Pixel Scroll 5/2/17 Pixel Packing Mama, Lay Your Pixel Down

(1) YOUNG AGAIN. James Davis Nicoll will be doing a Phase II of Young People Read Old SFF and asks — What short works published before 1980 would File 770 readers recommend?

(2) POTTERPOLOGY DAY. Following her tradition of apologizing for killing off a character on the anniversary of the Battle of Hogwarts, J.K. Rowling tweeted today —

And as Katherine Trendacosta astutely observed at io9:

See? She knows she’s stirring shit up and she does it anyway.

For the uninitiated, Severus Snape is the third rail of Harry Potter fandom. One side has the completely valid argument that Snape was, despite happening to be on the same side as the heroes, horribly abusive to his students and, whatever Rowling’s intent, less “in love with” Lily Evans than a stalker with “nice guy” syndrome. The other side says that his very obvious flaws make him an interesting and nuanced character, and that, regardless of everything else, he died a hero. Plus, being played by Alan Rickman in the movies made Snape a lot more approachable than he is on the page.

(3) FREE COMIC BOOK DAY. May 6 is Free Comic Book Day when participating comic book shops give away special sample comics free to anyone who comes into their shops. There are a lot of different issues involved – see the catalog.

(4) BEAGLE SUIT. Peter S. Beagle isn’t as broke as people are making him out to be says Snopes’ David Emery in “The Trials of ‘Last Unicorn’ Author Peter S. Beagle”.

Contrary to Internet rumor, the beloved science fiction and fantasy author Peter S. Beagle (perhaps best known for his classic 1968 novel The Last Unicorn) is neither destitute nor teetering on the brink of starvation.

A cry for immediate financial assistance went up shortly after the writer’s 78th birthday on 20 April 2017, in the form of tweets describing Beagle’s circumstances as “dire”:

Several posts repeated the claim that Beagle, who has been embroiled in a costly legal battle with his former manager since 2015, was having difficulty even meeting basic household expenses such as grocery bills. However, we spoke to Beagle’s lawyer, Kathleen A. Hunt of El Cerrito, California, who told us that her client’s money woes, albeit chronic, are not as acute as they have been portrayed:

It’s true that he doesn’t have lots of money, but it’s not true that his living situation is dire. Peter does need the help and support of his friends and fans, but it is not the case that he’s in danger of being on the street.

We also spoke with Beagle himself, who said he considers himself a lot better off than the average writer:

It’s always dicey, but anybody who makes a living as a writer learns to cope with lean times. Compared to so many other people, I’m fortunate.

The impromptu fund drive nevertheless resulted in a welcome infusion of cash, not to mention an outpouring of love and support from Beagle’s many online fans. “The response was pretty phenomenal,” Hunt said.

The writer’s ongoing money woes are due in part to court costs from a 2015 lawsuit he filed against Connor Cochran, owner of Conlan Press, who had managed the author’s creative and business affairs for fourteen years…

Cochran filed a counterclaim denying the allegations, and posted a series of statements on his web site alleging that Beagle was being unduly influenced by individuals close to him who seek personal gain from the suit…

At present, Beagle says he feels fine and endeavors to write every day (with varying levels of success, he admits), focused mainly on a novel he envisions as a semi-sequel to Two Hearts, which itself he describes as “kind of a sequel to The Last Unicorn.” He will appear at BayCon, the annual San Francisco Bay Area science fiction convention, in May.

The lawsuit is set to go to trial in January 2018.

(5) RHETORICAL VIOLENCE. In The Guardian, Jessa Crispin challenges a popular narrative: “The Handmaid’s Tale is just like Trump’s America? Not so fast”.

…If the television show based on the Margaret Atwood dystopia feels like propaganda, with its depiction of women raped, mutilated, and forced into shapeless cloaks and bonnets in the new American theocracy named Gilead, then it shouldn’t be a surprise viewers are responding to it as such.

There are dozens of thinkpieces claiming this show is all too real and relevant; Atwood herself called it “a documentary” of Trump’s America. Sarah Jones at The New Republic went so far as to compare Gilead to contemporary Texas and Indiana. Women are in peril. We must do something.

If this propaganda is not being used to sell us a war, we should be interested in what it is selling us instead. That so many women are willing to compare their own political situation living under a democratically elected president with no overwhelming religious ideology (or any other kind, for that matter, except for maybe the ideology of greed and chaos), with the characters’ position as sexual slaves and baby incubators for the ruling class, shows that it is always satisfying to position yourself as the oppressed bravely struggling against oppression.

The text and the thinkpieces make it clear who our enemies are: conservatives and Christians. (It shouldn’t be a surprise The New Republic piece was headlined “The Handmaid’s Tale is a Warning to Conservative Women.”)…

(6) IN JEOPARDY! Tom Galloway reports:

On Monday’s Jeopardy! episode, the defending champion Alan Lin (“a software engineer from Santa Barbara, CA”) was asked by Alex Trebek about his writing. Lin replied that he writes SF short stories, but hasn’t sold one yet. But last summer he went to this writing workshop…. Checking the Clarion site, he’s listed as an alumnus. He’s doing well; as of the end of Monday’s show, he’s a six-time winner at $123,600 and still going. But on Monday’s show, he was beaten to the buzzer by another player on the clue in the category The Book of Verbs of “‘The Cat Who ____ Through Walls’ by Robert A. Heinlein”

(Jeopardy! will be doing an uncommon midyear online tryout test at the end of the month (three nights, May 30, 31, June 1) for those others who want to tryout. See Jeopardy.com for details)

(7) SEVEN TIME STOKER LOSER. Scott Edelman has a story:

Saturday night, I was up for my seventh Bram Stoker Award from the Horror Writers Association, and emcee Jeff Strand took that opportunity to root for me … if you can call it rooting. Here’s what he had to say during his opening comments. Note that since the livestreamed video was so dark Jeff wasn’t even visible, I replaced that video with a photograph of me after I donned a new button once the results were announced in my category.

 

(8) DICK OBIT. Anne Dick died April 28 after surviving with congestive heart failure for many years. The former wife of Philip K. Dick published a biography about him in 2010, The Search for Philip K. Dick.

Tandy Ford, Anne Dick’s daughter and Philip Dick’s step-daughter, told a member of Facebook’s Philip K. Dick group, “She was still working away on her computer the night before her passing. She was a force of nature and her loss leaves a great void.”

In a 2010 profile by the New York Times’ Scott Timberg Anne Dick said:

“I think he’s what you might call a psychomorph,” Ms. Dick said recently, sitting in the boxy, modernist home she once shared with him. “He was quite different with each person. He had this enormous gift of empathy, and he used it to woo and please and control. I’m not saying he wasn’t a very nice person too; he was. He just had a very dark shadow.”

…After the breakup of their marriage, Ms. Dick said she endured seeing herself reflected in several evil-wife characters in his later novels. Yet when he died in 1982, after a series of strokes, “everything changed,” she said.

“You see a person in the round,” she continued. “I started writing this after he died, because I was still so confused by what had happened.”

(9) TRIVIAL TRIVIA. When screenwriter William Goldman first tried to get The Princess Bride made into a movie in the 1970s, he wanted the relatively unknown actor and bodybuilder Arnold Schwarzenegger to play the role of Fezzik. By the time the film was made in 1987, Schwarzenegger was a too big star. The part instead when to former wrestler Andre the Giant.

(10) TODAY IN HISTORY

  • May 2, 1933 — Although accounts of an aquatic beast living in Scotland’s Loch Ness date back 1,500 years, the modern legend of the Loch Ness Monster is born when a sighting makes local news on May 2, 1933. The newspaper Inverness Courier related an account of a local couple who claimed to have seen “an enormous animal rolling and plunging on the surface.” The story of the “monster” (a moniker chosen by the Courier editor) became a media phenomenon, with London newspapers sending correspondents to Scotland and a circus offering a 20,000 pound sterling reward for capture of the beast.

(11) THEIR STEELY KNIVES. Mark Lawrence explains how his Stabby Award finally arrived after some difficulty, and treats fans to a photo gallery of all the daggers and double-headed axes his work has won:

And finally here they are with my growing collection of pointy literary awards, along with the books responsible. My quest to win the Fluffy Bunny award for Friendliest Fantasy continues in vain.

(12) VIVA MAX. I can’t stay away from “five things” posts any more than a dog can avoid noticing a squirrel. Today Max Florschutz blows the myths away in “Five Things Non-Writers Should Know About Writers and Writing”.

1) Writing is a Lot of Hard Work This is one of the most common misconceptions I hear about writing. That it’s not work. That’s it’t not hard. That it’s not a “real” vocation (Yes, I hear all of these all the time).

This just plain isn’t true. Writing is a dedicated effort that takes hundreds, thousands of hours worth of both practice, planning, and devotion. Unfortunately, most people don’t think of it as something that does, because after all, they can write. They do it all the time! Text messages, letters, Facebook posts … they write all the time. How hard could it be to write a story?

The truth is that it’s very hard to write a story. It requires a very different set of tools to writing a text message, copying down the minutes of a meeting, or writing someone a letter. These things are straightforward and simple because they’re personal. Writing a story, however, is very impersonal. It has to be written from a perspective outside the writer’s own, and convey it’s tale to a vast audience of varying talent, comprehension, and capability. Writers must figure out how to paint a picture in each and every reader’s mind—a challenge considering that all of them will be very different people, and yet the same words the author pens must in each case create the same vision.

(13) AMAZON AUTHOR. Amanda S. Green continues her Mad Genius Club series with a lesson in Amazon marketing — “It’s really a business, pt. 2”.

Today, let’s talk about the Amazon author page and one or two related topics.

First of all, if you have released anything on Amazon and haven’t set up your Amazon author page, do so now. Don’t finish reading this post. Hie thee off to Author Central. You will sign in with the same user name and password that you have set up for your KDP account. Once you have, the first page you encounter is a general information page. Review everything there because there is some interesting information, especially if you haven’t been publishing for long.

(14) SHADOW CLARKE JURY FINISHES. Tomorrow the real Arthur C. Clarke Award shortlist will be revealed. Today, the Shadow Clarke Jury issued its collective decision about who belongs on that list.

My final shortlistee is another popular novel among the Sharkes: the reality-bending investigation of light and perception, A Field Guide to Reality by Joanna Kavenna. While Jonathan approves of its class consciousness in the form of a cynical satire of academia, Maureen is intrigued by the alt-Oxford setting and intricate unfolding of universes, while Nina finds it good for “bust[ing] wide open” the science fiction envelope. The Sharke reviews, so far, have demonstrated just how malleable and diaphanous this novel is.

…Too often in the past, we agreed, Clarke shortlists had tended to feel weighted towards two or at the most three contenders that immediately looked stronger than the others, with the remainder simply making up the numbers. We wanted to avoid that scenario if we could, to present a genuine six-horse race.

And so the discussion proper was soon underway. The first two slots were filled very quickly – indeed, I think we all came to the meeting in the knowledge that Colson Whitehead’s The Underground Railroad and Lavie Tidhar’s Central Station? were scoring high marks with just about every juror. Paul Kincaid called The Underground Railroad ‘essential’, and even went so far as to say he would judge this year’s Clarke Award on whether or not the official shortlist included it. Those who read the comments on the Sharke reviews here will know that I am not The Underground Railroad’s strongest advocate myself – and if the book makes it through to the official shortlist I will do my best to write in greater detail about why that is – but as I said to my fellow Sharkes I wasn’t about to step in front of a juggernaut. And as for Central Station, I was only too happy to see this very special book go through, especially since if the Clarke made any sense Tidhar would have been shortlisted twice already in previous years, for Osama and for A Man Lies Dreaming.

With two down and four to go, the question was then asked of each Sharke: of all the novels on your personal shortlist, are there any that you would say, absolutely, should be in the Sharke Six…

(15) THE GHOST BRIGADIER WHO WALKS. So why is the first thing that pops into my mind The Phantom comic strip? It’s not as if John goes around punching people in the jaw. (But if he ever did!)

(16) EVERYBODY LOOK WHAT’S GOIN’ DOWN. Galactic Journey gets another letter of comment from 1962 — “[May 02, 1962] A Good Lie (Letter Column #2)” – by a writer who wonders what the heck the U.S. is doing in Indochina.

Anyway, I thought of something I didn’t write about in my first letter to you.  (Thanks for sending some back issues of your publication.) I see that you are aware that there is something going on in Indochina that involves the US (March 31, 1961), but now, a year later, yes, it is clear that we as a nation are involved in war, but are just being sort of secretive about it.

(17) SOMETHING FOR MOTHERS’ DAY. Now on eBay, it can be yours for $28,000 – Bride of Frankenstein Movie Novel Signed by Elsa Lanchester & Forrest J Ackerman”.

First Edition. Signed and inscribed on the half-title by the film’s star, Elsa Lanchester, to Philip J. Riley, the editor of the book ‘The Bride of Frankenstein. Screenplay by William Hurlbut & John L. Balderston.  Introduction by Valerie Hobson. Foreword by Forrest J Ackerman’ which reprinted the film’s screenplay. Inscribed: “To Phil, From THE Bride of Frankenstein! Elsa Lanchester. With all my very best wishes.” Additionally signed and inscribed to Riley from Forrest J Ackerman on the front free endpaper: “Phil – Aunt Beeze is fine and here’s The Bride of Frankenstein. What else? Forry, at 59.” Ownership signature dated 1938 on the front pastedown…

(18) MIDNIGHT SEUSS. The Tennessean apprises locals of a chance to see “Dr. Seuss’ secret ‘Midnight Paintings’ at the Factory at Franklin”.

Presented by Ann Jackson Gallery (Roswell, Ga.), the exhibition on view May 5-7 charts the wider reaches of Geisel’s prolific artistic imagination, featuring nearly 100 limited edition reproductions of his work that have been largely unseen by the public. In addition to sketches, illustrations, and political cartoons he created during World War II, the major highlight of the exhibition are the selections from “The Secret Art of Dr. Seuss,” a collection of paintings, drawings and sculptures that Geisel created late at night for his personal enjoyment.

… The paintings and drawings, detached from a narrative, are more formally sophisticated and experimental.

Though they depict familiar Seussian settings populated by flamboyant characters and animals rendered in the same waggish visual vernacular as his storybook illustrations, they are more detailed, diversely colored, and at times more wondrous.

His sculptures, which comprise their own sub-collection of his secret art called, “Unorthodox Taxidermy,” are also remarkable. Using plaster, metal, and taxidermied animal parts, Geisel sculpted what look like the heads of his own outlandish animal creations — a “Goo-Goo-Eyed Tasmanian Wolghast” or “The Carbonic Walrus” — and mounted them on wood like hunting trophies.

[Thanks to Mark-kitteh, Tom Galloway, Cat Eldridge, Scott Edelman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Early Superhero Movies and TV Series

By Carl Slaughter: Hollywood was quick to adapt early comic book superheroes to the big screen, beginning in the late 30s and early 40s.  Superheroes are notoriously difficult to adapt without camp and corn.  In contrast to sci fi/fantasy, live action superhero TV shows have not endured, Smallville excepting.  My favorite is the second Green Hornet.  The scriptwriters and actors do the superhero genre ultra straight and ultra serious.

Captain Marvel movie series (1941)

 

Original Green Hornet TV series (1940)

 

Green Hornet Strikes Again movie series (1941):

 

Green Hornet TV series (1966)

 

Phantom movie series (1943)

 

Captain America movie series (1944)

 

Batman movie (1943)

 

Batman and Robin movie (1949)