Pixel Scroll 6/13/17 Will Nobody Rid Me Of These Crottled Greeps?

(1) 2017 MANNING AWARD NOMINEES. Four of the five Russ Manning Promising Newcomer Award nominees for 2017 are women:

  • Rafael de Latorre, artist of Animosity and Superzero (AfterShock)
  • Riana Dorsey, artist of Cloud Riders (Hashtag Comics)
  • Mindy Lee, artist of Bounty (Dark Horse)
  • Leila Leiz, artist of Alters (AfterShock)
  • Anne Szabla, writer/artist of Bird-Boy (Dark Horse)

(2) LEGENDARY BOOKSTORE TO CLOSE. Dark Carnival, SF bookstore in Berkeley, will soon go out of business, and may take the owner’s nearby comics store with it: “After 41 years, Berkeley sci-fi bookstore Dark Carnival is closing”.

After 41 years serving an enthusiastic customer base of sci-fi geeks and proud comic-book nerds in Berkeley, Dark Carnival, at 3086 Claremont Ave., is closing up shop. Its sister store, The Escapist, which is two doors down on Claremont, may also shutter if sales don’t pick up.

Owner Jack Rems describes himself as heartbroken. Speaking to Berkeleyside Monday, he said he had made the decision due to declining sales. He expressed gratitude to all his long-term customers and encouraged people to come by the store where he is holding a “progressive sale.” All stock is currently being offered at a 20% discount.

Rems doesn’t yet know when he will close the doors to the treasure-trove of a shop for the final time. “I need to pay bills, so as long as by selling off stock we are generating more than it costs [we will stay open],” he said.

(3) ARC AND PSA. The release of Ann Leckie’s Provenance draws closer. The author just got her advance reading copies.

It’s a real book! Sort of.

Just as a reminder–readers of this blog likely already know, but still–Provenance is set in the Ancillaryverse but does not concern the same characters and is not set in Radch Space. No, and not in the Republic of Two Systems either. It will be out September 26, 2017, and I’m given to understand there will be an audiobook, out on the same date. I have no further details about audio, though.

(4) STRANGE TAXONOMY. “The idea that the X Prize Foundation is funding sf is big news,” says Martin Morse Wooster about the news story below, “BUT if you look at the Science Fiction Advisory Council press release you will see that Neil Gaiman and Andy Weir are ‘novelists’ while Charles Stross and Mike Resnick are ‘science fiction writers.’”

From Slate, “Prototyping a Better Tomorrow”:

The fact that so many people are turning toward these dire visions of the future may seem like cause for worry, but it is also a sign of hope. Great dystopian works like The Handmaid’s Tale and 1984, in the words of one defender of dystopian fiction, can serve as self-defeating prophecies helping us to recognize and prevent the dark worlds they depict. Put another way, The Handmaid’s Tale actually is an instruction manual, meant to teach us what we must fight to avoid. But hope can’t live on dystopia alone. It requires positive visions, too.

Thankfully, an ambitious new project launched this month aims to use the vision and expertise of the science fiction community–including Atwood herself–to move past dystopian visions. The newly announced Science Fiction Advisory Council, composed of a stellar selection of 64 bestselling sci-fi writers and visionary filmmakers, has tasked itself with imagining realistic, possible, positive futures that we might actually want to live in–and figuring out we can get from here to there. The council is sponsored by XPRIZE, the nonprofit foundation that uses competition to spur private development of things like a reusable suborbital spacecraft. The advisers on the council will “assist XPRIZE in the creation of digital ‘futures’ roadmaps across a variety of domains [and] identify the ideal catalysts, drivers and mechanisms–including potential XPRIZE competitions–to overcome grand challenges and achieve a preferred future state.”

(5) DIVERGING PATHS. For everyone who read these books and thought they should do this except it would take so much time, Tor.com brings you “The Secret Maps Buried Beneath the “Choose Your Own Adventure” Books”.

“Choose Your Own Adventure” was a groundbreaking book series that prepared many of our child minds for the internet…or for keeping track of all the endnotes in Infinite Jest if you’re into that sort of thing. But did you know that each twisty, unforgiving story in the CYOA series has a map? The good folks over at Atlas Obscura have dug into the books and the maps they’ve generated.

The series original ran from 1979 to 1998, but since 2004, Chooseco, the company founded by one of the CYOA author, R.A. Montgomery, has re-released classic volumes and included the maps that are created by all the possible choices in each book! The official maps keep things fairly clear-cut. Pages are shown by an arrow, circles represent the choices the book offers its readers, each possible ending is represented by a square, and the dotted lines show the links between choices.

(6) ELECTRONIC ENTERTAINMENT EXPO. Follow this link to a roundup of game news from E3 2017.

There is a long list of announcements and news items in Tuesday’s individual post alone.

(7) ORGAN CONCERT. Daniel P. Dern was fascinated by the New York Times article about “The Liver: A ‘Blob’ That Runs the Body”.

The underrated, unloved liver performs more than 300 vital functions. No wonder the ancients believed it to be the home of the human soul.

Dern points to “fascinating stuff” like –

Scientists have also discovered that hepatocytes, the metabolically active cells that constitute 80 percent of the liver, possess traits not seen in any other normal cells of the body. For example, whereas most cells have two sets of chromosomes — two sets of genetic instructions on how a cell should behave — hepatocytes can enfold and deftly manipulate up to eight sets of chromosomes, and all without falling apart or turning cancerous.

“Not to mention the amusing term, ‘liverati’,” he continues. “Wonder if this organ was originally an alien symbiote, etc?”

(8) BEOWULF’S NEW NEIGHBOR. A Python’s diaries go to the British Museum.

Michael Palin has made a significant donation of written archives to the British Library, which documents his literary and creative career, covering the years 1965-1987.

Not much text, but some interesting video with commentary. Chip Hitchcock adds, “Note especially that the original contract paid one person in pounds and the rest in guineas; how very antique.”

(9) PUFF, PUFF, PUFF. What happened to Robert the smoking robot? A briefly-notorious private project from the 1930’s.

Today, the story of Robert the Robot is little known, even in the Northamptonshire town where he was once a celebrity.

Yet in the 1930s, his fame reached as far as Czechoslovakia and the United States, where he even featured in Time magazine.

And the reason he came to be?

“Someone bet me £5 I could not make a robot in three weeks,” inventor Charles Lawson, who had a radio shop, told a newspaper at the time.

“I won.”

… “The robot relied on a combination of motors, photoelectric cells, telephone relays and a record player to perform 26 pre-programmed routines, each one initiated by voice commands from a human co-star.

“Smoking was done using automated bellows which were also a feature of 19th Century automatons.

“Remember that this type of robot did not have access to a computer and so talking was done using a triggering mechanism for a record player playing old 78 RPM bakelite records.”

(10) TODAY IN HISTORY

  • June 13, 1953 The Beast from 20,000 Fathoms hit theaters.

  • June 13, 1981Clash of the Titans was released.

(11) FORGOTTEN TV. Echo Ishii holds forth on a rare Seventies series with Edward Woodward in “SF Obscure: 1990”.

1990, made in 1977, posits a future Britain run by the Public Control Department (PCD)- an all powerful bureaucracy in which government regulations turn into social control. A few lone journalists walk a fine line between criticizing the government and being shut down.

It starts with an attempt at a military overthrow in the mid 1980’s in which the state took over. Emigration, not immigration, is Britain’s biggest problem as those with skilled jobs and higher education seek a life abroad.

(12) TRUE SCI-FI. John King Tarpinian says, “I’ve not heard of this artist but I love his work: “El Gato Gomez Painting Retro Mid Century Modern Atomic Ranch House Robot Sci -Fi” for sale on eBay.

(13) TALKING OVER. Rose Eveleth’s “What I Learned About Interruption From Talk Radio”, on her blog Last Word on Nothing, comes recommended by Martin Morse Wooster: “I think has a lot of good practical advice which panelists at conventions can use.”

On June 3rd, writer and philosopher Jim Holt was moderating a panel at the World Science Festival called “Pondering the Imponderables: The Biggest Questions of Cosmology.” …One of the panelists was a woman named Veronika Hubeny, a theoretical physicist. She was the only woman on the panel. Holt asked Hubeny a question about string theory. And then, without letting Hubby [sic] answer his question, Holt began to hold forth on string theory.

The exchange was caught on camera, so you can watch it here. Hubeny is clearly trying to answer Holt’s question, but he simply won’t stop talking to let her. At one point, a woman in the audience named Marilee Talkington, actually shouted “LET HER SPEAK” to stop Holt from interrupting (you can read her entire account of the panel here). After a pause that I’m sure felt like ages to Talkington, the audience burst into applause. Hubeny then finally got to speak.

I’m not here to adjudicate this exchange, and I’m sure if you want to read heated debates about it you can find those using your trusty search engine of choice. Or the YouTube comments, if you enjoy true pain.

But this, this thing where a man simply doesn’t let you get a word in edgewise, this doesn’t happen to me much. Sure, I’ve had my fair share of mansplainers (my favorite being a clone of Solnit’s book-explainer, the man who explained my own podcast to me). But I don’t generally have trouble getting a word in. And I think it’s because I learned how to handle men who talk over me by listening to all that talk radio.

So here are my tips for anybody who might find themselves in a situation like Hubeny, where someone simply isn’t letting you get a word in, as learned from many, many hours of talk radio.

Let’s start with some general rules. First, when you are dealing with a chronic over-talker, do not try to be subtle. This is not a situation in which you should “go high.” Politeness does not work here, nor does trying to “take the high road.” You will wait forever for them to notice that they are doing this. You will die or fall asleep or the universe will end in a white-hot explosion before they will stop and think “hm I have been talking a lot I wonder if I’m talking over this person.”

Second, there are no pauses in talk radio, no long moments of thinking, no silences while you try to formulate a thoughtful response. Think of this conversation like a rock climbing wall. Each breath and micro-pause is a foothold. Your interlocutor will grab every single one and climb to the top, and you will be left at the bottom staring up at his backside. And it is not a nice view, let me assure you. …

(14) THE CANDY MAN. Atlas Obscura argues that “C.S. Lewis’s Greatest Fiction Was Convincing American Kids That They Would Like Turkish Delight”. And American adults — as a Narnia fan it seemed de rigeur to try some why I was on a tour of Turkey in 2004.

Turkish Delight, or lokum, is a popular dessert sweet throughout Europe, especially in Greece, the Balkans, and, of course, Turkey. But most Americans, if they have any association with the treat at all, know it only as the food for which Edmund Pevensie sells out his family in the classic children’s fantasy novel The Lion, The Witch, and The Wardrobe. Until I first tried real Turkish Delight in my 20s, I had always imagined it as a cross between crisp toffee and halvah, flaky and melting in the mouth.

Here’s what it really is: a starch and sugar gel often containing fruit or nuts and flavored with rosewater, citrus, resin, or mint. The texture is gummy and sticky, some of the flavors are unfamiliar to American palates, and the whole thing is very, very sweet. (In addition to the sugar in the mixture, it’s often dusted with icing sugar to keep the pieces from sticking together.) While some Turkish Delight newbies may find they enjoy it, it’s not likely to be the first thing we imagine when we picture an irresistible candy treat.

What I had matches the author’s description. And it was okay, but far from addictive.

(15) HOPS HORROR. “Don’t drink and dive,” says Andrew Porter after seeing this ad for The Temple from Narragansett Beer.

The Story

There was nothing we could do. It was just after 2pm on June 28th when we heard the explosion from the engine room. We were across enemy lines and we could do nothing but sink quietly to the ocean floor. Helpless and incapacitated, our submarine drifted for days — weeks. That’s when we found it aboard the ship — a very odd and seemingly ancient ivory medallion. As the men started to pass it around the ship for inspection, their minds began to fill with darkness and visions of those lost to the deep floating by the portholes of the ill-fated vessel in which we were trapped.

League by league, we fell into black nothingness, and with every league another member of my crew was stripped of his sanity. “MERCY!” they would begin to cry. Over and over. One by one they would turn. There was nothing else we could do… what else could we do? It needed to stop!

Today is August 9th. I have been resting on the ocean floor for nearly 3 weeks now alone and in complete darkness… except for… My mind has been tainted by hallucination. I swear it. Outside of the porthole lies a temple with a lone light shining over it’s door. The voices of my men have been chanting, pushing me to explore the impossible structure. I fell to their temptations, put my diving suit on, and stepped out onto the pitch black ocean floor and headed for the inconceivable glow. Once I arrived on the steps a voice hissed, “What do you seek?”

(16) CARTOON OF THE DAY/. In Martin, Sholto Crow reveals what happens if you use a metal detector on the beach and you dig up something that has a green flashing warning light!

[Thanks to JJ, DB, Cat Eldridge, Daniel P. Dern, Martin Morse Wooster, Michael J. Walsh, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/5/16 That’s Appertainment!

(1) BEST SERIES HUGO FLAW? Sami Sundell is dissatisfied with the 2017 Hugo test category, judging by his title: “Best Series is a popularity contest”.

Last year, Eric Flint wrote about the discrepancy between popularity in bookstores and winning (Hugo) awards. I then pointed out, that the big time bookstore magnets tend to write series. So, on the face of it, adding a new category could bring the awards closer to general populace…..

Re-eligibility of a nominee

The actual series proposal suggests a non-winning nominee for Best Series could become re-eligible after at least two additional tomes and 240 000 words. If the series is long enough and the writer prolific enough, you might see the same series popping up every few years, adding at least quarter of a million words to the reading effort every time.

You see, that’s another thing about the popular series: they hook their readers. Even if the quality wanes, it’s hard to let go of a series you’ve started – and some of those series have gone on for 40 years.

There’s nothing wrong with the same author and series being nominated multiple times; that happens regularly with other categories. In this case, however, it’s not just the latest installation that should be considered. It’s the whole body of work, which may span multiple authors, media, and decades.

More than any other written fiction category, Best Series has makings of a popularity contest in it: people will vote for whatever they are familiar with and attached to. That’s fine for selecting what to read next, but it shouldn’t be grounds for a Hugo.

(2) AUDIBLE INKLINGS. Oxford fellow Michael Ward (Planet Narnia) narrates Diana Pavlac Glyer’s Bandersnatch: C.S. Lewis, J.R.R. Tolkien and the Creative Collaboration of the Inklings in the Audible Audio Edition, released September 26.

Bandersnatch cover

(3) MYTH BUSTED OR INTACT? Aaron Pound looks at the “2007 Hugo Longlist” and commences to bust what he feels is a Hugo voting “myth.”

Whenever a Worldcon is held outside of the United States, people suggest that genre fiction works produced by local authors and editors are going to receive a boost in the Hugo nomination process and subsequent voting. Nippon 2007, the Worldcon held in 2007, was located in Yokohama, and given that Japan has an active science fiction and fantasy scene, one would think that the ballot would have been filled with Japanese books, stories, movies, and television shows. At the very least, one would think the Hugo longlist would be filled with such works. With the exception of Yoshitaka Amano’s appearance on the Best Professional Artist category, the 2007 Hugo longlist appears to be entirely devoid of any influence from Japanese voters.

Based upon the evidence of the statistics from 2007, it seems that the “bump” for local writers and artists is negligible at best….

This question really requires a more nuanced investigation of ALL Worldcons held outside North America, not just the one in Japan (inexplicable as the result was).

Looking at the final ballots from UK and Australian Worldcons, you can see a number of nominees (especially in the fan categories) who don’t get that support when the con is in North America.

However, the membership of most Worldcons is predominantly US fans, which gives things a certain consistency, wanted or not.

(4) KNOW YOUR GENRE. Sarah A. Hoyt explains the traits of a long list of genres and subgenres in a breezy column for Mad Genius Club.

If I had a dime for every time someone approaches me and says “My erotica/romance/science fiction/fantasy isn’t selling and I can’t tell why.”  And/or “I keep getting these really weird comments, like they’re angry at me for not being what I say it is.” I’d be buying a castle somewhere in England, as we speak.

And almost everytime I look into the matter, my answer is something like “But that’s not an erotica/romance/science fiction/fantasy.”

I will say right here that most of the time the problem is that people don’t read the genres they’re identifying their books as.  They just heard of them, and think that must be what they are.  This also explains all the people who assure me I write romance (rolls eyes) and that’s why they won’t read Darkship Thieves, or Witchfinder, or…

Because there is a romance in the book, somewhere, and they think that’s what the romance genre is.

It’s time to get this figured out, okay?…

(5) LUKE CAGE’S SHORTCOMINGS. Abigail Nussbaum finds a new Marvel superhero series wanting — “Tales of the City: Thoughts on Luke Cage” .

“For black lives to matter, black history has to matter.”  A character says this shortly into the first episode of Luke Cage, Netflix’s third MCU series, and the fourth season of television it has produced in collaboration with Marvel as it ramps up for its Defenders mega- event.  It’s easy to read this line as a thesis statement on the nature of the show we’re about to watch, but it’s not until some way into Luke Cage‘s first season that we realize the full import of what creator Cheo Hodari Coker is saying with it, and how challenging its implications will end up being.  As has been widely reported and discussed, Luke Cage is the first black MCU headliner–not just on TV or on Netflix, but at all.  And, unlike the forthcoming Black Panther, whose story is set in a fictional African superpower, Luke Cage is explicitly a story about African-Americans in the more-or-less real world, at a moment when the problems and indignities suffered by that community are at the forefront of public discussion.  It is, therefore, a show that comes loaded with tremendous expectations, not just of introducing a compelling character and telling a good superhero story, but of addressing increasingly fraught issues of race, in both the real world and the superhero genre.  It’s perhaps unsurprising that Luke Cage falls short of these expectations, but what is surprising is how often it doesn’t even seem to be trying to reach them.  Or, perhaps, not surprising at all–as the first episode spells out, Luke Cage is less interested in black lives than it is in black stories.

(6) FINAL INSTALLMENT. Renay from Lady Business has produced her last column for Strange Horizons:

When I started this column back in 2013, I didn’t know a lot of things. I didn’t know a lot about the depth and breadth of the science fiction and fantasy community. I didn’t know what it felt like to have a wider audience. I didn’t know yet how many people would be kind to me and also didn’t know (thankfully, because I might have run the other way) that people would be cruel. I hadn’t done any of the things that would change my perspective as a fan: write a fan column, be paid for writing, be included in a fan anthology, edit a fan anthology, become a Barnes & Noble reviewer, start a podcast with another big name fan, be a Hugo nominee, or go to Worldcon. But I’ve done all those things now and here’s what I’ve learned….

(7) CHARACTER (ACTING) COUNTS. Edward L. Green’s website for his acting career is now online.

(8) SUPPORTING HOMER HICKAM. San Diego fan Gerry Williams is encouraging a boycott of the musical October Sky at the Old Globe Theaters in his hometown. He explains:

ROCKET BOYS author Homer Hickam is in a very serious dispute and lawsuit with the corporate establishment at Universal Studios and with The Old Globe Theaters. He has tried to have his name removed from the Old Globe’s production (to no avail) for their Rocket Boy’s version of his story. You can read about all the problems on his blog here: http://homerhickamblog.blogspot.com/2016/09/my-struggle.html Personally I’m urging our local Southern California space community to stand with Homer Hickam and BOYCOTT The Old Globe’s production.

Hickam’s many frustrations about the rights struggle include the effect it’s having on the musical adaptation he himself has written Rocket Boys, the Musical.

Meantime, if you’re curious about the version being produced at the Old Globe —

October Sky

Book by Brian Hill and Aaron Thielen Music and Lyrics by Michael Mahler Directed by Rachel Rockwell Inspired by the Universal Pictures film and Rocket Boys by Homer H. Hickam,  Jr.

“A sumptuous production of an old-fashioned crowd-pleaser. October Sky feels good all over!” —Talkin’ Broadway

The beloved film is now a triumphant new American musical that will send your heart soaring and inspire your whole family to reach for the stars! In the small town of Coalwood, West Virginia, every young man’s future is in the coal mines, but after the launch of Sputnik in 1957, the world’s race to space inspires local highschooler Homer Hickam to dream of a different life. Against the wishes of his practical-minded father, he sets out on an unlikely quest to build his own rockets and light up the night sky. October Sky is an uplifting musical portrait of small-town Americana packed with youthful exuberance, and a sweeping, unforgettable new score.

(9) TODAY IN HISTORY

October 5, 1969  — Monty Python’s Flying Circus first appeared on the British Broadcasting Corporation’s BBC-1

(10) TERRY JONES RECEIVES BAFTA CYMRU AWARD. The Guardian has video of this touching acceptance:

Monty Python star Terry Jones collects his award for outstanding contribution to television and film at the Bafta Cymru awards on Sunday. Jones announced last month he has a severe type of dementia which affects his speech. He was accompanied on stage by his son Bill who told the audience it was a “great honour”

(11) TODAY’S BIRTHDAY BOYS

  • Born October 5 – Paul Weimer
  • Born October 5, 1958 — Neil DeGrasse Tyson

(12) WAYWARD FACULTY ADDITIONS. Who they are and what they’ll teach – the new faculty joining Cat Rambo’s Academy.

Now the Rambo Academy for Wayward Writers (classes.catrambo.com) adds three new teachers to its roster: Ann Leckie, Rachel Swirsky, and Juliette Wade. Each presents both a live version of the class, limited to eight students and taught via Google Hangouts, as well as an on-demand version.

Swirsky’s class, Old Stories Into New (http://catrambo.teachable.com/p/old-stories-into-new/), discusses existing forms and how genre writers draw on the stories that have preceded them–particularly folklore, mythology, and fables, but also beloved literature and media. The class presents the best methods for approaching such material while warning students of the possible pitfalls.  Readings, written lectures, and writing exercises from Hugo and Nebula award winning writer Rachel Swirsky teach the student how to keep work original and interesting when playing with familiar stories.  A live version will be offered on October 29, 2016; the on-demand version is available here.

Wade’s class, The Power of Words (http://catrambo.teachable.com/courses/the-power-of-words-linguistics-for-speculative-fiction-writers), focuses on the study of linguistics and its relevance to genre writing. Wade shows how linguistics differs from the study of foreign languages, and gives a survey of eight different subfields of linguistics. The class examines principles of language at levels of complexity from the most basic articulation of speech sounds to the way that language is used to participate in public forms of discourse. Wade looks at how each subfield can be used to enhance a writer’s portrayal of characters and societies in a fictional world. Then she takes the discussion to the level of text to consider how principles of linguistics can hone point of view and narrative language in storytelling. A live version will be offered on December 17, 2016.

Leckie’s class, To Space Opera and Beyond, will centers on space opera: its roots as well as its current manifestations as well as how to write it.  Topics covered include creating and tracking multiple worlds, characters, and plots,  interlocking and interweaving plots, writing storylines stretching across multiple books, and developing engaging and distinct politics, languages, and other cultural institutions. Both live sessions of the class are sold out. The on-demand version will be available in November.

Live classes are co-taught with Cat Rambo; registration details can be found at: http://www.kittywumpus.net/blog/upcoming-online-classes/.

(13) THIS WASN’T A TEST WHERE I WANTED TO SCORE WELL. “10 Habits of extremely boring people”. Send help — it’s alarming how many of these I checked off…

(14) BUCKAROO BANZAI CAN’T GET ACROSS THE AMAZON. Joseph T. Major in concerned. He looked at this article and said, “It looks like the World Crime League is making a score.” — “Rights Issues Stymie BUCKAROO BANZAI Amazon Series”.

Buckaroo Banzai may be in trouble and this time it is not from the machinations of evil Lectroids from Planet Ten or the World Crime League, but from something far more vexing – rights issues.

In an interview, W. D. Richter, director of the 1984 cult classic The Adventures Of Buckaroo Banzai: Across The Eight Dimension, revealed that it is possible that the rights to the actual character of Buckaroo Banzai actually lie with screen writer Earl Mac Rauch. And that could impact the television version of the film that writer/director Kevin Smith is currently developing with MGM for Amazon Studios.

(15) WHERE DID YOU GET MY NUMBER? I don’t make a lot of phone calls, but when I do the person on the other end seems more surprised to be getting a call than that it’s from me, and that may be part of  trend – Slate explains: “The Death of the Telephone Call, 1876-2007”.

The phone call died, according to Nielsen, in the autumn of 2007. During the final three months of that year the average monthly number of texts sent on mobile phones (218) exceeded, for the first time in recorded history, the average monthly number of phone calls (213). A frontier had been crossed. The primary purpose of most people’s primary telephones was no longer to engage in audible speech….

Calling somebody on the phone used to be a perfectly ordinary thing to do. You called people you knew well, not so well, or not at all, and never gave it a second thought. But after the Great Texting Shift of 2007, a phone call became a claim of intimacy. Today if I want to phone someone just to chat, I first have to consider whether the call will be viewed as intrusive. My method is to ask myself, “Have I ever seen this person in the nude?” The sighting doesn’t have to be (indeed, seldom is) recent. Nor is it necessary that I remember it. I need only deduce that, sometime or other, I must have seen this person naked. That clears phone calls to a wife or girlfriend, to children, to parents, to siblings, to old flames, to former roommates from college, and very few others.

(16) TREKKIE STONELORE. UPI tells us Redditor Haoleopteryx posted a photo of the business cards he had specially printed to deal with constant jokes about the name of the profession.”

I’m a volcanologist and I really don’t know how it took me so long to actually get around to making these

 

View post on imgur.com

[Thanks to Cat Rambo, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editors of the day — Heather Rose Jones because I noticed her post it, and Kip W. because he actually suggested it first eight hours earlier. The bar is open — everybody appertain your favorite beverage!]

Pixel Scroll 9/24/16 The Scroll Glows White On The Mountain Tonight, Not A Pixel To Be Seen

(1) INTERNMENT DRAMA. Courtesy of Fathom Events, “Broadway Musical ‘Allegiance’ Starring George Takei to Screen in Cinemas”.

Allegiance,” the Broadway musical that starred George Takei in a four-month run last season, will come to movie theaters around the country in a one-night-only December screening presented by Fathom Events, the distributor of alternative cinema content.

“Allegiance” tackles the serious historical subject of the internment of Japanese-Americans during World War II, in a story loosely inspired by Takei’s childhood. Also starring Lea Salonga (“Miss Saigon”) and Telly Leung, the musical has songs by Jay Kuo with a book by Marc Acito, Kuo and Lorenzo Thione. Stafford Arima directed the production.

(2) HOLLYWOOD POWER COUPLE SPLITS. Did you wonder why Leia and Han broke up? Now we know: “Carrie Fisher’s Hilarious Reasons Why Leia and Han Solo Broke Up” from CInemaBlend.

Carrie Fisher was the guest of honor at the Saskatoon Comic and Entertainment Expo (via NB), and in front of a crowd of Star Wars fans she revealed why Han and Leia put an end to their relationship. Apparently, Han spent too much time smuggling with the “hairy guy” and not enough at home with his wife. While hyperspace is a pretty good metaphor for a breakup, I’m not sure that it’s a particularly flattering one with regards to Han’s powers as a husband (hyperspace is awfully fast). Of course, it’s pretty safe to say that this is non-canonical, but it’s always nice to hear from Fisher. She’s typically hilarious and sarcastic about everything, and hearing her version of Star Wars events is almost always entertaining.

(3) PYTHON MEDICAL UPDATE. Monty Python’s Flying Circus member Terry Jones has been diagnosed with primary progressive aphasia, the BBC reports.

The news was confirmed as Bafta Cymru announced the Welsh-born comedian is to be honoured with an outstanding contribution award….

Jones, who is from Colwyn Bay in north Wales, was a member of the legendary comedy troupe with Terry Gilliam, John Cleese, Eric Idle, Michael Palin and the late Graham Chapman.

He directed Monty Python’s Life of Brian and The Meaning of Life and co-directed Monty Python and the Holy Grail with Gilliam.

The surviving members reunited for 10 reunion performances at the O2 Arena in London in 2014.

(4) FRAUGHT WITHOUT MEANING. Joshua Rivera ponders the meaning of Bill Hader being cast as Alpha 5 in the Power Rangers movie for GQ readers.

No upcoming movie confounds me more thaJoshn 2017’s Power Rangers remake. In an era of Hollywood where every studio needs a franchise, it’s kind of a foregone conclusion that the Teenagers With Attitude would get another at-bat sooner or later, but it’s hard to figure out who this movie is going to be for. Is it something chill enough for modern teens, like this super cool Instagram-ready group shot suggests? Is it going for pure outrageous spectacle, like those goofy-ass costumes and giant CGI robots suggest? Or is it somehow trying to get even our attention, by casting Bryan Cranston as Zordon the floating space wizard head and Elizabeth Banks as villain Rita Repulsa.

Oh, and Bill Hader’s here now too….

(5) TECH APPLICATION. Motherboard suggests “Google Glass Could Be a Social Gamechanger For Kids on the Autism Spectrum”.

“While reading facial expressions is difficult for all of us at times (Was that a smile or a grimace?), for people with ASD, social interactions and friendships can be especially nerve-wracking. People on the spectrum may avoid eye contact and therefore fail to recognize and interpret facial expressions, challenges that also have far-reaching repercussions in school or at work.”

JJ noted, “Several Filers have said that they have to deal with prosopagnosia (the inability to recognize faces). I have to wonder if this would have positive applications for that, as well.”

(6) IN NO TIME. ”Quantum Teleportation Just Happened For Real”, Gizmodo tells us.

Quantum teleportation is the mystical, far-off in the future idea where quantum information encoded into particles of light can be transferred from one place to another remotely. Except it’s not far-off in the future — it just happened. Teleportation is real and it is here.

The teleportation occurred over several kilometres of optical fibre networks in the cities of Hefei in China and Calgary in Canada.

The two independent studies show that quantum teleportation across metropolitan networks is technologically feasible, and pave the way towards future city-scale quantum technologies and communications networks, such as a quantum internet.

(7) UNKNOWN CONTRIBUTORS TO SPACE AGE. Tor.com invites fans to “Meet the Hidden Figures of NASA in New Trailer”.

While the first trailer for the forthcoming NASA biopic Hidden Figures takes a wide look at how three black female mathematicians launched John Glenn into space, the second trailer tightens its scope, reintroducing you to Katherine G. Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer), and Mary Jackson (Janelle Monáe).

Called the “colored computers” and tucked into a corner of NASA’s offices, these women weren’t given their due—neither within nor outside of NASA’s walls, as everyone from engineers to the police cannot fathom women of color working in the space program

.

(8) NYRSF FALL SCHEDULE. The New York Review of Science Fiction Readings announces its schedule for the beginning of its 26th season — http://www.hourwolf.com/nyrsf/.

(9) SOMEWHERE IN TIME TRIVIA. The Grand Hotel on Mackinac Island is hosting a “Somewhere in Time” Weekend on October 28-30.

Somewhere in Time Weekend is one of our most popular and special weekends at Grand Hotel. The movie Somewhere In Time was filmed at Grand Hotel and on Mackinac Island in 1979 and the movie was released in 1980

Movie Trivia from the Wikipedia:  Richard Matheson, who wrote the original novel and screenplay, appears in a cameo role as a 1912 hotel guest. He is shocked by Richard’s (Christopher Reeve) having cut himself shaving with a straight razor.

A then-unknown William H. Macy has a bit role as a critic in the 1972 scene before Elise hands the watch to Richard. George Wendt is credited as a student during this same scene, but his appearance was omitted from the final cut of the film. Richard Matheson’s daughter, Ali, is similarly credited as a student.

(10) TODAY IN HISTORY

  • September 24, 2004 Shaun of the Dead is released in theaters in North America.

(11) TODAY’S BIRTHDAY BOY

  • Born September 24, 1936 – Jim Henson

(12) HELP DRAFT WORLDCON 75 PROGRAM. Worldcon 75 open for programming suggestions.

Do you know somebody who would be a perfect programme participant for Worldcon 75?

We want suggestions on everything and anything SF-related: books, movies, science fiction, fantasy, steampunk, urban fantasy, translations, science, fandom, dance, music, writing, authors, graphic novels, plays, cosplay, anime etc.

The theme of Worldcon 75 is WORLD in all its many, many meanings! We are especially interested in programming items which fall under that theme, as well as those covering “Erilaisuus” (difference/diversity/alien – this word does not translate well into English), “Music” and “100 years of Finland”.

(13) INTERIOR DECORATION. N. K. Jemisin found a happy place to park her Hugo.

(14) ONLINE AND OFFLINE. How John Scalzi strikes the balance: “Who We Are Online, Who We Are Offline, How They’re Different and How They’re the Same”.

Over on Facebook, a person who claims to have met and interacted with me (and he may have! I meet and interact with a lot of people) suggests that he wouldn’t want to associate with me because, among other things, there’s a difference between how I present myself online and how I present myself offline, which this fellow takes to mean that I say things here, that I wouldn’t say there. Which means, apparently, that I’m false/dissembling/a coward and so on.

This is interesting to me! I have thoughts on this! I am going to share them with you now!

One: Of course, and I think obviously, people who don’t want to associate with me should not associate with me. Whatever reason you have for not wanting to associate with me — including having no reason at all! — is perfectly acceptable. It’s your life, and life is too short to associate with people with whom you have no desire to spend time, even if that person is me. Maybe I’ll be sad about that, if you are someone I like or admire or thought I might one day like to get to know. But I’ll just have to be sad about that. If you don’t want to associate with me, I celebrate your choice. Go! Be associative with others who are not me….

(15) THE LASAGNA STRATEGY. Why is Lou Antonelli “Staying at Home”? Well, he wasn’t invited to be a guest of FenCon this weekend. To avoid this happening too often, he offers this incentive —

Those of you who attended Conquest in Kansas City may recall I brought home-made lasagna for the reception held in the con suite for the debut of the “Decision Points” anthology. That was on a Friday night; I’ve been told that for the rest of the convention people kept coming into the con suite asking “Is there any more lasagna?” I will bring lasagna to any con I go to next year – unless I fly – so there is an incentive to invite me right there. If you have never tasted my lasagna, it’s universally conceded to be the best in the world.

As we say in Texas, “It ain’t bragging if you can do it.”

[Thanks to Dawn Incognito, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor Kyra.]

Pixel Scroll 10/27 Return To Hedgehogwarts

(1) Bad science in sf I’m used to. On the other hand, this expose of Monty Python by medievalist Kathleen E. Kennedy is shocking! Her post for The Mary Sue, “Coconuts in Medieval England Weren’t as Rare as Monty Python and the Holy Grail Made You Think”, claims England was practically awash in coconuts – had he existed, King Arthur would have had no problem acquiring one.

(2) As a fan, when I see something like “15 Facts You Didn’t Know About the Original ‘Ghostbusters’”, I start jonesing to tell the headline writer that the original Ghost Busters was the working title of a Bowery Boys movie. But carry on….

Imagine Eddie Murphy and his fellow paranormal firefighters battling a motorcycle-riding skeleton and a giant lizard monster from their gas-station base in a futuristic New Jersey. Who you gonna call? Ghost Smashers!

By the time it became an instant classic upon its release in 1984, Ghostbusters had morphed through radically different iterations, featuring bonkers plot points and unrecognizable creatures. Those mind-blowing details are chronicled by Ghostbusters: The Ultimate Visual History, author Daniel Wallace’s revelatory, self-explanatory new book due out this week, just in time for Halloween.

(3) I stopped to watch Ray Parker Jr.’s Ghostbusters music video while researching the previous item. That 1980s video did some nice things with neon lights. But it can’t hold a candle *coff* to the Halloween Light Show set to his vocals in this YouTube video — four singing pumpkin faces, tombstones, hand carved pumpkins, strobes, floods, two Matrix boards and thousands of lights.

(4) At this hour it may be hard to find anyone who hasn’t already read John Scalzi’s Whatever post titled “Here’s the Egregious, Mealy-Mouthed Clump of Bullshit That is the 2015 World Fantasy Convention Harassment Policy”.

I am not a lawyer, but I expect that ReedPOP, the company that runs [New York Comic Con] (among many other conventions around the US) has maybe a few lawyers on its staff. If NYCC is utterly and absolutely unafraid to promulgate a harassment policy even though there is a legal statute defining what harassment means in the state of New York, I expect it might have been possible for World Fantasy to have done likewise, if they chose to do so.

And I recommend reading Jesi Pershing’s comment on the post. (I’m unable to link to specific comments on Whatever, despite both it and File 770 running on WordPress….)

(5) Trae Dorn’s story at Nerd & Tie, “World Fantasy Convention writes the worst harasssment policy ever” doesn’t live up to the hyperbole of the headline, but it reflects the prevailing mood of the internet.

(6) Jim C. Hines weighed in with “Trying to Fix WFC’s Harassment Policy Problem”.

Can this actually be fixed?

Well, no. Not completely. You’ve pissed off a lot of people, and you’ve got nine days before the start of the convention. You can’t fix it. But you can work to make it better. Here are my suggestions, for what they’re worth.

A compelling observation was quoted from Natalie Luhrs’ post —

Keep in mind that, as Natalie Luhrs pointed out, “three of the last five World Fantasy Conventions had harassment incidents that were publicized: 20102011, and 2013.” This doesn’t include incidents that weren’t publicized.

However, it should be noted that other recent WFC’s have had genuine anti-harassment policies – the 2015 committee is an aberration in that respect.

(7) The headline for Arthur Chu’s post captures just what I think was really controlling SXSW’s decision to have these panels at all – “This Is Not a Game: How SXSW Turned GamerGate Abuse Into a Spectator Sport”. Chu also is very informative about the history about the anti-harassment panel proposal.

  1. Any “both sides” narrative is nonsense. Whatever harassment and abuse there was cannot have been at all symmetrical.

SXSW acknowledges this when they tell Randi Harper in an email they’ve “received numerous threats of violence regarding this panel (Level Up)” and a “civil and respectful environment seems unlikely.” You can see with your own eyes the degree of incivility and disrespect likely to occur at her panel by looking at the comment thread GamerGate left on PanelPicker. This started up in August and has only had time to fester since then.

By contrast, I don’t think anyone “anti-GamerGate” I’ve spoken to other than my fellow panelists was even aware a GamerGate panel was in the cards until it was announced last week. Feel free to search my own history on Twitter, Facebook, Reddit, etc. to see if you can find any mention of it.

(8) Chris Kluwe went straight for the jugular.

What you did, what you’re doing, is providing the blueprint for harassers and hatemongers as to how they win. From this point forward, any fringe group of spiteful lunatics can point to this moment and say, “We will silence the voices of anyone we dislike at SXSW, any view we disagree with, because we know the mewling slugs in charge have not the backbone to stop us. All we need to do is confront them with our vileness, and they will fold.”

And the worst part?

YOU are solely the ones responsible for this.

YOU decided that it was appropriate to give a group of harassers a platform to continue their wretched campaign of ignorance. No one forced you to bypass the application process, to slide this selection of charlatans and liars along back alley channels into the conference. (And by the way, it is beyond ironic that a group ostensibly about ‘ethics in journalism’ required such an unethical route.)

YOU chose to ignore the warnings of the women targeted, to dismiss their voices as unworthy of respect or consideration, and then had the gall to act shocked that a ‘movement’ known for its corrosive toxicity slimed its oh-so-predictable foulness in your direction after you invited them in.

(9) Today In History:

October 27, 1938 – Orson Welles’ Mercury Theatre of the Air broadcasts its adaptation of H.G. Wells’ War of the Worlds. Joe Bloch comments —

People have debated for decades just why the country was so willing to be fooled by the broadcast, and the question of whether or not Welles had an inkling of what would happen was never answered. It is certain that he denied it at a later Congressional hearing, but in subsequent interviews he answered the question rather coyly, implying that he might have known what could happen.

(10) Stop snickering about aliens, d’ye hear me? Astrophysics profession Adam Frank, co-founder of the 13.7 blog, says “Maybe It’s Time To Stop Snickering About Aliens”.

Boyajian and her co-authors considered a wide range of possibilities to explain the strange dips in the light coming from KIC 8462852. Nothing they dreamed up provided a really, really good explanation. And in the absence of that really, really good explanation, at least a few others have been thinking: “Aliens!” As Ross reports, Jason Wright of Penn State is already working on a paper suggesting we might be seeing a signature of extraterrestrial construction, a “swarm of mega-structures,” on a planetary system scale.

Now, at this point, I could start telling you about Dyson spheres and Kardashev Type II civilizations that engage in solar-system-spanning building projects (or even Vogon Constructor Fleets).

But I won’t.

That’s because the point today is not what KIC 8462852, in particular, might be telling us. The odds are high that a natural explanation will be found for the star’s flickering that has nothing to do with aliens.

Why take that stance? Well, aliens are always the last hypothesis you should consider. Occam’s razor tells scientists to always go for the simplest explanation for a new phenomenon. But even as we keep Mr. Occam’s razor in mind, there is something fundamentally new happening right now that all of us, including scientists, must begin considering.

Kepler and the many exoplanet-hunting missions coming next (JWST, PLATO, etc.) represent an entirely new way of watching the sky.

Telescope time has always been expensive — and there’s a lot of sky. In the past, astronomers didn’t have the technical capacity to continuously watch zillions of stars for long periods of time. The suns we astronomers did come back to again and again tended to be remarkable in one way or another (they flared or blew up periodically). But the exoplanet revolution means we’re developing capacities to stare deep into the light produced by hundreds of thousands of boring, ordinary stars. And these are exactly the kind of stars where life might form on orbiting planets.

(11) Tom Knighton says it’s only a “Supergirl Kinda-Review” but he covers a lot of ground as he fills in readers about last night’s series debut.

First, the casting was interesting, and I mean that in a good way.  Kara (aka Supergirl for those who don’t know) is, like her cousin, raised by human parents.  Her parents were played by…*drum roll please* Dean Caine of Lois and Clark and Helen Slater, the original live-action Supergirl.  Honestly, it make my inner geek giddy right there.

(12) All the other old-timers showed up in the latest Star Wars trailer. Where was Mark Hamill? The director has an answer — “J.J. Abrams addresses Luke’s absence from Star Wars trailers”

When asked what’s going with Luke’s lack of appearance in the Star Wars: The Force Awakens trailers, director J.J. Abrams stated it’s part of the plan.

“These are good questions to be asking. I can’t wait for you to find out the answer,” he said. The fact Luke is being kept away from the promotional materials is “no accident,” he continued.

It actually goes a bit deeper than that. There was a leaked image of Luke Skywalker wearing what seemed to be standard Jedi robes that made the rounds, but Disney went to work pulling as many copies of the image from the internet as possible, including Twitter embeds.

(13) Gail Z. Martin suggests “Five Reasons Why Authors Do Blog Tours (And Maybe You Should, Too)” at Magical Words.

What’s a blog tour and why should you consider doing one?

A blog tour provides the opportunity for an author to be featured in guest posts on a number of other blogs, thus gaining visibility to the readers on all those sites. Likewise, an author who has a blog can do a tour on his/her own site by featuring a number of other authors on the site in a given period of time.

Two crucial elements separate a ‘blog tour’ from merely being a guest for the day on someone else’s blog. First, a blog tour generally involves guesting on multiple blogs or hosting multiple guests on your blog. And secondly, the activity occurs within a pre-defined (and advance-promoted) time period—perhaps a week or a month. In fact, blog tours work best when the bloggers and the guests promote the upcoming post—much like when a celebrity promotes being interviewed on TV. The author gets visibility, and perhaps new readers. The blogger gets traffic and well as visibility—and perhaps some of those visitors will come back time and again.

(14) Harlan Ellison is among the contributors to Jewish Noir: Contemporary Tales of Crime and Other Dark Deeds, to be published November 1.

The stories explore such issues as the Holocaust and its long-term effects on subsequent generations, anti-Semitism in the mid- and late-20th-century United States, and the dark side of the Diaspora (e.g., the decline of revolutionary fervor, the passing of generations, the Golden Ghetto, etc.).

(15) And rather like Harlan Ellison, Wil Wheaton thinks the writer should get paid. His post “you can’t pay your rent with the ‘unique platform and reach our site provides’” tells why he told HuffPo to take a hike.

(16) Here’s somebody you don’t see at fan-run conventions every day… but he’ll be at Gallifrey One in 2016:

Sir John Hurt, who brought the ‘missing link’ in the Doctor’s past — the War Doctor, from the 50th anniversary special “The Day of the Doctor” — to life, will be headlining the 2016 Gallifrey One convention, in an appearance sponsored by Showmasters Events.

(17) Remember that how that old statue of Lenin in a Ukraine town was rededicated to Darth Vader the other day? Well, sounds like old Darth is up to no good – just check out this story: “Chewbacca Arrested During Ukraine Elections”

The Wookiee is handcuffed and detained after supporting Darth Vader’s bid to be elected as Mayor of Odessa.

Yes, my friends, there’s trouble in unpronounceable city!

[Thanks to Steven H Silver, Martin Morse Wooster, Francis Hamit, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/15 Trial by Filers

(1) Martin Morse Wooster opened my eyes to a previously unrealized fact — Wil Wheaton is a celebrity homebrewer.

On November 7, 2015, the American Homebrewers Association hosts Learn to Homebrew Day across the country. This year, celebrity homebrewers Wil Wheaton and Kyle Hollingsworth have teamed up with the AHA to promote the celebration! Kyle and the AHA created a video together, which can be viewed here.

Wheaton even has a dedicated blog for his homebrew activities – Devils Gate Brewing. He’s also appeared on Brewing TV.

(2) While researching the homebrew story, I observed Wheaton deliver this absolute home truth —

(3) Crowdfunding conventions doesn’t always work. The fans who’d like to hold Phoenix Sci-Fi Con 2016 have only managed to raise $50 of the $12,500 goal in 13 days. The last donation was almost a week ago.

(4) “Neiman” has launched a new science-fiction and fantasy news aggregator, Madab, which is the word for “sci-fi” in Hebrew. (Says Neiman: “It fits, since I’m an Israeli in origin.”) The website focuses on books and written stuff, and follows more than a hundred sources.

(5) Zoë Heller, in “How Does an Author’s Reputation Shape Your Response to a Book?” for the New York Times Sunday Book Review, said about her experience as a slush pile reader:

The important thing was to send back manuscripts at a steady rate and to keep the slush pile low. But I didn’t. I couldn’t. Under my supervision, the slush pile grew and grew until it became several tottering ziggurats of slush. I’d like to say that it was the thought of dashing writers’ hopes that paralyzed me. But I was quite heartless about that. What stopped me in my tracks was the dread of having to make independent literary judgments. I had never before been asked to evaluate writing that was utterly ­reputation-less and imprimatur-less. In college I had read I.A. Richards’s famous study, ‘Practical Criticism,’ in which Richards asked Cambridge undergraduates to assess poems without telling the students who had written them. The point of the experiment was to show how, when deprived of contextual clues, students ended up making embarrassingly ‘wrong’ judgments about what was good and bad. I was convinced that the slush pile was my own ‘Practical Criticism’ challenge and that I was going to be revealed as a fraud, with no real powers of literary discrimination.

Andrew Porter made a comment about his own experiences, which the Times published:

I read the slush pile at “The Magazine of Fantasy & Science Fiction” for 8 years, from 1966 to 1974, going in once a week to sort through anywhere from 100 to 140 unsolicited manuscripts. The ultra-short stories of under 500 words were usually rejected—none of the writers measured up to Fredric Brown, master of the short-short—while poetry, seldom published, also got the boot. Holiday stories sent in during the holidays were also rejected; most authors have no idea what sort of lead time magazines require. Then there were so many stories with punchline endings: “We’ll go to the third planet: the natives call it ‘Earth'” or “Eve? Gosh, my name’s Adam!” Some of those were 25,000 words, and most ended badly.

Occasionally there was a gem among the dross; I pulled Suzette Haden Elgin’s first published story from the piles, and it went on to be published and anthologized many times.

I was paid a pittance, yes ($25 a week), but did my best by the magazine and the authors. We sent them rejection forms, with sometimes a note encouraging more submissions—which was usually a mistake; they sent in their vast files of unpublishable stories. But sometimes…

All life is a is a judgement call, whether of unpublished stories, where to live, who to marry, or what to have for dinner. Heller failed the writers and her employers. I hope her subsequent life judgements have been wiser.

(6) Aaron Pound’s well-written CapClave report on Dreaming About Other Worlds ends with this insight:

After the convention, I spoke with my mother on the phone. She had traveled to New York to visit my sister for the weekend, and she was somewhat perplexed that the redhead and I had gone to CapClave rather than New York ComicCon. While the redhead and I enjoy big conventions with tens of thousands of attendees every now and then – we have been to DragonCon once, and we go to GenCon every year – there is simply no substitute for the congenial and friendly atmosphere of the smaller fan run conventions like CapClave, Balticon, Chessiecon, and the hundreds of other small conventions that take place every year. The blunt truth is that the large professionally run media conventions like New York ComicCon are simply exhausting. New York ComicCon had about 170,000 attendees this year. CapClave had about 400. To attend almost any panel at New York ComicCon, you have to wait in line, often for hours. You might be able to see stars like Chris Evans, George Takei, or Carrie Fischer, but you’ll likely see them from the back of an auditorium as they speak to a couple of thousand people. Or if you want a personal interaction you’ll pay for the privilege, and you will likely only be able to interact with them for a minute or two. At CapClave, on the other hand, the panels are small and interactive. I have never had to spend any appreciable time waiting in line for anything. Most of the authors who attend are more than happy to sit down and talk with you, whether after a panel, sitting in the con suite, or simply while hanging out at the hotel bar. An event like New York ComicCon is a spectacle, while CapClave, by contrast, is a conversation. There is room for both in the genre fiction world, but as for myself, I prefer the conversation.

(7) A Brian K. Vaughn comic may be made into a TV series.

After years of trying, Hollywood finally threw in the towel last year and stopped trying to make a movie version of Y: The Last Man. Brian K. Vaughan’s epic 60-issue series recounts the adventures of Yorick Brown, his pet monkey Ampersand, and all the ladies on Earth who want a piece of him because he is—spoiler alert—the last man, after a mysterious plague kills everything with a Y chromosome except for him. After the rights were returned to Vaughan following New Line dropping the ball on the films, it was unclear if anything would ever happen with it, given the creator had left television and was concentrating on comics once more.

But much like astronauts returning to Earth from the International Space Station, Y: The Last Man has returned to the world of filmed adaptations. According to The Hollywood Reporter, the sci-fi comic is being developed into a series for cable channel FX. Along with producers Nina Jacobsen and Brad Simpson, the network is looking for a writer to develop the show with Vaughan.

(8) Ross Andersen reports on “The Most Mysterious Star in Our Galaxy” for The Atlantic.

Between these constellations sits an unusual star, invisible to the naked eye, but visible to the Kepler Space Telescope, which stared at it for more than four years, beginning in 2009…..

The light pattern suggests there is a big mess of matter circling the star, in tight formation. That would be expected if the star were young. When our solar system first formed, four and a half billion years ago, a messy disk of dust and debris surrounded the sun, before gravity organized it into planets, and rings of rock and ice.

But this unusual star isn’t young. If it were young, it would be surrounded by dust that would give off extra infrared light. There doesn’t seem to be an excess of infrared light around this star.

It appears to be mature….

Jason Wright, an astronomer from Penn State University, is set to publish an alternative interpretation of the light pattern. SETI researchers have long suggested that we might be able to detect distant extraterrestrial civilizations, by looking for enormous technological artifacts orbiting other stars. Wright and his co-authors say the unusual star’s light pattern is consistent with a “swarm of megastructures,” perhaps stellar-light collectors, technology designed to catch energy from the star.

“When [Boyajian] showed me the data, I was fascinated by how crazy it looked,” Wright told me. “Aliens should always be the very last hypothesis you consider, but this looked like something you would expect an alien civilization to build.”

Boyajian is now working with Wright and Andrew Siemion, the Director of the SETI Research Center at the University of California, Berkeley. The three of them are writing up a proposal. They want to point a massive radio dish at the unusual star, to see if it emits radio waves at frequencies associated with technological activity.

If they see a sizable amount of radio waves, they’ll follow up with the Very Large Array (VLA) in New Mexico, which may be able to say whether the radio waves were emitted by a technological source, like those that waft out into the universe from Earth’s network of radio stations.

(9) George R.R. Martin announces that Esquire’s Sexiest Woman Alive…

…is Emilia Clarke, our own Daenerys Targaryen, Mother of Dragons, Breaker of Chains, Khaleesi of the Great Grass Sea.

The Esquire magazine article is here..

(10) Tom Knighton reviews the novel The Martian:

I’d heard all about the science, how it was supposed to be so accurate.  I’d heard that Weir wrote a pretty compelling story.  While I’m not sure about the former, I do agree with the latter, they left out one key piece of commentary on The Martian.  It’s actually funny!

Mark Watney, the main character, is a natural smart ass and an independent spirit…in addition to a mechanical engineer and botanist.  Honest, if you’re going to strand a guy on Mars, it might have been the perfect choice, which some may perceive as a chink in Watney’s armor on this story, but I disagree.

(11) SFFWorld interviews Seanan McGuire:

SFFWorld: With so many interesting universes that you create, you have fans who like them all. But do you ever have fans getting mad at you because you are working on one series and they want a new book in their favorite series?

McGuire: Fans are people, and people sometimes get mad at air.  I know I do.  So I have people huff at me because I’m not doing what they want, but I also have people get mad because I use profanity, or because I exist in material space, or because I was at Disneyland when they thought I should be writing.  I just keep swimming.  I need to switch between projects to keep from burning myself out, and I like to think that my true fans would rather have me writing for a long time than get exactly what they want the second that they want it.  Unless what they want is a puppy.

(12) “Most of the story team for the next Star Wars film is female” reports Fortune.

Today, Kennedy is president of Lucasfilm, producer of the next installment in the Star Wars series, The Force Awakens. Still, she believes the challenges for women have remained much the same since the late 1970s. “I don’t think things have changed much for women for jobs in the entertainment industry, especially in technical roles,” she said. Kennedy added that at a recent Saturday Night Live taping she attended, she saw no women operating the cameras….

“People in powerful positions are not trying hard enough [to bring women into the industry] and there are an alarming number of women who are not able to get those jobs,” she explained.

And — “Kathleen Kennedy Promises She’ll Hire A Female Director For A Star Wars Movie” reports GeekTyrant

“I feel it is going to happen — we are going to hire a woman who’s going to direct a Star Wars movie. I have no doubt. On the other hand, I want to make sure we put somebody in that position who’s set up for success. It’s not just a token job to look out and try to find a woman that we can put into a position of directing Star Wars.”

(13) No matter what William Shatner told the Australians, Justin Lin is directing Star Trek Beyond — and people are leaking photos of the aliens from Lin’s movie.

(14) “One step closer to Star Trek: New 3-D printer builds with 10 materials at once” from Christian Science Monitor.

It’s built from off-the-shelf parts that cost about $7,000 in total, and is capable of printing in full color with up to 10 materials at a time, including fabrics, fiber-optics, and lenses.

Traditional multi-material printers use a mechanical system to sweep each layer of the printed object after it’s laid down to ensure that it’s flat and correctly aligned. The extreme precision of such a system is a big part of the reason that printers are so expensive. But the MultiFab uses a machine-vision system instead of a mechanical one, which allows for precise scanning – down to 40 microns – without the need for so many pricey components, project engineer Javier Ramos told Wired.

(15) All six Bonds together, that is, at Madame Tussaud’s!

(16) Frock Flicks: The Costume Movie Review Podcast, does a serious, in-depth study of historical costuming in Monty Python and the Holy Grail – which gets high marks despite having been done cheap, cheap, cheap!

The Historical Setting of Monty Python and the Holy Grail

The movie is supposedly set in 932 A.D., and, of course, the story is King Arthur, which is quasi-fictitious anyway. The person who might be the historical basis for the Arthurian legends could have lived in the 5th to 7th century, and 932 is right around the reign of Æthelstan, who was a king of the Anglo-Saxons and the first to proclaim himself King of the English in 927. But hey, whatever this is a comedy, who pays attention to the title cards, right? Other than all those moose and llamas…

In a way, it doesn’t matter because medieval clothing, at least for men, is somewhat vaguely defined from the 5th though 12th centuries, being mostly belted tunics and such. But for reference, here are a few examples of how ruling men were depicted in documents of the period in England. The garment shapes are simple, and the higher up in status a man was, the more decorative trims and jewelry he got. It’s also interesting to note the hair and beard styles.

(17) John Hertz offers a piece he entitles, “Do you, Mister Jones?” —

All this throwing round of the word “geek” recalls a handy little acronym I had published a while ago in The MT Void 1279 (or you may have seen it later in Vanamonde 956, where I added “Among reasons to form one’s own opinions, people can be vigorous in accusing one of one’s virtues”; not to burden the File 770 Reference Director, I allude to Aesop, H. Andersen, B. Dylan’s “Ballad of a Thin Man”, and “The Marching Morons”).

Grapes are sour.
Emperor has no clothes.
Each put-down of you means I win.
Kornbluth didn’t tell the half of it.

[Thanks to James H. Burns, John Hertz, Martin Morse Wooster, David K.M. Klaus, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 10/14 The pixel will see you now…

(1) What could be more appropriate to continue a discussion launched in yesterday’s Scroll than Jurassic Park: High Heels Edition! Thanks to Cathy for dropping this into the comments.

(2) “Emperor Palpatine and Sauron in the Afterlife” by Steve Ogden. Here is the first frame of the comic —

Sauron COMP

This crazy comic sprung from a Twitter conversation I was having with Scott King. He said he was considering writing an essay, the events of Star Wars as seen from Emperor Palpatine’s point of view. I said it would be a terrible idea, but really funny, to have a conversation in the afterlife between two dead bad guys, sort of swapping horror stories about how badly everything went for them at the hands of the Good Guys. Scott admitted it was both terrible and funny, and why don’t I go write it then. So I did, and here you have it.

(3) That was a strange experience – reading Alexandra Erin’s “Millennial Pledge: Trouble Edition”, which translates “Trouble in River City” into a bullet-pointed blog post.

(4) Recommended: Ty Templeton’s comic ”What if Bob Kane has created Bat-Man without Bill Finger?”

(5) Most of “The 20 Biggest Bombshells J.K. Rowling’s Dropped Since ‘Harry Potter’ Ended” are less cheerful than —

chocolate frogs COMP

Chocolate Frogs

Harry, Ron and Hermione all wound up with their own chocolate frog cards, which Ron reported as his “finest hour.”

Harry’s card says that he is “the first and only known wizard to survive the Killing Curse, most famous for the defeat of the most dangerous dark wizard of all time, Lord Voldemort.”

Ron’s card gives him credit for “destroying the Horcruxes and subsequent defeat of Voldemort and revolutionizing the Ministry of Magic.”

On hers, Hermione gets credit for being “the brightest witch of her age” and that she “eradicated pro-pureblood laws” and campaigned for “the rights of non human beings such as house-elves.”

(6) Remember the Star Wars blooper reported by Screen Rant that I posted here the other day? Io9 checked with Mark Hamill who says it never happened.

Instead of calling Carrie Fisher’s name out, Hamill insists that he started to say “There she is!”—dialogue provided in ADR that was cut short by Leia and Luke’s embrace.

(7) “Make Sure to Check Your Camera Settings” — a funny Flash reference at Cheezburger.

(8) Today In History –

(9) John ONeill profiled The Complete Short Fiction of Clifford D. Simak, Volumes 1-3 at Black Gate.

The lack of a complete collection of Clifford D. Simak’s short stories has been keenly felt among many old-school fans. So as you can imagine, I was delighted to discover that Open Road Media has undertaken the first comprehensive collection of all of Simak’s short stories — including his science fiction, fantasy, and western fiction. The first three books, I Am Crying All Inside, The Big Front Yard, and The Ghost of a Model T, go on sale later this month.

All three, like all six volumes announced so far, are edited by David W. Wixon, the Executor of Simak’s Literary Estate. Wixon, a close friend of Simak, contributes an introduction to each volume, and short intros to each story, providing a little background on its publishing history and other interesting tidbits.

As a special treat the first volume, I Am Crying All Inside, includes the never-before-published “I Had No Head and My Eyes Were Floating Way Up in the Air,” originally written in 1973 for Harlan Ellison’s famously unpublished anthology Last Dangerous Visions, and finally pried out of Ellison’s unrelenting grip after 42 very long years.

(10) Margaret Hamilton’s pioneering work on NASA computers is covered by Wired in “Her code got humans on the moon – and invented software itself”.

Then, as now, “the guys” dominated tech and engineering. Like female coders in today’s diversity-challenged tech industry, Hamilton was an outlier. It might surprise today’s software makers that one of the founding fathers of their boys’ club was, in fact, a mother—and that should give them pause as they consider why the gender inequality of the Mad Men era persists to this day.

As Hamilton’s career got under way, the software world was on the verge of a giant leap, thanks to the Apollo program launched by John F. Kennedy in 1961. At the MIT Instrumentation Lab where Hamilton worked, she and her colleagues were inventing core ideas in computer programming as they wrote the code for the world’s first portable computer. She became an expert in systems programming and won important technical arguments. “When I first got into it, nobody knew what it was that we were doing. It was like the Wild West. There was no course in it. They didn’t teach it,” Hamilton says.

She’s an unsung heroine of Apollo 8, because she got them home after a fatal input error in the spacecraft somebody at NASA insisted would never happen.

(11) Scientists measured the erosion of terrestrial river rocks to deduce — “Pebbles on Mars Shaped by Ancient Long-Gone Rivers Dozens of Miles Long”.

Using publicly available images of the rounded pebbles on Mars from the Curiosity rover mission, the scientists calculated that those rocks had lost about 20 percent of their volume. When they factored in the reduced Martian gravity, which is only about 40 percent of Earth’s, they estimated that the pebbles had traveled about 30 miles (50 km) from their source, perhaps from the northern rim of Gale Crater.

(12) NASA’s Hubble Space Telescope has been used to produced new maps of Jupiter – the first in a series of annual portraits of the solar system’s outer planets.

New imagery from NASA’s Hubble Space Telescope is revealing details never before seen on Jupiter. High-resolution maps and spinning globes (rendered in the 4k Ultra HD format) are the first products to come from a program to study the solar system’s outer planets each year using Hubble. The observations are designed to capture a broad range of features, including winds, clouds, storms and atmospheric chemistry. These annual studies will help current and future scientists see how such giant worlds change over time.

 

(13) Well, this is bizarre, but extremely well-edited (NSFW) humor video, a mashup of Hitchcock’s movies with Jimmy Stewart and Kubrick’s sf/horror movies.

(14) Free Nick Mamatas!

No, no, you don’t need to bail him out — just read his story free on the Glittership webpage (or listen to it on the podcast) — Episode #18 — “Eureka!” by Nick Mamatas.

Adam hadn’t worn the crushed velvet blouse in his hands for a long time. It was from his goth phase, twenty pounds and twenty years prior. He shuddered at the thought of it distending around his spare tire these days, but he couldn’t bring himself to put it in the box he’d set aside for Out of the Closet either. And not only because it would be embarrassing if anyone saw it.

There were memories in the wrinkles of the velvet—well, not memories exactly. Half-memories, images and glimpses and smells. Two decades of gimlets and bad decisions and a few teeth and a trio of cross-country moves. What was the place? It was Huggy Bear’s on Thursdays, when they played disco for a majority black clientele, but on most nights it was just The Bank. A real bank, in the sepia-toned days when great-grandma worked in an Orchard Street sweatshop, a goth/darkwave club now….

(15) Kameron Hurley interviewed at SFFWorld:

With The Mirror Empire, you’ve challenged many genre assumptions/expectations/tropes, most notably genre roles and expectations.  What other genre expectations did you seek to challenge but instead readers accepted easily?

So far readers have pretty much balked at everything I thought they would, though I admit I’ve been surprised at the reactions to Anavha, which were far more perplexed and passionate than I anticipated. It seemed like a fairly straightforward plotline to me, but putting characters with unexpected genders into those roles surprised people. I think it really made them think hard about reading abusive relationships like that in other books.

(16) Steve Davidson, taking as his sample the recommendations made so far at Sad Puppies 4, theorizes quite reasonably that works available for free are more likely to be recommended for awards. By implication, he wonders what will happen to authors who like to get paid.

I do believe that there is a distinct trend represented:  freely available, easily accessible works may very well swamp the nominations – if those works are given a little initial traction by readers, like including them on a recommendation list, because (I belabor), the fewer “objections” you place between a consumer and a potentially desirable product, the more likely they are to “buy”.  In other words, “click here and invest a few minutes” is far more attractive than “click here, pull out your credit card, wait for delivery, invest a few minutes”.

(17) Brandon Kempner latest survey “Hugo/Nebula Contenders and Popularity, October 2015” for Chaos Horizons. I’m late picking this up, and as Kempner notes in the post, Leckie’s book was still on the way when he wrote it.

Last year, I tried to track Goodreads stats a measure of popularity. This year, I’m tracking both Amazon and Goodreads.

I’ve been disappointed in both of those measures; neither seems particularly accurate or consistent, and they don’t seem to predict the eventual Hugo/Nebula winner at all. What is useful about them, though, is getting at least an early picture of what is popular and what is not. I do believe there is a minimum popularity cut off, where if you fall below a certain level (1000-2000 Goodreads votes), you don’t have much of a shot at winning a Hugo or Nebula. This also allows good comparisons between books that are similar to each other. If you think Uprooted and Sorcerer to the Crown are both contenders as “experimental”-ish fantasy books, one of those (Uprooted) is 10 times more popular than the other. If you had to pick between one of them being nominated, go with Novik.

(18) Dawn Witzke, in “Taking Sides” , says George R.R. Martin has convinced her to pick a side.

[GRRM] I have no objection to someone starting a people’s choice award for SF. Hell, I might even win it, since I have the sort of mass following that tends to dominate such awards. But it would not be as meaningful to me as winning a Hugo.

[Nitzke] There is no need to start a people’s choice award for SFF, one already exists. You may have heard of it, it’s called the Hugo Awards. And, I believe you might have won one of those once. After reading Game of Thrones, I can say it was definitely worthy of Hugo. (Trust me, that’s not a good thing.)

I do want to thank you, Mr. Martin. Without your rich elitist bullshit, I might have continued to sit on the sidelines again this year. Instead, I will be forking over the cash for a membership, because those of us who can’t afford to blow money on cons are just as much true fans as those who can. So you can go stuff it in your asterisk.

(19) Not everyone is tired of the subject —

https://twitter.com/horriblychris/status/654462570842091520

(20) Talk about a really sad puppy – William Shatner:

William Shatner is exploring strange new worlds in trash-talking his former “Star Trek” co-star George Takei.

Shatner, who played Captain James T. Kirk on the iconic sci-fi series, lashed out at Takei in an interview with Australia’s news.com.au published Monday.

“He is a very disturbed individual, the truth of the matter is,” Shatner said of Takei, who played Hikaru Sulu on the series and subsequent movie franchise. “I don’t know him. I haven’t seen him in 25 years, I don’t know what he is up to. It is not a question that has any meaning to me. It is like asking about George Foreman or something.”

And when asked about director J.J. Abrams, who is currently filming Star Trek Beyond, he told the Australian press:

“No matter what plans I make it is J.J. Abrams who makes the plans and no I don’t think he is planning anything with me,” Shatner said. “I would love to. In one year it will be our 50th anniversary and that is incredible.”

(21) “California nixes warrantless search of digital data”

In what’s being called a landmark victory for digital privacy, California police will no longer be able to get their hands on user data without first getting a warrant from a judge.

Governor Jerry Brown on Thursday signed the California Electronic Communications Privacy Act (CalECPA), SB 178, which requires state law enforcement to get a warrant before they can access electronic information about who we are, where we go, who we know, and what we do.

US privacy rights groups have long been concerned that law enforcement hasn’t considered it necessary to get a search warrant before they can search messages, email, photos and other digital data stored on mobile phones or company servers.

States such as California, tired of waiting around for Congress to update 29-year-old federal electronic privacy statutes, are taking reform into their own hands.

(22) H.G. Wells took a shot at foretelling the future — “A Peek Ahead” at Futility Closet tells you how well he scored.

Readers of the London Evening Standard saw a startling headline on Nov. 10, 1971: “The Prophecy H.G. Wells Made About Tonight’s Standard.” Wells had published a story in 1932 in which a man unaccountably receives a copy of the newspaper from 40 years in the future. “He found himself surveying a real evening newspaper,” Wells wrote, “which was dealing so far as he could see at the first onset, with the affairs of another world.”

Most of “The Queer Story of Brownlow’s Newspaper” is devoted to Wells’ prophecies regarding world events in 1971, and most of these, unfortunately, are misses. Newspapers today are printed in color and the Soviet Union has fallen, but geothermal energy has not replaced the age of combustion, body clothing has not (quite) been reduced to a minimum, finance and nationalism still thrive, gorillas are not extinct, the human birthrate has not dropped to “seven in the thousand,” and there are no plans to add a 13th month to the year.

(23) Here’s a massive cosplay photo gallery from New York Comic Con. (Activate by clicking on arrows in upper right corner of image displayed for Slideshow #1 and Slideshow #2.)

Look for an amazing Raiden, an outstanding Mr. Freeze, a spot-on Nosferatu, and a glorious Muto from Godzilla. Spider-Woman, Hawkgirl, Princess Amidala, Mystique, gender-swapped Booster Gold, Ratchet, Venom… the list goes on and on! Take a look at the slideshows below and share your favorites in the comments!

(24) The sf magazine market contraction predicted by Neil Clarke is not far off, but L. Jagi Lamplighter doesn’t want it to begin with Sci Phi Journal, so she is making an appeal for donations.

Jagi, here.  I learned this morning that Sci Phi Journal needs help.

For those who don’t know it, Sci Phi Journal offers science fiction stories that have a philosophy to them. It is one of the few periodicals offering a place to the kind of stories that Sad Puppies stood for…in fact, it was on the Hugo ballot this year, as was one of the stories that appeared in it (“On A Spiritual Plain” by Lou Antonelli).

Sci Phi offers a venue for the very kinds of stories that we all want to read but seldom get to see. It features some of the best new authors, like Josh Young and Brian Niemeyer, and a number of others. Both John and I have had stories appear in its pages.

It would be a real shame if it folded!

What can you all do to help?

If you should feel moved to make a donation, you can do so here. (The donate button is on the right. You may need to page down.)

(25) Monty Python’s Terry Gilliam will appear at Live Talks Los Angeles on October 19, 2015 at the Alex Theatre. It’s the launch event for Gilliam’s memoir. He gave an interview to a local paper to promote the appearance.

Terry Gilliam

What led you to write the book?

It really was supposed to be a book about just my art — whatever my art is — starting with childhood cartoons. My daughter Holly assembled a chronology of the work I’ve done. I would sit with a microphone and talk about it. Somewhere along the line, the publisher says “Oh, God, this is better as an autobiography.” It ended up being that, even though it’s a very incomplete one. I refer to it as my “Grand Theft Autobiography.” It’s a high-speed chase, crashing around the place, a lot of bodies left all over the place. It’s not the great summation of my life in the last hours of my life.

What was your reaction when you started digging into the art you had made?

I was surprised because I don’t linger in the past. Things I’d done over the years had been filed away. Holly had been archiving and dredging this stuff out. The other day I found something and I thought, “God, I can’t believe I could draw that well 20 years ago!” I can’t draw that well anymore.

(26) A Back To The Future prediction still has an opportunity to come true.

At one moment in the 1989 film a billboard reveals the Chicago Cubs have won the 2015 World Series, the joke being that the Cubs hadn’t won the baseball World Series since 1908 and likely never would do.

“A hundred-to-one shot,” the charity fundraiser jokes with Marty, “I wish I could go back to the beginning of the season and put some money on the Cubs!”

But now it’s looking like the Chicago team could actually win the 2015 World Series.

The Chicago Cubs beat the St. Louis Cardinals this week to proceed to the National League Championship Series (NLCS) and will face the New York Mets or LA Dodgers on Saturday for the chance to play in the coveted World Series. Think of it as a sort of regional semi-final for the biggest game of the baseball season.

The film’s writer Bob Gale said he chose the Cubs as the winning 2015 team as a joke, saying: “Being a baseball fan, I thought, ‘OK, let’s come up with one of the most unlikely scenarios we can think of’.”

The Dodgers, if they advance, will have to start the back end of their rotation which would really boost the Cubs’ chances. No time-traveling DeLorean will be swooping in from 1963 delivering Koufax and Drysdale to save LA.

(27) A high-tech prank — Real Mjolnir (Electromagnet, Fingerprint Scanner)

A replica of Mjolnir (Thor’s Hammer) from The Avengers that’s pretty much unliftable unless you’ve got my fingerprints!

 

[Thanks to Cathy, David K.M. Klaus, Will R.,and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Monty Python and the Holy Grail 40th Anniversary Trailer

In honor of Monty Python and the Holy Grail‘s 40th Anniversary, a brand new sing-a-long version of the movie will be shown in 500 UK theaters on October 14.

An updated trailer promoting the theatrical showing has new voiceovers from Terry Jones and Michael Palin.

The October 14 screening will be accompanied by a specially filmed, exclusive, introductions from Terry Jones, Terry Gilliam, Michael Palin, Eric Idle and John Cleese.

Audiences are encouraged to come along dressed up as their favorite ‘Holy Grail’ character.

Pixel Scroll 8/4 The Dead Wallaby of Clown Town

Money, money, money – we cover the spectrum from scarcity to infinite wealth in today’s Scroll.

(1) David Pascoe (“Trekking With The Green-Eyed Monster” on According To Hoyt) knows something that nobody else knows. ‘Cause he made it up:

It occurs, what with the Hugo voting just finished, and the results to be announced in a couple of week, that most of the Puppy Kickers are suffering from an excess of envy. I mean, think about it: the prospect of Jim Butcher (or Kevin Anderson, etc.) receiving a shiny, rocket-shaped object is so painful to them that they’re willing to ruin the award’s (remaining shreds of) credibility to prevent it. It’s accepted wisdom at this point that a move to limit voting to attending memberships will be advanced at the WSFS business meeting at Sasquan. While there’s a good deal of speculation over whether such a motion will even get approved (what then, would supporting members get for their hard earned filthy lucre? How could WorldCon possibly garner any kind of diverse, international support by shutting out anybody who can’t afford to fly across an ocean to come to the majority of conventions?), that it’s not reduced to backroom rumor mills is a sign of how strong the desire is to keep out the undesirable types.

Use this link to keep track of new business actually submitted to Sasquan.

(2) Bob Eggleton has some more anecdotes and critiques about Worldcon art shows, and in the last paragraph alludes to professional shows that are competing effectively for artists’ attention, which may be the most important influence on the fate of the Worldcon art show.

Illuxcon had risen in 2008 and, it started being for many pro artists the model for such a quality artshow. Security, professional hangings, a sense of overall quality to the show and one where artists, art fans and art collectors could come and be treated all well. No politics or stupidity or getting caught in some “fan” feud or political battle. Everyone gets on. Everyone does fairly well. Spectrum Live also fills a similar need. So maybe there is hope, but it requires a new and consistent sustainable model for such shows.

(3) Ahrvid Engholm’s post about Girl With The Dragon Tattoo author Stieg Larsson at Europa SF reminds readers about Larsson’s beginnings as a fanzine fan, and draws attention to a successor’s work on a new Millennium series novel that is coming out late this month.

An avid science fiction reader from an early age, he became active in Swedish science fiction fandom around 1971; co-edited, together with Rune Forsgren his first fanzine, Sfären, in 1972; and attended his first science fiction convention, SF•72, in Stockholm. Through the 1970s, Larsson published around 30 additional fanzine issues; after his move to Stockholm in 1977, he became active in the Scandinavian SF Society where he was a board member in 1978 and 1979, and chairman in 1980. In his first fanzines, 1972–74, he published a handful of early short stories, while submitting others to other semi-professional or amateur magazines. He was co-editor or editor of several science fiction fanzines, including Sfären and FIJAGH!; in 1978–79, he was president of the largest Swedish science-fiction fan club, Skandinavisk Förening för Science Fiction (SFSF).

The Swedish morning paper Dagens Nyheter August the 2nd published an “exclusive diary” by David Lagercrantz, covering his work with writing the new Millennium novel.

(4) Responding to a report that “Most of the [Hugo] votes were cast in the final week before the deadline, over 3,000,” Vox Day suggests —

Something to consider: on July 24th, I posted my complete Hugo recommendations. I am NOT saying those are all Puppy votes, only that there may be a connection.

(5) J. A. Micheline explains “Why I’m Boycotting Marvel Comics” at Comics Alliance.

First, came your quiet decision to hand the new Blade book over to two white creators. To be clear, I have no reason to think either creator will do a bad job on this book, but I was disappointed that one of Marvel’s most prominent black heroes would be handed to white people yet again.

I feel like I have to say this five or six times. Whenever this comes up, I get a tsunami of white people wondering what my problem is and suggesting I’m racist for saying white people can’t write about people of color. It’s not that white people can’t; it’s not even that they shouldn’t (except in some circumstances that I have written about almost ad nauseam recently) — it’s that white people are the ones who, historically and systemically, are consistently offered the opportunity. And in 2015, perhaps the right thing to do is to let people of color have a turn.

But that wasn’t the dealbreaker for Micheline, it was the string of gaffes that followed, beginning with —

The moment you and I really started having a problem, Marvel, was when your editor-in-chief all but laughed off the numerous critiques of the variants. Axel Alonso’s interview with CBR was unspeakably condescending and horrendously dismissive. From using scare quotes to frame the discussion to referring, to outcry from David Brothers and other readers/critics as a “small but very loud contingent,” to — and this is the part that I pretty much can’t forgive — indicating that we had suddenly learned the phrase ‘cultural appropriation’ and were eager to use it in an essay.

(6) Monty Python’s Terry Gilliam will appear at Live Talks Los Angeles on October 19, 2015 at the Alex Theatre. It’s the launch event for Gilliam’s memoir.

Gilliamesque-hc-s-227x300In Gilliamesque, his “pre-posthumous memoir,” he offers an intimate glimpse into his world in this fascinating book illustrated with hand-drawn sketches, notes, and memorabilia from his personal archive.

From his no-frills childhood in the icy wastes of Minnesota, to some of the hottest water Hollywood had to offer, via the cutting edge of 1960s and ’70s counter-culture in New York, L.A. and London, Terry Gilliam’s life has been as vivid, entertaining and unorthodox as one of his films.

(7) Larry Correia is selling a second series of challenge coins. Jack Wylder gives the details at the link.

2) Instead we’re doing it through the MHI Swag page: https://mhiswag.myshopify.com/ Important: Do NOT order yet! Wait until all 12 designs are finalized and up there so you only have to order once. Even if you’re planning on buying a complete set, hold off- we have a few other items we’ll be introducing along the way that might interest you. In fact, I’m not even going to put them on the site until all has been revealed…

This is the first of the series —

ProvisionalPUFF

(8) At Bloomberg, Noah Smith writes about “Star Trek Economics: Life After the Dismal Science”.

I grew up watching “Star Trek: The Next Generation” (easily the best of the Star Trek shows). There’s one big, obvious thing missing from the future society depicted in the program. No one is doing business. There is almost no one buying and selling, except for a few species for whom commerce is a form of traditional religion. Food and luxuries are free, provided by “replicators” — machines capable of creating essentially anything from pure energy. Recreation, provided by virtual reality, is infinite in scope. Scarcity — the central defining concept of economics — seems to have been eliminated.

Is this really the future? Is it possible? Is it something we want?

Wait ‘til Smith discovers the Culture novels of Iain M. Banks…

[Thanks to Martin Morse Wooster and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Hey, You! Get Offa My Lawn!

In a video shown during the Monty Python Live (mostly) news conference in London, Mick Jagger of the Rolling Stones derides the comedy troupe’s reunion concerts as “a bunch of wrinkly old men trying to relive their youth and make a load of money.”

Jagger, busy watching the World Cup with another member of the Stones, Charlie Watts, refuses an offer of tickets: “Who wants to see that again? It was funny in the 60s.”

The five Pythons will put on 10 live shows this week at the O2 arena in southeast London.

Eric Idle is directing the shows. He told CNN they will perform many of their best-known sketches, plus new material. “Our motto has been ‘leave them wanting less.”

Monty Python And Doctor Who Coming To Theaters

Tenth_Doctor_bFathom Events is turning July into a fan service month.

David Tennant will headline a one-ticket/two event extravaganza on July 16-17. The first night he will star as Doctor Who in Rise of the Cybermen and The Age of Steel, seamlessly tied together as a continuous story, and give an interview about his experiences as the Tenth Doctor. On the second night, ticket holders will return to see nature documentary Wings 3D, and hear Tennant’s narration.

Then Monty Python fans will be able to see the group’s reunion at London’s O2 Arena on July 20.

For the first time in over three decades, comedy legends Monty Python will be performing live on stage together at London’s famed O2 Arena. At a combined age of just 361, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin will once again perform some of their greatest hits, with modern, topical, Python-esque twists.

Monty Python Live (Mostly) will broadcast live to theaters across the U.S. and will rebroadcast on July 23-24. Fathom Events is selling tickets here.Monty_python_foot