Peter S. Beagle eBooks from Conlan Press

Conlan Press logoThe big news is – Peter S. Beagle’s ouerve is finally available in digital form.

The Last Unicorn — the only fantasy classic that has never been commercially available in eBook format – has been released in two electronic editions. Along with it the company is releasing seven previously-published Peter S. Beagle titles and four new ones. This set is a heavily-promoted worldwide Amazon exclusive (non-Kindle ebook editions will be released next year) and all titles are DRM-free. Preorder pages are live now, with an official release date of November 1.

THE LAST UNICORN: CLASSIC EDITION. Cover by Rebekah Naomi Cox. Direct sales link:


THE LAST UNICORN: DELUXE EDITION. Contains the text of Peter’s classic novel, its Hugo and Nebula award-winning sequel “Two Hearts,” and an extensive interview with Peter. Cover by Rebekah Naomi Cox. Direct sales link:

TLU-Deluxe_456x730FOUR YEARS, FIVE SEASONS (new story collection). Five fantasy stories set during Peter’s teenage years in the Bronx, featuring himself and his friends from ages 11 through 15. Cover by Connor Cochran. Direct sales link:

LILA THE WEREWOLF AND OTHER TALES (new story collection). 6 classic Beagle stories and 10 new ones collected here for the first time. Introduction by Catherynne M. Valente. Cover by Sarah Allegra and Connor Cochran. Direct sales link:

Lila_456x730SMÉAGOL, DÉAGOL, AND BEAGLE: ESSAYS FROM THE HEADWATERS OF MY VOICE (new nonfiction collection). Peter explores the roots of his own creative inspiration in 10 revealing essays about the artists, writers, musicians, teachers, and family members who have most profoundly shaped his own work and style. Includes a detailed behind-the-scenes look at Peter’s “Adventure with Crazy Ralphie” (i.e., his scripting of Ralph Bakshi’s 1978 animated version of THE LORD OF THE RINGS). Cover by Sarah Allegra and Connor Cochran. Direct sales link:

THESE ARE THEY (new nonfiction collection). In the ’60s Peter wrote several major magazine pieces about his front-line experiences during the ’60s Civil Rights movement, but the commissioning magazines were afraid to print them, and it wasn’t until the mid-’90s that a radically shortened and watered-down version of just one of them was finally made available. This edition presents Peter’s unfiltered, unbowdlerized original drafts for the first time — and given race relations in the United States in 2015 they are more relevant than ever. A must-read. Cover design by Connor Cochran. Direct sales link:

TheseAreThey_456x730I SEE BY MY OUTFIT: CROSS-COUNTRY BY SCOOTER, AN ADVENTURE (nonfiction travel memoir). Brilliant and evocative tale of Peter’s 1963 scooter journey from New York to California, in the company of his childhood friend, artist Phil Sigunick. For the first time ever Peter’s text is accompanied by 15 pieces of Phil’s beautiful full-color artwork. Cover layout and design by Connor Cochran, featuring a page from the actual AAA Triptik used by Peter and Phil on their trip. Direct sales link:

Outfit_456x730A FINE AND PRIVATE PLACE (Peter’s acclaimed debut novel). Cover by Ann Monn and Connor Cochran. The photo was taken in Woodlawn Cemetery in the Bronx, the place that inspired Peter S. Beagle to write this book when he was only 19 years old. Direct sales link:

AFPP2_456x730THE LINE BETWEEN (2006 story collection). 11 stories, including “Two Hearts” (the sequel to THE LAST UNICORN) and “Mr. Sigerson,” Peter’s take on Sherlock Holmes. Cover by Sarah Allegra and Connor Cochran. Direct sales link:

THE MAGICIAN OF KARAKOSK: TALES FROM THE INNKEEPER’S WORLD. 6 stories set in the same world as Peter’s award-winning novel THE INNKEEPER’S SONG. Previously published in 1997 under the title GIANT BONES. Cover design by Ann Monn and Connor Cochran. Direct sales link:

MOK_456x730MIRROR KINGDOMS: THE BEST OF PETER S. BEAGLE, selected by Jonathan Strahan. Ebook edition of the 2010 Subterranean Press collection. 18 stories. Cover by Sarah Allegra and Connor Cochran. Direct sales link:

MirrorKingdoms_456x730SLEIGHT OF HAND (2011 story collection). 13 stories, including “The Best Worst Monster” and “The Woman Who Married the Man in the Moon,” a Schmendrick tale set before THE LAST UNICORN. Cover by Sarah Allegra and Connor Cochran. Direct sales link:

SleightOfHand_456x730WE NEVER TALK ABOUT MY BROTHER (2009 story collection). Nine stories, and one poem cycle inspired by the Unicorn Tapestries. Cover by Sarah Allegra and Connor Cochran. Direct sales link: Brother2_456x730

Novel Apparel from Litographs

Litographs t-shirts are hand-pressed with designs created entirely from the text of classic books. You can select among the whole range of genre fiction, plus literature and nonfiction.

SF and fantasy are represented not only by Verne, Wells, Lewis Carroll, and Mary Shelley, but more recent writers like Lovecraft, Peter S. Beagle and Cory Doctorow.

I don’t know if the prices are the same for everything. The T-shirts I checked went for $34. Or you could get the same design on a poster for $24.

They say the average Litographs t-shirt contains approximately 40,000 words.

There are no Tolkien or C. S. Lewis shirts, which I understand. Knowing what the authors’ estates charge, if Litographs needed to license 40,000 words to make a thousand shirts, I bet they’d have to charge $250 per shirt to break even.

See the screening process demonstrated in this video.

Last Unicorn Tour Reaches Southern California

Peter Beagle, ready to hit the road.

Peter Beagle, ready to hit the road.

SoCal fans have a rare chance to see The Last Unicorn movie on a big screen and personally meet the novel’s author Peter S. Beagle this week.

Peter and Tour Team members Travis Ashmore and Dave Connick are putting on shows in 16 different locations from San Diego to Clovis. The dates, cities and links to buy tickets follow the jump.

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Last Unicorn Tour Arrives in Big Apple

Peter Beagle and Connor Cochran.

Peter Beagle and Connor Cochran.

After making its way north from Virginia via New Jersey and Pennsylvania, The Last Unicorn movie tour plays New York City this weekend. The four showings are scheduled for —

TODAY @ 7 PM — Village East in Manhattan on 2nd Avenue
Saturday 9/28/2013, 2 PM — Cinemas 123 in Manhattan on 3rd Avenue
Sunday 9/29/2013, 7 PM — Alamo Drafthouse Yonkers in Yonkers NY
Monday 9/30/2013, 7 PM — City Cinemas 86th Street East in Manhattan on 86th Street

“Peter will be at every screening to do a Q&A session, sign things, give hugs and great conversation,” says Connor Cochran, “and he’ll stay as long as it takes for every last person there to get their proper turn with him.”

Peter Beagle, ready to hit the road.

Peter Beagle, ready to hit the road.

One of the most interesting places to host the movie in the past week was the Strand Theatre in the college town of Kutztown, PA:

The Strand is pure history, over 100 years old and cobbled together from bits and pieces of other local movie theaters that went out of business over the decades. Yet inside we found one of the newest, nicest projection and sound systems we’ve yet to work with.

The Last Unicorn actually played there during its original release in 1982. The classic old theater marquee reminds me of the one shown in Field of Dreams just before Ray Kinsella finds Doc Graham.

[Thanks to John King Tarpinian for the story.]

Last Unicorn Screening Tour

A rare chance to see The Last Unicorn movie on a big screen and personally meet the novel’s author Peter S. Beagle are two compelling reasons to attend the premiere of The Last Unicorn Screening Tour on April 20 in San Francisco’s Castro Theatre.

The organizers hope to continue the tour with screenings all over America, as well as several major cities in Canada, the United Kingdom, Ireland, and Germany. The tour’s next stop is tentatively slated for Texas in June, although the dates have not been posted.

After the screening, a benefit for the Cartoon Art Museum, there will be a special VIP birthday blast to celebrate Peter’s 74th birthday at the Museum that includes Peter’s first public reading of a brand-new Schmendrick story.

Beagle and his manager Connor Freff Cochran discussed The Last Unicorn and Peter’s career on April 8’s Atomic Array podcast.

[Thanks to John King Tarpinian for the story.]

Peter Beagle Getting Paid

Peter S. Beagle and Connor Cochran, who in August announced a settlement of the 8-year fight over rights to the movie The Last Unicorn, have issued an e-mail discussing the resolution in detail. Conlan Press also has announced some new projects made possible by that development.

Q: What was the problem, exactly?

A: Peter wasn’t getting paid. The animated version of The Last Unicorn was making millions of dollars around the world from VHS sales, DVD sales, cable distribution, and satellite broadcasts — but despite having a contract, Peter wasn’t getting his due share of that money from Granada Media, the English company that owned the film. In fact, he basically wasn’t getting any money from the film at all. For example, between January 2001 and January 2011 over 2.5 million copies of The Last Unicorn sold through North American retail video outlets, and the royalty Peter got from all those sales was exactly zero.

Q: Was anybody doing anything about this?

A: Certain people were trying. Connor Cochran took up the cause in 2003, when he read a news article in The Hollywood Reporter announcing all kinds of new international media business with the film. Since Connor is Peter’s business manager, he immediately got on the phone to England and tried to get Peter the money he was owed. Granada Media responded by claiming they didn’t owe anything…and what followed was an eight-year conflict over which side was right. It wasn’t a constant battle — sometimes things would be incredibly intense, and other times months would go by without anything shifting — but there were many twists and turns along the way, and the fight took lots of time, energy, and money. A bunch of Peter’s fans made direct donations which helped defray some of the legal expenses, while many others helped with the costs by purchasing things from Peter at conventions, or through Conlan Press. More than a thousand fans, from 55 different countries, posted messages of support on a public website. Meanwhile, behind the scenes, Peter got additional important assistance from friends like David Roudebush and Terri Kempton, and from his attorney, Charles E. Petit. But despite all this effort, between 2003 and 2010 there really wasn’t anything that could be called progress. Just a frustrating and expensive game of corporate Whack-A-Mole.

Q: What changed?

A: In spring 2010, Peter and Connor decided to take Granada Media to court. After some research they picked the law firm of Holme Roberts & Owen for the job (because they had offices in LA, San Francisco, and London) and settled on attorney Richard J. Mooney to handle the case. Then, during prep for the filing, Connor noticed something which wound up making all the difference in the world.

Q: What was that?

A: All along, Peter and Connor had known that Granada Media was a subsidiary of a much bigger company — a huge European media conglomerate called ITV. What Connor noticed was that ITV had recently gotten a new CEO, a man named Adam Crozier, who came in from outside the company and had a mandate to pretty much completely clean house: get rid of things that weren’t working, make marginal properties more profitable, etc. To put it bluntly, this new CEO had no reason to cover up for anyone’s past bad judgment or mistakes and every incentive to make good new business happen. So, after some internal discussion, Connor sent a letter directly to Adam Crozier himself. The person at ITV who was tasked with responding was the company’s Group Legal Director and Corporate Secretary, Andrew Garard. Andrew really took the situation seriously. He dug in, did his research, met with Peter and Connor and Richard Mooney in New York City last November, and ultimately came to the conclusion that we were was right — (a) Peter wasn’t getting his due, and (b) if we stopped fighting and started working together, The Last Unicorn could be even more successful than it already was. Settlement details were worked out at a second meeting, this time in Los Angeles, and finally, last August, the settlement paperwork was signed.

Q: What does this mean for Peter?

A: First, from now on he will get his contractually-due share of Last Unicorn earnings. If the movie is shown on cable TV in Kuala Lumpur, or a Blu-ray sells in Joplin, Missouri, Peter will get his proper piece. Second, over time he’ll get a series of payments that will make him whole for all the years he wasn’t be paid.

Q: What does this mean for Connor?

A: He gets to stop putting time and resources into this problem, and will finally be able to catch up on some long-delayed Peter S. Beagle/Conlan Press projects. (Hooray!)

Q: What does it mean for ITV?

A: Adam Crozier and Andrew Garard and ITV proper all get a big round of richly-deserved applause for doing the right thing, and the company eventually winds up making more money as all the new business gets worked out.

Q: What does it mean for Last Unicorn fans?

A: A lot of exciting things, we hope. That’s the new business part. The original 1978 animated film contract divided up rights in the property in ways which didn’t make a lot of sense (even at the time), but which are flat-out ludicrous in today’s media world. The third part of the Peter S. Beagle/ITV deal was an agreement to work out a way to put those scattered rights back together in a powerful unified package. It’s going to take a while to figure out all the details, but we’ve begun, and already a bunch of things which weren’t legally possible before are about to happen.

Q: For years there’s been talk of a live-action Last Unicorn film. Does the settlement mean that there will finally be one?

A: The live-action film is a separate issue. A small London-based company called Continent Films currently has the exclusive right to do a remake of The Last Unicorn, and they will own that right until February 2015. Maybe they’ll get a movie off the ground before they lose the rights, maybe they won’t: we don’t know. All we can say is that Peter hopes they won’t get anything made, because he doesn’t trust them to do a good job.

The settlement deal means Conlan Press can finally do real Last Unicorn merchandising and licensing, using original development/production art from the animated film and brand new art based on it. See the items here.

[Thanks to John King Tarpinian for the story.]

Paperback Show Draws Writers

Dennis Etchison and Stephen Woodworth Forry poster Larry Niven and Jerry Pournelle John Skipp and Cody Goodfellow Ed Kookie Byrnes Matt Grunig Peter S. Beagle, Karen Anderson Richard Christian Matheson

John King Tarpinian took these photos at the Vintage Paperback Collectors Show & Sale on March 30 in the San Fernando Valley. John says, “Despite fears of a faltering economy the show as well attended.”

In the photos are: (1) Dennis Etchinson and Stephen Woodworth; (2) A plaque honoring Forry Ackerman; (3) Larry Niven and Jerry Pournelle; (4) John Skipp and Cody Goodfellow; (5) Edd “Kookie” Byrnes; (6) Matt Grunig; (7) Peter S. Beagle saying hello to Karen Anderson; (8) Richard Christian Matheson.