Pixel Scroll 8/28/23 It Was Scrolling Hard In Pixel, I Needed One More File To Make My Night

(1) WE’LL BE GONE FOR YEARS AND YEARS AND THEN. Cass Morris tells what it was like aboard Disney’s Halcyon Starcruiser in “Together As One”, first in a series of posts where she’ll capture full details of this Star Wars immersive experience. And joining her vicariously will be your best opportunity because the attraction will close at the end of September.

… And there was just… there was so much. Especially on Day 2. Noah and I spent four hours in Batuu, and almost all of that time was completing missions. We were running around all over the Outpost. And then once back on the Halcyon, we had a little breather (and much-needed time to clean up, considering the effect that Batuu’s balmy climate has) followed by lightsaber training, but from 3:30 onward? It was just go-go-go. Of the four major paths available, I ended up on three of them. (Or, at least, pieces of each — there are sort of sub-tracks to at least the Resistance path, with different characters and objectives). My schedule was bonkers. I think I had seven alarms set on the evening of Day 2 to make sure I moved when I needed to.

If you’re willing to go hard, it pays off. You absolutely cannot do everything — many things are mutually exclusive just due to scheduling. But you can do a lot if you’ve got the energy, the focus, the time management skill, and the willingness to dash up and down a few flights of stairs many times.

Anyone who was inclined to mock the price tag has no idea just how much goes into creating something like this — both creating it in the first place and then running it on a daily basis. I have some idea, but the work I do is on such a smaller scale, to say nothing of a smaller budget. But I know how many documents it takes to get the story set, to plan the props and scenic elements, to train the performers for something that’s really just a couple of hours of “on” time, without the complex branching trees the Starcruiser has. To do something for a 45-hour long experience, with so many variables… it would have to be utterly gargantuan….

(2) WHERE’D IT GO? For the record, David A. Riley has deleted from his blog the two posts discussing the sale of his novelette to The Magazine of Fantasy and Science Fiction. News of the magazine’s decision not to publish it is at the link.

(3) ABOUT BRADBURY. Issue 7 of The New Ray Bradbury Review is out, the first completely online, open access issue. Editor Phil Nichols tells what readers can expect in times to come.

…As we enter this new phase of the The New Ray Bradbury Review, we hope to explore the four  cornerstones  of  Bradbury’s  life  and  work  which  have  informed  the Bradbury  Center’s mission.  The  first  of  these,  underpinning  many  of  the  articles in  this  current  issue,  is the advancement of literacy, a cause which seems ever more timely in 2023, where we see the states of  Florida  and Texas enacting  policies  which restrict readers’ access—and especially young learners’ access—to  diverse  voices. The  Ray  Bradbury  Center’s  home  state  of  Indiana  is regrettably heading along a similar path, while there is a glimmer of light in the darkness in Illinois, which has legislated to ban book bans. The other three cornerstones of Bradbury’s life and work will be explored in future issues of NRBR: freedom of imagination and First Amendment rights; advocacy for space exploration; and the preservation of libraries…

(4) WORKAROUNDS. Joe Yao of the Chengdu Worldcon committee responded to concerns from those having difficulty logging into the website to purchase memberships, or vote for the Hugos and 2025 Site Selection. This is a diagnosis of one individual’s problem, but includes much general information.

…The credential message was sent by Tencent Cloud, which I believe is one of the leading IT companies with the most advanced technologies in China. However, there are still some of the email systems recognize it as spam. I have checked the back-end records trying to figure out this issue, and here is some information I would like to share with you.

There are 1,084 requests for credential emails since we opened the Site Selection and the Hugo Packet, not all of them were logging in for the purpose of voting but for other membership purchases, including the Chinese members to buy admissions. And 1,057 of the requests arrived at the email addresses successfully, in other words, the receiving rate is about 97.5%. Most of the emails that failed to arrive were BLOCKED by the receivers, which we have no way to help from my side and I believe it happens not only to Chengdu Worldcon.

The way I can help is suggest you use gmail account if possible to login and if you are a voting member in DisCon 3 or you have already purchased any memberships of Chengdu with other emails but cannot login right now, I can re-upload your gmail information to the system from my side….

(5) FILM OVER BOOK. A Buzzfeed writer names “17 Movies That Were 100 Times Better Than The Book”. Of course I had to click on that. Here’s one of the better entries:

5. “The Shining. One of my favorite movie facts is from The Shining. In the book, the Torrance family drives a red Volkswagen Beetle; in the movie, they drive a yellow one. Later in the movie, as Halloran is driving in the snowstorm, he passes a car accident where a semitruck has crushed a red Beetle. This is thought of as director Stanley Kubrick knowing he totally changed the story and was actively snubbing it with this shot.”

(6) ANOTHER WRITE-OFF? “Disney finishes shooting Spiderwick Chronicles series, decides not to air it” reports Fansided.

…And indeed, Disney shot six episodes, with a cast that includes Jack Dylan Grazer, Lyon Daniels, Noah Cottrell, Joy Bryant, Mychala Lee, and Christian Slater as the shape-shifting ogre Mulgarath. But as it ends up…nah.

According to The A.V. Club, Disney has opted not to air the show on Disney+, even though it’s basically finished. This is a phenomenon we’re seeing more and more of lately. Remember the furor that resulted when Warner Bros. Discovery decided not to release the Batgirl movie after it had already finished shooting? How about when Disney spent over $100 million making a TV show based on the fantasy movie Willow only to remove it from Disney+ after a few months? Why are these studios spending all this money if they’re not going to let people watch what they bought?

A lot of it has to do with the economics of streaming. Will airing The Spiderwick Chronicles get more people to subscribe to Disney+? If not, it may be more cost-effective for Disney to dump it and write off the expenses on its taxes. It’s not like they can sell commercials during episodes, and they probably won’t sell a home video version, so there’s little way for the show to make money by itself. It’s a weird world we’re in now, and studios are trying to figure it out….

However, this line in Variety’s report “Spiderwick Chronicles Series Adaptation Not Moving Forward at Disney+” blurs the part about who’s footing the production bill:

The completed six-episode series, which hails from Paramount Television Studios and 20th Television, is currently being shopped to other potential buyers.

(7) KEEPING THE DISCWORLD NICE AND ROUND. The Gamer defends how the Pratchett rights are handed: “The Terry Pratchett Estate Is Right To Turn Down Subpar Adaptations”.

…The Pratchett estate has likely been burned by its experience with The Watch, something which languished in adaptation limbo for a number of years after the rights were bought. While the Amazon adaptation of Good Omens has been received far better by fans, the star power and intoxicating chemistry of stars David Tennant and Michael Sheen help things along. It will also help that co-author and lifelong friend of Pratchett’s Neil Gaiman is credited as creating the show and serves as a hands-on showrunner as the series moves past the events of the novel. If anyone knows how to continue the Pratchett legacy, it’s him.

In response to a headline decrying Discworld as another huge franchise “going to waste”, the Pratchett estate posted a status to the social media platform formerly known as Twitter saying, “It’s not going to waste, it’s just very much wanting to do the right thing and definitely not do the wrong thing. Again.”

The account, run by Pratchett’s longtime assistant and business manager Rob Wilkins, followed up by saying, “Our nuclear weapon remains our ability to say no and you simply wouldn’t believe how often we still have to use it”, adding the hashtag #Narrativia, referencing Pratchett’s production company that owns the multimedia rights to all of the author’s work….

… Rhianna Pratchett responded too, saying that “we are more mindful than ever, than when we give the ‘yes’ it has to be right”. After the decidedly unPratchett adaptation of The Watch, she has every right to be cautious. While the books are timeless, and continuously prove that Pratchett was ahead of his time in more ways than you could ever imagine, a slew of poor quality adaptations could tarnish that legacy….

(8) ARLEEN SORKIN (1955-2023). Arleen Sorkin, known for voicing Harley Quinn in animated DC Universe productions, died August 26 at the age of 67.

…In 1992, Sorkin began voicing Harley Quinn in Batman: The Animated Series. She would reprise her role in other shows like Superman: The Animated SeriesBatman Beyond: Return of the JokerGotham GirlsJustice League and Static Shock. Sorkin also lent her voice as Harley Quinn for DC video games like Batman: Arkham AsylumDC Universe Online and DC Universe Online: The Last Laugh….

(9) CAREER INCLUDED HARRY POTTER FILM. Actress Matyelok Gibbs died August 14 at the age of 91.  

…On film, she played Erik’s mum in Terry Jones’s Erik the Viking (1989) – Tim Robbins was Erik, discovering there might be more to life than raping and pillaging, with Mickey Rooney as Erik’s grandad – and Auntie Muriel Weasley in Harry Potter and the Deathly Hallows (2010), a gaudily attired, rude and gossipy great-great-aunt of the Weasley children resembling a bad-tempered flamingo….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 28, 1915 Tasha Tudor. American illustrator and writer of children’s books. Her most well-known book is Corgiville Fair, published in 1971, the first of a series to feature anthropomorphic corgis. (Died 2008.)
  • Born August 28, 1916 Jack Vance. Where to start? The Dying Earth series? Or perhaps the Lyonesse trilogy? I think I’ll pick the Demon Princes series. Damn he was good. Hugos? Oh yes. Discon was his first for “The Dragon Masters” short story followed by winning one for “The Last Castle” novelette at NYCon 3. His autobiography, This is Me, Jack Vance! (Or, More Properly, This is “I”), Jack Vance, won at Aussiecon 4. Let’s not forget that he has a World Fantasy Award for Life Achievement as well. And a SFWA Grand Master Award, too. (Died 2013.)
  • Born August 28, 1917 Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. (Another DC film that got cancelled, damn it.) I had forgotten that he created the Black Panther. (Died 1994.)
  • Born August 28, 1925 Arkady Natanovich Strugatsky.The Strugatsky brothers were well known Russian SF writers who were Guests of Honor at Conspiracy ’87, the Worldcon that was held in Brighton, England. Their best-known novel in the West, Piknik na obochine, has been translated into English as Roadside Picnic. It is available from the usual suspects with a foreword by Le Guin. (Died 1991.)
  • Born August 28, 1948 Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short story of hers done as a faux encyclopedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Neat. (Died 2019.)
  • Born August 28, 1951 Barbara Hambly, 72. Author of myriad genre works including the James Asher, Vampire NovelsThe Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Was married for some years to George Alec Effinger.

(11) COMICS SECTION.

  • Tom Gauld has his own version of “Writer Beware!”

(12) CELEBRITY COMIC COLLECTION GOES UNDER THE HAMMER. “Kevin Smith is Auctioning His Personal Comic Book Art Collection” and CBR.com hits the highlights.

…A highlight of the auction is Green Arrow cover art by Matt Wagner from issues #1 – #12, estimated to bring in between $1500.00 and $3000.00 each. Additionally, the collection features one of Smith’s rarest gems, a page from Frank Miller’s Daredevil #161, penciled by Miller and inked by Klaus Janson, estimated to cost $20,000.00 to $40,000.00. Each lot in this historic auction will come with a Certificate of Authenticity (COA) from Bodnar’s and Smith’s autograph.

A percentage of the proceeds from the auction will be donated to a scholarship fund for the Joe Kubert School in Dover, New Jersey. Smith, in his characteristic manner, exclaimed, “My current reduction in home wall space is going to make some ardent comic collectors’ dreams come true!” He added, “This will be the sale of the century.”…

(13) PLANET STEWARDS. The U.S. National Oceanic and Atmospheric Administration has chosen eight books and a film for their Planet Stewards Book Club. Craig Russell’s climate-crisis novel, Fragment, was selected alongside the film Don’t Look Up and the work of many other excellent authors, including Pulitzer Prize winner, Annie Proulx. Dates and subjects of club sessions and video links are here.

(14) COVER ARTIST. The Guardian shares Matt Stevens’ work in “Cover version: films reimagined as vintage paperbacks – in pictures”.

…For his project Good Movies As Old Books , Matt Stevens combined two of his main interests: recreating his favourite films in the style of vintage paperbacks. The North Carolina -based designer and illustrator begins with iPad sketches before using Photoshop to create the effect of old paper and weathered cover textures. The first 100 designs were collected in a Kickstarter-funded art book, and a second one is in the works. “You have to be efficient with the visuals and really distil down the concept into something simple, while still making an impact,” he says. “I love the challenge of that.”…

Andrew Porter dropped the link with a note: “Stephens apparently has no idea that another James Gunn is an actual author of SF books… One of the cover designs looks suspiciously like it’s by Mike Hinge.”

(15)  TIME CAPSULE. There are still 153 photos of fans and writers on Mike Resnick’s Facebook album, spanning the decades of his life in fandom. Moshe Feder pointed this out a few days ago.

(16) WHO DID YOU SAY YOU WERE? “TV Characters With Mystery Names” at TVLine. The genre examples are not the most interesting ones, but there are some.

…What follows is an extensive small-screen history consisting of the following:

Characters whose first, last or full names have never been revealed.

Characters whose names were kept secret for multiple seasons. (Angels, aliens and other inhuman entities were not included.)

Here’s one example:

AGENT 99, GET SMART

The name of Maxwell Smart’s partner-turned-wife was never disclosed. The show would later follow tradition when she gave birth to their twins — a boy and a girl — and never revealed the daughter’s name.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Naomi.]

Pixel Scroll 4/12/21 No Matter Where You Scroll, There You Pixel

(1) MUIR’S PROGRESS. Bence Pintér conducted a “Q&A with Tamsyn Muir” for the Hungarian magazine Spekulatív Zóna. (You can find the Hungarian version of the interview here.)

The Locked Tomb Trilogy seems like a pretty hard one to pitch to a publisher. How have you pitched it?

I never really pitched the trilogy as a trilogy. I pitched Gideon as more or less a murder mystery, because to me that’s still its most fundamental DNA: it’s the classic And Then There Were None set-up, a group of people in an isolated location start getting killed off one by one. I think I said it was a locked-room murder mystery with necromancers. But I was also deeply confused about a lot of things and thought it might be a Young Adult book, because I understood ‘young adult’ as a tag to mean ‘older teenagers would enjoy it’ and I firmly believed that older teenagers would enjoy Gideon! Someone I showed the story to at an early stage had to break it to me gently that this was not a Young Adult book, and never would be without very major re-writing and taking out 90% of the swearwords….

You signed a six-figure deal with Tordotcom Publishing. What will you work on after finishing Alecto the Ninth?

Lots of stuff. Next up is a novella about a gunslinger in a near-future dystopia, which is going to be a massive relief to write as it contains neither swords nor bones, thank God. Then I’ve got to start on the next full-length novel, which will probably have some swords and some bones but not at anywhere near the concentration Locked Tomb did, and will leaven the mixture by also having some motorbikes. And at some point I need to fit in the sequel to Princess Floralinda and the Forty-Flight Tower, my novella from last year, which I’ve decided I’m not quite done with. Now if I could just get an extra four or five months added in to the year, maybe in summer when the weather’s OK, that would be fantastic.

(2) PRO TIPS. Odyssey Writing Workshop interviews Guest Lecturer Sheree Renée Thomas, now editing F&SF.

Congratulations on recently becoming editor of The Magazine of Fantasy & Science Fiction! What are the most common problems in the manuscript submissions you receive?

I just revised our submission guidelines to address that, because after reading 2,400 stories our first month in January, I noticed some patterns, particularly for people who have submitted work to the magazine in the past, and they probably don’t know that they’re doing some of these things.

The main thing I revised our submission guidelines to address is pacing. If you spend a long time setting up your story, or throat clearing, or giving us a long narrative exposition before we even get to the characters we’re supposed to be following and experiencing, you’re going to lose your readers’ interest right off the bat. One of the things people can do when they go back and look at the story is see if they started in the right place. As a writer, it’s not always easy to know that immediately. Sometimes we have to write the thing in order to know the thing; we have to write that first scene to get to the other one.

The other thing that a lot of writers do give us too much information that’s not naturally integrated into the storytelling, and so that becomes a little wearisome to read and hard to follow. People are not telling the story from the POV of the character who has the most to lose in the situation.

I don’t want to read about misogyny, whether it’s conscious or not in the story. I don’t particularly care for rape stories where rape is just a plot device and it’s not handled in a human way, where you don’t have the characters respond to it in a way that humans might. And F&SF is not the best market for super erotic work.

(3) TV DINNER. ASU’s Center for Science and the Imagination’s Science Fiction TV Dinner series is going virtual for 2020-2021, and they’ll  Zoom the next event on Tuesday, April 27 at 6 p.m. Pacific time. It features The Mailbox, a short film about time travel and Chinatowns. They’ll be talking with the director, Louis Yin, a writer and filmmaker based in Beijing, and Diane Wong, a professor at Rutgers University who studies the Asian diaspora and the urban immigrant experience. The event is free, and open to everyone. Register at the link.

We’re shifting the format slightly, presenting Science Fiction TV Small Bites: short films from talented creators that invite us to explore a range of possible futures.

…Each Small Bite event will also feature an exclusive segment on cuisine and cooking by Corey S. Pressman, an author, educator, anthropologist, visual artist, and member of CSI’s Imaginary College.

We would like to thank Storycom for their support and collaboration on this event. Storycom is the first professional story commercialization agency in China, and is dedicated to bringing excellent Chinese SF stories to domestic and global audiences in various formats. Storycom also presents The Shimmer Program to introduce new audiences to Chinese SF. Learn more at https://twitter.com/ShimmerProgram.

(4) ACE ON THE CASE. [Item by Martin Morse Wooster.] In the April 7 Financial Times, Tom Faber looks at video games that combine the supernatural with detective stories.

…The first detective games I loved were the Ace Attorney trilogy, in which you play Phoenix Wright, an impossibly earnest lawyer who solves a trio of outlandish murders.  The tone is decidedly zany, with anime-style graphics and supernatural story beats. But the sharp characterisation makes them deeply affecting.  Each complex case is split into two parts:  the first has you talking to witnesses and gathering evidence from the crime scene, while the second takes you to court, where you cross-examine witnesses and poke holes in testimony…

…Perhaps the secret ingredient to a successful detective game is allowing players freedom to find the solution by themselves.  These qualities re best exemplified in last year’s indie hit Paradise Killer, which sets its supernatural mystery across an open world, allowing you to investigate at your own pace.  The game never tells you where to go next and you can set the final trial at any point, no matter how much evidence you’ve gathered.  Newcomers may be alarmed by the game’s high-concept fantasy, which tells of a group of social elites constructing a utopia by sacrificing the working classes to resurrect a pantheon of vanished gods.  Yet once you find your footing, the story resolves into a fantastically imaginative, richly compelling narrative with a superb soundtrack to boot.

(5) WHAT YOU CAN LEARN FROM CONFUSION. Ian Moore’s “ConFusion: Eastercon 2021” report at Secret Panda offers a lot of coverage of the panel programming.

… Many of the academic presenters at ConFusion seemed to be from creative writing rather than literary criticism programmes, which changed the focus somewhat: when they were examining a particular theme within science fiction, it was with a view to ultimately creating something in that area themselves, with several then presenting us with some of their own creative work in progress.

I enjoyed Hester Parr’s presentation on fanfic, though at times it did tend towards more of a stirring defence of fan fiction than an academic analysis of it. Particularly interesting was the discussion of how some fanfic writers use their writing to work out things about themselves and the revelation that the My Fair Lady musical is closer to the original Pygmalion myth than the George Bernard Shaw play it is adapted from. I did find myself thinking about whether there is a difference between something like Margaret Atwood’s The Penelopiad and other retellings of myths or sequels to others’ work by novelists on the one hand and fan fiction proper on the other hand. Part of Parr’s argument seemed to be that there is not really a difference, with the human tendency to retell and adapt stories meaning that fanfic is a universal thing with its origins in the mists of time. I have the nagging sense though that there is something different between a novel written by a professional writer and something a hobbyist has posted to an online fanfic platform. To me the fannishness of fanfic is what distinguishes it from non-fan writing drawing on pre-existing stories, though further investigation may be required here….

(6) GAGARIN AND THE POTATO FIELD. Sixty years ago today Yuri Gagarin became the first man in space. Here’s the CNN story:

…Khrushchev’s answer came 60 years ago, on April 12, 1961, when Soviet cosmonaut Yuri Gagarin circled the Earth aboard a spacecraft called Vostok 1. After parachuting from the craft near the Russian village of Smelovka, Gagarin landed a hero — and a major embarrassment for the United States, already stung by the Soviet first-in-the-race launch of the Sputnik 1 satellite four years earlier….

And what goes up must come down – however unexpectedly that might be if you happen to be standing where they land.

(7) JOURNEY INTO SPACE. And the Journey Planet team bids everyone a Happy Cosmonautics Day. Ann Gry co-edited their “Russian Space – ” theme issue which came out in December.

Cover by Sara Felix

This unique issue of Journey Planet comes in two languages in parallel text, Russian and English. With bi-lingual text on every page we look at the Science, Engineering, Science Fiction, Films, Comics and poetry that the theme of Russian Space has to offer.

Muscovite Co-Editor Ann Gry (Anna Gryaznova) was committed to ensure the issue was as accessible as possible to the readers, interested in the subject and spent a tremendous amount of time working on translations as well as seeking out new voices, and hearing from voices who may be very new to Journey Planet readers. This issue is a curated glimpse into the creative realms mostly inaccessible due to the language barrier and is an attempt to give an idea of how space theme connects us all.

You can find the issue here:

(8) WE’LL MEET AGAIN. James Davis Nicoll extols “Five Stories Built Around the Threat of Nuclear Blackmail” to Tor.com readers. Not all of them are grim:

The Mouse that Roared by Leonard Wibberley (1955)

The tiny principality of Grand Fenwick had no intention of blackmailing the world with atomic doom. Faced with economic calamity (Americans had successfully copied Grand Fenwick’s principal export, Pinot Grand Fenwick wine), they came up with a simple but brilliant plan: declare war on the United States of America, lose, capitulate, and then wait for US to expend billions of dollars rebuilding Grand Fenwick (shades of the Marshall Plan). Since Grand Fenwick had not upgraded its military toolkit since the Hundred Years War, there was no way this cunning scheme could go wrong. Or so it seemed.

The handful of men-at-arms dispatched to New York City find a city abandoned thanks to a Cold War-era Civil Defense exercise. Hunting for someone to whom they might surrender, they stumble across Dr. Kokintz and his Q-bomb demonstration model. Both Kokintz and his device are carried off to Grand Fenwick, whereupon the astounded Grand Fenwickians discover to their alarm that they are now in possession of a weapon that could, if detonated, depopulate a continent. Still, having the eyes of the world on them has possibilities…provided nobody jostles the delicate Q-bomb.

(9) HAND MADE. The Dwrayger Dungeon makes a post from clips from a 1939 short in “13: PARAMOUNT Presents POPULAR SCIENCE”. See how a Popeye cartoon was made in the days of hand-painted animation cels.

Today we go behind the scenes of the making of the Popeye cartoon “Aladdin And His Wonderful Lamp” at the Fleischer Studios in Miami….

Here are the guys working on the storyboards for their upcoming Popeye cartoon. I swear, there are like 500 drawings pinned up on the wall….

(10) MEDIA BIRTHDAY.

  • April 12, 1940 — On this day in 1940, Black Friday premiered. It was directed by Arthur Lubinfrom from a screenplay by Curt Siodmak (who won a Retro Hugo last year for Frankenstein Meets the Wolf Man) and Eric Taylor. Though Boris Karloff and Béla Lugosi were co-billed, Lugosi only has a rather small part in the film and does not appear on screen with Karloff.  Universal had cast Lugosi as the Doctor and Karloff as the Professor, but Karloff insisted on playing the Doctor. So Lugosi was given the minor role of a rival gangster, while Stanley Ridges was brought in to play the Professor. Reception was mixed with some critics loving the double billing, but the NYT noted that “Lugosi’s terrifying talents are wasted”.  Over at Rotten Tomatoes, the audience reviewers give it a rating of forty nine percent.  It is in the the public domain now, so you can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 12, 1884Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late 1920s early 1930s. He’s one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.) (CE) 
  • Born April 12, 1908 – Janie Lamb.  Edited the N3F (Nat’l Fantasy Fan Fed’n) National Fantasy Fan and Tightbeam.  Inspiring spark of Southern Fandom (southern U.S., not e.g. the Republic of South Africa, or London, or Spain despite Roses from the South, these other regions not typically so calling themselves); chaired DeepSouthCon 7.  Kaymar and Rebel service awards.  (Died 1981) [JH]
  • Born April 12, 1915Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’  He published thirteen novels and some one hundred fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. (Died 2000.) (CE) 
  • Born April 12, 1921Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement award from the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.) (CE) 
  • Born April 12, 1936Charles Napier. Adam in Star Trek’s “The Way to Eden”. He had one-offs, and this is not a complete list, on Mission ImpossibleThe Incredible HulkKnight Rider, Tales of The Golden MonkeyThe Incredible Hulk ReturnsLois & Clark: The New Adventures of SupermanDeep Space Nine and voiced Agent Zed in the animated Men in Black series. (Died 2011.) (CE) 
  • Born April 12, 1947 – Tom Clancy.  Regardless of whether Jack Ryan becomes President, and the author’s politics which as it happens I never liked much, I defiantly assert The Hunt for “Red October” – TC’s first novel! he’d been an insurance salesman! Deborah Grosvenor had to persuade the Naval Inst. to publish it! – is SF, and good SF too.  (Died 2013) [JH]
  • Born April 12, 1952 – Pierre Stolze, Ph.D., age 69.  Dissertation at École Normale Supérieure on SF.  Seven novels, a score of shorter stories.  Will Francophone translators kindly address this man’s work?  [JH]
  • Born April 12, 1958 – Elizabeth Klein-Lebbink, age 63.  Canadian living in Los Angeles.  Active particularly with Art Shows; board member of the Southern Calif. Inst. for Fan Interests (yes, that’s what the initials spell, pronounced skiffy).  Her high-tech expertise permitted the annual Rotsler Award display at Worldcons to rise above the personal handicraft of one man in a propeller beanie, however helped by volunteers (hello, Murray), and thus reach Dublin (77th Worldcon) and Wellington (78th Worldcon, virtual-only).  [JH]
  • Born April 12, 1968 – Marah Searle-Kovacevic, age 53.  Head of Exhibits at Noreascon 4 the 62nd Worldcon, credited by con chair with extra help at N4’s elaborate and successful First Night, see this detailed report.  Chaired SFContario 4-5.  Was assigned as head of Social Media for Westercon LXXIII.  [JH]
  • Born April 12, 1969 – Mike Jansen, age 52.  Ran Babel Publications for ten years with Roelof Goudriaan (hello, Roelof).  Three novels, fourscore shorter stories, a dozen poems, many available in English e.g. collection Ophelia in My Arms.  Website in eight languages including Arabic, Chinese, English. [JH]
  • Born April 12, 1979Jennifer Morrison, 42. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the Batman: Hush, a film that needs a R rating to be told properly and indeed did so. (CE) 

(12) COMICS SECTION.

  • Macanudo reveals the ancestry of a certain popular character from The Mandalorian.

(13) THE ARRIVAL OF THE FUTURE. Eric Diaz analyzes “How the Year 1986 Changed Comic Books Forever” at Yahoo! Life. Here’s the first pair of reasons:

… Let’s get this double-whammy out of the way. 1986 saw the release of Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s Batman: The Dark Knight Returns. So much has been said about both of these comics already. Although much about them is different, each is a deconstruction of the superhero concept; and each elevated the medium to new levels of respectability.

Yes, their success has sown definite downsides. Too many creators take the wrong lessons from their popularity, veering “dark and edgy” for the sake of it. But this aside, both of these remain towering achievements in comic book storytelling…. 

(14) WONDER WOMAN WRITER REMEMBERED. In the Washington Post, Michael Cavna interviews Mark Evanier and author/editor Anina Bennett about Joye Hummel Murchison Kelly’s appearance at the 2018 Comic-Con and how she enjoyed the recognition she got for her Wonder Woman work when she was 94. “She was the ‘secret’ Wonder Woman writer in the 1940s. Here’s how she finally got her due at 94”.

…“In all my years of Comic-Conning, I can’t recall another moment when the audience was so eager to give someone a long, loving ovation,” Evanier said Wednesday, “and the recipient was so delightfully surprised to be at an event like that receiving one.

“Joye told me it was the best weekend of her life, and I thought, ‘Imagine having the best weekend of your life when you’re 94!’”

(15) BIRD IS THE WORD. Jeff VanderMeer, in his essay “Hummingbirds and the Ecstatic Moment” for Orion Magazine, explains how birds provided comfort to him when he was sick in bed with asthma as a child and why birds play a crucial role in Hummingbird Salamander.

…I am not going to complain about my childhood—it was worse than some and better than many. But it was a sickly time for me. Transplanted to the Fiji Islands from Pennsylvania when my parents joined the Peace Corps, I discovered I was allergic to many flowering trees and also developed acute asthma. The practical effect of this meant that some mornings I would wake to birdsong hardly able to breathe or open my eyes.

Yet we lived in the cliché of a tropical paradise, a nature-rich country in which nothing separated you from the outdoors. An island nation that knew the limits of its resources and thus, at that time, treasured them.

At recess at school, in our drab gray uniforms, we would run across the road to the black sand beach at low tide and look for mudskippers, or walk along the edge of the reef, searching for starfish. I would stare into the alien eye of a sea turtle as my mother captured the detail in her biological illustrations. We would pile into a boat so my father could go to an outer island and observe the damage to coconut trees from rhinoceros beetles, for his research. Along the way, I would keep a birding journal and identify what I saw using a black-and-white stapled booklet showing the local Fijian species.

There could be no greater contrast between the beauty of that place and the realities of my condition…. 

(16) RESNICK ON SALE. There’s a Bundle of Holding with a flock of novels by Mike Resnick. It’s available for the next 21 days.

Adventurer! This Mike Resnick Bundle presents space opera and alternate-history fantasy ebook novels by Mike Resnick published by Pyr BooksMike Resnick (1942-2020) wrote more than 70 wide-ranging science fiction novels and hundreds of short stories that won many awards. This all-new fiction offer gives you DRM-free ebooks (in both ePub and Kindle formats) of a dozen Resnick novels: the four Weird West steampunk fantasies, the three Dead Enders adventures of interstellar espionage, and the five Starship military space operas. These three series showcase Resnick’s gift for fast pacing, engaging characters, snappy dialogue, and headlong action.

For just US$6.95 you get all three novels in our Mike Resnick Sampler (retail value $58) as DRM-free ebooks. Each of these novels — The Buntline Special, The Fortress in Orion, and Starship: Mutiny — launched a series.

And, if you pay more than the threshold price of $25.36, you’ll also get our Complete Collection with all the later books in each series — nine more novels worth an additional $180…

(17) DON’T DO IT. From an interview in The Guardian: “String theorist Michio Kaku: ‘Reaching out to aliens is a terrible idea’”.

You believe that within a century we will make contact with an alien civilisation. Are you worried about what they may entail?

Soon we’ll have the Webb telescope up in orbit and we’ll have thousands of planets to look at, and that’s why I think the chances are quite high that we may make contact with an alien civilisation. There are some colleagues of mine that believe we should reach out to them. I think that’s a terrible idea. We all know what happened to Montezuma when he met Cortés in Mexico so many hundreds of years ago. Now, personally, I think that aliens out there would be friendly but we can’t gamble on it. So I think we will make contact but we should do it very carefully.

(18) IT’S A THEORY. “Prehistoric cavemen starved themselves of oxygen to induce hallucinations and inspire their ancient paintings, study finds”Yahoo! News has the story.

Prehistoric cave dwellers living in Europe purposefully starved themselves of oxygen to hallucinate while creating their decorative wall paintings, a groundbreaking new study has found.

Researchers have been questioning for years why so many of the world’s oldest paintings were located in often pitch-black tunnel systems, far away from cave entrances.

But a recent study by Tel Aviv University now reveals that the location was deliberate because it induced oxygen deprivation and caused cavemen to experience a state called hypoxia.

Hypoxia can bring about symptoms including shortness of breath, headaches, confusion, and rapid heartbeat, which can lead to feelings of euphoria, near-death experiences, and out-of-body sensations. The team of researchers believes it would have been “very similar to when you are taking drugs”, the Times reported.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Alien:  Covenant Pitch Meeting” on YouTube, both the producer and the screenwriter agree that the film’s plot is so ridiculous that the screenwriter says “the movie falls apart if any character stops being dumb” and the producer asks, “do all the characters have brain damage, or what’s up?”

[Thanks to Hampus Eckerman, rcade, John King Tarpinian, Joey Eschrich, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, Rich Horton, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]

First Fandom Awards
2021 Nominees

First Fandom members have until May 15 to vote on the candidates for the organization’s annual awards.

The names of the winners will be announced at DisCon III, this year’s Worldcon, in Washington, D.C.

Here are the fans up for the three awards along with brief excerpts from their candidate bios.

FIRST FANDOM HALL OF FAME

The First Fandom Hall of Fame, created in 1963, is a prestigious achievement award given to a living recipient who has made significant contributions to Science Fiction throughout their lifetime.

Candidate: William F. Nolan

…Among his many accolades, Nolan has twice won the Edgar Allan Poe Award from the Mystery Writers of America. He was voted a Living Legend in Dark Fantasy by the International Horror Guild in 2002, and in 2006 was bestowed the honorary title of Author Emeritus by the SFWA. In 2010, he received the Lifetime Achievement Bram Stoker Award from the HWA. In 2013 he was a recipient, along with Brian W. Aldiss, of the World Fantasy Convention Award. In 2014, Nolan was presented with another ram Stoker Award, for Superior Achieve[1]ment in Nonfiction. In 2015, he was named a World Horror Society Grand Master.

POSTHUMOUS HALL OF FAME AWARD

The Posthumous Hall of Fame was created in 1994 to acknowledge people in Science Fiction who should have, but did not, receive that type of recognition during their lifetimes.

Candidates:

Richard & Pat Lupoff

…With Pat, he edited the SF fanzine Xero which they unveiled at the 1960 Worldcon in Pittsburgh. A regular feature of Xero was a nostalgic look at Golden Age comic books called “All in Color for a Dime” that later resulted in two books of essays: All in Color for a Dime (1970) and The Comic Book Book (1973), both of which Lupoff co-edited with fellow fan Don Thompson. Dick and Pat appeared at Pittcon, the 1960 Worldcon, dressed as the popular comic book characters Captain Marvel and Mary Marvel for the con’s masquerade event. Their picture as the two superheroes has been widely circulated in SF and comic book fandoms. Xero won the 1963 Best Fanzine Hugo Award. A collection, The Best of Xero, published in 2004, edited by the Lupoffs — and with an introduction by film critic Roger Ebert – was nominated for the 2005 Best Related Book Hugo. In addition, Dick edited other popular genre anthologies, including the What If? SF series (1980 – 1984)….

Mike Resnick

,,,Resnick won five Hugo Awards (nominated for 30+), a Nebula Award (nominated for 10+), and was GoH at Chicon 7 in 2012. He was one of the founders of ISFiC, the organization that runs Windycons. He was also a long-time member of the Cincinnati Fantasy Group (CFG)…

Walter Tevis

…Among his works were several SF books, including The Man Who Fell to Earth (1963), Mockingbird (1980), Far from Home (1981), and The Steps of the Sun (1983). Far from Home was a collection of his short SF, most of which had originally been published in popular genre magazines of the time such as Galaxy, The Magazine of Fantasy & Science Fiction, If, and Omni.

…Hugo Award for Best Dramatic Presentation (1977) for The Man Who Fell to Earth; Nebula Award Nomination (1981) for Mockingbird; Locus Award Nomination for Best Short Story (1980) for “Rent Control” (originally published in the October, 1979, issue of Omni Magazine)…

SAM MOSKOWITZ ARCHIVE AWARD

Sam Moskowitz Archive Award was created in 1998 to recognize not only someone who has assembled a world-class collection but also what has actually been done with it.

Candidate: Kevin L. Cook

…As a teenager in the 1970’s Kevin kept reading in many places that no one knew more about SF than Sam Moskowitz. He had some questions. Why ask a lesser authority? Therefore, Kevin wrote to Mr. Moskowitz with his questions. Sam answered of course. That act impressed Kevin. If Sam Moskowitz was willing to share a bit of his vast knowledge with someone, should he not pass along the torch if he ever obtained knowledge of his own? With that thought in mind Kevin has provided many publishers in the field with photocopies, scans and even the actual loan of books and magazines…

For more than 25 years has continued to dispense information through his quarterly apazine for The Pulp Era Amateur Press Society (PEAPS). When he obtains a letter from a famous author such as A. Merritt or an interesting inscription in a book, he provides photocopies for the PEAPS members, which also includes people beyond since a copy of all PEAPS mailings are housed in the Popular Culture Library of Bowling Green University. That effort of sharing his knowledge through the collection he has gathered is why Kevin L. Cook is a candidate for the Sam Moskowitz Archive Award for 2021.

Inaugural Mike Resnick Memorial Award for Short Fiction Will Be Given in 2021

Mike Resnick at Imaginales 2016 in France.

Laura Resnick announced on Facebook today that Shahid Mahmud, publisher of Galaxy’s Edge and Arc Manor Books, is launching the Mike Resnick Memorial Award for Short Fiction. “In keeping with Mike’s philosophy of helping new writers, the award will be for short works by new writers.”

The award for the best unpublished science fiction short story by a new author will be presented at Dragon Con during the annual Dragon Awards ceremony.

New Author (definition): An author who has not had any work (including short stories, novelettes, novellas and novels) published by any of the professional publishers listed by SFWA as an “eligible” publishing venue.

Eligibility: New science fiction short story by a new author. The story must not have previously been released to the public via any means, including online, digital, or paper publications, or privately through such avenues as newsletters, Patreon and the like. This award is exclusively for science fiction stories, not any other form of speculative genres (including fantasy and horror) and Arc Manor (the publisher of Galaxy’s Edge magazine) will be the final decider of this criteria in case of any disputes.

It will be a juried award. Stories may be submitted between January 1, 2021 and April 30, 2021. Full guidelines are on the award website here,

  • The first place winner will get a trophy, a cash award of $250 and have their story bought (at the magazine’s prevailing rate) by Galaxy’s Edge for publication in the magazine.
  • Four runners-ups will have their stories displayed on the Galaxy’s Edge website for a period of two-months.

[Thanks to Chris Barkley for the story.]

2020 Cordwainer Smith Rediscovery Award

The 2020 Cordwainer Smith Rediscovery Award is presented today to:

Rick Raphael
(1917-1994)

The jury particularly cites:

  • Raphael’s 1966 fixup novel Code Three, composed of three shorter works the first two of which were published in Analog and were each separately nominated for the Hugo Award.
  • Raphael’s 1960 novella “Make Mine Homogenized,” also from Analog (April 1960), a masterpiece of science-fiction humor, reprinted in The Great SF Stories 22 (1960), edited by Isaac Asimov and Martin H. Greenberg.

The Cordwainer Smith Rediscovery Award has been presented annually since 2001 by the Cordwainer Smith Foundation, preserving the memory of science-fiction writer Paul Linebarger, who wrote under that pen name. The Cordwainer Smith Rediscovery Award honors under-read science fiction and fantasy authors with the intention of drawing renewed attention to the winners.

The award is normally presented at Readercon, which was not held in 2020 due to the COVID-19 pandemic, and is sponsored by Paul Linebarger’s estate, represented by B. Diane Martin.

The 2020 jury consisted of Barry Malzberg and Robert J. Sawyer. “The jury mourns the passing of its third member, Mike Resnick, who died January 9, 2020,” Malzberg and Sawyer said, adding: “We are actively seeking new jurors with a deep knowledge of science fiction and fantasy history and invite those interested in serving to reach out to [email protected].”

Pixel Scroll 6/22/20 Come Pixel Round Filers, Wherever You Scroll, And Admit That The Word Counts Around You Have Grown

(1) FOR ALL MANKIND. There’s a lot of information available about Season 2 of Apple TV+’s alternate history of the space race For All Mankind – only I didn’t locate a release date.

Take a guided tour of For All Mankind’s first lunar base. Former Astronaut and technical advisor Garrett Reisman helps show us around Jamestown.

Collider interviewed series creator Ronald D. Moore.

One of my favorite shows on any streaming service is the Apple TV+ series For All Mankind. Created by Ronald D. Moore (who previously developed the Battlestar Galactica reboot), the series takes place in an alternate history where the global space race of the 1960’s never ended. In this alt timeline, the Soviet Union landed on the Moon first and we follow NASA as they try and catch up while also dealing with the changing times. Loaded with fantastic performances, incredible production design, and an honest depiction of the space race, I strongly recommend watching the first season when you get the chance.

(2) BETTING ON RESNICK. Alex Shvartsman did a cover reveal for Mike Resnick’s The Hex Is In: The Fast Life and Fantastic Times of Harry the Book. Cover art by Túlio Brito. See it at the link.

From boxing matches to dragon races to elections, there’s no wager Harry won’t cover—so long as the odds are right.

Harry the Book operates out of a Manhattan bar booth, with his personal wizard and his zombie bodyguard close at hand. He’ll dope out the odds on any sort of contest, even if that gets him into a heap of trouble.

The book will be out in August, but you can order eARCs immediately at the link.

(3) ROTHFUSS TEAMS WITH ONE SHOT PODCAST. Patrick Rothfuss will partner with One Shot Podcast, releasing new episodes every Monday through July 27, for an actual play miniseries set in The Kingkiller Chronicles’ world of Temerant.

One Shot is a weekly actual play podcast that explores different role playing systems with self contained One Shot stories. A rotating cast of improvisers, game designers, and other notable nerds show off the variety and diversity in RPGs run a new game every month.

The multi-performer audio production will feature original music by Arne Parrott and sound design by Casey Toney (NeoScum, Campaign Skyjacks, Hey Riddle Riddle.) Performers include Patrick Rothfuss himself alongside Satine Phoenix (Gilding Light, GMTips) Liz Anderson (Campaign: Skyjacks, Jackbox Games, Contributor at The Onion), Bee Zelda (The Broadswords), and Gamemaster James D’Amato (One Shot, Campaign: Skyjacks). 

While new to his readers, this is not the first time Rothfuss has roleplayed Temerant. In the years before the publication of The Name of the Wind, he fleshed out the world and tested ideas in private games he would run for friends and family.

“Long before I ever tried to write a novel, I made characters and built worlds for roleplaying games,” says Rothfuss. “Telling stories like this will give me a chance to show off corners of my world that don’t appear in my novels, and it’s playful and collaborative in a way that I really miss. Most importantly, these are stories that will let people spend time in my world sooner rather than later, while they’re waiting for the next book to come out.” 

Rothfuss and D’Amato set their first Temerant story at The University, following students who find themselves at loose ends at the end of the term: juggling financial responsibilities, personal relationships, and their hopes for the future. 

“It’s a college road trip movie,” said D’Amato. “For our first adventure, I wanted to look to the left of Kvothe’s rougeish heroics to see what else we can learn about Temerant.”

“I had such fun,” said Rothfuss. “It’s the first time I’ve ever PLAYED a game in my world instead of running it. I got to share details about the culture and magic I’ve never talked about before. I loved making characters and seeing where our shared story took us. I’ll admit, it wasn’t at all what I anticipated….” 

(4) THE SCALZI FENESTRATION. John Scalzi’s “The Hugo Window” takes off from an observation in Camestros Felapton’s recent post “Back to Flint”.

… Camestros Felapton blog, as part of a more general examination about who wins and/or is a finalist for Hugo Awards, and when they win them (and when they stop winning them, if they do indeed ever start winning them). The proprietor of the blog essentially argues that for every writer there is a Hugo window, during which they and their work are both popular enough and new enough to draw attention. But sooner or later that window closes.

I come up because I’m used as an example:

“I am not saying John Scalzi will never win another Hugo Award but I don’t expect him to even though I think he’ll be writing good, entertaining sci-fi for many years. This is not because he’s not sufficiently left-wing for current Hugo voters but because we’ve read lots of John Scalzi now and sort of know what to expect.”

It’s not about me, it’s about my Hugo window.

And do I think this is correct? Sort of, yes! And also sort of not….

And Scalzi goes on to develop the thinking behind his answer.

(5) DO YOU KNOW THE WAY. James Davis Nicoll finds “Five SFF Stories That Prove You Can Never Go Home Again” at Tor.com.

To quote Princess Leia, sometimes you cannot go home again. Why this might be varies from story to story… Perhaps home is unrecognizable, or has vanished entirely. Perhaps you yourself have been changed and can no longer fit in as you did in the past. Whatever the reason behind this particular experience of alienation, it is fodder for engaging stories. You might enjoy these five examples.

(6) DEATHSTAR WARMED OVER. You have until June 25 to bid on “”Star Wars” 20” x 16” Photo Signed by 23 of the Cast — Many With Personal Notes Such as Carrie Fisher Writing ”I know…Did you?” — With Becket COA for All Signatures” at Nate D. Sanders Auctions.

Visually powerful 20” x 16” photo of the second Death Star from ”Star Wars”, signed by 23 of the cast, many of whom write their character name or a playful note such as Carrie Fisher’s, ”I know…Did you?” All autographs are penned in silver felt-tip, showing excellent contrast against the black and silver photo. With Beckett COA for all signatures, including: Harrison Ford, Mark Hamill, Carrie Fisher, Peter Mayhew, Jeremy Bulloch, Dave Prowse, Gary Kurtz, Kenny Baker, Anthony Daniels, Paul Blake and Billy Dee Williams. Photo is framed with a ”Star Wars” plaque to a size of 27.625” x 26.75”. Near fine condition.

(7) SCHUMACHER OBIT. Batman Forever director Joel Schumacher died June 22.Variety paid tribute: “Joel Schumacher, Director of Batman Films and ‘Lost Boys,’ Dies at 80”.

Joel Schumacher, costume designer-turned-director of films including “St. Elmo’s Fire,” “The Lost Boys” and “Falling Down,” as well as two “Batman” films, died in New York City on Monday morning after a year-long battle with cancer. He was 80.

… Schumacher’s second and last film in the franchise was 1997’s “Batman and Robin,” with George Clooney as Batman and Arnold Schwarzenegger as villain Mr. Freeze. For “Batman Forever,” the openly gay Schumacher introduced nipples to the costumes worn by Batman and Robin, leaning into the longstanding latent homoeroticism between the two characters. (In 2006, Clooney told Barbara Walters that he had played Batman as gay.)

(8) MEDIA BIRTHDAY.

  • June 22, 1979 Alien premiered. It would win the Hugo for Best Dramatic Presentation at Noreascon Two (which had Robert Silverberg as Toast Master). Released by  20th Century Fox, it was directed by Ridley Scott.  Screenplay was by Dan O’Bannon based on the story by Dan O’Bannon and Ronald Shusett.  It starred Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The Alien and its accompanying objects were designed by the Swiss artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the more mundane settings. Jerry Goldsmith was the composer. Critics loved the film, it did a great box office and the audience reviewers at Rotten Tomatoes give it a stellar 94% rating. (CE)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 22, 1856 – Sir Henry Rider Haggard.  Most famous for King Solomon’s Mines introducing Allan Quatermain, and She introducing Ayesha (yes, that’s She Who Must Be Obeyed); fifty more novels, some about him, her, or both; twenty shorter stories; translated into Dutch, Finnish, French, Galician, German, Italian, Portuguese, Serbian, Spanish.  Had 100 letters in The Times.  (Died 1925) [JH]
  • Born June 22, 1900 – Leo Margulies. Sometimes called the Giant of the Pulps, partly because he was physically short, partly because (it is said) he at one time edited 46 of them, including Captain FutureStartlingStrangeThrilling Wonder; later Fantastic Universe and Satellite.  With Oscar Friend, co-edited My Best SF StoryFrom Off This WorldThe Giant Anthology of SF.  First reviver of Weird Tales, 1973.  By his nephew, Leo Margulies (P. Sherman, 2017).  (Died 1975) [JH]
  • Born June 22, 1927 – Lima de Freitas.  Ceramicist, illustrator, painter, writer.  Officer of the Order of Merit (France); Order of St. James of the Sword (Portugal).  A hundred eighty covers for us; here is Fahrenheit 451here is The War Against the Rullhere is Foundation and Empire.  (Died 1998) [JH]
  • Born June 22, 1936 Kris Kristofferson, 84. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium, which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly, he voiced Karubi in Planet of the Apes. (CE)
  • Born June 22, 1947 – Octavia Butler.  Fourteen novels, nine shorter stories, two Hugos.  Translated into Bulgarian, Croatian, Dutch, French, German, Italian, Japanese, Portuguese, Spanish.  Guest of Honor at WisCon 4, OryCon V, LTUE 7 (Life, the Universe, and Everything), Eastercon 48, Lunacon 41, Balticon 34, Rustycon 21; Parable of the Sower was Book of Honor at Potlatch 17.  U.S. Air Force Academy Special Achievement Award.  MacArthur Fellowship (first SF author to receive this).  Solstice Award.  (Died 2006) [JH]
  • Born June 22, 1949 – John-Henri Holmberg.  Critic, editor, fan, translator.  Co-edited Science Fiction Forum.  Started first SF bookstore in Sweden.  Co-chaired Stockon 5 & 6.  Reporter for Science Fiction Chronicle.  Published Fandom Harvest.  European SF Award for Nova magazine.  Fan Activity Achievement (FAAn) Award for “Worldcon Kaleidoscope” (Trap Door 34).  Big Heart Award.  Guest of Honor at Swecon 14 (33rd Eurocon), at 75th Worldcon (Helsinki, 2017).  [JH]
  • Born June 22, 1949 Meryl Streep, 71. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it. (CE) 
  • Born June 22, 1953 Cyndi Lauper, 67. Ok, I’m officially old as I’m thinking of her as always young. Genre wise, she played a psychic, Avalon Harmonia, on the Bones series. She also has one-offs in series as diverse as The Super Mario Bros. Super Show!Shelley Duvall’s Mother Goose Rock ‘n’ Rhyme and Happily Ever After: Fairy Tales for Every Child. Oddly enough she has one serious acting credit, Jenny (Ginny Jenny/Low-Dive Jenny) in Bertolt Brecht’s The Threepenny Opera. (CE)
  • Born June 22, 1958 Bruce Campbell, 62. Where to start? Well, let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked just as much The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and godawful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. (CE) 
  • Born June 22, 1971 Laila Rouass, 49. She was Sarah Page, an Egyptologist on Primeval, a series I highly recommend if you’ve not seen it. She played Colonel Tia Karim, a traitorous UNIT officer in the two part “Death of The Doctor” on The Sarah Jane Adventures. This story was the last to feature Sarah Jane Smith and the Doctor, The Eleventh here, together onscreen. Jo Grant would also show up. (CE)
  • Born June 22, 1973 Ian Tregillis, 47. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a rather good serial fiction anthology (if that’s the proper term) and he’s got another series, The Alchemy Wars, I need to check out.  (CE)
  • Born June 22, 1958 – Johanna Sinisalo.  Eight novels; forty shorter stories, two dozen for us; three anthologies, notably The Dedalus Book of Finnish Fantasy (i.e. in English); also comics, television; translated into English, French, German. Tiptree Award (as it then was).  Seven Atorox Awards.  Finlandia Prize. Guest of Honor at Worldcon 75.  [JH]
  • Born June 22, 1984 – Robert Bennett.  Nine novels, four shorter stories; translated into Bulgarian, Czech, French, German, Hungarian, Latvian, Polish, Romanian, Russian, Turkish.  Interview in Clarkesworld 64.  Two Shirley Jackson awards.  His Website is here.  [JH]

(10) COMICS SECTION.

(11) DIFFICULT QUIZ OF THE DAY. A Buzzfeed contributor throws down a challenge: “I Will Be Seriously Impressed If You Can Figure Out Whether These Are “Star Trek” Compounds Or Skincare Ingredients”. I scored 9 out of 20. Which earned me the Picard facepalm. Do better.

(12) MODDING UP. “My Kid Could Do That” by Elvia Wilk on the N Plus One magazine blog is a sf short story about augmented reality.

Today 60 percent of the American population, according to recent reports, possesses a database implant that allows a range of augments to be downloaded directly into the brain. The artificial intelligence can allow a person, for example, with no chiseling experience the ability to create a lifelike wooden sculpture. While there are no reliable statistics within the art world, a recent anonymous survey of working artists in New York City under 40 reported an above-average augmentation rate compared with the general population.

(13) JEMISIN ONLINE. N. K. Jemisin discussed her latest novel, The City We Became, with sociopolitical comedian W. Kamau Bell during a live virtual event held by the New York Public Library earlier this month. The video is now available.

(14) IF YOU CAN MAKE IT THERE. “Review: The City We Became by N K Jemisin” at Camestros Felapton.

…If you are immediately thinking of Neil Gaiman’s Neverwhere, then that’s not unreasonable but whereas Gaiman’s London is narrow, weird, convoluted and Victorian, Jemisin’s New York is loud, colourful and in your face. Whereas Neverwhere is a rabbit warren of a mystery, The City We Became owes more to superheroes, a genre that is as New York as they come. I can’t claim Jemisin has grasped that same sense of place as Gaiman did with London because I don’t know New York except through it’s own fictional depictions but it feels like it does.

The superhero comparison is not a shallow one. This is very much a story about a group of New Yorkers who each gain unique powers and who must find a way to fight a supernatural evil…

(15) FOR THE RECORD. [Item by Rob Thornton.] As the wheel turns and progressive rock begins to make a comeback once more, evidently the extravagant extra-long science fiction concept album must also return, as seen in this Bandcamp Daily review: “Neptunian Maximalism, ‘Éons’”

At 123 minutes and—in its physical form—three CDs long, Éons, the new album from Belgium’s Neptunian Maximalism, is unquestionably a massive work. Even so, the size and scale of the project—formed in 2018 by multi-instrumentalist Guillaume Cazalet and saxophonist Jean-Jacques Duerinckx—never feels unnecessary or extravagant as this aptly named collective uses the healthy runtime to explore heavy psych, tribal rhythms, free-jazz freakouts, meditative drone and the vast, shadowy spaces in between. Arriving in the wake of a four-song EP and a largely improvised live album that hinted at Neptunian Maximalism’s ambition, Éons fully delivers on those early promises. The sonic epic not only gives the band plenty of room to roam, but also follows a conceptual framework that imagines the end of Earth’s human-dominated anthropocene era and the onset of a ‘probocene’ era, in which the planet is ruled by superior, intelligent elephants.

(16) THE MIDDLE. [Item by Cat Eldridge.] Well it’s not The Monolith from that film… Atlas Obscura visits “The Center of Santa Clara Valley”.

ALONG COYOTE CREEK ON A far-flung San JoseCalifornia trail, a mysterious plaque sits next to a bike path. At first glance, it appears to be entirely covered in ones and zeroes. But from a different angle, the words “Santa Clara Valley” are faintly visible, etched beneath the numbers.

The reason for the plaque’s strange location is that it marks the geographical center of the Santa Clara Valley, which may be more familiar by its other moniker: Silicon Valley. The numbers, as it happens, spell out three words in binary. 

(17) IN A HOLE IN THE GROUND. “Stonehenge: Neolithic monument found near sacred site” reports BBC.

A ring of large shafts discovered near Stonehenge form the largest prehistoric monument ever discovered in Britain, archaeologists believe.

Tests carried out on the pits suggest they were excavated by Neolithic people more than 4,500 years ago.

Experts believe the 20 or more shafts may have served as a boundary to a sacred area connected to the henge.

“The size of the shafts and circuit is without precedent in the UK,” said Prof Vince Gaffney, a lead researcher.

The 1.2 mile-wide (2km) circle of large shafts measuring more than 10m (30ft) in diameter and 5m (15ft) in depth are significantly larger than any comparable prehistoric monument in Britain.

(18) INCLUSIVE. “Is this the most accessible game ever?”

The first time Steve Saylor fired up the hotly-anticipated new game The Last of Us Part II, he burst into tears.

“Y’all don’t even know how much…” he says between sobs in his video of the moment, which has now had nearly half a million views.

“I’m sorry. I don’t even know what to say.”

Steve is legally blind, and was looking at the overwhelming accessibility options menu.

Courtney Craven, editor of accessibility-focused gaming site Can I Play That, is hard of hearing and has some motor-control issues, and had a similar reaction.

“The first thing I did upon launching [the game] for the first time was FaceTime a friend and cry,” she says.

The game has already been dubbed “the most accessible game ever”.

It has more than 60 different accessibility settings, allowing an unprecedented level of customisation and fine-tuning.

Every button can be changed, and one-handed control schemes are available by default.

Players like Courtney can turn on direction arrows on subtitles to indicate where the sound is coming from; players like Steve can outline characters and enemies in vivid colours.

(19) ROLL ‘EM IF YOU GOT ‘EM. NPR declares “The Latest Pandemic Shortage: Coins Are The New Toilet Paper”.

Just as supplies of toilet paper are finally getting back to normal, the coronavirus has triggered another shortage of something we typically take for granted: pocket change.

Banks around the U.S. are running low on nickels, dimes, quarters and even pennies. And the Federal Reserve, which supplies banks, has been forced to ration scarce supplies.

“It was just a surprise,” said Gay Dempsey, who runs the Bank of Lincoln County in Tennessee, when she learned of the rationing order. “Nobody was expecting it.”

Dempsey’s bank typically dispenses 400 to 500 rolls of pennies each week. Under the rationing order, her allotment was cut down to just 100 rolls, with similar cutbacks in nickels, dimes and quarters.

That spells trouble for Dempsey’s business customers, who need the coins to stock cash registers all around Lincoln County, Tenn.

“You think about all your grocery stores and convenience stores and a lot of people that still operate with cash,” Dempsey said. “They have to have that just to make change.”

…The U.S. Mint produced fewer coins than usual this spring in an effort to protect employees from infection. But the larger problem — as with many other pandemic shortages — is distribution.

During the lockdown, many automatic coin-sorting machines that people typically use to cash in loose change were off-limits. And with many businesses closed, unused coins piled up in darkened cash drawers, in pants pockets and on nightstands, even as banks went begging.

“The flow of coins through the economy … kind of stopped,” Powell said.

(20) VIDEO OF THE DAY. “Neil Gaiman on ‘Game of Thrones,’ Favorite Words, and Tattoos” on YouTube is a 2015 interview with WNYC where Gaiman explains that, given a choice between living in Game of Thrones or Lord of The RIngs, he’d choose a world with better plumbing.

[Thanks to JJ, Cat Eldridge, Michael Toman, Andrew Porter, Olav Rokne, John King Tarpinian, John Hertz, Mike Kennedy, Martin Morse Wooster, Darrah Chavey, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 6/14/20 To Follow Pixels Like A Sinking Star,
Beyond The Utmost Bounds Of Human Scrolls

(1) DROPPING THE PILOT. “Harry Potter Fans Reimagine Their World Without Its Creator” – the New York Times listened to some fans who are trying to make the division.

…Over the past week, some fans said that they had decided to simply walk away from the world that spans seven books, eight movies and an ever-expanding franchise. Others said that they were trying to separate the artist from the art, to remain in the fandom while denouncing someone who was once considered to be royalty.

“J.K. Rowling gave us Harry Potter; she gave us this world,” said Renae McBrian, a young adult author who volunteers for the fan site MuggleNet. “But we created the fandom, and we created the magic and community in that fandom. That is ours to keep.”

The essay was particularly gutting for transgender and nonbinary fans, many of whom found solace in the world of “Harry Potter” and used to see the series as a way to escape anxiety.

(2) ONE MINNEAPOLIS SFF BOOKSTORE BACK IN BUSINESS. Greg Ketter’s DreamHaven Books has reopened.

(3) TINY THEOLOGY. The Small Gods series by Lee Moyer (icons) and Seanan McGuire (stories) reported here last month has assembled quite a pantheon in the past few weeks. See them all here.

View this post on Instagram

Sometimes education isn’t enough. Sometimes you can study and study and try and try, and never quite cross the last bridge between where you are and your heart’s desire. Sometimes you need to tell the perfect little lie to get there. Once upon a time there was a small god of goldfinches named Yucan who wanted nothing more in the world than to be a god of toucans, to manifest himself as a big, beautiful, tropical bird that people would stop to ooo and ahh over when they saw it in the trees, something impressive. It was a good thing to be a god of songbirds. There weren’t as many of them as there had been before cats became quite so popular as house pets, and the ones remaining needed all the divine intervention they could get their wings on. He appreciated their attention and their worship, but he wanted, so very badly, to be more than his nature was allowing him to be. So he hatched, over the course of several slow decades, a plan, and one night, with no warning whatsoever, his faithful woke and found him gone. He had abandoned his divine duties, flown the coop, left the nest, and no one could find a single feather left behind! All the little birdies were distraught…but not for very long, as little birdies have short memories, and there were other gods of songbirds around to serve. If it wasn’t quite the same, well, nothing ever is, not even following the same god from one day to another. They adjusted. They adapted. And far away, a very small god with a very big dream put his plans into action. He donned a false face, he told everyone who met him that he was the god of endangered tropical birds, and if no one had ever seen him before, well, some of those birds were very endangered. Deforestation and poaching, don’cha know? So many dangers to evade. So many fledglings to protect. So he lied, and lied, and pretended, and did his best to live up to his own lies. He protected those who came to him, he spread his wings over the nests of species unknown to science, and he tried, and he lied, and he tried. (Continued in comments)

A post shared by Small Gods (@smallgodseries) on

(4) ESTATE SALE. There are 209 items up for bid in Everything But The House’s “Resnick Estate: Sci-Fi Writer’s World”. Sale continues through June 18.

Born in Chicago in 1942, Mike Resnick always wanted to be a writer. During his prolific career he wrote over 40 science fiction novels, 150 stories, 10 story collections, and edited more than 30 anthologies. Mike’s list of awards and recognitions is lengthy as well; they include 5 Hugo Awards, a Nebula Award, and more than 30 other awards. He was the Guest of Honor at Chicon 7, the 70th Worldcon.

Mike met his soul mate Carol, married at 19, then spent nearly 58 years side by side. In fact, when it came to his writing, Mike once said that “Nothing goes out without Carol (my wife) seeing it, editing it, and making suggestions.”

Please enjoy perusing this unique estate featuring otherworldly art, sci-fi collectibles, books and a peek into Mike & Carol Resnick’s wonderful world.

(5) Q&A & BAGELS. Scott Edelman had a vision – that fans should binge on bagels while he finishes answering listeners’ questions at Eating the Fantastic.

It’s been more than three months since I met with Michael Dirda to record the last — though it would be more accurate to instead call it the most recent — face-to-face episode of Eating the Fantastic. Since then, I also shared two episodes recorded remotely — with Sarah Pinsker and Justina Ireland — each with its own special reason for allowing me to step beyond this podcast’s meatspace culinary mandate.

But because it still seems unsafe out there for a guest to meet with me within the walls of the restaurant, you and I are now about to sequester together, just as we did four episodes ago, when we sheltered in place, and two episodes back, when we practiced social distancing.

Thirty questions remained from my original call to listeners and previous guests of the show, and this time I managed to get through all of them. 

I answered questions about whether my early days in fandom and early writing success helped my career, which anthology I’d like to edit if given the chance, what different choices I wish I’d made over my lifetime, what I predict for the future of food, how the pandemic has affected my writing, if anything I’ve written has ever scared me, whether writer’s block is a reality or a myth, which single comic book I’d want to own if I could only have one, how often I’m surprised by something a guest says, the life lessons I learned from Harlan Ellison, and much more.

(6) CLARION ALUMS ARE ZOOMING. You are invited to register for the 2020 Clarion Summer Conversations. The first two are —

Join the Clarion Foundation for conversations with writers from the Clarion alumni community about writing science fiction, fantasy, and horror.

This week, our guests are Catherynne M. Valente, Alyssa Wong, and Ashley Blooms, moderated by Karen Joy Fowler.

Join the Clarion Foundation for conversations with writers from the Clarion alumni community about writing science fiction, fantasy, and horror.

This week, our guests are Eileen Gunn, Ted Chiang, Lilliam Rivera, and Sam J. Miller, moderated by Kim Stanley Robinson.

(7) FIRST CONTACT. Yesterday, Bill reminded us that the premiere of Forbidden Planet at a 1956 SF convention. The attached photo is from the local news coverage of that event – and includes Bob Madle, whose hundredth birthday we celebrated earlier this month.

(8) MEDIA BIRTHDAYS.

  • June 1965 – Fifty-five years ago this month, Arthur C. Clarke’s Prelude to Mars was published by Harcourt, Brace & World. A hardcover edition of 497 pages, it would’ve cost you $4.95. You got two novels, Prelude to Space and Sands of Mars, plus a novelette, “Second Dawn.” You also got a lot of stories, sixteen in total, many of them from his Tales from The White Hart series.
  • June 1973 — This month in 1973, Robert Heinlein’s Time Enough for Love was first published. Clarke’s Rendezvous With Rama would beat it out for the Hugo for Best Novel at Discon II. It was given a Prometheus Hall of Fame Award. It’s the life of Lazarus Long told in exhaustive detail. Critics including Theodore Sturgeon loved it, and John Leonard writing for the NYT called it “great entertainment”. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 14, 1908 Stephen Tall. His first published  work was “The Lights on Precipice Peak“ in Galaxy, October 1955. Not a prolific writer, he’d do about twenty stories over the next quarter of a century and two novels as well, The Ramsgate Paradox and The People Beyond the Wall. “The Bear with the Knot on His Tail” was nominated for a Hugo. He has not yet made into the digital realm other than “The Lights on Precipice Peak“ being available on iBooks. (Died 1981.) (CE)
  • Born June 14, 1914 Ruthven Todd. He’s here for his delightful children’s illustrated trio of Space Cat books — Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. I’m please to say they’re available at all the usual digital suspects. He also wrote Over the Mountain and The Lost Traveller which are respectively a lost world novel and a dystopian novel. (Died 1978.) (CE)
  • Born June 14, 1917 – Maeve Gilmore.  British author, painter, pianist, sculptor, notable to us for helping her husband Mervyn Peake, generally and with Titus.  After Titus Groan and Gormenghast MP’s health was declining; she halted her own career to give him a hand; he barely finished Titus Alone, published without its final polish.  Notes for a fourth book largely illegible.  After his death she wrote a memoir A World Away and worked on the notes, then she too was gone.  For MP’s birth-centennial in 2011 his children and grandchildren published one of several versions as Titus Awakes.  Michael Moorcock said it “successfully echoes the music of the originals, if not the eloquent precision of Peake’s baroque style”.  (Died 1983) [JH]
  • Born June 14, 1917 – Arthur Lidov.  Illustrator, inventor, muralist, sculptor.  Did the first cover for The Martian Chronicles.  Had already done representational work; here is a 1942 mural Railroading in the Post Office of Chillicothe, Illinois.  Here is his work in a 1950 television ad.  Also real things in a way that might be called fantastic; here and here are paintings for “How Food Becomes Fuel” in the 7 Dec 62 Life.  He still did SF; here is his illustration for “The Cathedral of Mars” (by W. Sambrot; Saturday Evening Post, 24 Jun 61).  Here is a 1982 painting Alpha Universe.  (Died 1990) [JH]
  • Born June 14, 1919 Gene Barry. His first genre role was in The War of the Worlds as Dr. Clayton Forrester. He’d have a number of later genre appearances including several on Science Fiction TheatreAlfred Hitchcock PresentsThe Devil and Miss SarahThe Girl, the Gold Watch & Dynamite, multiple appearances on Fantasy Island and The Twilight Zone. He’d appear in the ‘05 War of The Worlds credited simply as “Grandfather”. (Died 2009.) (CE)
  • Born June 14, 1921 William Hamling. Author and editor who was active as an sf fan in the late 1930s and early 1940s. His first story “War with Jupiter”, written with Mark Reinsberg, appeared in Amazing Stories in May 1939. He’d write only short stories, some nineteen of them, over the next twenty years. Genre adjacent, his Shadow of the Sphinx is a horror novel about an ancient Egyptian sorceress. He would be the editor of two genre zines, Imagination for most of the Fifties, and Imaginative Tales during the Fifties as well. He published four issues of the Stardust fanzine in 1940, and contributed to the 1940 Worldcon program. (Died 2017.) (CE)
  • Born June 14, 1923 – Lloyd Rognan.  After discharge from World War II (Purple Heart in the Normandy landing; served on The Stars and Stripes) and freelancing in Paris he worked for Hamling’s Greenleaf Publications, thus Imagination and Imaginative Tales; a score of covers, a dozen interiors.  Here is a biography, with a 1956 cover.  Here is a cover from 1957.  (Died 2005) [JH]
  • Born June 14, 1939 Penelope Farmer, 81. English writer best known for children’s fantasy novels. Her best-known novel is Charlotte Sometimes, a boarding-school story that features a multiple time slip. There’s two more novels in this, the Emma / Charlotte series, The Summer Birds and Emma in Winter. Another children’s fantasy by her, A Castle of Bone, concerns a portal in a magic shop. (CE)
  • Born June 14, 1948 – Laurence Yep.  Twenty novels, thirty shorter stories for us; forty more novels; picture books; plays. Ph.D. in English.  Newbery Medal; Boston Globe – Horn Book Award for Fiction; Woodson, Phoenix Awards; Wilder Medal (as it then was; career contribution to American children’s literature).  Golden Mountain (Chinese immigrants’ name for America, particularly San Francisco) Chronicles, though not ours, valuably tell that story from 1849.  “I was too American to fit into Chinatown, and too Chinese to fit in anywhere else.”  Married his editor and wrote books with her.  Note that dragons, which he writes about, although fantasy in China are quite different there and in the West.  Memoir, The Lost Garden.  [JH]
  • Born June 14, 1949 – Harry Turtledove.  Ninety novels, a hundred eighty shorter stories, translated into Dutch, French, German, Italian, Polish, Portuguese, Romanian, Spanish, under his own and other names, and with co-authors.  Famous for alternative history; three Sidewise Awards.  Best-Novella Hugo for “Down in the Bottomlands”.  Toastmaster at Chicon VI the 58th Worldcon.  Forry Award.  Guest of Honor at – among others – Loscon 23, Deepsouthcon 34, Rivercon 23, Windycon XXII and XXXII, Westercon 55, Eastercon 53 (U.K. nat’l con).  Perfectly innocent Ph.D. in Byzantine history which he then used for more fiction.  Once while I was moderating “Twenty Questions for Turtledove” audience questions ran out so I made up some; afterward I said “You should thank me”; he said “Certainly; why?” and I said “I didn’t ask Why did Byzantium fall?”  [JH]
  • Born June 14, 1958 James Gurney, 62. Artist and author best known for his illustrated Dinotopia book series. He won a Hugo for Best Original Artwork at L.A. Con III for Dinotopia: The World Beneath, and was twice nominated for a Hugo for Best Professional Artist. The dinosaur Torvosaurus gurneyi was named in his honor. (CE)
  • Born June 14, 1972 – Adrian Tchaikovsky.  Born Czajkowski, living in England.  Instead of spelling his namelike any reasonable Pole he agreed to Tchaikovsky for the convenience of English-language readers; then when his books were going to Poland he was stuck with it (“this tale of Frankish ignorance”).  Clarke and British Fantasy awards.  Honorary Doctorate of the Arts.  Nine novels in Shadows of the Apt series, two in Children of Time, three in Echoes of the Fall, five more; eighty shorter stories.  Amateur entomologist.  [JH]

(10) OFFENSIVE WEAPONRY. ScreenRant made a list to laugh at: “The 10 Most Hilariously Lame Sci-Fi Weapons In Movies, Ranked”.

Sci-fi films have weapons of all sorts and many of them might seem to be impractical or unrealistic but they still continue to fascinate us….

The absolute worst is —

1. Bat-Shark Repellent- Batman: The Movie (1966)

Adam West’s Batman gave a lighthearted avatar to the caped crusader, giving viewers some priceless ‘so bad that it’s good moments’. In 1966’s Batman: The Movie, Batman is escaping from an ocean while Robin pilots the Bat-Plane above. Robin drops a ladder for Batman to climb but right then, a shark charges at the dark knight.

In a calm and composed tone, Batman asks his accomplice to throw him a can of Bat-Shark Repellent. This random item has no match in terms of lameness and creativity.

(11) BAEN PUBLISHES JANISSARIES SEQUEL. The fourth book in Jerry Pournelle’s Janissaries series has been completed posthumously. Baen has a three-part dialog between the writers who finished t.

David Weber and Phillip Pournelle discuss Mamelukes, by Jerry Pournelle. When the late, great Dr. Jerry Pournelle passed away, he left behind the nearly completed manuscript for science fiction novel Mamelukes. Now Pournelle’s son, Phillip Pournelle, and Honor Harrington series creator David Weber have completed the book. This is an entry in Jerry Pournelle’s legendary Janissaries series;

Part I:

Part II:

Part III: The third segment is only in podcast form at this writing:

(12) NEWS TO ME. Puffs “is a stage play written by Matt Cox as a transformative & transfigured work under the magic that is US Fair Use laws.”

Puffs is not authorised, sanctioned, licensed or endorsed by J.K Rowling, Warner Bros. or any person or company associated with the Harry Potter books, films or play.

Here’s the brief description:

For seven years a certain boy wizard went to a certain Wizard School and conquered evil. This, however, is not his story. This is the story of the Puffs… who just happened to be there too. A tale for anyone who has never been destined to save the world.

(13) NEW HORIZONS. “As California Trains 20,000 Contact Tracers, Librarians and Tax Assessors Step Up”.

After more than two months at home, Lisa Fagundes really misses her work managing the science fiction book collection of the San Francisco Public Library. She feels like she’s in withdrawal, longing to see new books, touch them, smell them. “It’s like a disease,” she says, laughing.

But recently, she’s been learning how to combat a different disease: COVID-19. While libraries are closed, Fagundes is one of dozens of librarians in San Francisco training to become contact tracers, workers who call people who have been exposed to the coronavirus and ask them to self-quarantine so they don’t spread it further.

Librarians are an obvious choice for the job, says Fagundes, who normally works at the information desk of the San Francisco Main Library. They’re curious, they’re tech savvy, and they’re really good at getting people they barely know to open up.

“Because a lot of times patrons come up to you and they’re like, ‘Uh, I’m looking for a book –’ and they don’t really know what they’re looking for or they don’t know how to describe it,” Fagundes says.

Or they’re teens afraid to admit out loud that they’re looking for books about sex or queer identity. Fagundes is used to coaxing it out of them in an unflappable, non-judgmental way. Similar skills are needed for contact tracing, which involves asking people about their health status and personal history.

“Talking about sensitive subjects is a natural thing for librarians,” she says. “It’s a lot of open ended questions, trying to get people to feel that you’re listening to them and not trying to take advantage or put your own viewpoint on their story.”

Fagundes is part of the first team of contact tracers trained through a new virtual academy based at the University of California – San Francisco. The state awarded the university an $8.7 million contract in May to expand the academy and train 20,000 new contact tracers throughout California by July — one of the largest such efforts in the country.

(14) CASE SETTLED. Possibly the final word on a Pixel from 18 months ago: “Gatwick drone arrest couple receive £200k payout from Sussex Police”.

A couple arrested over the Gatwick Airport drone chaos that halted flights have received £200,000 in compensation.

Armed police stormed the home of Paul and Elaine Gait in December 2018, and held them for 36 hours after drones caused the airport to close repeatedly.

The couple were released without charge, and sued Sussex Police for wrongful arrest and false imprisonment.

On Sunday, their legal team announced the force had agreed to an out-of-court settlement package.

Sussex Police confirmed it has paid the couple the £55,000 owed in damages, and law firm Howard Kennedy said it has billed the force an additional £145,000 in legal costs.

Flights were cancelled in droves over a three-day period, as police investigated multiple reported drone sightings.

No-one has ever been charged, and police have said that some reported drone sightings may have been Sussex Police’s own craft.

Twelve armed officers swooped on Mr and Mrs Gait’s home, even though they did not possess any drones and had been at work during the reported sightings.

(15) VIDEO OF THE DAY. “More Creative Writing And Tips From Stephen King” on YouTube is a 2016 compilation by Nicola Monaghan of writing advice Stephen King has given in lectures at the University of Massachusetts.

[Thanks to Chip Hitchcock, Bill, John King Tarpinian, Martin Morse Wooster, John Hertz, JJ, Cat Eldridge, Mike Kennedy, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day by Anna Nimmhaus.]

Exeunt duo; manemus

By John Hertz:  (mostly reprinted from Vanamonde 1378-79)

Beyond the hills are
Mountains; beyond the mountains
Is the sky; beyond –

Shakespeare used Latin in stage directions.  It was the thing to do at the time.  Exit means one person leaves the stage; exeunt, plural.  Manet means one person remains; manent, plural.  But those are in the third person.  We are in this play.  Manemus means we remain.

Mike Resnick (1942-2020) and Steve Stiles (1943-2020) both left in January.  The month is named for the Roman god Janus.  He had two faces, to look back and forward.

When significant people die, we often hear “Their like will not be seen again”.  In truth we don’t know that.  How could we?

The more aching a death leaves us, the more its true significance – I propose – includes Grab that torch.

If we feel helpless at an important loss, we can take that as a kind of compliment to the actor who left the stage.

We can conclude Let us do as well in our way as he did (as it happens, Mike and Steve were men) in his way.  This can even be among the challenges of diversity.

Mike Resnick at Chicon 7 (2012). Photo by Joel Zakem

A few years ago someone found Mike was the leading award-winner for short fiction among all speculative-fiction authors living or dead.  His 5 Hugos (37-time finalist), 1 Nebula (11 nominations) – his novella “Seven Views of Olduvai Gorge” (1994) won both – 3 Ignotus Awards and 1 Xatafi-Cyberdark (Spain), 2 Prix Ozine Awards and 1 Tour Eiffel (France), 1 Seiun and 1 Hayakawa’s SF Magazine Readers’ Award (Japan), 1 Futura Poll Award (Croatia), 1 Nowa Fantastyka Poll Award (Poland), show he had the gift of reaching people, internationally.

In 2007-2018 he was a judge for the Cordwainer Smith Rediscovery Award.  He won the Skylark in 1995, the Writers of the Future and Illustrators of the Future Lifetime Achievement Award in 2017.  He was Author Guest of Honor at the 70th World Science Fiction Convention.  He was executive editor of Jim Baen’s Universe, and founded Galaxy’s Edge, now in its seventh year.  He edited forty anthologies.  His papers are at the University of Southern Florida in Bulgarian, Czech, Dutch, English, French, German, Hungarian, Italian, Japanese, Lithuanian, Polish, Romanian, Russian, Spanish, and Swedish.

Among his various collections the titles Once A Fan…. (2002) and ….Always a Fan (2009) are telling.  Once has among various lists “My 25 Favorite Fanzines”.  In the costume competition we call the Masquerade, he and his wife Carol, who survives him, won major awards at four Worldcons; he judged Masquerades and was Master of Ceremonies.  Among his various anthologies are Alternate Worldcons (1994) and Again, Alternate Worldcons (1996).  At the 60th Worldcon he led a fanhistory tour.  Among things he called outstanding at the 50th Worldcon was the arrival of Harry Warner’s fanhistory A Wealth of Fable in a hardcover edition.  He wrote for ChallengerFile 770Lan’s LanternMimosa.

He believed that whether or not you can pay it back, you should pay it forward; he was known for giving a hand to authors younger in their careers, many now calling themselves Mike’s Author Children – besides his daughter Laura.  Three of his Hugo finalists were Putting It Together: Turning Sow’s Ear Drafts into Silk Purse Stories (2001), I Have This Nifty Idea … Now What Do I Do With It? (2002), and The Business of Science Fiction (2011).

I’ll mention two moments I was in and one I saw.  When The Dying Earth (J. Vance, 1950) was on the Retrospective Hugo ballot for Best Novel at the 59th Worldcon he said “If Kirinyaga [MR, 1998] is a novel, it’s a novel.”  Another time, of Second Foundation (I. Asimov, 1953) he said “Having nearly destroyed the Seldon Plan with a Mule, he shouldn’t have saved it with a planet of Mules.”  In one of his stints as Masquerade M.C. – he was otherwise unstinting – an entrant shot him with a tachyon gun: he froze, motionless: as Diana Morales sang in A Chorus Line (1975), What he did for love.

Steve Stiles in 1979. Photo by Jeff Schalles.

Steve, one of the best-loved fanartists in recent years, was already a Hugo finalist in 1967-68; then 2003-2008 and 2010-2018, winning at Midamericon II the 74th World Science Fiction Convention (17-21 Aug 16; Midamericon I was the 34th, 2-6 Sep 76; Kansas City, MO).  Meanwhile he won fourteen Fan Activity Achievement (FAAn) Awards, 2001, 2003-2006, 2010-2012, 2014-2018.  He was in fanzines from Cry of the Nameless to Xero, including Vanamonde.

Jophan says, pub your ish; Steve did, sometimes; there were nine years between Sam 14 and 15, thirty-one between Sam 15 and 16.  In Mimosa 18 he said the first two issues of Sam had appeared by 1956, when he was thirteen; in Sam 16 he said Sam 1 came in 1960; Sam 18, the latest I know of, is dated 2016.  This is Fanzineland, where zines come and go; Science Fiction Five-Yearly – which also had his fanart, sometimes on the cover – was published on time for sixty years.

Also in 1968 he was already well enough known and loved that he was voted the Trans-Atlantic Fan Fund delegate, over Ed Cox and Ted Johnstone; his TAFF report Harrison Country, which began to appear in 1968, was completed in 2006, its various chapters collated and published in 2007, including TAFF Terror Tales 3 originally pubbed, as TAFF has sometimes done, to solicit votes in the next year’s contest, Stiles having become in turn the North America administrator: a pastiche of Krazy Kat (1913-1944), reprinted in Locus 56 and Chunga 12, where Randy Byers said (p. 6)

Steve managed not only to capture Herriman’s drawing style, but also the dialect of the characters, the wordplay, the ever-mutating abstract landscape, the self-awareness of the frame, and the strip structure that renders mini-stories within each strip but also builds a larger story between strips … fannish and also stefnal (or at least Dickian [i.e. Philip K.])….  fans were jiants in those days.

Science at its root
Tells us knowledge; are artists,
Even, scientists?
Voluptuously they look
Each to each at what and how.

Let’s look forward.  We have to anyhow.  In Mimosa 30 I called an article “Forward to the Basics” saying we couldn’t go back to the basics, because it wasn’t so clear we ever had them, and because anyhow we couldn’t go back.  We can look back, and we should; but we can only go forward.  In File 770 152 reporting the Yokohama (65th) Worldcon I said I was struck by the Japanese proverb On-ko chi shin, “Study the old to appreciate the new”.

If you feel you might be able to write, will you try it, please?  If you find you can, will you, please?  If you feel you might be able to draw, will you try it, please?  If you find you can, will you, please?  In any event will you look round for anyone whose work you think worthy – what do you care what other people think? – and encourage them, support them, help them, please?  Forward.

                                                      

Originally faan was an unhappy form of fan; the extra a, or more of them e.g. faaan, signified excess; enough of this lingered in 1975, when Moshe Feder and Arnie Katz started the FAAn Awards, that the name showed a self-depreciation thought suitable; the FAAn Awards were given 1975-1980, then 1994 to date; since their revival they have been associated with the annual fanziners’ convention Corflu (corflu = mimeograph correction fluid, once indispensable).  Jophan is the protagonist in The Enchanted Duplicator (Willis & Shaw, 1954; “Once upon a time in the village of Prosaic in the Country of Mundane there lived a youth called Jophan…. strange longings … from time to time perplexed his mind … which none of the pleasures offered by Mundane could satisfy”; duplicator in the sense of a machine for printing fanzines); earlier Bob Tucker used “Joe Fann” in Le Zombie for quips he wished some reader had sent in; “Come on, publish the next [or first!] issue of your fanzine” is an encouragement for all; among many instances, Art Widner used to wear a T-shirt with ”Jophan says, pub your ish”.  Stefnal, our old adjective, from Hugo Gernsback’s word scientifiction; Rick Sneary’s spelling is evoked by jiant.  My poem at the beginning is in unrhymed 5-7-5-syllable lines, like Japanese haiku; at the end, an acrostic (read down the first letters of each line) in unrhymed 5-7-5-7-7-syllable lines, like Japanese tanka.

Resnick Lives on in His Friends’ Memories

By Rich Lynch: It was back in 2001 that my late friend Mike Resnick, in a fanzine article about what he’d include in a personal time capsule, wrote something that came across as perhaps overly pessimistic but also sadly prophetic: “My fandom is dying.  It’s been dying for years.  It’ll be decades more before the last remnants are gone, and I have every hope and expectation that it will outlive me.”

At the time that Mike wrote that, he was nearly four decades into what was a very successful career as a professional writer.  But he was also very much a science fiction fan, having discovered fandom in 1962 in the pages of a fanzine.  And it was his perception, back then, that his fanzine-centric fandom was in the midst of what seemed a steep decline.  Which had brought on that bit of pessimism.

I can’t remember for sure when Nicki and I first met Mike – it was probably about the time of the 1988 Worldcon – but I do know when we became friends.  It was in 1994, during that year’s Worldcon.  We had an enjoyable long conversation with him in the Cincinnati Fantasy Group’s hospitality suite, where Mike had settled in after having missed out on winning a Hugo Award due to a controversial decision by the award administrators.  He told us that he had read a few issues of our fanzine, Mimosa, and out of the blue offered to write us an article for the next one.  Which we gratefully accepted.  It turned out to be one of the best pieces of non-fiction he ever wrote: “Roots and a Few Vines”, where he described in detail his experiences at the 1963 Worldcon in Washington, D.C. which made him a fan for life and set him on the road to becoming a science fiction writer.

That article got so much positive reader response that Mike ended up writing eight more articles for Mimosa, including a series of four first-person remembrances of other Worldcons he had attended.  And he attended a lot of them.  Mike ostensibly used Worldcons as opportunities to meet with publishers about book contracts and the like, but he was actually there as a fan.  From the time we became friends until just a few years ago when health considerations started to affect his ability to make long trips, he was a constant presence at nearly every Worldcon.  His most famous fiction series, one which brought him awards and award nominations aplenty, was Afrocentric in theme (one of Mike’s favorite travel destinations was Kenya) and many of his friends, us included, started to affectionately refer to him as ‘Bwana’.  I remember that he kept trying to convince Nicki and me to come along with him on one of his Africa trips but by that point in our lives we were not so much into that kind of an adventure.  Instead, we preferred a more vicarious experience by listening to him talk at conventions about his travels.

One of the shorter trips he took was back to his original home city of Chicago.  Near the end of the “Roots and a Few Vines” article, Mike had written that: “I’ve won some awards, and I’ve paid some dues, and I don’t think it’s totally unrealistic to assume that sometime before I die I will be the Guest of Honor at a Worldcon.”  It was a much-deserved honor that finally came to pass in 2012, in Chicago, and I was happy to be on a panel with him about a joint interest we both had – Broadway musicals.  But it turned out that my knowledge on the topic was not even close to what Mike and the other panelists displayed so I spent most of the hour just reveling in the experience while trying not to embarrass myself.  After that we often compared notes about musicals we’d seen and liked (and sometimes disliked).  And that, in a way, was the inspiration for Mike’s final fanzine article – a musical theater survey that was published in 2019 in the fanzine Challenger.  In it, he and eight other Broadway enthusiasts (me included) listed our top twelve favorite musicals.  Which, I’m sure, would have resulted in many more enjoyable hours of discussion on that topic with him.

Mike and me, with other panelists, on the Broadway musicals panel. Photo by Nicki Lynch.

Instead, I’ve spent some time trying to organize my thoughts on how I would remember my friend Mike.  Cancer is a cold, ruthless killer, and his last days from what I’ve read are not the way I’d want to go out.  But my memories of him, indeed memories of him by all of his friends, live on.  Of all the pleasant times, and there were many.  I’ll end this remembrance by going back the time capsule article that Mike wrote for Mimosa.  In it he listed all the things related to fandom he possessed that he would preserve in stasis, if he could, for fans of the year 2100 to discover.  And he also would have included a contextual note for all those future fans:


Dear Citizen of 2100:

     I hope you are living in the Utopia we envisioned when we were kids first discovering science fiction. I am sure you have experienced technological and medical breakthroughs that are all but inconceivable to me.

     But I have experienced something that is probably inconceivable to you, at least until you spend a little time studying the contents of this capsule.

     I wish I could see the wonders you daily experience. But you know something? As badly as I want to see the future, to see what we’ve accomplished in the next century, I wouldn’t trade places with you if it meant never having experienced the fandom that this capsule will introduce you to.

     Enjoy. I certainly did.


I feel grateful to have been part of Mike’s fandom.  And I feel regret for all those future fans of the year 2100 who won’t have the chance to meet Mike in person.  But they can still meet him through his fiction and descriptions of his fandom, and that ought to make him larger than life for them.  He already is for me.

[Illustration for Mike’s article by Joe Mayhew.]

Pixel Scroll 2/13/20 Doctor Pixelstein’s Scrollster – or The Filing Prometheus

(1) PSYCHICHISTORY. I can’t read minds, but I can read blogs. Camestros Felapton took up the literary question of “How to be psychic”.

Are psychic powers a trojan horse from the world of magic that have snuck into science fiction? Psychic powers are almost indistinguishable from wish fulfilment in aggregate and only take on a resemblance of speculation about reality when codified into subtypes with Graeco-Latin names with sciency connotations.

But psychic powers aren’t going to vanish from science fiction any time soon. Doctor Who has psychic paper and telepathic circuits in their TARDIS, Star Trek has empaths and telepathic Vulcans, and Star Wars has a conflict between psychic factions as its core mythology. Firefly and Babylon 5 had psychics. Dune, Stranger in a Strange Land, Le Guin’s Ekumen universe, Asimov’s Foundation series, multiple Philip K Dick works, each contain various beings with mental powers. Science Fiction has a permission note for amazing mental abilities had has used that licence freely….

(2) MAG*C HAPPENS. At Disneyland, “’Magic Happens’ Parade – Debuts February 28”.

Starting February 28, Disneyland Park will welcome Magic Happens, the park’s first new daytime parade in nearly a decade—and one that reminds us wings aren’t needed to fly, shooting stars were created for wishes and magic doesn’t end at midnight!

With a wave of his wand, Mickey Mouse leads a cavalcade of fabulous floats, whimsically costumed performers and popular Disney pals like Anna, Elsa and Olaf around the park and into your hearts—all while moving to a high-energy musical score that puts a contemporary spin on classic Disney hits. In addition, a brand-new song co-composed by singer-songwriter Todrick Hall helps bring some of your favorite Disney tales to life like never before.

(3) ENOUGH ALREADY. Cat Rambo is bidding Facebook farewell:

I’m tired of logging onto here and seeing nothing but propaganda and talking points freshly harvested from the meme farms. I feel that the company has helped shred the American political system, that it divides us more than it connects, that it profits off our private data while selling us out to foreign powers, and that it is a major component of a system that continues to facilitate active class warfare being waged by the current kleptocracy on the poor and middle-class in our country.

If you are being asked to hate certain people or groups, whether liberal or conservative — ask yourself for a moment, who benefits from you hating them? What’s getting slipped past you while the rhetorical smoke and mirrors are dazzling you? I can tell you: it’s your country and all the things that we own in common that’s getting dismantled so rich people can shove more money in their already bulging pockets….

(4) APPEAL CONTINUES. The ”Help Mike Resnick’s widow pay off medical bills” GoFundMe asked people to share the link again, which File 770 is glad to do.

Update on 2/13/2020: Carol and Laura Resnick would dearly love to thank everyone who has donated to Mike’s fundraiser. As you can imagine, this has been an incredibly hard month for them both and all the kind words and support they have received has been so valued and treasured. Unfortunately, with Mike’s passing, the bills did not stop coming in. Carol has literally been swamped with bills, and there is no longer any regular income coming into the house to cover the mortgage, utilities or daily necessities (she has some very tough decisions ahead). We understand many of you have donated before, so even if you could just re-share the fundraiser link again, we would be so very thankful. Carol has been so incredibly touched by all the kindness shown to her and she knows Mike would be so proud of the SF&F field he loved so much for helping to support his family in their time of need. As every book dedication said “To Carol, as always.” She was his world.

(5) ALL FLOCKED UP. In Leonard Maltin’s opinion, “‘Birds’ Preys On Civilized Moviemaking”.

What price girl-power? Does the positive energy of a female-centric comic book movie—made by women—compensate for the nihilistic, super-violent nature of its content? Is this really a step forward for women, behind the camera and in the audience? That’s the conundrum presented by Birds of Prey (full title Birds of Prey And the Fantabulous Emancipation of One Harley Quinn)….now re-titled Harley Quinn: Birds of Prey.

(6) THEY COME OUT AT NIGHT. In “Worldbuilding: Crime and Fantasy Books Have More in Common Than You Might Think at CrimeReads, Kelly Braffet makes a case.

… Take, for example, this passage from the second chapter of Dashiell Hammett’s The Maltese Falcon. Sam Spade is on his way to a crime scene, and he stops at an overpass nearby to check out a few looky-loos interested in the murderous goings-on…

There’s nothing in this paragraph that relates to the murder he’s about to investigate or the case he’s working; the fleeing car doesn’t have any important characters in it, and the looky-loo never shows up again. This is pure worldbuilding. Spade’s world is one of cars and ads and fumes and concrete and people so bored and aimless that they’re willing to contort themselves to catch a glimpse of a dead body….

(7) GREEN TEASER. David Lowery’s upcoming movie The Green Knight stars Dev Patel alongside Alicia Vikander and Joel Edgerton. The fantasy is based on Arthurian legend and will hit screens in Summer 2020. The story is based on the poem of Sir Gawain and the Green Knight.

(8) TRIVIAL TRIVIA.

Native English speakers unconsciously organize adjectives in a particular order that is rarely deviated from, even in informal speech. The order is: opinion, size, age, shape, color, origin, material, purpose. For example, it’s more common to hear “silly old fool,” rather than “old silly fool.” One notable exception, however, is the Big Bad Wolf. Source: The Guardian

(9) TODAY IN HISTORY.

  • February 13, 1954 Tom Corbett, Space Cadet first aired “The Space Projectile”. Frankie Thomas played the lead role in the series which was one of the rare series which aired on all four networks of the time. Joseph Greene of Grosset & Dunlap publishing house developed the series off of Heinlein’s late Forties Space Cadet novel but also based of his own prior work. Both a newspaper strip and radio show were intended but never went forward. You can watch this episode here.
  • February 13, 2000 — The last original Peanuts comic strip ran in newspapers

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 13, 1908 Patrick Barr. He appeared in Doctor Who as Hobson in the Second Doctor story, “The Moonbase”, in the Seventies Randall & Hopkirk (Deceased) “You Can Always Find a Fall Guy” episode, and appeared once in The Avengers as Stonehouse in the “Take me to Your Leader” episode. His last genre role was as the British Ambassador in Octopussy. (Died 1985.)
  • Born February 13, 1932 Susan Oliver. She shows up in the original Trek pilot, “The Cage” as Vina, the Orion slave girl. She had a number of one-offs in genre television including Wild Wild West, Twilight Zone, Alfred Hitchcock Hour, The Man from U.N.C.L.E., Tarzan, The Invaders, Night Gallery and Freddy’s Nightmares. (Died 1990.)
  • Born February 13, 1933 Patrick Godfrey, 87. His very first acting was as Tor in a First Doctor story, “The Savages. He’d be in a Third Doctor story, “Mind of Evil”, as Major Cotsworth. His last two acting roles have both been genre — one being the voice of a Wolf Elder in Mowgli: Legend of the Jungle; the other Butler in His Dark Materials.
  • Born February 13, 1938 Oliver Reed. He first shows up in a genre film uncredited in The Two Faces of Dr. Jekyll, with his first credited role being Leon in The Curse of the Werewolf. He was King in The Damned, an SF despite its title, and Z.P.G. saw him cast as Russ McNeil. Next up was him as Athos in the very charming Three Musketeers, a role he reprised in Four Musketeers and Return of the Musketeers. And can we skip past him as Sarm in Gor please? Does Royal Flash count as genre? Kage Baker loved that rogue. Kage also loved The Adventures of Baron Munchausen in which he played Vulcan. Orpheus & Eurydice has him as Narrator, his final film role. (Died 1999.)
  • Born February 13, 1943 Leo Frankowski. Probably best known for his Conrad Stargard series featuring the Polish time travelling engineer Conrad Schwartz, but I’m more fond of his stand-alone novels Fata Morgana and Copernick’s Rebellion. (Died 2008.)
  • Born February 13, 1954 Mary GrandPré, 66. She’s best known for her cover and chapter illustrations of the Potter books in the Scholastic editions. She’s the author and illustrator of A Dragon’s Guide series which is definitely genre of aimed at children. 
  • Born February 13, 1959 Maureen F. McHugh, 61. Her first novel, China Mountain Zhang, was nominated for both the Hugo and the Nebula Award, and won the Otherwise Award, impressive indeed. Her other novels are Half the Day Is NightMission Child and Nekropolis. She has an impressive collective of short stories. Both her novel and short story collections are readily available at the usual digital sources. 
  • Born February 13, 1960 Matt Salinger, 60. Captain America in the 1990 Yugoslavian film of that name which was directed by Albert Pyun as written by Stephen Tolkin and Lawrence J. Block. It’s got a 16% rating among reviewers at Rotten Tomatoes which matches what critics thought of it. As near as I can tell this is only genre role. You can watch the film here.

(11) A FILER’S PICKS. Ziv Witie’s (aka Standback) annual F&SF appreciation/recommendation thread is up. Thread starts here.

(12) NEW WAVICLE. At Eight Miles Higher, Andrew Darlington’s “New Wave SF: Graham Charnock’s ‘First And Last Words'” is a profile of the massive pro career of someone I think of as a legendary UK fan. Which he is, of course.

…Beyond stories in ‘New Writings In SF’, Damon Knight’s ‘Orbit’ and the ‘Other Edens’ anthologies, the ‘New Worlds’ connection continues, into its later reincarnation as a thick paperback series edited by David Garnett. The teasing conundrum “On The Shores Of A Fractal Sea” (in ‘New Worlds no.3’) draws on Graham’s close encounters with Rock music, via his contributions to Michael Moorcock’s Deep Fix. The fictional deceased Rock-star narrator persists in a virtual Lagoona where ‘the beach goes on forever’, and where he works on his concept-cycle triple-album. Maybe being dead means he’s unaware that Hawkwind’s seventh studio album is also called ‘Quark, Strangeness And Charm’ (Charisma, June 1977)! He talks to shape-changing French, to whom his reality exists as ‘a fragment of cloned tissue… awash with oxy-infused saline.’…

(13) READ WITHOUT CEASING. In “5 things I learned from binge-reading a 50-book crime series in 5 months”, Sophia Rosenbaum says she read 50 novels by “J.D. Robb” (a pseudonym of Nora Roberts) in five months and talks about what she learned from reading so many books in a series in so short a time. This is a series that the Internet Science Fiction Database classifies as “futuristic mystery.”

J.D. Robb is the pen name for the prolific romance writer Nora Roberts, who started writing the series in 1995 and releases at least two new titles a year.

In the very first book, “Naked in Death,” we are introduced to a slew of what become recurring characters: Eve’s former partner and trainer, who becomes a father figure; the esteemed police commander; the maternal staff psychiatrist; Eve’s criminal-turned-singer bestie; and most importantly, Roarke.

(14) MADAM I’M. In an article in The Believer that begins “Palindrome, Palindrome” and then has an obscenity, Colin Dickey reprints Dan Hoey’s 543-word expansion of the palindrome “a man, a plan, a canal—Panama.”  Hoey was a Washington DC-area fan who died in 2011. 

Sometime in the mid-1940s, Leigh Mercer rescued from the trash several thousand index cards that his employer, Rawlplug, had thrown out. Mercer may not have yet had a plan, but he had an idea. He’d grown up in a family that cherished word games and had lived through the birth of the modern crossword puzzle craze, but he’d noticed that no one had seriously set their minds to the problem of palindromes. Though Mercer wasn’t interested in crosswords, he’d acquired a used copy of a book for crossworders that contained lists of words—no definitions—grouped alphabetically and according to length. Using this book and his new stash of recovered index cards, he began copying out possible palindrome centers—any word or snippet of a phrase that might be reversible. In 1946, he came up with one construction: “Plan a canal p.” It was, he himself later admitted, “not very hopeful looking,” but all great plans have to start somewhere.

It took him two years to find Panama.

…This kind of nonsense quickly spins out of control. Using a computer that trawled the dictionary, Dan Hoey created this monstrosity in 1984….

It technically works, but it relies on gibberish (“a bater,” “an em,” and “a say”), and it is long enough that all sense is lost and the palindrome topples into meaninglessness. The program used here was rudimentary enough that even Hoey knew his effort could be easily bested, and sure enough, Peter Norvig assembled a 21,012-word variation to commemorate the palindromic date of 6-10-2016, and it is absolutely as unbearable and unreadable as it sounds. And yet, even as everything falls apart, you reach the end—“a canal, Panama!”—and it’s like all is forgiven, like everything is somehow right once more.

(15) DINO CASH. “British dinosaurs to feature on UK money for the first time” – the Natural History Museum has the story.

The Royal Mint is releasing three new dinosaur-themed coins – the first ever in the UK.

The series of 50p coins is a collaboration with palaeoartist Bob Nicholls and experts at the Museum.

The coins will honour the first three dinosaurs ever named – Megalosaurus, Iguanodon and Hylaeosaurus – although at the time they were named, ‘dinosaurs’ as a group didn’t exist. In fact, it was these three animals that made Sir Richard Owen realise that there was something different enough about them that they warranted being placed in a new group, which he named Dinosauria.

The three species will be featured on five series of collectors’ coins. Although they will be legal tender, they won’t go into circulation. Instead members of the public will be able to buy the coins, either individually or in sets.

(16) RESTORED TO THE THRONE. “Rise of Skywalker: How we brought Carrie Fisher back” — and other details of the effects are discussed by filmmakers in this BBC video.

Actress Carrie Fisher, who was best known for her role as Princess Leia in the Star Wars series, died in 2016.

She recently appeared in the 2019 film Rise of Skywalker, but how was this possible?

BBC Click speaks to the visual effects supervisor, Roger Guyett and animation supervisor, Paul Kavanagh of ILM to find out more.

(17) I’M MELTING! “Antarctica logs highest temperature on record of 18.3C”

A record high temperature of 18.3C (64.9F) has been logged on the continent of Antarctica.

The reading, taken on Thursday by Argentine research base Esperanza, is 0.8C hotter than the previous peak temperature of 17.5C, in March 2015.

The temperature was recorded in the Antarctic Peninsula, on the continent’s north-west tip – one of the fastest-warming regions on earth.

It is being verified by the UN World Meteorological Organisation (WMO).

“[This] is not a figure you would normally associate with Antarctica, even in the summertime,” WMO spokeswoman Clare Nullis told reporters in Geneva.

(18) EIGHT MILES HIGH. That was quick: “British Airways Sets Record, Crossing The Atlantic In Under 5 Hours In Strong Winds”.

Kubilay Kahveci’s flight was supposed to be in the air for more than six hours — an overnight voyage from New York City to London. But British Airways Flight 112 made the trek in under five hours, setting a new record for the fastest subsonic commercial flight across the Atlantic Ocean.

(19) LEAST HYPOTHESIS. Nothing acute about this: “Wreck’s Identification 95 Years After Ship’s Disappearance Puts Theories To Rest”.

Lore had it that the SS Cotopaxi was swallowed by the infamous Bermuda Triangle after the steamship, and all 32 crew members on board, inexplicably vanished in 1925.

In the sci-fi film Close Encounters of the Third Kind, aliens are responsible for the ship’s disappearance.

But a team of divers has identified the ship and debunked the fictions, theories and conspiracies that emerged over the years. And unlike in Close Encounters, the ship wasn’t found in the Gobi desert, but rather 35 miles off St. Augustine in Florida.

The Cotopaxi had set off on its normal route between Charleston, S.C., and Havana, carrying a cargo of coal, when it was caught in a powerful storm, Michael Barnette discovered.

The wreck isn’t located within the boundaries of the Bermuda Triangle — a region in the Atlantic Ocean with its corners at South Florida, Bermuda and Puerto Rico that has been blamed for unexplained disappearances.

(20) BACK TO THE BASICS. How it all got started — “Tom and Jerry: 80 years of cat v mouse”.

A cartoon cat, sick of the annoying mouse living in his home, devises a plot to take him out with a trap loaded with cheese. The mouse, wise to his plan, safely removes the snack and saunters away with a full belly.

You can probably guess what happens next. The story ends as it almost always does: with the cat yelling out in pain as yet another plan backfires.

The plot may be familiar, but the story behind it may not be. From Academy Award wins to secret production behind the Cold War’s Iron Curtain – this is how Tom and Jerry, who turn 80 this week, became one of the world’s best known double-acts.

The duo was dreamt up from a place of desperation. MGM’s animation department, where creators Bill Hanna and Joe Barbera worked, had struggled to emulate the success of other studios who had hit characters like Porky Pig and Mickey Mouse.

Out of boredom, the animators, both aged under 30, began thinking up their own ideas. Barbera said he loved the simple concept of a cat and mouse cartoon, with conflict and chase, even though it had been done countless times before….

[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, John King Tarpinian, Andrew Porter, Chip Hitchcock, Michael Toman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]