Pixel Scroll 5/19/17 And He Beheld White Scrolls And Beyond Them A Far Green Pixel Under A Swift Sunrise

(1) BUSINESS MEETING. Worldcon 75 has posted the Business Meeting Agenda [PDF file] on the WSFS Business Meeting page. It’s 18 pages — and it may not be done growing yet.

(2) DELANY. The New Republic devotes an article to “Samuel R. Delany’s Life of Contradictions”.

The first volume, In Search of Silence, begins in 1957, when the author was just fifteen, a student at the academically exclusive (and very white) Bronx High School of Science. It ends in 1969, when he was already a successful novelist, about to leave for San Francisco to spend arduous years crafting the novel Dhalgren, his masterpiece. Traversing Delany’s youth, we see a precocious mind grappling with his own talent. Remarkably absent are extended reflections on the difficult circumstances of his outer life: At the time, Delany was navigating through the racism and homophobia of his era, and struggling with poverty, an early marriage, and his own disability. In light of this, the diaries’ portrayal of his serenely intellectual inner life is startling.

(3) COMING TO GRIPS. “On convention hugging” by Sigrid Ellis is a rational model for solving a social dilemma.

It’s SF/F convention season again, and once more we are all presented with the conundrum —

Do I hug this person hello and goodbye, or not?

Social hugging! It’s a thing! Yet, it is MOST DEFINITELY NOT A THING for a lot of people.

Here is how I, personally, navigate these situations. While this may not work perfectly for you, feel free to modify it for your own use….

(3) EMERGING INDIGENOUS VOICES. Silvia Moreno-Garcia says:

We are in touch with the Indigenous Studies Association (ILSA) and it seems this [award] will become a reality. Therefore you can find an IndieGoGo to funnel money via: https://www.indiegogo.com/projects/emerging-indigenous-voices#/. My name doesn’t appear on that page, it says Robin Parker, but I am in touch with Robin so don’t worry.

Through today, $70,485 has been pledged. Moreno-Garcia’s latest update has further information:

The Indigenous organization in question will reveal details about how the money will be handled once some logistics are determined, but they are a trustworthy group so don’t be afraid, the money will reach a good place.

There are many other place you could support: Indian and Cowboy, Red Rising Magazine. There’s the Centre for Indigenous Theatre, Native Earth Performing Arts, and last but not least Full Circle, which supports the development of Indigenous playwrights.

There are other ways to support Indigenous creators. Read, share and discuss their books. This should not be a one-time occurrence, guilt should not be the vector that guides your actions, virtue-signaling should not be your driver.

(4) APPERTAINMENT AT THE NEBULA CONFERENCE. They couldn’t slip a blatant typo like this past the pros:

(5) KAREN DAVIDSON OBIT. Karen Lynn Davidson, wife of Amazing Stories’ Steve Davidson, passed away today after a long battle with cancer. Steve said on Facebook, “Goodbye baby doll. I hope you got where you wanted to go.”

He also wanted everyone to know how much credit Karen deserved for the existence of Amazing Stories.

It is very important for me to be sure that everyone knows the following:

Behind the scenes, Karen made Amazing Stories happen.

Before we were married, Karen became well acquainted with my love for science fiction. She was not as interested (preferring Stephen King), but she happily indulged my passion…including all of my books.

When I discovered that the Amazing Stories trademarks had lapsed, Karen was the one who double checked me and confirmed that unbelievable fact.

When it came time to register new trademarks for the name, Karen was the one who agreed to spend some of our (very limited) cash reserves to fund the project.

When our investors dried up, Karen agreed to go back to work and allow me to try to bootstrap the magazine.

Whenever I was unsure what direction to take, Karen always provided valuable insight.

Whatever you may think of Amazing Stories, please know that without Karen, none of it would have happened.

This makes me wonder how many other non-fan supporters are owed a big debt by fandom and the genre for that support.

I’m taking the time now to thank Karen for this very special thing she did for me. If you know someone like her, it might be a good idea for you to do the same.

(6) TODAY IN HISTORY

  • May 19, 1928 — First Jumping Frog Jubilee in Calaveras County, California.
  • May 19, 2011 — HP Lovecraft’s The Whisperer in Darkness opens in Los Angeles.

(7) TODAY’S BIRTHDAY BOY

(8) NATAL YEAR FLIX. Thrillist invites you to check out “The Biggest Movie From the Year You Were Born”. It’s no surprise that I was considered old enough to see the “biggest” picture long before the “Best Picture” winner.

If you were born in 1953…

The BIGGEST movie was The Robe , which grossed $17.5 million in the United States.

The Best Picture winner was From Here to Eternity, which also won Oscars for Best Director (Fred Zinnemann), Best Supporting Actress (Donna Reed), Best Writing, Screenplay, Best Supporting Actor (Frank Sinatra), Best Cinematography, Black-and-White, Best Film Editing, Best Sound

But the best movie was Tokyo Story. A delicate, heart-crushing view into the lives of two grandparents reaching out to their narcissistic children for support and finding none — marked by director Ozu Yasujiro’s pristine attention to detail and framing.

(9) A HUNK OF BURNING LOVE. Add this to the list of things I’ve never heard about before: “China claims breakthrough in mining ‘flammable ice'”.

The catchy phrase describes a frozen mixture of water and gas.

“It looks like ice crystals but if you zoom in to a molecular level, you see that the methane molecules are caged in by the water molecules,” Associate Professor Praveen Linga from the Department of Chemical and Biomolecular Engineering at the National University of Singapore told the BBC.

Officially known as methane clathrates or hydrates, they are formed at very low temperatures and under high pressure. They can be found in sediments under the ocean floor as well as underneath permafrost on land.

Despite the low temperature, these hydrates are flammable. If you hold a lighter to them, the gas encapsulated in the ice will catch fire. Hence, they are also known as “fire ice” or “flammable ice”.

Chip Hitchcock suggests, “Filers may remember a sudden release of hydrated methane starting off a John Barnes(?) novel.”

(10) ICE HOUSE. Meanwhile, in the land of the midnight blog, Jon Del Arroz trolls the Worldcon.

(11) MEMORY VERSE. Carl Slaughter thought I should know this:

“I do not aim with my hand,
I aim with my eyes.

 

I do not shoot with my hand,
I shoot with my mind.

 

I do not kill with my gun,
I kill with my heart.” – The Gunslinger

 

The Dark Tower
Stephen King

(12) TRAGIC TROPE. Steven Harper Piziks tells “Why I Won’t See Alien: Covenant” — and he hopes everyone else will give it a miss, too. BEWARE SPOILERS.

I will not see this movie. I will not rent the DVD. I will not support this movie. And here’s why.

SPOILERS (you are warned)

According to various on-line sources, the sins of the same-sex relationship portrayal are the standard ones we’ve come to expect. First, although there were several initial shots to the contrary, there is little or no indication of a marriage–or any kind of relationship–between the two men throughout the film. They don’t touch. They don’t exchange endearments. There was apparently a brief moment of hugging between them in a preview, but that scene has been cut from the film, and that preview has been removed from the Internet. In other words, gay people are still invisible. No LGBT characters are actually in the spotlight. No LGBT protagonists. Just a couple of background guys who may or may not be in a relationship.

But the worst sin comes early in the second act. Hallett, one of the (so far probably) gay men, becomes infected with the alien infection, and a baby alien bursts out of his face. (Not his chest, like in the other movies, but out of his freakin’ face. He’s probably gay, so we have to up the nastiness.) While the ship’s captain leans in to murmur quiet apologies, Lope, the other probably gay guy, whispers, “I love you” and then is forced to walk away.

One more time, we have the gay tragedy….

(13) CRACKED CORNERSTONE. Critics gave the movie that launched the franchise a cool reception (for different reasons) — “‘Alien’: Why Critics in 1979 Hated It”. (I liked it a lot, myself.)

“Don’t race to [Alien] expecting the wit of Star Wars or the metaphysical pretentions of 2001: A Space Odyssey and Close Encounters of the Third Kind,” wrote Vincent Canby of The New York Times. A better comparison, he wrote, would be Howard Hawks‘ 1951 monster movie The Thing from Another World, all suspense and jump scares. Canby wasn’t the only critic to associate Alien with the kinds of horror flicks that played at 1950s drive-ins. Variety compared the film to It! The Terror from Beyond Space (1958), and The Guardian’s Derek Malcolm to The Creature from the Black Lagoon (1954). To these critics, Scott’s film was a throwback to a less sophisticated era of filmmaking. That’s why The Chicago Sun-Times’ Roger Ebert dismissed Alien as “basically just an intergalactic haunted-house thriller,” while Chicago Reader‘s Dave Kehr described the film’s conceit as “a rubber monster running amok in a spaceship.”

(14) PRIZE-WINNING ADS. Adweek reports “Graham, the Human Redesigned to Survive Car Crashes, Wins Best of Show at New York Festivals”. “Field Trip to Mars” and “Gravity Cat” also received awards.

Clemenger BBDO Melbourne has won Best of Show at New York Festivals for “Meet Graham,” the PSA campaign for Australia’s Transport Accident Commission (TAC) that involved the model creation of a human designed to withstand car-crash forces.

Automobiles have evolved much faster than humans. Graham was created by artist Patricia Piccinini, with help from a trauma surgeon and an accident research engineer, after she was commissioned to study the effects of road trauma on the human body. As the only “human” developed to withstand trauma on our roads, Graham is meant to make people stop and think about their own vulnerability, Clemenger says.

Two other campaigns received two Grand Prize Awards each: Lockheed Martin’s “The Field Trip to Mars” by McCann New York, in Activation & Engagement and Outdoor/Out of Home Marketing; and Sony Interactive Entertainment/Gravity Daze 2’s “Gravity Cat” by Hakuhodo Tokyo, in Branded Entertainment and Film–Cinema/Online/TV.

[Thanks to Chip Hitchcock, Mark-kitteh, Cat Eldridge. Steve Davidson, Carl Slaughter, John King Tarpinian, and Michael J. Walsh for some of these stories. A little bit short today because I’m fighting a terrible cold. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/6/17 And He Called For His Pipe, And He Called For His Scroll, And He Called For His Pixels, Three.

(1) DUALING. Sherwood Smith discusses “Tremontaine: When Collaboration Really Works” at Book View Café.

Nowadays, collaborations are happening in all kinds of forms, in print form in our genre not just the traditional pair of co-authors: there was a rise of senior writer-and-junior writer combos, and the continued series.

Then there are the collaborations that share a lot in common with film development, in which writers gather (in film it’s the writers’ room) and hammer out a story between them all.

Then they either go off separately and write portions, or they pass material back and forth, each adding or subtracting or putting their own spin on the emerging narrative.

The most successful of these that has come to my attention lately is Tremontaine, which initially came out in episodes from Serial Box.

Serial Box in itself is interesting: they are using a TV model for readers. The episodes come out weekly, and I believe most if not all are developed by teams. The episodes individually are cheap—less than you’d spend on a Starbucks coffee….

(2) UP ABOVE THE BEAR SO HIGH. Jeff VanderMeer may inspire a new subgenre of sff with the great reception being given to his new novel Borne:

Wow. In Canada, the #1 hardcover bestseller in Calgary for the week is Borne. Thanks, Calgary. You must really love giant psychotic flying bears. (Borne was #5 in Canada overall, across all 260 indie bookstores that report in.)

(3) STAR TREKKIN’. Visit the edge of space with Captain Kirk. Space.com tells how — “‘Star Trek’ Icon William Shatner to Take Zero-G Flight in August”.

This August, William Shatner will get closer to the final frontier than he ever did in his “Star Trek” days.

The 86-year-old actor, who famously portrayed Captain James T. Kirk in the original “Star Trek” TV series and a number of movies, has signed up for an Aug. 4 flight with the Zero Gravity Corporation (Zero-G). The Virginia-based company sells rides on its modified Boeing 727 aircraft G-Force One, which flies in a series of parabolic arcs to give passengers brief tastes of weightlessness.

“Going weightless will turn a dream into reality,” Shatner said in a statement. “I’ve always wondered what it would be like to actually explore the final frontier, and now I have the opportunity to experience zero gravity firsthand. It will be an incredible adventure.”

You have a chance to share this adventure with Shatner, if you wish: Zero-G is selling a limited number of tickets aboard the actor’s flight for $9,950 apiece, plus 5 percent tax. (For perspective: a seat aboard a normal Zero-G flight runs $4,950, plus 5 percent tax.) Go to Zero-G’s website if you’re interested.

(4) TOURING CHINA. China Miéville is coming to the U.S. later this month on a book tour promoting October: The Story of the Russian Revolution, which is non-fiction.

(5) COMING ATTRACTION. Teaser poster for the FORUM FANTÁSTICO convention taking place in Lisbon, Portugal this September.

(6) TRIVIAL TRIVIA

In The Big Bang Theory series Wil Wheaton is a recurring character. In one episode, Sheldon goes to Wil’s house to confront him. The house number is 1701…a homage to the USS Enterprise.

John King Tarpinian adds, “Something even more trivial got me thinking: ‘A homage or an homage?’

(7) TODAY’S DAY

Free Comic Book Day

History of Free Comic Book Day Free Comic Book day was established by Joe Field in 2001. While writing for a magazine of the comic industry, he noted that there had been a resurgence in purchases in the wake of the recent flow of comic book franchise movies. Society and finances were both looking favorably on this unending wealth of stories, and so it was that he suggested the institution of a Free Comic Book Day to spread the fandom as wide as possible.

(8) FUR AND FEATHERS. Special effects aficionados will love the preview reel for the upcoming SIGGRAPH conference.

SIGGRAPH 2017 brings together thousands of computer graphics professionals, 30 July – 3 August 2017 in Los Angeles, California, USA.

 

(9) A FEATURE NOT A BUG. Dragonfly cyborgs will fight terrorism reports Fox News — “How insect cyborgs could battle terrorism”.

The US military, like others around the world, has long pursued tiny flying robots to deploy for surveillance. Armed with tech like cameras and sensors, these flying robots could gather data that larger technology or humans could not.

To be useful in realistic conditions, the drones would need to be able to fly for long periods of time and be able to navigate around obstacles. They also need to be able to carry the weight of the data gathering systems.

(10) THE WORLD ON A STRING. If you like expensive toys, here’s a chance to pay a lot for “Yomega – Star Wars – Darth Vader – The Glide Yo-Yo” – tagged at $118.25.

  • Now available for a limited time, Yomega has produced its professional level yo yo, The Glide, in a collectible Star Wars Series with laser etching of Darth Vader and both Rebel and Imperial symbols.
  • The Glide has been engineered to the highest competition level standards. Machined from airplane grade aluminum, with a silicone pad return system and the world famous Dif-e-Yo KonKave bearing, this is a yo-yo meant for the most discerning player.
  • If you want the “Force to be With You” this is a must have piece for your collection.

Or for the same price you can rock the rebel logo — “Yomega – Star Wars -Rebel Symbol – Glide Yo-Yo”.

(11) GETTING PAID. Someone who should be able to buy as many yo-yos as he wants is Alan Dean Foster – Inverse recalls how “How George Lucas Made a Young, Anonymous Author Rich”. (And as Foster explains in the story, it’s something Lucas didn’t have to do.)

Alan Dean Foster, the author of the very first Star Wars book, remembers George Lucas doing him a huge solid, even when the fledgling director wasn’t rich.

The original Star Wars was released on May 25, 1977, and a full six months before that, on November 12, 1976, its novelization hit bookstore shelves. Though the author of the book — Star Wars: From the Adventures of Luke Skywalker — is listed under George Lucas’s byline, the novelization was in fact ghost-written by Alan Dean Foster.

(12) THIS BOX OFFICE WEEKEND IN HISTORY

Directed by Sam Raimi and starring Tobey Maguire in the title role, the eagerly awaited comic book adaptation Spider-Man was released on Friday, May 3, 2002, and quickly became the fastest movie ever to earn more than $100 million at the box office, raking in a staggering $114.8 million by Sunday, May 5.

(13) BRADBURYVERSARY. Seventy years ago this week, recalls Phil Nichols, Ray Bradbury’s first book was published.

DARK CARNIVAL, a hardcover from Arkham House, collected Ray’s finest dark fantasy stories, most of them having previously been published in WEIRD TALES magazine.

Some of the classic story titles you may recognize: The Lake, The Small Assassin, The Jar, The Homecoming, The Crowd, The Scythe, There Was An Old Woman, Uncle Einar. Some of his best-ever fiction; and some of the best fantasy fiction of the twentieth-century.

Ray revised some of the stories between their WEIRD TALES appearances and their first book appearance. Then, with the passing years, he came to have second thoughts about some of the stories, and so he re-wrote them again when they were re-packaged for a new book, THE OCTOBER COUNTRY. The OCTOBER COUNTRY remains in print to this day.

Because of THE OCTOBER COUNTRY, Ray allowed DARK CARNIVAL to retire, and only once permitted a re-printing. That was for a special limited edition from Gauntlet Press. Both the original book and the Gauntlet edition are out of print today….

(14) BRICK AND MORTAR. Atlas Obscura takes you inside “Internet Archive Headquarters” in San Francisco.

With the stated mission of providing “universal access to all knowledge,” the Internet Archive is one of history’s most ambitious cataloging projects. So far millions of books, movies, television, music, software, and video games have been collected and digitized by the project, and that’s not counting the billions of websites they’ve been archiving over the past two decades with the Wayback Machine.

Fitting of such an ambitious project, the archive’s brick-and-mortar headquarters are also quite grand. The old Christian Scientist church in San Francisco’s Richmond district was chosen largely because the church’s front resembled the Internet Archive’s logo: the Library of Alexandria’s Greek columns. Inside the beautiful building you’ll find dozens of employees and volunteers digitizing everything from old home movies, to old LPs, to 8-bit video games….

(15) THUMBS DOWN ON DARK TOWER TRAILER. According to Forbes, “‘The Dark Tower’ Should Be A Surrealist Western, Not A Superhero Blockbuster”.

When I pictured The Dark Tower movie, I thought about the structure and pacing of The Good, The Bad and the Ugly mixed with the tone of The Road with the aesthetics of The Cell. If that sounds wacky, good, because The Dark Tower is wacky as hell. It’s a western with high fantasy elements thrown in, mixed with every book Stephen King has ever written, and actually includes Stephen King as a character himself in one of the most surreal storylines in literary history.

But what I’m seeing from this trailer weirds me out in a bad way….

(16) IN LIVING BLACK & WHITE. Terror Time forewarns — “LOGAN – B&W Version of Film Hitting Theaters In May”.

Fans of Wolverine will be getting an extra treat very soon. A Black & White version of the film ‘Logan’ will be hitting theaters May 19th and it will also be included on the DVD when that hits the shelves. Only down side of this awesomeness is that it will only be released in U.S. theaters.

This all started when the film was first released and a fan tweeted at the director James Mangold asking if a B&W version could be done like Mad Max. The director replied in kind and here we are.

(17) NEIL CLARKE, MOVIE STAR? I’m sure it’s just a coincidence. Watch the Absolutely Anything trailer.

Neil Clarke, a disillusioned school teacher, suddenly finds he has the ability to do anything he wishes, a challenge bestowed upon him by power-crazed aliens. Unbeknownst to Neil, how he employs his newfound powers will dictate the fate of mankind — one wrong move and the aliens will destroy Earth. CAST: Simon Pegg, Kate Beckinsale, Rob Riggle, Robin Williams, John Cleese, Terry Jones, Terry Gilliam

 

[Thanks to John King Tarpinian, Cat Eldridge, Michael J. Walsh, Carl Slaughter, and JohnFromGR for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 1/28/17 The More You Hive, The Less Pixelated You Are

(1) CORTANA’S WRITERS. The Financial Times’ Emma Jacobs, in “Robots replacing our jobs? Microsoft’s Cortana is creating them”, interviewed Joanthan Foster, principal content publishing manager for Microsoft’s Cortana, who oversees a staff of 28 (including a children’s novelist and a playwright) tasked with giving this personal digital assistant a personality.

“Why, for example, does Cortana have to have a favourite movie? ‘Because people are asking that,’ says Mr Foster.  For a while, her favourite film was ET (she skews to science fiction) but today it swings between Star Wars and Star Trek films.  Her favourite TV show is Star Trek: The Next Generation.”

Another sf reference:  Cortana’s name “is a reference to a buxom character clothed in a transparent sheath in the video game Halo.”

How to access this article – Look it up on Google and you will be able to click through to read it. If you use the link above directly, you will hit a paywall.

(2) ASTRONAUT FASHIONS. Washington Post reporter Christian Davenport, in “A first look at the path NASA astronauts will walk when the U.S. launches humans into space again”, has an overview of activities at Cape Canaveral, with reports on activities by Boeing, Blue Origin, Moon Express, and SpaceX.  But the news here is about the Boeing spacesuits.

Then there’s the sleek new blue Boeing spacesuit that, at 20 pounds, weighs 10 pounds less than the one worn by shuttle astronauts. It comes with gloves that work on touch screens and lightweight boots designed by Reebok that feel like slippers. Instead of having a huge fishbowl bubble helmet, as the shuttle astronauts’ suits did, the new suit’s helmet slips over the head like a hood.

2017-boeing-blue-starliner-spacesuit-SUIT0117

(3) MOVING POSTERS. Disney released a collection of motion posters featuring the cast of the upcoming live-action adaptation of Beauty and the Beast. UPI has the story.

(4) FANTASTIC FICTION AT KGB. On February 15 the hosts of the reading series, Ellen Datlow and Matthew Kressel, will present Michael Cisco and Nicholas Kaufmann. Begins 7 p.m. at the KGB Bar.

Michael Cisco is the author of several novels, including The Divinity StudentThe NarratorThe Great Lover, Animal Money, The Wretch of the Sun, and a short story collection, Secret Hours.  His fiction has appeared in The WeirdLovecraft Unbound, and Black Wings (among others). His scholarly work has appeared in Lovecraft StudiesThe Weird Fiction ReviewIranian Studies, and Lovecraft and Influence. He lives and teaches in New York City.

Nicholas Kaufmann’s work has been nominated for a Bram Stoker Award, a Thriller Award, and a Shirley Jackson Award. His novel Dying is My Business from St. Martin’s Press was selected for the Los Angeles Times Holiday Book Gift Guide, and the sequel, Die and Stay Dead, received a starred review from Publishers Weekly. His latest novel is In the Shadow of the Axe, out now from Crossroad Press with an introduction by Laird Barron.

(5) STICK A FORK IN IT. Write On by Kindle, Amazon’s attempt at a Wattpad competitor, is closing down March 22, a year after leaving beta testing. Users have been advised:

Your Amazon.com account will not be affected by the closure of Write On. If you don’t have any content you wish to save, no further action is required on your part.

If you do have content you wish to save, we encourage you to download your posted and drafted stories by March 22.

(6) HURT OBIT. Actor John Hurt died January 25 at the age of 77. The Vanity Fair tribute listed some of his many genre credits –

The cause of death was not immediately reported; Hurt was diagnosed in 2015 with pancreatic cancer, but in October of that year announced that he was “thrilled” to have had his final scan, “and it‘s all gone brilliantly.”

… He earned his first BAFTA award in 1976, for playing gay author and ranconteur Quentin Crisp in the TV film The Naked Civil Servant; that same year, he played notorious Roman emperor Caligula in the TV film classic I, Claudius.

As a trained actor with a resonant voice and an unmistakable screen presence, Hurt could be a leading man—as in the 1984 version of George Orwell’s 1984 and David Lynch‘s The Elephant Man—but may be more familiar to audiences as a supporting player, from the first, unlucky victim of the chestburster in 1979’s Alien to 2016’s Jackie, in which he plays a priest who has the ear of a mourning Jacqueline Kennedy. He earned Oscar nominations for his roles in 1979‘s Midnight Express, as a heroin addict doing time in a Turkish prison, and in The Elephant Man. He’ll also be remembered by a generation of children as the mysterious Mr. Ollivander, wand salesman, from the Harry Potter films. And thanks to a 2013 appearance as the War Doctor on Doctor Who, he will also forever belong to a legion of fans.

In the last decade of his career alone, Hurt worked with some of the world’s most fascinating directors, from Guillermo del Toro in the Hellboy series to Steven Spielberg on Indiana Jones and the Kingdom of the Crystal Skull to Lars von Trier on Melancholia to Joon-ho Bong on Snowpiercer.

— To which we can add The War Doctor in Doctor Who, the voices of Aragorn and Hazel (the rabbit) in the animated Lord of the Rings and Watership Down respectively, and still be guilty of leaving some out.

David Tennant, John Hurt, Matt Smith.

David Tennant, John Hurt, Matt Smith.

(7) GARRAY OBIT. Artist Pascal Garray (1965-2017), a prolific Smurfs creator, passed away January 17.

During his career of 26 years, he also participated in the creation of 17 albums of ‘The Smurfs’ (‘Les Schtroumpfs’), and was the lead artist on at least six albums since 2002. The other regular Smurfs artists are Ludo Borecki, Jeroen de Coninck and Miguel Díaz Vizoso, while most of the writing is done by Thierry Culliford, Alain Jost and Luc Parthoens. Garray had just finished drawing the 35th Smurfs album (‘Les Schtroumpfs et les Haricots Mauves’, about bad eating habits), when he passed away on 17 January 2017.

(8) TODAY’S BIRTHDAY BOY

  • Born January 28, 1981 — Elijah Wood (actor)

(9) RSR’S GUIDE TO SHORT FORM EDITORS. Greg Hullender of Rocket Stack Rank introduces its recently-posted guide to those eligible for the Best Editor Hugo – Short Form category.

With luck, this won’t be as controversial as it was last year. We’ve made it clearer that you’re supposed to use this data to vet a list of editors of works you’ve read—not to construct a slate of people whose publications you’ve never read (or even heard of).

Since people are more likely to know works than editors, we start by helping them find the editors who produced different publications. It’s a lot of work to figure out who’s qualified, so we’ve done that too.

Then, like last year, we show how much work each editor produced and how well that work was reviewed—both in terms of word count and percentage, which we encourage people to use to see how the editors in their list stack up.

New this year is a chart showing how much fiction from new writers each editor published, since this was the commonest thing people asked for last year. There are also sortable tables with the raw data so people don’t need to stare at charts to try to guess which editors were in the top four or five.

As ever, we’d love to hear ideas for what would make this easier to do.

(10) SEMIPROZINE HUGO. Neil Clarke’s Semiprozine.org announced last month they are “Currently updating directory”, which hopefully will happen soon because I need an authoritative answer to settle a difference of opinion!

We are currently updating the directory to reflect any changes in eligibility for the year ending December 31, 2016. Feel free to comment on this post if you have questions.

(11) COACHING. George R.R. Martin reminds everyone how TV shows can be eligible for the Best Dramatic Presentation Hugo – Long Form, whether you want them to or not.

This is truly the Golden Age for science fiction and fantasy on television, with more interesting series than ever before… most of them serial dramas. WESTWORLD, for instance. Terrific show. But the entire season is one story. To me, it makes no sense to pick an episode at random and nominate it in Short Form, when every episode depended so much on what had come before and what was to follow. I will be nominating WESTWORLD season one in Long Form, and I urge other WESTWORLD fans to do the same. Then we have STRANGER THINGS, recent Golden Globe nominee, another cool new genre show… I loved the series, but looking back, did I love one episode? No, I loved the whole story, so I’d nominate STRANGER THINGS, season one. Ditto for PENNY DREADFUL, the final season, which wrapped up in fine style last year. You could also make a case for MR. ROBOT, if you consider that sf.

And, of course, there’s GAME OF THRONES. Our sixth season won an unprecedented number of Emmys, setting an all-time record. And there are individual episodes that won Emmy acclaim: David Benioff and D.B. Weiss won for writing for “Battle of the Bastards,” Miguel Sapochnik took the directing Emmy for the same episode, and “The Door” also earned a directing nomination for Jack Bender. But it was the season as a whole that won for Best Drama, and for me, at least, it makes the most sense to nominate GAME OF THRONES, season six, in Long Form.

(12) GREATEST ANIMATOR. Brian Phillips on MTV.com has an article called “The Little Gray Wolf Will Come”, a profile of Yuri Norstein, whose short films “Tale of Tales” and “Hedgehog in the Fog” are regarded as among the greatest pieces of Soviet animation but who has been stuck for 40 years working on a full-length version of Gogol’s The Overcoat that he may never finish.

Here he is, an old man, onstage at the Dom Kino. Cinephiles of Moscow, your evening’s entertainment: Yuri Norstein, 74, white-bearded, small, stout, urbane, rumpled, and mischievous. Sitting in front of a pale gold curtain, with a bump on his nose the size of a pistachio shell. Considered by many to be a great, if tragically self-defeating, Russian artist. Considered by many to be the finest animator in the world.

He did not move to Moscow last week; he knows what they say about him. How he sabotaged his own career at what should have been its peak. How he has not managed to release a new film in 37 years. How he made Hedgehog in the Fog, a movie every Russian child knows by heart, and then Tale of Tales, which international juries have more than once named the greatest animated picture ever made. How he threw it all away to chase an absurd, unattainable ideal, an animated adaptation of Gogol’s short story “The Overcoat” that he has toiled at for nearly 40 years and has never been able to finish. He takes questions at events like this, and the sequence is always the same. First a few respectful queries about his past work, his process, his inspirations. Then, when some brink of nerve has been crossed: When will you finish The Overcoat? Do you think you ever will?

(13) TIMEY-WIMEY STUFF. Science Alert says “Scientists have confirmed a brand new form of matter: time crystals”.

First predicted by Nobel-Prize winning theoretical physicist Frank Wilczek back in 2012, time crystals are structures that appear to have movement even at their lowest energy state, known as a ground state.

Usually when a material is in ground state, also known as the zero-point energy of a system, it means movement should theoretically be impossible, because that would require it to expend energy.

But Wilczek predicted that this might not actually be the case for time crystals.

Normal crystals have an atomic structure that repeats in space – just like the carbon lattice of a diamond. But, just like a ruby or a diamond, they’re motionless because they’re in equilibrium in their ground state.

But time crystals have a structure that repeats in time, not just in space. And it keep oscillating in its ground state.

Imagine it like jelly – when you tap it, it repeatedly jiggles. The same thing happens in time crystals, but the big difference here is that the motion occurs without any energy.

A time crystal is like constantly oscillating jelly in its natural, ground state, and that’s what makes it a whole new form of matter – non-equilibrium matter. It’s incapable of sitting still.

(14) WHAT THE DOCTOR SAYS. David Tennant told The Last Leg viewers it’s all going to be okay:

[Thanks to Dawn Incoognito, Cat Eldridge, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]

Pixel Scroll 1/16/17 I’m A Boxticker, Jim, Not A Pixel!

(1) DEDICATED TO MEREDITH. It’s ”Appreciate a Dragon Day”.  According to the Donita K. Paul website:

Appreciate a Dragon Day was started in 2004 by Mrs. Paul to celebrate the release of DragonSpell. We encourage you to join us as we celebrate literacy and have some fun!

appreciate-a-dragon-day-e1421395592126-808x380

(2) NEANDERTHALS. Jon Mooallem delivers a thoroughly fascinating account of paleoanthropological research in “Neanderthals Were People, Too” at the New York Times.

For millenniums, some scientists believe, before modern humans poured in from Africa, the climate in Europe was exceptionally unstable. The landscape kept flipping between temperate forest and cold, treeless steppe. The fauna that Neanderthals subsisted on kept migrating away, faster than they could. Though Neanderthals survived this turbulence, they were never able to build up their numbers. (Across all of Eurasia, at any point in history, says John Hawks, an anthropologist at the University of Wisconsin-Madison, “there probably weren’t enough of them to fill an N.F.L. stadium.”) With the demographics so skewed, Stringer went on, even the slightest modern human advantage would be amplified tremendously: a single innovation, something like sewing needles, might protect just enough babies from the elements to lower the infant mortality rate and allow modern humans to conclusively overtake the Neanderthals. And yet Stringer is careful not to conflate innovation with superior intelligence. Innovation, too, can be a function of population size. “We live in an age where information, where good ideas, spread like wildfire, and we build on them,” Stringer told me. “But it wasn’t like that 50,000 years ago.” The more members your species has, the more likely one member will stumble on a useful new technology — and that, once stumbled upon, the innovation will spread; you need sufficient human tinder for those sparks of culture to catch.

I picked that paragraph because it reminds me of Robert Zubrin’s argument about the need for population growth as a prerequisite in developing a starship.

To achieve a 200-times increase over today’s GDP, we will need a population of 54 billion. We will need energy of 2500 terawatts by the year 2200.

Pounding away at the opposite conclusions reached in Paul Ehrlich’s famous book The Population Bomb, Zubrin said, “If humans destroyed more than they made, the earth would be barren already. The real resource is human creativity.” Every mouth comes with a pair of hands and a brain. If we accept Malthusian advice, and act to reduce the world’s population, we will impoverish the future by denying it the contributions the missing people could have made.

(3) THE AI TROPE. Ann Leckie’s “Vericon 2016 GoH Speech” overflows with interesting ideas, just like her fiction.

The very first robot story–the first ever use of the word “robot” in fact–is a robot uprising story. But when Karel ?apek wrote RUR he wasn’t worried about artificial intelligence. The robots of his story aren’t mechanical, they’re made of some sort of synthetic biological material. And the word “robot” which ?apek famously coined, comes from a Czech word for “slave.” It’s a story about the revolt of people made on an assembly line (the first actual assembly line had debuted just ten years earlier). It’s a story about the rebellion of people who were built to be the cheapest, most efficient workers possible, workers you didn’t have to pay, or feed anything in particular, or take any notice or care of. In other words, slaves. And ?apek ‘s story hit a nerve. It didn’t just give us the word for robot, it is the ultimate model for nearly all the robot uprising stories since. So that model–robots as slaves, with all the assumed dangers attendant on enslaving people who outnumber you–is the model we’re using when we think about super smart machines. This has not been lost on any number of science fiction writers, who have used robot and AI stories to comment explicitly on oppression and racism. But just personally–well, I won’t go into my problems with the whole “slaves in my allegory are machines and the masters are human beings” bit, though that’s kind of icky when you think about it, but on top of that I think it’s a dangerous model to use as a basis for actual, serious real world predictions about artificial intelligence.

(4) AUSSIE FANHISTORY. Now available at eFanzines.com, issues of iOTA, a fanzine with news of Leigh Edmonds’ Australian fandom history project.

Here are a pair of excerpts from iOTA #2:

  • The purpose of this little efanzine is to serve as a progress report on my current history project which is to research and write a history of Australian fandom, focusing on the period between 1956 and 1975. It is also a place where I can publish little bits and pieces of the writing and art of Australia’s fan past to help introduce you to the rich vein of material that previous generations of fans have left us.
  • Fanzine Review what you missed in 1939. Our friend Robin Johnson turns up with the most interesting things at times.  Usually it is old airline timetables – and we share an interest it air transport so we can find hours of harmless interest and amusement in airline timetables – but not on this occasion. This time it was a little fanzines with a pink cover produced in the old fashioned way using carbon paper.  (If you are not aware of this form of reproduction, I’m thinking about writing a little series called something like ‘Reproductive Pleasures’ in some future issues.  Some people have never heard of carbon paper, which means that they are young and happy folk.) This little pink and carbon paper produced fanzine is Ultra 1, produced by Eric Russell in Sydney, bearing the date October 1939.  It is probably the fourth fanzine title to be published in Australia after John Devern’s single issue of Science Fiction Review published in February 1939, Australian Fan News, a single issue of which was published by William Veney, Bert Castellari and Eric Russell in May 1939 and three issues of the JSC Bulletin (Junior Science Club) published by Vol Molesworth and Ken Jeffreys in June 1939.  (Thanks to Chris Nelson for his extensive research in this area.)  Of these early titles Ultra was among the early successful Sydney fanzines, seeing fourteen issues published between October 1939 and December 1941 when the commencement of the Pacific War brought an end to most of this kind of frivolity in Australia.

(5) GERONIMO! Neil Clarke has quit his day job and gone into editing full-time.

I’m quite excited—and a little terrified—by the prospect of taking the leap. There are a bunch of uncertainties, like healthcare costs and filling the income gap between Lisa’s new job and my old one, but we’re close enough to give this career switch a try. As some of you know, this has been a major goal of mine since my heart attack four years ago. At age fifty, and after ten years working part-time, I’m finally going to be a full-time editor!

Naturally, my first priority has to be those uncertainties I mentioned: income gap and insurance. As I see it, I have a few things to target:

  1. I’ve altered the Clarkesworld Patreon goals to include direct salary and healthcare expenses. Would be nice if it was that simple, but I figure it’s worth putting out there….

(6) HOW TO MAKE IT TO THE FINISH LINE.  The New York Times tells “Obama’s Secret to Surviving the White House Years: Books”. Some of these titles are of genre interest.

Even books initially picked up as escape reading like the Hugo Award-winning apocalyptic sci-fi epic “The Three-Body Problem” by the Chinese writer Liu Cixin, he said, could unexpectedly put things in perspective: “The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade!”

…To this day, reading has remained an essential part of his daily life. He recently gave his daughter Malia a Kindle filled with books he wanted to share with her (including “One Hundred Years of Solitude,” “The Golden Notebook” and “The Woman Warrior”). And most every night in the White House, he would read for an hour or so late at night — reading that was deep and ecumenical, ranging from contemporary literary fiction (the last novel he read was Colson Whitehead’s “The Underground Railroad”) to classic novels to groundbreaking works of nonfiction like Daniel Kahneman’s “Thinking, Fast and Slow” and Elizabeth Kolbert’s “The Sixth Extinction.”…

(7) CERNAN OBIT. “Gene Cernan, last man to walk on Moon, dies aged 82” reports the BBC.

Captain Cernan was one of only three people to go to the Moon twice and the last man to leave a footprint on the lunar surface in 1972.

The final words he spoke there were: “We leave as we came and, God willing, as we shall return with peace and hope for all mankind.”

He was the commander of the Apollo 17 mission at the time.

Twelve people have walked on the Moon, and only six of them are still alive today

(8) THOUGHT FOR THE DAY

Neil Armstrong, recalling how it felt to look back at Earth from the surface of the moon: “I didn’t feel like a giant. I felt very, very small.”

(9) TODAY’S BIRTHDAY BOY

  • Born January 16, 1948 – John Carpenter.

(10) QUOTABLE QUOTE: “In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum.” – John Carpenter.

(11) BRANDON EASTON INTERVIEW. From Motherboard, “How Diversity Writing Programs Can Help Sci-Fi Live Up to Its Ideals”.

Motherboard: What do you think is really the problem that people aren’t talking about?

Brandon Easton: A lot of the reason why white writers who are entry level aren’t getting work has nothing to do with diversity programs. It’s because showrunners are hiring their buddies who are also EP’s [executive producers] and co-producer level who have these immense salaries that eat up the budget, so that they can’t hire anybody underneath a story editor level. This is what’s going on. Everyone knows this, yet still you have all these disgruntled writers scapegoating diversity programs instead of talking about the real issue at hand, which is nepotism. If you look at how many people graduate from these programs every year that number is so fucking low, it doesn’t even register as a percentage.

Motherboard: Science fiction has a long history of being open-minded about multiculturalism. Some argue that it’s the most open-minded of the genres. Do you think that’s true?

Brandon Easton: Science fiction as a literary genre, in theory, has open-minded concepts. And the fact is that historically, black writers have not been allowed in because for a while the editors, the people who controlled it, the publishing industry itself, even if someone had a great story – once racial politics were revealed, those people didn’t get to work. Now, if you’re talking about TV and film, there has been some really cool stuff that has progressive undercurrents thematically, but, when it comes to hiring practices we still revert back to straight white men as writers and creators of science fiction. Again, I do believe science fiction in its content itself can be extremely progressive and extremely life affirming, but we’re talking about the content versus the content creators. And I think that’s the issue.

Motherboard: I still think science fiction is special versus the other genres. Not only historically in terms of casting, but because when I read the genre, I don’t care what the race of the writer is. I just want to be blown away. Show me a new way of thinking.

Brandon Easton: I don’t think anyone would disagree with that. What I’m saying is that it helps when people get the opportunity. That’s where the problem is. If you want to be really serious about it, the only genre that’s really helped black people more than anything else has been comedy. Historically, I’m going back to the early 1900s, comedy was the only place where black writers could get a chance to write. Several generations of mainstream black stars came out of comedy: Will Smith, Chris Rock, Dave Chappelle, Jamie Fox, Bill Cosby, Chris Tucker, Eddie Murphy, Steve Harvey, Tyler Perry, Wanda Sykes, Whoopi Goldberg and so many others. Comedy is where African Americans have had a shot, as opposed to science fiction, particularly television, has almost been completely closed to black writers.

(12) PRIZEWORTHY. Jonathan Edelstein’s picks in short fiction – “Another year of awards” at Haibane.

I’ll start with novelettes rather than short stories, because that way I can start with my favorite story of 2016: Polyglossia by Tamara Vardomskaya (GigaNotoSaurus, March 2016). GigaNotoSaurus doesn’t usually get much attention from reviewers and critics, but this is a rich, multi-layered story that is well deserving of an award.

Polyglossia is a story of linguistics, cultural survival, family and resistance to oppression – not necessarily in that order – set in a low-magic fantasy world that suggests the early twentieth century. I’ve mentioned before that I’m a fan of good world-building, and the world of this story is intricately detailed and plausible; more than that, the world-building is integrated into the plot and informs the characters’ actions such that no detail is wasted. The linguistics are also tightly integrated into the plot – the author is a Ph.D. candidate in linguistics with an interest in the philosophy of language, and it shows – and the politics of language and cultural preservation come to play a key part in its resolution. At the same time, the story calls into question what we call family, what duties we owe to our ancestors, and how to balance those duties against the exigencies of politics. Polyglossia is rewarding on several levels – thus far, I’ve never failed to get something new out of it with each rereading – and if I had to pick one story that defined speculative fiction for me in 2016, it would be this one.

(13) STEALING A MARCH. Dan Wolfgang very carefully avoids stepping on Sarah A. Hoyt’s Sad Puppies turf while offering slates for the Dragon Awards and Hugo Awards in “A Very Special Message About Pooka Related Sadness”.

Sad_Pookas--678x381

The post is labeled “satire,” but here are typical examples of the names and works populating the slates:

Best Editor, Long Form

Best Semiprozine

Best Fanzine

(14) ROCKET RESOURCE. Greg Hullender sends word that Rocket Stack Rank has posted its page to help people pick artists for the 2017 Best Professional Artist Hugo.

We’ve added some features to make this easier to use, based on our own use (we’ve both already used it ourselves to make our own nominations) but we’ve realized that Eric and I use it very differently, so we’d welcome feedback from others. As with much else involving awards, there’s no one “right” way, so it’s good to support a number of different ways.

Eric is the artistic one (he can actually draw), so he wants to see several pieces by the same artist and makes judgments on that artist’s style overall. When he sees things he likes, he wants to visit that artist’s site, look at their gallery—even read interviews with the artist.

I don’t know art, but I know what I like. I want to quickly flip through all the pictures, extract the ones that I like, and then winnow down the list. (“Extract” means “Press ctrl-click on the author’s name at the top of the lightbox.” That opens a new tab, with that author’s work at the top of it.)

So this year the list contains eligible pictures as well as some that aren’t eligible (either they’re from last year or else they’re from semiprozines). The award is for an artist, not a particular work, after all, and this provides a bit more context on many of the artists. No one is listed who doesn’t have at least one eligible work, though, and those are highlighted.

Since the usual way to use the list is by opening the lightbox and then flipping through the pictures, we inserted an image of the Hugo rocket to separate artists. Eric found that useful, but I discovered that I paid almost no attention to which artist was which until after I’d selected about fifteen pictures I liked.

Winnowing the list wasn’t that hard (for me—Eric’s process was more sophisticated). I looked at all fifteen just at the thumbnail scale, and dropped three or four that I decided weren’t really as good. I dropped a few more because they really only had one picture I’d liked and the rest looked different. (In one case, I went to the artist’s home page to confirm that other pics in his/her gallery really did look like the single picture I was using to judge.) When I had six, I eliminated one because I didn’t like any of that artist’s pictures that were actually qualified for 2016. (So much for the idea that it’s about the artist, not the art.)

To fill out the Hugo Ballot, I copy/paste the author’s name from the web site and for the example of that author’s work, I use a link to that artist’s place on the main Professional Artists’ page. For example, http://www.rocketstackrank.com/2017/01/2017-professional-artists.html#JulieDillon points to Julie Dillon’s work on our page. (It’s what you get when you click on her name in the lightbox.)

We’d love to know how well this works for other filers and what we might do to make it better.

(15) HIDDEN HISTORY. Lauren Sarner, in “Tim Powers Loves Conspiracies” at Inverse, interviews the author of The Anubis Gates, Last Call and Declare about hanging out with Philip K. Dick and the allure of conspiracy.

What was Philip K. Dick like?

Since his death, there has arisen a kind of caricature of him. If you just read casually, you’d get the impression that he was this drug addled, crazy visionary who imagined God spoke to him. Actually he was a very sociable, funny, realistic, generous, gregarious friend. Not at all the William Blake crazy mystique the general impression has become. If you read his last few books, like VALIS and The Transmigration of Timothy Archer, you can see that this was a rational, skeptical, humorous person. But it always does annoy me when people say, ‘Didn’t he like live in a cave and wander up and down the street talking to himself?’

(16) YOU CAN TELL A BOOK (COVER) BY ITS COVER. JJ sent this link — “The Cover of Each Max Gladstone Book Has Predicted the Cover of the Next One” from Tor.com — with a recommendation:

Okay, this is not new, but it is too fucking funny (you have to read all the way to the end for the final cover).

I say it lives up to the hype…

(17) RESURRECTED TALENT. IMDB shows some pretty hefty credits for Citizen Vader (2014):

A lonely widower stalks his deserted mansion, gloomily contemplating ending his own life. His last word may hold the key to what has sent him down this dark path.

 

Writing Credits (in alphabetical order)

Aidan Duffy
George Lucas (characters)
Orson Welles (characters)

Music Department

Bernard Herrmann original score music
John Williams original score music

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Aziz H.Poonawalla, Cat Rambo, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 1/12/17 Midnight at the Well of Pixels

(1) THE ARTIST FORMERLY KNOWN AS TYRION. ScienceFiction.com says “Peter Dinklage Is Rumored To Be In Talks To Join ‘Avengers: Infinity War’” and makes a very entertaining post from its inconclusive guesses about what Marvel character he might play.

…The next two ‘Avengers’ movies are expected to shoot back-to-back and whatever role Dinklage is in negotiations for, he will appear in both.

Very little is known about ‘Avengers: Infinity War’ other than it will feature every surviving Marvel Cinematic hero, including all of the Avengers, Doctor Strange, Spider-Man and the Guardians of the Galaxy.  And it will feature the clash with warlord Thanos, something that has been teased since the first ‘Avengers’ in 2012.  It will be directed by Joe and Anthony Russo, who previously helmed ‘Captain America: The Winter Soldier’ and ‘Captain America: Civil War’. …

(2) HELP CHANGE THE LAW. Opponents of the new California autograph law say they have lined up a State Assembly member to introduce legislation to constructively amend AB 1570. It is anticipated the bill will be drafted and ready to introduce by mid-February. In the meantime, they continue to ask people show their support by signing their petition at Change.org.

(3) BUY LINGUAL. Rachel Cordasco’s “Roundtable on Speculative Fiction in Translation: Past, Present, Future” at Tor.com brings together Neil Clarke, Sarah Dodd, Cristina Jurado, Cheryl Morgan, and Marian Womack:

Q: How do you work to increase the visibility of sf in translation? Is it mainly through marketing and social media, or other avenues as well? What can people like myself (reviewers, bloggers) do to promote sf in translation in effective ways?

Neil Clarke: Unfortunately, translated works still carry a bit of stigma with readers. It’s like your mom trying to get you to eat a vegetable she knows you’ll like if you just give it a try. One approach is to be low key about it. Treat it like any other piece of food on the plate and surround it with their more traditional selections. Publishers have been doing this for years…leveraging one success to create opportunities to take risks on others. The big difference is that translations can be significantly more expensive.

The best thing I can do for translations, aside from publishing great stories, is to be actively involved in making connections in the international science fiction community and keep them aware that translation is an option that is available to them.

The best thing readers and reviewers can do is support the books and stories they enjoy. All authors enjoy their books being favorably reviewed, but many of the foreign authors I’ve worked with have mentioned that recognition from the English-language market is extra special. Many of the biggest names in SF are published in English. It carries some prestige most of us don’t even think about.

Sarah Dodd: A really important thing that reviewers and bloggers can do is name the translator. (Yes, it seems basic, but it’s amazing how often reviews of translated fiction omit the translator’s name entirely!) The wonderful @TranslatedWorld began the #namethetranslator campaign in 2013, and they’ve been really promoting the work of translators to give them greater visibility. One of the things we’ve realized, working on other translation projects, is just how much the translator does, going beyond the translation itself—a lot of translators also do a huge amount of work pitching the books and stories they love, and then helping drum up interest and publicize them when they come out. So it would be really great to see more of a focus on the translators themselves (something we’re planning to do in Samovar, through our author and translator spotlights)….

(4) THEY SAID IT COULDN’T BE DONE. Walter Jon Williams, before getting around to the TV adaptation, decided to first reread Philip K. Dick’s novel — “Revisiting the Classics: The Man in the High Castle”.

I hadn’t got very far into the re-reading before I came to the conclusion that there was no damn fucking way this could ever be made into a TV series.  The narration is too internal, there is very little dramatizable action, and you can’t make the manipulation of 49 yarrow stalks followed by the reading of an opaque text dramatically interesting.  What HBO has done, I’m sure, is create a situation more or less parallel to that of the novel, and some characters with the same names and some of the same problems, and then done what TV people do to make that interesting.  The series might well be successful on its own terms, it just won’t be The Man in the High Castle by Philip K Dick.  (Those of you who have seen the [Amazon] series can tell me if I’m right.  I’m particularly interested to learn whether they made successful drama out of I Ching readings.)

And that’s only his first argument why it couldn’t be made for TV.

(5) CRAVING DYSTOPIAS. Boston Review fiction editor Junot Diaz has put out a call for material on the theme of global dystopias, maximum length 5,000 words.

Over the last decades dystopian narratives have proliferated to the point where they seem to have become our default mode for conceptualizing the future. But dystopias are not merely fantasies of a minatory future; they offer critically important reflection upon our present. If (as Tom Moylan has argued) traditional dystopias crafted cognitive maps of the terrors of the twentieth century, what cognitive maps does our current dystopian turn provide us of our turbulent global present?

Throughout 2017 BostonReview.net will feature stories, essays, and interviews on the theme of global dystopias. The project will culminate in a special print issue in the fall of 2017.

We are seeking essays, interviews, and fiction from writers around the globe that engage the theme of dystopia. Nonfiction, personal essay, genre fiction (SF, fantasy, horror, Afrofuturist, slipstream), and work that resides across/between genres are welcome.

Submissions might explore, but are not limited to:

  • Inequality / precarity
  • The Global South
  • Climate change
  • Global democracy
  • Civic media and civic imaginaries
  • Afrofuturism
  • The War on Terror
  • International politics and speculative futures
  • Post-humanisms
  • The future of females
  • Gendered violence
  • Radical futurities

The submissions period is open for fiction and nonfiction via Submittable until May 1, 2017.

(7) DEALER’S CHOICE. The third video in a series about the origins of George R.R. Martin’s Wild Cards universe.is now on YouTube:

(8) TODAY’S BIRTHDAY COMPUTER

  • Activated January 12 — HAL 9000. According to the movie, he was activated in Urbana, Illinois, on January 12, 1992. For reasons that even Clarke didn’t remember, years later, in the book the date shifted to 1997.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 12, 1628 — Charles Perrault, author of the Mother Goose stories.
  • Born January 12, 1965 – Rob Zombie

(10) PRATCHETT LIFE COMING TO TV. A Terry Pratchett bio program is in the works at the BBC. From Radio Times “BBC reveal plans for ‘poignant’ new Terry Pratchett documentary”.

The BBC is making a documentary about the late writer Terry Pratchett in which his words will be read in character by actor Paul Kaye.

Terry Pratchett: Back In Black is told in Pratchett’s own words, with contributions from authors Neil Gaiman and Val McDermid, and his long-serving assistant Rob Wilkins. Kaye’s impression of Pratchett is said to be “uncanny” according to the BBC.

The programme, which airs on BBC2 later this year, will follow his life from his troubled schooldays, to being dismissed by literary critics, to the remarkable creation of the Discworld series of fantasy novels, which have since sold over 85 million copies worldwide.

It will also chronicle Pratchett’s battle with Alzheimer’s and his death in 2015.

(11) COMICS ON THE HORIZON. In 2017, at least three SF/F novels will be adapted into comic books. Titan Comics will be adapting Forever War by Joe Haldeman, with Haldeman writing the comic and Mavarno doing the art, as well as Kim Newman’s Anno Dracula, with Newman writing and art by Paul McCaffrey. Finally, Neil Gaiman’s American Gods will become a Dark Horse comic book with P. Craig Russell writing and art by Scott Hamilton.

Joe Haldeman’s The Forever War was a groundbreaking science-fiction novel when originally published in 1974, merging high-concept science fiction with gripping social commentary. Next year, Titan Comics are reprinting and serializing the 1988 adaptation written by Haldeman himself, with art by the legendary Mavarno.
Titan’s reprint of the series serializes the original volumes and come packed with bonus materials, including design elements from the series and multiple, brand-new covers for each issue.

And now, it’s finally making it to comics. Titan has announced an Anno Dracula adaptation set for March of 2017, written by Newman with art by Paul McCaffrey.

Originally published in 1992, the first Anno Dracula novel takes place in 1888, focusing on the early years of a society where vampires have just gone public, and a mystery — for the characters, if not the readers — surrounding the Whitechapel murders of Jack the Ripper.

Gaiman said in a statement: “I’ve been watching P. Craig Russell breaking down the book into comic form, watching Scott Hampton painting the pages, watching Glenn Fabry create the covers, and grinning to myself with delight, because the American Gods comic is going to be an astonishing, faithful, and beautiful adaptation.”

(12) DRAFT NOTICE.  Narragansett Brewing Co. wants you to know “The Unnamable Is Coming…”

Unnamable beer

[Thanks to John King Tarpinian, Mark-kitteh, Rob Thornton JJ, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Michael J. Walsh.]

Neil Clarke Reveals Choices For The Best Science Fiction of the Year

bsofty2-600

Neil Clarke’s Best Science Fiction of the Year Volume 2 will feature these stories from 2016:

Table of Contents

  • “The Visitor from Taured” by Ian R. MacLeod (Asimov’s, September 2016)
  • “Extraction Request” by Rich Larson (Clarkesworld, January 2016)
  • “A Good Home” by Karin Lowachee (Lightspeed, June 2016)
  • “Prodigal” by Gord Sellar (Analog, December 2016)
  • “Ten Days” by Nina Allan (Now We Are Ten, edited by Ian Whates)
  • “Terminal” by Lavie Tidhar (Tor.com, April 2016)
  • “Panic City” by Madeline Ashby (CyberWorld, edited by Jason Heller and Joshua Viola)
  • “Last Gods” by Sam J. Miller (Drowned Worlds, edited by Jonathana Strahan)
  • “HigherWorks” by Gregory Norman Bossert (Asimov’s, December 2016)
  • “A Strange Loop” by T.R. Napper (Interzone, January/February 2016)
  • “Night Journey of the Dragon-Horse” by Xia Jia (Invisible Planets, edited by Ken Liu)
  • “Pearl” by Aliette de Bodard (The Starlit Wood, edited by Dominik Parisien and Navah Wolfe)
  • “The Metal Demimonde” by Nick Wolven (Analog, June 2016)
  • “The Iron Tactician” by Alastair Reynolds (Newcon Press)
  • “The Mighty Slinger” by Tobias S. Buckell and Karen Lord (Bridging Infinity, edited by Jonathana Strahan)
  • “They All Have One Breath” by Karl Bunker (Asimov’s, December 2016)
  • “Sooner or Later Everything Falls Into the Sea” by Sarah Pinsker (Lightspeed, February 2016)
  • “And Then, One Day, the Air was Full of Voices” by Margaret Ronald (Clarkesworld, June 2016)
  • “The Three Lives of Sonata James” by Lettie Prell (Tor.com, October 2016)
  • “The Charge and the Storm” by An Owomoyela (Asimov’s, February 2016)
  • “Parables of Infinity” by Robert Reed (Bridging Infinity, edited by Jonathana Strahan)
  • “Ten Poems for the Mossums, One for the Man” by Suzanne Palmer (Asimov’s, July 2016)
  • “You Make Pattaya” by Rich Larson (Interzone, November/December 2016)
  • “Number Nine Moon” by Alex Irvine (F&SF, January/February 2016)
  • “Things with Beards” by Sam J. Miller (Clarkesworld, June 2016)
  • “Dispatches from the Cradle: The Hermit—Forty-Eight Hours in the Sea of Massachusetts” by Ken Liu (Drowned Worlds, edited by Jonathana Strahan)
  • “Touring with the Alien” by Carolyn Ives Gilman (Clarkesworld, April 2016)

Greg Hullender has updated the Rocket Stack Rank “2016 Best SF/F Anthologies” page and passed along his count of the stories that multiple editors picked for their year’s best volumes.

  • “The Visitor from Taured,” by Ian R. Macleod, and “Things with Beards,” by Sam J. Miller, are the only two stories to appear in all four anthologies. [Clarke, Dozois, Horton, Strahan]
  • Three other stories arguably got 4-way approval when you include stories the anthologists recommended during the year. (Horton and Dozois both review short fiction for Locus Magazine.)
  • “Touring with the Alien,” by Carolyn Ives Gilman, and “Terminal,” by Lavie Tidhar, appeared in all but Horton’s anthology, but Horton recommended both works in his Locus Magazine column.
  • “Number Nine Moon,” by Alex Irvine only appeared in Strahan and Clarke’s anthologies but Dozois and Horton both recommended it in their Locus Magazine columns.

Neil Clarke Interview

Clarkesworld crew accept Best Semiprozine Hugo at LoneStarCon in 2013.

Clarkesworld crew accept Best Semiprozine Hugo at LoneStarCon in 2013. (L-R) Neil Clarke, Sean Wallace, Kate Baker, and Jason Heller.

By Carl Slaughter: Clarkesworld has survived and thrived in an ezine landscape strewn with casualties. Editor Neil Clarke’s magazine has been a finalist for or winner of the Hugo, Nebula, Bram Stoker, Shirley Jackson, Chesley, World Fantasy, British Fantasy, Locus, and Parsec awards. He has been a three-time Hugo nominee in the Best Short Form category. Clarkesworld has received four Best Semiprozine Hugo nominations and won three times. In October, Clarkesworld celebrated its 10th anniversary.

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CARL SLAUGHTER: What was your vision for Clarkesworld? How has that vision evolved? What’s your vision for the magazine’s future?

NEIL CLARKE: When we launched ten years ago, all any online magazine could hope for was survival and that was rarely the case. Attitudes, revenue opportunities, and a few other things have changed considerably since then. Over the years, we’ve been able to take advantage of this to responsibly grow the magazine into what it is today. Now, our vision is to be thriving and that includes things like becoming more international (subscribers/readers/listeners/writers) and making Clarkesworld my full-time career.

CS: What void do you see Forever filling?

NC: I wouldn’t call it a void. Forever is scratching an itch I had to do more work with novellas and at the same time it promotes stories and authors I’ve enjoyed over the years. It was designed with six, twelve, and twenty-four month subscription milestones that determine whether or not it continues. It’s a fun little side project I started before I started getting regular anthology projects.

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CS: In addition to your Clarkesworld anthologies, what does Wyrm publish?

NC: At the moment, not much more than that. After my heart attack, I reorganized my priorities and began allocating my time more wisely. In addition to the magazines and anthologies, I still have a full-time day job. Wyrm was the easiest thing to scale back without interfering with things I enjoy, so it’s on hold until I leave the day job. I did use Wyrm to get Upgraded into distribution, but that’s the only non-Clarkesworld project it’s touched since 2012.

CS: What are the criteria for inclusion in your annual best series?

NC: The eligibility requirements for The Best Science Fiction of the Year series are very simple. A work must be:

  • science fiction
  • published in English for the first time that year
  • a short story, novelette, or novella

After that, it’s like taking a year’s worth of magazines, anthologies, standalone stories, and collections and turning it into a slush pile. Throughout the year, I’ll flag stories I enjoyed and think I should come back to. That final pass can be a challenge and even when you love a story there’s a chance you won’t be able to include it. For example, last year I was unable to include Greg Egan’s “The Four Thousand, The Eight Hundred” because the reprint rights weren’t available. If a story doesn’t make the final cut or can’t be included, I add them to the recommended reading list in the back of the book.

CS: Why the interest in cyborgs?

NC: Like many my age, much of my early views on cyborgs came from The Six Million Dollar Man (childhood) and cyberpunk (college), but I also remember the Jarvik 7 heart transplant in the early 80’s. My 2012 heart attack made it personal. The considerable damage to my heart caused my doctors to recommended having a defibrillator implanted, so, in early 2013, I went under the knife and became a cyborg. While I was recovering, I dove deeper into the stories and was inspired to launch a Kickstarter campaign for the Upgraded anthology. In many ways this was my attempt to make something positive out of the whole experience. I learned a lot from the experience and look forward to continuing this therapeutic track.

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CS: How much of Clarkesworld’s traffic is podcast? Do you see that increasing?

NC: The online edition of the magazine makes up the majority of our reader/listenership. The podcast comes in at a close number two. I report the stats for the online edition, podcast, print editions, and digital subscriptions separately because there isn’t a clean way to determine the overlap. Each plays an important role in reaching a different audience. It’s our responsibility to get our authors’ works read by as many people as possible. From the beginning, we’ve accepted that means being in the format the readers want. Sometimes that’s audio. Sometimes that’s print. Each audience continues to grow, though.

CS: Will your anthology work increase?

NC: That’s the goal. I’m wrapping up the second volume of The Best Science Fiction of the Year now and can happily report that I’m contracted for two more beyond that. I also have Galactic Empires coming out in January. Later this month, I’ll start considering stories for the next two 2017 anthologies: More Human Than Human and War Machines. Clarkesworld Magazine: A 10th Anniversary Anthology is currently scheduled for early April.

CS: What will we see in Galactic Empires?

NC: Stories that span the breadth of the empire by some of the best writers working in that area over the last twenty years. A complete lineup can be found at: http://neil-clarke.com/books/galactic-empires/

Pixel Scroll 10/12/16 The Baloney Weighed The Maguffin Down

(1) HAPPY TENTH BIRTHDAY. Neil Clarke has a great article about the birth of Clarkesworld  — Clarkesworld Turns Ten – Part Four – The Beginning.

A lot of people were willing to provide advice. The most common thoughts were “don’t do it” and “it will be dead in a year.” A certain level of stubbornness, foolishness, and passion are required to enter this field and I was already over the edge. I doubt that anything said–unless it was from Lisa–would have deterred me at that point. There were a number of things that did help though, including the advice that I tell people to this day: “know how much you are willing to lose and don’t cross that line.”

(2) YOUR LACK OF FAITH IS DISTURBING. John King Tarpinian thinks this makes a suitable successor to the lava lamp – the Star Wars Death Star 3D LED Light Lamp.

(3) MYTHOPOEIC AWARDS: Here’s another bit of news I never put in the Scroll. It did get listed in comments while I was sick, but since I used to be a Steward of the Mythopoeic Society I like to put a spotlight on these awards when they come out….

The winners of the 2016 Mythopoeic Awards were announced at Mythcon 47 in San Antonio, Texas, on August 7, 2016.

Fantasy Awards

Adult Literature

  • Naomi Novik, Uprooted (Del Rey)

Children’s Literature

  • Ursula Vernon, Castle Hangnail (Dial Books)

Scholarship Awards

Inklings Studies

  • Grevel Lindop, Charles Williams: The Third Inkling (Oxford Univ. Press, 2015)

Myth & Fantasy Studies

  • Jamie Williamson, The Evolution of Modern Fantasy: From Antiquarianism to the Ballantine Adult Fantasy Series (Palgrave Macmillan, 2015)

(4) BRITISH INTELLIGENCE WITH STEPHEN HAWKING. Creativity Online covered this in March —  “Professor Stephen Hawking Is Jaguar’s Latest ‘British Villain’”.

Jaguar’s “British Villains” campaign, which kicked off at the 2014 Super Bowl, has starred some distinguished British actors: Tom Hiddleston, Mark Strong, Nicholas Hoult and Ben Kingsley among them. Now, the campaign introduces a new evil mastermind, played by Professor Stephen Hawking.

Directed by Smuggler’s Tom Hooper, who helmed the original “British Villains” ad, the global ad promotes Jaguary’s first SUV, the F-PACE, and introduces the new theme of “British Intelligence” to the campaign. The spot opens with young man drives the SUV up an mountain road to a modernist lair redolent of a Bond villain. He’s off to meet his master: revealed to be Hawking. As they walk into an underground control room, the pair exchange some quips about the laws of time and gravity. “We are the masters of time and space,” says his underling and before Hawking finishes: “And we all drive Jaguars. Ha ha ha.”

 

(5) MAKES YOU WONDER. ScienceFiction.com has the scoop: “Lynda Carter’s President On ‘Supergirl’ Gets A Name”.

Carter, who also appeared on an episode of ‘Smallville’, is returning to superhero prime-time action in the third episode of ‘Supergirl’ which will air in two weeks.  Carter will play the President of the United States, Olivia Marsdin, a name that would appear to be a tribute to William Moulton Marsden, the psychiatrist who created Wonder Woman back in 1942 as an alternative to the testosterone-heavy male superheroes appearing at the time.

… In the episode, entitled “Welcome To Earth,” President Marsdin will need Supergirl’s protection as the humans vs. aliens debate boils over with Supergirl (Melissa Benoist) suspecting that Mon-El (Chris Wood) could be a threat.  Meanwhile, her sister Alex (Chyler Leigh) will team up with new character Maggie Sawyer (Floriana Lima).

 

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(6) ESCHEW OBFUSCATION. Sarah A. Hoyt, in “Keeping It Real”, has interesting advice about striking a balance to help keep stories believable for the reader.

However, imagine how much better it could be if you wrote well.  How many more people you could reach.

So, to begin with, what are the elements of “real.”….

2 – Do not obscure the writing with a lot of your opinions, philosophies and views of life.  Save that for the blogs.  Okay, this is not true.  You can do it, if it fits the character voice, which is what I try to do in DST and Earth Revolution, and which Heinlein did pretty well.  BUT do not do it as an omnipresent, omniscient, not-in-the-story narrator.  The more you do go on, the more we get tired of reading unmoored stories.

This is not even just for politics, morals, etc.  I’ve found the main difference between Heyer and modern regency writers is that Heyer never felt the need to talk at LENGTH about how her characters felt about each other every minute.  Yeah, sure, she gave us hints, but most of it was showing not telling.

We’ll discuss how you can be fooled into thinking telling is showing, how to port-in your telling when absolutely needed, etc.

(7) TODAY’S BIRTHDAY BOY

  • Born October 12, 1968  — Hugh Jackman

(8) LOOK BACK AT WORLDCON MASQUERADES. The “A Look Back” series of videos features clips from science fiction and costuming convention masquerades and other events from the past 30+ years in the International Costumers Guild Pat & Peggy Kennedy Memorial Library.

This episode features highlights from the MidAmeriCon 1 masquerade held in Kansas City in 1976, using the video recording from the Scott Imes archives.

(9) GIVE MY REGARDS TO SHATNER. The New York Post knows “Why Broadway wasn’t William Shatner’s final frontier”.

You can see him Friday at Montclair, NJ’s Wellmont Theater in “Shatner’s World: We Just Live in It.” It’s a sharper, tighter version of the one-man show he performed on Broadway in 2012.

Full of anecdotes and a couple of songs, this autobiographical show grew out of off-the-cuff speeches he’d given for years at comic conventions. After an Australian producer suggested he put together a show, Shatner says he thought, why not?

“If the audience grew restless or I failed, I could quit and it would remain buried Down Under,” he says. “But it didn’t fail, and I’ve been doing it ever since.”

“Shatner’s World” delves into his theater career and his first “42nd Street”-like break, when he went on at the last minute and saved the show.

The show was “Henry V” at the Stratford Festival in 1956 and Shatner was the understudy for its star, Christopher Plummer. Plummer woke up one morning and collapsed to the floor, felled by a stabbing pain in his groin. As Plummer writes in his memoir, “In Spite of Myself,” what he thought was venereal disease turned out to be a kidney stone.

Plummer tried to break out of the hospital to get to the theater, but “the thought of Shatner or anyone replacing me in that part instantly brought back my pain.” He screamed for help. A nurse jabbed him with morphine and he was down for the count….

(10) GUNN CENTER. Starbridge: A Visual Blog highlights books pulled from the shelves of our lending library at the Gunn Center for the Study of Science Fiction at the University of Kansas.

This week’s post features an entry in Andre Norton’s Forerunner series. These books feature characters discovering and interacting with the artifacts of a powerful but long-lost alien race.  Andre Norton published over 300 titles over the course of her seven-decade career. She was the first woman the SFWA named Grand Master, and also the first to be inducted into the SFF Hall of Fame.  The cover art was illustrated by artist and educator Charles Mikolaycak, whose work was frequently influenced by his Polish and Ukrainian heritage.

forerunner-foray

(11) POWER RANGERS TEASER TRAILER. The Power Rangers are high school kids, but getting top billing are Bryan Cranston, Elizabeth Banks and Bill Hader. Who have probably all been through high school, I admit.

[Thanks to John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

2016 WSFA Small Press Award

smallpress-shoemaker“Today I Am Paul” by Martin L. Shoemaker, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (August 2015), is the winner of the 2016 WSFA Small Press Award given by the Washington Science Fiction Association. The award was announced at Capclave on October 8.

Neil Clarke, publisher of Clarkesworld Magazine, accepted on behalf of Shoemaker.

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year. Members of the Washington Science Fiction Association select the winner. All voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

A Dozen “Year’s Best”

By Carl Slaughter: A dozen editors, some of them household names in the speculative community, take their stab at the year’s best stories.

The Year’s Best Science Fiction: Thirty-Third Annual Collection, edited by Gardner Dozois

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The Best Science Fiction of the Year: Volume One edited by Neil Clarke

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The Best American Science Fiction and Fantasy 2015 edited by Joe Hill and John Joseph Adams

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The Year’s Best Science Fiction & Fantasy 2016 Edition edited by Rich Horton

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The Best Science Fiction and Fantasy of the Year: Volume Ten edited by Jonathan Strahan

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The Best American Science Fiction and Fantasy 2016 edited by Karen Joy Fowler and John Joseph Adams

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The Year’s Best Science Fiction & Fantasy Novellas 2016 edited by Paula Guran

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The Year’s Best Dark Fantasy & Horror 2016 Edition edited by Paula Guran

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Nebula Awards Showcase 2016 edited by Mercedes Lackey

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The Year’s Best Military & Adventure SF 2015: Volume 2 edited by David Afsharirad

Years Best milSF 2015

The Best Horror of the Year Volume Eight edited by Ellen Datlow

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The Year’s Top Ten Tales of Science Fiction 8  edited by Allan Kaster

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