Pixel Scroll 8/16/17 A Hyperloop Named Desire

(1) THE BARGAIN BIN. NASA’s trash is their cash: “NASA flight suits bought for $1.20 could fetch thousands”.

A pair of Florida college students browsing the racks at a thrift shop ended up paying $1.20 for a stack of NASA flight suits that experts said could be worth more than $5,000.

Talia Rappa and Skyer Ashworth said they were shopping at a thrift store in Titusville when they came across the five blue NASA flight suits and a white “control suit” under some sweaters in a plastic bin.

… The American Space Museum said the names and flight dates on the suits’ labels match the time frame of the 1983-1985 shuttle missions flown by astronauts George “Pinky” Nelson, Robert A. Parker and Charles D. Walker.

(2) CROWDFUNDING VOL. 2 OF THE DELANY JOURNALS. Kenneth James is editing the personal journals of Samuel R. Delany in a multivolume series for Wesleyan University Press.  The first volume, In Search of Silence, with Delany’s journals from the 1960s, came out earlier this year and received positive reviews in The New Republic (“Samuel R. Delany’s Life of Contradictions”), The Gay & Lesbian Review, and at the Barnes & Noble Sci-Fi & Fantasy Blog by SF critic Paul Di Filippo. (The G & L Review article is unfortunately behind a paywall).

James has just launched a crowdfunding campaign at Indiegogo — Autumnal City: The Journals of Samuel R. Delany — to fund the completion of next volume.

The next volume, which I’m working on now and which is entitled Autumnal City, collects Delany’s personal journals from the ’70s — during which time Delany wrote some of his most groundbreaking work, including Dhalgren, Trouble on Triton, and Tales of Neveryon.  During this time he also did substantial preliminary work for the novel Stars in My Pocket Like Grains of Sand.

…The goal of this campaign is to raise $30,000 to support the remaining year’s worth of work needed to complete the second volume. This funding will cover three areas: expenses associated with the project (travel to the archives, travel to interview subjects, office expenses, and so on), expenses associated with this campaign (fees and percentages, cost and shipping of rewards, and so on), and personal expenses. Funds raised in this campaign will not support Wesleyan University Press, but rather will go directly to me, in support of my scholarly labor. In academic publishing, an author’s income comes not from book advances or sales, but rather from a university paycheck – or, if the author is an independent scholar (as I am), from some other source. For this project, you will be that source.

(3) ELLISON BIO. As for Paul Di Filippo, today at Locus Online he reviews A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff.

Chapter two takes our hero through high school, through SF fandom, and into the professional world of editing Rogue magazine, among other accomplishments. Segaloff shows that he, as biographer, is willing to skip around in time thematically when the narrative demands. Thus, hearing of Ellison’s first marriage, we also get an immediate foretaste of those to come. And in fact, as we shall soon see, Segaloff will abandon strict chronology at a certain point, in favor of totally thematic chapters, out of which the linear factual events of Ellison’s later life can be readily assembled.

(4) ALL RISE. Walter Jon Williams alerts the media to “Stand By for Greatness”.

So while I was in Finland, Orbit reverted the rights to all three of the Dagmar Shaw books.

I’ll try to make those available as soon as I can.  I can hardly do a worse job of promoting them than the original publisher.

(5) KEEP FIVE IN MIND. Victor Milán knows the magic number – “Five Classic Works of SFF by Authors We Must Not Forget” at Tor.com. Here’s one of his picks:

Jirel of Joiry by C. L. Moore

Catherine Lucille Moore (1911-1987) had to use her gender-neutral initials to get published in the 1930s. That didn’t stop her creating the fledgling genre of sword and sorcery’s first female protagonist in Jirel of Joiry. As brave, capable, and arrogant as any man, yet far from invulnerable, Jirel was more than just a red-haired, female Conan. While her adventures were clearly influenced by Robert E. Howard, as well as by Moore’s and Howard’s literary acquaintance H. P. Lovecraft, they focus less on her sword-swinging than her spirit and furious determination. A curious blend of compassion and cruelty, she’s a pious Catholic who’ll risk damnation to gain the means to overcome her foe—then brave the very Hell she sent him to, to free his soul from eternal suffering.

And you’ll never catch Jirel in a mail bikini. She wears the same practical armor as any other warrior of her unspecified Medieval period would.

Moore’s writing is brisk, strongly sensory, and evocative of settings Earthly and alien, though flavored with a few too many adjectives for the modern palate. She had a long and successful career with Jirel and the space opera adventures of Northwest Smith, then writing in collaboration with her husband, Henry Kuttner. Jirel of Joiry is a collection of most of the Jirel tales.

(5) SECOND FIFTH. Moments after posting this Scroll I learned, via Paul Weimer, that Deadline is reporting N.K. Jemisin’s ‘The Fifth Season’ Book To Be Developed As TV Series At TNT.

N.K. Jemisin’s Hugo Award-winning sci-fi fantasy novel The Fifth Season is getting the drama series treatment at TNT. The project is in early development at the cable network with Leigh Dana Jackson (24: Legacy, Sleepy Hollow) set to pen the adaptation and Imperative Entertainment’s (All the Money in the World) Dan Friedkin, Tim Kring and Justin Levy serving as executive producers.

Jackson brought the novel, the first in a three-book series, to Imperative, which secured the rights before the The Fifth Season‘s Hugo nomination. Jemisin went on to become the first black writer to win the Hugo Award for best novel. She followed that up last week by winning the prestigious science fiction award for the second consecutive year for the second book in the series, The Obelisk Gate. The third book was published Tuesday

(6) THE RECYCLE OF LIFE. NPR’s “All Tech Considered” asks, “Ashes to Ashes, Dust to … Interactive Biodegradable Funerary Urns?”

Earlier this summer, a modest little startup in Barcelona, Spain, unveiled its newest product — a biodegradable, Internet-connected funeral urn that turns the ashes of departed loved ones into an indoor tree. Just mix the cremains with soil and seedlings, and the digital-age urn will automatically water and care for your memorial sapling, sending constant updates to an app on your smartphone.

At first glance, the concept seems gimmicky — evidently, we’re running out of ideas for smart appliances. But the Bios Incube system can also be seen as the latest example of a gradual transformation in modern culture.

Technology is fundamentally changing how we deal with death and its attendant issues of funerals, memorials and human remains. Much of this change is for the good. Some developments are a little spooky. But one thing is for sure: You can do a lot of cool things with ashes these days.

(7) TODAY’S BIRTHDAY GIRL

  • Born August 16, 1991 — Evanna Lynch (actress; plays Luna Lovegood in Harry Potter films)

(8) TODAY’S BIRTHDAY BOYS

  • Born August 16, 1884 – Hugo Gernsback
  • Born August 16, 1930 – Robert Culp. Fans probably know him best from The Outer Limits episode “Demon With A Glass Hand,” written by Harlan Ellison.

(9) FROM HELL. New York City’s Miskatonic Institute of Horror Studies relaunches in September with “Paperbacks from Hell”. The event takes place Tuesday, September 19 from 7-9:30 p.m. at Film Noir Cinema (122 Meserole Ave., Greenpoint, Brooklyn, NY). Admission $12 advance / $15 door.

In the early ’70s, three books changed horror forever: “Rosemary’s Baby,” “The Exorcist,” and “The Other.” The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drugstore shelves throughout the ’70s and ’80s, before “Silence of the Lambs” slit the genre’s throat in the early ’90s.

Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… the Paperbacks from Hell!

Following Grady’s illustrated presentation will be a live round table discussion and Q+A with several artists who painted the book covers under discussion, including Jill Bauman, Lisa Falkenstern, and Thomas Hallman.

(10) BRADBURY BY ATWOOD. Yesterday the Paris Review posted Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” with the outro –

This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles. 

….He ducked classification and genre corrals as much as he could: as far as he was concerned he was a tale teller, a writer of fiction, and as far as he was concerned, the tales and the fiction did not need to have labels.

The term science fiction made him nervous: he did not want to? be shut up in a box. And he, in his turn, made science-fiction purists nervous, as well he might. Mars in his hands, for instance, is not a place described with scientific accuracy, or even much consistency, but a state of mind; he recycles it for whatever he needs at the moment. Spaceships are not miracles of technology but psychic conveyances, serving the same purpose as Dorothy’s whirlwind-borne house in The Wonderful Wizard of Oz, or the trance of the traditional shaman: they get you to the 0therworld.

(11) CAN’T MAKE THIS STUFF UP. John Scalzi’s latest op-ed for the LA Times: “During Trump’s present, it’s hard to write the future, says science fiction writer John Scalzi”.

The thing is, science fiction has its setting in the future, but the people writing it and reading it live now, and the stories they’re writing and reading reflect the hopes and fears of whatever age the story is written in. There’s a reason science fiction literature of the late ’60s and early ’70s was about overpopulation, why in the ’80s cyberpunk reflected the uncertainty about the accelerating computerization of our world, and why much of the best science fiction of the last decade, from Paolo Bacigalupi’s “The Windup Girl” to N.K. Jemisin’s “The Fifth Season,” is rooted in ecological disaster. Science fiction sees the world today and speculates out from there.

The secret, however, is to come at it from an angle. There’s a thin line between using contemporary themes to extrapolate from and entertain readers, and stepping up on a soapbox and using a political agenda to cudgel people. The least successful science fiction to me is the stuff that takes today’s political catfights and dumps it uncut into the deep future, hundreds if not thousands of years in the future. To have characters in far-flung times prattling on about issues clearly specific to our time would be like writing a novel where people in 2017 are having knock-down, drag-out fights about the Alien and Sedition Acts or the Boer War. Better that science fiction breathes life into today’s anxieties and aspirations in more clever and possibly subtler ways.

His article made me remember the experience of reading Doonesbury during the Watergate hearings, when cartoonist Garry Trudeau found it practically impossible to think up wilder stuff than was coming out in the daily news.

(12) RETRIEVAL. Beyond Skyline shows promise.

A tough-as-nails detective embarks on a relentless pursuit to free his son from a nightmarish alien warship.

 

(13) ONE OF THE FIRST OF ITS KIND. The BBC says “‘Frankenstein dinosaur’ mystery solved”.

Matthew Baron, a PhD student at Cambridge University, told BBC News that his assessment indicated that the Frankenstein dinosaur was one of the very first ornithischians, a group that included familiar beasts such as the horned Triceratops, and Stegosaurus which sported an array of bony plates along its back.

“We had absolutely no idea how the ornithischian body plan started to develop because they look so different to all the other dinosaurs. They have so many unusual features,” the Cambridge scientist said.

“In the 130 years since the ornithischian group was first recognised, we have never had any concept of how the first ones could have looked until now.”

(14) BE ON THE LOOKOUT. Connecting to a past discussion of chocolate in various climates: “Truck With 20 Tons Of Nutella And Chocolate Vanishes; Police Hunt For Semi’s Sweets”.

“Anyone offered large quantities [of chocolate] via unconventional channels should report it to the police immediately.”

We trust you’ll abide by those instructions from law enforcement in Germany, where more than 20 tons of chocolate treats have gone missing after thieves stole a refrigerated trailer packed with Nutella, Kinder Surprise eggs and other sweets.

(15) REQUEST FROM TYRION. Gina Ippolito of Yahoo!, in “Peter Dinklage Urges ‘Game of Thrones’ Fans To Stop Buying Huskies Just because They Look Like Direwolves”, says that Dinklage and PETA are combining to urge people not to buy huskies if they can’t handle big dogs just because they want a “direwolf” at home.

“Please, please, if you’re going to bring a dog into your family, make sure that you’re prepared for such a tremendous responsibility and remember to always, always, adopt from a shelter,” Dinklage said in an official statement.

So if Game of Thrones has you itching for a Ghost, Nymeria, Summer, Shaggydog, Lady, or Grey Wind of your own, but you’re not sure you can commit to taking care of a live one, maybe consider an adorable stuffed animal instead?

(16) THOR INTERNATIONAL TRAILER #2. I’ve always been a strong believer that movie trailers are much better with Japanese subtitles.

(17) GODZILLA: MONSTER PLANET. The drawback with TOHO’s own trailer for this animated Godzilla picture is that it doesn’t need subtitles.

 [Thanks to Paul Weimer, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mark-kitteh, Andrew Porter, and Kenneth James for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Rememory – Official Trailer

Rememory, with Peter Dinklage. See it first on Google Play on August 24.

REMEMORY was written by Michael Vukadinovich and Mark Palansky and produced by Daniel Bekerman and Lee Clay. The film explores the unexplained death of Gordon Dunn (Martin Donovan), a visionary scientific pioneer whose body is found shortly after the unveiling of his newest work: a device able to extract, record and play a person’s memories. Gordon’s wife, Carolyn (Julia Ormond – Mad Men, The Curious Case of Benjamin Button, Legends of the Fall), retreats into her house and cuts off contact with the outside world when a mysterious man (Peter Dinklage – Game of Thrones, X-Men: Days of Future Past, The Station Agent) shows up. After stealing the machine, he uses it to try and solve the mystery, beginning an investigation of memories that lead him to unexpected and dangerous places

.

Pixel Scroll 4/15/16 Barkleby

AKA Dogless In The Arena

(1) WHERE NEXT TREK FITS IN. IGN reports

Birth.Movies.Death.’s sources are saying that the CBS All Access show will be set in the classic continuity, which is to say not in the J.J. Abrams reboot-verse. Additionally, Season 1 of the series will be set before the era of The Next Generation, but after the events of Star Trek VI: The Undiscovered Country. That covers a lot of years, and BMD’s report is not specific beyond that, but essentially what this means is that the era that could be covered spanned the time of the Enterprise-B (the one captained initially by Cameron from Ferris Bueller!) and the Enterprise-C (the one that was destroyed defending a Klingon outpost, as we learned in the classic TNG episode ‘Yesterday’s Enterprise’). Not that an Enterprise will figure into the show necessarily…

(2) THE CHECK STOPS HERE. Scott Edelman’s Eating the Fantastic with Andy Duncan, Episode 6 of the series, unfolds at the Princess Cafe in the same booth where Harry and Bess Truman had lunch one Father’s Day more than 60 years ago.

Andy Duncan and Scott Edelman.

Andy Duncan and Scott Edelman.

Andy’s an award-winning writer many times over, having won a Theodore Sturgeon Memorial Award, a Nebula Award, and three World Fantasy Awards. Plus he’s also been nominated for the Bram Stoker and Shirley Jackson Awards. His collections include Beluthahatchie and Other Stories (which came out in 2000) and The Pottawatomie Giant and Other Stories (published in 2011).

(3) BEHIND THE THRONES. Maureen Dowd interviewed Peter Dinklage for the New York Times “Dinklage and Dragons: Will Tyrion Win the ‘Game of Thrones’?” And blabbed a secret.

So now that the global hit — Season 6 starts in two weeks — has brought his character, the wily and louche “halfman” and “perverse little imp” Tyrion Lannister, into the sun-baked realm of Daenerys Targaryen, was it fun to act with the dragons? Or were they temperamental divas who chewed — or incinerated — the scenery?

“They’re not real,” he says, looking at me solemnly with his big, droopy blue eyes.

Whaaaaa? I am shocked, given the C.I.A.-level secrecy around the HBO show — which has sometimes confiscated extras’ cellphones and this year declined to provide the press with episodes in advance — that Dinklage would let such a huge spoiler slip out. (On a less top-secret note, HBO plans to make a comedy pilot inspired by my book “Are Men Necessary?”)

“The dragons are just a projection,” Dinklage says in his melodious baritone. “Ah, working with something that is not there. Sometimes I work with some actors who aren’t fully there. The guys in the visual effects department show you pre-visualizations, pre-vis. It used to be just storyboards, but now they’re really well done on computers, and you see the whole scene with you and the animated dragons before you do it, so you get that in your head. It’s neat. It’s cool. I like it.”

(4) A CENTURY OF FORRY. Monsterpalooza, April 22-24 at the Pasadena Convention Center, will feature a Forry Ackerman centennial panel on Sunday afternoon.

Forry 100th at MonsterPalooza

(5) TELEREAD COVERS HWA CONTROVERSY. Paul St. John Mackintosh, in “Horror Writers Association endures horrific meltdown over Bram Stoker Awards juror”, catches up on the David A. Riley story at TeleRead.

Riley, meanwhile, protested on his blog that: “It has been alleged by some people that I would be prejudiced against anything written or published or edited by non-white writers/publishers/editors. Utter twaddle. Yes, I am so prejudiced that I have paid for covers on two of the books I have published by Vincent Chong – one of my favourite artists. I am also in an advanced stage of negotiating with a black British writer to publish a collection of his stories.” Following that comment, the same Facebook respondent also posted: “That’s like saying I’m not racist I HAVE A BLACK FRIEND.”

Since I’ve found that my own past writings on the previous Riley controversy are being quoted in this context – as somehow “less negative than most” – I want to be quite clear where I stand on this go-round. Editorship of a revived horror anthology franchise is a totally different ball game to serving on a jury for a major award. Lisa Morton may say that “in specific regard to HWA’s Bram Stoker Award juries, the HWA will certainly act if/when a juror’s personal views have a provable impact/bias against a writer or his/her works,” but I can’t see how a juror’s potential bias can not be an issue when appointing them to an awards jury. Would some worthy candidates boycott the Awards simply because Riley is on the jury? It’s already happened. Would the Stokers be tarnished by association? Ditto.

(6) ON THE BOTTOM. The BBC has pictures: “Film’s lost Nessie monster prop found in Loch Ness”.

A 30ft (9m) model of the Loch Ness Monster built in 1969 for a Sherlock Holmes movie has been found almost 50 years after it sank in the loch.

The beast was created for the Billy Wilder-directed The Private Life of Sherlock Holmes, starring Sir Robert Stephens and Sir Christopher Lee.

It has been seen for the first time in images captured by an underwater robot.

Loch Ness expert Adrian Shine said the shape, measurements and location pointed to the object being the prop.

The robot, operated by Norwegian company Kongsberg Maritime, is being used to investigate what lies in the depths of Loch Ness.

(7) INVENTED LANGUAGES. John Garth reviews A Secret Vice: Tolkien on Invented Languages , edited by Dimitra Fimi and Andrew Higgins, is published by HarperCollins, in “Teach yourself Dwarvish: behind Tolkien’s invented languages” at New Statesman.

It is only thanks to a talk that he gave in 1931 at his Oxford college, Pembroke, that we have his considered thoughts on language invention. From its title, “A Secret Vice”, onwards, he strikes a note of embarrassment: “I may be like an opium-smoker seeking a moral or medical or artistic defence for his habit.”

It was indeed a long-standing obsession. Although the editors of this new critical edition place his earliest inventions in his mid-teens, Tolkien told one interviewer that he began when he was eight or nine. His talk is a vigorous defence of the “hobby” and, with the support of the background commentaries provided by Dimitra Fimi and Andrew Higgins, it becomes clear that the invention of languages has been a surprisingly widespread activity. A Secret Vice is a thoroughly engaging introduction for the outsider.

Tolkien describes hearing a fellow officer in a dull First World War army lecture exclaim dreamily, “Yes, I think I shall express the accusative case by a prefix!” Whether or not this is Tolkien in fictional guise, the scene is nicely conjured. “How far he ever proceeded in his composition, I never heard. Probably he was blown to bits in the very moment of deciding upon some ravishing method of indicating the subjunctive. Wars are not favourable to delicate pleasures.”

(8) GUNN REVIEWED BY LETSON. Russell Letson reviews Transgalactic by James Gunn for Locus Online.

…On one hand, SF traditionally sees itself as celebrating New Things so new that they haven’t even happened yet. On the other hand, there are the alternate history and steampunk subgenres (the latter of which quite deliberately adapts SF motifs and grafts them onto historical settings), so there is clearly an audience for retro-flavored entertainments.

And in any case, SF has worked and reworked its core materials since before the genre even had a name. With space opera, work by, say, Neal Asher, Iain M. Banks, Nancy Kress, Linda Nagata, or Walter Jon Williams is part of a tradition that goes back to E.E. ‘‘Doc’’ Smith and extends through Edmond Hamilton, Jack Williamson, Poul Anderson, and Jack Vance. Its story-space is a galaxy populated by exotic alien species, containing one or more star-spanning polities, possibly with a dizzyingly deep history. It is a setting made for explorations, intrigues, alien encounters, and wars – arguably a futureward projection of the condition of an Earth that still had blank spaces on the map, unknown peoples and societies, and tramp steamers to visit them.

This brings me to Transgalactic, the sequel to James Gunn’s Transcendental (reviewed in December 2013), which maintains its predecessor’s backward looks at earlier genre motifs and atmospherics. Transcendental echoes Olaf Stapledon in its embedded pilgrim-tales of alien evolutionary paths and ends with scenery and action right out of the SF-pulp version of lost-city adventures. Transgalactic continues that latter line, interleaving images and gestures from earlier cycles of science-fictional storytelling with more contemporary devices and shaping the whole concoction into an old-fashioned interstellar odyssey. …

(9) TODAY IN HISTORY

  • April 15, 1983 — New-wave sci-fi classic Liquid Sky debuts in theaters.

(10) POPCORN WILL BE SOLD. Film exhibitors were courted at CinemaCon. Variety has the details — “Warner Bros. Offers ‘Wonder Woman’ Footage, Touts ‘Expansive’ DC Comics Universe”.

Warner Bros. talked up the “expansive” nature of the DC Comics cinematic universe during a presentation to exhibitors at CinemaCon on Tuesday, while debuting footage from “Wonder Woman” that highlighted the Amazonian warrior princess beating up a platoon of World War I soldiers. There was also a brief glimpse of love interest Chris Pine atop a motorcycle, as well as Wonder Woman using her shield to deflect gunfire, and riding a horse, sword drawn and ready for action…

The DC presentation ended on a high note with an ebullient Will Smith and the cast of “Suicide Squad,” a film about a team of super villains, taking the stage.

“What if Superman decided to fly down, rip off the roof of the White House and grab the president right out of the Oval Office,” a character asks in the extended trailer shown to the audience, setting up the film’s stakes. “Who would stop him?” The answer was a rag-tag group of amoral avengers, brought together by shadowy government operatives looking for an edge in a world of metahumans.

Smith promised that “Suicide Squad” will “fill those theaters up real thick,” while director and writer David Ayer pledged that “thirsty, hungry people are going to show up.”

(11) BYE KITTY. Rachel Swirsky bids “Farewell to Carrie Vaughn’s urban fantasy series about a werewolf named Kitty”.

Poor Kitty Norville. Everyone always laughs at the werewolf named Kitty, even though, as she points out, she had the name first.

I’ve read every single one of Carrie Vaughn’s urban fantasy series staring a werewolf named Kitty. So, of course, just like Mary Robinette’s Glamourist Histories and John Scalzi’s Old Man’s War, Carrie’s books ended last year.

The best one is book four. It packs a hell of a punch…

(12) STAR PROJECT. SFWA’s latest Star Project is By the Silver Wind by Jess E. Owen.

Fair winds to you!

If you’re already a member of the Gryfon Pride, please, make yourself comfortable, find a mossy rock to lounge, or go explore the amazing rewards for this, the campaign to fund the final volume of the Summer King Chronicles.

To those who are new, welcome! You’ve entered the world of the Silver Isles, where gryfons rule, dragons roam, ravens riddle, and wolves sing. I hope you’ll stay and become a member of the Pride!

The SFWA Blog explains:

This is a model Kickstarter for all self-published professionals. Congratulations!

SFWA makes small, targeted pledges to worthy Kickstarter projects by non-members, designating them  “SFWA Star Projects.” Projects are selected by the Self Publishing Committee, with coordination by volunteer Rob Balder. Selections are based on the project’s resonance with SFWA’s exempt purposes, and special preference is given to book-publishing projects in appropriate genres.

Funds for these pledges come from the SFWA Givers Fund. When pledges result in receiving donor rewards (such as signed books), these items will be auctioned off at fundraising events, to help replenish the Givers Fund.

The project has 10 days left in its campaign. All support is appreciated.

(13) 55 YEARS AGO IN THE UK. Galactic Journey’s overseas corresponded Ashley Pollard delivers “[April 15, 1961] London Calling (A Peek At UK Fandom)”.

Now a Red star has risen in the East — Vostok — aboard the ship is the first human in space: Major Yuri Gagarin, who is now a Hero of the Union of Soviet Socialist Republics and by extension a hero for all mankind.  The local prestige of our former wartime allies had plunged due to the recent discovery and capture of the Portland Spy Ring, causing ripples of concern over secrets lost, so having Major Gagarin take over the headlines has been welcome change — if only from one kind of paranoia to another: Reds with atomic secrets versus Reds in Space!  And because it turns my liking for all things to do with rocketry into a respectable talking point at parties.

Certainly, Thursday nights conversation at The London Circle, a meeting of like minded science fiction fans, was of nothing else.  (The London Circle was the basis for Arthur C. Clarke’s Tales from the White Hart.  I will not be drawn into the recent fan feud that has split the group because I attend for the absence of the pub and the chance to have a G&T with ice and a slice. How very non-fannish of me.)

Of course, this being Britain, we had to draw comparisons to Nigel Kneale’s Quatermass Experiment and the British Experimental Rocket Group and what happened to the hapless astronaut to leaven the concerns of those who see Soviet dominance in space as threat to World Peace.

As you can well imagine our conversations were more along the lines of aliens returning to Earth with Major Gagarin, and what would the Russian counter-part of Bernard Quatermass do?

(14) CHARITABLE COSPLAY. Will R. writes, “There seems to be a real thing over here–maybe it’s true in the States too–of people cosplaying for good (not to say cosplaying isn’t good for its own sake, I just mean explicitly to help others). We watched a doc one night on Star Wars cosplayers, who invest thousands in being Boba Fett or whatever, and do a lot of charity events in costume. It’s cool. Real heroes, you ask me.”

BelfastLive reports on one example — “Batman swoops into Northern Ireland Hospice to make patient’s dream come true”.

Batman swooped in from Gotham City to make a super fan’s dream come true – and share some crime-fighting secrets.

Northern Ireland Hospice patient Gary Owen – a self-confessed Dark Knight fanatic – received a very special visit from his hero today.

Gary, who is 28 and comes from Newcastle Co Down, chatted for more than an hour with the man in black, discussing movies, comics, Batman gadgets, and how to deal with villains.

The caped crusader brought special gifts from Forbidden Planet Belfast and exclusive Batman vs Superman merchandise – before Gary and his family watched The Dark Knight Rises movie.

A spokesman for Northern Ireland Hospice told Belfast Live: “Gary’s passion for Batman and super-heroes was obvious to Northern Ireland Hospice nursing staff and inspired them to create a special memory for him and his loving family.

“We created a cinema in the Day Hospice for Gary and family to watch the Dark Knight Rises, and Batman came in with gifts and comics.

“He and Gary chatted as if they had known each other for a long time. It is occasions like this that make lasting memories for families….”

 [Thanks to John King Tarpinian, Andrew Porter, and Hampus Eckerman for some of these stories. Title credit belongs to File 770 contributing editors of the day Will R. and Nicole J. LeBoeuf-Little.]

Pixel Scroll 4/4/16 Do Not Scroll Gentle Into That Vile Hive

(1) HEAD OF THE CLASS. From Variety: “’Doctor Who’ Spinoff ‘Class’ Taps Katherine Kelly to Lead Ensemble Cast”.

“Happy Valley” alum Katherine Kelly has been tapped to lead an ensemble of newcomers in the “Doctor Who” spinoff “Class.”

Kelly will play a teacher at Coal Hill School, an institution that has been part of the “Doctor Who” universe since its inception in 1963. Students will be played by newbies Greg Austin, Fady Elsayed, Sophie Hopkins and Vivian Oparah.

Filming on “Class” begins this week. There’s no word yet on a target premiere date for the BBC Three/BBC America series created by Patrick Ness. “Doctor Who” and “Class” exec producer Steven Moffat likened the series to a British version of “Buffy the Vampire Slayer.”

(2) ROLL CALL. Sci-Fi Storm completes the roster – “BBC announces the Class of Class”.

Joining Kelly as students at the school are Greg Austin (Mr. Selfridge), Fady Elsayed (My Brother the Devil), Sophie Hopkins (The Meeting Place) and newcomer Vivian Oparah.

With the focus on the young adult audience, each of the students is described as having “hidden secrets and desires. They are facing their own worst fears, navigating a life of friends, parents, school work, sex, sorrow — and possibly the end of existence.”

(3) TWO MINUTE WARNING. Tickets for next year’s Gallifrey One, the Doctor Who-themed convention in LA, go on sale April 16.

As we prepare for Gallifrey One 2017 ticket sales to start, please remember: tickets to Gallifrey One 2016 sold out in less than two minutes. We mention this because we want to emphasize very strongly that you should be prepared to be ready to purchase your tickets shortly before the time announced above….

2017 Ticket Prices

Prices for tickets to our 2017 Gallifrey One convention are as follows:

$95.00 Adult Full Weekend

$50.00 Teen Full Weekend (Ages 12-16)

$20.00 Child Full Weekend (Ages 3-11)

…Please note that we have elected to discontinue single-day tickets for 2017 in order to adequately support our entire attendee base with a complete weekend full of programming. All tickets will allow entry into the 2017 convention at any time throughout the weekend, and attendee badges can be picked up from Thursday afternoon through Sunday morning.

(4) SATURDAY NIGHT’S ALL RIGHT FOR FIGHTIN’. Wall Street Journal’s “Speakeasy” blog covers Peter Dinklage’s appearance on Saturday Night Live.

There was the expected “GoT” parody (video above), which had Dinklage hosting an “HBO First Look” special on the upcoming sixth season. The gag here – other than Kate McKinnon‘s serviceable impression of Emilia Clarke (Daenerys Targaryen) – was that there was a quite a bit of truth to Daenerys’s dragons being the show’s scene-stealers. As it turns out, the dragons’ camera-hogging is the result of Bobby Moynihan‘s obnoxious motion-capture actor.

Moynihan also showed up as the brains behind “GoT” – author George R.R. Martin – during Dinklage’s monologue.

NBC has video clips from the episode, including the Game of Thrones sneak peek.

(5) DRAFTING. Rachel Swirsky explores “The difference between draft 1 and draft 12ish of ‘Love Is Never Still’” with sample text and numerous bullet point comments.

I thought it might be interesting to look at a passage from my most recent story, “Love Is Never Still,” as it existed in the first and last drafts. By the time I actually publish a story, I’ve often forgotten what the first draft looked like exactly.

(6) RECOMMENDATION. Mark-kitteh wanted to point out Becky Chambers’ 2014 short story “Chrysalis” at Pornokitsch.  Make it so!

(7) PRE-TRIP REPORT. John Scalzi tells Whatever readers “What I’m Doing in Los Angeles Next Weekend”. He’s coming to LA for the LA Times’ Festival of Books, with other appearances on his schedule — one of the more out-of-the-ordinary is:

7 PM, Nerdmelt Showroom, 7522 Sunset Ave, Los Angeles: I’m one of the featured performers at The Objectively Hottest Authors On Earth LIVE!, which is being presented in association with the Festival of Books. During the show, hosted by artist and comedian Sara Benincasa, I, Maris Kreizman, Cecil Castellucci and Isaac Fitzgerald will be saying and/or doing funny things, and being interviewed by Sara. It’s going to be fantastic. Tickets are $8 in advance and $10 at the door, and if you want to show up, don’t wait — the room is, uh, not huge, as I understand it. I can’t say what anyone else has planned but I will be reading an recently-written funny piece that hasn’t been published anywhere yet (although I’ve read it in a couple of places and it killed), so the only place you’ll be able to enjoy it is live, and the only place I’m planning to read it live in the foreseeable future is here, at the Nerdmelt Showroom.

(8) TODAY IN HISTORY

  • April 4, 1930 — American Rocket Society founded
  • April 4, 1975 — Microsoft was founded by Bill Gates and Paul Allen.
  • April 4, 1983 — The space shuttle Challenger lifted off on its inaugural mission.

(9) TODAY’S BIRTHDAY BOY

  • April 4, 1965 – Robert Downey Jr.

(10) THE MARGIN IS THE CUTTING EDGE. That seems to be Noah Berlatsky’s bottom line in his post, “Why Cutting-Edge Sci-Fi Is Often Penned By Marginalized Writers” at The Establishment. I wish he hadn’t spent half his wordage attacking somebody else’s paradigm, and just kept strengthening his case with more of the kind of enlightening analysis he provided about Delany and Le Guin.

“Great science fiction explores the philosophical possibilities of science’s impact on reality,” sci-fi writer James Wallace Harris declares at SF Signal. You take real science, you add brilliant philosophy, and you’ve got sci-fi. Right?

Actually, no. Harris’ article has been widely pilloried on social media because, in his tour of “cutting-edge science fiction,” he managed to make a list without citing a single piece of work by a woman or person of color. But what’s been less discussed is that his omissions are tied closely to the fact that his definition of cutting-edge science fiction is ludicrously limited.

(11) POC TOC. People of Colo(u)r Destroy Science Fiction, funded by a Kickstarter appeal, will be another special issue of Lightspeed, guest-edited by Nalo Hopkinson and Kristine Ong Muslim, in partnership with section editors Nisi Shawl, Berit Ellingsen, Grace Dillon, and Sunil Patel, who are assembling a lineup of fiction, essays, and nonfiction from people of color.

The list of original short stories and flash fiction has been announced in the latest backer project update.

Original Short Stories/Novelettes (edited by Nalo Hopkinson & Kristine Ong Muslim)

  • A Good Home — Karin Lowachee
  • Firebird — Isha Karki
  • Fifty Shades of Grays — Steven Barnes
  • Depot 256 — Lisa Allen-Agostini
  • Digital Medicine — Brian K. Hudson
  • The Red Thread — Sofia Samatar
  • Salto Mortal — Nick T. Chan
  • Omoshango — Dayo Ntwari
  • Wilson’s Singularity — Terence Taylor
  • As Long As It Takes to Make the World — Gabriela Santiago

Original Flash Fiction (edited by Berit Ellingsen)

  • Binaries — S.B. Divya
  • Other Metamorphoses — Fabio Fernandes
  •  An Offertory to Our Drowned Gods — Teresa Naval
  • Morning Cravings — Nin Harris
  • Breathe Deep, Breathe Free — Jennifer Marie Brissett
  • The Peacemaker — T.S. Bazelli
  • Chocolate Milkshake Number 314 — Caroline M. Yoachim
  • A Handful Of Dal — Naru Dames Sundar
  • Hiranyagarbha — Kevin Jared Hosein
  • Four And Twenty Blackbirds — JY Yang

The appeal also funded horror and fantasy special issues, for which submissions are now being taken.

  • POC Destroy Horror! will publish in October, as a special issue of Nightmare Magazine, from guest editor Silvia Moreno-Garcia. The submissions portal for the issue is now open, so if you’re a POC writer, and you’d like to write something, by all means please do so and submit your story! Submissions are open now and close May 15, 2016. Just visit submissions.johnjosephadams.com/poc-destroy-horror to read the guidelines and to submit.
  • POC Destroy Fantasy! will publish in December, as a special issue of Fantasy Magazine, from guest editor Daniel José Older. The submissions portal for the issue will be open May 1 – June 15. Visit submissions.johnjosephadams.com/poc-destroy-fantasy to read the guidelines.

(12) KEY TO CHARACTERIZATION. “Why Character Agency is So Important” by Jadah McCoy at Fantasy Book Critic.

What the frick frack does character “agency” really even mean in relation to the wonderful world of book writin’? Character agency is such an integral part of writing believable characters, and it’s something that many people don’t really notice at all when reading.

Chuck Wendig puts it eloquently by saying, “Character agency is…a demonstration of the character’s ability to make decisions and affect the story. This character has motivations all her own. She is active more than she is reactive.”

In other words, the story responds to the character’s actions, not the other way around. Too many times I’ve sat in bed screaming at a character for their stupidity, for their inability to control anything around them, including themselves. Too many times these characters have done the Incredibly Stupid Thing because only the Incredibly Stupid Thing would move the plot forward, and it’s only at the expense of that character’s credibility. Just because isn’t good enough.

When decisions are taken away from the character, they become merely a pawn in a contrived chess game—one where all the moves are already planned out, and no matter where the pawn goes, the results will end up the same.

Characters are living things, like you and I. They think, they speak, they love and hate, they have desires and ideas, and they rebel (and often I can’t even control mine, they just commandeer whatever attempted plot I had penned out).  They are three dimensional. They are people on paper, and people have reasons for what they choose to do. They have thought processes, which sometimes they care to share and sometimes they don’t (not even with their own author).

(13) SEQUELS. “They’re Coming Back” is the title of a TV commercial for Independence Day: Resurgence, coming to theaters June 24.

Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.

 

(14) REMAKES. While you’re waiting for the Independence Day sequel, you can practice throwing stones at mere remakes. CheatSheet pontificates on “8 of the Worst Sci-Fi Movie Remakes Ever”.

Since science fiction typically rely on special effects more than most other types of films, it would seem that older films in this genre would generally benefit from being updated with the latest moviemaking technologies. Unfortunately, it seems that in many cases any improvement that a remake offers in the area of special effects is canceled out by bad scripts or poor casting decisions. For this reason, there are many science fiction films that are several decades old, but still manage to hold up better than remakes that were made only a few years ago.

It’s a tough audience! #7 is Tim Burton’s Planet of the Apes remake.

(15) FUTURE TECH. “The future if literature was to be believed” – an infographic from the Red Candy blog.

Literature has always been a vehicle for predictions about future technology, which turns out to become a reality. Who knows you might well see some of these items in the near future!

[Thanks to John King Tarpinian, JJ, Bonnie McDaniel, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]