By Rcade: At the 2021 Worldcon in Washington D.C., a sponsorship by Raytheon caused such a furious backlash that convention chair Mary Robinette Kowal apologized and announced that the con was donating an equal amount to an organization devoted to peace.
Two years later millions of dollars were spent on the Chengdu Worldcon by commercial and Chinese government sponsors, funding expenses that included event promotion, airfare and lodging for all Hugo Awards nominees and convention committee members, shuttles between the hotel and convention center, human translators at events and tourist excursions to the Chengdu Research Base of Giant Panda Breeding.
These sponsorships will not be accounted for in the convention’s financial report, Chengdu Worldcon co-chair Ben Yalow revealed during a panel discussion in December at Smofcon, a conference for convention planners. “None of that appears on our financial report because we didn’t get any money out of the deal. The convention never saw that money. What the convention saw was Hugo finalists who would show up and their plane ticket was taken care of and their hotel room was taken care of. It means that our financial report is completely accurate and totally misleading.”
The panel was titled “What Can We Learn from Chengdu?” and included three members of the convention’s committee: Yalow, advisor Helen Montgomery and business meeting chair Donald Eastlake III. The other panelists were Vincent Docherty, an advisor to the upcoming 2024 Glasgow Worldcon, and Marie Vibbert, a 2023 Hugo nominee who made the trip to China. The moderator was Tammy Coxen, chair of the 2014 Detroit NASFiC convention.
In late January, John S of Ersatz Culture called attention to the Smofcon panel as part of his ongoing reporting about problems with Chengdu. The discussion drew further scrutiny after Chris M. Barkley and Jason Sanford revealed last week that Chengdu Hugo Awards administrator Dave McCarty manipulated the nominations and final vote, excluding some top vote getters after his team investigated nominees for anything political in their work or life that might cause concerns in the host country.
The hour-long Smofcon panel was a discussion of how future Worldcons could potentially emulate Chengdu, where Yalow said “damn near everything” was funded by sponsors.
When the first audience question began with a comment that sponsor dollars bought “splashy” presentations but communications with members before the con would’ve also been nice, Coxen interjected before any panelists could respond. “What I wanted to focus this panel on was not the tearing down but the building up,” she said. “What can we take away, what can we learn.”
There was a lot of enthusiasm on the panel for Worldcons aggressively pitching their event to sponsors, tempered with the reality that opportunities would be far smaller than they were in China.
Yalow offered this advice: “When we went to sponsors and said are you interested in sponsoring it … the way you had to structure that pitch is not what benefits can the convention can get out of it. The way the pitches were always structured is what benefit does the sponsor — or the government in the case of government sponsorship — what benefit does that person or that organization get out of it. A pitch that says ‘Well we can do all of these really cool things’ is a failed pitch.”
Chengdu sponsors “were not particularly intrusive,” Yalow said, but the con could not change a sponsored panel’s scheduled time or panelists without consulting that sponsor. The only disclosure of the commercial arrangement was in the backdrop of the panel, not in any convention publications. “From the person on the other side of the table, the person sitting in the audience, it looked exactly the same,” he said.
There was one part of Chengdu that disallowed sponsors. “One of our ‘do not break this rule ever under any circumstance’ was no sponsorship in respect to the Hugos,” Yalow said.
The WSFS Constitution, which sets the rules of Worldcon, grants members the right to examine a Worldcon’s “financial records and books of account.”
As the panel was nearing its close, the issue of financial transparency was raised for the first time by a questioner in an online chat visible to the panelists and audience but not shown on video.
The moderator Coxen read the question aloud: “One of the objections to Raytheon as a sponsor for DC 3 was not just who they were but the perceived lack of transparency around it. How do you think we could reconcile that with the effective but relatively subtle sponsorship Chengdu had?”
She responded jocularly. “Nobody knew who the sponsors were, at least from the West, so nobody asked you hard questions about them from the West!”
Yalow dodged the question. “That’s a political question that is in a sense above my pay grade,” he said.
Helen Montgomery answered, “As the chairperson of Chicon 8, coming in right after the whole Raytheon thing at DisCon, we were like, OK here’s our sponsorship policy, which we’d been working on — we had to change it after Raytheon. … I can’t quite get my head around the words, I’m sorry. I think it’s a really tricky balance. The people who come to Worldcon want Worldcon to do more and more and more. And we’ve tried really hard to do the more and more and more. But we are at a point where we can’t do more unless we get more money. So do we charge attendees more so we can do more? We’re going to get all kinds of pushback around that. Our other alternative is sponsorship, right? And like I’m saying about the position Seattle is in. Boeing is right frickin’ there but Boeing does military stuff. That balance is just so hard and I don’t have a good answer to that question.”
In her apology for accepting the Raytheon donation, DisCon III chair Kowal offered three action items for future conrunners to avoid making the same mistake: “Developing a sponsorship policy for your organization that reflects the values and concerns of our community. Creating a robust plan for doing due diligence on potential sponsors. Creating a mission and value statement against which to measure actions.”
A final question at the Smofcon panel was about the Hugo nominee Vibbert, who revealed she was offered an honorarium and turned it down because of concerns about the sponsor. An audience member asked if she would share the company’s name.
(1) SHORT FICTION MARKET COPING WITH SPAM PROBLEM. Neil Clarke of Clarkesworld bemoans “A Concerning Trend”, the growing rate of spam story submissions. He says regular and spam submissions are both up, but the spam is way up.
…Towards the end of 2022, there was another spike in plagiarism and then “AI” chatbots started gaining some attention, putting a new tool in their arsenal and encouraging more to give this “side hustle” a try. It quickly got out of hand…
…What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging. (I have no doubt that several rejected stories have already evaded detection or were cases where we simply erred on the side of caution.)…
Whoopi Goldberg‘s love for Star Trek: The Next Generation is written in the stars. The Oscar-winning actress held an epic cast reunion for the beloved sci-fi series on The View — and EW has an exclusive first look at the talk show’s transformation for the stellar event.
Airing on Thursday’s episode of the ABC talk show as a special pre-recorded edition, the reunion features Goldberg reprising the role of Guinan — whom she played on The Next Generation between 1988 and 1993 — to welcome her Star Trek franchise costars Patrick Stewart (Jean-Luc Picard), Jonathan Frakes (William Riker), Gates McFadden (Beverly Crusher), and Michael Dorn (Worf) to the set….
The first trip, as a “Tolkien Randír” (pilgrim1), on what I hope to be a year-long (and more?) tour of Tolkien-related sites isn’t in fact a place Tolkien visited, but a place where one of the objects associated with his life has ended up….
The Imperial War Museum is free entry. There is a café, shop and toilets on ground floor. The main exhibition space is on level one, where the Tolkien object is. Level one is accessible by a stairwell and also lifts. You can see the Imperial War Museum North floor plans here.
The Tolkien object, the Webley .455 Mark 6 (VI military) revolver, is located on Level One in the World War One section. I’ve marked its location with a Gandalf Rune below.….
(4) RAQUEL WELCH OBITUARY. Actress Raquel Welch died today at the age of 82. In addition to her iconic roles in One Million Years B.C. and Fantastic Voyage, her genre resume includes TV appearances in episodes of Bewitched, Mork & Mindy, Lois & Clark: The New Adventures of Superman, and Sabrina the Teenage Witch. (And you can talk among yourselves about whether the Richard Lester-directed Musketeers movies, or The Magic Christian, are genre, too.) Late File 770 columnist James H. Burns’ 2015 tribute to her is worth reading: “Raquel Welch: Still ‘The Fair One’”
(5) JEFF VLAMING OBITUARY. TV writer and producer Jeff Vlaming hdied January 30 at age 63. Deadline lists some of his many genre credits:
…With his first credits in the early 1990s — Lucky Luke, Northern Exposure, The Adventures of Brisco County, Jr., among others — Vlaming established his sci-fi bona fides with his mid-’90s work on Weird Science and, beginning in its third season in 1995, Fox’s The X-Files.
After X-Files, Vlaming wrote for Lois & Clark: The New Adventures of Superman, the TV adaptation of Honey I Shrunk The Kids, Xena: Warrior Princess, Sheena, NCIS, Numb3rs, Battlestar Galactica, Fringe, Teen Wolf, Hannibal, Outcast, The 100 and, most recently, Debris in 2021…
(6) MEMORY LANE.
1987 – [Compiled by Cat Eldridge.]
Possibly the one of the greatest space opera series ever done was Iain M. Banks’ Culture series. The Culture series comprises nine novels and one short story collection. The first, the one which our Beginning appropriately comes from, Consider Phlebas, was published first thirty-plus years ago in the UK by McMillian.
(Though calling it space opera really doesn’t do it full justice, does it? So one of the greatest SF series ever?)
I will offer up no spoilers here on the very sane grounds that it is highly likely that some Filers here may not yet have read this stellar series. All I’ll say is that Consider Phlebas is one my two favorite works in this series with the other being, somewhat wistfully, its final novel, The Hydrogen Sonata.
And now our Beginning of both the novel and that series.
Prologue
The ship didn’t even have a name. It had no human crew because the factory craft which constructed it had been evacuated long ago. It had no life-support or accommodation units for the same reason. It had no class number or fleet designation because it was a mongrel made from bits and pieces of different types of warcraft; and it didn’t have a name because the factory craft had no time left for such niceties.
The dockyard threw the ship together as best it could from its depleted stock of components, even though most of the weapon, power and sensory systems were either faulty, superseded or due for overhaul. The factory vessel knew that its own destruction was inevitable, but there was just a chance that its last creation might have the speed and the luck to escape.
The one perfect, priceless component the factory craft did have was the vastly powerful—though still raw and untrained—Mind around which it had constructed the rest of the ship. If it could get the Mind to safety, the factory vessel thought it would have done well. Nevertheless, there was another reason—the real reason—the dockyard mother didn’t give its warship child a name; it thought there was something else it lacked: hope.
The ship left the construction bay of the factory craft with most of its fitting-out still to be done. Accelerating hard, its course a four dimensional spiral through a blizzard of stars where it knew that only danger waited, it powered into hyperspace on spent engines from an overhauled craft of one class, watched its birthplace disappear astern with battle-damaged sensors from a second, and tested outdated weapon units cannibalized from yet another. Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out his Salute to Bazarada and Other Stories as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor did a story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Sixties Batman series and film. I think that Lost Continent as Major Joe Nolan was his first SF film with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1916 — Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
Born February 15, 1939 — Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. Pretty much everything of hers is at the usual suspects. (Died 1998.)
Born February 15, 1945 — Jack Dann, 78. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
Born February 15, 1945 — Douglas Hofstadter, 78. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, he wrote “The Tale of Happiton“, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder.
Born February 15, 1948 — Art Spiegelman, 75. Obviously best known for his graphic novel Maus which retells The Holocaust using mice as the character. What you might not know is there is an annotated version called MetaMaus as well that he did which adds amazing levels of complexity to his story. We reviewed it at Green Man and you can read that review here.
Born February 15, 1958 — Cat Eldridge, 65. He’s the publisher of Green Man. He’s retconned into Jane Yolen’s The One-Armed Queen as an ethnomusicologist in exchange for finding her a rare volume of fairy tales. He is very fond of space operas and classic mysteries equally. And obviously he does the Birthdays and currently the Beginnings here at File 770. And yes, he not only gifts dark chocolate but really likes it.
An artwork by Tintin creator Hergé has set the world record for the most valuable original black and white drawing by the artist after selling at auction for more than €2m.
The drawing, Tintin in America – created in 1942 – was used for the colour edition of the Belgian cartoonist’s 1946 book of the same name.
The book is the third instalment in Hergé’s The Adventures Of Tintin series about the young Belgian reporter and his dog Snowy.
It features the pair as they travel to the US, where Tintin reports on organised crime in Chicago.
At the sale on Friday, organised by French auction house Artcurial, the black and white drawing sold for €2,158,000 (£1.9m).
(9) IRRESISTABLE SERIES. [Item by rcade.] Even though I’m neck-deep in SPSFC 2 reading, I had to take a break and read the sequel to Rebecca Crunden’s A Touch of Death. It’s another well-written story that’s less dependent on the love-hate thing that Nate and Catherine had going in book one. “Review: Rebecca Crunden’s A History of Madness” at Workbench.
… A History of Madness picks up right where the last book left off for Nate and Catherine, two members of the upper class who threw away lives of easy affluence within the King’s inner circle because they could endure no more tyranny. Actually, only one of them did that with full intent (Nate) and the other was more of an accidental revolutionary (Catherine).
Without spoiling the ending of book one, I’ll say that it left Nate and Catherine in serious doubt of living to see book two….
The sheer size of the vessel and the shoes were what struck Robert Ballard when he descended to the wreckage of the RMS Titanic in 1986, the year after he and his crew from the Woods Hole Oceanographic Institution helped find the ocean liner that struck an iceberg and sank in the North Atlantic in 1912.
“The first thing I saw coming out of the gloom at 30 feet was this wall, this giant wall of riveted steel that rose over 100 and some feet above us,” he said in an interview from Connecticut on Wednesday, the same day the WHOI released on 80 minutes of never before publicly seen underwater video of the expedition to the wreckage.
“I never looked down at the Titanic. I looked up at the Titanic. Nothing was small,” he said.
A romance novelist who engaged police in a car chase in in Grand Teton National Park at the end of January has been reported missing by friends and family.
Ms Hopkins was confronted by police on January 27 when National Park Service officers say they saw her parked in the road at a junction in the park. Ms Hopkins then fled from the officers in her vehicle, leading them on a 24-mile long chase that ended with officers used spike strips to puncture her tires.
The novelist, who made headlines in 2018 when she successfully trademarked the word “cocky,” is scheduled to appear in federal court on charges related to her conduct in the national park on the morning of Feburary 28. She is facing charges of stopping or parking on the roadway, speeding, and fleeing from the police….
(12) SCARY FAST. [Item by SF Concatenation’s Jonathan Cowie.] An SFnal ghost story, The Hauntening, on BBC Radio 4.
Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode a taxi app offers some unexpected destinations.
Modern technology is terrifying. The average smartphone carries out 3.36 billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions; you won’t be able to do that.
But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, rcade, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) HUGO I.O.U. The Chengdu Worldcon’s Chinese-language website added a post today with the (computer-translated) headline: “The 2023 Hugo Award call for nominations is opening soon”. But there’s only a headline, no article – plus a playable 15-second audio sound effect.
No corresponding post was made to the convention’s English-language website.
(2) SPSFC UPDATE. Rcade’s Team ScienceFiction.news, in the midst of the second Self-Published Science Fiction Competition, is “Announcing Our SPSFC Semifinalists”. The titles are revealed at the link.
Each of the 10 teams judging the Self Published Science Fiction Competition (SPSFC) chooses three books from their allotments to be semifinalists.
After two months of reading, the ScienceFiction.news team has selected these three books as tribute. They will be sent to the Capitol, where they will engage in ferocious battle against the 27 books chosen by other teams until only one book remains standing.
Even a young adult book can be sent into battle in the SPSFC Games….
(3) TODAY IN HISTORY. The US space shuttle Columbia broke up on its way back to Earth on 1 February 1, 2003. It had been in use since 1981.
In the BBC’s “Witness History – Columbia space shuttle disaster”, Iain Mackness spoke to Admiral Hal Gehman who was given the job of finding out what went wrong. The admiral’s report led to the ending of the American space shuttle program in 2011.
The BBC World Service first broadcast this episode in 2019.
On set, he had a reputation as a manipulator. That’s according to Diane Baker, as quoted in Tony Lee Moral’s Hitchcock and the Making of Marnie, alongside other accounts of his abusive relationship with Tippi Hedren.
Out of context, Hitchcock’s obsession with preserving the secrecy of Psycho looks a lot like a publicity stunt. He bought as many copies as he could of the novel he had adapted; he hired the famously non-controversial (sarcasm) Pinkerton security guards to bar late entry to the film; there were no private screenings; there were no pre-release interviews.
In the context of Alfred Hitchcock, his controlling air set a dangerous precedent for the future of Hollywood. The modern media embargo is the crater left behind by his meteoric ego….
Superman is returning to theaters — only now, along with saving the world, he has to prove that Warner Bros. has finally, without question, it means it this time, found a winning superhero strategy.
DC Studios, a newly formed Warner division dedicated to superhero content, unveiled plans on Tuesday to reboot Superman onscreen for the first time in a generation, tentatively scheduling the yet-to-be-cast “Superman: Legacy” for release in theaters in July 2025. James Gunn, known for “Guardians of the Galaxy,” is writing the screenplay and may also direct the movie, which will focus on Superman balancing his Kryptonian heritage with his human upbringing.
“He is kindness in a world that thinks of kindness as old-fashioned,” said Peter Safran, chief executive of DC Studios, a title he shares with Mr. Gunn.
Moreover, “Superman: Legacy” will begin a story that will unfold (Marvel style) across at least 10 interconnected movies and TV shows and include new versions of Batman, Robin, Supergirl, Swamp Thing and Green Lantern. Those marquee DC Comics characters will be joined by lesser-known personalities from the DC library, including Creature Commandos and Booster Gold, a time traveler. One of the shows will explore Themyscira, the mythical island home of Wonder Woman.
The 10 projects will roll out over four to five years — at which time a second batch of related films and shows will be announced, expanding the “Superman: Legacy” saga to nearly a decade and perhaps helping David Zaslav, the chief executive of Warner Bros. Discovery, to keep a promise to Wall Street about growth….
As an author, you will probably find yourself reading live at events at some time or another and it’s important to make yourself heard by your audience Paying attention to how a microphone works can greatly enhance your performance, and the audibility of your reading. After all, you are there to share your work with an audience, so it is worth doing what you can to make sure that they can hear you well and enjoy the performance without straining. It can be the difference between coming off as a professional rather than an amateur….
(7) MEMORY LANE.
1958 — [Compiled by Cat Eldridge.]
A bit of bookkeeping: though I called this series First Paragraphs last Scroll, but I’m renaming it Beginnings as I want to quote more than the first paragraph if need be. Such will be the case with the selection tonight if the beginning of Fritz Leiber’s The Big Time.
This rather short novel, which is my favorite work by him, won a Hugo at Solacon. I think it’s the only work I’ve read that takes place in a single location, but it really does strongly resemble a theater piece.
It was published originally in two parts by Galaxy Magazine in March and April 1958 issues with illustrations by Virgil Finlay.
Ace Books published the first paperback edition in 1965, and Gregg Press would eventually do a hardcover edition which I know I owned at some point.
My name is Greta Forzane. Twenty-nine and a party girl would describe me. I was born in Chicago, of Scandinavian parents, but now I operate chiefly outside space and time—not in Heaven or Hell, if there are such places, but not in the cosmos or universe you know either.
I am not as romantically entrancing as the immortal film star who also bears my first name, but I have a rough-and-ready charm of my own. I need it, for my job is to nurse back to health and kid back to sanity Soldiers badly roughed up in the biggest war going. This war is the Change War, a war of time travelers—in fact, our private name for being in this war is being on the Big Time. Our Soldiers fight by going back to change the past, or even ahead to change the future, in ways to help our side win the final victory a billion or more years from now. A long killing business, believe me.
You don’t know about the Change War, but it’s influencing your lives all the time and maybe you’ve had hints of it without realizing.
Have you ever worried about your memory, because it doesn’t seem to be bringing you exactly the same picture of the past from one day to the next? Have you ever been afraid that your personality was changing because of forces beyond your knowledge or control? Have you ever felt sure that sudden death was about to jump you from nowhere? Have you ever been scared of Ghosts—not the storybook kind, but the billions of beings who were once so real and strong it’s hard to believe they’ll just sleep harmlessly forever? Have you ever wondered about those things you may call devils or Demons—spirits able to range through all time and space, through the hot hearts of stars and the cold skeleton of space between the galaxies? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, you’ve had hints of the Change War.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 1, 1884 — Yevgeny Zamyatin. Author of We, a dystopian novel. He also translated into Russian a number of H.G. Wells’ works and some critics think We is at least part a polemic against the overly optimistic scientific socialism of Wells. The Wiki writer for the Yevgeny Zamyatin page claims that We directly inspired Nineteen Eighty-Four, The Dispossessed and Brave New World. No idea if this passes the straight face test. What do y’all think of this claim? (Died 1937.)
Born February 1, 1908 — George Pal. Animator, film director and producer. Let’s see… Destination Moon, When Worlds Collide, The War of the Worlds, Conquest of Space (anyone heard of this one?), The Time Machine, Atlantis, the Lost Continent, Tom Thumb, The Time Machine, Atlantis, the Lost Continent, The Wonderful World of the Brothers Grimm, 7 Faces of Dr. Lao and his last film being Doc Savage: The Man of Bronze. Can we hold a George Pal film fest, pretty please? (Died 1980.)
Born February 1, 1942 — Bibi Besch. Best remembered for portraying Dr. Carol Marcus on The Wrath of Khan. Genre-wise, she’s also been in The Pack (horror), Meteor (SF), The Beast Within (more horror), Date with an Angel (romantic fantasy) and Tremors (SF).She died much, much too young following a long battle with breast cancer. (Died 1996.)
Born February 1, 1942 — Terry Jones. Co-directed Monty Python and the Holy Grail with Gilliam, and was sole director on two further Python movies, Life of Brian and Monty Python’s The Meaning of Life. His later films include Erik the Viking and The Wind in the Willows. It’s worth noting that he wrote the screenplay for the original Labyrinth screenplay but it’s thought that nothing of that made it to the shooting script. (Died 2020.)
Born February 1, 1946 — Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company and The Sarah Jane Adventures. It’s not her actual first SF appearance, that honor goes to her being a character called Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.)
Born February 1, 1954 — Bill Mumy, 69. Well I’ll be damned. He’s had a much longer career in the genre than even I knew. His first genre role was at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He makes make it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”. Witches are next for him. First in an episode of I Dream of Jeannie he’s Custer In “Whatever Became of Baby Custer?” Then in Bewitched he’s Darrin the Boy in “Junior Executive”. Ahhh his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him. He’s got a bunch of DC Comics roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. Ahhh Lennier. One of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before Our Gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series.
Born February 1, 1965 — Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here except to say that’s it’s still happening as it just happened again and damn well shouldn’t be happening, should it? (Died 1993.)
NBC will once again head down the primordial rabbit hole in a third season of La Brea, the network has announced….
Described by NBC as an “epic family adventure,” La Brea revolves around a group of characters fighting for their survival after a mysterious sinkhole in downtown Los Angeles sends them to a primeval land forgotten by time. A second storyline takes place “above ground,” where those who did not fall into the strange pit attempt to solve the mystery of what caused it to open up in the first place. The story has only gotten more ambitious and sci-fi as its unfolded, with everything from future conspiracies and time travel now playing a part in the narrative.
“This story is about this family that’s been separated. Half the family falls into the sinkhole, while the other half stays behind in modern Los Angeles,” creator and showrunner David Appelbaum told SYFY WIRE after the series premiere. “And what was really important for the storytelling is that you have ways to connect these two stories. Even though they’re separated, we find different ways that we can connect the story. In this search for how do we tell it in a unified story, that was really the genesis of [the series] idea.”…
… I have learned that the pickup is for six episodes and that it was influenced by the possibility of a writers and/or directors and actors strike, with this likely being the show’s final chapter. Filming is slated to begin in March in Australia.
With the current WGA contract expiring May 1 and the DGA and SAG-AFTRA contracts up June 30, a potential work stoppage could impact the start of production on the new broadcast season, leaving the networks without fresh episodes of scripted series for the first few weeks of the fall.
Possibly with that in mind, I hear NBC approached the cast of La Brea about doing a short third season. Because the series regulars have a 10-episode minimum guarantee (meaning that they have to be paid at least 10 episodic fees a season regardless of how many episodes are produced), the network and sister studio Universal Television asked the cast to reduce their contractual minimum guarantees to six episodes, sources said. In exchange, I hear the actors were offered a release from the show after Season 3 — which they took — making them available to take other jobs. (A typical broadcast series regular contract is for six seasons.)…
The following film is an excerpt from a rare 1977 documentary on How Television Works, featuring Star Trek’s Leonard Nimoy as the narrator and presenter. The film is in full color with animation and excellent vintage footage of early television technology, including early video tape recording (VTR) machines. The original film is about 22 minutes long. We have obtained a 16mm print and will preserve it. This is a 7 minute excerpt highlighting Leonard Nimoy’s narration of the technology behind early television up to the 1970’s.
(11) WHAT PEOPLE WATCHED IN JANUARY. Here are JustWatch’s Top 10 lists for the month of January.
Rank*
Movies
TV shows
1
Everything Everywhere All at Once
Severance
2
M3GAN
The Peripheral
3
Nope
The Rig
4
Jurassic World Dominion
Doctor Who
5
Avatar
Westworld
6
Interstellar
Stargate SG-1
7
Spider-Man: No Way Home
Quantum Leap
8
Strange Days
The X-Files
9
Eternal Sunshine of the Spotless Mind
War of the Worlds
10
Vesper
The Handmaid’s Tale
*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org
…In 2001: A Space Odyssey Directed By George Lucas?, Kubrick’s famously glacial and brooding movie about a mission to Jupiter is transformed into a whiz-bang action movie. In this version of 2001, Dave Bowman has commandeered one of the Discovery One’s shuttles for an all-out battle against psychotic computer HAL 9000, climaxing in a moment that would make Luke Skywalker proud….
(13) VIDEO OF THE DAY. In Stalled, a man goes to a public restroom — and gets trapped in a time paradox.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Danny Sichel, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day by Ingvar.]
By Rogers Cadenhead: The Canadian actress Tara Spencer-Nairn was born on January 6, 1978, the same day that Mike Ronald Reuel Glyer delivered a bouncing baby fanzine. Despite this coincidence and a long list of credits that includes genre roles, Spencer-Nairn has never appeared on File 770 in her 45 years. Until now.
Spencer-Nairn began acting after she was expelled from high school. “I had a chip on my shoulder and I don’t know where it came from,” she told the Vancouver Sun in 2000. “I got kicked out of classes and I kicked a few holes in walls.” She ended up at a better school where she was encouraged to try drama instead of being it.
Born in Montreal and raised in Vancouver, Spencer-Nairn is best known in the land of Tim Horton’s and three-down football for her role on the muggle comedy Corner Gas in its live action, animated and movie forms. But she’s done some memorable work in science fiction and horror.
In 1997-98, Spencer-Nairn starred with Ryan Reynolds and Ron Rifkin in a two-episode story on the Showtime remake of The Outer Limits. She played one of six graduate students who is lured onto a 60 million-year-old spaceship with the promise of extra credit. This ends up being a trick. Their real assignment is to repopulate humanity, a scheme they should’ve sussed when their professor Rifkin chose his class by requiring members of the student body to disrobe (did I mention this was on Showtime?) The episodes are free on the Roku Channel so I just watched them because I spare no expense in my reporting. They’re notable mostly for a very thin plot, deliciously cheesy 1990s TV CGI and the inability of the 21-year-old Reynolds to convincingly frown because his skin is as unblemished and wrinkle-free as a newborn’s.
Spencer-Nairn leveled up to a starring role in the 2002 direct-to-video film Wishmaster 4: The ProphecyFulfilled as Lisa, a woman who releases a demonic Djinn that grants her three wishes (good) but wants to unleash his kind from Hell and rule the world (bad). When Lisa frees the demon, he takes the form of her lawyer. There’s a joke in there somewhere.
Lisa spends wish one to help her boyfriend Sam win a personal injury lawsuit and wish two to let him walk again. Before her third wish can be granted and bring about Geniegeddon, the Djinn decides he wants to understand human relationships so he can make Lisa love him. This is a terrible plan and he ends up in a place more inescapable than a bottle: the friend zone.
In 2011, Spencer-Nairn followed up six seasons on Corner Gas with 30 appearances on the TV series The Listener, which is about a mind-reading paramedic. Because it’s set in Canada, he doesn’t have to use his telepathic powers to determine before treating someone whether they’re insured. Spencer-Nairn played a nurse, which had its perks. “Scrubs are basically pajamas,” she told the Owen Sound Sun Times, “so hello, I get to wear pajamas to work. I don’t think it gets much better than that.”
Two months ago, she appeared on the otherworldly funny CBS sitcom Ghosts as scoutmaster Pete’s wife Carol in a big-haired ’80s flashback.
Spencer-Nairn married publicist Josh Glover in 2008 and they have two sons. For Mother’s Day last year she wrote on Instagram of her boys, “Proud of these little stinkers and the incredible humans they are becoming. … Here’s hoping they learn to flush a toilet before they’re 18.”
She also has a good sense of humor about her place in the hierarchy of celebrity. “Five year old just asked if I was famous,” she tweeted in 2017. “I’d rather explain how babies are born than explain the Canadian star system.”
[Editor’s note: #OwnVoices is a term coined by the writer Corinne Duyvis, and refers to an author from a marginalized or under-represented group writing about their own experiences/from their own perspective.]
By rcade: Last year, Dark Matter Zine managing editor Nalini Haynes wrote an irate personal essay stating that someone is only qualified to call themselves an ownvoices author if they are always public about that identity:
Various identities are, like disability, cherry picked by authors. These authors feel those identities benefit them on occasion but when those identities are likely to cause inconvenience — or to make the authors suffer discrimination — then those same authors conceal those identities.
They want to claim to be an “own voices” author and they want to disavow that identity when owning that identity does not suit them. I use disability as an example, but this equally applies to being LGBTQIA (aka “queer”), Muslim, a person of color, and so on. If you’re “passing” as straight, or areligious or a conforming religion, or white, then you don’t get the full technicolor violent experience of the identity you’re claiming. You are NOT an “own voices” author if you don’t own that identity ALL THE DAMNED TIME.
Sharing experiences of the hardships she’s faced in her life because of disability, Haynes suggested some ownvoices authors are intentionally deceiving readers:
Not trying to own an identity is an HONEST choice. When an author declares “this topic is off limits” and “I do NOT want to own this identity”, I can work openly and honestly with this author in a podcast or review. I know where I stand, where the boundaries lie.
When an author says “I own this identity but IT IS A SECRET” it raises issues. You’re trying to wink at the audience, you’re playing a shell game. You are being dishonest.
… I will not be party to lies and deception.
Today, the young adult author Sophie Gonzales posted a Twitter thread stating that she was outed on Dark Matter Zine in a podcast and again in a book review, leading to a “very unpleasant interaction” that included Haynes making a complaint to her publisher, and the essay about authors being deceptive was published days after these events. (Gonzales names Dark Matter Zine but not Haynes, calling her “the author” instead.)
When she was outed in the podcast, Gonzales wrote in the chatroom, “Only some close friends know I have this marginalization.” Then Dark Matter Zine reviewed her novel Only Mostly Devastated and mentioned it again:
A few days later, the magazine ran a review of OMD and tagged me. In it, the author disclosed my marginalized identity, one which I’d never discussed in public at that point. I had a stab of panic, but figured, again, no stress, no one’s gonna see this before it’s cleared up. So I contacted the magazine editor thanking them for the review, but requesting they please remove the line about my identity as this isn’t public information.
She said that Haynes became angry and told her “if she’d known I wasn’t ownvoices she would’ve never approached me.”
Gonzales continued her recounting, “I stated that I *was* an ownvoices author, but some people in my life didn’t know. (I’d also never used ownvoices while advertising my books at this stage, as the only ownvoices book I’d written was POP, which was a year off publication still).”
Things escalated quickly, Gonzales said:
She said she’d been advised “not to work with my minority group again”. She then said her future policy was going to be if authors don’t disclose that their identity isn’t to be made public before a podcast or review is made, she isn’t removing the information.
(Remembering, again, I was never at any point asked about my identity. Do people often pre-emptively share secrets about themselves to strangers so that they can then ask the stranger to not disclose this secret to the public?).
Six months later, Gonzales used a post on Goodreads about her new book Perfect on Paper to go public as ownvoices on her own terms:
I’ve been writing bisexual characters for many years, but I’d always written them dating someone who shared their gender. Then, in OMD I wrote a bi character whose story culminated in a romance with someone of a different gender, and I suddenly received push back. I started hearing that I’d done something wrong, and I won’t list the specific things said here, because they’re just hurtful, but the reasons given boiled down to this: “a bi person who is in a relationship with a different gender is not correct queer rep”. …
I hope that this ownvoices book is seen for what it is, and that the fear in the pit of my stomach that it will be pushed out for not being quite queer enough will turn out to be just that. Only fear.
The fantasy novelist Foz Meadows, who like Haynes and Gonzales is Australian, offered a gobsmacked Twitter thread about the situation:
If you’re not willing to risk losing your job or your housing, or if you’re not prepared to risk PHYSICAL VIOLENCE, then you cannot claim the identity that sees these things threatened, because you’re not paincore enough” is a fucking HELL of a take.
(1) INVESTIGATION OF BAEN’S BAR. [Item by rcade.] Jason Sanford has published an investigative report on the disturbing number of right-wing users calling for political violence on Baen’s Bar, the private message board of the SF/F publisher Baen Books. “Baen Books Forum Being Used to Advocate for Political Violence”, a public post on Patreon.
Some of the users advocating violence are even site moderators.
A moderator with the username Theoryman wrote, “As I’ve already pointed out, rendering ANY large city is uninhabitable is quite easy… And the Left lives in cities. The question is just how many of its inhabitants will survive…” Theoryman later in the thread suggested shooting transformers in cities with high-power rifles to make the cities “uninhabitable until restored,” adding in another post that “The point is to kill enough of them that they can not arise for another 50 years… or more.” …
[T]his user is a moderator for Baen’s Bar, meaning the publishing company selected this user to monitor and manage discussions on their forum.
While stating that he does not believe Baen Books endorses the calls for violence hosted on its forum, Sanford has questions he’d like Baen publisher Toni Weisskopf to be asked when she is the guest of honor at Worldcon this year.
During this year’s interview I’d really like Weisskopf to be asked about her company’s private forum being used to advocate for political violence. Does she find this acceptable? Does she condone these types of statements? Why did Baen Books previously ban some topics from their forum but doesn’t currently ban advocacy of political violence?
(2) RESPONSES TO SANFORD’S ARTICLE. There’s been an outpouring of response. Here is just a small sampling.
Marie Brennan:
I've always known that Baen's Bar, the forum run by @BaenBooks, tends toward the right-wing. But #TIL that it's the kind of place where one of their *moderators* can say "The point is to kill enough [liberals] that they can not arise for another 50 years… or more." (1/3)
Well, I guess it’s time to burn this bridge. This is the last of a long chain of harmful behavior by Baen Books, and their Editor Toni Weisskopf. Set aside the political affiliations of the authors being mentioned. Baen’s stable is built around authors with a documented history of harassment. They are what’s known as missing stairs…
Jon Del Arroz tried to add a comment to the discussion on Sanford’s Patreon page – it’s gone now. “Helicopter rides” is a common right-wing reference to Chilean dictator Augusto Pinochet’s use of “death flights” to murder opponents.
(3) REDISCOVERING SF BOOK CLUB ART. The second part of Doug Ellis’ series looking at the art of “Things to Come” (the newsletter of The Science Fiction Book Club) has now gone live over at Black Gate. This time he covers 1958-1960, which includes seldom seen work by Virgil Finlay: “The Art of Things to Come, Part 2: 1958-1960”.
The bulletin of the SFBC, Things to Come, which announced the featured selections available and alternates, sometimes just reproduced the dust jacket art for the books in question. However, in many cases the art was created solely for the bulletin, and was not used in the book or anywhere else. Nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, and as a result hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while this installment covers 1958-1960, presented chronologically.
(4) HISTORY-MAKING ASTRONOMY. The latest episode of the Center for Science and the Imagination’s podcast The Imagination Desk features an interview with Katie Bouman, a professor at Caltech who was part of the Event Horizon Telescope team that took the first image of a black hole: The Imagination Desk: Katie Bouman.
Katie Bouman is an assistant professor of computing and mathematical sciences, electrical engineering, and astronomy at Caltech in Pasadena, California. In this episode, we talk about scientific collaboration, imagination, and Katie’s work on the Event Horizon Telescope, which produced the first image of a black hole by combining insights and methods from signal processing, computer vision, machine learning, and physics.
There is no shortage of silly science fiction films produced during the 1950s. With the fear and paranoia over the atomic bomb and its potentially monstrous mutations, the subgenre took the opportunity to explore some of the most outlandish stories, plots, and premises in cinematic history during this era….
It’s impressive to consider that this one is in effect last on their list. Imagine what must follow? (Plan 9 is number one.)
10. King Dinosaur
… Here’s the kicker. The giant monsters are led by King Dinosaur, which is really just an iguana forced to stand on its hind legs to appear like a Tyrannosaurus Rex. The foursome uses atomic power to destroy the iguana in the end.
All landings on Mars are difficult, but NASA’s Perseverance rover is attempting to touch down in the most challenging terrain on Mars ever targeted. The intense entry, descent, and landing phase, known as EDL, begins when the spacecraft reaches the top of the Martian atmosphere. Engineers have referred to the time it takes to land on Mars as the “seven minutes of terror.” The landing sequence is complex and targeting a location like Jezero Crater on Mars is only possible because of new landing technologies known as Range Trigger and Terrain-Relative Navigation.
(7) MEMORY LANE.
1996 – Twenty-five years ago at L.A. Con III, The Diamond Age by Neal Stephenson wins the Hugo for Best Novel. Other Nominees fur this Award were The Time Ships by Stephen Baxter, Brightness Reef by David Brin, The Terminal Experiment by Robert J. Sawyer and Remake by Connie Willis. It would also win the Locus Award for Best SF Novel, and be nominated for the HOMer, Nebula, Prometheus, Campbell Memorial and Clarke Awards.
(8) ALEXANDER OBIT. Wanda June Alexander, a freelance editor for Tor for 22 years (1984-2006), and a high school English teacher in New Mexico, died of cancer on February 14. One of the projects she worked on while with Tor was George R.R. Martin’s The Ice Dragon, a fully-illustrated children’s book.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 14, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu. I’ll also single out The Romance of Sorcery because he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.) (CE)
Born February 15, 1915 – L. Robert Tschirky. Half a dozen covers, two interiors for us. Art director for Encyclopedia Americana; travel articles (particularly Spain) in e.g. the NY Times. Here is The Mislaid Charm. Here is Without Sorcery. Here is The Incomplete Enchanter. Here is Lest Darkness Fall.Here is a piece of bibliographic history. (Died 2003) [JH]
Born February 15, 1915 – Ian Ballantine. Pioneering publisher. First President of Bantam. Ballantine Books an early publisher of SF paperback originals; first publisher of authorized U.S. edition of Tolkien; a hundred Richard Powers covers. World Fantasy Award, SF Hall of Fame (both with wife Betty Ballantine). (Died 1995) [JH]
Born February 15, 1935 – Paul Wenzel, age 86. A score of covers. Here is the Nov 58 Galaxy. Here is the Sep 62 If. Here is the Dec 63 Fantastic. Here is the Aug 66 Worlds of Tomorrow. [JH]
Born February 14, 1945 — Jack Dann, 76. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual digital suspects. (CE)
Born February 14, 1948 — Art Spiegelman, 73. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. And yes I know he had a long and interesting career in underground comics but I’ll be damn if I can find any that are either genre or genre adjacent. (CE)
Born February 15, 1951 – Lisanne Norman, age 70. Nine novels, a dozen shorter stories. Some activity with U.K. fandom. Interviewed in Interzone. “I trained as a teacher so I’m interested in everything…. used to read a minimum of 8 books a week…. it’s so easy now to be influenced while I’m writing that I don’t read nearly as much as before. [Yet] it’s mostly SF I read.” [JH]
Born February 14, 1958 — Cat Eldridge, 63. Cat Eldridge is the publisher of Green Man Review and Sleeping Hedgehog. Cat, who’s had some severe health problems, likes to remind people, “Technically I died in 2017 and was revived in the same year. Repeatedly.” (CE)
Born February 14, 1971 — Renee O’Connor, 50. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably sure that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt andshe’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth. (CE)
Born February 15, 1959 – Elizabeth Knox, age 62. Ten novels, two shorter stories for us; eight other novels; essays. Co-founded the New Zealand literary journal Sport. Prime Minister’s Award. Companion of the NZ Order of Merit. Interviewed in SFRA (SF Research Ass’n) Review. Here she is on The Master and Margarita. [JH]
Born February 15, 1975 – Erick Setiawan, age 46. So far one novel, Of Bees and Mist (2009), about which there have been many yeas and nays – although I see little among us. In April 2013 he said “I am feverishly finishing another book – my plan is to get it done by end of year.” No blame, it’s hard work. [JH]
Candorville has a Star Trek: Discovery nonspoiler.
(11) I HEART PLUTO. [Item by Steven H Silver.] Lowell Observatory is running the on-line I Heart Pluto this week. It started yesterday and runs through Thursday, which is the 91st anniversary of the discovery of Pluto. A full schedule can be found here including links to the talks already given.
Ron Miller will be speaking on Imagining Pluto on Wednesday and I’ll note that on his bio page, he is sitting with his Hugo Award.
An unmanned Russian cargo ship launched successfully Monday with a load of supplies for the International Space Station.
The Progress MS-16 cargo ship blasted off as scheduled at 9:45 a.m. (0445 GMT) from the Russia-leased Baikonur launch facility in Kazakhstan and reached a designated orbit en route to the station.
It is carrying water, propellant and other supplies and is set to dock at the space outpost on Wednesday….
… The video reveals two types of unidentified animals, shown here in a video from the British Antarctic Survey. The animals in red seem to have long stalks, whereas another type of animal, highlighted in white, looks more like a round sponge-like animal.,,,
The scientists say these animals are about 160 miles from the open sea.
“Our discovery raises so many more questions than it answers, such as how did they get there?” Griffith said in a press release. “What are they eating? How long have they been there?”
The scientists said their next step was to understand whether the animals were from a previously unknown species.
“To answer our questions we will have to find a way of getting up close with these animals and their environment,” Griffiths said.
(14) THE BRITCHES OF TOKO-RI. Jon Del Arroz continues to make his brand known everywhere.
(15) I’VE HEARD THAT VOICE BEFORE. There’s an app called PRAY where James Earl Jones reads The Bible. I’m wondering — if you don’t log in often enough, does he say “I find your lack of faith disturbing”?
… A YouTuber that goes by JKK Films put his cat, Wayne, into the trailer, and it’s incredible. There’s something so special about a giant super-imposed kitty yawning in the background while the big monster boys fight….
Have you ever wondered if the house in Up could really float away on balloons? So have I but that is not the most INTERESTING question! You see, people have tried to figure that out before. What I aim to do today, Loyal Theorists, is figure out the actual COST of making a balloon powered flying house WORK! That’s right, we are not stopping until this house would really fly!
(18) VIDEO OF THE DAY. In “Prometheus Pitch Meeting” on ScreenRant, Ryan George says the characters in this Alien prequel are “the worst scientists you can imagine” because they take their helmets off in an alien cave because there’s breathable oxygen and try to escape a giant rolling spacecraft by trying to outrun it instead of leaping to one side.
[Thanks to Hampus Eckerman, James Davis Nicoll, John Hertz, JJ, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Jason Sanford, Joey Eschrich, Michael Toman, Kit Harding, Cat Eldridge, Danny Sichel, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
This is, honestly, a whole ton of fun. Made with an obvious love for Japanese game shows and humiliating Patton Oswalt, Giacchino’s film also functions as a sort of ersatz tribute to kaiju flicks, with Patton’s silly arc being reflective of the kind of storylines given to, say, Godzilla in some of his films. Just much more absurd, and in moderately brighter colors.
… But I learned some things during my time up there that I’d like to share — because they are about to come in handy again, as we all confine ourselves at home to help stop the spread of the coronavirus. Here are a few tips on living in isolation, from someone who has been there.
Follow a schedule
On the space station, my time was scheduled tightly, from the moment I woke up to when I went to sleep. Sometimes this involved a spacewalk that could last up to eight hours; other times, it involved a five-minute task, like checking on the experimental flowers I was growing in space. You will find maintaining a plan will help you and your family adjust to a different work and home life environment. When I returned to Earth, I missed the structure it provided and found it hard to live without….
“I think in the early stages of any crisis, there is curiosity” that leads people to consume (or re-consume) these types of stories, [Max] Brooks told The Washington Post. Like many others, one of the first things he did when news of covid-19, the disease caused by the coronavirus, began breaking out of China was watch “Contagion.”
That doesn’t surprise Robert Schenkkan, who adapted “The Andromeda Strain” for television in 2008. “By recasting our experience in real life within the confines of a story, it is easier to absorb and explore the ‘what if’ notion of such an event in a way one is less able to do while sitting in your living room and wondering if you should go outside and buy toilet paper from the grocery store,” he said. “Framing it within a story with a beginning, a middle and an end gives a kind of confinement that makes it more accessible.” Since the movie ends, it gives people the feeling that the real crisis will….
(5) ANTICIPATION. Guess what Rogers Cadenhead found on his
Mount Tsundoku?
I was looking for some escapist reading to get away from the news and grabbed The Demon Awakens by @r_a_salvatore. Then I read the back cover: "A great evil has awakened in the land of Corona, a terrible demon determined to spread death and misery." #mounttsundokupic.twitter.com/NjnRrCUzIY
The current landscape of speculative fiction is teeming with astounding innovations and lavish spectacles — from the lesbian necromancers of Tamsyn Muir’s Locked Tomb books to the world-shaking power dynamics of N. K. Jemisin’s Broken Earth trilogy. In the midst of all that genre-expanding sprawl, however, there’s still room for short, humble, understated works.
Eddie Robson’s new novel, Hearts of Oak, is exactly such a story. Brief in page-count and quiet in voice, the book is a gleaming gem of offbeat weirdness and oddball humor, a work that blends fantasy and science fiction more cleverly than almost anything in recent memory. But underneath that quirky whimsicality beats a deeply thoughtful, even melancholy pulse.
So how exactly does Hearts of Oak blend fantasy and science fiction? That’s a hard question to answer — not because Robson doesn’t execute this blend brilliantly, but because explaining this blend is, in and of itself, a major spoiler. Here’s what it’s safe to say: The book takes place in an unnamed city, one constructed mostly of wood, that feels vaguely familiar and somewhat fairytale-esque, but is impossible to place.
The city has a king. The King talks to a cat. The cat talks back. In fact, Clarence the cat is the King’s closest advisor, and their exchanges are the stuff of Monty Python absurdity and satire, an extended riff on the petulance and ineffectiveness of our chosen leaders that’s more acidic than most overtly political novels being written today. The King is obsessed with constructing more buildings and increasing his city’s size, a never-ending process that consumes the city’s labor and resources.
(7) BLISH SPEECH. Fanac.org
has made available an audio recording of James Blish’s Guest of Honor
speech from Pittcon, the 1960 Worldcon — “A Question of Content.”
By permission of the Blish family, we have an almost complete audio recording of James Blish’s Guest of Honor Speech. This is a thoughtful, not always complimentary look at the state of contemporary science fiction literature, where it falls short and where it can improve. Very much worth listening to, this short recording (enhanced with images) is just what you’d hope to hear from William Atheling, Jr , Blish’s serious and constructive critical pseudonym.
(8) TODAY IN HISTORY.
March 22, 1984 — The first part of “The Twin Dilemma” first aired on BBC. This was the first serial to star Colin Baker as the Sixth Doctor after his regeneration. The Companion Perpugilliam “Peri” Brown was played by Nicola Bryant who was so to the Fifth Doctor as well. You can see the first part here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 22, 1908 — Louis L’Amour. Two of his Westerns definitely meet genre inclusion, one having a lost world theme, The Californios, and the other supernatural elements, The Haunted Mesa. (Died 1988.)
Born March 22, 1911 — Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer, 1932, issue of Wonder Stories Quarterly was penned based on a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual digital suspects. (Died 1994.)
Born March 22, 1920 — Werner Klemperer. Yes, Colonel Wilhelm Klink on Hogan’s Heroes, But he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in Space, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Lost in Space, Batman (where he appeared as Col. Klink) and Night Gallery. (Died 2000.)
Born March 22, 1920 — Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back which included all the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the dumbest SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
Born March 22, 1923 — Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
Born March 22, 1931 — William Shatner, 89. Happy Birthday Bill! Ok, that was short. We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that T.J. Hooker ran for ninety episodes!
Born March 22, 1946 — Rudy Rucker, 74. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, both won Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.
Born March 22, 1950 — Mary Tamm. She’s remembered for her role as Romana, the Companion to the Fourth Doctor, in “The Key to Time” story. It seemed like she was there longer only because another actress, Lalla Ward, played her in the following season. Ward was soon to be married to Tom Baker. She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada. Tamm had only one other genre gig, as Ginny in the “Luau” episode on the Tales That Witness Madness series. (Died 2012.)
Born March 22, 1969 — Alex Irvine, 51. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse which was a lot. For research purposes, of course. And he’s written a fair number of comics, major and minor houses alike. His newest novel, Anthropocene Rag, sounds intriguing. Has anyone read it?
(11) A STORY OF THE SPANISH FLU. The Library of America’s
“Story of the Week” is “Influenza
on a Troopship” by Henry A. May, a fascinating (if horrible) account
of Spanish flu racing through a ship taking new soldiers to Europe during World
War I. Told so matter-of-factly that you really have to imagine how bad the
reality was.
COURSE OF THE EPIDEMIC
THIS WAS influenced materially by these main factors:
First, the widespread infection of several organizations be- fore they embarked, and their assignment to many different parts of the ship.
Second, the type of men comprising the most heavily in- fected group. These men were particularly liable to infection.
Third, the absolute lassitude of those becoming ill caused them to lie in their bunks without complaint until their infection had become profound and pneumonia had begun. The severe epistaxis which ushered in the disease in a very large proportion of the cases, caused a lowering of resisting powers which was added to by fright, by the confined space, and the motion of the ship. Where pneumonia set in, not one man was in condition to make a fight for life….
(12) ONCE UPON A TIME. “Don’t make children’s books like
they used to,” notes Andrew Porter, who sent this image along.
(13) FREE READ. Jonathan Edelstein has shared a short story online — “The Stars That Bore Us” — that’s set in the same universe as his published short stories, “First Do No Harm” (Strange Horizons, 2015), “The Starsmith” (Escape Pod, 2016), “Iya-Iya” (Kaleidotrope, 2019) and “The Stranger in the Tower” (Andromeda Spaceways, 2019).
Edelstein says, “This is a donation to the public, for those who may be stuck at home during the pandemic and looking for something to read.”
While Winchester Mystery House is closed to the public due to the ongoing COVID-19 pandemic, it is offering fans a free digital tour of the Estate for guests to enjoy from the comfort of their own homes. This tour is available online now at winchestermysteryhouse.com/video-tour/ and will be accessible until Winchester Mystery House reopens.
[Thank to Cat Eldridge, Mike Kennedy, Michael Toman, Ben Bird Person, Jeff Smith, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Lise Andreasen, Aziz H. Poonawalla, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day m.c. simon milligan.]
(1) DRESSING UP. An 11-minute video of cosplay at San Diego
Comic-Con.
San Diego Comic Con 2019, at the San Diego Convention Center. In its 50th year it was an hectic and news worthy convention with some really great costumes and creativity, thanks everyone for participating
(2) DUBLIN 2019 REMINDERS. The Hugo voting deadline is upon
us —
Voting will end on 31 July 2019 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 07:59 Irish and British time, all on 1 August)
Professor Jennifer Zwahr-Castro is researching Worldcon, and investigating why we attend and what we get out of the experience. She would like to invite all Dublin 2019 attendees to take part in her research by filling out a survey.
(3) THE CHERRY ON THE TOP OF MT. TBR. An email from NESFA
Press tells me they are pleased to
announce two new ebooks available immediately–
Moskowitz, Sam, The Immortal Storm (978-1-61037-334-0)
Nielsen Hayden, Teresa, Making Book (978-1-61037-333-3)
(4) CLOSE READING. [Item by rcade.] Catherynne Valente tweeted that in 15 years
writing professionally, she doesn’t think she’s ever described the size of a
woman’s breasts.
After some internal debate over whether I should, I broke the news to her that she had.
Radiance uses "smallish" and "ample" once each as adjectives, according to a Google Books search that made me feel uncomfortable to undertake.
(5) BOOKER PRIZE LONGLIST. Margaret Atwood’s inclusion on
the 2019
Book Prize Longlist was reported in yesterday’s Scroll – but here’s the
complete list, or
‘Booker Dozen’, as the cognoscenti say.
This year’s longlist of 13 books was selected by a panel of five judges: founder and director of Hay Festival Peter Florence (Chair); former fiction publisher and editor Liz Calder; novelist, essayist and filmmaker Xiaolu Guo; writer, broadcaster and former barrister Afua Hirsch; and concert pianist, conductor and composer Joanna MacGregor.
The
2019 longlist, or ‘Booker Dozen’, of 13 novels, is:
Margaret Atwood (Canada), The
Testaments (Vintage, Chatto & Windus)
Kevin Barry (Ireland), Night
Boat to Tangier (Canongate Books)
Oyinkan Braithwaite
(UK/Nigeria), My Sister, The Serial Killer (Atlantic Books)
The rising academic interest in the zombie as an allegory for cultural and social analysis is spanning disciplines including, humanities, anthropology, economics, and political science. The zombie has been used as a metaphor for economic policy, political administrations, and cultural critique through various theoretical frameworks. The zombie has been examined as a metaphor for capitalism, geopolitics, globalism, neo-liberal markets, and even equating Zombiism to restrictive aspects of academia.
— Dr Hamilton (Zombiist) ??????? (@Scott_EricH) July 25, 2019
Loving "Going Green: Mother Nature Bites Back in The Girl With All the Gifts" from @sarah_clearysc @UCDZombiism2019 – need to incorporate this into my ideas tomorrow re posthumanism in zombie stories & the upsurge against the anthropocene the #ecozombie might show #UCDZombies2019pic.twitter.com/eYegF6GsyE
Konstantinos Kerasovitis giving his talk on “Zombie Colony: The Heteronomy of the Greek State & The Datura of Cultural Capital”, highlighting that voodoo became a product of tourism, drawing parallels to Greek tourism through the zombie #UCDZombies2019 @UCDZombiism2019 pic.twitter.com/IUGDx9UZ0k
— Theorizing Zombiism (@Theorizing_Zs) July 25, 2019
On a recent morning, 15 teenage girls and young women reported for duty at an office overlooking the Pentagon. Their mission: Save the world from nuclear war.
“This is where I want you to stop being you,” said Stacie Pettyjohn, a political scientist at the RAND Corporation, a defense think tank. “You’re going to have to start to role-play.”
Pettyjohn was leading a war-game exercise on North Korea. Typically, military commanders and policymakers use war gaming to test strategies and their likely consequences. But nothing about this game was typical. It was designed by women — RAND’s “Dames of War Games” — for teenagers from Girl Security, a nonprofit that introduces girls to defense issues. The partnership was a first for both groups; it’s among a series of recent efforts to boost women’s participation in national security.
“You have to fight,” Pettyjohn told the teens. “You are the military commanders.”
The scenario Pettyjohn laid out was bleak. U.S. talks with North Korea had collapsed, and deadly tit-for-tat attacks had spiraled into open conflict on the Korean Peninsula. Half the teens would join the blue team, assuming the roles of U.S. and allied South Korean generals. The others went to the red team, playing North Korean leaders determined to stay in power.
(8) SOMEDAY MY BLUEPRINTS
WILL COME. Curbed’s Angela Serratore shares credit with architects
of the Eighties and Nineties for corporate Disney’s current world domination: “The
magical (postmodern) world of Disney”.
It was 1991 and Michael Eisner was on the brink of changing everything.
After becoming the CEO of the Walt Disney Company in 1984, Eisner, a native New Yorker, set out to turn the old-fashioned Disney brand into one that would speak not just to the present moment but also, crucially, to the future. During his tenure, the company would eventually acquire the television network ABC and the sports behemoth ESPN and produce films that would come to define the Disney Renaissance—The Little Mermaid, Beauty and the Beast, The Lion King, and Aladdin, among others.
An amateur architecture and design buff, Eisner also understood that a company like Disney ought to have a real presence—theme parks, of course, but also office buildings, studios, and hotels. What if, his design philosophy seemed to suggest, people could look up at Disney headquarters in Burbank or Orlando and feel the same awe and delight they must’ve felt on Disneyland’s opening day?
We all wish we could change the past, at least some of the time. Relationships, elections, conversations: there are countless moments in our lives we’d love the chance to rework, or simply reimagine. Living in an era when we can easily tweak the small (delete a sentence, crop an image) but feel helpless when facing the large (political turmoil, climate change), it’s hard not to fantasize about reworking our histories.
But this inclination is not new. Attempting to rework the past, at least on paper, has been the outlet of artists and authors for as long as people have been wishing for different endings. “As If: Alternative Histories From Then to Now,” an exhibition at the Drawing Center, presents eighty-four works from 1888 to the present that “offer examples of how we might reimagine historical narratives in order to contend with the traumas of contemporary life.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 25, 1907 — Cyril Luckham. He played the White Guardian on Doctor Who. He appeared in The Ribos Operation episode, The Key to Time season during the Era of the Fourth Doctor, and the Enlightenment story during the Era of the Fifth Doctor. He was also Dr. Meinard in the early Fifties Stranger from Venus (a.k.a. Immediate Disaster and The Venusian). (Died 1989.)
Born July 25, 1921 — Kevin Stoney. He appeared in three serials of the science fiction series Doctor Who over a period of ten years, playing Mavic Chen in The Daleks’ Master Plan during the time of the First Doctor, Tobias Vaughn in The Invasion during the time of the Second Doctor and Tyrum in Revenge of the Cybermen during the time of the Fourth Doctor. Other genre credits include: The Adventures of Robin Hood, Danger Man, The Avengers, The Prisoner, Doomwatch, The Tomorrow People, Space: 1999, The New Avengers, Quatermass, and Hammer House of Horror. (Died 2008.)
Born July 25, 1922 — Evelyn E. Smith. She has the delightful bio being of a writer of sf and mysteries, as well as a compiler of crossword puzzles. During the 1950s, she published both short stories and novelettes in Galaxy Science Fiction, Fantastic Universe and The Magazine of Fantasy & Science Fiction. Her SF novels include The Perfect Planet and The Copy Shop. A look at iBooks and Kindle shows a twelve story Wildside Press collection but none of her novels. (Died 2000.)
Born July 25, 1937 — Todd Armstrong. He’s best known for playing Jason in Jason and the Argonauts. A film of course that made excellent by special effects from Ray Harryhausen. His only other genre appearance was on the Greatest American Hero as Ted McSherry In “ A Chicken in Every Plot”. (Died 1992.)
Born July 25, 1948 — Brian Stableford, 71. I am reasonably sure that I’ve read and enjoyed all of the Hooded Swan series a long time ago which I see has been since been collected as Swan Songs: The Complete Hooded Swan Collection. And I’ve certainly read a fair amount of his short fiction down the years.
Born July 25, 1973 — Mur Lafferty, 46. Podcaster and writer. Co-editor of the Escape Pod podcast with Divya Breed, her second time around. She is also the host and creator of the podcast I Should Be Writing which won aParsec Award for Best Writing Podcast. She is also the Editor-in-Chief of the Escape Artists short fiction magazine Mothership Zeta. And then there’s the Ditch Diggers podcast she started with Matt Wallace which is supposed to show the brutal, honest side of writing. For that, it won the Hugo Award for Best Fancast in 2018, having been a finalist the year before. Fiction-wise, I loved both The Shambling Guide to New York City and A Ghost Train to New Orleans with I think the second being a better novel.
The man who came up with Twitter’s retweet button has likened it to “handing a four-year-old a loaded weapon”, in an interview with BuzzFeed.
Developer Chris Wetherell said no-one at Twitter had anticipated how it would alter the way people used the platform.
…He told BuzzFeed that he thought the retweet button “would elevate voices from under-represented communities”.
Previously people had to manually retweet each other by copying text and typing RT and the name of the tweeter but once the process was automated, retweeting meant popular posts quickly went viral.
While some went viral for good reasons, such as providing information about natural disasters, many others were not so benign.
Gamergate – a harassment campaign against women in the games industry – was one example of how people used the retweet to co-ordinate their attacks, Wetherell told BuzzFeed, describing it as a “creeping horror story”.
“It dawned on me that this was not some small subset of people acting aberrantly. This might be how people behave. And that scared me to death.”
Before humans headed up there, animals were the first living creatures that were sent into space. But India will now become the first nation to fly a spacecraft with only humanoid robots. Science writer Pallava Bagla reports.
The Indian government has sanctioned $1.4bn (£1.1bn) to the Indian Space Research Organisation (Isro) for its first manned space flight by 2022.
…To date – using indigenously made rockets – Russia, the US and China have sent astronauts into space. If India can achieve this, it will become the fourth country to launch humans into space from its own soil.
But, unlike other nations that have carried out human space flights, India will not fly animals into space. Instead, it will fly humanoid robots for a better understanding of what weightlessness and radiation do to the human body during long durations in space.
Nasa is finding out how people cope with the demands of long space missions at its Human Exploration Research Analog (Hera).
For 45 days a crew of four people live in a habitat which simulates a mission to Phobos, a moon that orbits the planet Mars.
The crew carry out daily maintenance tasks on board, enjoy views of space from the capsule window and keep in contact with mission control via a five minute delay, meaning that a response to a communication takes 10 minutes.
(15) REASONS TO VOTE. Joe Sherry ranks the YA
award contenders in “Reading the Hugos: Lodestar” at Nerds of a
Feather.
…Generally, it takes a novel that breaks out of the YA spaces and gains visibility in some of the more SFF communities that I engage with (see, Children of Blood and Bone) or has some aspect that catches the attention of those communities (see, Dread Nation) or are beloved by commentators I deeply admire and respect (see, Tess of the Road). Also, I almost said the “wider SFF communities”, but that would not have been correct because YA publishing and readership is absolutely huge and has a significant overlap in science fiction and fantasy that should not be understated.
This is all to say that I was familiar with three of the novels on the ballot, and I was excited to read everything here to see which novels would break out into my list of new favorites. At least one, and let’s find out which….
Rifts over a dormant volcano in Hawaii have resurfaced in recent days, pitting the state’s culture and history against its ambitions.
Plans for a powerful new telescope near the summit of the Mauna Kea volcano could bring in hundreds of jobs and boost science and the economy. But some native Hawaiians insist the site is sacred and that the long-planned construction should not go ahead.
Last week, protesters blocked access to the building site on Mauna Kea, the tallest mountain in the world when measured from its underwater base. At least 33 people were arrested, given citations and released.
Hawaii’s governor has issued an “emergency proclamation” that increases powers to break up the blockade but said he wanted to find a “peaceful and satisfactory” solution for both sides.
Here, some of the people at the centre of the debate explain what Mauna Kea and the Thirty Meter Telescope (TMT) project mean to them.
Silvia Moreno-Garcia is an author I’d follow into almost any genre, and that’s a good thing given how varied her career has been so far. From the 80’s nostalgia-heavy Signal to Noise to the romance fantasy of manners The Beautiful Ones, to the criminally underrated sci-fi novella Prime Meridian and even the editorial work she does on The Dark Magazine (a recent addition to my short fiction rounds), Garcia brings talent, nuance and a particular eye for female characters challenging overwhelming imbalances in power over the forces against them. Now, in Gods of Jade and Shadow, Moreno-Garcia brings her talents to a historic fantasy where 1920’s Jazz Age Mexico meets the gods and monsters of Mayan mythology, taking protagonist Casiopea Tun on an unexpected but long-dreamed-of adventure with a deposed Lord of the Underworld….
A French inventor has failed in his attempt to cross the English Channel on a jet-powered flyboard.
Franky Zapata, a former jet-ski champion, had been hoping to cross from northern France to southern England in just 20 minutes.
But the 40-year-old fell into the water halfway across as he tried to land on a boat to refuel.
He took off from near Calais on Thursday morning and was heading for St Margaret’s Bay in Dover.
Mr Zapata was not injured when he fell and later announced he was planning a second bid to fly across the Channel next week.
(19) FIRE ONE. James Gleick traces the long,
fictional effort to infect Earthlings with “Moon
Fever” at New York Review of Books.
…The first moon landing was at once a historical inevitability and an improbable fluke. Inevitable because we had already done it so many times in our storytelling and our dreams. Astonishing, even in hindsight, because it required such an unlikely combination of factors and circumstances. “The moon, by her comparative proximity, and the constantly varying appearances produced by her several phases, has always occupied a considerable share of the attention of the inhabitants of the earth,” remarks Jules Verne in his fantastic tale From the Earth to the Moon (1865). The French fabulist imagined that the pioneers of space would be none other than Les Yankees: “They had no other ambition than to take possession of this new continent of the sky, and to plant upon the summit of its highest elevation the star-spangled banner of the United States of America.”
To get there, Verne proposed a projectile fired from a giant gun. He had probably read Edgar Allan Poe’s story “The Unparalleled Adventure of One Hans Pfaall” (1835), in which a Dutchman journeys to the moon by lighter-than-air balloon and meets the inhabitants, “ugly little people, who none of them uttered a single syllable, or gave themselves the least trouble to render me assistance, but stood, like a parcel of idiots, grinning in a ludicrous manner.” Like Poe, Verne embellished his story with a great deal of plausible science involving computations of the moon’s elliptical orbit, the distances to be traveled at apogee or perigee, the diminishing force of gravitation, and the power of exploding gunpowder….
The speed and extent of current global warming exceeds any similar event in the past 2,000 years, researchers say.
They show that famous historic events like the “Little Ice Age” don’t compare with the scale of warming seen over the last century.
The research suggests that the current warming rate is higher than any observed previously.
The scientists say it shows many of the arguments used by climate sceptics are no longer valid.
When scientists have surveyed the climatic history of our world over the past centuries a number of key eras have stood out.
These ranged from the “Roman Warm Period”, which ran from AD 250 to AD 400, and saw unusually warm weather across Europe, to the famed Little Ice Age, which saw temperatures drop for centuries from the 1300s.
The events were seen by some as evidence that the world has warmed and cooled many times over the centuries and that the warming seen in the world since the industrial revolution was part of that pattern and therefore nothing to be alarmed about.
Three new research papers show that argument is on shaky ground.
The science teams reconstructed the climate conditions that existed over the past 2,000 years using 700 proxy records of temperature changes, including tree rings, corals and lake sediments. They determined that none of these climate events occurred on a global scale.
(21) TRAILER PARK. From the novel The Future of Another Timeline,
by Annalee Newitz, comes a riot grrl band called Grape Ape. They are lost to
our timeline, but you can see them here in all their glory. The Future of
Another Timeline comes out from Tor Books on Sept. 24, 2019.
[Thanks to rcade, JJ, John King Tarpinian, Andrew Porter, Carl
Slaughter, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Michael Toman, mlex,
Anthony Lewis, and Cat Eldridge for some of these stories. Title credit goes to
File 770 contributing editor of the day Anna Nimmhaus.]
(1) CALL THE MOUNTIES. Imagine that — when you walk around town costumed as an armed survivalist, some people just can’t help believing their lying eyes: “Cosplay goes bad for gamer in Grande Prairie”.
Grande Prairie RCMP draw firearms in response to man dressed as video game character
It was almost game over in Grande Prairie this week for a cosplay enthusiast.
Dressed as a character from Fallout, a popular post-apocalyptic video game series, the man walked down a street wearing a gas mask, helmet, armour and bullet belt.
He carried a flag that said “New California Republic” — one of the factions from the games.
A man dressed as a character from the Fallout video-game series walks down a street in Grande Prairie. (Kyle Martel/Facebook)
RCMP Cpl. Shawn Graham told CBC News that police received calls just before 5 p.m. Tuesday from citizens concerned the man was wearing what looked like a bomb on his back.
At least eight officers responded with their long guns drawn. Photos show them crouched behind vehicles and bushes
(2) HPL. Thanks to rcade, we know what a World Fantasy Award nominee pin looks like:
(3) NEW DIGS. LASFS sold its clubhouse and is vacating the premises. They haven’t bought a replacement property yet, so the club will be meeting temporarily at the Art Directors Guild in Studio City beginning May 4. More details at Meetup.
In a clip uploaded to his Periodic Videos series on YouTube, the professor said:
“The Bank of England is issuing new bank notes starting with the five pound note, and they made them plastic and there have been all sorts of advertisements that you cannot break them.
“I felt immediately challenged, and I had the idea that if we froze it with liquid nitrogen, the strands of the polymer would be frozen rigid and you may be able to break it, hitting it with a hammer.”
An animated adaptation of Alan Moore and Dave Gibbons’ celebrated “Watchmen” is on the way, and it may arrive sooner than you’d think.
A recent survey by Warner Bros. “A-List Community” program, which regularly asks subscribers for their opinions on upcoming or recent film and television projects, has revealed the studio is bringing the graphic novel to animated form.
Reading the survey’s description of the project as “an upcoming made-for-video movie,” it’s apparent the film is already either in development, or in the final stages of production.
The survey further describes the film as “A faithful adaptation of the Watchmen graphic novel executed in an animation style that mirrors the source material.” Going by that description, it’s safe to assume Warner Bros. Animation has opted to take a similar approach to the comic as it did when bringing Frank Miller’s “Dark Knight Returns” and Moore and Brian Bolland’s “The Killing Joke” to life; both of those films homaged the respective artist’s style, making changes as needed to properly animate the story.
It’s interesting to note, though perhaps not surprising, that at no point in the survey are Moore or Gibbons mentioned. While Gibbons participated in the production and promotion of director Zack Snyder’s 2009 live-action “Watchmen” adaptation, Moore has made his disapproval of any “Watchmen” follow-up extremely clear. He was once quoted as saying he’d be “spitting venom all over” the Snyder-directed film, and has expressed on numerous occasions his preference that the original story be left to stand on its own.
It’s a little surprising that news of this new adaptation of Watchmen has leaked to the general public so quickly as membership to Warner Bros. A-List Community program requires the signing of an non-disclosure agreement….
Then they proceeded to quote the NDA language at length, presumably to shame the rival news site. Bad, naughty news site!
(6) I LIKE CAKE. Lynn Hirschberg, in W magazine article “Gal Gadot Listened to Beyonce in Preparation for her Wonder Woman Debut”, profiles Gadot, who discusses how Beyonce provided inspiration, how she auditioned blindly for the part, and how despite being in a superhero movie she still likes to decorate cakes.
On the day we met, she was channeling her powers into decorating a cake. (Who would’ve guessed that the actress had such a way with fondant?) “I want to start with a blue cake,” Gadot said definitively, as we entered Duff’s CakeMix, in Los Angeles. She was wearing simple black pants, a navy sweater, and classic black Gucci loafers.
Although she was six-months pregnant with her second child, the baby bump was nearly undetectable. Gadot, who has a doelike quality, wasn’t wearing makeup and her dark hair was pulled back in a ponytail. “You couldn’t have invented a more perfect Wonder Woman than Gal,” Patty Jenkins, the film’s director, told me later.
(7) YOUR MOROSE ROBOT PAL. I think this is cool, although the name “Orpheus – The Saddest Music Machine” is a bit of anthropomorphizing I could do without. Having survived the effects of puppy sadness, do I really need robotic sadness?
We need companions in our lives. And it’s always helpful to have one who needs you in return. Orpheus, a robot-shaped DIY music box that plays music and lights up, is a bit sad and melancholic. But he looks cheerful, and he has a big heart. Orpheus will be a steadfast companion to any older child or adult. Though he needs some help being his best self, right out of the box. Assemble Orpheus yourself or with your kids from the laser-cut wood pieces, and soon you will have your own hand-cranked music box with moving gears and lights, as well as arms and legs. His melody is called “Cycle of Happiness,” which you can play any time you need some inspiration, or when you feel Orpheus needs some attention. Orpheus is available in the U.S. through ThinkGeek before anyone else.
(8) THE WRITE CHOICE. Although it won’t be a pal, you could spend more than a hundred times more money on this geeky Chushev pen.
The “Complication” fountain pen pays homage to the Swiss watchmaking trade for all the innovations in precision mechanics it has achieved. Inspired by the craftsmanship of the Swiss masters, Chavdar Chushev, saw the miniature details in the watches as ideal specimens for abstract art compositions. From that moment, he spent the next three decades refining his technique and evolving his creative vision. The sophisticated design of the “Complication” is the result of countless artistic iterations and technological evolutions.
(9) COMIC SECTION. John King Tarpinian knows you’ll appreciate the sf reference in Frank and Ernest.
He also recommends the cinematic humor in Brevity.
On the other hand, Martin Morse Wooster is certain Tolkien fans will want to throw things at Stephen Pastis after reading today’s Pearls Before Swine.
(10) HANSEN OBIT. Actor Peter Hansen died April 9 at the age of 95. He was one of the stars of the 1951 science-fiction film When Worlds Collide, which won an Academy Award for special effects. He also appeared in an episode of TV’s Science Fiction Theatre.
However, his real claim to fame was years spent playing a character on the soap opera General Hospital, earning an Emmy in 1979 as Best Supporting Actor.
The Respondent hosts a website called “Australian Jewellery Sales”. Over the course of eight years, the Respondent sold approximately 1300 rings with the One Ring Inscription between $5 and $30 AUD each. He advertised the rings by referencing phrases such as: “The Lord of the Rings”; “The Hobbit”; and “Bilbo Baggins”.
The Respondent has about 50 remaining rings with the One Ring Inscription left. Right up until the date of the proceedings he continued to offer them for sale. The Respondent argued his rings did not accurately replicate the One Ring Inscription. It is important to note, here, that reproduction of copyright work does not need to be exact. The infringement must be a “substantial part”.
(13) WHAT’S COOKIN’? Enceladus also shows signs of life, although there’s still more hope for Europa:
Could there be life under the icy surface of Saturn’s moon Enceladus?
Scientists have found a promising sign.
NASA announced on Thursday that its Cassini spacecraft mission to Saturn has gathered new evidence that there’s a chemical reaction taking place under the moon’s icy surface that could provide conditions for life. They described their findings in the journal Science.
“This is the closest we’ve come, so far, to identifying a place with some of the ingredients needed for a habitable environment,” Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, said in a statement.
However, the scientists think that because the moon is young, there may not have been time for life to emerge.
This posed an exciting prospect — researchers wondered whether that warm ocean might be interacting with rock to create a form of chemical energy that could be used by some forms of life.
If true, it would be analogous to ancient organisms on Earth fueled by the energy in deep-sea ocean vents.
The Algorithmic Justice League (AJL) was launched by Joy Buolamwini, a postgraduate student at the Massachusetts Institute of Technology, in November 2016.
She was trying to use facial recognition software for a project but it could not process her face – Ms Buolamwini has dark skin.
“I found that wearing a white mask, because I have very dark skin, made it easier for the system to work,” she says.
“It was the reduction of a face to a model that a computer could more easily read.”
It was not the first time she had encountered the problem.
Five years earlier, she had had to ask a lighter-skinned room-mate to help her.
“I had mixed feelings. I was frustrated because this was a problem I’d seen five years earlier was still persisting,” she said.
“And I was amused that the white mask worked so well.”
(15) IT’S CALLED ACTING. Variety’s Lawrence Yee, in “Meet Rose, The Biggest Little Part’ in Star Wars: The Last Jedi“, discusses how Grace Marie Tran, who plays Rose, appeared on a panel at the Star Wars Celebration in Orlando and while she couldn’t say anything about the film, she did say she told her parents she was shooting “an indie movie in Canada” and bought some maple syrup to prove to her parents she was in another country.
…An artist works outside the realm of strict logic. Simply knowing one’s intention and then executing it does not make good art. Artists know this. According to Donald Barthelme: “The writer is that person who, embarking upon her task, does not know what to do.” Gerald Stern put it this way: “If you start out to write a poem about two dogs fucking, and you write a poem about two dogs fucking – then you wrote a poem about two dogs fucking.” Einstein, always the smarty-pants, outdid them both: “No worthy problem is ever solved in the plane of its original conception.”
…I had written short stories by this method for the last 20 years, always assuming that an entirely new method (more planning, more overt intention, big messy charts, elaborate systems of numerology underlying the letters in the characters’ names, say) would be required for a novel. But, no. My novel proceeded by essentially the same principles as my stories always have: somehow get to the writing desk, read what you’ve got so far, watch that forehead needle, adjust accordingly. The whole thing was being done on a slightly larger frame, admittedly, but there was a moment when I finally realised that, if one is going to do something artistically intense at 55 years old, he is probably going to use the same skills he’s been obsessively honing all of those years; the trick might be to destabilise oneself enough that the skills come to the table fresh-eyed and a little confused. A bandleader used to working with three accordionists is granted a symphony orchestra; what he’s been developing all of those years, he may find, runs deeper than mere instrumentation – his take on melody and harmony should be transferable to this new group, and he might even find himself looking anew at himself, so to speak: reinvigorated by his own sudden strangeness in that new domain.
It was as if, over the years, I’d become adept at setting up tents and then a very large tent showed up: bigger frame, more fabric, same procedure….
While Tumino and his team have worked on IXV and then Space Rider, there have been other European concepts in the background. UK company Reaction Engines has a design for an unmanned spaceplane, Skylon, that will launch satellites and the German Aerospace Agency has a concept called SpaceLiner that carries people. But, neither will be in orbit before Space Rider or anytime soon.
Space Rider could be in orbit in 2020 or 2021, as design funding was approved by Esa’s 27 member states in December last year. The money will enable Esa to work with the Italian Aerospace Agency, Cira, which is managing the project, and Thales Alenia Space and Lockheed Martin to complete the spaceplane’s design in 2019.
Its first flights will not, however, leave the Earth’s atmosphere. A full-scale model will be dropped in 2019 – both by atmospheric balloon and helicopter to test how it lands.
(18) ANOTHER APRIL FOOLS CLASSIC. Mount Vernon’s newest website translation for visitors is in Klingonese. And it’s dialed-in to Klingon sensibilities, as this video tour of George Washington’s home shows.
[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]
