2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)


All Systems Red [The Murderbot Diaries #1], by Martha Wells (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

What I thought: This seems to be the runaway Filer favorite Novella this year, and I’ll add my voice to everyone else raving about this story. Action, suspense, and adventure with a rogue military AI whose personality is displayed subtly and with a slight bit of delightful snark. This is real SF space opera, the way it should be done. #2, Artificial Condition, comes out in May 2018, and #3, Rogue Protocol, will be released in August 2018. Given how much I enjoyed this, I’m going to have to check out Wells’ Raksura series.

Filer Comments:

  • Lace: arrived Tuesday and I finished it Wednesday. Fun was had. I enjoyed the narrator and its humans – the book is stuffed full of potential for touching moments of cyborg-human connections, which would happen in a different book and don’t in this one. It’s on the list for now, it may well stay there, and I’ll definitely tune in for future instalments.
  • Mark-kitteh: a Tor.com novella that is probably the start of a series (it subtitles itself The Murderbot Diaries) but is nicely self-contained. Its narrator calls themselves “Murderbot” because as a cyborg security unit they don’t have a real name and that’s how the real humans seem to see them, even though behind their armour there’s a more complex intelligence that binge-watches soap operas but can’t stand real life melodrama. So there are two story strands – an action-adventure plot as they are assigned to protect a survey group exploring an alien planet while Shenanigans occur, and exploring the narrator’s character as they react to the group of humans they’ve fallen in with. (If you read Questionable Content then you might see some parallels with the recent storyline there as well.) The adventure plot is good, but the personal storyline is great.
  • Greg Hullender: I gave it five stars. I agree wholeheartedly that the development of the character of the “MurderBot” is the strong point of the story, but I loved how the author did such great character development and worldbuilding without a single infodump. All the dialogue was natural. All the narration was transparent. And all the key plot points were adequately foreshadowed. All of that on top of nonstop action.
  • Rose Embolism: So, I really enjoyed the excerpt at Tor.com. The problem is. ..now I just can’t help but visualize Murderbot as Bubbles from Questionable Content.
  • Linda S: I loved it, and I’ll almost certainly be nominating it for a Hugo next year.
  • Ghostbird: I don’t know if I’d call Murderbot a companionable character but I find them very relatable. I’d recommend the book to anyone who’s cultivated detachment in an awful workplace.
  • Paul Weimer: The tight first-person point of view really does help here in making Murderbot a relatable character, and Wells shows just how important point of view is to telling the story in the way you want to. I can imagine a good Murderbot novella with a 3rd person limited point of view. We might even get some more details on the worldbuilding that I’d love to have. But we’d lose that deep dive into Murderbot’s mind and soul, and the work, IMO, would be lesser if she had chosen that path. A 2nd person Murderbot story would be interesting, I think.
  • Lee: I would say that Murderbot is a compelling character rather than a companionable one. I would also say that their thought processes are a lot like mine when I’m having to put on a polite face while doing something I would very much rather not be doing. I powered my way right thru the story – it dragged me in from the opening scene, and the mystery element was challenging and well-done. It’s definitely got a place on my Hugo nominations for 2018. I notice a thread of similarity between this, the Ancillary trilogy, and A Closed and Common Orbit; they all involve a created intelligence trying to learn how to function beyond its original parameters. This suggests that I’ve got a strong interest in stories which explore that concept and do it well.
  • lurkertype: So I read Murderbot last night, and liked the story. It’s really good, and the interactions between Murderbot and the humans are great. Lots of action. I agree with @Lee’s analysis. This is going on my embryonic Hugo list for next year.
  • Viverrine: just finished Martha Well’s All Systems Red and can’t wait for more Murderbot stories. Thought it did a great job with the narrator’s perspective.
  • Arifel: [It] has already had a lot of deserving hype among Filers – I also loved it and wrote a little bit about it here.
  • Eve: My short list is Wells’ All systems red (Murderbot)…
  • Bonnie McDaniel: Seconding this rec as well, because of the fantastic title character. (Also because sometimes, the cranky misanthropic Murderbot, with its desire to be left alone with its books entertainment feeds, reminded me of… me.) Seriously, though, I realized that Murderbot is pretty much the anti-Data – the artificial being who doesn’t want to be human. It’s a fresh take on the android trope, and I’m looking forward to the sequel.
  • Red Panda Fraction: I finished [it] last night in one sitting, and I really enjoyed it. It’s on my list.
  • Kyra: I’ll chime in along with everyone else who’s already recommended this one. A nice novella with tight plotting and a great main character. I like that it didn’t go for easy answers to the protagonist’s issues. I’m looking forward to the sequels.
  • Cheryl S.: Count me as very pro Murderbot. As soon as I finished it, I started a re-read.
  • Kendall: Y’all have to stop rec’ing things that keep me up two nights in a row. This was excellent, plus it wasn’t what I expected (a good thing, here). The personality, the interactions, the mostly-suppressed-but-expressed emotions – Wells did a great job with everything here. Perfect ending. I look forward to the next two!
  • Cassy B: I just bought and read [it] per Kendell’s rec above. And then immediately started evangelizing about this book to everyone I know. I *love* the narrative voice. Absolutely on my Hugo ballot.
  • Bookworm1398: So far I have… Murderbot for Best Novella.
  • Camestros Felapton: Despite some dark plots, murders and monstrous local fauna, this is a very compassionate story. Beyond Murderbot themselves, the individual characterisation isn’t deep but Wells quickly establishes a feel for what the team Murderbot is protecting is like. A mix of well meaning but wary people, the relationship between the survey team and Murderbot has a strong and plausible arc that gives the story some real soul.
  • Chris S.: I have to admit I inhaled this in one sitting, really enjoyed the concept. Origins of the murderbot personality still seem to be a mystery. Would definitely recommend, despite some dodgy plotting.

And Then There Were (N-one), by Sarah Pinsker (full text)

Uncanny Magazine March-April 2017, editor unknown

Synopsis: A quantomologist who discovers how to access parallel universes arranges a convention for attendees who are all versions of herself from slightly divergent universes.

What I thought: This murder mystery novella uses a format familiar to many SFF fans – a convention with keynote speeches and panels on relevant subjects of interest – to provide the setting for an exploration of the theme in Frost’s Road Not Taken. It’s a powerful metafictional musing on choices and consequences and what’s most important in life – and how one’s priorities can change, depending on the results of previous choices. I loved it. This is definitely going on my Hugo Novella ballot.

Filer Comments:

  • David Goldfarb: Quick note to all, that I’ve just put [this as] the first work this year on my Hugo longlist record for next year… I found it well-written and amusingly meta, although I did guess in advance the outlines of the solution to the mystery.
  • Meredith: Throughly enjoyable multiverse murder mystery where all the suspects are the same person. Ish.
  • Lace: a different, introspective read. A bit more con experience could’ve been fun, but what we saw worked. I was also pleased that whodunnit vf bar ynlre qrrcre guna gur boivbhf fbyhgvba jvgubhg orvat bhg bs yrsg svryq.
  • Arifel I don’t think I’ve ever read anything quite like this, and I wish it had been twice as long.
  • Arifel: wonderful and i keep forgetting it’s a novella as it was published in Uncanny.
  • Andrew: I really liked that one and have been recommending it to a lot of folks.
  • Laura: Here are my favs so far… Novella: And Then There Were (N-One), Sarah Pinsker
  • Short Story Squee and Snark discussion

Lightning in the Blood, by Marie Brennan [Ree Varekai #2, sequel to Cold-Forged Flame] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: Once, there was a call – a binding – and so, a woman appeared, present in body but absent in knowledge of her past self. Making the ultimate journey of rediscovery was not without its own pitfalls – or rewards – and now Ree, a roaming archon, spirit of legend and time and physically now bound to her current form, has yet to fully uncover her true identity. Ree has spent her last innumerable seasons on the move – orbiting, in some sense, the lands of her only friend in this world, Aadet, who has become intricately involved in the new post-revolution politics of his people. Swinging back from the forests surrounding Solaike, Ree falls in with another wandering band, some refugees accompanied by their own archon, who seems to know much more about Ree’s own origins than she ever dared to hope.

What I thought: I really enjoyed the first in this series, Cold-Forged Flame, enough to put it on my Hugo ballot last year, and this is a worthy successor. I really love the world and the characters, and I’m looking forward to more in this universe. I thought this series was so good that it convinced me that I need to read the author’s Lady Trent series sooner, rather than later, even though it’s based on a very different premise.


The Runabout, by Kristine Kathryn Rusch [Diving Universe #6] (42677 words) (excerpt)

Asimov’s Science Fiction Mar-Apr 2017 / WMG Publishing, edited by Sheila Williams

Asimov’s cover art by Jim Simpson; WMG cover art by Philcold/Dreamstime, design by Allyson Longueira

Synopsis: A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it “The Boneyard.” She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: The ship’s active anacapa drive. To escape the Boneyard, Boss must deal with the drive. Which means she’ll have to dive the ship on limited time and under extremely dangerous conditions. And she can’t go alone.

What I thought: I love love love Kristine Kathryn Rusch’s Diving Universe, which saw the release of The Runabout this year (which is currently on my ballot for Best Novella as well as Best Series). The series focuses on a spaceship-wreck-exploration company, and includes time travel and lots of mystery, action and adventure. The Runabout, and its predecessor The Falls, while they each stand alone, are intertwined stories – but I recommend reading the rest of the series from the beginning, because there’s background and worldbuilding, especially in the first 2 books, which really enhance the rest of them.

Filer Comments:

  • Greg Hullender: I liked The Runabout so much that I went out and bought the rest of the stories in the series.

Passing Strange, by Ellen Klages (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover art by Gregory Manchess, design by Christine Foltzer

Synopsis: San Francisco in 1940 is a haven for the unconventional. Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet. Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where magic, science, and art intersect.

What I thought: This story is loosely based on the life of Margaret Brundage, a prolific artist of more than 70 covers plus many interior illustrations for the early SFF pulp magazines (primarily Weird Tales). While the SFFnal elements are slight until the end, I really loved the way the story captured the cultural context of that time and place, as well as telling a poignant story of love and friendship, with beautifully-realized characters. I enjoyed this so much that I was sorry to see it end, and it will definitely be on my Hugo ballot.

Filer Comments:

  • Mark-kitteh: I was going to pass on this because the concept sounded far too light on fantastic elements for my tastes, but some rave reviews persuaded me to try it. I was right that it was very light on the actual fantasy, but it was beautifully written with compelling characters and relationships, and the historical elements of 40s San Francisco were fascinating, so I’m glad I picked it up.
  • Kurt Busiek: Started reading [it] last night, and so far it’s terrific.

The Memoirist, by Neil Williamson (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: In a near future where everyone is wired to an interactive evolution of the Internet, ubiquitous tiny recording drones which make everyone’s personal lives fodder for public consumption are an accepted fact of life. A young journalist scores a rare, highly-enviable job writing the memoirs of the reclusive retired lead singer from a historically-famous rock band which mysteriously broke up after something happened… but despite rumors and speculation, no one knows what that something actually was. Why are so many powerful people determined to wipe a poignant gig by a faded rock star from the annals of history? What are they so afraid of? Rhian has no idea of the dangerous path she is treading, nor the implications of her discoveries, which may well alter the course of human history…

What I thought: I really, really liked this story. It blends a realistic projection of future technology with an intriguing mystery. I think that fans of Sarah Pinsker’s Our Lady of the Open Road might really enjoy this one.


The Ghost Line, by Andrew Neil Gray and J. S. Herbison (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by John Harris, design by Christine Foltzer

Synopsis: The Martian Queen was the Titanic of the stars before it was decommissioned, set to drift back and forth between Earth and Mars on the off-chance that reclaiming it ever became profitable for the owners. For Saga and her husband Michel, the cruise ship represents a massive payday. Hacking and stealing the ship could earn them enough to settle down, have children, and pay for the treatments to save Saga’s mother’s life. But the Martian Queen is much more than their employer has told them. In the twenty years since it was abandoned, something strange and dangerous has come to reside in the decadent vessel. Saga feels herself being drawn into a spider’s web, and must navigate the traps and lures of an awakening intelligence if she wants to go home again.

What I thought: I thought that the worldbuilding and characterization in this space opera mystery about an awakening AI were really well-done, and am hoping for more from the authors in this universe. Depending on how my Hugo ballot shakes out, this could be in the running for an appearance on it.


Penric’s Fox, by Lois McMaster Bujold [Penric #5, sequel to Penric and the Shaman] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Some eight months after the events of Penric and the Shaman, Learned Penric, sorcerer and scholar, travels to Easthome, the capital of the Weald. There he again meets his friends Shaman Inglis and Locator Oswyl. When the body of a sorceress is found in the woods, Oswyl draws him into another investigation; they must all work together to uncover a mystery mixing magic, murder and the strange realities of Temple demons.

Filer Comments:

  • Lace: takes place after Penric and the Shaman, with some supporting characters in common. I liked this one more than the pair starting with Penric’s Mission. It’s in the middle of my pack of maybes for the Hugo ballot, though I’ve only collected a couple of probables so far.
  • Kendall: Bujold goes back in time to write a story connected to (and not long after, IIRC) Penric and the Shaman. I enjoy the Penric & Desdemona novellas a lot; this is a very good addition to the line-up, a little mystery-adventure with more talk about cbffvoyr pbaarpgvbaf orgjrra qrzbaf naq funznavp cbjref.

Mira’s Last Dance, by Lois McMaster Bujold [Penric #4, sequel to Penric’s Mission] (audio excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: The injured Penric, a Temple sorcerer and learned divine, tries to guide the betrayed General Arisaydia and his widowed sister Nikys across the last hundred miles of hostile Cedonia to safety in the Duchy of Orbas. In the town of Sosie, the fugitive party encounters unexpected delays, and even more unexpected opportunities and hazards, as the courtesan Mira of Adria, one of the ten dead women whose imprints make up the personality of the chaos demon Desdemona, comes to the fore with her own special expertise.

Filer Comments:

  • ULTRAGOTHA: my least favorite so far of her Penric stories. There doesn’t seem to be as much there there, this time. There will probably be another Penric story as this one ends in a good place for it to end, but there’s obviously more to come. It takes up immediately after Penric’s Mission with the same three characters (or 15 if you count the Lioness and the Mare). I find Bujold’s stories always, always, improve on re-reading. It’s extraordinary how she manages to do that! So I suspect I’ll like it better the next time around.
  • Arifel: I have to give a massive “wait what????” to. Of course it’s all good solid well written Bujold fun, but the main plot makes light of transphobia and violence against sex workers in a way i was really disappointed by (the more spoilery elaboration is that Craevp, jvgu n cnegvphyne snprg bs Qrfqrzban ng gur uryz, ratntrf va na riravat bs frk jbex jvgu n urgrebfrkhny zna juvyr cnffvat nf n jbzna, naq zbfg bs gur punenpgref rkcrpg gur phfgbzre gb erfcbaq jvgu ivbyrapr vs Craevp vf bhgrq – fb sne fb ernyvfgvp, naq V unir ab crefbany vffhr jvgu gur jnl frk jbex be traqre naq frkhnyvgl ner cerfragrq va n ernfbanoyl znggre bs snpg jnl, ohg V URNIVYL dhrfgvba Ohwbyq’f qrpvfvba gb cynl nyy guvf nf n uhzbebhf fbhepr bs grafvba.)

The Prisoner of Limnos, by Lois McMaster Bujold [Penric #6, sequel to Mira’s Last Dance] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Temple sorcerer Penric and the widow Nikys have reached safety in the duchy of Orbas when a secret letter from a friend brings frightening news: Nikys’s mother has been taken hostage by her brother’s enemies at the Cedonian imperial court, and confined in a precarious island sanctuary. Their own romance still unresolved, Nikys, Penric, and of course Desdemona must infiltrate the hostile country once more, finding along the way that family relationships can be as unexpectedly challenging as any rescue scheme.

What I thought: I will say that while I have really enjoyed all of the Penric novellas, possibly Penric’s Mission (which was actually well into novel length) might be the only one I really felt rose to Hugo level for me. Both last year, and this year (so far), the rest of them are in my Top 10 but not in my Top 5. They’re great stories, but they seem a bit slight compared to the Vorkosigan stories; they’re solid but not exceptional. That’s probably a function of length, but also probably of their “quietness”. I suspect that if Mission / Dance / Prisoner had been released as one novel, they’d have more of an impact for me. (I re-read Mission before reading Dance, and I re-read Dance before reading Prisoner. For those who have the ability and the reading time to do that, I recommend doing so.)

Filer Comments:

  • Mark-kitteh: The new Penric is good.
  • techgrrl1972: I loved the new Penric, although I don’t always appreciate Lois’ choice of where to stop. It’s not like she needs these sortakinda cliffhangers to draw us back for the next instalment!
  • JJ: I wouldn’t necessarily say that it ends with a cliffhanger. It stops at a logical place, having completed this particular story, but with plenty of seeds dropped for future adventures.

Down Among the Sticks and Bones, by Seanan McGuire [Wayward Children #2, prequel to Every Heart A Doorway] (excerpt Ch 1-2) (audio excerpt Ch 3)

Tor.com Publishing, edited by Lee Harris

cover photographs by Getty Images, design by FORT

Synopsis: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children. This is the story of what happened first… Jacqueline was her mother’s perfect daughter – polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline. Jillian was her father’s perfect daughter – adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got. They were five when they learned that grown-ups can’t be trusted. They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

What I thought: I really enjoyed the first novella, and this one provides some good character development for the twin sisters from that story. I re-read the first one after reading this, so the inconsistency between the two endings – probably an artifact of trying to retrofit a prequel after the later story has been published – was rather obvious. Nevertheless, I thought this was very good, but it didn’t quite reach the level of Doorway for me. The third novella, Beneath the Sugar Sky, comes out in January 2018.

Filer Comments:

  • Beth in MA: Premise: What happened to Jack and Jill before Every Heart a Doorway? We find out about the world they went to and what happened there. I picked this up on my birthday weekend trip and really loved it! The world is creepy and yet, the real world for the twins was creepy too. In fact, in some ways, the real world for them was worse. We see how that world affected them in the otherworld they visited. It is definitely at the top of my 2017 novella longlist.
  • Chip Hitchcock: So with the discussion of Every Heart a Doorway coming back, has anyone else read the partial prequel, Down Among the Sticks and Bones? I just finished it and am very torn; it’s a powerful story, but there’s much more telling than showing, including a lot of “this is the way Story goes” lines. It’s possible that showing would have taken a much larger book (a very fast count suggests it’s 30-35K words), or even technique McGuire doesn’t have yet (based on my having read most of what’s she’s written), or maybe she’s deliberately writing something that might be called interpreted fiction?
  • Peer Sylvester: Just finished [it]. The short version: Its the Roald Dahlish backstory of Jack and Jill and thats a bit of a problem, because Jack has revealed her backstory in Doorway already and this is just the fleshed-out-version of said backstory. So, there is not much room for surprises here. But its beautifully written – again! If you like Seanan McGuires writing style (and I very much do), you will enjoy this as well. I just hope the third wayward children book will offer a bit more in terms of story.
  • Kendall: I listened to McGuire narrate her novella Down Among the Sticks and Bones this week; she was a pretty good narrator. The book was good, but I liked the first one better. Two minor criticisms (leaving off a third tiny nit I was going to pick): There was too much “I will now talk about how I’m telling you the story that you’re reading” and faux-children’s-book stuff. The former (weirdly) seems like it would work better in print, and was a little clunky; the latter isn’t really my style. Am I misremembering the first novella – did it do this, too?! I want to re-listen anyway, to see the twins now that I’ve listened to the prequel. The twins’ pre-door back story should’ve been shorter. The background helped us understand how they became the people that made the choices they did in the Moors, and how they developed into the characters we met in the first book. But it was too long and a bit tedious. Also, it was the most juvenile-written part (as in, seemingly written for juveniles), too, which isn’t to my taste. The Moors remind me of D&D’s Ravenloft – in a good way. I was very interested to see Qbpgbe Oyrnx pbhyq perngr n qbbe; and to see fbzrbar jub jrag guebhtu n qbbe ohg unq n snvyrq “fgbel” naq jnf genccrq, rgp. Anyway, overall, I enjoyed it and look forward to the next one.
  • Karl-Johan Norén: @Kendall: Every Heart a Doorway is very straightforwardly narrated, so no, it differed from [this one] both in tone and in narrative style. I think the main trouble with Sticks and Bones is twofold: first it’s a prequel, so you have start and end points set, second any story set in McGuire’s fairylands is likely to depend heavily on narrative causality. I’m not sure she has leveled up as an author enough yet to tackle works that explore works of narrative causality yet (not like, say, Cat Valente or the late Terry Pratchett).
  • David Goldfarb: I just finished reading [it], and my socks were knocked off to the extent that it made me go back and re-read “Every Heart a Doorway”. The first time I read Heart I was annoyed by some of its flaws (chiefly that I found the solution of the mystery plot a bit obvious), but this time I was able to focus more on the themes of self-acceptance.
  • Bonnie McDaniel: I actually liked this better than Every Heart a Doorway, as it lacked the somewhat distracting murder mystery plot. This tightly written backstory of Jack and Jill, and nightmare parenting, pulls no punches. At the end, the reader knows just what the twins found in their portal world of the Moors, and understands why they would do anything to return there.
  • Arifel: (specifically the audiobook version read by the author: ) I find it hard to pay attention to audio for long periods of time, but I listened to the whole 4 hours of this in almost one sitting without getting distracted. It’s a powerful story about femininity and sisterhood which worked better for me on a first pass than Every Heart A Doorway. Excellent narration. Will be very surprised if this isn’t on All The Lists at the end of the year

Dusk or Dark or Dawn or Day, by Seanan McGuire (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photographs by Emma Cox and Corey Weiner, design by Jamie Stafford-Hill

Synopsis: When her sister Patty died, Jenna blamed herself. When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline. But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

What I thought: I really enjoyed this story. McGuire’s work, in my opinion, ranges from very good to absolutely fantastic. I’d put this one in the very good range; I thought that it was solid and well-done, but not exceptional.

Filer Comments:

  • Mark-kitteh: This is… a separate standalone in a new continuity. Any description of the plot spoils a well-played reveal early in the story so I’m going to keep quiet, but it’s just as readable as you’d expect from McGuire. What I particularly liked was that it had some of the older Urban Fantasy feel of being about people and places and the connections between the two. There’s an element that deserves a content note (rot13 although it’s also obvious from the blurb: Gur znva punenpgre jbexf ng n fhvpvqr ubgyvar naq ure fvfgre pbzzvggrq fhvpvqr) but I believe it’s handled sensitively.
  • Peer Sylvester: Thanks to the Filers who recommended [this]! It was just the right read for a sick day in bed… Easy, but very nice indeed, great world Building, great characters, just the story was a bit on the thin side. But beautiful written and as I sad good “Comfy-iterature” (And yes, its best to go in it totally “cold”, i.e. knowing nothing about the story)
  • Cassy B.: A compelling ghost story… written from the point of view of the ghost.

Idle Ingredients, by Matt Wallace [Sin du Jour #4, sequel to #1 Envy of Angels, #2 Lustlocked, and #3 Pride’s Spell] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Catering for a charismatic motivational speaker, the staff of the Sin du Jour catering agency find themselves incapacitated by a force from within their ranks. A smile and a promise is all it took. And for some reason, only the men are affected. It’s going to take cunning, guile and a significant amount of violence to resolve. Another day of cupcakes and evil with your favorite demonic caterers.

Greedy Pigs, by Matt Wallace [Sin du Jour #5] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Politics is a dirty game. When the team at Sin du Jour accidentally caters a meal for the President of the United States and his entourage, they discover a conspiracy that has been in place since before living memory. Meanwhile, the Shadow Government that oversees the co-existence of the natural and supernatural worlds is under threat from the most unlikely of sources. It’s up to one member of the Sin du Jour staff to prevent war on an unimaginable scale. Between courses, naturally.

Gluttony Bay, by Matt Wallace [Sin du Jour #6] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Welcome to Gluttony Bay High Security Supernatural Prison. We value your patronage. For your entertainment this evening, we are delighted to welcome the world’s most renowned paranormal culinary experts. And on the menu: You.

What I thought: I’m another that loves this series: for the appealing characters, the inventiveness of the otherworldly cuisine, the humor which is great without going over-the-top into cringeworthy, and the way he intertwines the supernatural world with the real world so deftly that it’s utterly believable. Content note: While all of the novellas have some element of gore and/or violence, Gluttony Bay is particularly so. The 7th (and ostensibly the last) Deadly Sin du Jour book, Taste of Wrath, comes out in April 2018.

Filer comments on the Sin du Jour series:

  • Alasdair: One of the Crown Jewels of Tor’s novella lone. Inventive, funny and immensely confident writing.
  • Greg Hullender: The biggest problem I have with this series is that there are too many characters, and they can be hard to tell apart. As a consequence, the individual stories (apart from “Small Wars”) don’t stand alone very well.
  • Kendall: I love this series!
  • Cheryl S.: I really love this series and look forward to every new novella, because they’re terrific; well written, with interesting, offbeat characters that grow in unexpected directions. Plus, there’s always something funny but totally plausible in each one (Goblin King anyone?).
  • Kendall: I also finished Greedy Pigs last night – the latest “Sin du Jour” novella. I read Idle Ingredients… and they’re more closely connected plot-wise than previous entries, ISTM… I enjoyed earlier entries a little more, but I can’t pinpoint why, sorry. Unrelated, but it seemed like there was less food?! LOL. I like that Darren’s and especially Lena’s characters are developing, in these two novellas, and I look forward to the final two entries in the series.

Acadie, by Dave Hutchinson (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Stephen Youll, design by Christine Foltzer

Synopsis: The Colony left Earth to find their utopia – a home on a new planet where their leader could fully explore the colonists’ genetic potential, unfettered by their homeworld’s restrictions. They settled a new paradise, and have been evolving and adapting for centuries. Earth has other plans. The original humans have been tracking their descendants across the stars, bent on their annihilation. They won’t stop until the new humans have been destroyed, their experimentation wiped out of the human gene pool. Can’t anyone let go of a grudge anymore?

What I thought: This is an interesting story and an enjoyable read, but perhaps suffers a bit in execution by comparison to similar stories; explaining why would be spoiling the story, so I’ll just suggest reading this if the synopsis appeals to you.


Agents of Dreamland, by Caitlín R. Kiernan (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover photograph by Getty Images, design by Christine Foltzer

Synopsis: A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman. In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible – the Children of the Next Level – and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in. A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact. And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

What I thought: There are a lot of elements in this work which will only really have meaning for someone who has at least a passing familiarity with Lovecraft’s works. I found it to be more of a “and then this happened… and then this happened…” story, and less what I’d consider a story with a plot and a resolution (but I guess that description would apply to a lot of Lovecraft works). In a review of Dreamland, James K. Nelson says “enough is resolved to satisfy the reader, but we never fully get our bearings on the forces at work. ” I’m going to disagree with him on that; I didn’t think that enough is revealed to be satisfying. I do think that Lovecraft fans will enjoy this, though.

Filer Comments:

  • PhilRM: Two agents from separate, mysterious government agencies – a man known only as the Signalman, and a woman who is even more mysterious than the agency she works for – meet in Winslow, Arizona to trade information on a horrifying event that occurred in a decaying house near the Salton Sea, an event that proves to be only the latest in a series, and will not be the last. No one does modern-day Lovecraft better than Kiernan: this searing, disturbing novella takes place in a universe that, at best, is bleak and indifferent. It also lies at the SF end of the SF/horror spectrum, as in most of late Lovecraft. You will benefit from having read Lovecraft’s The Whisperer in Darkness, but it’s not required. Beautifully written and as dark as a dream of Yuggoth.
  • Mark-kitteh: Another in [Tor.com’s] mini-theme of Lovecraftian stories… and probably the one least likely to be accessible to non-fans of Lovecraft. It’s a rather twisty tale about an unnamed investigator looking into a weird cult with a sense of quiet desperation, while a prescient colleague follows similar threads with quiet acceptance. It was suitably moody but I wasn’t that taken with it.
  • Bonnie McDaniel: I loved this. It’s dense, complex, non-linear, with great characterizations and beautiful writing. It’s a surprisingly successful, if bizarre, blending of Lovecraft and The X-Files, with an alien invasion fit to give anyone nightmares. It’s a shame Kiernan isn’t better known, and it would be great if this story could change that. For the moment, at the top of my Hugo list.
  • Rob Thornton: I wasn’t too hot on Kij Johnson’s Dream-Quest of Vellitt Boe (paled next to the original despite the 21c updates) but Kiernan’s Dreamland truly captures the feverishly bizarre quality of good Lovecraftian fiction. Highly recommended and of course it is on my Hugo list.

At the Speed of Light, by Simon Morden (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: A breathless drama set in the depths of space. Aboard a ship that has travelled beyond the reach of human knowledge, Corbyn discovers he is not as alone as he ought to be.

What I thought: A novella about how a near-light-speed vehicle might work, with an uploaded mind as an AI and adaptable drones, and the technical aspects of relativity and maneuvering at such a speed. I found it very Interesting, but the plot, such as it is, is just set dressing for the technical aspects. I’m not sorry I read it, but I can’t enthuse about it either. I gave it 3.5 stars. Morden has a murder mystery set on Mars, One Way, coming out in February 2018 (under the name S.J. Morden), which sounds good enough that I’m already on my library’s waiting list for it.

Filer Comments:

  • Mark-kitteh: I read [it] as well, and I’d totally agree – all the clever science couldn’t cover for a rather meh story.

Binti: Home, by Nnedi Okorafor [Binti #2, sequel to Binti] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Dave Palumbo, design by Christine Foltzer

Synopsis: It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she found friendship in the unlikeliest of places. And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders. But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace. After generations of conflict can human and Meduse ever learn to truly live in harmony?

What I thought: Like the previous novella, this story has some interesting world-building – but like the previous one, it relies on another deus ex machina in the third act to get where it wants to go. It’s well worth reading, but won’t be on my Hugo ballot.

Filer Comments:

  • Arifel: a very worthy continuation of 2015’s winner, and I’m very excited to see how the final(?) installment [Binti: The Night Masquerade, coming out in January 2018] pans out.

Brother’s Ruin, by Emma Newman [Industrial Magic #1] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: The year is 1850 and Great Britain is flourishing, thanks to the Royal Society of the Esoteric Arts. When a new mage is discovered, Royal Society elites descend like buzzards to snatch up a new apprentice. Talented mages are bought from their families at a tremendous price, while weak mages are snapped up for a pittance. For a lower middle class family like the Gunns, the loss of a son can be disastrous, so when seemingly magical incidents begin cropping up at home, they fear for their Ben’s life and their own livelihoods. But Benjamin Gunn isn’t a talented mage. His sister Charlotte is, and to prevent her brother from being imprisoned for false reporting she combines her powers with his to make him seem a better prospect. When she discovers a nefarious plot by the sinister Doctor Ledbetter, Charlotte must use all her cunning and guile to protect her family, her secret and her city.

Filer Comments:

  • Mark-kitteh: This is a Victorian urban fantasy, although apparently they want us to call it a Gaslamp Fantasy which, hmm, let’s see if it catches on. It’s the start of a series and does an ok-but-not-brilliant job of being a standalone story, mostly setting up the world and getting some initial plot, which is that magic in England is controlled by three competing Guilds, rogue mages are caught and forcefully enrolled, and there’s something non-specifically rotten going on with the whole system, which our protagonist will undoubtedly be bumbling into at some point. Speaking of our protagonist, Charlotte is an artist who is already hiding her mundane talent under a bushel by illustrating under a male pseudonym, which leads neatly into the inevitable discovery that she’s also hiding a non-mundane talent under a bushel too… Anyway, Emma Newman is a good writer of UF already, and so this is a good piece of UF and I like the (ahem) gaslamp setting, but I ended up feeling a bit like I’d been served up the first third of a novel. I’ll be picking up the sequel(s) but I really wish first volumes would be a bit more standalone, and if you’re likely to be frustrated by that then you might want to hold off.
  • Kendall: first of two (or four, if they sell well!) in the Industrial Magic set of novellas, which Tor’s calling gaslamp fantasy. IIRC it’s around the 1850s, around the industrial revolution, but powered by magic. Magi are required to work for the Crown via the Royal Society and can’t marry or pursue other endeavors. Hiding your magic (or even not reporting someone else you know has magic) is against the law. It’s all a bit dire and draconian, which makes a good setup for tension and paranoia on the part of the main character – a woman hiding her magic, and a career as an artist, to boot. Anyway, I enjoyed this a lot… there’s a lot of setup here, but for me there was enough plot and intrigue that it felt like a complete story, while obviously setting up the next novella(s). I hope there are more than two; I enjoyed it a lot. It’s way to early to say whether it would be on my Hugo list, but I definitely recommend it!
  • Arifel: great, with an interesting worldbuilding setup and a slightly thin but compelling enough cast, but it does feel like the first third of a really interesting novel, not a complete story in itself – looking forward to more but I recommend anyone who likes solid resolution at the end of their reading hold off for now.
  • Chip Hitchcock: I was looking forward to this as I liked her other fantasy, but was disappointed by [this] first book.

Weaver’s Lament, by Emma Newman [Industrial Magic #2] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: Charlotte is learning to control her emerging magical powers under the secret tutelage of Magus Hopkins. Her first covert mission takes her to a textile mill where the disgruntled workers are apparently destroying expensive equipment. And if she can’t identify the culprits before it’s too late, her brother will be exiled, and her family dishonoured…

What I thought: As others have mentioned, these are parts 1 and 2 of a 3-part novel, and may not be satisfying when read individually. I read all 5 of the author’s Split Worlds novels earlier this year, and I really enjoyed them (enough for it to be a Best Series contender), but these first two Industrial Magic novellas feel a lot like re-treads of that series, and I can’t get really enthused about them.


The Dispatcher, by John Scalzi (audio excerpt)

(likely not award-eligible, due to 2016 Audible release)

Subterranean Press, editor unknown; Audible version narrated by Zachary Quinto

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: One day, not long from now, it becomes almost impossible to murder anyone – 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don’t know. But it changes everything: war, crime, daily life. Tony Valdez is a Dispatcher – a licensed, bonded professional whose job is to humanely dispatch those whose circumstances put them in death’s crosshairs, so they can have a second chance to avoid the reaper. But when a fellow Dispatcher and former friend is apparently kidnapped, Tony learns that there are some things that are worse than death, and that some people are ready to do almost anything to avenge what they see as a wrong. It’s a race against time for Valdez to find his friend before it’s too late…before not even a Dispatcher can save him.

What I thought: If you can just roll with the utterly unbelievable premise, this is an enjoyable read – but I suspect that it will end up being one of Scalzi’s less successful attempts at expanding his oeuvre. I’m not sorry I read it, but I can’t enthuse about it, either.

Filer Comments:

  • Kendall: I recommend John Scalzi’s The Dispatcher
  • Anne Goldsmith: I think The Dispatcher was my favourite of these, but I may be giving it subconscious bonus points for being read aloud by Zachary Quinto.
  • Cheryl S.: meh, it was fine but I’m not sure what got it so many five star reviews on Amazon

The Dragon of Dread Peak, by Jeremiah Tolbert (prequel The Cavern of the Screaming Eye) (full text Part 1 Part 2)

Lightspeed Magazine #89 October 2017, edited by John Joseph Adams

Illustration by Reiko Murakami

Synopsis: In a world where trans-dimensional portals from RPG universes have intruded upon and devastated the real world, children and teenagers are the defenders against the monsters and further encroachment. But the dangers in dungeonspace are real: Rash, who was an expert monster slayer, never came back from his last mission a year ago – one of many who have died trying to close down the portals. His younger brother, Flip, has secretly become a crawler in defiance of his mother’s grief – and with his inexperienced team, Flip has been taking on progressively more dangerous portals in the hope of finding and rescuing his brother. What’s more, a mysterious voice has been talking only to him inside of dungeonspace, its motives unknown.

What I thought: Despite not being a gamer, I enjoyed this story; I suspect that RPGers will like it even more. I highly recommend reading the short story prequel “The Cavern of the Screaming Eye” first, as it provides a little additional worldbuilding and characterization for this novella.


The Enclave, by Anne Charnock (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: Advances in genetic engineering have created a population free of addictive behaviour. Violent crime is rare. But out in the enclaves it’s survival of the fittest for Lexie – embroiled in a recycling clan and judged unfit for cognitive implants – and Caleb, a young climate migrant working as an illegal, who is eager to prosper and one day find his father.

What I thought: This is an interesting story, set in the same universe as A Calculated Life. I enjoyed it and found it solid but not outstanding.


The Furthest Station, by Ben Aaronovitch [Rivers of London] (excerpt)

Subterranean Press / Gollancz, edited by Editor

cover art by Stephen Walters, design by Desert Isle Design

Synopsis: There have been ghosts on the London Underground, sad, harmless spectres whose presence does little more than give a frisson to travelling and boost tourism. But now there’s a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something. Enter PC Peter Grant, junior member of the Metropolitan Police’s Special Assessment unit a.k.a. The Folly a.k.a. the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying crush of London’s rush hour to find the source of the ghosts. Joined by Peter’s wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog, their investigation takes a darker tone as they realise that a real person’s life might just be on the line. And time is running out to save them.

What I thought: This is a nice little standalone side mystery in the Rivers of London universe, quick and enjoyable – and minus any of the laddish, male-gazey aspects of the early novels in the series.

Filer Comments:

  • Mark-kitteh: It’s very consistent with the rest of the series so if, like me, you’re a fan of the series then you’ll enjoy this. If you’ve found it’s not your cup of tea, then this won’t change your mind. The title refers to the fact that parts of the London Underground actually head out to some very far-flung places. (For a non-Londoner like me it’s a bit disconcerting to find yourself traveling through green fields on an “underground” train!) It doesn’t really advance the main plot significantly, but is a nice little mystery solved with a good combo of magic and real police work.

Havergey, by John Burnside (excerpt)

Little Toller Monographs, editor unknown

cover art by Norman Ackroyd, designer unknown

Synopsis: A few years from now on the small and remote island of Havergey, a community of survivors from a great human catastrophe has created new lives and a new world in a landscape renewed after millennia of human exploitation. This is an exploration of what constitutes a utopia, a reminder of how precious and precarious our world is, and a rejection of the idea of human supremacy over landscape and wildlife.

What I thought: This is a bit like a near-future, post-apocalypse version of Thoreau’s Walden, in which a time traveler from our era arrives on an island populated by anarchist utopians who survived a devastating global plague, and consists mainly of manuscript readings of the colony’s historians with the traveler’s own personal musings. Fans of literary speculative fiction and philosophy may really enjoy it, but it’s definitely not an SF adventure.


I Met a Traveller in an Antique Land, by Connie Willis (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An author, in New York City to meet with his publisher and do promotion for his book, takes refuge from a bad storm in a tiny used bookstore in an unfamiliar area of the city. But the store is much larger inside than it looks from the outside, and there’s clearly something mysterious going on.

What I thought: I’m a big Connie Willis fan, and I enjoyed this story, but honestly, it felt a lot like a re-tread mashup of some of her other stories, especially The Winds of Marble Arch. It’s clear very early on to the reader what is really going on (at least it was for me), so it didn’t have that feel of a mystery eventually followed by a discovery which has made a lot of her other stories so enjoyable for me. I thought it was worth reading, but not award-worthy.


In Calabria, by Peter S. Beagle (excerpt)

Tachyon Publications, edited by Rachel Fagundes

cover design by Elizabeth Story

Synopsis: Claudio Bianchi has lived alone for many years on a hillside in Southern Italy’s scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

What I thought: This is a lovely little fable and well worth reading, but did not come close to the level of The Last Unicorn for me.


Killing Gravity, by Corey J. White [The Voidwitch Saga #1] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Tommy Arnold, design by Christine Foltzer

Synopsis: Before she escaped in a bloody coup, MEPHISTO transformed Mariam Xi into a deadly voidwitch. Their training left her with terrifying capabilities, a fierce sense of independence, a deficit of trust, and an experimental pet named Seven. She’s spent her life on the run, but the boogeymen from her past are catching up with her. An encounter with a bounty hunter has left her hanging helpless in a dying spaceship, dependent on the mercy of strangers. Penned in on all sides, Mariam chases rumors to find the one who sold her out. To discover the truth and defeat her pursuers, she’ll have to stare into the abyss and find the secrets of her past, her future, and her terrifying potential.

What I thought: The worldbuilding in this is pretty well-done, but I found it a little too predictable and tropey to reach the level of excellent. It’s well worth reading, though, and I’ll be picking up its sequel, Void Black Shadow, which comes out in March 2018.

Filer Comments:

  • Mark-kitteh: This is probably going to suffer from being the novella I read after the excellent All Systems Red, but it was clever enough to cheat by having an exceptionally cute cat-like creature in it for bonus points. It’s a grimy sort of space opera setting, with mercs, bounty hunters, miserable planets and chaotic stations. The protagonist is Mariam Xi, nicknamed Mars, with her not-a-cat Seven. Mars is a powerful telekinetic and she’s permanently running from the big evil corp that made her that way. (You could make a lazy comparison to River Tam and Firefly at this point, but it’s a fairly different plot.) Anyway, shenanigans happen and there’s a rapid tour of various locations in the grimy space opera settings. I would say it’s solid rather than spectacular – none of the elements are especially original on their own but it’s all well put together. One thing that niggled was that her abilities kept on being just powerful enough for the situation, even if she’d dealt with much worse elsewhere in the story. It appears to be the start of a series but stood on its own well enough. I don’t see it troubling my novella shortlist, but on the other hand it appears to be the author’s professional debut – no short stories that I can see – and it was sufficiently interesting that they go onto my Campbell watch list.

The Lamb Will Slaughter the Lion, by Margaret Killjoy [Danielle Cain #1] (excerpt)

Tor.com Publishing, edited by Diana Pho

cover art by Mark Smith; design by Jamie Stafford-Hill

Synopsis: Searching for clues about her best friend’s mysterious suicide, Danielle ventures to the squatter, utopian town of Freedom, Iowa, and witnesses a protector spirit – in the form of a blood-red, three-antlered deer – begin to turn on its summoners. She and her new friends have to act fast if they’re going to save the town – or get out alive.

What I thought: This story features a great selection of diverse characters, but parts of the plot didn’t really work for me, and it definitely felt like a first novel to me. A sequel, The Barrow Will Send What it May, comes out in April 2018, but I probably won’t be picking it up.

Filer Comments:

  • Bonnie McDaniel: This was an odd little book, and I’m including it because while I don’t think it was really for me, I imagine plenty of other people will like it. It’s a punk anarchist mindtrip, with plenty of zombified demon animals, and yes, it’s just as wacky as it sounds. Whether the story hangs together will depend on your tolerance of its collectivist anarchist mindset, but I appreciate that it’s an ambitious story that takes risks.
  • Mark-kitteh: I wasn’t actually going to pick this out, but then it got strongly recced in several places and so I decided to give it a try – and I’m glad I did, because although it’s a bit uneven I found it really interesting. Danielle Cain travels to a small squatters town of utopian-minded anarchists to find out why her friend died. It turns out that the townsfolk have called up that which they cannot put down – a protector spirit in the form of a demonic deer which has started taking a very… abrupt… view of what protection means. I have to say that the concept didn’t grab me when I first heard about it, but actually it works really well. It’s a warts-and-all portrayal of this type of community – something well outside my experience – with the fantasy element rather acting as a metaphor for the problems that it throws up. This style of story lives and dies by the lead character, and Cain is well-drawn and interesting. I also liked that the fantasy element was very limited and mysterious – there’s not a whole menagerie of magic animals trotting around, just this one weird beast that someone created without really knowing what they were doing.
  • Meredith: The imagery… has really stuck with me (I badly want someone to adapt it, it would look amazing), but I wish I’d come out of it feeling like I knew the viewpoint character, like, at all. There’s a bit about her being The Traveler, and I wondered whether that was a hint that she wasn’t human (anymore?) but sort of took on aspects of the people she travels with and that was why she never seemed like much of a person, but they never went anywhere with it, so… ¯\_(?)_/¯ (But I did like a lot of stuff about it! Characters just matter a lot to me as a reader. Probably still the third most interesting novella I’ve read this year, behind And Then There Were N-One and All Systems Red.)

A Long Day in Lychford, by Paul Cornell [Lychford #3, sequel to #1 Witches of Lychford and #2 Lost Child of Lychford] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Mark Owen, cover design by FORT

Synopsis: It’s a period of turmoil in Britain, with the country’s politicians electing to remove the UK from the European Union, despite ever-increasing evidence that the public no longer supports it. And the small town of Lychford is suffering. But what can three rural witches do to guard against the unknown? And why are unwary hikers being led over the magical borders by their smartphones’ mapping software? And is the immigration question really important enough to kill for?

What I thought: I thought that Witches was great, and that Lost Child was very good (with the exception of the part with the consent-violating physical assault by the “good guys” against another character, which was pretty awful). But this one just didn’t really do it for me. It’s the story of a one-day ordeal experienced by the 3 main characters, but it felt forced and artificial and pointless to me.

Filer Comments:

  • Kendall: Quoting myself: “I suspect I won’t enjoy it as much as the first two”. Well, I was wrong; it was very good! I’m not sure, but I may have enjoyed it more than the second one. It was depressing and made me sad, especially at the end, but it was well done. BTW this seemed shorter than the others (but I presume it’s still a novella). It’ll probably go into the novella cage match on my ballot.

Mightier than the Sword, by K. J. Parker (no excerpt)

Subterranean Press, editor unknown

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: An Imperial legate is called in to see his aunt, who just happens to be the empress running the civilized world while her husband’s in his sick bed. After some chastisement, she dispatches her nephew to take care of the dreaded Land and Sea Raiders, pirates who’ve been attacking the realm’s monasteries. So begins a possibly doomed tour of banished relatives and pompous royals put in charge of monasteries like Cort Doce and Cort Maleston, to name a few. While attempting to discover the truth of what the pirates might be after, the legate visits great libraries and halls in each varied locale and conducts a romance of which he knows – but doesn’t care – his aunt will not approve. With enough wit and derring-do (and luck), the narrator might just make it through his mission alive… or will he?

What I thought: I’ve really enjoyed the author’s other novellas, and this is another which is well worth reading for its sly humor and solid plotting.


The Murders of Molly Southbourne, by Tade Thompson (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover photograph by RekhaGarton, design by Christine Foltzer

Synopsis: Since she was a small child, Molly has learned that when she sheds blood, Molly-clones magically appear and try to kill her. Her parents have ingrained into her a protective routine to prevent extra Mollys from occurring, and for defending herself and eliminating them when they do occur. But as she gets older, the occurrences become more frequent, and they start to threaten people Molly cares about, too.

What I thought: This isn’t really my sort of thing, but the author actually manages to present a somewhat plausible explanation of the situation at the end of the story which made it interesting reading. If you’re into horror, it might be your sort of thing. Trigger Warning for huge amounts of blood and violence.


Of Things Unknown, by Seanan McGuire [October Daye / April O’Leary] (no excerpt)

(included with the novel The Brightest Fell)

DAW Books, edited by Sheila Gilbert

cover art by Chris McGrath

Synopsis: April O’Leary, (rot13’ed for those who have not yet read the second novel in the October Daye series, A Local Habitation) n qelnq jub abj rkvfgf cheryl nf n ploreorvat va gur pbzchgre flfgrz bs gur snrevr Pbhagl bs Gnzrq Yvtugavat, vf fgvyy zbheavat gur qrngu bs ure “zbgure”, VG theh Wnahnel B’Yrnel, naq frireny bs gur pbhagl’f bgure orybirq erfvqragf ng gur unaqf bs na rivy vagreybcre. Ohg jvgu Gbol’f uryc, gurer vf n cbffvovyvgl gung n erfheerpgvba, bs ng yrnfg fbzr bs gur ivpgvzf, pna or npuvrirq.

What I thought: I enjoyed this novella, which is a follow-on to the second novel in the October Daye series, A Local Habitation, and is a nice expansion on the personality of a secondary character in it. However, it would not stand alone well, and is only recommended to those who have read that book or who have read a lot of the stories in the series.


Proof of Concept, by Gwyneth Jones (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover by Drive Communication

Synopsis: On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible. When the Needle’s director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it’s only because her brain is host to a quantum artificial intelligence called Altair. But Altair knows something he can’t tell. Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?

What I thought: I enjoyed this story, but not as much as I wanted to. It probably warranted a second read to put all the pieces into place once the ending is known, but I didn’t feel compelled to take the time to do so. Readers who find the synopsis appealing will probably enjoy it.


River of Teeth, by Sarah Gailey [River of Teeth #1] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan. Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Filer Comments:

  • Bonnie McDaniel: This has been mentioned before, but I’ll second (or third) it – what’s not to love about an alternate history weird Western with hippopotami? Also, I believe Sarah Gailey is still eligible for the Campbell (2nd year).
  • Bruce Arthurs: enjoyed it a lot. I got the feeling that the plot structure was heavily influenced by television writing, rather than standard book plotting.
  • Mark-kitteh: River of Teeth was fun. Perhaps the concept was a bit better than the execution, but still worth a read.
  • Chris S.: pretty fun, good characters, great concept, extremely dodgy geography (naq abg rabhtu sreny uvccbf, frrzrq gb or n irel fznyy nern jurer gurl yvirq pbzcnerq gb jung gur znc fhttrfgf). I enjoyed it..

Taste of Marrow, by Sarah Gailey [River of Teeth #2] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: A few months ago, Winslow Houndstooth put together the damnedest crew of outlaws, assassins, cons, and saboteurs on either side of the Harriet for a history-changing caper. Together they conspired to blow the dam that choked the Mississippi and funnel the hordes of feral hippos contained within downriver, to finally give America back its greatest waterway. Songs are sung of their exploits, many with a haunting refrain: “And not a soul escaped alive.” In the aftermath of the Harriet catastrophe, that crew has scattered to the winds. Some hunt the missing lovers they refuse to believe have died. Others band together to protect a precious infant and a peaceful future. All of them struggle with who they’ve become after a long life of theft, murder, deception, and general disinterest in the strictures of the law.

What I thought: These are entertaining little Magnificent Sevenish stories, and the alternate history plotline of the hippos is interesting but rather peripheral to what are essentially standard tropey Westerns set in the Louisiana bayou. They’re readable, but I can’t rave about them.

Filer Comments:

  • Peer: I’m happy to report that I enjoy this more than the first part: It still has the cool setting and the great characters AND it gets going much faster. Im not sure the story is that much deeper or original, but it works better because there is no more need of introduction. Fun, nice read!
  • Mark-kitteh: The sequel to River of Teeth, picking the plot up shortly afterwards… if you liked the first one then pick this up, if you didn’t then I doubt this will improve your opinion. I do think it shows Gailey improving as a writer, as she weaves several storylines together with aplomb.

Snapshot, by Brandon Sanderson (excerpt)

Vault Books / Dragonsteel Entertainment, edited by Peter Orullian and Moshe Feder

cover art by Howard Lyon, design by Isaac Stewart

Synopsis: If you could re-create a day, what dark secrets would you uncover? Anthony Davis and his partner, Chaz, are the only real people in a city of 20 million, sent there by court order to find out what happened in the real world 10 days ago so that hidden evidence can be brought to light and located in the real city today. Within the re-created Snapshot of May 1, Davis and Chaz are the ultimate authorities. Flashing their badges will get them past any obstruction and overrule any civil right of the dupes around them. But the crimes the detectives are sent to investigate seem like drudgery – until they stumble upon the grisly results of a mass killing that the precinct headquarters orders them not to investigate. That’s one order they have to refuse. The hunt is on. And though the dupes in the replica city have no future once the Snapshot is turned off, that doesn’t mean that both Davis and Chaz will walk out of it alive tonight.

What I thought: This is another of what I have come to recognize as standard Sanderson storytelling. It’s a slick little plot along the same lines as Perfect State but better done; unfortunately, I didn’t find the surprise ending very surprising. Solid but not exceptional.


Standard Hollywood Depravity, by Adam Christopher [Ray Electromatic] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art and design by Will Staehle

Synopsis: The moment Raymond Electromatic set eyes on her, he knew she was the dame marked in his optics, the woman that his boss had warned him about. Honey. As the band shook the hair out of their British faces, stomping and strumming, the go-go dancer’s cage swung, and the events of that otherwise average night were set in motion. A shot, under the cover of darkness, a body bleeding out in a corner, and most of Los Angeles’ population of hired guns hulking, sour-faced over un-drunk whiskey sours at the bar. But as Ray tries to track down the package he was dispatched to the club to retrieve, his own programming might be working against him, sending him down a long hall and straight into a mobster’s paradise. Is Honey still the goal – or was she merely bait for a bigger catch? Just your standard bit of Hollywood depravity, as tracked by the memory tapes of a less-than-standard robot hitman.

What I thought: This is a little noir mystery story featuring an android whose programming gets reset after every mission. Enjoyable but not spectacular (but I haven’t read the other stories in the series, which might make a difference).


Other 2017 Novellas:


Bearly a Lady, by Cassandra Khaw (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Muna Abdirahman, design by Kenda Montgomery

Synopsis: Zelda McCartney (almost) has it all: a badass superhero name, an awesome vampire roommate, and her dream job at a glossy fashion magazine (plus the clothes to prove it). The only issue in Zelda’s almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss’s nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda’s long-time crush and colleague. What’s a werebear to do?

Filer Comments:

  • Mark-kitteh: This is not the grim and disturbing Cassandra Khaw you might be expecting. In fact, this is a romcom featuring a Were-bear trying to get on in the big city (London in this case, although it could be NY just as easily) with job, romance, and life. Were-bear in the City, if you will. Anyway… a romcom isn’t really in my wheelhouse but I still enjoyed this – there’s a nice mix of competing life pressures for the lead character to juggle in a slightly madcap way. I suspect that if the lead character speaks to you more strongly than she did to me then you’ll like this very much.

The Black Tides of Heaven, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What’s more, they saw the sickness at the heart of their mother’s Protectorate. A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue as a pawn in their mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But every step Akeha takes towards the Machinists is a step away from Mokoya. Can Akeha find peace without shattering the bond they share with their twin?


The Red Threads of Fortune, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love. On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.


The Book Club, by Alan Baxter (excerpt)

PS Publishing, editor unknown

cover art by Ben Baldwin, design by Michael Smith

Synopsis: Jason Wilkes s life takes a turn for the worse when his wife fails to come home from her book club. Jason calls Kate s book buddy , Dave, who assures him she left hours ago. Contacting the police, Jason finds them equal parts sympathetic and suspicious. He tells them almost everything, except that he s been hearing Kate s voice, calling as if from far away. He certainly doesn t mention that he s seeing shadows that reach for him. With the police getting nowhere fast, Jason takes matters into his own hands, even as nightmare images and Kate s distant cries continue to haunt his waking moments and his dreams, and the strange, grasping shadows persist. Jason begins to unravel the mystery, but he s at odds with the police, he s being lied to by Kate s book club friends, and his chances of finding Kate slip ever further away. It seems that everything is going to go as wrong as it possibly can.


Buffalo Soldier, by Maurice Broaddus (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jon Foster, design by Christine Foltzer

Synopsis: Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari. Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.

Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.


Case of the Bedevilled Poet: A Sherlock Holmes Enigma, by Simon Clark (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: After narrowly escaping a bomb blast during the blitz in WW-II London, poet Jack Crofton is threatened with death and worse by a mysterious soldier. Fleeing through the war-torn streets, he seeks sanctuary in a pub and falls into company with two elderly gentlemen who claim to be Holmes and Watson, the real life detectives that inspired Conan Doyle’s fictions. Unconvinced but desperate, Jack shares his story, and Holmes agrees to take his case…


Cottingley, by Alison Littlewood (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: In 1917 the world was rocked by claims that two young girls – Elsie Wright and Frances Griffiths – had photographed fairies in the sleepy village of Cottingley. In 2017, a century later, we finally discover the true nature of these fey creatures. Correspondence has come to light that contains a harrowing account, written by village resident Lawrence Fairclough, laying bare the fairies’ sinister malevolence and spiteful intent.


The Emperor and the Maula, by Robert Silverberg (no excerpt)

Subterranean Press, editor unknown

cover art by Jim Burns, designer unknown

Synopsis: This is the story of a woman telling a story in order to extend – and ultimately preserve – her life. The Scheherazade of this striking story is Laylah Walis, denizen of a far-future Earth which has been invaded and conquered by a starfaring race known as the Ansaarans. Laylah is a “maula,” a barbarian forbidden, under pain of death, to set foot on the sacred home worlds of the imperial conquerors. Knowing the risks, Laylah travels to Haraar, home of the galactic emperor himself. Once there, she delays her execution by telling the emperor a story – and telling it well. That story, the tale within a tale that dominates this book, is, in fact, Laylah’s own story. It is also the story of the beleaguered planet Earth, of people struggling, often futilely, to oppose their alien masters and restore their lost independence.


Final Girls, by Mira Grant (excerpt)

Subterranean Press, editor unknown

cover art by Julie Dillon, designer unknown

Synopsis: What if you could fix the worst parts of yourself by confronting your worst fears? Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they’ve been missing their whole liveswhile running from the bogeyman through a simulated forest. But… can real change come so easily? Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father’s life. She’s determined to unearth the truth about Dr. Webb’s budding company. Dr. Webb’s willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther’s not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other’s only hope of survival.

Filer Comments:

  • Lace: just finished [this], and I’m still unpacking some of my thoughts. There are aspects I found underdeveloped though not central, a central story with layers to its horror, and an ending and implications to think through. A scientist has immersive VR technology that’s being used to help people shed psychological trauma; a skeptical reporter comes to write a story about it. Matters develop from there. In general, I don’t like horror, and probably wouldn’t have read this without the combination of picking it up in a Humble Bundle, and generally enjoying Seanan McGuire. Probably worth a look and opinion from someone better suited to weighing it up.

The Girl Who Stole Herself, by R. Garcia y Robertson (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: A young woman escapes being kidnapped by human traffickers to embark on an interplanetary space adventure.


The Girls With Kaleidoscope Eyes, by Howard V. Hendrix (excerpt)

Analog Science Fiction May-Jun 2017, edited by Trevor Quachri

cover art by NASA

Synopsis: A government agent must investigate and discover the truth in a case of an aborted bombing attack on a classroom full of girls.


Gwendy’s Button Box, by Richard Chizmar and Stephen King [Castle Rock] (excerpt)

Cemetary Dance, editor unknown

cover art by Ben Baldwin and illustrations by Keith Minnion, designer unknown

Synopsis: There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong – if time-rusted – iron bolts and zig-zag up the precarious cliffside. Then one day when Gwendy gets to the top of Castle View, after catching her breath and hearing the shouts of kids on the playground below, a stranger calls to her. There on a bench in the shade sits a man in black jeans, a black coat, and a white shirt unbuttoned at the top. On his head is a small, neat black hat. The time will come when Gwendy has nightmares about that hat… The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told – until now.


Heaven’s Covenant, by Bud Sparhawk (no excerpt)

Analog Science Fiction Sep-Oct 2017, edited by Trevor Quachri

cover art by Eldar Zakirov

Synopsis: In the run-up to a space colony mission, the expedition’s leader must unravel the threads of conspiracy and political intrigue which threaten it.


Homecoming, by Rachel Pollack [Jack Shade] (no excerpt)

Fantasy and Science Fiction Jan-Feb 2017, edited by C.C. Finlay

cover art by Charles Vess

Synopsis: A paranormal private investigator is hired by a woman to find her missing soul.


How Sere Picked Up Her Laundry, by Alexander Jablokov (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An investigator is hired to learn the cause of a mysterious death in a planetary colony.


Ironclads, by Adrian Tchaikovsky (excerpt)

Solaris, edited by Jonathan Oliver

cover art by Maz Smith, designer unknown

Synopsis: Scions have no limits. Scions do not die. And Scions do not disappear. Sergeant Ted Regan has a problem. A son of one of the great corporate families, a Scion, has gone missing at the front. He should have been protected by his Ironclad – the lethal battle suits that make the Scions masters of war – but something has gone catastrophically wrong.

Now Regan and his men, ill equipped and demoralized, must go behind enemy lines, find the missing Scion, and uncover how his suit failed. Is there a new Ironclad-killer out there? And how are common soldiers lacking the protection afforded the rich supposed to survive the battlefield of tomorrow?

Filer Comments:

  • Lace: A group of soldiers/grunts in a near-future war is sent to rescue a wealthy soldier, whose supersuit has inexplicably failed behind enemy lines. Some fun geopolitics, maybe a bit stretched but not cookie-cutter, and an asymmetric war with some eerie opposition. “Bugs” aren’t front and center in this one, but they have an enjoyable role.

Infernal Parade, by Clive Barker (no excerpt)

Subterranean Press, edited by Editor

cover art by and interior illustrations by Bob Eggleton, designer unknown

Synopsis: Convicted criminal Tom Requiem returns from the brink of death to restore both fear and a touch of awe to a complacent world. Tom becomes the leader of the eponymous “parade,” which ranges from the familiar precincts of North Dakota to the mythical city of Karantica. Golems, vengeful humans both living and dead, and assorted impossible creatures parade across these pages. The result is a series of highly compressed, interrelated narratives that are memorable, disturbing, and impossible to set aside.


The Keeper of the Dawn, by Dianna Gunn (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by unknown

Synopsis: All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away. From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum – a land where magic, and female warriors, are not commonplace. Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order. Falling in love with another initiate was not part of the plan.


The Little Gift, by Stephen Volk (excerpt)

PS Publishing, editor unknown

cover art by Pedro Marques, designer unknown

Synopsis: I was Group Manager at forty-six with a Range Rover Evoque, a beautiful wife and two gorgeous, healthy children, and that was all I wanted. Or so I thought…This is the story of a man who takes a path to become the person he always wanted to be, but never believed he was. Fate takes a hand, a very special person enters his life and changes everything. Emboldened by an irrational passion he risks everything he thought he loved and valued – but the price is worth paying for happiness… Isn’t it?


The Man Who Put the Bomp, by Richard Chwedyk [Saur #5] (no excerpt)

Fantasy and Science Fiction Mar-Apr 2017, edited by C.C. Finlay

cover art by Bryn Barnard

Synopsis: Once they were an in-demand toy craze, but now genetically-engineered, sentient tiny dinosaurs which have escaped or been discarded live together in a community, where various plots, mysteries, and agendas intersect.


Mandelbrot the Magnificent, by Liz Ziemska (excerpt)

Tor.com Publishing, edited by Ann VanderMeer

cover art and design by Will Staehle

Synopsis: Born in the Warsaw ghetto and growing up in France during the rise of Hitler, Benoit Mandelbrot found escape from the cruelties of the world around him through mathematics. Logic sometimes makes monsters, and Mandelbrot began hunting monsters at an early age. Drawn into the infinite promulgations of formulae, he sinks into secret dimensions and unknown wonders. His gifts do not make his life easier, however. As the Nazis give up the pretense of puppet government in Vichy France, the jealousy of Mandelbrot’s classmates leads to denunciation and disaster. The young mathematician must save his family with the secret spaces he’s discovered, or his genius will destroy them.


Mapping the Interior, by Stephen Graham Jones (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover art by Greg Ruth, design by Christine Foltzer

Synopsis: Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you’d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them… at terrible cost.


Native Seeds, by Catherine Wells (no excerpt)

Analog Science Fiction Nov-Dec 2017, edited by Trevor Quachri

cover art by Marianne Plumridge Eggleton

Synopsis: On a post-apocalyptic earth, two groups of survivors must find a way to work together to ensure the genetic diversity of threatened species.


Never Now Always, by Desirina Boskovich (excerpt)

Broken Eye Books, edited by Scott Gable, C. Dombrowski, and Matt Youngmark

cover art and design by Jeremy Zerfoss

Synopsis: A dark future finds humanity imprisoned. Invaders took away our story and rewrote everything: all minds, all lives, all history. Everyone forgot. How could this happen? But in this now, Lolo must reclaim her stolen words – her stolen family – from the silent Caretakers. She must call out to all rapt children, “This world is hell. Let’s run.” When the words needed are forgotten, lying unknown, when memories flit like smoke, how can she recover what is lost? She must. To live in this nightmare without a story would be too much to bear.


Nexus, by Michael F. Flynn (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: The life of a time traveler obsessed with fixing the history he destroyed with his mistake intersects with that of several other humans, aliens and androids, all of whom have their own urgent agendas.


Not Far Enough, by Martin L. Shoemaker (no excerpt)

Analog Science Fiction Jul-Aug 2017, edited by Trevor Quachri

cover art by Rado Javor

Synopsis: The surviving members of disastrous Mars exploration mission must battle a rogue AI to get what they need to stay alive.


Plaisir d’Amour, by John Alfred Taylor (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: A sociologist visits a low-gravity mining colony to study its genetically-engineered inhabitants, and falls in love with one of them despite the fact that there is no possibility for them of having a future together.


A Portrait of the Desert in Personages of Power, by Rose Lemberg [Birdverse] (full text)

Beneath Ceaseless Skies #229 July 2017, editor unknown

Synopsis: The Old Royal, a magical bigender being who has reigned for millenia, is threatened by the arrival of a young stranger.

Filer Comments:


The Process (Is a Process All Its Own), by Peter Straub (excerpt)

Subterranean Press, editor unknown

cover art and design by Michael Fusco Straub

Synopsis: This is the story of a 1950s Jack The Ripper, told from the killer’s perspective, with occasional glimpses into the perspectives of his victims.


The Proving Ground, by Alec Nevala-Lee (excerpt)

Analog Science Fiction Jan-Feb 2017, edited by Trevor Quachri

cover art by Kurt Huggins

Synopsis: In a near-future where rising sea-levels threaten existing cities, a woman hopes that an island will provide a safe haven for her community. But the birds are behaving very strangely, to the point of becoming threatening the future existence of the colony, and she needs to find out what’s causing their destructive behavior.


Reenu-You, by Michele Tracy Berger (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Emma Glaze, designer unknown

Synopsis: New York City, August 1998. On a muggy summer day, five women wake up to discover purple scab-like lesions on their faces – a rash that pulses, oozes, and spreads in spiral patterns. City clinic doctors dismiss the women’s fears as common dermatitis, a regular skin rash. But as more women show up with the symptoms, one clear correlation emerges: an all-natural, first-of-its-kind hair relaxer called Reenu-You. As the outbreak spreads, and cases of new rashes pop up in black and latino communities throughout New York, panic and anger also grows. When the malady begins to kill, medical providers and the corporation behind the so-called hair tonic face charges of conspiracy and coercion from outraged minority communities and leaders across the country. At the heart of the epidemic are these five original women; each from different walks of life. As the world crumbles around them, they will discover more about each other, about themselves, and draw strength to face the future together.

Filer Comments:

  • Arifel: Reenu-you by Michele Tracy Berger… [is] great.

Renegat, by Orson Scott Card [Ender’s Universe] (full text)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This Ender’s Universe story, a follow-on from Children of the Fleet, is told from Dabeet Ochoa’s point of view as he, Speaker for the Dead Ender, and Valentine try to solve a murder mystery on the planet Catalunya.


River’s Edge by James P. Blaylock [Langdon St. Ives] (no excerpt)

Subterranean Press, editor unknown

cover art by J.K. Potter, designer unknown

Synopsis: The body of a girl washes up on a mud bank along the edge of the River Medway amid a litter of poisoned fish and sea birds, casting an accusing shadow upon the deadly secrets of the Majestic Paper Mill and its wealthy owners. Simple answers to the mystery begin to suggest insidious secrets, and very quickly Langdon St. Ives and his wife Alice are drawn into a web of conspiracies involving murder, a suspicious suicide, and ritual sacrifice at a lonely and ancient cluster of standing stones. Abruptly St. Ives’s life is complicated beyond the edge of human reason, and he finds himself battling to save Alice’s life and the ruination of his friends, each step forward leading him further into the entanglement, a dark labyrinth from which there is no apparent exit.


Rupert Wong and the Ends of the Earth, by Cassandra Khaw [Gods and Monsters: Rupert Wong #2] (excerpt)

Abaddon Books, edited by David Moore

cover art by Sam Gretton, design by Sam Gretton and Oz Osborne

Synopsis: For a man who started a celestial war, Rupert Wong, Seneschal of Kuala Lumpur and indentured cannibal chef, isn’t doing too badly for himself. Sure, his flesh-eating bosses inexplicably have him on loan to the Greek pantheon, the very gods he thrust into interethnic conflict. Sure, the Chinese Hells have him under investigation for possible involvement in the fracas. And sure as hell, he’s already elbow-deep in debt with the Sisyphean gambling ring. But Rupert is alive. For now. Really, it could be slightly worse.


Snowspelled, by Stephanie Burgis [The Harwood Spellbook #1] (excerpt)

Five Fathoms Press, editor unknown

cover art by Leesha Hannigan, design by Patrick Samphire

Synopsis: Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life. Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good. But the greatest danger of all lies outside the manor in the falling snow, where a powerful and malevolent elf-lord lurks…and Cassandra lost all of her own magic four months ago. To save herself, Cassandra will have to discover exactly what inner powers she still possesses – and risk everything to win a new kind of happiness.

Filer Comments:

  • Lace: First-in-series in a Regency-esque England where the humans are at truce with the elves, and women handle the politicking while men do the magic. For me, it almost felt like its own prequel – a lot of fun world-building setting up future installments, but not too much happens. I’ll probably be back to see where Burgis goes from here. If you enjoy Kowal’s Glamourist Histories or Cho’s Sorcerer to the Crown, or Burgis’s other work, you should take a look.

A Song for Quiet, by Cassandra Khaw [Persons Non Grata #2] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Jeffrey Alan Love, design by Christine Foltzer

Synopsis: Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can’t escape, and music that won’t let him go. On a train to Arkham, he meets trouble – visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn’t call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon’s head is growing stronger, and soon he won’t be able to ignore it any more.


The Speed of Belief, by Robert Reed [The Great Ship Universe] (no excerpt)

Asimov’s Science Fiction Jan-Feb 2017, edited by Sheila Williams

cover art by Maurizio Manzieri

Synopsis: Travelers on a journey to negotiate with a new alien race for new resources must try to salvage their mission when everything goes horribly awry.


The Squirrel on the Train, by Kevin Hearne [Iron Druid / Oberon’s Meaty Mysteries #2] (no excerpt)

Subterranean Press, editor unknown

cover art by Galen Dara, designer unknown

Synopsis: Oberon the Irish wolfhound is off to Portland to smell all the things with canine companions wolfhound Orlaith and Boston terrier Starbuck, and, of course, his human, ancient Druid Atticus O’Sullivan. The first complication is an unmistakable sign of sinister agendas afoot: a squirrel atop the train. But an even more ominous situation is in store when the trio plus Atticus stumble across a murder upon arrival at the station. They recognize Detective Gabriela Ibarra, who’s there to investigate. But they also recognize the body – or rather that the body is a doppelganger for Atticus himself. The police, hampered by human senses of smell and a decided lack of canine intuition, obviously can’t handle this alone. Not with Atticus likely in danger. Oberon knows it’s time to investigate once more – for justice! For gravy! And possibly greasy tacos!


The Strange Bird by Jeff VanderMeer [Borne] (excerpt)

MCD/FSG, edited by Sean McDonald

cover design by Abby Kagan

Synopsis: The Strange Bird is a new kind of creature – she is part bird, part human, part many other things. But now the lab in which she was created is under siege and the scientists have turned on their animal creations. But, even if she escapes, she cannot just soar in peace above the earth. The farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters, it is the humans – all of them now simply scrambling to survive – who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.


Strange Dogs, by James S. A. Corey [The Expanse] (excerpt)

Orbit Books, edited by Will Hinton

cover art and design by Kirk Benshoff

Synopsis: Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach. But soon the soldiers followed – and under this new order, Cara makes a discovery that will change everything.


Sunwake, in the Lands of Teeth, by Juliette Wade (full text)

Clarkesworld #127 June 2017, edited by Neil Clarke

cover art by Eddie Mendoza

Synopsis: A member of an alien race which resembles dogs, who has made friends with human visitors, must undertake a dangerous rescue mission to bring back his human friend in time for a meeting with his ruler.


Tao Zero, by Damien Broderick (no excerpt)

Asimov’s Science Fiction Mar-Apr 2017, edited by Sheila Williams

cover art by Tomislav Tikulin

Synopsis: The children of two families immersed in different aspects of the Tao philosophy must come together to save the world.


Taste of Ashes, by Charles E. Gannon [Tales of the Terran Republic / Caine Riordan] (no excerpt)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This story is set in the author’s Caine Riordan universe; it appears to be an excerpt of the first book in the series, Fire with Fire, about humans’ first encounter with several more advanced races of aliens who have formed an interstellar alliance.


There Was a Crooked Man, He Flipped a Crooked House, by David Erik Nelson (no excerpt)

Fantasy and Science Fiction Jul-Aug 2017, edited by C.C. Finlay

cover art by Nicholas Grunas

Synopsis: The employee of a professional house renovator/flipper is sent to evaluate a gorgeous old mansion as a possible new project, but the house turns out to be an extra-dimensional horror.


The Twilight Pariah, by Jeffrey Ford (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover photograph by Roy Bishop, design by Christine Foltzer

Synopsis: All Maggie, Russell, and Henry wanted out of their last college vacation was to get drunk and play archaeologist in an old house in the woods outside of town. When they excavate the mansion’s outhouse they find way more than they bargained for: a sealed bottle filled with a red liquid, along with the bizarre skeleton of a horned child. Disturbing the skeleton throws each of their lives into a living hell. They feel followed wherever they go, their homes are ransacked by unknown intruders, and people they care about are brutally, horribly dismembered. The three friends awakened something, a creature that will stop at nothing to retrieve its child.


Published through Tor.com’s Novella line, but NOT novellas

  • The Fortress at the End of Time, by Joe M. McDermott
  • Switchback, by Melissa F. Olson
  • A Red Peace, by Spencer Ellsworth [Starfire #1]
  • Shadow Sun Seven, by Spencer Ellsworth [Starfire #2]

Pixel Scroll 10/25/17 Blue, Blue Pixels Behind The Stars, Yellow Scroll On The Rise

(1) TRAINING WHEELS. Travel from Chicago to next year’s San Jose Worldcon as part of Traincon 4. The organizers now have a FaceBook page.  Here’s the URL.

Janice Murphy forwarded the basic info posted by Bill Thomasson, saying the cost is around $400 one way.

We’ll be taking sleeper cars as a group To Worldcon 76 From Chicago’s Union Station.  We’ll be riding Amtrak to San Jose and back via the Chief, the Zephyr and the Coastal, but that means we have to reserve roomettes as a group for the discount, and we have to do it before November 21 — THIS year.  Roomettes have two beds, two person occupancy. A note on the down payment from Bill:

“I am asking everybody who signs up to pay me the basic fare up front. For the outbound trip that is $214.20 for adults and $202.30 for seniors (62+). For the return trip, it is $171 for adults and $161.50 for seniors. As previously mentioned, Amtrak’s roomette prices go up as you add more rooms, so the average price — which is what Traincon members will be asked to pay — will depend on the number we ultimately take. This won’t be known until the final payment is made, so I won’t be asking for roomette payment until then.”

Janice Murphy adds this pitch:

True, you could fly for less BUT — ALL meals are included with the fare, plus Amtrak has a VERY liberal luggage policy.  No need to mail those signed books home from the Convention.  You can take an empty suitcase out and bring it back filled with memories.

Frankly, this is about as close as some of us are going to get to traveling cross-continent on a train, and I’m not going to miss it.

We’ve got enough folks going out to make the sleeper reservations, though there is room for more so we are encouraging folks to get on board.  We definitely need more folks to take the trains back to Chicago in order to meet the minimum 15 bodies.

…So the thing is, if you would like to take advantage of the fact that you can have a couple of large bags to haul stuff back from the Con, just taking the trip back would be a hell of a lot of fun.

Because it’s a convention on the rails.

(2) THE ROAD TO LUNA. Newsweek says “India Is Going to Beat Us Back to the Moon—Here’s Their Plan”. And the India Space Research Organization (ISRO) is going to do it for less than a billion dollars. However, it’s not a manned mission.

And without an atmosphere on the Moon to keep the dust in check, it gets everywhere. So a key piece of Chandrayaan-2’s mission is to study the force that moves the dust around, an envelope of highly charged particles circling the Moon’s surface. Other tasks include taking the Moon’s temperature near its poles. The mission is also developing a new way to land more softly on the Moon’s surface. The entire project is supposed to cost just $93 million. Yes, with an M.

Although many Americans likely don’t think of India as a spacefaring nation since it doesn’t take part in the International Space Station, ISRO was established in 1969, less than a month after the first astronauts walked on the Moon.

(3) CHEKHOV’S LGBTQ. (A phrase invented here, by the way.) Chuck Wendig unpacks why “Not Being Inclusive Is Also A Political Choice” at Terrible Minds.

My response was:

  1. everything is forced in a story because they’re not magic
  2. stories are not a natural state and so nothing occurs naturally within them, nor can they “call for” anything
  3. inclusivity is part of good storytelling
  4. not being inclusive is also a political choice

This person deleted his tweet and went on to clarify that he in fact totally supported a pairing like, say, Finn/Poe, but he wanted it to have a purpose in the story and not simply be included for political purposes. Abstractly, what he’s saying is, he’s not a bigot, not a homophobe, he just cares about storytelling. Which is fine, in theory, and I’m not suggesting this person is worthy of excoriation. I’m sure he means well. But I think it’s really worth shining a big, bright-ass light on this, because I think there’s a soft, unacknowledged prejudice at work.

It assumes that there exists a default in storytelling — and that default is one way, and not the other. The default is straight relationships, or cisgendered characters, or able-bodied white dudes, or whatever. One of the criticisms Aftermath received was this very special kind of softball phobia, right? “I don’t mind LGBT characters, but these were forced into the narrative for a political agenda,” assuming that the characters are somehow not characters at all, but rather protest signs or billboards advertising THE WONDERS OF GAYNESS or THE FABULOSITY OF THE NON-BINARY SPACE PIRATE LIFE. The complaint then becomes that these characters are political levers, identified as such because their natures (be it LGBT characters like Sinjir Rath Velus and Eleodie Maracavanya, or a character of color like Admiral Rae Sloane, or women characters like Norra Wexley and Jas Emari) do not somehow factor into the plot. Like, Sinjir’s homosexuality is not a plot point. He doesn’t shoot gayness out of his eyes to blow up the Third Death Star, oh no, he’s only there as a commercial for GAY PEOPLE EXISTING.

(4) WHERE THE MERCURY’S HIGHEST. Look for the launch of the ‘Orson Welles on the Air’ website at Indiana University tomorrow.

Indiana University will launch its highly anticipated new website, Orson Welles on the Air: Radio Recordings and Scripts, 1938-1946, on Thursday evening, October 26, at  https://orsonwelles.indiana.edu/

The university is very excited to finally be sharing the new audio files with the world, said Erika Dowell, Associate Director & Curator of Modern Books and Manuscripts at Lilly Library.

… In May 2016, Indiana University Libraries announced receipt of a $25,000 grant from the National Recording Preservation Foundation, which would be used to preserve original Welles recordings and establish a website where users could stream audio, search Welles’ radio scripts and access expert commentary on the broadcasts.

Mike Casey, the university’s director of technical operations for the Media Digitization and Preservation Initiative, has said the grant would be used toward the preservation of 324 master sound recordings in the form of lacquer discs and about 100 accompanying paper scripts. The script pages show tangible evidence of Welles’ creative process in their dramatic deletions and seemingly last-minute rewrites.

(5) SCIENCE’S COMPATABILITY WITH POETRY. SPECPO, blog of the SF and Fantasy Poetry Association, brings us “Atoms and Imagination: An Interview with Magdalena Ball”.

Some people think themes of science don’t go well with poetry, but you’ve written several books demonstrating a tremendous intersection between these and the imagination, including Sublime Planet, Repulsion Thrust, and Quark Soup. How do you explain your approach to poetics to others surprised at these possibilities?

I’ve always been poetically charged by science – even as a child (and I’m afraid I spent rather too much time in the Haydn Planetarium).  It’s probably as much due to my lack of mathematical capability as to anything else.  I’m able, for example, to look at a formula – let’s say Euler’s Prime, and see the visual beauty without having a clue how it’s applied or what might be created from it.  I can read about the collision of two neutron stars (!), and feel like something is opening up in me – a sense of possibilities and ways of seeing and perceiving and exploring both human emotion and the broadest picture of what we’re all made of, without being able to map the process in any experimental sense.  So it’s possible that my poetry is a kind of limitation spurred by not quite understanding.  That said, I do feel that all science is spurred on by not quite understanding and that many hypotheses have their basis in poetic wonderment.  I wrote about 10 poems through my reading of A Brief History of Time.  I usually get at least one poem from each issue of New Scientist.  I mean, and again, this is partly just my ignorance and playing with the semantics rather than accurate meanings of words, but how exciting and visceral is the idea of quarks having “flavours” (just one example).

(6) REDROBE. Sci-Fi Design would love to sell you one of these “Star Trek TNG Robes”. Are people brave enough to order the red ones?)

Step out of the shower and into the future when you wear this Star Trek TNG Robe. That way you can go straight from the shower and onto the bridge and not look too out of place. You can choose Blue (Science), Gold (Operations), or Red (Command). These robes are super soft and comfy and no worries, they are Starfleet regulation, I’m sure.

(7) LEACH OBIT. Rosemary Leach (1935-2017): British actress; died 21 October, aged 81. Genre appearances include Worlds Beyond (one episode, 1987), The Tomorrow People (five episodes, 1995), Chiller (one episode, 1995), Frighteners (one episode, 1997), Afterlife (one episode, 2005), The Great Ghost Rescue (2011), May I Kill U? (2012). Received the 1983 ‘best actress’ Olivier Award for her performance in ’84 Charing Cross Road’.

(8) COMICS SECTION

  • JJ finds that ancient puns are the best ones.

(9) THERE WILL BE A QUIZ. According to Motherboard, “The Most Scientifically Accurate Animation of a Sperm Cell Is in a ‘Star Wars’ Parody”.

As detailed in a paper published today in ACS Nano, Don Ingber and Charles Reilly, the founding director and a staff microbiologist at the Wyss Institute, respectively, teamed up to create a scientific animated short film called The Beginning. The film details the journey of a sperm cell to an egg, framed as a parody of Star Wars. While this might sound like the recipe for a trying-too-hard-to-connect-to-the-kids cutaway in a middle school sex education video, it actually led to a scientific discovery. In this case, it showed how energy is distributed through a sperm cell at the molecular level to propel the cell toward an egg.

 

(10) ALL GLORY IS FLEETING. Editors at Vox Day’s Infogalactic are continually at work reshaping the mirrored Wikipedia content – or making up for its absence. For example, Wikipedia has no article about Jon Del Arroz, but Infogalactic does. The only flaw is that the article’s link to JDA’s entry on the Internet Speculative Fiction Database takes you to John C. Wright’s entry instead.

Here’s a copy of the article at the Internet Archive — https://web.archive.org/web/20171025183844/https://infogalactic.com/info/Jon_Del_Arroz

(11) GIVES ME GAS. Atlas Obscura runs down “The Brief, Wondrous, High-Flying Era of Zeppelin Dining”.  S.M. Stirling’s Peshawar Lancers also has a nice riff on this.

Zeppelins flew so much lower than modern planes do that they did not have the same cold, dry, pressurized cabin air that dulls taste and smell today. Airship food would therefore have been much more flavorful than what we eat aloft today — even if the menu didn’t include fattened duckling with champagne cabbage. No expense was spared. In The Great Dirigibles: Their Triumphs and Disasters, John Toland describes the Hindenburg’s larder: turkeys, live lobsters, gallons of ice-cream, crates of all kinds of fruits, cases of American whiskey, and hundreds of bottles of German beer. The Graf Zeppelin allowed for 7.5 pounds of victuals per passenger, per day, whether fresh or in specially prepared cans, with labels hand-affixed by the chef’s sister.

(12) SO LET IT BE WRITTEN. Beyond embedded ID: “How a graphene tattoo could monitor your health” (BBC video).

A graphene-based tattoo that could function as a wearable electronic device to monitor health has been developed at the University of Texas.

Gold is often used in electronic components, but graphene is more conductive, can be hundreds of times thinner and allows the tattoo to wrinkle naturally with skin.

It is hoped that as the cost of graphene falls, such tattoos will become affordable for medical use.

(13) IT’S SUPPOSED TO PAY TO BE A GENIUS. Collection craze: “Albert Einstein’s happiness note sold for $1.6m”.

Einstein gave the note to a courier in Tokyo in 1922 instead of a tip.

He had just heard that he had won the coveted Nobel prize for physics and told the messenger that, if he was lucky, the notes would become valuable.

Einstein suggested in the note that achieving a long-dreamt goal did not necessarily guarantee happiness.

The German-born physicist had won the Nobel and was in Japan on a lecture tour.

When the courier came to his room to make a delivery, he did not have any money to reward him.

(14) MAGIC DIRT. Using satellites to search for rare-earth elements: “An eco-friendly wat to make smartphones”.

A team of researchers at Cambridge may have found a safer way to extract rare earth elements (REEs) – the vital material in our smartphones – that could end up saving the planet.

When you think about where your smartphone comes from, the first thing that comes to mind is normally the shop that you bought it from, the stranger who sold it to you online, or maybe even the lovingly wrapped present you received from a doting relative last year.

But in tech terms, that’s the equivalent of thinking that you came into the world because a stork flew to your parents’ house and delivered you straight to their door. The reality is a lot more complicated.

The truth is that the fundamental material your smartphone is made of probably came from one mine in China. The Bayan Obo mine produces more than 95% of the world’s rare earth elements; the uniquely multivalent metals that make your phone ‘smart’. Lanthanum, for example, gives smartphone screens their smoothness and colour pop; neodymium’s super-high magnetism puts microphones, speakers and vibration units all in the palm of our hands. But to have such a luxury has come at a heavy environmental cost.

(15) STOP WASTING TIME. “Neil deGrasse Tyson’s new viral video is straight-up scientific fire.” The video is on Facebook here.

Most of all, though, Tyson is done — completely and utterly done — messing around when it comes to people who don’t take science seriously.

There are solutions. Take climate change, for instance. We could fight climate change with a carbon tax, or increased regulations, or more nuclear power plants, or solar energy plants. Heck, we could do all of the above! But nooooo, instead we have a Congress that literally throws snowballs around.

You can just hear in his voice how sick and tired he is of it.

“Every minute one is in denial, you are delaying the political solution that should have been established years ago,” says Tyson.

(16) THE HORROR. The B&N Sci-Fi & Fantasy Blog wants to add a few books to your TBR pile: “10 Hair-Raising Horror Novels Not Written by Stephen King”.

Every October, blogs near and far give the horror genre a bit of extra love, and that’s fantastic—but one can get the impression the genre suffered an unceremonious death two decades back as one list after another trots out the same (undeniably worthy) names. Sure, Stoker, Shelly, Shirley Jackson, and Lovecraft’s books are considered classics for a reason. And no, you can never go wrong with Peter Straub’s Ghost Story, or William Peter Blatty’s The Exorcist, or Stephen King’s [insert ’80s King novel here].

But as times change, so too do the things that unsettle us. Horror is all about readers taking an unflinching look into a dark reflection of the world around them. These 10 contemporary horror novels offer a great introduction to a genre that’s never truly left us—and find more terrifying reads on our list of 2016’s best horror novels.

First on their list —

Occultation, by Laird Barron Technically, Occultation is not a novel, but a short story collection. Before you head for the hills, know that this is widely considered one of the best horror collections since Clive Barker’s Books of Blood. Barron is a modern master of the New Weird genre and plays with the best bits of Lovecraft’s mythos: dark, cosmic forces punching their way into our reality and reminding humans just how puny they are. An Alaskan native, Barron infuses many of his stories—like the award-winning “Mysterium Tremendum”—with wilderness settings that host profound dangers, bone-deep isolation, and an inevitable violence that blots out even the smallest spark of certainty or hope. It’s heady, horrible, and a voice that’s oft-imitated by less skilled storytellers.

(17) BACK SO SOON? The Beyond Official Trailer. The movie is coming January 9, 2018.

Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts – modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.

 

(18) ARM’S LENGTH TRANSACTION. Could it be…bad breath? The Verge warns, “Radius starts with an unbeatable science fantasy premise, then gets weird”.

And then along comes something unheralded, under-the-radar, and authentically strange, like the Canadian movie Radius. Suddenly the audience is on a fast-paced trip into the unknown, with no idea where this premise could possibly lead. And Radius, the latest collaboration between married writer-director team Caroline Labrèche and Steeve Léonard, does start with an unbeatable premise that feels like a solid Stephen King horror story. A man wakes up in a wrecked truck and goes looking for help. His memory is completely gone. He can’t even remember his name. And slowly, he starts to realize that anything that comes within a certain radius of him — animals or people — instantly drops dead….

Radius will have a limited theatrical release on November 9th, and will appear on VOD services and Netflix on the same day.

 

(19) WINDOWS. Adweek comments on a PSA that, coincidentally, shows lots off SJW credentials — “See What’s Hiding in This Video About Putting Your Damn Phone Down”.

How do you get 18- to 24-year-olds to put their phones down while driving? Maybe not with the supernatural. But who doesn’t love cats and music?

For the Department of Transport, London agency AMV BBDO created “Pink Kittens.” Directed by We Are From LA, it feels more like a pop-oriented lifestyle shoot than a public service announcement.

At its start, a busy city scene scrolls by from a driver’s perspective (assuming you’re looking out your side window … which, incidentally, is another thing you shouldn’t really be doing).

Then comes the question: Did you see the pink kitten? Look again.

 

(20) FLEET SCHOOL SERIES. Orson Scott Card returns to the Enderverse in his new Fleet School series. The first book, Children of the Fleet, came out October 10.

Children of the Fleet is a new angle on Card’s bestselling series, telling the story of the Fleet in space, parallel to the story on Earth told in the Ender’s Shadow series.

Ender Wiggin won the Third Formic war, ending the alien threat to Earth. Afterwards, all the terraformed Formic worlds were open to settlement by humans, and the International Fleet became the arm of the Ministry of Colonization, run by Hirum Graff. MinCol now runs Fleet School on the old Battle School station, and still recruits very smart kids to train as leaders of colony ships, and colonies.

Dabeet Ochoa is a very smart kid. Top of his class in every school. But he doesn’t think he has a chance at Fleet School, because he has no connections to the Fleet. That he knows of. At least until the day that Colonel Graff arrives at his school for an interview.

(21) THE MAITRE’D RECOMMENDS. This year’s Hugo Administrator Nicholas Whyte feels enough time has passed that it’s safe for him to tell us where he ranked “The 2017 Hugo Best Novel finalists” on his own ballot. Hmmm. So he voted the winner in practically last place? Talk about marching to the beat of a different drummer! However, there certainly wasn’t anything wrong with his first-place choice —

My first vote went very clearly to All the Birds in the Sky, by Charlie Jane Anders. Second paragraph of third chapter:

The first week of school, Patricia smuggled an oak leaf in her skirt pocket—the nearest thing she had to a talisman, which she touched until it broke into crumbs. All through Math and English, her two classes with views of the east, she watched the stub of forest. And wished she could escape there and go fulfill her destiny as a witch, instead of sitting and memorizing old speeches by Rutherford B. Hayes. Her skin crawled under her brand-new training bra, stiff sweater, and school jumper, while around her kids texted and chattered: Is Casey Hamilton going to ask Traci Burt out? Who tried what over the summer? Patricia rocked her chair up and down, up and down, until it struck the floor with a clang that startled everyone at her group table.

I really loved this from the first chapter on, a sort of Jo Walton / Neil Gaiman mashup which really worked for me. It was the first of the Hugo finalists that I got (I was given an ARC in late 2015) but in fact the last that I read. Interestingly it has by far the most owners on both Goodreads and LibraryThing, but also the lowest ratings on both. It missed winning the award by 43 votes, the second closest of any result on the night, and won second place.

[Thanks to John King Tarpinian, JJ, Steve Green, Martin Morse Wooster, Janice Murphy, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson, who will be along shortly to explain it.]

Why Orson Scott Card’s Second Place Finish Is A Bigger Story Than The Winner’s

The winners of the 2016 WeScreenplay Feature Contest are the pair of novice screenwriters whose script scored highest after multiple rounds of blind judging. But there will be no moment in the sun for Kenlon Clark and William Rubio. They have been overshadowed by the second prize winner – Orson Scott Card. WeScreenplay clearly understands he’s the main story (or major distraction), too, because they simultaneously published one post announcing the winners and another justifying the way they handled the outcome — “When Orson Scott Card Entered the WeScreenplay Feature Contest”.

The WeScreenplay process and the prizes, in a nutshell, are —

After 5 rounds of reads we’ve determined the top 5 winners for the contest. The Grand Prize Winner will have amazing mentorships with the Director of Teenage Mutant Ninja Turtles, the VP of Development for Morgan Freeman, and a Director of Development for Brookstreet Pictures. Not only that, but we’re giving away over $20,000 in cash, prizes, coverage, and more to all the winners.

Card’s entry finished second in blind judging and he satisfied contest’s financial requirements:

Last week, we sent out an email to our 26 finalists in the competition asking for written confirmation that they are, in fact, eligible to win the contest.  That means that the writer cannot have earned more than $35,000 from professional screenwriting in the past 18 months.  While sending out the emails, we noticed one submitter in particular under the name of Orson Scott Card.  Sound familiar? Yep, that Orson Scott Card, the acclaimed novelist and author of the beloved and award-winning novel Ender’s Game.

This presented us with a bit of a predicament.  On one hand, Mr. Card is technically eligible, according to the rules, to win the competition, as he is a novelist and he has not earned more than $35,000 in the past 18 months as a screenwriter.  Furthermore, his script’s finalist ranking was fair and square, per our judging process.

…Mr. Card’s script MESA 1966, through five rounds of reads, and completely anonymous to judges, received the second highest overall score in the entire competition, just behind the grand-prize winning script FORGED by Kenlon Clark and William Rubio.

We contacted Mr. Card and he clarified that he entered the contest because he considered himself a novice screenwriter and that he valued the two sets of notes that he got back from the anonymous judges, however he expressed that he did not want to detract from attention to other talented finalists. We’re excited to discover Mr. Card’s excellent screenplay as the 2nd place winner in this contest, and because of Mr. Card’s previous accomplishments as a professional writer, we’ve added a sixth winner to the (previously 5) winners….

Most people would agree that Orson Scott Card is one of the most successful writers ever in the sf field, which raises the question of what would attract him to enter any kind of contest for novices. The simple truth may be what he said – that he feels he is a novice screenwriter. Perhaps there also is satisfaction in letting his work stand for itself, in a blind judging process where there can be no politically-tinged backlash against his expressed views, something that prevented him from writing a Superman comic several years ago, and relegated him to the sidelines of the Ender’s Game film publicity tour.

[Thanks to Jack Lint for the story.]

Pixel Scroll 4/6/2016 I Saw A Scroll Drinking A Pina Colada At Trader Vic’s, His Pixel Was Perfect

(1) APPRECIATION. At Fantasy Café, Stephanie Burgis thanks the women who blazed the trail into the fantasy genre.

I wanted to write a very important thank you note to the women who first showed me the way into this field…

I imagine the extra emotional hurdles I would have had to jump, if those women hadn’t taken the risk before me of letting the world know their gender when they published their books.

So: thank you, Robin McKinley, Patricia McKillip, Emma Bull, and Judith Tarr. I loved your books then, I love them now, and I’m so grateful that you took that risk for me and every other fantasy-loving girl reader/writer out there.

Thank you.

(2) FEMINIST COMICS. Corrina Lawson at B&N Sci-Fi & Fantasy Blog recommends “9 Feminist Comics Everyone Should Read”. Apparently this doesn’t literally mean feminist, but anyway —

It’s a good time to be a reader interested in feminist comics. When I say “feminist,” I don’t necessarily mean “a book in which a women fights the patriarchy.” I don’t even require the story to be written by a woman.

What I mean by “feminist comics” is that they offer stories that include three-dimensional female characters. That’s it. I know, it seems like a low bar, but it’s surprising how often it isn’t done. And yes, many of them that do it are written by women—but not all.

In compiling a list of feminist comics I think everyone should read, I looked beyond Marvel and DC Comics, because I wanted to spotlight work being done outside of the “Big Two,”  though I do love and applaud the work being done on Ms. Marvel, Captain Marvel, A-Force, Black CanaryBatwoman, and Gotham Academy. It is not meant to be an exhaustive list; rather, it’s a glimpse at a handful of the many comics out there with fascinating female characters. Please feel free to add your own recommendations in the comments. (And to those wondering why Lumberjanes isn’t on this list, well, I sang the praises of that book in a previous article.)

First on the list is Monstress, story by Marjorie Liu, art/cover by Sana Takeda (for young adult readers)

(3) MORE CIVIL WARRIORS. SciFiNow breathlessly reveals “Captain America: Civil War adds two interesting last minute cast members”.

The first is the marvellous Jim Rash, best known to many as Dean Pelton from Community. The second is Alfre Woodard, who is particularly interesting seeing as she’s also set to appear in Netflix’s Luke Cage as Mariah Dillard. Does that mean Captain America: Civil War will become the first MCU film to cross over with Netflix’s series of Marvel shows?

Both Woodard and Rash’s involvement in Civil War seem to have been revealed by accident when both their names were included on a Disney list of cast members who will be attending the film’s upcoming premiere. Since the list was issued, sources have claimed that Woodard will play a small but pivotal part in Civil War as the mother of an American citizen who was killed during the Battle of Sokovia in Avengers: Age Of Ultron.

(4) BRADBURY IN MUTTS. James H. Burns says, “One of my favrorite things in the world for many years now has been Patrick McDonnell’s comic strip, Mutts. McDonnell is simply one of the best, of our generation, and really, all time. You should like this installment!”

mutts, bee

 

(5) KINDLE SCOUT. Joan Marie Verba explains “How Kindle Scout Works” at the SFWA Blog.

Kindle Scout is a publishing option sponsored by Amazon.com. Writers can submit an unpublished manuscript of 50,000 words or more in the science fiction, fantasy, mystery, or romance genres. Kindle Scout then will put up a web page with the cover, summary, sample chapter, and author information. Potential readers then review the information, and if they have an Amazon.com account, they can nominate the work. At the end of 30 days, the Kindle Scout team reviews the statistics and the work. If they accept the work for publication, the author gets an advance against royalties and the work is published on Kindle Press….

One site I would highly recommend reading before, and especially during, one’s campaign is kboards—in particular, the “Kindle Scout Experiences, Anyone?” board. This board has authors who are in the midst of a Kindle Scout campaign as well as authors who have completed one (successfully or unsuccessfully). Some on that board assert that there are factors in addition to the number of nominations that Kindle Scout considers in order to make a selection, such as the author’s sales history and number of titles previously published.

(6) MOVIE SPACESHIPS. ScreenRant lists the “14 Most Iconic Ships To Ever Appear In Science Fiction Movies”. It’s true, I made noises while reading this article.

If you’re reading this list, chances are at some point in your life you’ve held a toy spaceship in your hands and steered it gracefully through the air, banking left and right, while making engine noises (“Kschchchch,” “Wrrrrrrreeeeeeeaaaar!”) and laser noises (“Pfew, pfew,” “Tschew!”). That’s because ships in sci-fi movies can be so crazy cool. That’s part of the fun of watching them: seeing which new designs special effects teams have come up with, or what old favorites have been updated.

Most of these ships are spacecraft, but sci-fi ships can also go underwater or even inside the human body. There are malicious, invading alien crafts and benevolent alien ships; massive vessels that hold thousands of people, and little one-seaters. But they’re all awesome in their own way.

Okay trufen – before you peek, guess whether #1 on the list is from Star Wars or Star Trek!

(7) BAEN NEWS. Baen Books will now offer MVMedia ebooks on the Baen Ebooks website. MVMedia is an Atlanta-based publisher known for a wide range of science fiction and fantasy, notably for its Sword and Soul genre anthologies. Sword and Soul is epic fantasy adventure set in a mythological Africa featuring a sword-wielding black hero.

MVMedia at Baen Ebooks launches with The Dark Universe Anthology edited by Milton J. Davis and Gene Peterson, and From Here to Timbuktu, written by Milton J. Davis.

The Dark Universe anthology is a multi-author space opera in the high sense. It portrays the origin story of the Cassad Empire, from its ambitious beginning as a refuge and new home for a persecuted people to its evolution to the first great human Galactic Empire. Authors include Milton Davis, Gene Peterson, Balogun Ojetade, Penelope Flynn, Ronald Jones, Malon Edwards, K. Ceres Wright and DaVaun Sanders….

(8) GUSTAFSSON OBIT. Ahrvid Engholm pays tribute to the late Lars Gufstafsson (1936-2016) at Europa SF.

Lars Gustafsson was just awarded the International Zbigniew Herbert Prize in Poland, and was supposed to collect it May 17th in Warsaw, his 80th birthday.

But death intervened.

Lars Gustafsson, author, poet, philosopher, etc, passed away April 3rd. He was 79.

Lars Gustafsson was a heavyweight in Swedish literature and culture. The biggest swedish morning paper, Dagens Nyheter, had seven (!) pages about Gustafsson’s death.

And he was a big fan of science fiction and fantastic literature! It began when he as a young boy steadily read the then sf pulp magazine Jules Verne Magasinet (1940-47). He even visited our local SF conventions occasionally.

(9) DRAGON AWARDS REACTIONS. Here are samples from the range of reactions to Dragon Con’s new SF awards.

(10) THE WINNER HAS YET TO ENTER THE RING. Lela E. Buis awards a technical knockout to the Dragon Awards simply for being announced, in “Upheaval in the awards system”.

Contrast this attendance figure with WorldCon that gives out the Hugo Awards. Wikipedia lists 4,644 attendees and 10,350 who bought memberships to vote the 2015 Hugo Awards, which was a record for numbers. With DragonCon moving into the awards game, I’m thinking the Hugo’s are officially undermined. The Puppy scandal has not only disrupted the voting system, but it seems to have led to an inspection of the Hugo process where works are winnowed through a narrow review and recommendation system and onto the ballot.

(11) DUKING IT OUT ABOUT PC. Matthew M. Foster and L. Jagi Lamplighter overflowed Facebook with their recent discussion of Political Correctness, each writing a supplemental blog post.

Foster’s post is, “They Took My Job!”

Political Correctness threatens people’s jobs.

OK. How? The example from that other thread is that researchers who disagree with climate change are afraid to speak up due to fear of losing their job. Unfortunately, this isn’t a good example for it brings up an obvious alternative—that is that researches who do not do a good job fear losing their job. Which they should. If 99 researchers do an experiment and get X, and 1 guy does it and gets Y, then the most likely reason is because 1 guy did it poorly. And that’s what we have in climate change research. But lets get past that and make this more general, to take out the notion that the employee is bad at his job while keeping in mind the nearly meaningless nature of the term “PC.”

So, how can someone lose their job due to political correctness?

  1. He could say something that is offensive to other employees or the boss thus damaging productivity.
  2. He could say things that are offensive to the general public
  3. He could say something that indicates his disagreement with the boss.

….Or they can just say whatever they want, and accept the consequences. Because that’s not political correctness. That’s life. I believe the phrase is, freedom isn’t free. Yelling “political correctness” doesn’t get you out of life. It doesn’t excuse you from consequences, and if you think it does, you are an idiot whose views of society would create the totalitarian state you claim to abhor—if you were consistent anyway.

Which all comes down to, no one is losing their job due to political correctness nor should they fear doing so. They are losing their jobs because they are rude and insulting, or because they are inconsiderate by disrupting the company, or because they are causing the company to lose sales, or because they are personally upsetting their boss, or because they won’t follow their boss’s lead, or because they are bad at their jobs. That’s how jobs work. Don’t want to lose your job? Don’t do those things. Political correctness has nothing to do with it.

L. Jagi Lamplighter wrote, “Political Correctness vs. The Search for Happiness”.

I am a strong supporter of the great dialogue that is civilization. Were it up to me, nothing would ever interfere with it.

Political correctness quenches this conversation. Here are some of the reasons I say that:

* It replaces discussion and debate with Puritan-style disapproval.

You don’t explain to someone why you disagree with them. You speak so as to shut them down as quickly as possible.

* It keeps people from sharing politically correct views in a way that might convince.

Because of this, if the person who favors the politically correct position has a good reason for their opinions, the other person will not know, because debate has been silenced.

*It keeps people from sharing any other view.

If the person who does not favor the politically correct position has a good reasons for supporting their position—the person favoring the politically correct reason will never hear it, because he shut down the debate before he had a chance to hear the reasons…..

(12) CARD HOLDS THUMBS DOWN. “Will this election doom America? ‘Ender’s Game’ author holds dim view in light of current politics” reports the Ripon Commonwealth Press.

America has no hope.

That could be the summation of an hour-long talk science fiction writer Orson Scott Card offered last week Wednesday at Ripon College.

Couching his comments in the concept that a good science-fiction writer must understand history, Card explained that history now suggests the United States is not at a crossroads, but already too far down the wrong path to seek a solution.

“There is no winning hand in this election. There is no vote you can now cast that will save us from potential disaster, and that’s never really been true in American history before. Sometimes we’ve elected the worst guy, nevertheless the worst guy was never as bad as the choices we have now,” said Card, who wrote the popular book “Ender’s Game,” and which he turned into a screenplay for a Hollywood movie. “So we can look at empires, we can look at them as I do as a science fiction writer, and try to find how they rise and fall, what rules apply …

“The problem is, we’re all making this situation up together, and we’re all stuck with whatever answers we come up with. And if history’s taught us one thing, it’s all empires fall, and they all fall at inconvenient times.”

(13) POTTER EVENT RESCHEDULED FOR GEEZERS. The City of Perth Library postponed its Harry Potter event, aimed at teens aged 12-18 and their parents, to accommodate adults who complained they felt left out.

Library staff attempted to explain that the event was curated by its Youth Services faculty and the events were specifically targeted at teens….

Despite this explanation, many fans lamented over the idea that they would miss out on their chance to learn about owls or take a “potions class” from local experts so the library decided to postpone the event indefinitely.

“We want to be able to provide a magical experience for all Library patrons,” they wrote on Facebook. “As such the Harry Potter event has been postponed and we are looking at how we can accommodate many more witches, wizards, muggles and their families.”

(14) RIDLEY RAPS. “Daisy Ridley Rapping Is the Greatest ‘Star Wars: The Force Awakens’ Bonus Feature Yet!” at YouTube.

(15) WHAT A WRITER NEEDS TO KNOW. Soon Lee’s instant classic started life as a humble comment before being enshrined in the canon of English literature a few minutes later.

The Writer

On a cool Autumn’s eve
At a Worldcon bound for nowhere
I met up with the writer
We were both too tired to sleep

So we took turns a-starin’
Out the window at the darkness
The boredom overtook us,
And she began to speak

She said, “Child, I’ve made a life
Out of writin’ people’s stories
Knowin’ what the plots were
By the way they held their tropes

So if you don’t mind me sayin’
I can see you’re out of ideas
For a taste of your Oolong
I’ll give you some advice”

So I handed her my China
And she drank down my last swallow
Then she bummed a cigarette
And asked me for a light

And the night got deathly quiet
And her face lost all expression
She said, “If you’re gonna play the game, child
You gotta learn to write it right

You’ve got to know when to show ’em
Know when to tell ’em
Know when to passive voice
And to gerund

You never check your wordcount
When you’re typin’ at the keyboard
There’ll be time enough for counting
When the writin’s done

Every writer knows
That the secret to good writin’
Is knowin’ what to throw away
And knowin’ what to keep

‘Cause every book’s a winner
And every book’s a loser
And the best that you can hope for is to Fail
Better next

And when she finished speakin’
She turned back toward the window
Crushed out her cigarette
And faded off to sleep

And somewhere in the darkness
The writer she dreamt stories
But in her final words
I found advice that I could keep

You’ve got to know when to show ’em
Know when to tell ’em
Know when to passive voice
And to gerund

You never check your wordcount
When you’re typin’ at the keyboard
There’ll be time enough for counting
When the writin’s done

Repeat to fade

(Starring Badass Raadchai Ann Leckie as the writer. With apologies to Kenny Rogers)

[Thanks to Will R., JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Orson Scott Card GoH at ORU Conference on SF

Orson Scott Card will be guest of honor at the Oral Roberts University Conference on Science and Science Fiction: Science, Faith, and the Imagination on April 17-18

This two-day interdisciplinary conference – sponsored by the colleges of Arts and Cultural Studies and Science and Engineering at Oral Roberts University – will examine the relationships between science and science fiction, social science and science fiction, and theology and science fiction in all forms of science and science fiction, including science fiction stories, film, television, radio, graphic novels, and theoretical physics.

The conference invited scholars to present papers on —

  • Science Fiction and Theology. Investigating the relationship between science fiction and theology.
  • Science in Science Fiction. Discussing the plausibility of fantastical science fiction concepts such as time travel, warp drives, cloaking devices, and (quantum) teleportation.
  • Hard Science Fiction. Examining scientific rigor in science fiction.
  • Social Sciences in Science Fiction. Investigating psychological, sociological, and cultural issues in science fiction.
  • The Relationship between Science and Science Fiction. Exploring how science drives science fiction and/or how science fiction drives science.
  • Original Science Fiction Short Stories.

Orson Scott Card Becomes UNC-TV Trustee

Orson Scott Card has been named to the UNC-TV board of trustees reports the Greensboro (North Carolina) News & Record. The board of trustees is an advisory group to the UNC Board of Governors which holds UNC-TV’s broadcast licenses and is responsible for the organization.

The controversial SF writer has lived in Greensboro since 1983. He responded to the News & Record’s request for comment: “Those who want my actual views will consult the originals and not the deliberately distorted reports.”

UNC-TV board Chairman Robb Teer said in a press release, “We are pleased to welcome Mr. Card to the UNC-TV board of trustees. We are grateful for his willingness to serve and look forward to working with him to continue providing the people of our state with enriching, life-changing television in these challenging times.”

Last year UNC-TV produced 340 hours of original programming, such as North Carolina Now, Legislative Week in Review, and North Carolina Weekend.

[Thanks to Andrew Porter for the story.]

Ender’s Game at Comic-Con

So what went down in Hall H at Comic-Con on Thursday when the makers of Ender’s Game faced the fans?

Wired.com sets the scene:

Right after the requisite exclusive clip and banter with moderator Chris Hardwick the first fan to ask a question, who butted in line to ask it, got right to the point. “There’s actually been a lot of controversy about the author of the book,” the young woman said. “How involved was he in making the film?” The response, from the film’s producer Roberto Orci, was direct.

Variety has Orci’s complete quote:

When brought up during a Q&A session during Summit’s Comic-Con presentation for the film, Orci said, “The truth is you never want to court controversy, but we decided to use the attention on us to support Lionsgate’s statement of support of LGBT rights. So rather than shy away, we are happy to embrace it and use the spotlight to say we support LGBT rights.”

Harrison Ford was questioned by reporters at a news conference just before his Hall H appearance —

Ford told reporters that while he fundamentally disagrees with the author’s stance, the film stands separate from the issue.

“I think none of Mr. Card’s concerns regarding the issues of gay marriage are part of the thematics of this film,” Ford said. “He has written something that I think is of value to us all concerning moral responsibility. I think his views outside of those that we deal with in this film are not an issue for me to deal with and something I have really no opinion on.

“I am aware of his statements admitting that the question of gay marriage is a battle that he lost and he admits that he lost it. I think we all know that we’ve all won. That humanity has won. And I think that’s the end of the story.”

Opening Moves in Ender’s Game

When Ender’s Game takes its turn in San Diego Comic Con’s Hall H this Thursday, Harrison Ford will appear with producer Bob Orci, director Gavin Hood, and co-stars Asa Butterfield, Hailee Steinfeld, and Abigail Breslin.

Orson Scott Card will be somewhere else.

Card’s brand now is as much identified with his anti-gay rhetoric as with his award-winning fiction, and in his capacity as a director of the National Organization for Marriage he is a leading opponent of same-sex marriage laws. He is a target of protestors, who succeeded in running Card off a Superman comic he’d been signed to do for DC. Now they are building support for a boycott of the movie based on Card’s novel due out in November.

Since witnessing the Superman debacle movie executives have decided they need to keep Card away from this year’s Comic Con. The Hollywood Reporter concluded —

Promoting Ender’s Game without Card would be like trying to promote the first Harry Potter movie without J.K. Rowling. But having Card appear in the main ballroom in front of 6,500 fans could prove a liability if he’s forced to tackle the issue head-on during the Q&A session.

However, the latest efforts to avert bad publicity for Ender’s Game display none of Hollywood’s usual flair for faking sincerity. Consider two statements released last week.

Orson Scott Card himself tried to separate the story from the contemporary political landscape in a statement rife with the odor of special pleading:

Ender’s Game is set more than a century in the future and has nothing to do with political issues that did not exist when the book was written in 1984.

With the recent Supreme Court ruling, the gay marriage issue becomes moot.  The Full Faith and Credit clause of the Constitution will, sooner or later, give legal force in every state to any marriage contract recognized by any other state.

Now it will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute.

The distributor, Lionsgate Entertainment, identified itself as “proud longtime supporters of the LGBT community” and asserted —

[We] obviously do not agree with the personal views of Orson Scott Card and those of the National Organization for Marriage. However, they are completely irrelevant to a discussion of Ender’s Game. The simple fact is that neither the underlying book nor the film itself reflect these views in any way, shape or form.

The company even promised to host a benefit premiere for Ender’s Game. Proponents of the boycott at Geeks Out were quick to spurn the offer as a cynical business maneuver:

A benefit premiere, indeed any outreach to the LGBT community by Lionsgate, ought to be much appreciated. What’s clear is that whether or not they support his views, Lionsgate is standing by their man and their would-be blockbuster. They made the common, perhaps cynical, calculation that audiences wouldn’t connect Ender’s Game with Card’s very public homophobia—or wouldn’t care. Geeks OUT appreciates that most American families work for every dollar and care deeply about where that money goes and what it supports.

Geeks Out urged readers to go to its new Skip Ender’s Game site and sign a pledge to spend no money on the movie:

Skip Ender’s Game is a call to action. Do NOT see this movie! Do not buy a ticket at the theater, do not purchase the DVD, do not watch it on-demand. Ignore all merchandise and toys. However much you may have admired his books, keep your money out of Orson Scott Card’s pockets.

The NY Times reports only around 2,000 people had signed up in the site’s first 6 days online. Geeks Out says hundreds more are signing each day. Even so, that is not a material part of the movie’s potential audience.

Despite the studio keeping him away from Comic Con, Orson Scott Card has been busy reasserting his identification with Ender’s Game. This month production began on a 6-hour audioplay Ender’s Game Alive to be published by Audible.com – which Card calls the definitive version of his story. More than 30 actors voice over 100 characters, with Kirby Heyborne as Ender Wiggin, Emily Rankin (Orson Scott Card’s daughter) as Bean, Alison Bews as Hot Soup and Jim Meskimen as Dink Meeker.

Providing four or five other voices in the spoken-word recording are Harlan Ellison and Janis Ian.

Ellison’s participation came up in John Rabe’s interview for the Pasadena NPR outlet. Ellison frankly disapproved Card’s views, though said he still found him personally likeable:

[Some of Card’s opinions are] wrong, ultimately destructive, anti-human and anti-peaceful. But he’s never done me any harm. And he’s a smart guy…. What Scott Card believes is what Scott Card believes, and what I believe is something entirely different.

At a public appearance over the weekend the writer angrily objected to the way his comments had been used, for in addition to posting the full 15-minute interview, the station cut a separate 2-minute excerpt of Ellison’s responses about Card and drove traffic to it with a headline “SF author Harlan Ellison on juvenile delinquents, gays and Orson Scott Card” as if he was part of the controversy. (“Juvenile delinquents” because of the signing party for two early Ellison novels reprinted by Kicks Books.)

Ellison feels he is able to relate to his friend Scott Card without agreeing with his views, an attitude not uncommon among sf writers of his generation whether on the left or right. But the shame-and-shun culture of the internet doesn’t accept that as an option, feeling it is more than a petty inconsistency.

Ender’s Game Alive promotional videos. (1) Harlan Ellison and Janis Ian end their recording session with a selfie.

(2) Author Orson Scott Card discusses the creation of the audioplay for Ender’s Game Alive.

[Thanks to Steven H Silver, John King Tarpinian and Andrew Porter for the story.]