Pixel Scroll 8/22/17 One Pixel Makes You Larger, And One Pixel Makes You Scroll

(1) CHILDHOOD’S BEGINNING. When people finally stop sending letters, here’s the kind of thing we’ll be missing: “UK toys celebrated on Royal Mail stamps”.

The UK’s favourite toys from the past 100 years are being celebrated in a new set of stamps from the Royal Mail.

Characters in the set include the Sindy doll and Action Man, as well as brands like Spirograph, Stickle Bricks and Fuzzy Felt.

Meccano, the Merrythought bear, W Britain toy figures, Space Hopper and Hornby Dublo trains also feature.

The series of 10 stamps will be released on Tuesday at 7,000 post offices and to buy online.

Royal Mail spokesman Philip Parker said: “British toymakers enjoyed a reputation for quality and innovation.

“These nostalgic stamps celebrate 10 wonderful toys that have endured through the decades.”

 

(2) PARDON MY SHADOW. If someone had not added “photobomb” to the language, this would not be nearly so clickworthy: “The International Space Station just pulled off the photobomb of a lifetime” at Quartz.

Captured by NASA photographer Joel Kowsky while looking up from Banner, Wyoming, perfectly timed images show a tiny ISS passing in front of the sun.

(3) WABBIT TWACKS. Ricky L. Brown tells Amazing Stories readers about a bizarre crossover project in “Comic Review: Batman/Elmer Fudd Special #1”.

Batman/Elmer Fudd Special #1 was written by Tom King (The Vision, The Sheriff of Babylon) with cover and interior art by Lee Weeks (Daredevil) while color was provided by Lovern Kindzierski (Marvel) and lettering by Deron Bennett (DC, Vault).

This unique crossover is part of a six issue DC Universe / Looney Tunes One-Shot collection. In addition to the Batman Fudd combo, the list of other comics includes: Legion of Super-Heroes/Bugs Bunny Special #1 written by Sam Humphries with art by Tom Grummett and Scott Hanna (June 14, 2017); Martian Manhunter/Marvin the Martian Special #1 written by Steve Orlando and Frank Barberi with art by Aaron Lopresti (June 14, 2017); Lobo/Road Runner Special #1 written by Bill Morrison with art by Kelley Jones (June 21, 2017); Wonder Woman/Tazmanian Devil Special #1 written by Tony Bedard with art by Barry Kitson (June 21, 2017); Jonah Hex/Yosemite Sam Special #1 written by Jimmy Palmiotti with art by Mark Texeira (June 28, 2017). Though these are billed as “one-shot” issues which are typical stand-alone stories, we can only hope/assume that DC Comics has left the window open for many more installments down the line seeing that they chose to include ”#1” in the title designations on their website. Just sayin’.

(4) POD PEOPLE. Fandompodden interviewed current and future Worldcon organizers for its first podcast in English. (They’re usually in Swedish.)

This is our very first English speaking podcast aiming new and old international fandom friends. We have three amazing interviews from the recent Worldcon 75 in Helsinki. Jukka Halme, supreme overlord of the finnish Worldcon. Dave Clark of the San Jose organisation and finaly Steve Cooper and Emmy England of Dublin 2019. Your host for the show is Håkan Wester and Patrick Edlund. Enjoy

(5) CATALANO REJOINS GEEKWIRE. You can now listen to the first episode of GeekWire’s new podcast interview/article series which Frank Catalano is hosting/reporting. It’s about pop culture, science fiction and the arts, and how one of those three topics intersects with tech. The first guest is Greg Bear, on the state of science fiction: “Science fiction has won the war: Best-selling author Greg Bear on the genre’s new ‘golden age’”.

“Nowadays, there’s so many private ventures that when I wrote the War Dogs series, I made the private ventures face forward, and called the Martian colonists Muskies, as a tribute to Elon’s dreams, if not to what the reality is going to be,” he said.

Seattle is a hotbed of science fiction thinking in all these corporations.

As a “hard” science fiction writer who does extensive research, Bear has dived into everything from nanotechnology (his 1983 novel Blood Music is credited by some as being its first use in science fiction) to planetary science. A current fascination, in part because it’s a key setting in the War Dogs trilogy, is Titan. “It’s got a hazy orange layer,” he explained. “It’s full of plastics, and waxes, and organic chemistry. Then, it turns out, it’s actually got a water ocean underneath.”

Access the podcast directly here. (parts of it will also air on KIRO-FM Seattle, as well as be available for streaming).

Some of the top films, TV shows and books today are what was once called “genre fiction,” like sci-fi and fantasy. So is it a golden age for the geeky arts? Or is this mainstream-ization of geek culture more ominous? We explore that question with renowned sci-fi author Gret Bear in the first episode of our special pop-culture podcast series, hosted by Frank Catalano.

Catalano says, “Upcoming episodes will include interviewing SFWA President Cat Rambo about the relevance of awards in science fiction and fantasy and the role of diversity, and curators at Seattle’s Museum of Pop Culture (MoPOP) about the challenges in preserving science fiction and fantasy artifacts from film and TV that were never designed to last. More episodes to come after that, probably at the rate of one or two a month (as my day job allows).”

(6) FUNNY BOOK SALES FALL. Rod Lamberti reports “Comic Store In Your Future: The Secret Empire Sales Drop”.

It didn’t surprise me to read that July 2017 saw the first drop in overall comics sales of the year. A drop in sales did happen. This summer was weaker than last summer sales wise for us. Rebirth last year was a big seller. Our orders were lower than last year reflecting less demand for comics.

(7) MORE ON ALDISS. Christopher Priest writes a remembrance of Brian Aldiss on his blog that’s much more personal than the literary obit he wrote for The Guardian: “Here it began, here it ends”.

In fact, I was too hard up and too shy to go the SF convention, and did not meet Brian Aldiss in person until about 1965. Then, when he found out my name, he said, ‘I remember you — you wrote me that intelligent letter! Come and have a drink!’ It was the first moment of a friendship that was to last, with the usual ups and downs of any friendship between two difficult men, for more than half a century.

This is a photograph taken in June 1970, by Margaret, Brian Aldiss’s second wife. Brian had generously invited me down to their house in Oxfordshire to celebrate the publication of my first novel Indoctrinaire. Also there was Charles Monteith, who was not only my editor at the publishers Faber & Faber, he was Brian’s too. He had been responsible for buying and publishing all the early Aldiss books, including those short stories I had admired so much, and the fabulous bravura of Non-Stop.

(8) HENDRIX AND ALDISS. John Picacio posted this photo of Jimi Hendrix reading a Penguin sf collection edited by Brian Aldiss. Hendrix reading sf was actually a regular thing, as this 2010 Galley Cat article reminds: “Jimi Hendrix and His Science Fiction Bookshelf”.

Photograph by Petra Niemeier of Jimi Hendrix in 1967 reading Penguin Science Fiction

Most people don’t remember anymore, but rock legend Jimi Hendrix was a science fiction book junkie. We caught up with one the guitarist’s biographers to find out more about his science fiction bookshelf.

In the new book, Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, the Untold Story of a Musical Genius, authors Steven Roby and Brad Schreiber take a deeper look at the guitarist…

(9) TODAY’S BIRTHDAY BOYS

Ray Bradbury’s 88th birthday cake

  • Born August 22, 1920 – Ray Bradbury
  • Born August 22, 1978 – Late-night talk show host James Cordon, who also was in some episodes of Doctor Who.

(10) BIRTHDAY GIFT APPEAL. Money is being raised to preserve books and other items donated to IUPUI by Ray Bradbury.

His collection of books, literary works, artifacts, correspondence, manuscripts, photographs, and so much more is housed at IUPUI in the Center for Ray Bradbury Studies. The Center is led by Professor Jon Eller, a personal friend of Bradbury’s for over 23 years and noted scholar of the author’s works.

Without Bradbury, the world wouldn’t be the same. Preserving these assets will help ensure that generations of fans, scholars, authors, filmmakers, and historians are able to pay tribute to the October Man.

Help us preserve the books of the man who knew what society would be without them.

Your generous gift to this campaign will provide general support to the Center and assist in the preservation of the vast collection. DONATE NOW  and help us reach our $5000 goal.

(11) FAMILY TREE. And Bradbury’s family tree includes a Salem woman convicted as a witch. There’s some kind of lesson to be learned about the genetics of sf writers here – if I only knew what it was.

(12) SURVEY. Jess Nevins is conducting a survey about sexual harassment in the sf community.

(13) WHEDON REVEALED. The Wrap’s Beatrice Verhoeven, in “Joss Whedon’s Fan Site Shuts Down After Ex-Wife’s Explosive Essay”, says that Whedonesque.com is shutting down after Joss Whedon’s ex-wife, Kai Cole, posted an essay in The Wrap accusing Whedon of serial infdielity during 15 years of marriage.

(14) PLUS AND MINUS. At Fantasy Literature, Bill Capossere struggles with his final verdict on “The Hike: A surreal and often humorous journey”.

As noted, The Hike is a fast-moving work, despite coming in at just under 400 pages. I read it in a single sitting of just a few hours. Magary keeps things moving apace, save for a few sections that carry on perhaps a little too long. His fluid prose carries the reader along smoothly and easily even if they won’t find themselves lingering over it for its lyricism or startling nature. The humor is another reason it goes down so easily, most of it coming from that crab, who is, well, kinda crabby. The crab is given a run for its comic money, though, by Fermona the giant, who runs a kind of Thunder Dome Buffet for herself. The book isn’t all lightness and humor, however. Magary’s portrait of Ben’s suburban family life is a bit thin, but does strike some emotional chords in scenes where Ben is with or thinking of his children.

(15) VAMPIRE HUNTER. Next year the Stephen Haffner press will bring out The Vampire Stories of Robert Bloch. Right now, Stephen is crowdsourcing help in tracking down the original artwork for his cover.

Robert Bloch (1917-1994) is one of the most fondly remembered and collected authors of crime, horror, fantasy, and science fiction of the 20th Century. Noted by many as the author of Psycho, Bloch wrote hundreds of short stories and over 30 novels. He was a member of the Lovecraft Circle and began his career by emulating H.P. Lovecraft’s brand of “cosmic horror.” He later specialized in crime and horror stories dealing with a more psychological approach.

While we have secured permission from the rights-handlers for Gahan Wilson‘s artwork for the cover image, we have been unable to locate the original “Parkbench Vampire” painting.

The image originally appeared on the cover of the humor digest, FOR LAUGHING OUT LOUD #33 (Dell Magazines, October, 1964) promising a “Hilarious Monster Issue!”.

As shown above and to the right, someone—somewhere—had access to the original artwork and placed a low-res image on the internet.

We have sent queries to several Gahan Wilson-collectors as well as many collectors of SF-art-in-general asking for the whereabouts of the original artwork, but nothing has surfaced yet.

So, if you, or someone you know, has a lead on where the original artwork resides, or can assist in supplying a high-resolution scan of the painting, please contact us ASAP at info@haffnerpress.com.

(16) BEWARE SPOILERS. Fantasy-Faction’s Zachary A. Matzo reviews The Silent Shield by Jeff Wheeler.

The Silent Shield, the fifth main book in Jeff Wheeler’s Kingfountain series, is proof positive that creative consistency makes for a good read. I feel like a bit of a broken record at this point, but Wheeler has once again crafted a short, engaging novel that manages to not only advance the overall narrative but succeeds in expanding the thematic scope of the series. The Silent Shield marks a new high point in a story that has been consistently excellent, and proves once again that one can craft a mature, emotionally resonant and accessible tale without relying upon the grim, the dark or the explicit.

(17) THE FIRST NUKE. Matt Mitrovich’s verdict is that the book is worth a read, in “Book Review: The Berlin Project by Gregory Benford” at Amazing Stories.

Do you ever feel like we are living in a timeline where people are actively trying to roll back the clock? For example, renewable energy technology is being ignored for coal, despite experts saying it is on its way out. We even have the president attacking Amazon as if online shopping is inferior to retail stores. Now people are apparently nostalgic for the constant threat of nuclear war, which makes The Berlin Project by Gregory Benford unfortunately relevant in this day and age.

The Berlin Project tells the story of Karl Cohen, an actual scientist who worked on the Manhattan Project and father-in-law to the author. In our timeline, he devised a way of using centrifuges to make weapons grade uranium for a nuclear bomb. Now in our timeline, this method was rejected in favor of a gaseous diffusion method which cost billions and delayed the project significantly while the engineering problems were worked out. Benford proposes, however, that Karl is more assertive and has a little luck early on by getting private investors on board who hope to use nuclear power for civilians in the future. Thus a nuclear bomb is built a year earlier in time for the Normandy invasion. As the title suggests, the target for America’s first nuclear strike is Berlin, but the city’s destruction doesn’t necessarily give the Allies the outcome they were hoping for….

[Thanks to John King Tarpinian, Kevin J. Maroney, Frank Catalano, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 8/18/17 And Though She Thought Mike Knew The Answer, Well He Knew But He Would Not Say

(1) THIS JOB IS NOT THAT EASY! Nicholas Whyte is back with “The Adminstrator’s Worldcon – part 2 of my 2017 Hugo memories”.

I almost didn’t make it to Worldcon 75. My taxi was 15 minutes late picking me up from home, and then encountered serious traffic en route to Zaventem airport. I was far too late to check my bag and brought it through security, where I almost came unstuck because of the Official Hugo Glue, which Dave McCarty had given me at Smofcon in December and I now needed to give back to him. (In fact we did not need it, as the artist who created the bases had engraved the winners’ plaques and attached them to the bases herself.) Five different security officials inspected the Official Hugo Glue Gun (which fortunately in Dutch is not a gun but a “lijmapparaat”, glue machine) before I was allowed to go on my way. The captain of my plane then scolded me, entirely fairly, for bringing “hand luggage” which was, in his words, “way too big”. But he did not throw me off, and I arrived in Helsinki.

Whyte includes a clear photo of the Hugo base by itself:

(2) ALL’S WELL. Yesterday’s Scroll quoted Renay’s tweets about the dismaying condition of Lady Business’ Hugo when it arrived. She told File 770 the problems were quickly resolved:

It turns out it was melted glue from where the felt was attached to the base (it’s hot here in Arkansas!). It’s been cleaned off with no problems and we’re looking into the proper type of glue to reattach the felt so disaster averted!! The bolt and washer were missing, too, but we’re going to pick a replacement up tomorrow. Nicholas Whyte from the Hugo team was super responsive. I’m also impressed everything arrived so fast. Those Worldcon 75 volunteers are ON IT.

(3) HUGO WINNER. The speech Ada Palmer was too overwhelmed to read at the Hugos is posted at her blog: “Campbell Award & Invisible Disability”.

Thank you very much. I have a speech here but I actually can’t see it. I can think of no higher honor than having a welcome like this to this community. This… we all work so hard on other worlds, on creating them, on reading them, and discussing them, and while we do so we’re also working equally hard on this world and making it the best world we possibly can. I have a list with me of people to thank, but I can’t read it. These tears are three quarters joy, but one quarter pain. This speech wasn’t supposed to be about invisible disability, but I’m afraid it really has to be now. I have been living with invisible disability for many years and… and there are very cruel people in the world for which reason I have been for more than ten years not public about this, and I’m terrified to be at this point, but at this point I have to. I also know that there are many many more kind and warm and wonderful people in this world who are part of the team and being excellent people, so, if anyone out there is living with disability or loves someone who has, please never let that make you give up doing what you want or working towards making life more good or making the world a more fabulous place.

(4) CONREPORT. Cora Buhlert shares her Worldcon experience in a short video, Cora’s Adventures at WorldCon 75 in Helsinki. Includes a shot of one of the File 770 meetups.

(5) CURBED ENTHUSIASM. Mark Ciocco weighs in on “Hugo Awards 2017: The Results”.

The 2017 Hugo Awards were announced on Friday, so it’s time for the requisite whining/celebration that peppers the steak of our blogging diet (that’s how food works, right?) Um, anyway, despite my formal participation in the awards process roughly coinciding with the Sad/Rabid Puppy era/debacle, this marks the fourth year wherein I’ve contributed to the results. This year’s awards were less directly impacted by those meddlesome puppies, but I feel like we’re still suffering through an indirect backlash and overcorrection. This isn’t exactly new, so let’s just get on with it. (For those who really want to geek out and see how instant-runoff voting works, the detailed final and nominating ballots are available.)

The Obelisk Gate by N.K. Jemisin takes the rocket for Best Novel, making Jemisin just the third author to have back-to-back wins in this category (joining the ranks of Orson Scott Card and Lois McMaster Bujold). She’s a good author, but damn, these books are not for me. Both were at the bottom of my ballot and while I can see why her novel won last year, this one is a little more baffling. It appears to have been a close race though, with All the Birds in the Sky only narrowly missing the win. I regret not putting it higher on my ballot, as it’s the only non-series finalist, and that’s something that’s becoming more and more of an issue… My preferred Ninefox Gambit came in third in the voting, which wound up being a theme for my first ranked works this year….

(6) PHOTO FINISH. Amal El-Mohtar coincidentally provides another clear photo of the Hugo base.

(7) WHAT THEATRICAL GENIUSES ARE READING. Broadway World delivers “Your 2017 Summer Reading List Courtesy of Lin-Manuel Miranda”, which includes a few genre works:

(8) WHAT YOUNG PEOPLE ARE READING. At Young People Read Old SFF, James Davis Nicoll has sicced the panel on “By the Waters of Babylon”. (Wow – I first read that in a junior high school textbook, when I was a Young People myself!)

The second story in Phase II of Young People Read Old SFF is Stephen Vincent Benét’s 1937’s“By The Waters of Babylon”. He’s more obscure than he once was now—dying at age 44 didn’t help him stay in the spotlight—but you may have encountered his The Devil and Daniel Webster or Benét’s upbeat toe-tapper, Nightmare, with Angels, quoted in part in John Brunner’s disco-era The Jagged Orbit…

(9) ROWELL REUNITES RUNAWAYS. Marvel is bringing back Nico, Karolina, Molly, Chase, Old Lace and even Gert.

This fall, best-selling YA writer Rainbow Rowell (Carry On, Eleanor and Park), superstar artist Kris Anka (All-New X-Men, Star-Lord) and Eisner-winning colorist Matt Wilson (The Mighty Thor, Black Widow)  team up to bring the universe’s pluckiest team of super heroes back to where they belong: in the pages of a Marvel comic book.

“As a Runaways fan, it’s been such a thrill for me to see these characters together again,” said writer Rainbow Rowell. “I can’t wait to let everyone else into the party.”

“For years I batted other editors and creators back from the Runaways,” said Executive Editor Nick Lowe. “I was the last Editor to edit them and they are precious to me, so I didn’t want just ANYBODY to bring them back. So when my new favorite writer (Rainbow’s Eleanor & Park slayed me in the best way) said they were her favorites, I knew I had half of the lightning I needed. Kris [Anka] was the other missing link for the PERFECT RUNAWAYS creative team and I’m so excited to share them with the world!”

(10) NO CAPTAIN SULU. Mr. Sci-Fi, Marc Scott Zicree, talks about an unproduced Trek series:

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

 

(11) TODAY IN HISTORY

  • August 18, 1947 – Hewlett-Packard Co. is incorporated, nine years after William Hewlett and David Packard sold their first oscillators from a garage in Palo Alto, where they had set up shop with $538 in capital. Moving from oscillators, the first of which they sold to Disney for the movie Fantasia, the Stanford graduates built one of the world’s largest electronics companies
  • August 18, 2001Stacy: Attack of the Schoolgirl Zombies premieres in Japan.

(12) TODAY’S BIRTHDAY BOY

  • Born August 18, 1925 – Brian Aldiss

COMICS SECTION. John King Tarpinian approves of the monkey business on Brevity.

(13) INFRINGEMENT SUIT. In January the Arthur C. Clarke estate, Penguin Random House and Simon & Schuster joined with the estates of Ernest Hemingway, Truman Capote, Jack Kerouac to sue Frederik Colting, Melissa Medina, and their publishing firm, Moppet Books, charging copyright infringement. They charged that KinderGuides seek “to capitalize on the [classic] Novels’ enduring fame and popularity,” describing the titles as “a transparent attempt to recast their unauthorized derivatives as ‘study guides’ intended for the elementary school set.”

Publishers Weekly has a progress report on the litigation in “Still No Opinion, but Judge’s Order Bans Distribution of ‘Infringing’ KinderGuides”.

Following a summary judgment ruling last month, a federal judge this week signed off on a permanent injunction immediately barring Moppet Books from distributing in the U.S. any versions of its KinderGuides series held to be infringing, until the works on which they are based enter the public domain. In addition, Moppet Books also agreed to destroy all current copies of the infringing works “in its possession or under its control” within 10 days.

Don’t expect the shredders to fire up quite yet, however. While the ban on distribution is effective immediately, the injunction includes an automatic stay on the destruction of existing stock, pending the “final outcome” of the appeal process.

…On July 28, Judge Jed Rakoff issued a summary judgment for the plaintiffs, rejecting Moppet Books’ claims that the works, created by founders Frederik Colting and Melissa Medina for the company’s KinderGuides series, were protected by fair use. The ruling came just days after oral arguments were presented in the case, and without an accompanying memorandum by Rakoff explaining his decision, which the judge said would come “in due course.”

…Meanwhile, despite the ongoing legal battle, Moppet Books is moving ahead with plans to launch a new line of books in October, including a collection of KinderGuides based on public domain works, and two original nonfiction works.

(14) WHAT’S THAT, ROCKY? The New York Times, in “When Dinosaurs Ruled the Earth”, reports that new fossil discoveries show prehistoric “squirrels” glided through forests at least 160 million years ago.

In a study published on Wednesday, a team of paleontologists added some particularly fascinating new creatures to the Mesozoic Menagerie. These mammals did not lurk in the shadows of dinosaurs.

Instead, they glided far overhead, avoiding predatory dinosaurs on the ground — essentially flying squirrels of the Jurassic Period, from an extinct branch of mammals that probably still laid eggs.

(15) BRADBURY DRAMATIZED. Broadway World says a one-man Bradbury play will be part of a stage festival in New York next month.

Bill Oberst Jr. brings his award-winning solo performance, “Ray Bradbury‘s Pillar Of Fire,” one of Bradbury’s darkest tales, to Theatre Row on Sunday, Sept. 17 at 6:00pm. The NYC debut is part of the United Solo Theatre Festival.

Ray Bradbury has something to say to us at this exact moment in time;” said Oberst, “that we are citizens of the cosmos first, that the way we imagine our future determines our future, and that the most dangerous minds are those which cannot imagine themselves to be wrong.”

Oberst’s one-act adaptation uses Ray Bradbury‘s poetic prose to tell the story of William Lantry, a 400-year-old corpse who rises from the grave in the year 2349 to find himself the last dead man on Earth. Filled with hatred for a future world where superstition, gothic literature and human burials are all banned, Lantry decides to create an army of the dead. Bradbury later called the novella “a rehearsal for Fahrenheit 451.” He also famously said, “I don’t predict the future, I try to prevent it.”

(16) OLD HOME WEEK. Andrew Porter used to live in part of the historic Henry Siegel mansion, whose story was chronicled in the Daytonian in Manhattan blog yesterday.

…This is where I first published ALGOL, DEGLER! and then S.F. WEEKLY. It’s where I lived while I worked on the 1967 Worldcon, NYCon 3. I had numerous fan gatherings there, and have photos of Ted White and Arnie Katz in my room. This block of East 82nd Street is also the direct approach to the Metropolitan Museum of Art, whose fabled entrance stairs are visible directly down at the end of the block.

He wrote a long, fascinating comment there, including this genre tidbit –

In later years, part of the basement housed a toy store accessed by a stairway from the bookstore above. The proprietor told me that some of the toy soldiers he sold came from the collection of Donald A. Wollheim, a well-known collector and once publisher of DAW Books. And one of the buyers was George R.R. Martin, whose “Game of Thrones” (HBO) is so popular.

…For many years there was also a bookstore. In early 2017, Crawford Doyle Booksellers, which claimed to be there for 21 years, closed. However, there’d been a bookstore there since at least the late 1950s. I know, because as a teenager, I had a job delivering Womrath Library rental books to posh apartments around the area.

(17) IN THE FLOW. The Hugo Award Book Club discusses John Scalzi’s latest novel in “Review: The Collapsing Empire”.

Given John Scalzi’s track record, high profile, and vocal fan base, it seems likely that The Collapsing Empire will be given a fair amount of consideration on many 2018 Hugo nominators’ lists.

Based on how fun this book is at times, that consideration is probably warranted. The novel is set in an interstellar empire tied together by limited faster-than-light traderoutes known as ‘the Flow.’ This empire — The Interdependency — has lasted for millennia because of the economic dependence of its member worlds to each other. The key protagonists are the new Empress of the Interdependency, and the son of a scientist on a distant world whose father has spent decades discovering that the flow is going to collapse. The overaching plot — which has some parallels to Asimov’s Foundation— is expertly constructed and well-paced. Although the characters all seemed to speak with a similar voice, their motivations were clear, and the conflicts felt natural.

(18) THROWING SHADE. Solar-powered California prepares for the eclipse:

“We’re doing a lot of coordination, a lot of preparation,” says Deane Lyon, a manager at the California Independent System Operator (ISO), which manages about 80 percent of the state’s electric grid. “It’s probably the most work this company has done to prepare for a three-hour event in our history.”

Solar power already comes with up and downs, in the form of clouds.

“So this was a particularly cloudy day,” says Jan Klube of Enphase, pulling up a graph showing the solar output from one California home. The Petaluma-based company monitors rooftop solar systems around the country day in and day out.

To show how a single cloud can make a difference, he points to the afternoon hours, when the output dips by about a third. “You see the big drop, so there’s a cloud coming and going,” he explains. “That’s why you see the zigzag.”

If your solar panels are in the path of totality during the eclipse, “it will go all the way to zero,” he says.

California isn’t squarely in the path, but the moon’s partial shadow will obscure 90 percent of the sun in the north, down to nearly 60 percent in the south. That’s more than enough to cause some anxiety for the people who have to keep California’s lights on.

(19) THE DARK SIDE. Scientists to study whether nature really goes crazy during an eclipse: “Will The Eclipse Make Crops And Animals Flip Out? Scientists Ask (Really)”.

With the help of elementary school students, University of Missouri biology professor Candi Galen is putting out microphones near beehives, in gardens and in a pumpkin patch to record buzzing activity.

“I don’t think it is really known the cues that bees use or don’t use when they are foraging that tell them to jump ship and go back their hives or stay put,” Galen says. “Bees depend upon the environment to regulate their temperature, and that may suggest that if indeed it does cool off a few degrees as the eclipse progresses, then they would get less active because they would be at a lower temperature physiologically.”

Researchers are also working with nearby cattle ranchers and even fishermen to monitor fish activity, Reinbott says.

(20) DNA EDITING. An NPR report is allowed to go “Inside The Lab Where Scientists Are Editing DNA In Human Embryos”.

Critics, however, pounced on the news. They fear editing DNA in human embryos is unsafe, unnecessary and could open the door to “designer babies” and possibly someday to genetically enhanced people who are considered superior by society.

As the debate raged last week, I asked Mitalipov if I could visit his lab to see the next round of his experiments. He wants to confirm his initial results and determine whether the method can be used to repair other mutations.

He agreed to a visit, and on Monday, I became the first journalist to see these scientists cross a line that, until recently, had been taboo.

Chip Hitchcock adds a historical note: “Readers of antique SF may remember Heinlein’s elaborate description of deductive sorting of ova in Beyond This Horizon; another infodump bites the dust.”

(21) PUNISHER. The Verge invites everyone to watch The Punisher teaser trailer:

The Defenders hits Netflix today, and with it comes a look at Marvel’s upcoming show The Punisher. Frank Castle was introduced in season 2 of Daredevil. He’s played by Jon Bernthal, who will reprise his role as the gun-toting Army vet out for revenge.

Various rips of the trailer are popping up all over YouTube…

 

(22) SAY HELLO. Amazon Prime video will stream The Tick on August 25.

From creator Ben Edlund comes the hero you’ve been waiting for. In a world where heroes and villains have existed for decades, a mild-mannered accountant named Arthur has his life turned upside down when he runs into a mysterious blue superhero, The Tick, who insists that Arthur become the brains to his brawn in a crime-fighting duo. Will Arthur resist the call of Destiny or join the fight?

 

[Thanks to Cat Eldridge, John King Tarpinian, Hampus Eckerman, JJ, James Davis Nicoll, Karl-Johan Norén, Carl Slaughter, Chip Hitchcock, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 8/16/17 A Hyperloop Named Desire

(1) THE BARGAIN BIN. NASA’s trash is their cash: “NASA flight suits bought for $1.20 could fetch thousands”.

A pair of Florida college students browsing the racks at a thrift shop ended up paying $1.20 for a stack of NASA flight suits that experts said could be worth more than $5,000.

Talia Rappa and Skyer Ashworth said they were shopping at a thrift store in Titusville when they came across the five blue NASA flight suits and a white “control suit” under some sweaters in a plastic bin.

… The American Space Museum said the names and flight dates on the suits’ labels match the time frame of the 1983-1985 shuttle missions flown by astronauts George “Pinky” Nelson, Robert A. Parker and Charles D. Walker.

(2) CROWDFUNDING VOL. 2 OF THE DELANY JOURNALS. Kenneth James is editing the personal journals of Samuel R. Delany in a multivolume series for Wesleyan University Press.  The first volume, In Search of Silence, with Delany’s journals from the 1960s, came out earlier this year and received positive reviews in The New Republic (“Samuel R. Delany’s Life of Contradictions”), The Gay & Lesbian Review, and at the Barnes & Noble Sci-Fi & Fantasy Blog by SF critic Paul Di Filippo. (The G & L Review article is unfortunately behind a paywall).

James has just launched a crowdfunding campaign at Indiegogo — Autumnal City: The Journals of Samuel R. Delany — to fund the completion of next volume.

The next volume, which I’m working on now and which is entitled Autumnal City, collects Delany’s personal journals from the ’70s — during which time Delany wrote some of his most groundbreaking work, including Dhalgren, Trouble on Triton, and Tales of Neveryon.  During this time he also did substantial preliminary work for the novel Stars in My Pocket Like Grains of Sand.

…The goal of this campaign is to raise $30,000 to support the remaining year’s worth of work needed to complete the second volume. This funding will cover three areas: expenses associated with the project (travel to the archives, travel to interview subjects, office expenses, and so on), expenses associated with this campaign (fees and percentages, cost and shipping of rewards, and so on), and personal expenses. Funds raised in this campaign will not support Wesleyan University Press, but rather will go directly to me, in support of my scholarly labor. In academic publishing, an author’s income comes not from book advances or sales, but rather from a university paycheck – or, if the author is an independent scholar (as I am), from some other source. For this project, you will be that source.

(3) ELLISON BIO. As for Paul Di Filippo, today at Locus Online he reviews A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff.

Chapter two takes our hero through high school, through SF fandom, and into the professional world of editing Rogue magazine, among other accomplishments. Segaloff shows that he, as biographer, is willing to skip around in time thematically when the narrative demands. Thus, hearing of Ellison’s first marriage, we also get an immediate foretaste of those to come. And in fact, as we shall soon see, Segaloff will abandon strict chronology at a certain point, in favor of totally thematic chapters, out of which the linear factual events of Ellison’s later life can be readily assembled.

(4) ALL RISE. Walter Jon Williams alerts the media to “Stand By for Greatness”.

So while I was in Finland, Orbit reverted the rights to all three of the Dagmar Shaw books.

I’ll try to make those available as soon as I can.  I can hardly do a worse job of promoting them than the original publisher.

(5) KEEP FIVE IN MIND. Victor Milán knows the magic number – “Five Classic Works of SFF by Authors We Must Not Forget” at Tor.com. Here’s one of his picks:

Jirel of Joiry by C. L. Moore

Catherine Lucille Moore (1911-1987) had to use her gender-neutral initials to get published in the 1930s. That didn’t stop her creating the fledgling genre of sword and sorcery’s first female protagonist in Jirel of Joiry. As brave, capable, and arrogant as any man, yet far from invulnerable, Jirel was more than just a red-haired, female Conan. While her adventures were clearly influenced by Robert E. Howard, as well as by Moore’s and Howard’s literary acquaintance H. P. Lovecraft, they focus less on her sword-swinging than her spirit and furious determination. A curious blend of compassion and cruelty, she’s a pious Catholic who’ll risk damnation to gain the means to overcome her foe—then brave the very Hell she sent him to, to free his soul from eternal suffering.

And you’ll never catch Jirel in a mail bikini. She wears the same practical armor as any other warrior of her unspecified Medieval period would.

Moore’s writing is brisk, strongly sensory, and evocative of settings Earthly and alien, though flavored with a few too many adjectives for the modern palate. She had a long and successful career with Jirel and the space opera adventures of Northwest Smith, then writing in collaboration with her husband, Henry Kuttner. Jirel of Joiry is a collection of most of the Jirel tales.

(5) SECOND FIFTH. Moments after posting this Scroll I learned, via Paul Weimer, that Deadline is reporting N.K. Jemisin’s ‘The Fifth Season’ Book To Be Developed As TV Series At TNT.

N.K. Jemisin’s Hugo Award-winning sci-fi fantasy novel The Fifth Season is getting the drama series treatment at TNT. The project is in early development at the cable network with Leigh Dana Jackson (24: Legacy, Sleepy Hollow) set to pen the adaptation and Imperative Entertainment’s (All the Money in the World) Dan Friedkin, Tim Kring and Justin Levy serving as executive producers.

Jackson brought the novel, the first in a three-book series, to Imperative, which secured the rights before the The Fifth Season‘s Hugo nomination. Jemisin went on to become the first black writer to win the Hugo Award for best novel. She followed that up last week by winning the prestigious science fiction award for the second consecutive year for the second book in the series, The Obelisk Gate. The third book was published Tuesday

(6) THE RECYCLE OF LIFE. NPR’s “All Tech Considered” asks, “Ashes to Ashes, Dust to … Interactive Biodegradable Funerary Urns?”

Earlier this summer, a modest little startup in Barcelona, Spain, unveiled its newest product — a biodegradable, Internet-connected funeral urn that turns the ashes of departed loved ones into an indoor tree. Just mix the cremains with soil and seedlings, and the digital-age urn will automatically water and care for your memorial sapling, sending constant updates to an app on your smartphone.

At first glance, the concept seems gimmicky — evidently, we’re running out of ideas for smart appliances. But the Bios Incube system can also be seen as the latest example of a gradual transformation in modern culture.

Technology is fundamentally changing how we deal with death and its attendant issues of funerals, memorials and human remains. Much of this change is for the good. Some developments are a little spooky. But one thing is for sure: You can do a lot of cool things with ashes these days.

(7) TODAY’S BIRTHDAY GIRL

  • Born August 16, 1991 — Evanna Lynch (actress; plays Luna Lovegood in Harry Potter films)

(8) TODAY’S BIRTHDAY BOYS

  • Born August 16, 1884 – Hugo Gernsback
  • Born August 16, 1930 – Robert Culp. Fans probably know him best from The Outer Limits episode “Demon With A Glass Hand,” written by Harlan Ellison.

(9) FROM HELL. New York City’s Miskatonic Institute of Horror Studies relaunches in September with “Paperbacks from Hell”. The event takes place Tuesday, September 19 from 7-9:30 p.m. at Film Noir Cinema (122 Meserole Ave., Greenpoint, Brooklyn, NY). Admission $12 advance / $15 door.

In the early ’70s, three books changed horror forever: “Rosemary’s Baby,” “The Exorcist,” and “The Other.” The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drugstore shelves throughout the ’70s and ’80s, before “Silence of the Lambs” slit the genre’s throat in the early ’90s.

Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… the Paperbacks from Hell!

Following Grady’s illustrated presentation will be a live round table discussion and Q+A with several artists who painted the book covers under discussion, including Jill Bauman, Lisa Falkenstern, and Thomas Hallman.

(10) BRADBURY BY ATWOOD. Yesterday the Paris Review posted Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” with the outro –

This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles. 

….He ducked classification and genre corrals as much as he could: as far as he was concerned he was a tale teller, a writer of fiction, and as far as he was concerned, the tales and the fiction did not need to have labels.

The term science fiction made him nervous: he did not want to? be shut up in a box. And he, in his turn, made science-fiction purists nervous, as well he might. Mars in his hands, for instance, is not a place described with scientific accuracy, or even much consistency, but a state of mind; he recycles it for whatever he needs at the moment. Spaceships are not miracles of technology but psychic conveyances, serving the same purpose as Dorothy’s whirlwind-borne house in The Wonderful Wizard of Oz, or the trance of the traditional shaman: they get you to the 0therworld.

(11) CAN’T MAKE THIS STUFF UP. John Scalzi’s latest op-ed for the LA Times: “During Trump’s present, it’s hard to write the future, says science fiction writer John Scalzi”.

The thing is, science fiction has its setting in the future, but the people writing it and reading it live now, and the stories they’re writing and reading reflect the hopes and fears of whatever age the story is written in. There’s a reason science fiction literature of the late ’60s and early ’70s was about overpopulation, why in the ’80s cyberpunk reflected the uncertainty about the accelerating computerization of our world, and why much of the best science fiction of the last decade, from Paolo Bacigalupi’s “The Windup Girl” to N.K. Jemisin’s “The Fifth Season,” is rooted in ecological disaster. Science fiction sees the world today and speculates out from there.

The secret, however, is to come at it from an angle. There’s a thin line between using contemporary themes to extrapolate from and entertain readers, and stepping up on a soapbox and using a political agenda to cudgel people. The least successful science fiction to me is the stuff that takes today’s political catfights and dumps it uncut into the deep future, hundreds if not thousands of years in the future. To have characters in far-flung times prattling on about issues clearly specific to our time would be like writing a novel where people in 2017 are having knock-down, drag-out fights about the Alien and Sedition Acts or the Boer War. Better that science fiction breathes life into today’s anxieties and aspirations in more clever and possibly subtler ways.

His article made me remember the experience of reading Doonesbury during the Watergate hearings, when cartoonist Garry Trudeau found it practically impossible to think up wilder stuff than was coming out in the daily news.

(12) RETRIEVAL. Beyond Skyline shows promise.

A tough-as-nails detective embarks on a relentless pursuit to free his son from a nightmarish alien warship.

 

(13) ONE OF THE FIRST OF ITS KIND. The BBC says “‘Frankenstein dinosaur’ mystery solved”.

Matthew Baron, a PhD student at Cambridge University, told BBC News that his assessment indicated that the Frankenstein dinosaur was one of the very first ornithischians, a group that included familiar beasts such as the horned Triceratops, and Stegosaurus which sported an array of bony plates along its back.

“We had absolutely no idea how the ornithischian body plan started to develop because they look so different to all the other dinosaurs. They have so many unusual features,” the Cambridge scientist said.

“In the 130 years since the ornithischian group was first recognised, we have never had any concept of how the first ones could have looked until now.”

(14) BE ON THE LOOKOUT. Connecting to a past discussion of chocolate in various climates: “Truck With 20 Tons Of Nutella And Chocolate Vanishes; Police Hunt For Semi’s Sweets”.

“Anyone offered large quantities [of chocolate] via unconventional channels should report it to the police immediately.”

We trust you’ll abide by those instructions from law enforcement in Germany, where more than 20 tons of chocolate treats have gone missing after thieves stole a refrigerated trailer packed with Nutella, Kinder Surprise eggs and other sweets.

(15) REQUEST FROM TYRION. Gina Ippolito of Yahoo!, in “Peter Dinklage Urges ‘Game of Thrones’ Fans To Stop Buying Huskies Just because They Look Like Direwolves”, says that Dinklage and PETA are combining to urge people not to buy huskies if they can’t handle big dogs just because they want a “direwolf” at home.

“Please, please, if you’re going to bring a dog into your family, make sure that you’re prepared for such a tremendous responsibility and remember to always, always, adopt from a shelter,” Dinklage said in an official statement.

So if Game of Thrones has you itching for a Ghost, Nymeria, Summer, Shaggydog, Lady, or Grey Wind of your own, but you’re not sure you can commit to taking care of a live one, maybe consider an adorable stuffed animal instead?

(16) THOR INTERNATIONAL TRAILER #2. I’ve always been a strong believer that movie trailers are much better with Japanese subtitles.

(17) GODZILLA: MONSTER PLANET. The drawback with TOHO’s own trailer for this animated Godzilla picture is that it doesn’t need subtitles.

 [Thanks to Paul Weimer, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mark-kitteh, Andrew Porter, and Kenneth James for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/14/17 All These Scrolls Are Yours, Except Europa; Attempt No Pixelings There

(1) LITIGATING CLARKE’S LAW. N.K. Jemisin is interviewed by Joel Cunningham of the B&N Sci-Fi & Fantasy Blog in “The Logistics of Throwing Mountains: N.K. Jemisin Discusses The Broken Earth Trilogy”.

The Broken Earth series seems to straddle a line between fantasy and hard science (e.g. the orogenes of the novels acquire their names from orogeny: a folding of the lithosphere that creates mountains, but functionally what they perform is magic). There’s a whole mess of science underpinning the magic. What kind of research did you undertake to make orogeny something done by orogenes. and not a flat, scientific term?

I did want to play around a bit with that corollary of Clarke’s law—the idea that any sufficiently systematized magic is indistinguishable from science. A few years back I wrote a blog post called “But but but—why does magic have to make sense?” in which I argued that the whole point of magic was to defy reasoning and repeatability and all the things that equal science.

But then I wanted to write a world that tries to make sense of it anyway, and partially succeeds. And we can see by the obelisks floating through the sky of the Stillness that at one point in the distant past, people did figure magic out to a much greater degree. At that point, is it still magic? Has it become science? That’s one of the concepts the series is chewing on.

Research-wise, I hung out in seismologist forums and follow a bunch of geologist accounts on Twitter, and read a lot of layperson-oriented articles. I also visit volcanoes whenever possible, because I’m fascinated by them. Awesome demonstrations of the Earth’s power and potential fury. On a research trip to Hawai’i a few years back, I visited four volcanoes in four days. That was fun.

(2)  CASTING NEWS. What a combination of actors and writers — “Michael Sheen, David Tennant to Star in Neil Gaiman’s ‘Good Omens’ at Amazon”.

Michael Sheen and David Tennant have been cast in the lead roles in the Amazon series adaptation of Neil Gaiman and Terry Pratchett’s “Good Omens,” Variety has learned.

The show is set in 2018 on the brink of an apocalypse as humanity prepares for a final judgment. But Aziraphale, a somewhat fussy angel, and Crowley, a demon, aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist. Sheen will play the role of Aziraphale, while Tennant will play Crowley. It will consist of six one-hour episodes.

…. Gaiman adapted all six episodes of the series and will also serve as showrunner. Following its exclusive launch on Amazon Prime Video, the series will also be broadcast on BBC in the U.K.

(3) BRADBURY LECTURE. The 4th Annual Ray Bradbury Memorial Lecture “Escape Velocity: Ray Bradbury and the American Space Program” will be presented by Jonathan R. Eller, Chancellor’s Professor of English and Director, Center for Ray Bradbury Studies, IUPUI on August 23, 6:00 – 7:30 p.m. in the Central Library Riley Room at 40 E. St. Clair Street.

One of the reasons that Ray Bradbury remains one of the best-known writers of our time is that his dreams of reaching the stars became our dreams, too. The stories that grew into The Martian Chronicles and filled the pages of The Illustrated Man paved the way for his half-century relationship with NASA, the Jet Propulsion Laboratory, and all the missions that took humans to the moon and launched unmanned craft to all the planets of our solar system.

(4) RUGS FOR THUGS. The Drum interviewed an Ikea marketer about “How Ikea responded to the news HBO’s Game of Thrones uses its rugs as costumes”.

Responding to the news, Ikea decked out some of its staff in the rugs in a real-time marketing stunt, jumping upon the Game of Thrones bandwagon in an organic way.

The Drum: Was the marketing team aware that Ikea goods were being used to furnish the show?

AF: We weren’t aware that Ikea’s rugs had been used in the show until the PR team spotted it in the news on Monday morning. Together with our PR agency, Hope & Glory, we quickly developed an idea that provided our ‘twinkle in the eye’ take on the news, it was low cost and could be pulled together in a couple of hours. As any PR professional will know, timing is of the essence when a story breaks and we wanted to be able to respond as quickly as possible.

We connected with the Ikea Wembley store and the deputy store manager walked the shop-floor identifying co-workers that looked the part to re-create the Game of Thrones look. Within a couple of hours we were in the rugs department with the co-workers, trying on the different rugs and generally having a bit of a laugh.

(5) RECORD HOLDER. After he saw this photo John Hertz asked, “What does Brother Davidson say about the last line of that Guinness certificate?”

Hugo Award Record

Steve Davidson replied, “The government of the United States has, in their lack of infinite wisdom, chosen NOT to give me exclusive control and ownership of the word ‘AMAZING’, more’s the pity.”

(6) SCIENCE IMAGINED. Nancy Kress analyzes the cultural impact of “The Science of Science Fiction:  The Good, the Bad, and the Ugly”.

However, that the “science” the public learns from SF is debatable doesn’t strike me as the worst problem. That comes from another source: Writers and scriptwriters often make science itself the villain. A problem involving some scientific advance—cloning, nanotechnology, AI—is set up, and all the negative aspects of the tech are brought out, exaggerated, falsified, and blamed. I understand the impetus for this—I’m a writer, too!—which is to create the conflict necessary to drive any story. But the cumulative net effect is the impression that new science and its offspring, new tech, are invariably bad.

In the movie Ex Machina, robots turn murderous.

In countless SF stories, AI tries to take over and must be fought, shut down, destroyed.

Cloning produces not crops or food animals that can feed an ever-expanding population, but rather the oppressive (and ridiculous) one-world biological totalitarianism of Gattaca

(7) BOLOGNA OBIT. Actor Joe Bologna died August 13 at the age of 82. He was well-known for playing King Kaiser in My Favorite Year (1982). His genre work included The Big Bus (1976), and Transylvania 6-5000 (1985). He voiced characters in the animated Superman TV series (1997-1998), and Ice Age: The Meltdown (2006).

(8) TRIVIAL TRIVIA

When first introduced to Eastern bloc fans at an Eighties Worldcon, they called them “the black cookies.” They’re a fan favorite, but Yahoo! claims “You Will Never Look at Oreos the Same Way Again After Reading These Facts”.

To date, Oreo has over 42 million Facebooks followers. In comparison, The New York Times has 13 million.

(9) TODAY IN HISTORY

  • August 14, 1975 The Rocky Horror Picture Show premieres.

Let’s do the Time Warp again!

  • August 14, 2009 District 9 premiered on this day.

(10) COMIC SECTION.

(11) W75’S CANCELLED LARP. Jaakko Stenros and Markus Montola tell the LARP community’s side of the story in “How Worldcon Banned a Larp”.

On Friday the discussion on the topic continued in social media, where misunderstandings spread fast. For example, one tweeter wrote that the “scenario is ‘you are in an old folks home, have Alzheimer’s, and think you’re one of your RPG characters, hilarity ensues’.” Afterwards some were under the impression that “hilarity ensues” was a quote from the program description when in fact it was an interpretation of a tweeter.

However, now there were people also defending A Home for the Old on Facebook and Twitter and criticizing the actions of Worldcon. Many Nordic role-players found the statement’s tone condescending and rife with cultural imperialism — of Anglo-Americans trying to ‘civilize the natives’ by instilling their moral conventions on a subculture they clearly failed to understand.

No benefit of the doubt was given, and there was an aura of assuming that the Nordic creators had obviously not thought about the implications of their little games — simply because the usual phrases relating to identity politics were not foregrounded in the blurb. The idea that a creative work can just be cast aside, censored, with no debate, based on rather flimsy basis, was found appalling by many Nordic people deeply invested in the role-playing culture. A Home for the Old, and by extension the Nordic role-playing culture, was cast as not worthy of debate.

(Finland has the highest incidence of Alzheimer’s in the world.)

All of this is in stark contrast with the Nordic and Finnish cultural context, where larps, role-playing games, and games in general, are considered valuable works worthy of analysis, criticism, respect, and debate. Role-playing is a form of artistic expression that continues to gain momentum and respect.

(12) CRITIC. Frans Mäyrä, Professor of Information Studies and Interactive Media, esp. Digital Culture and Game Studies in the University of Tampere, Finland, took offense at the decision: “LARP: Art not worthy?”

There will be no doubt multiple reactions coming in to this from experts of this field in the future. My short comment: this is an unfortunate case of censorship, based on cultural perception of play and games as inherently trivializing or “fun-based” form of low culture. It seems that for some people, there still are strict cultural hierarchies even within the popular culture, with games at the very bottom – and that handling something sensitive with the form of role-play, for example, can be an insult. Such position completely ignores the work that has been done for decades in Nordic LARP and in digital indie “art games” (and also within the academic traditions of game studies) to expand the range of games and play for cultural expression, and to remove expectation or stigma of automatic trivialism from the interactive forms of art and culture. The organisers have obviously been pressurised by some vocal individuals, but the outcome in this case was a failure to stand up, explain the value and potential of role-playing games, and Nordic LARP in particular to an international audience, and make a difference. A sad day.

(13) REMEMBER THAT MONEY YOU SAVED FOR A RAINY DAY? Here’s the outfit to spend it on – a bargain at only $20,000 — the “SPIDER~MAN 2 Original Movie Prop Signed by Stan Lee ~Trenchcoat Worn by Stan”. Rush right over to eBay!

This incredible SPIDER~MAN original movie prop features the trenchcoat that Stan Lee wore during the scene in which he saves a life. This is the ONLY time that Stan makes an appearance where he gets involved to save someone! Best of all it comes signed by Stan Lee. It comes with a COA from Sony/Columbia Pictures and Hollywood Vault who were the official auctioneer a few years ago

(14) HARDWARE FOR THE LONG HAUL. Marketplace explains why “NASA is testing supercomputers to send to Mars”.

Scientists in space have computers, but they don’t exactly look like the one you might be reading this on. Computers in space have highly specific functions. There is no consumer-grade Mac or PC up in space. A lot of that has the do with the fact that laptops in space degrade quickly out there.

But NASA wants to fix that problem by creating new supercomputers, developed in partnership with Hewlett Packard Enterprise. The technology is being tested on the International Space Station in hopes that the computer can withstand trips to Mars.

(15) YOUTUBE MUSICAL. Hamilton’s opening number — with the words changed to be about Game of Thrones.

(16) WEIRD AL. Last week’s crisis, this week’s filk: “Watch ‘Weird Al’ Yankovic Beg North Korea Not To Nuke Us On Last Week Tonight”.

After highlighting the accordion skills of North Koreans earlier in the show, Oliver introduced Yankovic to play a whole new polka song about all the reasons that North Korea should not nuke us. Tom Hanks figured heavily. Sample lyric: “Please don’t nuke us, North Korea / Right now, we’re all a little tense / Believe me, we don’t hate you / In fact, we really don’t even think all that much about you, no offense.”

 

[Thanks to Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 8/12/17 Of Shoes, And Scrolls, And Sealing Wax, And Pixelated Kings

(1) PAST WORLDCON CHAIRS PHOTO. In the video, they all state their names and the cons they chaired. The photo session starts to shape up at about the 35-minute mark.

Here’s the final result:

(2) HUGO RULINGS OF 2017. Here’s a unique document – a report of all the rulings and decisions made by the 2017 Hugo administrators. I don’t think that’s ever been done before. In fact, past Hugo administrators have been very reluctant to share how the sausage was made.

Questions were raised directly with us both by email and social media enquiries, both from members of the Worldcon 75 team and from other interested parties. We do not disclose the source of individual queries below, nor do we comment on questions that were not brought directly to our attention.

(3) HAUTALA GETS A BOOST. The late author received a helping hand to start his career: “Stephen King’s letter introducing Rick Hautala”.

Thanks to Gerald Winters of Gerald Winters and Son Rare Books in Bangor, ME, here’s an amazing find: a letter that Stephen King wrote to publisher Coward, McCann, and Geoghegan recommending a new in-progress book by a new writer named Rick Hautala! The book, The Dark Brother, was retitled Moondeath when it was finally published by Zebra Books in 1980.

I’m writing in hopes that you will read a manuscript in progress. It is a novel called THE DARK BROTHER by a young man named Rick Hautala. Rick works in the South Portland Walden bookstore, and a few months ago he asked me if I’d look at this script.

Gerald wrote, “After Putnam Publishers acquired CM&G, this letter was kept on their files until it was eventually acquired by the previous owner.

“Now it is back in Bangor where it will stay for anyone wishing to view.”

There’s a readable image of the letter at the site.

Cat Eldridge sent the link with a comment, “Rick died of a massive heart attack four years back while out on a walk with his wife. Like all too many genre writers, he made very little money. And yes I knew him, a really nice person.”

(4) TODAY IN HISTORY

  • August 12, 1943 — Arthur Lubin’s Phantom of the Opera premiered. Universal originally planned this film as a comedy for Bud Abbott and Lou Costello.
  • August 12, 1977 — Space shuttle Enterprise completed its first free-flight test.

(5) YESTERDAY IN HISTORY

  • August 11, 1962 Haruo Nakajima takes on the Eighth Wonder in King Kong vs. Godzilla.
  • August 11, 1963 Haruo Nakajima plays the title role in Matango, opening this day in Japan.

(6) COMICS SECTION.

(7) LOOK, UP IN THE SKY. Pilots have their name stenciled on their planes – still, people are surprised that “Batman’s Plane in ‘Justice League’ Totally Gives Away His Secret Identity”.

On Thursday, Entertainment Weekly released concept art of Batman’s plane, the Flying Fox. And, fans were quick to note a surprising detail: Thanks to a Wayne Enterprises decal, Batman’s real name, “Wayne,” is written on the side. Gotta have brand awareness, I guess.

The Justice League Comic-Con sneak peak made it seem like a big deal when Cyborg dropped into Batman’s plane, hacked it, and said, “Relax, Alfred, I’ll take it from here.” While pretty much the entire Justice League will know Batman’s identity at this point in the film — Wonder Woman and the soon-to-return Superman learned it in Batman v Superman, and we already knew that Bruce Wayne would reveal that he was Batman to Barry Allen/The Flash when he was recruiting him — it was still a big moment, and a showcase of Cyborg’s impressive skillset. Within seconds, he was able to hack into a plane that was “password-protected” by the Batman, and determine his identity. Apparently, though, he could just as easily have read it off the side of the plane.

(8) QUANTUM OF SOLACE. From the BBC: “Chinese satellite sends ‘hack-proof’ message”.

China has successfully sent “hack-proof” messages from a satellite to Earth for the first time.

The Micius satellite beamed messages to two mountain-top receiving stations 645 km (400 miles) and 1,200 km away.

The message was protected by exploiting quantum physics, which says any attempt to eavesdrop on it would make detectable changes.

Using satellites avoids some limitations that ground-based systems introduce into quantum communication.

(9) EVERYTHING BUT THE OINK. Genetically modified pigs “take step toward being organ donors”.

The most genetically modified animals in existence have been created to help end a shortage of organs for transplant, say US researchers.

The scientists successfully rid 37 pigs of viruses hiding in their DNA, overcoming one of the big barriers to transplanting pig organs to people.

The team at eGenesis admits preventing pig organs from being rejected by the human body remains a huge challenge

But experts said it was a promising and exciting first step.

The study, published in the journal Science, started with skin cells from a pig.

(10) AWARD REPAIRMAN. Camestros Felapton says “Fixing the Dragon Awards isn’t my problem”, but he really can’t resist trying.

As things have turned out, the Dragons are claiming to be the big populist award, are mainly get nominations that are a rightwing-indy award, are an epitome of cliques and have found themselves to be even more political by trying to avoid being political.

How did they get into this mess? Partly by ignoring the disconnect between why the puppies disliked the Hugos and what the puppies said was structurally wrong about the Hugos. Specifically:

  • The Hugos are membership based.
  • There is a cost involved.
  • There is only one novel category.
  • There is no video game category.
  • There are voting systems and rules

So the Dragons did the opposite:

  • Any one can vote.
  • There is no cost.
  • There are multiple subgenre categories.
  • There is a specific video game category.
  • The voting is a simple tally.

The issue is that none of those approaches really get the Dragons to what they want. Just because anybody CAN vote doesn’t mean anybody WILL vote. No cost and no membership requirement makes stacking the vote trivial. The multiple categories are confusing for fans to know where to nominate things and encourage category shopping for vote campaigns.

(11) MESSAGE FICTION. People prefer their own ideas, and so have to be constantly reminded about Ray Bradbury’s real message in Fahrenheit 451. Open Road takes a turn: “Ray Bradbury Reveals the True Meaning of Fahrenheit 451: It’s Not About Censorship, But People ‘Being Turned Into Morons by TV’”.

Even those of us who’ve never read Ray Bradbury’s Fahrenheit 451 know it as a searing indictment of government censorship. Or at least we think we know it, and besides, what else could the story of a dystopian future where America has outlawed books whose main character burns the few remaining, secreted-away volumes to earn his living be about? It turns out that Bradbury himself had other ideas about the meaning of his best-known novel, and in the last years of his life he tried publicly to correct the prevailing interpretation — and to his mind, the incorrect one.

Fahrenheit 451 is not, he says firmly, a story about government censorship,” wrote the Los Angeles Weekly‘s Amy E. Boyle Johnson in 2007. “Nor was it a response to Senator Joseph McCarthy, whose investigations had already instilled fear and stifled the creativity of thousands.” Rather, he meant his 1953 novel as “a story about how television destroys interest in reading literature.” It’s about, as he puts it above, people “being turned into morons by TV.”

(12) VIDEO OF THE DAY. Martin Morse Wooster, in recommending “Helium Beer Test–Short Version With English Subtitles,” says it’s “a video on YouTube in which two German guys end up drinking ‘helium beer.’ It’s really funny and in my view fannish  but it is a spoof.” Apparently it was originally posted on April 1 a couple years ago.

[Thanks to John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]

Pixel Scroll 8/7/17 There Are Eight Million Pixels In The Naked Scroll

(1) ROBOCALL BOMB THREAT LEADS TO CON EVACUATION. On Sunday fans were ordered to evacuate Yestercon, a one-day nostalgia con in Carson, California, as a result of a bomb threat. PopCultHQ has extensive coverage.

…“CelebWorx brought Keith Coogan and Greg Berg to Yestercon. At approximately 3:08, onsite staffers from the Carson civic center went through the celebrity aisle to calmly alert us to leave the facility immediately. We had no time to grab anything. When we reached the parking lot, the Carson police department asked us to get in our cars and drive away as far as possible. The show until then was going wonderfully with a healthy crowd. It was the most attended Yestercon in the past three years. We returned two hours later to retrieve our abandoned items.” – Nery Lemus – Vice President – CelebWorx

Nery then went on to provide me the following;

“After speaking to a Yestercon official, the Bomb Threat was a result of a robotic phone call singling out the name Yestercon as the target of the threat.”

(2) CAN THIS GAME BE PLAYED FOR MONEY? Yes, if you make it to the world-champion video-gaming tournament: “The biggest e-sports event in the world”.

The International isn’t just any e-sports tournament.

It’s the biggest event of its kind in the world with a prize pool of nearly $24m (£18.4m) and is hosted by Valve.

Sixteen teams, with players from all over the world, are competing in the season climax for online battle arena game Dota 2.

For many of them the prestige of lifting the trophy at this ultra-competitive event is far more important than the cash.

Alex “machine” Richardson is Dota 2’s answer to Gary Lineker and has been hosting the live stream of the group stages, which are taking place in Seattle.

(3) HOW DOCTOR WHO STOLE CHRISTMAS. ScienceFiction.com says it could have been lost for good — “Steven Moffat Explains How Last Year’s Christmas Special Was Almost The Last”.

In a recent interview, current showrunner Steven Moffat – who will cede the position to newcomer Chris Chibnall after Moffat’s last episode, the upcoming Christmas Special – outlined how the special episode almost didn’t happen this year, and may have been eliminated forever.

As Moffat explains about his discussions with the BBC regarding his departure:

“There was one big glitch, which was Christmas. I was going to leave at the end of series 10 – I had my finale planned and what I wanted to do with it. I had a good notion of that. Then I learned at a drinks event somewhere that Chris didn’t want to start with a Christmas [episode], so at that point they were going to skip Christmas. There’d be no Christmas special and we would’ve lost that slot.

(4) THE NEXT DOCTOR. The BBC tells “How Jodie Whittaker ‘missed’ fan reactions to Doctor Who role” — contains long audio on her reactions (lots of gosh-wow) and on advice she received from former Time Lords (starting at 6:50 on 2nd clip).

Jodie Whittaker says she didn’t see people’s reactions to her becoming the first female Doctor Who, because she’s not on social media.

Speaking to BBC 6 Music in her first broadcast interview since her casting was revealed, she said: “This will be a blessing and a curse.

“I’ve missed a lot of the fun stuff and probably the bad stuff.”

(5) W75 YES, COMICONS, NO. Helsinki-bound book dealer Francesca T. Barbini of Luna Press Publishing answers the question, “Why Do Authors Need To Go To Cons?”, and advises which ones to pick.

On Monday we leave for Finnish shores. Worldcon 75 here we come!

I’m laughing/crying at the logistic nightmare ahead of us: 5 cricket bags full of books! Between the early rise to catch the plane and the dragging of luggage, by the time we reach Helsinki, we’ll feel like Sisyphus in the Underworld. However, the plan is to return home much lighter 🙂 so please, make our authors (and our back) happy and adopt a book!

Conventions are a big part of an author’s life. I cannot imagine being where I am today without my con experience. Specifically, I am referring to book conventions/events, rather than traditional book fairs like London or Frankfurt, and definitely not ComicCons, which are a different matter altogether. The ones I go to are primarily about SF, Fantasy and Horror.

That said, I also realise that I am lucky to be able to attend, as they are also one of the biggest expenses in an author’s yearly schedule, which not everyone can afford, for several reasons. And what if you can’t go? What will people think?

With Worldcon upon us, I want to share my con experience with others and why I think that authors should go to conventions if they can. We’ll look at Pros and Cons as well as tips for when money is an issue…..

(6) THE SENSE OF WONDER IS NOW MAINSTREAM. Never mind the authors aching for Dragon Awards, it used to be that sci-fi shows watched by millions couldn’t get a sniff of the Emmys. Vanity Fair remembers: “From Game of Thrones to Stranger Things: How Geek TV Crashed the Emmys”

In 2005, Emmy voters opened their mail to find a mysterious black envelope stuffed with DVDs. “‘The No. 1 Television Show of 2005’—Time Magazine,” the cover read, without disclosing the title of the program on the discs. The show was Battlestar Galactica, a serious-minded reboot of the campy 1970s series, and the idea was to trick snobby TV Academy members into watching a science-fiction drama without rolling their eyes.

“We were battling the name,” Battlestar Galactica executive producer Ronald D. Moore told me recently, of his effort to get colleagues who were making dramas such as The West Wing and 24 to take seriously a show set in a distant star system. “It was considered kiddie stuff: ‘That’s not real TV. It’s people running around in silly outfits. There was real TV and then what we were doing. You couldn’t get a meeting on NYPD Blue,’” Moore said. The black-envelope strategy didn’t work—despite receiving widespread critical acclaim for its writing, acting, and directing, Battlestar Galactica collected nominations only in the visual-effects categories that year.

What a difference a decade or so makes. Fantasy and science-fiction TV are now decidedly prestige TV, as shows such as Moore’s latest—the time-traveling Starz series, Outlander—exist in a crowded world of awards-hungry monsters, zombies, and robots. There’s HBO’s Westworld, which tied Saturday Night Live as the show with the most Emmy nominations this year (22), Netflix’s Stranger Things (18) and Black Mirror (3), Hulu’s Handmaid’s Tale (13), USA’s Mr. Robot (3), and Starz’s American Gods (2), to name a few. Many of the shows sit on the shoulders of HBO’s barrier-breaking Game of Thrones, which became the most awarded scripted series in Emmy history last year, with 38 wins. That a cable program featuring chain mail and dragons could shatter a record once held by NBC’s Frasier reveals how much the TV industry has changed. (Due to the timing of its season, Game of Thrones is not eligible for Emmys this year, to the relief of every one of its competitors. Outlander, which has been nominated for three Emmys and four Golden Globes in the past, is out of contention this year for the same reason.)

(7) BEFORE HE WAS SPOCK. While Bill was searching for more clippings about celebrities who love Mexican food (triggered, presumably, by the item about Boris Karloff the other day) he came across this Leonard Nimoy item in The Boston Globe for March 31, 1968 – which has nothing to do with food, but you may like it anyway….

[Leonard Nimoy] was asked to tell the story again about the time he was driving a cab and he picked up John F. Kennedy. “That was in 1956. I was just out of the service and I was driving a cab at night in Los Angeles and looking for acting jobs during the day. I got a call to go to the Bel Air Hotel to pick up a Mr. Kennedy. It was a highly political time — right before the conventions — and Stevenson and Kefauver were running strong. When I got to the Bel Air I asked the doorman if I was waiting for the senator from Massachusetts. He said he didn’t know. When Kennedy came down the doorman whispered to me, ‘Is this guy a senator?’

“As Kennedy got in the cab I said, ‘How are things in Massachusetts, senator? He perked up. He said, ‘Are you from Massachusetts?’ He asked me so many questions — he was very socially-oriented — he asked me why I was in California, where my folks were from, why they came to the U.S. and what they thought about my being an actor. I asked him about Stevenson’s chances and he said, ‘You talk to a lot of people. What do you think?’ I asked him what would happen if Stevenson won the nomination and lost the election. He said ‘He’d be finished politically.’ That was the one flat statement he made about politics. I dropped him at the Beverly Hilton. The fare was $1.25 and he didn’t have any cash in his pocket. He went into the hotel and I followed him, tagging along for my $1.25. He finally found somebody he knew and he borrowed three dollars and he turned around and handed it to me.”

(8) NAKAJIMA OBIT. Vale, kaiju. Rue Morgue reports the death of original Godzilla suit actor Haruo Nakajima.

Very sad news: The man who first portrayed Japanese cinema’s greatest monster has passed on, leaving behind an enormous footprint.

Haruo Nakajima, who donned the rubber suit for the title character of 1954’s GOJIRA (released Stateside as GODZILLA, KING OF THE MONSTERS in 1956),

(9) LOS ANGELES UNDERSTOOD. A Bradbury quote begins this LA Times article about the 2028 Olympics: “A dream and a reality, the 2028 Olympics give Los Angeles a chance to imagine its future”.

When asked to explain the secret of Los Angeles on the eve of the 1984 Olympics, the late poet, novelist and fantasist Ray Bradbury broke it down, capturing the ingenuous advantage the city enjoyed as it was coming of age.

“L.A. is a conglomerate of small towns striving toward immensity and never making it, thank God,” he wrote. “We have no kings, queens, or courts, no real pecking order, no hierarchies to prevent those of us who care to lean into creativity from running loose in the big yard.”

(10) BRADBURY’S MARS. Local NPR station KPCC devoted part of today’s Take Two show to “‘The Martian Chronicles:’ An out-of-this-world projection of LA”. Audio clip at the link.

It doesn’t even take place on this planet, yet this Sci-fi classic by longtime resident Ray Bradbury has a lot to say about L.A. in the early 1950s.  David Kipen is a book editor and founder of the Libros Schmibros lending library. You can take Bradbury out of L.A. but you can’t take L.A. out of Bradbury, he says. …

Parallels between native peoples of Earth and Mars

The stories add up to something greater than the sum of their parts. They add up to this parable of what Ray experienced as an immigrant to Southern California where the only remnant left that he could readily see of the Tongva, of the Chumash, were some cave paintings up in Santa Ynez, and a lot of place names like Tujunga – like Topanga. The Native Americans were here but there weren’t where Ray Bradbury grew up on Alexandria or Kenmore in Hollywood. Ray was not going to see much evidence of that. So it’s this sense of a bygone civilization of which only remnants remain. Ray, as a guy coming to LA in the 1930s with his family, was only going to get these kind of ghostly hints of the people who once lived on this same land for thousands of years before. And he transmutes that into the way he presents the Martians as these people very much in sync and in sympathy with the land, and rather otherworldly, and at the same time, endangered.

(11) COMICS SECTION. John King Tarpinian’s radar also spotted the Bradbury reference in today’s Frazz.

(12) WORLDCON PROGRAMMING. Not in Helsinki today? Here’s something else you’ve missed:

(13) STILL PACKING. Some may be delayed because their SJW credential is trying to stow away.

(14) A SURPRISE. Lou Antonelli, in “First thoughts on the Dragon award”, included this insight about the award’s management:

I’ve been a finalist for both the Sidewise and Hugo awards, and in both cases, if you have made the ballot, you are contacted in advance, and asked if you accept the honor. Sometimes people prefer to take a bye.

Nominations for the Dragon closed July 24, and after a week had passed I assumed I had not made the grade. I was sure of it last Thursday night when I received an email that had a link to the final ballot.

I opened the ballot, to see who HAD made the grade, and was startled to see my name there. The Dragon award apparently is less bureaucratic than some others, I suppose, and they simply released the final ballot the way the nominations fell.

(15) DRAGON WITHDRAWAL. Alison Littlewood preceded John Scalzi in taking herself out of contention with “A statement regarding the Dragon Awards”.

It has just been announced that The Hidden People has been nominated for a Dragon Award.

While this would normally be a great pleasure, it has also been brought to my notice that my book has been selected by a voting bloc who are attempting, for reasons of their own, to influence the awards outcome. Essentially, the same group who set out to fix the Hugo Awards are now encouraging their supporters to follow their voting choices in the Dragon Awards.

I’m grateful to anyone who has voted for The Hidden People in good faith, but I am deeply concerned that the voting should be fair going forward and so I have today emailed the organisers and asked for The Hidden People to be withdrawn from consideration.

I would just like to add that I have had no contact with the voting bloc and indeed have never asked anyone to vote for me in the Dragon Awards. Thank you again to anyone who did so because they enjoyed the book!

(16) THE PROFESSIONALS. Chuck Wendig and Jim C. Hines are working hard to extract the lessons to be learned from this year’s Dragon Awards.

(17) KERFUFFLE LITERARY HISTORY. Doris V. Sutherland will cover some of this year’s Dragon Award nominees as part of a book project: “Dragon Awards 2017: Which Finalists to Write About?”

So yeah, I’ve been working on a book called Monster Hunters, Dinosaur Lovers, about the stories caught up in the whole Puppies-versus-Hugos kerfuffle. I’m planning to cover every single Hugo-nominated prose story published from 2013 to 2016 (the years of the Sad Puppies campaign). I’m also going to look at the nominees for other SF/F awards from the same period – but in those cases I’ll be a little more discriminating about what gets covered and what doesn’t.

With the ballot for the second Dragon Awards announced, my main concern is figuring out which finalists are worth looking at in my book. So here goes…

Blood of Invidia got a boost from the Puppysphere, and judging by its Amazon synopsis, it’s a jokey, self-aware urban fantasy. Alongside zombie apocalypse, that’s one of the few horror-adjacent genres that the Puppies have shown much support for. Into the horror chapter it goes, alongside Jim Butcher and Declan Finn.

I might give The Hidden People a mention as it was one of Vox Day’s picks, against the author’s wishes. Don’t see that The Bleak December is particularly relevant to my topic, though.

(18) HASSELHOFF. Gwynne Watkins of Yahoo! Movies, in “David Hasselhoff’s Road to ‘Guardians of the Galaxy’? ‘It All Started with ‘Knight Rider!’”, interviews actor David Hasselhoff, who says that his part in Guardians came about because director James Gunn loved Knight Rider as a kid.  Hasselhoff says “I’ve got the kids market wrapped up” because of his role in The Spongebob Squarepants Movie.

Do you have people telling you that a lot that you were a father figure to them because of Knight Rider?

Almost every day, a man comes up to me and says, “I need to tell you my Knight Rider story.” Or a man will tell me that he loves me. Or a person from Thailand will say, “You are my mentor.” Or a person from Afghanistan who’s driving a cab says, “You’re my hero.” I say, “Where are you from?” And he goes, “Afghanistan.” I say, “Oh my God.” Iraq. Iran. It’s just insane. And it’s incredibly fantastic because they all have got a specific story, from India or Pakistan — watching it like Slumdog Millionaire, 200 people around a TV — to the shah of Iran’s wife saying,We used to sell tickets on the back lawns. People would gather and watch the show illegally by satellite for 25 cents in Iran!” And I’m going, “What? What? What?”

And now, 30 years later, it gets to be in one of the biggest movies of all time. And it’s just still following me around, and I embrace it. The theme of Knight Rider is, “One man can make a difference.” And I’m still alive and proving that, hopefully, almost every day.

(19) VAN HELSING TRAILER. Syfy brings back Van Helsing for a second season.

The world is over and so is the wait. Slay. All Day. Van Helsing returns this Fall with all-new episodes on SYFY. About Van Helsing:

Van Helsing is set in a world that has been taken over by vampires following a volcanic explosion that blocked out the sun. Vanessa Van Helsing is the last hope for survival, as she unknowingly awakens to discover she has a unique blood composition that makes her not only immune to vampires, but with the ability to turn a vampire human. With this secret weapon, Vanessa becomes a prime target for the vampires. Her objective: Save humanity – and find her daughter.

 

[Thanks to ULTRAGOTHA, JJ, Chip Hitchcock, Mark-kitteh, Carl Slaughter, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 8/2/17 What Rough Pixel, Its Hour Tick-Boxed At Last, Scrolls Towards Bethlehem To Be Born?

(1) SOUNDS LEGIT. Newsweek’s Hannah Osborn reports “Nasa Is Hiring a Planetary Protection Officer to Save Earth from Aliens”. If you want to protect earth from space aliens and have the qualifications, NASA is hiring, on a three-year contract with pay from $124,000 to $187,000.

The headline is a little grandiose – here’s what the job is really about:

The role involves stopping astronauts and robots from getting contaminated with any organic and biological material during space travel.

“NASA maintains policies for planetary protection applicable to all space flight missions that may intentionally or unintentionally carry Earth organisms and organic constituents to the planets or other solar system bodies, and any mission employing spacecraft, which are intended to return to Earth and its biosphere with samples from extraterrestrial targets of exploration” the job advert reads. “This policy is based on federal requirements and international treaties and agreements.”

Still want to apply? The USAJOBS listing is here.

(2) STATS. A snapshot of Worldcon 75 membership, with the convention a week away:

(3) HARVEST OF STORIES. Cora Buhlert went into overdrive last month: “The July Short Story Challenge 2017 – 32 Short Stories in 31 Days” . And this is the third consecutive year she’s written a story a day in July!

So let’s talk about inspiration: Where on Earth do you get inspiration for 32 stories, one for every single day? As in previous years, I used writing prompts (Chuck Wendig’s are always good), random generators (particularly name generators are a godsend, because you’ll have to come up with a lot of names for 32 stories) and images – mainly SFF concept art, but also vintage magazine covers – to spark story ideas. By now I have a whole folder on my harddrive which contains inspirational images – basically my own catalogue of concept art writing prompts. Other sources for inspiration were a call for submissions for a themed anthology, a Pet Shop Boys song I heard on the radio, 1980s cartoons that were basically glorified toy commercials, an article about dead and deserted shopping malls in the US, a news report about a new system to prevent the theft of cargo from truckbeds, a trailer for a (pretty crappy by the looks of it) horror film, the abominably bad Latin used during a satanic ritual in an episode of a TV crime drama, a short mystery where I found the killer (the least likely person, of course) a lot more interesting than the investigation. In one case, googling a research question for one story, namely whether there it’s actually legal to shoot looters after a massive disaster (it’s not, though there have been cases where law enforcement personnel was given carte blanche, with predictably terrible results) led me to the story of a man who bragged that he had shot more than thirty alleged looters after Hurricane Katrina (thankfully, it seems he was lying or at least massively exaggerating) and who amazingly was not arrested as a serial killer. This made me actively angry, so I wrote a post-apocalyptic story where a shooter of looters gets his comeuppance.

(4) CRIME BLOTTER. Alison Flood and Sian Cain of The Guardian, in “Beatrix Potter-pinching and Žižekian swipes: the strange world of book thefts”, look at who is stealing books from British bookstores. The sf connection is that at Blackwell’s in Oxford, Tolkien, Pratchett, Jordan, and Martin are among the top authors stolen, Also, “an 80-year-old woman with a Zimmer frame” heisted Patrick Rothfuss’s The Name of the Wind from Drake the Bookshop in Stockton-on-Tees.

Paul Sweetman of City Books in Hove believes shoplifters appear to have dumbed down over the years. “In the 1980s, Albert Camus, Jean-Paul Sartre, Sylvia Plath and Jack Kerouac were the most likely to go missing, The Bell Jar and On the Road competing for being the least profitable books in the shop. We are now forced to keep Asterix, Tintin, Beatrix Potter and Dr Seuss behind the counter.”

(5) ALEX, I’LL TAKE LA ARCHITECTURE FOR $100. The answer is: Ray Bradbury. The question is: “Why Does Los Angeles Have a Mall Based on the Babylon Set From the 1916 Film Intolerance?”.

If you’ve been to the Hollywood & Highland Center and have a working knowledge of silent film history, you may have noticed that the hulking mall’s design has been lifted with mixed success from the Babylon set in DW Griffith’s 1916 epic Intolerance. (An influential and ruinously expensive feat of filmmaking in which Griffith calls out critics of his previous film, The Birth of a Nation, as the real racists; it interweaves tales of intolerance from ancient Babylon, the life of Christ, Renaissance France, and then-modern America). That’s pretty weird, right? What kind of mind came up with that? In a posthumous essay just published at the Paris Review, late science fiction author Ray Bradbury says it was his idea….

Intolerance flopped. There was no money left to dismantle the set, and for a few years it became an actual ruin in the middle of Los Angeles. It was finally torn down in 1919….

In his essay at the Paris Review, Bradbury—who led a campaign in the early 1960s to build a monorail system in Los Angeles—writes about his career as an “accidental architect,” influencing designs for the 1964 World’s Fair, EPCOT, and, strangely enough, the Glendale Galleria…..

Eventually, a group came to him “looking at ways to rebuilt Hollywood”:

I told them that somewhere in the city, they had to build the set from the 1916 film Intolerance by D. W. Griffith. The set, with its massive, wonderful pillars and beautiful white elephants on top, now stands at the corner of Hollywood and Highland avenues. People from all over the world come to visit, all because I told them to build it. I hope at some time in the future, they will call it the Bradbury Pavilion.

The Hollywood & Highland Center opened in late 2001, at the beginning of what has become a wildly successful rebirth for Hollywood. EE&K designed the complex, with a grand stairway leading up to a “Babylon Court” with a replica Intolerance gate (which frames the Hollywood Sign in the distance) and, of course, a few elephants…

(6) TODAY IN HISTORY

  • August 2, 1971 — Zombies in sunglasses: The Omega Man (Charlton Heston’s version) premiered.

(7) TODAY’S BIRTHDAY BOY

  • August 2, 1939 — Freddy Krueger creator Wes Craven born.

(8) POTTER CAST TRANSPLANTS. Variety’s Gordon Cox, in “Meet the Wizards of Broadway’s ‘Harry Potter and the Cursed Child”, reports seven members of the London cast are going to be in the Broadway production, scheduled to open in April.

Seven members of the West End company of “Harry Potter and the Cursed Child” will open the Broadway production in the spring, including Olivier winners Jamie Parker, Noma Dumezweni and Anthony Boyle.

That trio and four other British actors will lead the cast of one of the most hotly anticipated productions of the Broadway season. The newest chapter in J.K. Rowling’s “Harry Potter” saga wowed both audiences and critics when it opened last summer, and went on to win a record nine Oliviers, including the trophies for Parker (as a grown-up Harry), Dumezwani (as Hermione) and Boyle, who plays Scorpius, the son of Harry’s old nemesis, Draco Malfoy.

On Broadway, Sam Clemmett will reprise his role as Harry and Ginny’s son, Albus, alongside Paul Thornley (Ron), Poppy Miller (Ginny), and Alex Price (Draco). Byron Jennings, Kathryn Meisle and David Abeles are among the new actors joining the hefty cast of 28.

(9) X NEXT. Yahoo! says “There’s A Reason You Should Care About The Next X-Men Movie, And That Reason Is Jessica Chastain”.

On her Instagram page, the actress shared an image of her and James McAvoy – who plays Professor Charles Xavier in the films – and writes that she’s off to join the cast in Montreal.

Hey @jamesmcavoyrealdeal you ready for me up in Montreal? Im gonna make you cry so hard 😈 #xmen @simondavidkinberg

A post shared by Jessica Chastain (@jessicachastain) on

The actress also captioned the photo “I’m gonna make you cry so hard”, which could give us a hint as to who she’s playing.

Rumours have stated that the filmmakers were looking to cast Chastain as Princess Lilandra of the Shi’ar Empire, and while she hasn’t confirmed this, it’s looking likely.

In the comics (and nineties animated series) Charles and Lilandra are in love, but their duties and very long distance gets in the way of their relationship – hence her comment about making Charles cry.

(10) COMPILATION. Lela E. Buis announces her “Review Project: Greater Inclusion of SFF Worldviews”.

During a recent discussion here at the blog, I was asked to provide examples of underrepresented minority views. I’m now starting a project to review works like this from 2017. I have several candidates lined up, but I’d also be happy to have suggestions on likely candidates. I’m especially looking for Native American and LatinX worldviews, as this group has been pretty scarce in the recent SFF awards cycles, even though Native American and LatinX persons make up about 1/5 of the US population. I’m also interested in other underrepresented worldviews within the SFF community, and I may ask a few people to do guest reviews or articles as the project goes along.

I should probably define what I mean by “worldview.” I’m not looking for just diversity of race, religion, creed, gender, sexual orientation, disability status or national origin in the authors here; I’m looking for authors writing from within their own authentic worldview instead of just replaying Western stereotypes.

(11) ART CORNUCOPIA. Digital Arts Online tells where to find the motherlode: “The British Library offers over a million free vintage images for download”.

The British Library’s collection of images on Flickr are taken from books it has its collection from the 17th, 18th and 19th Century – so well out of copyright – and are vaguely arranged by theme: such as book covers, cycling, illustrated lettering, comic art, ships or children’s book illustration. There’s also a collection of ‘Highlights‘ that’s a good place to start if you just want a general browse.

(12) I’M MELTING! Riffing on a fannish enthusiasm: is vanilla ice cream on its way out? “Is time up for plain vanilla flavour ice creams?”

But for many years, flavours from the big international brands remained stubbornly conservative, dominated by chocolate, strawberry and vanilla.

Now though, thanks to migration, long-haul travel, and the internet, consumers are becoming more adventurous and manufacturers are taking note.

Parlours have sprung up across the US offering Persian-style saffron, orange blossom, and rosewater ice cream, sprinkled with nuts and drizzled with honey; and Indian-inspired flavours such as masala chai, pineapple, and kulfi.

(13) NOT EXACTLY WESTWORLD. Film fans recreated the final set of The Good, the Bad, and the Ugly (technically not sf-related, but this is a story of fan-level enthusiasm): “The Good, the Bad and the Ugly location reborn in Spain”.

But in 2014, a group of local people decided to restore the site to its former glory. They called themselves the Sad Hill Cultural Association and after locating the exact cemetery spot, with the help of photographs from the film’s final scene, in 2015 they set about the painstaking process of excavating the site.

“At the start it seemed like it was going to be impossible, but bit by bit people from other provinces of Spain, other towns, and even other countries, came to help us rebuild the cemetery and it snowballed,” says David Alba, the 35-year-old president of the association. Aficionados could help finance the project by paying €15 (£13; $18) to have their name painted onto one of the wooden crosses.

Mr Alba remembers a key moment early in the excavation.

“We were digging in the ground and we saw that underneath the earth were the original stones of the central circle of the site, the place where all the actors, the director and all the technicians had walked across during the filming,” he says. “It was like digging in the ground and finding treasure.”

(14) THE BUZZER. Fun for conspiracy theorists: “The ghostly radio station that no one claims to run” (and several other strange radio stations)

In the middle of a Russian swampland, not far from the city of St Petersburg, is a rectangular iron gate. Beyond its rusted bars is a collection of radio towers, abandoned buildings and power lines bordered by a dry-stone wall. This sinister location is the focus of a mystery which stretches back to the height of the Cold War.

It is thought to be the headquarters of a radio station, “MDZhB”, that no-one has ever claimed to run. Twenty-four hours a day, seven days a week, for the last three-and-a-half decades, it’s been broadcasting a dull, monotonous tone. Every few seconds it’s joined by a second sound, like some ghostly ship sounding its foghorn. Then the drone continues.

Once or twice a week, a man or woman will read out some words in Russian, such as “dinghy” or “farming specialist”. And that’s it. Anyone, anywhere in the world can listen in, simply by tuning a radio to the frequency 4625 kHz.

It’s so enigmatic, it’s as if it was designed with conspiracy theorists in mind. Today the station has an online following numbering in the tens of thousands, who know it affectionately as “the Buzzer”. It joins two similar mystery stations, “the Pip” and the “Squeaky Wheel”. As their fans readily admit themselves, they have absolutely no idea what they are listening to.

(15) ANOTHER HACKING OPPORTUNITY. More on implantable microchips: one has already been used to infect the system that read it.

Hacking and security concerns, however, are less easily hand-waved away. RFID chips can only carry a minuscule 1 kilobyte or so of data, but one researcher at Reading University’s School of Systems Engineering, Mark Gasson, demonstrated that they are vulnerable to malware.

Gasson had an RFID tag implanted in his left hand in 2009, and tweaked it a year later so that it would pass on a computer virus. The experiment uploaded a web address to the computer connected to the reader, which would cause it to download some malware if it was online.

“It was actually a surprisingly violating experience,” says Gasson. “I became a danger to the building’s systems.”

(16) DEPT. OF WHAT COULD POSSIBLY GO WRONG? A “Chicago Library Seeks Help Transcribing Magical Manuscripts”  —

The Newberry Library in Chicago is home to some 80,000 documents pertaining to religion during the early modern period, a time of sweeping social, political, and cultural change spanning the late Middle Ages to the start of the Industrial Revolution. Among the library’s collection of rare Bibles and Christian devotional texts are a series of manuscripts that would have scandalized the religious establishment. These texts deal with magic—from casting charms to conjuring spirits—and the Newberry is asking for help translating and transcribing them.

As Tatiana Walk-Morris reports for Atlas Obscura, digital scans of three magical manuscripts are accessible through Transcribing Faith, an online portal that functions much like Wikipedia. Anyone with a working knowledge of Latin or English is invited to peruse the documents and contribute translations, transcriptions, and corrections to other users’ work.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Lex Berman, Chip Hitchcock, Lurkertype, and Martin Morse Wooster for some of these stories. Title credit goes  to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 7/28/17 The Pixhiker’s Guide To The Scrolexy

(1) WORLD SF. Rosarium Publishing has announced the table of contents for its American edition of Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, will be released March 1, 2018.

In its brief existence, Rosarium Publishing has worked hard in “introducing the world to itself” through groundbreaking, award-winning science fiction and comics. In combing the planet to find the best in each field, Rosarium’s own Bill Campbell has found a fellow spirit in Italian publisher, Francesco Verso.  Borrowing from the fine tradition of American underground dance labels introducing international labels’ music to the people back home, Rosarium brings to you Future Fiction: New Dimensions in International Science Fiction, a thrilling collection of innovative science fiction previously published by Francesco Verso’s company, Future Fiction. Here you will find thirteen incredible tales from all around the globe that will not only introduce you to worlds you may not be familiar with but also expand your horizons.

Table of Contents

  • James Patrick Kelly – Bernardo’s House (USA)
  • Michalis Manolios – The Quantum Mommy (Greece) – translated by Manolis Vamvounis
  • Efe Tokunbo – Proposition 23 (Nigeria)
  • Clelia Farris – Creative Surgery (Italy) – translated by Jennifer Delare
  • Xia Jia – Tongtong’s Summer (China) – translated by Ken Liu
  • Pepe Rojo – Grey Noise (Mexico) – translated by Andrea Bell
  • Liz Williams – Loose Strife (UK)
  • Ekaterina Sedia – Citizen Komarova Finds Love (Russia)
  • Nina Munteanu – The Way of Water (Canada)
  • Tendai Huchu – Hostbods (Zimbabwe)
  • Swapna Kishore – What Lies Dormant (India)
  • Carlos Hernandez – The International Studbook of the Giant Panda (USA)

(2) ACHIEVEMENT UNLOCKED. The Disabled People Destroy Science Fiction / Uncanny Magazine Year 4 Kickstarter met its goal in three days. The total last time I looked was $23,359 – the target had been $22,000.

(3) NEXT AT KGB. Fantastic Fiction at KGB reading series  hosts Ellen Datlow and Matthew Kressel present Gregory Frost & Rajan Khanna on Wednesday, August 16, 7 p.m. at the KGB Bar.

Gregory Frost

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, and The Pure Cold Light and a whole mess of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town” won an Asimov’s Readers’ Award for 2015. That worked out so well that he and M. Swanwick are currently engaged in writing another collaboration. Greg is the Fiction Workshop Director at Swarthmore College, and with Jonathan Maberry founded the Philadelphia branch of The Liars Club, a collective of semi-deranged and often inebriated authors. Greg is working on a collaborative series with Jonathan Maberry based upon their novella “Rhymer,” published in the anthology Dark Duets.

Rajan Khanna

Rajan Khanna is an author, blogger, reviewer, and narrator. His post-apocalyptic airship adventure series starting with Falling Sky and Rising Tide concluded in July 2017 with Raining Fire. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, and several anthologies. His articles and reviews have appeared Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies, and Lightspeed Magazine. Rajan lives in Brooklyn where he’s a member of the Altered Fluid writing group.

KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(4) IF YOU CAN MAKE IT THERE. Andrew Porter tells me there are New York authors with historic plaques on their old homes:

There are historic blue plaques on Montague Street, in the building where Norman Mailer lived for a while. Around the corner, there’s a bronze plaque on the building where W.H. Auden lived.

Once I heard that, I decided we should start agitating for historic plaques on the birth homes of  historic SF writers.

Andrew Porter suggested Isaac Asimov, Frederik Pohl, Robert Silverberg, and Julius Schwartz. Some others have added:

Avram Davidson, born in Yonkers, 1923

Robert Sheckley, b. 1928 (Brooklyn?)

and Tom Disch died on Union Sq. W. on 4 July 2008

(5) FUN APPROACH. Jared begins his review of The War of Undoing by Alex Perry at Pornkitsch —

This is a long – and often quite meandering – book. There’s a slow start, followed by a lot of quiet, discursive tangents. Several of Undoing’s plots and ‘hints’ don’t coalesce until the very end, and certain momentous occasions and world-changing events – which would be the very heart and soul of other fantasy novels – are downplayed, and shifted to the background. As a result, The War of Undoing can feel frustrating at times. But, and I can’t stress this enough, stick with it: this book simply has different priorities.

The War of Undoing uses a deceptively simple premise and a by-the-numbers fantasy world to great effect. It isn’t a book about what happens, where it happens, or, in some cases, even who it happens to. It is, instead, a book about the why – the choices we make, and what drives us to them.

That’s all worth excerpting – but then, Jared goes into overdrive deconstructing the book’s familiar motifs as if he was scoring the qualities of a role-playing game. That part is really entertaining.

(6) SENDING UP OLD WHO. Fathom Events will show “RiffTrax Live: Doctor Who: The Five Doctors” in theaters August 17 and August 24.

The Doctor is in the house! The RiffTrax house, that is! The stars of Mystery Science Theater 3000®, Mike Nelson, Kevin Murphy and Bill Corbett, are back on the big screen for a legendary riffing of the 1983 Doctor Who film “The Five Doctors.” Someone is taking the Doctor’s past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.

Join Mike, Kevin and Bill as they join the Five Doctors for one of the most thrilling Doctor Who adventures ever!

(7) BUDGET BOOK LAUNCH. Mark-kitteh says, “I’m reading The Prey of Gods by Nicky Drayden — rather fun concept so far, not sure where it’s going but I’m interested to find out — and I went to check out her website. I thought this recent blog post on the finances of her book promotion might suit as a scroll item” — “Book Promotion on a $800 Budget”.

ARC GIVEAWAYS AND EARLY REVIEWS:

Four to six months before your book launches, you want to start getting ARCs (Advance Reader Copies) into as many people’s hands as possible. These early reviewers will help generate buzz for your book and get other readers interested. The easiest way to do this is by holding giveaways on Goodreads. Goodreads is where readers congregate and socialize, so you get a lot of visibility through social shares. Plus, unlike Amazon, people can start leaving reviews and ratings as soon as the book is listed, and not just once launch day has arrived.

Aim to give away at least 30 physical ARCs through random giveaways and targeting bigger name reviewers. If you’re with a big house or small press, they should be offering some giveaways on their own and getting you reviewers, so you’ll just be supplementing as necessary. For these figures, I’m assuming it costs about $7 to ship each book and $8 per book copy beyond free books provided by the publisher. I’m also assuming if you’re with a big house, you’ll get at least 20 free copies of your book, 10 for small press, and 0 for indie authors.

I’d recommend doing three big pushes prior to launch, and two small giveaways (1-2 books each) in the months after launch. Goodreads users can mark your book as to-be-read when they enter the contest, which will make them much more likely to purchase your book. With each giveaway you should see more and more interest. Below you can see how much “to-read” numbers jump when there’s a giveaway. The smaller spikes are the start of the giveaways….

(8) JULIE GOMOLL OBIT. Julie Gomoll (1962-2017), sister of Jeanne, died this past weekend. Jeanne’s eulogy on Facebook is now set to public.

Jackie Dana wrote this deeply touching reminiscence of Julie: “Our Chief Schemer Has Left Us”.

That was the last time I got to see you, and now I’m just reeling. How is it that you’re not going to be around anymore? No more Julie snark on Facebook, no photos of Mr. Pants sitting inappropriately, no more brainstorming. I just can’t bear it.

I sit here trying to make sense of it all, and I know you’re probably just rolling your eyes, wanting to tell me to go do something else. But it’s you, Julie, and I can’t. I knew about your personal struggles, and I knew you were trying to reinvent yourself professionally (like all of the best entrepreneurs do). But even though things were tough sometimes, you were a fighter. A bad ass. So I just can’t understand.

One thing’s for sure. I’m not alone. There’s a not-so-small army of friends and family who you inspired, and we’re all struggling to understand. We miss you so much already. You didn’t leave a hole behind when you left us—you left a chasm as wide as the Grand Canyon.

A fundraiser for Austin Pets Alive! has been started in her honor.

Please join me in honoring the memory of Julie Gomoll, a true digital pioneer.

Julie founded Go Media in 1987. It became one of the first major digital agencies in Texas. The web just seemed to run in her veins. Even when companies asked Julie to create mailers, she’d build them a website. One day, I was fortunate enough to see Julie’s portfolio. One page after another, I saw another piece of Austin digital history. Dell. Whole Foods. The City of Austin. Julie helped pin these organizations on the digital map. With the switch of a DNS server, her company connected them to the entire world.

Julie took the money she made on the sale of Go Media to Excite, and invested in a coworking space named Launchpad. This wasn’t 2015?—?this was 2007. She was a coworking goddess when other people were sweating their 9–5. Launchpad was an unfortunate casualty of the 2008 recession. The coworking movement, however, was not. Dozens of other Austin coworking formal and informal spaces emerged thanks to early adopters like Julie. There are hundreds of small companies that emerged as a result…

Julie loved dogs. Like, pretty much any dog. She even built the first website for Austin Pets Alive!, which has saved thousands of them. Thanks, Julie. We’d like to help you save thousands more. Please help honor Julie’s memory by donating to Austin Pets Alive! in her name.

And Julie Gomoll’s professional website has more about that side of her story.

(9) ZIMMERMAN OBIT. Bookstore owner Lorraine Zimmerman died July 12 reports The Indy. Along with her husband Norman, she owned the Fahrenheit 451 bookstore in Laguna Beach, CA from 1976 until it closed in 1988. It wasn’t a specialty store, however, they did sell everything Bradbury had in print. I bought Bradbury’s book of Irish stories there in the Eighties.

Lorraine Zimmerman, owner of legendary Fahrenheit 451 Books in Laguna Beach (1978-1988), of Collected Thoughts Bookshop in Berkeley (1996-2004), and partner at Berkeley’s University Press Books (2004-2017), passed away on July 12. She was 76 and is survived by her two brothers, three children and seven grandchildren.

Born and raised in Chicago, Lorraine entered the University of Wisconsin, Madison, in 1957. Pausing from university studies after marrying and starting a family, Zimmerman relocated to Orange, Calif., with family in 1970. She resumed her studies at UC Irvine, earning a Bachelor of Arts degree in social ecology. A lover of books and ideas, Zimmerman bought Laguna Beach’s Fahrenheit 451 Books in 1976.

The bookstore soon received national recognition. In 1981, Lorraine was one of five booksellers interviewed in The New York Times for an article on independent bookstores. In 1987, the Los Angeles Times described Fahrenheit 451 Books as “one of the most distinctive independent bookstores in Southern California,” and “Laguna Beach’s literary landmark.” Zimmerman inspired Laguna residents with her own literary flare, publishing Fahrenheit Flasher, a newsletter with colorful images, stories about upcoming author signings and her reviews of forthcoming books. Zimmerman’s innovative promotional strategies included a children’s reading program that enrolled 40 families at its height, and a 12-book plan whereby customers received credit for the average price of their purchases.

Zimmerman made headlines by hosting book signings with such renowned authors as Ray Bradbury, Lawrence Ferlinghetti, Allen Ginsberg, June Jordan, P.D. James, and Michael Chabon. Upon selling Fahrenheit 451 Books, Zimmerman reflected on her experience in American Bookseller magazine, writing in May 1989: “Discussing books with customers and local writers; sponsoring literary events; having a finger on the pulse of current American thought through the knowledge of forthcoming books and my customers’ requests; having the ability to disseminate hard-to-find information–these were the daily rewards of bookselling.”

(10) TODAY IN HISTORY

  • July 28, 1957 The Cyclops premieres.
  • July 28, 1995 Waterworld debuted in theaters.

(11) COMIC SECTION. John King Tarpinian recommends today’s Moderately Confused.

(12) CLARKE WINNER. Colson Whitehead said in his Arthur C. Clarke Award acceptance remarks, “Way back when I was 10 years old, it was science fiction and fantasy that made me want to be a writer. If you were a writer, you could work from home, you didn’t have to talk to anybody, and you could just make up stuff all day. Stuff about robots and maybe zombies and maybe even miraculous railway lines. Fantasy, like realism, is a tool for describing the world, and I’m grateful that a book like The Underground Railroad, which could not exist without the toolkit of fantastic literature, is being recognized with the Arthur C. Clarke award.”

(13) ELLISON BIO. Daniel M. Kimmel gives a glowing review to his friend Nate Segaloff’s A Lit Fuse, The Provocative Life of Harlan Ellison.

What makes this so special? It is a full-bodied portrait of Ellison the writer as well as the ups and downs of his personal life. It doesn’t turn away from the touchy subjects (“The City on the Edge of Forever,” the Connie Willis controversy, the never published Last Dangerous Visions), but it also celebrates not only his successes, but the way he has inspired the writers who followed him, created works of lasting value, and demonstrates that while he is, indeed, one of the giants of science fiction, he is also a writer of mysteries, of criticism, of essays, and of one of the most interesting lives in modern American letters. Even If you are not a devoted Ellison fan, it is a fascinating story, and you may find yourself eager to fill in the gaps in your own reading of Ellison.

(14) SUMMERTIME AND THE READING IS EASY. The Washington Post’s Michael Dirda presents “A summer book list like no other”.

To everything there is a season, and the season for short stories is summer — except for tales of ghosts and demons, which should be reserved for late fall. To help you enjoy your time on a beach or in a hammock, here are seven short-story collections worth looking for.

Other Arms Reach Out to Me: Georgia Stories , by Michael Bishop (Fairwood Press). Michael Bishop is well known as a science fiction writer — don’t miss his best-of collection, “The Door-Gunner and Other Perilous Flights of Fancy” — but this new book collects his equally fine stories about contemporary Southern life. How can anyone resist “The Road Leads Back,” which pays homage to Flannery O’Connor? From the opening sentence, its tone is pitch-perfect: “Flora Marie did not want to visit the Benedictine monastery in Alabama. Back in April, at the insistence of her aunt Claire, who had paid for the pilgrimage, she’d made a fatiguing round-trip journey by air to Lourdes. Aunt Claire had believed that a reverent dip in the shrine’s waters would enable Flora Marie to throw away her crutches and live again as a ‘normal person.’ ” Other stories recall the trailer-park black humor of Harry Crews or Barry Hannah: In “Doggedly Wooing Madonna,” a misfit teenager repeatedly writes letters proposing to the Material Girl, who eventually pays him a visit while he is working at Finger Lickin’ Fried. Bishop closes his excellent collection with the Nebula Award-nominated “Rattlesnakes and Men.” …

(15) YOU’RE INVITED. There will be a “Chinese Fandom Fan Party” at Worldcon 75. The public is invited. (Here is the Facebook event link.)

Hosted by The Shimmer Program, Storycom and Science Fiction World Publishing House

Thursday, August 10 at 9 PM – 11 PM UTC+08 Room 103, Messukeskus, Helsinki, Finland

You have to be a Worldcon 75 member to attend the parties. Our party welcome all guests and feel free to share it with your friends who are coming to Worldcon this year! The more the merrier! Highlights:

  • Meet Chinese sf authors, Xia Jia, Zhang Ran, A Que, Luo Longxiang, Tan Gang, Nian Yu and more…
  • Meet Chinese editors in Science Fiction World to discuss how to publish your works in China
  • Meet Chinese fans who won Storycom’s Worldcon 75 Attending Funding…
  • Introduction of Chengdu City – “SF capital of China”
  • Welcome to The Fourth China (Chengdu) International SF Conference
  • Learn about various ways of attending cons in China for free
  • Free snacks and drinks
  • Chinese specialties and Chinese tea

(16) KEEPING UP WITH JEOPARDY! Steven H Silver sent me this information from the future about a genre reference on today’s episode of Jeopardy!

In Double Jeopardy, categories were:

Plan

9

From Outer Space

Other Odd Films

(17) SLUSSER CONFERENCE. Organizers have put out a call for papers for The George Slusser Conference on Science Fiction and Fantasy to be held at UC Irvine on April 26-29, 2018.

Coordinators: Jonathan Alexander (University of California, Irvine)

Gregory Benford (University of California, Irvine)

Howard V. Hendrix (California State University, Fresno)

Gary Westfahl (University of La Verne)

Although the late George Slusser (1939–2014) was best known for coordinating academic conferences on science fiction and editing volumes of essays on science fiction, he was also a prolific scholar in his own right, publishing several books about major science fiction writers and numerous articles in scholarly journals and anthologies. His vast body of work touched upon virtually all aspects of science fiction and fantasy. In articles like “The Origins of Science Fiction” (2005), he explored how the conditions necessary for the emergence of science fiction first materialized in France and later in England and elsewhere. Seeking early texts that influenced and illuminate science fiction, he focused not only on major writers like Mary Shelley, Jules Verne, and H. G. Wells but also on usually overlooked figures like E. T. A. Hoffmann, Benjamin Constant, Thomas De Quincey, Honoré de Balzac, Guy de Maupassant, J.-H. Rosny aîné, and J. D. Bernal. His examinations of twentieth-century science fiction regularly established connections between a wide range of international authors, as suggested by the title of his 1989 essay “Structures of Apprehension: Lem, Heinlein, and the Strugatskys,” and he fruitfully scrutinized both classic novels by writers like Arthur C. Clarke and Ursula K. Le Guin and the formulaic ephemera of the contemporary science fiction marketplace. A few specific topics repeatedly drew his interest, such as the mechanisms of time travel in science fiction and the “Frankenstein barrier” that writers encounter when they face the seemingly impossible task of describing beings that are more advanced than humanity. And he aroused controversies by criticizing other scholars in provocative essays like “Who’s Afraid of Science Fiction?” (1988) and “The Politically Correct Book of Science Fiction” (1994). No single paragraph can possibly summarize the full extent of his remarkably adventurous scholarship.

The George Slusser Conference on Science Fiction and Fantasy seeks to pay tribute to his remarkable career by inviting science fiction scholars, commentators, and writers to contribute papers that employ, and build upon, some of his many groundbreaking ideas; we also welcome suggestions for panels that would address Slusser and his legacy. To assist potential participants in locating and studying Slusser’s works, a conference website will include a comprehensive bibliography of his books, essays, reviews, and introductions. This selective conference will follow the format that Slusser preferred, a single track that allows all attendees to listen to every paper and participate in lively discussions about them. It is hoped that the best conference papers can be assembled in one volume and published as a formal or informal festschrift to George Slusser.

Potential contributors are asked to submit by email a 250-word paper abstract and a brief curriculum vitae to any of the four conference coordinators: Jon Alexander (jfalexan@uci.edu), Gregory Benford (xbenford@gmail.com ), Howard V. Hendrix (howardh@csufresno.edu), or Gary Westfahl (Gwwestfahl@yahoo.com ). The deadline for submissions is December 31, 2017, and decisions will be provided by mid-January, 2018. Further information about the conference schedule, fee, location, accommodations, and distinguished guests will be provided at the conference website.

(18) AT HOME WITH RAY’S HUGOS. Jonathan Eller writes about this photo —

Ray Bradbury’s two most recent Retro Hugo Awards, “Best Fan Writer, 1941” and “Best Fanzine, Futuria Fantasia, 1941,” have been in the Center for Ray Bradbury Studies since Center director Jon Eller accepted them on behalf of the Bradbury family at the 2016 World Science Fiction Convention in Kansas City (August, 2016). The Bradbury family graciously agreed to have the Bradbury Center curate these Hugo Awards through a long-term loan agreement completed earlier this year.  Here you see both awards in the Bradbury center, guarded by a Martian modeled on one of the 1970s stage productions of The Martian Chronicles.  The Bradbury Center, as well as the Indiana University School of Liberal Arts and IUPIU, are deeply indebted to the Bradbury family for this curatorial loan.  —  Jon Eller

[Thanks to Steven H Silver, Matthew Kressel, Howard Hendrix, Andrew, JJ, Cat Eldridge, Andrew Porter, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 7/22/17 On The Fifth Day She Scrolled Five Tidbits About Ray Bradbury

(1) WHAT’S THAT SMELL? CNN’s Brian Lowry is not impressed: “‘Valerian’ turns French comic into epic mess”.

A feast for the eyes and positively numbing on the brain, “Valerian and the City of a Thousand Planets” makes an early bid for worst movie of the year — or at least, the most ostentatious waste of money, given the lavish trappings of this comic-book adaptation from French writer-director Luc Besson.

Visually sumptuous, Besson has approximated the scale of a “Star Wars” epic, albeit one wholly populated by versions of Jar-Jar Binks….

(2) GUARANTEED INCOME. Fast Company considers “Could Hawaii Be The First State To Offer A Basic Income?” Shades of Mack Reynolds!

With trials already underway in Kenya, Finland, and Oakland, and several others planned elsewhere, basic income is starting to get a thorough testing. The idea of direct cash transfers to meet basic human needs has been getting a lot of attention in the media, from Silicon Valley leaders, and among academics and think tanks. It can’t be long before a city or state in the United States experiments with basic income for itself (Oakland’s pilot is run by Y Combinator, a startup incubator)….

(3) SPAM, SPAM, SPAM, SPAM. And what will Hawaiians buy with their guaranteed money? Well… “‘It’s flavourful as hell’: Welcome to Hawaii’s annual Spam festival”

Not even the drizzle can deter the crowds unspooling along Hawaii’s Waikiki Beach. As late April showers fall upon Kalakaua Avenue, the roads are lined three-deep with sunburned tourists, surfer bros and silver-haired pensioners. Their colourful T-shirts, flower garlands and fancy dress costumes are soaked by rain, but eagerly they wait. Suddenly, a chorus of tiny ukuleles starts to play. The procession begins. Are they waiting to pay homage to a visiting dignitary or religious leader? No. They’re here to celebrate Hawaii’s favourite food: the immortal luncheon meat called Spam.

I join snaking queues for seemingly endless food stalls, each dish more absurd than the last: Spam pizza, Spam fried rice, Spam crackers, Spam pho, deep-fried mac and cheese bites (with Spam) and, of course, Spam fritters. I spot some Spam-infused macadamia nuts, and a slab of grilled Spam atop sticky rice, doused in soy and bound with seaweed: Spam sushi. There’s even Spam dipped in chocolate.

(4) CELEBRATING AFRICAN SF. The University of Manchester’s The Manchester Review has published a special issue on African SF: “Manchester showcases African sci-fi writers, including the author of an ‘African Game of Thrones’”.

This edition of the review is edited by the multi-award winning Geoff Ryman, a Senior Creative Writing Lecturer at The University of Manchester. His own work has won the Arthur C Clarke Award, the Philip K Dick Award and the British Science Fiction Award, and his passion for African science fiction has led him towrite a series interviewing 100 writers from the continent.

Ryman says:

The number of African science fiction stories being published is now too great to do anything other than list. Right now, this wave of creativity reminds me of Elizabethan England at the time of Shakespeare – the power is rising, and the literature with it.

(5) CHAOS DENIED. A spokesperson for former Doctor Who Peter Davison complains the actor’s comments on the new Doctor were quoted out of context:

Since there’s been a flurry of out of context and editorialized articles from various tabloids today (they do love to create chaos), here’s a transcript of Peter’s actual comments from a press interview at #SDCC2017 (the “breaks” were apparently pauses for questions which were edited out):

I think it’s a fantastic opportunity for her and I think that it will be hard for some fans to adjust to it. As I said before, it’s difficult to adjust to any new Doctor, but I think the important thing is that those are uncertain fellows, those who are uncertain should be encouraged to watch it with an open mind. I don’t know, I feel… I think the time for discussion about that is past. They’ve made the announcement. Jodie Whittaker is the next Doctor and that’s great!

[break]

I feel.. if I feel any doubts about it, it’s the loss of a role model for boys, who I think Doctor Who is vitally important for. So I feel a bit sad about that, but I understand the argument that you’ve got to open it up, so that’s absolutely fair enough. So she has my best wishes and full confidence. I’m sure she’ll do a wonderful job.

[break]

As a viewer, I kind of like the idea of the Doctor as a boy, but then maybe I’m an old fashioned dinosaur. Who knows? But I think that’s irrelevant now. The time for discussion is over. We have a new Doctor. And let’s give her our full support.

[break]

I would encourage them to watch. I think there’s too much… you know on the internet… there’s too much bile coming from both sides. And too many people are being horribly sexist about it, and too many people are saying, ‘Well, we don’t care about you. You’re old fashioned. Go away and watch something else.’ I think fans who are doubtful, who are uncertain should be encouraged and welcomed. And just approach it with an open mind.

[break]

Oh yeah, of course. I mean, she’s a terrific actress. And you can absolutely understand it. Look, someone rings you up… I know this feeling… someone rings you up one night. You’re sitting at home and they say ‘how would you feel about being the next Doctor Who?’ It’s a fantastic opportunity, so of course, she grabs it with both hands. I’m sure she’ll do a wonderful job!”

 

(6) THE MAGIC GOES AWAY. This is the last weekend LA’s Harry Potter-themed store Whimsic Alley will be open — “Miracle Mile’s Whimsic Alley Closing”. It says something about social media – don’t ask me what – that a store with over 18,000 Facebook “likes” has bit the dust.

Both a shop and a popular party and entertainment venue, with a castle-like Great Hall event space and a retail area resembling a Dickensian streetscape, the business has been catering to fans of the Harry Potter books and movies — as well as fans of other popular entertainments such as Game of Thrones, Dr. Who, Outlander and even Downton Abbey — in its current location since 2008 (and it was located in Santa Monica for five years before that).  It sells books, costumes, toys, magic wands and other character-related accessories, and has hosted hundreds of birthday parties, tea parties, costume balls, murder mystery dinners, fantasy-themed craft fairs, day camps and even weddings.  For many years before Potter-themed attractions opened at Universal Studios, fans from all over the world would trek to Whimsic Alley for its one-of-a-kind items and atmosphere.

“New multi-million dollar theme parks and exhibitions are awe-inspiring,” owner Stan Goldin said in the closing statement, “But for many years, Whimsic Alley filled a void that no one else seemed interested in filling. Our staff enjoyed serving our clientele as much as they hopefully enjoyed their experiences. As a result, we developed close friendships along the way which we hope will continue for many years to come.”

But Goldin told the Buzz that those new theme park attractions, along with other factors such as the rise of online shopping, and perhaps also traffic and parking disruptions from local subway construction, may be what finally sealed the fate of the beloved store. Business has fallen off dramatically in the last year or so, he said, and “we can only speculate why.”

(7) HALF OF SIXTEEN TONS AND WHAT DO YOU GET? Yahoo! Celebrity’s piece “Comic Book Superfan’s Collection Weighs More Than 8 Tons” tells about Bob Bretell, an LA guy who is in the Guinness Book of World Records for having 103,000 comic books, including Amazing Fantasy 15.

Martin Morse Wooster sent the link with a comment: “I remember there was a discussion in File 770 back in the day about fans who were moving their collections and discussing how many tons of books they had.  I remember some fans had more than one ton, but I don’t think anybody had two.  Well, this guy has eight tons of comics!”

(8) CONVERSATIONS WITH CREATORS. Thieved from John Scalzi’s Twitter feed.

(9) WUT? Camestros Felapton has scored another technological breakthrough, the sound-free podcast. It’s guaranteed to be as pleasing to the deaf as it is to the dumb: “The Book Club Roundtable Discussion Club Non-Audio Podcast Club”. Features Camestros, Timothy the Talking Cat and a radiant guest star —

[Camestros] Well, I’m glad you asked. Coming all the way from the distant past and the far future is Susan the triceratops! A big round of applause for Susan!

[Susan the Triceratops enters from the wings] Hi.

[Camestros] Hi Susan. Now for the viewers at home can you tell us more about yourself?

[Susan] Viewers? Isn’t this a podcast?

[Timothy] The government is always watching us Susan. They fear my outspoken commitment to freedom and privatising healthcare.

[Susan] Thank you for the clarification small mammal predator. Well, as you know, I’m originally from the distant past but due to a time-travel accident I ended up in the far future where I now live in Fungus Town, home to the post-apocalyptic Fungus civilisation. In my spare time I defend the city in my superhero identity: Triceracopter.

(10) SHUFFLE UP. Bibliophilopolis tells how fans can “deal themselves in” to “An All-Bradbury #24in48 Readathon!”

From the readathon’s home page, here are some details: “If you’re new to 24in48, this is the basic gist: beginning at 12:01am on Saturday morning and running through 11:59pm on Sunday night, participants read for 24 hours out of that 48-hour period. You can split that up however you’d like: 20 hours on Saturday, four hours on Sunday; 12 hours each day; six four-hour sessions with four hour breaks in between, whatever you’d like.”

What am I Reading?

Now “the rest of the story” is that most participants don’t actually read 24 entire hours, but rather have that as a goal.  In the past, I’ve participated by reading 24 short stories, which is harder than you think.  This year, though, to up the ante, I’m going to try to read 52 stories, all by the master storyteller, Ray Bradbury.  Why? Many reasons, not the least of which being I really enjoy reading his stories. He also doesn’t write many “long-ish” stories, so they might average a short enough length for me to complete 52 in a weekend. The most important reason, though, is that I am hoping to “raise awareness” about a local (for me) literary treasure, The Center for Ray Bradbury Studies. Pay them a visit at the link, and also check out their Facebook page. I’ve had the pleasure of visiting the Center on a couple occasions and it is chock-full of Bradbury artifacts and documents, and a re-creation of his office space. Including his seat of choice, a director’s chair (see photo below).

(11) YESTERDAY IN HISTORY. From John King Tarpinian’s 2009 Comic-Con photos:

Here is a picture I took, my friend Robert is in the middle.  The other two are Jerry Robinson & Ray Bradbury.  If you don’t know who Jerry was then you do not deserve to be in San Diego this weekend.

(12) FIVE YEARS AGO. And in 2012, John photographed George Clayton Johnson’s image on the screen at Comc-Con’s Bradbury eulogy session.

George Clayton Johnson

(13) COMIC SECTION. John  King Tarpinian got a laugh from today’s Off the Mark.

(14) I’VE SEEN THAT FACE BEFORE, SOMEWHERE. One good book cover deserves another. And another.

The Martian by Andy Weir (Feburary 2014)

John Glenn: America’s Astronaut (April 2014)

Sally Ride: America’s First Woman in Space (June 2014)

Scott Parazynski: The Sky Below: A True Story of Summits, Space, and Speed (August 2017)

(15) FAN MAIL FROM SOME FLOUNDER. The Daily Beast’s Erica Wagner remembers the family business: “Inside the Secret World of ‘The Muppet Show’”.

“Dear Kermit the Frog,” begins the letter from a young fan, framed on the wall of the new Jim Henson Exhibition at the Museum of the Moving Image in Queens. “How is show business? When are you and Miss Piggy getting married? Tell Miss Piggy I saw a bride dress.”

I’d guess from the handwriting that the scribe was 6 or 7 years old. But at the top of the page is handwriting that I recognize—my mom’s, making a careful note of just how many letters like this there were the pile of mail requiring her attention. Because when I was growing up, my parents’ job was answering all the fan mail the Muppets received.

(16) VIEW FROM A PUPPY. In what Dr. Mauser says will probably be his last Sad Puppies blog post, he presents his version of recent history: “The Claw!”

….Now if the goal of the Sad Puppies were to probe how deep the fix was in in the Hugo electorate, the goal of the Rabid Puppies was to Win. The organizer has a bit of a beef with the SF community, to put it mildly, and taking one of their awards would be a coup. The first attempt was no real master stroke. Having seen how effective Larry’s fanbase had been in getting nominees on the ballot in SP2, the easiest, no effort way to get in was to hijack the list, add himself and a few of his house’s authors to the list at the top, knock off the bottom items to fill out a slate, and mobilize his fanbase as well. With so much commonality to the lists, it would be impossible to sort out whose supporters were whose. Which as a tactic to make his influence appear larger than it was, was successful. SP and RP got conflated and slammed in the social media, and the real media, by design. Some people still can’t tell them apart. But good Tactics sometimes make bad Strategy, and the backlash the organizer engendered resulted, as I said, in one of the most toxic Hugo ceremonies ever, as well as in rules changes designed to make the Hugo nomination process even more opaque than the final vote process.

It wasn’t much better the next year, when his spitefulness towards the fandom made him pollute the nominations with crude gay porn titles. If he couldn’t win, he was going to ruin the whole thing. It merely cemented the backlash, but it didn’t require the overkill numbers unleashed the year before to shut him out, thus those excess no-award voter accounts were released.

Skipping ahead to this year. It becomes really simple to see why he sent an acolyte to announce he was commandeering the helm of SP5. Clearly he believed that the Sad Puppies had an army of followers and if he could co-opt them to his cause, he could finally win, or at least do real damage.[1] The Kickers, on the other hand, had rigged the game even more, making it harder for any small group to dominate the nominations, but a sufficiently large one, like say, tor.com fans, with properly distributed votes, could capture a large number of nominations, and they did. And in the coming years, another fix is going in that will allow any sufficiently large cabal to de-nominate anything they don’t like[2] (They call it 3 Stage Voting, or 3SV, but it’s NOTHING like what I proposed).

I don’t think though that this is going to stop him from shoving more and more quarters into the damned machine, trying to grab that Trophy. The Sad Puppies have proven their point, and are off to chase more good fiction. The Hugos don’t interest them any more. The Rabids though, they’re out to win, no matter how much the game is rigged, and how destructive the results end up being. That’s a feature to them, not a bug.

(17) CONFEDERATE. Vulture’s Josef Adalian in “The Producers of HBO’s Confederate Respond to the Backlash and Explain Why They Wanted to Tell This Story” has an extended interview with showrunners Benioff and Weiss, including why they brought in two African-Americans, Nichelle Tramble Spellman and Malcolm Spellman to be co-showrunners.

So Malcolm and Nichelle, take me back to how David and D.B. first came to you with this. How did you decide to get involved?

MS: They first called me and said they wanted to take us to lunch and talk about a project they had. They took me and Nichelle out to a restaurant and told us the history of it: They had this script, the movie version, but they felt taking it to TV would be better. And they knew they needed black voices on it. There was already a comfort level between all of us. I feel like me and Nichelle, both separately, have a great pedigree — her particularly — and so it made sense.

For me and Nichelle, it’s deeply personal because we are the offspring of this history. We deal with it directly and have for our entire lives. We deal with it in Hollywood, we deal with it in the real world when we’re dealing with friends and family members. And I think Nichelle and I both felt a sense of urgency in trying to find a way to support a discussion that is percolating but isn’t happening enough. As people of color and minorities in general are starting to get a voice, I think there’s a duty to force this discussion.

Nichelle Tramble Spellman: When we initially sat down, we made the joke, “Oh, this is going to be a black Game of Thrones spin-off! This is gonna be awesome.” And then [Benioff and Weiss] got into what the story was about, and I just remember being so excited — and absolutely terrified at the same time. I can’t remember the last time I approached any story like that. So Malcolm and I left the lunch and couldn’t stop talking about it the entire way home. And immediately that night, this chain of emails just started. Like, “Have you read this? Have you read that? What about this piece of history? How can we bring this all into a present-day story line.”

And immediately what the conversation turned into is how we could draw parallels between what has been described as America’s original sin to a present-day conversation.

(18) NOT EVERYONE’S A BELIEVER. It’s easy to be cynical in Hollywood.

[Thanks to John King Tarpinian, mlex, Martin Morse Wooster, Cat Eldridge, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 6/29/17 Strong Enough for a Scroll, But Made for a Pixel

(1) IN TIMES TO COME. Stephanie Lai’s eye-opening post about strategies for coping with microaggressions on panels and elsewhere at sff cons, “Continuum: First Aid for paper cuts”, is not merely advice, it may be a forecast of what will be happening at cons in the immediate future.

Interrupting micro aggressions in a social setting

Sometimes micro aggressions happen in a panel, but sometimes they occur in the bar or in a conversation or in passing. No Award recommends a few techniques. These are applicable to both the people being aggressed at, and those friends who want to have our backs.

For the extremely non-confrontational or when you just don’t have the patience, go the non-sequitur and change the subject: “Do you like cats? Would you like to look at pictures of mine? Please tell me in detail about your pets.” Always have your cat pictures ready to hand for quick whipping out. You can do this one, I believe in you.

A bit more confronting: “Gosh, I wouldn’t have said that.”

Really lean on in to it: “Wow, that’s an anecdote. How would you relate that to the topic we’re talking about?”

Go for it: “Wow, that’s racist.” “Wow, do you think that’s appropriate?” “Wow, don’t ever talk to me ever again.” GO FOR IT. Make it uncomfortable. They already have.

Please manage this institutionally

This note is specifically directed at my white friends who want to fix the thing. It is also applicable if you are some other sort of not-marginalised voice, such as if you are straight. When you find something that needs to be fixed, please understand that it cannot be fixed by my friend, it has to be fixed by the convention committee. It cannot be fixed by my friend because that’s not how institutional change works. And when we talk about micro aggressions, when I talk about micro aggressions, I’m talking about institutionalised racism.

It’s nice that I have your friendship — and I really value it — but what I really want is the promise of the institution, not the individual.

(2) SPUFFORD INTERVIEW. Gavin Edwards interviewed “Francis Spufford: The Benign Dictator” for Barnes & Noble Review. Spufford, has many sff devotees because of Red Plenty, and such a rich and entertaining discussion of long-ago Manhattan is well worth reading. Gavin Edwards is the New York Times-bestselling author of many books, most recently The Tao of Bill Murray.

BNR: So how did you end up writing about Manhattan in the 1740s?

FS: A random effect of visiting New York: suddenly realizing that once you got down below the grid, the southern tip was strangely like the city of London, down to the same street names. And like the city of London now, also burned down by great fires. So you’ve got a pre-modern net of lanes with enormous glass temples of international finance growing out of them. And I thought, heavens, this is still haunted by the city that was.

I got a photocopy of an eighteenth-century street map and tried to walk lower Manhattan to see if it was still there. And it kind of is, apart from the fact that the shoreline has gone outwards about a block all the way round. There’s nothing above ground level so far as I could see, apart from the tombs in Trinity Church and Bowling Green — which has the same railing around it, although the crowns were snipped off the top with the Revolution….

BNR: There’s a line in the musical Hamilton that New York City is “the greatest city in the world.” While that’s flattering to Broadway audiences, I don’t think most people in the eighteenth century thought of New York as the greatest city in the world.

FS: They didn’t. The strange thing is that it was urban in feeling, even though there was hardly any of it. But Philadelphia was the financial center; New York was this slightly provincial place that exported flour to slave plantations down in Barbados and Jamaica. And in return, turned sugar into rum. Not cosmopolitan. On the contrary, rather suspicious and narrow, Anglo and Dutch and African and very suspicious of the outside world, particularly if it spoke French.

In some ways, satisfyingly the opposite of everything you associate with New York City now. Very small rather than huge, ethnically exclusive rather than a vast melting pot. Very pious rather than being possibly one of the secular places on earth. Very closed and paranoid about the outside world rather than open and curious. And yet, to my fascination, I could still see a recognizable New York?ness in the New York of the 1740s. Even when you can walk end to end in ten minutes, even when everybody in it thinks they’re British or Dutch, there is still something about it as a deal-making city living on its wits, already sure that it’s the center of something, even if they don’t know what yet.

And at his own blog Gavin Edwards put up a bonus bit where he talks about why Red Plenty is appealing to sci-fi fans: “The Golden Age of Francis Spufford”.

(3) LOOKING BACK. Steve Mollmann of Science’s Less Accurate Grandmother reviews The Long Way to a Small, Angry Planet by Becky Chambers” before moving on to the author’s Hugo-nominated sequel.

I also felt very uncomfortable with the way the majority of the crewmembers impose their moral views on one character and their way of life, in a book that was otherwise about celebrating the joys of multiculturalism and (what I guess you might call) multibiologism. I don’t think the book sufficiently made the case that a particular character was being exploited to justify what was done to them against their will.

(4) HALFWAY MARK. The B&N Sci-Fi & Fantasy Blog makes its picks of “The Best Science Fiction & Fantasy Books of 2017 So Far”.

These 25 novels represent the finest SFF this still young year has to offer. They’re smart, scary, uplifting, terrifying, thrilling, prescient, unforgettable. At the bookstore, at least, it’s been a very good year…so far. Here’s looking at six months’ worth of the best science fiction & fantasy books of 2017.

One of them is –

Six Wakes, by Mur Lafferty A locked-room mystery nestled comfortably inside a big-idea sci-fi premise, Lafferty’s latest is a interstellar page-turner, building a compelling future world of human clones and interstellar travel, and rewriting the rules of the crime novel accordingly. Societal and climate collapse drives humanity to send 2,000 cryo-frozen people to a distant, Earth-like planet on a ship crewed by six criminals who volunteer to be cloned again and again as they shepherd their precious cargo to its final destination. Every time the crew is cloned, they maintain their collective memories. When they wake up at the beginning of the novel, however, their former bodies are dead—brutally murdered in various ways; the ship is in shambles (gravity is off, the controlling artificial intelligence is offline, and they’re off-course); and their memories (and all other records) have been erased. The six have to clean up the mess—but they also have to figure out who killed them and why, and how to survive within a paranoid pressure-cooker of a ship. Lafferty steadily ramps up the tension from the jarring first pages to the nail-biting conclusion. We dare you to stop reading it. Read our review.

(5) SENSE8 NOT ENTIRELY DEAD. SciFiStorm reports Sense8 will return, at least temporarily…

After getting canceled by Netflix earlier this month with some things unresolved, Lana Wachowski, via the official Sense8 Twitter account, explained why she hasn’t said much, but also why she is talking now

(6) TODAY IN HISTORY

  • June 29, 1979 Moonraker was released.

(7) TODAY’S BIRTHDAY BOY

  • Born June 29, 1920 – Ray Harryhausen

Harryhausen receiving his Oscar:

(8) BEEP BEEP KA-CHING. The Associated Press, in “‘Star Wars’ R2-D2 Droid Sells for $2.76M at Auction”, reports that auctioneer Profiles in History sold an R2 D2 made from “parts” of droids used in the Star Wars films for $2.76 million.

A Darth Vader helmet and a Luke Skywalker lightsaber sold for lower sums says The Wrap:  

Other “Star Wars” items that were up for auction include Mark Hamill’s “Luke Skywalker lightsaber used in the first two films, which sold for around $450,000 and original concept art by Tom Jung that were used to inspire the movie posters. A Darth Vader helmet from the original film sold for $96,000.

(9) GENRE IN ASIA. In another post at No Award, Stephanie Lai contrasts Western and Asian horror writing in “Continuum: SFFH with Asian characteristics”.

We talked a lot about how horror is not considered a genre when you think about Asia, in large part because the things that are classified as horror in the west are actually just a daily part of life. The telling of ghost stories is very social. We talk about them all the time, like a description of the car that overtook us at the lights or the reason we rejected that house in the cul-de-sac, like the aunty who always compliments your hair.

Mia spoke about finding Australians and people in general less superstitious when she moved to Australia; nobody saying ‘excuse me’ to ant hills. She BEAUTIFULLY described ghost stories as being stories about neighbours you never acknowledge but you know are there. It’s true. I talk a lot about how the unspoken spirits and ghosts rule my family life (the ghosts of Alzheimer’s and accidents; the spirits of bankruptcy and the fire in the oven that never lights first try). It’s a bit like following superstitions just in case, which Mia, Devin and I all agreed we do; but it’s a bit like knowing the ghosts believe in you.

(10) 90 MINUTES LIVE. Videos of two author interviews from 1978 have been posted to YouTube.

Harlan Ellison

Kurt Vonnegut

(11) SF AUTHOR CARD GAMES. Darrah Chavey is here to introduce Filers to Buddyfight, a Japanese and English card game, of the general genre of Magic: The Gathering or (more accurately) Yu-Gi-Oh!.

What makes this card game more interesting to us is that several of the card characters are the last names of SF authors. So you could put together a game deck consisting of (Arthur C.) Clarke, (Ray) Bradbury, (Ursula) Le Guin, (Robert) Heinlein, (Brian) Aldiss, (Edgar Rice) Burroughs, (Andre) Norton, (Robert F.) Young, (James) Tiptree, (George Alec) Effinger, and (Alfred) Bester.

Each of the characters comes with a “flavor text”, which seems to play to the author. Tiptree is saying “Hehe, I wonder what I should write next…”, and Burroughs says “I’ll survive anywhere as long as I have this sword with me.”

At the following link are sample images of some of the author cards. The Bradbury and Effinger cards are shown below. I have no doubt George Alec Effinger would have been pleased to see himself represented as a figure in a deck of magic game cards.

(12) CHAMBERS. I don’t think I mentioned the announcement earlier this month of Becky Chambers’ next novel, coming out in 2018:

[Thanks to John King Tarpinian, Darrah Chavey, Martin Morse Wooster, and Elizabeth Fitzgerald’s Earl Grey Editing blog for some of these stories. Title credit goes to File 770 contributing editor of the day clack.]