Tag Archives: Phil Foglio

Girl Genius Thrilled Not To Be On Hugo Ballot

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A recent installment of Girl Genius delivers fresh evidence that Phil and Kaja Foglio like marching to the beat of a different drummer. The pair are ecstatic their comic is not a 2013 Hugo nominee –

“How exactly is this GREAT? We were only supposed to sit out ONE year!”

“Don’t you see? It means we’ve shown them, shown them all! …The Best Graphic Story category is REALLY NEW, and WE won the FIRST THREE! So SOME people said there was no point to the award, since WE’D just keep winning it – which was actually pretty nice of them—“

The Foglios withdrew Girl Genius for 2012 only, but are quite content to promote the health of the new category by leaving the glory to others for another year.

On the other hand, would they be drawing attention to the news in this way unless they were worried the trend might become permanent?

Dragon*Con Addresses Kramer Connection

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Dragon*Con’s management has responded on Facebook to the storm over its continued financial connection to Ed Kramer.

The controversy was energized by Kramer’s extradition from Connecticut to Georgia, where he has been facing child molestation charges since 2000, and a recent article in an Atlanta monthly that raised fans’ awareness that Kramer remains a stockholder in Dragon*Con’s parent corporation and gets dividends from the con’s profits.

Nancy Collins has called for a Dragon*Con boycott and some have answered, notably Kaja and Phil Foglio.

Dragon*Con’s response begins:

There has been a great deal of discussion as of late in the community regarding our continued financial connection to Edward Kramer. Please know that we are as troubled by this circumstance as anyone else, but please also know that there is no simple, legal, solution to this matter…if there were, it would have been resolved long ago.

For the record, Edward Kramer resigned from the Dragon*Con convention in the year 2000. Since that time, he has had no role in the direction or management of the convention; however, he remains a stockholder despite our desires otherwise.

Since Edward Kramer’s arrest in 2000, we have made multiple attempts to sever all ties between Edward Kramer and Dragon*Con including several efforts to buy Edward Kramer’s stock shares. Unfortunately, Edward Kramer’s response to our buyout efforts was repeated litigation against Dragon*Con…th­us our buyout efforts have been stalled. The idea proposed of dissolving the company and reincorporating­ has been thoroughly investigated and is not possible at this point. Legally, we can’t just take away his shares. We are unfortunately limited in our options and responses as we remain in active litigation.

They deny generally the “current flood of ‘information’” sourced in Kramer’s multiple lawsuits against Dragon*Con, claiming “much of this misinformation is being quoted as pure fact despite the reality that a court of law determined that many of the facts and figures provided by Mr. Kramer in his law suits were false, inaccurate or completely fictitious.”

The statement also emphasizes that since 2000, Dragon Con has been managed by three of the original co-founders, Chairman Pat Henry and board members Dave Cody and Robert Dennis. Which is to say – not Ed Kramer.

Regardless whether Dragon*Con management is legally helpless, or just unwilling to do anything that might kill the goose that lays the golden eggs, one fact is clear. People who don’t want to be making a financial contribution to Ed Kramer must find their own solutions. Not giving Dragon*Con any of their money is one.

Collins, the Foglios any many others consider the boycott a necessity to cut off the funds Kramer uses for his legal defense. I make no doubt that Ed uses his Dragon*Con income to pay his lawyers, but let’s not forget that in our system he’s entitled to a defense. If he was broke, the government would have to appoint him a public defender. I won’t characterize it as a problem that he’s defending himself, frustrated as I may be that the charges have lingered unresolved for almost 13 years.

It’s the prosecutors and courts in Georgia I’ve felt should be held accountable for letting Ed scam them into infinite delays, arguing he was unable to assist in his own defense. Quotes from people who saw Kramer out and about prior to his arrest in Connecticut show he considers himself able to work on a film. Why wasn’t anyone in Georgia law enforcement able to bring similar information to light over the years?

[Thanks to James Bacon for the link.]

Foglios Boycott Dragon*Con

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Kaja & Phil Foglio posted today on the Girl Genuis Webcomic Facebook page that they will not be going to Dragon*Con this year because of co-founder Ed Kramer’s history as an accused pedophile, and because Kramer’s significant income from his continued financial interest in Dragon*con (though he is no longer an officer) has afforded him the ability to mount a defense which has helped him avoid going to trial on the charges since they were brought 12 years ago.

The Foglios were invited to come to Dragon*Con as guests and say they will be sacrificing $15,000 of income by skipping the con.

They also posted a link to an article about Nancy Collins’ call for a Dragon*Con boycott.

The Foglios’ announcement has already received over 500 “likes” and 400 shares.

Mining for Foglio’s Gold

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Before Phil Foglio was a prolific and dominant pro artist he was a prolific and dominant fan artist. He racked up two Best Fan Artist Hugos (1977, 1978). Over three decades later, Foglio’s vintage fanzine art is the heart of John Teehan’s new project:

I’ve gotten Phil Foglio to agree to let me (as Merry Blacksmith Press) take a stab at pulling together a bound collection of his early black and white fan art. He doesn’t have much from his early days still hanging around and wouldn’t know where to find them if he did. Kaja might know, but it was before her time and she’s not so sure either.

If anyone can help me track down some art, or help with some scans or originals to scan, I’d greatly appreciate it.

Can you can help? Contact John Teehan at jdteehaniphone (at) gmail (dot) com.

If I were Teehan I’d start looking through the top genzines published from 1976-1978 (or perhaps a little earlier). He not only needs to find Foglio illos, he needs to find well-reproduced copies. The best bet is to search in zines like Outworlds or Simulacrum.

(Foglio once sent me something but I made a mess of it. Save your time, no need to look in old issues of Scientifriction or Prehensile…)

[Thanks to Andrew Porter for the story.]

Tracking Withdrawals from the 2012 Hugos

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A number of past and present Hugo winners, out of a gracious desire to share the wealth, have already announced they will not accept an award nomination in 2012 for a specific category.

Inevitably, these kinds of announcements get distorted in the retelling. Or somebody will post what they wish the person had said, not what they really said. I’ve already seen this happening though Renovation was just last month!

That’s why I thought it would be helpful to run down the correct information about four prior nominees whose real or rumored withdrawals from the 2012 Hugos have made news. Here is their verified status:

Best Graphic Story: Girl Genius (2012 withdrawal)
Best Professional Editor, Long Form: David Hartwell (permanent withdrawal from this category only)
Best Semiprozine: Clarkesworld (2012 withdrawal)

Also, Patrick Nielsen Hayden, who withdrew from the Best Professional Editor, Long Form category in 2011, says he has yet to make up his mind about 2012 — therefore he has not withdrawn as of this writing.

Girl Genius: Phil Foglio must wonder how he could have made it any more clear, with a public announcement at the 2011 Hugo ceremonies, followed by online comic explaining that the decision to bow out affects next year alone.

David G. Hartwell: The popular editor wants everyone to understand he has pulled out of only one category:

I want this to be very clear. I withdrew from one category only, Best Editor Long Form, permanently. I would very much like to be nominated again in Best Editor Short Form, and for NYRSF (or any other category). But I felt after all these years, and finally three wins in four years, that I should withdraw permanently from Best Editor Long Form, as long as it remains a category. And I am pleased to see the way the category has opened up to younger talent.

Neil Clarke, Clarkesworld Magazine: The outspoken champion of the semiprozine category, whose zine won the Hugo in 2010 and 2011, said he wants to see new titles on the ballot:  

Yes, Clarkesworld is withdrawing itself from consideration in 2012. The category has suffered from a history of serial nominees and winners and after two consecutive wins, I felt this was the right thing to do. In stepping down, I hope to encourage people to put their support behind one of the many semiprozines that have never been nominated. There are a lot of worthy candidates. The ballot has been reflecting more of that recently and it’s a trend I’d like to see continue.

Patrick Nielsen Hayden: Patrick withdrew from the Best Professional Editor, Long Form category in 2011 but there’s a reason he has yet to make a decision about 2012:

My only real public statement on the matter was while actually accepting the 2010 Hugo on stage in Melbourne — I said, roughly, that since my colleague David Hartwell and I had now split the four-so-far “Editor Long Form” awards between us, I was going to withdraw from the category in 2011 in order to make sure some other editors got their long-overdue recognition. I meant to write a post on Making Light repeating this, but I never got around to it.

I didn’t commit to withdrawing from the category beyond 2011, and to be honest I haven’t actually made up my mind what I’m going to do next year. I do have one remaining major-SF-award ambition, which is to win a Hugo or something equally whooshy when Teresa is actually in the room. I’ve won a World Fantasy Award and two Hugos, all of them at overseas conventions that Teresa didn’t attend. 

Not that I’m presuming I would automatically make the ballot in future years. As I pointed out to my assistant Liz Gorinsky at the post-Hugos party in Reno, she got the second largest number of nominations, trailing only Lou Anders who actually won. Liz got significantly more nominations than either David or me, and over twice as many as any of the other five runners-up. “That’s crazy,” Liz said. “Hey, numbers don’t lie,” I said. “That’s crazy. That’s crazy. That’s crazy,” was all she would say.

(It is actually a matter of non-trivial pride to me that in 2010, Liz and I were both on the ballot — the first time an editor and his-or-her assistant have been shortlisted for the same Hugo award. In 2010, Liz was also the youngest-ever finalist in any of the editor categories, a record previously set by 31-year-old Jim Baen in 1975.)

[Thanks to Neil Clarke, David G. Hartwell, Patrick Nielsen Hayden, for their comments. ]

Genius Move in the Graphic Story Hugo Category

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Girl Genius has won 100% of the Hugos ever awarded in its category – all three given for Best Graphic Story since the category was provisionally added.  

When the online comic’s creators Phil & Kaja Foglio and Cheyenne Wright accepted their latest rocket at Renovation, Phil announced they would withdraw Girl Genius from consideration in 2012.

Now they’ve also produced an installment of Girl Genius explaining that the decision to bow out for a year is “for the good of the category,” because “we want people to see it’s a viable award.”  

The Best Graphic Story category must be re-ratified by the 2012 Worldcon business meeting or else it will be automatically eliminated.

Many years ago, while accepting a second consecutive Hugo in the Best Fan Artist category, Phil Foglio also withdrew himself (permanently, in that case). That winning streak started just after Tim Kirk had dominated the category for several years, a history that influenced Phil’s memorable line to the 1978 Worldcon audience — “As hard as it is to win one of these, it’s even harder to stop.”

[Via Glenn Glazer.]

Westercon 64 Runneth Over

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Westercon 64, coming this Fourth of July weekend to San Jose, has announced more special events to draw the fans.

There will be a performance of a radio-style play written by artist guests of honor Phil and Kaja Foglio, a themed Saturday afternoon tea with writer guest of honor Patricia McKillip, and a focus event on the guests moderated by Terry Bisson from the SF in SF reading series.

But wait, there’s more! The full press release follows the jump.

Continue reading →

Lost: My Mind

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Kaja and Phil Foglio

Phil Foglio is a Loscon 37 Guest of Honor. Now famed for his Girl Genius online comic, he came to early prominence as the artist who partnered with Robert Asprin in 1976 to create “The Capture”, a very funny graphic story presented at cons in slide show form that became the first faannish production ever nominated for the Best Dramatic Presentation Hugo.  

Even though it’s Phil’s pro work that Loscon is focusing on, this was the reason I remembered “The Capture” today. Or tried to.

I don’t know if I’ve seen it again since 1976 when I sat in a darkened ballroom at MidAmeriCon while the images flashed by and Robert Asprin narrated. Or so I almost remember.

And that afternoon the hilarity and excitement built as the audience repeatedly and ever more loudly filled in the comic line that drives the story, which is….  Which is…

I thought I was losing my mind. How could I remember sitting in that ballroom and not remember the joke?

I thought — Man, I’m embarrassing myself here. What if fans found out this happened to me?

Just thank goodness that we have the internet. I knew Google would save me because it can always find the answer even when my question is wrong.

Except not today.

You know the joke about trying to look something up in the dictionary that you don’t know how to spell? It’s like that. If you misremember the catchphrase as being “no such thing as ____” there isn’t a search engine in the world that can help you.

Originally I expected Google or Bing to return the answer if I merely searched Foglio and “The Capture”, but that was too general for them to work with. That search returned a lot of websites that know a coloring book was made from the show art, or that Robert Asprin shared credit, but provide very little detail about “The Capture” itself, not even the iconic tagline. Nor is there a Wikipedia article about “The Capture”, only a reference to it on a disambiguation page, and another in the article about Foglio himself, “The Capture” formatted as one of those pathetic red-colored links Wikipedia uses when it wishes somebody would write an article about the thing, except nobody does because they’re annoyed that the last entry they did had 17 warning labels slapped on it by the Wiki guardians for bad formatting, lack of citations and halitosis.     

So I recommend that if you ever find yourself in a situation where Google and Bing have failed – and with the onset of increasing age who won’t? – you should do what I did.

Ask Craig Miller.

He’ll know.

Once Craig reminded me about gremlins I could get any search engine to fill in the rest, just like a bank that’s always ready to lend money to people who don’t need it. “Gremlins do not exist!” is everywhere on the internet. Armed with the correct catchphrase it is no trouble at all to find thousands of references, including the concise description I will use as a closing quote, written by Jerry Pournelle as part of a reminiscence about the late Kelly Freas:  

Kelly was the “star” of a famous science fiction skit called “The Capture”, based on the premise that a World Science Fiction Convention was held on a cruise ship in the Bermuda Triangle, and the inevitable happened: all the passengers were taken aboard an alien spaceship. The skit was done as a series of reports by the alien expedition commander. Most of the reports received advice from headquarters that “Gremlins do not exist,” although it was clear from what was going on with the detainees that perhaps there was a gremlin among them. It would be no favor to Robert Asprin and Phil Foglio who created this remarkable presentation to try to summarize it, and I don’t suppose it was recorded, which is all our loss.

Life Found on Denver

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Worldcon coverage on the Internet – Eureka!

Fast Forward: Contemporary Science Fiction has posted a several-minutes-long video blog about Denvention Day 1. It’s rather good, too, mixing brief interviews with various fans (among them, Michael Walsh and Phil Foglio), shots of a Registration line already made notorious by Cheryl Morgan, and excerpts from Opening Ceremonies and a Rick Sternbach program item. The small-format video came through with jewel-like clarity on my computer. Highly recommended.

The League of Extraordinarily Selfless Fan Artists

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Frank Wu has preemptively announced that he will decline if nominated for Best Fan Artist in 2008.

“This essay is incredibly hard to write. I don’t want to be misunderstood, to come across as churlish, arrogant, calculating or ungrateful…. Having won three Hugo Awards for Best Fan Artist, in three of the last four years, I have decided that – should I be nominated – I will decline the nomination [in 2008],” wrote Frank in an editorial published in Abyss and Apex issue 24, dated the fourth quarter or 2007.

I learned about Frank’s decision when his editorial popped up in response to a Google search about another fan artist. Such news must have been reported and discussed long since (though not anywhere Google could show me). Such a remarkable example of selflessness is worth retelling, in any case.

Frank thoughtfully explains that his decision has been made for the sake of the vitality of the Best Fan Artist Hugo category. He wants to “break the logjam” for other fan artists like Alan F. Beck, Taral Wayne, Dan Steffan, Marc Schirmeister, Alexis Gilliland, and Stu Shiffman. (Though Frank surely must know Gilliland and Shiffman have won before.)

To help show that withdrawing is not an ungrateful response to his popularity, Frank lists many other people who withdrew from past Hugo races. He might have added the two most important examples from the Best Fan Artist category itself. There’s not another category where serial winners have been so conscientious about sharing the limelight.

Phil Foglio won the Best Fan Artist Hugo in 1977 and 1978. During his last acceptance speech, Foglio withdrew from future fanartist Hugo consideration saying, “I know how hard it is to get on the list, and once you do it’s even harder to get off.” Victoria Poyser won the category in 1981 and 1982, then announced she would not accept future nominations. Foglio and Poyser both went on to professional success.

Frank does tell how Teddy Harvia and Brad Foster declined their nominations in 1997. He speculates, “Apparently they were trying to clear the path for fellow nominee Bill Rotsler, who would pick up his Hugo and then pass away a month later.” Well, no. Just the previous year (1996) Rotsler had won the Best Fan Artist Hugo, a Retro Hugo, and a Special Committee Award. He’d already cleared his own path.  The reason Harvia and Foster gave in 1997 is that they had a self-perceived conflict of interest created by their close involvement with the San Antonio Worldcon. Foster had drawn the covers for all the Progress Reports, and Harvia contributed other art. They made a highly-principled decision. A past progress report artist had been criticized for having an unfair advantage over competitors for the Hugo — that’s fandom for you, where someone demands that our top talents forego Hugo nominations as a condition of being allowed to provide art for free!