Pixel Scroll 5/9/17 Help, I’m Floating And I Can’t Get Down

(1) D FRANKLIN AWARD PREMIERES. Nominations are open for a new award recognizing work in disability advocacy in SFF literature — “Announcing the D Franklin Defying Doomsday Award”.

This award is possible thanks to D Franklin, our wonderful Patron of Diversity who pledged the top pledge in our Pozible campaign!

The Defying Doomsday Award is an annual shortlist and prize. The award jury comprises Twelfth Planet Press publisher, Alisa Krasnostein, and Defying Doomsday editors, Tsana Dolichva and Holly Kench. The award will grant one winner per year a cash prize of $200 in recognition of their work in disability advocacy in SFF literature.

Eligible works include non-fiction or related media exploring the subject of disability in SFF literature. Works must have been published in 2016.

We are now seeking nominations for the 2016 Defying Doomsday Award. Please submit your nominations to Tsana and Holly by filling in this form: https://goo.gl/forms/Kq8jGrXlAcdNumxy1

Submissions are open until July 31. The winner(s) will be announced in September.

(2) NOW ON SALE. It’s not exactly a Meredith moment, but until the end of May you can save $200 on The Virginia Edition of Robert A. Heinlein’s collected works. That lowers the price tag to $1,300 in the U.S., or $1,600 for an international destination.

(3) SCIENCE BOOM. You can watch a flock of “Science Movies on Netflix in May”. Two examples –

Available May 5

The Mars Generation (Netflix, 2017): Could humanity’s future include travel to Mars? Astrophysicists and astronauts weigh in on the challenges of long-distance spaceflight and the dream of missions that could transport people to the Red Planet. Meanwhile, teenage trainees at the U.S. Space and Rocket Center immerse themselves in work toward making that dream a reality.

Available May 15

Command and Control (PBS, 2017): Building a nuclear arsenal comes with incredible risks, and most Americans may be unaware that in 1980, an accident at a nuclear missile complex in Damascus, Arkansas, nearly resulted in the detonation of a warhead 600 times more powerful than the bomb that leveled Hiroshima. Based on recently declassified documents, this fascinating glimpse into the American nuclear weapons program tracks its history, and evaluates the human errors and accidents along the way that could have doomed us all.

(4) THE BEER THAT HITCHHIKERS MADE FAMOUS. Martin Morse Wooster knows: “Short’s Brewing is notorious among beer geeks for its crazy beers.  So of course they produce Pan Galactic Gargle Blaster!  (It’s a really cool Space Invaders-style label.)”

(5) ANONYMOUS LONGLIST. Here’s something you don’t see every day, Edgar. An anonymous longlist for the 2017 James White Award has been announced – the titles of 17 short stories listed without the authors’ names, because the entries are still undergoing an anonymous judging process.

The administrators say the shortlist will come out within two weeks, and the winner announced soon after that.

(6) ABOARD THE QUEEN MARY. Ellen Datlow has posted her photos from StokerCon 2017 on Flickr. Below: Elizabeth Hand and Nancy Holder.

Elizabeth Hand and Nancy Holder

(7) WIN WWII QUICKER. Gregory Benford shares “The Big Idea” that led to his novel The Berlin Project.

How many more concentration camp victims would have survived if the war had ended one year earlier?  For one, Anne Frank. Most CC victims succumbed eventually to the rugged conditions… The difference between 1944 and 1945 as the end of the war is probably quite significant in terms of lives.

The central context for this novel came from the protagonist I chose to follow through it, Karl Cohen. I also folded in my experience of living in the US occupation of Germany in 1955-57, where my father commanded combat units.

Karl’s words made me think, because in the last year of war, whole societies collapsed. A million died each month, the Soviet Union captured many countries into subjugation, and the devastation of the Axis powers took decades to repair.

Alternative histories are ways of thinking. The entire history of nuclear weapons is interlaced with scientists considering the future, often using science fiction as a prompt. The 1913 “atomic bombs” of H. G. Wells and the Robert Heinlein and Cleve Cartmill stories in Astounding Science Fiction were indeed broadly discussed at Los Alamos –as told to me in detail by Teller.

The wartime investigation into the Astounding stories, as I depict from documents I found, now seems odd indeed. The fiction writers had no classified information at all, just good guesses. Still, this possibility was viewed as very important by the security agencies, including the FBI. As Robert Silverberg has wryly remarked, “Turning war secrets into second-rate SF stories might seem, to the dispassionate eye, a very odd way indeed of betraying one’s country.”

Karl Cohen was my father in law. In 2000 he was voted to be among the 50 most prominent American chemists of the 20th Century. But he was haunted by what he felt was his personal failure to convince the U.S. government to pursue the centrifuge approach during the war. He died in 2012 at age 99. Alas, I had only begun on the novel.

(8) A GLOWING SMILE. Win WWII – and prevent tooth decay! Atlas Obscura tells how Manhattan Project experts got sidetracked in their pursuit of Nazi nuclear technology in “The Mysterious Case of the Radioactive Toothpaste”.

(9) SAVE YOUR MONEY. BookRiot’s Kay Taylor Rea advises which of the Best Novel Hugo finalists to buy, borrow, or bypass.

Death’s End by Cixin Liu, translated by Ken Liu

The final book in the Remembrance of Earth’s Past trilogy, Death’s End really goes for broke in its attempts to be an epic tale. I struggled through it for much the same reason I struggled through the first two books: the depictions of women are by turns baffling and infuriating. If you were bothered by that in the first two novels, I warn you it’s still at issue here. The woman at the center of Death’s End, engineer Cheng Xin, is by turns patronized, deified, and vilified both by the male characters and the narrative itself. If you can ignore this, and the author’s tendency toward paragraph upon paragraph of info-dumping, there are certainly the bones of a very compelling tale of humanity’s future within these pages. The science involved is fascinating, and if you’re on the hunt for oldschool hard science fiction this might fit the bill.

Verdict: Bypass unless you’ve read the first two and have a hankering for more hard SF.

(10) WHO IS NUMBER ONE? MeTV offers “TV Aliens, Ranked”.

Mr. Spock, ‘Star Trek’

Was this really a competition? Mr. Spock is beloved by the crew of the U.S.S. Enterprise and fans of Star Trek alike. Even though Williams Shatner tried to take the lead on the original series, Spock’s likability and Leonard Nimoy’s depiction made him the most popular character on one of the most popular series of all time.

(11) WESTON OBIT. G.I. Joe inventor Stan Weston died May 1. The Hollywood Reporter recalls:

When Mattel’s Barbie dolls were introduced in 1960, Weston realized boys were an untapped market for the doll industry after noting that many of them played with Ken dolls. He conceived of the idea of a military action figure and in 1963 sold what would become G.I. Joe to Hasbro. The runaway hit would go on to be one of the most enduring toy lines in history, spawning hit TV shows and films as well.

…In 1989, he was among the inaugural class for the Licensing Industry Hall of Fame, which includes notables Walt Disney, George Lucas and Jim Henson.

(12) TODAY’S DAY

Jerry Goldsmith Day

Today Oscar- and Emmy-winning composer Jerry Goldsmith posthumously received a star on the Hollywood Walk of Fame. He scored a vast number of movies, including many genre films. Director Joe Dante, for whom Goldsmith scored Gremlins, Explorers, and Innerspace, lent impetus to the award, saying he’d been “flabbergasted” to learn Goldsmith had not already received the honor. Dante told Variety, “Any film he scored was automatically improved tenfold.”

 

(13) TODAY IN HISTORY

  • May 9, 1980 — Sean Cunningham’s Friday the 13th premieres in theatres.
  • May 9, 1997 The Fifth Element is released in the U.S.

(14) TODAY’S BIRTHDAY BOY

  • Born May 9, 1860 – J.M. Barrie

(15) COMPETITIVE LENGTHS. Greg Hullender says, “Inspired by a blog post from Rich Horton I did a quick analysis of the lengths of novellas overall vs. the lengths of the ones that are Hugo finalist.” — “Story Lengths and Awards: When Does Size Matter?” at Rocket Stack Rank.

It looks like (this year, at least), when it came to getting nominated for the Hugo, longer stories definitely did better than shorter ones in the Novella category and (less dramatically) in the Novelette category, but length had no effect on short stories.

In fact, the effect is so dramatic that the longest novella published by any print magazine is shorter than the shortest novella in the Hugo finalist list!

(16) DIAL 2140. Carl Slaughter did a mini-roundup on a popular new novel.

The New Yorker described Kim Stanley Robinson as “generally acknowledged as one of the greatest living science-fiction writers.”  The Atlantic described Robinson as “the gold-standard of realistic, and highly literary, science-fiction writing.” Robinson’s novels have won the Hugo, Nebula, Locus, and Campbell awards.  His body of work won the Heinlein award.  He was an instructor at Clarion and the 68th World Science Fiction Convention guest of honor.  Major themes in his novels:  nature and culture, ecological sustainability, climate change and global warming, economic and social justice, and scientists as heroes.

“The environmental, economic, and social themes in Robinson’s oeuvre stand in marked contrast to the libertarian science fiction prevalent in much of science fiction (Robert A. Heinlein, Poul Anderson, Larry Niven, and Jerry Pournelle being prominent examples), and his work has been called the most successful attempt to reach a mass audience with a left wing and anti-capitalist utopian vision since Ursula K. Le Guin’s 1974 novel, The Dispossessed.”  –  Wiki

Robinson’s latest novel, NewYork 2140 , which came out in March from Orbit, is about residents of New York coping the the drastic affects of climate change, namely rising sea levels.

As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city.

There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear — along with the lawyers, of course.

There is the internet star, beloved by millions for her airship adventures, and the building’s manager, quietly respected for his attention to detail. Then there are two boys who don’t live there, but have no other home– and who are more important to its future than anyone might imagine.

Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all– and even the long-hidden foundations on which the city rests.

Praise for New York 2140:

“Science fiction is threaded everywhere through culture nowadays, and it would take an act of critical myopia to miss the fact that Robinson is one of the world’s finest working novelists, in any genre. NEW YORK 2140 is a towering novel about a genuinely grave threat to civilisation.”  ?  The Guardian

“An exploration of human resilience in the face of extreme pressure…starkly beautiful and fundamentally optimistic visions of technological and social change in the face of some of the worst devastation we might bring upon ourselves.”  ?  The Conversation

“As much a critique of contemporary capitalism, social mores and timeless human foibles, this energetic, multi-layered narrative is also a model of visionary worldbuilding.”  ?  RT Book Reviews (Top Pick!) on New York 214

“A thoroughly enjoyable exercise in worldbuilding, written with a cleareyed love for the city’s past, present, and future.”  ?  Kirkus

“The tale is one of adventure, intrigue, relationships, and market forces…. The individual threads weave together into a complex story well worth the read.”  ?  Booklist

(17) SPINRAD REVIEWED. Rob Latham shares his qualified enthusiasm for Norman Spinrad’s The People’s Police in “An Unkempt Jeremiad” at LA Review of Books.

I would affirm that The People’s Police is a continuous pleasure to read were it not for the poor production values that persistently hobble the story. While the physical book is well designed, including an arresting dust-jacket by Michael Graziolo, the text itself is littered with distracting typos, oddly repeated words (e.g., “his vehicle had come around again to where where Luke was standing”), and passages still showing the raw compositional process (e.g., “what the upstate Holy Rollers were calling called the People’s Police”). A better job of editing would have caught these various solecisms, as well as the embarrassing fact that some anecdotes — e.g., that Huey Long built “a half-assed half-scale replica of the White House” as his governor’s mansion — are recounted twice, thus compromising their effectiveness. Every time I began to fall under the spell of Spinrad’s kooky grandiloquence, some glaring error like this would throw me out of the story. This is particularly unfortunate given that, as noted above, The People’s Police marks the author’s dogged attempt to break back into the US market after a decade of frustrations.

All in all, though, I think the novel should be well received, as it manifests most of the strengths of Spinrad’s long career….

(18) APOCALYPSE OHIO. There were a few angsty moments at the Scalzi compound today.

(19) AT RISK COMICS. I scanned CosmicBookNews’ list of Marvel comics titles on the bubble, holding in mind the recent controversy about whether diversity sells.

Titles with an asterisk are already cancelled as of July.

CA: Sam Wilson – #21 – 18,650
Gwenpool – #14 – 17,972
Captain Marvel – #4 – 17,893
US Avengers – #5 – 17,880
Ultimates 2 – #6 -17,350
Dr. Strange & Sorcerers Supreme – #7 – 16,887
Man-Thing – #3 – 16,199 [Mini]
Hawkeye – #5 – 16,031
Totally Awesome Hulk – #18 – 16,009
Spider-Man 2099 – #22 – 15,273
Elektra – #3 – 15,113*
Silver Surfer – #10 – 15,041
World Of Wakanda – #6 – 14,547*
Nova – #5 – 14,525*
Silk – #19 – 13,524*
Thunderbolts – #12 – 13,780*
Kingpin – #3 – 13,765*
Rocket Raccoon #5 – 13,373*
Power Man & Iron Fist #15 – 13,055*
Bullseye – #3 – 12,912 [Mini]
Star lord – #6 – 12,278*
Squirrel Girl – #19 – 11,074
Occupy Avengers – #6 – 10,296
Unstoppable Wasp – #4 – 9,780
Great Lakes Avengers – #7 – 8,370
Moon Girl and Devil Dino – #18 – 7,966
Patsy Walker AKA Hellcat – #17 – 6,943*
Mosaic – #7 – 5,876*

On the fence:

Ms. Marvel – #17 – 20,881

(20) GUARDIANS INSIDE INFO. Don’t view this unless you are ready for SPOILERS. Looper picks out Small Details In Guardians Of The Galaxy 2 Only True Fans Understood.

After all the hype, Guardians of the Galaxy Vol. 2 proved itself a worthy successor to the first film. With another Awesome Mix Tape blasting and another round of adventures for Star-Lord and his gang of unlikely heroes, Vol. 2 offered up the same mix of action and comedy fans have come to love. And like the first installment, the newest Guardians is packed with Easter eggs. Here are all the small details only true fans noticed in Guardians of the Galaxy 2. Major spoilers ahead!

 

[Thanks to John King Tarpinian, Roger Silverstein, Cat Eldridge, Ellen Datlow, ,Andrew Porter, Kat, Kendall, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/23/17 Scroll White And The Seven Pixels

(1) BORN ON THE SEVENTH OF JULY. In “Spinning a high-tech web”, the LA Times provides an elaborate, photo-illustrated preview of Tony Stark’s upgrade to the new Spider-Man suit that will be seen in Spider-Man: Homecoming, due in theaters July 7.

(2) FILK HALL OF FAME. The 2017 inductees to the Filk Halll of Fame were announced at FilkOntario this weekend:

(3) FAHRENHEIT 451 TO SMALL SCREEN? The Bradbury novel is on the road to development once more. “HBO to Adapt Fahrenheit 451, starring Michael B. Jordan”  — BookRiot has the story.

Now, HBO is “moving toward a production commitment” (via Variety) on a feature-length adaptation of Bradbury’s 1953 novel starring Michael B. Jordan (Creed, Chronicle, Fantastic Four) as the protagonist Guy Montag and Michael Shannon (Man of Steel, Boardwalk Empire) as Montag’s boss, Captain Beatty.

The film will be directed by Ramin Bahrani (99 Homes, At Any Price), who is co-writing with Amir Naderi (99 Homes, The Runner). David Coatsworth (production manager on Underworld: Evolution, Ender’s Game, My Big Fat Greek Wedding) will serve as producer.

(4) THEY’RE HUUGE! “Black Holes Are Bigger Than You Thought” accuses Yahoo! News. (Just how big did you think they were? How did Yahoo! News find out?)

Now meet S5 0014+81.

It’s the largest black hole ever discovered and is heavier than our Sun by 40 billion times (40, 000, 000, 000) in the last observation.

If you plug in the equation above, you’ll find that this black hole has a Schwarzschild radius of about… 119 billion kilometers, along with a said diameter of about 236,39 billion km.

(5) THE TOUGHEST AROUND. Let Den of Geek point you at “17 really difficult LEGO sets”.

The Tower Of Orthanc

It may look simple enough on the box, but The Lord Of The Rings’ Tower Of Orthanc is actually a real tough cookie. Because most of its 2,359 pieces are jet black and slim, working out which bit goes where is the stuff of nightmares (in, um, a good way). The Treebeard that comes with it will make the struggle worth it… honest.

Buy The Tower Of Orthanc now for £348.07.

(6) TODAY’S DAY

  • April 23 — World Book and Copyright Day

Pays tribute to authors and books and their social and cultural contribution to the world

(7) DID YOU KNOW? Last year the International Costumers’ Guild participated in a “friend of the court” brief to the U.S. Supreme Court, joining Public Knowledge, the American Library Association, and others, asking the Court to protect the rights of clothing designers and costumers to freely practice their craft.

(8) AT HOME. The Verge’s Andrew Liptak reports “Netflix will invest billions to shoot its original content in California”:

Netflix is betting that filming closer to home will produce better content. In 2015, the streaming giant has announced that it would be doubling its output of original content, and it is aiming to have original productions make up half of its of its streaming catalog in the coming years. The goal is to entice users to come to the service by providing content that can’t be found elsewhere, but that goal is proving to be a strain on the existing film studio infrastructure. To cope, Netflix chief content officer Ted Sarandos announced that the company would be investing $6 billion to expand infrastructure in California, rather than chase tax incentives offered by states.

Sarandos explained to The Wrap that the company determined that going after the incentives leads to diminishing returns when it comes to their final products. Filming out of state is hard on the actors and crew of a project, and the move will help bring projects back home to California. That could prove to be costly for the company, even as California has increased its own tax incentive program in recent years. While remaining in the state will likely cost Netflix more, Sarandos seems to think that the extra cost will be worth spending.

(9) SQUEAK UP. YouTube’s TheBackyardScientist set up 10 megaphones end-to-end to see how loud a noise he could make.

The video, posted to YouTube by TheBackyardScientist, features Kevin Kohler explaining he was inspired by Bart Simpson‘s prank in the season 8 Simpsons episode The Secret War of Lisa Simpson to place 10 megaphones end-to-end and test the results.

Bart’s experiment led to a shock wave that shattered all of the windows in town — as well as Homer’s fridge full of beer — but Kohler quickly ran into a problem Bart didn’t face: a feedback loop.

 

(10) BITE ON. The number of people who give their smartphones to dogs as chew toys is probably smaller than the number of men who have walked on the moon, but for them — “There’s an anti-dog label inside the Galaxy S8 — here’s what it means”. Let The Verge explain it to you.

Basically, you don’t want Fido in a situation where a battery could hiss and explode in its mouth. It’s obviously possible that a child could bite through the battery as well, but the likelihood of him / her piercing through the battery is lower.

(11) ARTIFICIAL DOG INTELLIGENCE. Amazing. How is it mine doesn’t do that?

(12) FIX THE SLATING PROBLEM FOREVER. That’s what Greg Hullender would like to do. At Rocket Stack Rank he summarizes his views about the effectiveness of 3SV, EPH(+) and their combination. He says, “I  think it makes it really clear that we need both 3SV and either EPH or EPH+. Otherwise, even small slates (100 to 200 people) will be able to control a significant amount of the final ballot, including adding embarrassing nominees.”

For each year, we produced two theoretical maximum graphs. A “finalist graph,” which shows what percentage of finalists a slate could have captured for a given number of slate voters, and a “sweeps” graph, which shows what percentage of entire categories a slate could have captured.

Looking at those four pairs of graphs (2.1-2.4 below), we will draw the following conclusions;

  • Std (5/6) by itself is far too weak.
  • EPH doesn’t protect enough finalists, but it is excellent at preventing sweeps.
  • EPH+ is an improvement on EPH, but it’s still not enough by itself.
  • 3SV is much stronger for protecting finalists, especially for modest numbers of slate voters, but it’s vulnerable to sweeps, and it breaks down for slates above about 300 people.
  • The 3SV/EPH and 3SV/EPH+ combinations are far, far stronger than either component alone. Either combination is probably sufficient, but the second one is stronger.

Accordingly, we conclude that the Business Meeting should ratify both EPH+ and 3SV. That should protect the Hugos from slating interference for the nonce.

(13) DREAM CASTING. Enjoy “Miles To Go” hosted at Archive of Our Own. Note – Password = Vorkosigan (as it says at the post).

There once was a man who dreamt of the stars…

A fanvid based on the Vorkosigan Saga by Lois McMaster Bujold.

…Obviously, it’s not so easy to make a feast for a fandom with no existing visual source. But where there’s a will, or in my case an enormous and driving folly, there’s a way. It was always going to be an ensemble vid, with Miles as the star, but the question was how to cast it. I did eventually solve that problem, and I won’t discuss my solution in detail here because… spoilers.

[Thanks to Carl Slaughter, Cat Eldridge, Robin Reid, JJ, Doctor Science, Greg Hullender, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 3/20/17 The Pixelated Empire. Filed, Scrolled And Godstalked Since The Fifth Era

(1) WHAT DID YOU NOMINATE? Arifel compiled the votes reported in “What Did You Nominate for the 2017 Hugos?” and posted the top-level results in comments:

If you want to see the complete tallies with everything that got even one mention, go to this Google drive document.

(2) SECOND STAGE FANSMEN. Rocket Stack Rank is hosting its own compilation of File 770 commenters’ votes in the short fiction categories, which has the advantage of linking to the works online, as well as to RSR’s reviews.

(3) ONE LUMP OR TWO? Congratulations are in order and everyone is invited to “Celebrate 10 Years of the Black Gate Blog!”

There was precisely one comment on that post, a pingback from something called “The Scrolls of Lankhmar.” 8,355 blog posts and 10 years later, the Black Gate blog is stronger than ever, with a staff of 45 volunteers, and two Hugo nominations and a World Fantasy Award under our belt.

Just one thing surprises me – that they are counting Hugo nominations they turned down — withdrawing after the first (though too late to be removed from the ballot), and declining the second. They even got an Alfie for turning down the second.

I admit I was stumped to discover the Science Fiction Awards Database, maintained by Mark R. Kelly of Locus Online, also credits them with two nominations.

I think the final arbiter ought to be the Sasquan and MidAmeriCon II reports of Hugo voting statistics. Black Gate appears in the 2015 report with 489 votes received and the notation “withdrawn after deadline.” In the 2016 report Black Gate is not reported receiving any votes because it was not on the ballot, and in the section counting nominating votes, it is shown above the cutoff but with its name lined out.

So my personal opinion is – Black Gate has one Hugo nomination because it has only appeared on the final ballot one time.

That answer would also square with the way the Science Fiction Awards Database skips over 1996 in its list of File 770’s nominations. I withdrew because I was chair of the Worldcon that year, but the final report shows I still got enough votes to have been a finalist. Since File 770 wasn’t on the ballot, it should not be counted as a 1996 finalist, and isn’t.

(4) A MARTIAN ODYSSEY. WIRED writes about “A Stunning Video of Mars That Took Three Months To Stitch Together – By Hand”.

If you should one day find yourself in a spacecraft circling Mars, don’t count on a good view. The Red Planet’s dusty atmosphere will probably obscure any window-seat vistas of its deep valleys and soaring mesas. “The best way to see the planet’s surface would be to take a digital image and enhance it on your computer,” says planetary geologist Alfred McEwen, principal investigator on NASA’s High Resolution Imaging Science Experiment. He would know: In the past 12 years, the powerful HiRISE camera has snapped 50,000 spectacular, high-resolution stereo images of the Martian terrain from the planet’s orbit, creating anaglyphs that anyone can view in 3D using special glasses. The highly detailed stereograms depict the planet’s surface in remarkable detail—but 3D glasses aren’t always handy, and still images can only convey so much about Mars’ varied topography.

 

(5) THE WEED OF CRIME. Two of quarterback Tom Brady’s stolen Super Bowl-worn jerseys were recovered from a credentialed member of the international media. A couple of weeks before, Brady had posted a parody suspects list on his Facebook page that includes Gollum and other genre characters.

(6) BEST-OF COMPILATION. At Bookscrolling, “The Best Science Fiction & Fantasy Books of 2016 (A Year-End List Aggregation)”

“What are the best Science Fiction & Fantasy books of 2016?” We aggregated 32 year-end lists and ranked the 254 unique titles by how many times they appeared in an attempt to answer that very question!

There are thousands of year-end lists released every year and, like we do in our weekly Best Book articles, we wanted to see which books appear on them the most. We used 32 Science Fiction & Fantasy book lists and found 254 unique titles. The top 42 books, all appearing on 3 or more lists, are below with images, summaries, and links for learning more or purchasing. The remaining books, along with the articles we used, can be found at the bottom of the page.

(7) OUT OF STEAM. “Denver Based Steampunk Convention Anomaly Con Callls It Quits” – a former guest, Nerd & Tie’s Trae Dorn, is sorry to see it go.

After seven successful events, Denver, CO based steampunk convention Anomaly Con has called it quits. Organizer Kronda Siebert made a lengthy post to both the con’s official website and Facebook page explaining their reasoning. For the most part it sounds like losing ten of their twelve directors over the years (and not having replacements) was a large part of the decision,

(8) BRESLIN OBIT. Columnist Jimmy Breslin died March 19. While reading about him I followed a link to his 1963 piece “Digging JFK grave was his honor”. It was deeply moving and I thought you might like to see it, too.

(9) TODAY’S DAY

World Storytelling Day

Once upon a time, a long time ago (well, actually, back in 1991 in Sweden), a Storytelling Day was held. The ethos behind this event caught on around the globe, and now we celebrate World Storytelling Day on an international level. The aim of World Storytelling Day is to celebrate the art of oral storytelling, with as many people as possible around the world telling and listening to stories in their own languages on the same day. People taking part can link up with others around the globe who are also contributing – making it a truly international festival that creates new friends and promotes positive understanding of cultures around the world! So, go on, sit down with your friends and loved ones and join the United Nations of storytellers on this day of celebrating cultural folklore and the art of oral storytelling! Why not spin a yarn, and pass down your stories to the next generation?

(10) TODAY’S BIRTHDAY FOWL

  • Born March 20 Sesame Street’s Big Bird  

(11) COOKING CORNER. She deserves her own show on the Food Channel.

(12) THE PEOPLE’S CLARKE. More input from the Shadow Clarke Jury.

As readers of the finished work we, of course, don’t begin with a blank page. We start with the first chapter, a half-page that introduces its text in the broadest of strokes: “I grew up in a world of music, in a time of war,” says Priest’s narrator. “I became an inadvertent traveller in time.” In this short chapter, Priest effectively summarises the entire novel. But this only serves to emphasise that being provided with the scaffolding is not the same as being able to walk around the whole edifice. This reflects a key aspect of The Gradual the extent to which an extraordinary experience can be captured in a linear narrative.

If science fiction doesn’t make us look differently at our world, then science fiction doesn’t have a point.

Let me unpack that. Science fiction makes changes in the world, that is one of the key things that makes it science fiction. But that change must connect in some way with how we understand the here and now. An alien in a story makes it science fiction, yes, and the author may have taken great pains to specify the greenness of the skin or the exact length of the tentacles, but unless the intrusion of the alien reflects upon what it is to be human it is little more than wallpaper. When H.G. Wells wrote about Martians invading Surrey it wasn’t a novel about Martians, but about being human in the face of that invasion, about people used to being colonisers suddenly finding themselves colonised. The way the novel looks out into the world is why The War of the Worlds is still read today.

One of the ways in which genre reviewing differs from mainstream reviewing is that genre reviewers have traditionally been willing to go after books that get their facts wrong and fail to achieve verisimilitude. It is easy to understand why mainstream reviewing tends to frown on this type of approach as questioning an author’s use of style directs discussion back towards the book while questioning an author’s grasp of how space elevators are supposed to work only ever results in people slapping their slide-rules down on the table.

I mention this as while I think there’s a lot of interesting stuff going on in Joanna Kavenna’s fourth novel, my enjoyment of the book was hampered by my initial urge to disagree with every word of it. In fact, the only thing that kept me from throwing the book across the room was a growing suspicion that I did not so much disagree with A Field Guide to Reality as agree with it far too much.

The story begins in thirteenth-century Oxford where the great and the good of medieval philosophy dine on bread and discuss the nature of reality. Rather than portraying this fledgling academic community as a place of potential and great innovation, Kavenna presents it as dark, dank, and treacherous. Outside the colleges, monks get stabbed for the contents of their pockets. Inside the colleges, monks get burned for the contents of their heads.

(13) REGAL SWIMMER. BBC’s video of this 18th-century masterpiece is a public post on Facebook

The Silver Swan, made by James Cox in London in about 1773, is a life-size clockwork automaton that imitates the behaviour of a real swan. The mechanism is clockwork, of great quality. It plays music, moves its head, preens, and eats a fish.

The Wikipedia entry explains further:

The swan, which is life size, is a clockwork driven device that includes a music box. The swan sits in a “stream” that is made of glass rods and is surrounded by silver leaves. Small silver fish can be seen “swimming” in the stream.

When the clockwork is wound the music box plays and the glass rods rotate giving the illusion of flowing water. The swan turns its head from side to side and also preens itself. After a few moments the swan notices the swimming fish and bends down to catch and eat one. The swan’s head then returns to the upright position and the performance, which has lasted about 32 seconds, is over

[Thanks to John King Tarpinian, JJ, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 2/8/17 With Many Alternative Facts About The Square Of The Hypotenuse

(1) TOUGHER THAN IT LOOKS. Sue Duff thought it would be easy to destroy the Earth, but noooo! She explains the difficulties in a guest post for SFFWorld.

When I plotted out my five-book series a couple years ago, I knew that by book four, it would be time to give my characters a break and began to torture my worlds. I needed to increase the stakes across both dimensions for the big finale in book five. It took quite a bit of research, in spite of my amateur earth and space science interests, and found that it’s not easy to make reality align with your imagination! The challenge was to have my antagonist destroy Thrae, Earth’s mirror dimension, while salvaging enough of the planet to support life. Luckily, I sat on a panel with two NASA scientists at Denver Comic Con and cornered them afterwards to verify my research. I was thrilled, and more than a little relieved, to discover that the details were accurate!

(2) LOCUS AWARD POLL IS OPEN. John Scalzi has beaten me to a pair of headlines today – I’m lucky he spends most of his time on books. John was first with the Audie Awards, and now this —

(3) SHADOW CLARKE. Paul Kincaid tells how he thinks the shadow Clarke jury will operate.

I have never been involved with a shadow jury before, so I’m probably going to be making it up as we go along. But my take on it is that the Clarke Award has become central to the way we see science fiction in Britain, so the shadow jury will use it as a jumping off point from which to expand the discussion of science fiction.

We’ll be starting with the submissions list, which is due to be published shortly and which is probably the best and most convenient way to discover what science fiction has been published in Britain during any particular year. From this we will each, individually, draw up our own preferred shortlists, based on what we’ve read and what we want to read. (No plan survives an encounter with the enemy, so I assume that as we read through our chosen books our views about what should or should not be on the shortlist will change. In many ways, I suspect that will be the most interesting part of the exercise.) We will also, of course, be reading the actual shortlist when that is announced, so the whole exercise will be a scaled-up version of Maureen Kincaid Speller’s wonderful Shortlist Project from a few years back.

(4) THE RIGHTS. Read “SFWA Statements on Register of Copyright and Copyright Reform” at the SFWA Blog.

On January 31, SFWA submitted two sets of copyright-related commentary (authored by SFWA’s Legal Affairs Committee) — one to the Librarian of Congress offering recommendations for choosing the new Register of Copyrights, and one to the House Judiciary Committee regarding its first proposal for copyright reform. SFWA also signed onto a submission from the National Writers Union to the US Copyright Office concerning Group Registration of Contributions to Periodicals.

(5) HEAR THIS ONE BEFORE? From the “Traveler” essay in Larry Niven’s Stars and Gods collection:

Lost luggage? Air France lost a passenger in the Soviet Union, because he annoyed them. They dropped Tom Doherty in Moscow when he only had an internal passport for Leningrad.

(6) TODAY’S BIRTHDAY PUPPETEER

  • Born February 8, 1969 – Mary Robinette Kowal

(7) TODAY’S BIRTHDAY GARÇON

  • February 8, 1828 — Jules Verne

(8) SQUEE. Walter Jon Williams has signed the contract for three more books in the Praxis series. He discusses the deal in “Unto the Breach”.

And so (I hear you ask) why seek publication by the Big Five after all?  Because (1) they offered me money, and (2) I don’t want to put all my career eggs into a single basket.   Ebook sales are volatile, many sales are generated by gimmicks that quickly grow obsolete, and I’m in competition with a couple million self-published authors who can’t write their way out of a paper bag, but who get just as much shelf space as I do.  If you’re published by a traditional publisher, it demonstrates that someone cared enough for your work to pay more than taxi-fare money for it.

And if the books fail, I’ll get them back, and then I’ll market them myself.  Win/win.

The headline was JJ’s reaction to the news.

(9) CONGRATULATIONS. Jason Sanford’s short story collection Never Never Stories has been translated and released in China by Douban Reads.

The collection is being released as two separate books with similar but different covers. Here’s the link to Never Never Stories Book 1 and here’s Book 2.

(10) MAKE YOUR OWN KESSEL RUN. Graeme McMillan at The Hollywood Reporter says Disney has announced that Star Wars Land will open in Disney World’s Hollywood Studios section in 2019, with a smaller one in Anaheim. They’re mum about what will be in it, but it’s 14 acres!

It’s like ‘La La Land,’ but with less dancing and more Jedi.

Disney is planning something big to mark the conclusion of the current Star Wars trilogy. How big? The size of a theme park.

On a call with investors, Disney CEO Bob Iger on Tuesday revealed that the 14-acre Star Wars Land attraction at Walt Disney World in Orlando will open in 2019, the same year as Star Wars Episode IX, the final chapter in the current “Skywalker Saga” arc of the beloved space opera.

Construction started on the Hollywood Studios attraction last April, following its August 2015 announcement. Until Iger’s statement on Tuesday, Disney had remained quiet about the attraction — which will be paired with a similar one in Disneyland Anaheim — beyond the release of concept artwork last summer. While it’s still unconfirmed just what the attraction will include, a Disney Parks blog post promised “guests will get the opportunity to pilot the fastest hunk of junk in the galaxy” after climbing on board a full-size replica of the Millennium Falcon.

(11) THE BOX SCORE. These are the authors who wrote the most short fiction in 2016 that was published in any of the eleven publications or eleven anthologies Rocket Stack Rank reviewed last year. — “2016 Prolific SF/F Short Fiction Authors”

Here are Rocket Stack Rank’s 35 most prolific science fiction & fantasy short fiction authors of 2016. Click on their names in the two tables below to see their stories, and use the Score and AvgScore columns to try some authors you might not have read before. They were selected from the 818 original stories reviewed by RSR in 2016, which include 568 authors who wrote 5.8 million words published in 11 SF/F magazines and 11 SF/F anthologies. (RSR does not read horror magazines or horror anthologies.)

Greg Hullender adds, “Not a surprise to see Rick Larson and Robert Reed at the top in terms of number of stories. The counts by number of words are strongly affected by novella writers, but still interesting.  Could be a useful resource to people looking for a new author to try out.”

(12) THE BOOKS YOU LOVE. Biblio.com has tips on “Storing A Book Collection”.

We routinely hear from customers who want to know the best way to store collectible books. Sadly, even more commonly, we hear from customers who have inadvertently stored their books improperly, eroding the value of their beloved book collection.

We thought we’d take an opportunity to share with you some tips for proper storage of books, gleaned from not only our own personal experience, but that of seasoned professional booksellers. But before we dive right in to the stacks, let’s preface the whole thing by reminding you that:

CONDITION IS EVERYTHING!

Even the most scarce of titles is rarely worth much when it is in poor condition or beyond repair. Mildew, broken spines, torn or faded dust jackets, cocked bindings and similar issues can conspire to move a desirable book from the display case to the bargain bin.

Ok, that said, let’s learn how we can keep your book collection from ruin when you need to put it in storage for a period of time…

(13) OB SF. The Washington Post’s Michael E. Ruane, in “An American filmed the German army in WWI — until they became the enemy”, has an interesting article about the Library of Congress’s restoration of On the Firing Line with the Germans, a documentary Wilbur H. Durborough did on the Eastern Front in Germany in 1915.

The sf connection is that Durborough’s cameraman, Irving G. Ries, had a long, distinguished career in Hollywood capped by an Oscar nomination for his work on the special effects in Forbidden Planet in 1956.

(14) THE MATRYOSHKA TWEETS. It began when Cat Rambo reminded SFWA members to make their Nebula nominations.

(15) DISBELIEF SUSPENDERS. College Humor poses the question — Which Is Nerdier: Star Wars or Star Trek?

[Thanks to Carl Slaughter, Martin Morse Wooster,JJ, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]

Pixel Scroll 1/28/17 The More You Hive, The Less Pixelated You Are

(1) CORTANA’S WRITERS. The Financial Times’ Emma Jacobs, in “Robots replacing our jobs? Microsoft’s Cortana is creating them”, interviewed Joanthan Foster, principal content publishing manager for Microsoft’s Cortana, who oversees a staff of 28 (including a children’s novelist and a playwright) tasked with giving this personal digital assistant a personality.

“Why, for example, does Cortana have to have a favourite movie? ‘Because people are asking that,’ says Mr Foster.  For a while, her favourite film was ET (she skews to science fiction) but today it swings between Star Wars and Star Trek films.  Her favourite TV show is Star Trek: The Next Generation.”

Another sf reference:  Cortana’s name “is a reference to a buxom character clothed in a transparent sheath in the video game Halo.”

How to access this article – Look it up on Google and you will be able to click through to read it. If you use the link above directly, you will hit a paywall.

(2) ASTRONAUT FASHIONS. Washington Post reporter Christian Davenport, in “A first look at the path NASA astronauts will walk when the U.S. launches humans into space again”, has an overview of activities at Cape Canaveral, with reports on activities by Boeing, Blue Origin, Moon Express, and SpaceX.  But the news here is about the Boeing spacesuits.

Then there’s the sleek new blue Boeing spacesuit that, at 20 pounds, weighs 10 pounds less than the one worn by shuttle astronauts. It comes with gloves that work on touch screens and lightweight boots designed by Reebok that feel like slippers. Instead of having a huge fishbowl bubble helmet, as the shuttle astronauts’ suits did, the new suit’s helmet slips over the head like a hood.

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(3) MOVING POSTERS. Disney released a collection of motion posters featuring the cast of the upcoming live-action adaptation of Beauty and the Beast. UPI has the story.

(4) FANTASTIC FICTION AT KGB. On February 15 the hosts of the reading series, Ellen Datlow and Matthew Kressel, will present Michael Cisco and Nicholas Kaufmann. Begins 7 p.m. at the KGB Bar.

Michael Cisco is the author of several novels, including The Divinity StudentThe NarratorThe Great Lover, Animal Money, The Wretch of the Sun, and a short story collection, Secret Hours.  His fiction has appeared in The WeirdLovecraft Unbound, and Black Wings (among others). His scholarly work has appeared in Lovecraft StudiesThe Weird Fiction ReviewIranian Studies, and Lovecraft and Influence. He lives and teaches in New York City.

Nicholas Kaufmann’s work has been nominated for a Bram Stoker Award, a Thriller Award, and a Shirley Jackson Award. His novel Dying is My Business from St. Martin’s Press was selected for the Los Angeles Times Holiday Book Gift Guide, and the sequel, Die and Stay Dead, received a starred review from Publishers Weekly. His latest novel is In the Shadow of the Axe, out now from Crossroad Press with an introduction by Laird Barron.

(5) STICK A FORK IN IT. Write On by Kindle, Amazon’s attempt at a Wattpad competitor, is closing down March 22, a year after leaving beta testing. Users have been advised:

Your Amazon.com account will not be affected by the closure of Write On. If you don’t have any content you wish to save, no further action is required on your part.

If you do have content you wish to save, we encourage you to download your posted and drafted stories by March 22.

(6) HURT OBIT. Actor John Hurt died January 25 at the age of 77. The Vanity Fair tribute listed some of his many genre credits –

The cause of death was not immediately reported; Hurt was diagnosed in 2015 with pancreatic cancer, but in October of that year announced that he was “thrilled” to have had his final scan, “and it‘s all gone brilliantly.”

… He earned his first BAFTA award in 1976, for playing gay author and ranconteur Quentin Crisp in the TV film The Naked Civil Servant; that same year, he played notorious Roman emperor Caligula in the TV film classic I, Claudius.

As a trained actor with a resonant voice and an unmistakable screen presence, Hurt could be a leading man—as in the 1984 version of George Orwell’s 1984 and David Lynch‘s The Elephant Man—but may be more familiar to audiences as a supporting player, from the first, unlucky victim of the chestburster in 1979’s Alien to 2016’s Jackie, in which he plays a priest who has the ear of a mourning Jacqueline Kennedy. He earned Oscar nominations for his roles in 1979‘s Midnight Express, as a heroin addict doing time in a Turkish prison, and in The Elephant Man. He’ll also be remembered by a generation of children as the mysterious Mr. Ollivander, wand salesman, from the Harry Potter films. And thanks to a 2013 appearance as the War Doctor on Doctor Who, he will also forever belong to a legion of fans.

In the last decade of his career alone, Hurt worked with some of the world’s most fascinating directors, from Guillermo del Toro in the Hellboy series to Steven Spielberg on Indiana Jones and the Kingdom of the Crystal Skull to Lars von Trier on Melancholia to Joon-ho Bong on Snowpiercer.

— To which we can add The War Doctor in Doctor Who, the voices of Aragorn and Hazel (the rabbit) in the animated Lord of the Rings and Watership Down respectively, and still be guilty of leaving some out.

David Tennant, John Hurt, Matt Smith.

David Tennant, John Hurt, Matt Smith.

(7) GARRAY OBIT. Artist Pascal Garray (1965-2017), a prolific Smurfs creator, passed away January 17.

During his career of 26 years, he also participated in the creation of 17 albums of ‘The Smurfs’ (‘Les Schtroumpfs’), and was the lead artist on at least six albums since 2002. The other regular Smurfs artists are Ludo Borecki, Jeroen de Coninck and Miguel Díaz Vizoso, while most of the writing is done by Thierry Culliford, Alain Jost and Luc Parthoens. Garray had just finished drawing the 35th Smurfs album (‘Les Schtroumpfs et les Haricots Mauves’, about bad eating habits), when he passed away on 17 January 2017.

(8) TODAY’S BIRTHDAY BOY

  • Born January 28, 1981 — Elijah Wood (actor)

(9) RSR’S GUIDE TO SHORT FORM EDITORS. Greg Hullender of Rocket Stack Rank introduces its recently-posted guide to those eligible for the Best Editor Hugo – Short Form category.

With luck, this won’t be as controversial as it was last year. We’ve made it clearer that you’re supposed to use this data to vet a list of editors of works you’ve read—not to construct a slate of people whose publications you’ve never read (or even heard of).

Since people are more likely to know works than editors, we start by helping them find the editors who produced different publications. It’s a lot of work to figure out who’s qualified, so we’ve done that too.

Then, like last year, we show how much work each editor produced and how well that work was reviewed—both in terms of word count and percentage, which we encourage people to use to see how the editors in their list stack up.

New this year is a chart showing how much fiction from new writers each editor published, since this was the commonest thing people asked for last year. There are also sortable tables with the raw data so people don’t need to stare at charts to try to guess which editors were in the top four or five.

As ever, we’d love to hear ideas for what would make this easier to do.

(10) SEMIPROZINE HUGO. Neil Clarke’s Semiprozine.org announced last month they are “Currently updating directory”, which hopefully will happen soon because I need an authoritative answer to settle a difference of opinion!

We are currently updating the directory to reflect any changes in eligibility for the year ending December 31, 2016. Feel free to comment on this post if you have questions.

(11) COACHING. George R.R. Martin reminds everyone how TV shows can be eligible for the Best Dramatic Presentation Hugo – Long Form, whether you want them to or not.

This is truly the Golden Age for science fiction and fantasy on television, with more interesting series than ever before… most of them serial dramas. WESTWORLD, for instance. Terrific show. But the entire season is one story. To me, it makes no sense to pick an episode at random and nominate it in Short Form, when every episode depended so much on what had come before and what was to follow. I will be nominating WESTWORLD season one in Long Form, and I urge other WESTWORLD fans to do the same. Then we have STRANGER THINGS, recent Golden Globe nominee, another cool new genre show… I loved the series, but looking back, did I love one episode? No, I loved the whole story, so I’d nominate STRANGER THINGS, season one. Ditto for PENNY DREADFUL, the final season, which wrapped up in fine style last year. You could also make a case for MR. ROBOT, if you consider that sf.

And, of course, there’s GAME OF THRONES. Our sixth season won an unprecedented number of Emmys, setting an all-time record. And there are individual episodes that won Emmy acclaim: David Benioff and D.B. Weiss won for writing for “Battle of the Bastards,” Miguel Sapochnik took the directing Emmy for the same episode, and “The Door” also earned a directing nomination for Jack Bender. But it was the season as a whole that won for Best Drama, and for me, at least, it makes the most sense to nominate GAME OF THRONES, season six, in Long Form.

(12) GREATEST ANIMATOR. Brian Phillips on MTV.com has an article called “The Little Gray Wolf Will Come”, a profile of Yuri Norstein, whose short films “Tale of Tales” and “Hedgehog in the Fog” are regarded as among the greatest pieces of Soviet animation but who has been stuck for 40 years working on a full-length version of Gogol’s The Overcoat that he may never finish.

Here he is, an old man, onstage at the Dom Kino. Cinephiles of Moscow, your evening’s entertainment: Yuri Norstein, 74, white-bearded, small, stout, urbane, rumpled, and mischievous. Sitting in front of a pale gold curtain, with a bump on his nose the size of a pistachio shell. Considered by many to be a great, if tragically self-defeating, Russian artist. Considered by many to be the finest animator in the world.

He did not move to Moscow last week; he knows what they say about him. How he sabotaged his own career at what should have been its peak. How he has not managed to release a new film in 37 years. How he made Hedgehog in the Fog, a movie every Russian child knows by heart, and then Tale of Tales, which international juries have more than once named the greatest animated picture ever made. How he threw it all away to chase an absurd, unattainable ideal, an animated adaptation of Gogol’s short story “The Overcoat” that he has toiled at for nearly 40 years and has never been able to finish. He takes questions at events like this, and the sequence is always the same. First a few respectful queries about his past work, his process, his inspirations. Then, when some brink of nerve has been crossed: When will you finish The Overcoat? Do you think you ever will?

(13) TIMEY-WIMEY STUFF. Science Alert says “Scientists have confirmed a brand new form of matter: time crystals”.

First predicted by Nobel-Prize winning theoretical physicist Frank Wilczek back in 2012, time crystals are structures that appear to have movement even at their lowest energy state, known as a ground state.

Usually when a material is in ground state, also known as the zero-point energy of a system, it means movement should theoretically be impossible, because that would require it to expend energy.

But Wilczek predicted that this might not actually be the case for time crystals.

Normal crystals have an atomic structure that repeats in space – just like the carbon lattice of a diamond. But, just like a ruby or a diamond, they’re motionless because they’re in equilibrium in their ground state.

But time crystals have a structure that repeats in time, not just in space. And it keep oscillating in its ground state.

Imagine it like jelly – when you tap it, it repeatedly jiggles. The same thing happens in time crystals, but the big difference here is that the motion occurs without any energy.

A time crystal is like constantly oscillating jelly in its natural, ground state, and that’s what makes it a whole new form of matter – non-equilibrium matter. It’s incapable of sitting still.

(14) WHAT THE DOCTOR SAYS. David Tennant told The Last Leg viewers it’s all going to be okay:

[Thanks to Dawn Incoognito, Cat Eldridge, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]

Pixel Scroll 1/16/17 I’m A Boxticker, Jim, Not A Pixel!

(1) DEDICATED TO MEREDITH. It’s ”Appreciate a Dragon Day”.  According to the Donita K. Paul website:

Appreciate a Dragon Day was started in 2004 by Mrs. Paul to celebrate the release of DragonSpell. We encourage you to join us as we celebrate literacy and have some fun!

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(2) NEANDERTHALS. Jon Mooallem delivers a thoroughly fascinating account of paleoanthropological research in “Neanderthals Were People, Too” at the New York Times.

For millenniums, some scientists believe, before modern humans poured in from Africa, the climate in Europe was exceptionally unstable. The landscape kept flipping between temperate forest and cold, treeless steppe. The fauna that Neanderthals subsisted on kept migrating away, faster than they could. Though Neanderthals survived this turbulence, they were never able to build up their numbers. (Across all of Eurasia, at any point in history, says John Hawks, an anthropologist at the University of Wisconsin-Madison, “there probably weren’t enough of them to fill an N.F.L. stadium.”) With the demographics so skewed, Stringer went on, even the slightest modern human advantage would be amplified tremendously: a single innovation, something like sewing needles, might protect just enough babies from the elements to lower the infant mortality rate and allow modern humans to conclusively overtake the Neanderthals. And yet Stringer is careful not to conflate innovation with superior intelligence. Innovation, too, can be a function of population size. “We live in an age where information, where good ideas, spread like wildfire, and we build on them,” Stringer told me. “But it wasn’t like that 50,000 years ago.” The more members your species has, the more likely one member will stumble on a useful new technology — and that, once stumbled upon, the innovation will spread; you need sufficient human tinder for those sparks of culture to catch.

I picked that paragraph because it reminds me of Robert Zubrin’s argument about the need for population growth as a prerequisite in developing a starship.

To achieve a 200-times increase over today’s GDP, we will need a population of 54 billion. We will need energy of 2500 terawatts by the year 2200.

Pounding away at the opposite conclusions reached in Paul Ehrlich’s famous book The Population Bomb, Zubrin said, “If humans destroyed more than they made, the earth would be barren already. The real resource is human creativity.” Every mouth comes with a pair of hands and a brain. If we accept Malthusian advice, and act to reduce the world’s population, we will impoverish the future by denying it the contributions the missing people could have made.

(3) THE AI TROPE. Ann Leckie’s “Vericon 2016 GoH Speech” overflows with interesting ideas, just like her fiction.

The very first robot story–the first ever use of the word “robot” in fact–is a robot uprising story. But when Karel ?apek wrote RUR he wasn’t worried about artificial intelligence. The robots of his story aren’t mechanical, they’re made of some sort of synthetic biological material. And the word “robot” which ?apek famously coined, comes from a Czech word for “slave.” It’s a story about the revolt of people made on an assembly line (the first actual assembly line had debuted just ten years earlier). It’s a story about the rebellion of people who were built to be the cheapest, most efficient workers possible, workers you didn’t have to pay, or feed anything in particular, or take any notice or care of. In other words, slaves. And ?apek ‘s story hit a nerve. It didn’t just give us the word for robot, it is the ultimate model for nearly all the robot uprising stories since. So that model–robots as slaves, with all the assumed dangers attendant on enslaving people who outnumber you–is the model we’re using when we think about super smart machines. This has not been lost on any number of science fiction writers, who have used robot and AI stories to comment explicitly on oppression and racism. But just personally–well, I won’t go into my problems with the whole “slaves in my allegory are machines and the masters are human beings” bit, though that’s kind of icky when you think about it, but on top of that I think it’s a dangerous model to use as a basis for actual, serious real world predictions about artificial intelligence.

(4) AUSSIE FANHISTORY. Now available at eFanzines.com, issues of iOTA, a fanzine with news of Leigh Edmonds’ Australian fandom history project.

Here are a pair of excerpts from iOTA #2:

  • The purpose of this little efanzine is to serve as a progress report on my current history project which is to research and write a history of Australian fandom, focusing on the period between 1956 and 1975. It is also a place where I can publish little bits and pieces of the writing and art of Australia’s fan past to help introduce you to the rich vein of material that previous generations of fans have left us.
  • Fanzine Review what you missed in 1939. Our friend Robin Johnson turns up with the most interesting things at times.  Usually it is old airline timetables – and we share an interest it air transport so we can find hours of harmless interest and amusement in airline timetables – but not on this occasion. This time it was a little fanzines with a pink cover produced in the old fashioned way using carbon paper.  (If you are not aware of this form of reproduction, I’m thinking about writing a little series called something like ‘Reproductive Pleasures’ in some future issues.  Some people have never heard of carbon paper, which means that they are young and happy folk.) This little pink and carbon paper produced fanzine is Ultra 1, produced by Eric Russell in Sydney, bearing the date October 1939.  It is probably the fourth fanzine title to be published in Australia after John Devern’s single issue of Science Fiction Review published in February 1939, Australian Fan News, a single issue of which was published by William Veney, Bert Castellari and Eric Russell in May 1939 and three issues of the JSC Bulletin (Junior Science Club) published by Vol Molesworth and Ken Jeffreys in June 1939.  (Thanks to Chris Nelson for his extensive research in this area.)  Of these early titles Ultra was among the early successful Sydney fanzines, seeing fourteen issues published between October 1939 and December 1941 when the commencement of the Pacific War brought an end to most of this kind of frivolity in Australia.

(5) GERONIMO! Neil Clarke has quit his day job and gone into editing full-time.

I’m quite excited—and a little terrified—by the prospect of taking the leap. There are a bunch of uncertainties, like healthcare costs and filling the income gap between Lisa’s new job and my old one, but we’re close enough to give this career switch a try. As some of you know, this has been a major goal of mine since my heart attack four years ago. At age fifty, and after ten years working part-time, I’m finally going to be a full-time editor!

Naturally, my first priority has to be those uncertainties I mentioned: income gap and insurance. As I see it, I have a few things to target:

  1. I’ve altered the Clarkesworld Patreon goals to include direct salary and healthcare expenses. Would be nice if it was that simple, but I figure it’s worth putting out there….

(6) HOW TO MAKE IT TO THE FINISH LINE.  The New York Times tells “Obama’s Secret to Surviving the White House Years: Books”. Some of these titles are of genre interest.

Even books initially picked up as escape reading like the Hugo Award-winning apocalyptic sci-fi epic “The Three-Body Problem” by the Chinese writer Liu Cixin, he said, could unexpectedly put things in perspective: “The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade!”

…To this day, reading has remained an essential part of his daily life. He recently gave his daughter Malia a Kindle filled with books he wanted to share with her (including “One Hundred Years of Solitude,” “The Golden Notebook” and “The Woman Warrior”). And most every night in the White House, he would read for an hour or so late at night — reading that was deep and ecumenical, ranging from contemporary literary fiction (the last novel he read was Colson Whitehead’s “The Underground Railroad”) to classic novels to groundbreaking works of nonfiction like Daniel Kahneman’s “Thinking, Fast and Slow” and Elizabeth Kolbert’s “The Sixth Extinction.”…

(7) CERNAN OBIT. “Gene Cernan, last man to walk on Moon, dies aged 82” reports the BBC.

Captain Cernan was one of only three people to go to the Moon twice and the last man to leave a footprint on the lunar surface in 1972.

The final words he spoke there were: “We leave as we came and, God willing, as we shall return with peace and hope for all mankind.”

He was the commander of the Apollo 17 mission at the time.

Twelve people have walked on the Moon, and only six of them are still alive today

(8) THOUGHT FOR THE DAY

Neil Armstrong, recalling how it felt to look back at Earth from the surface of the moon: “I didn’t feel like a giant. I felt very, very small.”

(9) TODAY’S BIRTHDAY BOY

  • Born January 16, 1948 – John Carpenter.

(10) QUOTABLE QUOTE: “In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum.” – John Carpenter.

(11) BRANDON EASTON INTERVIEW. From Motherboard, “How Diversity Writing Programs Can Help Sci-Fi Live Up to Its Ideals”.

Motherboard: What do you think is really the problem that people aren’t talking about?

Brandon Easton: A lot of the reason why white writers who are entry level aren’t getting work has nothing to do with diversity programs. It’s because showrunners are hiring their buddies who are also EP’s [executive producers] and co-producer level who have these immense salaries that eat up the budget, so that they can’t hire anybody underneath a story editor level. This is what’s going on. Everyone knows this, yet still you have all these disgruntled writers scapegoating diversity programs instead of talking about the real issue at hand, which is nepotism. If you look at how many people graduate from these programs every year that number is so fucking low, it doesn’t even register as a percentage.

Motherboard: Science fiction has a long history of being open-minded about multiculturalism. Some argue that it’s the most open-minded of the genres. Do you think that’s true?

Brandon Easton: Science fiction as a literary genre, in theory, has open-minded concepts. And the fact is that historically, black writers have not been allowed in because for a while the editors, the people who controlled it, the publishing industry itself, even if someone had a great story – once racial politics were revealed, those people didn’t get to work. Now, if you’re talking about TV and film, there has been some really cool stuff that has progressive undercurrents thematically, but, when it comes to hiring practices we still revert back to straight white men as writers and creators of science fiction. Again, I do believe science fiction in its content itself can be extremely progressive and extremely life affirming, but we’re talking about the content versus the content creators. And I think that’s the issue.

Motherboard: I still think science fiction is special versus the other genres. Not only historically in terms of casting, but because when I read the genre, I don’t care what the race of the writer is. I just want to be blown away. Show me a new way of thinking.

Brandon Easton: I don’t think anyone would disagree with that. What I’m saying is that it helps when people get the opportunity. That’s where the problem is. If you want to be really serious about it, the only genre that’s really helped black people more than anything else has been comedy. Historically, I’m going back to the early 1900s, comedy was the only place where black writers could get a chance to write. Several generations of mainstream black stars came out of comedy: Will Smith, Chris Rock, Dave Chappelle, Jamie Fox, Bill Cosby, Chris Tucker, Eddie Murphy, Steve Harvey, Tyler Perry, Wanda Sykes, Whoopi Goldberg and so many others. Comedy is where African Americans have had a shot, as opposed to science fiction, particularly television, has almost been completely closed to black writers.

(12) PRIZEWORTHY. Jonathan Edelstein’s picks in short fiction – “Another year of awards” at Haibane.

I’ll start with novelettes rather than short stories, because that way I can start with my favorite story of 2016: Polyglossia by Tamara Vardomskaya (GigaNotoSaurus, March 2016). GigaNotoSaurus doesn’t usually get much attention from reviewers and critics, but this is a rich, multi-layered story that is well deserving of an award.

Polyglossia is a story of linguistics, cultural survival, family and resistance to oppression – not necessarily in that order – set in a low-magic fantasy world that suggests the early twentieth century. I’ve mentioned before that I’m a fan of good world-building, and the world of this story is intricately detailed and plausible; more than that, the world-building is integrated into the plot and informs the characters’ actions such that no detail is wasted. The linguistics are also tightly integrated into the plot – the author is a Ph.D. candidate in linguistics with an interest in the philosophy of language, and it shows – and the politics of language and cultural preservation come to play a key part in its resolution. At the same time, the story calls into question what we call family, what duties we owe to our ancestors, and how to balance those duties against the exigencies of politics. Polyglossia is rewarding on several levels – thus far, I’ve never failed to get something new out of it with each rereading – and if I had to pick one story that defined speculative fiction for me in 2016, it would be this one.

(13) STEALING A MARCH. Dan Wolfgang very carefully avoids stepping on Sarah A. Hoyt’s Sad Puppies turf while offering slates for the Dragon Awards and Hugo Awards in “A Very Special Message About Pooka Related Sadness”.

Sad_Pookas--678x381

The post is labeled “satire,” but here are typical examples of the names and works populating the slates:

Best Editor, Long Form

Best Semiprozine

Best Fanzine

(14) ROCKET RESOURCE. Greg Hullender sends word that Rocket Stack Rank has posted its page to help people pick artists for the 2017 Best Professional Artist Hugo.

We’ve added some features to make this easier to use, based on our own use (we’ve both already used it ourselves to make our own nominations) but we’ve realized that Eric and I use it very differently, so we’d welcome feedback from others. As with much else involving awards, there’s no one “right” way, so it’s good to support a number of different ways.

Eric is the artistic one (he can actually draw), so he wants to see several pieces by the same artist and makes judgments on that artist’s style overall. When he sees things he likes, he wants to visit that artist’s site, look at their gallery—even read interviews with the artist.

I don’t know art, but I know what I like. I want to quickly flip through all the pictures, extract the ones that I like, and then winnow down the list. (“Extract” means “Press ctrl-click on the author’s name at the top of the lightbox.” That opens a new tab, with that author’s work at the top of it.)

So this year the list contains eligible pictures as well as some that aren’t eligible (either they’re from last year or else they’re from semiprozines). The award is for an artist, not a particular work, after all, and this provides a bit more context on many of the artists. No one is listed who doesn’t have at least one eligible work, though, and those are highlighted.

Since the usual way to use the list is by opening the lightbox and then flipping through the pictures, we inserted an image of the Hugo rocket to separate artists. Eric found that useful, but I discovered that I paid almost no attention to which artist was which until after I’d selected about fifteen pictures I liked.

Winnowing the list wasn’t that hard (for me—Eric’s process was more sophisticated). I looked at all fifteen just at the thumbnail scale, and dropped three or four that I decided weren’t really as good. I dropped a few more because they really only had one picture I’d liked and the rest looked different. (In one case, I went to the artist’s home page to confirm that other pics in his/her gallery really did look like the single picture I was using to judge.) When I had six, I eliminated one because I didn’t like any of that artist’s pictures that were actually qualified for 2016. (So much for the idea that it’s about the artist, not the art.)

To fill out the Hugo Ballot, I copy/paste the author’s name from the web site and for the example of that author’s work, I use a link to that artist’s place on the main Professional Artists’ page. For example, http://www.rocketstackrank.com/2017/01/2017-professional-artists.html#JulieDillon points to Julie Dillon’s work on our page. (It’s what you get when you click on her name in the lightbox.)

We’d love to know how well this works for other filers and what we might do to make it better.

(15) HIDDEN HISTORY. Lauren Sarner, in “Tim Powers Loves Conspiracies” at Inverse, interviews the author of The Anubis Gates, Last Call and Declare about hanging out with Philip K. Dick and the allure of conspiracy.

What was Philip K. Dick like?

Since his death, there has arisen a kind of caricature of him. If you just read casually, you’d get the impression that he was this drug addled, crazy visionary who imagined God spoke to him. Actually he was a very sociable, funny, realistic, generous, gregarious friend. Not at all the William Blake crazy mystique the general impression has become. If you read his last few books, like VALIS and The Transmigration of Timothy Archer, you can see that this was a rational, skeptical, humorous person. But it always does annoy me when people say, ‘Didn’t he like live in a cave and wander up and down the street talking to himself?’

(16) YOU CAN TELL A BOOK (COVER) BY ITS COVER. JJ sent this link — “The Cover of Each Max Gladstone Book Has Predicted the Cover of the Next One” from Tor.com — with a recommendation:

Okay, this is not new, but it is too fucking funny (you have to read all the way to the end for the final cover).

I say it lives up to the hype…

(17) RESURRECTED TALENT. IMDB shows some pretty hefty credits for Citizen Vader (2014):

A lonely widower stalks his deserted mansion, gloomily contemplating ending his own life. His last word may hold the key to what has sent him down this dark path.

 

Writing Credits (in alphabetical order)

Aidan Duffy
George Lucas (characters)
Orson Welles (characters)

Music Department

Bernard Herrmann original score music
John Williams original score music

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Aziz H.Poonawalla, Cat Rambo, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Neil Clarke Reveals Choices For The Best Science Fiction of the Year

bsofty2-600

Neil Clarke’s Best Science Fiction of the Year Volume 2 will feature these stories from 2016:

Table of Contents

  • “The Visitor from Taured” by Ian R. MacLeod (Asimov’s, September 2016)
  • “Extraction Request” by Rich Larson (Clarkesworld, January 2016)
  • “A Good Home” by Karin Lowachee (Lightspeed, June 2016)
  • “Prodigal” by Gord Sellar (Analog, December 2016)
  • “Ten Days” by Nina Allan (Now We Are Ten, edited by Ian Whates)
  • “Terminal” by Lavie Tidhar (Tor.com, April 2016)
  • “Panic City” by Madeline Ashby (CyberWorld, edited by Jason Heller and Joshua Viola)
  • “Last Gods” by Sam J. Miller (Drowned Worlds, edited by Jonathana Strahan)
  • “HigherWorks” by Gregory Norman Bossert (Asimov’s, December 2016)
  • “A Strange Loop” by T.R. Napper (Interzone, January/February 2016)
  • “Night Journey of the Dragon-Horse” by Xia Jia (Invisible Planets, edited by Ken Liu)
  • “Pearl” by Aliette de Bodard (The Starlit Wood, edited by Dominik Parisien and Navah Wolfe)
  • “The Metal Demimonde” by Nick Wolven (Analog, June 2016)
  • “The Iron Tactician” by Alastair Reynolds (Newcon Press)
  • “The Mighty Slinger” by Tobias S. Buckell and Karen Lord (Bridging Infinity, edited by Jonathana Strahan)
  • “They All Have One Breath” by Karl Bunker (Asimov’s, December 2016)
  • “Sooner or Later Everything Falls Into the Sea” by Sarah Pinsker (Lightspeed, February 2016)
  • “And Then, One Day, the Air was Full of Voices” by Margaret Ronald (Clarkesworld, June 2016)
  • “The Three Lives of Sonata James” by Lettie Prell (Tor.com, October 2016)
  • “The Charge and the Storm” by An Owomoyela (Asimov’s, February 2016)
  • “Parables of Infinity” by Robert Reed (Bridging Infinity, edited by Jonathana Strahan)
  • “Ten Poems for the Mossums, One for the Man” by Suzanne Palmer (Asimov’s, July 2016)
  • “You Make Pattaya” by Rich Larson (Interzone, November/December 2016)
  • “Number Nine Moon” by Alex Irvine (F&SF, January/February 2016)
  • “Things with Beards” by Sam J. Miller (Clarkesworld, June 2016)
  • “Dispatches from the Cradle: The Hermit—Forty-Eight Hours in the Sea of Massachusetts” by Ken Liu (Drowned Worlds, edited by Jonathana Strahan)
  • “Touring with the Alien” by Carolyn Ives Gilman (Clarkesworld, April 2016)

Greg Hullender has updated the Rocket Stack Rank “2016 Best SF/F Anthologies” page and passed along his count of the stories that multiple editors picked for their year’s best volumes.

  • “The Visitor from Taured,” by Ian R. Macleod, and “Things with Beards,” by Sam J. Miller, are the only two stories to appear in all four anthologies. [Clarke, Dozois, Horton, Strahan]
  • Three other stories arguably got 4-way approval when you include stories the anthologists recommended during the year. (Horton and Dozois both review short fiction for Locus Magazine.)
  • “Touring with the Alien,” by Carolyn Ives Gilman, and “Terminal,” by Lavie Tidhar, appeared in all but Horton’s anthology, but Horton recommended both works in his Locus Magazine column.
  • “Number Nine Moon,” by Alex Irvine only appeared in Strahan and Clarke’s anthologies but Dozois and Horton both recommended it in their Locus Magazine columns.

Pixel Scroll 10/17/16 Scrolls From Topographic Pixels

(1) TAKE NO PRISONERS OF ZENDA. Ian Sales’ title “When I read a story I skip the explanations” introduces an extremely skillful dissection of a certain approach to science fictional worldbuilding that Sales compares to Ruritanian romance.

That’s the essence of Ruritanian science fiction. It is genre fiction which builds an invented setting out of elements which might as well not be invented. The labels are different but the objects are the same, or fulfil the same function. It’s not a failure of imagination, because imagination doesn’t feature in the process. And it’s only a failure of craft if the author is attempting something more than Ruritanian sf. If all they want is a science-fictional setting the reader can parse, one that’s uncoupled from the real world but close enough to it that few explanations are required, then if they’ve produced Ruritanian sf they’ve succeeded. Info-dumps are a given, but they’re usually “historical”, inasmuch as they attempt to give the invented world solidity and depth through exposition – but shifting the burden of exposition onto the setting’s own narrative only demonstrates how little exposition the tropes in the story actually need.

Needless to say, I think such forms of science fiction are low on invention and make poor use of the tools at the genre’s disposal. They can be entertaining, there’s no doubt about that; but their uncritical use of tropes, and their failure to interrogate the form, means they have little or nothing to add to the genre conversation.

(2) KEEP TRACK OF YOUR SPOONS. Andrea seeks the reasons she’s not writing more reviews in “Anger, Anxiety, and Art” at the Little Red Reviewer.

I know what I write on this blog doesn’t matter. I know none of this counts as “writing” or as anything, really.  But in my mind, I put a lot of energy into this.  I like pretty metaphors, ornamented sentences. I like to write book reviews and other articles that I am proud of.  It’s not art, by a long shot, but I am creating something out of nothing. for the purposes of this particular blog post, let’s call what I do here art.  And art requires mental energy. or at least it does for me.

So, where were all my spoons going?  And was there any way to get them back? And thus, we get to the why.

(3) ONE MORE THAN FIVE. Nerds of a Feather has the perfect pairing of feature concept with an interesting author: “6 Books with Julie Czerneda”.

  1. What upcoming book you are really excited about? The next one Ben Aaronovitch writes in his Rivers of London series. Our travelling offspring lent me the existing books and I gobbled them up, despite trying to ration myself. They are fun, original, and yes, feel a bit Pratchett (wistful sigh) in the best way. Can’t wait to dive back in!

(4) VANISHING POINT. Camestros Felapton is keeping an eye on the internet’s newest knowledge source: “Voxopedia: where information about women goes to be erased”.

The erasure of women’s achievements in science is a known phenomenon, but it is rare that you get to see it happen in such a simple and direct way. Over at our new favourite train-wreck, Vox Day had been busy quite literally erasing women’s contribution to science….

(5)  A MONTH WITH NO FIVES. Rocket Stack Rank’s ”October 2016 Ratings” covers 51 stories, but none of them warranted the highest score of 5, which means ‘Hugo worthy.”

(6) BINARY CHOICE. Matthew B.J. Delaney says characters count in “Characters or Plot, Which Is More Important?” at Fantasy Book Critic.

The 5 highest grossing films of all time are heavy plot, light character:
Avatar 
– Titanic 
– Star Wars: The Force Awakens 
– Jurassic World 
– The Avengers.

These are all entertaining movies dominated by things happening. The characters are interchangeable pieces to throw explosions or dinosaurs, or sinking ships at. They don’t really matter. People don’t walk around reciting quotes from any of these films, because characters are made memorable by the things they say. And there are no truly memorable characters in any of these movies.

Memorable scenes, yes, memorable quotes, no.

On the other hand, character movies are filled with amazing lines.

Frankly, my dear, I don’t give a damn.

I’m gonna make him an offer he can’t refuse.

Here’s looking at you kid.

These are the kind of things that characters who really blow your hair back say. The cool comebacks and one liners you wish you could have used on anyone who pushed you around or made you fall in love. These are character driven quotes, and the top IMDB highest rated films of all time are filled with them…

(7) NO FEAR. I would need to excerpt about eight paragraphs of Ann Leckie’s “On Blacklisting” to convey how many aspects of this topic she deals with. That’s why you should just click through and read it, eh?

I’ll be honest, I am not down for calls to close anyone out of the field for bad behavior. I mean, for myself, bad enough, or bad in specific ways, and yeah, I don’t want to work with you. Maybe quite a few people don’t. But it’s not my call to make for anyone but me, nor should it be. No one should have that power, to shut anyone out of SFF. Behave badly enough and quite a few editors will prefer not to work with you–but that’s not the same as a field-wide blacklist, and I don’t think there should be one. Ever. Each editor gets to make the call for their venue, end of story. And yes, there will be editors who are all about the purity of art apart from artist, editors who don’t care one way or the other about kittens. You may disagree with those editors’ decisions, but they get to make that choice. You may prefer on balance not to work with such editors–again, that’s your call. You choose where to submit, and you get to have whatever reasons you want for that choice.

I am down for being open about serious problems, though. Someone who’s a really bad actor, who’s strewn destruction in their wake? Yeah, let’s know about that. We can all make our decisions about how to react to that, going forward. Concealing things to whisper networks and private chats just lets the bad actor continue to harm the unwarned.

(8) BELLY UP. This weekend Utah regional publisher Jolly Fish Press announced they are going out of business.

Our Journey Has Come to a Close

It is with deep sadness that we are announcing the closing of Jolly Fish Press (JFP). For nearly five years, JFP has been a beacon of inspiration to many in the publishing industry; we’ve opened up doors to authors, editors, designers, publicists, and illustrators alike, providing them with a platform on which their dreams of establishing themselves in the industry could be realized….

After a long process of seeking investors who believe in our company and what we aim to achieve, we have, unfortunately, failed to secure the funds necessary to grow and move the company forward. While JFP has great propensity to becoming a serious competitor in the industry, the lack of financial investment prohibits us from reaching our potential. We have approached the point where we can no longer sustain our business.

JFP is ceasing business effective October 31, 2016. All rights to our titles will be reverted by October 31, 2016. Book production will stop effective immediately.

JFP’s authors included Johnny Worthen and Jenniffer Wardell.

(9) STUART OBIT. TheRecord.com profiled the late Ruth Ann Stuart (1964-2016), who died of brain cancer on August 12, in “Lifetimes: By day an insurance worker, by night a fantasy fiction writer”.

Ruth Stuart worked in insurance, the past 10 years as quality assurance auditor for Manulife Financial. Her job required a no-nonsense approach in the anything but lighthearted world of insurance. By night, Ruth cast off her serious side and delved into the world of fantasy writing as an author, mentor, editor and inspiration to everyone in the speculative fiction community. She even dabbled in writing eroticism according to her friend and editor, Julie Czerneda.

These were two very different sides to a woman who had so many friends that while in hospital suffering through the final stages of brain cancer, Ruth’s room was constantly jammed packed with visitors, not to mention the steady stream of phone calls and text messages. Nurses suggested they install a revolving door in her room.

(10) TODAY’S BIRTHDAY GIRL

  • Born October 17, 1948  — Margot Kidder

(11) APPLYING CODES OF CONDUCT AT CONS. Alexandra Erin suggests where to strike the balance, in “Priorities: Justice vs. Safety in Convention Culture”.

One comment I made in one of my recent posts that has attracted a certain amount of skepticism was my endorsement of a con culture that focuses on safety rather than justice in conflict resolutions. “How can you have safety without justice?” is one typical response. “So justice is a bad thing now?” is another.

Well, justice is most assuredly not a bad thing.

But justice in the sense of criminal justice or what we might call retributive justice is not the most pressing concern of a convention’s code of conduct, nor should it be the focus of a convention’s safety or security team.

Let me put it to you this way: how many comic, literary, or media conventions have you been to or heard of, that you would trust with the weighty responsibility of meting out justice? How many of them do you think have the people, expertise, or time and resources to serve out justice in a meaningful sense?

(12) BURTON BEFORE BEETHOVEN. The Los Angeles Times says symphony-goers have something to look forward to: “’A Freak in Burbank’: Alex Theater Concert to Feature Composer’s Paean to Tim Burton”.

The Los Angeles Chamber Orchestra and guest conductor Thomas Dausgaard are looking to start off an upcoming concert on a more eccentric note.

One of Beethoven’s most celebrated works, Symphony No. 3, “Eroica,” will be the headlining piece at the chamber’s concert at the Alex Theatre in Glendale on Oct. 29. However, the night will open with a roughly 10-minute work called “A Freak in Burbank,” a composition making its West Coast debut and dedicated to the legendary and eccentric filmmaker Tim Burton.

(13) SEDUCTION OF THE INNOCENT. Crooked Timber recommends “A Science Fiction Tasting Menu For The As Yet Uninitiated”.

Hors d’oeuvre—short stories available for free or cheap download

If you don’t like any of these, you won’t appreciate anything that follows

E.M. Forster, The Machine Stops – Dystopia perfectly imagined, in 1909.

William Tenn, The Liberation of Earth – All you need know about war

James Blish, Surface Tension – What imagination can do

Frederik Pohl, The tunnel under the world – Life inside Facebook

(14) TREEHOUSE OF HORROR. A.V. Club got an advance peek — The Simpson’s evil scheme to reach 600 episodes lands in the Treehouse of Horror”.

The promotional materials, including the usually amusing snarky screener announcement sent to critics (or “critics” as such people are called within), hyped the return of still-hotly-debated Homer nemesis Frank Grimes, or at least the poor guy’s ghost. And the opening segment sees the Simpsons in costume, buying Christmas trees on Halloween, as Homer says, “Because in America, everything’s way too early.” (He’s wearing an “Ivanka 2028” campaign button, because nothing matters in America at this point.) There, they’re confronted not only by the ghost of Grimes (“Who?,” asks Homer, to the ghostly Grimes’ chagrin), Sideshow Bob, Kang (or Kodos), and that leprechaun who tells Ralph to burn things, who proclaim themselves the family’s four evil nemeses before being immediately slaughtered by Maggie. (What looked like her Chaplin costume turns out to be her old Alex DeLarge costume, complete with sword cane.) Adios, Frank Grimes—you were used for a throwaway gag, as is your destiny.

The pieces that follow all partake of the same strengths and weaknesses.

(15) GORMAN OBIT. Todd Mason wrote an appreciation of the late writer, “Ed Gorman (1941-2016)”, who died October 14.

The first fanzine I read was an issue of Science Fiction Review, a magazine edited and published by the late Richard (Dick) Geis, and that issue included among much else a bit of autobiography by Algis Budrys, a fiction-writer, editor and critic who has had rather a large influence on me; along with that essay, an interview, conducted by an impressed fan of his (and of other contributors to the literary legacy of the Fawcett Gold Medal paperback line), Edward Gorman. So that’s how I was introduced to Ed, in 1978.

Like Budrys, or Geis, only perhaps even more so, Ed went ahead and did things that he clearly thought needed doing, not only establishing himself as a freelance writer, but launching the magazine Mystery Scene and engaged in the launch of the book-publishing house, Five Star, which have both done notable service to the field of crime fiction and beyond. He co-edited two (or, arguably, three) best crime fiction of the year annual series, and wrote well and often brilliantly in at least the fields of crime fiction, fantastic fiction (particularly horror), western fiction, and historical fiction. His editorial work has been impressive, beyond the magazine and annuals, often assembling key anthologies of crime fiction and more, not least with The Black Lizard Anthology of Crime Fiction and The Second Black Lizard Anthology of Crime Fiction, and such notable compilations as the nonfiction collection The Big Book of Noir and the interview collections Speaking of Murder and Speaking of Murder 2. 

(16) DO WE BLAME ASIMOV? In a video at Business Insider, “Neil deGrasse Tyson explains why killer robots don’t scare him”.

Movies would have you believe that killer robots  are the inevitable future of technology gone awry — but Neil deGrasse Tyson isn’t afraid, here’s why.

[Thanks to John King Tarpinian, Bonnie McDaniel, Mackenzie, Martin Morse Wooster, James Davis Nicoll, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editors of the day Jim Henley and Simon Bisson.]

Pixel Scroll 10/2/16 The Sorcerer’s Appertainment

(1) DISENCHANTED. Sharon Lee responded to the Best Series Hugo announcement in this “Sunday Morning Award Rant”.

There’s never been a Hugo for Best Series, which might strike some as odd, seeing as series is, and has always been, the backbone of science fiction and fantasy literature.  The thought, for many years, was that A Good Book Will Out, no matter if it was part of a series, or a standalone, and, indeed, many books which were parts of series have won the Novel Hugo (*).  In any case, the system kinda sorta worked most of the time, for most of the works involved.

Sort of like Ankh-Morpork under the Patrician’s rule, really.

However, the idea of a Series Hugo had been kicked around for a number of years, and the Collected Wisdom of the Business Meetings decided to go for it, despite the very real difficulties in administering — or even voting on — such an award.

What difficulties, you may ask?….

(2) ANIME CASHES IN. Makoto Shinkai’s latest movie is the highest-grossing film in Japan this year. The Guardian has the story.

Themes of body swapping, the search for love and a frantic quest to save a town from imminent destruction have combined to propel a Japanese animated film to box office gold, and prompted talk that the country has found its successor to the globally acclaimed director Hayao Miyazaki.

Your Name, Makoto Shinkai’s fantasy about two teenagers drawn together by gender-swapping dreams, has been seen by more than 8 million people since its release in August, beating the hugely popular Godzilla Resurgence to become the highest-grossing film in Japan this year, and the ninth highest of all time.

It has earned more than 10bn yen (£77m) in box office receipts, an anime milestone previously achieved only by Miyazaki’s films.

(3) PUPPY CENSUS. Greg Hullender’s “Slate Voting Analysis Using EPH Data: 2014-2016” at Rocket Stack Rank confirmed that what I expected would happen actually did.

Look at Best Fanzine! Very few of the Rabid puppies were able to bring themselves to vote for File 770, even with Vox urging them on. I’m less clear on why almost half rejected “Penric’s Demon.”

rocketstack-slate-graphic

(4) HANDICAPPING TAKEI. When the animated Star Trek series premiered on a Saturday morning in the fall of 1973, the episode seen in the rest of the country was barred from being aired in Los Angeles because of local election politics.

Tom Bradley had been elected mayor of Los Angeles, the city’s first African-American mayor, on 29 May 1973. He’d been the City Councilman for its Tenth District prior to becoming mayor. The city had a special election held on 18 September 1973 to fill Bradley’s vacated position. Bradley had endorsed political consultant David Cunningham, Jr. to fill his seat. A few other men and women also campaigned for it. One of them was George Takei.

Nineteen years after the special election, Cunningham was quoted in the Los Angeles Times as saying, “If you don’t exercise political muscle by voting, you are not part of anything but a nondescript group.” Apparently he knew something about the use of political muscle. Complaints were raised during the 1973 campaign for the Tenth District seat—possibly by Cunningham, possibly by a nondescript group: there was no published list of named complainers found at this point in time—regarding Takei’s recognition level within the voting population being higher than for other candidates because of his portrayal of Sulu on ST: TOS.  As a result of the Federal Communication Commission’s equal-time rule regarding political candidates on television, reruns of the original series were not broadcast in Los Angeles until the special election had ended.

Which brings us, once again, to 8 September 1973. The Los Angeles NBC affiliate KNBC didn’t broadcast “Beyond the Farthest Star” on that date like every other network affiliate in America; instead, it broadcast the episode scheduled to follow it, “Yesteryear”, because Takei-as-Sulu had no dialogue, nor was his character a part of the plotline, which his above-mentioned political opponents were convinced would be a factor in the election. The following week, KNBC broadcast “Yesteryear” again. “Beyond the Farthest Star” wasn’t shown in Los Angeles for the first time until 22 December 1973.

suluanimated

(5) LOOK UP. Here are the prime viewing dates for the Orionid Meteor Shower – and what luck, you don’t need premium cable for this.

In 2016, the Orionid meteor shower will be visible from October 2 to November 7. The shower is expected to peak on the night of October 20 and early morning of October 21.

When Can I See the Orionids?

Orionids tend to be active every year in the month of October, usually peaking around October 20. At its peak, up to 20 meteors are visible every hour.

(6) TODAY IN HISTORY

  • October 2, 1950 — The “Peanuts” comic strip by Charles M. Schulz was published for the first time.
  • October 2, 1955 Alfred Hitchcock Presents made its television debut.
  • October 2, 1959 The Twilight Zone, with host Rod Serling, premiered on U.S. television.

(7) TELL IT TO GROUCHO. And three years after Twilight Zone launched, Rod Serling was enough of a celebrity to receive a spot on Groucho Marx’ show.

(8) NEIL DEGRASSE TYSON’S GAME. “Expand your universe with Neil DeGrasse Tyson’s new video game” invites this Digital Trends article.

Astrophysicist Neil deGrasse Tyson is entering the video game business. His new game, Neil deGrasse Tyson Presents: Space Odyssey, is an educational title developed to encourage players to explore space and science.

Although in early development, it’s being designed as a building game. Space Odyssey asks players to create their own galaxies. While there are elements of MineCraft and Civilization baked into the experience, Mark Murphy, co-creator and developer of the game from Whatnot Entertainment, said it’s something unique.

(9) AMAZING STORIES’ FICTION SCHEDULE. Starting October 5, Amazing Stories will begin posting the fiction comprising its Special Edition issue:

  • Jeremy Lichtman (“Bob the Hipster Knight”); October 5
  • Alex Shvartsman (“How Gaia and the Guardian Saved the World”); October 12
  • Vince Liberato (“Parental Guidance Recommended”); October 19
  • Stephen Power (“The Sounding Cataract”); October 26
  • Karen Skovmand (“The Mesmerist”); November 2
  • Trent Walters (“Awake the Snorting Citizens With the Bell”); November 9
  • James Gordon Harper (“A Clean Start”) ; November 16
  • Matt Downer (“The Size of the Fight”); November 22
  • Stuart Barton (“Lost Phoenixes”); November 23
  • Sean Monaghan (“Penny of Tharsis Montes”); November 24

We will be publishing two additional stories in addition to those Gernsback award winning stories:

  • Kermit Woodall (“We’re all Here in the Future”); November 30
  • David Gerrold (“The Great Milo”); December 7

The above will also be compiled into a special edition issue of the magazine and released in electronic and POD formats.

(10) KEEP ON CASTING. In “Fishing for Contracts”, Brad Torgersen tells Mad Genius Club readers the similarities between a writing career and sport fishing.

I think it’s much the same with the new world of indie publishing, too. In this case, you’re not selling to an editor, as much as you’re selling to the world at large. You’re still casting — each book or individual product is equivalent to throwing out a line. Whether or not your item(s) reel back the customers, is a calculated gamble. Having more item(s) on the market is much more likely to get you action, than having few, or one. More casting with more lures is upping your chances of getting strikes. If you happen to hit the right thing at the right time for the market, you may have the fish practically jumping out of the water at you. But you can’t have a moment like that, unless you can produce first. And production comes down to having a plan, sticking to that plan, and not letting the “skunked” days — when the fish aren’t biting — throw you off your game.

Also, don’t be fooled into thinking accouterment is a replacement for either craft, or effort. I have known some writers who devote far, far more time to attending writing workshops and using the latest software, or creating the perfect home office for themselves, than they do actually putting words down on the blank page. I think they mistake the trappings of the writerly life, for actual writing. An all-too-easy mindset to fall into, I know from experience! Believe me.

But then, all I have to do is look at my little, abused, green-plastic Flambeau box — with its attendant bargain-shopper no-name pole and reel — to be reminded of the fact that you don’t need a $2,000 laptop with the latest genius manuscript program, to haul in a lunker. My first award-winner for Analog was written on a hand-me-down POS computer from work — during nights I hunched at my daughter’s vinyl-padded play table in the unfinished basement. Because it was the only quiet spot I could find, when the family was fast asleep.

(11) NATHAN FILLION AT MOSCOW COMIC CON. This is news to me – a comic con in Russia.

Actor Nathan Fillion has been cracking us up since his role on the TV show Castle — and we couldn’t be more excited for him to keep us laughing in his new role on Modern Family as a weatherman named — wait for it — Rainer Shine.

But lately, his Instagram is where the jokes are at. Nathan is currently in Moscow attending Russia Comic Con 2016, and following along has been a feast of comedic delights. See for yourself:

I keep hearing about gremlins in Russia. Been here all day and haven't seen one gremlin.

A post shared by Nathan Fillion (@natefillion) on

(12) FRAUD AT BAT POLLS? Me TV ranked all 37 villains from the Sixties Batman TV series. I can’t believe The Riddler is Number One! I was always partial to Burgess Meredith squawking it up as The Penguin.

1. The Riddler

(No. 1)  Frank Gorshin

Gorshin appeared in nine episodes, far fewer than Meredith; however, he did earn an Emmy nomination for his work. As the only actor singled out for such an honor, he deserves a place at the top.

[Thanks to Dawn Incognito, Steve Davidson, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/29/16 Dr. Strangelist

We’ll split the Scroll again today. Guess which part this is!

(1) NOMINEE STATEMENT. For those who are interested, Cora Buhlert sent a link to “What Price Humanity?” author David VanDyke’s statement regarding his nomination at Kboards.

Re: KBoarder David VanDyke is a Hugo Award Finalist

Thanks everyone.

I wrote this bit and posted in the other thread before I saw this one, so I’ll copy-paste it here:

As we poker players say, I’ve tried to put myself into a position to get lucky, and it seems I have. Or, as another quote goes, it takes years to become an overnight success. I submitted a story to a Jerry Pournelle anthology (There Will Be War X), got accepted, then suddenly got nominated for a Hugo in a relatively easier category (novelette – novels, novellas and short stories seem much more competitive), and boom, somebody notices me after 4 years and 25 books as an indie…

I’ll be going to WorldCon in KC, but I don’t think I have a snowball’s chance of winning…not with a Stephen King novelette in there. But the nom is nice, and the networking will be nice.

…and for those who might wonder, I’m apolitical about the whole Hugo process and on nobody’s side. I just submitted a story to one of the grand masters of military sci-fi and it got picked up for the anthology, and then nominated. That’s it. No investment in puppies, kitties, gerbils, tortoises or other animals. I’m not really a joiner of special interest groups or parties anyway. Hopefully my work stands on its own.

Thanks again for all the well-wishing.

(2) MORE VOTING ADVICE. WTF Pancakes makes a modest suggestion in “Hugo Awards 2016: Geez, not this shit again”.

I’ve read suggestions that this year’s troll-fest was a direct response to the Hugo voters’ failure to reward the Puppies to force the voters to give them trophies even if the voters didn’t actually believe they were deserved. No, really, that’s the argument (although it was phrased slightly differently.) The desire, then, is to receive an award, regardless of merit. The sort of thing that Puppy authors might call “affirmative action.”

Fortunately, I have a solution which I think every reasonable person will agree is wise and just: If what the Puppies really want is recognition, then simply reward every Puppy candidate with a “participant” award. You know, the kind they give to grade school children when you don’t want anyone to feel bad. This way, the Chuck Tingles and John C. Wrights of the world can have their recognition without having to try to abuse the nomination process. Then, simply discard any nominations which match the slate proposed by the Rabid Puppies. Problem solved…for a little while at least…maybe.

(3) IT’S DEAD JIM. Joe Follansbee conducts the autopsy in “The Hugo Awards are dead, and the xPuppies killed them”.

All this wouldn’t matter, except for the fact that science fiction readers worldwide depend on the Hugo Awards as a mark of quality. While some of the xPup-inees are worthy, such as Neal Stephenson’s Seveneves, and sci-fi master Jerry Pournelle for his editing, the nomination ballot-stuffing by the xPuppies has permanently damaged the Hugos’ credibility. How can any discerning reader look at the phrase “Hugo Award-nominated” or “Hugo Award-winning,” not think of Butt Invasion, and not drop the potential purchase like a hot potato?

Likewise, how can any publisher associate itself with these kinds of brand-threatening shenanigans? They’re risk-averse enough as it is. Why take the chance with printing the Hugo rocket ship logo on its project without thinking of two years’ worth of Hugo train wrecks?

A second year of “No Award” winners will put the final nails into the Hugos’ coffin because it would demonstrate readers’ lack of faith in the award.

Hope is not completely lost, however. WorldCon, which manages the Hugos, has a chance to fix the problem with proposed nominations rules changes, though they won’t take effect until 2017, assuming they’re approved. If not, they might as well kill the awards program altogether. No one will believe in it anymore.

(4) TOO GRAPHIC. GamerGate Life responds to its nomination.

(5) AH SWEET. Russell Newquist boosts the Castalia House signal in “The Perversion of Science Fiction and Fantasy Fandom”.

The 2016 Hugo Awards are important, and not for any of that. There is a critical message this year that far exceeds anything else to do with the Hugos. It boils down to two specific works, both of which have been nominated in the “Best Related Work” category:

The first is “Safe Space as Rape Room: Science Fiction Culture and Childhood’s End.” Written by Daniel Eness for the Castalia House blog. The second is “The Story of Moira Greyland” by Moira Greyland.

These two works are not just the most important published works of the science fiction community of 2015. They are the most important works of this millennium….

(6) DEJA HUGO. Jim C. Hines presents his thoughts about the Hugos, and the difference between anger and abuse, in “A Few Hugo Requests”.

2. No asterisks, please.

I did make a crack about asterisks and the Hugo last year after the trophy was released. And I think a lot of people had a mental asterisk over the whole thing, because let’s be honest, last year was anything but normal for the Hugo awards. So yeah, I definitely get it.

But at last year’s Hugo award ceremony, they handed out wooden asterisk plaques, and later sold additional wooden asterisks.

I don’t believe this was done with malicious intent (though I obviously can’t read anyone’s minds). Maybe it was an attempt at humor, and/or to acknowledge the elephant in the room. I appreciate that the sale of the asterisks raised several thousand dollars for a good cause.

Whatever the intentions, it resulted in a lot of people feeling hurt and attacked. I know from experience how nerve-wracking a Hugo ceremony can be in a normal year. Last year, and this year, tensions and anxieties and fears are exponentially higher. And for many of the people in attendance, the asterisks felt like a big old slap in the face.

Like I said, I don’t think that was the intention. (Others will disagree, and have gleefully pointed to the asterisks as “proof” that “the other side” is evil and nasty.) In this case, I don’t think intention matters so much as the impact it had, including hurting some good, talented people.

(7) THE ESTIMATE. Rocket Stack Rank’s Gregory N. Hullender attempts an “Analysis of Slate Voting for the 2016 Hugos”.

Overview

I estimate there were about 205 “Rabid Puppies” this year, essentially identical to the estimated 204 Sad+Rabid puppies last year. The reason they did so well despite a doubling of the number of “organic” votes is that they managed much better slate discipline this year; last year, not everyone voted for all five candidates nor in every category, but this year it seems they did….

(8) THOUGHTS THUNK WHILE THINKING. How come nearly everybody titles their post “Thoughts on the Hugo Nominations”? Like Anthony M at the Hugo-nominated Superversive SF blog who is thoroughly okay with the reason that happened, so why should you have any problem?

Does this bother anybody? It shouldn’t. It doesn’t bother me. We’ve been growing a fanbase since we started, and the fact that the Sads AND the Rabids both had us on their lists does mean we’re leaving a mark. I don’t believe we were picked as a parody, for the simple reason that Castalia likes our work enough to give us a weekly column on their increasingly popular blog. An anthology unassociated with us recently opened up submissions for superversive stories. We’re doing very well, and this only gets us more exposure. This is great!

And yet, if we weren’t on the Rabid Puppies slate, we still probably wouldn’t be on the Hugo shortlist. So why doesn’t this bother me? My answer is simple: I agree with what Vox Day is doing.

(9) MY HUGO NOMINATED PONY. At anthropomorphic fiction blog Fayrah, Brendan Kachel reacts: “’My Little Pony: Friendship is Magic’ episodes nominated for 2016 Hugo Awards as part of ‘Rabid Puppies’ slate”.

However, furries and bronies perhaps shouldn’t celebrate so soon; last year’s Hugo Awards were pretty controversial, and this year is apparently the sequel.

Looks like the ponies are actually Trojan horses. For puppies.

The Sad Puppies and Rabid Puppies are “slates” of nominees designed to abuse a loophole in the Hugo Awards rules by which a group of voters can assure nominations for a pre-approved set of nominees by agreeing to vote for them. These slates were begun in order to fight what they describe as “political correctness” (and opponents would describe as “progressive social stances”) in the works nominated and winning at the Hugos. The politics of those running the “puppies” slate are frequently described as “neo-conservative;” the founder of the Rabid Puppies, Vox Day, is described by Wikipedia as a “white supremacist.” And the My Little Pony episodes were on his list.

The obvious question is how a children’s television show like My Little Pony (one created by feminist Lauren Faust known for its progressive themes, no less) came to be associated with someone like Vox Day. Part of the answer may be that Day is looking to further embarrass the Hugo Awards, especially after none of his slate won an award last year (even in categories where his slate swept the nominees, “No Award Given” received the most votes, leaving many categories unrewarded), and perhaps figured a nomination for a cartoon about magical horses was an embarrassment. This year, one of his short story selections was “Space Raptor Butt Invasion” by Chuck Tingle, a story of what Wikipedia delicately calls “niche erotica” (and, yes, is exactly what it sounds like). Or perhaps Day is just a legitimate fan of both ponies and “niche erotica”, after all.

However, the two episodes in question were praised by conservative sources as “anti-Marxist”, which may be on point about the episodes in question (and, admittedly, the show, being based on a toy line, can hardly be called anti-capitalist), but hardly holds up as a valid interpretation of the show’s ethos overall.

(10) DEDUCTIONS. Barry Deutsch at Alas! A Blog has his thinking cap on, too: “Hugo Nominations Are Out, And The Rabid Puppies Dominated The List. A Few Thoughts”.

1) My guess is that we’ll see Noah Ward win on at least a couple of categories this year, but most categories will have a named winner.

2) Next year, assuming the voters at this year’s Worldcon agree to this, there will be a change in the Hugo vote-counting rules – E Pluribus Hugo – which might reduce the ability of a minority of slate voters to game the process and unfairly dominate Hugo nominations. Early data may indicate that EPH won’t make as large a difference as people are hoping. If further changes are necessary to prevent the Rabid Puppies from gaming the system to dominate nominations, I expect further changes will be made.

3) By a wide margin, more people voted to nominate works for the Hugos in 2016 than in any prior year. And the Rabid Puppies still dominated the outcome. If there are hundreds of possible nominees, and if most nominators vote honestly, then a small group of slate voters can overpower the large majority of honest voters. I hope that this result will persuade people who have been saying “all’s that’s needed is for more people to nominate” to change their minds.

(11) PATRICK NIELSEN HAYDEN.

(12) ALTERNATE AWARDS. Adam-Troy Castro told his Facebook readers what else they can do for writers.

The Hugos are broken. These people broke them. I don’t see them going away and I don’t see it getting any better.

This is a sad thing, but you know what?

The Hugos were once fandom’s way of honoring that which touched them.

Today, the readership is more balkanized. Nobody reads everything published in fantastic fiction. Some of you only read novels about women in tight pants fighting vampires. Some of you only read novels about spaceships going pew-pew-pew in the asteroids. Some of you only read literary sf. Whatever gets honored in any particular year will leave the partisans of one kind of fiction feeling left out. The Puppies are nothing if not folks saddened by a couple of years of awards going to more diverse choices: people going boo-hoo-hoo because of not enough love for pew-pew-pew.

You want to honor your favorite authors with awards?

Telling others about their great books is an award.

Telling them you loved their books is an award.

Expressing your enthusiasm with online reviews is an award.

(13) THE OTHER HUGO. James H. Burns points out this ’70s toy that later was featured as “a guest” on both The Uncle Floyd Show, and Pee Wee Herman’s first stage show and HBO special!

hugo-man-of-a-thousand-faces-movieHugo

(14) GALACTIC STARS. The Traveler at Galactic Journey decided over 50 years ago that the Hugos were not the answer, and started giving out his own Galactic Stars every year. The latest set were announced last December.

The chill of winter is finally here, heralding the end of a year.  It’s time for eggnog, nutmeg, presents, pies, and family.  But more importantly, it’s time for the second annual Galactic Stars awards.

Forget the Hugos–here’s what I liked best in 1960.

In a tradition I began last year, I look back at all fiction that debuted in magazines (at least, The Big Four) with a cover date of this year as well as all of the science fiction books published.  Then I break down the fiction by length, choose the best by magazine, and finally the best overall.  All using the most modern and sophisticated scientific techniques, of course.

Last year, my choices mirrored those chosen at the Labor Day Worldcon for the Hugo awards.  We’ll see if my tastes continue to flow in the mainstream.  I break my length categories a bit finer than the Hugos, so there are bound to be some differences from that aspect, alone.

[Thanks to John King Tarpinian, Cora Buhlert, Jim C. Hines, and James H. Burns for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]