Tag Archives: Matthew David Surridge

Pixel Scroll 10/20/21 Roll Over Harkonnen And Tell Shai-Tchovsky The News

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(1) KRESS Q&A. DisCon III has posted an “Interview with Author Guest of Honor Nancy Kress” conducted by staff member Dr. Karen Purcell.

(2) FALLEN LEAVES AND HEROES. Brian Murphy shares ten spooky sword and sorcery stories for October:  “Ten Sword-and-Sorcery Tales For the Haunting Season” at Goodman Games.

…Here in New England, I find that as the leaves begin to turn and October shadows lengthen, so too do my thoughts drift from my natural sword-and-sorcery bent toward the nether regions of horror. Edgar Allan Poe and Stephen King, classic Hammer movies and bad slasher films, bring it on, all of it.

But I’m also reminded that I need not necessarily choose between the two. Sword-and-sorcery after all is bedfellows with horror. Though he loathed the term, Karl Edward Wagner described S&S as “a fascinating synthesis of horror, adventure, and imagination … the common motif is a universe in which magic works and an individual may kill according to his personal code.”…

(3) FIRST REFLECTIONS. Tom Shapira analyzes how the Holocaust was reflected in 1950s horror comics: “The Dead Come Back: Mid-Century Horror Comics & The Holocaust”.

We’ve come a long way since Art Spiegelman’s Maus. When the first collected edition published in 1986, it appeared to be a singular and wholly unimagined thing: a comic-book — garishly colored, childishly-plotted things that were mostly concerned with muscled men in tights — about the Holocaust. German philosopher Theodore Adorno once claimed that “To write poetry after Auschwitz is barbaric”…so how can one justify the writing and drawing of comic-books?!

Flash-forward to 2021 and it’s clear that Maus has long stopped being a singular event. There are many more comics about the Holocaust including two graphic adaptations of The Diary of Anne Frank (one of which recently got a movie treatment), A Family Secret, Yossel, The Boxer, Hidden, and even the superhero genre feeling confident enough to take on the subject with the likes of Magneto: Testament….

(4) HE-MAN AND SHE-RA. The Rogues in the House podcast has dedicated an entire episode to “Masters of the Universe”.

(5) START AT THE TOP. And work your way down. Mark Lawrence has finally received a satisfactory result from his recent battles with Kindle Direct Publishing.  The updated saga is here. “My attempts to get sense from KDP”.

… At this point, having aired the first version of this blog post, I get advice from self-publishing experts. Email Jeff Bezos they say. So I do.

I find his email address and email him, explaining that I understand the email will land with one of his team of assistants but that I would appreciate any help in the issue (which I then lay out).

Additionally, I remember that: hey, I’m actually published by Amazon – my Impossible Times trilogy is published by 47North (there’s a story or two in there to be told one day!), one of Amazon’s own publishing imprints. So, I also email one of the people involved in the production of those books, and she very kindly agrees to reach out to someone she knows at KDP.

A day later I get an email from the Executive KDP team! This was on October 7th. A phone call from America follows and I get to speak to a human. A charming and helpful American human called Jeremy. He tells me that both my email to Jeff Bezos and to 47North reached his desk and either one would have prompted the call. So, at least you don’t have to be published by Amazon and sell 100,000+ books for them before they’ll listen.

However – we still had another 13 exciting days to go!…

(6) SKEPTICAL RESPONSE. Following a Last Dangerous Visions progress report, J. Michael  Straczysnki fielded criticisms that the writer list (as so far revealed) lacks diverse representation. His explanations prompted further discussion in a thread Karen Osborne kicked off here.

(7) SET DECORATION. Gaiman’s co-author, the late Terry Pratchett, will be acknowledged again in the sequel: “Good Omens season 2: Neil Gaiman’s tribute to Terry Pratchett on set” – Metro News has the story.

…Terry’s scarf and hat also appeared in the first season of the show.

Several Good Omens fans shared how much they loved the dedication to Terry on set, with one writing: ‘It warms my heart to see Terry Pratchett still represented. I miss the wit and wisdom of his books.’

(8) GET YOUR KICKS. Publishers Weekly interviews the master of a comics industry financial model: “Crowdfunding a Publishing House: PW Talks with Spike Trotman”.

…Lots of prose and comics publishers have used crowdfunding to bring out new work, but few have been doing it as long or as well as C. Spike Trotman, publisher/CEO of Chicago-based independent comics publisher Iron Circus Comics. Trotman recently wrapped up her 30th Kickstarter campaign, The Woman in the Woods and Other North American Stories, a new volume of comics stories by indigenous creators which raised more than $330,000 (the goal was $20,000) in September, marking more than $2 million raised by Trotman through the platform since 2009. But beyond the quantitative success, Trotman has led the way in using crowdfunding as part of a scalable publishing business model that brings unique projects from diverse creators into the mainstream comics and trade book distribution system.

… “I have one foot in international distribution through old-fashioned methods and one foot in the world of Kickstarter,” she said. “I’m distributed by Consortium Book Sales and Distribution, a division of Ingram that specializes in the quirky small press lines.”

She explained that it is not a prevalent strategy for crowdfunders because book distributors generally expect presses to put out at least 10 books per year. “A lot of crowdfunders can’t manage 10 books for trade bookstores, and I understand because it’s really hard. What got me through the door, in addition to volume, was that I had made the step between exclusively self-distributing through conventions or a website, and a larger company like Ingram. I was already reaching out to comic stores and independent bookstores, emailing them PDFs of my books and my catalog, and giving them special discount codes if they ordered from me direct.”

By the time she approached Ingram, Trotman already had more than 40 retailers placing orders. “We couldn’t fulfill the wholesale orders of 40 or 45 stores and run the business, so it’s good they were able to work with us.”…

(9) END OF THE CYCLE. Hollywood Insider examines  “The Rise and Fall of Young Adult Dystopian Adaptation Franchises”.

The year is 2014, the Oscars release a selfie of the world’s biggest movie stars, Justin Bieber’s mugshot surfaces, Emma Watson speaks at the United Nations for gender equality, ‘The Fault in Our Stars’ popularizes the infinity sign; just about everything seems right in the world. As someone who lived and breathed the culture of 2014, everything in the world of pop-culture just seemed easy.

There is a bitter-sweet existence in knowing that decades have passed since the beginning of ‘Harry Potter’ with eight films from 2001-2011 earning 7.7 billion USD from the box office. Or the next successful franchise, ‘Twilight’ with five films from 2008-2012 earning 3.3 billion USD from the box office. Both YA franchises were the kick-start to a rapid incline of young adult dystopian films centered around political impact, connections, love, and loss. Ultimately the success of pop culture, income, and fan-bases from the ‘Harry Potter’ and ‘Twilight’ franchises became the reason as to why studios reached out to the most popular young adult novels in order to try and gain that same impact for more films. So much so that the number of franchises that were successful compared to the ones that failed before their sequel is rather devastating. At the same time, some films give off the apparent reason as to why they failed with lousy acting, even poorer attention to storyline adaptation, timing, and in cases simply didn’t work for audiences.

… With the success of the previous films mentioned, studios began to create anything they thought would be comparable or better than the previous successors. But, with the heavy amount of failures as opposed to the successes, the amount of YA dystopian fiction adaptations diminished into almost nothing. Nowadays, studios are choosing to create YA films targeting important meanings or values such as gay relationships, movements such as Black Lives Matter, or the realism of cyberbullying….

(10) MEDIA BIRTHDAY.

1967 – Fifty-four years ago on this evening, NBC first aired Star Trek’s “Doomsday Machine” which was scripted by Norman Spinrad. It was the sixth episode of the second season. The principal guest star was William Windom as Commodore Matt Decker. The episode is considered one of the finest of the series with the TV Guide ranking it the fourth best, and SciFiNow recently ranked it the tenth best episode of the original series. The special effects and much of the episode were digitally remastered fifteen years ago. And yes, it was nominated for a Hugo at Baycon, one of five Trek episodes so nominated that Con with the Harlan Ellison scripted  “The City on the Edge of Forever” being the winner. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. He came to hate that he played that character feeling he’d been typecast which he certainly had. Now tell me what’s your favorite film character that he played? (Died 1956)
  • Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen. ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “ A Study in Terror”. (Died 1982.)
  • Born October 20, 1916 — Anton Diffring, A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451 who the sixty-eighth anniversary of the novel we noted yesterday, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
  • Born October 20, 1923 — Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press publishing house which was created to created a bibliography of all fantasy books.  He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children.  He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. (Died 2021.)
  • Born October 20, 1934 — Michael Dunn. He’s best remembered  for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
  • Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia  says “ Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her please if you’ve read her! (Died 2017.)
  • Born October 20, 1958 — Lynn Flewelling, 63. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (As quoted in Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair. 
  • Born October 20, 1966 — Diana Rowland, 55. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon. 

(12) COMICS SECTION.

(13) BLACK PANTHER #200. Marvel’s Black Panther comics will reach its milestone 200th issue in January. To celebrate, Black Panther #3 will be an oversized issue with bonus stories celebrating the past and foreshadowing the future of the Black Panther and the world of Wakanda. (Click on gallery for larger images.)

Writer John Ridley will introduce a new hero who rises up to protect the people of Wakanda while T’Challa finds his life and role as Black Panther thrown into turmoil! Fans will be able to witness the beginning of this new hero’s journey before seeing him become a key player of Ridley’s run in future issues.

In addition, the main story in the 200th issue of BLACK PANTHER will see T’Challa face off against the X-Men! With assassins closing in and Wakanda’s faith in him shaken, T’Challa goes to visit Storm on the newly terraformed Mars. But this will not be a happy reunion as T’Challa has ulterior motives for his visit. And back home, Shuri discovers who is behind the attacks on Wakanda’s secret agents — a revelation that will change everything.

(14) SCHWAB Q&A. “V.E. Schwab’s New Graphic Novel Returns to her Villains Series”, and Publishers Weekly did an interview with her.

Publishers Weekly: The power you gave Charlotte is a truly horrifying one: When she looks at someone’s reflection, she can vividly foresee the moment of their death. How did you come up with that?

V.E. Schwab: It’s the very first power I ever created for the Villains universe. In the first iteration of Vicious, I had as my main character a man who arrives in this city and two warring groups of people try to recruit him, the Heroes and the Villains. They’re essentially gangs. This character had this ability to see deaths in reflective surfaces, and I loved that ability. The story didn’t work. I ended up just stopping for a minute to write the backstories for the gang leaders, and that’s where I got the Victor and Eli story which would go on to be the series. But I always was looking for someone to give this power to. The way that the powers work in this world is that they’re tied to near-death experiences. You can’t just give the power to anyone; you almost have to retroactively figure out the person from the power. So I had to figure out what circumstance puts Charlotte into the situation where she has a near-death experience that leads to this ability. 

(15) AT THE SCREENING. At Black Gate, Matthew David Surridge reviews an interesting-looking animated fantasy film called The Spine of Night:  “Fantasia 2021, Part XXXII: The Spine Of Night”

 …The feature film it was bundled with was the movie I’d been most eagerly looking forward to at Fantasia, and it did not disappoint. The Spine of Night, written and directed by the team of Morgan Galen King and Philip Gelatt, is billed as a feature-length animated sword-and-sorcery film for adults in the vein of the Heavy Metal movie. And it very much is that. It’s more serious than Heavy Metal in many ways, but the violence and cosmic scope is if anything even greater….

(16) SPACE CUISINE CHALLENGE. This is not your father’s space ice cream — or — chow, chow, chow — or — “NASA Announces Winners of Deep Space Food Challenge”. (The chosen teams are listed at the link.)

Variety, nutrition, and taste are some considerations when developing food for astronauts. For NASA’s Deep Space Food Challenge, students, chefs, small businesses, and others whipped up novel food technology designs to bring new solutions to the table.

NASA has selected 18 U.S. teams to receive a total of $450,000 for ideas that could feed astronauts on future missions. Each team will receive $25,000. Additionally, NASA and the Canadian Space Agency (CSA) jointly recognized 10 international submissions.

NASA Television, the NASA app, and the agency’s website will air a show on the Deep Space Food Challenge at 11 a.m. EST Nov. 9 with details about the competition, winning solutions, and what could be next for the teams.

Special guests during the show will include celebrity chef Martha Stewart and retired NASA astronaut Scott Kelly, who will announce the winners of two awards honoring international teams that demonstrated exceptional innovation. Other participants will include retired CSA astronaut Chris Hadfield and celebrity chef Lynn Crawford…

(17) LIKE THAT WHALE IN OREGON? “The often untold story of cleaning up dead kaiju finally coming to theaters next year” promises SoraNews24. I knew I’ll be holding my breath.

…And coming 4 February, 2022, a truly bold experiment in the genre is set to take place. Daikaiju No Atoshimatsu (lit. “The Great Monster’s Remains“, tentative English title: Kaiju Cleanup) marks the first time veteran film studios Shochiku and Toei have teamed up on a single feature. Perhaps the reason two companies were needed is that this movie boasts the largest monster in Japanese movie history.

However, it’s dead for pretty much the whole film….

That’s because Daikaiju No Atoshimatsu picks up where most tokusatsu films leave off. The evil kaiju collapses in defeat, the hero walks off into the sunset, and credits roll, but also those poor extras who have already been through so much, now have a gigantic rotting corpse to dispose of….

(18) VINTAGE VINELAND. A study published in Nature finds “In tree rings and radioactive carbon, signs of the Vikings in North America” reports NBC News.

… Previous studies have established there was such a cosmic ray event in the year 993 that for a few months caused greater than usual levels of radioactive carbon-14 in the carbon dioxide of the atmosphere.

Trees “breathe” carbon dioxide as they grow, and so the researchers used that radioactive carbon signature to determine which of the annual growth rings seen in cross-sections of the wood was from 993, Kuitems said.

They then used a microscope to count the later growth rings until the bark of the wood, which gave them the exact year the tree had stopped growing — in other words, when it had been felled by the Norse.

To their surprise, each of the three pieces of wood they tested was from a tree cut down in 1021, although they were from three different trees — two firs and probably one juniper….

(19) LOST AND FOUND. Cowboy Bebop’s “The Lost Session” teaser debuts online. The live-action remake arrives at Netflix November 19.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Squid Game Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, confuses the producer, who thinks the game is in the Shark Tales universe.  But why are the bad guys pretending to be PlayStation buttons?

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Dann, Cora Buhlert, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/17/16 Grandstand on Zanzibar

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(1) THAT’S WHO. Paul Cornell has a few paragraphs about Gallifrey One, the Doctor Who convention he attended in LA last weekend.

An edition of The Cornell Collective recorded there will be going live in a few days, but in the meantime, you can find me guesting on another podcast from the convention, Doctor Who: The Writers’ Room, where myself, Graeme Burk, Stephen Schapansky and regular host Kyle talk about the career of Robert Holmes.

I also appear in this edition of Doctor Who: The Fan Show, recorded on the convention floor, and providing a wonderful snapshot of everything that makes ‘gally’ special.

 

Conrunner Shaun Lyon, Fifth Doctor Peter Davison, Paul Cornell, Laura Sirikul (Nerd Reactor), Sarah Dollard, and Steven Schapansky (Radio Free Skaro), all appear.

(2) GWEN COOPER R.I.P. ScienceFiction.com says it’s over: “’Torchwood’: Eve Myles Lays Gwen Cooper To Rest”.

The actress took to Twitter to respond to fan inquiries regarding the nebulous status of ‘Torchwood’ which aired its last episode in 2011, after the show was picked up by Starz and relocated to the U.S.  Fans have held out hope that the show would revert back exclusively to the BBC, but Captain Jack, Gwen and whoever was still alive haven’t materialized on ‘Doctor Who’ or anywhere else.  It’s been five years and at least Myles has given up hope and said goodbye to Gwen.

(3) YOUR WRITE. Joseph Bentz has an outstanding post about writing – “Don’t Let Them Squash Your Creativity”.

Growing up, I always felt vaguely embarrassed about wanting to be a writer. I feared that if I said too much about it, I was simply opening myself up to mockery. It felt so pretentious to want to write a novel. Who was I?

So I hid it. I wrote my first novel almost secretly. When I would go off to write, I would be vague with family and friends about what I was doing, telling them simply that I had work to do. In college, I was so paranoid about my roommates reading over my shoulder that I developed a secret coded language in which I could write when others were around, which I then had to decode later.

Today I am still tempted to let my creativity be squashed, not so much by naysayers, but by other enemies such as procrastination, the pressures of life, fear of rejection, weariness.

Yet the words, the ideas, keep bubbling up. When the ideas come, I think, I have to write this. Why is no one else saying this? I find myself writing as fast as I can, letting the momentum carry me. In those great moments, the creativity blasts right through the doubts, tiredness, discouragement, and second-guessing. I write. I create.

(4) TOCK OF THE WALK. From UPI: “Harry Potter fan builds working GPS replica of Weasley clock”

Tbornottb used a gutted broken clock that he purchased from an antique store as the base and had a friend illustrate the new face of the clock, which featured locations such as on the way, home, work, holiday, forest and mortal peril.

He then used a Particle Photon that would communicate with an application known as “If This Then That” that would move the clock’s hand depending on each family members GPS location.

Each family member then set the parameters for what each geographical location would be represented by on the clock.

“Most of the rules are location-based (setting me to WORK if I enter my university library, HOME if I enter my dorm), but you can set other triggers too (set me to HOLIDAY if the forecast calls for snow, set me to MORTAL PERIL if the stock of the company I’ll be working for next year drops too low),” tbornottb wrote.

 

View post on imgur.com

(5) VR. Steven Spielberg tries The VOID and declares, “Woah, that was a great adventure!”

Steve Spielberg headed into The VOID’s unique brand of free-roaming, mixed-reality VR experience at TED 2016, and it seems he was pleasantly surprised.

“Woah, that was a great adventure!”, was Steven Spielberg’s exclamation after stepping out of the bespoke, made-for-TED mixed-reality, VR experience constructed by the team behind the VOID.

Spielberg, who recently co-founded the immersive production startup The Virtual Reality Company, stepped through the specially constructed, Raiders of the Lost Ark-style VR experience, which has players exploring ancient ruins, avoiding traps and snakes and, we understand, some clever heart-quickening physical stage manipulation to coincide with some worrying virtual events.

David Doering says, “The Void’s scenarios will come from the pen of master storyteller Tracy Hickman, our own hometown hero of fantasy fame.”

(6) MORE VR. The New York Times has its own VR story — “Virtual Reality Companies Look to Science Fiction for Their Next Play”. Ready Player One’s Ernest Cline gets more ink, and so does Neal Stephenson –

Magic Leap, based in Dania Beach, Fla., and which counts Google as one of its big investors, has gone even further than most companies by hiring three science fiction and fantasy writers on staff. Its most famous sci-fi recruit is Neal Stephenson, who depicted the virtual world of the Metaverse in his seminal 1992 novel “Snow Crash.”

In an interview, Mr. Stephenson — whose title is chief futurist — declined to say what he was working on at Magic Leap, describing it as one of several “content projects” underway at the company.

More broadly, Mr. Stephenson said science fiction books and movies are often useful within tech companies for rallying employees around a shared vision.

“My theory is that science fiction can actually have some value in that it gets everyone on the same page without the kind of expensive and tedious process of PowerPoint,” he said. But the influence of the genre within tech companies is “surprising and mysterious to me as well,” he added.

(7) A MIGHTY OATH. George R.R. Martin pledged to a Not A Blog commenter yesterday:

I am not writing anything until I deliver WINDS OF WINTER. Teleplays, screenplays, short stories, introductions, forewords, nothing.

And I’ve dropped all my editing projects but Wild Cards.

(8) CON OR BUST DONATION. Crystal Huff, Worldcon 75 Co-Chair, announced —

Worldcon 75 [the 2017 World Science Fiction Convention, to be held in Helsinki, Finland] has donated 25 memberships and hotel room nights to Con or Bust to help People of Color attend our convention. We appreciate any assistance in spreading the news to interested fans. More details can be found at the Con or Bust website, including their application process: http://con-or-bust.org/2016/02/con-or-bust-now-accepting-requests-for-assistance-9/

(9) CREATIVITY DOESN’T WORK LIKE THAT. Jim C. Hines has a good post “My Mental Illness is Not Your Inspirational Post-it Note”  that doesn’t lend itself to out-of-context excerpts… so just go read it anyway.

(10) LAUNCHING MADE SIMPLE. How To Go To Space (with XKCD!) was posted last November but I don’t recall linking to it, and in any event, these things are always news to somebody!

(11) MARK JUSTICE OBIT. Horror author and radio host Mark Justice (1959-2016) passed away February 10 from a heart attack. Brian Keene discussed his writing in a memorial post.

Mark’s books included Looking at the World with Broken Glass in My Eye and (with David Wilbanks) the Dead Earth series. He also ran one of the first — and best — horror fiction-centric podcasts, Pod of Horror [with Nancy Kalanta].

He was also a long-time morning show disc jockey in Ashland, Kentucky. He occasionally used that morning show to promote horror fiction, featuring friends and peers like Richard Laymon, Jack Ketchum, F. Paul Wilson, Joe R. Lansdale, J.F. Gonzalez, and myself. I’ve signed in Ashland numerous times throughout the last twenty years, and Mark was always happy to have me on the show anytime…

He was generous and genuine, and very, very funny. He knew this genre’s history like few others. He will be missed.

(12) HELP BY BUYING BUD’S BOOKS. ReAnimus Press has a plan to benefit the late Bud Webster’s wife, Mary:

To help Mary with the financial burden, I wanted to announce that ReAnimus Press will be donating our publisher’s share of sales from all sales of Bud’s book back to Mary, so sales of those titles will be entirely to help Mary. We’ve published the ebook editions of Bud’s ANTHOPOLOGY 101 (http://reanimus.com/store/?i=1256 ) and THE JOY OF BOOKING ( www.reanimus.com/1409 ). We have PAST MASTERS in process.

I would also note that, if you can, purchasing through those links is of almost 50% more benefit to Mary, since there’s no chunk being paid to Amazon. (FYI this is for the ebook editions only; another publisher, Merry Blacksmith, has the print editions.)

Also, anyone know who I can contact who’s handling the Marscon donations? I’d like to offer copies of the ebooks to donors to sweeten the pot, say, one ebook for a $25 donation, all three for $50, and all three plus any three other ebooks from the ReAnimus store for $100+. (Retroactive to anyone who’s already donated, so don’t wait to donate.)

(13) TODAY IN HISTORY

  • February 17, 1922 — Terrified audiences gaze upon FW Murnau’s Nosferatu for the very first time.

(14) TODAY’S BIRTHDAY GIRL

  • Born February 17, 1912 — Andre Norton

(15) THEY SWEAR THESE ARE GOOD IDEAS. In Comic Riffs at the Washington Post, Michael Cavna and David Betancourt attribute Deadpool’s huge success to its attracting both superhero fans and people who enjoy R-rated snark such as is found in Judd Apatow films. Then they say — “These are the ‘R-rated’ comics that Hollywood should put on the screen next”.

MICHAEL CAVNA: So you and I knew that “Deadpool” would do reasonably well, but these monster box-office numbers that practically rival “The Dark Knight’s” debut certainly speak to a thirst for R-rated comics adaptations that don’t feel like the same old tales of origin reboots and capes-vs.-urban apocalypses. So if you were a Hollywood executive, what’s the first “mature content” comic you’d now try to option and adapt?

DAVID BETANCOURT: The top two that come to my mind are American Vampire and Y: The Last Man. Last Man [which was adapted in 2011 in short form] has been in movie limbo for a while now, and I’m surprised someone hasn’t scooped up American Vampire. Fox has somewhat of a fun dilemma on their hands. “Deadpool” literally made twice what most folks were thinking it would for its opening weekend. So if you can spawn X-Force out of “Deadpool,” given Deadpool’s connection with Cable, do you continue the “R” momentum and make an X-Force movie rated R as well? If X-Force was in development [prior to “Deadpool’s” release], Fox must have been thinking PG-13 — just like the X-Men films. But now, seeing the success of “Deadpool,: maybe Fox executives have more than one R-rated franchise. They have to at least be thinking about it. And because of “Deadpool’s” success, if that character [now] appears in an X-film, does he [himself[ seem diluted if he’s in a PG-13 movie?

(16) HE WAS THERE. Matthew Surridge looks back on “The Great Hugo Wars of 2015”, and devotes many paragraphs to how he decided to decline his Hugo nomination.

Then the next night I opened my email to find a message from the Worldcon administrators congratulating me for being nominated for a Hugo. If I wouldn’t be at Worldcon, could I please select someone who’d be able to pick up the award for me if I won?

I emailed Black Gate editor John O’Neill, and asked him if he’d be in Spokane. He said he wouldn’t, and also mentioned that Black Gate had been nominated for a Fanzine Hugo. That meant I’d now heard of three Puppy picks who’d gotten nominations. I poked around some message boards and found speculation from various people plugged into the field guessing that the Puppies would do spectacularly well when the full list of nominees was made public. One (non-Puppy) editor said that he’d heard that the Puppies had three of the nominations for Best Novel—the most prestigious category. I began to wonder if I wanted to be nominated for an award that was being shaped by the Puppy tactics. If nothing else, what kind of backlash would this create?

Over the next few days I did more research on the Puppy program. Beyond politics, it was clear I didn’t share the Sad Puppy sense of what was good and bad in fiction. Beale only spoke about “the science fiction right,” but Torgersen was putting forward an aesthetic argument about the value of adventure writing over “message fiction.” I like good pulp fiction, but prefer experimental writing. More: it became clear to me that Torgersen and Beale knew that what they were doing was a slap in the face of the SF community—the people who attended events like Worldcon and administered the Hugos. As far as they were concerned, many of the existing institutions of science fiction fandom were not only dominated by liberals, but corrupt, and therefore had to be either reformed or burned down. The Puppies were looking for a fight.

Black Gate put up a link to the post as well, which led to an exchange of comments between Surridge and his former admirer, Wild Ape.

(17) GRAPHIC ARTS. Camestros Felapton in “SP4 Book Families” proves Hugo voters and Sad Puppies 4 recommenders are equally innocent. Or equally guilty. Never mind, look at the pretty graph.

Another stray observation from SP4 Best Novel data partly inspired by an odd claim at Mad Genius that ‘weak correlations’ in Hugo2015 nomination data was evidence of secret-slate/cabals/whatever (um, nope it is what you’d expect).

I looked at which books had nominators in common and how many nominators in common they had. I then tabulated those books with more than 2 in common and drew a pretty picture.

(18) NEBULA PREDICTION. Chaos Horizon looked at the SFWA Recommended Reading List data from 2011-2014.

3/4 times, the top vote getter from the Recommended List went on to win the Nebula. Schoen must be dancing right now for Barsk, which topped the 2015 list with 35 votes (Gannon did get 33, and Wilde 29, so Schoen shouldn’t start celebrating yet). The only exception to this rule was Kim Stanley Robinson in 2012. Maybe KSR, who had 11 prior Nebula nominations and 2 prior wins, was just so much better known to the voting audience than his fellow nominees, although that’s just speculation. That KSR win from the #4 spot does stand out as a real outlier to the other years.

The Top 6 recommended works got nominated 19/24 times, for a staggering 79.1% nomination rate. If you’re predicting the Nebulas, are you going to find any better correlation than this? Just pick the top 6, and bask in your 80% success rate.

(19) LEGO. This year Lego will release 25 Star Wars-themed sets. The “Assault on Hoth” set, coming May 1, has 2,144 pieces and costs $250.

the-assault-on-hoth-set-will-be-available-may-1

(20) MONOPOLY UPDATE. No paper money in Hasbro’s “Ultimate Banking” version of the Monopoly game – bank cards only, fortunes are tracked electronically, and that’s not all —

The latest version of Monopoly adds a new spin to the debate over who gets to be the banker. The decades-old board game, a Hasbro Inc. brand, is getting a modern upgrade this fall with an “Ultimate Banking” version that does away with the game’s iconic paper money in favor of bank cards.

Transactions, including purchasing property and paying rent, will be handled as they are in modern-day real life, with the tap of a card on the “ultimate banking unit.”

And for the real-estate mogul in the making, the bank cards also track wealth and property values, which can rise and fall. Rents for properties on the board also fluctuate, according to Jonathan Berkowitz, senior vice president of the gaming division of Hasbro

(21) OVER THE TRANSOM. Alan Baumler sent this in email – a bit long to use as a Scroll title, so I’ll quote it here:

In place of a pixel, you would have a scroll!

Not dark, but beautiful and terrible as the dawn!

Treacherous as the sea!

Stronger than the foundations of the earth!

All shall love me, and despair!

(22) KYLO REN’S TEEN ANGST. Mamalaz has a whole series of ridiculous “Modern Solo Adventures”.

[Thanks to John King Tarpinian, Andrew Porter, Martin Morse Wooster, Mark-kitteh, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 12/22 I Saw Mommy Reading Pixel Scroll

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(1) IN SFWA TIMES TO COME. Cat Rambo in “What I’m Hoping For SFWA in 2016” tells about the organization’s accomplishments and shortfalls in 2015, and what the future holds. Here’s an excerpt from each category —

SFWA’s 2015 Accomplishments

We hammered out membership criteria that didn’t just include writers publishing independently or with small presses but made us the first organization to consider crowdfunded projects as a publication path. That’s led to an influx of new members and fresh energy that’s been delightful to be part of….

Some Bad Stuff

The lack of a plan behind the 50th Anniversary Anthology finally sank that project when our CFO and I realized that the books would have to sell for 84.50 each in order to break even….

What I’m Looking Forward to in 2016

M.C.A. Hogarth has been a terrific Vice President, proactive and self-guided. One of her projects is a guidebook for SFWA members that explains everything: how to join the discussion forums, how to nominate for the Nebulas, how to participate in the Featured Book Program on the website, who to mail with directory issues, etc. That will appear in 2016 and I think it will be a bit of a revelation to us all….

Rambo ends with Henry Lien’s anthem “Radio SFWA,” which I must say I am a huge fan of, whatever it may do for anybody else…. (The lyrics appear when you click “show more” at the song’s YouTube page.)

(2) RULES ARE MEANT TO BE BROKEN. “Star Wars: The Force Awakens lands unprecedented award nomination” reports Polygon.

Star Wars: The Force Awakens has already shattered plenty of box office records, but the movie has also made history by reportedly earning an unprecedented nomination from the Broadcast Critics Association.

According to The Hollywood Reporter, the Association made the historic move to include the film as the eleventh contender for their Best Film award. The nomination list had come out eight days before The Force Awakens was released, effectively shutting the film out entirely. Usually, films must be submitted during a specific voting period and those that don’t meet the deadline aren’t considered at all.

(3) GOOD FOR A QUOTE. Academic Henry Jenkins, who appeared as a witness in The People Vs. George Lucas, explains “What We Talk About When We Talk about Star Wars” at Confessions of an Aca-Fan.

This blog post might be subtitled “The Pretentious Ass Strikes Back.” Here’s a story we tell in my family.

In 1977, Cynthia Ann Benson, an undergraduate at Georgia State University, has signed up for a class on film theory and criticism, with some nervousness about whether it will take the pleasure out of going to the movies. On the first day of class, the instructor — Jack Creech — is late, and a group of students are gathered outside the classroom. This guy — you know the one — another undergraduate student  is standing around making assertions about gender, race, and technology in the recently released Star Wars movie to anyone who will listen and to many who would probably rather not be listening. She goes off after class and writes a letter to her best friend describing “this pretentious ass pontificating about the social significance of Star Wars” as summing up everything that made her fearful of cinema studies.  It took me several years to overcome that unfortunate first impression and get her to go out on a date with me. We’ve now been married for almost 35 years.

So, it was some ironic glee that I accepted the invitation of the media relations folks at USC to be put on a list of experts who could talk to the media about Star Wars. I found myself doing some dozen or more interviews with reporters all over the world in the week leading up to the release of A Force Awakens, filling them in about the impact which the Star Wars franchise has had over the past few decades.

(4) HE’LL BE HERE ALL WEEK FOLKS. James H. Burns sent an email to ask: “Hey, Mike, do you know why I’ll be wearing a deerstalker cap on the 25th?”

The answer: “Because I’ll be Holmes, for Christmas.”

(5) I’M MELTING…MELTING….

(6) HIGH CASTLE TO CONTINUE. Amazon’s The Man In The High Castle has displaced Titus Welliver-starrer Bosch as its most-watched original according to The Hollywood Reporter.  The show’s pilot also has been streamed more times than any other pilot in Amazon history. The company announced a few days ago it has renewed the show for a second season.

(7) DID YOU PAY ATTENTION? Pit your wits against “Orbit’s Ultimate 2015 Science Fiction and Fantasy Quiz” at Playbuzz. Multiple choice questions, for example:

Fans visited the Discworld for the last time this year, with Terry Pratchett’s final book, The Shepherd’s Crown, released in August. If you were to visit Ankh Morpork, how would you recognise the city’s crest? It contains…

JJ says, “In my opinion, it’s way too heavy on media (Film, TV, comics) and Game of Thrones, but I’m sure a lot of Filers will do well on it.”

(8) BIG NAME ZOMBIE WRITERS. Jonathan Maberry and George Romero are joining forces to edit Rise of the Living Dead, an anthology of all-original stories set in the 48 hours surrounding Romero’s landmark film.

Rise of the Living Dead will be published by Griffin, and will include stories by Brad Thor, Brian Keene, Chuck Wendig, David Wellington, George Romero, Isaac Marion, Jay Bonansinga, Joe Lansdale, Joe McKinney, John Russo, Jonathan Maberry, Keith R.A. DeCandido, Mike Carey, Mira Grant (pen name of Seanan McGuire), Neal Shusterman & Brandon Shusterman, and Sandra Brown & Ryan Brown.

(9) LEWIS PART THREE. Matthew David Surridge unveiled “Wandering the Worlds of C.S. Lewis, Part III: Dymer” at Black Gate.

In 1922 C.S. Lewis recorded in his diary that he had “started a poem on ‘Dymer’ in rhyme royal.” His phrasing’s interesting: a work “on” Dymer, as though it were a well-known subject. “Dymer” was already a familiar story to him. He’d written it out in prose in 1917, one of his first mature prose works to use modern diction and avoid the archaisms of William Morris’ novels. Late in 1918 he wrote in a letter that he’d just completed a “short narrative, which is a verse version of our old friend Dymer, greatly reduced and altered to my new ideas. The main idea is that of development by self-destruction, both of individuals and species.” Nothing of this version seems to have survived in the 1922 poem, which was finished in 1925 and published in 1926 to mixed reviews.

(10) HERE COMES SANTA CLAUS. After viewing “Boston Dynamics’ Robo-Dogs Pulling a Sleigh is a Terrifying Glimpse of Christmas Future”, Will R. asked, “Do electric puppies dream of…wait…where was I?”

I love the possibility of a Christmas battle royal between the Robo-Dogs and the regiment of parading Krampuses – it would be the real life equivalent of that Doctor Who episode where the Daleks fought the Cybermen….

(11) PARTYARCHS. Because the MidAmeriCon II Exhibits team will be helping people throw parties in the Worldcon’s event space, rather than have them in hotel rooms, they are inviting people to an advance discussion —

Hi all you party throwers!

At MidAmeriCon II, we are going to have a different party setup and we have some questions to ask of you and answers to share with you.

Please subscribe to our party-discussion mailing list by sending an email to [email protected] with the subject line of SUBSCRIBE.

Even if you aren’t going to throw a party, we are interested in your insight and advice.

(12) BOND ON ICE. James H. Burns calls”Do You Know How Christmas Trees Are Grown?” from the sixth James Bond movie, On Her Majesty’s Secret Service, “Perhaps the most unusual song in a James Bond film.” Nina Van Pallandt is the singer.

The song played behind this action scene:

(13) RECOMMENDATION SITE. Ken Marable’s 2016 Hugo Recommendation Season is working its way through every category week at a time. It just wrapped up the Best Fanzine recommendations.

Previously covered – Best Semiprozine, Best Fan Writer, Best Professional Artist, and Best Editor (Short Form). See the schedule at the site for when others will be covered.

(14) BOIL’EM, BAKE ‘EM, STICK ‘EM IN A STEW. Peru’s Centro Internacional de la Papa will learn how to grow “Potatoes on Mars”.

A team of world-class scientists will grow potatoes under Martian conditions in a bid to save millions of lives.

The experiment, led by the International Potato Center (CIP) and NASA, is a major step towards building a controlled dome on Mars capable of farming the invaluable crop in order to demonstrate that potatoes can be grown in the most inhospitable environments.

The goal is to raise awareness of the incredible resilience of potatoes, and fund further research and farming in devastated areas across the globe where malnutrition and poverty are rife and climbing….

By using soils almost identical to those found on Mars, sourced from the Pampas de La Joya Desert in Peru, the teams will replicate Martian atmospheric conditions in a laboratory and grow potatoes. The increased levels of carbon dioxide will benefit the crop, whose yield is two to four times that of a regular grain crop under normal Earth conditions. The Martian atmosphere is near 95 per cent carbon dioxide.

(15) FISHER. “Han Jimbo” (James H. Burns) says this interview with Carrie Fisher from earlier in the month is just delightful.

(16) CINEMATIC COAL LUMP. ‘Tis the season to remember what is generally regarded among the worst movies ever made.

Santa Claus Conquers the Martians can be viewed free online. (As if you would pay to see it!)

(17) WAY OF THE HOBBIT. Ebook Friendly draws our attention to the “Following the Hobbit trail (infographic)”.

Quirk Books, an independent book publisher based in Philadelphia, has released a fantastic infographic that will let you study the timeline of Bilbo and Frodo Baggins.

The visual was prepared for Quirk Books by Michael Rogalski.

Following-the-Hobbit-trail-infographic

[Thanks to Andrew Porter, Will R., James H. Burns, John King Tarpinian, JJ, and Gregory N. Hullender for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]

Pixel Scroll 12/21 Rudolph the Scroll Nosed Reindeer

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(1) SHE WAS ON WHAT KIND OF TRIP? The Mirror knows we can’t resist looking: “Woman ‘photobombed by alien’ during selfie on passenger jet on business trip”.

A woman has posted a selfie taken on a plane in which she claims she was photobombed – by an alien.

Olesya Podkorytov from the city of Kurgan in south-central Russia’s Kurgan Oblast region said she took the picture during the flight on a whim but when she posted it on social media friends pointed out something strange a few seats behind.

(2) BEFORE THERE WERE FOREHEAD CLOTHS. Movie bracket maven Hampus Eckerman pointed to this LA Times story, “’Young Frankenstein’ has new life on 40th anniversary”.

Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, “Young Frankenstein.”

“I gave everybody in the crew a white handkerchief,” said the 88-year-old comedy legend during a recent phone interview. “I said, ‘When you feel like laughing, put this in your mouth.’ Every once in a while, I’d turn around and see a sea of white handkerchiefs, and I said, ‘I got a hit.'”

“Young Frankenstein” was more than a hit. It is a comic masterpiece.

(3) ‘TWAS CHITTY. Joined by Conan O’Brian, Dick Van Dyke and his a capella group, The Vantastix, sing the title song from his 1968 movie Chitty Chitty Bang Bang.

Van Dyke recently turned 90 but he can still belt out a tune.

(4) THE TRANSOM IS SHUT. Tor.com will no longer consider unsolicited short fiction submissions effective January 7, 2016 reports Locus Online.

(5) C. S. LEWIS. Matthew David Surridge is doing a read-through of C.S. Lewis works at Black Gate. The first two parts are —

“Wandering the Worlds of C.S. Lewis, Part I: Boxen”

I have read some, though far from all, of Lewis’ non-fiction; I intend to talk about it only insofar as I see a bearing on his fiction. I’m interested in seeing what images, tones, ideas, and approaches unite a fairly disparate corpus of writing. I want to see how Lewis’ approach to storytelling developed over his life, and how motifs and themes recurred in his work. I hope that by doing this I’ll better understand his individual books. At any rate, I’ll begin here with a look at Lewis’ published juvenilia…

“Wandering the Worlds of C.S. Lewis, Part II: Spirits in Bondage”

Today, I want to go through Lewis’ first book, a collection of lyric poems called Spirits in Bondage, published in 1919 when Lewis was still an atheist.

Yesterday I quoted Lewis’ judgement in his 1955 autobiography Surprised by Joy that the Boxen tales are novelistic and not poetic. If that’s so, what did the older Lewis think about the poetry he wrote in his youth? Did he find wonder and romance in the verse of Spirits in Bondage and Dymer? Hard to judge. Lewis doesn’t mention either volume in Surprised by Joy. Which strikes me as a little odd.

(6) CAREER GUIDANCE. David Gerrold responded on Facebook to Dr. Mauser (thought not actually by name). Between his very funny lines about being a so-called internet blowhard and his thoroughly serious rebuttal comes good advice for writers about dealing with controversy.

1) Never never never never never get into feuds. Whatever credibility you might have, you are automatically lending it to anyone you feud with because you are implying they are of equal validity, when most of the time they are not. People who enjoy feuds are automatically downgrading their credibility.

2) If you must respond, focus solely on the issue. Do not get into any personal remarks of any kind. Discuss issues only, not personalities. (This is because everyone has issues, not everyone has a personality.)

3) Never vilify a whole class or group of people — this generalization assumes that everyone in that class or group thinks and acts alike, that they are a monolithic army of clones. They are not. (I have stumbled here, more than once, and have now learned this lesson very well.)

And finally,

4) Always demand evidence.

(7) COMICS HUGO. George R.R. Martin has “More Hugo Ruminations” at Not A Blog.

I really don’t think we needed to add a Graphic Story category to the Hugo Awards. Comics have their own awards, the Eisners, they don’t need the Hugo too. Besides, most SF fans do not follow comics closely enough to make informed judgements in this area.

That being said, however, I have to concede that the fans did pretty damned well nominating in this category last year. SAGA was the only one of the finalists that I had actually heard of before Sasquan announced last year’s ballot… but I dutifully read all the others before I voted, and for the most part, I was impressed (okay, not by the Puppy nominee, which was several notches below the other four)… especially by MS. MARVEL, a whole new take on the character (actually a whole new character with an old name), a charming new addition to the Marvel universe, and the eventual winner.

So… I still don’t love Graphic Novel as a Hugo category, but it exists, and those who follow the field more closely than me should nominate Good Stuff here again, and maybe I’ll have more comic books to discover and delight in when the final ballot comes out.

Meanwhile, I do have one truly outstanding graphic novel to suggest… I am not totally disconnected from the world of comics, y’see… and that’s a book called THE SCULPTOR, by Scott McCloud….

(8) TOWERING TRAILER. The movie High-Rise is based on a J.G. Ballard novel.

(9) Today In History

Doctor Who fans may not be surprised to discover that those forceful characters the Daleks appear to be the only one of the Doctor’s enemies to have been given their own celebratory day. Dalek Day is held on 21st December each year. This date was chosen to commemorate the anniversary of the Daleks because they made their first TV appearance in Doctor Who on 21st December 1963. The official title of Dalek Day is the International Dalek Remembrance Day. There does not appear to be any regular organised celebrations each year to commemorate Dalek Day and it is unclear whether Dalek supporters meet or actually even dress up in Dalek costumes. Many of their fans appear to celebrate Dalek Day at home by having a Doctor Who marathon and watching again their favourite episodes with the Daleks battling against the Doctor.

  • December 21, 1937 — Walt Disney’s Snow White and the Seven Dwarfs, the first full-length animated feature film, opened in Los Angeles.
  • December 21, 1984 – Don’t Open ‘Till Christmas opens slightly before Christmas.

(10) NO ROOM IN THE FUTURE FOR RANDY GARRETT. The Traveler at Galactic Journey reviews the January 1961 Analog in a manner that makes a reader wonder if this blog theme is a good fit for somebody who hates a prolific author for the most popular prozine of its time. Not because The Traveler ought to like something he doesn’t, but who’s going to want to hear about it every month?

Thus, it is too early to tell whether or not Analog is ever going to pull itself out of its literary doldrums.  I had such high hopes after December’s issue; January’s has dashed them.

It doesn’t help that Randall Garrett is still one of Campbell’s favorite writers.  I’m not sure if Garrett’s stories are lousy because Campbell tells Garrett what he should write, or if they’re lousy because Garrett writes what he knows Campbell will take.  Or maybe Garrett and Campbell independently share awful taste.  In any event, the long long lead novella, The Highest Treason, is a one-star drek-fest if ever there was one.

(11) TIX FOR RADIO PERFORMANCE OF WYNDHAM. Tickets are available to attend a live recording of John Wyndham’s The Kraken Wakes by BBC4 with the BBC Philharmonic. The event will be Friday, January 8, 2016 at MediaCityUK in Salford. Ticket applications are open until December 27.

Join the BBC Philharmonic and BBC Radio 4 for radio drama, The Kraken Wakes. This modern retelling of John Wyndham’s 1953 apocalyptic novel, is adapted by crime writer and dramatist Val McDermid and stars Tamsin Greig, Paul Higgins and Richard Harrington.

This is a rare chance to see a radio drama recorded for Radio 4 with a live orchestral accompaniment from the BBC Philharmonic.

Composer Alan Edward Williams has created a brand new orchestral score that will ‘play the part’ of the great sea monster during the performance.

The Kraken Wakes will be recorded as a live performance in two parts. The drama will then be broadcast later in the year on BBC Radio 4.

(12) CLASSIC RADIO SF. Open Culture helps you “Hear 6 Classic Philip K. Dick Stories Adapted as Vintage Radio Plays”.

As you can probably tell if you’ve interacted with any of his hard-core fans, the science fiction of Philip K. Dick has a way of getting into readers’ heads. What better way to adapt it, then, than in the medium of radio drama, with its direct route into the head through the ears? Science fiction in general provided radio drama with a good deal of bread-and-butter subject matter since pretty much its inception, and suitably so: its producers didn’t have to bother designing distant worlds, alien races and elaborately futuristic technologies when, with the right sound design, the listeners would design it all themselves in their imaginations.

From the series Mind Webs, which ran on Wisconsin public radio, “The Preserving Machine,” “Impostor,” and “The Builder.” From X Minus One, “Colony” and “The Defenders.”From Sci-Fi Radio, “Sales Pitch.”

(13) FRANCHISE SF. The Documentary, on BBC’s World Service, has posted its 56-minute feature “Homer, Hagrid and the Incredible Hulk”.

Ben Hammersley meets creators and fans to investigate how extended fictional universes, from Star Wars and Harry Potter to Game of Thrones, took over global culture. He examines the huge financial success of the world’s biggest franchises, and argues that their stories – the identity of Luke Skywalker’s father, for example – have become common cultural touchstones around the world.

To understand how these expansive fictional universes are created and maintained, Ben visits professor Dumbledore’s office to talk to Stuart Craig, production designer on the Harry Potter films. He goes to Los Angeles to meet Lauren Faust, creator of My Little Pony: Friendship is Magic. And, he travels to San Diego Comic Con where he discusses a number of different universes with Marc Zicree, writer on numerous film and TV series, including Star Trek.

Ben also speaks to authors Robin Hobb and Warren Ellis, and to Axel Alonso and Ryan Penagos from Marvel. He hears from numerous fans, including Game of Thrones super-fans Linda Antonsson and Elio Garcia about the joys of fandom.

(14) NON-REALISTIC SF ART. Joachim Boaz’ “Adventures in Science Fiction Cover Art: Jack Gaughan’s Covers For Walker & Co. (1969-1970)” revisits covers of books I remember borrowing from the library when I was in high school.

Some famous novels are graced by his covers: James Blish’s A Case of Conscience (1958), Stanislaw Lem’s Solaris (1961), Silverberg’s Nightwings (1968), Ursula Le Guin’s The Left Hand of Darkness (1969), and Norman Spinrad’s Bug Jack Barron (1969).

Stainless Steel Rat cover Gaughan

Titles in this art sequence without suitable images online: A Gift from Earth (1968), Re-Birth (1955), All Judgement Fled (1968), Trouble with Lichen (1960), The Midwich Cuckoos (1957).

(15) MAGIC NUMBER. Obviously I must mention something titled “Five for 2015: 5 TV Characters of the Year”, Jon Morgan’s post on Pornokitsch. Under discussion are Agent Carter, Phyrne Fisher, Jessica Jones, Kimmy Schmidt and Cat Grant.

(16) HE SLEIGHS ME. At Whatever, John Scalzi has an “Interview With Santa’s Reindeer Wrangler”.

Q: We could talk about that. I mean, the general violation of physics that goes on around the whole Santa’s sleigh thing.

A: Look, I don’t pretend to know the science of the flying sleigh thing, okay? That’s not my job. You can ask Santa’s physicists about it if you want.

Q: Santa has physicists on staff?

A: Of course he does. He’s one of the largest recruiters of physicists outside of NASA. What, you thought all this happened because of magic?

Q: Well, now that you mention it, yes. Yes, I did.

(17) MALCONTENT WARNING. Darth Santa…. Great production values for a video whose humor may leave you a little ill. Or laughing your ass off, depending on what meds you’ve taken today.

[Thanks to John King Tarpinian, Nigel, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]

How Many Sad Puppies Declined a Hugo?

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When the Hugo final ballot was announced on Easter the success of the Sad Puppies 3 and Rabid Puppies slates was self-evident. However, it wasn’t immediately known whether all of the independent works on the ballot had come in at the top of the polls. After all, where was the most popular of the Sad Puppies, Larry Correia, whose novel had led both slates?

It is now known that in the novel, semiprozine and fan writer categories one nominee replaced a slate candidate who declined.

Two who declined have already publicly discussed their reasons. Larry Correia (“Sad Puppies Update: The Nominees Announced and Why I Refused My Nomination”) and fan writer Matthew David Surridge at Black Gate (“A Detailed Explanation”)

Also, Edmund Schubert has verified for File 770 that he accepted his Best Editor (Short Form) nomination but Orson Scott Card’s Intergalactic Medicine Show declined a nomination for Best Semiprozine:

To answer your question directly, we were notified that IGMS had received overwhelming support by way of nominations, but it was ultimately determined that because of rule changes that were made two years ago, IGMS qualifies as a Professional Magazine and is therefore ineligible to be nominated for the Semiprozine Hugo. Before the rule change two years ago we would have qualified. Alas…

While researching this question I checked with Sad Puppies 3 organizer Brad R. Torgersen who told File 770 he was not contacted by the Hugo administrator about accepting a Hugo nomination. He had not endorsed his own work, and it appears voters honored his virtual recusal in a comment on the original Sad Puppies 3 announcement, although he was recommended by Vox Day’s Rabid Puppies slate.

I should also note that I am probably going to recuse myself from SAD PUPPIES 3, simply because I am the guy carrying the guidon this time around. Whatever I needed to prove (during the first five years of my pro career) I already proved it. I was about 100 times more excited for my first Baen contract, vs. my first Hugo nomination. I have three now, plus a Nebula and a Campbell in the same year (2012) and two Analog magazine readers choice awards. I think I’ve sufficiently demonstrated I know how to shove a noun up against a verb (to borrow Mike Resnick’s tongue-in-cheek phrase.) So while I greatly appreciate any votes I might get, for SAD PUPPIES 3, I think I am going to take myself off the list.

Finally, despite what has been written on a few sites, Dave Freer did not decline a Hugo nomination – he’s on the shortlist for Best Fanwriter — though he would prefer that fans vote for two other fan writer nominees who are colleagues from Mad Genius Club.

Any slate candidates who missed the final ballot for reasons of ineligibility won’t be known for certain until the Hugo administrator releases his report at Sasquan.