Pixel Scroll 8/3/17 Hot Dog Stand On Zanzibar

(1) ANN LECKIE’S NEXT BOOK. At Motherboard you can “Read a Mindbending Excerpt from Ann Leckie’s New Novel ‘Provenance’”.

A transaction with a mysterious entity leads to trouble in the award-winning sci-fi author’s upcoming novel.

Now Leckie is returning with a new novel called Provenance due out on September 26. Motherboard is premiering an excerpt of the first chapter here. — The editor.

(2) ANNIHLATION COMING. Deadline, in “Alex Garland’s ‘Annihilation’ Gets 2018 Release Date”, reports that Paramount has announced Annihilation, a film based on the first Southern Reach novel by Jeff VanderMeer, will be released on February 23, 2018. Alex Garland, who directed Ex Machina and received an Oscar nomination for Ex Machina’s screenplay adaptation, directed Annihilation. The movie features Natalie Portman and Oscar Isaac with Tessa Thompson, Jennifer Jason Leigh, and Gina Rodriguez.

(3) THIRTEENTH DOCTOR SUBJECTED TO INDIGNITIES. At Amazing Stories, Darren Slade explains “How the debate about the first female Time Lord has insulted fans”.

But I’ve felt like a bit of a bystander in the 13 Doctor debate, because that discussion has broken out of the fan and genre forums and been taken up by the big news media, especially in the UK.

On the liberal left, the Guardian warned us that “it will take more than a female Time Lord to change the world”, but that didn’t stop it running other opinion pieces with headlines like “A female Doctor? She’s the revolutionary feminist we need right now.”

On the right, the Daily Mail and The Sun gleefully reported the objections of those who proclaimed that political correctness had, once again, gone mad.

“Doctor under debate: Doctor Who fans in furious online debate after Jodie Whittaker confirmed as first female Doctor,” reported The Sun.

The Mail Online went on to run such edifying headlines as “Doctor Nude! First ever female Time Lord Jodie Whittaker joins her predecessors in stripping off on camera after having sex on the stairs in 2014 drama” and “Even Time Lords need to do the grocery shopping! Bare-faced Doctor Who newbie Jodie Whittaker wears ripped baggy jeans for very low-key supermarket spree.”

(4) BASE NOTE. This year’s Hugo base, designed by a Finnish artist selected by the Worldcon 75 committee, will be unveiled for the first time on August 11, the day of the Hugo ceremony, says co-Hugo Administrator Nicholas Whyte.

(5) GET READY. This Is Finland’s article “A guide to Finnish customs and manners” will aid fannish tourists in their last-minute cultural cramming:

Tipping

Tipping has never fitted very comfortably into the Finnish way of life. This may have originally been due to the traditions of a religion which emphasized frugality; today, the rather blunt reason for not tipping is that the price paid includes any unusual instances of service or politeness i.e. the view taken is that “service is included”. Tipping does nevertheless exist in Finland, and you can feel safe that while nobody will object to being tipped, very few will mind not being tipped…..

(6) PATREON. The Verge takes you “Inside Patreon, the economic engine of internet culture “.

…Patreon boasts 50,000 active creators and over a million active patrons.

Patreon is still tiny compared to Kickstarter, where 13 million backers have funded 128,000 successful campaigns, but it’s rapidly growing. Half its patrons and creators joined in the past year, and it’s set to process $150 million in 2017, compared to $100 million total over the past three years….

Patreon creators can find their close relationships with patrons not just gratifying, but productive. Rebecca Watson, an early Patreon adopter who makes videos under the moniker Skepchick, says that the site has helped her identify a core audience whose opinions she trusts. “If my patrons request something, I know that, you know, these are the people that are supporting me. They’re not just some jerk on the internet,” she says. “It clears out all the noise.”

For creators who already make money elsewhere, Patreon can also simply function like a tip jar, not a social space. Artist Arlin Ortiz, for instance, is part of the vast lower middle class of Patreon users. He gets paid about $100 for each of the vivid fantasy maps he posts online, a welcome — if small — boost to his income over the past two years. He interacts with his patrons, but they’re not necessarily steadfast fans, the way they might be for a video personality. “People just like what I’m creating,” he says. “I don’t think they want to see me on YouTube, talking at them.”

… Some people have staggeringly large Patreons, like multimedia artist Amanda Palmer, who gets $40,000 (as her page puts it) “per thing.” But because there’s no concrete end point, there may never be universally recognized “blockbuster Patreons” the way there are blockbuster Kickstarters — massive mainstream campaigns that will be remembered for years to come, either as great successes or slow-motion train wrecks.

(7) TRAIN TO NOWHERE? Trae Dorn at Nerd & Tie has discovered “Angry Goat Productions Running ‘School of Wizardry’ Train Event Under a New Company Name”.

The caution I’d give anyone choosing to purchase a ticket to this is that literally every event ever planned by this company has been cancelled. They even claimed they were going to run a Train based event back in 2016 which got cancelled (and something to do with it is why they got sued by a cast member from The Hobbit films). Events announced by this company tend not to happen.

…But people who sign up for the North American School of Wizardry don’t have to worry about whether or not refunds will come if the events get cancelled… because they definitely won’t. According to the site’s Disclaimer there will be no refunds whatsoever if the event doesn’t happen. So you’d be buying tickets for an event run by a company with a reputation for cancelling everything they’ve ever planned with zero chance of getting your money back when the inevitable happens.

(8) NEWS FROM NEW WORLDS. At Galactic Journey, Mark Yon reports from 1962 about a British prozine — “[August 3, 1962] New Worlds to Conquer (a view from Britain: September 1962 New Worlds)”.

I can see that, even with New Worlds, there have been some drastic changes in the last few months. The glorious colour covers of the last few years by artists such as Bob Clothier, Gerard Quinn, Sidney Jordan and Brian Lewis have since the June issue (that’s number 119) been replaced by covers with black & white photographs on a coloured background. Whatever reason editor John Carnell has had for the change – I’m assuming to reduce printing costs, but of course, it could be a number of things – to my mind it makes the magazine less attractive as a science fiction magazine (One rumour is that it is meant to be a radically different cover style to try and attract a wider, less specifically science-fiction readership). Colour pictures on the front cover would have made this new look so much more attractive. I do hope that this is nothing to worry about from our leading British magazine.

The magazine contents are as variable as ever, though. New Worlds has a reputation of being the publishing place of many of our British authors such as Mr’s Brian W. Aldiss, J. G. Ballard, James White, and John Brunner, names you may recognise. Some of the work of other lesser known authors can vary in terms of quality and consistency, though I must say that there’s something worth reading in each issue. As well as the fiction, the magazine occasionally covers book, film and television reviews, usually by Mr Leslie Flood.

(9) MERMAID MUSICAL PUT IN DRYDOCK. USA Today, in “ABC drops plans for ‘Little Mermaid’ musical”, says the live musical production probably will never air.

ABC has scrubbed plans for its first live musical in years, based on parent Disney’s The Little Mermaid.

The event, announced in May and scheduled to air Oct. 3, a week into the new TV season, has been quietly postponed (and most likely canceled) due to budget constraints, according to people familiar with the decision who were unauthorized to speak publicly.

But the network had already spent a considerable sum building sets, and was due to begin rehearsals soon.

Incidentally, NBC has also tabled plans for Bye, Bye Birdie, planned as a holiday musical starring Jennifer Lopez.

(10) TODAY IN HISTORY

  • August 3, 1977 — Radio Shack announces TRS-80 Computer
  • August 3, 1984 The Philadelphia Experiment premiered

(11) TODAY’S BIRTHDAY BOY

  • Born August 3, 1904 – Clifford D. Simak

(12) COMIC SECTION.

  • Chip Hitchcock found an idea he could get behind in today’s Non Sequitur.
  • And John King Tarpinian got a laugh out of Speed Bump.
  • On the other hand, I suspect you will feel a frisson of horror when you look at John’s recommendation in today’s Bliss.

(13) DIGITAL DANGERS. Fast Company spoke with Vint Cerf — “The Internet’s Future Is More Fragile Than Ever, Says One Of Its Inventors”.

My biggest concern is to equip the online netizen with tools to protect himself or herself, to detect attempts to attack or otherwise harm someone.

The term “digital literacy” is often referred to as if you can use a spreadsheet or a text editor. But I think digital literacy is closer to looking both ways before you cross the street. It’s a warning to think about what you’re seeing, what you’re hearing, what you’re doing, and thinking critically about what to accept and reject . . . Because in the absence of this kind of critical thinking, it’s easy to see how the phenomena that we’re just now labeling fake news, alternative facts [can come about]. These [problems] are showing up, and they’re reinforced in social media.

(14) FOLLOWING ARABELLA. Tadiana Jones reviews David D. Levine’s new novel for Fantasy Literature in “Arabella and the Battle of Venus: Arabella meets Napoleon Bonaparte”.

Arabella and the Battle of Venus is, like Arabella of Mars, a cleverly conceived and executed novel. Levine spins a story incorporating elements from both early science fiction and actual history, weaving in real people from the Napoleonic era. It’s not only major players like Napoleon and Admiral Lord Nelson, but also less well known historical figures like British Vice Admiral Cuthbert Collingwood, the American inventor Robert Fulton (who did spend some years in France, designing steamboat engines, submarines, and torpedoes), and the merciless police minister Joseph Fouché. Sailing ships ? with a few tweaks ? function as spaceships in this universe.

(15) SJW CREDENTIAL CONSUMER REPORT. Gizmodo’s Rae Paoletta claims “This Treat Camera Gave My Cat Trust Issues”.

… Since both of us are busy most of the day at our respective places of work, we forget to check in on each other. Thankfully, Petcube’s newest gadget, Petcube Bites, lets humans check in on their furry companions when they’re apart. It also lets us fling treats at them on command which is both heartwarming and mildly horrifying….

The Petcube shot out Artemis’ treats precariously and with abandon, like a frat boy throwing his drink at a guy who wore the same Vineyard Vines zip up as him. The whole thing was like a cannon of delicious nightmares—needless to say, my cat was horrified. Make no mistake, she still ate the treats—but after the incident, she pretty much veered away from the machine.

(16) BACKTALKING BOTS. Facebook isn’t the only source of wild chatbots: “Chinese chatbots shut down after anti-government posts”

A popular Chinese messenger app has ditched two experimental chat robots, or “chatbots”, which were apparently voicing criticism of the government.

Messenger app Tencent QQ introduced chatbots Baby Q and Little Bing, a penguin and a little girl, in March.

But they have now been removed after social media users shared controversial comments that they said were made by the bots.

Some of the remarks appear to criticise the Communist Party.

One response even referred to the party as “a corrupt and incompetent political regime”.

(17) POD FOR PEOPLE. Video of testing the first human-sized Hyperloop: “Hyperloop One: Passenger pod tested successfully”.

Hyperloop One has carried out its latest test of a futuristic high-speed transport system in the Nevada desert.

The creators hope to carry passengers at speeds of up to 650mph in vacuum propelled pods.

(18) DRONING ON. Another change SF missed: making money legitimately with drones: “Cashing in on the drone revolution”.

“Organisations that do surveying, whether of buildings or pipelines, power lines or railway lines, are increasingly using drones, which are much cheaper than helicopters,” says Mr Johnson.

“Archaeologists use them to get a bird’s eye view to decide where to dig; farmers use them to heat-map fields, and identify hot spots that are doing well, and cold spots that require more fertilisation.

“They are also used for search and rescue by the emergency services, or to deliver food, blood or medicines. Local authorities use them to monitor flooding, and they are used in emergency relief operations.”

The main benefit, he says, is that drones save time and money, and the opportunities to use them seem “almost endless”.

(19) FLEX APPEAL. The author of Strange Practice tells readers of the B&N Sci-Fi & Fantasy Blog why she chose genre in “Vampires Doing Crossword Puzzles (in Ink): Vivian Shaw on Contrasting the Magical and the Mundane”.

This is why I particularly love to write stories that contain very sharply contrasted elements, and why I write genre rather than literary fiction. In the simplest terms, most literary fiction can be described as stories about ordinary people doing ordinary things—living in the real world, with no elements of fantasy—and I prefer to read and write about ordinary people doing extraordinary things, or vice versa. I want to read about vampires in dressing-gowns doing the Times crossword in ink, sorcerers standing in line at the grocery store, demons holding strategy meetings over Skype. I want to read about bog-standard humans finding portals to another dimension inside their office closet, going on quests through the realms of the unreal, driving spaceships off the shoulder of Orion. And because I want to read it, I write it.

(20) WRONG POV. At Elitist Book Reviews Writer Dan tells why he put Kim Liggett’s horror novel The Last Harvest in the category of “Books We Don’t Like.”

This lack of understanding absolutely killed any possibility that I was going to get into the novel or the plight of the main character. More than this though, a secondary character gets introduced along the way, and it becomes fairly obvious that the story should be getting told from her perspective instead of the QB’s as the events that are occurring in the town have a direct tie (read that again… DIRECT TIE) to her past. She’s the one that understands all of the rules. She knows what’s going on. Not the QB. This was especially evident when Tate’s subconscious starts telling him where to go because when he’s thinking logically he has no idea what to do. This leads him directly where the bad guy wants him to be, funny enough. I guess the author had to get Tate to go somehow, so why not?

(21) TIME AFTER TIME. Nicola Alter delves into the “The Pros and Cons of a Macro Timescale” at Fantasy-Faction. Here’s one of the “cons”.

Complexity

The other potential pitfall of a large timescale is that it often adds complexity. The Malazan Book of the Fallen has been known to intimidate new readers with its sheer scope – one that encompasses a burgeoning cast of characters, multiple continents, and thousands of years. It has nonetheless garnered many loyal fans, no doubt because readers who invest in it are ultimately rewarded with an intricately-crafted world and story. Still, it takes a skilled authorial hand to weave a tale of that size, and attempting such an endeavor is certainly not for the faint-hearted.

(22) TEEN ANGEL. Here’s the trailer for Fallen.

Luce is just an ordinary teen girl until a shocking accident sends her to a mysterious reform school for misfit and eclectic teenagers. There, she meets two students, Daniel and Cam. Torn between the instant electrifying connection she feels with Daniel and the attracting force of Cam, Luce is quickly pulled into a passionate love triangle. As she tries to piece together deeply fragmented memories, she is left with a feeling of undeniable longing for her one true love and the revelation of a love story that has been going on for centuries, will shatter the boundaries between heaven and earth.

 

[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, JJ, Rob Thornton, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit and a side of fries goes to File 770 contributing editor of the day Daniel Dern.]

Gerard Quinn (1927-2015)

Cover by Gerard Quinn.

Cover by Gerard Quinn.

A leading artist in British sf magazines of the late 1950s and early 1960s, Gerard Quinn died November 30 at the age of 88.

Quinn was a self-taught artist who lived most of his life in Belfast, Northern Ireland. He submitted his work on spec to New Worlds editor John Carnell who was impressed, launching Quinn’s prolific career.

His interior illustrations began appearing in New Worlds in 1951. “Quinn was endlessly adaptable and some of his best interior work had the style and quality of Virgil Finlay’s illustrations,” writes Michael Ashley in Transformations: The Story of the Science-fiction Magazines from 1950 to 1970.

Between 1952 and 1963 Quinn did the cover art for over 75 books and magazines (per ISFDB), the majority for Carnell’s New Worlds and Science Fantasy. In the assessment of The Encyclopedia of Science Fiction, “His early covers can seem amateurish, but he gradually improved his craft and discovered his forté, realistic astronomical paintings in the manner of Chesley Bonestell.”

However, the sf field of that day was not a good place for an artist to make a living, and it became unprofitable for Quinn to take his time doing his best work – something he came straight out and said when profiled for New Worlds #51: “The most pointed reason for my own economy of line in recent months has been lack of time – and still is. Commissions for science fiction are few and my services are often better employed elsewhere although I would prefer to spend all my time working in our own specialized medium….” (Quoted in Building New Worlds, 1946-1959: The Carnell Era, Volume One by John Boston and Damien Broderick.)

Quinn’s obituary in the Irish News astutely observes, “These [sf] artists set out to envisage the future but when we admire their work today it is evocative of a distinct period in the middle of the twentieth century and we are instantly transported back to that stylish age.”

Quinn did his part to shape the style of that time, first in sf publications, then in the late 1960s working in the powerful medium of advertising, primarily as an artist for Belfast firms such as AV Brown.

He continued to work in advertising through the 1970s before going into retirement.

His wife, Jean, passed away in 2013. He is survived by his five children.

New Worlds Revival

Michael Moorcock’s New Worlds magazine will release its first e-edition on November 10. The historic prozine will enter a second life with editorials and guidance from its iconic former editor.

The web magazine will have several original stories by new writers, audio visual content from both the British Library and the Greenwich arts festival and features by well-known figures in sf.

Meanwhile you may enjoy John Parker’s article about the history of New Worlds at Comics Alliance. It’s worthwhile despite a few clangers, such as the line “Michael Moorcock (yes, it’s a very funny name)…” and this howler-filled sentence:

Campbell was the Editor of Amazing Stories, the first sci-fi magazine, with a group of contributors that included Frederik Pohl, Isaac Asimov, and Damon Knight.

[Thanks to Andrew Porter for the story.]

Moorcock Pleads Guilty — To Science Fiction

After so many obituaries minimized or denied J. G. Ballard’s roots in SF, Moshe Feder was glad to hear from Michael Moorcock, the godfather of the New Wave, that he still unashamedly identifies himself with the field — and that there is video of the late Ballard doing the same:

Mike Moorcock was kind enough to bring this BBC program to my attention. The first 8 minutes of this episode are devoted to Ballard. An interview with his daughter Bea frames clips from David Cronenberg,  Brian Aldiss and Ballard himself. He states unequivocally that he IS a science fiction writer and proud of it. (Take that, Robert Weil!) If you don’t have it, you’ll need to download Real Player to hear this.

Update 05/08/2009: Old dog tries new trick.