The first installment of Dave Hutchinson’s Fractured Europe Sequence, Europe in Autumn will be published soon in Hungary. Years ago I read that one and the two sequels, and now I wanted to know what Mr. Hutchinson think about the future of Europe, and how he came to create a spy, who is in fact a chef.
Europe in Autumn was published only three years ago, but the near-future you imagined with a fractured Europe could be the present soon. Independence movements are booming, Brexit in talks… Do you think the world you created for the books can become reality?
It’s been kind of horrifying to watch world events over the past few years – I started writing Autumn sometime in the very late 1990s and back then the idea of a fractured Europe really was a thing of fiction, although independence movements and micronations are nothing new. Now, it seems a lot more plausible. I’d like to say that I hope the world of the books doesn’t come about; I’m a big fan of the EU ideal and of Schengen. On the other hand, Rudi’s world has always seemed to me to be vibrant and full of possibility. I’ve heard it described as a dystopia, but I don’t think it is – certainly it wasn’t intended that way. I think it would be a very interesting place to live. Whether it will actually happen, I don’t think anyone can predict that. We seem to have gone from the old black-and-white certainties of the Cold War to something a lot more uncertain and fluid, with only a very brief period of hope between them.
(2) THE GOOD STUFF. Ann Leckie returns to tell us about “Some things I’ve read lately”.
Yes, it’s time again for Some Stuff I Have Read and Liked Recently. As always–I am not a reviewer or any sort of critic, and I’m not going to try to be one.
Ever since I heard that Nisi was not only working on a steampunk novel set in the Belgian Congo, but that she had gone and sold that novel to Tor, I’ve been eager to read this. I finally got around to it, and I highly recommend it. It’s pretty epic, really, it covers a couple decades in time, from the POVs of a wide variety of characters. Seriously, check this out if you haven’t already….
(3) ACHIEVEMENT UNLOCKED. Anika Dane of Women At Warp cheers Star Trek: Discovery — “I’m an Age-Appropriate Woman In Command: Hear Me Roar!”
It’s no secret Hollywood has a problem with women aging. There are fewer leading roles for women over the age of 40, and the supporting ones tend to be underdeveloped and fall into the category of mother, wife, woman sad because she’s old, or villain (sad because she’s old). …
[Discovery’s Admiral Cornwell] is experienced and she’s accomplished, and she’s Lorca’s peer, and also his superior. She couldn’t be that at twenty-seven, or thirty-six. Moreover, she’s a woman over fifty, whose eye crinkles and grey hairs have not been erased, who is presented on screen as attractive and desirable. Admiral Cornwell is not beautiful despite her age, she’s beautiful and powerful because of it.
(4) CROWDFUNDING SUCCESS. The James Tiptree Jr. Award made their Giving Thursday goal —
We made it! The donations raised through our Facebook fundraiser plus the donations through the Tiptree website total more than $2400! The Tiptree Award will receive all the matching funds available to us! With the help of all who have donated and shared our fundraising message and matched the donations, we’ve raised more than $4800, half of our annual budget. Thank you all for your help. This award wouldn’t be possible without you!
Of course, it’s never too late to add your support to this successful effort. With your donations, you make possible our efforts to encourage the creation of speculative fiction that explores and expands our understanding of gender. And since the Tiptree Award is a 501(c)(3) nonprofit organization, all donations are tax-deductible. https://tiptree.org/support-us/donate
(5) TIPTREE SYMPOSIUM TRANSCRIPTS. The expanded talks from the 2016 Tiptree Symposium have been published in Ada: A Journal of Gender, New Media, and Technology Issue #12.
- Introduction: Radical Speculation and Ursula K. Le Guin — Alexis Lothian
- Radical Imagination And The Left Hand of Darkness — Tuesday Smillie
- Communizing Care in The Left Hand Of Darkness — Aren Aizura
- Imagining a Trans World — micha cárdenas
- Instantiating Imaginactivism: Le Guin’s The Dispossessed as Inspiration — Joan Haran
- Ursula Le Guin’s Fiction as Inspiration for Activism — adrienne maree brown
- The NishPossessed: Reading Le Guin in Indian Country — Grace Dillon
(6) LE GUIN FELLOWSHIP. Applications are being taken for the Le Guin Feminist Science Fiction Fellowship, sponsored by the University of Oregon Libraries Special Collections and University Archives (SCUA) and the Center for the Study of Women in Society (CSWS). The deadline to apply is January 5, 2018. Full guidelines here.
Purpose: The intention of the Le Guin Feminist Science Fiction Fellowship is to encourage research within collections in the area of feminist science fiction. The UO Libraries Special Collections and University Archives (SCUA) houses the papers of authors Ursula K. Le Guin, Joanna Russ, James Tiptree, Jr., Kate Wilhelm, Suzette Haden Elgin, Sally Miller Gearhart, Kate Elliot, Molly Gloss, Laurie Marks, and Jessica Salmonson, along with Damon Knight. SCUA is also in the process of acquiring the papers of other key feminist science fiction authors.
Fellowship description: This award supports travel for the purpose of research on, and work with, the papers of feminist science fiction authors housed in SCUA. These short-term research fellowships are open to undergraduates, master’s and doctoral students, postdoctoral scholars, college and university faculty at every rank, and independent scholars working in feminist science fiction. In 2018, $2,000 will be awarded to conduct research within these collections. The fellowship selection committee will include representatives from the UO Libraries Special Collections and University Archives (SCUA) and the Center for the Study of Women in Society (CSWS).
(7) NAME THAT TUNE. By George, I think he’s got it.
"I totally want to join this special club of people I think I might dislike so I can pretend they're threatening me; it's the only way to get attention!" https://t.co/NlMCeutTos
— Nick Ban Nazis Mamatas ?? (@NMamatas) December 21, 2017
(8) FEAT IN SEARCH OF AN AWARD. Not sure what category this deserves to win. Since he got it right the first time does that rule out editing?
Spelled dilapidated correctly on the first try! Where's my Hugo Award for THAT?
— Jim C. Hines (@jimchines) December 18, 2017
(9) LAST JEDI. If reading articles about The Last Jedi now leaves me feeling jaded, then you probably started feeling that way two days ago (or fill in your own number). However, a critic for The Hollywood Reporter hooked me with the pop culture insights in “New ‘Star Wars’ Trilogy Is Failing Galactic Politics 101”. YMMV. Also, BEWARE SPOILERS.
And that’s where we left off before the start of this new trilogy of Star Wars films. After decades of theorizing, fan fiction and “Legacy” stories, The Force Awakens had the exciting task of updating fans of the series about what happened in the decades since we last saw our favorite characters and rooted for the Rebellion. Would we see a New Republic and what would it be like? Who would be the enemy of that Republic and what would our character’s places be in it? The opportunities were endless, with the possibility of giving audiences a brand-new vision for the series, but would also require a deft touch. Yes, the series would have to build on viewers’ knowledge of Star Wars history, but it could also do what A New Hope did: thrust us into a new scenario and slowly give us more information about what transpired to get us here.
As a huge fan of the series, looking back on the new films after the opening weekend of The Last Jedi, I have to admit an incredible frustration and disappointment in the result. While walking through my local Target, I could not help but feel like The Force Awakens had failed what I’m now dubbing the “toy test”: I couldn’t pick up a Star Wars toy and tell you who each character was and their political standings in the newest round of wars, as depicted in the films.
(10) FAUX SHOW. And hey, this is sweet! The absolutely fake Disney/Pixar’s X-Wings Movie Trailer.
(11) ATTACK OF THE KILLER TOMATOES. The BBC asks “Is The Last Jedi the most divisive film ever?”
Its audience score of 54% on Rotten Tomatoes (that’s the proportion of users who have rated it 3.5/5 or higher) is the lowest of any Star Wars film, including the much-maligned prequels (The Phantom Menace has 59%).
But something else is going on too – while fans are divided, film critics were largely in agreement.
The LA Times called it the “first flat-out terrific” Star Wars movie since The Empire Strikes Back. Time Out said it “dazzles like the sci-fi saga hasn’t in decades”. The Daily Telegraph said it is “Star Wars as you’ve never felt it”.
The Last Jedi has a critics’ score of 93% – that’s the proportion of writers who gave it a positive review – putting it level with A New Hope and The Force Awakens, and just 1% behind The Empire Strikes Back.
That puts The Last Jedi at number 49 on Rotten Tomatoes’ all-time list. And of the all-time top 100 films, The Last Jedi has by far the biggest gap between the critics’ score and the audience score.
(12) TODAY IN HISTORY
- December 21, 1937 — Snow White and the Seven Dwarfs premiered at the Carthay Circle Theater in Hollywood, California
- December 21, 1968 — Apollo 8, the first manned mission to visit the moon, is launched from Cape Canaveral.
- December 21, 1979 — C.H.O.M.P.S. and The Black Hole both premiered on this day.
(13) TODAY’S BIRTHDAY JEDI
- Born December 21, 1948 — Jedi Master Samuel L. Jackson
(14) COMICS SECTION.
- Mike Kennedy has never seen this on a football field – In the Bleachers.
(15) DREAM STREAM. Nerds of a Feather contributor “English Scribbler” can say it out loud: “Television review of 2017 – the year it beat cinema”.
…Sure, I went to see The Last Jedi this week like everyone else with the inclination and ability to do so, and it was wonderful. But it felt like, well, a box of popcorn in nutritional terms compared to the hearty vegetable stew of series below. So in no particular order, here is a very personal, haphazard list of series I have been amazed by. Whilst they don’t all quite fit into the classic Nerds Of A Feather, Flock Together genre areas, all share a spirit and flavour with the incredible works highlighted on these pages…
(1) Halt and Catch Fire (AMC)
Originally feeling like a compelling yet shallow computer nerd version of Mad Men (all mysterious arrogant male protagonist dipped in retro nostalgia), this series became, long before this astonishing forth and final season, one of the most accomplished and daring dramas of this decade, and culminated in the best conclusion to a series I’ve seen since possibly Six Feet Under (a work to which this owes much debt). Nothing else this year matched the emotional impact of seeing these five colleagues and friends arrive at a finish line that for once was allowed to be set with purpose and patience by the creators. The setting and subject became less and less relevant (though no less enjoyable) as the masterplan of the writers emerged – that this, like all the greatest tales, was about emotional connections and the rewards that they bring, and the tolls they take. The last three episodes made my smile and cry more than any film, book or other show this year. Exemplary acting, music, sound, cinematography, dialogue to wallow in… superb.
(16) HEERE’S RAY. A wise friend of mine hinted that there hasn’t been enough Bradbury in these pages lately. Let’s drop in Ray’s appearance with Johnny Carson on The Tonight Show on March 1, 1978:
(17) TWO RAYS. And Episode 17 of the Ray Harryhausen Podcast – “Ray Harryhausen and Ray Bradbury”.
A very special episode of the Ray Harryhausen podcast, as we explore the Ray’s lifelong friendship with legendary author Ray Bradbury.
Phil Nichols from The Centre for Ray Bradbury Studies joins us for an in depth discussion on a relationship which was to span 8 decades. After meeting in the mid-1930s, the two became best friends, and would speak on at least a monthly basis for the rest of their lives. We explore the circumstances that would lead both men to become legends within their own fields of interest, and the early influences which inspired them both to greatness. Both Rays left an incredible archive of their own, and so we examine the parallels between the collection of the Centre for Ray Bradbury Studies, and the Foundation’s own archive.
The show also contains a never-heard-before interview with Ray Bradbury’s daughter Susan, recorded at Ray Harryhausen’s memorial in 2013, where she shares her memories of ‘Uncle Ray’ and their enduring friendship.
(18) HORTON ON SHORT SFF. One of the field’s grandmasters has added a prime story to his resume: “Rich Horton Reviews Short Fiction’ at Locus Online. (Covers F&SF 9-10/17, Analog 9-10/17, Beneath Ceaseless Skies 8/17/17, Lightspeed 10/17, Tor.com 9/6/17.)
The most exciting short fiction news this month is surely the appearance in the September/October F&SF of a new story by Samuel R. Delany. Even better, “The Hermit of Houston” is exceptional work! It’s set some time in a strange future and is hard to get a grip on (the best kind). From one angle it seems a sort of pastoral utopia, from other angles utterly horrifying. It’s mostly about the narrator’s long-time lover, an older man named Cellibrex (sometimes), and about the hints he lets drop of some of the true nature of this future. There is extremely interesting treatment of gender, politics, law, custom, and memory – and I don’t get everything that’s going on in the story, in a good way. One of the stories of the year, I think.
(19) DEVELOPING FIELD. The Washington Posts’s Rachel Rackza, in “In young-adult novels, queer love stories have begun to feel mainstream”, discusses how teenage LGBT readers have read novels by Cassandra Clare, Audrey Coulthurst, and Anna-Marie McLemore and found comfort in reading YA fantasy with gay characters.
For Mackenzi Lee’s whip-smart “The Gentleman’s Guide to Vice and Virtue,” the author wanted to showcase an authentically positive representation of queer identity in centuries past. “I wanted so badly with this book to say to queer teenagers: ‘You have always existed even before there were words or vocabulary or acceptance,’ ” she said. “I wanted them to know they have not only existed, but they thrived and had fulfilled romantic and sexual lives with people they love.”
(20) SUN-DAY DRIVERS. See: “What Happens When 2 Neutron Stars Collide” — text, and very short video.
An international team of astronomers has concluded that when it comes to theories about colliding neutron stars, Einstein got it right. Everybody else, not so much.
A neutron star is what’s left when a star burns out and collapses in on itself, leaving a small, incredibly dense ball.
Einstein’s theory of general relativity predicted that when two neutron stars collide, they would generate a gravitational wave, a ripple in space time.
That’s exactly what physicists saw for the first time last summer with LIGO, the new gravitational wave observatory.
(21) YOU’VE GOT MAIL. You could send wild game (dead) or people (living) once upon a time — “The strangest things sent in the UK post”
“There was nothing in the rules to say you couldn’t send people”, Mr Taft said.
In 1909 two suffragettes, Miss Solomon and Miss McLellan, used the Royal Mail’s same-day courier service to post themselves to 10 Downing Street so they could deliver their message personally to Prime Minister Herbert Asquith.
But a Downing Street official refused to sign for them and the delivery boy had to return the women and explain to his bosses why he had failed to make the delivery.
Yet Miss Solomon and Miss McLellan were not the UK’s first “human letters”.
W Reginald Bray, an accountant from Forest Hill in south-east London, claimed to hold that honour having posted himself successfully in 1900, then again in 1903 and for a last time in 1932
(22) THE NEXT GENERATION. Funny but not exactly sensitive — Robert Jackson Bennett’s post at Tor.com: “My Terrible Children Are Both Fake Geeks”.
This is way different than when I grew up, when we kept renting a wobbly VHS of A New Hope from the library, and then my dad brought home The Empire Strikes Back and suddenly we realized that they had made more of these movies, oh my God.
So the Large Son is absolutely drowning in genre exposure. He lives in an age of abundance that I was utterly denied. But does he take advantage of it? Does he religiously memorize all of the various planets, as well as the types of ships?
No. He does not. For a whole damned year he called Darth Vader “Star Vader,” and he still calls Boba Fett “Bobo Fett,” and he calls every kind of land transport an “AT-AT,” which is just abysmally fucking wrong in every kind of way. I created a spreadsheet for him but I am fairly sure he only gave it a cursory glance. Perhaps the most galling thing about it all is that, incredibly, despite having never actually watched a Star Wars movie in the six years of his life (he says they are “too loud,” which, okay, sure), he somehow already knows that Vader is Luke’s father, and he’s just utterly fucking blasé about it, too.
(23) GHOST NOUN. An annual tradition continues — Larry Correa’s “CHRISTMAS NOUN X: THE GHOSTS OF DIE HARDS PAST”. (Thoughtfully linked here to a Wayback Machine page.)
Santa gestured for one of his elves to start the PowerPoint slide show.
“As you can see, this reality is much like ours, but their timeline diverged in the 1980s. Because of the misguided actions of their less militant Christmas Ghosts, they were deprived of the greatest Christmas movie ever made.”
“The Firefly Christmas Special?” asked the elf running the computer.
“Oh no, very few lucky universes got that.” Santa chuckled, as he thought about the heartwarming scene where Jayne’s mom had knitted him a Santa hat, which he’d later used to strangle a reaver. “Besides, that was a two hour TV special that aired during Firefly’s fifth season. I’m talking about how this world was deprived of the greatest Christmas movie ever made… Die Hard.”
There were gasps around the conference table. That was inconceivable. And only boring losers and communists didn’t think of Die Hard as a Christmas movie.
“I know, right? Christmas there is dull and lame now. So we’re going to use the Christmas Noun to send Tim back to 1988, so he can make sure Die Hard actually happens like it’s supposed to.”
“I don’t know, Santa… Since this crosses into another alternate universe’s jurisdiction, isn’t this a job for Tom Stranger?”
Santa shook his head sadly. “Unfortunately, since Larry Correia first started writing the Christmas Noun stories, Audible.com came along and offered him large sums of money to write Tom Stranger stories exclusively for them, so I doubt Tom will show up here. This is up to us and Tim and any other characters who we still own the rights for!”
[Thanks to Martin Morse Wooster, JJ, Olav Rokne, John King Tarpinian, Bence Pinter, Cat Eldridge, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]