Pixel Scroll 3/11/16 Guardians of the Fallacy

(1) SF BEER. Poul Anderson used to set great store by Heineken beer. This billboard ad from the 1970s claims Mr. Spock did, too.

Spock-744x419

(2) SYFY PROTOTYPE. Deadline tell us “Cote de Pablo Poised To Star In Syfy Pilot ‘Prototype’”.

EXCLUSIVE: NCIS alumna Cote de Pablo is nearing a return to series television. I have learned that the fan favorite is in negotiations to play the female lead opposite Jack Davenport in Prototype, Syfy’s sci-fi thriller drama pilot written by Tony Basgallop (24: Live Another Day). It centers on three unlikely cohorts  — two of them played by de Pablo and Davenport — who inadvertently stumble upon an invention that challenges the very nature of quantum physics – a discovery which in turn puts their lives in grave danger.

De Pablo would play Laura Kale, a driven, extremely intelligent mother of two. Excited about a potentially world-changing machine being developed by herself and two partners, she is certain that she is on the brink of something history-making. Propelled by a shot at glory, she is not about to give up despite numerous setbacks.

(3) AUTOGRAPHED LENSMAN. Heritage Auctions is already taking bids for items in its “April 6 Rare Books Grand Format Auction”.  The chair J.K. Rowling sat in to write a couple of Harry Potter books is on the block. So is an autographed boxed set of the Fantasy Press edition of E.E. “Doc” Smith’s Lensman series – they’re looking for an opening bid of $2,000.

Edward E. (“Doc”) Smith. The History of Civilization, including: Triplanetary, First Lensman, Galactic Patrol, Gray Lensman, Second Stage Lensman, Children of the Lens. Reading: Fantasy Press, 1955. First edition, limited to seventy-five numbered sets, of which this is number twenty-four. Each volume signed by the author and volume one additionally warmly inscribed to Smith’s “friend and fellow-toiler in the vineyard of SF,” Ben J[—]. Six octavo volumes. Publisher’s special binding of quarter reddish-brown leather over brick red cloth-covered boards, spines lettered in gilt, in publisher’s original box. Books very nearly fine with only minimal rubbing to spine ends and light soiling. Box edges worn, some lid edges split with tape at corners. From the collection of Dr. Stuart David Schiff.

(4) ANOTHER REASON MCDEVITT ROCKS. Locus Online reports the International Astronomical Union has approved a proposal to name an asteroid after sf writer Jack McDevitt:

The asteroid, now known as “Jackmcdevitt,” is designated 328305, and was discovered in 2006 by astronomer Lawrence Wasserman at Kitt Peak observatory in Arizona.

(5) WHY BATMAN STINKS ON ICE. ScreenRant will happily tell you the “13 Worst Things About Batman & Robin”.

11. Bat Ice Skates

Again, in a continuation of the bizarre ‘60s Batman mythos, Joel Schumacher’s take on the Dynamic Duo is filled with a collection of oddly specific bat-gadgets. Considering that Batman had no idea that Mr. Freeze would turn out to be the big villain of the movie, it’s strange that he had already prepared a collection of ice-themed accessories, including a jet ski and special ice-themed costumes.

In their first run-in with Mr. Freeze, upon discovering that the floor has been frozen solid, Batman and Robin activate their “bat ice skates,” which appear out of the bottom of their boots with a click of the heels. The convenience of this gadget takes the silly accessories of Batman’s utility belt from the ‘60s show to a cinematic extreme, adding fuel to the fire of the joke that Batman’s true superpower is his magic utility belt which can produce anything the plot requires it to.

(6) GRAPHIC MARCH MADNESS. Comic Mix is getting ready to run webcomics brackets — “Announcing the 2016 Mix March Madness Webcomics Tournament”

Yes, it’s that time of year again, the time where bracketology reigns supreme and the cry around the nation is “Win or Go Home!” Last year’s Mix March Madness Webcomics Tournament was incredibly popular, and so we’re doing it all over again– and raising money for the Hero Initiative in the process!

We’re giving you a list of over 300 webcomics, and we want your votes . We’re taking the top 128 and putting them in a single elimination tournament where we whittle down the contestants down to one. The top 128 vote getters make it into the tournament, with the biggest getting top seeds. The voting ends Sunday, March 13 at 11:59 PM EDT, and brackets go up on Monday, March 14!

Simply check off the strips you want to see in the tournament below. If there are webcomics you don’t see, check “Other” at the end and include the strip name AND THE URL. We’ll add them to the main list periodically for higher visibility.

(7) FREE AUTOGRAPHS. The West Australian has a story on the Australian national convention — “Perth fandom unites for 41st Swancon”. It’s funny what you have to explain to people nowadays.

Beasley said Swancon welcomed the increase interest in fandom these nationally-run conventions bought but he hoped the local version could always retain its more intimate, community feel.

“You will most likely see our guests wandering around the hotel interacting with anyone who buys them a coffee,” he said.

“The membership fee covers everything contained in the convention and our guest signings are also free.”

(8) WILL BLOOM AGAIN. Rachel Bloom’s Crazy Ex-Girlfriend series will get a second season.

(9) TODAY IN HISTORY

  • March 11, 1818 Frankenstein published.
  • March 11, 1971: George Lucas makes his feature debut with THX-1138.

(10) TODAY’S BIRTHDAY BOY

  • Born March 11, 1952 – Douglas Adams

(11) DYEING OUTSIDE. Cat Rambo’s “Pink Hair Manifesto” at Medium.

The first time I dyed it, I was about to head off to my first Wiscon?—?a large feminist science fiction convention held yearly in Madison, Wisconsin. As I’ve found the case at sf conventions since then, I wasn’t the only person there with an odd hair color; I glimpsed rainbows of pink, blue, and green. And I realized it was becoming. Complete strangers would lean over and whisper, “I like your hair,” including two flight attendants on the way home.

After the con the color faded, softer and softer, until finally, when I went to get a haircut, the hairdresser was cutting away dusty rose tips. I looked in the mirror and saw a middle-aged woman with a short, practical cut.

I bought a new kit on the way home and re-pinked my hair that afternoon….

That’s another reason why I dye it pink. People talk to me. There’s something about the color that draws them to ask about it or say that they like it. The only person I’ve ever found who disapproved outright was a relative’s girlfriend. She didn’t last. My hair color has.

But more than that, the pink forces me to talk to people as well. I’ve habitually toed the line between introvert and extrovert, depending on which Meyer Briggs results you look at, and I like the fact that the pink pushes me outside myself, makes me be socially brave in a way I’ve sometimes retreated from.

(12) RABID PUPPIES. Vox Day moves on to the novella category of his slate — Rabid Puppies 2016: Best Novella.

The preliminary recommendations for the Best Novella category.

  • “Fear and Self-Loathing in Hollywood”, Nick Cole
  • “Penric’s Demon”, Lois McMaster Bujold
  • “Hyperspace Demons”, Jonathan Moeller
  • “The Builders”, Daniel Polansky
  • “Slow Bullets”, Alastair Reynolds

(13) HOW DEADPOOL BEGAN. Steve Fahnestalk’s latest “Second Looks” column at Amazing Stories includes two reviews — “Marvel’s Deadpool & Ant-Man and Some Words on Writing”.

And now we come to Deadpool. I was vaguely familiar with the character—I think I’d read a recent Spiderman with him in it (one of the ones after Miles Morales became Spiderman). I knew he was called “The Merc With The Mouth,” and that he apparently couldn’t be killed, but I knew little else about him. Now I know that he’s been around for—wait for it!—25 years! (Thanks, Wikipedia!) I also found out, courtesy of the Wiki, that he was played by Ryan Reynolds already in X-Men Origins: Wolverine, and that he was the dude who had everyone’s powers including Cyclops’s, and whose head was cut off and destroyed the atomic cooling tower! Whoa! Looks like I needed a crash course! (So I got some fairly recent Deadpools, like Deadpool – Dracula’s Gauntlet and Deadpool’s Secret Wars [both 2015], and read up a bit.) And from what I can tell, by casting Ryan Reynolds in this movie, Marvel (or whomever did the casting) really, really nailed the character. He’s profane, obscene, funny, athletic, heroic and antiheroic, mouthy, sexy, and a whole lot more.

(14) HOW DEADPOOL SHOULD HAVE ENDED. Yes, the How It Should Have Ended team has fixed Deadpool for ya.

[Thanks to Andrew Porter, Glen Hauman, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]

Pixel Scroll 11/5 The Scrolls of His Face, The Pixels of His Mouth

Leia SW poster

(1) Star Wars: The Force Awakens character posters are out.

(2) The WTF Bad Science Fiction Covers took a detour to Canadian sci-fi and comics.

Batman and Robin fail to prevent yet another Mountie murder due to their fondness for midnight, off-piste jaunts.

(3) Speaking of the Dynamic Duo, Batmobile designer George Barris passed away this morning at the age of 89.

In the ’60s TV show “Batman,” the Batmobile was powered by atomic batteries, equipped with a radar scope and “bat beam,” and slowed by parachutes. The latter really worked — Barris was once pulled over on the Hollywood Freeway for using them.

For many years, Barris’ handiwork was all over the television screen. He created the Munsters Koach — a combination of three Ford Model T’s — for “The Munsters”; the surfboard-topped, flower-decaled Barris Boogaloo for “The Bugaloos”; and the convertible version of KITT from “Knight Rider,” among many.

(4) Kalimac researches a Worldcon tradition.

The San Jose Worldcon bid wants to crowdsource suggestions for Guests of Honor. It says that among “the traditional criteria for Worldcon Guest of Honor consideration” is “an established career, usually considered to be 30 years from entry into the field.”

And I wondered, how long has it been 30 years? In the early days, the SF field hadn’t been around very long, and because it was small, new names could easily make a big impact. I remembered that Robert Heinlein was GoH at the third Worldcon in 1941, only two years after he sold his first story. That would be highly unlikely to happen today, even for another Heinlein.

So I made a list of all the professional fiction writers who’ve been Worldcon GoH over the years. Just the authors, because the SF Encyclopedia is conscientious about listing first published stories, but it’s not so rigorous with the entry dates of artists or other categories of pros. Making a quick chart, I found that less than 30 years was the rule up until about 1970, and, that among authors, only Hugo Gernsback (1952, 41 years since his first published SF story, but he was really honored as an editor, and it was only 26 years since he’d founded Amazing), Murray Leinster (1963, 44 years), and Edmond Hamilton (1964, 38 years) exceeded it, though a few others came close.

Since 1970, under-30s have been less common, though for many years they still occurred frequently (Zelazny, 1974, 12 years; Le Guin, 1975, 13 years; Ellison, 1978, 22 years; Haldeman, 1990, 21 years; and some others). But since 2001, there have only been two authors with less than 25 years: Bujold in 2008 (23 years), and 2017’s Nalo Hopkinson (who will be 21 years at that point).

(4) Amy Sterling Casil’s engaging and substantial new post for Medium has a satirical title, but here’s what it’s really about —

This article is about 3 fantastic women artists whose work was sold or misidentified as painted by a man. This is only connected to Tim Burton in the sense his film Big Eyes about Margaret Keane (Medium readers may know the film as featuring Bond villain Christoph Waltz) introduced me to the concept that rather than my personal problem, I might just be one of the more recent members of a long line of women whose creative work had been literally misappropriated by men. As in “sold for profit under male names” like Frank Keane did to “Big Eyes” artist Margaret Keane until she fought back in court and won.

(5) Like anyone, Joe Vasicek sometimes bounces off books, and not necessarily the ones you’d predict (Brandon Sanderson!).

He discussed several examples in a post on One Thousand and One Parsecs“Books I haven’t been able to finish”.

The Subtle Knife by Phillip Pullman

On this I have to plead guilty of letting my own personal sentiments get in the way of enjoying the story. I read The Golden Compass and LOVED it… right up to the last five pages. I HATED the ending of that book—SO dissatisfying, as if the author had stuck out his tongue at me and said “neener neener neener! I’m not going to give you the ending you want—better read the next book!”

UGH. I hate that.

So I came at this book a little prejudiced. I read the first page with a judgmental eye, thinking “nope, no hook on the first page. Oh, and there’s an unnecessary adverb, and there’s a said bookism, and there’s a…” etc.

Still, I didn’t let that stop me from reading on, and after the first chapter, I was interested in the story. I just wasn’t… I don’t know, interested enough. The book stayed in my car, I got busy with other things, and eventually just dropped it.

(6) More people don’t bounce off Philip Pullman, whose epic fantasy trilogy His Dark Materials is going to be produced as a drama series for BBC One.

To be made in Wales, the series, which will be told across “many episodes and series” has been commissioned by Charlotte Moore, controller BBC One and Polly Hill, controller BBC Drama Commissioning, and will be produced by Bad Wolf and New Line Cinema.

Hill said: “It is an honour to be bringing Philip Pullman’s extraordinary novels to BBC One. His Dark Materials is a stunning trilogy, and a drama event for young and old – a real family treat, that shows our commitment to original and ambitious storytelling.”

His Dark Materials consists of the Northern Lights, first published in 1995, which introduces Lyra, an orphan, who lives in a parallel universe in which science, theology and magic are entwined. Lyra’s search for a kidnapped friend uncovers a sinister plot involving stolen children and turns into a quest to understand a mysterious phenomenon called Dust. In  second novel, The Subtle Knife, she is joined on her journey by Will, a boy who possesses a knife that can cut windows between worlds. As Lyra learns the truth about her parents and her prophesied destiny, the two young people are caught up in a war against celestial powers that ranges across many worlds and leads to a thrilling conclusion in the third novel, The Amber Spyglass.

(7) Mark Lawrence answers the question “Do author blogs matter? One million hits”

Very soon this blog of mine will pass 1,000,000 hits – it has 994,396 at the time of posting and averages around 1,400 hits a day.

I blog when I feel like it and generally don’t feel under pressure to come up with something to ‘fill the space’.

The high traffic author blogs tend to be political, championing the causes beloved of the more extreme left or right. I don’t go there. I’m more about curiosities of the genre, the business of writing, info graphics, and random shit.

I do get a lot of authors asking me whether blogging is ‘worth it’. Mostly they’re people who don’t want to blog, find it a chore to come up with regular posts, but worry that they’re somehow letting themselves down if they don’t – missing out on book sales that would otherwise be theirs.

So, is blogging ‘worth it’?

I tend to tell the authors who ask me this question that they can probably relax. If they enjoy blogging, go for it. It might help a little. But if they don’t enjoy it, just don’t. My feeling is that the difference between bestseller and getting pulped isn’t ever going to swing on whether you blogged.

(8) Kate Paulk ostentatiously pays no attention to Ancillary Felapton’s “An open letter to Kate Paulk” in “That Moment When” at Mad Genius Club.

Seriously, folks, when the best you can manage in so-called critique is to claim that something I wrote was poorly written (without evidence of my alleged poor writing – which means it’s probably a case of either “oooh, my feelz” or “I don’t get it, it must be horrible”) and then go on to repeat every single tactic I dissected with hardly any variations, you’re doing it wrong. You’re also kind of amusing, in a train-wreck kind of way.

I’m not going to bother dissecting this rather shallow bit of hurt feelings – I’d spend more time on it than it deserves and hand the so-called author more page views and it really isn’t worth that (yes, it. Since this particular author is using a handle that’s not obviously male or female, and is clearly so far in the non-binary-gender camp it’s through the other side or something, I can’t default to “he” or “she”. I’m writing in English, which leaves “it” as the sole option for the non-binary-gender sort.)

(9) Brad R. Torgersen wonders, could this be “The Year Without Politics?”

My Facebook friends have also noticed that I am dialed up extra-cranky about the cultural Chekist infestation that’s plaguing social media right now. I was prepared to launch into a lengthy tirade about the whole schizophrenic mess, but (irony of ironies) Bill Maher did it for me!

Now, nobody can accuse me of fondness for Maher; he’s far too much of a raging anti-theist. But I think he nailed it right between the eyes with his Halloween 2015 commentary. It really says something when a chap like Maher is going off on the Politically Correct. His point at the end is especially apt. It’s something I’ve been saying for awhile now: the cheap “virtue” of internet slacktivism, is no virtue at all. It’s just self-righteous no-effort self-huggies for people who don’t want to break a sweat, nor get their hands dirty. You want to make the world better? Get off the damned internet and go do something that takes work. Otherwise, you’re not helping anyone, or anything.

Which takes me to Sad Puppies — or, rather, the people who fought against Sad Puppies with every fiber of their being. Because when the Hugo awards went off-script, it was literally a catastrophe so terrible and great that the Puppy-kickers pulled out all the stops to challenge Lord Vox in the Ritual of Desecration.

(10) Kermit is in trouble with more than just Miss Piggy –  “’The Muppets’ Showrunner Exits ABC Series”.

Bob Kushell is exiting ABC’s “The Muppets” as showrunner, TheWrap has learned.

Kushell’s exit comes amid reports that the executive producer clashed with co-creator Bill Prady on the creative direction of the series. No official replacement showrunner has yet been named.

The news comes after the network gave the freshman comedy an additional three episode order last week, bringing the total number of episodes for the first season to 16. The show’s most recent outing scored a 1.4 rating among adults 18-49 and an average of 4.5 million viewers during its half-hour run.

(11) This Week In History

(12) In NASA news, “Researchers Catch Comet Lovejoy Giving Away Alcohol”.

Comet Lovejoy lived up to its name by releasing large amounts of alcohol as well as a type of sugar into space, according to new observations by an international team. The discovery marks the first time ethyl alcohol, the same type in alcoholic beverages, has been observed in a comet. The finding adds to the evidence that comets could have been a source of the complex organic molecules necessary for the emergence of life.

Poul Anderson would have enjoyed this discovery – and perhaps used it as an excuse for a sequel to his short story “A Bicycle Built For Brew”.

(13) Alastair Reynolds reviews ”Asimov’s April/May 2015 double issue” on Approaching Pavonis Mons by balloon.

Unfortunately – for me, anyway – the lead story in this issue, “The New Mother” by Eugene Fischer, was one of those pieces I couldn’t finish. I did try. It’s an extremely lengthy account of the emergence of a strange new sexually transmitted pandemic that gives rise to diploid eggs, allowing for “virgin” births. It’s competently told – there’s nothing clumsy about it on a line by line or even page by page level – but the net result is, to my eyes, dull, diagrammatic storytelling, propped up by lengthy infodumps in the form of article excerpts. If you’ve ever wondered how the American medical system would respond to the kind of pandemic outlined in the story, it’s probably accurate enough in its imagined details, but despite two goes I couldn’t get more than a few dozen pages into it. I wasn’t engaged by the journalist protagonist, her situation, her travels, the dull-but-credible dialogue. The stuff I want from short science fiction – colour, pace, weirdness, estrangement, invention, language, mood … it’s all absent here. Sorry.

(14) Lis Carey’s review of “The New Mother” was rather more enthusiastic, though she also identifies a serious flaw (not quoted here).

I was totally caught up in it. This is in many ways a very American story, with the issues surrounding HCP  very tied up with American culture wars issues. That’s not a weakness, but it is a reason this story may be less accessible to non-Americans.

(15) Today In History

  • November 5, 1605 – Guy Fawkes is caught guarding a cache of explosives beneath the House of Lords, foiling the Gunpowder Plot. The date is set aside by Parliament for thanksgiving. Guy Fawkes Day comes to be celebrated with bonfires and fireworks. (The photo comes from an old issue of Tops.)

Tops 2

(16) Tammy Oler’s review of Ancillary Mercy at Slate, “Oh, the humanity”. SPOILER WARNING.

Central to Leckie’s trilogy is how important it is to feel a sense of control over one’s identity and how being recognized is a precondition for having power. These themes are not exclusive to one particular time or place, of course, but Leckie taps acutely into the feelings (and fears) that drive current American politics and movements for change. One of the chief pleasures of the trilogy is just how many wrongs Breq tries to make right and how committed she is to making incremental progress even when problems become fraught and complicated. Breq’s actions are underscored by her profound grief, anger, and shame that give way, even if just a little bit, to the solace and hope she finds in her crew and her makeshift family of A.I.s. The end of Ancillary Mercy is satisfying because it is so very un-Radchaai: diverse, messy, and honest. “In the end,” Breq realizes, “it’s only ever been one step, and then the next.”

(17) Famous Monsters’ Caroline Stephenson reviews Tamashii Nations’ samurai-inspired Ashigaru Stormtrooper.

(18) Today’s Scroll closes with this 30 for 30-style documentary remembering the magical season chronicled by Angels in the Outfield….

No one will ever forget the incredible run the 1994 California Angels made on the back of Mel Clark. It was a team in disarray, managed by former cop Roger Murtagh, beloved by Joseph Gordon-Levitt, and starring Rust Cohle in centerfield. Despite the early season disaster, somehow, the team turned things around and went on to win the pennant.

ESPN’s 30 for 30 didn’t remember this improbable run in baseball history, probably because it’s from a movie, but College Humor did. The result is a five-minute mockumentary of pure perfection.

 

[Thanks to Michael J. Walsh, Will R., Hampus Eckerman, Susan de Guardiola, John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Fandom’s Most Beloved Typo

Wordnik.com’s “Word of the Day” for May 25 is “filk” —

adj. (adj) About or inspired by science fiction, fantasy, horror, science, and/or subjects of interest to fans of speculative fiction; frequently, being a song whose lyrics have been altered to refer to science fiction; parodying.

The Wordnik post takes its definition from the Wikitionary entry for “filk”.

Unlike most developments in the history of popular culture, how the word “filk” got its start is precisely known. Lee Jacobs typoed the word “folk” in the title of his manuscript “The Influence of Science Fiction on Modern American Filk Music” intended for distribution in a mailing of the Spectator Amateur Press Society in the early 1950s. While I’ve never seen the article and can’t say what the problem was, Wrai Ballard, SAPS’ official editor at the time, feared its bawdy content could get him into trouble with the Post Office under the Comstock Laws and he refused to send it out. Ballard nevertheless enjoyed the typo, as did the others he told about it. “Filk music” rapidly became part of the faannish jargon.

Thanks to Lee Gold, we even know that the first composition to designate itself a filksong was “Barbarous Allen”, lyrics attributed to Poul Anderson, in Karen Kruse Anderson’s SAPSzine Die Zeitschrift für Vollstandigen Unsinn #774 (1953).

[Thanks to Sam Long for the story.]

Disaster Tourism

Eyjafjallajokull in Iceland.

In these Phil Dick-ian times it’s a coin toss whether an idea will be imagined as an sf story before it really happens and gets reported by journalists.

Take “disaster tourism.” Just the other day MSNBC ran a report by a writer who took a tour of Chernobyl:

Even before the crisis at a Japanese nuclear plant broke out in March, interest in visiting Chernobyl was growing so much that the Ukrainian government started an initiative to bring in more visitors by streamlining procedures for signing up for the tours.

“We want to say ‘come and see for yourselves,'” Emergencies Ministry spokeswoman Yulia Yershova told The Associated Press. Then she added a remark indicating that the meaning of Chernobyl is elusive even for those who live closely with it: “We want to dispel the myth that Chernobyl still remains dangerous for Ukraine and the world.”

But Chernobyl is in fact still a dangerous place, as the rules for visitors make clear. Don’t touch any structures or vegetation, don’t sit on the ground or even put your camera tripod there, don’t take any item out of the zone, don’t eat outdoors. Guides make sure the visitors understand that various spots in the zone are more contaminated than others and insist no one wander off the designated paths.

I was initially going to spin the story of “disaster sightseeing” tours to Chernobyl as more-science-fictional-than-science fiction. But doesn’t this precise combination of morbid curiosity and imagination drives a great many sf stories?

One example that comes to mind is Kage Baker’s “Company” story, “Son, Observe the Time,” set on the eve of the San Francisco Earthquake. Baker’s story involves much more than the quake – because a lot of smash and crash, without more, doesn’t add up to a story. And that fact is one of the ironic distinctions between fiction and reality. Loads of people want to visit real life scenes of wreckage and ruin, and no character development or plot resolution is needed.    

There are guided bus tours to New Orleans neighborhoods that were severely damaged by Hurricane Katrina. Discover The World, a British tour operator, runs a “volcano hotline” and calls travellers as soon as a volcano erupts, offering them a trip to see it. Tourists left for Eyjafjallajökull in Iceland within 48 hours after the eruption began:

From a couple of miles away, we first catch sight of the crater, spewing fire into the darkening sky, and we stop to take photos. This is dramatic enough, but our guide motions at us to start up the snowmobiles again and we head closer. Suddenly, we crest a rise, the ice turns from white to ashen black, and the fiery crater is there before us, no more than 500m away. The sight is mesmerising, but oddly familiar from films and TV – you have to remind yourself this is for real. The sound is thrilling and unexpected though, a succession of low booms as the lava explodes up 100 metres into the air, then comes crashing to earth.

Where science fiction writers have the edge on travel agents is that they can send people to the edge of jeopardy in cosmic environments that can only be reached in the imagination, like Poul Anderson’s Flandry, stranded on the surface of a Jovian world and trying to imagine how to attract the attention of alien rescuers, or Niven’s Beowulf Schaeffer snared in the tidal pull of a black hole.

Edd Cartier Passes Away

Cartier illustration for Hoka story

Edd Cartier, who created some of the signature images from the Golden Age of Astounding Science Fiction, including the one above for Dickson and Anderson’s Hoka tales, died on Christmas Day at the age of 94. Robert Greenberger’s obituary for ComicMix reminds that Cartier not only was John W. Campbell’s favorite artist, he also did hundreds of illustrations for Street & Smith’s other magazines, such as The Shadow, Red Dragon and Super-Magician Comics.

Here is a link to a gallery of his art, including images collected and published as a 1950 calendar by Gnome Press:  http://www.scanraptor.com/hiper/ecartier2.htm

 

[Thanks to Andrew Porter for the link.]

Where Real Writers Work

The desk and chair Charles Dickens used while writing Great Expectations sold for £433,250 at auction in early June. It is the original of the desk shown in Filde’s drawing known as “The Empty Chair” and upon it were written Dickens’ last works.

When I looked at “The Empty Chair” I immediately wondered: How did Dickens ever get any work done in such a neat room? Impossible. Someone must have cleaned it up before they let the artist in. I don’t know any writer who could even begin to work in such a sanitized environment.

Certainly Dickens’ contemporary Mark Twain didn’t. Go to the interactive map of Mark Twain’s House. Click on the Third Floor “Billiard Room” to see where Samuel Clemens did Mark Twain’s work. Even now that it’s a museum, the curators haven’t forgotten to spread around some clutter to simulate the great man at work. (While you’re there, click on the First Floor “Entrance Hall” and look at the three-story spiral staircase. Legend holds that whoever seeks to be a writer should touch the staircase’s mahogany railing. Now wipe the fingerprint off of your monitor.)

Thanks to Google, it’s easy to find lots of photos of science fiction writers’ offices to illustrate the same point. A collection of links appears after the jump.

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