Pixel Scroll 6/10/17 The Scrollish Pixelman’s Union

(1) FISHING FOR COMPLIMENTS. Share a grilled snook to die for with Elizabeth Hand in Episode 40 of Scott Edelman’s podcast Eating the Fantastic.

Elizabeth Hand

We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.

(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:

Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?

I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.

(3) STINKS ON DRY ICE. Entertainment Weekly has the roundup: “‘The Mummy’ reboot slammed as ‘worst Tom Cruise movie ever’ by critics”.

Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(4) 451 CASTING. Probably fortunate, then, that this bit of promotion came out before The Mummy opened: “HBO’s Fahrenheit 451 casting heats up as The Mummy’s Sofia Boutella boards”

If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.

Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).

According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.

(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com

Complete submission guidelines can be found here.

(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.

The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.

This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”

These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….

(7) BRADBURY. BookRiot’s Andy Browers is your guide to “A Friend In High And Low Places: Finding Ray Bradbury Where You May Not Expect Him”.

While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.

Star Trek (aka “Star Track”, as my grandma called it)

Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.

Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)

(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”

View Entertainment Weekly’s photo gallery, “‘Orphan Black’ A to Z: Dive Into the Show’s DNA Before Its Final Season”.

(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.

(10) TODAY IN HISTORY

  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.

(11) TODAY’S BIRTHDAY CREATORS

  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak.
  • Born June 10, 1952 — Kage Baker

(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.

Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.

According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.

“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.

Andrew Porter adds,

When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.

 

Peter Glassman. Photo by Andrew Porter:

Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.

(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.

(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.

If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.

“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”

 

(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)

But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.

To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.

Given the prevailing negative news that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.

(16) MIL-SF. Jeffrey C. Wells says “I Can’t Believe it’s not Baen: Rick Shelley’s Lieutenant Colonel” — and throws in a funny bingo card as a bonus.

If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.

In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.

…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!

(17) WIDER SPECTRUM. An Adweek story tells how “Equinox Extends LGBTQA from A to Z With a New Alphabet for Pride Month”.

It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?

Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.

For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.

(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.

This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.

And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.

Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.

If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.

While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.

More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.

The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.

(19) DRINK IT OR ELSE. Atlas Obscura recalls a series of 1950s commercials for Wilkins Coffee that featured violent Muppets prototypes.

In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.

 

[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]

Pixel Scroll 5/22/17 Little Pixels Made Of Ticky Tacky All In A Row

(1) HOW POWERFUL IS SF? When their joint book tour brought them to San Francisco, Goodreads members had a chance to quiz this dynamic duo: “The Authors@Goodreads Interview with John Scalzi and Cory Doctorow”.

GR: Goodreads member Lissa says, “When I read the description of Walkaway, I was wondering ‘Will he have written the book we need to wake us up and get us to pay attention, or the book we need to prepare us for what he thinks might be coming?'”

DOCTOROW: I think…we overestimate the likelihood of things we can vividly imagine and spend a lot of time worrying about our kids getting snatched by strangers and not nearly enough time worried about them getting killed by food poisoning or car accidents. We have this giant war on terror but no war on listeria despite the fact that inadequate refrigeration kills a lot more Americans than terrorism does. It has to do with how vividly we can imagine those things…..

GR: Are the worlds you create the kind of worlds you want to live in?

SCALZI: No! I write terrible universes where horrible things are happening, I like where ‘m living now. Some years are better than others, but altogether ‘m OK with who I am and where I am in the world.

(2) NEED IT RIGHT AWAY. What’s the next thing collectors absolutely must have? Could it be — “Pint Size Heroes”! (They remind me a lot of the Pet Shop pets my daughter used to love, except completely different, of course.)

This series features characters from some of your favorite science fiction movies and television! Including Martian from Mars Attacks, Neo from The Matrix, Leeloo from The Fifth Element, Predator and many more! Collect them all this Summer!

(3) TIME ENOUGH FOR CHEESECAKE LOVE. Here’s what Neil Gaiman will do for half a million dollars — that isn’t even for him. Let Yahoo! News set the scene:

The Cheesecake Factory‘s menu is the In Search of Lost Time of the restaurant industry, in that it is far too long and probably includes a madeleine or two.

Neil Gaiman is a very famous author (American Gods, Stardust, Coraline) with a notably soothing British accent, who has nothing to do with the Cheesecake Factory but has been dared to read its convoluted bill of fare anyway.

How’d this happen?

It all began with writer/comedian Sara Benincasa, a self-professed cheesecake addict…

She has secured Gaiman’s agreement and has launched a fundraiser at Crowdwise. — “Neil Gaiman Will Do A Reading Of The Cheesecake Factory Menu If We Raise $500K For Refugees”.

Will the appeal be strong enough for the fund to meet its goal? Only $2,321 has been pledged as of this afternoon.

(4) IT NEEDED SAVING? In the opinion of the Chicago Tribune “Novelist Timothy Zahn is the man who saved ‘Star Wars,’ according to fans”. There’s no doubt they’ve been good for each other.

Timothy Zahn, who is 65 and bald and carries an ever-so-slight air of social anxiety, is nobody’s image of a superstar. And yet as he sat behind table No. 26 and waited for fans, he did not wait long. The doors to the convention hall at McCormick Place opened at 10 a.m., and by 10:10 a.m. the line of people to meet Zahn was the second-longest at C2E2, the massive Chicago comic book convention held each spring. Only Stan Lee, creator of Spider-Man and the Hulk, could boast longer lines. This was a few weeks ago, just as “Thrawn,” Zahn’s latest “Star Wars” novel, was debuting at No. 2 on The New York Times’ best-seller list.

(5) GO RIGHT TO THE SOURCE. Tyrannosaurus rex is still nature’s most-feared predator: “Woman In T-Rex Costume Charged With Scaring Horses”.

Growling at carriage horses while wearing a full-body Tyrannosaurus Rex suit is illegal, a South Carolina woman has learned.

As two horses pulled a carriage of tourists through Charleston, South Carolina on Thursday evening, the horses came face to face with an unfamiliar animal: a six-foot, orange dinosaur. The extinct beast, however, was actually a person in an inflatable T-Rex suit. And when the person allegedly growled at the carriage, the horses became startled, backing the carriage into a parked car, unseating the carriage driver, and running over his leg.

Though multiple onlookers captured photos and video of the incident, the agitator’s face was concealed inside the dinosaur suit, leaving police without a suspect until 26-year-old Nicole Wells turned herself into police Friday night. She was charged with disorderly conduct and wearing a mask or disguise.

Wearing a mask is illegal in South Carolina, and Charleston has particularly strict anti-mask ordinances. City residents over the age of 16 are prohibited from wearing masks in public places, even on Halloween. And after Wells allegedly spooked the carriage horses, locals placed a bounty on her T-Rex head.

(6) THIS WON’T BE DIRT CHEAP. A sack of gold dust wouldn’t bring as much as this NASA artifact is predicted to fetch at auction.

A small white pouch marked “Lunar Sample Return,” which Nancy Lee Carlson bought two years ago for $995, is expected to fetch as much as $4 million at an upcoming Sotheby’s auction. That’s because it’s sprinkled with moon dust.

Astronaut Neil Armstrong filled the bag with rocks from the lunar Sea of Tranquility during his historic trip to the moon on the 1969 Apollo 11 mission. He turned the bag over to a Houston lab, which emptied it of the rocks and then lost track of it. It eventually turned up on a U.S. Marshals auction website.

Enter Carlson, a Chicago-area attorney. She bought the pouch — along with some other items, in a kind of space-memento grab bag — for $995 and sent it off to NASA for testing. NASA claimed the bag belonged to the agency, and wouldn’t return it until after a long court battle. You’d think Carlson was asking for the moon.

The bag is expected to go for such a sky-high price because NASA doesn’t allow anyone to own any bit of the moon –except for the bag.

Sotheby’s senior specialist Cassandra Hatton called the auction of the “modest bag” her “Mona Lisa moment.”

(7) TAKE THE TEST. The Guardian will let you audition: “Ignore or delete: could you be a Facebook moderator?” Looks like I won’t be working for FB anytime soon — I only matched their decision 9 out of 16 times.

(8) TODAY’S DAY

History of Goth Day

The history of Goth Day stretches back in odd and meandering paths to history. Musically it can be traced back to 1967 when someone referred to the music of the Doors as “Gothic Rock.” This term was soon being bandied about, used to describe music like Velvet Underground’s “All Tomorrow’s Parties”, and Siouxsie and the Banshee’s described as one of “Goth Rocks Architects”.

But why “Gothic”? It’s an odd term considering that it originally referred to the Visigoths whose claim to fame was sacking Rome. So how did Goths become Goths? Well, we can trace the term back a bit further to 1764, where Horace Walpole wrote a story called “The Castle of Otranto”, granted the subtitled “A Gothic Story” during its second printing. So what is Gothic in this context? It describes a “pleasing sort of horror”, and was seen to be a natural extension of Romantic literature. This, of course, implies a sort of romance with the darker side of life, something that can be said to describe the little blossoms of gloom described at the beginning.

Goth Day celebrates all these souls, and the part of them that celebrates the darkness within us all through music, art, and media.

(9) TODAY’S BIRTHDAY BOY

  • Born May 22, 1859 — Sir Arthur Conan Doyle

(10) HIGH FRONTIER CULTURE. The Washington Post’s Sarah L. Kaufman describes the Washington Ballet’s forthcoming, space-themed production — “For a Washington Ballet premiere: Dancers, spacesuits and Velcro. Lots of Velcro. “.

“Frontier” will have its world premiere May 25, with performances continuing through May 27 at the Kennedy Center Opera House. It tells the story of a group of ASCANS –the NASA acronym for astronaut candidates –and flight technicians preparing for a mission, and the stage effects include a rocket launch and travel to a distant planet.

Just 25 minutes long, the ballet is a big event for everyone involved, but especially for Stiefel, the retired American Ballet Theatre star who is unveiling his first major commission as a choreographer, and for Washington Ballet Artistic Director Julie Kent, who asked Stiefel, her friend and former dance partner, to tie his ballet to the Kennedy Center’s John F. Kennedy centennial celebration. That’s where the space theme came from, reflecting the former president’s expansion of the space program.

(11) SHADOW CLARKE. Another pair of reviews from the Shadow Clarke Jury.

The other day, when I was reviewing Good Morning, Midnight by Lily Brooks-Dalton, I noted that it was one of two books I still had to write about from my initial list that hadn’t made either the Sharke Six or the official Clarke Award shortlist. I then proceeded to detail why I thought the Brooks-Dalton hadn’t made the lists (it’s not really very good science fiction).

This is the second, and the reasons The Gradual didn’t make either list are, well, I don’t know.

One of the most common accusations levelled at genre fiction is that it is… generic: a typical police procedural will see a detective with a troubled home life win out over bureaucratic incompetence to catch a killer, a standard romance will see two seemingly ill-matched individuals coming together across geographical and social divides to reach a perfect understanding, and we’ve all watched horror movies where we spend the first half of the film yelling at the characters not to go into the house. The reason we still enjoy such stories is often related to their very predictability — we find a formula that works for us, where each new iteration is a pleasure that is doubled in its anticipation, like slipping back into a comfortable pair of slippers.

I would suggest there is something folkloric in such archetypes, something of the mythical, and what genre’s detractors often fail to notice about archetypes is how flexible they are, how ripe for re-imagining and subversion…

(12) BACK IN THE LIMELIGHT. Last year’s Clarke Award winner begins a multi-part rundown of this year’s shortlisted works.

Because I didn’t get the chance to do a Clarkeslist post last year, for what I hope are excusable reasons, I was denied the opportunity to laud Chambers’ first outing, A Long Way to a Small and Angry Planet. This book was one of the ones I would have been happiest to lose to. It was also the subject of a mixed bag of reviews, which may be because it’s SF about, not the space beyond our atmosphere but the space between people (which €˜people’ very emphatically includes nonhuman sentience).

(13) DIVERSE AWARDS COMMENTARY. Cora Buhlert has “A few words on the 2016 Nebula Awards, the 2017 Arthur C. Clarke Awards and the Shadow Clarkes”.

…In other awards news, the shortlist for the 2017 Arthur C. Clarke Award has been announced as well. It’s a pretty good shortlist, consisting of a Hugo and Nebula Award nominee (Ninefox Gambit by Yoon Ha Lee), a Hugo nominee, sequel to one of last year’s Clarke Award nominees (A Closed and Common Orbit by Becky Chambers), this year’s Pulitzer Prize winner for fiction and the literary speculative fiction novel of the year (The Underground Railroad by Colson Whitehead), a new novel by a former Clarke Award winner (Occupy Me by Tricia Sullivan), a new work by an author nominated for multiple BSFA, British Fantasy and World Fantasy Awards (Central Station by Lavie Tidhar) and a Locus Award nominated novel by an established and talented, but somewhat overlooked writer (After Atlas by Emma Newman). It’s also a nicely diverse shortlist, ranging from space opera and military SF via dystopian fiction to alternate history. The writer demographics are diverse as well — after the debacle of the all male, all white shortlist in 2013, in spite of a jury consisting of several women — and include three men and three women, two writers of colour, at least two LGBT writers and one international writer. At the Guardian, David Barnett also reports on the 2017 Clarke Award shortlist and praises its diversity

(14) NONREADERS DIGEST. At Lady Business, Ira and Anna try to help readers evaluate one of the nominees for the Best Series Hugo by presenting “The Vorkosigan Saga in 5 Books”.

Ira

Friends! One of my favourite things made of words ever is up for the Best Series Hugo this year! That is correct, The Vorkosigan Saga by Lois McMaster Bujold is a Hugo Finalist. And I am here with the lovely frequent Lady Business guest poster forestofglory (Anna), a fellow Vorkosigan fan, to present you with two ways to skim the highlights of this series in 5 books each.

Anna

Five books is kind of an arbitrary cutoff, but it’s a lot fewer than 17!

Ira

Isn’t that right!

Now, you may have seen that your Hugo packet includes Borders of Infinity as the sole representative of the Vorkosigan Saga. This is a collection of novellas/short stories with some interstitial material that constitutes its own (very) short story. If Baen, the publisher, had to pick ONE book, this is not a bad choice, as it gives several interesting adventures and tones from this series. However, Anna and I think it doesn’t really cover the breadth of the series, and we’re here to fix that.

This post is intended for two audiences: (1) People who have never encountered a Vorkosigan book in their life, or maybe have read one or two but don’t really know the full series, so we can suggest a subset of the series that is readable by the Hugo voting deadline; and (2) Fans of the series so they can come argue with us about our picks. BOTH ARE SO WELCOME….

(15) PALATE CLEANSER. Need a change of pace before diving back into the Hugo Voter Packet? Maybe Short Story Squee & Snark can help. “The Thule Stowaway,” by Maria Dahvana Headley is their latest discussion pick.

“The Thule Stowaway,” by Maria Dahvana Headley. Novelette. Published in Uncanny Jan/Feb 2017.

Suggested by Mark Hepworth:

I love “secret history” style stories, which this combines with a carefully crafted nest of narratives.

This one has reactions all over the map, which should make for some interesting discussion!

Charles Payseur echoes our recommendation: “This story is something of a Master’s course in nested narratives, unfolding like a puzzlebox that defies reality and is much larger on the inside than it appears.”

Tangent Online reviewer Herbert M. Shaw calls it “overlong and burdensome,” and “a rejected plot from the Doctor Who storyboards, featuring Edgar Allan Poe.”…

(16) VIDEO OF THE DAY. Lovestreams by Sean Buckalew on Vimeo explains what happens when two people who have only “met” through IM messages step through a portal to “meet” in cyberspace.

[Thanks to Sam Long, Martin Morse Wooster, Cat Eldridge, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 5/17/17 Round Up The Usual Pixels

(1) THE REAL AMERICAN GODS. Mark-kitteh says, “This may be the perfect combo of SF and cats for us–”

(2) ANIMAL FILIBUSTER. The Washington Post’s John Kelly interviewed Ralph Nader, who has written a fantasy novel, Animal Envy, in which animals are given the power to speak via a software program and “are given a 100-hour special broadcast” to discuss all their issues — “In his odd new book, Ralph Nader talks to the animals –and they talk back”.

Ralph Nader –tireless windmill-tilter –is standing at the National Zoo recalling a conversation he once had with an editor at The Washington Post about what he felt was the paper’s less-than-adequate coverage of his presidential campaign.

“I remember saying, ‘There are times I say to myself, I wish I was a panda, given the coverage The Post gives to pandas,’” Nader said.

Well, Nader still isn’t a panda, but he is a kangaroo, a dolphin, an elephant, a crocodile, a squirrel, an owl, an Arctic tern, a German cockroach, a European corn borer, a radioactive Chernobyl beaver, and dozens of other mammals, reptiles, birds and insects.

They’re all characters he assumes in his new book, “Animal Envy: A Fable.”

He is also a cheetah: Safe at any speed…

(3) LUNCH OR HISTORICAL REENACTMENT? “Cynthia Felice and I break into the Watergate Hotel!” That’s what Scott Edelman says in his dramatic invitation to listen to Episode 37 of Eating the Fantastic.

Grab lunch at the Watergate with my unindicted co-conspirator Cynthia Felice in Episode 37 of Eating the Fantastic.

I visited the Watergate Hotel recently, and in case those of you familiar with the history of that infamous location might be thinking I went there to bring down a president with a Bob Woodward/Carl Bernstein-style investigation, let me quickly add … no. Rather, I went there to investigate the food at the recently opened Kingbird restaurant, with a guest who surprised me with her sudden visit to Washington, D.C., and whom I somehow managed to convince that a meal with me would be oh, so much more fun than visiting the National Air and Space Museum.

Joining me within the walls of the Watergate Hotel was Cynthia Felice, who published her first short story, “Longshanks,” in 1976 in the pages of Galileo, a science fiction magazine published by the late, great Charlie Ryan, and her first novel, Godsfire, two years later. She is also the co-founder with Ed Bryant — about whom, alas, I must also say late and great — of the Colorado Springs Writer’s Workshop.

We discussed how Frank Herbert’s Dune made her say, “Hey, I can do that,” the virtues of owning a motel while being a writer, the marriage advice Kate Wilhelm gave her at Clarion, what Thomas M. Disch told her that fixed one of her short stories, why we all loved the late, great Ed Bryant, the extraordinary lengths David Hartwell went to as he edited her second novel, how her collaborations with Connie Willis began, and more.

(4) THOSE SIDEKICKS, THEY DO GET WEARY. ComicMix’s John Ostrander, in “Sidekicking Around”, delves into one of comics’ well-known formulas.

Robin falls into a strange category of the child or teen sidekick. He was originally introduced to lighten up the Dark Knight Detective and, again, to give Batman someone to talk to rather than himself. Robin humanized the Bat. His popularity gave rise to a whole slew of child/teen associates such as Wonder Girl, Kid Flash, Speedy, and Aqualad. Later, these five went from supporting characters to central ones when they formed their own super-team, the Teen Titans (later, just the Titans when they all outgrew their teenage years).

The original Robin, Dick Grayson, later grew out of his shorts and tights to become a full-fledged hero of his own, first as Nightwing and then later, briefly, actually taking Bruce Wayne’s place as Batman before reverting back to Nightwing. There have been other Robins since then, including one — Jason Todd — who was killed by the Joker. Don’t worry; he got better. The role is currently being filled by Bruce’s son, Damian. I believe he died as well at one point but is also now feeling better.

(5) STEAMPUNK BIBLIOPHILE RETURNS. This week 2012 Hugo Finalist Selena Chambers released Calls For Submission, her new short fiction collection.

Selena Chambers’ debut collection guides readers out of space and time and through genre and mythos to explore the microcosmic horrors of identity, existence, and will in the face of the world’s adamant calls for submission. Victorian tourists take a virtual trip through their (and the Ottoman empire’s) ideal Orient; a teenage girl learns about independence and battle of the bands, all while caring for her mesmerized, dead mother; a failed Beat poet goes over the edge while exploring the long-abandoned Government Lethal Chambers.

Chambers was a Related Work co-Hugo Finalist in 2012 with Jeff VanderMeer for their collaboration on The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature.

(6) MORE YA AWARD WSFS WANK. Kevin Standlee says, “You’d Think I’d Remember These Things”. You need to read all four steps to follow his argument, but here’s a foretaste of what you’ll be getting into if your click the link….

  1. Item 1 means that that as it currently stands, the Worldcon 75 WSFS Business Meeting does not have the authority to name a YA Award. However, the 2018 WSFS Business Meeting could apply a name to the Award in a single vote because of that provision. (Of course, this is all moot if the base proposal fails to be ratified.)

  2. Should the 2017 Business Meeting decide to ratify that YA proposal without the provision, the 2017 Meeting could then move as a new amendment to insert a name into the Award, with the name being something that could be passed in 2017 and ratified in 2018, like any other WSFS Constitutional amendment. That means the YA Award would have no official name in 2018, but (assuming 2017 passes a naming amendment that is ratified in 2018), it could get an official name for 2019 and beyond.

(7) BREW FOR TWO. Sounds like anybody who makes it through the Worldcon 75 Business Meeting will probably need to stop over in Iceland on the way home to chill out — “Beer baths to open in North Iceland in June”.

Kaldi brewery in Ãrskogssandur, just north of Akureyri in North Iceland, will be opening beer baths and spa in the coming month.

“The construction of the baths is progressing and everything is according to plan,” says Agnes Anna Siguroardottir, CEO of Kaldi brewery.

There will be seven beer baths in total, all suitable for two people. All guests that have reached 20 years in age can relax in their beer baths with a beer in hand, as there will be a pump by each bath. 20 is legal drinking age in Iceland.

(8) TRIVIAL TRIVIA

Film director Stanley Kubrick was a big admirer of Steve Martin’s movie The Jerk. (Source: IMDB)

(9) TODAY IN HISTORY

  • May 17, 1902 –The Antikythera mechanism is recovered. Today’s Google Doodle celebrates the occasion.

(10) THE BIRD BLABS. The Vulture knows what might have been: “The Secret History of William Gibson’s Never-Filmed Aliens Sequel”

But there’s an alternate universe where the series’ propulsive momentum only increased –a reality in which the third Alien film featured advanced xenomorphs exploding in batches of half a dozen from people’s legs, stomachs, and mouths; where cold-warring rival space stations of communists and capitalists race to outdo one another with their genetic experiments on the aliens’ tissue; where a flock of the phallic horrors flies through the void of space, only to be beaten back by a gun-toting robot. Oh, and there’s a thing called the New Beast that emerges from and sheds a shrieking human’s body as it “rips her face apart in a single movement, the glistening claws coming away with skin, eyes, muscle, teeth, and splinters of bone.”

This is the alternate universe where legendary science-fiction writer William Gibson’s Alien III (that’s “III,” not “3”) screenplay was realized. It is, perhaps, a better world than ours….

You can find the screenplay in an antiquated .txt file online, and there have been occasional discussions of it on message boards and niche blogs, but for whatever reason, it hasn’t been appropriately acknowledged as the remarkable genre-fiction artifact that it is. Indeed, with studio backing and the right production team, one can imagine the finished film being on par with Alien and Aliens, and it certainly would have altered the course of the franchise’s history. With the arrival of Alien Covenant –a movie that, whatever its merits, largely retreads ideas from the series’ previous installments –it’s time to tell the story of how Gibson’s Alien III came to be, why it never crossed the finish line, and what made it special.

(11) KIDPROOFING. John King Tarpinian recommends, “Take the kids to see Alien this weekend, then put this cookie jar out. They will never “steal” a cookie again.” ThinkGeek’s Alien Ovomorph Egg Cookie Jar:

(12) CONDIGN REVENGE. Isn’t Aidan channeling me here?

(13) PUN TIME. Yes, I think this is funny, too.

(14) SHADOW CLARKE JURY GOES INTO OVERTIME. Now they need to deal with the actual Clarke Award shortlist.

With both the Sharke Six and the official Clarke shortlist now out of the bag, I thought I’d like to reflect a little on some of the books I encountered that did not make the running, either through being ineligible (i.e US-published) or through not being submitted. I’ve found myself wanting to talk about them because even now at the end of Phase One of my Sharke reading and with a sizeable number of eligible submissions under my belt, these omissions still feel notable, with discussion around the Clarke Award seeming the poorer for their absence.

The Booker Prize has already had its debate about allowing American novels into the mix, with predictably divided responses. Whether or not the Clarke should open itself up to US submissions is a discussion that lies beyond the remit of this essay, though it does seem a shame that there have been and will continue to be books that stand central to any discussion of the year’s SF and yet under current Clarke rules must remain excluded from one of its most prestigious awards.

I still haven’t reviewed two of the books on my original shortlist. As it happens, we now know that neither of the books made it onto the Sharke Six, and neither made it onto the official Clarke Award shortlist, though I suspect for rather different reasons. So I thought I would take this opportunity to consider why they might not have been chosen.

I’ll start with Good Morning, Midnight by Lily Brooks-Dalton.

Superficially, this seems to be exactly the sort of novel that has often found its way onto the Clarke shortlist. It is an elegantly, at times beautifully written novel, as here when an astronaut moves from the spinning outer ring of a spaceship to the gravity-free core:

Of all the books that I personally shortlisted for this project The Power is the one that I find most challenging to judge and to write about. I chose it precisely because of this difficulty; I had read it before and felt decidedly mixed about it. I have loved some of Alderman’s earlier work — her debut Disobedience (2006) was one of the first books that I reviewed online — and have read her assiduously, with great pleasure. Yet this fourth novel, her breakthrough book, left me unsure and unsettled. While friends and critics turned out in numbers to praise its ingenuity and confidence, its bold engagement with the dynamics of power and gender, I hung back and sat on my immediate reaction. Which was: Yes, all those things, but… I couldn’t decisively put my finger on what the ‘but’ was; it was just there, throwing up a barrier between the book and me. At the same time, I couldn’t dismiss it; I was niggled. It stayed with me. So much so, that when it came time for creating my Clarke shortlist I knew The Power had to be on it. Whatever my personal reservations, it was clearly one of the more thought-provoking and eloquent of the submitted books. I felt I owed it a re-read, to test my first response.

Other commentators have already discussed the alternate history setting of Azanian Bridges (Paul Kincaid on this site and Gautam Bhatia at Strange Horizons, while Mark Bould also provides a useful list of other African alternate histories on his own website), and I don’t see any real point in recapitulating what they’ve already said so well.

Instead, I want to focus on the relationship between Martin van Deventer, the white psychologist, and Sibusiso Mchuna, the young black man whom he is attempting to treat. Sibusiso, a trainee teacher, has withdrawn into himself after witnessing the murder of his friend, Mandla, at an anti-government rally. At a loss to know what else to do for him, his father has agreed to his being admitted to the local mental asylum for treatment. We can only speculate as to why his father did this rather than taking Sibusiso home but for now consider it as only one among many markers of the fact that Sibusiso is metaphorically as well as literally a long way from home, living in a white world, among people who have no idea about him.

(15) WE INTERRUPT YOUR READING FOR AN IMPORTANT ANNOUNCEMENT. Now that Chuck Tingle’s professional porn has been linked from the Hugo Voter Packet, Hugo administrator Nicholas Whyte feels the need to clarify his cameo appearance in the work — thus his LiveJournal post “Pounded In The Butt By My Second Hugo Award Nomination, by Chuck Tingle”:

Second paragraph of third section:

“Hello, I’m Chuck,” I say, formally introducing myself.

I am quoted (well, paraphrased) in the crucial second section, in which author Chuck Tingle, miserable after the defeat of Space Raptor Butt Invasion in the 2016 Hugo Awards, receives notification from the 2017 Hugo Awards adminstrator that he has been nominated this year. Let’s just say for the record that the demands subsequently and consequently made of him as part of the Hugo process are not those actually required of Hugo finalists in real life.

(16) THE BEST DAY OF HIS LIFE. “This 10-year-old donated thousands of comic books to veterans”The Week has the story.

Carl Scheckel knows that not all heroes wear capes. In a show of support for American soldiers, the 10-year-old comic-book aficionado from New Jersey decided to collect and donate thousands of comic books to veterans in hospitals and servicemen deployed overseas. The mastermind of carlscomix.com, Scheckel gathered roughly 3,500 books for the nearby Joint Base McGuire-Dix-Lakehurst, When he arrived to donate them in person, officers treated him to a surprise VIP tour of the base, where he got to try on military gear and explore the inside of a place. ‘It was the best day of my life!’ wrote Carl on his website.

(17) AN OPPORTUNITY ON MARS. It’s been there for over 13 years! “Mars rover reaches site that scientists still can’t explain”.

Opportunity, which is much, much smaller than its car-sized Curiosity cousin, was sent to Perseverance Valley in hopes of shedding some light on its origins. Scientists studying Mars know that the valley was carved by some dramatic force, but with a handful of possibilities including water, wind, and even muddy rocks, there’s still no clear answer. With the rover in place, researchers plan to use its observations to generate a detailed map which will be used to plan the vehicle’s driving route along the rim and eventually into the valley itself.

(18) ON THE WAY TO THE FINAL FRONTIER. I found out about LUNAR from BoingBoing:

Motion designer Christian Stangl and composer Wolfgang Stangl created this gorgeous short film, titled LUNAR, from thousands of NASA photographs taken by astronauts.

 

[Thanks to John King Tarpinian, Hampus Eckerman, Mark-kitteh, Martin Morse Wooster, Cat Eldridge, JJ, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Pixel Scroll 4/14/17 A Long Time Ago, When Pixels Scrolled The Earth, A Filer Was Climbing Mount Tsundoku

(1) SF IN CHINA. At Amazing Stories, Shaoyan Hu highlights the developing science fiction scene in China

Science fiction is a growing phenomenon in China: the various organizations are living evidence of that. It’s not just Star Wars or The Three-Body Problem now, but a substantial foundation quickly coming into shape. Although speculative fiction is still a small portion of the market, the large population in China suggests a considerable potential return for whoever ventures into this new area. As it happens, quite a few principal investors already have eyes on the genre, but this is perhaps a topic for another time. For now, suffice it to say that the unceasing efforts of all the people within the SF community have given the genre a positive outlook in China and a flourishing future is yet to come.

(2) FILLING THE MISS PIGGY BANK. The Museum of the Moving Image in Queens, NY has launched a Kickstarter appeal to fund conservation of its Muppet collection reports the Seattle Times.

A museum is asking fans of Jim Henson’s Muppets to help pay for an exhibition featuring original puppets of beloved characters like Elmo, Miss Piggy and Kermit the Frog.

The Museum of the Moving Image launched a Kickstarter campaign on Tuesday seeking $40,000 to help preserve the puppets for posterity.

“Jim Henson’s work has meant so much to so many people, myself included,” actor Neil Patrick Harris says in a video on the Kickstarter page. “His humor and inventiveness have inspired people to find their own creative voices.”

The Queens museum owns hundreds of Henson puppets and other objects including costumes and props, all donated by Henson’s family in 2013. Henson died in 1990.

Museum staff members are working to conserve the items along with Jim Henson’s Creature Shop, which was founded by Henson in 1979 and carries on his work, and fine-arts conservators.

The Kickstarter campaign has already raised $66,416, far in excess of its goal, with 26 days remaining.

(3) JEDI CRITIC. USA Today’s Jesse Yomtov took a look at The Last Jedi teaser trailer and decided it was time to speak up: “Why the Jedi were actually the worst and really should ‘end’”.

At the end of the first trailer for Star Wars: The Last Jedi (aka Episode VIII), Luke Skywalker brings up an important issue.

“I only know one truth,” he says. “It’s time for the Jedi to end.”

That sounds ominous and bad, but Luke is 100% correct. It’s not even up for debate that a group like the Jedi would be the bad guys in any other movie.

The Jedi were nearly brought to extinction at the end of Episode III, and while yeah it was the result of Palpatine’s super-evil scheme, it only got to that point because of their own incompetence and self-destructiveness.

Here are some of the most off-putting things about the Jedi Order:

(contains information/spoilers from The Clone Wars animated show, which ended three years ago so that’s kind of on you)…

(4) FINAL WORD ON CARRIE FISHER’S FUTURE IN STAR WARS. VIII yes, IX nay. That’s the word from Kathleen Kennedy.

Carrie Fisher will not appear in Star Wars: Episode IX, Lucasfilm head Kathleen Kennedy said on Friday.

The announcement came during an interview with ABC News and was something of a bombshell, as Todd Fisher, the late actress’ brother, previously said his sister would be in the planned ninth installment of the blockbuster franchise. Kennedy said he was “confused.”

“Sadly, Carrie will not be in nine,” said Kennedy. “But we will see a lot of Carrie in eight.”

(5) FAMILY PORTRAIT. On the first day of the Star Wars Celebration happening in Florida, Mark Hamill and Harrison Ford posed with Billie Lourd, Carrie Fisher’s daughter.

(6) ACHIEVEMENT UNLOCKED. Ken Liu was finally able to reveal he is at work on a Star Wars book.

So, the news is out: I’m writing a Star Wars book as part of the Journey to Star Wars: The Last Jedi project. Working with the team at Lucasfilm Publishing has been such a pleasure — they’re the best.

I can’t tell you much about the book yet, except that it’s called The Legends of Luke Skywalker, it’s going to go on sale on 10/31/2017, and it’s going to be awesome….

I think a writer’s job is to build a strong, welcoming house. Readers then move in and fill the rooms with their individual experience and understanding of the world. And only then, after they’ve settled in and begun to explore, do they discover its little nooks and crannies, its hidden passages and secret staircases, and following these, they find breathtaking vistas of other planets, rogues who prize friendship more than treasure, mystical sages full of wisdom, princesses leading grand armies, and farm boys dreaming of walking among the stars …

The Star Wars universe is grand and beautiful, and it is ever expanding. To be able to build a house in this universe after my fashion, to welcome fellow fans and readers into this house, and to see them get comfortable and discover its secrets … I don’t have the words for my joy.

(7) ZUCCHINIS VS. BEETS. On March 31, Margaret Atwood discussed 10 of her favorite speculative fiction novels at the website Omnivoracious: The Amazon Book Review. But as you might expect, she has a few things to say about defining the term first:

There is still some fuzziness around the terms “speculative fiction” and “science fiction.” Some say that “speculative fiction” includes such things as horror and reality-based dystopias and vampire stories, with “science fiction” being a subset. Others make a distinction between “science fiction” – hard and soft, but involving other planets and universes accessed by devices we do not currently have and cannot realistically expect to have – and “speculative fiction,” located on this earth and containing no devices that we cannot currently foresee. Let’s just say that there is a difference in nature between stories set in a universe far, far away – some call these “science fiction fantasy” — and those set on this planet, in a future we can plausibly describe, though not infallibly predict. (No predictions are infallible.) All fictions both entertain – otherwise nobody turns the pages – and also instruct – because stories will inevitably be given a moral interpretation by readers, language and people being what they are. But the far, far away galaxy kind – let us call them “zucchinis” – will inspire less immediate fear than the other kind – let us call them “beets.”

The list below is a list of “beets.”  There are many more, but these are some of the books I have read and enjoyed. They concern this earth and what is possible on it, given the knowledge available at the time of their writing. They are mostly dystopias – they describe a world we would rather not have. But some are utopias – they point to improvements.”

From the middle of her list –

Riddley Walker by Russell Hoban

A personal favourite. Written in the Future-English of a post-apocalyptic British teenager. The apocalypse has been atomic, as they once were. Young Riddley is on a quest, as his riddle-based first name and his ambulatory last one would suggest. A puppet show featuring Mister Clevver is his day job, insofar as he has one. Beware of Mister Clevver!

(8) TWEETS OF THE DAY. The investigation begins at SFWA.

(9) TAKE-OUT. Episode 34 of Scott Edelman’s Eating the Fantastic podcast takes place in the middle of Brian Keene’s live-streamed fundraising telethon. At first, Keene couldn’t find time in his schedule —

But when it came time for Brian to record the 100th episode of The Horror Show as a live 24-hour-long telethon to raise funds for the Scares That Care charity, he had a brainstorm—that I invade his event with a meal of some sort, and record my own show as part of his livestream.

So that’s what I did—show up at a conference room of a Hunt Valley hotel with a ton of takeout from Andy Nelson’s Barbecue, which has repeatedly been voted best BBQ by Baltimore Magazine—bringing enough to feed Brian, his co-hosts, and some of the live studio audience you’ll hear in this episode, too.

Brian’s published more than 40 novels, including the best-selling The Rising, and he’s the winner of the 2014 World Horror Grand Master Award. He’s also written comics, including the adventures of the Doom Patrol.

We discussed why the ending to The Rising isn’t as bewildering as some seem to think it is, whether new horror writers should try to replicate his career path, how Marvel Comics creator Steve Gerber is responsible for him becoming a writer, the shady way Brian amassed the largest comics collection in the sixth grade, if he’s a Scully who changed into a Mulder as he got older or if he’s been a Mulder all along, and more…

(10) GETTING AROUND HELSINKI. Going to Worldcon 75? Then this info is for you:

The Helsinki Regional Transit Authority (Helsingin Seudun Liikenne) has announced that as of June 19, 2017, tickets will no longer be sold on Helsinki commuter trains, and therefore must be purchased in advance from one of the available outlets: ticket machines (map of ticket machine locations), the HSL mobile phone application, or HSL Travel Cards.

(11) TODAY IN HISTORY

  • April 14, 1912 – The Titanic strikes the iceberg.

(12) A NIGHTMARE TO REMEMBER. As a child, Steve Vertlieb was haunted by the image of the Titanic:

One hundred five years ago tonight, at 11:40 PM, RMS Titanic fulfilled its terrifying date with history as innumerable heroic souls perished beneath the icy waters of The Atlantic. This horrifying remembrance remains among the most profoundly significant of my own 71 years. As a little boy, during the early-to-mid-1950s, I was tormented night after night by nightmares of finding myself upon the deck of a huge ocean liner cruising the darkened waters of the Atlantic. After a time, I’d find myself walking along the brooding ocean floor, enveloped in crushing darkness, when I sensed a horrifying presence behind me. I’d turn slowly each night with fear and encroaching trepidation. As I gazed up into the watery sky, I’d find myself next to the enormous hull of a wrecked and decaying ship. I awoke screaming on each of these nights. I’d never heard of Titanic in my early years, but I was tormented by these crippling dreams, night after suffocating night, for years. To this day, the very sight and sound of the name “Titanic” sends me into cold sweats and an ominous sense of dread, and foreboding. I’ve come to believe that I may have been aboard the doomed ocean liner that awful night, and that I’d been reincarnated three decades later. I fear the ocean still. Suffice to say, it is a chilling remembrance that will forever haunt my dreams. May God rest Her immortal soul, and all those who perished that terrible night.

(13) HOPE FOR THE WORLD. It’s Good Friday, but this is not about that. Rather, James Artimus Owen draws our attention to another epochal breakthrough:

I’m…feeling some very, very strong emotions that I don’t know how to process. I think I knew, somehow, but didn’t realize until just now – Burger King really does have Froot Loops shakes. They exist. And thus give me hope for the whole world. #apexofcivilization

We confirmed this with Fox News. (How often do you get to say that with a straight face?) Froot Loops shakes debut at participating Burger King stores nationwide on April 17, but will only be around for a limited time.

So what, exactly, is in a cereal milkshake?

According to a spokeswoman for Burger King, the drink features “velvety Vanilla-flavored Soft Serve, Froot Loops Cereal pieces and sweet sauce.”

(14) TODAY’S BIRTHDAY SLAYER

  • Born April 14, 1977 – Sarah Michelle Gellar

(15) PUPPIES FOR PRESIDENT. Lou Antonelli ran a poll on his Facebook page asking people to vote for the sf writer they’d most like to see as President of the U.S.

In Antonelli’s case, that doesn’t necessarily mean he was looking for any great departure from the current tenant of the White House – and he certainly didn’t end up with one.

TRUMPETS!

DRUM ROLL!

THROAT CLEARING…

President… Larry Correia!

The clear winner with 18 votes.

It was very close for second place. John Ringo had nine votes and Tom Kratman had eight.

A strong fourth place showing goes to an author who would not be considered right-of-center by any definition, David Brin – which shows there is come diversity of political opinion among my Friends.

Dr. Jerry Pournelle received five votes, and Ursula LeGuin – also certainly not a right-winger – received four.

(16) TAD WILLIAMS. Patrick St-Denis of Pat’s Fantasy Hotlist interviewed Tad Williams about his return to the universe of Osten Ard in The Witchwood Crown.

Stephen R. Donaldson once said that he waited for so long to write The Last Chronicles of Thomas Covenant because he wasn’t ready and needed to grow as an author before he felt comfortable tackling such a project. Would you say that, at least to a certain extent, this was one of the reasons why it took so long for you to finally decide to write the long-awaited sequel to Memory, Sorrow, and Thorn?

Yes, but not necessarily in the same way as Donaldson’s talking about. I said for years that I wouldn’t write a sequel to anything or even re-visit a world unless I had a story first, a story that cried out to be written. And for years Osten Ard was in that category, although I had thought a bit about the Chronicle project. Then, when I sat down one time to list off for Deborah (my wife and business partner) all the reasons I had no more stories about Simon and Miriamele and Binabik and the rest, I realized that I had left most of the main characters still very much in the bloom of their youth, and that after decades of life and growing responsibility — which I had undergone myself since I wrote it — they must all look at the world very differently. That set me to thinking, and within one night the first rudiments of the story for The Last King of Osten Ard (the title for the whole series) had begun to take real shape. So every moment I was aging, and moving from one country to another, and becoming a parent, and so on, I was actually creating a plot for new Osten Ard books without realizing it.

(17) YOUR SHADOW CLARKE JURY AT WORK. Racing to finish ahead of the shortlist announcement, scant weeks away —

This is the first novel I’ve read from my shortlist that feels like it belongs on the actual Clarke shortlist. Written by a genre outsider, but built definitively upon a classic sci-fi concept, and clearly aware of decades of science fiction fandom and inside jokes, it ticks a few those well-established Clarke-preferred boxes. It’s also quite enjoyable for those same reasons.

It follows the Toula/Tolliver family over four generations of delusions of grandeur beginning with Ottokar Toula: family patriarch, pickle cultivator, and mad scientist of the pre-Atomic Age. His “discovery” of the Lost Time Accidents is overshadowed by the work of “the patent clerk” in Switzerland, dooming the Toula name to forgotten history. That is, until his son, Waldemar, seizes upon Ottokar’s ideas and uses Nazi-era concentration camps to carry out his secret, malevolent time experiments…

We awaken in a contemporary alternate Finland, a country whose path diverged from its realworld twin’s shortly after World War One. We discover that Finland is now a eusistocracy – all for the best in the best of all possible worlds – separated technologically and politically from the ‘hedonistic democracies’ of the rest of Europe and forging its own path to racial purity, social stability and material content. In this new Finland, a systematic program of eugenics has been implemented in order to reinstitute traditional gender roles and relieve the increasing psychological and social tension that has been the inevitable result of female emancipation:

Nowadays, when people talk about science fiction being socially relevant, they often gesture towards Dave Hutchinson’s on-going Fractured Europe series and how the early books seemed to pre-empt not only the break-up of the European Union but also the brutal militarisation of European borders. Though dystopias will always have a role to play in helping us to prepare for unwanted futures, there is also something to be said for books that make a positive case for what it is that we are about to lose. Hutchinson’s books may be about the ugly, regressive, and nationalistic future we are going to get but Lavie Tidhar’s Central Station is about the beautiful, strange, and unapologetically multicultural future we need.

Science fiction is not and never has been about predicting the future. But it is about using satire, extrapolation, exaggeration, distortion and any other tools at its disposal to reflect and comment upon the present. Right now, Europe is in a parlous state. The enterprise of friendship and cooperation that began in the wake of the Second World War is under unprecedented threat from the emergence of just such nationalist movements that it was deliberately conceived to counter. There are currently populist movements whose avowed aims are directly counter to the European ideal active and prominent in the UK, France, Holland, Germany, Italy, Austria, Greece, Hungary, Poland and elsewhere. This is the world we live in. It is not the world we encounter in contemporary science fiction.

The Fractured Europe sequence may not be a perfect way of bringing this modern world into science fiction, but since it is the only way that anyone is currently attempting, it is de facto the best.

The last one is a roundup rather than a review:

…On which note, it seems only fair that I come clean regarding how I, personally, feel about my personal shortlist now that I’ve read it. Did the books I chose turn out to be as worthwhile, not to mention as Clarke-worthy, as I hoped they would be? The short answer, I suppose, would have to be partly, and no. Above a certain level, very few books are ever entirely a waste of reading time, and that certainly holds true here….

(18) BE YOUR OWN RORSCHACH. Who was that masked man? — “How what you wear can help you avoid surveillance”.

Imagine you’re living in a dystopian future. Surveillance cameras scan the streets to recognise and record the faces of passersby – but you’re wearing a HyperFace scarf. Amid a kinetic assortment of grid-like structures printed on the fabric, black squares suggest tiny eyes, noses and mouths. The cameras’ facial recognition algorithms are confused. Your identity is secure; your privacy, protected.

(19) FANTASTIC FICTION AT KGB. On April 19, Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Laura Anne Gilman & Seth Dickinson.

Laura Anne Gilman

Laura Anne Gilman is the author of the best-selling Devil’s West novels (Silver on the Road and The Cold Eye) which NPR described as “a true American myth being found,” the Nebula-nominated Vineart War trilogy, and the story collection Darkly Human. Her writing past encompasses a ten-book urban fantasy series, a quartet of cozy mysteries, three paranormal romances, and a middle-grade Arthurian adventure. A once and future New Yorker, she currently lives in the Pacific Northwest.

Seth Dickinson

Seth Dickinson’s short stories have been published in in ClarkesworldStrange HorizonsLightspeed and Beneath Ceaseless Skies, and elsewhere. He also contributed writing to video games, including Destiny: The Taken King. His first novel the epic fantasy The Traitor Baru Cormorant was published in 2015 and he’s working on a sequel.

Wednesday, April 19th, 2017, 7pm at KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.)

(20) CONCERN TROLL ON DUTY. Superversive SF’s “sciphi” (which I believe is editor Jason Rennie) is worried about the impact Monica Valentinelli’s decision to quit as Odyssey Con GoH will have on other women authors. Sure he is. — “Why doesn’t Monica Valentinelli want women as Guests of Honour?”

What I am wondering though is, has Monica considered the wider implications of this sort of diva behaviour? If you were organising a Con would you invite her as Guest of Honour? I wouldn’t given this is her idea of professional behaviour. More than that, this will likely cause any rational Con organiser, even if only unconsciously, to be less willing to invite any women as Guest of Honour. Who wants the headache of someone flaking at the last second because they have decided their feelings of “unsafeness” trump any consideration of professional behaviour or the enormous problems it will cause other people? Monica in her betrayal of the trust shown in her has made it harder for women everywhere. What if a guest you have invited and planned for decides to “Pull a Valentinelli” at the last second? I suppose it isn’t fair to generalise this to all female authors, as much as it would be more reasonable to generalise this to any sort of grievance peddling group instead.

The people I feel most sorry for are the Jagi Lamplighters, Sarah Hoyt’s and other female authors of the world who are actual professionals and would never engage in this sort of childish tantrum, but whose prospects are damaged by one ridiculous drama queen and idiots who are enabling her behaviour.

(21) SUPERVERSIVE SF’S RESPECT FOR WOMEN. Immediately preceding that post on the site is a reprint of one of their “more popular Superversive articles,” “The Bosom-Jiggle Factor”, which is indeed about what you were assuming. With illustrations. And the name of the author? Answer: L. Jagi Lamplighter Wright.

“The Needs of Drama vs. The Needs of Culture, as illustrated by the BJF Index:”…

The Needs of Drama—the qualities that make a story dramatic, eye-catching, intriguing. Sex, sizzle, bang, POW! Seduction! Explosions! LOTS OF CAPTIALS AND EXCAMATIONS!!!!!!

The Needs of Culture—the desire to use the story to teach lessons needed to participate in the culture, like an Asops Fable or a morality play. These stories include topics like: How to behave. How to treat friends. How to treat strangers. What is and is not moral. – the message of the work.

It is not my opinion that one of these forces is better than the other. Rather, I believe that there needs to be a harmonious marriage of the two of a work to be really great.

Too much drama leads to meaningless sex and bloodshed. Too much culture leads to boring message fiction….

(22) A WORD FROM THE SPONSOR. Because you don’t watch enough commercials already, click this link to watch Baby Groot and the GEICO gecko trying to sell you insurance.

(23) CIRQUE DU PIZZA. Hampus Eckerman is right – you shouldn’t miss this.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, Rob Thornton, Steve Vertlieb, Mark-kitteh, and Hampus Eckerman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 4/12/17 Blah, Blah, Blah, Pixels, Blah, Blah, Scroll

(1) FOR THE RECORD. Odyssey Con co-chair Alex Merrill published an official response to the departure of GoH Monica Valentinelli yesterday – filling the void left by Richard S. Russell’s retracted statement with something more socially acceptable.

We, the Convention Committee of Odyssey Con, deeply regret losing Monica as a Guest of Honor, especially in the way the last twenty-four hours have unfolded. Odyssey Con strives to be a warm and welcoming place for all people to express themselves and engage in fandoms. We took a long and hard look at the issue of having Jim Frenkel continue to be a member of our convention committee when he was banned from WisCon in 2012. Our position at that time was to look at our policy on harassment and ensure that any situation that may take place at our convention would be dealt with professionally. We now have an ombudsman, anonymous reporting procedures, and a very detailed policy. There have been no complaints filed against Mr. Frenkel from attendees of Odyssey Con. However, in light of Monica’s email, the following changes have been made: Mr. Frenkel is no longer a member of our ConCom in any capacity, he has no position of authority in the convention proper, and he is not a panelist or lecturer. He has the right to purchase a badge and attend the convention, but as of this writing, I do not know if he is planning to do that.

I personally wish to apologize for the mishandling of our response to Monica’s concerns. It has never been our intent to minimize any guest’s complaints. Odyssey Con is an all volunteer organization staffed by people who have many strengths, but not all of us are great communicators.

I have already reached out to Monica to personally apologize for the email response she received from one of our ConCom members and for the subsequent posting of email chains publicly. This exchange was not an example of Odyssey Con as a whole, which is run by fans, for fans. I hope to have a continued dialogue with you all.

However, the first comment left on the post identified a number of questions that remained unanswered by the statement.

And after K. Tempest Bradford looked over the new response, she shared her reaction in the comments of her blog.

…No matter how much the Internet is mad at your organization, that does not excuse any implication that the person reporting feeling unsafe because a harasser is involved in running the con is at fault here. That’s immature. That’s not professional. That’s yet another indication that guests would not have been treated professionally by OddCon as an organization.

Also an indication that attendees will not be treated in a professional manner.

And being a volunteer run con is not an excuse for that. Yeah, you’re all volunteers, but you’re running an event. People attending said event as fans or guests have the right to expect a certain level of safety and respectful treatment from those running the event. That was not what happened. Now they’re sorry. Yet I still do not see that behavior addressed in a meaningful way in this Sorry….

(2) MARVEL FIRES SYAF. Marvel pencil artist Ardian Syaf, who inserted anti-Semitic and anti-Christian political references into his work on X-Men Gold has now been officially terminated.

Over the weekend, Marvel released a statement that it had been unaware of the references, and they would remove the artwork from all upcoming versions of the issue.

The company’s follow-up statement, quoted in Paste Magazine, says:

Marvel has terminated Ardian Syaf’s contract effective immediately. X-Men: Gold #2 and #3 featuring his work have already been sent to the printer and will continue to ship bi-weekly.

Issues #4, #5, and #6 will be drawn by R. B. Silva and issues #7, #8, and #9 will be drawn by Ken Lashley. A permanent replacement artist will be assigned to X-Men: Gold in the coming weeks.

Syaf wrote on his Facebook page:

Hello, Worlds…

My career is over now.

It’s the consequence what I did, and I take it.

Please no more mockery, debat, no more hate. I hope all in peace.

In this last chance, I want to tell you the true meaning of the numbers, 212 and QS 5:51. It is number of JUSTICE. It is number of LOVE. My love to Holy Qur’an…my love to the last prophet, the Messenger…my love to ALLAH, The One God.

My apologize for all the noise. Good bye, May God bless you all. I love all of you.

Ardian Syaf

However, Coconuts warns that statement should not be confused with Syaf actually regretting his actions.

…In an interview about the controversy with local newspaper Jawa Pos published today, Ardian explained why he thought that Marvel could not accept his explanation for including the references.

’But Marvel is owned by Disney. When Jews are offended, there is no mercy,” he was quoted as saying.

After making the anti-Semitic remark, Ardian reiterated to the interviewer that he was not anti-Semitic or anti-Christian because, if he was, he wouldn’t have worked for a foreign publisher.

(3) WHITE AWARD DELAYED. The British Science Fiction Association has postponed the date for revealing the winner of the James White Award:

With apologies to those who have entered this year’s competition, we are sorry to announce that the announcement of this year’s James White Award winner has been delayed.

The longlist will announced shortly after Easter and the shortlist shortly after that. We are working to complete the judging as quickly as possible.

We intend to announce the winner by Friday, 19 May at the latest.

(4) SFWA STORYBUNDLE. Cat Rambo has unveiled The SFWA Science Fiction Storybundle.

The SFWA Science Fiction Bundle is a very special collection full of great sci-fi books that benefit a great cause! If you’re unfamiliar with the Science Fiction and Fantasy Writers of America, it’s over 50 years old, and has a membership of professional writers and publishing professionals from around the globe. It administers the Nebula Awards each year. This bundle is filled with talented SFWA members and their wonderful works, such as Tech Heaven by Locus-award-winning Linda Nagata and Factoring Humanity by Hugo, Nebula and John W. Campbell Memorial Award winning Robert J. Sawyer, plus 10 more tremendous reads. You can easily choose to donate part of your purchase to the Science Fiction Fantasy Writers of America to support these fantastic authors. Don’t forget to click here to read much more about the bundle, and make sure to click on each cover for reviews, a preview and a personal note from our curator!

It has another 22 days to run.

(5) DISTRACTIONS. With so much happening in 1962, Galactic Journey’s Victoria Silverwolf finds it hard to concentrate on her reading — “[April 12, 1962] Don’t Bug Me (May 1962 Fantastic).

Maybe it’s because it’s almost time to mail in those tax forms to Uncle Sam, or maybe it’s because of the tension between President Kennedy and the steel companies, or maybe it’s because Jack Parr left his television series (which will now be known by the boring, generic title The Tonight Show), or maybe it’s because the constant radio play of the smash hit Johnny Angel by actress Shelley Fabares of The Donna Reed Show is driving me out of my mind, or maybe it’s because of George Schelling’s B movie cover art for the May 1962 issue of Fantastic; but for whatever reason your faithful correspondent approached the contents of the magazine with a leery eye….

(6) TIPTREE. There will be a Tiptree Auction at WisCon 41 on Saturday, May 27.

Can’t get enough Tiptree fun on Facebook? Are you curious about Tiptree auctions? Fan of Sumana Harihareswara? Want to support science fiction that explores and expands gender? Want to roar with laughter? There are dozens of possible reasons to go to the Tiptree Auction at WisCon 41.

(7) APEX REPRINTS EDITOR. Apex Magazine is bringing aboard Maurice Broaddus as reprints editor. The magazine publishes one reprint in each issue, and he will be responsible for finding those reprints beginning with issue 98, July 2017.

Maurice Broaddus and Apex Publications have a long history together going back 10 years. He has been published in several of our anthologies, including most recently in Upside Down: Inverted Tropes in Storytelling edited by Monica Vallentinelli and Jaym Gates. He has also had several books published through Apex, including Orgy of Souls (co-written by Wrath James White), I Can Transform You, and the anthologies Dark Faith and Dark Faith: Invocations which he co-edited with Jerry Gordon. Most recently, Maurice Broaddus guest edited an issue of Apex Magazine—issue 95 (http://www.apex-magazine.com/issue-95-april-2017/) , which included original fiction by Walter Mosley, Chesya Burke, Sheree Renee Thomas, and Kendra Fortmeyer, poetry by Linda D. Addison and LH Moore, and nonfiction by Tanya C. DePass.

(8) NEW COLUMNIST. Galaxy’s Edge magazine has a new columnist, Robert J. Sawyer. He’ll replace Barry N. Malzberg starting with issue 27.

Robert J. Sawyer, author of the bestselling novel Quantum Night, has agreed to write a regular column for Galaxy’s Edge magazine. Robert is currently one of the foremost science fiction authors in the field and one of Canada’s top writers. He was admitted into The Order of Canada (one of the country’s highest civilian honors) in 2016. His novels have won more awards than any other person in the history of the genre (as per the Locus index for science fiction awards) from countries around the world.

(9) SINISALO. At Europa SF, Cristin Tamas conducts a lengthy interview with 2017 Worldcon GoH Johanna Sinisalo.

Cristian Tamas : Johanna Sinisalo seems to have emerged, along with Leena Krohn and Pasi Ilmari Jääskeläinen, as a central figure in the ‘‘Finnish Weird’’, which like many such movements may be a coincidence, a plot, or even, as Sinisalo herself said in her introduction to last year’s Finnish Weird anthology, simply a ‘‘brand.’’ In any case, it seems to carry with it a celebratory feeling of having just rediscovered the possibilities of nonrealistic fiction, even as some of its major works come with pretty grim premises.” – Gary K.Wolfe ; Please comment !

Johanna Sinisalo : Finnish Weird is basically a term invented for commercial uses, based on the fact that most of the Finnish Weird writers do not want to be pigeonholed as fantasy or sf or horror writers. Words like “nonrealistic” or “speculative fiction” are relatively strange to the wider audiences, so we came up with this kind of definition that could perhaps be compared to the commercial term “Nordic Noir”. Analogically, the Scandinavian crime writers have not “rediscovered the possibilities of crime fiction”, but the term Nordic Noir tells the reader that those books are a part of a certain literary tradition (and in many cases it is also considered as a sign of high quality).

Cristian Tamas : Isn’it weird that the oldest (beginning of the 13th century) known document in any Finnic language, the Birch Bark Letter no.292 is written in Cyrillic alphabet in the Karelian dialect of the archaic Finnish (or Finnic language) and it was found in 1957 by a Soviet expedition led by Artemiy Artsikhovsky in the Nerevsky excavation on the left coast side of Novgorod, Russia ? Is this an avant-la-lettre sample of Finnish Weird ?

Johanna Sinisalo: It is an interesting document. As far as I know the only words in that letter that the scholars totally agree upon are “God” and “arrow”, and the most popular theory is that the the text is a spell or prayer protecting from lightnings, saying “Jumaliennuoli on nimezhi”, roughly ”You are / will be called as the Arrow of Gods”. Perhaps it forecasts that we Finnish Weird writers are lightnings of the literary gods?

(10) TODAY’S DAY

Bookmobile Day

Bookmobile Day is an opportunity to celebrate one of the many services offered through public libraries. Originating in the nineteenth century, the earliest bookmobiles were horse-drawn wagons filled with boxes of books. In the 1920s, Sarah Byrd Askew, a New Jersey librarian, thought reading and literacy so important that she delivered books to rural readers in her own Ford Model T. And today, Kenya still uses camels to deliver materials to fans of reading in rural areas.

(11) TODAY IN HISTORY

  • April 12, 1981 — Space shuttle Columbia first launched.

(12) COMIC SECTION. A horrible pun and a funny gag – John King Tarpinian recommends today’s Brevity.

(13) HATERS. John Scalzi, the midst of his annual Reader Request Week, takes up the subject of “Haters and How I Deal With Them”. This section of his post is from a list of “things I know about haters, and how they relate to me.”

Fourth, I’ve come to realize that some people are using hating me primarily as a transactional enterprise; they see some personal business advantage to holding me up as someone to be hated, and doing so allows them to, say, peddle to the gullible and strident wares that they might not otherwise be able to profitably market. To this respect the hating isn’t actually about me — if I didn’t exist, they’d just pick someone else who suited their needs. That being the case, why get worked up about it? Especially if it’s not having any noticeable effect on my own personal or professional fortunes.

(14) MEANWHILE BACK AT THE RANCH. Quite coincidentally, Vox Day put up a post titled “This is what ‘Zero Fucks’ looks like” that’s all about….would you like to guess?

(15) LIBRARIANS LIKE IT. Library Journal gives its take on the 2017 Hugo ballot in “Quality and Diversity”

After a contentious two years owing to the Sad/Rapid Puppies dispute, last week’s announcement of the 2017 Hugo Award nominees was received with acclaim. Library Journal sf columnist Megan McArdle, noting that the puppies appeared to have lost their fangs, was thrilled by the lists. “The fact that so many women are represented (and trans women! and women of color!), just shows that diversity is actually valued by the majority of SFF fans, which is great to see after so much drama in past years.” She was also excited to see a couple of her favorites—Charlie Jane Anders’s All the Birds in the Sky and Becky Chambers’s A Closed and Common Orbit—make the list.

Co-columnist Kristi Chadwick was equally excited by the nominations, which are voted on by attendees of the World Science Fiction Convention (Worldcon) and paying members of the World Science Fiction Society. “I am a big squeeing girlfan of Seanan McGuire, and I think Every Heart a Doorway has given fantastical tropes a way to bend sideways. Then I see N.K. Jesmin, Charlie Jane Anders, and [Lois McMaster] Bujold? Amazing stories that never cross our desks? The editors, movies and everything else that makes this genre amazing? I am so thrilled with the wealth of knowledge and imagination available to readers today.”

(16) A VISIT TO DYSTOPIA. Nerds of a Feather continues its series on Dystopian Visions. Here are excerpts from two of the major critical essays. And the link will also lead you to innumerable posts about individual books and films with dystopian themes.

What marked Utopia out from these fantasies of plenty was that it could be reached, and reached in two ways. Reached physically: there was a long, arduous but supposedly practicable journey that could get you from here to there. It was a journey beyond the abilities and wishes of most people, but the idea was established that perfection did not exist only in dreams or upon death, but here in the everyday world we all inhabited. And it could be reached structurally: this perfection was not the province of god or of fairies or some supernatural inversion of the natural world, this perfection was achieved by rational men. If a safe, secure, happy existence could be achieved by sensible human organisation in Utopia, then sensible, rational men could achieve the same here.

No, I don’t think science fiction’s exploration of dystopian presents and futures has been instrumental in bringing on twenty-first century dystopia, but the genre as a whole does bear some small responsibility for our comfort with what we should be deeply uncomfortable with…

Three science fiction novels spring to mind as examples, published in 2011, 2013 and 2014. One was by a highly-regarded genre writer, who has spent the last twenty years writing fiction not actually published as science fiction. Another was written by a successful British author of space operas. The earliest of the three is also a space opera, the first in a series of, to date, six novels, which was adapted for television in 2014.

…The three books are: The Peripheral by William Gibson, published in 2014, Leviathan Wakes by James SA Corey, published in 2011, and Marauder by Gary Gibson, published in 2013.

Since its beginnings, science fiction has exhibited a blithe disregard for the characters who people its stories, outside those of the central cast of heroes, anti-heroes, villains, love interests, etc. Frank Herbert’s Dune from 1965, for instance, describes how Paul Muad’Dib launches a jihad across the galaxy which kills billions. EE ‘Doc’ Smith’s Second Stage Lensman, originally serialised in 1941, opens with a space battle between a fleet of over one million giant warships and an equal number of “mobile planets”… Manipulating scale to evoke sense of wonder is one thing, but the lack of affect with which science fiction stories and novels massacre vast numbers of people, for whatever narrative reason, is more astonishing.

(17) DO YOU? I had to answer “No.”

(18) EXOTIC GAME. Review of Simon Stålenhags RPG Tales from The Loop at Geek & Sundry — “Tales from the Loop Invites You to Roleplay in the ‘80s That Never Was”.

Tales from the Loop takes place in a retro-futuristic version of the 80’s where Cold War Era science brought us hover-vehicles, robots, and other advancements that pepper this light sci-fi landscape. It’s an idyllic time. Kids are free to roam after dark. The same children who have grown up around robots and Magnetrine Vehicles geek out over Dungeons & Dragons and Atari systems. There are problems, but the future is hopeful.

If this whole setting sounds like a sci-fi version of Stranger Things you wouldn’t be far off. If that’s what it takes to get you to crack into this portal into a future past then by all means: it’s a sci-fi version of Stranger Things. But in reality it captures more of the feeling of E.T. or The Goonies. Mike, Dustin, and Lucas were able to get help from Joyce and Sheriff Hopper. In Tales from the Loop the focus is squarely on the trials, challenges, and successes of the kids. One of the 6 Principles of the game right in the book is that “Adults Are Out of Reach and Out of Touch”, and if your character ever turns 16 years old, they age out of the campaign

[Thanks to John King Tarpinian, Hampus Eckerman, Cat Eldridge, JJ, and Marc Criley for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W, who will be awarded a Nobel Prize for his discovery of the basic Scroll title DNA.]

Pixel Scroll 3/30/17 Do Not Taunt Happy Fun Scroll

(1) WAX TREK. The Orange County Register’s Keith Sharon should get a Pulitzer Prize for the first line of his article “$80,000 later, why this trio gave up their ‘Star Trek’ wax figures, Enterprise replica”:

Mr. Spock’s head cooled in a wooden crate for 10 years before someone noticed something was wrong.

Equally good is the rest of the article — about the fate of the wax Star Trek crew since the defunct Movieland Wax Museum sold its exhibits in 2006.

Steve and Lori had 24 hours to decide whether they wanted to pay about $40,000 for Kirk, Spock, Sulu, Uhura, Dr. McCoy, Chekov and Scott. Or they could buy just one, or just a few.

They went to Don Jose’s restaurant and had margaritas over dinner. They knew other people wanted to buy the individuals in the crew. One guy wanted to put Spock in a bar. Another guy wanted to put Captain Kirk in his house. So they decided to buy them all, to keep the crew together. They made it their mission to save the crew of the Enterprise.

“Let’s protect them,” Steve told Lori.

“We took them home and put them in our dining room,” Lori said.

That’s when it got weird. Steve couldn’t stand the life-like eyes looking at him all the time.

“We put paper bags over their heads,” Steve said.

 

Steve Greenthal puts on the head of his Captain Kirk wax figure at the Fullerton Airport before donating them to the Hollywood Sci-Fi Museum on Saturday, March 25, 2017. The figures were purchased when the Movieland Wax Museum went out of business. (Photo by Nick Agro, Orange County Register/SCNG)

(2) NOT ENOUGH HAMMER. Ursula K. Le Guin reviews Neil Gaiman’s Norse Mythology for The Guardian and finds it very well-written but wanting in some ways:

Gaiman plays down the extreme strangeness of some of the material and defuses its bleakness by a degree of self-satire. There is a good deal of humour in the stories, the kind most children like – seeing a braggart take a pratfall, watching the cunning little fellow outwit the big dumb bully. Gaiman handles this splendidly. Yet I wonder if he tries too hard to tame something intractably feral, to domesticate a troll.

… What finally left me feeling dissatisfied is, paradoxically, the pleasant, ingratiating way in which he tells it. These gods are not only mortal, they’re a bit banal. They talk a great deal, in a conversational tone that descends sometimes to smart-ass repartee. This chattiness will be familiar to an audience accustomed to animated film and graphic narrative, which have grown heavy with dialogue, and in which disrespect is generally treated as a virtue. But it trivialises, and I felt sometimes that this vigorous, robust, good-natured version of the mythos gives us everything but the very essence of it, the heart.

(3) FROM BUFFY TO BATGIRL. Joss Whedon is in talks to do a Batgirl movie says The Hollywood Reporter.

Whedon is in negotiations to write, direct and produce a Batgirl stand-alone movie for Warner Bros., adding another heroine to the studio’s DC cinematic universe.

Warner Bros. Pictures president Toby Emmerich will oversee the project, along with Jon Berg and Geoff Johns….

Batgirl will be the second female superhero stand-alone in Warner Bros. DCU (Wonder Woman will hit theaters on June 2). Whedon has long been credited as a pioneering voice for female-focused genre fare, having created the hit TV show Buffy the Vampire Slayer two decades ago.

(4) DIETZ ESTATE SALE. Over 300 sf/f collectible books and other items from Frank Dietz’ are for sale on eBay. Dietz passed away in 2013.

He was chairman of the first 14 Lunacons, and was Fan Guest of Honor at the 2007 Lunacon. His activities as “Station Luna,” an effort to record the proceedings of many World SF Conventions, continued for many years. He recorded events at the 1951 Worldcon in New Orleans.

(5) WOTF IN TOWN. Ron Collins reports on Day 2 of the annual Writers of the Future Workshop.

“It’s a little overwhelming,” Andrew Peery told me during a break after the opening session. He meant it in a good way. Peery, from North Carolina, is the 4th quarter first prize winner. The group had just walked through the Author Services Hall of Writers and been given a presentation of past judges throughout the contest’s history. People here have asked me how things have changed in the 18 years since my last visit. One thing that’s different is that the list of judges has gotten a little longer and a little more prominent. It’s very cool to think about.

One thing that hasn’t changed, however, is the purpose of the workshop.

“Our goal in this workshop is to help you train yourself to be a professional writer,” Dave Farland said in his opening remarks. He and Tim [Powers] then covered several topics, focusing on things like how to develop writerly habits, how stories are structured, and how to create and use suspense. And that was just before lunch. Along the way the two of them did a little brotherly bickering about the speed with this things should be done. “If you’re here, we already know you’re good,” Dave said. “But now we want to help you think about producing that good work more quickly.” Tim, followed that up with: “My first drafts take forever and are never any good.” Then he explained why that was just fine by him. I’ve seen that before, but, yeah, it holds up on second viewing! It’s always great to see how creativity is different for two such high-caliber artists.

Other authors have written about Day 1 and Day 3.

(6) EGYPT IN SF. Tim Powers was recently interviewed by Rachel Connor and described his preparation.

Rachel: I was first introduced to your work when I read The Anubis Gates, a historical fiction with time-travel, Victorian corruption and ancient Egyptian folklore. Can you tell us a little about your approach to historical fiction? What is it about a certain period of time that intrigues you?

Tim: A novel for me generally starts with something I stumble across in recreational non-fiction reading. I’ll notice some peculiarity — like Edison working on a phone to talk to dead people with, or Albert Einstein going to a séance — and I’ll start to wonder if a story might not be built around what I’m reading.

If I come across another oddity or two — like Edison’s last breath being preserved in a test tube in a museum in Michigan, or Einstein turning out to have had a secret daughter who disappears from history in 1902 — I’ll decide that this isn’t recreational reading after all, but research for a book.

For The Anubis Gates, it was a note in one of Lord Byron’s letters. He said that several people had recognized him in London at a particular date in 1810, when at that time he was in fact in Turkey, very sick with a fever.

I wondered how he might have a doppelganger, and started reading all about Byron, and his doctor in Turkey, and London at the time, looking for clues

(7) EVERY JOT AND TITTLE. Tom Easton and Michael Burstein’s collaborative short story Sofer Pete” has been published in Nature

The visitors were crowded against one wall of bookcases, facing a large table on which was stretched a long piece of parchment. An inkwell filled with black ink sat off to the side. A hand holding a traditional goose-quill pen moved over the parchment, leaving rows of Hebrew characters behind it more quickly than a human hand ever could.

Because the hand did not belong to a human. The gleaming metal hand belonged to a humanoid robot seated on the other side of the table. Its name was Pete.

(8) THANKS DAD! Most people know Joe Hill’s father is Stephen King. Here’s what happened when young Joe turned to him for advice….

(9) “EVERY WINDOW’S A SEAT”. How much will people pay to be in space for a few minutes? “Jeff Bezos just revealed a mock-up of the spacecraft his rocket company will use to take tourists into space”.

Each launch will rocket a handful of wealthy tourists more than 62 miles (100 kilometers) above Earth on a roughly 11-minute trip.

Near the top of a high arc, the rocket will detach from the space capsule, which will fall toward the ground, granting passengers about four minutes of weightlessness and letting them take in an incredible view of the fringes of our planet’s outer atmosphere.

(10) GHOSTESS WITH THE MOSTEST. The BBC says the animated Ghost in the Shell was good, but the live-action is better.

The Japanese anime Ghost in the Shell isn’t just one of the most acclaimed science-fiction cartoons ever made, it’s one of the most acclaimed science-fiction films, full stop. Conceptually and visually breathtaking, Mamoru Oshii’s cyberpunk detective flick bridged the gap between analogue blockbusters and digital ones, between Blade Runner and The Terminator, with their cyborgs and androids, and The Matrix and Avatar, with their body-swaps and virtual realities. The makers of The Matrix, in particular, were happy to acknowledge that they were following in Oshii’s future-noir footsteps.

The question is, then, is it worth bothering with a belated live-action version? Considering that the cartoon is now a cult classic, and that several other films have taken its innovations and run with them, can a mega-budget Hollywood remake have anything of its own to offer? The answer to both questions is a definite yes.

(11) RELAUNCH. First reuse of a SpaceX recoverable boosterNPR reports:

SpaceX launched a communications satellite from the Kennedy Space Center in Florida using a rocket stage that has already been to space and back. SpaceX is betting that this kind of recycling will lower its costs and revolutionize space flight.

(12) NOT FIVE? At the B&N Sci-FI & Fantasy Blog, Corinna Lawson shares the four rules that tell her “How to Know When It’s Okay to Read a Series out of Order”.

  1. When the character arcs are resolved by book’s end

In Sins of Empire, there are three leads, and all set out on emotional journeys that are fully resolved by book’s end.

Meanwhile, ASoIaF readers are still waiting to see what happens via-à-vis Jamie Lannister’s redemption arc, whether the Khaleesi will ever seize her birthright, if Tyrion’s suffering will amount to anything, or if Jon Snow will ever stop flailing about and realize who and what he is.

In Bujold’s The Warrior’s Apprentice, a young man who dreams of being a soldier finds more than he bargained for, and, at the end, his journey has a resolution, despite a fair dozen books that follow.

But Bishop’s Others, series, well, readers have been waiting for four books to see what happens with Simon and Meg, and though their patience is rewarded, it took four other books to get there.

(13) REVIEW HAIKU. Aaron Pound begins with a 17-syllable plot summary, then goes on to tell why he loved Kelly Sue DeConnick’s graphic story Pretty Deadly, Vol. 1: The Shrike.

Full review: I must confess that I obtained this book almost solely because it was written by Kelly Sue DeConnick, and at this point I am pretty much willing to at least take a look at anything she writes. Pretty Deadly not only met the high expectations I have for work from DeConnick, it exceeded them. This is, quite bluntly, mythic storytelling that manages to be both epic in scale and simultaneously intensely personal. Told via a combination of tight and brilliant writing from DeConnick and stunningly beautiful and evocative artwork from Emma Rios, this story presents a violent and visceral enigma shrouded in mystery wrapped up in magic, gunfights, and swordplay.

(14) THREE SHALL BE THE NUMBER THOU SHALT COUNT. This is a public service announcement from N.K. Jemisin.

(15) KORSHAK COLLECTION. An exhibit from “The Korshak Collection: Illustrations of Imaginative Literature” will be on display April 10-May 16 at the Albin O Kuhn Library and Gallery on the University of Maryland Baltimore County campus. The collection, now owned by Stephen Korshak, was started by his father Erle Korshak, past Worldcon chair and founder of the imprint Shasta Publishers, and has its own impressive website.

Truly a vision of the fantastic, this exhibition is an amazing exploration of both illustrative art and the evolution of the visual landscape of science fiction and fantasy literature. Featuring work by both American and European artists and spanning more than a century, these vivid illustrations bring to life adventures, beings, and worlds conjured in novels such as Don Quixote, Alice’s Adventures in Wonderland and Tarzan, and pulp magazines including Amazing Stories, Weird Tales, Fantastic Adventures, and Wonder Stories. Accomplishing far more than simply guiding readers in their explorations of new and sometimes bizarre realms, the range and impact of these illustrations is far-reaching.

The exhibition will also include books, pulp magazines, and other items drawn from UMBC’s Rosenfeld Collection, revealing how the illustrations in the Korshak Collection were meant to appear when encountered as artifacts of material culture.

(16) BEYOND ORWELL. The 2084 Kickstarter has funded. The collection —

features 11 stories from leading science fiction writers who were all asked the same question – what will our world look like 67 years from now? The anthology features new and exclusive stories from:

Jeff Noon, Christopher Priest, James Smythe, Lavie Tidhar, Aliya Whiteley, David Hutchinson, Cassandra Khaw, Desirina Boskovich, Anne Charnock, Ian Hocking, and Oliver Langmead.

(17) BOOKS WERE SOLD. This is John Scalzi’s executive summary of The Collapsing Empire’s first week:

So, in sum: Top selling science fiction hardcover in the US, second-best-selling audio book in the US, my highest debut on the USA Today bestseller list, and a TV deal.

That’s a pretty good week, y’all.

Fuller details at the post.

(18) JURY CALL. The Shadow Clarke Jury continues to review its Clarke Award picks.

I put this novel on my shadow shortlist after reading the opening chapters on Amazon, because I was fascinated by the premise: the seemingly inexplicable overnight irruption of masses of full-grown trees into our familiar world. I said, when I explained my choices, that I was intrigued because it reminded me somewhat of John Wyndham’s The Day of the Triffids, in which the world is transformed, first by meteors, which cause mass blindness, and then by the apparently coordinated escape of the triffids, seizing the opportunities afforded by this new blindness. I was curious to see how much The Trees might be in conversation with Triffids more than half a century on.

De Abaitua wrote one of the most complex and difficult novels from 2015, If Then, and I still find myself wondering about it at random times. I was so taken by that strange novel about an algorithmic society in decay—a novel that feels so uneven on the surface, yet so complete in substance—I couldn’t articulate my thoughts well enough to write a decent review. Since then, The Destructives has been on my “most anticipateds” list. Placed on a Clarke award shortlist only once before, for The Red Men in 2008, de Abaitua was unaccountably left off the list for If Then in 2016. The Destructives is the latest piece in this abstract thematic series and, given its scope, it seems primed to make up for last year’s Clarke snub.

Any work of fiction is a formal exercise in the controlled release and withholding of information. What is withheld and for how long is a key element in how we read the work and even how we classify it. To give an obvious example, in a detective story in the classical mode it is essential that the identity of the killer is withheld until the last page, the structure of the novel is therefore dictated by the need to steadily release information that leads towards this conclusion without actually pre-empting it. How successful the novel is depends upon the skill with which this information is managed. If too much is given away so that readers can guess whodunnit too early, the work is adjudged a failure; similarly, if too little is revealed so that the denouement comes out of the blue, it is seen as a cheat and again the work fails.

In a recent article for the Guardian, ‘How to build a feminist utopia’, Naomi Alderman briefly sets out some pragmatic measures for helping pave the way to a world in which genitals, hormones and gender identification don’t matter because ‘everyone gets to be both vulnerable and tough, aggressive and nurturing, effortlessly confident and inclusively consensus-building, compassionate and dominant’. Among suggestions such as trying to establish equal parenting as the norm and teaching boys to be able to express their emotions, she also proposes teaching every girl self-defence at school from the age of five to sixteen. In effect, this is what happens in The Power when it becomes apparent that a generation of teenage girls across the world have developed the capacity to emit electric shocks. The only difference is that this doesn’t just allow the girls to defend themselves against male violence but instead enables them to become the aggressors.

(19) STATUARY GRIPE. Copied to Twitter, a grumpy letter to the editor from a “Disgusted of Tunbridge Wells” type about a proposed Terry Pratchett statue.

(20) TV IS COMING. HBO’s latest series promo, Game of Thrones Season 7: Long Walk.

[Thanks to John King Tarpinian, rcade, Rob Thornton, Cat Eldridge, Mark-kitteh, David K.M.Klaus, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 3/20/17 The Pixelated Empire. Filed, Scrolled And Godstalked Since The Fifth Era

(1) WHAT DID YOU NOMINATE? Arifel compiled the votes reported in “What Did You Nominate for the 2017 Hugos?” and posted the top-level results in comments:

If you want to see the complete tallies with everything that got even one mention, go to this Google drive document.

(2) SECOND STAGE FANSMEN. Rocket Stack Rank is hosting its own compilation of File 770 commenters’ votes in the short fiction categories, which has the advantage of linking to the works online, as well as to RSR’s reviews.

(3) ONE LUMP OR TWO? Congratulations are in order and everyone is invited to “Celebrate 10 Years of the Black Gate Blog!”

There was precisely one comment on that post, a pingback from something called “The Scrolls of Lankhmar.” 8,355 blog posts and 10 years later, the Black Gate blog is stronger than ever, with a staff of 45 volunteers, and two Hugo nominations and a World Fantasy Award under our belt.

Just one thing surprises me – that they are counting Hugo nominations they turned down — withdrawing after the first (though too late to be removed from the ballot), and declining the second. They even got an Alfie for turning down the second.

I admit I was stumped to discover the Science Fiction Awards Database, maintained by Mark R. Kelly of Locus Online, also credits them with two nominations.

I think the final arbiter ought to be the Sasquan and MidAmeriCon II reports of Hugo voting statistics. Black Gate appears in the 2015 report with 489 votes received and the notation “withdrawn after deadline.” In the 2016 report Black Gate is not reported receiving any votes because it was not on the ballot, and in the section counting nominating votes, it is shown above the cutoff but with its name lined out.

So my personal opinion is – Black Gate has one Hugo nomination because it has only appeared on the final ballot one time.

That answer would also square with the way the Science Fiction Awards Database skips over 1996 in its list of File 770’s nominations. I withdrew because I was chair of the Worldcon that year, but the final report shows I still got enough votes to have been a finalist. Since File 770 wasn’t on the ballot, it should not be counted as a 1996 finalist, and isn’t.

(4) A MARTIAN ODYSSEY. WIRED writes about “A Stunning Video of Mars That Took Three Months To Stitch Together – By Hand”.

If you should one day find yourself in a spacecraft circling Mars, don’t count on a good view. The Red Planet’s dusty atmosphere will probably obscure any window-seat vistas of its deep valleys and soaring mesas. “The best way to see the planet’s surface would be to take a digital image and enhance it on your computer,” says planetary geologist Alfred McEwen, principal investigator on NASA’s High Resolution Imaging Science Experiment. He would know: In the past 12 years, the powerful HiRISE camera has snapped 50,000 spectacular, high-resolution stereo images of the Martian terrain from the planet’s orbit, creating anaglyphs that anyone can view in 3D using special glasses. The highly detailed stereograms depict the planet’s surface in remarkable detail—but 3D glasses aren’t always handy, and still images can only convey so much about Mars’ varied topography.

 

(5) THE WEED OF CRIME. Two of quarterback Tom Brady’s stolen Super Bowl-worn jerseys were recovered from a credentialed member of the international media. A couple of weeks before, Brady had posted a parody suspects list on his Facebook page that includes Gollum and other genre characters.

(6) BEST-OF COMPILATION. At Bookscrolling, “The Best Science Fiction & Fantasy Books of 2016 (A Year-End List Aggregation)”

“What are the best Science Fiction & Fantasy books of 2016?” We aggregated 32 year-end lists and ranked the 254 unique titles by how many times they appeared in an attempt to answer that very question!

There are thousands of year-end lists released every year and, like we do in our weekly Best Book articles, we wanted to see which books appear on them the most. We used 32 Science Fiction & Fantasy book lists and found 254 unique titles. The top 42 books, all appearing on 3 or more lists, are below with images, summaries, and links for learning more or purchasing. The remaining books, along with the articles we used, can be found at the bottom of the page.

(7) OUT OF STEAM. “Denver Based Steampunk Convention Anomaly Con Callls It Quits” – a former guest, Nerd & Tie’s Trae Dorn, is sorry to see it go.

After seven successful events, Denver, CO based steampunk convention Anomaly Con has called it quits. Organizer Kronda Siebert made a lengthy post to both the con’s official website and Facebook page explaining their reasoning. For the most part it sounds like losing ten of their twelve directors over the years (and not having replacements) was a large part of the decision,

(8) BRESLIN OBIT. Columnist Jimmy Breslin died March 19. While reading about him I followed a link to his 1963 piece “Digging JFK grave was his honor”. It was deeply moving and I thought you might like to see it, too.

(9) TODAY’S DAY

World Storytelling Day

Once upon a time, a long time ago (well, actually, back in 1991 in Sweden), a Storytelling Day was held. The ethos behind this event caught on around the globe, and now we celebrate World Storytelling Day on an international level. The aim of World Storytelling Day is to celebrate the art of oral storytelling, with as many people as possible around the world telling and listening to stories in their own languages on the same day. People taking part can link up with others around the globe who are also contributing – making it a truly international festival that creates new friends and promotes positive understanding of cultures around the world! So, go on, sit down with your friends and loved ones and join the United Nations of storytellers on this day of celebrating cultural folklore and the art of oral storytelling! Why not spin a yarn, and pass down your stories to the next generation?

(10) TODAY’S BIRTHDAY FOWL

  • Born March 20 Sesame Street’s Big Bird  

(11) COOKING CORNER. She deserves her own show on the Food Channel.

(12) THE PEOPLE’S CLARKE. More input from the Shadow Clarke Jury.

As readers of the finished work we, of course, don’t begin with a blank page. We start with the first chapter, a half-page that introduces its text in the broadest of strokes: “I grew up in a world of music, in a time of war,” says Priest’s narrator. “I became an inadvertent traveller in time.” In this short chapter, Priest effectively summarises the entire novel. But this only serves to emphasise that being provided with the scaffolding is not the same as being able to walk around the whole edifice. This reflects a key aspect of The Gradual the extent to which an extraordinary experience can be captured in a linear narrative.

If science fiction doesn’t make us look differently at our world, then science fiction doesn’t have a point.

Let me unpack that. Science fiction makes changes in the world, that is one of the key things that makes it science fiction. But that change must connect in some way with how we understand the here and now. An alien in a story makes it science fiction, yes, and the author may have taken great pains to specify the greenness of the skin or the exact length of the tentacles, but unless the intrusion of the alien reflects upon what it is to be human it is little more than wallpaper. When H.G. Wells wrote about Martians invading Surrey it wasn’t a novel about Martians, but about being human in the face of that invasion, about people used to being colonisers suddenly finding themselves colonised. The way the novel looks out into the world is why The War of the Worlds is still read today.

One of the ways in which genre reviewing differs from mainstream reviewing is that genre reviewers have traditionally been willing to go after books that get their facts wrong and fail to achieve verisimilitude. It is easy to understand why mainstream reviewing tends to frown on this type of approach as questioning an author’s use of style directs discussion back towards the book while questioning an author’s grasp of how space elevators are supposed to work only ever results in people slapping their slide-rules down on the table.

I mention this as while I think there’s a lot of interesting stuff going on in Joanna Kavenna’s fourth novel, my enjoyment of the book was hampered by my initial urge to disagree with every word of it. In fact, the only thing that kept me from throwing the book across the room was a growing suspicion that I did not so much disagree with A Field Guide to Reality as agree with it far too much.

The story begins in thirteenth-century Oxford where the great and the good of medieval philosophy dine on bread and discuss the nature of reality. Rather than portraying this fledgling academic community as a place of potential and great innovation, Kavenna presents it as dark, dank, and treacherous. Outside the colleges, monks get stabbed for the contents of their pockets. Inside the colleges, monks get burned for the contents of their heads.

(13) REGAL SWIMMER. BBC’s video of this 18th-century masterpiece is a public post on Facebook

The Silver Swan, made by James Cox in London in about 1773, is a life-size clockwork automaton that imitates the behaviour of a real swan. The mechanism is clockwork, of great quality. It plays music, moves its head, preens, and eats a fish.

The Wikipedia entry explains further:

The swan, which is life size, is a clockwork driven device that includes a music box. The swan sits in a “stream” that is made of glass rods and is surrounded by silver leaves. Small silver fish can be seen “swimming” in the stream.

When the clockwork is wound the music box plays and the glass rods rotate giving the illusion of flowing water. The swan turns its head from side to side and also preens itself. After a few moments the swan notices the swimming fish and bends down to catch and eat one. The swan’s head then returns to the upright position and the performance, which has lasted about 32 seconds, is over

[Thanks to John King Tarpinian, JJ, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 3/15/17 I’m Scrolling On My Knees Looking For The Answer

(1) NO FLY ZONE. John Brunner in The Shockwave Rider said that ‘The future arrives too soon and in the wrong order.’ And here’s proof of that — “French hoverboard inventor banned from flying in France”.

The man who invented the Flyboard Air has been barred from flying his jet-powered hoverboard in France, sparking a debate over the country’s policies on innovation. In a Facebook post on March 10th, Franky Zapata, founder of the company that bears his name, said there is a “strong probability that the Flyboard Air will never fly again in France,” after officials from the French air gendarmerie told him he would be placed under criminal investigation if he continued to pilot the craft. Zapata added that he will now be “obliged to leave France” in order to continue his work.

“That is how innovators are treated in our country,” Zapata wrote in a French-language post. “I leave you [to] imagine my disgust after having produced more than 10,000 ‘made in France’ Flyboards.”

(2) DO YOU DIG IT? A road that is too close to Stonehenge will probably be buried, but there are many issues with the proposed tunnel.

It’s one of the world’s most famous ancient monuments: an instantly recognisable icon from a forgotten world, a place for quiet wonder and contemplation.

And yet for many people, the first and perhaps only glimpse they get of Stonehenge is from a traffic jam on the A303, one of the main routes between London and southwest England.

This could be about to change. A bold £1.4bn plan proposes ripping up much of the existing road and replacing it with a new route that includes a 2.9km (1.8 miles), deep-bored tunnel just a few hundred metres south of Stonehenge….

A far bigger priority is ensuring that the context of the wider landscape is preserved, such as that the sightlines between the area’s various monuments and barrows – thought to have been deliberately designed by the Neolithic engineers of ancient Britain – are left intact.

For instance, a key area of concern with the current proposal, and something that McMahon and others hope to be able to persuade Highways England to address, is the positioning of the western entrance. “It’s too close to one of the major funerary monuments in the landscape called the Normanton down barrow cemetery,” says McMahon, “and the road coming out also sits for part of its route on the same astronomical alignment as the midwinter setting Sun.”

(3) GRAMMAR’S SLAMMERS. Walter Jon Williams declares “Victory for the Oxford Comma”:

I stand proudly with the Oxford comma, as it stands for reason, clarity, and mitigates against incertitude.  (Try reading that sentence without the Oxford comma and see where it gets you.)

I am pleased to know that the US Court of Appeals agrees with me, insofar as they ruled that a missing Oxford comma was the deciding factor in the case of Kevin O’Connor v. the Oakhurst Dairy….

(4) 10-SIDED DICE YES, BLACK HELICOPTERS NO. An Ars Technica writer at SXSW found “The CIA uses board games to train officers – and I got to play them”.

Clopper recalls one day in 2008 when his “boss’s boss” called him into a meeting and asked him to develop new internal training exercises. Normally, these exercises test whether recent lessons and seminars have been absorbed by officers, and they usually involve “teams, flip charts, and briefings,” Clopper says. “Incredibly boring.” But Clopper had now been at the CIA long enough to reshape its exercises, his boss said, and he got excited: “I’m a gamer. I enjoy games, video games, tabletop games. Could we bring games into learning?”

He used SXSW to present three board games made for his training exercises over the span of a four-year period, one of which is still in development. The first is the one we got the most hands-on time with during SXSW: Collection. If that dry-as-a-desert name isn’t a good indicator, rest assured—this is not a game meant for retail or for the highest ratings at BoardGameGeek.

Collection compares favorably to the popular cooperative game Pandemic. In Clopper’s game, a group of players must work together to resolve three major crises across the globe. The object is for players, who each represent different types of CIA officers, to collect enough relevant intel to resolve all three crises. If any one of the three impending disasters boils over (as represented by three increasing “fire” meters), the team loses. Every game must have at least three players to fill the roles of “political analyst,” “military analyst,” and “economic analyst.” Those three are only able to collect intel in their specific fields, while additional players (up to seven on a team) have their own specialties.

The difficulty comes from the low number of actions each player can do per turn, along with how quickly the fire meter ratchets up.

(5) WIZARDRY. Bradbury biographer Sam Weller tells why you should “Pay Close Attention to the Man Behind the Curtain: 8 Things I Learned About Writing from Ray Bradbury”.

In 12 years, as one might imagine, I observed many of Bradbury’s creative secrets. I peered behind the Oz-ian curtain, as it were, and paid close attention. Bradbury was a master storyteller and visionary artist who created across an unprecedented nine decades. Fahrenheit 451. The Martian Chronicles. Dandelion Wine. Something Wicked This Way Comes. Massive collections of poetry. Massive collections of essays. Hundreds of short stories across every conceivable genre. He owned and operated his own theatre company. He wrote episodes of The Twilight Zone and Alfred Hitchcock Presents. On a whim, he scripted an animated short film that was later nominated for an Oscar. He earned an Emmy for an animated television adaptation of his own YA novel, The Halloween Tree. Bradbury developed architectural concepts for shopping malls, the 1964 World’s Fair and EPCOT. There is a crater on the moon named, by NASA, for Ray Bradbury’s book 1957 novel-in-stories, Dandelion Wine.

The man was a force.

Not surprising then, that much of my own creative ethos is culled from what I learned working alongside Ray Bradbury….

(6) HARRIS OBIT. Jack Harris, producer of the original horror film The Blob (1958) died March 14 at the age of 98. He was also a producer or executive producer of Paradisio (1962), Beware! The Blob (1972), Schlock (1973) and other genre films.

(8) TODAY IN HISTORY

  • The Ides of March – Julius Caesar finds out what happens when you keep your friends close and your enemies closer.

(9) TODAY IN BEER HISTORY

  • March 15, 1937 – H.P. Lovecraft joins the choir invisible.

(10) FRANCHISE CROSSOVER. CBS gets its clicks on Route 66 with “19 Star Trek References on The Big Bang Theory”. First is —

“Game over, Moon Pie.”

Star Trek: The Next Generation‘s Wil Wheaton is a regular guest star on The Big Bang Theory. Sheldon’s arch nemesis makes his first appearance in “The Creepy Candy Coating Corollary” (Episode 5, Season 3), where he tricks Sheldon into throwing a Mystic Warlords of Ka’a card tournament.

(11) APOCALYPSE IN REVERSE GEAR. The Guardian interrupted the memorial service for paper books with this flash – “Ebook sales continue to fall as younger generations driver appetite for print”.

Readers committed to physical books can give a sigh of relief, as new figures reveal that ebook sales are falling while sales of paper books are growing – and the shift is being driven by younger generations.

More than 360m books were sold in 2016 – a 2% jump in a year that saw UK consumers spend an extra 6%, or £100m, on books in print and ebook formats, according to findings by the industry research group Nielsen in its annual books and consumer survey. The data also revealed good news for bricks-and-mortar bookshops, with a 4% rise in purchases across the UK.

While sales through shops increased 7% in 2016, ebook sales declined by 4%. It is the second year in a row that ebook sales have fallen, and only the second time that annual ebook sales have done so since industry bodies began monitoring sales a decade ago.

(12) PERIODICAL PERFORMANCE. The March ratings are up at Rocket Stack Rank. Sarah Pinsker, Khaalidah Muhammad-Ali, and Michael Flynn have the top-ranked stories.

(13) EQUALS? Natalie Luhrs does her annual slice-and-dice of the Locus Recommended Reading List to show how many listed works are by people of various genders and races.

I wrote yesterday that one problem with pure counting exercises is that they don’t tap into the experience or emotion of the subjects. Today in Luhrs’ report I ran into a further  question – if the goal is diversity, and an analyst is considering numbers in isolation, what number equals winning? This came to mind when I read this passage in her section on race. Luhrs found that works by people of color on the list increased from 15.61% to 26.47% in one year. She commented —

Race Breakout by Year, Percentages

Nearly three quarters of the works are still by white people. Representation of POC has jumped by over 10% and that is a really good thing, but I believe there is still room for improvement.

Does Luhrs have a target number in mind that Locus has yet to reach, or is she failing to put in perspective what seems to be a radical effort to get diverse works listed?

(14) GROWTH IN AFRICAN SFF. This isn’t the first time someone has asked “Why Is science fiction so white?” The news is that the question was posed today by a journalist in Zimbabwe, Mako Muzenda.

The presence of these spaces – websites, magazines and publications – goes a long way in introducing readers to different writers, and getting aspiring authors the visibility they need. Ivor Hartmann has been involved in speculative fiction since 2007, with the release of his first book Earth Rise. After going from publisher to publisher, looking for someone to put his book on the market, Hartmann (a Zimbabwean) was finally able to get his story out with Something Wicked, which at the time was the only science-fiction magazine for the whole of Africa.

“While I did publish it with them (Something Wicked), I was distressed at the lack of publishing venues for speculative fiction in Africa. So rather than moan about it I started up an online weekly magazine,” explains Hartmann. His decision led to the creation of StoryTime, which ran for five years until Hartmann switched to solely publishing anthologies. With enough experience in the industry behind him, Hartmann decided to take the plunge and address the inadequacies in African science fiction head-on with AfroSF, the first Pan-African science fiction anthology.

“Of course, now there are loads of African online magazines but back then it was all new territory for writers and readers. No longer were we held back by the excruciating logistics and heavy capital needed to run a print magazine.”

What had started off as a fringe movement is growing into a vibrant community of people dedicated to letting Africa’s voice be heard in speculative fiction….

(15) IN THE JURY ROOM. The Shadow Clarke Jury has produced three more thoughtful reviews.

The Underground Railroad is, perhaps, the best novel of 2016.

I qualify that statement only because I have not read every novel published in 2016. Nobody has. But I have seen nothing to suggest that I am wrong in this assessment. And I am not alone in this view; the novel has, after all, won America’s National Book Award.

I consider it the best, in part, because it is a novel that speaks to the moment the way that few other books do. It captures the screams of Ferguson, the anger of Black Lives Matter, the despair in the face of the renewed racism that celebrated the last American election. It is a book that places the experience of being black in America today on a trajectory that puts it closer to slavery than we ever like to think. And it does all of this with intelligence, with beauty, with subtlety, with wit and with invention. It uses the tools of the novel the way those tools are meant to be used, but so seldom are.

It is a book that held me with its first sentence, and continued to hold me, with horror and delight, through to its last sentence.

It is a good novel, perhaps the best novel; but does that mean it is the best science fiction novel?

What is Kavenna’s book actually about, though? This question is harder to answer than it first appears, no doubt intentionally so. As suggested above, the outline appears simple: Eliade Jencks, having failed to enter Oxford as a student, takes a job waiting tables in the cafe of the Tradescantian Ark Musuem and continues to conduct her researches in the evenings and weekends. While working at the cafe she makes the acquaintance of a Professor Solete, an eminent don whose magnum opus is the eponymous Field Guide to Reality, a theory of everything that will finally bring together his lifelong researches into the nature of life, death and the origins of the universe. Unfortunately, Professor Solete dies before the book can be published, and when his acolytes enter his rooms in search of the manuscript they find only a locked box, labelled ‘For Eliade’.

I start with Achimwene because he reminds us that one of the central themes of Lavie Tidhar’s Central Station is the telling of stories, and science-fiction stories in particular. Indeed, the narrative itself is an embodiment of a pivotal moment in sf storytelling: the move from short story to novel. The earliest sf novels weren’t novels as such; they were formed from several closely connected short stories, sometimes reworked to strengthen those connections, and were known as ‘fix-ups’. Central Station is a fix-up par excellence, bringing together Tidhar’s various Central Station stories, some of them substantially reworked, with a couple of new stories added to the mix, and a Prologue that introduces the novel as an act of storytelling, while itself participating in the act of storytelling not once but twice.

(16) A (SUIT)CASE OF CONSCIENCE. Is this “the perfect Tyrion Lannister cosplay” as Reddit  says, or in incredibly bad taste? YOU decide!

[Thanks to John King Tarpinian, Merrick Lex, Andrew Porter, JJ, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 2/19/17 Put A Pinch Of Pixel Into Five Cups Of Scrolls And Knead Until It Becomes Lembas

(1) MOUNT TBR. Telluride, Colorado has a new cultural resource – the Clute Science Fiction Library. [Via Ansible Links.]

The library, a program of the Telluride Institute, contains over 11,000 volumes, many of them first editions. It is located on Colorado Avenue next to Ghost Town Grocer.

The Clute Science Fiction Library is intended to be a place of excellence for scholars, writers and researchers, according to Pamela Lifton-Zoline, vice president and founding trustee of the Telluride Institute, a nonprofit that works to enrich “the health of environments, cultures, and economies,” according to the organization’s website.

The volumes were a private collection belonging to John Clute, an award-winning author, essayist and editor of “The Encyclopedia of Science Fiction.” Clute contributed over 2 million words and thousands of entries to the encyclopedia.

Clute, who resides in England, has been a trustee of the Telluride Institute since its inception in 1985 — but he has been friends with Lifton-Zoline since high school, where she remembers meeting him in their French class.

“He came into this French class and he was just so exotic, (being) from Canada. We became really good friends,” Lifton-Zoline said. “(The library) is a work of friendship as much as it is a work of ownership.”

She added, “He has promised to bless the library with his visits, his presence, his connections and his whole community of wonderful writers.”

Clute has visited Telluride more times than he can count. He will return again in June 2017, this time to give an inaugural lecture at the Sheridan Opera House entitled: “Those Who Do Not Know Science Fiction are Condemned to Repeat it.”

(2) THE MUSIC INSIDE YOU. Articles that reference Diana Pavlac Glyer’s Inklings research in Bandersnatch don’t usually begin with a great big photo of Beyonce and a hook about the Grammys. The exception is Jeff Goins’ “Why You’ll Never Do Your Best Work Alone”.

When it was released on April 23, 2016, Lemonade credited 72 writers—and earned a swift public backlash as a result. One person on Twitter wrote, “Is this the time of year where we call Beyoncé a musical genius even though she has 50 [to] 100 writers and producers for each album[?]” Another said, “Beyoncé has FIFTEEN writers on one of her songs. But she’s a genius, they say.”

…Beyoncé’s detractors believe geniuses work alone, but history and modern research both suggest not….

…Diana Glyer has spent decades studying the Inklings, that famous literary group that birthed the careers of C.S. Lewis, J.R.R. Tolkien, and others. And as she sees it, the myth of the starving artist who works alone is not only wrong, it “robs writers and other creatives of the possibility of writing the way that writing or creating normally takes place, which is in a community.”

Embracing that reality, rather than resisting it, can actually encourage creativity itself by helping us find like-minded creatives to collaborate with. If anything, our success is contingent on our ability to work well with others—which may be just one reason why employers seem so desperate lately to hire people with high emotional intelligence and interpersonal skills. Of course, we need to spend significant amounts of time alone with our craft. But we also need significant amounts of time with people who can guide us in doing better work.

Otherwise, creative output becomes a much slower, more grueling slog than it needs to be. As Glyer puts it, “the life of an artist, [or of] any kind of creator, is fraught with discouragement. You need people to correct your path.”

(3) SHARING THE SHIELD. In her article “My grandfather helped create Captain America for times like these”, Megan Margulies tells Washington Post readers about her grandfather, Captain America co-creator Joe Simon, and how Captain America “came to symbolize the immense love I had for my grandfather” but also Captain America’s shield is “again serving as a tool to fight all that threatens our Constitution and our national decency.”

Amid the masses of strangers gathered to protest at the Boston Women’s March, I spotted something familiar: that shield — red, white and blue — a simple design that holds the weight of so much conviction. Captain America’s iconic getup caught my eye, not only because of the principles it stands for but because he reminds me of another hero of mine. On Dec. 20, 1940, a year into World War II, my grandfather Joe Simon and Jack Kirby, both sons of Jewish immigrants, released the first issue of “Captain America.” The cover featured Cap slugging Adolf Hitler . Because the United States didn’t enter the war until late 1941, a full year later, Captain America seemed to embody the American spirit more than the actions of the American government.

As Cap socked the Führer, many rejoiced, but members of the German American Bund, an American pro-Nazi organization, were disgusted. Jack and my grandfather were soon inundated with hate mail and threatening phone calls, all with the same theme: “Death to the Jews.” As the threats continued, Timely Comics employees became nervous about leaving their building in New York. Then my grandfather took a call from Mayor Fiorello La Guardia, who promised to send police officers to protect them. “I was incredulous as I picked up the phone, but there was no mistaking the shrill voice,” my grandfather recalled in his book “The Comic Book Makers.” “’You boys over there are doing a good job,’ the voice squeaked, ‘The City of New York will see that no harm will come to you.’”

(4) BACK TO THE BEAR FLAG. David Klaus sent the following link with a comment: “I have been saying for twenty years that Heinlein accurately predicted an eventual balkanization of the U. S., particularly a ‘California Confederation’ made up of today’s California, Oregon, and Washington ad depicted in Friday — although Northern California is probably more likely to band with the two other states while Southern California will set apart on its own.” — “’California is a nation, not a state’: A fringe movement wants a break from the U.S.”, in the Washington Post.

About 15 people huddled in a luxury apartment building, munching on danishes as they plotted out their plan to have California secede from the United States.

“I pledge allegiance, to the flag, of an independent California,” Geoff Lewis said as he stood in a glass-walled conference room adorned with California’s grizzly-bear flag and a sign reading “California is a nation, not a state.”

Sweaty onlookers from the gym across the hall peered in curiously.

Bolstered by the election of President Trump, the group, Yes California, is collecting the 585,407 signatures necessary to place a secessionist question on the 2018 ballot. Its goal is to have California become its own country, separate and apart from the United States.

(5) EXPANDING HORIZONS. The Everyone: Worlds Without Walls Kickstarter reached its minimum goal in the first five days. Since then editor Tony C. Smith has announced the addition of a story by Lavie Tidhar, and now a previously unpublished story by Ken Liu.

(6) WHEN THE EMPIRE STRUCK BACK. Washington Post columnist John Kelly continues his investigation of the Internet myth that the paper fired its film critic for giving Star Wars a bad review (“Would you believe that a Post critic was fired for hating ‘Star Wars’? Well, don’t”). He finds that, like most Internet myths, it’s a garbled version of the truth. Washington Star film critic Tom Dowling stopped writing film reviews (he continued to work for the newspaper) shortly after a May 1980 review where he called The Empire Strikes Back a “two-hour corporate logo explaining the future of the Star Wars industry.”

Several readers…wrote to say it was the Washington Star’s Tom Dowling who was canned for a pan — not of the first film, but its sequel, “The Empire Strikes Back.” True?

“It’s a little more complicated than that,” Dowling said when Answer Man rang the retired newspaperman up at his home in Northwest Washington. “The story is true as far as it goes. I don’t know how far it factually goes.”

…Never, he wrote, “had such unlimited resources, unparalleled good will and guaranteed formula of success been frittered away in such irreparable fashion.”

For most of its history, the Evening Star was the dominant newspaper in Washington, but by 1980 it had fallen behind The Post. It had been bought in 1978 by Time magazine, which that very week had put Darth Vader on the cover. The story inside noted: “In many ways the new film is a better film than ‘Star Wars,’ visually more exciting, more artful and meticulous in detail.”

Was it corporate embarrassment that got Dowling the ax? Hard to prove. Dowling said that years later, at a reunion of Star employees, a former editor sidled up and told him that Time magazine had a “secret interest” in the movie and executives were worried his pan would discourage people from going to see it.

“I have no idea if that was true,” Dowling said.

But the review had apparently irritated someone. Dowling filed a few more reviews — “The Gong Show Movie,” “Fame” — before Star editor Murray Gart moved him to a column called “Federal Cases” that poked fun at government bureaucracy. (“Actually, it was the most fun I’ve ever had in newspapers,” Dowling said.)

(7) ALDRIDGE OBIT. British artist, graphic designer and illustrator Alan Aldridge died February 17 at the age of 73. Best known as the creator of album covers for The Who (A Quick One) and Elton John (Captain Fantastic), he also worked as Penguin Books’ art director for a number of years. His SF cover artwork and design for Penguin Books is discussed at length here. Andrew Porter observes, “To say he was not popular with Penguin’s owners and the authors published would not be amiss.”

By 1967 Allen Lane was harbouring deep misgivings about the direction Tony Godwin was taking Penguin with regard to the marketing and distribution of fiction. Lane felt that the covers being designed by Alan Aldridge et al. were becoming too commercial and increasingly tasteless. To Lane such covers were undignified and not in keeping with Penguin’s reputation. Worse still, the use of images he regarded as titillating or even offensive was an insult to the books’ authors, some of whom were now making their own feelings known, with more than one threatening to move to another publisher.

Matters were made worse by Godwin’s desire to sell Penguin books in non-traditional outlets such as supermarkets. Lane disliked the idea and as booksellers joined authors to protest at the way Penguin was heading so the rift between the two men deepened. To Lane, Aldridge’s ‘vulgar covers’ and Godwin’s ‘gimmicky selling’ were a threat to over thirty years of Penguin tradition and brand identity. If left unchecked it would only be a matter of time before the books were being packaged and sold just like any other consumer product. The crisis came to a head in late April and early May, with a boardroom bust-up that resulted in Godwin’s departure and Lane’s barbed comment that ‘a book is not a tin of beans’.

(8) TODAY IN HISTORY

Thought to be introduced at the 1893 Chicago World’s Fair by brothers F.W. and Louis Rueckheim, legend has it the caramel-coated treat got its name three years later when a salesman — impressed by the process that kept the concoction from sticking together — exclaimed in delight: “That’s cracker jack!”

(9) A ROOM OF KIRK’S OWN. A Boca Raton mansion with Star Trek and other pop culture themed rooms is on the market for $30M.

The nine-bedroom home belongs to Marc Bell, whose portfolio has included Penthouse and Adult Friend Founder over the years. The entrepreneur equipped his one-of-a-kind estate with rooms modeled after the popular TV series/movie franchise, including the bridge from the Starship Enterprise, which serves as the home theater.

Designed by architect Randall Stofft, the Mediterranean villa also features a full-scale Borg model, a fictional alien race first appearing in the Star Trek television series. Other details include a Call-of-Duty-modeled video game room, retro arcade, 16 bathrooms, resort-style pool with waterfalls, wine room, gourmet kitchen, and a full basketball court.

The Star Trek-themed room shows up at the 1-minute mark of this sales video.

(10) HELP ME OBI-WAN. Your wallet may need rescuing after you’ve bought all these — “Hasbro 40th anniversary ‘Star War’ toys recreate classic movie scenes”.

Hasbro has unveiled a new line of retro-style Black Series toys for the 40th anniversary of Star Wars this spring. And they’re unveiling them with this series of photos featuring the playthings recreating memorable scenes from the film.

Although these new 6-inch toys are much larger than the Kenner originals that hit shelves in late 1977, they are displayed in similar bubble and card packaging — for an extra helping of nostalgia. (Hasbro acquired Kenner in 1991.) Each of the toys retails for $19.99 and will be available later this spring.

Above, you see the new Black Series Han, Leia, and Luke fleeing Darth Vader and his Stormtroopers in a scene aboard the Death Star.

(11) CAST A GIANT SHADOW. New posts at the Shadow Clarke site. Two more jurors introduce themselves, plus a “guess the shortlist and win the books” competition.

The Centre for Science Fiction and Fantasy at Anglia Ruskin University is delighted to host a competition for readers to guess the short list.

The winner, thanks to the generosity of the Arthur C Clarke Award, will receive copies of all six of this year’s shortlisted novels.

To enter, post a comment in reply to this post with a list of six books (no more, no fewer), selected from the list of 86 eligible submissions, along with a rationale as to why you think that shortlist will be the ones which the judges have chosen. Pingbacks won’t be accepted as entries.

That is what makes the Clarke Award great. The fact that it doesn’t conform to genre stereotypes, the fact that it bucks the trend, the fact that it regards science fiction as the broadest of broad churches, and will look anywhere within that spectrum for the best. And that restless, wide-ranging aspect of the award is what gets people arguing about it. And that argument is good, not just for the award itself (though it does keep the award alive in people’s minds), but for science fiction as a whole. Because the more the Clarke Award challenges our expectations, the more it opens us up to an ever wider, ever changing sense of what science fiction is and can be.

Let’s face it, the biggest debate within science fiction at the moment is the debate surrounding the Sad and Rabid Puppies, and that debate is all about narrowing science fiction. The Puppies want to enclose and limit the genre, restrict it to a narrow spectrum that resembles the science fiction they remember from the 1950s: overwhelmingly masculine, almost entirely American, distinctly technophiliac, and ignoring the literary changes that have occurred within the genre over the last half century. This is science fiction that repeats what has gone before, that depends upon its familiarity; this is science fiction that is not going anywhere new. Okay, some work that fits within this spectrum can be interesting and important, but it cannot be, it should not be, the whole of science fiction. The best way to counter the Puppies’ argument is with the sort of expansionist, innovative, challenging argument about science fiction that has traditionally been associated with the Clarke Award.

I don’t particularly like SF, which is also to say that I am very particular about SF. My relationship to SF has been long, unbidden, unlabeled, and mostly uninformed, and I suspect this is the case for the majority of human beings who are not in fandom, but who have, at some point, been drawn to a kind of storytelling that presents the world in a way that’s different from our reality. Those same folks who are non-fans might not want to read books because they think books are boring (they often are), they don’t read SF because they think it’s dorky (it often is), and they’re not involved in fandom because there’s life to live (though perhaps not for very much longer). I completely get this. Even the term “SF” is relatively new to me: I doubt I’ve ever said “SF” in public, much less “SFnal”; in fact, I’m pretty sure I’ve never said “SFnal” out loud. SFnal. I said it. It echoed off the kitchen walls and it sounded unfamiliar and now I feel weird.

So you don’t have to tell me there’s a problem in SF. There are a number of problems, not the least of which are its fannish exclusiveness and its inability to properly recognize itself, its shortcomings, and its potential.

SPIELS ON WHEELS. Messy Chic has a cool gallery of old bookmobile photographs.

Long before Amazon was bringing books to your doorstep, there was the Bookmobile! A travelling library often used to provide books to villages and city suburbs that had no library buildings, the bookmobile went from a simple horse-drawn cart in the 19th century to large customised vehicles that became part of American culture and reached their height of popularity in the mid-twentieth century. Let’s take a little trip down memory lane with this forgotten four-wheeler…

[Thanks to Mark-kitteh, JJ, Andrew Porter, Martin Morse Wooster, David K.M. Klaus, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 2/8/17 With Many Alternative Facts About The Square Of The Hypotenuse

(1) TOUGHER THAN IT LOOKS. Sue Duff thought it would be easy to destroy the Earth, but noooo! She explains the difficulties in a guest post for SFFWorld.

When I plotted out my five-book series a couple years ago, I knew that by book four, it would be time to give my characters a break and began to torture my worlds. I needed to increase the stakes across both dimensions for the big finale in book five. It took quite a bit of research, in spite of my amateur earth and space science interests, and found that it’s not easy to make reality align with your imagination! The challenge was to have my antagonist destroy Thrae, Earth’s mirror dimension, while salvaging enough of the planet to support life. Luckily, I sat on a panel with two NASA scientists at Denver Comic Con and cornered them afterwards to verify my research. I was thrilled, and more than a little relieved, to discover that the details were accurate!

(2) LOCUS AWARD POLL IS OPEN. John Scalzi has beaten me to a pair of headlines today – I’m lucky he spends most of his time on books. John was first with the Audie Awards, and now this —

(3) SHADOW CLARKE. Paul Kincaid tells how he thinks the shadow Clarke jury will operate.

I have never been involved with a shadow jury before, so I’m probably going to be making it up as we go along. But my take on it is that the Clarke Award has become central to the way we see science fiction in Britain, so the shadow jury will use it as a jumping off point from which to expand the discussion of science fiction.

We’ll be starting with the submissions list, which is due to be published shortly and which is probably the best and most convenient way to discover what science fiction has been published in Britain during any particular year. From this we will each, individually, draw up our own preferred shortlists, based on what we’ve read and what we want to read. (No plan survives an encounter with the enemy, so I assume that as we read through our chosen books our views about what should or should not be on the shortlist will change. In many ways, I suspect that will be the most interesting part of the exercise.) We will also, of course, be reading the actual shortlist when that is announced, so the whole exercise will be a scaled-up version of Maureen Kincaid Speller’s wonderful Shortlist Project from a few years back.

(4) THE RIGHTS. Read “SFWA Statements on Register of Copyright and Copyright Reform” at the SFWA Blog.

On January 31, SFWA submitted two sets of copyright-related commentary (authored by SFWA’s Legal Affairs Committee) — one to the Librarian of Congress offering recommendations for choosing the new Register of Copyrights, and one to the House Judiciary Committee regarding its first proposal for copyright reform. SFWA also signed onto a submission from the National Writers Union to the US Copyright Office concerning Group Registration of Contributions to Periodicals.

(5) HEAR THIS ONE BEFORE? From the “Traveler” essay in Larry Niven’s Stars and Gods collection:

Lost luggage? Air France lost a passenger in the Soviet Union, because he annoyed them. They dropped Tom Doherty in Moscow when he only had an internal passport for Leningrad.

(6) TODAY’S BIRTHDAY PUPPETEER

  • Born February 8, 1969 – Mary Robinette Kowal

(7) TODAY’S BIRTHDAY GARÇON

  • February 8, 1828 — Jules Verne

(8) SQUEE. Walter Jon Williams has signed the contract for three more books in the Praxis series. He discusses the deal in “Unto the Breach”.

And so (I hear you ask) why seek publication by the Big Five after all?  Because (1) they offered me money, and (2) I don’t want to put all my career eggs into a single basket.   Ebook sales are volatile, many sales are generated by gimmicks that quickly grow obsolete, and I’m in competition with a couple million self-published authors who can’t write their way out of a paper bag, but who get just as much shelf space as I do.  If you’re published by a traditional publisher, it demonstrates that someone cared enough for your work to pay more than taxi-fare money for it.

And if the books fail, I’ll get them back, and then I’ll market them myself.  Win/win.

The headline was JJ’s reaction to the news.

(9) CONGRATULATIONS. Jason Sanford’s short story collection Never Never Stories has been translated and released in China by Douban Reads.

The collection is being released as two separate books with similar but different covers. Here’s the link to Never Never Stories Book 1 and here’s Book 2.

(10) MAKE YOUR OWN KESSEL RUN. Graeme McMillan at The Hollywood Reporter says Disney has announced that Star Wars Land will open in Disney World’s Hollywood Studios section in 2019, with a smaller one in Anaheim. They’re mum about what will be in it, but it’s 14 acres!

It’s like ‘La La Land,’ but with less dancing and more Jedi.

Disney is planning something big to mark the conclusion of the current Star Wars trilogy. How big? The size of a theme park.

On a call with investors, Disney CEO Bob Iger on Tuesday revealed that the 14-acre Star Wars Land attraction at Walt Disney World in Orlando will open in 2019, the same year as Star Wars Episode IX, the final chapter in the current “Skywalker Saga” arc of the beloved space opera.

Construction started on the Hollywood Studios attraction last April, following its August 2015 announcement. Until Iger’s statement on Tuesday, Disney had remained quiet about the attraction — which will be paired with a similar one in Disneyland Anaheim — beyond the release of concept artwork last summer. While it’s still unconfirmed just what the attraction will include, a Disney Parks blog post promised “guests will get the opportunity to pilot the fastest hunk of junk in the galaxy” after climbing on board a full-size replica of the Millennium Falcon.

(11) THE BOX SCORE. These are the authors who wrote the most short fiction in 2016 that was published in any of the eleven publications or eleven anthologies Rocket Stack Rank reviewed last year. — “2016 Prolific SF/F Short Fiction Authors”

Here are Rocket Stack Rank’s 35 most prolific science fiction & fantasy short fiction authors of 2016. Click on their names in the two tables below to see their stories, and use the Score and AvgScore columns to try some authors you might not have read before. They were selected from the 818 original stories reviewed by RSR in 2016, which include 568 authors who wrote 5.8 million words published in 11 SF/F magazines and 11 SF/F anthologies. (RSR does not read horror magazines or horror anthologies.)

Greg Hullender adds, “Not a surprise to see Rick Larson and Robert Reed at the top in terms of number of stories. The counts by number of words are strongly affected by novella writers, but still interesting.  Could be a useful resource to people looking for a new author to try out.”

(12) THE BOOKS YOU LOVE. Biblio.com has tips on “Storing A Book Collection”.

We routinely hear from customers who want to know the best way to store collectible books. Sadly, even more commonly, we hear from customers who have inadvertently stored their books improperly, eroding the value of their beloved book collection.

We thought we’d take an opportunity to share with you some tips for proper storage of books, gleaned from not only our own personal experience, but that of seasoned professional booksellers. But before we dive right in to the stacks, let’s preface the whole thing by reminding you that:

CONDITION IS EVERYTHING!

Even the most scarce of titles is rarely worth much when it is in poor condition or beyond repair. Mildew, broken spines, torn or faded dust jackets, cocked bindings and similar issues can conspire to move a desirable book from the display case to the bargain bin.

Ok, that said, let’s learn how we can keep your book collection from ruin when you need to put it in storage for a period of time…

(13) OB SF. The Washington Post’s Michael E. Ruane, in “An American filmed the German army in WWI — until they became the enemy”, has an interesting article about the Library of Congress’s restoration of On the Firing Line with the Germans, a documentary Wilbur H. Durborough did on the Eastern Front in Germany in 1915.

The sf connection is that Durborough’s cameraman, Irving G. Ries, had a long, distinguished career in Hollywood capped by an Oscar nomination for his work on the special effects in Forbidden Planet in 1956.

(14) THE MATRYOSHKA TWEETS. It began when Cat Rambo reminded SFWA members to make their Nebula nominations.

(15) DISBELIEF SUSPENDERS. College Humor poses the question — Which Is Nerdier: Star Wars or Star Trek?

[Thanks to Carl Slaughter, Martin Morse Wooster,JJ, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]