by Ziv Wities (@QuiteVague), host of the SFSqueeAndSnark short story discussion site, to discuss Jo Walton’s The Just City. We covered our different reactions to the story, the elevation of Plato’s Republic to a holy text, and the problems of privilege and how it is portrayed in The Just City. In addition, Brandon O’Brien returns for the second installment of Black Star Cruises, a review of Maurice Broaddus’ forthcoming novella Buffalo Soldier.
There’s a transcript of the podcast available at the site, too.
Z – So, this is the only book in my entire life that I have ever bought based on a book ad. There was a print ad for the Just City in Fantasy & Science Fiction and I saw it and I read it and I said that sounds really really really cool. I don’t think I’ve ever reacted that way to a print ad before.It’s just, it’s just a cool high-concept idea, and one of the things that really grabbed me about it was the idea that it’s not only a recreation of The Republic but specifically that it is done with the support of a goddess. With Athene, Athene?
JSM – Yes
Z – With Athene supporting and bankrolling and magicing together the entire thing.
(6) DON’T BLAME WEIR. The Wrap reveals “More Hollywood Whitewashing: CBS Pilot Casts 2 White Actors in Lead Roles Written for Minorities”.
Andy Weir’s sci-fi drama “Mission Control” was written with a bilingual Latina and African-American man — now played by Poppy Montgomery and David Giuntoli…
According to an individual familiar with the project, producers initially did reach out to and offer the roles to non-white actors, but they passed. The production ultimately moved on as the script evolved, leading to the casting of Montgomery and Giuntoli. Montgomery’s character will no longer speak Spanish in the final version of the pilot.
The pilot, which the individual described as an “ensemble drama,” does feature nonwhite actors in other roles, including “Desperate Housewives” alum Ricardo Chavira as the director of the Johnson Space Center and Nigerian-born actress Wunmi Mosaku as Rayna, the mission’s public affairs officer….
(7) A NUMBER OF BUGS. Find the answer to “What Kind of Bug Eats Books” here. There are five main types, a number that suits the Scroll perfectly.
Bugs that eat books aren’t injurious to humans, but they can destroy your library. Book-eating insects inhabit books in their larval stage, eating collagen glues, cotton, leather, linen and paper. These insects can be difficult to spot because of their small sizes and hiding instincts. Use a magnifying glass to inspect volumes for intruders. There are five types of bugs that commonly infest books.
(8) SOMETIMES IT CAUSES ME TO TINGLE. Future Nobel laureate for literature Dr. Chuck Tingle weighs in on Castalia House’s latest antics at The Rabid Puppies.
in recent days man name of JOM SCALZI put out a big time book name of THE COLLAPSING EMPIRE. bad dogs blues said they could copy it and do better, so to keep bad dogs blues honest this is now website to show current sales rank between BAD DOGS BLUES fake book and JOM SCALZI real book. this is good way to determine wether or not being a devil is a WINNING WAY. please enjoy.
JOM RANK #235
BAD DOGS BLUES RANK #1671
(9) MAKING PROGRESS. Christine Valada gave this update about Len Wein’s health:
Len is doing better but still not on social media. It’s boring when he’s not actually working and he’s at war with the restrictions on his diet. What a surprise, right? The amputated toe is considered healed (yay), but the doctor needs to do some clean-up work on his second toe which had been delayed because of the neck surgery. He’s a captive patient in rehab, so that will get done on Monday evening.
(10) SAD TRIVIA. Today’s Livestream of the Debbie Reynolds/Carrie Fisher public memorial had over 63,000 views. Right now, the link is just showing a short slide-show of the pair at various ages.
Their celebration of life was in the same auditorium that Sammy Davis, Jr.’s was held.
Earlier Mr Fisher said the public was invited to the memorial “because that’s how my mother would want it”.
He added that she was “very connected to her fans and felt they were a part of her”.
James Blunt was friends with Carrie Fisher and recorded part of his debut album in her bathroom. His tribute song will be accompanied by a montage of photographs of the pair.
Todd Fisher called it a “beautiful song to Carrie”, adding that “it might rip your heart out”.
(11) NO CGI FOR FISHER. Gene Maddaus of Variety, in “Bob Iger Reveals ‘Star Wars’ Han Solo Spinoff Details, Talks Plans After ‘Episode IX’”, reports on a talk that the Disney CEO gave at USC. Iger says that Carrie Fisher’s performance in Episode 8 is complete and does not have to be digitally enhanced and the forthcoming moving about young Han Solo will reveal how Chewbacca got his name.
At the conference, where he also confirmed that he’s “definitely” leaving in 2019, he said he has seen Episode 8, “The Last Jedi,” and addressed how the company is handling the death of Carrie Fisher, who appears extensively in the film.
“We are not changing ‘8’ to deal with her passing. Her performance remains as it was in ‘8,’” he said. “In ‘Rogue One’, we created digitally a few characters… We’re not doing that with Carrie.”
…Iger was otherwise tight-lipped about Episode 8, saying that he sometimes reviews dailies “in my laptop in bed under the covers” to keep the project secret from his own teenage boys.
(12) TODAY’S DAY
TOLKIEN READING DAY
The Tolkien Society started Tolkien Reading Day in 2003 after a journalist from New York enquired as to whether or not there was such an event. March 25 was selected because that is the date of the Downfall of Sauron.
(13) TODAY IN HISTORY
(14) BY THE LITRE. “Discovery enables ‘mass produced blood’” – the BBC has the story. Chip Hitchcock says, “The kicker is that it’s so expensive it’s only useful for types so rare that they’re in very short supply — e.g. Heinlein’s AB-.”
(15) HOT PILOT. You can listen to the recording of Harrison Ford excusing his Han Solo moment at this link: “’I’m the schmuck that landed on the taxiway’”.
A recording has emerged of Harrison Ford explaining to air traffic control why he flew directly over a waiting passenger jet and landed on a taxiway at John Wayne Airport in southern California in February.
(16) CURRENT READING. Rosemary Benton visits a newsstand 55 years ago at Galactic Journey — “[March 25,1962] A Double Hit (A.Bertram Chandler’s The Rim of Space and John Brunner’s Secret Agent of Terra)”.
I turned to Brunner’s Secret Agent of Terra. I couldn’t help but feel as if I was reading a novella that pitted the characters of H. Beam Piper’s Paratime series against the American agents of The Time Traders. In almost exact contrast to the universe of Chandler’s piece, Brunner’s protagonists are agents of the Corps Galactica – a economic and security force powerhouse for Earth’s galaxy-wide territories. When a remote and technologically backward world called Planet 14 is penetrated by off-worlders looking to take advantage of the natural resources of the isolated human society, it is up to agents of the Corps to infiltrate the population without notice and take down the exploitative evil doers.
(17) FREE DELANY. You do not need to be a member of Facebook to read this unpublished novel excerpt by Samuel R. Delany:
Here’s the coda to a not yet published novel, whose manuscript ran more than 700 pages in 2006: Shoat Rumblin: His Sensations and Ideas.
(18) FURTHER DELIBERATIONS. Here are the newest reviews from the Shadow Clarke jury.
Tidhar’s novel is both subtle and quotidian, bolshie and wildly inventive. In common with some of its characters, it is a cyborg patchwork; a novel about a bold future that has its feet firmly planted in the past.
The book started life as a series of short stories, reworked and ordered here within a narrative frame to form a novel. It’s complex and wily, structured around three points in time: a present, a future and a far future. The author introduces themselves quietly in a first-person Prologue, a writer sitting down in a shebeen in Tel-Aviv – perhaps in our present, perhaps not – to tell a science fiction story. They sip cheap beer while the rain falls outside and put pen to paper: ‘Once the world was young,’ they begin, ‘The Exodus ships had only begun to leave the solar system then…’ (2) Our writer in the present addresses us as if were a knowing audience in a far distant future, ‘sojourners’ amongst the stars who tell ‘old stories across the aeons.’ These stories – of ‘our’ past but the author’s fictional future – make up the meat and substance of the book that follows. It sounds like rather a baroque set-up and it’s barely gestured at but it is thematically fundamental. Central Station is a book about how the future remembers, about the future’s past. It’s a historical novel as much as a science fiction novel.
Good Morning, Midnight is a bit of a shortlist risk, as shadow jury conversations have proved. Ranging in complaints about too much lyrical sciencing to complaints about too much overt preciousness, overall, the general jury criticism toward the book has been along the lines of “too much too much.” And yet, the novel has been blurbed as a blend of Station Eleven and Kim Stanley Robinson– two supreme yet entirely different approaches to SF, flawed in their own “too much” ways (the first, a well-written, but literary carpet bagging of superficial SF tropes, the other, an over-lingering on most things, including the sublimation of ice). With comparisons like these, Good Morning, Midnight might be just the kind of “too much too much” I, and other Clarke readers, would relish. Besides, it has stars on the cover, a spaceship in the story, and is free of the usual, predictable pew-pew hijinks that tends to come with spaceship stories, so, for those reasons, it seems like something worth discussing within the context of possible Clarke contenders.
If the blurring of the ‘human/animal’ distinction gives Geen’s book its substance, the thriller plot gives it its shape—and here the novel comes a little unstuck. With two plot strands unfolding over the length of the novel, the reader is geared up to expect two conclusions: first, the revelation of whatever it was that caused Kit to flee ShenCorp; and second, the final reckoning. ‘Uncanny Shift’ builds the intrigue, as Kit is invited (not compelled, no, not at all) to work on the development of a new income stream: consciousness tourism. She’s not sure about the ethics of this, as she tells one character:
When discussing Steph Swainston’s fiction within the context of the Clarke Award, it is never long before the question arises: but is it even science fiction? I have heard it said that Swainston’s debut, The Year of Our War, should not have been eligible for the Clarke Award by reason of it being a work of fantasy rather than SF. No doubt similar objections were voiced in respect of the volumes that followed. The old dragons versus spaceships dichotomy, in other words, complicated only by the fact that there are no dragons in Swainston’s Fourlands novels, and there is a strong argument to be made that the multi-generational, FTL space craft so beloved of much heartland science fiction is as much a fantasy as any mythical leviathan and possibly more so.
(19) POWER GRAB. Prosthetic limbs with built-in power cells could be self-charging.
A synthetic skin for prosthetics limbs that can generate its own energy from solar power has been developed by engineers from Glasgow University.
Researchers had already created an ‘electronic skin’ for prosthetic hands made with new super-material graphene.
The new skin was much more sensitive to touch but needed a power source to operate its sensors.
Previously this required a battery but the latest breakthrough has integrated photo-voltaic cells in to the skin.
(20) IN THE END, GOODNESS PREVAILS. NPR says Power Rangers is fun in the end: “In The Agreeably Schlocky ‘Power Rangers,’ ‘Transformers’ Meets ‘The Breakfast Club’”.
Power Rangers cost a little over $100 million to make and looks about half as expensive, unless catering services were provided by Eric Ripert. The five Power Rangers are appealing but bland, as if skimmed from a CW casting call, and Israelite stages the action sequences in a chaotic mass of swish-pans and rapid-fire edits, perhaps to hide the daytime special effects. And yet the film grows steadily more disarming as it approaches the grand finale, in part because it believes so earnestly in the unity necessary for good to defeat evil and in part because everyone appears to be having a ball.
[Thanks to Cat Eldridge, Martin Morse Wooster, David K.M. Klaus, Mark-kitteh, Andrew Porter, Chip Hitchcock, Matthew Johnson, John King Tarpinian, and Standback for some of these stories. Title credit goes to File 770 contributing editor of the day Meredith.]
Carl Slaughter suggests these three videos as an introduction to the Marvel Cinematic Universe and its array of superhero movies.
MCU TIMELINE. From The Geekritique Show.
So you want to watch the entirety of the MCU, but aren’t sure where to begin? Have no fear. That’s what we’re here to share with you today.
BUILDING A UNIVERSE: HISTORY OF THE MARVEL CINEMATIC UNIVERSE. From QuickLongandLonger.
This is a brief history of the MCU.
THE MARVEL CINEMATIC UNIVERE: DUALITY IN STORYTELLING
(1) ALL WISDOM, Last October, The New Yorker’s Sheelah Kolhatkar interviewed Talmon Marco, CEO of Juno, a ride-hailing app that is trying to take business from Uber and Lyft by offering its drivers more pay and stock options.
When I asked Marco why he was so sure that Juno would still be around, he said, half jokingly, that he had acquired all the wisdom he needed by reading The Hitchhiker’s Guide to the Galaxy by Douglas Adams. “Oh, my God,” he said. “It’s the Bible. Everything is there.”
…I asked Marco to share what he had learned from the book, and he hesitated. “Now you’re really putting me on the spot,” he said. After thinking for a few seconds, he went on, “It claims the math never works in a restaurant, which explains why the bill never adds up.” He wasn’t sure if that was still true, because, he said, he stopped looking at restaurant checks a long time ago — preemptively handing your credit card to the server saves the five minutes it takes to get the bill, look at it, and send it back with the payment.
“It was a very popular book, especially when I was growing up, among geeks in the eighties and nineties,” Marco went on. “You have to ask the founders of Snapchat.”
(2) A BOOK OF HER OWN. In the Washington Post, David Betancourt interviews Gabby Rivera, whose “Latina, queer, superpowered and superpopular character” America Chavez has made appearances in the Marvel books Young Avengers and The Ultimates and has now appeared in her own comic book from Marvel, America.
“Superhero comics seemed so out of my league that I never even imagined it as something I could do. But the second the opportunity came my way, it felt so right,” Rivera told The Washington Post’s Comic Riffs. “I’ve always dreamt up wild, powerful and carefree superheroes that look like me and my family: thick, brown, goofy, beautiful. And now I get to see them come to life. ‘America’ is going to be all those things and it’s [going to] be wild.”
Before beginning to write “America,” the new solo series (illustrated by Joe Quinones) that debuted in print and digitally last week, Rivera dived into stacks of comic books featuring the superstrong heroine who can fly and punch star-shaped dimension-hopping holes into the air. Rivera called it her “crash course” on all things America.
(3) PODCASTING TIME LORD. Scott Edelman writes, “I was very pleased to have gotten live on the second weekend of March 2017 an episode of Eating the Fantastic recorded the second weekend of March 1995! How? You’ll see.”
Episode 31 is a 1995 World Horror Con Flashback:
So prepare to time travel back to a 1995 mall food court lunch as I talk about my first job at Marvel Comics, how I broke into writing for Tales from the Darkside, and the beginnings of Science Fiction Age magazine, while Adam-Troy Castro reveals how he created the first story in the first issue of that magazine, as well as how a cab ride he feared he wouldn’t survive turned into one of his most memorable works of fiction.
(4) AS THE TWIG IS BENT. Crooked Timber is running one of their seminars on Ada Palmer’s “Terra Ignota” books — Too Like the Lightning, and the just-released Seven Surrenders. So far they have posted –
Ada Palmer’s new book – Seven Surrenders – is out today. So too is our seminar….
Almost all science fiction, as J.G. Ballard remarked in the introduction to Vermilion Sands, is really about the present day. This is certainly less true today than it was in 1971, but it is still often the case that the relationship between our present and the future world that is depicted – or between the present of the imagined world and that future’s past, when anyone inside the story decides to look back – is oddly straightforward and uninteresting. This is certainly not something that can be said of Ada Palmer’s Terra Ignota books.
In the genres of science fiction and fantasy, when a book is written in an unusual mode, it’s usually either a gimmick or window-dressing. Window-dressing is when for instance a Victorian feeling book has a faux Victorian style as part of that feel. An example of this would be Heinlein’s The Moon is a Harsh Mistress, where Heinlein doesn’t have to tell us that the English spoken on the moon is heavily influenced by Australian and Russian, he gives us a first person narrative devoid of articles and peppered with Russian borrowings and Australian slang. It’s great, but really it’s just scenery, everything else would be the same if he’d chosen to write the book in third with just the dialogue like that. It’s quite unusual to read something where the mode is absolutely integral to what the book is doing. In Womack’s Random Acts of Senseless Violence, the decaying grammar and vocabulary of the first person narrator, Lola, mirrors the disintegration of society around her, and we the reader slowly move from a near future with a near normal text to a complete understanding of sentences that would have been incomprehensible on page one, in a world that has also changed that much.
Too Like the Lightning and Seven Surrenders tell the story of beautiful, brilliant, compassionate people who are also terribly vulnerable. They are Eloi who have convinced themselves Morlocks do not exist; they are victim-beneficiaries of two hundred years of willful ignorance of growing rot. Like the dragon Smaug, they’ve rested on their hoard for centuries, adding layer after layer to their invulnerable bejeweled armor—but they cannot see the armor’s chink, the soft space waiting for Bard the Bowman’s arrow.
The arrow is shaped like God.
(5) AMERICAN GODS. The creators of the American Gods TV series told attendees at a SXSW panel the show has new meaning in “a climate that vilifies immigrants”.
When Neil Gaiman’s American Gods comes to television next month, it’s going to look a little different than fans of the book remember — and its creators hope they’ll take away a subtle political message alongside the myths and magic.
“Our first task of adapting is to make the show that we wanted to see as an audience member,” said Bryan Fuller, one of the showrunners. But “it’s definitely a different show than we set out to make, because the political climate in America shat its pants,” he said. “We are now telling massive immigration stories in a climate that vilifies immigrants. And so we have a strange new platform to start a different kind of conversation.” Fellow showrunner Michael Green agreed. “The book is joyful, it celebrates a lot of things that we love about America, and have since become weirdly odd about America,” he said.
Neil Gaiman echoed the sentiment on Twitter after the panel. “I don’t think we preach,” he told a fan. “And we didn’t think we were making a politically relevant show, just adapting a book about immigrants and America.”
(6) POLITICAL ACTION FIGURES. You may or may not ordinarily be interested in a review and photos of Pinhead Hellraiser III 1/6th action figure by ThreeZero, but Cat Eldridge predicts many readers will be entertained by the political statement at the very end of the review…
(7) NAFF. The National Australian Fan Fund, to send one Australian fan to the Natcon, has opened voting. The winner will attend Continuum 13 in Melbourne, June 9–13.
There are four candidates from three states:
More details available here. Voting ends April 16.
(8) AT THE BACK OF THE PACK. Rolling Stone has ranked all the cast members from Saturday Night Live since the beginning of the show in the 1970s. Although he went on to have a hugely successful acting career in the Sherlock Holmes and Iron Man movie franchises, this fellow came in last place —
- Robert Downey Jr.
Robert Downey Jr. is a comic genius. Making him unfunny stands as SNL’s most towering achievement in terms of sucking. How do you fuck up a sure thing like Downey? He’s funny in anything. I mean, dude was funny in Weird Science. He was funny in Johnny Be Good. He was funny in Iron Man. But he met his Kryptonite, and it was SNL, where he spent the 1985-1986 season sucking up a storm. His greatest hit? A fart-noise debate with Anthony Michael Hall. In a perverse way, the Downey Fail sums up everything that makes SNL great. There are no sure things. No rules. No do-overs. No safety net — when you flop on SNL, you flop big. And that’s the way it should be. The cameras roll at 11:30, ready or not. Live from New York — it’s Saturday Night.
(9) COSTUMING HISTORY. A video compilation of Kat Bushman’s convention masquerade entries from 1967-2000.
(10) LONG-LASTING HORROR. On Fivebooks, Darryl Jones, who teaches at Trinity College in Dublin, is asked to recommend the best horror stories. He turns to 1897 and reminds us why The Island of Dr. Moreau and The Great God Pan are still worth reading.
Can you give some examples?
One of the best places to look for examples is late-Victorian England. Think of 1897, the year of the Diamond Jubilee of Queen Victoria, which marks the zenith of the British Empire.
1897 also saw the publication of a number of landmark works which were very anxious about the status and lasting power of the British Empire. These works often envisage colonial or intergalactic Others coming to invade London, the imperial metropolis. London gets invaded, London gets destroyed.
(11) KEEP ON TINGLING. A reworking of a popular meme —
please enjoy this relatable chart that all in the BUCKAROO LIFESTYLE can understand. this is an important hilarious way thank you pic.twitter.com/zaLnaAJiiK
— Chuck Tingle (@ChuckTingle) March 11, 2017
[Thanks to Martin Morse Wooster, David K.M. Klaus, Standback, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]
(1) MONEY MANAGEMENT. Kristine Kathryn Rusch counsels authors in “Business Musings: Writer Finances Versus The Paycheck World”.
Here’s a piece of advice you don’t hear very often:
Pay off your house.
Seriously, my writer friends. If you get a lump sum of money, pay off your house.
Or your car.
Definitely pay off your credit cards, and take them out of your wallet. Use them only when you travel to a conference or plan to make a big purchase.
If the indie writers who made a lot of money in 2012-2014 had followed that advice, they’d still be writing and publishing. Sure, their incomes would still be down, along with their sales, but their careers would continue.
How do I know they didn’t do that? Because they’re gone. Mark Coker commented on it in his year-end blog. Writers in the comment section on this blog have mentioned that they’re leaving the business. The Kindle Boards discuss all the writers no one hears from any more.
And if you go to writer website after writer website, many of them for successful indies, you’ll see sites that haven’t been updated for a year or two, or you won’t find any site at all.
(2) COLLECTIBLES. The March WIRED has a photo essay called “Scene Stealers: Inside The Deeply Nerdy–And Insanely Expensive–World of Hollywood Prop Collectors.” (Online here.) This tells us that you don’t just want a phaser from the original Star Trek –you want a “hero phaser,” created by designer Wah Chang for close-ups, because only two were made. But if you want the Aries 1 Translunar Shuttle from 2001: A Space Odyssey, you’ve been outbid by the Academy of Motion Picture Arts and Sciences, who spent $344,000 on it for a museum the academy plans to open in 2018.
The 2006 Worldcon makes an appearance, because the hero blaster used by Rick Deckard in Blade Runner showed up there after most collectors thought this prop had been lost because no one had seen it for over two decades.
(3) READING THE TEA LEAVES. If you want to know “How China Became a Sci-Fi Powerhouse”, Foreign Policy Magazine’s Emily Feng will tell you – it’s the internet.
Chen Qiufan, a sci-fi writer who has won the Milky Way Award and Xingyun Award, China’s equivalent of the Hugo, remembers life before the web changed everything. “All we could do was write in paperback books and magazines. We sent out our stories on paper by mail,” Chen told Foreign Policy. Sending them out and waiting for a response and feedback took a long time — sometimes forever.” But the early 2000s saw an explosion of dedicated online sci-fi forums that allowed writers and fans to mingle virtually, swapping stories, publishing serialized works, and exchanging intense feedback. Social media sites like Baidu Tieba, the arts and literature-focused site Douban, and college messaging boards hosted the most active online communities.
Suddenly, anyone could be a writer; and writers could get instant, massive feedback on draft work. This development was particularly important for the heretofore much-ignored genre of sci-fi; a large portion of today’s most well known and decorated Chinese science fiction writers did not start inside the formal publishing and literary world.
… “In print publishing it was always difficult” for science fiction, said Michel Hock, director of the Liu Institute for Asia and Asian Studies at the University of Notre Dame and the author of a book on Chinese internet literature. “The state still owns most of the publishing houses, and state ideology is very ambivalent about literature that caters to mass taste.”
Hock noted that “the Communist Party represents the masses, but does not like the masses’ taste very much.”
(4) REGENERATIONS. At CBR.com, Charles Pau Hoffman asks, “Is Marvel Finally Embracing Legacy Characters with Generations?”
For decades, legacy heroes have been associated strongly with DC Comics rather than Marvel, and for understandable reasons. Apart from DC’s Trinity of Superman, Batman and Wonder Woman, most of its big name superheroes were reimagined into younger, more modern incarnations during the Silver Age. While DC’s creators eventually settled on the idea of the multiverse as the in-universe explanation for two radically-different Flashes or Green Lanterns, these stories helped to build an expectation among readers that as characters aged, they might be replaced.
The DC Universe is full of legacy heroes; there are now enough Green Lanterns to necessitate a whole Corps, nearly as many Flashes, and more Robins (and former Robins) than grains of sand on the beach. While the focus ebbs and flows between the iconic versions and their legacies, the idea of legacy heroes is so engrained in DC Comics that not even the New 52 could kill it.
While legacy heroes have traditionally been more associated with DC, in the past few years Marvel has leaned hard into the concept. Practically every major Marvel hero now has a legacy of one sort or another: Sam Wilson took up the mantle of Captain America, Jane Foster proved she was worthy of wielding Mjolnir, Miles Morales is swinging around New York with Peter Parker’s blessing, Kamala Khan has taken Ms. Marvel’s battle for justice to Jersey City, and even Nick Fury, Jr., is upping his spy game as an agent of S.H.I.E.L.D. And that’s not even getting to Kate Bishop, Sam Alexander, Amadeus Cho, Laura Kinney, Riri Williams, Viv, the Original 5 X-Men, and an unending list of Young Avengers, New X-Men and Spider-Women…
Last week, Marvel released an incredible new piece of art by Alex Ross, accompanied by four simple words: “GENERATIONS – coming Summer 2017.” It is not clear yet whether “Generations” will be a new prestige miniseries, event, or line-wide rebranding a la Marvel NOW, but the name and image highly suggest whatever “Generations” is, it will focus on the idea of legacy heroes in the Marvel Universe.
(5) COMICS ART. Elle Collins curates a gallery of Silver Age sci-fi comic book covers at Comics Alliance.
While the Golden Age established comics as a medium, the Silver Age was when comic book art really came into its own. And it’s worth noting that comics’ Silver Age corresponded with a wider cultural fascination with science fiction. The actual Space Race was in full swing, and everybody was thinking about rocket ships, alien monsters, and the wonders of science.
In comics, it was science fiction that gave comics artists the freedom to go big. Giant monsters, futuristic technology, and huge-scale threats to the entire Earth became commonplace. And of course everyone had their own ideas about what aliens might look like, from the typical little green men with antennae to yellow giants with segmented eyes and butterfly wings for ears.
In assembling this Silver Age sci-fi gallery, I looked for covers that had more science fiction elements to them than just giant monsters, because while there’s overlap, I think giant monsters deserve their own gallery. I also avoided superheroes, because while so many of their stories are science fiction by nature, we understand superheroes as a different genre. Plus this whole gallery could easily be filled up with Fantastic Four and Green Lantern covers, but that would be a different thing. Sci-fi heroes like Adam Strange and Captain Comet were allowed, on the other hand.
(6) NANCY WILLARD OBIT. Black Gate reports the passing of author Nancy Willard, June 26, 1936 – February 19, 2017.
Nancy Willard was the author of more than 70 books, including more than 40 books for children, such as the Anatole trilogy, Firebrat (1988), East of the Sun and West of the Moon: A Play (1989), and Pish, Posh Said Hieronymus Bosch (1991), illustrated by the Dillons. She won the Newbery Award in 1982 for her book of poetry, William Blake’s Inn, illustrated by Alice & Martin Provensen. It was the first book of poetry to win the Newbery.
Willard’s Things Invisible to See won the William L. Crawford – IAFA Fantasy Award for first fantasy book (1986).
The family obituary is here.
(7) TODAY’S BIRTHDAY HOBBIT
(8) PATRON OF THE ARTS. Ray Bradbury was on the Chamber Symphony Society of California’s board of directors, as this 1973 clipping reminds us.
(9) HELLO, CENTRAL? In “The Coming Amnesia”, Geoff Manaugh explores a prediction made by Alistair Reynolds that if the universe keeps expanding, galaxies wouldn’t be able to communicate with each other and any interstellar civilizations would be unable to contact any other ones.
As the universe expands over hundreds of billions of years, Reynolds explained, there will be a point, in the very far future, at which all galaxies will be so far apart that they will no longer be visible from one another.
Upon reaching that moment, it will no longer be possible to understand the universe’s history—or perhaps even that it had one—as all evidence of a broader cosmos outside of one’s own galaxy will have forever disappeared. Cosmology itself will be impossible.
In such a radically expanded future universe, Reynolds continued, some of the most basic insights offered by today’s astronomy will be unavailable. After all, he points out, “you can’t measure the redshift of galaxies if you can’t see galaxies. And if you can’t see galaxies, how do you even know that the universe is expanding? How would you ever determine that the universe had had an origin?”
There would be no reason to theorize that other galaxies had ever existed in the first place. The universe, in effect, will have disappeared over its own horizon, into a state of irreversible amnesia.
…It is worth asking here, however briefly and with multiple grains of salt, if something similar has perhaps already occurred in the universe we think we know today—if something has not already disappeared beyond the horizon of cosmic amnesia—making even our most well-structured, observation-based theories obsolete. For example, could even the widely accepted conclusion that there was a Big Bang be just an ironic side-effect of having lost some other form of cosmic evidence that long ago slipped eternally away from view?
Remember that these future astronomers will not know anything is missing. They will merrily forge ahead with their own complicated, internally convincing new theories and tests. It is not out of the question, then, to ask if we might be in a similarly ignorant situation.
(10) THE CAMPAIGN TRAIL. Dave Langford reports that in addition to their 2017 TAFF ballot platforms, all three candidates have since posted campaign material online. Click on each name for more: Sarah Gulde, Alissa McKersie, John Purcell.
(11) INTELLIGENT TALK. Kim Stanley Robinson and a non-genre author will be interviewed by Adam Roberts at Waterstones in London on April 3.
Waterstones Piccadilly is delighted to announce a very special event featuring three exceptional authors. Kim Stanley Robinson and Francis Spufford will be discussing their work with critic and author Adam Roberts.
Kim Stanley Robinson is widely regarded as one of the foremost living writers of science-fiction. Author of the bestselling Mars trilogy as well as numerous works of fiction and non-fiction, he has won many awards over the years, including multiple Hugo and Nebula prizes.
Francis Spufford teaches writing at Goldsmiths University and has written 5 highly-acclaimed works of non-fiction. His first fiction title, Golden Hill, was a Waterstones Book of the Month and won the 2016 Costa Prize for First Novel.
Adam Roberts has written an extensive collection of works in both the fiction and critical genres. Author of some wonderfully original science-fiction and parody titles, Adam teaches English literature and writing at Royal Holloway University.
(13) NOT BEEN BERRY BERRY GOOD. The 2017 Golden Raspberry Awards, a.k.a. The Razzies, highlighting the “cinematic sludge” of the past year, were announced today.
Hillary’s America: The Secret History of the Democratic Party
Dinesh D’Souza in Hillary’s America: The Secret History of the Democratic Party
The “Actress” Who Plays Hillary Clinton in Hillary’s America: The Secret History of the Democratic Party
WORST SUPPORTING ACTRESS
Kristen Wiig / Zoolander No. 2
WORST SUPPORTING ACTOR
Jesse Eisenberg / Batman v Superman: Dawn of Justice
WORST SCREEN COMBO
Ben Affleck & His BFF (Baddest Foe Forever) Henry Cavill / Batman v Superman: Dawn of Justice
Dinesh D’Souza & Bruce Schooley / Hillary’s America: The Secret History of the Democratic Party
WORST REMAKE, RIP-OFF or SEQUEL
Batman v Superman: Dawn of Justice
Batman v Superman: Dawn of Justice, Written by Chris Terrio and David S. Goyer
RAZZIE® REDEEMER AWARD
2014 Worst Supporting Actor nominee Mel Gibson, for his Oscar-nominated direction of Hacksaw Ridge
(14) HOW HARD IS YOUR SF? Futurism groks the fullness: “How Scientifically Accurate Is Your Favorite Sci-Fi Film?”
If you can look past the draconian dystopia of the world presented in the movie, you’ll find a lot of interesting scientific details “Minority Report” strived to get correct. Steven Spielberg consulted with computer engineers to come up with the now-iconic vision of the next gen computer systems. While our current touchscreen devices aren’t exactly what was depicted in the film, we are getting closer to gesture-based interfaces.
(15) INKSTAINED WRETCH. Jon Skovron, author of Hope and Red and Bane and Shadow, gives us an insight into how he writes, from first draft to the final book.
(16) THUG NOTES OF GENRE INTEREST. Selected by John King Tarpinian.
(17) SUMMER CAMP. Tor.com says “Shared Worlds is Now Open for Registration!” Shared Worlds is supported by co-director Jeff VanderMeer and Editor-in-Residence Ann VanderMeer.
Shared Worlds, a world-building summer camp for kids, is now open for registration. The program is open to rising 8th-12th graders, and will take place from July 16th-29th at Wofford College in Spartanburg, South Carolina. Registration will be open until April 1st so be sure to register soon!
The students work in small groups with an experienced “world-building coordinator” to design and build a world, spending a week building their worlds from the ground up: geography, population, religion and philosophy, legal systems—everything you’d need for a functional world. The second week is spent writing stories that can only occur in the worlds they’ve created. The program culminates in individual sessions between the students and the guest authors so the students get personalized feedback on their work. Finally, the students’ stories are published in the annual program anthology.
[Thanks to JJ, Dave Langford, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
By Carl Slaughter: Why we won’t be seeing these sequels.
By Carl Slaughter: Marvel actors have fun, sometimes in costume, sometimes in plainclothes, sometimes as their characters, sometimes as themselves, with Stan Lee joining the fun.
The Last Donut
Captain America and Ironman square off. Too tense for Scarlet Witch.
Stan Lee chooses between Captain America and Iron Man
In this Jimmy Kimmel-Benedict Cumberbatch comedy skit, Doctor Strange is hired to perform at a birthday party.
Avengers Family Feud
Chris Evans, Robert Downey, Scarlett Johansson, Mark Ruffalo, Chris Hemsworth, and Jeremy Renner play Avengers Family Feud with Jimmy Kimmel.
Ryan Reynolds / Hugh Jackman comedy interview
Thor takes break, but wants back in the game.
In this superhero comedy skit starring Chris Hemsworth and Mark Ruffalo, Thor travels to Australia for some me time, hammer in hand. He visits a local elementary school and his roommate’s office. He offers to help Tony Stark resolve the conflict with Steve Rogers. Stark does not reply. Then Thor discovers that Stark has invited Bruce Banner, who has no interest in the brewing civil war, to join his team. Thor feigns to not be offended. I give up, who’s the guy sitting down in the purple suit?
Hugh Jackman applied for the wrong job.
Armed with 3 years of experience at the Xavier School for Gifted Youngsters and a recommendation from Steven Spielberg, Hugh Jackman applies for a job at Harlem Village Academies.
Black Widow spoof
Saturday Night Live Black Widow spoof, starring Scarlett Johansson herself, who throws herself into the part. Captain America, Thor, Hulk, and Nick Fury join the fun.
[Note: A few of these have been posted here before.]
(1) TRACKING DOWN THE GOH. Craig Miller, who was just in Mumbai speaking at an animation event, is now en route to a Star Wars convention in Norway. As he explained to his Facebook readers:
[It’s] actually more of a “The Empire Strikes Back” convention — in Finse, Norway next weekend. Finse is where we shot the exteriors for the Hoth ice planet scenes. And I’ve been asked to be a Guest of Honor. (The other guest is Bjorn Jacobsen, who was head of Fox Norway and was Production Manager for Norway on ESB.)
I’m really looking forward to the trip. (Not the least for the planned “trip to the glacier via dogsled”.) Among the amazing parts of it is that Andreas Frølich, the event organizer, has gotten NSB, the Norwegian railway, involved as a sponsor. We’ll be traveling from Oslo to Finse on Friday via a special train car, fully decorated in “Star Wars” regalia. Bjorn and I will be the ‘guests of honor’ of the train trip as well, answering questions and such. NSB even has a page on their official website about it.
Den 17. februar kl 12.00 kan du være med på en galaktisk opplevelse på toget fra Oslo til Bergen. Da kan du reise i en egen vogn som er satt av til foredrag med Hollywoods Craig Miller, sentral i arbeid med PR rundt de tidlige Star Wars®-filmene. I tillegg blir det Starwars®-meny om bord for de som ønsker det og møter med kjente skikkelser fra Star Wars®-universet. Alt dette frem til Finse, eller Hoth® som det heter i den verdenskjente filmen spilt inn på nettopp Finse i 1979, med skuespillere som Harrison Ford og Carrie Fisher.
I couldn’t have said it better myself.
(2) PRATCHETT FANS PAY TRIBUTE. The Guardian reviews the Pratchett docudrama Back in Black:
A couple of minutes into Back in Black, there’s a shot of Terry Pratchett’s head, outlined in twinkling lights hovering over his own memorial service at the Barbican Centre in London. It looks like a satellite photograph of some new country. As Auden said of Edward Lear: “He became a land.” And here are its people.
One of the charms of this docudrama is that it largely eschews the usual talking heads in favour of Discworld fans. Even the famous faces that do appear – Neil Gaiman, Pratchett’s consigliere Rob Wilkins, the illustrator Paul Kidby – first entered Pratchett’s orbit as fans. Whether it was the life-changing offer he made to collaborate with the young Gaiman on Good Omens, or the blessing to Stephen Briggs’s attempts to map Ankh-Morpork, or simply Tipp-Exing over an old dedication in a secondhand copy of one of his books so he could “unsign” it for its new owner, Pratchett showered his fans with favours like a Highland clan chief. It’s a clan with its own code of honour: to “be a bit more Terry” is to be kinder, more tolerant.
(3) I’LL DIE WITH THIS HAMMER IN MY HAND. Carl Slaughter spotted another cool video: “So you thought only Thor could lift his hammer. OK, so only the blonde haired, horn headed Norse god can tote it around on a permanent basis. But at least 10 other comic book characters have wielded that legendary weapon. OK, so it was always under special, temporary circumstances, and sometimes through loopholes. But lift that mighty hammer they did.”
(4) AWESOME TASK. The creators tell NPR about “The Joy (And Fear) Of Making ‘Kindred’ Into A Graphic Novel”.
Not surprisingly, artists Damian Duffy and John Jennings felt especially daunted by the chance to adapt renowned speculative-fiction writer Octavia Butler’s beloved Kindred for a new graphic novel edition.
“It was like, this is awesome, we got this project, it’s, like, our dream project! Yayyy!,” Duffy said. But excitement quickly turned to panic. “I have to do what now?” he also said to himself.
“Octavia Butler is … one of the greatest American writers to live, period,” Jennings said. “She was literally a genius. The way that she would use metaphor and allegory and how she tackled some of the most horrific things about human existence through science fiction and fantasy? She was a master storyteller.” Butler, who died in 2006 at the age of 58, was the first science-fiction writer to receive a MacArthur “Genius” grant and the recipient of several Hugo and Nebula awards.
(5) IMPORTANT STORIES. Tony C. Smith, a Hugo winner for the Starship Sofa podcast, has opened a Kickstarter appeal to fund an anthology, Everyone: Worlds Without Walls. So far, contributors have pledged $2,197 of the $3,746 goal.
The District of Wonders is a world where we know that diversity makes us richer. It’s a world where there are no walls, no barriers, no guns, no hatred. The District of Wonders is a world that values equality, and seeks to recognize and welcome people of all backgrounds, religions, races, cultures, and expressions of humanity. It’s a world that values truth. Everyone has a story in the District of Wonders – and every story is important. Everyone is important.So what I’m asking now is that you join me in standing against injustice and discrimination in the way that the District of Wonders does best – by sharing stories.
If successful, this Kickstarter will fund an e-book anthology of stories that offer a greater representation of ALL the people of this beautiful rich world
The District of Wonders will draw upon its incredible network of authors and actively seek new voices to bring you a scintillating showcase of what it means to value everyone. With talent and tales from diverse nations, cultures, races, and experiences, this anthology will explore and celebrate how we are greater together – and, conversely, the need to tear down walls of ignorance, prejudice, and injustice.
(6) TODAY IN HISTORY
February 11, 2009 – “This was the first time Ray saw the plaster cast of what became the 8-foot-tall bronze Father Electrico,” recalls John King Tarpinian, who was there. “To the right is his caregiver, Santiago. The guy with the camera is John Sasser, who is still working on the documentary. You can barely see the artist, Christopher Slatoff. Chris is best known for his life-size religious statues.”
(7) LAST WEEK IN HISTORY A missed anniversary:
The Beatles didn’t appear live to sing “Hey Jude” and “Revolution.” They’d gotten disinterested in touring by 1968, so they made these new things called videos, and gave them to only one TV program in the United States. Not to The Ed Sullivan Show, which had helped launch Beatlemania and the British invasion four years before — but to the Smothers Brothers.
That same year, George Harrison of the Beatles showed up unannounced — not to sing, but to support Tom and Dick in their fight against the CBS censors. By then, the fights had become almost legendary. Tom confessed to Harrison that on American television, they didn’t always get the chance to say what they wanted to say, and Harrison advised, “Whether you can say it or not, keep trying to say it.”
(8) GOT THAT RIGHT. A picture worth a thousand words, from Goodreads.
— goodreads (@goodreads) April 3, 2016
(9) ILLINOIS FIGHTS BRAIN DRAIN. Not all legislators share your opinion that they have more pressing issues to work on — “Illinois lawmakers designate October ‘Zombie Preparedness Month’”.
Illinois lawmakers are encouraging the state to be undead-ready by passing a resolution declaring October to be “Zombie Preparedness Month.”
The state House voted Thursday to approve House Resolution 0030, which calls for October to be declared “Zombie Preparedness Month” as a bid to encourage the state’s residents to be prepared for more realistic natural disasters.
“If the citizens of Illinois are prepared for zombies, than they are prepared for any natural disaster; while a Zombie Apocalypse may never happen, the preparation for such an event is the same as for any natural disaster,” the resolution reads.
(10) OVERWROUGHT. The art is prime, but not nearly as purple as the prose.
— 9 V O L T (@9_volt88) February 10, 2017
— Gamers' Milk (@CranBoonitz) February 10, 2017
OneAngryGamer declares “SJWs Are Furious E3 2017 Is Open To Real Gamers”.
…Typically, some SJWs were not pleased that real gamers would be able to finally bypass the uninformed, fascists gatekeepers known as game journalists, and see and experience the games and technology for themselves. No longer would gamers have to rely on misinformation, sociopolitical commentary and identity politics pervading the coverage of E3….
Other SJWs found it to be a mistake, a blasphemous call for the hydra of consumerism to emerge from the far corners of the interwebs; a stake to the heart of game journalism’s oligarchy; a raping of the gated clique that once controlled the foyer of information that lactated from the bulbous PR udders dangling from the publishers’ visceral bloat that drips begrudgingly through the sphincter of the media and out through the curdled lips of their blogs….
[Thanks to Carl Slaughter, John King Tarpinian, JJ, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]
(1) GET IN ON THE ART. Many museums are offering free downloadable coloring books this week, February 6-10, as part of the #Color Our Collections event. There is quite a lot of fantastic imagery of interest to fans — indeed, one item literally is fan art.
From February 6-10, 2017, libraries, archives, and other cultural institutions around the world are sharing free coloring sheets and books based on materials in their collections. Users are invited to download and print the coloring sheets and share their filled-in images, using the hashtag #ColorOurCollections.
All content is sourced from the collections of participating institutions. With participants from around the globe, this campaign offers an opportunity to explore the vast and varied offerings of the library world, without geographical constraints. Last year’s campaign included over 210 institutions and featured coloring sheets based on children’s classics, natural histories, botanicals, anatomical atlases, university yearbooks, patents, and more.
Here is a list of participating institutions.
(2) THE ECHOING GREEN. Diana Pavlac Glyer’s Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings reviewed by Donald T. Williams at The Five Pilgrims.
Glyer’s detective work is not only intriguing; it is also often insightful. Her readers will gain useful perspectives on two things: many of the Inklings’ works that they already love, and the writing process itself, especially the role of collaboration and encouragement in it. Judged by their longevity and their output, the Inklings were surely the most successful writers’ group ever assembled. There are reasons why. Each chapter of Bandersnatch ends with a sidebar entitled “Doing What They Did.” People interested in starting their own writers’ groups, or those already involved in one who want to make it work better, will find a gold mine of practical wisdom there.
Best Online Only Audio Drama
Dr Who – Absent Friends Big Finish Productions
— Nicholas Briggs (@BriggsNicholas) January 30, 2017
(4) CLARKE CONVERSATION. The first in a series of interviews exploring themes of science fiction and STEM, sponsored by the Arthur C. Clarke Award, is online at Medium, a conversation between Anne Charnock and Ada Lovelace Day founder Suw Charman-Anderson.
[Charman-Anderson] …The first of my cherished books was Stranded at Staffna by Helen Solomon. Mrs Solomon was my English teacher and when I was nine she gave me a signed copy of her book:
I hope you enjoy reading this story about Morag MacDonald, Susan, and that you agree with me?—?that she was a real heroine. With love, Helen Solomon. December 1980.
Mrs Solomon was right?—?I did enjoy it and I did agree with her that Morag was amazing. It’s the first book I remember crying at the end of, not least because it’s based on the true story of Mary MacNiven, who rescued a horse from a shipwreck in 1940.
I was already an enthusiastic reader, but Mrs Solomon was the person who helped me understand that books didn’t just appear out of nowhere, that someone sat down and wrote them. It was around this time, I think, that I wrote my first complete story, about a girl who lost her sight when she was hit on the head, and who entered into a parallel world when she slept. It was a complete rip-off of Marianne Dreams by Catherine Storr, of course, but I structured it properly and even had character development! It was then that I started to think that I would become a writer when I grew up.
(5) AUTHORITY DIES, Professor Irwin Corey, the comedian, died February 6 at the age of 102.
It’s impossible to provide a short explanation of Corey’s surreal brand of comedy, which was most potent when delivered in his seemingly nonsensical stream of non sequiturs. But the breadth of his career hints at his creative genius: Who else could have appeared in the 1976 film Car Wash, two years after accepting a National Book Award on behalf of the reclusive Thomas Pynchon?
Billed as “the World’s Foremost Authority,” Corey’s guise as an absent-minded professor offered a way to poke fun at multisyllabic jargon and those who use it. When political or scientific authorities seemed to annex a chunk of language, there was Corey to claw it back — a very human antidote to our complicated modern times.
(6) TODAY IN HISTORY
(7) FAN WRITER, FANZINE, EDITOR: Rich Horton posted the final installment of his recommendations, — “Hugo Nomination Thoughts — Other Categories” — which included some very kind comments about Filers, such as the fan writing of Camestros Felapton and Greg Hullender’s Rocket Stack Rank.
But of course there are many wonderful fan writers out there. For years I have been nominating Abigail Nussbaum, especially for her blog Asking the Wrong Questions (http://wrongquestions.blogspot.com/), and I see no reason not to do so again this year. I will note in particular her review of Arrival, which captured beautifully the ways in which the movie falls short of the original story, but still acknowledges the movie’s strengths.
Another fan writer who has attracted my notice with some interesting posts is Camestros Felapton (https://camestrosfelapton.wordpress.com/). Some of the most interesting work there regarded (alas) the Puppy Kerfuffles, and I was quite amused by this Map of the Puppy Kerfuffle: https://camestrosfelapton.wordpress.com/the-puppy-kerfuffle-map/. But the blog is much more than Puppy commentary – indeed, it’s much more than SF commentary. In the more traditional fanwriting area, I can point to the most recent entry (as I write), a well-done review of Greg Egan’s Diaspora.
Another possibility is Greg Hullender at Rocket Stack Rank (http://www.rocketstackrank.com/). The site is run by Greg along with his partner Eric Wong, and both deserve a lot of credit – I mention Greg in particular because of article like his analysis of the effect of slate voting on the 2016 Hugos (http://www.rocketstackrank.com/2016/09/reanalysis-of-slate-voting-in-2016-hugo.html)
(8) THE REAL ESTATE. Curbed reports a bit of literary history is for sale — “A.A. Milne’s Real-Life ‘House at Pooh Corner’ Hits the Market”.
Christopher Robin Milne, the son of Winnie the Pooh creator A.A. Milne, grew up in this quaint brick manse in the English countryside. Christopher Robin inspired the young boy of the same name in Milne’s iconic children’s stories and, so too did the bucolic setting of the family home serve as the backdrop. Known as Cotchford Farm, and on the market for the first time in more than 40 years, the Grade II listed estate spans 9.5 acres of lawns, forest, and streams. The six-bedroom main house, the quintessential English country house if there ever was one, is listed for $3.22M. There’s more to the Milne house than just Pooh, as it was also later owned by Brian Jones of the Rolling Stones, who reportedly died on the property.
The best part of the news item might be that the author’s name is “Rob Bear.”
(8) HEAVENS TO MURGATROYD. Cartoon Brew has the story — “Warner Bros. Reboots Snagglepuss As A Gay Playwright Being Hunted By The U.S. Government”.,
The eight-page story will debut this March in the Suicide Squad/Banana Splits Annual #1, before turning into a regular DC series this fall. “I envision him like a tragic Tennessee Williams figure,” writer Marc Russell told HiLoBrow.com. “Huckleberry Hound is sort of a William Faulkner guy, they’re in New York in the 1950s, Marlon Brando shows up, Dorothy Parker, these socialites of New York from that era come and go.”
The sexual orientation was never affirmed in the Hanna-Barbera cartoons, but Russell, who has also done an updated take on The Flintstones for DC Comics, is making Snagglepuss’ sexuality a key part of the story, in which the pink mountain lion is dragged before the Communist-hunting House Un-American Activities Committee (HUAC). He’s accused of being a pinko, get it?
This is the first I’ve heard that Snagglepuss was pink. I watched those cartoons when I was really young — the station they were on was still broadcasting in black-and-white.
(9) THE CAT’S MEOW. Naomi Kritzer is releasing her collection Cat Pictures Please and Other Stories” in July 2017.
Table of Contents:
- “Cat Pictures Please” (Clarkesworld) (Hugo Award-winning story)
- “Ace of Spades” (not previously published)
- “The Golem” (Realms of Fantasy)
- “Wind” (Apex)
- “In The Witch’s Garden” (Realms of Fantasy)
- “What Happened at Blessing Creek” (Intergalactic Medicine Show)
- “Cleanout” (The Magazine of Fantasy and Science Fiction)
- “Artifice” (Analog Science Fiction and Fact)
- “Perfection” (not previously published)
- “The Good Son” (Jim Baen’s Universe)
- “Scrap Dragon” (The Magazine of Fantasy and Science Fiction)
- “Comrade Grandmother” (Strange Horizons)
- “Isabella’s Garden” (Realms of Fantasy)
- “Bits” (Clarkesworld)
- “Honest Man” (Realms of Fantasy)
- “The Wall” (Asimov’s Science Fiction)
- “So Much Cooking” (Clarkesworld)
(10) BACK TO WORK. The Hugo Nominees 2018 Wikia site has gone live. Not to early to list the 2017 works you love that might deserve an award next year.
(11) BIG BROTHER WAS WATCHING WHAT YOU WERE WATCHING. The FTC found that Vizio’s TVs were reporting moment-by-moment viewing, plus location info, back to a server.
TV maker Vizio has agreed to pay out $2.2m in order to settle allegations it unlawfully collected viewing data on its customers.
The US Federal Trade Commission said the company’s smart TV technology had captured data on what was being viewed on screen and transmitted it to the firm’s servers.
The data was sold to third parties, the FTC said.
Vizio has said the data sent could not be matched up to individuals.
It wrote: ” [The firm] never paired viewing data with personally identifiable information such as name or contact information, and the Commission did not allege or contend otherwise.
“Instead, as the complaint notes, the practices challenged by the government related only to the use of viewing data in the ‘aggregate’ to create summary reports measuring viewing audiences or behaviours.”
(12) HOLY PUNCHOUT. Netflix is bringing Marvel’s Iron Fist to television in 2017.
[Thanks to John Lorentz, Bruce D. Arthurs, Chip Hitchcock, Mark-kitteh, Gregory N. Hullender, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Lee.]
(1) THEY LOOK ALIKE, THEY CAW ALIKE. …You could lose your mind! In “A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave”, Black Gate’s John O’Neill comments on the remarkably similar cover art on two disparate novels published within a month of each other.
(2) SOMETIMES A CIGAR IS NOT A CIGAR. Maya Kaathryn Bonhoff deconstructs another cover trend at Book View Café: “There’s a Bimbo on the Cover Verse 4: Rocket Power”.
This is the fourth verse of the song “There’s a Bimbo on the Cover of the Book.” If you’re collecting the lyric and singing along, it’s sung to the tune of (TTTO) “She’ll Be Comin’ Around the Mountain When She Comes.”
There’s a rocket on the cover of the book.
There’s a rocket on the cover of the book.
It’s a phallic and a stout one, but my novel was without one.
There’s a rocket on the cover of my book.
In this case, the lyric really doesn’t do justice to the …er… attributes of the rocket in question, which is from the cover of BVC author Deborah Ross’ print novel Jaydium (under her Deborah Wheeler nom de plume).
As it happens, I’ve read Jaydium and, while there is a rocket involved briefly in the story (my recollection is that it is part of a flashback), the scene shown on the cover does not actually appear as such in the novel.
(3) SOCIAL MEDIA MOURNING. Ann Leckie shares some wisdom in her post “On Mourning”.
It gets weird, with public figures. These are people that might be very, very important to us, might have formed our childhoods, given us inspiration, been constant companions in one way or another, and yet we’ve never met them, and they never had any idea that we existed. It’s not the same as a close loved one dying. But it’s not nothing. And what do you do, when someone not exactly family dies, but you had some sort of relationship with them? Well, if you were in the same town you’d put on nice clothes and comb your hair and go to the funeral parlor and tell the family how sorry you were, how important the deceased was to you, maybe tell them about some time they really helped you out. And then you move aside for the next person, maybe talk with some folks, and go home. Maybe you send flowers, that will sit there in the funeral home and in the church as a conspicuously visible token of your tie to the deceased, or their family, or a particular member of that family.
We aren’t any of us going to Carrie Fisher’s wake. Her family doesn’t want to slog through thousands of cards or letters, and there’s no mortuary large enough to hold the flowers we might all send. But we can blog or tweet. And yes, it’s performative. Like all funeral customs and public mourning it’s performative. It’s meant to send a message. “I am a member of this community, and this person was important to us. This community recognizes their loss. This community wants the deceased’s family to know how important this person was to us, and how sorry we are to hear they’ve left us.” And maybe her family doesn’t see most of it, but they likely know it’s there. I suspect that, like “I’m sorry” at the funeral home, it helps.
(4) LIFE IMITATES ART. John King Tarpinian saw this cartoon and admitted, “I do this all the time. I have the CD set, the DVD set, and the Blu-ray set of Twilight Zone, yet I watch the marathon on the Syfy channel.”
(5) GROSS NEWS. Natalie Rohamed, in a piece called “Scarlett Johansson is the highest-grossing actor of 2016” on Forbes.com, says that Scarlett Johansson with $1.2 billion in film grosses this year edged out Chris Evans and Robert Downey Jr., each of which had $1.15 billion. All of the top ten actors starred in superhero movies.
Scarlett Johansson has had a good year at the box office. Between a top role as the Black Widow in blockbuster hit Captain America: Civil War, which grossed over $1.15 billion worldwide, plus an ensemble part in the much less commercial Hail, Caesar!, Johansson is 2016’s top-grossing actor, bringing in $1.2 billion at global ticketing booths.
Martin Morse Wooster, who sent the link, comments: “I once read a profile of Robert Downey Jr. in Esquire where I learned that if you really want to irritate the guy, asking him, ‘You’ve created two billion-dollar franchises in Sherlock Holmes and Iron Man. How does it feel?’ will do it.”
(6) THE ROBOTIC HORROR. BBC mix of blue-skying, looking-with-alarm, and data on “The rise of the robots?”
“Your bones will turn to sand. And upon that sand a new God will walk.” Dolores in the latest sci-fi TV blockbuster, Westworld.
It may not quite be that bad. But a wall won’t keep them out, a new work permit scheme won’t stop their freedom of movement.
The rise of the robots could be next year’s big story. Ever since the Luddites smashed their first loom, mechanisation has been putting people out of work. But the process is speeding up, accelerating all the time and the next wave could be crashing down, near you, soon.
(7) UPDATE: DEBBIE REYNOLDS OBIT. The mother of Carrie Fisher, Debbie Reynolds, passed away today.
BREAKING: Actress Debbie Reynolds, star of the 1952 classic 'Singin' in the Rain' and mother of Carrie Fisher, has died, son says.
— The Associated Press (@AP) December 29, 2016
Her death was reported shortly after the Scroll was posted with news that she had been hospitalized —
Debbie Reynolds, one of Hollywood’s biggest stars in the 1950s and 1960s, was taken to a Los Angeles hospital on Wednesday, one day after her daughter Carrie Fisher died, the Los Angeles Times reported.
Reynolds, 84, complained of breathing problems, an unidentified source told The Times.
This might fall within the sphere of science fiction news not only because of the Fisher connection, but because Reynolds’ signature film Singin’ in the Rain was regarded as science fiction by at least one authority. Patton Oswalt told the story to io9 —
And I love the part about what happens to human beings. Ray Bradbury pointed out that Star Wars is not science fiction, it’s an adventure story set in space. Singing in the Rain is a science fiction film, because you have the world as it is, then sound is introduced. What happens to people now that this new thing is there? That’s all science fiction is.
(8) TWO WASHINGTON POST TRIBUTES. Michael Cavna, in “As iconic Princess Leia, Carrie Fisher was a life force to be reckoned with”, looks at how Carrie Fisher “long had a love/hate role with the Princess Leia role,” and how her “joy and swagger” at the part was combined with a fear that if she screwed up she would be replaced by Jodie Foster or the many other women George Lucas rejected in favor of her.
When first casting his “Star Wars” films, creator-director Lucas seriously considered such other budding teenage talents as Jodie Foster and Terri Nunn. Yet Carrie Fisher, still barely an adult at the time, had a silly, fun-loving presence that melded well with future co-stars Mark Hamill and Harrison Ford during auditions. She also had a precocious sense of self — a quick mind and a feisty steeliness of spine. In short, Fisher reminded Lucas of his own younger sister.
Alexandra Petri, in “Carrie Fisher: So long, Princess, and thanks”, says that “Until Carrie Fisher, ‘princesses’ was a dirty word” and how “a lot of what I learned about how to be a person in the world came from Princess Leia.”
(9) SURVIVED BY. CinemaBlend reports “Carrie Fisher’s Dog Gary Has Already Found A New Home”.
Carrie Fisher’s adorable French Bulldog Gary could often be seen at his owner’s side during interviews and other events. So it’s no surprise that fans of the Star Wars star were concerned about Gary’s wellbeing in the aftermath of Fisher’s death. Rest assured, Gary has already secured a new home.
— Carrie Fisher's Dog (@Gary_TheDog) December 28, 2016
(10) TODAY IN HISTORY
(11) TODAY’S BIRTHDAY GIRL
(12) TODAY’S BIRTHDAY BOY
(13) THE SECOND IS NO. Thomas Vinciguerra confides to readers of the Columbia Journalism Review, “Want me to write for free? I’ve got two one-syllable words for you”.
An ostensibly professional journalist this spring told me he was on the prowl for freelance editors for his new investigative website. Intrigued, I eventually broached the question of payment.
He responded by rattling on about the great people who worked for him, how they came from all walks of life, that inevitably his site would grow, and that at some point he might possibly—no promises, I had to understand—be able to toss me a few coins.
After silently fuming for a few days, I politely told him that this was simply not viable. In retrospect, I should have responded with two one-syllable words.
The long-chronicled decline of print has gored many a writer and editor. It’s hardly a secret that magazines and newspapers are now leaning mercilessly on their dwindling staffs, unable to pay outsiders as much as they once did or take them on at all. Fair enough; as Hyman Roth stammered in The Godfather, Part II, “This is the business we’ve chosen.”
But there is something fundamentally obscene about expecting anyone to work gratis. And that applies even to us ink-stained wretches.
The fiction writer Harlan Ellison—a master of what our mutual friend (and science-fiction writer) David Gerrold calls “the literature of amazement”—once tore into the idea of giving away your words for nothing. “I get so angry about this because you’re undercut by all the amateurs,” he explodes. “It’s the amateurs who make it tough for the professionals.”
(14) DEITIES IN SF. Leah Schnelbach’s fine post for Tor.com – “19 SFF Stories That Take a Positive View of Religion” — rounds up an uncommon set of stories.
Of all the genres, science fiction and fantasy are the ones where humans can tackle their deepest societal problems and thought experiments. Because of this, it’s a natural place for people to explore ideas about religion, faith, and the meaning of life…
Religion can also be an emotional and contentious topic for people. For people who choose to leave a religious tradition, science and science fiction can become the home they didn’t find in a church or temple, and can also provide a way to critique the life they left. For others, the flexibility of the genre allows them to express their faith, or their questions about their faith, in deeper ways than any other medium would allow.
I thought it would be interesting to look at some examples of books and short stories that have tackled religious questions in respectful and positive ways. While these stories sometimes go to uncomfortable places, they each take faith seriously, and would be worthy additions to the TBR stacks of believers and non-believers alike…..
Lord of Light by Roger Zelazny
Roger Zelazny’s Lord of Light is set in the far future, where colonists from “vanished Urath,” or Earth, have set up shop on a planet full of understandably hostile indigenous people. In order to survive, they use their ships tech to mutate themselves and eventually to MacGyver a type of reincarnation by repeatedly transferring their souls into new bodies. They use this tech against the planet’s native population, setting themselves up as a pantheon of “Hindu” gods, and instituting an ironclad caste system. Obviously, they have to keep the tech out of the wrong hands in order to stay at the top of society… which is where Sam comes in. Originally named Mahasamatman, he prefers to go by just Sam, but before that he was Siddhartha. The Buddha. And now he’s decided to ally with the pantheon of the native people, reincarnate repeatedly, and generally go full trickster god to make sure everyone has access to technology, and end the tyranny of the caste system once and for all.
(15) BOX SCORE. John Scalzi draws back the curtain on “2016 Top 10 Whatever Posts + Social Media Stats”.
Time for my annual nerdery about the most visited posts here, and the state of my social media presence. Ready? Sure you are, that’s why you’re here! This and cat pictures.
First, here are the top ten posts on Whatever f0r 2016, ranked by visits. Posts with asterisks were originally posted in years other than 2016….
Atop the charts is “The Cinemax Theory of Racism”.
(16) CLOUDS OF WITNESS. History’s post “Human Computers: The Women of NASA” includes a group photo from 1953.
Graduating in 1953 with a degree in chemical engineering from University of California, Los Angeles, Janez Lawson had the grades, degree and intelligence to get any job she wanted. The problem? Her race and gender. She responded to a JPL job ad for “Computers Wanted” that specified “no degree necessary,” which she recognized as code for “women can apply.” While it would not be an engineering position, it would put her in a lab. Macie Roberts and Helen Ling were already working at JPL, actively recruiting young women to compute data and Lawson fit the bill. Lawson was the first African American to work in a technical position in the JPL lab. Taking advantage of the IBM computers at their disposal, and her supervisor’s encouragement to continue her education, Lawson was one of two people sent to a special IBM training school to learn how to operate and program the computers.
(17) REWARDING DIVERSITY. Slate says the British Academy of Film and Television Arts is adding a diversity requirement to its award rules. Note that this only applies to the BAFTAs for Outstanding British Film, and Outstanding Debut by a British Writer, Director, or Producer — “Starting in 2019, if Your Film Isn’t Diverse, It Won’t Be Eligible for a BAFTA Award”.
In an incredibly bold move, the British Academy of Film and Television Arts announced last week that, beginning in 2019, works that do not demonstrate inclusivity in their production practices will no longer be eligible for the Outstanding British Film or Outstanding Debut by a British Writer, Director, or Producer awards at the annual BAFTAs, often considered the U.K. equivalent of the Oscars.* Eligible projects must showcase this in two of the following ways, as the BBC reported: On-screen characters and themes, senior roles and crew, industry training and career progression, and audience access and appeal to underrepresented audiences. BAFTA will also remove the requirement that newly admitted voters be recommended by two existing members.
(18) EYES YES, CHICKEN FEET, NO. Another BBC story — “Why I want my home to watch me”.
As I step into the hallway in Simon Daykin’s New Forest home, his smartwatch goes into overdrive.
He is receiving messages from the house itself, warning him there is somebody inside it doesn’t recognise.
“As you come in, you’ve already been spotted by some of our tech,” he says.
“There are cameras in the burglar alarm sensors, and a facial recognition system in the house.
“If it’s someone it ‘knows’, it will tell me. If it’s someone it doesn’t know, it will tell me.”
He selects one of the CCTV images he has received and adds my name to it. That seems to satisfy the house – for now.
(19) TZ ON METV. Get a list of “8 books any fan of ‘The Twilight Zone’ should read” from MeTV.
3. Richard Matheson – ‘Nightmare At 20,000 Feet: Horror Stories By Richard Matheson’
In his introduction, Stephen King describes Matheson’s influence on the horror genre in the 1950s as “a bolt of pure ozone lightning.” The master also confesses that without Matheson, he “wouldn’t be around.” This modern collection largely draws from the 1950s, with some 1960s shorts thrown in as well, keeping it contemporary with Twilight Zone. Matheson was the mind behind other classic episodes like “Third from the Sun,” “Nick of Time,” “The Invaders,” “Night Call” and more.
John King Tarpinian says, “They left out Fancies and Goodnights by John Collier, which is the book that Ray Bradbury gave to Rod Serling as TZ was being formulated.”
(20) BEHIND THE IMAGINARY SCENES. ScienceFiction.com recommends — “Unleashing The Power: Check Out Video From ‘Science Of The MCU’ Event!’”
Recently, the Science and Entertainment Exchange, along with Marvel Studios and The Great Company put on a truly amazing event called the ‘The Science of the Marvel Cinematic Universe’ which highlighted how some of the more fantastic elements of the MCU could actually work. At the events, real scientists discussed how some of the pseudoscience and superpowers of the MCU could potentially work, and how close we are to accomplishing some of the scientific discoveries fictional characters in the MCU have made…
[Thanks to JJ, Andrew Porter, Martin Morse Wooster, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]