Pixel Scroll 5/17/19 Taking Pixel Mountain (By Scrollology)

(1) GRIEF RESOURCES. Pasadena Weekly talks with people who have lost a spouse and the support available for them, beginning with the widow of Harlan Ellison: “Surviving the profound loss of a longtime spouse”.

…Susan Ellison, 58, a native of the British midlands, was puttering around the hillside house in Sherman Oaks that she had shared for more than three decades with her famous (and pugnacious) 84-year-old writer husband Harlan Ellison, best known for his science fiction. He had dubbed it the Lost Aztek Temple of Mars long before suffering a stroke in 2014 that left him bedridden.

“I’m an insomniac and he was still asleep when I checked in on him early in the morning,” she recalled during a telephone conversation. “Then his therapist came,” and found him unresponsive.

“I thought he’d go kicking and screaming, but he died quietly. And I thought I’d be a lot more prepared,” she continued. Instead, she said, “I essentially shut down. He gave me a terrific life and he loved me completely. But I gave my life to him and now I don’t know who I am anymore. I have to find out.”

The experts say everyone reacts differently to a profound loss….

(2) MCFLY, ROBIN, FLY. Fascinating news — “Back to the Future musical sets date for world premiere in Manchester”.

Great Scott! The Back to the Future musical has finally set a date for its world premiere – 20 February 2020 in Manchester, before a West End run.

The show had originally been scheduled to open in 2015. But it was delayed, and unlike Doc Brown, the production team didn’t possess a time machine.

“Good things take time,” writer Bob Gale said. Actor Olly Dobson will fill Michael J Fox’s shoes as Marty McFly.

Bob Gale and I attended our first LASFS event together in 1970 (where Harlan Ellison was the guest speaker!)

(3) FREEDOM AT MIDNIGHT. Galactic Journey comments on the status of colonialism (in 1964) in a review of this Pyramid paperback: [May 16, 1964] A Mirror to Progress (Chester Anderson and Michael Kurland’s Ten Years to Doomsday).

These days, our world is undergoing a sudden and dramatic transformation. Starting immediately after the War, and accelerating since, many former colonies are becoming free nations, ready to embrace their potential and individuality. As these new countries find their own ways toward futures separate from their former masters, we in the Western world are able to experience life from different perspectives. These perspectives show the exquisite diversity of the human race. We are given the rare privilege to experience perspectives different from our own, perspectives sometimes frightening, sometimes exciting, but always intriguing. In doing so, we provide these nations the ultimate freedom: they can dream big. They can embrace new technologies and different ways of looking at the world. They can shake off the repressive yoke of colonialism and allow themselves to achieve their true potential.

Ten Years to Doomsday, the delightful new novel by the writing team of Chester Anderson and Michael Kurland, is a charming exploration of many of these themes using a mix of farce and drama….

(4) MULLIGAN OF THRONES. Over 900,000 have signed a Change.org petition demanding that HBO “Remake Game of Thrones Season 8 with competent writers”.

David Benioff and D.B. Weiss have proven themselves to be woefully incompetent writers when they have no source material (i.e. the books) to fall back on. 

This series deserves a final season that makes sense. 

Subvert my expectations and make it happen, HBO!

Petition author Dylan D. says in an update —

I haven’t heard from anyone HBO-related. I don’t think people can reasonably expect HBO to completely remake the season, or any part of this particular series (keep in mind the prequel spinoffs). It costs a fortune to shoot one episode, and I think most signers understand that. Will HBO lose gobs of money over this? Eh probably not. As Heath Ledger’s Joker once said, “It’s not about the money, it’s about sending a message.” And I think this message is one of frustration and disappointment at its core.

The Beaverton claims that Benioff and Weiss have launched a counterstrike — “Game of Thrones writers petition fans to write their own goddamn show, if they’re so smart”.

(5) HIT THE BRICKS. Y’know all those shows about flipping houses? This isn’t that. Let The Hollywood Reporter tell you the story: “‘Stranger Things’ Lego Set Goes Upside Down”.

Lego has unveiled a Stranger Things set that literally flips things upside down.

Stranger Things: The Upside Down, based on the Netflix series, is a massive 2,287-brick set where half the set is overturned. The piece consists of the house of the Byers family, played by Winona Ryder, Charlie Heaton and Noah Schnapp in the show, on the top side, and the supernatural alien world of the Upside Down version of the house on the bottom, but flipped.

The set is designed to be displayed on either side. It measures over 12 inches (32cm) tall, 17 inches (44cm) wide and 8 inches (21cm) deep. Lego is touting a shared building experience with this one, pointing out that the sections of the house come in 11 bags and that the real world and Upside Down houses can be built concurrently, if that’s your thing.  

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 17, 1936 Dennis Hopper. I think his first genre film would be Tarzan and Jane Regained… Sort of, an Andy Warhol film. Queen of Blood, a vampire thinly disguised as SF film, was his next genre film. My Science Project was his next outing before he took part in The Texas Chainsaw Massacre 2. And now we get to the Super Mario Bros. where he played King Koopa. What a weird film that was! Of he followed that by being Deacon on Waterworld… And then doing Space Truckers. Ouch. He’s El Niño in The Crow: Wicked Prayer, a film I barely remember. His final role was voicing one of the animated wolves in Alpha and Omega. He was also in Blue Velvet but I’ll be damn if I can figure out how to call that genre. (Died 2010.)
  • Born May 17, 1946 F. Paul Wilson, 73. I’ve read, let me check, oh about half I see of the Repairman Jack novels. Anyone finished them off and should I do so? What else by him is worth my time? 
  • Born May 17, 1950 Mark Leeper, 69. As Mark says on his site, “In and out of science fiction circles Mark and Evelyn Leeper are one of the best known writing couples on the Internet. Mark became an avid science fiction fan at age six with TV’s ‘Commando Cody.’ Both went to the University of Massachusetts in 1968.” And as Bill Higgins says here, their MT VOID fanzine is one of the longest published ones still going. 
  • Born May 17, 1954 Bryce Zabel, 65. A producer, director and writer. Genre wise, he’s been involved as a producer or director with M.A.N.T.I.S., Dark SkiesBlackbeardLois & Clark: The New Adventures of Superman and The Crow: Stairway to Heaven. Writing wise, he has written for most of these shows plus the Mortal Kombat: Annihilation and Atlantis: The Lost Empire screenplays.
  • Born May 17, 1954 Colin Greenland, 65. His partner is the Susanna Clarke, with whom he has lived since 1996. The Entropy Exhibition: Michael Moorcock and the British ‘New Wave’ in Science Fiction which was based on his PhD thesis. His most successful fictional work is the Plenty series that starts with Take Back Plenty and continues with Seasons of PlentyThe Plenty Principle and wraps up with Mother of Plenty. In the Eighties and Ninties, he was involved in the editorial work of Foundation: The Review of Science Fiction and Interzone.
  • Born May 17, 1967 Michael Arnzen, 52. Winner of three Bram Stoker Awards, one for his Grave Markings novel, another for Goreletter and yet another for his poetry collection, Freakcidents. Very impressive indeed. Oh and he’s a SJW. 

(7) CALL FOR AUREALIS AWARDS JUDGES. The appeal begins:

We are seeking expressions of interest from Australian residents who would like to judge for the 2019 Aurealis Awards.

Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts. The only qualification necessary is a demonstrated knowledge of and interest in their chosen category (good time management skills and an ability to work in a team in an online environment are also essential).

The full guidelines are here.

(8) BOOK TO SCREEN. Jeanne Gomoll’s Carl Brandon, already available as a print-on-demand book, now can also be purchased from Lulu in PDF format.

Terry Carr recounts the invention of an imaginary black science fiction fan named Carl Brandon, one of the field’s most (in)famous hoaxes. In addition to Carl Brandon’s complete history, this volume includes his J.D. Salinger parody, “The Cacher of the Rye;” a more current parody by Carl Brandon 2.0, “The Kvetcher on the Racists;” and an essay by Samuel R. Delany, “Racism and Science Fiction.” To quote Carr: “In the late fifties, several of the fans of the Bay Area…presented fandom with a new fanwriter who was quickly acclaimed as one of the best writers around and who was, not incidentally, the first prominent fan who was black.” Read the book for more of this fascinating tale. All proceeds go to the Carl Brandon Society, which promotes discussions on race at conventions and conferences, and through its support of the Parallax and Kindred literary awards, and the Octavia E. Butler

(9) SJWC STAR OBIT. Celebrity feline passes on — “Grumpy Cat Dies; Her Spirit Will Live On, Family Says”.

Grumpy Cat — the blue-eyed cat with the permafrown that suggested perpetual irritation — has died, her family announced early Friday. She was 7.

The scowling kitty died of complications from a urinary tract infection, her owners said.

“Some days are grumpier than others,” Tabatha Bundesen wrote in announcing her cat’s death.

Born in 2012, Grumpy Cat became a darling of memes, cat fanciers and anyone who needed to be reminded that somewhere out there, there was a cat who looked as grumpy as they felt.

…Noting that Grumpy Cat had met the recently deceased Marvel Comics leader Stan Lee — who mimicked her frown in several photos — Twitter user Greeshma Megha wrote, “Hope they meet in heaven.”

(10) OVERDRAWN AT THE CALORIE ACCOUNT. BBC finds “Ultra-processed foods ‘make you eat more'”.

Ultra-processed foods lead people to eat more and put on weight, the first trial to assess their impact suggests.

Volunteers had every morsel of food they ate monitored for a month.

And when given ultra-processed food, they ate 500 calories a day more than when they were given unprocessed meals.

The US National Institutes of Health said ultra-processed foods may be affecting hunger hormones in the body, leading people to keep eating.

(11) NOT THE ILLUMINATI. Curiosity shares a scientific explanation for “How a Few Lucky Civil War Soldiers Started Glowing and Healed Faster”.

…In an astonishing, and frankly spooky, turn of events, as night fell, many of those wounded soldiers began to see a strange glow emanating from their wounds. They called it “Angel’s Glow” and it lived up to its nickname. When they were eventually recovered and moved to the field hospital, the soldiers whose wounds had been so blessed ended up recovering better and faster, with cleaner wounds and a better survival rate than the un-glowing. This really would sound downright impossible if it weren’t for the fact that it’s so well documented…

(12) MIDDLETON. Paul Weimer chimes in with “Microreview [book]: The City in the Middle of the Night, by Charlie Jane Anders” at Nerds of a Feather.

…Further, the author seems invested in telling stories about worlds having to change to survive, a theme that her All the Birds in the Sky used for Earth, as a pair of protagonists tackle the problems of Earth in completely different ways. The City in the Middle of the Night continues that tradition, although the framing and the process is very different. The tone is very much darker than the prior novel, those looking for the breeziness of the first novel are going to have expectations dashed picking up this book

(13) MATERIALS GIRL. HBO put out an official teaser for its forthcoming original series, His Dark Materials.

Adapting Philip Pullman’s award-winning trilogy of the same name, which is considered a modern masterpiece of imaginative fiction, the first season follows Lyra, a seemingly ordinary but brave young woman from another world. Her search for a kidnapped friend uncovers a sinister plot involving stolen children, and becomes a quest to understand a mysterious phenomenon called Dust. As she journeys through the worlds, including our own, Lyra meets Will, a determined and courageous boy. Together, they encounter extraordinary beings and dangerous secrets, with the fate of both the living?—?and the dead?—?in their hands.

WHERE TO FIND BOOK REVIEWS. Todd Mason’s weekly post has lots of links: “Friday’s “Forgotten” Books and More: the links to the reviews: 17 May 2019″.

  • Patricia Abbott: Broken Harbor by Tana French
  • Frank Babics: Who Can Replace a Man? aka The Best Science Fiction Stories of Brian W. Aldiss 
  • Mark Baker: Murder in Little Italy by Victoria Thompson
  • Brad Bigelow: The Bloater by Rosemary Tonks
  • Paul Bishop: W. Glenn Duncan 1940-2019
  • Les Blatt: The Exploits of the Patent Leather Kid by Erle Stanley Gardner
  • Joachim Boaz: The World Menders by Lloyd Biggle; The Sudden Star by Pamela Sargent; The Lost Face by Josef Nesvadba (translated by Iris Urwin)
  • John Boston: Amazing Stories: Fact and Science Fiction, June 1964, edited by Cele Goldsmith Lalli
  • Ben Boulden: Call Me Hazard by “Frank Wynne” (Brian Garfield); Closeup by Len Deighton 
  • Brian Busby: An Army Doctor’s Romance by Grant Allen
  • Steve Case: The Deep by John Crowley
  • Ellison Cooper: The Lingala Code by Warren Kiefer
  • Hector DeJean: The Man in a Cage by (Jack aka) John Holbrook Vance
  • Martin Edwards: The Name of Annabel Lee by Julian Symons
  • Peter Enfantino: Atlas (proto-Marvel) horror comics, April 1952
  • Will Errickson: Finishing Touches by Thomas Tessier
  • José Ignacio Escribano: Big Sister by Gunnar Staalensen (tranlated by Don Bartlett)
  • Olman Feelyus: Ship of Fools by Katherine Anne Porter 
  • Mark Finn: “The God in the Bowl” by Robert E. Howard
  • Paul Fraser: Astounding Science-Fiction, November 1943, edited by John W. Campbell, Jr.
  • John Grant: The Liar’s Girl by Catherine Ryan Howard; Good Morning, Darkness by Ruth Francisco
  • Aubrey Hamilton: She Came Back by Patricia Wentworth
  • Rich Horton: The Rose and the Ring by William Makepeace Thackery; Roger Zelazny capsule reviews; Alter S. Reiss stories; The Ghost Brigade and The Lost Colony by John Scalzi 
  • Jerry House: Zane Grey Comics #246, 1949: Thunder Mountainadapted
  • Kate Jackson: A Knife for Harry Dodds by “George Bellairs” (Harold Blundell); Death Comes as the End by Agatha Christie 
  • Tracy K: The Iron Gates by Margaret Millar; April reading
  • Colman Keane: “Sweet Little Hands” by Lawrence Block
  • George Kelley: The Great SF Stories #9 (1947) edited by Isaac Asimov and Martin H. Greenberg
  • Joe Kenney: Chase by Norman Daniels
  • Rob Kitchin: The Girls of Atomic City by Denise Kiernan; The Caine Mutiny by Herman Wouk
  • B. V. Lawson: A Bleeding of Innocents by Jo Bannister
  • Evan Lewis: “Tarzan” aka “Tarzan and the Tarmangani”, a 1940sTarzan comic book prose filler/mailing permit content attributed to Edgar Rice Burroughs, ghostwriter unknown
  • Steve Lewis: “Child of the Green Light” by Leigh Brackett, Super Science Stories February 1942, edited by Alden H. Norton; Saturday Night Dead by Richard Rosen; “The Eyes of Countess Gerda” by May Edginton, The Story-Teller, December 1911
  • John F. Norris: The Perfect Alibi by Christopher St. John Sprigg
  • John O’Neill: Davy by Edgar Pangborn; Tea with the Black Dragon by R. A. MacAvoy
  • Matt Paust: The Last Supper by Charles McCarry
  • James Reasoner: The Land of Mist by “Arthur Quiller” (Kenneth Bulmer)
  • Gerard Saylor: The Night of the Soul Stealer by Joseph Delaney
  • Jack Seabrook and Peter Enfantino: DC war comics, December 1974 (and the best of 1974)
  • Steven H Silver: George Scithers (editor of Amra, Isaac Asimov’s Science Fiction Magazine, Asimov’s SF Adventure Magazine, Amazing Stories, Weird Tales)
  • Victoria Silverwolf: Worlds of Tomorrow, February 1964, edited by Frederik Pohl
  • Kerrie Smith: Cities of the Sun by David Levien
  • “TomCat”: The Mystery of the Burnt Cottage by Enid Blyton
  • David Vineyard: Strip for Murder by Richard S. Prather

[Thanks to Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, Todd Mason, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 11/18 Count Hero

(1) John Picacio’s thoughts about “The New World Fantasy Award: What’s Next”.

  1. THE FIRST QUESTION NEEDS TO BE THE RIGHT ONE. In this case, I would offer that the first question should not be, “Hey, World: what do you think this award should look like?” The first question should be, “Who are the best sculptors and who is the sculptor that can best elevate this award toward a new timeless icon? Who can carry this responsibility? Who can take us to a place we could not have imagined on our own?” The same respect that is given to a great novelist should be given to a great sculptor here.

The sculptor of this award needs to be an artist, first and foremost — someone who solves problems, conceives original thoughts, has unique insights, and visually communicates those thoughts, insights, emotions and intangibles into tangible form. If the plan is to take a straw poll of the most popular and familiar symbols and word pictures, or to concoct a preordained vision and then hire some poor sap to carefully sculpt to that prescription, then please hire a pharmacist, not a professional artist. However, the World Fantasy Award can do better than that, and I’m hoping it will. If I were a decision maker in this process, I would be sky-high excited about the amazing creative (and branding) opportunity ahead, and I would be vigorously searching for the right sculptor to cast a new icon, rather than casting a fishing line praying to hook an idea.

(2) Many others continue to discuss what it should look like, including Charles Vess on Facebook (in a public post).

Ari Berk (friend & folklorist) suggested this idea. Going back to the original story that it seems all cultures around the world share: the hand print on the cave wall. “I am here and this is my story”.

vess wfa idea

(3) Frequent commenter Lis Carey is looking for financial help. Her GoFundMe appeal asks for $3,000, of which $400 has been donated so far.

I’m in a major fix. I don’t have an income right now, but I do have some major expenses. The tenant’s apartment has no heat, and a leaky kitchen sink, and needs a plumber. I have outstanding gas,and electric bills, and water bills for both apartments. I’m looking for work and trying to hold things together, but I’m desperate and need some breathing space. Help!

(4) Sarah Avery delves into some reasons for the success of multi-volume fantasy in “The Series Series: Why Do We Do This To Ourselves? I Can Explain!” at Black Gate. It’s a really good article but not easy to excerpt because it is (unsurprisingly!) long. This will give you a taste, anyway:

I love an ensemble cast. Reading, writing, watching, whatever. In my imaginative life as in my personal life, I’m an extrovert. The struggles of a main character connect with me best when that main character is part of a community. The solution to the existential horror Lovecraft’s protagonists face had always seemed so obvious to me that I’d never articulated it fully, even to myself. The cosmos as a whole doesn’t prefer you over its other components? Of course not. Unimaginably vast forces that would crack your mind open if you let yourself understand them are destroying your world, and you are entirely beneath their notice? Well, that would explain a lot. So what do you do?

You take comfort in the people you love, you go down swinging in their defense, and you live your mammalian values of compassion and connection intensely, as long as it does any good — and then longer, to the last breath, if only in reproof of whatever in the universe stands opposed to them.

Or maybe that isn’t obvious. But I’m pretty sure it’s not just me.

For whatever reason, Lovecraft was not a person, or an author, who could go there.

But the man could write a shorter story than I could. I’ll go to school on anyone who knows something I don’t, including authors who stretch me beyond the bounds of easy sympathy. What could the thing that appeared to me to be a malady in Lovecraft teach me about the gap in my craftsmanship?

First, I tried sharpening the distinction between the main character and the secondary characters. Simplifying the supporting cast, making my protagonist the only one who got to be as vivid and three-dimensional as I prefer for every significant character to be, got me out of novella territory. I could get my stories down to about 10,000 words and still feel that my work hit my own sweet spots.

What about getting the count lower? Magazine editors tend to set their cutoffs at 4,000 words or 7,000 words. What kind of cast size can you fit into that length, and what can you do with it?

I really don’t think you can squeeze in much of a supporting cast, unless those secondary characters are functioning more as props than as people. At most, you can have two realized characters, but that second can only be squeezed in if you’ve got serious writing chops. More characters than that, and you’re down to tricks that, as Elizabeth Bear likes to put it, hack the reader’s neurology: one telling detail that leads the reader to do all the work filling in a character around it. Okay, that’s a cool skill, one worth having, especially if you can do it so that the reader forgets s/he did all the work and remembers the story as if you’d written the character s/he filled in for you. I think I’ve pulled that trick off exactly once. Man, that was strenuous, and not in the ways I find exhilarating.

Avery’s subtopics include “Is It Enough to Call a Novel Community-Driven When It Sprawls across Two Continents, Seven Kingdoms, Three Collapsed Empires, a Passel of Free Cities, and Two Migrating Anarchic Proto-Nations?” Her short answer is, “Nope.”

(5) Mary Robinette Kowal seeks to lock in real progress to keep pace with conversation since the World Fantasy Con with the “SF/F Convention Accessibility Pledge”.

Over the last few years, there have been numerous instances of SF/F conventions failing to provide an accessible experience for their members with disabilities. Though accessibility is the right thing to do, and there are legal reasons for providing it in the US thanks to the 25-year-old Americans with Disabilities Act, many conventions continue to have no trained accessibility staff, policies, contact information, or procedures for accommodating their members with disabilities. As Congress said in the opening of the ADA, these “forms of discrimination against individuals with disabilities continue to be a serious and pervasive social problem.”

…We the undersigned are making a pledge. Starting in 2017, to give conventions time to fit this into their planning, the following will be required for us to be participants, panelists, or Guests of Honor at a convention:

  1. The convention has an accessibility statement posted on the website and in the written programs offering specifics about the convention’s disability access.
  2. The convention has at least one trained accessibility staff member with easy to find contact information. (There are numerous local and national organizations that will help with training.)
  3. The convention is willing and able to make accommodations for its members as it tries to be as accessible as possible. (We recommend that the convention uses the Accessibility Checklist for SFWA Spaces as a beginning guideline. Other resources include Fans for Accessible Cons, A Guide for Accessible Conferences, and the ADA rules for places of public accommodation, which apply to US conventions.)

Many people have co-signed.

Patrick Nielsen Hayden also observed, “…When you put in the work on these issues, you find out how many people out there have been staying home.”

(6) Michael Kurland’s autobiographical essay “My Life as a Pejorative” is featured on Shots Crime & Thriller Ezine.

At fourteen I discovered mystery stories and couldn’t decide whether I was Rex Stout, Dorothy Sayers or Dashiel Hammett. Or maybe Simon Templar. Not Leslie Charteris, but Simon Templar. How debonaire, how quick-witted, how good looking.

I was 21 when I got out of the Army, enrolled at Columbia University and began hanging out in Greenwich Village. There I fell into bad company: Randall Garrett, Phil Klass (William Tenn), Don Westlake, Harlan Ellison, Bob Silverberg, and assorted other sf and mystery writers. This was my downfall, the start of my slide into genre fiction. I wrote a science fiction novel, Ten Years to Doomsday, with Chester Anderson, a brilliant poet and prose stylist who taught me much of what I know about writing, and followed that up with The Unicorn Girl, a sequel to Chester’s The Butterfly Kid, a pair of fantasy novels in which the two main characters were ourselves, Chester Anderson and Michael Kurland. These books, and The Probability Pad, a continuation written by my buddy Tom Waters, have become cult classics, known collectively as the Greenwich Village Trilogy, or sometimes The Buttercorn Pad.

(7) Today In History

  • November 18, 1963 – Push-button telephones made their debut.

(8) Today’s Birthday Boys and Girls

  • Born November 18, 1928: Mickey Mouse
  • Born November 18, 1939: Margaret Atwood
  • Born November 18, 1962: Sarah A. Hoyt

(9) John Scalzi makes “An Announcement Regarding Award Consideration for 2015 Work of Mine”. He asks people not to nominate him, and in comments indicates he will decline nominations that come his way.

But this year, when it comes to awards, I want to take a break and celebrate the excellent work that other people are doing, and who deserve attention for that work. My year’s already been, well, pretty good, hasn’t it. I’ve had more than enough good fortune from 2015 and I don’t feel like I need right now to ask for another helping…

But for work that was put out in 2015, please look past me. Find the other writers whose work deserves the spotlight you can put on them with your attention, nomination and vote. Find the works that move your heart and your mind. Find the writers whose work you love and who you feel a nomination can help in their careers and their lives. Look past your usual suspects — including me! — and find someone new to you whose stories and effort you can champion to others. Put those people and works on your ballots. 2015 has been genuinely great year for science fiction and fantasy; it won’t be difficult to find deserving work and people for your consideration.

(10) Bigger than your average bomb shelter. “Czech out the Oppidum, the ultimate apocalypse hideaway” at Treehugger.

We do go on about the importance of resilient design, the ability of our buildings to survive in changing times and climates. We are big on repurposing, finding new uses for old buildings. And if the greenest brick is the one already in the wall, then surely the greenest bomb shelter is the one that’s already in the ground. That’s why the Oppidum is such an exciting opportunity; it’s a conversion of a classified secret facility built in 1984 by what were then the governments of Czechoslovakia and The Soviet Union. Now, it is available for use as the ultimate getaway, deep in a valley in the Czech Republic. The developer notes that they don’t make’em like they used to:…

It has a lovely above-grade modestly sized 30,000 square foot residence, which is connected via secret corridor to the two-storey, 77,000 square foot bunker below, which has been stylishly subdivided into one large apartment and six smaller ones for friends, family and staff, all stocked with ten years of supplies.

(11) Former child actor Charles Herbert died October 31 at the age of 66. The New York Times obit lists his well-known roles in movies like The Fly and 13 Ghosts.

Mr. Herbert was supporting his parents by the time he was 5. He appeared in more than 20 films and 50 television episodes, in which he fended off all kinds of adversaries, from a robot to a human fly.

He shared the limelight with Cary Grant, Sophia Loren and James Cagney. He played a blind boy in a memorable episode of “Science Fiction Theater” in 1956, and appeared in a 1962 “Twilight Zone” episode in which a widowed father takes his children to choose an android grandmother.

(12) SF Signal’s latest Mind Meld, curated by Rob H. Bedford, asks Andrew Leon Hudson, Stephenie Sheung (The BiblioSanctum), Richard Shealy, Michael R. Fletcher, Mark Yon, and Erin Lindsey

Q: Who is your favorite animal companion (pet, familiar, etc) in SFF?

A significant number of genre stories features character’s pets or animal companions. From Loiosh of Steven Brust’s Vlad Taltos books to Snuff from Roger Zelazny’s A Night in the Lonesome October to Hedwig from J.K. Rowling’s Harry Potter series, animals can be companions, pets, or near equals to their “owners.” Who is/are your favorite(s)?

(13) Bruce Gillespie invites fans to download SF Commentary 90, November 2015 — over 100 contributors and 70,000 words.

(14) A Christopher Reeve-worn Superman costume is available for bid until November 19 at 5 p.m. Pacific in a Nate D. Sanders auction.

Superman lot COMP

(15) Heritage Auctions reports a menu from the Titanic fetched a high price in a recently closed auction.

Ironically, the top two lots related to a major disaster and a national tragedy. The first was a first class dinner menu from the last supper on the R.M.S. Titanic, the evening of April 14, 1912. Five salesmen and retailers shared a meal, each signing a menu with their place of residence. Of the five, all but one managed to survive the sinking which occurred in the wee morning hours. We believe this to be the only signed example and the only one from the “last supper”. It sold for $118,750.

The second lot was the license plates from the limo President Kennedy was in when he was shot — which went for $100,000.

(16) And this weekend, Heritage Auctions will take bids on Neal Adams’ original cover art for Green Lantern #76, “one of the most important and influential comic books ever published,” as part of the company’s Nov. 19-21 Comics & Comic Art Signature® Auction where it is expected to bring $300,000+.

Adams’ iconic cover is striking and symbolic. This issue broke more than just the lantern on the cover! Adding Arrow’s name to the title and logo of the book was genius. It created the first “buddy book” in the comic industry… the equivalent to the “buddy movie” genre. It also allowed writer Denny O’Neil to launch into a 13 issue run that dove into political and sociological themes like no comic had before.

 

Green lanter green arrow

(17) Lovecraft’s mug has already been saved from awards obscurity (or permanently guaranteed it, depending on your view) by the administrators of the Counter Currents and the administrators of its H. P. Lovecraft Prize for Literature. (Which can also be reached using this handy Donotlink link.)

Last year, we at Counter-Currents saw this coming. Thus we have created the Counter-Currents H. P. Lovecraft Prize for Literature, to be awarded to literary artists of the highest caliber who transgress the boundaries of political correctness. Our first laureate is novelist Tito Perdue, who received the award at a banquet in Atlanta on March 7, 2015.

The prize bust is by world-famous porcelain artist Charles Krafft, whose own defiance of political correctness has just led to the cancellation of an exhibition in London.

Wikipedia has an entry on Tito Perdue.

More details about Krafft’s exhibit being pulled by a Whitechapel art gallery from Jewish News:

A fashionable Whitechapel art gallery has pulled the plug on an exhibition by an artist who has been described as a “Holocaust denier” and a “white supremacist,” after complaints and threats were made.

Charles Krafft, who denies both charges, was due to show his work at StolenSpace for the second time, but gallery bosses said they pulled out after receiving “both physical and verbal threats”.

Krafft’s controversial ceramics include busts of Hitler, swastika perfume bottles with the word “forgiveness” emblazoned upon them and plates covered in drawings of Nazi bombings. His work and attributed comments has led to him being labelled a white supremacist, a Nazi sympathiser and a Holocaust denier.

(18) Triple-threat interview with Ken Liu, Lauren Beukes and Tobias S. Buckell at SFFWorld.

Ecotones are the points of transition that occur when two different environments come into contact, and almost inevitably conflict. Can you describe for us an ecotone that has had personal significance for you?

Ken Liu: We’re at a point in our technological evolution where the role played by machines in our cognition is about to change qualitatively. Rather than just acting as “bicycles for the mind,” computers, transformed by ubiquitous networking and presence, will replace important cognitive functions for us at an ever accelerating pace. Much of our memory has already been outsourced to our phones and other devices—and I already see indications that machines will be doing more of our thinking for us. Not since the invention of writing has technology promised to change how we learn and think to such an extent.

The transition between the environment we used to live in and the environment we’re about to live in is going to be exciting as well as threatening, and we’re witnessing one of the greatest transformations in human history.

Tobias Buckell: Last year a deer walked on down through Main Street and then jumped through the window of the local downtown bar. They got it on security camera.

Lauren Beukes: The shared reality of overlapping worlds I live through every day – the schism in experience between rich and poor where everything works differently, from criminal justice to the food you eat, how you get to work, schooling, the day-to-day you have to navigate.

I saw this most clearly and devastatingly when I tried to help my cleaning lady get justice for the scumbag who fatally assaulted her daughter. The cops didn’t care. The hospital put it down as “natural causes”. The prosecutor had to throw the case out because there was so little evidence. This compared to an incident when a friend’s motorbike was stolen at night in the nice suburbs and five cops ended up on his balcony drinking tea, having recovered the vehicle.

(19) Sarah Chorn at Bookworm Blues wonders if her conflict of interest should bar her from reviewing two books.

I feel pretty weird about doing this, but I also think it has to be done. This year I was a beta reader for two books that are currently published (a few more that have upcoming publication dates). I have struggled a little bit with how to approach these novels. While I feel obligated to review them (and I want to review them), I feel like being a beta reader for them takes my objectivity out of it, which is a problem for me. Is it really a review if I can’t objectively judge it?

Am I pondering my navel?

I’m surprised her desire to ask the question didn’t lead to a built-in answer.

(20) The Ant-Man Gag Reel has a few bloopers, though it’s not all that funny.

(21) Marvel’s Agent Carter Season 2 premieres January 5 on ABC.

[Thanks to Kate Savage, Will R., Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]