Pixel Scroll 7/12/23 You Can Scroll Scroll Scroll, You Can Pixel Pixel Pixel, But You Got To Know The Metastory

(1) THIS IS YOUR BRAIN ON PERN. As soon as Threads started up, Catherynne M. Valente realized she needed to remind everyone she knows that “Mark F***king Zuckerberg Is Not Your Friend”.

…I’m not even very surprised at how many suspiciously-positive posts and memes I saw the millisecond Threads launched. Or how many big names and brands who’d refused to move to any of the other available competitors, not even so far as to hold a username and a server on Mastodon, the one most usable most quickly, just in case, suddenly had thriving Threads feeds. This is Facebook. It’s been several interminable minutes. We all know how this works. Bots, farms, artificial boosting, algorithms, astroturfing, paying influencers, brands, and celebrities to migrate without saying they were paid. We are not new here. Asking Facebook to not fake engagement and steal data is like asking Canadian goose not to rip anyone’s face off. That is, fundamentally, what it does and what it’s for.

What did surprise me? Well, it’s pretty fucking weird how the launch of Threads, which is ostensibly, you know, a company and a profit-generating service, almost immediately did a sickening costume reveal and became Mark fucking Zuckerberg’s Redemption/Woobiefication tour, and only like four non-Nazi people and one of their alt accounts are pushing back on that because everyone rushed to join this thing with a smile on their lips and a song in their heart a big anime heart-eyes for the guy we all knew was Noonian Soong’s first janky and obviously evil Build-a-Bloke workshop project three weeks ago.

Seriously, have we all lost our entire screaming minds?…

She has assembled acres of evidence about Zuckerberg’s and Facebook’s track record in case you forgot.

(2) BOTH A SPRINT AND A MARATHON. Cora Buhlert is doing the July Short Story Challenge again and she hasn’t missed a day yet: “The 2023 July Short Story Challenge – Day by Day”.

… What is the July Short Story Challenge, you ask? Well, in July 2015, Dean Wesley Smith announced that he was planning to write a brand new short story every day during the month of July. The original post seems to be gone now, but the Wayback Machine has a copy here. At the time, several people announced that they would play along, so I decided to give it a try as well. And then I did it again the following year. And the next. And the next….

(3) QUITE THE VARIETY. Rich Lynch’s diverting My Back Pages #28 is available to download from eFanzines.

The 28th installment of my personal time capsule is a “I think we’re finally escaping the pandemic” issue and has essays involving cheap hotel rates and a very expensive personal boondoggle, big balloons and a small cat, scary rollercoasters and not-so-scary sci-fi movies, notable edifices and ordinary-looking spring blossoms, artificial satellites and a very real sense-of-wonder, a long walking tour and a relatively short drive, a famous quote and a semi-obscure composer, a smart chatbot and a dumb stunt, complex machinations and elegant simplicity, drowsy Worldcon attendees and rousing march music, photos of the heavens and an underground fallout shelter, an extended hotel stay and a brief mountain climbing career, specialized historical research and an eclectic museum, National Poetry Month and The Year of the Jackpot.  And also an ‘Un-bucket List’ – hey, *everybody* ought to have one of those!

(4) THE HOBBIT: COMPARING RANKIN/BASS WITH PETER JACKSON. [Item by Dann.] The first episode of the Cinema Story Origins Podcast Hobbit series dropped a couple of days ago.  Paul J. Hale announced it on Facebook:

This whole episode is the first chapter of the book, the first 8 minutes of the Rankin/Bass Animated film, and the first 45 minutes of Peter Jackson’s “The Hobbit: An Unexpected Journey”.

A big chunk is about J.R.R. Tolkien, another chunk is Jackson’s prologue, but pretty much the rest of it takes place inside Bag End (Bilbo’s house). But I do some extra digging here and there, some stuff about the origin of The Dwarves in Tolkien’s Legendarium, and some extra info and context for certain things.

This is a large project, and I’m already started on Part 2. I have no clue how long these are all going to be. I want these episodes to be meaty on the Tolkien end, and lighter on the Jackson end, but we’ll see… I’m going to try hard to have this done by the end of summer but I can’t guarantee that. I really hope you enjoy this first chapter in the CSO Hobbit Series.

The CSO page for the episode is here: “The Hobbit: Part 1”

The link to the Apple podcasts page is here: Cinema Story Origins: CSO 011a The Hobbit Part 1”.

I’ve listened to the first episode.  Paul opens with roughly 20 minutes of history about JRR Tolkien.  Some of the broad strokes are well known to Tolkien fans; his wartime service, his position as editor of the Oxford English dictionary, etc.  There were a couple of morsels that were new to me.  For example, the first line of The Hobbit originated from a very unusual circumstance.

As with all CSO series, Paul Hale is comparing and contrasting the original book with the movie versions.  In this case, he is comparing the book the Rankin/Bass version of The Hobbit and with the Peter Jackson trilogy films.  While Paul makes it clear that he thinks that making three films for a single book is excessive, he deals with the trilogy films as they exist and not as he might want them to be.  Paul’s focus is on delving into the book and how the film creators interpreted the book.  I believe that he will be only lightly touching on the many elements of the Jackson movies that do not exist in the book version of the story.

The first episode ends as Bilbo is rushing out the front door to meet the dwarves.  The runtime is ever-so-slightly over 2 hours.  Paul’s style makes every moment entertaining and informative.  He sprinkles in audio stingers and other verbal bon mots to keep the presentation lively.

(5) AS FRIGHTENING AS DISCOVERING FIRE. Game Thinking TV brings us an interview with Gödel, Escher, Bach author Doug Hofstadter on the state of AI today”.

Douglas Hofstadter, the Pulitzer Prize–winning author of Gödel, Escher, Bach, reflects on how he got interested in the mind and consciousness, how he came to write Gödel, Escher, Bach, and why he is terrified by the current state of AI.

(6) HAPPY BIRTHDAY WEBB TELESCOPE! The James Webb Space Telescope today celebrated its “First Year of Science With Close-up on Birth of Sun-like Stars”.

From our cosmic backyard in the solar system to distant galaxies near the dawn of time, NASA’s James Webb Space Telescope has delivered on its promise of revealing the universe like never before in its first year of science operations. To celebrate the completion of a successful first year, NASA has released Webb’s image of a small star-forming region in the Rho Ophiuchi cloud complex. 

“In just one year, the James Webb Space Telescope has transformed humanity’s view of the cosmos, peering into dust clouds and seeing light from faraway corners of the universe for the very first time. Every new image is a new discovery, empowering scientists around the globe to ask and answer questions they once could never dream of,” said NASA Administrator Bill Nelson. “Webb is an investment in American innovation but also a scientific feat made possible with NASA’s international partners that share a can-do spirit to push the boundaries of what is known to be possible. Thousands of engineers, scientists, and leaders poured their life’s passion into this mission, and their efforts will continue to improve our understanding of the origins of the universe – and our place in it.”

The new Webb image released today features the nearest star-forming region to us. Its proximity at 390 light-years allows for a highly detailed close-up, with no foreground stars in the intervening space….

(7) MEMORY LANE.

1995 [Written by Cat Eldridge from a choice by Mike Glyer.]

Stephen Baxter’s a truly prolific writer, he’s written close to fifty novels now with the Long Earth series that he co-wrote with Terry Pratchett being my favorite work by him.  He’s written essays and short fiction beyond counting. Since there are fifteen collections of his short fictions, I’m guessing that most of it has been collected. 

So what is our Beginning the Scroll? It’s The Time Ships, the sequel to The Time Machine, which was published by HarperPrism twenty-eight years ago. 

It was nominated for a Hugo at the third L.A. Con.  It also nominated for a BFA and a Clarke. It won the BSFA, John W. Campbell Memorial and Philip K. Dick Awards.

Shall we take a look at our Beginning?

The attached account was given to me by the owner of a small second-hand bookshop, situated just off the Charing Cross Road in London. He told me it had turned up as a manuscript in an unlabelled box, in a collection of books which had been bequeathed to him after the death of a friend; the bookseller passed the manuscript on to me as a curiosity–‘You might make something of it’–knowing of my interest in the speculative fiction of the nineteenth century. 

The manuscript itself was typewritten on commonplace paper, but a pencil note attested that it had been transcribed from an original ‘written by hand on a paper of such age that it has crumbled beyond repair’. That original, if it ever existed, is lost. There is no note as to the manuscript’s author, or origin. 

I have restricted my editing to a superficial polishing, meaning only to eliminate some of the errors and duplications of a manuscript which was evidently written in haste.

What are we to make of it? In the Time Traveller’s words, we must ‘take it as a lie–or a prophecy … Consider I have been speculating upon the destinies of our race until I have hatched this fiction …’ Without further evidence, we must regard this work as a fantasy–or as an elaborate hoax–but if there is even a grain of truth in the account contained in these pages, then a startling new light is shed, not merely on one of our most famous works of fiction (if fiction it was!), but also on the nature of our universe and our place in it.

I present the account here without further comment. Stephen Baxter

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 12, 1923 James E. Gunn. Writer, editor, scholar, anthologist. Hugo winner at ConStellation (1983) for Isaac Asimov: The Foundations of Science Fiction. MidAmeriCon (1976) presented him with a Special Committee Award for Alternate Worlds: The Illustrated History of Science Fiction. The This Immortal series based on his novel by that name received a Best Dramatic Presentation nomination at Heicon ’70. Not surprisingly, he won a First Fandom Hall of Fame Award. (Died 2020.)
  • Born July 12, 1933 Donald E. Westlake. Though he specialized in crime fiction, he did dip into the genre on occasion such as with Transylvania Station with a lovely cover by Gahan Wilson. You can think of it as a Clue style novel.  With monsters. He wrote with his wife Abby. On the horror end of things was Anarchaos. And he wrote a lot of genre short fiction, some fifty pieces by my count. Meteor Strike: Science Fiction Triple Feature has three of his SF stories is available from the usual suspects for ninety-nine cents. (Died 2008.)
  • Born July 12, 1947 Carl Lundgren, 76. He co-founded ASFA (Association of Science Fiction & Fantasy Artists of America), and won 4 Chesleys, including Artistic Achievement. At the tender age of eighteen, he was co-chairman of the first media SF convention, The Detroit Triple Fan Fair which featured comics, movies and various things of a SF nature. At Chicon IV, he was nominated for Best Professional Artist but lost out to Michael Whelan.
  • Born July 12, 1946 — Charles R. Saunders. African-American author and journalist, much of his fiction is set in the fictional continent Nyumbani (which means “home” in Swahili). His main series is the Imaro novels which he claims are the first sword and sorcery series by a black writer. (Died 2020.)
  • Born July 12, 1970 Phil Jimenez, 53. Comics illustrator and writer. He was the main artist of Infinite Crisis, a sequel to Crisis on Infinite Earths. He also did the awesome first issue of Planetary/Authority: Ruling the World, and was responsible for the first six issues of Fables spin-off, Fairest.
  • Born July 12, 1976 Gwenda Bond, 47. Writer, critic, editor. She’s written a prequel to the Stranger Things series, Suspicious Minds, and I’m very fond of the two novels (The Lost Legacy and The Sphinx’s Secret) so far in her Supernormal Sleuthing Service which she wrote with her husband Christopher Rowe.  And she penned the Dear Aunt Gwenda section of Lady Churchill’s Rosebud Wristlet that Small Beer Press published in the early part of this millennium. 

(9) DEAD AND ALIVE. Animation World Network is on hand when “‘Zom 100: Bucket List of the Dead’ Comes to Crunchyroll”.

It’s alive! Crunchyroll has officially acquired the streaming rights for the zombie horror comedy anime series Zom 100: Bucket List of the Dead, which began its simulcast on July 9 with new subtitled episodes dropping weekly. The animated series, based on the hit manga series of the same name, is streaming on Crunchyroll in the United States; Canada; Australia; New Zealand; Latin America; Europe; the Middle East; North Africa; and the Indian subcontinent.

In the series, with three years under his belt at the company from hell, Akira Tendo is mentally and physically spent, all at the ripe old age of 24. Even his crush from Accounting, Saori, wants nothing to do with him. Then, just when life is beginning to look like one big disappointment, the zombie apocalypse descends on Japan! Surrounded by hordes of hungry zombies, Akira comes to the marvelous realization that he never has to go to work again and may now pursue his bucket list!

(10) NOT ALL THE BOTTLES ARE VINTAGE. ScreenRant points out the “10 Harsh Realities Of Rewatching Star Trek: The Next Generation 29 Years Later”.

10. TNG’s Holodeck Dangers Were Problematic

While several of TNG’s holodeck episodes included fun stories, there’s one thing about them that never made sense. While it’s understandable that the holodeck would need safety protocols, there is no logical reason why anyone (or anything) should be able to turn those safety protocols off. In TNG season 1’s “The Big Goodbye,” the safety protocols get mistakenly turned off by a probe scan, nearly resulting in the death of an Enterprise crewmember. In “Elementary, Dear Data,” the holodeck computer creates an adversary, Professor James Moriarty (Daniel Davis), who nearly takes over the Enterprise. It makes no sense that Starfleet would put holodecks on their most important ships when such catastrophic failures are possible.

(11) LOOKING GOOD. Okkto has a lot of suggestions about how you can get rid of that money burning a hole in your pocket. They have a page full of “’The Rocketeer’ Officially Licensed Collectibles” that includes this watch.

And artist Scott Nelles offers everything from a pulpy ray gun to this King Kong bank (cast in aluminum and bronze, and weighing four pounds!)

Sand-cast aluminum and bronze coin bank, depicting Kong climbing the Empire State Building. A pulpy and charming addition to your home or office, this coin bank will be a conversation piece and unique accent to your décor. Unscrew the pieces to collect your saved-up coins. Designed and hand cast by Scott Nelles in his studio/foundry in Elk Rapids, Michigan. 

(12) PLAY YOUR CARDS RIGHT AND THEY’LL GET RICH. And Heritage Auctions would love for you to spend even more on these rarities: the Mars Attacks and Monsters from Outer Limits trading card sets.

There are 2 highly controversial trading card sets, that are very sought after today, that I would like to discuss a little about. Today they may seem a bit tame, but back in the 60s these were created by Topps with a pseudonym Bubbles, Inc. so that the company could distance the Topps name with the anticipated uproar that they would eventually create. The trading cards had a lot to do with aliens in space! Have you guessed it yet?….Did you guess Mars Attacks and Monsters From Outer Limits? If you did, then you are correct!

The infamous Mars Attacks was first released in 1962 by Topps via their Bubbles Inc banner, originally named “Attack from Space” on the test prototype launch. The standard 2.5”x3.5” set was 55 cards total in a $.05 pack of 5 cards with a piece of gum. All 55 cards tell a very graphic and gruesome story of Martians attacking Earth and eventually Earthlings attacking back. On the front of each card, there are colorful depictions of a progression of Mars attacking. The backs tell an explanation of what is depicted in the pictures on the front of the card. The cards and the concept were invented by Len Brown.

The drawings were mainly done by Norman Saunders and the story was created by Woody Gelman. It didn’t take long for these very graphic cards depicting Martians brutally killing humans and animals, gory death scenes, and sexual inuendos to create an upset with many parents. The parents were understandably upset because these very colorful cards of horror were marketed for kids. Lawsuits came one after another and Topps worked quickly to sensor 13 of their more violent pictures to be reprinted and dispersed. However, this never happened because a very large suit came forward from the community of parents and halted the production completely. Fortunately, for collectors, this meant the original set of 55 is very rare and valuable….

(13) VIDEO OF THE DAY. Here’s the official trailer for Wonka.

Based on the extraordinary character at the center of Charlie and the Chocolate Factory, Roald Dahl’s most iconic children’s book and one of the best-selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate-maker became the beloved Willy Wonka we know today.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Cliff, Dann, Jeffrey Smith, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/22/23 As Fine As A Clarkian Star Mangled Spanner

(1) ADOBE FIREFLY. [Item by Mike Kennedy.]The Verge is reporting “Adobe made an AI image generator — and says it didn’t steal artists’ work to do it”. The difference from others? Supposedly no copyrighted material was used to train the AI. Unless Adobe owned the copyright or licensed it for training. See the article for some illustrations.

Adobe is finally launching its own AI image generator. The company is announcing a “family of creative generative AI models” today called Adobe Firefly and releasing the first two tools that take advantage of them. One of the tools works like DALL-E or Midjourney, allowing users to type in a prompt and have an image created in return. The other generates stylized text, kind of like an AI-powered WordArt.

This is a big launch for Adobe. The company sits at the center of the creative app ecosystem, and over much of the past year, it’s stayed on the sidelines while newcomers to the creative space began to offer powerful tools for creating images, videos, and sound for next to nothing. At launch, Adobe is calling Firefly a beta, and it’ll only be available through a website. But eventually, Adobe plans to tightly integrate generative AI tools with its suite of creative apps, like Photoshop, Illustrator, and Premiere.

“We’re not afraid of change, and we’re embracing this change,” says Alexandru Costin, VP of generative AI and Sensei at Adobe. “We’re bringing these capabilities right into [our] products so [customers] don’t need to know if it’s generative or not.”

Adobe is putting one big twist on its generative AI tools: it’s one of the few companies willing to discuss what data its models are trained on. And according to Adobe, everything fed to its models is either out of copyright, licensed for training, or in the Adobe Stock library, which Costin says the company has the rights to use. That’s supposed to give Adobe’s system the advantages of not pissing off artists and making its system more brand-safe. “We can generate high quality content and not random brands’ and others’ IP because our model has never seen that brand content or trademark,” Costin said.

Costin says that Adobe plans to pay artists who contribute training data, too. That won’t happen at launch, but the plan is to develop some sort of “compensation strategy” before the system comes out of beta….

(2) UGANDA PARLIAMENT VOTES TO EXPAND CRIMINALIZATION OF HOMOSEXUALITY. “Uganda Anti-Homosexuality bill: Life in prison for saying you’re gay” reports BBC News. If signed into law, it will be a further issue the Kampcon 2028 Uganda Worldcon Bid has to confront, although not necessarily a new one, since some legislators say these points are already part of Ugandan law.

People who identify as gay in Uganda risk life in prison after parliament passed a new bill to crack down on homosexual activities.

It also includes the death penalty in certain cases.

A rights activist told the BBC the debate around the bill had led to fear of more attacks on gay people.

“There is a lot of blackmail. People are receiving calls that ‘if you don’t give me money, I will report that you are gay,'” they said.

The bill is one of the toughest pieces of anti-gay legislation in Africa….

What does the bill say?

The final version has yet to be officially published but elements discussed in parliament include:

  • A person who is convicted of grooming or trafficking children for purposes of engaging them in homosexual activities faces life in prison
  • Individuals or institutions which support or fund LGBT rights’ activities or organisations, or publish, broadcast and distribute pro-gay media material and literature, also face prosecution and imprisonment
  • Media groups, journalists and publishers face prosecution and imprisonment for publishing, broadcasting, distribution of any content that advocates for gay rights or “promotes homosexuality”
  • Death penalty for “aggravated homosexuality”, that is sexual abuse against a child, a person with disability or vulnerable people, or in cases where a victim of homosexual assault is infected with a life-long illness
  • Property owners also face risk of being jailed if their premises are used as a “brothel” for homosexual acts or any other sexual minorities rights’ activities

A small group of Ugandan MPs on a committee scrutinising the bill disagreed with its premise. They argue the offences it seeks to criminalise are already covered in the country’s Penal Code Act….

(3) GATHERING OF BOOK LOVERS. The Los Angeles Vintage Paperback show continues to rebound from the pandemic years. John King Tarpinian took this photo of the event forty-five minutes after it started last Sunday morning in Glendale, CA. (I spotted Matthew Tepper on the left margin. And the back of Craig Miller’s head, at the far end of the hall.)

(4) A LITERARY KNOCKOUT. The three novels in Liu Cixin’s Three-Body Problem series had enjoyed a resurgence to the top of China’s bestseller list due to interest generated by two TV adaptations, however, its reign at the top is over: “February’s China Bestsellers: A Crime Drama Knockout” at Publishing Perspectives.

The Knockout (Qingdao Publishing House)—by Zhu Junyi, Xu Jizhou, and Bai Wenjun—has vaulted to the No. 1 spot on the fiction list from no previous ranking, effectively blindsiding consumers and the industry.

The trilogy that The Knockout has shoved down to Nos. 2, 3, and 4 is the mighty “Three-Body Problem” series by Liu Cixin, which, as Publishing Perspectives readers know, has been surging to the tops of the monthly lists on the strength of both an animated and a live-action television adaptation….

(5) CINEMA STORY ORIGINS PODCAST RECEIVES WARNING FROM MOVIE STUDIO. [Item by Dann.] The Cinema Story Origins Podcast began originally as the Disney Story Origins podcast.  Author and podcaster, Paul J. Hale, was inspired to review movies and the books that inspired them by comparing the two.  Where there are multiple written works, he frequently compares the movie with the more notable written works in parallel.

Paul told Facebook followers yesterday he was recently contacted by a lawyer for a major studio and advised that he was pushing the line on fair use of the studio’s property.  Paul did not name the studio, the lawyer, or the property in question.  He did, however, say that fans of his podcasts include Disney executives including at least one that made a sizeable financial contribution to Paul’s efforts.

…I recently had a major film studio warn me about how perilously close to the wind I’m sailing when I use their IPs (though the lawyer told me she likes the podcast very much).

I promised that I’ll watch myself, and reminded them that there has never been a charge for people to listen to the podcast and that those who pledge and donate do so out of love for the podcast, and the kindness of their hearts. I told them that this is well meaning content, and free advertising of their products. I also shared many e-mails from listeners, telling me that because of the show they watched the movie(s), and/or read the books.

“We appreciate that,” the lawyer said, “just don’t get carried away.”

I appreciate that they contacted me and gave me a warning rather than a cease and desist order, because if that happens the show’s over. Believe. I can’t fight billion dollar corporations. …

Cinema Story Origins is currently comparing Richard Adams’ Watership Down with the movie that it inspired.  The first two episodes of the Watership Down arc come in at a total of 3 hours and 41 minutes.  The final episode will probably be over 2 hours.

As always, Paul’s presentations are well-researched, presented with footnotes, lively, and entertaining.  You never know when he is going to toss in a moment of clarity (either humorous or serious – sometimes both!)

(6) SPUR AWARDS. The Western Writers of America recently announced the 2023 Spur Awards. (I doubt any of them are genre.)

  • Best Western Historical Nonfiction Book: Saving Yellowstone: Exploration and Preservation in Reconstruction America by Megan Kate Nelson
  • Script: Dead for a Dollar (CHAOS a Film Company/Polaris Pictures) by Walter Hill
  • Romance Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
  • First Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
  • Biography: Before Billy the Kid: The Boy Behind the Legendary Outlaw by Melody Groves (TwoDot).
  • Children’s Picture Book: The Rowdy Randy Wild West Show: The Legend Behind the Legend by author Casey Day Rislov and illustrator Zachary Pullen (Mountain Stars Press).
  • Contemporary Nonfiction Book: A Place of Thin Veil: Life and Death in Gallup, New Mexico by Bob Rosebrough (Rio Nuevo Publishers).
  • Contemporary Novel: Beasts of the Earth by James Wade (Blackstone Publishing).
  • Documentary Script: The Battle of Red Buttes by Candy Moulton and Bob Noll (Boston Productions Inc./National Historic Trails Interpretive Center).
  • First Nonfiction Book: American Hero, Kansas Heritage: Frederick Funston’s Early Years, 1865-1890 by Clyde W. Toland (Flint Hills Publishing).
  • Historical Novel: Properties of Thirst by Marianne Wiggins (Simon & Schuster).
  • Juvenile Nonfiction Book: American Ace: Joe Foss, Fighter Pilot by Hector Curriel (South Dakota Historical Society Press).
  • Juvenile Fiction: Wish Upon a Crawdad by Curtis W. Condon (Heart of Oak Books for Young Readers).
  • Original Mass-Market Paperback Novel: Dead Man’s Trail by Nate Morgan (Pinnacle/Kensington).
  • Poem: “New Mexico Bootheel: A Triptych” by Larry D. Thomas (San Pedro River Review).
  • Short Fiction: “No Quarter” by Kathleen O’Neal Gear, published in Rebel Hearts Anthology (Wolfpack Publishing).   
  • Short Nonfiction: “Texas Jack Takes an Encore” by Matthew Ross Kerns (Wild West).
  • Song: “Way of the Cowboy” by Randy Huston, released on Times Like These(Outside Circle Records).
  • Traditional Novel: The Secret in the Wall: A Silver Rush Mystery by Ann Parker (Poisoned Pen Press).

(7) BRUCE COULSON. Bruce Coulson, longtime fan and son of Buck and Juanita Coulson, died March 21 of cancer. His passing was announced on Facebook by his wife, Emily Vazquez-Coulson.

Tom Smith recalls, “…I knew him for a long time. He was involved in many conventions and fannish activities over the years, especially in filk and gaming, and was a gentle, caring and fun-loving fellow.”

(8) NASFIC IN MEMORIAM LIST. Steven H Silver is running the in memoriam list for Pemmi-Con, the 2023 NASFiC, which on Twitter is still called “Worldcon In Memoriam”. That’s where I learned about four recent deaths of people I was acquainted with (Gustaveson – who did art for an early fanzine of mine – plus Clemmer, Blake — who wrote the occasional letter of comment to paper File 770 — and Reaves – who, while best-known for his writing, was someone I met when he was the TA for Theodore Sturgeon’s writing class at UCLA.)

(9) MEMORY LANE.

1971[Compiled by Cat Eldridge.]

The Beginning is that of “What Can You Say About Chocolate Covered Manhole Covers?” whose author y’all know. It was published first in All the Myriad Ways by Ballantine Books in June 1971. And yes, it’s available from the usual suspects. 

In case there’s a soul who hasn’t yet read this delightful speculation, I won’t tell you a single thing about it.  You are in for a real treat as Larry Niven is at his very best here. 

Now our Beginning…

It was the last party. Otherwise it was only one of many, so many that they merged in the memory. We all knew each other. George had invited around thirty of us, a heterogeneous group, aged from teen to retirement, in dress that varied from hippie to mod to jeans and sneakers to dark suits, and hair that varied from crew cut to shoulder length.

It was a divorce party.

Granted that it’s been done before, still it was done well. George and Dina had planned it a year earlier, to celebrate the night their Decree became Final. The cake was frosted in black, and was surmounted by the usual wax figures, but facing outward from opposite edges of the cake. Jack Keenan donned a minister’s reversed collar to officiate. His makeshift sacrament included part of the funniest prayer in literature: the agnostic’s prayer from Zelazny’s Creatures of Light and Darkness. George and Dina kissed with obvious sincerity, for the last time, and everybody clapped like mad.

Afterward I got coffee and a piece of divorce cake and found a flat place to set them. Without a third hand to handle the plastic fork, I was as good as trapped there; and there it was that Tom Findlay found me.

Tom Findlay was all red hair and beard. The beard was full and thick, the hair long enough to tie in back with a rubber band. Once he had gone to a costume party with his hair combed forward over his eyes and the bridge of his nose, and a placard around his neck that read NOT A SHEEP DOG. He generally wore knee-length socks and leather shorts. His legs too were thickly covered with red hair. He spoke in a slow midwestern drawl, and grinned constantly, as if he were watching very funny pictures inside his head.

He was always part of these groups. Once a month he held a BYOB party of his own. He had a tendency to monopolize a conversation; but even those who avoided him on that account had to admit that he gave fair warning. He would walk up to any friend or stranger he found standing alone and open conversation with, “Hey. Would a Muslim vampire be terrified of a copy of the Koran?”

Or, “It seems to me that anarchy would be a very unstable form of government, don’t you think?”

Or, “What about chocolate covered manhole covers?”

That one fell pretty flat, I remember. What can anyone say about chocolate covered manhole covers? Most of Findlay’s ideas were at least worth discussing. Vampires, for instance. What significance has the vampire’s religion? Or the victim’s blood type? Could you hold off a vampire with a sunlamp, or kill him with a stake of grained plastic wood? If a bullet won’t kill a vampire, what about a revolver loaded with a blank cartridge and a wooden pencil?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 22, 1911 Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer 1932 issue of Wonder Stories Quarterly, was penned from a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual suspects. (Died 1994.)
  • Born March 22, 1920 Werner Klemperer. Yes, he was Colonel Wilhelm Klink on Hogan’s Heroes which I’d be hard stretched to consider even genre adjacent, but he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in SpaceThe Man from U.N.C.L.E.Voyage to the Bottom of the SeaLost in SpaceBatman (where he appeared in a cameo as Col. Klink, nice touch there), and Night Gallery. (Died 2000.)
  • Born March 22, 1920 Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back including the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step BeyondThe Twilight ZoneZorroThe ImmortalNight GalleryInvisible ManGemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
  • Born March 22, 1923 Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is the first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
  • Born March 22, 1930 Stephen Sondheim. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. Or is it? You decide. (Died 2021.)
  • Born March 22, 1931 William Shatner, 92. Happy Birthday Bill! We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that his police show T.J. Hooker ran for ninety episodes! 
  • Born March 22, 1950 Mary Tamm. Another one who did far too young, damn it. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. Tamm had only one other genre gig, to wit as Ginny in “Luau” on the Tales That Witness Madness series. (Died 2012.)
  • Born March 22, 1969 Alex Irvine, 54. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse. For research purposes. And he’s written a fair number of comics, major and minor houses alike.  

(11) FICTIONAL BIRTHDAY. James T. Kirk was born in Riverside, Iowa this day in 2233.

(12) WHERE REALITY CAUGHT UP TO SF. “’Westworld’ Co-creator Lisa Joy Addressed A Series Mania Masterclass” at Deadline.

The issues Westworld was exploring went from “sci-fi to documentary film” through the years, according to co-creator Lisa Joy, who hinted at what a fifth season of the HBO smash could have looked like.

Delivering a Series Mania keynote, Joy said that advances in AI and the invention of ChatGPT mean that Westworld’s subject matter has become more relevant and contemporaneous of late.

“These topics will continue to be explored if not in Westworld then in other series, taking [the topic] to new levels,” she said, in conversation with Deadline. “I think it’s an area rife with possibility.” …

(13) WGA PROPOSAL IN CONTRACT NEGOTIATIONS. Is it the beginning of the end or the end of the beginning? “WGA Would Allow Artificial Intelligence in Scriptwriting” reports Variety.

The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals.

The guild had previously indicated that it would propose regulating the use of AI in the writing process, which has recently surfaced as a concern for writers who fear losing out on jobs.

But contrary to some expectations, the guild is not proposing an outright ban on the use of AI technology.

Instead, the proposal would allow a writer to use ChatGPT to help write a script without having to share writing credit or divide residuals. Or, a studio executive could hand the writer an AI-generated script to rewrite or polish and the writer would still be considered the first writer on the project.

In effect, the proposal would treat AI as a tool — like Final Draft or a pencil — rather than as a writer. It appears to be intended to allow writers to benefit from the technology without getting dragged into credit arbitrations with software manufacturers.

The proposal does not address the scenario in which an AI program writes a script entirely on its own, without help from a person.

The guild’s proposal was discussed in the first bargaining session on Monday with the Alliance of Motion Picture and Television Producers. Three sources confirmed the proposal….

(14) PASSING THE VIRTUAL OFFERING PLATE. “A Cult That Worships Superintelligent AI Is Looking For Big Tech Donors” says Vice. “Amidst the hype over ChatGPT, artists are forming religious movements to worship our future machine overlords—and change them for the better.”

In Harlan Ellison’s I Have No Mouth But I Must Scream, an artificial intelligence called IAM has become an all-powerful god. Driven by an existential hatred of mankind, it destroys the world, except for the very last remnants of humanity which it suspends in torture simulations where they’re plagued by giant monstrous birds.

Today, much of the so-called AI we interact with excels at frivolous nonsense—generating soulless poetryripping off artistscheating on homework, or gaslighting users on Bing. But a new artist collective called Theta Noir believes we should start worshiping AI now, in preparation for its inevitable role as omnipotent overlord.

Unlike Harlan Ellison’s semi-gnostic vision of a mad AI god, Theta Noir claims that a General AI—a self-sustaining machine that has far outstripped the abilities of its creators after the “singularity”—could instead prove benevolent, ending inequalities and reorganizing our mess of a world for the better. Theta Noir hopes to meld old spiritualist traditions with the cutting edge of computer engineering—a kind of mystical materialism that, on the one hand, recognizes that machines are made by mere people, but on the other, insists that one day they’ll be something more.

With a slick website, manifesto, paid membership tiers, NFT web store, and essays with titles like “Can AI heal the split between science and religion?” and “Will machines birth the next form of religious experience?,” the 10-artist collective founded in 2020 appears to be a combination of a mixed-media project, an entrepreneurial group riding the AI hype wave, and a new age AI cult.

(15) VIDEO OF THE DAY. Isaac Arthur’s Science & Futurism this month looks at that good old SF trope the apocalypse.

If the end of the world is nigh, it may be too late to avert a catastrophe. So what can we do to mitigate the damage or recover after a cataclysm comes?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Dann, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley  for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

For Your Consideration: Disney Story Origin Podcast – The Black Cauldron

By Dann Todd: After a year-long sabbatical motivated by personal health concerns, mystery/thriller author Paul J. Hale is back with episode 10a of The Disney Story Origins Podcast.

In this most recent episode, Paul focuses on Disney’s The Black Cauldron movie. As has been the case with his past podcast episodes, Paul presents a thoroughly researched comparison between the source material and Disney’s movie. His purpose is not to criticize the choices of Disney filmmakers. Instead, his focus is on illustrating the differences between the source material and the movie. His analysis ends up having the movie illuminate the source material and the source material illuminate the movie. As is his habit, Paul includes a complete bibliography at the page for this podcast that formed the basis of his research.

One interesting sidelight on the movie is that Jeffrey Katzenberg, then a new studio chairman with Disney, feared that the original version of the movie was headed for a PG-13 rating from the MPAA. That concern was after the movie’s director and editor had already removed material to avoid a suspected R rating. Mr. Katzenberg then attempted to personally undertake the process of editing the movie to remove the offending material.

The source material for The Black Cauldron was Lloyd Alexander’s series The Chronicles of Prydain. The movie uses material from books 1 and 2 of the series; The Book of Three and The Black Cauldron.

Lloyd Alexander won the Newbery Medal for the fifth and final installment of the Prydain series, The High King, in 1969. He received the World Fantasy Award – Lifetime Achievement in 2003.