(1) CULTIVATING HYBRIDS. Paul Kraus’ article on “Hybrid Conventions” begins with a statement of philosophy wrapped in the definitions of major terms. Then Kraus lists what’s needed to make a hybrid convention successful.
When the COVID-19 Pandemic hit, all of the Sci-Fi conventions I volunteer with had to cancel or switch to an online format. Since the Pandemic has stabilized, it is not over, we have just learned more or less how to live with it, conventions have gone back to in-person events. But, we realized that there is a demand for online Sci-Fi convention activities. There are people who cannot attend in-person for a variety of very good reasons, from health and age related to cost and time. There is a market for online Sci-Fi convention activities.
A couple notes on terminology before I go on. Many people refer to these online activities as ‘virtual‘, as in ‘virtual convention’, ‘virtual panel’, ‘virtual attendees’. I realized this is disrespectful to those involved. The people are not ‘virtual’, so they are not ‘virtual attendees’, they are real people who are online or remote attendees. I avoid the use of the term ‘virtual’ for this reason.
The other term I want to define is ‘hybrid‘. I have heard that term used to describe a whole variety of things related to in-person and online activities. In my view a true ‘hybrid activity’, be it a convention, panel discussion, reading, or anything else is an activity with both an in-person component and an online component where the goal is for the experience to be as similar as possible between the in-person and online activity. So a ‘hybrid panel discussion’ would support both in-person panelists as well as online panelists on an equal footing, the audience would also consist of both in-person and online people on an equal footing. Hybrid is not running a couple online tracks of programming at the same time as an in-person convention. Hybrid is not streaming a couple tracks of programming (or events) from an in-person convention. Hybrid is about creating, to the best of our ability, the same experience for people whether they are in-person or online.
You will notice that I use the term ‘activity‘ in many places below where you might think I should be using ‘convention’. I do this on purpose as a convention may be in-person but still have aspects or activities that are hybrid.
Should All Conventions Be Hybrid?
The answer to this an an unequivocal no! There are many different factors that should determine whether a convention should attempt to be hybrid. Beyond the obvious factors of staffing (hybrid does require more staff with different skill sets) there are factors such as cost (can the convention get good enough Internet at their hotel / facility at a cost they can afford) and impact on in-person attendance (will an online offering draw from the in-person attendance and the convention risks missing a hotel block commitment). Each convention is unique and needs to examine their individual situation to decide if they can successfully be hybrid. Some may think they can, and try for a year or two, only to decide they cannot. Others my know themselves well enough to know they cannot do a good job with a hybrid convention. Others may decide to not hold a hybrid activity but to hold, at different times, both an in-person activity as well as an online activity. I expect that a small percentage of SciFi conventions will be able to successful transition to being a hybrid convention. This is OK. Every convention needs to do what they can do well, without overtaxing staff….
(2) KGB PHOTOS. Ellen Datlow has posted her photos from the July 12 Fantastic Fiction at KGB Reading Series where Farah Rose Smith and Michael Cisco were the guests.
“It’s surprising because it’s such a large fragment,” she said. “And it makes you wonder what was going on at the time, if maybe a marine weather event dislodged it and brought it ashore….
(4) NERDS IN TRANSLATION. 2023 Best Fanzine finalist Nerds of a Feather has launched a GoFundMe appeal to pay for translating their Hugo Voter Packet selections into Chinese, understandably titled “Help translate Nerds of a Feather into Chinese!” (It’s already online, in English, here.) Co-editor Joe Sherry says:
We’re hoping to be able translate as much of our voter’s packet into Chinese but apparently hiring a translator costs money (and time) and we’ve got a short novel worth of content in our voter’s packet.
Every dollar raised goes to translation with the goal of having the packet done by the beginning of September. We have a translator lined up to start early August. If for some reason we raise more than we need, we’ll donate the extra to charity.
MAUREEN KINCAID SPELLER [1959-2022] was a reviewer, critic and lifelong science fiction fan. Active in SF fandom from the early 1980s, Maureen started reviewing for the BSFA magazine Vector in 1986. She served on the jury of the Arthur C. Clarke Award, chaired the Tiptree Award and taught the SF Foundation Critical Masterclass in 2016. Her criticism has appeared in a wide variety of venues, and her extended critical analysis of the 2012 BSFA and Clarke Awards was shortlisted for the BSFA Award for Best Related Work.
In 1999 she was nominated for a Hugo in the Best Fan Writer category. Her passionate advocacy of new critical voices saw her appointed Senior Reviews Editor of the groundbreaking speculative fiction magazine Strange Horizons in 2015.
Editor Nina Allan says, “When Maureen fell ill in the spring of 2022, my first reaction, like that of many, was one of profound shock. Her untimely death has robbed us all, not only of her presence, but of the work she was yet to do. Maureen had long spoken of her desire to put together a collection of her criticism, and the original intention for this volume was that she would personally be involved in the selection and curation of her favourite pieces. Time was sadly against us, but the desire to preserve Maureen’s work, to have it readily available to audiences old and new, has never felt more urgent. A Traveller in Time is by no means a complete collection – there is lots more out there to discover – but my hope is that it presents a faithful snapshot of Maureen as she was in life: spirited, passionate, knowledgeable and endlessly curious.”
(6) HE KNOWS OPPENHEIMER. Christopher Nolan’s summer blockbuster Oppenheimer will be released this week and Robert J. Sawyer is primed to give expert commentary to members of the media, having done two years of full-time research before writing his 2020 novel The Oppenheimer Alternative. He shared that knowledge in a File 770 interview, and other experts agree he knows what he’s talking about:
Martin Sherwin, co-author of the Pulitzer Prize-winning biography American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (the basis for Christopher Nolan’s biopic Oppenheimer), says “Oppenheimer fans will be intrigued by Sawyer’s novel.”
Gregory Benford, physicist at University of California Irvine, says: “The feel and detail of the Manhattan Project figures is deep and well done. I knew many of these physicists, and Sawyer nails them accurately.”
Perimeter Institute physicist Lee Smolin, the author of The Trouble with Physics, agrees: “I know the history of this period well and I’m one or two degrees of separation from many of these people. Sawyer’s portrayals ring true to me. I loved it!”
For interviews, please contact publicist Mickey Mikkelson:[email protected] or 403-464-6925.
Amid the “Oppenheimer” anticipation, another bomb has been dropped: Stanley Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” will be adapted as a stage production on the West End.
The project, led by “Veep” and “Avenue 5” creator Armando Iannucci, is the first-ever adaptation of a Kubrick property. Kubrick’s widow, Christiane Kubrick, confirmed the upcoming play based on the 1964 political satire film starring Peter Sellers.
“We have always been reluctant to let anyone adapt any of Stanley’s work, and we never have. It was so important to him that it wasn’t changed from how he finished it,” Christiane told the BBC. “But we could not resist authorizing this project: the time is right, the people doing it are fantastic, and ‘Strangelove’ should be brought to a new and younger audience. I am sure Stanley would have approved it too.”…
(7) BEN KINGSLEY PHONES HOME. Jules opens August 11.
Jules follows Milton (Kingsley) who lives a quiet life of routine in a small western Pennsylvania town, but finds his day upended when a UFO and its extra-terrestrial passenger crash land in his backyard. Before long, Milton develops a close relationship with the extra-terrestrial he calls “Jules.” Things become complicated when two neighbors (Harris and Curtin) discover Jules and the government quickly closes in. What follows is a funny, wildly inventive ride as the three neighbors find meaning and connection later in life – thanks to this unlikely stranger.
(8) ALLAN SCOTT (1952-2023). UK author Allan Scott died July 17 reports Andrew Porter. The SF Encyclopedianotes his first pro genre publication was “Guess Who’s Coming to Dinner” in Peter Davison’s Book of Alien Monsters (1982). He co-authored books The Ice King (1986) with Michael Scott Rohan, and also the fantasy novel A Spell of Empire: The Horns of Tartarus (1992) On his own, Scott wrote The Dragon in the Stone (1991).
(9) MEMORY LANE.
2007 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Michael Chabon is the source of our Beginning. A fantastic writer, I’m going to also single out his work as writer and showrunner on Picard, and he has been working on a series adaptation of Kavalier and Clay for at least four years.
So the novel that is the source of our Beginning is The Yiddish Policeman’s Union which Mike says it is very good. It was published sixteen years ago by Harper Collins.
It won a Hugo at Devention 3 and a Sidewise Award along with being nominated for a John W. Campbell Memorial Award.
So let’s see how this novel begin…
Nine months Landsman’s been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker.
“He didn’t answer the phone, he wouldn’t open his door,” says Tenenboym the night manager when he comes to roust Landsman. Landsman lives in 505, with a view of the neon sign on the hotel across Max Nordau Street. That one is called the Blackpool, a word that figures in Landsman’s nightmares. “I had to let myself into his room.
The night manager is a former U.S. Marine who kicked a heroin habit of his own back in the sixties, after coming home from the shambles of the Cuban war. He takes a motherly interest in the user population of the Zamenhof. He extends credit to them and sees that they are left alone when that is what they need.
“Did you touch anything in the room?” Landsman says.
Tenenboym says, “Only the cash and jewelry.”
Landsman puts on his trousers and shoes and hitches up his suspenders. Then he and Tenenboym turn to look at the doorknob, where a necktie hangs, red with a fat maroon stripe, already knotted to save time. Landsman has eight hours to go until his next shift. Eight rat hours, sucking at his bottle, in his glass tank lined with wood shavings. Landsman sighs and goes for the tie. He slides it over his head and pushes up the knot to his collar. He puts on his jacket, feels for the wallet and shield in the breast pocket, pats the sholem he wears in a holster under his arm, a chopped Smith & Wesson Model 39….
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 17, 1889 — Erle Stanley Gardner. Though best remembered for the Perry Mason detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. They were originally published in Argosy from 1928 to 1932: “The Human Zero”, “Monkey Eyes”, “New Worlds”, “Rain Magic”, “A Year in a Day”, “The Man with Pin-Point Eyes” and “The Sky’s the Limit”. It is not available from the usual digital suspects but Amazon has copies of the original Morrow 1981 hardcover edition at reasonable prices. (Died 1970.)
Born July 17, 1944 — Thomas A. Easton, 79. SF critic and author who wrote the book review column in Analog from 1979 – 2009. His Organic Future series is quite entertaining and I’m reasonably certain I read Sparrowhawk when it was serialized in Analog.
Born July 17, 1954 — J. Michael Straczynski, 69. Best known rather obviously for creating and writing most of Babylon 5 and its short-lived sequel Crusade. He’s also responsible for as well as the Jeremiah and Sense8 series. On the comics side, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written Superman, Wonder Woman, and Before Watchmen titles. There’s an animated Babylon 5 film soon, but the fate of the rebooted series, who knows?
Born July 17, 1965 — Alex Winter, 58. Bill in Bill & Ted’s Excellent Adventure and its sequels Bill & Ted’s Bogus Journey and Bill & Ted Face the Music. And though I didn’t realize it, he was Marko in The Lost Boys. He directed two Ben 10 films, Ben 10: Race Against Time and Ben 10: Alien Swarm. He also directed Stephen Hawking + Zoe Saldana: Quantum is Calling, a short film that has cast members Keanu Reeves, Simon Pegg, John Cho, and Paul Rudd.
Born July 17, 1967 — Kelly Robson, 56. I just got done reading her brilliant “Gods, Monsters and the Lucky Peach”. Her collection Alias Space and Other Stories has all of her short fiction up to 2020, so go feast up upon them. These and the “High Times in the Low Parliament” and “A Human Stain” novellas are to be had the usual suspects.
Born July 17, 1976 — Brian K. Vaughan, 47. Wow. Author of Ex Machina, Pride of Baghdad, Runaways, Saga, Y: The Last Man, and his newest affair, Paper Girls. And yes, he’s won Hugo Awards. You could spend an entire summer just reading those series. In his spare time, he was a writer, story editor and producer of the television series Lost during seasons three through five. And was the showrunner and executive producer of the Under the Dome series.
(11) DOCTOROW WRITE-IN FOR CLARION. In support of Clarion’s summer fundraising drive they’re hosting a series of Write-Ins, or hour-long writing sprints, with favorite SFFH authors and Clarion alums. These events will be free to any who are interested.
Tomorrow, Tuesday 7/18 we kick things off with the inimitable CORY DOCTOROW!
Join Cory and a group of your peers this Tuesday, July 18th 5PM PDT (8PM EDT), for a Write-In! We’ll engage in some timed writing sprints and, if we’re lucky, we’ll get a brief update on Cory’s WIP, “The Bezzle.”
Participation is FREE! Just register by 3PM PDT on Tuesday. Click the link to register.
(12) BY ALL MEANS. Last week Neil Gaiman was asked whether people should go see movies while the writers and actors are striking. His answer went viral.
(13) FROM TOY STORE TO SCREEN. JustWatch compiled a list of top 10 films based on toys, and compared the popularity of these productions finding out that the clear leader is the Toy Story franchise. Four movies of the series made the list, collecting a total of 35.6%. Its close competitor turned out to be Transformers franchise, with Transformers taking first place, followed by Bumblebee in 6th, and Transformers: The Last Knight in last place.
The following graphic contains the top 10 Barbie movies, with Barbie’s first ever movie: Barbie in the Nutcracker taking up third place and surpassing Barbie: Princess Charm School by only 1%. Barbie of Swan Lake and Barbie as Rapunzel go head to head, landing at 5th and 6th place with a difference of only 0.1%
(14) A NEW YORK DRAGONFLY MINUTE. [Item by Michael Toman.] A comparison of 138 species finds that dragonflies perceive changes in their environment five times faster than humans and 400 times faster than starfish. “Small and speedy animals perceive time faster than big, slow creatures” reports New Scientist.
Fast-moving animals – especially small ones, creatures that fly and top ocean predators – perceive time more quickly than others. That is, they can process more frames per second than slow-moving animals lower in the food chain, such as starfish, according to a comparison of more than 100 species.
“We already know that different animals perceive time differently from us,” says Kevin Healy at the University of Galway in Ireland, who presented the results at a meeting of the British Ecological Society on 20 December. But he wanted to find out, “If you’re a predator, do you have faster eyes than if you’re an herbivore?”
He and his colleagues began by reviewing previously published research on the flicker fusion test, a common measure of the rate at which animals perceive the passage of time. During the test, researchers increase the frequency of a flashing light until an animal sees it as a continuous glow, indicated by the reaction of light receptors in the animal’s retina.
“It’s kind of like measuring the frame rate of your eyes,” says Healy. Humans, for example, can detect light flickers at speeds up to 65 flashes per second. That means they can perceive changes in their environment 65 times per second….
Step back into the pitch meeting and revisit the completely factual accurate conversation that led to Indiana Jones and the Kingdom of the Crystal Skull! Complete with commentary from Ryan George who is now several years older!
[Thanks to Michael Toman, Cat Eldridge, Daniel Dern, SF Concatenation’s Jonathan Cowie, Paul Weimer, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) HOW THE BESTSELLER LIST IS WON. Several authors responded to Sarah Pinborough’s question about whether certain kinds of sales affect the UK bestseller lists.
… a new generation of writers now believes it is impossible to write “near future” sci-fi without putting the climate emergency at the forefront of their speculative fiction. For many, this is because they are living through the crisis and can imagine all too easily what may happen if real-life behaviour doesn’t change….
… [EJ Swift says] “Climate breakdown is escalating so rapidly that events which 10 years ago might have seemed like the distant future are happening now. Everything is filtered through that lens – even when it’s not the main focus, climate anxiety is there in the periphery.”
Other recent books dealing with the devastation to the climate include Kate Sawyer’s The Stranding, which begins with the striking image of two strangers sheltering in the mouth of a dead, beached whale as a calamitous extinction event hits the world, Susannah Wise’s This Fragile Earth, in which the complete failure of all technology brings into focus our uneasy relationship with nature, and Sarah K Jackson’s Not Alone, about a mother and son surviving in the aftermath of a microplastics storm that has decimated the population.
The science fiction writer Adrian Tchaikovsky, known for his huge, widescreen space opera novels set in distant galaxies, is turning his attention to the climate crisis next year with a horror novella called Saturation Point….
(3) PARSING THE 2023 HUGO BALLOT. John Scalzi shares insights “about why the Hugos are the way they are these days: Why Tor seems to get a lot of nominations, for example, and why diverse groups are represented in the finalist list as they are, and whether the Hugo voters are an insular and monolith bloc” in “Hugo Neepery, Via Reddit” at Whatever.
… If you are wondering how marginalized groups have started to become widely represented in SF/F awards (as they are not just in the Hugos, but also the Nebulas, the Locus and the World Fantasy Awards) there are three factors I want you to consider. The first is the (relative) decline of the “Big Three” short fiction magazines in SF/F (Asimov’s, Analog, F&SF) and the commensurate rise of a series of online short fiction publishing venues like Uncanny, Clarkesworld and Strange Horizons (among others). The Big Three ran on Silent, Boomer and Elder GenX writers, and the market forces for the genre those writers came up in was heavily cis and white and male. The newer venues, by inclination and necessity, cultivated younger generations of writers from more diverse backgrounds. When the Big Three declined and the online magazines rose, their respective stables of authors more or less rose or declined with them, in terms of award consideration.
The second thing to consider is who is buying science fiction and fantasy, both in the magazine and in the publishing houses. Surprise! The editorial stratum of SF/F/H is not the straight, white and (predominately but not exclusively) male enclave it was before; the editorial bench of SF/F/H publishing (and publishing generally) is much more queer and of color than it has been in years past. They are interested in publishing more than just the “usual suspects” in SF/F/H as defined by previous decades and — this is important — the diverse SF/F/H they are acquiring is selling very well. This will naturally have an impact on what is considered at awards time.
The third thing to consider with respect to the Hugos specifically is that close to a decade ago a group of right-wing fans and writers, alarmed by what they saw as left-wing, SJW, politically-correct, etc work creeping into the awards, decided to try to run slates of work to counter that trend. This did not go well, in no small part because their tactics energized a very large group of fandom to counter their actions, including a significant number of more progressive Hugo voters. When the “takeover” of the Hugos failed, most of these right-wing folks flounced from the Hugo voting pool; some of the more progressive voters stayed and continue to vote today. This is reflected in what gets nominated and thus, what eventually becomes a finalist….
…WEST: The parents are really an interesting part of the strip. In a way they’re foils, but the thing that interests me is that it’s extremely rare for them to express any love for Calvin. Is that simply because it doesn’t have any comic potential, or is it something inherent in their characters?
WATTERSON: Again, I feel like I’m falling into the trap of psychoanalyzing the characters and I don’t want to say, “Well, this character acts this way,” because that’s confining. I think the way they relate to Calvin is more a reflection of my misanthropic tendencies than any literary concern.
Many strips have, you know, the funny character, the straight man, the foil — those characters are stereotypes and fairly flat. The role of these characters in the strip is entirely defined by their function as a member of a social group or age group, or whatever, and I’m trying to avoid that as much as I possibly can. I try to make each character, even the ones that aren’t that important, a unique personality that, over time, will develop. Some of the minor characters appear less often than Calvin and Hobbes, but, hopefully, over years, each one will become a unique personality that will be every bit as complex and interesting as Calvin and Hobbes.
In other words, I don’t want the parents to simply function as parents. I want them to be unique individuals as well. They are parents, of course, and, as sane people, they have to react to Calvin’s personality. What I try to do in writing any character is to put myself in his position, to the extent that I can, and I know that if I was Calvin’s dad or Calvin’s mom that I would not react to him with the gooey sentimentality that sometimes appears in other strips. Given Calvin’s usual behavior, I think his parents show admirable restraint in theirs….
…The report comes from a New Yorker profile on the 81-year-old Delany, which mentioned that Gaiman was adapting Nova for a Prime Video series. Gaiman was briefly interviewed for the article, and called Delany a profound influence whose work inspired him to attempt a similar sophisticated tone in his comics such as The Sandman. “I was used to very functional prose,” Gaiman said, calling the author by his nickname Chip. “Chip felt like I’d taken a step into poetry… There was no limit to how good you could be in your chosen area.” Prime Video has not yet confirmed a Nova series at this time….
Adult Swim has released the first full episode of My Adventures with Superman on YouTube – or you can watch it below. The series, which features Jack Quaid as Clark Kent, Alice Lee as Lois Lane, and Ishmel Sahid as Jimmy Olsen, is Warner Bros. Animation and DC’s newest animated series. The first two episodes are now streaming on Max. One new episode will debut every Thursday at midnight on Adult Swim and the next day on Max. It is unknown if future episodes will hit YouTube as well.
A serialized coming-of-age story, My Adventures with Superman follows 20-somethings Clark Kent, the bright and driven Lois Lane, and their best friend Jimmy Olsen as they begin to discover who they are and everything they can accomplish together as an investigative reporting team at the Daily Planet….
(7) MEMORY LANE.
2010 – [Written by Cat Eldridge from a choice by Mike Glyer.]
South Africa is one of those countries just starting to get known for its genre fiction. Though it goes back a century in terms of a history of science fiction being created there, that fiction like the greater culture there has been irretrievably changed by Apartheid and the novel Mike has chosen this time is one of those works.
Lauren Beukes is our author this time, she’s written six novels including the forthcoming Bridges, some of which are SF, some of which are mysteries.
Great mysteries too though the cringe factor is really high in them. Blood and gore everywhere. Now the SF she has written is first rate — imaginative storytelling that is noticeably different has it is, well, rooted in South African history and culture. One most of us aren’t familiar with.
Zoo City was published in trade paper thirteen years ago by Umuzi / Random House Struik. The cover art is by Joey Hi- Fi. It would win both a Clarke Award and a Kitschie, and be nominated for a BSFA, Otherwise, and a World Fantasy Award.
And now for our Beginning…
In Zoo City, it’s impolite to ask.
Morning light the sulfur color of the mine dumps seeps across Johannesburg’s skyline and sears through my window. My own personal bat signal. Or a reminder that I really need to get curtains.
Shielding my eyes—morning has broken and there’s no picking up the pieces—I yank back the sheet and peel out of bed. Benoît doesn’t so much as stir, with only his calloused feet sticking out from under the duvet like knots of driftwood. Feet like that, they tell a story. They say he walked all the way from Kinshasa with his Mongoose strapped to his chest.
The Mongoose in question is curled up like a furry comma on my laptop, the glow of the LED throbbing under his nose. Like he doesn’t know that my computer is out of bounds. Let’s just say I’m precious about my work. Let’s just say it’s not entirely legal.
I take hold of the laptop on either side and gently tilt it over the edge of my desk. At thirty degrees, the Mongoose starts sliding down the front of the laptop. He wakes with a start, tiki tavi claws scrabbling for purchase. As he starts to fall, he contorts in the air and manages to land feet first. Hunching his stripy shoulders, he hisses at me, teeth bared. I hiss back. The Mongoose realizes he has urgent flea bites to attend to.
Leaving the Mongoose to scrolf at its flank, I duck under one of the loops of rope hanging from the ceiling, the closest I can get to providing authentic Amazon jungle vines, and pad over the rotten linoleum to the cupboard. Calling it a cupboard is a tad optimistic, like calling this dank room with its precariously canted floor and intermittent plumbing an apartment is optimistic. The cupboard is not much more than an open box with a piece of fabric pinned across it to keep the dust off my clothes—and Sloth, of course. As I pull back the gaudy sunflower print, Sloth blinks up at me sleepily from his roost, like a misshapen fur coat between the wire hangers. He’s not good at mornings.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 9, 1906 — Walter Sande. He’s best remembered for being on Red Planet Mars, The War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornet Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild Wild West, and one-offs on Voyage to the Bottom of The Sea, The Man from U.N.C.L.E., Lost in Space and Bewitched. (Died 1971.)
Born July 9, 1911 — Mervyn Peake. Best remembered for the Gormenghast series which is quite delightfully weird. Most fans hold that there are but three novels in the series (Titus Groan, Gormenghast and Titus Alone) though there’s a novella, “Boy in Darkness”, that is a part of it. Peake planned a fourth book, Titus Awakes, but it was barely begun when he died. Maeve Gilmore, Peake’s widow, wrote the manuscript of a version titled Search Without End which remained unpublished until decades after her death. It incorporates a fragmentary text written by Peake. The Gormenghast series has been adapted for radio three times and television once, and it was announced in 2018 that Gaiman is writing the script for an adaptation. (Died 1968.)
Born July 9, 1944 — Glen Cook, 79. Yes, I’ve read his entire excellent Black Company series. I’ve also mostly liked his far lighter Garrett P.I. series (though not the last novel for reasons I’ll not discuss here) which it seems unfortunately he’s abandoned. And I really should read the Instrumentalities of the Night as I’ve heard good things about it. I’m really, really surprised not only that he hasn’t won any awards, but how few he’s been nominated for.
Born July 9, 1945 — Dean Koontz, 78. The genres of of mystery, horror, fantasy and science fiction are all home to him. Author of over a hundred novels, his first novel was SF — it being Star Quest (not in print) published as an Ace Double with Doom of the Green Planet by Emil Petaja. ISFDB claims over half of his output is genre, I’d say that a low estimate.
Born July 9, 1954 — Ellen Klages, 69. Her story “Basement Magic” won a Nebula Award for Best Novelette. I strongly recommend Portable Childhoods, a collection of her short fiction, published by Tachyon Publications, my favorite publisher of fantasy. They released another collection from her, Wicked Wonders, which is equally wonderful. Passing Strange, her novel set in 1940s San Francisco, which won a BSFA Award and a World Fantasy Award, is also really great. Ok, I really like her.
Born July 9, 1970 — Ekaterina Sedia, 53. Her Heart of Iron novel which was nominated for a Sidewise Award for Alternate History is simply awesome. I’d also recommend The Secret History of Moscow and the recent The House of Discarded Dreams as well, the latter is a fantastic audio work which is narrated by Robin Miles. It’s worth noting that the usual suspects list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilfill Impropriety that ISFDB doesn’t list. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy for which she won a World Fantasy Award. She had a story out just last year, “Ghost Shop”, in Professor Charlatan Bardot’s Travel Anthology to the Most (Fictional) Haunted Buildings in the Weird, Wild World. She’s amply stocked at the usual suspects. She’s also very deeply stocked at the audio suspects as well which sort of surprised and delighted me as I’ve added a number of her works to my To Be Listened to list, including The House of Discarded Dreams which sounds really fascinating in the manner of Gaiman’s Sandman.
(9) COMICS SECTION.
JumpStart involves some surprisingly early memories of Isaac Asimov.
Herman shows aliens getting their own first encounter.
(10) BEWARE THE BLINDING LIGHT. [Item by Mike Kennedy.] No, not the blinding light of atomic explosions in the Oppenheimer biopic, but the blinding light of full nudity, at least one sex scene, and an on-again-off-again love triangle. All involving Oppenheimer himself.
Christopher Nolan movies do love — sometimes. Memento and Inception feature dead wives who haunt their heroes. There’s a tragic love triangle in The Dark Knight and a tragic love quadrangle in The Prestige. That’s it! What he doesn’t do is sex and/or nudity. Oppenheimer, his forthcoming film about the “father of the atomic bomb,” is going to change that. If you thought the film’s R-rating — Nolan’s first since 2002’s Insomnia — was due to graphic A-bomb carnage…well, you may be right about that. But it’s also because there’s apparently a fair amount of kink….
… This celebrated span, in short, will do an immeasurable amount of good for an incredible number of critters that both roam and home in the area.
That important education? It comes courtesy of the National Wildlife Federation’s #SaveLACougers campaign, which is shedding an informative light on the upcoming Wallis Annenberg Wildlife Crossing via several docent-helmed tours at the Agoura Hills site.
The under-construction skyway, or “wildway” if you prefer, will allow animals to move safely above the 101 freeway, significantly (and safely) expanding their frontiers.
And while the Wallis Annenberg Wildlife Crossing, which broke ground in the spring of 2022, still has a ways to go before the jubilant ribbon-cutting, supporters of urban wildlife can take a look at the progress now and find out more about the bridge’s development and progress….
After 2,000 years under thesea, three flat, misshapen pieces of bronze at the National Archaeological Museum in Athens are all shades of green, from emerald to forest. From a distance, they look like rocks with patches of mold. Get closer, though, and the sight is stunning. Crammed inside, obscured by corrosion, are traces of technology that appear utterly modern: gears with neat triangular teeth (just like the inside of a clock) and a ring divided into degrees (like the protractor you used in school). Nothing else like this has ever been discovered from antiquity. Nothing as sophisticated, or even close, appears again for more than a thousand years.
For decades after divers retrieved these scraps from the Antikythera wreck from 1900 to 1901, scholars were unable to make sense of them. X-ray imaging in the 1970s and 1990s revealed that the device must have replicated the motions of the heavens. Holding it in your hands, you could track the paths of the Sun, Moon and planets with impressive accuracy. One investigator dubbed it “an ancient Greek computer.” But the X-ray images were difficult to interpret, so mainstream historians ignored the artifact even as it was championed by fringe writers such as Erich von Däniken, who claimed it came from an alien spaceship. It wasn’t until 2006 that the Antikythera mechanism captured broader attention. That year, Mike Edmunds of Cardiff University in Wales and his team published CT scans of the fragments, revealing more details of the inner workings, as well as hidden inscriptions—and triggering a burst of scholarly research….
After a devastating battle against a diabolical turtle, a team of five avengers – known as the TOBACCO FORCE – is sent on a mandatory retreat to strengthen their decaying group cohesion. Their break goes wonderfully well until Lézardin, Emperor of Evil, decides to annihilate planet Earth… But will they repair their relationship in time for a final epic battle?
[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day SocialInjusticeWorrier.]
(1) SHEILA GILBERT RETIRES. DAW editor Sheila Gilbert retired on June 30. Author Julie Czerneda paid tribute on Facebook.
After 53 years in publishing, my long-time fiction editor, Sheila Gilbert, retires today. We are family and always will be. As an author, what I’ve been able to put forth in story owes everything to Sheila. For her support, her “sure, write that” enthusiam no matter what I came up with, and above all, her many many insightful, invaluable comments and catches to make everything better.
As a friend, I look forward visits and adventures–and to hearing what she has to say about the next book. As a fan. Who could ask for more? Please join me in congratulating someone who has filled our shelves and hearts–and can finally ignore deadlines!!!
Sheila Gilbert and Betsy Wollheim at the 1995 World SF Convention. Photo by and (c) Andrew Porter.
(2) SO MAYBE KEEPING EPH WAS A GOOD IDEA. Ersatz Culture has been studying the withdrawn list of 2023 Hugo finalists and comparing it with the recommendations Science Fiction World posted in Chinese social media in April.
…by my reckoning 14 of the "recommendations" on that list also made it on the "leak" list. Not all of the "recommendations" were on the "leaked" finalist list, and not all categories had recommendations, but in a few categories, all the recs got through
Yao Haijun and Yan Huan (editor long form) Wang Xu (short form) Zhao Enzhe (pro artist) Terry Pratchett: A Life in Footnotes and Art of Ghost of Tsushima (best related) Cyberpunk 2077 and Dune GN (graphic/comic) Chinese SF Academic Express (fanzine)
As I said, I only came across this earlier today, and was hoping to have a few more days to properly research it, but as the official announcement is tomorrow, I thought it might be better to post this now.
(3) SAVOYARDLY. [Item by Daniel Dern.] I saw Indiana Jones And The Dial Of Destiny last night (first time in a movie theater since the beginning of Covid) with a friend, and, when Sallah began singing from G&S/Pinafore’s “He Is An Englishman” I quietly noted to him “Gilbert and Sullivan, Pinafore” (just in case he wasn’t familiar enough to spot it). He said “There’s a G&S song bit in every Indiana Jones movie.”
Ten or twenty minutes of web search later, I’m not yet convinced.
I’m finding cites for three G&S songs in only two Indiana Jones flicks — Raiders, and Dial — all from HMS Pinafore, all, I think, sung by Sallah. (No, I’m not prepared to rewatch the other three, just for this.)
Here’s what I found (including the usual lagniappe).
Songs that search hits confirm:
“He Is An Englishman”
“I Am The Monarch of The Sea”
“A British Tar”
(One search hit mistakenly ID’s the lyric from “Englishman” as part of “British Tar”)
Here’s some links (not finding one for Dial/Destiny):
And here’s performances/fragments, including “Englishman” from not just Star Trek but also (in the same link) The Simpsons, and West Wing along with Batman (Adam West – from the 1960’s TV series) singing “I’m Called Little Buttercup”; Animaniacs; Family Guy; Car 54; some Alan Sherman parodies: “H.M.S. Pinafore – The Gilbert & Sullivan Very Light Opera Company”.
(It feels like the above compilation link’s been in an item before… if nothing else, I recommend the Simpsons, West Wing, and Car 54 ones there.)
(4) MEDICAL UPDATE. Ursula Vernon tells her news like nobody else.
*after several minutes where we wade through her desire to be professional and my desire to be me*
ME: So it’s some kinda random lump? DR: Yes. But there’s a LOT of things that can be a lump on your thyroid. Just…so many things. ME: Well, my thyroid always has been wonky…
(I mean, hell, I’m already gonna get chemo, what’s another one more or less?)
ME: How worried should I be? DR: I wouldn’t worry til after the ultrasound. ME: Wasn’t worried about Cancer-Bob until after the ultrasound either… DR: Pardon? ME: Nothing.
DR: But only for the first day or two after treatment. ME: *Keanu Voice* Whoa. DR: I know how you feel, I was worried that it wouldn’t be safe for me to kiss my kids. ME: (thinking) You are so much more wholesome a person than I am.
ME: Okay, so if he doesn’t wear a condom, what’s going to happen to his— DR: THESE ARE REALLY QUESTIONS FOR THE CHEMO EDUCATION COURSE ME: Right. *brief pause* DR: I bought one of your hamster books to read with my daughter. ME: …I hope she likes it.
(5) FLYNN UPDATE. Meantime, Michael Flynn’s daughter told Facebook readers that Flynn “is on a step-down unit, meaning on a regular medical floor and out of ICU.”
(6) TAFF NEWS. The latest Trans-Atlantic Fan Fund newsletter has 2023 delegate Sandra Bond’s travel plans and other information: TAFFest 3. Says Bond:
…Since being announced as the delegate-elect in April, I have been privileged to receive invitations and offers of hospitality from all over North America. It very soon became clear that I wasn’t going to be able to accept anything like all of them; well, perhaps if I spent a year over there, but I’m not sure who would object more violently to that, the TAFF administrators or the immigration officials.
I know, I know – we should all have this problem.
In considering my route, I’ve worked on the basis that TAFF is in part a reward and in part an ambassadorship; in other words, that I may feel at liberty to do a certain amount of sightseeing, but that I also have a duty to make myself available at the conventions I’ll be attending, and at any other fannish events at which I may find myself. Don’t feel bad for me – this will be a pleasure as much as a duty….
Felicia Day is launching a new science-fiction comedy audio series titled Third Eye, featuring renowned author Neil Gaiman as The Narrator.
Created in partnership with Audible Inc., Third Eye promises an abundance of iconic geek and gaming culture, with Easter eggs cleverly woven throughout the series. Written by Day, the story follows Laurel, a wizard who once failed in her battle against Tybus The Terrible (Christopher Judge) and is still grappling with the repercussions a decade later, despite being a “Chosen One.” Along the way, Laurel uncovers shocking secrets while encountering old adversaries.
Day stars as Laurel, a heroine forced to overcome her tattered reputation and self-loathing to save her friends.
Despite its dark premise, Third Eye will take listeners on an entertaining comedic journey with a host of unique characters like Kate Chen (Lily Pichu), a quirky teenager determined to learn about the supernatural world. Frank Fletcher (Sean Astin) is a cranky, stubborn vampire. Robigus (Wil Wheaton) is the local San Francisco enforcer for Tybus and a constant thorn in the side for Laurel. Sybil (London Hughes) is an exiled Faerie princess in her 20s who is best described as a hot mess. Neil Gaiman headlines the all-star cast as The Narrator….
(8) THE STARS WILL COME OUT FOR BRADBURY. The Library of America is hosting a free online panel, “The Enduring Genius of Ray Bradbury”, on Wednesday, July 19 at 6:00 p.m. Eastern. Register at the link.
In The Martian Chronicles, The Illustrated Man, Fahrenheit 451, and other visionary works melding science fiction, horror, fantasy, and high literature, Ray Bradbury electrified readers and inspired generations of genre-bending younger writers. Acclaimed authors Connie Willis and Kelly Link join LOA Bradbury editorJonathan R. Eller and SF expert Gary K. Wolfe for a conversation about this American original’s towering legacy.
There will be a brief Q&A at the end of the program; you will be able to type a question and submit it to the event moderator.
(9) MEMORY LANE.
2010 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Cherie Priest is one of those writers that everyone really should read at lest once. When she was living in Chattanooga, she created her Eden Moore series which is set there and strongly recommend. The final of the three novels, Not Flesh Nor Feathers, was nominated for an Endeavour Award.
The other series that I really like of her is Clockwork Century Universe. Steampunk at its very, very best. Mike decided the third book of the seven that were done, Dreadnought, would be our Beginning.
It was published by Tor thirteen years ago, and it would win the Endeavour Award which given to a genre book written by a Pacific Northwest author or authors. The cover art is by Jon Foster.
And now for the Beginning…
Down in the laundry room with the bloody-wet floors and the ceiling-high stacks of sheets, wraps, and blankets, Vinita Lynch was elbows-deep in a vat full of dirty pillowcases because she’d promised—she’d sworn on her mother’s life—that she’d find a certain windup pocket watch belonging to Private Hugh Morton before the device was plunged into a tub of simmering soapy water and surely destroyed for good.
Why the private had stashed it in a pillowcase wasn’t much of a mystery: even in an upstanding place like the Robertson Hospital, small and shiny valuables went missing from personal stashes with unsettling regularity. And him forgetting about it was no great leap either: the shot he took in the forehead had been a lucky one because he’d survived it, but it left him addled at times—and this morning at breakfast had been one of those times. At the first bell announcing morning food, against the strict orders of Captain Sally he’d sat up and bolted into the mess hall, which existed only in that bullet-buffeted brain of his. In the time it took for him to be captured and redirected to his cot, where the meal would come to him, thank you very kindly, if only he’d be patient enough to receive it, the junior nursing staff had come through and stripped the bedding of all and sundry.
None of them had noticed the watch, but it would’ve been easy to miss.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 5, 1941 — Garry Kilworth, 82. The Ragthorn, a novella co-authored with Robert Holdstock, won the World Fantasy Award. It’s an excellent read and it makes me wish I’d read other fiction by him. Anyone familiar with his work?
Born July 5, 1946 — Joyce Ballou Gregorian Hampshire. A fascinating woman who was way too short-lived due to a long illness with cancer. She was an SF writer, an expert on Oriental rugs, and a horse breeder. She wrote the Tredana trilogy, an alternative world fantasy. She collaborated with her father, Arthur T. Gregorian, and her nephew, Douglas Christian, on a book on Armenian oriental rugs. (Died 1991.)
Born July 5, 1948 — Nancy Springer, 75. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos. She won an Otherwise Award for her Larque on the Wing novel, and her latest, The Oddling Prince, came out several years ago on Tachyon.
Born July 5, 1957 — Jody Lynn Nye, 66. She’s best known for collaborating with Robert Asprin on the ever so excellent MythAdventures series. Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. She’s got a space opera series, The Imperium, out which sounds intriguing. Her latest two novels are both written with Travis Taylor, Moon Beam and Moon Tracks
Born July 5, 1962 — Marc Gascoigne, 61. Winner of the World Fantasy Special Award—Professional for his Angry Robot press, and later he won the British Fantasy Award in the category Best Independent Press, again for Angry Robot. If you’re a gamer, you’ll be impressed by knowing that he co-wrote Games Workshop’s original Judge Dredd RPG, and wrote the original Shadowrun source book.
Born July 5, 1963 — Alma Alexander, 60. Author of three SF series including the Changer of Days which is rather good. I’m including her here for her AbductiCon novel which is is set in a Con and involves both what goes on at that Con and the aliens that are involved.
Born July 5, 1964 — Ronald D. Moore, 59. Screenwriter and producer who’s best remembered for his work on Star Trek: The Next Generation where he fleshed out the Klingon race and culture, on the rebooted Battlestar Galactica, and Outlander. He’s the creator and writer of For All Mankind. He was one of the folks who won a Hugo at Intersection for the Next Generation’s “All Good Things…” and among the group nominated for one at LoneStarCon 2 for First Contact. His latest Hugo was won at Interaction for Battlestar Galactica’s “33”.
Even though Hall H might be found a bit lacking, this year’s San Diego Comic-Con (SDCC) still has a lot to offer inside and outside the San Diego Convention Center. And when we’re talking about animation, we’re learning that Warner Bros. Discovery’s Warner Bros. Entertainment is looking to make an impact in some very big ways. So what can folks look forward to? How do screenings, Q&A sessions, and more sound? We thought you’d approve. As for what you should be keeping an eye out for, there are going to be four panels focusing on the following animated films: Adult Swim’s The Venture Bros.: Radiant is the Blood of the Baboon Heart, Metalocalypse: Army of the Doomstar, DC’s Justice League: Warworld, and Babylon 5: The Road Home….
(13) EYES ON STREAMING. Here are JustWatch’s top 10 movie and TV streaming lists for June 2023.
FAA preliminary approval, but not yet road approved by NHTSA
When it is road approved, it’ll be a “Low Speed Vehicle” limited to 25 mph
$300,000
See linked article for video (all of which may be digitally rendered)
Linked article also has a bunch of pics (again, likely digitally rendered)
Under experimental status, the first flying car has officially been cleared for take off.
This week, Alef Aeronautics revealed its flying car “Model A” was granted legal permission from the Federal Aviation Administration to test run the vehicle on the road and in the sky − a move needed before it can be released to the public.
Alef is the first company to receive a Special Airworthiness Certification from the FAA, the company said in a news release. The certification limits the locations and purpose for which the vehicle is allowed to fly.
… The company, founded in 2015 by Dukhovny, Konstantin Kisly, Pavel Markin, Oleg Petrov in Palo Alto, California, has been test driving and flying the car’s prototype since 2019.
A robot has become the first of its kind to conduct an orchestra in South Korea, in a high-profile concert hall debut last week.
Standing at 1.8 metres tall, the EveR 6 robot led the National Orchestra of Korea in a sold-out performance at the National Theatre of Korea in Seoul on Friday 30 June.
The legless automaton was developed by the Korean Institute of Industrial Technology over a year ago, to test whether ‘robots could replace conductors’. Equipped with two arms housing ‘wrist’ and ‘elbow’ joints, the machine is able to delicately replicate the baton movements of the human maestro.
In a video advertisement for last Friday’s performance, a senior researcher at the Korean Institute of Industrial Technology, Dong-wook Lee, explained: “We got involved in this project to see how far robots can go in more creative fields like the arts, and what the challenges are.”…
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, David Langford, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The Sleeper and the Spindle, by Neil Gaiman (author), Chris Riddell (illustrator)
HarperCollins, September 2015
Review by Lis Carey: There are brave, hardy, loyal dwarves. There’s a beautiful young queen, never identified as Snow White, but there are at least suggestions that her backstory matches that one.
There’s a neighboring kingdom, on the other side of the mountains, where the dwarves, seeking a suitable gift for the queen’s wedding, find instead a strange sleep spreading across the whole kingdom. They also here of a princess cursed by an evil witch, sleeping in a castle surrounded by thorns, which no prince, no knight, no hero has ever penetrated, to save her.
Realizing there is an evil magic at work here, they head back through the mountains (yes, through, not over) to their queen.
The queen is about to be married, in just a day. She isn’t looking forward to it. Not that her fiancé is objectionable, but it means all the major choices of her life are made. No more adventures. When she hears the dwarves’ report, she delays the wedding, tells her first minister that he’ll be responsible for the kingdom in her absence. She then prepares her weapons, supplies, clothing suitable for an extended journey on horseback, and rides off with her dwarves.
This is not just a gender-flip of the hero; we also get a different view of the witch, her motive, and the princess herself. We also see the queen and her dwarves having to combat the curse themselves, not just ride through it because this is the right hero at the right time.
Riddell’s black and white art is beautiful, and gives more life to Gaiman’s storytelling, and twist on the Sleeping Beauty story. I thoroughly enjoyed this.
(1) NAILED TO THE INTERNET DOOR. Finding that professional organizations aren’t moving quickly enough, Clarkesworld editor Neil Clarke has drafted his own “AI statement”.
I’ve complained that various publishing industry groups have been slow to respond to recent developments in AI, like LLMs. Over the last week, I’ve been tinkering with a series of “belief” statements that other industry folks could sign onto….
Here are five of his 22 credos:
Where We Stand on AI in Publishing
We believe that AI technologies will likely create significant breakthroughs in a wide range of fields, but that those gains should be earned through the ethical use and acquisition of data.
We believe that “fair use” exceptions with regards to authors’, artists’, translators’, and narrators’ creative output should not apply to the training of AI technologies, such as LLMs, and that explicit consent to use those works should be required.
We believe that the increased speed of progress achieved by acquiring AI training data without consent is not an adequate or legitimate excuse to continue employing those practices.
We believe that AI technologies also have the potential to create significant harm and that to help mitigate some of that damage, the companies producing these tools should be required to provide easily-available, inexpensive (or subsidized), and reliable detection tools.
We believe that detection and detection-avoidance will be locked in a never-ending struggle similar to that seen in computer virus and anti-virus development, but that it is critically important that detection not continue to be downplayed…
Star Wars actor Mark Hamill has lent his voice to a Ukrainian air raid app to warn citizens of incoming attacks during the ongoing conflict with Russia. “Attention. Air raid alert. Proceed to the nearest shelter,” says Hamill over Air Alert, an app linked to Ukraine’s air defense system. When the threat has passed, Hamill signs off with “The alert is over. May the Force be with you.”
Invoking his beloved Luke Skywalker character, some of the lines contain recognizable quotes from the Star Wars franchise like “Don’t be careless. Your overconfidence is your weakness.” You can hear a few lines in the following video starting around 56 seconds in:
The reason I remain optimistic about Ukraine's corruption-free future. And a quick update, interrupted by an air raid alert (featuring Mark Hamill) ???????????? pic.twitter.com/DB2fnrzTPo
(3) SIGNS OF THE TIMES. Melinda Snodgrass, George R.R. Martin and Neil Gaiman joined the writers strike picket line in Santa Fe earlier this week. Snodgrass shared photos on Facebook.
Walked the picket line for six hours today. Guys, we have to win this one, but what a day I met David Seidler who wrote The King’s Speech. I love that movie, I found it so deeply moving.
Of course George RR was there, and Neil Gaiman joined us as well. We had playwrights and directors, actors supporting us.
…We are seeking expressions of interest from Australian residents who would like to judge for the 2022 Aurealis Awards. Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts. The only qualification necessary is a demonstrated knowledge of and interest in their chosen category.
It is vital that judges be able to work as part of a team and meet stringent deadlines, including timely recording of scores and comments for each entry (in a confidential shared file), and responding to panel messages and discussions. Most of the panel discussions are conducted via email, with some panels choosing to have a synchronous online meeting to make final decisions….
(5) DUBLIN LITERARY AWARD. The 2023 winner of the Dublin Literary Award was announced on May 25. It is a non-genre work, Marzahn, Mon Amour by Katja Oskamp, translated from the original German by Jo Heinrich.
Since 1996, the Dublin Literary Award has honoured excellence in world literature. Presented annually, the Award is one of the most significant literature prizes in the world and unique in that the books are nominated by libraries from cities around the world. The award is worth €100,000 for a single work of international fiction written or a work of fiction translated into English.
1 Where the Wild Things Are (Maurice Sendak, 1963) 2 Alice’s Adventures in Wonderland (Lewis Carroll, 1865) 3 Pippi Longstocking (Astrid Lindgren, 1945) 4 The Little Prince (Antoine de Saint-Exupéry, 1943) 5 The Hobbit (JRR Tolkien, 1937) 6 Northern Lights (Philip Pullman, 1995) 7 The Lion, the Witch and the Wardrobe (CS Lewis, 1950) 8 Winnie-the-Pooh (AA Milne and EH Shepard, 1926) 9 Charlotte’s Web (EB White and Garth Williams, 1952) 10 Matilda (Roald Dahl and Quentin Blake, 1988)
I’ve only read 26 – til now I thought I was a literate child!
(7) MICHAEL BUTTERWORTH’S “CIRCULARISATIONS”. Space Cowboy Books and Art Queen Gallery will display works by Michael Butterworth from June through July 2023, with an opening reception on June 17 from 6:30-8:30 p.m. Register for free here.
In 1969 U.K. poet, author, editor, publisher, and bookseller Michael Butterworth published his “Circularisations” in New Worlds Magazine, a new form of graphic poetry designed to create a new way of reading. These literary experiments will be on display at the Art Queen Gallery in Joshua Tree, CA through June and July 2023, with an opening reception on June 17th. Selections of Butterworth’s poetry will be read during live musical performances from Phog Masheeen and Field Collapse, followed by a special screening of Clara Casian’s minidocumentary “House on the Borderland”, a film about Butterworth and his work.
The exhibit follows the release of Butterworth’s Complete Poems 1965-2020 from Space Cowboy Books, and the accompanying musical audiobook, Selected Poems 1965-2020. Books can be found at https://bookshop.org/a/197/9781732825772
(8) MEMORY LANE.
2012 – [Compiled by Cat Eldridge.]
Jay Lake’s The Stars Do Not Lie novella is the source of our Beginning this Scroll. It was first published in Asimov’s Science Fiction in the October-November 2012 edition. It would be nominated at the LoneStarCon 3 for a Hugo. It was nominated for a Nebula as well.
I first encountered him in his work that he did for the John Scalzi-created METAtropolis series. “The Bull Dancers” is one of his stories there and it’s quite excellent. And his steampunkish Mainspring series is well-worth reading.
Need I say I died way too young?
And now that Beginning…
In the beginnings, the Increate did reach down into the world and where They laid Their hand was all life touched and blossomed and brought forth from water, fire, earth and air. In eight gardens were the Increate’s children raised, each to have dominion over one of the eight points of the Earth. The Increate gave to men Their will, Their word, and Their love. These we Their children have carried forward into the opening of the world down all the years of men since those first days.
— Librum Vita,
Beginnings 1: 1-4;
being the Book of Life and word entire of the Increate
Morgan Abutti; B.Sc. Bio.; M.Sc. Arch.; Ph.D. Astr. & Nat, Sci.; 4th degree Thalassocrete; Member, Planetary Society; and Associate Fellow of the New Garaden Institute, stared at the map that covered the interior wall of his tiny office in the Institute’s substantial brownstone in downtown Highpassage. The new electricks were still being installed by brawny, nimble-fingered men of crafty purpose who often smelled a bit of smoke and burnt cloth. Thus his view was dominated by a flickering quality of light that would have done justice to a smoldering hearth, or a wandering planet low in the pre-dawn sky. The gaslamp men were complaining of the innovations, demonstrating under Lateran banners each morning down by the Thalassojustity Palace in their unruly droves.
He despised the rudeness of the laboring classes. Almost to a man, they were palefaced fools who expected something for nothing, as if simply picking up a wrench could grant a man worth.
Turning his attentions away from the larger issues of political economy and surplus value, he focused once more on history.
Or religion.
Honestly, Morgan was never quite certain of the difference any more. Judging from the notes and diagrams limned up and down the side of the wide rosewood panel in their charmingly archaic style, the map had been painted about a century earlier for some long-dead theohistoriographer. The Eight Gardens of the Increate were called out in tiny citrons that somehow had survived the intervening years without being looted by hungry servants or thirsty undergraduates. Morgan traced his hand over the map, fingers sliding across the pitted patina of varnish and oil soap marking the attentions of generations of charwomen.
Eufrat.
Quathlamba.
Ganj. Manju.
Wy’east.
Tunsa.
Antiskuna.
Cycladia.
The homes of man. Archaeological science was clear enough. Thanks to the work of natural scientists of the past century, so was the ethnography. The Increate had placed the human race upon this Earth. That was absolutely clear. Just as the priests of the Lateran had always taught, nothing of humanity was older than the villages of the Gardens of the Increate.
Nothing.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 28, 1908 — Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. And then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. Fleming, a heavy smoker and drinker his entire adult life, died of a heart attack, his second in three years. (Died 1964.)
Born May 28, 1919 — Don Day. A fan active in the 1940s and ’50s In Portland, Oregon, and a member of the local club. He was editor of The Fanscient (and of its parody, Fan-Scent), and perhaps the greatest of the early bibliographers of sf. He published bibliographies in The Fanscient and also published the Day Index, the Index to the Science Fiction Magazines 1926-1950. He ran Perri Press, a small press which produced The Fanscient and the Index of Science Fiction Magazines 1926-1950. He chaired NorWesCon, the 1950 Worldcon, after the resignation of Jack de Courcy. (Died 1978.)
Born May 28, 1929 — Shane Rimmer. A Canadian actor and voice actor, best remembered for being the voice of Scott Tracy in puppet based Thunderbirds during the Sixties. Less known was that he was in Dr. Strangelove as Captain “Ace” Owens, and Diamonds Are Forever and Live and Let Die in uncredited roles. He even shows up in Star Wars as a Rebel Fighter Technician, again uncredited. (Died 2019.)
Born May 28, 1951 — Sherwood Smith, 72. YA writer best known for her Wren series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
Born May 28, 1954 — Betsy Mitchell, 69. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties.
Born May 28, 1977 — Ursula Vernon aka T. Kingfisher, 46. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is creator of “The Biting Pear of Salamanca” art which became an internet meme in the form of the LOL WUT pear. She also won Hugos for her “Tomato Thief” novelette and “Metal Like Blood in the Dark” short story, and a Nebula for her short story “Jackalope Wives”. As T. Kingfisher she has won three Dragon Awards, one of them for A Wizard’s Guide to Defensive Baking, which also won the Andre Norton Award and the Lodestone Award.
Born May 28, 1984 — Max Gladstone, 39. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. It also won an Aurora, BSFA, Ignyte, Locus and a Nebula.
Born May 28, 1985 — Carey Mulligan, 38. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.)
(11) JEOPARDY! [Item by David Goldfarb.] On Friday’s episode of Jeopardy!, the Double Jeopardy round had a category called “You Just Made That Stuff Up”, about fictional substances. The first-level clue was a non-SFF one involving Monty Python, but the rest involved SFF:
$800: Kyber crystals, which are attuned to the Force, glow either blue or green & power these weapons
Alice Ciciora associated these with lightsabers.
$1200: First mentioned in a 1943 “Adventures of Superman” radio show, when it debuted in the comics in 1949, it was red, not green
Returning champion Jesse Chin got this one.
$1600: It’s the very hard-to-get substance that causes humans to set up shop on Pandora
This was a Daily Double, and Jesse got $4000 from responding “What is unobtainium?”
$2000: This super-bouncy stuff from Disney’s much-loved 1961 “The Absent-Minded Professor” was the title of a 1997 remake
Alice knew it was Flubber.
(12) ANIME ANALYSIS. In episode 8 of the Anime Explorations podcast, they’re covering speculative fiction anime with the first season of JoJo’s Bizarre Adventure, covering the Phantom Blood and Battle Tendency arcs of the story: “Phantom Blood + Battle Tendency”.
With the “Star Wars” universe serving as the DNA for Disney+’s “Andor,” costume designer Michael Wilkinson could honor a legacy while leaning into a new world.
For Diego Luna’s Cassian, Wilkinson draped him in warm, earthy tones with fabrics that were textural.
When audiences first meet him, he’s in “beautiful oilcloth from old leather jackets with iconic details such as a high neckline and a hood.” By the end, the silhouettes become leaner and streamlined.
“He has a beautiful tailored long-length linen coat that we made for him that moves beautifully for all the action sequences. It’s a grown-up silhouette.”To outfit Genevieve O’Reilly’s Mon Mothma, he looked at prominent people, including leading senators and United Nations members, keeping power dressing in mind. “I imagined to what extent the futuristic off-planet version of that would look like,” he says. “I leaned into the pale neutral tones.”
Her blue senate robe with a gold lining is “extremely architectural and quite austere,” Wilkinson says. “With her, there was a lot of adventurous tailoring and an exploration of silhouettes and layering that we did in her costumes, which reflect her switched-on sophisticated sense of aesthetics.”
Clothing for Mon Mothma’s more private moments “where the mask slips” hint at another side of her personality. Wilkinson relaxed her silhouette when Tay Kolma (Ben Miles) visits, for example, giving her outfit a flowing look….
(14) WORSE THAN INAPPOSITE. [Item by Mike Kennedy.] Another author used ChatGPT to beef up their prose a bit. The problem was, said author was an attorney and what they were writing was a legal brief. None of the cases cited by ChatGPT existed. I believe the legal term for this is advocatus stultus es.
… It all starts with the case in question, Mata v. Avianca. According to the New York Times, an Avianca customer named Roberto Mata was suing the airline after a serving cart injured his knee during a flight. Avianca attempted to get a judge to dismiss the case. In response, Mata’s lawyers objected and submitted a brief filled with a slew of similar court decisions in the past. And that’s where ChatGPT came in.
Schwartz, Mata’s lawyer who filed the case in state court and then provided legal research once it was transferred to Manhattan federal court, said he used OpenAI’s popular chatbot in order to “supplement” his own findings.
ChatGPT provided Schwartz with multiple names of similar cases: Varghese v. China Southern Airlines, Shaboon v. Egyptair, Petersen v. Iran Air, Martinez v. Delta Airlines, Estate of Durden v. KLM Royal Dutch Airlines, and Miller v. United Airlines.
The problem? ChatGPT completely made up all those cases. They do not exist.
Avianca’s legal team and the judge assigned to this case soon realized they could not locate any of these court decisions. This led to Schwartz explaining what happened in an affidavit on Thursday. The lawyer had referred to ChatGPT for help with his filing.
According to Schwartz, he was “unaware of the possibility that its content could be false.” The lawyer even provided screenshots to the judge of his interactions with ChatGPT, asking the AI chatbot if one of the cases were real. ChatGPT responded that it was. It even confirmed that the cases could be found in “reputable legal databases.” Again, none of them could be found because the cases were all created by the chatbot….
A software glitch caused a Japanese robotic spacecraft to misjudge its altitude as it attempted to land on the moon last month leading to its crash, an investigation has revealed.
Ispace of Japan said in a news conference on Friday that it had finished its analysis of what went wrong during the landing attempt on April 25. The Hakuto-R Mission 1 lander completed its planned landing sequence, slowing to a speed of about 2 miles per hour. But it was still about three miles above the surface. After exhausting its fuel, the spacecraft plunged to its destruction, hitting the Atlas crater at more than 200 miles per hour.
The lander was to be the first private spacecraft to successfully set down on the surface of the moon. It is part of a trend toward private companies, not just governmental space agencies, taking a leading role in space exploration….
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Gary Farber, Jennifer Hawthorne, Alexander Case, Dabid Goldfarb, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
[When] the credits rolled, Cannes mustered a muted standing ovation for Indy’s latest adventure. Yes, the applause lasted for five minutes, but by Cannes standards, that’s more of a polite formality.
But regardless of how the crowd felt about the film, the biggest cheers of the night were reserved for Ford. The actor arrived on the carpet with wife Calista Flockhart, and an announcer introduced the duo as “Indiana Jones and Calista Flockhart.” Ford received a true movie’s star welcome, as thousands of fans screamed his name and the audience in the Palais jumped up to welcome him as he set foot inside the theater.
As the night began, Ford was summoned to the stage by Cannes festival director Thierry Frémaux to receive a surprise Palme d’Or after a reel of his greatest roles — from “Star Wars” to “The Fugitive” — played onscreen.
“I’m very moved by this,” Ford said. “They say when you’re about to die, you see your life flash before your eyes, and I just saw my life flash before my eyes. A great part of my life, but not all of my life. My life has been enabled by my lovely wife, who has supported my passion and my dreams, and I’m grateful.”…
(2) DON’T TOUCH THAT DIAL. And other than that, Mrs. Lincoln, how was the play? “The ‘Indiana Jones 5’ Reviews Are In” and Dark Horizons has a roundup of critics reactions to Indiana Jones and the Dial of Destiny.
Here’s a sampling of reviews thus far:
“Exciting and excessive in equal measure, so over-the-top that an audience needs to throw up its collective hands and suspend disbelief… There are some beautifully affecting moments. If this is the final Indiana Jones movie, as it most likely will be, it’s nice to see that they stuck the landing. ” – Steve Pond, The Wrap
“However much action swirls on the surface of this kind of film, its foundations are built of reassuring nostalgia…[Mangold] is never anything but brisk… it moves along in the frame-by-comic book frame way that ‘Raiders’ did, but with more international destinations.” – Stephanie Bunbury, Deadline
“The final reel may take a serious flight of fantasy, but unlike those aliens in Kingdom of the Crystal Skull, it somehow feels an apt journey for Indy. Perhaps the film could’ve been more daring – it feels fairly safe – but fans will leave cinemas feeling like their old hero had one final great outing in him” – James Mottram, Radio Times
“Nobody with a brain in their heads will compare Dial of Destiny favourably to the first three films. There is a sense throughout of a project struggling to stand beneath the weight of its history. But Mangold… knows how to keep his foot on the pedal… Think of it as one of those halfway decent David Bowie albums from the 1990s” – Donald Clarke, The Irish Times
(3) ROTHFUSS NOVELLA ANNOUNCED. Patrick Rothfuss returns to the universe he conjured in the Kingkiller Chronicle with The Narrow Road Between Desires, an expansion and reimagining of his story The Lightning Tree, illustrated by Nate Taylor. Announced by Rothfuss via Twitch and his blog, The Narrow Road Between Desires marks Rothfuss’s first new release since The Slow Regard of Silent Things in 2014.
A DAW press release says, “The Narrow Road Between Desires is Bast’s story, told over the course of a single day as the charming fae schemes and sneaks, and dances into trouble and back out again with uncanny grace.” It will be released in hardcover on November 14, 2023 from DAW Books and Gollancz, of the Orion Publishing Group.
Rothfuss discussed the news release at length on his blog: “New Novella – An announcement in Three Parts”.
Ever since book two was delayed more than a decade ago, I’ve promised y’all that when a new book is going to be coming out, you’ll hear the news from me first.
The reason for this is a little complicated. But it boils down to this:
When you create something people like, they want to know when you’re going to make a similar thing so they can enjoy that too. If they like it a *lot* then they *REALLY* want to know when you’re doing it again.
If the thing you create is say… a batch of cookies for your kids, this isn’t a problem. They want more cookies, so you can let them know the cookie release schedule. If they forget, you can remind them. If the schedule changes, you explain why.
Even if your kids want more cookies than you can produce, and they complain, or whine, or nag at you, the whole thing is still manageable. (Though as anyone who has dealt with kids can attest to, dealing with over-insistent kids can be rough.) But it works because the number of kids is (statistically speaking) only about 2-3. This makes clear and consistent communication possible. Since you’re all on the same page, everyone gets to anticipate cookies together.
All of this goes out the window if, say, instead of making cookies, you make a book. And instead of a 2-3 kids, you end up with several million readers.
When I was first published. I thought communicating with folks online would be easy. I post an update, everyone reads it. Easy peasy. Right?
It only took a couple years to realize it doesn’t work that way. I can spend 10 hours writing a blog about how my Dad’s in hospice, explaining how the whole thing’s upheaved my life, been hard on my boys, and utterly destroyed any semblance of normalcy in my world…. Then later that day still get half a dozen people pinging me on different platforms asking me why it’s been years since my last book was out.
I can post updates on my blog, on twitter, on facebook, on Twitch, but that doesn’t mean people will read them. What’s more, all it takes is a rumor on a reddit thread to spread bad information and make people think there’s a new book coming out. If amazon’s ordering system auto-fills a publication date for Doors of Stone, people think it’s real, then get pissed when no book comes out on that not-real timeline.
It’s something that I still don’t know how to come to grips with. And the only solution I do have is the promise I made years back: That when there *is* a publication date for DOS, or I put out a different book, you’ll hear about it directly from me first. And no matter where else I make the announcement. (Like today on Twitch, for example.) I’ll also post about it here on the blog.
It’s not a perfect solution, but this way, if people hear a rumor, they can at least come over here and check out whether or not it’s real.
When I first promised that, I thought it would be easy. But at this point, I think we all know that I can be terribly naive….
…When I told Betsy I wanted to be first to break news like this to y’all, she agreed. And since then both Betsy and the other lovely folks on the publishing team have gone along with it, despite the fact that it makes things harder for them.
They have to do extra work in order to keep things secret, and it ties their hands a little. Believe it or not, promoting and marketing a book is way harder when nobody knows a book is in the works. Despite all this, we’ve all been keeping news about the novella secret, and the lovely folks at DAW have done that extra work so that I can make the announcement here first.
There are some downsides, though. If I’m going to be the first to break the news, I have to do so fairly early in the publication process so that marketing and PR people can do important things like… talk to bookstores and see if any of them would be interested in, y’know, putting it on the shelves so people can buy it.
The bad news is that since this is early in the process, it means the book is still in development. I’m still tweaking the text…
Disney is permanently docking its Galactic Starcruiser hotel, it announced just 15 months after the massive project first opened.
“Star Wars: Galactic Starcruiser is one of our most creative projects ever and has been praised by our guests and recognized for setting a new bar for innovation and immersive entertainment,” Disney said in a statement shared with PEOPLE. “This premium, boutique experience gave us the opportunity to try new things on a smaller scale of 100 rooms, and as we prepare for its final voyage, we will take what we’ve learned to create future experiences that can reach more of our guests and fans.”
Its final voyage will take place in September.
Disney will be contacting guests who previously booked a stay for after Sept. 30 to modify their reservations. New bookings are currently paused until May 26….
… Starcruiser is also unique in that it requires guests to participate in a full voyage, meaning they can’t hop into the parks at will (though there is an “excursion” to Batuu, aka Disney Studios’ Star Wars: Galaxy’s Edge land) or choose their own dining options. And seeing as the Halcyon is hurtling through space, the property lacks a few other standard Disney resort offerings, like a pool or varied outdoor spaces to enjoy the Florida weather.
The experience does include some truly unique activities that should delight Star Wars aficionados and casual fans alike, like lightsaber training, a lesson in bridge operations — how to operate, shield (and yes, shoot from, when necessary) the impressive vessel — and two unique dining experiences where they can sample specialties like a blue iced Felucian shrimp cocktail and braised Bantha beef….
(6) GRAPHIC PROOF. Neil Clarke showed Facebook readers that Clarkesworld is still battling the flood of ChatGPT-written submissions.
Chart shows the number of bans issued since November, almost entirely courtesy of ChatGPT and other LLMs being used to write bad SF/F and submitted against our guidelines. (Not interested in having a debate about the merits of our policy. Our reasons have not changed and those issues have not been settled.) Anyhow, the dip in March/April was thanks to some mitigation efforts that were more successful than expected. (Some people are still bouncing off those walls.) New approach this month was much more targeted and brought us back to February levels. Some of the tools I’ve put in place are making it a bit easier, but volume can eventually break anything. Problem is clearly getting worse. The May numbers just passed February and in fewer days.
(7) MEMORY LANE.
2015 – [Compiled by Cat Eldridge.]
Mike picked Paolo Bacigalupi for the Beginning and I picked The Water Knife as the work. Why that work? I’ll tell you in a moment.
But first some notes about Bacigalupi and this novel. He won a Hugo at Aussiecon 4 for The Windup Girl novel, and a World Fantasy Award for his Tangled Lands collection. I’m very fond of his Ship Breaker novel.
The Water Knife was published by Alfred A. Knopf eight years ago, and the cover illustration is by Oliver Munday. It’s based on The Tamarisk Hunter story he did which waspublished in The Magazine of Fantasy & Science Fiction in their May 2007 issue.
So why this novel? Because I think it’s one of his most interesting near future stories with fascinating characters and a fully realized setting. Now that’s all I’ll say given our policy of avoiding spoilers at all costs.
So now let’s have his Beginning….
There were stories in sweat.
The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing. The sweat of a ten-year-old boy staring into the barrel of a SIG Sauer was different from the sweat of a woman struggling across the desert and praying to the Virgin that a water cache was going to turn out to be exactly where her coyote’s map told her it would be.
Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.
To Angel Velasquez, perched high above Cypress 1’ s central bore and watching Charles Braxton as he lumbered up the Cascade Trail, the sweat on a lawyer’s brow said that some people weren’t near as important as they liked to think.
Braxton might strut in his offices and scream at his secretaries. He might stalk courtrooms like an ax murderer hunting new victims. But no matter how much swagger the lawyer carried, at the end of the day Catherine Case owned his ass—and when Catherine Case told you to get something done quick, you didn’t just run, pendejo, you ran until your heart gave out and there wasn’t no running left.
Braxton ducked under ferns and stumbled past banyan climbing vines, following the slow rise of the trail as it wound around the cooling bore. He shoved through groups of tourists posing for selfies before the braided waterfalls and hanging gardens that spilled down the arcology’s levels. He kept on, flushed and dogged. Joggers zipped past him in shorts and tank tops, their ears flooded with music and the thud of their healthy hearts.
You could learn a lot from a man’s sweat. Braxton’s sweat meant he still had fear.
And to Angel, that meant he was still reliable.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series though not in the order they were intended to be read. Some are outstanding, some less so. I’d recommend Berserker Man, Shiva in Steel and the original Berserker collection. Of his Dracula sequence, the only one I think that I’ve read is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out in various magazines. His only Hugo nomination was at NYCon 3 for his “Mr. Jester” short story published in If, January 1966. (Died 2007.)
Born May 18, 1934 — Elizabeth Rogers. Trek geeking time. She had two roles in the series. She provided the uncredited voice for “The Companion” in the “Metamorphosis” episode. She also portrayed Lt. Palmer, a communications officer who took the place of Uhura, in “The Doomsday Machine”, “The Way to Eden”, and the very last episode of the series, “Turnabout Intruder”. She also had appearances on Time Tunnel, Land of The Giants, Bewitched, The Swarm and Something Evil. (Died 2004.)
Born May 18, 1946 — Andreas Katsulas. I knew him as Ambassador G’Kar on Babylon 5 but had forgotten he played played the Romulan Commander Tomalak on Star Trek: The Next Generation. His first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He also had appearances on Alien Nation, The Death of the Incredible Hulk, Millennium, Star Trek: Enterprise and The Real Adventures of Jonny Quest. (Died 2006.)
Born May 18, 1948 — R-Laurraine Tutihasi, 75. She’s a member of LASFS and the N3F. She publishes Feline Mewsings for FAPA. She won the N3F’s Kaymar Award in 2009. Not surprisingly, she’s had a number of SJW creds in her life and her website here gives a look at her beloved cats and a lot of information on her fanzines.
Born May 18, 1949 — Rick Wakeman, 74. Keyboardist and composer best known for his tenure with the pioneering space-rock band Yes. Wakeman has also released musical adaptations of the novels Journey to the Center of the Earth and 1984. The former album reached #1 in the UK and #3 in the US. He also wrote an album, Out There, dedicated to the memories of the astronauts who died in the Columbia disaster. (Xtifr)
Born May 18, 1950 — Mark Mothersbaugh, 73. Founder and main songwriter for the new wave band Devo, which regularly featured science-fictional themes in their music and stage shows. The band’s tongue-in-cheek conceit was that they had devolved from full humanity–hence the name. The title of their first album, Q. Are We Not Men? A. We Are Devo!, was a shout-out to The Island of Doctor Moreau. Mothersbaugh is also a prolific composer for films, tv, and games. His credits include the theme for the underrated SyFy show Eureka and much more. (Xtifr)
Born May 18, 1952 — Diane Duane, 71. She’s known for the Young Wizards YA series though I’d like to single her out for her lesser-known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse. A most wonderful thing for felines to do! Her Tale of the Five series was inducted into the Gaylactic Spectrum Award Hall of Fame in 2003. She also has won The Faust Award for Lifetime Achievement given by The International Association of Media Tie-In Writers.
Born May 18, 1958 — Jonathan Maberry, 65. The only thing I’ve read by him is a number of works in the Joe Ledger Series which has a high body count and an even higher improbability index. I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra.
Born May 18, 1969 — Ty Franck, 54. Half of the writing team along with Daniel Abraham that’s James Corey, author of the Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it!
Chinese writer Tianrui Shuofu won the top award for his novel “Once Upon a Time in Nanjing” at the 14th Chinese Nebula Awards on Saturday in Guanghan, Sichuan province, demonstrating the rise of young talent in Chinese sci-fi.
Tianrui Shuofu, a 27-year-old online writer whose real name is He Jian, has created several popular sci-fi novels including “Die on Mars.” His latest work, “Once Upon a Time in Nanjing” (also known as “We Live in Nanjing”), was serialized on the literary site qidian.com in 2021. The story follows a high school senior in the city of Nanjing in 2019 who communicates via radio with a girl from 2040 who lives in the same city and learns about the apocalyptic future world. Together, they embark on a mission to save the Earth….
…Since the strike began, many recognizable faces have joined the picket lines. Many are writers, while others are actors and other entertainment industry professionals expressing solidarity with writers.
Earlier this week, a Tumblr user fuckyeahgoodomens spotted Gaiman at one picket site, holding a sign and wearing a striking red t-shirt….
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
…Gaiman described how forgetting the name of a close friend became the inspiration for a story he wrote called “The Man who forgot Ray Bradbury.” His friend, who had died, was a reviewer of Sandman. When he could not remember the man’s name even though they had been close, “it scared me.”
When Gaiman read the story out loud, some of the adults in the audience nodded in recognition of the phenomenon of forgetting words:
“I am forgetting things and it scares me…I am losing words-but not concepts-I look for words as as if someone had stolen them in the middle of the night…things are missing from my mouth…I am lost in the forest and do not know where here is. I learned your books, but I can’t remember your name. I worry that I am the person keeping the stories alive…perhaps God delegates things…but then you forget the things that God has delegated you to remember. I have forgotten the name of the author…I fear I am going mad…I cannot just be growing old…there is an empty space in the bookshelf of my mind.”
He described how he read all of Bradbury. He was particularly affected by The Homecoming, a macabre story of a little boy who does not fit in with his supernatural family of ghouls, vampires, and witches. Having met Bradbury at his 70th birthday, Gaiman gave Bradbury the story he wrote for him on his 91st birthday when the writer was no longer able to read. He was moved by the video that Bradbury had filmed of himself saying thank you to Gaiman for the story. He said he sometimes listens to it when he needs cheering up.
(2) NPR AND TWITTER. “Twitter Removes ‘Government-Funded’ Labels From Media Accounts” reports the New York Times. “NPR and public broadcasters in Canada, Australia and New Zealand had criticized the label as misleading. The CBC and NPR have suspended the use of their Twitter accounts in protest.” NPR has not yet resumed using the account; the last NPR post on Twitter was dated April 12.
… The removal of the labels was the latest shift that Twitter has made abruptly and without explanation under the leadership of its owner, Elon Musk.
Twitter made the change one day after it began removing check mark icons from the profiles of thousands of celebrities, politicians and journalists whose identities it had verified before Mr. Musk bought the company for $44 billion in October. Twitter, which automatically responds to press inquiries via email with a poop emoji, did not immediately comment on Friday.
NPR reported that Mr. Musk said in an email that Twitter had dropped all media labels and that “this was Walter Isaacson’s suggestion,” apparently referring to the author and former media executive who is working on a book about Mr. Musk. Mr. Isaacson did not immediately respond to a request for comment.
NPR said last week that it would suspend all Twitter use after the social network designated the broadcaster “U.S. state-affiliated media.”
Twitter then changed the label on the NPR Twitter account to “Government-funded Media.” It gave the same designation to PBS, which also said it would stop tweeting from its account.
NPR said last week that it received less than 1 percent of its annual operating budget in the form of grants from the government-funded Corporation for Public Broadcasting and other federal agencies and departments. It said its two largest sources of revenue are corporate sponsorships and fees paid by member stations, which rely heavily on donations from listeners.
PBS says on its website that, because it is commercial-free, many people mistakenly believe the government provides the bulk of its funding. But federal funding accounts for only about 15 percent of its revenue, the broadcaster said….
… There are three components to a fake literary agency scam.
One (or more) fake agency
One (or more) “trustworthy” service provider
A parent company overseas, usually in the Philippines, that runs the scam with a brigade of sales reps using American-sounding aliases. This is where your money ultimately goes….
(4) POLITICAL GAMESMANSHIP. [Item by “Orange Mike” Lowrey.] According to the right-wing press, playing Magic: The Gathering means that Missouri Democrat Lucas Kunce (a combat veteran) should be disqualified from holding public office. (Remember the Maine state senate candidate, a nurse, whose crime was playing World of Warcraft?) “Disqualifying: Democratic Senate Candidate Played ‘Magic: The Gathering’ With Journalist” at The Washington Free Beacon.
What happened: Lucas Kunce, a Democratic candidate for U.S. Senate in Missouri, played Magic: The Gathering with a journalist from Time magazine, a once-respected publication.
The resulting article was clearly inspired by the Washington Free Beacon‘s exclusive report about Kunce being a massive nerd who was a male cheerleader at Yale and got arrested for harassing his neighbors with a box of Lucky Charms because their weed-smoking annoyed him. (Yes, seriously.) He also plays wizard-themed card games in his spare time….
…Why it matters: In a free and just society, playing Magic: The Gathering with a journalist would disqualify someone from seeking public office. To paraphrase one of America’s most formidable intellectual prognosticators: “We don’t want nerds elected in Missouri. No nerds!”
Is there science fiction in North Korea? Surprisingly, the answer is yes. Kim Chŏng-il (1941-2011) himself, the country’s second leader, believed science fiction had an important role to play and encouraged its publication. But what does science fiction in North Korea look like?
First, the genre of science fiction in North Korea is tied to anti-imperialism and the concept of juche, often translated as “self-reliance” or “self-determination.” Thus, North Korean science fiction focuses above all on the possibility of molding nature and society according to the will of the North Korean people so they become the master of their own destiny. Juche is a foundational concept in the ideology of the North Korea state, too. The country’s founding leader Kim Il-sŏng (1912-94) connected this idea of juche to the concept of a people’s revolution, one that would be free from imperial, or Western, influence.
Science fiction is a special type of literature that describes technologies that do not yet exist and envisions what our future life may entail with highly developed science. While science fiction often fantastically imagines how science and technology can explore new worlds and even conquer nature, the premises of its stories have to be based on convincing scientific knowledge. Science fiction writers need considerable knowledge of the trends in modern science and technology in order to create convincing previews of a highly developed future.
(6) DEAN KOONTZ Q&A. [Item by Michael Toman.] Would Other Filers also appreciate the opportunity to hear this recommended, inspirational podcast, too? N. B. Dean’s shout-outs for Bradbury, Heinlein, Sturgeon, and ol’ Jack Douglas about 45:00! Not to mention John D. MacDonald! Page One Podcast Ep. 11: Dean Koontz – Quicksilver.
In this very special episode, we discuss the pursuit of being a reckless optimist, fighting nihilism, quantum physics, and the mystery of being in the creative flow—where creativity is not coming from you but through you. Koontz’s creative output is almost superhuman, yet he’s one of the most lovable, down to earth and experienced authors you’ll ever get the pleasure of meeting. Please enjoy his bountiful wisdom on what it takes to become a master storyteller.
(7) MEMORY LANE.
1979 – [Compiled by Cat Eldridge.]
And this Scroll we have a Beginning courtesy of Reginald Bretnor who was known primarily as a short story writer from the Fifties to Eighties. Under the alias Grendel Briarton, he wrote the very short stories about time traveller Ferdinand Feghoot.
What we’re interested in this Scroll is that he invited various SF and science writers to contribute essays to anthologies for which he had decided the theme beforehand. And brings us to the Beginning tonight.
Modern Science Fiction: Its Meaning and Its Future was first published seventy years ago by Coward-McCann, an imprint of G. P. Putnam’s Sons. It has entries by John W. Campbell, Jr., Anthony Boucher, Fletcher Pratt, Rosalie Moore, Don Fabun, L. Sprague de Camp, Isaac Asimov, Arthur C. Clarke, Philip Wylie and Gerald Heard. Bretnor of course contributed to this anthology as well.
It is, if you are interested in reading it, available from usual suspects in a trade paper edition for a quite reasonable price.
Here’s the entire Beginning otherwise known as the preface by Bretnor…
The twenty-six years that have passed since this book was first published in 1953 have dramatically narrowed the gap (which never really existed except in the public imagination) between science and science fiction. They have been years of marvelous scientific and technological progress—and of almost unbelievable geopolitical idiocy.
Today, perhaps, we are more generally aware of threats to our existence which we ourselves have brought into being, and science fiction has certainly played a major role in achieving that awareness. But we have made little or no progress in understanding how to control these threats—in other words, how to control that destructiveness which is so terrible a part of our universal heritage. The gap between our technological sophistication and our primitive behavior is wider now than it has ever been, and is not narrowing—yet. Here science fiction may seem to have achieved little of its promise, partly for the very cogent reason that destructiveness too often is dramatic and exciting—we all know that star wars can be good, clean fun, now don’t we?—and partly because the field has suffered from a number of derationalizing influences: first, that strange hodgepodge of anti-scientific flummery known rather vaguely as the New Wave, next the (at first grudging and then downright hungry) recognition and acceptance of science fiction by our academics, and finally that Madison Avenue trendiness which always steps in with its cleated overshoes when the general public starts to catch up with something (in this case, with Horrendous Science Stories, circa 1932).
Yet we have a contradiction here, for these influences themselves are perhaps the best evidence that science fiction has been successfully performing its most important function—narrowing the gap between what C. P. Snow calls our Two Cultures: the scientific and the non-scientific literary. The literary intellectual who, for whatever reason, becomes interested in science fiction cannot help acquiring something of a scientific orientation; at least, he will be much less likely to shudder at the thought of “cold, inhuman science”—and his children or his pupils much more likely to dismiss the entire concept as absurd. Similarly, the scientific intellectual who reads, and possibly writes, science fiction cannot help but gain a deeper understanding of, and interest in, what his non-scientific counterpart would call “the warm human emotions.”
And, of course, we may expect to find analogous attitudinal changes on semi-intellectual and even non-intellectual levels.
To my mind, one of the most significant, immediately observable results of this trend is today’s surprising number of highly capable younger writers with solid scientific backgrounds—men and women who—despite the fact that so many of our grammar and high schools have become expensive playpens for the mass production of illiteracy—have somehow managed to get general educations broad enough to enable them to write, not just imaginatively but really well, and to integrate into their work what they know of the exact sciences and their resultant technologies.
The process rather resembles the marriage of the Antique and the Medieval in the Renaissance, and if human events allow it to continue, not just in science fiction but in all other areas, must ultimately produce a culture richer and more coherent than those which have preceded it, a culture at once humane and scientific (because science is human, and there need be no conflict “between humanity and science”), a culture for the first time capable of understanding its own drives, its strengths, its weaknesses and vulnerabilities.
Certainly I am not saying that science fiction can or will itself create this culture. But it will contribute to it, partly by helping to bring about the rapprochement we have discussed, and partly through its many attempts to define the future.
I believe that science fiction is the first of that culture’s many voices, most of which are still unborn—and that it already was when this book first appeared twenty-six years ago.
REGINALD BRETNOR. Medford, Oregon. October 5, 1978
Note: When I edited Modern Science Fiction: Its Meaning and Its Future few bibliographical tools were available in the science fiction field, and many errors inevitably went by undetected. For this reason, Advent:Publishers have very kindly provided a comprehensive supplement of corrections and notes.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 22, 1902 — Philip Latham. Name used by astronomer Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, With the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comeback novel starts this way: “When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .” It’s available at the usual digital suspects for a buck. (Died 1981.)
Born April 22, 1916 — Virginia Heinlein. Editor of Grumbles from the Grave. Also allowed Tramp Royale to be published after her husband’s death. And for some reason allowed longer versions of previously published works Stranger in a Strange Land, The Puppet Masters, and Red Planet to be published. Anyone read these? Used bookstores here frequently had copies of Stranger in a Strange Land so buyers didn’t hold on to it… (Died 2003.)
Born April 22, 1934 — Sheldon Jaffery. Bibliographer who was a fan of Weird Tales, Arkham House books, pulps, and pretty much anything in that area. Among his publications are Collector’s Index to Weird Tales (co-written with Fred Cook), Future and Fantastic Worlds: A Bibliographical Retrospective of DAW Books (1972-1987) and Horrors and Unpleasantries: A Bibliographical History and Collector’s Price Guide to Arkham House. He also edited three anthologies which Bowling Green Press printed, to wit Sensuous Science Fiction from the Weird and Spicy Pulps, Selected Tales of Grim and Grue from the Horror Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps. (Died 2003.)
Born April 22, 1937 — Jack Nicholson, 86. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim Burton’s The Batman.
Born April 22, 1944 — Damien Broderick, 79. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel contains the first appearance of the term “virtual reality” in SF. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good.
Born April 22, 1946 — John Waters, 77. Yes, he did horror films, lots of them. Shall we list them? There’s Multiple Maniacs, Suburban Gothic, Excision, Blood Feast 2: All U Can Eat and Seed of Chucky. The latter described as a “supernatural black comedy horror film” on Wiki. He also narrates Of Dolls and Murder, a documentary film about a collection of dollhouse crime scenes created in the Forties and society’s collective fascination with death.
Born April 22, 1977 — Kate Baker, 46. Editor along with with Neil Clarke and Sean Wallace of the last two print issues Clarkesworld. She’s won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award (Special Award: Non Professional) in 2014, all alongside the editorial staff of Clarkesworld. She’s a writer of three short genre stories, one which of which, “No Matter Where; Of Comfort No One Speak”, you can hear at the link. Trigger warning for subject matters abuse and suicide.
Born April 22, 1984 — Michelle Ryan, 39. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”. She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. FinallyI’ll note sheplayed Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare.
(9) COMICS SECTION.
Tom Gauld breaks down all the previously overlooked ingredients.
(10) MEET THE SMOOKLERS. Two longtime Canadian fans have been profiled in LivingLIFE, published by The LIFE Institute of Ryerson University’s G. Raymond Chang School of Continuing Education. “Meet the Smooklers, LIFE Institute Pioneers”.
Following a study commissioned by the North York Board of Education in 1987, Elderhostel created a model for seniors’ self-directed learning. With the involvement of three other interested organizations, a home was found on the Ryerson campus. Among those present at the inaugural LIFE meeting in 1990 were Frances and Kenneth Smookler. They would go on to serve 22 terms and 10 terms respectively on the Board.
Both lawyers, they had started practicing in separate firms but soon joined forces and remained the partners of Smookler and Smookler until they retired.
Ken’s interests include research, travel and writing. In 2016 a book he wrote about a fantasy law firm called Farr and Beyond was published and is still available through Amazon. With a background in science, Ken is keenly interested in speculative fiction. He has been on the Board of three World Science Conventions and attended twenty or more, often accompanied by Frances…
Project Paperclip, commonly known by misnomer “Operation Paperclip,” was a program designed to bring German and Austrian engineers, scientists, and technicians to the United States after the end of World War II in Europe. The program’s official goal was to bring these skilled experts to the United States for a period of six months to a year to assist in America’s efforts against Japan.
Approximately half of the initial Paperclip experts were affiliated with the Nazi Party, with many joining for opportunistic reasons. The rationale behind bringing them to the United States was that the country required their expertise in weapons programs or, at the very least, had to prevent the Soviet Union from accessing their knowledge and talents.
Project Paperclip made a significant contribution to American technology, rocket development, military preparedness and, eventually, spaceflight, but there was a moral cost to the program: the coverup of the Nazi records of many of the specialists. Curator Michael Neufeld explores in a new blog.
… However, due to the many calls the group has received, combined with the region’s winter mix of ice, rain and unstable air currents this week, they said it appears a “loon fallout” is occurring.
“That occurs when atmospheric conditions are such that the migrating loons develop ice on their body as they fly at high altitude and crash-land when they are no longer able to fly due to the weight of the ice on their body or the interference with their flight ability,” said the group, which helps in the care and rehabilitation of wild birds.
…”Loons cannot walk! They will need your help,” the group said in a Facebook post. “If you find a loon on land or on a road or cow pasture, realize that it cannot walk.”
Loon’s legs are placed to the back of the bird and made for swimming and diving, not walking, according to REGI. They also cannot fly from small ponds as they need a quarter mile or more of open water to run across and get airborne….
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, “Orange Mike” Lowrey, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
What I admire most about Neil Gaiman is his belief in the necessity of storytelling: it’s something we need on a DNA level.
I first read a book by Neil when I was 14 years old. It was Good Omens, his brilliant 1990 collaboration with Terry Pratchett. Two decades later, I got the opportunity to star in the 2013 BBC radio adaptation of Neverwhere. I remember feeling so excited that I was being inducted into his sphere of influence—one that has only grown. It’s fantastic to see Neil’s work gain new fans, most recently with the Netflix adaptation of his award-winning comic-book series The Sandman.
Neil’s point of entry into the storytelling realm is darkly fantastical and occultish. The way he writes makes you feel like you’re being let in on a massive secret. His worlds are hidden, shrouded in mystery, yet they’re never that far removed from ours. They’re always just barely within your peripheral vision—under the street or in a dark building or at the end of a lane. He brings dreamscapes to life.
Fox has ordered the reality series “Stars on Mars,” a new celebrity unscripted series featuring “Star Trek” star William Shatner in a host-like role. The series, set to air this summer, will follow stars as they are suited up to live in a colony set up to simulate what it might be like to be an astronaut on Mars.
“Stars on Mars” premieres on Monday, June 5, at 8 p.m. on Fox. The show comes from Fremantle’s Eureka Productions. The idea centers on the celebrity contestants competing in the Mars-like surroundings until there is just one “celebronaut” left standing. Shatner will deliver tasks to the celebs as “Mission Control.”
… Shatner, in a quippy quote, added: “Thanks to lower gravity on Mars, you’ll weigh 62% less. Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”
The show will open with the celebrities living together as they “live, eat, sleep, strategize, and bond with each other in the same space station,” according to the network.
Here’s more from the show description: “During their stay, they will be faced with authentic conditions that simulate life on Mars, and they must use their brains and brawn – or maybe just their stellar social skills – to outlast the competition and claim the title of brightest star in the galaxy. The celebrities will compete in missions and will vote to eliminate one of their crewmates each week, sending them back to Earth. Cue the intergalactic alliances and rivalries. ‘Stars on Mars’will send these famous rookie space travelers where no one has gone before and reveal who has what it takes to survive life on ‘Mars.’”…
(3) IS THIS THE CRÈME DE LA CRÈME? Earlier this week the LA Times rolled out The Ultimate L.A. Bookshelf, devoting one of the shelves to 13 works of Speculative Fiction.
For our Ultimate L.A. Bookshelf, we asked writers with deep ties to the city to name their favorite Los Angeles books across eight categories or genres. Based on 95 responses, here are the 13 most essential works of speculative fiction, from Octavia Butler, Philip K. Dick, Aldous Huxley, Salvador Plascencia and many more….
Although these are all books, since two of them are collections of short fiction – Dangerous Visions (1967) and Speculative Los Angeles (2021) – it seems to me there should have been a way to get quintessential LA stories like Heinlein’s “And He Built A Crooked House”, and Niven’s “Inconstant Moon” into the mix. I’ll leave aside Bradbury’s “The Pedestrian” which doesn’t actually say what city it takes place in, though no one has ever had any doubt…
Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller.
The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300. All winners and finalists’ stories will be published in an immersive collection on Grist’s website.
Read more and find out how to submit a story here.
(5) FAN HISTORY ZOOM. Fanac.org’s program on “Researching (& Saving) Fan History” with Rob Hansen, Andy Hooper, Mark Olson and Joe Siclari can be viewed online April 22, 2023 beginning at 4 pm EDT, 1 pm PDT, 9 pm BST London, 6 am Sunday in Melbourne, AU. See the details in the poster. To get a link to the program, write to [email protected].
National Public Radio is quitting Twitter after the social media platform owned by Elon Musk stamped NPR’s account with labels the news organization says are intended to undermine its credibility.
Twitter labeled NPR’s main account last week as “state-affiliated media, ” a term also used to identify media outlets controlled or heavily influenced by authoritarian governments, such as Russia and China. Twitter later changed the label to “government-funded media,” but to NPR — which relies on the government for a tiny fraction of its funding — it’s still misleading.
NPR said in a statement Wednesday that it “will no longer be active on Twitter because the platform is taking actions that undermine our credibility by falsely implying that we are not editorially independent.”…
(7) GATEWAY TO ORSON WELLES. [Item by Steve Vertlieb.] Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.
Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.
From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.
His is a story of unwitting sabotaged achievement and haunting, incomparable genius.
Alison, Liz, John and Alison are live from Conversation! We talk about the convention, in a rather more haphazard way than normal. Art by the amazing Sue Mason.
(9) MORE WRITERS’ RESPONSES TO AI. The SFWA Blog has updated its webpage and now has over 50 SFWA members’ writing and thoughts on artificial intelligence (AI) and machine learning (ML) applications and considerations. “SFWA Members Weigh in on AI & Machine Learning Applications & Considerations”. In case you looked at the original version, the additions are designated “NEW” to make them easy to find.
SFWA also focused attention on a video is now available from the AI/ML Media Advocacy Summit, a free online event last month that brought together experts and creators to discuss the creative community’s response to AI/ML media generators. SFWA Vice President John Murphy served as a panelist for the writers’ forum, along with moderator Donna Comeaux, Ed Hasbrouck of the National Writers Union, and Mary Rasenberger of the Authors Guild.
With our discipline specific panels we will be talking to a variety of individuals from across the creative industries including visual artists, voice actors, musicians, animators, photographers and writers on the different types of AI media generators and the unique challenges they pose.
(10) VIRGINIA NORWOOD (1927-2023). Physicist and inventor Virginia Norwood, who devised the scanner that has been used to map and study the earth from space for more than 50 years, died March 27. The New York Times obituary detailed the unexpected triumph of her contribution to the first Landsat.
…In the late 1960s, after NASA’s lunar missions sent back spectacular pictures of Earth, the director of the Geological Survey thought that photographs of the planet from space could help the agency manage land resources. The agency would partner with NASA, which would send satellites into space to take the pictures.
Ms. Norwood, who was part of an advanced design group in the space and communications division at Hughes, canvassed scientists who specialized in agriculture, meteorology, pollution and geology. She concluded that a scanner that recorded multiple spectra of light and energy, like one that had been used for local agricultural observations, could be modified for the planetary project that the Geological Survey and NASA had in mind.
The Geological Survey and NASA planned to use a giant three-camera system designed by RCA, based on television tube technology, that had been used to map the moon. The bulk of the 4,000-pound payload on NASA’s first Landsat satellite was reserved for the RCA equipment.
Ms. Norwood and Hughes were told that their multispectral scanner system, or M.S.S., could be included if it weighed no more than 100 pounds.
Ms. Norwood had to scale back her scanner to record just four bands of energy in the electromagnetic spectrum instead of seven, as she had planned. The scanner also had to be high precision. In her first design, each pixel represented 80 meters.
The device had a 9-by-13-inch mirror that banged back and forth noisily in the scanner 13 times a second. The scientists at the Geological Survey and NASA were skeptical.
A senior engineer from Hughes took the device out on a truck and drove around California to test it and convince the doubters that it would work. It did — spectacularly. Ms. Norwood hung one of the images, of Yosemite National Park’s Half Dome, on the wall of her house for the rest of her life.
The first Landsat blasted into space on July 23, 1972. Two days later, the scanner sent back the first images, of the Ouachita Mountains in Oklahoma; they were astounding. According to a 2021 article in MIT Technology Review, one geologist teared up. Another, who had been skeptical about the scanner, said, “I was so wrong about this. I’m not going to eat crow. Not big enough. I’m going to eat raven.”
The RCA system was supposed to be the primary recording instrument aboard the satellite, and the M.S.S. a secondary experiment.
“But once we looked at the data, the roles switched,” Stan Freden, the Landsat 1 project scientist, said in a NASA report.
The M.S.S. proved not only better, but also more reliable. Two weeks after liftoff, power surges in the RCA camera-based system endangered the satellite and the camera had to be shut down….
(11) MEMORY LANE.
1945 – [Compiled by Cat Eldridge.]
August Derleth’s “A Word From Dr. Lyndon Parker”
Sherlock Holmes pastiches must be almost as old as the stories themselves. The first credited one was sixteen years after the first Holmes story and was in Greek, Sherlock Holmes saving Mr. Venizelos (Ο Σέρλοκ Χολμς σώζων τον κ. Βενιζέλον). Our Beginning tonight isn’t from a work that old as it’s taken from August Derleth’s In Re: Sherlock Holmes.
It came from the collection of short stories, In Re: Sherlock Holmes, first published seventy-eight years ago in the US by Mycroft & Moran which was an imprint of Arkham House. The imprint was in part created for these stories. Wise choice I’d say.
Pons, a Consulting Detective in the mold of Holmes, exists because Derleth desired so much to do Holmes stories after Doyle ceased that he wrote him and asked if he could. Doyle unsurprisingly said no. The Solar Pons name is supposedly syllabically similar to Sherlock Holmes. Huh.
I like them because Derleth is obviously a fanboy of Holmes and his detective. Pons isn’t Holmes but is what a fan would write if he was creating his own loving version of Holmes.
And now for our very British Beginning…
A Word From Dr. Lyndon Parker
The way in which I first made the acquaintance of Mr. Solar Pons, who was destined to introduce me to many interesting adventures in crime detection, was exceedingly prosaic. Yet it was not without those elements suggestive of what was to come. Though it took place almost thirty years ago, the memory of that meeting is as clear in mind as if it had taken place yesterday.
I had been sitting for some time in a pub not far from Paddington Station, ruefully reflecting that the London to which I had returned after the first World War was not the city I had left, when a tall; thin gentleman wearing an Inverness cape and a rakish cap with a visor on it, strode casually into the place. I was struck at once by his appearance: the thin, almost feral face; the sharp, keen dark eyes with their heavy, but not bushy brows; the thin lips and the leanness of the face in general–all these things interested me both from a personal and a medical standpoint, and I looked up from the envelope upon which I had been writing to follow the fellow with my eyes across the floor to the bar.
A waiter, who was wiping tables next to me, noticed my interest and came over. “Sherlock Holmes’,” he said. “That’s who he is. The Sherlock Holmes of Praed Street,’ is what the papers call him. His real name’s Solar Pons. Ain’t much choice between the two, eh?”
Pons had had a few words with the man behind the bar and now turned to look idly over the room. I looked away as I saw that his glance was about to fall on me, and I felt him examining me from head to toe. I felt, rather than saw, that he was walking over toward my table, and in a few moments he came to stand beside my bag on the floor next to my chair.
“Fine color,” he said crisply. “Not long back from Africa, I see. “Two days.”
“Your scarab pin suggests Egypt and, if I’m not mistaken, the envelope on which you have been writing is one of Shepheard’s. From Cairo, then.”
“On the ship Ishtar.”
“At the East India Docks.”
I looked up and he smiled genially. “But, really, you know, my dear fellow–London is not as bad as all that.”
“I should not like to think so,” I answered him, without at once realizing that I had given him no clue to my thoughts. “Obviously you have been walking.”
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 13, 1931 — Beverly Cross. English playwright, librettist, and screenwriter. Yes librettist. He’s here because he wrote the screenplays for Sinbad and the Eye of the Tiger, Jason and the Argonauts and Clash of the Titans. Not remotely genre related but worth mentioning, is that he worked uncredited on the script for Lawrence of Arabia although it is unknown if any of his material made it to the film we see. (Died 1998.)
Born April 13, 1943 — Bill Pronzini, 80. Mystery writer whose Nameless Detective has one genre adventure in A Killing in Xanadu. Genre anthologist, often with Barry N Malzberg, covering such varied and wide-ranging themes as Bug-Eyed Monsters (with Malzberg), Arbor House Treasury of Horror and the Supernatural (with Greenberg and Malzberg) and Arbor House Necropolis. As Robert Hart Davis, he wrote “The Pillars of Salt Affair”, a Man from U.N.C.L.E. novella that ran in the The Man from U.N.C.L.E. Magazine.
Born April 13, 1950 — Ron Perlman, 73. Hellboy in a total of five films including three animated films (Hellboy: Sword of Storms, Hellboy: Blood and Iron and the Redcap short which is elusive to find unfortunately). Still by far the best Hellboy. He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno was followed quickly by being Captain Soames in Sleepwalkers and Angel De La Guardia in the Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, followed by the hard SF of being Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff Notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it. So who has watched it lately?) At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing.
Born April 13, 1951 — Peter Davison, 72. The Fifth Doctor that I came to be very fond of. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. And let’s not forget he showed up in The Hitchhiker’s Guide to the Galaxy as the Dish of the Day. I’m going to note that I first saw him in Tristan Farnon in the BBC’s adaptation of James Herriot’s All Creatures Great and Small stories, a lovely role indeed. And I’m very fond of The Last Detective series where he played DC ‘Dangerous’ Davies.
Born April 13, 1954 — Michael Cassutt, 69. Producer, screenwriter, and author. His notable TV work includes work for the animated Dungeons & Dragons, Max Headroom, The Outer Limits, Beauty and The Beast, SeaQuest, Farscape, Eerie, Indiana and The Twilight Zone. He’s also written genre works including the Heaven’s Shadow series that was co-written with David S. Goyer. His latest piece of fiction was the “Aurora” novelette published in Asimov’s Science Fiction Magazine, March/April 2022.
Born April 13, 1954 — Glen Keane, 69. He’s responsible for all of the layout work on Star Trek: The Animated Series and also My Favorite Martians which I can’t say I recognize. As a character animator at Walt Disney Animation Studios, he worked on Aladdin, Beauty and the Beast, The Little Mermaid and Pocahontas.
Born April 13, 1959 — Brian Thomsen. Editor, writer and anthologist. He was founding editor of Warner Books’ Questar Science Fiction, and later served as managing fiction editor at TSR. He co-wrote the autobiography of Julius Schwartz. And yes I’ve actually read one of his anthologies, A Yuletide Universe, as I remember it from the cover art. (Died 2008.)
April 13, 1967 — Rogers Cadenhead, 56. This Filer is a computer book author and web publisher who served once as chairman of the RSS Advisory Board, a group that publishes the RSS 2.0 specification. Very, very impressive. He also gained infamy for claiming drudge.com before a certain muckraker could, and still holds on to it.
(13) COMICS SECTION.
The Far Side shows what preceded that famous Viking headgear.
(14) RIVERS OF LONDON. Titan Comics has revealed the covers for Here Be Dragons – the next phase of Rivers of London comics, set in the world of the bestselling novel series. For this upcoming series, comic series writers Ben Aaronovitch (Rivers of London) and Andrew Cartmel (The Vinyl Detective) are joined by BAFTA-nominated scriptwriter, and award-winning New York Times bestselling author James Swallow, with artwork by José María Beroy.
Thiscover preview shows the first look at a dangerous monster at large above the streets of London. After a Met Police helicopter on night patrol is attacked by an unidentified aerial phenomena, the Met’s only sanctioned wizard, Peter Grant, and his mentor, Thomas Nightingale, are called to investigate.
Rivers of London: Here Be Dragons issue #1 (on sale in comic shops and digital July 12th, 2023) features covers by series artist José María Beroy, alongside David M. Buisan and V.V. Glass.
That vast repository of American history that is the Smithsonian Institution evolved from an organization founded in 1816 called the Columbian Institute for the Promotion of Arts and Sciences. Its mandate, the collection and dissemination of useful knowledge, now sounds very much of the nineteenth century — but then, so does its name. Columbia, the goddess-like symbolic personification of the United States of America, is seldom directly referenced today, having been superseded by Lady Liberty. Traits of both figures appear in the depiction on the nineteenth-century fireman’s hat above, about which you can learn more at Smithsonian Open Access, a digital archive that now contains some 4.5 million images.
Just for practice I searched “science fiction” and one of the images that returned was Octavia Butler’s typewriter.
This Olivetti Studio 46 Typewriter belonged to Octavia E. Butler (1947-2006), who wrote science fiction when few black writers did. Butler began writing at age 10 and eventually used a computer to compose, but noted, “I didn’t always. I wrote my first ten books on a manual typewriter of one kind or another….She [my mother] did day work; she made not very much money….here she had a daughter begging for a typewriter.” Butler’s blue typewriter dates to the 1970s….
…Over the following five decades, Vonnegut established himself as one of the most creative and humorous voices in science-fiction. Like an American Douglas Adams, his books would frequently deal with aliens, time travel, and metafiction, but always with the intent of getting to the heart of human nature itself….
The first example on their list is:
1. “We are what we pretend to be, so we must be careful about what we pretend to be.”
From Vonnegut’s third novel ‘Mother Night’, it’s a beautiful and quick summation of an appreciation of the stark importance as well as the flimsiness of human identity.
The series will be written and executive-produced by Martin and Ira Parker. Ryan Condal, who currently serves as House of the Dragon‘s showrunner, and Vince Gerardis also will be EPs.
“A century before the events of Game of Thrones, two unlikely heroes wandered Westeros,” the official logline reads. “A young, naive but courageous knight, Ser Duncan the Tall” (aka Dunk) “and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the memory of the last dragon has not yet passed from living memory, great destinies, powerful foes and dangerous exploits all await these improbable and incomparable friends.”…
(18) A FROZEN FLAME. And if you’d like to see George R.R. Martin posing with his Dragon Award from last year, click on this link to his March 29 blog entry.
My thanks to all of the attendees of last year’s Dragoncon, and to all the Dragon Award voters who chose ELDEN RING as the best game of the year. Like all my friends at From Software, I am thrilled that you enjoyed the play… as challenging as it can be.
We humans have always been explorers. The great civilizations that have arisen across the world are owed to our restless ancestors. These days, there’s not much of Earth left to explore. But if we look up, there’s a whole universe out there waiting for us. Future generations may one day explore the cosmos and even settle entire other galaxies. But there is a hard limit to how much of the universe we can expand into. So, how big can humanity get?
[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Steve Vertlieb, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
One of the scariest predictions now circulating is that we are about to leave the era of photographic proof. For generations we relied on cameras to be the fairest of fair witnesses. Images of the Earth from space helped millions become more devoted to its care. Images from Vietnam made countless Americans less gullible and more cynical. Miles of footage taken at Nazi concentration camps confirmed history’s greatest crimes. A few seconds of film shot in Dallas, in November of 1963, set the boundary conditions for a nation’s masochistic habit of scratching a wound that never heals.
Although there have been infamous photo-fakes — such as trick pictures that convinced Arthur Conan Doyle there were real “fairies” and Mary Todd Lincoln that her husband’s ghost hovered over her, or the ham-handedly doctored images that Soviet leaders used to erase “non-persons” from official history — for the most part scientists and technicians have been able to expose forgeries by magnifying and revealing the inevitable traces that meddling left behind.
But not anymore, say some experts. We are fast reaching the point where expertly controlled computers can adjust an image, pixel by microscopic pixel, and not leave a clue behind. Much of the impetus comes from Hollywood, where perfect verisimilitude is demanded for fantastic onscreen fabulations like Forrest Gump and Jurassic Park. Yet some thoughtful film wizards worry how these technologies will be used outside the theaters….
…The new technologies of photo-deception have gone commercial. For instance, a new business called “Out Takes” set up shop next to Universal Studios, in Los Angeles, promising to “put you in the movies.” For a small fee they will insert your visage in a tete-a-tete with Humphrey Bogart or Marilyn Monroe, exchanging either tense dialogue or a romantic moment. This may seem harmless on the surface, but the long range possibilities disturb Ken Burns, innovative director of the famed Public Broadcasting series The Civil War. “If everything is possible, then nothing is true. And that, to me, is the abyss we stare into. The only weapon we might have, besides some internal restraint, is skepticism.”
Skepticism may then further transmute into cynicism — Burns worries — or else, in the arts, decadence….
….In the stories of Kelly Link, strange things happen in otherwise ordinary settings. A teenage girl from Iowa travels to New York to find an older guy she met online and ends up at a hotel hosting a pair of conventions: one for dentists and one for superheroes. A girl from the Boston area discovers a lost world preserved inside her grandmother’s old handbag (which is made from the skin of a dog that lives inside it). Her stories do not abide by the rules of conflict and resolution — they make sense in the way that dreams make sense. Pressed to explain these phenomena, Link’s characters tend to change the subject. “The mechanics of how I can speak are really of no great interest, and I’m afraid I don’t really understand it myself, in any case,” a talking cat insists in a story from Link’s new collection, White Cat, Black Dog. Since 2001, Link has published four books of short stories, with the fifth — a series of unsettling retellings of classic fairy tales — out this month. For much of that time, she has worked in relative obscurity. Early reviewers were impressed by her originality, but she remained largely unknown outside of M.F.A. programs and fantasy circles. When her first book was published more than 20 years ago, serious literature, for the most part, meant one-pound tomes of psychological realism.
That has changed as Link’s stature has grown. In 2016, she was a finalist for the Pulitzer Prize; a few years later, the MacArthur Foundation awarded her a “genius” grant for “pushing the boundaries of literary fiction.”…
… After getting an M.F.A. at the University of North Carolina at Greensboro, Link enrolled in the Clarion Science Fiction and Fantasy Writers’ Workshop. “I thought, This will be a group of people who are doing the same kind of work. But in fact, the feedback I got from many of the people was, Well, I don’t know what this is.” While she and her fellow students admired some of the same authors — Heinlein, Asimov, Tolkien — Link’s indifference to genre conventions was apparent. If her heroines start an epic quest, they’re likely to get distracted or lost or turn into someone else entirely. “I remember thinking she already wrote better than I did and there was really no point in her coming to this workshop,” said Karen Joy Fowler, one of Link’s professors at Clarion…..
(3) TIME IN A BOTTLE. Dorothy Grant persuasively explains why people should listen to Neil Gaiman’s entire advice about the freelance life in “Saying No” at Mad Genius Club.
…He [Neil Gaiman] went on, though, to warn about the problems of success… and that’s what gets dropped out of a lot of the advice. He noted the problems of success are harder, in part because nobody warns you about them… and what do people do? Not listen to the warning, and drop it out of their quotes. They include:
“The point where you stop saying yes to everything, because now the bottles you threw in the ocean are all coming back, and have to learn to say no.”
(4) PLUS ÇA CHANGE, PLUS C’EST LA MÊME CHOSE. “50 Best Short Stories for High School Students” at We Are Teachers is surprisingly chock full of sff – Bradbury, Le Guin, Poe, Dahl – though I’m a little more surprised at how many of these stories were already part of the canon when I was in high school and are still on a list like this.
If there is one thing that my students and I share, it’s our love for short stories. High school kids may not choose to read short stories on their own time, but they get very excited when the story I choose to teach a concept is short. I find that short stories pack a stronger emotional punch. They elicit real reactions, especially if the author manages to surprise them. In fact, short stories are the thing I use most often in my high school lessons to teach literary devices, act as mentor texts for our writing, and get students excited about reading. Here is a collection of 50 of my favorite short stories for high school students….
Jill Girardi is the internationally best-selling, award-nominated author of Hantu Macabre, a novel which was optioned for a film starring MMA Fighter Ann Osman and directed by Aaron Cowan (a senior member of the Visual Effects team that won four Oscars for Avatar and Lord of the Rings.)…
What was it about the horror genre that drew you to it?
This is something I’ve found difficult to explain over the years. Going back to the subject of du Maurier’s work, I found her simple, direct form of writing to be both beautiful and haunting, evoking so many emotions in the reader. The symbolism of it struck such a deep chord with me. For example, in one of my favorite stories, The Apple Tree, a mere tree takes on the qualities of a deceased woman, one who withered from neglect and lack of love all her life. The image was one that stayed with me long after I first finished reading the story. Many people believe that horror is all about shock value, that there’s no emotion or any deep meaning in it. Those of us who read or write horror know otherwise. We know that something as simple as a tree can haunt you, and bring you close to your own pain. This is what I adore about horror. There is so much more lurking under its surface….
(6) GODZILLA NOVELIZATIONS. [Item by Ben Bird Person.] Since its publication nearly 70 years ago, there is finally an English translation by Jeffrey Angles to the Shigeru Kayama’s novelizations for Godzilla (1954) and Godzilla Raids Again (1955). According to its Amazon listing, it’ll be published by University of Minnesota Press and released October 3, 2023.
(7) MEMORY LANE.
2003 – [Compiled by Cat Eldridge.]
Sharyn McCrumb’s Ghost Riders is the seventh of her Ballad Novels, her mystery series set in the Appalachian Mountains. It features a strong dash of magic realism as you’ll see in the Beginning from this novel which was published twenty years ago by Dutton Adult.
I like the novels because they feel authentic which reflects McCrumb’s being born and raised in the Appalachian region. The novels are richly detailed, the characters are fully developed, particularly the continuing ones such as Rattler, and the stories are certainly some of the better ones set in the Appalachian region.
And if her name sounds familiar, that’s because of Bimbos of the Death Sun and Zombies of the Gene Pool which she wrote.
And now our Beginning…
Prologue: Rattler
The boy stood still in the moonlight watching the riders approach. The chill of the night air had shaken the last bit of sleep-stupor from him, and he shivered, feeling the wind on his legs and the sensation of his bare feet touching the rough boards of the porch, and knowing that he was not dreaming. He had stumbled outside to make his way to the privy, but now something–not a sound, more like a feeling–made him stop a few feet from the door, and for long minutes as he stood there he would forget the push in his bladder that had sent him out into the cold darkness of an October night.
Night riders.
Horses were not an every day sight in the mountains nowadays, as they had been in his daddy’s time. Now that the Great War had ended in Europe, the world had changed. People talked about aeroplanes and automobiles and store-bought clothes. Every year brought more Model A’s into the county, and those folks that didn’t run an automobile could take the train into Johnson City or Asheville if they needed to go. You sent money to the mail-order catalogue, and the postman would bring you the goods, all parceled up in brown paper, whatever you’d asked for. They called it “the wish book.” But nobody ever wished for the old days, not in these mountains. They all wanted the future to get here double quick.
But tonight was an echo of the old days… there were horsemen at the edge of the woods.
The boy wondered who these riders were, out on the ridge past midnight, far from a road and miles from the next farm. He could make out three of them just this side of the trees beyond the smokehouse, but in the faint light of the crescent moon their features were indistinguishable. They carried no lantern, and they rode in silence. It took the boy three heartbeats longer to register the fact that the horses made no sound either. He heard no rustle of grass, no snapping of twigs beneath their hooves.
One of the riders detached himself from the group by the woods and trotted toward the porch where the boy stood. He was a tall, gaunt man in a long greatcoat and scuffed leather boots, and he had a calculating way of looking through narrowed eyes that froze the boy to the spot like a snake-charmed bird. The rider looked to be in his twenties, with dark hair and black whiskers outlining his chin, as if he were growing a beard by default and not by design. The boy stared at the face, a pale oval in the moonlight, and he forgot to move or cry out.
The man smiled down at him as if he had trouble remembering how. “Evenin’, Boy,” he said in a soft mountain drawl. “What’s your name then?”
“Rat–they called me Rattler, mister.” It took him two tries to get the sound to come out of his throat.
The rider grinned. “Rattler, huh? Mean as a snake, are you, boy?”
The boy lifted his chin. Even if he was shivering in his nightshirt, he was on his own porch and he would not cower before a stranger. “I don’t reckon I’m mean,” he said. “But I give salt for salt.”
“Fair enough.” The dark man looked amused. “I guess I do the same.” He glanced back at the woods where his companions waited, motionless, shadows in moonlight. “And you’d be–what? About twelve?”
“About,” said the boy. He would be eleven in January.
“Well, snake-boy, what do you say? You want to ride with us?”
The boy shrugged. “Got no horse.”
“Reckon we could rustle you up one.”
The smile again, cold as a moonbeam. The boy hesitated. “You never said who you are, Mister.”
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 19, 1821 — Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. He worked on the translation of an unexpurgated version of One Thousand and One Nights. Also, Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. Philip Jose Farmer made him a primary character of the Riverworld series. (Died 1890.)
Born March 19, 1926 — Joe L. Hensley. Long-time fan and writer who was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006. Very impressive! His first genre fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His co-authors included Alexei Panshin and Harlan Ellison. Though he wrote nearly fifty pieces of short fiction, and much of that is not genre, he wrote just one genre novel, The Black Roads. (Died 2007.)
Born March 19, 1928 — Patrick McGoohan. Creator along with George Markstein of The Prisoner series in which he played the main role of Number Six. (The one and only Prisoner. I know it’s been remade but I refuse to admit it exists.) I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host of. (Died 2009.)
Born March 19, 1932 — Gail Kobe. She has genre appearances with the more prominent being as Jessica Connelly in Twilight Zone’s “In His Image”, in another Twilight Zone episode as Leah Maitland in “The Self-Improvement of Salvadore Ross”, and two Outer Limits episodes, first as Janet Doweling in “Specimen, Unknown” and then as Janet in “The Keeper of the Purple Twilight”. (Died 2019.)
Born March 19, 1936 — Ursula Andress, 87. I’m sure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films.
Born March 19, 1945 — Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. (Died 1999.)
Born March 19, 1947 — Glenn Close, 76. I had not a clue that she’d done genre-friendly acting. Indeed she has, with two of the most recent being Nova Prime in Guardians of The Galaxy, Topsy in Mary Poppins Returns and voicing Felicity Fox in the animated film adaptation of Roald Dahl’s Fantastic Mr. Fox. Before those roles, she was Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events, Blue Mecha in A.I. Artificial Intelligence and Madeline Ashton in Death Becomes Her. Oh the latter is almost too weird in what it is.
Born March 19, 1955 — Bruce Willis, 68. (It’s very sad what’s happening to him.) So do any of the Die Hard franchise count as genre? Even setting them aside, he has a very long genre list, to wit Death Becomes Her (yes another actor in it), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill).
…We agreed that we would form a punk band, whose musical theme would be venting furiously about the minor annoyances that beset ones such as ourselves, which is to say, comfortable middle-aged folks.
Fast forward to 2023, and right now, and I’m happy to announce that Krissy and I do, in fact, have a punk band in which we bemoan the inconveniences of the hugely privileged. We call ourselves OEMAA (pronounced “wee-ma”), which is an acronym for Outrageously Entitled Middle-Aged Assholes, and our first song, “Parking Space,” is the sonic blast of aggrievement emanating from the soul of a man in an SUV who sees the parking space he’s been hovering over get snapped up by another equally entitled jerk in a Lexus. Hell hath no fury like a dude in an SUV, missing out on a parking opportunity…
With the first movie as well as the book series being massive international successes, Warner Bros was fast to get to work on adapting the second book in the Harry Potter series: The Chamber of Secrets. What adventures lay ahead for Harry Potter at his death trap of a magical high school?! People were anxious to see it play out on the big screen. Harry Potter and the Chamber of Secrets definitely raises some questions though. Like why would Hogwarts hire Lockhart and why would he accept, knowing full well that he’s a fraud? Was the Whomping Willow really the best thing they could think of to put on school grounds? Why does the car have a mind of its own? Why did Hagrid send children off to speak to man-eating spiders in the most dangerous forest there is? How did Nearly Headless Nick get unpetrified? Is Fawkes the secret star of this movie?! To answer all these questions and more, step inside the Pitch Meeting that led to Harry Potter and the Chamber of Secrets! It’ll be super easy, barely an inconvenience.
(12) VIDEO OF THE DAY. Colonials debuts in select theaters on April 7 and on digital platforms on April 11.
On his mission from Mars, a space colonist’s ship is attacked by a Moon-based civilization and crash lands on Earth. Having lost his memory, he joins forces with a Resistance to save the galaxy from human extinction.
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Lise Andreasen, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The SyFy television series The Ark happened. I stayed away from it until I was able to be rested and give it the benefit of the doubt….
… I enjoy the exteriors and the flyby’s and all of the other beautiful effort made to showcase the exterior of the ship BUT there were so many things wrong with the ship which you might only know if you have any interest in space ships, extrasolar arks, or naval ship design.
For example and let’s start with the elephant in the room:
• WHO PUTS THE MOST IMPORTANT MEMBERS OF THE CREW IN ONE SECTION OF THE SHIP? Convenient for the plot but unrealistic for the crew of a space exploration vehicle, since if the goal is to provide maximum redundancy, that specialized personnel should be scattered among the crew to reduce the possibility of the command crew being wiped out in a single event.
• I love the fact they knew part of such a generation ship should have rotating sections to provide pseudo-gravity. But that gravity should be confined to the spinning regions of the ship….
This review contains spoilers for the novel “The Three-Body Problem” and the television series “Three-Body.” There’s no way around it.
The highly acclaimed trilogy of Chinese science-fiction novels collectively known as “Three-Body,” in which Earth is threatened with invasion by technologically superior aliens, is generally understood to reflect historical Chinese anxieties about Western domination. Which makes it a little amusing that, 17 years after the story was first serialized, the books are about to get more attention than ever because of a big-budget American adaptation, due later this year on Netflix. Comments about appropriation and cultural sensitivity will start to pour in minutes after the episodes are posted.
In the meantime, little attention is being paid in the United States to an ambitious Chinese series, “Three-Body,” that has beaten Netflix’s “3 Body Problem” to the screen. No trade barriers or worries about state secrets here: The 30 episodes of “Three-Body” are premiering on Rakuten Viki in the United States, with subtitles in English (among many other languages), on the same day they appear in China, where they are reportedly setting viewing records for Tencent’s WeTV streaming service. Outside of the sci-fi fan base, however, they don’t appear to be causing a ripple in America. (The 21st episode arrived on Friday; early episodes can be watched free with ads.)…
(3) HE DOES THE TWIST. In “What Will It Take to Trust M. Night Shyamalan?” the New York Times contends, “The director, whose latest is ‘Knock at the Cabin,’ has been working to regain audience faith, one B-movie at a time.”
… The disaster that was “Lady in the Water” kicked off a four-film slump in which Shyamalan’s budgets were pricier than ever, peaking at $150 million for “The Last Airbender” (2010), yet even added together, their total Rotten Tomatoes score is still rotten.
Shyamalan had hoped that splashy blockbusters would prove he deserved creative freedom. He’d put his faith in a false narrative of Spielbergian success. And he’d failed.
The master manipulator was scared by his own choices.
As for what to do next? The answer was obvious — if he went back to the beginning. Shyamalan borrowed money against his house to make the $5 million found-footage horror flick “The Visit” (2015). Every Hollywood studio passed on distributing it, so he flew home to Philadelphia and polished his edit until Universal said yes. “The Visit” grossed $98 million worldwide, and the director used a cut of his windfall to fund the next film, “Split,” which grossed $278 million, and the next, “Glass,” $247 million; each was shot on his own dime with complete creative independence and all but one of them shot in, essentially, his own backyard. The exception is “Old” (2021), which, because of the pandemic, was filmed at a locked-down resort in the Dominican Republic. He paid for that out of pocket, too.
The truth is, today’s shaky cinematic landscape can barely support the current Spielberg, let alone the next. Instead, Shyamalan is blueprinting a new paradigm.
(4) MEMORY LANE.
1999 — [Compiled by Cat Eldridge.]
Some novels have a short and lovely Beginning and so it is with Neil Gaiman’s Stardust. It is my second favorite novel by him with Neverwhere being the one I like the most and Anansi Boys really the only other one that I like enough to have re-read.
It is, I think, a lovely novel that is very sweet with characters that lack the edges of many Gaiman characters. The setting is fascinating and the story is stellar as well.
There is a recording of him reading it and I strongly recommend y’all go hear it – it’s very obvious that he loves this story.. Neil writes wonderful text, and the reading he does here blends so well with his writing that it’s just a treat.
It garnered a Mythopoeic Fantasy Award for Adult Literature which makes perfect sense, and the film version won a Hugo at Denvention 3.
And here’s that oh so perfect Beginning…
In Which We Learn of the Village of Wall, and of the Curious Thing That Occurs There Every Nine Years
There was once a young man who wished to gain his Heart’s Desire. And while that is, as beginnings go, not entirely novel (for every tale about every young man there ever was or will be could start in a similar manner) there was much about this young man and what happened to him that was unusual, although even he never knew the whole of it.
(5) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 6, 1922 — Patrick Macnee. He was best known as the secret agent John Steed in The Avengers, a role he reprised in the New Avengers. He made his genre debut as Young Jacob Marley in Scrooge. He then starred as Derek Longbow in Incense for the Damned (also released as Bloodsuckers, Freedom Seeker Incense for the Damned and Bloodsuckers, Freedom Seeker and Doctors Wear Scarlet). Next up is an uncredited role voicing Imperious Leader on the original Battlestar Galactica. He played Captain John Good R.N. in King Solomon’s Treasure based rather loosely on the H. Rider Haggard source material. What else? Let’s see… he shows up in The Howling as Dr. George Waggner, as Dr. Stark in a film as alternative title is, I kid you not, Naked Space and Spaceship. It’s a parody apparently of Alien. Next up for him is another toff named Sir Wilfred in Waxwork and its sequel. Yes, he wears a suit rather nicely. At least being Professor Plocostomos in Lobster Man from Mars is an open farce. Yes let me note that he had a voice only role in the absolutely shitty remake of The Avengers as Invisible Jones, a Ministry Agent. I do hope they paid him well. His last film work was genre as well, The Low Budget Time Machine, in which he started as Dr. Bernard. (Died 2015.)
Born February 6, 1927 — Zsa Zsa Gabor. Her first venture into SF was the Fifties very camp Queen of Outer Space which she followed up by being in Frankenstein’s Great Aunt Tillie. She had a cameo in A Nightmare on Elm Street 3: Dream Warriors. She’s Erika Tiffany Smith on Gilligan’s Island, and Minerva on Batman. One of her last appearances was as herself on The Munsters Today as she retired from acting in late Nineties. (Died 2016.)
Born February 6, 1931 — Rip Torn. First genre work that comes to mind is of course RoboCop 3 and his Men in Black films. His first dip into our world comes as Dr. Nathan Bryce In The Man Who Fell to Earth. Yeah that film. Actually if you count Alfred Hitchcock Presents, he’s been a member of our community since his Twenties. He also shows up on The Man from U.N.C.L.E. as well. (Died 2019.)
Born February 6, 1943 — Fabian, 80. Bill Dexter in Dr. Goldfoot and the Girl Bombs. He doesn’t have much of a genre resume appearing only once on Fantasy Island, plus being in Kiss Daddy Goodbye. The latter would be shown on Movie Macabre, Elvira’s early Eighties movie show.
Born February 6, 1943 — Gayle Hunnicutt, 80. I’m giving her Birthday Honors as she was Irene Adler, opposite Jeremy Brett, in the first episode of The Adventures of Sherlock Holmes, “A Scandal in Bohemia”. She also shows up in The Martian Chronicles, The Return of the Man from U.N.C.L.E., The Legend of Hell House, Fantômas (a French series) and Tales of The Unexpected.
Born February 6, 1958 — Cecily Adams. She played Ishka (aka Moogie), mother of the Ferengi brothers Rom and Quark, in four of her five appearances on Deep Space Nine. (Andrea Martin played her the first time.) Most of her genre experience was in such concerns as Who Framed Roger Rabbit, Flash Forward, Lost on Earth, Bone Chillers and 3rd Rock from The Sun. (Died 2004.)
Franz Broseph seemed like any other Diplomacy player to Claes de Graaff. The handle was a joke — the Austrian emperor Franz Joseph I reborn as an online bro — but that was the kind of humor that people who play Diplomacy tend to enjoy. The game is a classic, beloved by the likes of John F. Kennedy and Henry Kissinger, combining military strategy with political intrigue as it recreates the First World War: Players negotiate with allies, enemies and everyone in between as they plan how their armies will move across 20th-century Europe.
When Franz Broseph joined a 20-player online tournament at the end of August, he wooed other players, lying to them and ultimately betraying them. He finished in first place.
Mr. de Graaff, a chemist living in the Netherlands, finished fifth. He had spent nearly 10 years playing Diplomacy, both online and at face-to-face tournaments across the globe. He did not realize until it was revealed several weeks later that he had lost to a machine. Franz Broseph was a bot.
“I was flabbergasted,” Mr. de Graaff, 36, said. “It seemed so genuine — so lifelike. It could read my texts and converse with me and make plans that were mutually beneficial — that would allow both of us to get ahead. It also lied to me and betrayed me, like top players frequently do.”
Built by a team of artificial intelligence researchers from the tech giant Meta, the Massachusetts Institute of Technology and other prominent universities, Franz Broseph is among the new wave of online chatbots that are rapidly moving machines into new territory….
Jupiter isn’t just the largest and most massive planet in the solar system — now, the gas giant also boasts the largest number of moons orbiting it after scientists discovered another 12 moons, bringing the behemoth’s total up to 92.
The orbits of the 12 hitherto undiscovered moons of Jupiter have been published by the Minor Planet Center (MPC) operated by the Smithsonian Astrophysical Observatory, according to a new report from Sky and Telescope. The dozen new moons represent a 15% increase in the planet’s known moons. With these new discoveries, Jupiter seizes the record for “solar system planet with most moons” from the previous record holder, Saturn.
Scientists have found 83 moons to date around the ringed gas giant, the second-largest planet in the solar system. However, astronomers have also found tons of rocks down to about 2 miles (3 kilometers) wide around Saturn without yet tracking the objects precisely, according to Sky and Telescope(opens in new tab). As instruments become capable of studying these smaller moons, Jupiter may have to relinquish its new title back to Saturn.
… They conditioned 35 silky ants (Formica fusca) to associate healthy mouse urine with a sugar-water reward and another 35 to associate the smell of urine from mice carrying human cancer tumors.
It took only three training sessions for the ants to discriminate between odors. These ants are known for their fast learning and memory retention; they can be tested nine times without a reward before their responses start to fade.
In their previous study, the researchers found ants can distinguish between cancerous and healthy cell samples and different types of cancer cells.
Once trained, the ants spent around 20 percent more time near the target odor than others, looking for that sugary reward and incidentally providing a clear and accurate signal of the presence or absence of breast cancer in the mouse urine….
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day by Xtifr.]
