Tag Archives: Sarah A. Hoyt

Pixel Scroll 4/24/21 The Fantastic Voyage Of Space Force Beagle One To The Non-Fungi Bottom Of The Fabulous Mushroom Planet Of The Apes Of Wrath, And Back Again

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(1) ERRING EYE. Catherine Lacey’s short story “Congratulations on Your Loss” is the latest from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination.

…Inside was a large photograph printed on thin paper, an image filling the whole sheet. The photograph—a grainy shot of a woman jaywalking across a street with a large blue purse tucked under one arm—had been taken from a high angle. On the left edge of the photograph a white car was visible, headed directly toward the woman, and on the right side a bit of a pedestrian walkway could be seen. A citation was printed on the back—this woman, it explained, was Enid, and Enid had illegally crossed Z Street last Thursday at 3:34 in the afternoon. The fine was enough to buy a week of modest groceries….

It comes with a response essay by human rights lawyer Nani Jansen Reventlow: “There’s no such thing as flawless facial recognition technology”.

A few years ago, I attended a meeting for litigators at a digital rights conference. When entering the room, I saw many familiar faces, and a few that were unfamiliar. When I introduced myself to one of the women I had never seen before, a white woman, she reacted in a most offended manner. “Yes, we met this morning at your office,” she snapped at me. Given that I had been nowhere near my office that morning, I was quite sure she was mistaken. In the course of this awkward exchange, it dawned on me that she was confusing me with my boss: also a woman of color, but in no way resembling me otherwise. “Ah, yes, we all look alike,” I sighed, rolling my eyes, and moved on….

(2) HOBBIT READING WITH MANY SFF AUTHORS. The Rutgers Writers House presents “The Hobbit: A Rutgers Day Round Robin Reading (Part 2)” a video on Facebook:  

Tolkien lived through a lot. His own global pandemic, two world wars (which included, of course, the bloody Battle of Somme), the Great Depression, the death of both parents by age twelve. Despite being disillusioned (like most of his generation), his stories are incredibly illusioned. And we need them now. These stories of adventure, of vigilance, of hardship and humor and hope. Here, then, is the next virtual installment of our continuing round robin reading of Tolkien’s The Hobbit (Chp 2 & 3). With over a hundred readers. Featuring a robust roster of RU students/alumni and faculty/staff, as well as two dozen authors, including Lev Grossman, Eoin Colfer, Stephen Graham Jones, Ellen Kushner, Joe Abercrombie, Karen Russell, Catherynne Valente, and Brian Selznick. Plus, Jeff VanderMeer, inexplicably dressed like a giant, blue caterpillar and Darcie Little Badger flipping and fanning a butterfly knife (which I suppose makes a strange sort of sequential sense). Lots of armor, too (both mail and plate). And plenty of hoods, torches, and swords. All in just an hour….

(3) LISTEN IN. “BBC World Service announces new original podcast, The Lazarus Heist” – Exchange4Media has the highlights:

The BBC World Service has announced its major new original podcast, The Lazarus Heist. It tells the true story of an attempted $1 billion hack, which investigators say was carried out by a secretive ring of elite North Korean hackers. 

The Lazarus Heist is presented by cybercrime investigative journalist Geoff White and Pulitzer-nominated veteran foreign correspondent and world renowned North Korea expert, Jean Lee. Geoff has been investigating the underworld of digital crime for years, while Jean has extensive experience of reporting from inside North Korea. 

This major new release will initially run for 10 episodes, released weekly.

The first episode is at BBC Sounds: “The Lazarus Heist – 1. Hacking Hollywood”.

A movie, Kim Jong-un and a devastating cyber attack. The story of the Sony hack. How the Lazarus Group hackers caused mayhem in Hollywood and for Sony Pictures Entertainment.
And this is just the beginning…

(4) CHIPPING OFF EVERYTHING THAT ISN’T THE SOLUTION. In “The Creative Sherlock Holmes: Appreciating the Rational Thinker’s Hidden Artistry” at CrimeReads, Bonnie MacBird says that Sherlock Holmes was also an artist as well as a cool, rational thinker, and we need to understand his artistic side if we are to appreciate his abilities.

…Of course Holmes is every bit as much as artist as he is a scientist.

But artists create. What, exactly does Holmes create? You won’t find daubs of cerulean blue paint on his frock coat. “Data, data, data! I cannot make bricks without clay!” says he.

His art material is this data, this clay—the details, the facts of the case which he has observed or ferreted out. But only Holmes creates these bricks which build up the solution. He creates a mental model of “what happened, who did it, how, and why?”…

(5) ABOUT BRADBURY. The American Writers Museum hosts “Sam Weller: Telling Bradbury’s Story” on April 27 at 6:00 p.m. Central. Register for the free program here.

Ray Bradbury’s authorized biographer Sam Weller discusses the life and legacy of the iconic American writer. In conversation with American Writers Museum President Carey Cranston, Weller will speak on Bradbury’s writing, his worldwide impact, and his enduring relevance in American literature today. This program will be hosted on Zoom. 

(6) BEAR’S WRITER SURVIVAL TIPS. Elseweb on April 27, Anglia Ruskin University hosts Elizabeth Bear in another free online event: “AHSS Presents – a conversation with: Elizabeth Bear ‘How to Survive a Literary Life’”. Begins at 9:30 a.m. Pacific.

There’s a lot of information out there on how to perfect your work and seek publication. There’s not as much about how to deal with the stresses of writing for a living—inconsistent income streams, uncertainty, arbitrariness of the market, mental health issues, public exposure, professional jealousy, exploitative contracts, and more.  

Elizabeth Bear

(7) FORMERLY FAMOUS. Jeff Foust reviews a new documentary about Gerard K. O’Neill, “The High Frontier”, for The Space Review.

…O’Neill is largely forgotten, even among many who work in the space industry in some way today. But at the peak of interest in space colonies in the 1970s, O’Neill was, at least briefly, in the cultural mainstream, appearing on “The Tonight Show” with Johnny Carson and profiled on “60 Minutes.” The prospect of giant cities in space, built of out lunar materials that could also support development of space solar power facilities, seemed at least in the realm of the possible at the time.

The new documentary The High Frontier: The Untold Story of Gerard K. O’Neill attempts to rekindle that interest while reexamining the life of O’Neill. The 90-minute film had its premiere Saturday night on the Space Channel online, and is now available to rent or buy on various services, including iTunes and Google Play.

The movie extensively uses archival footage, including those “The Tonight Show” and “60 Minutes” appearances, as well as another show where O’Neill appeared alongside Isaac Asimov. That footage is combined with interviews with his family, colleagues, and others who knew or were inspired by him. It’s a who’s-who of the space advocacy community, with people such as Rick Tumlinson, Peter Diamandis, and Lori Garver, as well as pioneers in the commercial space industry like Charles Chafer and Jeffrey Manber. (Jeff Bezos and Elon Musk also appear in the film, but in footage from speeches they gave rather than interviews with the filmmakers.)…

(8) MEDIA BIRTHDAY.

  • April 24, 1955 — The X Minus One radio program aired on NBC for the first time. Written by Ray Bradbury, “And The Moon Be Still As Bright” is the tale of Mars expedition which finds the Martians extinct due to chickenpox brought to them by previous expeditions. The crew save one decide to destroy all Martian artefacts. Ernest Kinoy wrote the script from the story by Bradbury, and the cast included John Larkin and Nelson Olmstead.  The show would run from now until January 8, 1958 with many of coming from well-known SF authors including Anderson, Pohl, Asimov, Blish, Leiber, Heinlein and Simak to name just a few. You can hear this episode here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 24, 1900 – Elizabeth Goudge, F.R.S.L.  A score of novels, thirty shorter stories; here is The Little White Horse.  Nonfiction e.g. a Life of St. Francis.  Carnegie Medal.  Fellow of the Royal Society of Literature.  Memoir The Joy of the Snow.  (Died 1984) [JH]
  • Born April 24, 1911 – Evaline Ness.  Half a dozen covers, many interiors for us; much else.  Here is The Book of Three.  Here is Coll and His White Pig.  Here is Taran Wanderer.  Here is an interior for Sam, Bangs & Moonshine.  Caldecott Medal.  Society of Illustrators Original Art Lifetime Achievement Award.  See this Univ. Minnesota note.  (Died 1986) [JH]
  • Born April 24, 1930 — Richard Donner, 91. He’s credited in directing Superman which is considered by many to be the first modern superhero film. H’h. Well I’m instead going to celebrate him instead for Scrooged, The Goonies and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh, and the first X-Men film which was superb.  (CE) 
  • Born April 24, 1936 — Jill Ireland. For her short life, she showed up in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise” episode. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery, My Favorite Martian, Voyage to the Bottom of the Sea, The Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.) (CE) 
  • Born April 24, 1946 — Don D’Ammassa, 75. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction covers some five hundred writers and his two newer volumes, Encyclopedia of Fantasy and Horror Fiction and Encyclopedia of Adventure Fiction are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered him as a reviewer. It appears the only novel of his available from the usual suspects is THE 39 ADEPTS: A Wanda Coyne novel. (CE) 
  • Born April 24, 1950 — Michael Patrick Hearn, 71. Academic who has some of the best annotated works I’ve had the pleasure to encounter. I wholeheartedly recommend both The Annotated Wizard of Oz and The Annotated Christmas Carol, not to overlook Victorian Fairy Tales which is simply the best collection of those tales. (CE) 
  • Born April 24, 1953 – Larry Carmody, age 68.  Fanzines Eternity Road and (with Stu Shiffman) Raffles.  Chaired Lunacon ’84.  [JH]
  • Born April 24, 1955 – Wendy Delmater, age 66.  Eight short stories, four poems for us; editor, Abyss & Apex.  Otherwise e.g. Confessions of a Female Safety Engineer.  Website.  [JH]
  • Born April 24, 1973 – Judy Budnitz, age 48.  One novel, three shorter stories for us; maybe we should count others, see this note in Harvard Magazine.  “Magical or horrific or impossible things might happen in my stories, but the characters are always guided by the same human emotions that we all share.”  Two collections.  Jaffee Foundation Award, Wallant Award.  [JH]
  • Born April 24, 1974 – Leigh Fallon, age 47.  Four novels, one shorter story.  After a career in corporation treasury, traveling to eight countries, decided to write; now, with husband and four children, only travels between U.S. and Ireland.  So much for escapism.  [JH]
  • Born April 24, 1983 — Madeline Ashby, 38. California-born Canadian resident writer whose Company Town novel created an entire city in an oil rig. Interestingly In 2013, she was a finalist for the Astounding Award for Best New Writer but recused herself on the grounds that her pro career started with her ‘09 publication of a short story in Nature, so her two-year eligibility period had already expired. And  her Machine Dynasties series is simply brilliant with resonances of the Murderbot series on it. (CE) 

(10) COMICS SECTION.

  • Off the Mark covers a kaiju fashion dispute.
  • And Frankenstein strives for sartorial splendor at Bizarro.

(11) BARBARELLA. Bleeding Cool reports “Sarah A. Hoyt Writes Barbarella #1 For Dynamite July 2021 Solicits”. Believe me, I’m not going to start reporting every time a Puppy writes a comic, however, I wasn’t previously aware Hoyt was working in the field. So, news to me!

Sci-fi and fantasy novelist Sarah A. Hoyt, author of Uncharted, Darkship Thieves, and many more, is writing a new Barbarella series from Dynamite, based on the classic comic books, novels and movie, with new artist Madibek Musabekov, coming out in July.

(12) PURCHASING MATERIALS VS. SERVICES. “Libraries Can Use ARPA Funds on E-books, but Change May Be Needed” — Publishers Weekly analyzes the issue.

Federal and state library officials have confirmed that funds allocated under the $1.9 trillion American Rescue Plan (ARPA) can be used to purchase digital content. But in guidance issued this week, leading vendor OverDrive clarified that the current licensing terms used by some publishers may have to be amended for libraries to license titles using those funds.

In a notice that went out to library customers on April 20, following conversations with IMLS officials, state librarians, and publishers, OverDrive explained that while IMLS has advised that licensing digital content is an acceptable use of ARPA funding, the agency also concluded that “metered” e-book access (licenses that apply lend or time limits on circulation) may be categorized as a “service” rather than as a “materials” purchase. And because ARPA funds must be used within a 16-month window (from June 1, 2021 through September 30, 2022), some of the lend-limited or time-limited licenses currently offered by publishers may not fully qualify under ARPA if the license term extends beyond the September 30, 2022 deadline for using ARPA funds….

(13) CRIME AND PUNISHMENT. Yahoo! News says that “An Oklahoma woman was charged with felony embezzlement for not returning a ‘Sabrina the Teenage Witch’ VHS tape more than 20 years ago”. But the charge has now been dismissed.

…Caron McBride reportedly rented the “Sabrina The Teenage Witch” tape at a now closed store in Norman, Oklahoma in 1999, according to KOKH-TV. She was charged a year later, in March 2000, after it was not returned, KOKH-TV reported citing documents. 

McBride was notified about the charge by the Cleveland County District Attorney’s Office when she was attempting to change the name of her license after she got married, the news station reported. 

“She told me it was over the VHS tape and I had to make her repeat it because I thought, this is insane. This girl is kidding me, right? She wasn’t kidding,” McBride told KOKH-TV, adding that she does not recall renting the video. 

“I had lived with a young man, this was over 20 years ago. He had two kids, daughters that were 8, 10, or 11 years old, and I’m thinking he went and got it and didn’t take it back or something. I have never watched that show in my entire life, just not my cup of tea. Meanwhile, I’m a wanted felon for a VHS tape,” McBride told the news station.

The district attorney’s office has dismissed the charges.

McBride also recalled randomly getting let go from a few jobs, and now she understands why.

“This is why… because when they ran my criminal background check, all they’re seeing is those two words: felony embezzlement,” McBride told KOKH-TV. 

(14) NOT QUITE A PAIL OF AIR. Bad Astronomy’s Phil Plait tells how“NASA’s MOXIE made oxygen on Mars” for SYFY Wire readers,

Well, isn’t this a breath of fresh air: An experiment on board the Mars Perseverance rover designed to produce breathable oxygen from carbon dioxide has been switched on and is working! On April 20 it produced 5 grams of oxygen — not a huge amount, but it’s designed to make as much as 10 grams per hour, and this is the very first time oxygen has been converted from native air on another planet.

The device is called MOXIE — the Mars Oxygen In-Situ Resource Utilization Experiment — and it’s small (like everything sent to Mars, size and mass are at a premium)….

(15) THE TERRIBLY WRONG OF SPRING. [Item by Martin Morse Wooster.] In “The Rite of Teletubbies” on YouTube, Martim Gueller fuses the Teletubbies with “The Rite of Spring”! (This will really get your weekend started right!)

(16) PULP HISTORY. On the 1950s British Science Fiction YouTube channel, lifelong fan Philip Harbottle talks about his introduction to sff in the 1950s, and show some rare vintage books from his collection. Episode 20 covers the Tit-Bits Science Fiction Library.

[Thanks to John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “A Man, A Plan, A Pleonasm” Dern.]

Pixel Scroll 3/3/21 The Pixels Are Due On Scroll Street

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(1) TERRY AND THE WIZARD. [Item by rcade.] Twitter user Edgar Allen Doe shares the tale of the day he went to Copperfield’s Books in Petaluma, California, and met the fantasy author Terry Prachett, who met a wizard. Thread starts here.

Doe writes, “I really cannot overstate the ‘full wizard regalia’ element of this person.”

Prepare to take a journey spanning six tweets that does not go the way you think it will, you jaded cynic.

One of the people who saw the tweets also witnessed the meeting, which based on a Petaluma Argus-Courier news search I did likely occurred on Oct. 15, 2006.

https://twitter.com/joqatana/status/1367148086716366852

(2) THE HORROR. James Davis Nicoll chronicles “Five Fascinating Twists on Cosmic Horror” at Tor.com.

…Now in its seventh edition, Call of Cthulhu is the second most popular roleplaying game on Roll20. It reportedly dominates the roleplaying market in Japan. That’s interesting, because unlike most RPGs, Call of Cthulhu (or CoC for short) is set in a universe where humans are not top dog, where there are vast, incomprehensible entities who refrain from snuffing us out mainly because they’ve never noticed us, where First Contact is often Last Contact. Characters in CoC generally spend the adventure or campaign coming to grips with how out of their depth they are—before going mad. If they are very lucky, they’re eaten first….

What more do you need to cheer yourself up?

(3) THE UNKNOWN PAST. “Doctor Who’s The Timeless Children – Morbius Doctors confirmed” – Radio Times knows this is a big deal and makes sure you don’t miss it.

Doctor Who’s series 12 finale The Timeless Children dropped a number of huge reveals – but one of these twists was actually first telegraphed by the show back in 1976.

The episode revealed that the Doctor is not a native Gallifreyan, but the latest incarnation of a mysterious being called the Timeless Child, from parts unknown.

The Child or ‘Foundling’ – the first being to ever regenerate – had many different incarnations, many of which were wiped from their mind by the Time Lords (specifically by a sect of Gallifreyans called The Division).

This means that there were in fact an unknown number of incarnations of the being we now know as the Doctor before the ‘first’ (as played by William Hartnell from 1963-66).

Huge reveal, right? But this twist is not without precedent – as RadioTimes.com previously predicted, The Timeless Children has links to the 1976 Doctor Who story The Brain of Morbius, starring Tom Baker as the Doctor.

And the article goes on to glean details of the 1976 episode.

(4) WHO, RAY? “Who Is R. A. Lafferty? And Is He the Best Sci-Fi Writer Ever?” WIRED reviewer Jason Kehe does all he can to provoke us into reading The Best of R. A. Lafferty, “which Tor published earlier this year to nonexistent fanfare.”

…OK, SO A select few actually have read Lafferty, a secret society of loonies whose names you probably do recognize. Neil Gaiman. Ursula Le Guin. Samuel Delany. Other sci-fi writers, in other words. R. A. Lafferty has always been, then, a sci-fi writer’s sci-fi writer—a blurry, far-out position to find oneself in. When comedians hang out, they famously have to commit acts of borderline criminality, usually involving nudity and great heights, to get each other to bust up. So just think what absurdities a sci-fi writer has to conjure forth to gobsmack his fellow sci-fi writers—sci-fi writers who actually are, by much wider consensus, some of the best in the world.

The descriptor they tend to resort to, as if by no other choice, is sui generis, dusty old Latin for “one of a kind.” It’s probably the most common phrase associated with Lafferty (incidentally a self-taught student of Latin), and it appears not once but twice in The Best of R. A. Lafferty, which Tor published earlier this year to nonexistent fanfare and which, in keeping with the man’s self-aggrandizing sense of humor, should’ve been called The Best (of the Best) of R. A. Lafferty. Each of the 22 short stories is introduced by a writer often far more famous than Lafferty, including Gaiman and Delany, and also John Scalzi, Jeff VanderMeer, Connie Willis, and Harlan Ellison (who’s dead; his piece was originally published in 1967). Ellison—whose fellow Ellison, Ralph, wrote Invisible Man—says this of Lafferty: “He is the invisible man.” Nice….

(5) CAVEAT EMPTOR. Mad Genius Club’s Sarah A. Hoyt, in “Time has come to talk of many things”, says a fashion style in sff book covers will rebound on publishers when readers find the books don’t deliver what’s on their jackets.

I want to talk about a new trend I’ve observed in covers, and how it applies to much of the greater world out there. I.e. how the new trend in covers is just a new way that traditional publishing has come up with to screw itself and the entire field of writing over.

… If you have been alive a long time, or even if you “just” read books for a long time, you’re probably aware that there are trends in covers, as there are in everything else. In covers, though, particularly in the era of mega-chain bookstores, that “look” not only tended/tends to be more uniform, but it changes completely….

And then…. I kept running into more of these covers from other houses. Covers that explicitly try to look like they’re at the latest in the 50s.

Look, as a marketing strategy it’s brilliant. And stupid as heck.

Why?

Well, because now people are getting used to looking at Amazon for books that they remember reading/used to read/etc. they will be drawn to covers that are what they remember when they fell in love with a genre.

The problem is this: for most of the mainstream publishing, the contents won’t match the cover.

And yes, I can see them totally preening and going “if we get the rubes to look at our much superior product, they’ll love it.”

Because, you know, in the industry, it’s never about publishing what people want to read. It’s about “educating” the public. Which has taken them from 100K plus printruns for midlist to 10k printruns for high list….

(6) DR. SEUSS’ WWII POLITICAL CARTOONS. At “Dr. Seuss Went to War”, UC San Diego hosts a searchable gallery of his editorial cartoons from before and during WWII. Having discussed just yesterday the criticisms levied against his imagery of nonwhites, it’s interesting to see that some of these 1940s cartoons go after America’s leading racists of the time such as Gerald L.K. Smith.

Because of the fame of his children’s books (and because we often misunderstand these books) and because his political cartoons have remained largely unknown, we do not think of Dr. Seuss as a political cartoonist. But for two years, 1941-1943, he was the chief editorial cartoonist for the New York newspaper PM (1940-1948), and for that journal he drew over 400 editorial cartoons.

The Dr. Seuss Collection in the Mandeville Special Collections Library at the University of California, San Diego, contains the original drawings and/or newspaper clippings of all of these cartoons. This website makes these cartoons available to all internet users. The cartoons have been scanned from the original newspaper clippings in the UCSD collection.

Dr. Seuss Goes to War by historian Richard H. Minear (The New Press, 1999) reproduced some two hundred of the PM cartoons. That means that two hundred of the cartoons available here have received no airing or study since their original appearance in PM. The cartoons Dr. Seuss published in other journals are even less known; there is no mention of them in Dr. Seuss Goes to War. Dr. Seuss also drew a set of war bonds “cartoons” which appeared in many newspapers as well as in PM. 

(7) MEDIA BIRTHDAYS.

[Double feature!]

  • March 3, 1965 — On this day in 1965, The Human Duplicators premiered. It was produced and directed by Hugo Grimaldi and Arthur C. Pierce (without a credit for the latter as director). The film stars George Nader, Barbara Nichols, George Macready and Dolores Faith. It was the color feature on a double bill with the black-and-white Mutiny in Outer Space. It wasn’t well received by critics, and Mystery Science Theater 3000 gave it their usual treatment. It currently holds a zero percent audience rating at Rotten Tomatoes. You can see it here. (CE)
  • March 3, 1965 — On this day in 1965, Mutiny in Space premiered. It was, produced, directed and written by Hugo Grimaldi and Arthur C. Pierce (although the latter was not credited as directing). It starred William Leslie, Dolores Faith, Pamela Curran and Richard Garland. The word “meh” would best sum up the reaction critics at the time had to this film. It has no rating at Rotten Tomatoes so you’ll need to watch it here and see what you think of it. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.) (CE) 
  • Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which he played Phillip Bainbridge.  Doohan did nothing that I can find of a genre nature post-Trek. ISFDB notes that he did three Scotty novels co-written with S.M. Stirling. (Died 2005.) (CE) 
  • Born March 3, 1923 – Erik Blegvad.  Illustrated more than a hundred children’s books; as ever, opinions will differ on which we can count.  Apprenticed in a machine shop, left it when the Nazis took Denmark, imprisoned for distributing Danish Resistance literature, eventually translated for the British.  Self-Portrait 1979.  Three of Sharp’s Miss Bianca books (Miss B is a mouse); Bed-Knob and Broomstick – his cover, one of his interiors; his own translation of Hans Andersen. Washington Post appreciation here. (Died 2014) [JH]
  • Born March 3, 1924 — Catherine Downs. She’s in four Fifties grade B SF films: The Phantom from 10,000 Leagues, The She Creature, The Amazing Colossal Man and Missile to the Moon. All but the first film werewas the subject of a MST3K show. (Died 1976.) (CE) 
  • Born March 3, 1928 – Paul Callé.  (“KAL-lee”.)  Known for NASA work, see this book; here is an Apollo XI drawing; see more of his Space art here.  It is of course open to the rejoinder Not fiction.  Here is The Legion of Space.  Here is The Star Seekers.  Here is an interior from the Jul 50 Super Science Stories.  He did much with the American West (i.e. U.S. and Canada); see how each person is portrayed here.  His pencil book here.  (Died 2010) [JH]
  • Born March 3, 1936 — Donald E. Morse, 85. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Kurt Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating. (CE) 
  • Born March 3, 1938 – Patricia MacLachlan, age 83.  A novel and four shorter stories for us; thirty other books, one winning a Newbery Medal, one about Matisse; still writing, most recently published last June.  [JH]
  • Born March 3, 1945 — George Miller, 76. Best known for his Mad Max franchise, The Road Warrior,  Mad Max 2, Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming. (CE) 
  • Born March 3, 1955 – Greg Feeley, age 66.  Two novels, thirty shorter stories for us.  I keep heaing he’s turned in Hamlet the Magician, but not when we may expect it.  Here is a note on Robinson, Le Guin, Clute, Egan.  Here is a note on Thurber’s “Catbird Seat”.  Here is “Why I Love Laurence Sterne Scholarship”.  Four dozen reviews in Foundation, SF Age, and like that.  Interviewed Waldrop for Interzone.  Himself interviewed in Lightspeed.  [JH]
  • Born March 3, 1970 – John Carter Cash, age 51.  Indeed the son of that Cash and that Carter.  While mostly in music outside our field, he’s given us one book.  Website.  [JH]
  • Born March 3, 1982 — Jessica Biel, 49. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and theanimatedSpark: A Space Tail. (CE) 
  • Born March 3, 1981 – Kiersten Fay, age 40.  Ten novels, one shorter story, of paranormal romance with demons and vampires.  She’s a USA Today best-selling author.  [JH]

(9) SINCE YOU ASKED. On Drew Barrymore’s show “Stephen King Confesses He Didn’t Like The Shining Movie”. He gives his opinion at about the 1-minute mark.

(10) A CLOSE SHAVE. Amazon’s new icon got an immediate re-iteration because the old “new” made people think of Hitler’s toothbrush mustache. CNN has the story — “Amazon quietly changed its app icon after some unfavorable comparisons”.

… “We designed the new icon to spark anticipation, excitement, and joy when customers start their shopping journey on their phone, just as they do when they see our boxes on their door step,” an Amazon spokesperson said. The app icon was tweaked based on user feedback.

Only iOS users in the United Kingdom, Spain, Italy and Netherlands saw the Hitler-esque logo over the past few weeks. The updated logo rolled out worldwide for iOS users last week. Android users will see the new logo beginning this week.

(11) NAVIGATING LONELINESS. [Item by Michael Toman.] Best Wishes From a Guy Lashed to the Mast of Loneliness, Listening for So Far Silent Sirens — “Kristen Radtke Writes, and Draws, Our Loneliness” at Publishers Weekly.

When Kristen Radtke started writing about loneliness in 2016, she had no idea of what was to come. Writers are famously prescient, but who could have imagined the global pandemic of Covid-19 and the isolation it would generate? Seek You: A Journey Through American Loneliness (Pantheon, July), Radtke’s latest graphic nonfiction book, is a marvelous deep dive into that universal emotion, blending science, memoir, journalism, research, philosophy, and pop culture to explore isolation and our desire to be close to one another….

(12) HOPING TO PREDICT SOLAR WEATHER. “Origin of the Sun’s solar storms discovered in scientific breakthrough” reports Yahoo!

…In 1859, a large solar storm called the Carrington Event caused widespread issues with telegraph systems across Europe and the United States.

A repeat storm of such magnitude today could be far more devastating.

But now researchers at University College London (UCL) and George Mason University in the US believe they have located where on the Sun these particles come from, in a bid to better predict when they might strike again.

Their findings, published in Science Advances journal, indicate that the particles have the same “fingerprint” as plasma located low in the Sun’s corona, close to the middle region of the it’s atmosphere.

“In our study we have observed for the first time exactly where solar energetic particles come from on the Sun,” said co-author Dr Stephanie Yardley, from UCL….

(13) VIDEO OF THE DAY. In “Kill Your Idioms” on Vimeo, Grant Kolton takes aim at well-worn cliches.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Michael J. Walsh, John King Tarpinian, JJ, Dave Doering, John Hertz, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Baen Strikes Back; Sanford Under Growing Storm of Harassment

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A series of Baen authors and editors have mounted a coordinated response to Jason Sanford’s February 15 article “Baen Books Forum Being Used to Advocate for Political Violence”, a public post on Patreon.

Eric Flint’s 4,800-word “The Controversy About Baen’s Bar” recites a great deal of his personal history as a socialist political activist in the service of deflecting criticism from Baen’s Bar. He even confidently gives assurances about activity in one of its conferences that he says he hasn’t read in two decades. Nothing to see here.

…It is in the nature of jackasses to be jackasses. This is supposed to be shocking news because it’s posted on a virtual bulletin board?

Perhaps my favorite of Sanford’s Oh, my God! moments is this one by a never-heard-of-him who uses the monicker of Theoryman: “As I’ve already pointed out, rendering ANY large city is uninhabitable is quite easy… And the Left lives in cities.”

I have to make a confession here. Although he doesn’t specify in most cases where he found these comments, I’m pretty sure that Sanford found them in one of the many conferences in Baen’s Bar—the one that goes by the title “Politics.” 

I stopped visiting “Politics” about… oh, I dunno. Twenty-three ago? The reason I did is because, as Darth Vader would say, “The stupid is strong with these ones.” I don’t mind arguing with people who disagree with me. But I refuse to waste my time getting into debates with people so dumb I don’t know how they tie their own shoes in the morning. And that’s pretty much the nature of the wrangles in “Politics.” As far as I’m concerned, the conference might as well have a sign over the entrance reading Here Be Dimwits and People Who Imagine Themselves to be Dragons. 

Take a look at what Sanford considers an “incitement to violence.” Can it be called that? Well… I suppose—if you’re willing to grant that Theoryman is such an imbecile that he actually believes that “rendering ANY large city is uninhabitable is quite easy.” [sic]

Well, not much to see here –

…This is the “great menace of Baen’s Bar” that Sanford yaps about. A handful of people—okay, two handfuls, tops—most of whom you have never heard of, who spout absolute twaddle. Yes, a fair amount of it is violent-sounding twaddle, but the violence is of a masturbatory nature. 

If only there was a way to tell the spouters who don’t mean it from the ones who show up on January 6 to riot at the Capitol, assault cops, take selfies while they vandalize the building, and try to stop Constitutional duties from being carried out.

Flint contends that even the ones caught doing explicit advocacy, like Tom Kratman, somehow don’t count either:

…If Sanford thinks that a few authors like Kratman are the ones who define Baen as a publishing house, he has the obligation to make a case for it. But he makes no effort to do so. Instead, he ignores most of Baen’s authors altogether and simply asserts that what he says is true because he says it’s true….

Jason Córdova also takes cover behind Eric Flint in “Don’t Mess With An Author’s Source of Income”.

…Point 3 — It’s “popular” for people to attack others without fear of recourse or repercussions. Now, for those of us not with our heads firmly up our backsides, we know Baen Books is a publisher with a lot of resources who publishes a lot of varied individuals, from die-hard communists like Eric Flint to Tom Kratman, who might be described as being right of Atilla the Hun on the political spectrum. Jim Baen never cared what your politics were, as long as you could tell a good story. The writer of said article (“investigative journalism” my left buttock) created an account, went onto the Bar, and decided to find the best statements he could in order to use it to bolster his claim that the Bar is a hotbed for far-right extremism. Never mind the fact that the Bar hosts like five groups dedicated to Eric Flint or his collected universes (it might be six now, I don’t know). Our intrepid (so brave, much brave) journalist needed meat for his article (he probably went into Kratman’s forum… even I think those guys are nuts).

Eric Flint’s socialism doesn’t preclude there being Baen’s Bar participants approving violence and coaching insurrection in Baen’s Bar. Or even have anything to do with it. Again, it’s presented here as an attempt to deflect attention.   

Sarah A. Hoyt calls Sanford’s post an attempt at “canceling baen books” in her Mad Genius Club column.

…If it were just the puppy kickers fighting for relevance, it would be one thing. But it’s not. This is a coordinated attack.

Which, btw, makes it mathematically inevitable that yes, they’ll come for me and you too. Because the left — idiot children that they are — think that cutting off a man’s tongue shows his opinions to be invalid.

So, as irritated as I am and have been at Baen for four years, I’m turning that irritation on the left for making me defend them.

Because cancelling is not only wrong. It’s unmaking civilization. And only the idiot sheep of the left wouldn’t see that….

Cedar Sandersons’s defense, “Baen Books” begins with extensive quotes from Hoyt, followed by her own nostalgic reminiscences about Baen’s Bar.

Anyone who has read my blog or who knows me, knows of my deep and abiding affection for Baen’s Bar, which led me to Baen Books. This week, a ham-handed and libelous attack was made on the forum….

Two other responses were reported by File 770 yesterday —

But a comment was added to Correia’s post today by someone who says he is harassing Sanford by calling Sanford’s boss at his workplace.

Larry Correia also tweeted that he spoke to Vox Day today.

OTHER RESPONSES.

For public consumption, Vox Day’s reaction is largely schadenfreude: “Baen under SJW assault” [Internet Archive link].

…It is mildly amusing to see the moderates, a few of whom didn’t hesitate to join the SJWs in pointing-and-shrieking at us, now coming under the same sort of attacks that we’ve been weathering for years. I hasten to point out that Larry Correia is most certainly not one of them, as he has always been a stand-up champion of everyone on the Right and he has disdained every invitation to denounce and disavow both the Rabid Puppies and me. He may not embrace the conflict as we do, but he fights. I have nothing but respect and regard for the man, because the Mountain is not my personal army. The VFM are….

John C. Wright, who with his family personally attended the Trump rally in DC on January 6, follows his intro to “Larry Correia on the Thought Police Ambush against Baen’s Bar” with extensive quotes from Correia’s blog.

An article to steel the resolve and cure the blindness of anyone unwary enough to underestimate the remorseless malice of the enemy, now comes a column at Larry Correia’s Monster Hunter International Website.

Please note the attack was coordinated, using the “Chinese Whisper” techniques beloved by bitter and wrinkle-faced gossipy hags and bloodthirsty communist agitators alike….

Jon Del Arroz, in a kind of unintentional comic relief, spent the day successfully using sock puppets to bait Larry Correia into giving him a great deal more attention, both at Monster Hunter Nation and on Twitter, which is all JDA ever wants anyway.

WILL WEISSKOPF REMAIN A WORLDCON GOH? The DisCon III committee will meet this weekend to discuss “the situation with Baen Books’ forums.”

The range of reactions is as wide as the cultural divide. Here are two articulate examples:

https://twitter.com/katsudonburi/status/1362187992329191424
https://twitter.com/HymanRosen/status/1362173377998450692

JASON SANFORD. Sanford, meanwhile, is weathering a growing storm of harassment.He sent this status:

I took my Twitter and Facebook pages private for a while because I’m dealing with a serious escalation of harassment over the Baen article. I can’t go into details right now but the harassment is serious. 

I’ll probably be offline for a bit to deal with this stuff. However, I just saw Eric Flint’s essay attacking me and I wanted to say I disagree with what he wrote, which was a misrepresentation of my report. Everything I wrote about was based on facts and actual comments in the forum. I even shared screenshots of the comments on social media.

This also wasn’t a coordinated attack on Baen. Hell, aside from a couple of people who gave feedback on my report no one else knew it was even about to publish. 

Facts and evidence matter, as does reporting what goes on in our genre. I presented what was being said on Baen’s forum in my report. Baen has previously moderated their forum and could easily do so again.

Pixel Scroll 2/5/21 The Scroll Unvanquishable, Save By Pixels

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(1) IT’LL COST MORE THAN A SOCK TO FREE HARRY POTTER. Episode 75 of Our Opinions Are Correct, the podcast by Annalee Newitz and Charlie Jane Anders, asks “Has JK Rowling destroyed Harry Potter fandom?”

JK Rowling has become an anti-trans activist on social media. This news has sent Harry Potter fandom — always full of queers and trans people — into mourning. We talk to author/publisher (and longtime Slytherin) Cecilia Tan about how to ignore Rowling and take back Harry Potter.

And the shownotes at the above link are compellingly illustrated with a panel from Maia Kobabe’s work on Trans-Affirming Magical Care.

(2) RSR COMPARES NOTES WITH LOCUS. Rocket Stack Rank has posted their annual “Annotated 2020 Locus Reading List for Short Fiction”. Eric Wong explains: “Like the last two years, we’ve merged it with RSR’s Best SF/F list (highlighting stories from the Locus List in red) and grouped the stories by length and score. It includes some observations about overlooked stories, notable publications, outstanding authors, new writers, and translated stories.” Ten of RSR’s top-rated 2020 stories did not make the Locus list.

Eric adds, “The main takeaway is that non-free stories from Analog, Asimov’s, F&SF, and Interzone are under-represented in the Locus list. It’s worse than last year and appears to be a trend for several years now.”

(3) FROM CULTURE WAR TO THE THREAT OF CIVIL WAR. With “Debarkle: Introduction” Camestros Felapton launches a series about “An epic story of politics, conspiracies, fans and rocket ships in which the political chaos of 2020 was presaged by a culture war for a literary award.”

From January 6 2021 to January 7 2015

….One person I was reading [on January 6] was a writer for the right-wing media outlet PJ Media/Instapundit, wrote in a comment on her own blog about her own anger seeing major conservative news outlets condemning the protestors:

“FUCK THEM.
Seriously, I think we should do the media next. Put the fear of Americans into them.
Saint Augusto bless us.
Anyone has helicopters?”

https://accordingtohoyt.com/2021/01/06/we-will-work-until-we-cant/#comment-732567

Here “Saint Augusto” and “helicopters” being a reference to a far-right meme about the use by Chilean dictator General Augusto Pinochet of “death flights“, a form of extra-judicial killing by pushing victims out of aircraft.

The following day, ‘alt-right’ ethno-nationalist publisher Vox Day described Sarah Hoyt as the “only non-cuck at Instapundit” [archive link]. In this context “cuck” is derogatory term for mainstream conservatives referencing “cuckold” pornography. Day was applauding a post by Hoyt were she celebrated the actions of the protestors…

(4) THE LONG GAME. Nerds of a Feather’s Andrea Johnson has a Q&A with an author who made the leap from fanfic to tradpub: “Interview: Everina Maxwell, author of Winter’s Orbit”.

NOAF: You published an early version of Winter’s Orbit online at Archive of Our Own. What was the experience like, going from publishing it online, to then working with a traditional publisher?

EM: Pretty terrifying, honestly! Throughout editing I was nervous of what the people who read it as original fiction on AO3 would think of the new version, which has more worldbuilding and a plot with a much wider scope. Also, on AO3 people were very kind and didn’t tend to ask awkward questions like “why is this thematically inconsistent” or “why haven’t you explained how this worked” or “can you please pick one spelling of this character’s name and stick with it” – which the traditional publishing process absolutely asks and makes you fix. I think it’s a much better book now; I certainly love the new material myself. I hope both old and new readers will enjoy it!

(5) SEMIPROZINE CLOSE-UP. R. Graeme Cameron reviews Hexagon Speculative Fiction Magazine #3 for Amazing Stories’ “Clubhouse” column.

[Editor JW] Stebner is very proud of the role of semiprozines (like Hexagon) “in the literary Magazine industry.” As publisher of the semiprozine Polar Borealis and the soon to be introduced Polar Starlight (devoted to Canadian Speculative Poetry) I have to say I agree with him. I’m quite keen on enthusiasts starting up such and thus am very pleased to have discovered Hexagon. (Actually, I was led to it by Robert Runté, who told me about it, for which I am grateful.)…

(6) WEEPING ANGELS VIDEO GAME. Digital Spy has some eye-opening news: “Doctor Who confirms return date for Weeping Angels in new trailer”.

…”Merciless as ever, the Weeping Angels are back with a vengeance. Will you be able to uncover the truth and avoid their clutches? Now that the Weeping Angels have the power to infiltrate technology, no device is safe,” the synopsis teases, with The Lonely Assassins described as “blurring the line between live-action footage and gameplay”.

The dark mystery game, which is available to pre-order now ahead of its March 19 release, will build on the events of ‘Blink’ as you find a phone belonging to Lawrence, who has seemingly disappeared in mysterious circumstances.

At the other end of the phone is another returning Who character, ex-UNIT scientist Petronella Osgood (Ingrid Oliver), who thinks that you are “the right person for the job” to track down Lawrence….

(7) PARTY OF FIVE, YOUR TABLE IS READY. Publishers Weekly reports Amazon is no longer the lone defendant in this consumer class action suit: “Big Five Publishers Now Defendants in E-book Price-Fixing Suit”.

…The news comes after the initial complaint, first filed in the Southern District of New York on January 14 by Seattle-based firm Hagens Berman, portrayed the Big Five publishers—Hachette, HarperCollins, Macmillan, Penguin Random House, and Simon & Schuster—as “co-conspirators” in a bid to restrain competition in the e-book market, but had named only Amazon as a defendant. The amended complaint, filed on February 4, now pulls the publishers into the suit….

(8) NEW LIFE. Charlie Jane Anders tells Esquire readers “How The Expanse Transformed the Space Opera Genre For a New Generation of Sci-Fi Stories”. It all began when Ty Franck and Daniel Abraham ignored warnings that space opera was a dying genre.

…Now, of course, Leviathan Wakes has been followed by eight sequels and a TV show, The Expanse, whose fifth season ends tonight. And the shelves at your local bookstore are crammed with kickass space operas by authors like Valerie Valdes, Becky Chambers, Ann Leckie, Yoon Ha Lee, Arkady Martine, Kameron Hurley, Nicky Drayden, Karen Lord, Tim Pratt, John Scalzi, Nnedi Okorafor, and Karen Osborne.

A lot of these new space opera books share some of the same DNA as Corey’s Expanse series: they feature underdog characters, who are just trying to get paid, or survive, or get justice—they aren’t exactly crisp-uniformed explorers like Captain Kirk, or chosen ones like Luke Skywalker. These books also feature somewhat more realistic physics, with way less hand-waving—for example, faster-than-light travel is usually impossible without some kind of wormhole. And these books often have a touch of weirdness and body horror, along the lines of The Expanse‘s alien protomolecule….

(9) PLUMMER OBIT. Actor Christopher Plummer (1929-2021) died February 5 at the age of 91.

His genre roles included The Man Who Would Be King (1975, as Rudyard Kipling), Starcrash (1978), Somewhere in Time (1980), Star Trek VI: The Undiscovered Country (1991, as a Klingon, General Chang), Harrison Bergeron (1995), Twelve Monkeys (1995), Dracula 2000 (2000), and voice acting in many animated films and several video games.

“How boring it would be to be just one thing — just a movie actor, or just a stage actor — when you can just keep going from one to the other. I think one also helps the other,” he told The [LA] Times in 1998. “I’ll go on doing it until I drop.”

(10) MEDIA ANNIVERSARY.

  • February 5, 1994 — On this day in 1994, Star Trek: The Next Generation’s “Lower Decks” aired. This episode which looked at lives of some of the junior officers is much beloved by Trek fans and is cited as the inspiration for the Below Decks animated series. If you’re interested in an in-depth discussion of this episode, Keith R.A. DeCandido did one at Tor.com.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 5, 1870 – Charles Brock, R.I.  Painter, line artist, illustrator of Austen, Defoe, Dickens, Eliot, Scott, Swift, Thackeray.  Member of the Royal Institute of Painters in Water Colors.  Here is an illustration for Ivanhoe.  Here is one for Emma.  Here are Frey and Freya from Keary’s Heroes of Asgard.  Here are Goliath and David.  Here is Gulliver with the Lilliputians.  (Died 1938) [JH]
  • Born February 5, 1906 — John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance.  After that early Thirties films, he shows up (bad pun I know) in The Invisible Man, The Black Cat, Bride of Frankenstein,  Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.) (CE) 
  • Born February 5, 1919 — Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s in Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. He was one of many Hollywood stars who appeared in the The Muppets Go Hollywood special. (Died 2006.) (CE) 
  • Born February 5, 1924 — Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two volume set of his dark fantasy tales. (Died 2013.) (CE)
  • Born February 5, 1934 – Malcolm Willits, age 87.  Two novels, three shorter stories.  Co-edited Destiny; three poems, half a dozen interiors; here is his cover (with Jim Bradley) for the Spring 53 issue.  [JH]
  • Born February 5, 1942 – Dame Susan Hill, age 79.  Seven novels, as many shorter stories for us; threescore books all told.  Married a Shakespeare scholar.  The Guardian called her Woman in Black the most celebrated ghost story of modern times.  Somerset Maugham Award, Whitbread Award, Rhys Prize.  Dame Commander of the Order of the British Empire.  [JH]
  • Born February 5, 1957 – Margi Curtis, age 64.  Poet and musician.  She’s been in Spectral Realms, e.g. here.  [JH]
  • Born February 5, 1961 — Bruce Timm, 60. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turn spawned more series by him —  Superman: The Animated Series, Batman Beyond, Static Shock, Justice League in several series, and Green Lantern: The Animated Series. Certainly not all of them but that’s the one I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood. (CE)
  • Born February 5, 1964 — Laura  Linney, 57. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows. (CE)
  • Born February 5, 1974 — Rod Roddenberry, 47. Son of those parents. Currently Executive Producer on Discovery, Picard and Lower Decks. His very first job in the Trek franchise was as Production assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages. (CE) 
  • Born February 5, 1974 – Pablo Castro, age 47.  Four short stories, two available in English; for “Reflections” see Words Without Borders.  [JH]
  • Born February 5, 1991 – Sharona van Herp, age 30.  Gamer and graphic designer.  Here she is at DeviantArt.  Here she is at ArtStation.  Here is a cover.  I found this at Tumblr.  [JH]

(12) COMICS SECTION.

  • Bliss knows there’s more than one well-paved road to Hell.

(13) HE’S A BIG FAN. “Schitt’s Creek Cast Q & A  With Star Trek: Picard’s Patrick Stewart” on YouTube is the last part of a discussion that Sir Pat Stew had with the cast of Schitt’s Creek, a show Sir Patrick likes a lot.

(14) OUI ARE FRENCH. Heavy shares “The French Accent Patrick Stewart Almost did for TNG”. Hear it on this clip from The Graham Norton Show.

…Stewart said that the producers of the show did want Picard to have a French accent. After they’d cast Stewart, they asked him to come in and read some of his lines with the French accent. Stewart continued, saying that he did his very best, but the producers were far from impressed with his attempt. After hearing the character with Stewart’s attempted accent, the producers decided to let him perform the character in his normal voice, and they came up with the canon explanation for why a Frenchman had a British accent.

When Stewart was done explaining why the French accent was rejected, he offered to let the audience hear exactly how bad his attempt had been. After they cheered at the offer, Stewart started reciting the lines from the voiceover synonymous with the show in the accent he’d attempted years before. The audience, and everyone on stage, immediately burst out laughing at how hilariously different the lines sounded.

(15) WADE’S NEXT. Paul Weimer has read a new book I wanted to hear more about: “Microreview: Trangressions of Power by Juliette Wade” at Nerds of a Feather.

…And this brings us to Pyaras. Cousin to Nekantor and Tagaret, we got a look at him in Mazes of Power, but here he is “promoted to titles” and given a large section of the point of view. Pyaras comes off for a lot of the book as “upper class twit” in a textbook example of the form. His story is about learning better, and eventually doing better. I was dubious about him at the beginning of the book, but he does go on a journey of character that redeems and strengthens him by the end of the novel…. 

(16) OUTSIDE THE BOX. Ty Johnston revisits “Lords of Creation a tabletop RPG before its time” for Black Gate.

…Lords of Creation is very much a game of its time, but in many way it’s also a game ahead of its time. The D&D influence is obvious in the mechanics, especially concerning character and monster stats, but this game was one of the earliest to stretch beyond the boundaries of any single genre. Lords of Creation wasn’t just a fantasy tabletop rpg, but was meant to be a game for all genres, including science fiction, mythology, noir, and more. In fact, the back of the game box reads, “The ultimate role-playing game … a game of science, fantasy, science fiction and high adventure that explores the farthest reaches of your imagination! Splendid adventures take place throughout time, space and other dimensions.”…

(17) NUTRITIONAL ADVICE FROM MIDDLE-EARTH. From 2013, but it’s news to me: “The hobbit – an unexpected deficiency” from PubMed.gov:

Abstract

Objective: Vitamin D has been proposed to have beneficial effects in a wide range of contexts. We investigate the hypothesis that vitamin D deficiency, caused by both aversion to sunlight and unwholesome diet, could also be a significant contributor to the triumph of good over evil in fantasy literature….

(18) SPOT GETS AN UPGRADE. [Item by Mike Kennedy.] Boston Dynamics robotic dog, Spot, is now available with an integrated arm, and even has an available upgraded “Enterprise” version. The basic bot can be purchased for $74.5K direct from BD online. If you want the arm or anything from the Enterprise line, though, best be prepared for some real sticker shock—you’ll still have to contact a salesperson before they’ll divulge the price. Ars Technica has the story: “Boston Dynamics’ robot dog gets an arm attachment, self-charging capabilities”.

For the first time in the company’s 29-year history, Boston Dynamics actually started selling robots to the general public, and it’s pretty incredible that you can actually just head to the Boston Dynamics website, press the “add to cart” button, and have a robot dog shipped to your home. The company says it has sold more than 400 Spot units to date, and the robots are out there doing real work, usually monitoring hazardous work sites like “nuclear plants, offshore oil fields, construction sites, and mines.”

After a year of working with businesses and getting feedback, Boston Dynamics is launching a new Spot revision, a long-awaited arm attachment, and some new features.

(19) VIDEO OF THE DAY. “Around The Block” by Jonnie Lewis on Vimeo is a brief portrait of how David Zinn draws cartoons on sidewalks and walls with chalk.

[Thanks to John King Tarpinian, John Hertz, Michael Toman, Martin Morse Wooster, Michael J. Walsh, Andrew Porter, JJ, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day David Shallcross.]

Pixel Scroll 1/11/21 The
Muppet Pastors

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(1) LIGHTS OUT AT PARLER. When Twitter banned President Trump and purged thousands of QAnon-linked accounts that fell under the company’s “coordinated harmful activity” ban (due to concerns about online incitement leading to violence), Parler was one of the alternative social media sites expecting to offer a new home to the traffic — until its tech host, Amazon, pulled the plug: “Parler sues Amazon after pro-Trump site goes dark” in the Washington Post.

Parler filed a lawsuit against Amazon Web Services on Monday, just hours after the social media network was taken offline when Amazon pulled support.

Parler filed the suit against Amazon on Monday in the U.S. District Court for the Western District of Washington. The company alleges in the suit that Amazon breached its contract by not giving it 30 days’ notice before dropping service. Parler also argued that Amazon was being hypocritical by not taking similar action against Twitter, where violent posts can also appear.Big Tech abandoned the social media site, known for allowing unfettered speech on its platform, over the weekend after expressing concern that the site was not properly moderating posts that could incite violence. Google and Apple removed Parler from its app stores, while Amazon — which was hosting the site on its cloud — decided to stop working with it, effectively removing it from the Internet.

…Even after Apple warned Parler that it needed to implement a more thorough content moderation plan or be kicked off the App Store, the social media network spurned the idea.

(2) HOYT. Sarah Hoyt, in “…Book Promo And Some Blather By Sarah” [Internet Archive link], urged people not to make her Amazon sales collateral damage in their reaction to its treatment of Parler.

A lot of you are furious at Amazon for joining the unconscionable censorship of Parler, which btw is still relatively small and all innocuous, other than, you know, allowing Trump a platform (Because as invaders, the left can’t let the president of the US address the nation, of course.) Look, so am I. I’m even more furious because I have no way out of the trap.

Yes, a lot of you — yes, I’m looking at you — have raged at Amazon for years and told us it would come for us and that we should get out now. This was not only misguided (I’ll explain why) but also it’s kind of the equivalent of poking a chained prisoner and saying “run.” He really wants to, but all you’re actually doing is torturing and wounding him.

However, since last night, this has TRULY become an emergency, not because of what Amazon will do or won’t do to ebook fiction (more on that) but because a core of my readers will now refuse to buy from Amazon under any circumstances, which means that I’m going to lose a lot of my income (and Amazon won’t give a flying fig. But I get your outrage, I understand, and yet you’ll only hurt the writers, UNTIL WE HAVE AN ALTERNATIVE.)

(3) CORREIA. Larry Correia’s post “Bow Before Appgooglezon” [Internet Archive link] at Monster Hunter Nation mentions neither Parler nor Amazon, but everyone in comments knows what’s being discussed, and they do name them.

(4) PUNDITRY. Camestros Felapton finds the two prior authors a source of inspiration for his own commentary. Quoted here are the final lines of a pair of his latest posts.

…So there you go, not one red cent apart from any red cents where a proportion of the red cent might go to Sarah Hoyt.

…It is a bit late in the day for Larry to discover that Elizabeth Warren had a point but it is noticeable that the step big tech took that tipped Larry over the edge was them clamping down on speech aimed at inciting violence to over throw an election.

(5) SCALZI. John Scalzi has written several posts on recent developments, beginning with “Thoughts on Coups and Sedition, 1/8/21”. (His comment on Trump’s Twitter ban is comparatively laconic: “Huh”.)  

Fine. First question: Was what happened on Wednesday an actual coup attempt?

What makes you think that it wasn’t?

I don’t know, I guess maybe I thought a real coup wouldn’t include a guy who looked like a Jamiroquai cosplayer at a Nazi bar karaoke night.

Just because it was a stupid coup attempt doesn’t mean it wasn’t a real coup attempt. Trump plumped for the thing to happen in his nodding and winking way on Twitter, and he incited it and encouraged it in person. The attendees came expecting to take part in one, and had planned their strategy, such as it was, on Parler and other not-exactly-savory portions of the internet. They brought weapons and zip ties. They went looking for congresspeople. They weren’t just there to hang out on the mall, wave their Trump flags, get a churro and go home. They meant business. Fortunately like all Trump business, it went belly up in record time. But that’s neither here nor there for the intent….

(6) JEMISIN. N.K. Jemisin identifies some historical myopia in Arnold Schwarzenegger’s video (linked in yesterday’s Scroll) but adds “I’m mostly fine with Arnold’s message, BTW.”

(7) WATCHING BB. Buckaroo Banzai is the theme of the World Watch One Newsletter for January 10 [PDF file] which contains Steven H Silver’s “The Buckaroo Barrier” (pp. 15-16) where he explains, “I’ve been a fan of the film Buckaroo Banzai ever since I saw it in the theatres. A few years ago, I realized that for a lot of people, the first viewing of the film left them confused and disliking the film. I discuss why a second viewing may be necessary to appreciate it.”

(8) FIVE YEARS. Wil Wheaton shared his sobriety anniversary on Facebook His testimony begins:

Yesterday, I marked the fifth anniversary of my decision to quit drinking alcohol. It was the most consequential choice I have ever made in my life, and I am able to stand before you today only because I made it.

I was slowly and steadily killing myself with booze. I was getting drunk every night, because I couldn’t face the incredible pain and PTSD I had from my childhood, at the hands of my abusive father and manipulative mother.

It was unsustainable, and I knew it was unsustainable, but when you’re an addict, knowing something is unhealthy and choosing to do something about it are two very different things….

(9) SELF-PROPELLED TBR. Most have to go to the mountain, but his Mount TBR came to him, and James Davis Nicoll can even tell you the names of “Five of the Best Books I Never Meant to Read”.

While but a callow youth, I subscribed to the Science Fiction Book Club. The club, wise in the ways of procrastination, would send each month’s selection of books to subscribers UNLESS the subscribers had sent the club a card informing the SFBC that one did not want the books in question. All too often I planned to send the card off, only to realize (once again), when a box of books arrived, that intent is not at all the same thing as action.

Thus, I received books that I would not have chosen but, once in possession, I read and enjoyed them. All praise to the SFBC and the power of procrastination! Here are five of my favorite unintended reading experiences…

(10) MEDIA ANNIVERSARY.

1991 — The Nebula Award for Best Novel went to Ursula K. Le Guin’s Tehanu: The Last Book of Earthsea, the fourth novel of the Earthsea sequence. It published by Atheneum in 1990. It had been twenty years since the last Earthsea novel was published. It would be not the last novel as The Other Wind would follow twenty years later.  It would also win the Locus Award for Best Fantasy Novel.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 11, 1886 – Samuel Cahan.  Frequent Argosy interiors for us, e.g. Pirates of Venus and The Synthetic Men of Mars (Burroughs), “The Earth-Shaker” (Leinster).  Outside our field e.g. this fine drawing of Woodrow Wilson.  (Died 1974) [JH]
  • Born January 11, 1906 – John Myers Myers.  A score of books, including historical fiction, nonfiction, poetry; for us marvelously Silverlock – get the NESFA Press edition with songs, a Reader’s Guide, commentary; as the folklorist George Melikis said about something else, “I love studying Macedonia because everybody lives there.”  (Died 1988) [JH]
  • Born January 11, 1923 — Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which the Fantastic Voyage series and the Isaac Asimov novel were based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.) (CE) 
  • Born January 11, 1928 – Virgil Burnett.  Author, illustrator, sculptor, Professor of Fine Arts at Univ. Waterloo (Ontario, Canada).  A dozen short stories collected in Towers at the Edge of a World.  Here is a cover for The War of the Worlds.  Here is his frontispiece for Jurgen.  Here, The Rubâ‘îyat [pl. of rubâ‘î , a kind of quatrain] of Omar Khayyam.  Here is his cover for Sir Gawain and the Green Knight.  Here is Alexander the Great.  See this note on a 2013 exhibit by his daughter at Haverford College.  (Died 2012) [JH]
  • Born January 11, 1930 — Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), the Hugo nominated The Time Machine, Colossus and the Amazon Queen (Taylor claims to have rewritten the script though there’s no proof of this), The Birds (I really don’t like it), Gulliver’s Travels, One Hundred and One Dalmatians and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.) (CE)
  • Born January 11, 1931 – Mary Rodgers.  Her Freaky Friday and three sequels are ours; I’m unsure about her musical Once Upon a Mattress – is “The Princess and the Pea” fantasy?  She did music and lyrics for Davy Jones’ Locker with the Bill Baird marionettes, also music for a Pinocchio with them.  Daughter of Richard Rodgers.  (Died 2014) [JH]
  • Born January 11, 1937 — Felix Silla, 84. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi. (CE)
  • Born January 11, 1961 — Jasper Fforde, 60. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted word play as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. (CE) 
  • Born January 11, 1963 — Jason Connery, 58. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly, including the music done by Clannad which I’ve got live boots of. He also played Jondar in the Vengeance on Varosstory on Doctor Who during the Sixth Doctor era (much least favorite Doctors). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins. (CE)
  • Born January 11, 1972 — Tom Ward, 39. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”.  He played H.G. Wells in Hallmark’s The Infinite Worlds of H. G. Wells series, and he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles. (CE) 
  • Born January 11, 1976 – Alethea Kontis, age 45.  A dozen novels for us, four dozen shorter stories.  NY Times and USA Today best-seller.  Keynote address at Lewis Carroll Society’s Alice150 Conference.  “Alethea means truth in Greek, but I was named after an episode from the first season of Kung Fu where Jodie Foster played a little girl named Alethea Ingram….  Our last name was originally Kontaridis, but my grandfather shortened it.”  Makes good baklava, plays bad acoustic guitar.  [JH]
  • Born January 11, 1987 – Wesley King, age 34.  A dozen novels, including two with Kobe Bryant and the possibly well-titled Incredible Space Rangers from Space.  NY Times best-seller.  Has read “Doctor Jekyll and Mr. Hyde”, The Time Machine, four Shakespeare plays, War and Peace, Where the Wild Things Are.  Lives in Nova Scotia and on a 1967 sailboat.  [JH]

(12) COMICS SECTION.

(13) BUT ON THE EIGHTH LEG. Literary Hub podcast Otherppl with Brad Listi brings us “George Saunders on How You Know When the Talking Spider Belongs in the Story”.

…For me, my intention is I really want all my stories to speak to those moments in our lives when the scrim drops away and we’re confronted with the brutality of this life that we’re living in. And also the beauty. But I want my stories to be comforting in the sense that they won’t be full of shit if you read them at a low moment. That means that I don’t want anything in a story that doesn’t serve that purpose, or another way of saying it is I don’t want anything weird to happen until it’s going to do that kind of emotional work. So my default is there’s no weird shit allowed. I’m basically a realist at heart. But every so often you get to a place where a story is saying, “If you will just let me have the talking spider, I will be more profound.” Or often what it does is it says, “There’s a question that I have to ask here in this story, but I can’t do it without the talking spider. Would you allow it?”

(14) CLASHING SYMBOLS. Mental Floss says the public can “Help Massachusetts Choose a Possible State Dinosaur”.

Massachusetts residents have no shortage of state symbols through which to celebrate their regional devotion….

Now, Massachusetts state legislator Jack Patrick Lewis is lobbying for another one: state dinosaur. As Boston.com reports, Lewis has fostered a passion for prehistoric creatures ever since seeing The Land Before Time (1988) in his youth, and he’s hoping an official state dinosaur will help fellow Bay Staters learn about the area’s early history.

Lewis has chosen two species to consider for the designation. The Podokesaurus holyokensis is a 3-to-6-foot carnivore whose fossils were unearthed around Mount Holyoke in 1910. Mignon Talbot, the woman who made the discovery, was the first woman to ever name a newfound dinosaur. The Podokesaurus’s competition is the Anchisaurus polyzelus, a slightly larger herbivore whose bones were located in Springfield, Massachusetts, more than half a century earlier….

Twelve states and the District of Columbia already have state dinosaurs – and there’s a separate category for state fossils.

(15) DINO NEST. At the Carnegie Museum of Natural History, “Researchers Announce World’s First Dinosaur Preserved Sitting on Nest of Eggs with Fossilized Babies”.

…“This kind of discovery—in essence, fossilized behavior—is the rarest of the rare in dinosaurs,” explains Dr. Lamanna. “Though a few adult oviraptorids have been found on nests of their eggs before, no embryos have ever been found inside those eggs. In the new specimen, the babies were almost ready to hatch, which tells us beyond a doubt that this oviraptorid had tended its nest for quite a long time. This dinosaur was a caring parent that ultimately gave its life while nurturing its young.”
 
The team also conducted oxygen isotope analyses that indicate that the eggs were incubated at high, bird-like temperatures, adding further support to the hypothesis that the adult perished in the act of brooding its nest. Moreover, although all embryos were well-developed, some appear to have been more mature than others, which in turn suggests that oviraptorid eggs in the same clutch might have hatched at slightly different times. This characteristic, known as asynchronous hatching, appears to have evolved independently in oviraptorids and some modern birds.

(16) SHARING EXPERIENCE. The Odyssey Writing Workshop Blog presents “Interview: Graduate & Guest Lecturer Gregory Ashe”.

You’ve published six books in your Hazard and Somerset mysteries. Do you tend to outline your books and series ahead of time, or do you tend to figure things out as you go along? When you started the series, did you know how many books you would write and where your characters would end up?

Although I have become more and more of an outliner, there is still an element of excavation and discovery in each book I write. One challenge I’ve faced as a writer is that I tend to write long books—and if I’m not careful, they become massive. Outlining helps me control the size of the story, as well as ensuring that I hit the right beats and turns when and where I want to. The excavatory and exploratory side of storytelling tends to happen, for me, between those major plot points. I have written quite a few books without an outline at all, but that is less and less the case. The same is true for series. The Hazard and Somerset series essentially took shape as two parts: the first four books, and then the last two. I learned from that, and when I wrote ‘season two,’ Hazard and Somerset: A Union of Swords, I had a fairly comprehensive outline for the five-book series. I now tend to write all of my series this way, with an outline to guide the pacing of the series as well as the individual books.

(17) CAT SCAN. In a video at A.V. Club, “Take a model train tour through a world ruled by giant cats”.

Jonathan Lawton is a visionary artist. His work may seem humble—the West Yorkshire man builds model railways, set in blue-skied little villages, just like so many other people looking for a productive reprieve from their daily lives. But, Lawton’s work extends beyond its genre and into the realm of speculative fiction thanks to his collaborator, a cat named Mittens that towers like a benevolent god in a showcase of his creation….

(18) VIDEO OF THE DAY. In “Power Rangers Pitch Meeting” on YouTube, Ryan George explains that people who see the Power Rangers remake will not enjoy Bryan Cranston’s performance as a 65-million-year-old blue guy or that there’s no Power Rangers action until 90 minutes into the movie.

[Thanks to Cat Eldridge, JJ, Andrew Porter, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/26/20 Down To Starseeds And STEM Again

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(1) ROFCON 2020. Eric Flint and Ring of Fire Press will host the inaugural Ring of Fire Con (RoFCon I), a virtual convention, from September 11-13, with panels, guests, and signing opportunities. Attendance is free – register at the link.

Among the guests attending will be: Steven Barnes, David Brin, DJ Butler, Eric Flint, Charles Gannon, Cecelia Holland, Tom Kidd, Mercedes Lackey, Jody Lynn Nye, Christopher Ruocchio, Tom Smith, David Weber, and Toni Weisskopf.

Walt Boyes, Editor, Grantville Gazette and Ring of Fire Press adds:

Not only do we have a great guest list, but we are also teaching marketing for authors, how to get published, and recruiting new authors. We have dealt with issues of race, sex, gender, and nationality and prejudice around the world. We are looking for authors to write in the 1632 Universe who are non-traditional. We encourage women, LGBTQ+, and Persons of Color to look at writing for us. We publish bimonthly, The Grantville Gazette, which is a SFWA approved venue that pays SFWA professional rates.

(2) BRADBURY CENTENNIAL RECORDING STILL PLAYING. You can hear last Saturday’s Ray Bradbury Read-A-Thon of Fahrenheit 451 anytime through September 5.

Readers from across the United States will join William Shatner (actor), Neil Gaiman (author), Marlon James (author), Marjorie Liu (author), P. Djèlí Clark (author), Dr. Brenda Greene (author), Alley Mills Bean (actress), James Reynolds (actor), Tananarive Due (author), and Steven Barnes (author) to bring this relevant work to social media. Susan Orlean (author) provides an afterword. 

(3) ONLINE BRADBURY EXHIBIT. The South Pasadena Public Library provides a virtual tour of its Bradbury holdings in “Ray Bradbury: Celebrating 100 Years”.

…Bradbury, in his later years, was a frequent visitor to South Pasadena. In fact, Bradbury chose the South Pasadena Public Library as the location of his 90th Birthday Celebration. In 2010 South Pasadena City Council declared August 22nd Ray Bradbury Day….

In 2013 the South Pasadena Public Library named the conference room in honor of the late Ray Bradbury, for his work as lifelong advocate for public libraries. The Ray Bradbury Conference Room currently hosts a collection of Bradbury books and artifacts, including ephemera, photographs, artwork, and first edition prints. On the walls of the Conference Room hang a brick from Ray Bradbury’s home in Los Angeles (now demolished) and a portion of drywall from Bradbury’s home office, where much of his writing was conducted….

(4) 2020 HINDSIGHT. Few fans really expect science fiction writers to predict the future. But what about mainstream authors who can’t even predict the present? Consider this Amazon customer review of Honeysuckle Season by Mary Ellen Taylor.

This novel is set in Virginia during two time periods: the early 1940’s, and the summer of 2020. Chapters alternate between the two time periods. The story was enjoyable, but every time I came to a chapter set in 2020, I asked myself, “when is the author going to say something about Covid-19?” The answer is — never. I found that very disturbing and distracting. The author apparently wrote the book before the pandemic, and made the assumption that summer 2020 would be just like other summers, with large wedding parties, no social distancing, etc. Bad assumption.

(5) WORLDCON PUBLICATION ARCHIVE. Fanac.org is making the move to a different interface for accessing Worldcon Publications. (And it looks very good!)

If you’ve been paying attention to recent newsletters and flashes, Mark Olson has put together a new, easier-to-love format for Worldcon pubs. All the worldcon pubs are searchable PDFs and you’ll also find bidding material, and even ephemera. You can find it all at http://fanac.org/conpubs/Worldcon/.

The format and the link for photos and audio stay the same for now, and over the next few days (or maybe weeks) we will migrate completely to the new approach. For a little while, worldcon pubs may be available the old way as well, but one by one those will be cleared out. If you have any worldcon pubs bookmarked, then please be aware that those bookmarks will not be valid for too much longer. All hail Mark Olson, king of the Worldcon pubs! And most seriously, a heartfelt thanks to Mark from a webmaster who really didn’t want to start coding again. (Aug 22)

(6) EVERMORE ASKS FOR HELP. Yesterday’s Scroll reported Utah’s Evermore Park is in financial straits. The owners have launched a GoFundMe appeal: “Helping Evermore Park Through COVID-19”. It’s raised $13,693 of the $100,000 goal in the first 24 hours.

Evermore Park is small business in Pleasant Grove, Utah that creates an immersive experience that exists purely to allow everyone who enters to discover their own imagination. We aim to tell unique stories that inspire, educate, and allow guests to escape–even just for a little while–to a world that allows you to be the hero. We need your help to keep this project going during COVID-19.

We opened our doors in September of 2018. From the moment the doors were officially opened, we have been creating magic and allowing guests to interact with our characters and park in ways that few other businesses have even come close to attempting…. 

(7) POST-APOCALYPTIC HOLLYWOOD. “A World Like This Deserves Contempt: Adapting Harlan Ellison’s A Boy and His Dog” in Bright Lights Film Journal is Stephen Harris’ fine-grained and thoroughly disturbing study of the story’s evolution to a film by L.Q. Jones.

…Alternately humorous, disturbing, satiric, violent, tender, vicious, somber, fantastic, and familiar, A Boy and His Dog and its adaptations have become the most referenced and influential landmarks of a sub-genre that has often been disregarded as escapist, clichéd, and one-dimensional. In order to understand how the text became so important, the history of Ellison’s original story and its film adaptation must be traced and explicated. In this article, I will compare and contrast Ellison’s definitive novella, L. Q. Jones’s early screenplay draft, and his final film adaptation and its promotional campaign to show how content is transformed, often radically, once it leaves the hands of its creator, and how certain differences in these texts come to exist. 

(8) MEDIA BIRTHDAY.

  • August 26, 1953 — War of The Worlds premiered. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson with narration by Sir Cedric Hardwicke. The Martian war machines were designed by Al Nozaki, and the sizzling sound effect would be used again as the first Trek phaser sound. (You know what novel it was adapted from.) The film was both a critical and box office success with its earnings making it the top SF film of the year. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 26, 1901 – Earle Bergey.  A hundred sixty covers for us, a handful of interiors; much more, thousands all told, adventure, aviation, detective, sports, Western.  He was a prominent – hmm – “pin-up” artist; but look at this cover for Zane Grey’s Spirit of the Border.  This famous cover for Gentlemen Prefer Blondes may arouse – ahem – indignation now, but is very funny if you’ve actually read the book, and if I may, suggests – sorry – the question “Who’s exploiting whom?” and the realization that we heterosexual men have more to be ashamed of than we thought.  He could also do this.  (Died 1952) [JH]
  • Born August 26, 1904 — Christopher Isherwood. I’ll first note, though not genre, that he wrote Goodbye to Berlin, the semi-autobiographical novel which was the inspiration for Cabaret. Genre wise, he co-wrote Frankenstein: The True Story with Don Bachardy, The Mortmere Stories with Edward Upward, and one short story in the Thirties, “I am Waiting”. (Died 1986.) (CE) 
  • Born August 26, 1904 — Peter Lorre. I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James Bond was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.) (CE)
  • Born August 26, 1911 — Otto Oscar Binder. He’s  best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.) (CE)
  • Born August 26, 1911 – Gerald Kersh.  He has been described as “hammering out twenty novels, twenty collections of short stories and thousands of articles”.  Harlan Ellison wrote, “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.”  The Secret Masters is ours, as are a hundred seventy shorter stories.  (Died 1968) [JH]
  • Born August 26, 1926 – Thomas Clareson, Ph.D.  Edited Extrapolation 1960-1987; essayist, correspondent, there and elsewhere, Analog, The Magazine of Fantasy & Science Fiction, NY Rev SF, Riverside Quarterly.  Bibliographic studies, critical anthologies.  First President of the SF Research Ass’n; its Clareson Award, named for him, began 1995.  Pilgrim Award.  Robert Silverberg’s Many Trapdoors may be the title of the year for 1992.  (Died 1993) [JH]
  • Born August 26, 1949 – Fred Levy Haskell, 71.  Involved at the start, therefore a Floundering Father of Minn-stf (stf from Hugo Gernsback’s word scientifiction, pronounced “stef” or “stiff”, the latter funnier since false) though he later said he was out getting a sandwich at the time.  Fanziner, chaired Corflu 6 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable).  Fan Guest of Honor at LepreCon 4, Archon7 (which for years I’ve been saying should be pronounced Arch on, but what do I know?), Minicon 22.  Note his two-part unhyphenated surname.  Recently, see here.  [JH]
  • Born August 26, 1949 — Sheila E Gilbert, 71. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and has received Hugos by herself for Best Professional Editor (Long Form). (CE)
  • Born August 26, 1958 — Wanda De Jesus, 62. She’s Estevez in Robocop 2, a film that had its moments but rarely, and she has two other film genre roles, Lexie Moore in Captain Nuke and the Bomber Boys, and Akooshay in Ghosts of Mars. Series wise, she has a number of one-offs including Babylon 5, Tales from The Darkside, SeaQuest DSV, Happily Ever After: Fairy Tales for Every Child and voicing a character on one of the Spider-Man series. (CE) 
  • Born August 26, 1965 – Elizabeth Isaacs, 55.  Four novels for us.  Runs an authors’ group Writers, Etc. going between writers and motion pictures.  Master’s degree magna cum laude (and Phi Beta Kappa) from Austin Peay State U., studied classical opera.  Ranks Great Expectations about the same as The Time Machine, both below Nineteen Eighty-Four; fear not, all three below Blueberries for Sal.  [JH]
  • Born August 26, 1970 — Melissa McCarthy, 50. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m much more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Naomi Kritzer’s Hugo Award winning “Cat Pictures Please” premise.  (And we are not talking about The Happytime Murders in which she was involved.) (CE) 
  • Born August 26, 1993 – Nancy Yi Fan, 27.  First novel at age 12, NY Times Best Seller.  Oprah Winfrey said this showed NYF was smart, which misses the point, but Errors in the direction of the enemy are to be lightly judged.  A prequel and sequel followed.  Her pets, suitably, are birds.  [JH]

(10) COMICS SECTION.

(11) MUSIC FOR THE SPHERES. Pitchfork invites readers to “Meet the Man Who Used Kraftwerk, Fela Kuti, and Other Fascinating Music to Try to Lure Aliens to Earth”.

When NASA launched the Voyager spacecrafts to explore the cosmos in 1977, they sent along the Golden Record—and with it, music from around the world—as a snapshot of humanity, should intelligent lifeforms ever find it. But what if the aliens tuned in to the radio instead?

From 1971 to 1998, a man named John Shepherd probed that hypothetical question with astonishing dedication. Aiming for interstellar contact, he beamed everything from reggae to Steve Reich straight from his grandparents’ living room in rural Michigan, broadcasting between six to eight hours every day. He then expanded his operation—called Project STRAT—into a separate building on his grandparents’ property, complete with scientific equipment of his own design. Though Shepherd eventually ended the radio arm of Project STRAT due to the high cost of maintenance, he is now the subject of a touching new short film, John Was Trying to Contact Aliens, which recently arrived on Netflix…

(12) CANON CAN NOT. Aidan Moher seeks to obliterate the very idea — “Personal Canons: There Is No Universal Canon”.

I am not the same person I was yesterday, and tomorrow I will be a new me.

Over time, my personal SFF canon has changed and evolved as I’ve grown older, discovered new writers, and pushed myself into corners of the genre that I would never have experienced if not for my involvement in the broad and diverse SFF community. As time flows, we’re changed by our experiences, our values adapt to encompass new thoughts and emotions, and so canon is always evolving to envelop who we are becoming….

Even canon lists generally accepted at the time they’re published become defunct just a few years later, and, as the genre adapts, new works draw on new influences. Just go look at some old lists of “SFF canon” from earlier decades, or even 11 years ago on the web. I haven’t even heard of half those books, let alone read them. If SFF canon looks like a reading list for a History of Science Fiction 101 course, it’s missing the point of how the genre is a conversation with itself and the outside world of politics, sociology, and humanity.

As DongWon Song said, “The idea of the canon is outdated, colonialist, racist, sexist, and anti-queer. It’s easy to say that this is only true because old stuff is colonialist, racist, sexist, and anti-queer, but that’s a bullshit cop out.”

There is no universal SFF canon.

(13) SOUTH ASIAN SFF. “What South Asian sci-fi can tell us about our world” is an unsigned 2019 article attributed to the Asian News Network.

My first encounter with a work of desi science fiction was very much by accident.

During my undergraduate studies at the English department at Karachi University, while idly browsing through a professor’s personal collection on her desk, I came across Rokeya Sakhawat Hossain’s Sultana’s Dream, a English-language short story set in a feminist utopian world written by a Bengali Muslim woman in 20th century colonial India.

Up until then, my study of literature had been mostly white, mostly male authors, an unsurprising fact when we take into account the (Western) literary canon’s inherent whiteness and maleness, as well as the institutional history of English departments as tools of the colonial project — teaching works of English literature in the British Empire’s overseas colonies was originally part of the overarching goal of “civilising the natives.” In the words of 19th century British politician Thomas Macaulay, “a single shelf of a good European library is worth the whole native literature of India and Arabia” (gotta love that British sense of entitlement and arrogance).

… This dismissal of the genres of science fiction and fantasy (SFF) as low-brow, trashy or pulp or, at the very least, unimportant, is not just a desi stance, although it might be a bit more pronounced here. The snobbish attitude towards SFF has historically been prevalent in academic and literary circles (although things seem to be changing in the West now), even as popular culture is filled with beloved works of science fiction and fantasy films and television shows.

But the dismissal of the SFF genre, or the broader umbrella of speculative fiction, has excluded from the South Asian literary discourse a rich tradition of desi works of science fiction and fantasy, as well as the fascinating speculative fiction words being written by contemporary South Asian writers today. This makes conversations about South Asian literature woefully homogenous and, frankly, much more uninteresting than they might otherwise be.

(14) LUCRATIVE FAILURES. Sarah A. Hoyt, who often has bad things to say about traditional publishing, added some more today in “Docking Author’s Tails” at Mad Genius Club.

…But why would publishers want properties that aren’t selling that well? Why not just give the IP back, after they set the book up to fail? Why set the book up to fail at all?

Ah.  Because of the long tail.  In the era of ebooks, which you don’t need to store in warehouses, and which you can have out in unlimited numbers with no additional cost, the more books you have in your catalogue, no matter how little each of them sells, the more money you make.

Say you have 50k books in your catalogue, some of them so old you’re interpreting ebook rights from penumbras and emanations, and each sells two copies a month, and makes you $4 apiece….  You’re getting a very healthy income.

Heck, it’s better than having a mega bestseller.  Because a mega bestseller might get uppity and sue. But if each of those books is making under $5 a month, chances are you don’t even need to send out a statement.

Honestly, ponzi scheme architects go in awe of traditional publishers in the era of ebooks.

And, you know, when I realized that, everything fell into place: why careers keep getting shorter and shorter. Why, even with indie competition, writers are treated worse and worse.  Why some publishers are buying the things they are (well, you know, if you don’t mean each book to make a lot of money, you might as well promote your comrades. Besides, they need publishing credits, so they can get teaching jobs.)

Is my insight necessarily true?  I don’t know. It fits my experience and that of other midlisters. And — if the older authors I heard are right — it explains why bother setting books up to fail.

(15) THIS SCOTTISH DINOSAUR DID NOT HAVE A KILT. “Dinosaur fossil dating back 166 million years found by academic on remote Scottish island” – Yahoo! News has the story.

A stegosaurian fossil dating back 166 million years was stumbled upon by an academic as she ran along a remote island beach, proving dinosaurs roamed further in Scotland than first thought.

Scientists say the 19-inch fossil found on the Isle of Eigg is “hugely significant” as it is the first unearthed outside the Isle of Skye, a neighbouring island in the Inner Hebrides.

The object is believed to be the limb bone of a stegosaurian dinosaur, such as a stegosaurus, which are known for their plate-backed appearance and herbivore diet…

(16) WON’T WALK AWAY FROM THIS ONE. “Tenet:  Behind The Scenes” on YouTube is a promotional feature that lets people know that when a 747 crashes into a building in the film, it’s an actual 747.

John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.”

Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion.

[Thank to Cat Eldridge, JJ, John Hertz, John King Tarpinian, Martin Morse Wooster, Dan’l Danehy-Oakes, Michael Toman, Mike Kennedy, Lise Andreasen, Walt Boyes, rcade, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

RWA Las Vegas Chapter Disbands in Aftermath of Courtney Milan Censure, RWA Appoints Interim Executive Director

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[This is the sixth update in a series which includes “Courtney Milan Suspended by RWA, Banned from Leadership”, “Courtney Milan Controversy Decimates RWA Leadership”, “As Criticism Snowballs, RWA Keeps Trying to Justify Treatment of Courtney Milan”, “Kathryn Davis Says RWA Encouraged Her To File Ethics Complaint Against Courtney Milan”, and “As More Issues Raised, RWA President Resigns, RITA Awards Postponed, and Many Publishers Withdraw Sponsorship of RWA Conference”.]

EXECUTIVE SUMMARY. Romance Writers of America, currently operating without a President, says they will determine a process for appointing an interim President to serve until the next election. Meantime, they have identified a replacement for Executive Director Carol Ritter. RWA announced on January 21: “Leslie Scantlebury Appointed Interim Executive Director”.

…As of February 1, Leslie Scantlebury will assume the role of Interim Executive Director of RWA. As announced earlier this month, the Board accepted the resignation of Executive Director Carol Ritter, and she will remain on staff until January 31 to ensure a smooth transition. In the meantime, she has recused herself from all duties pertaining to the audit, and Leslie is serving as RWA staff liaison to the independent law firm conducting the audit.

Leslie has nearly 20 years of association management experience. During her career, she has worked with volunteer leadership at both the national and local levels. Her background includes governance, member retention, education, and volunteer management for large nonprofit membership associations. Leslie also has served on the board of directors of several local organizations, including the Houston Society of Association Executives. Leslie holds an undergraduate degree from the University of South Carolina and a master’s degree from the University of Phoenix.

Leslie has been an integral part of the RWA team cumulatively for more than a decade, serving most recently as Chapter and Professional Relations Manager. The Board is grateful to have Leslie’s leadership at this important moment for RWA.  

Leslie will be working with the Board and a DEI consultant to determine a process for appointing an interim President that will allow our members to have input in the decision. We understand the importance of this decision, and we know it’s a priority for our members. 

In August, every Board seat and officer position – including the office of President – will be up for election by the membership. Once the newly elected Board is installed, it will then form a search committee to identify and select a new, permanent Executive Director, in consultation with a DEI consultant….

RWA CHAPTER DISBANDS. The Las Vegas Romance Writers will disband. The chapter president explained why in a public letter to RWA:

It is with a profound sense of regret that, as the President of Las Vegas Romance Writers, I write to inform you that the Las Vegas chapter has voted to disband. The circumstances leading up to the closure of our chapter can be directly attributed to the censure of Courtney Milan and the chaos that ensued.

In the wake of her censure, a member of the chapter board resigned immediately. Other chapter board members expressed their unwillingness to support an organization that was so clearly in violation of its stated purpose and its own bylaws. They indicated that they would be letting their membership in National lapse, leaving the board without the officers necessary, by law, to run the chapter.

As a result of the positions of the individual board members, a meeting was called of the general membership to discuss the circumstances with national and see if there was a way forward for our chapter. We had no volunteers to serve on the board, to replace the members who were letting their national membership lapse. In addition, over half of the members of our chapter have expressed that they will not be continuing their membership with RWA.

Given these circumstances, the board voted to disband the chapter. Subsequently, a majority of the general members also voted to disband.…

CHAPTER PRESIDENTS’ LETTER. Other chapters have not yet given up trying to reform RWA.  Adriana Herrera tweeted the text of a letter from 29 RWA chapter presidents demanding that the organization take a list of specified actions. Thread starts here.

https://twitter.com/ladrianaherrera/status/1218014492686274563
https://twitter.com/ladrianaherrera/status/1218014501678788614

Some of their demands are:

Give serious consideration and respond to Courtney Milan’s settlement offer dated 01/14/2020. Remove Carol Ritter immediately and with cause. Begin the process of hiring an independent firm to conduct a full forensic audit.

Expand the current independent audit to incorporate a review of all ethics cases handled (or not) by RWA since 2017. In addition, we request: A review of how Damon Suede’s eligibility to run for President-elect was determined and qualified.

A review of the Executive Director’s duties and apparent overreaching control of the running of RWA as opposed to the RWA Board of Directors. A review of the retirement of the previous Executive Director and her temporary (and possible continued) reappearance as Controller.

A review of the current Board of Director’s questionable execution of their fiduciary duty. A review of Damon Suede and Carolyn Jewel’s questionable execution of their fiduciary duty in the matter of the complaint against Courtney Milan.

COURTNEY MILAN’S SETTLEMENT PROPOSAL. Courtney Milan, on January 14, tweeted a copy of her letter to the RWA proposing a basis for both sides to dispose of some – but not all – of the potential grounds for litigation between them. For one thing, it sheds light on just how many there are. Thread begins here.

https://twitter.com/courtneymilan/status/1217149959520256001

PROGRESS ON RWA INTERNAL AUDIT. Courtney Milan shared more of her communications with the RWA leadership. Thread starts here.

https://twitter.com/courtneymilan/status/1219315835933732869
https://twitter.com/courtneymilan/status/1219316071636881408

CAN RWA SURVIVE? Courtney Milan lists a few key questions. Thread starts here.

https://twitter.com/courtneymilan/status/1219375227894845440
https://twitter.com/courtneymilan/status/1219377865336049665

RESOURCES. Shari Heinrich steamed into MLK Day with a list of reading she’s doing, and a list of questions she’ll be posing to future conference organizers about diversity and antiharassment policies, Thread starts here.

LOOKING TO THE FUTURE. Sarah at Smart Bitches, Trashy Books tells why it’s hard to answer the question “Where Does RWA Go From Here?” (January 10)

…Setting aside the question of leadership for a moment (and again, the current RWA board should be removed and re-elected in its entirety) it’s important to ask over and over: whom does this organization serve?

Who is the priority?

Because it cannot be both.

If RWA serves the current membership of RWA, well, that membership contains a substantial number of people who:

  • openly embrace and promote racist ideologies
  • post on RWA Facebook pages and in internal message boards about their homophobia and racist views on people of color
  • write transphobic and racist articles for and letters to the Romance Writers Report
  • …and I could keep going but it’s depressing.

A substantial part of the current membership of RWA is a substantial part of the problem with RWA.

If the organization wants to serve any marginalized writers, it can’t also serve that portion of the current membership. It’s impossible. One side has demonstrated in PAN forums, email messages, and social media posts that it refuses to recognize the humanity of the other, and refuses to recognize their culpability in maintaining a White supremacist, classist, heteronormative, racist culture inside RWA. Nor can it commit to changing that culture.

The organization also can’t serve marginalized writers if the leadership has a documented history of not acknowledging ethics complaints from marginalized individuals, and of publishing and allowing screeds against those individuals in print and online. RWA can’t serve anyone if the organization doesn’t fully reveal what happened in the specific case of the ethics complaint and process against Courtney Milan, and what happened to the complaints from every writer who has reported a problem.

RWA can’t maintain its current membership nor its leadership and at the same time say it’s going to rebuild. Rebuilding requires people in leadership positions who are trusted by current and prospective members. And it requires trust in fellow members of the community.

IMPACT ON OTHER ORGANIZATIONS. Alyssa Day has resigned as President of Novelists, Inc: The International Organization of Multi-Published Novelists, which she says suffers the same failures of diversity a RWA. Thread starts here.

https://twitter.com/Alyssa_Day/status/1217481574654128134
https://twitter.com/Alyssa_Day/status/1217481576960929792

SKEPTICAL APPROACH.

In “RWA the Sequel,” YouTuber KirkpattieCake spends an hour challenging the criteria used to assert racism, looks forward to the results of RWA’s independent audit, and also takes a moment to scorn the cancel culture that fell on Vince Vaughn for shaking President Trump’s hand. (January 20)

And Sarah A. Hoyt scoffs at the issues in her blog post “De-Worse It Gets” (January 15.)

So, what was the last writer of color you read?

Hint, the answer is “whatever writer you read last, since I’ve still to find a single transparent writer.” Which is good, since it would be disturbing. And I hope one of the last you read is this chick Sarah A. Hoyt and her novel Deep Pink(which is profoundly weird, yes, but come on you guys, if you didn’t like weird, you wouldn’t hang out around here, would you?)

Anyvay….. I swear there are people who never read a book trying to dictate not just what the rest of us MUST write, but also what the rest of us must read.

I thought the “challenge to read writers of color” was stupid enough when I first heard of it 10 years ago, but it’s only gotten stupider. Now entire writers’ organizations (puts hat to chest and holds a minute of silence for RWA. I’d do it for SFWA but RWA was once far more useful including teaching and mentoring stuff SFWA never had. Besides SFWA is long dead and rotting, so I’m going to edge away from the coffin.) are falling into this insanity.  We’re hearing that BLIND-JUDGED-CONTESTS, where you can’t even guess at the name of the writer (and these days, honestly, it won’t help. I swear my kids, now mid to late twenties are the last properly spelled names in their generation.) are “racist.”…

MAINSTREAM MEDIA COVERAGE. These are some of the articles that have appeared since the previous roundup.

CNN – “A romance novelist accused another writer of racism. The scandal is tearing the billion-dollar industry apart” by AJ Willingham (January 13)

…The RWA also needs to fill several vacant seats and choose a new leader, a Herculean task made even more difficult by the erosion of trust and conflicts of interest the scandal has created. The RWA declined to comment when contacted, but directed CNN to the statement mentioning Suede’s resignation. In the statement, the RWA says the association has hired an external firm to conduct an audit of the events leading to the controversy and has brought on a diversity, equity and inclusion consultant to “assist RWA with diversifying Board and staff recruitment” as well as future programming and events….

Jezebel – “Inside the Spectacular Implosion at the Romance Writers of America” by Kelly Faircloth (January 15)

…RWA, an organization founded almost 40 years ago by a black woman, has frequently been an unfriendly place for marginalized writers, and attempts to change that have been met with pushback that now threatens to destroy the institution itself. Romance novels, at their most fundamental level, are about protagonists being seen clearly and loved—and this is a story about who gets to be seen and valued in the romance genre, and whose pain matters.

As an author of historical romances who served four years on the RWA’s elected board of directors, Milan has been one of the most prominent voices in the struggle to make RWA a more equitable environment. (In fact, she just won a service award.) She’s also known for her vocal Twitter presence, where she doesn’t shy from calling out injustice in very blunt terms, whether it’s around racism in romance or the strange plagiarism saga of #CopyPasteKris. The efforts of Milan and many others had put the RWA on a path to helping create a more inclusive organization, genre, and publishing industry more broadly. As 2019 drew to a close, it looked like years of dedicated effort and activism by many people, particularly by women of color, to build a more inclusive genre and an RWA equipped to fight on behalf of its marginalized members, were bearing fruit.

But that hope is collapsing. After Milan’s censure, board members resigned en masse; two presidents left under a cloud of controversy. Major publishers, including Harlequin, have pulled out of RWA’s annual national conference. Members are furious, and the work it will take to restore their trust in the organization is so enormous it’s potentially insurmountable.

…But since its inception, there has always been a certain amount of tension over RWA’s priorities. Was it a social club? A professional networking group? What constituted “professional,” anyway? (See: the great swan hat controversy of 2007.) Was it for published authors, or unpublished authors? Was it a conduit between writers and publishers? Or was it potentially a body for collective action, including against publishers? Equally important but less tangible was the question of the right way for a woman to act, even in an organization composed largely of women, and just how important it was to be nice and conciliatory, not to raise a big, disruptive fuss—even, or perhaps especially, over issues of racial and queer representation.

…The internet, too, has challenged RWA’s position within the romance ecosystem. RWA conferences are full of panels on various aspects of self-publishing, but nobody needs RWA to put their book on Amazon. They’re not a collective bargaining agent; they can’t, say, negotiate better self-publishing terms with Amazon. But romance authors need a fierce advocate more than ever, because they’re increasingly at the mercy of powerful tech platforms, as major channels for mass-market paperbacks like B. Dalton, Waldenbooks, and Borders have vanished. RWA’s presence at least means there’s somebody authors can call if they need an institutional voice to advocate for them. “If you are the member who calls in, who says, ‘Facebook for some reason shut down my author site, and I had 40,000 followers,’ we have contacts at Facebook and at Amazon and at Barnes and Noble that we can get in touch with at a micro level to help our members immediately,” former president HelenKay Dimon told me.

But in recent years, perhaps the central dispute within the industry has been about inclusion and intersectionality. While there’s always been a feminist thread in romance, the genre has also been dominated by straight white women for much of its history. Despite Stephens’s central role in shaping the modern romance, she was frustrated by bosses’ foot-dragging, even as she acquired diversely. Plantations abounded in historical romance well into the 1990s, as did books featuring appalling depictions of Native Americans with the word “savage” thrown around. Black authors have frequently been relegated to “ethnic” imprints and even shelved elsewhere in bookstores. And often, that “be nice” culture has suppressed attempts to fight any of it.

The article concludes:

…In the midst of the tumult, Bowling Green State University’s Popular Culture Library, which has an impressive collection of archival material related to the history of romance, tweeted out a picture of the first board of RWA. That board included two black women (Vivian Stephens and her sister) as well as a Latina author, Celina Rios Mullan. “The issue in RWA is not, per se, that we didn’t have diversity. Because we have diversity. Our issue was inclusion and access,” C. Chilove told me. That has been the case for a very, very long time. The photo testifies to a long history of missed opportunities to do better, in RWA and in the genre more broadly. For a while, it looked like the organization was finally getting it right, after years of chances that were thrown away. Then they blew it all up.

Kirkus – “Is Romance Writers of America a Sinking Ship?” by Jennifer Prokop (January 15.)

RWA’s handling of these complaints has brought the entire organization to the brink of collapse: Citing a gap between policy and process, the board voted to rescind the penalty against Milan; eight women of color on the board collectively resigned, saying they lacked faith in RWA’s leadership; the 2020 RITA awards were cancelled after hundreds of authors and judges resigned from the contest; and publishers, including giants Harlequin and Avon, announced they would not attend the national conference. Many predict that RWA will have no choice but to cancel the national conference entirely—a staggering financial blow to an already crippled organization.

As More Issues Raised, RWA President Resigns, RITA Awards Postponed, and Many Publishers Withdraw Sponsorship of RWA Conference

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[This is the fifth update in a series which includes “Courtney Milan Suspended by RWA, Banned from Leadership”, “Courtney Milan Controversy Decimates RWA Leadership”, “As Criticism Snowballs, RWA Keeps Trying to Justify Treatment of Courtney Milan”, and “Kathryn Davis Says RWA Encouraged Her To File Ethics Complaint Against Courtney Milan”.]

Amid the continuing social media backlash galvanized by RWA’s decision to impose penalties on Courtney Milan, Damon Suede is out as President of Romance Writers of America and staff member Carolyn Ritter has tendered her resignation, the RITA Awards have been set aside for this year, and a host of publishers have pulled their sponsorship of RWA’s annual conference.

TURNOVER. Damon Suede, then RWA President Elect, succeeded Carolyn Jewel in December when she resigned as President.

Citing its “disagreement with the malicious actions, which lacked due process that were taken against RWA member Ms. Courtney Milan,” the Cultural, Interracial, and Multicultural Chapter of Romance Writers of America (CIMRWA) on December 26 called for the resignation of Suede and RWA staff member Executive Director Carol Ritter. And by December 31 they had gathered over 1000 signatures and submitted a petition to recall Suede from office.

Courtney Milan also listed experiences with Suede she believed showed his unfitness for office.  

Carol Ritter joined RWA in 2008, first as RWA’s professional relations manager, and then as deputy executive director. In November she moved up to Executive Director.

Today RWA announced that Suede and Ritter have resigned.

Damon has offered his resignation, effective immediately, and the Board has accepted it.  Damon, who has served on the RWA Board of Directors since 2015, as President-Elect from September 2019 through late December 2019, and then as President for the past two weeks, has been a passionate advocate for diversity, equity and inclusion issues for his entire life.  We thank Damon for his service and wish him all the best in the future.  

The Board of Directors has made a decision to not immediately fill the office of President while the Board – working transparently with its membership – determines an appropriate recruitment and selection process. 

The Board also has accepted the resignation of RWA Executive Director Carol Ritter, who has decided to step down from the role she assumed in November.  Carol, who has been a steady senior member of RWA management for well over a decade, has offered to stay on over the coming months to support a smooth transition to new staff leadership; the Board has accepted this offer.  Carol has been instrumental in keeping the operations of RWA running and we are deeply grateful to her for the commitment and leadership she has brought to our association.  The Board will appoint an interim Executive Director upon Carol’s departure and will form a search committee to identify Carol’s permanent replacement.

STUD PLANET PROBE. One of the most unexpected issues to surface before Suede resigned was the challenge to his basic eligibility for office. Did he really have the five published books he needed to be eligible to become President-Elect? One researcher said it looked like he only had four books —  

Did Stud Planet exist? Was it a qualifying book? Courtney Milan asked:

https://twitter.com/courtneymilan/status/1214975890599186432

The research has suggested Suede’s qualifications were unconvincing. Courtney Milan tweeted some information here and  here, and wrote another thread here. Adrienne also dug into Dreamspinner’s publication announcements on the Wayback Machine and did not find evidence for the book at the time it supposedly came out (see here).  

Chuck Tingle was happy to get in the last word.

Speaking of Chuck Tingle, he noticed that the RWA apparently didn’t buy up the obvious alternate URLs. So he bought https://www.romancewritersofamerica.com and has created a parody site there. The test for applicants to the Board is brutally funny.

OTHER RESIGNATIONS. The RWA announced that Secretary Donna Alward and Director at Large Barbara Wallace and Director at Large Renee Ryan, all resigned from the Board effective January 8.

PUBLISHERS PULL SUPPORT FROM RWA CONFERENCE. RWA2020 is scheduled to be held in San Francisco from July 29 – August 1. However, many sponsors have been pulling out.

Publishers Weekly reported as of January 9 these publishers and imprints have announced they won’t support the conferece:

As of this morning, publishers including Avon, Berkley Romance, Entangled, HarperCollins Canada and Harlequin, Kensington, St. Martin’s, Gallery Books, and Tule Publishing have all pulled support from the RWA and the national conference, and a tweet citing an email allegedly sent by Sourcebooks says that that house will also not support the conference. The statements all cite increasing diversity and/or inclusion in publishing as a priority, as well as condemning recent events at the RWA.

Harlequin’s statement, released January 8, is representative of the reasons being given: “Letter to RWA Board of Directors”.

…As a leading global publisher of romance fiction that is committed to diversity and inclusion, we at Harlequin believe it is important that all authors feel included, respected and heard. Recently reported actions by RWA leadership have therefore led us to decide not to sponsor or attend the RWA2020 national conference. We will reevaluate our participation in 2021 as the organization works with its members to address concerns that have been raised.

Courtney Milan takes it all with a grain of salt:

https://twitter.com/courtneymilan/status/1215037639562104833
https://twitter.com/shrtsmrtbrwnwmn/status/1215155164375465984

The New York Times’ January 8 roundup of RWA developments notes —  

The event, held annually in the summer since the 1980s, typically attracts about 2,000 attendees. It is a major source of revenue for the R.W.A. as well as a key networking opportunity for romance writers, agents and editors looking for new talent.

…According to HelenKay Dimon, a former R.W.A. president, the departure of so many major romance publishers is a major blow to the organization. “RWA plans conferences years in advance,” she said in an email, adding that both Avon and Harlequin are major sponsors — “tens of thousands of dollars worth” — and that losing them will likely have a “cascading effect” in terms of the authors and editors who attend.

RWA CANCELS RITA AWARDS. The “Status of the 2020 RITA Contest” announces the RITA awards have also become casualties of the organization’s internecine strife. Reminiscent of how the Nobel Prize for Literature was handled, the RWA says two years’ awards will be given in 2021.

Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation. The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances.

Members who entered the 2020 contest will be refunded their full entry fee by January 22, 2020. We extend our deep appreciation to the judges who volunteered their time this year.

JOURNALISTIC STANDARDS. The controversy has gained a lot of attention from mainstream news, prompting Linda Holmes to offer advice to anyone covering it. Thread starts here.

RWA FORUMS. People are recommending standards for the RWA forums, too – aimed at a different set of problems.

Beverly Jenkins

Alyssa Day and Carrie Lomax

https://twitter.com/Carrie_Lomax/status/1215372435022893057

DISSENTING VOICE. Meanwhile, in an alternate universe that nevertheless has the same zip code as our own, Sarah A. Hoyt warns about “Letting the Wokescolds Win” at Mad Genius Club.

If you take away the right of people who write to amuse other people — and as far as I can tell, Romance still has the largest audience of people wanting to be amused — without bothering to police their every word lest literature majors and mean girls throw a fit, you might as well shutter the whole enterprise.

All you’ll have at the end of the day is mean — but exceedingly privileged and well educated — young women trying to force the “natives” of the fun regions of writing and reading into their version of propriety and utility.  All the colonialist Victorian women who forced natives of tropical regions to wear pants stand arrayed behind those missionaries of woke scolding and power to truth nodding in approval. Which is fine since many of the current wokescolds are descended from these women. I just wish the current missionaries would return to their great great grandmother’s fervor. I can always wear pants — possibly on my head — but I refuse to give them an inch on what I can write, what I can read, or what I can think.

ALTERNATIVE ORGANIZATION. According to Publishers Weekly, Romance Alliance seeks members among those disenchanted with RWA.

As a result of the turmoil, a number of RWA members have joined the Romance Alliance, a group formed in an effort to create an alternative to the RWA. In a newsletter sent to members and subscribers, the group wrote: “We WANT the people who write what RWA’s practices ignored. We WANT diverse personalities and perspectives. We WELCOME the chance to succeed where RWA has systematically failed so many. And we WELCOME any input or suggestions as to how we can achieve our mission better and more meaningfully to YOU.”

The Romance Alliance is careful, however, not to imply that it hopes to replace the RWA. “From the beginning we focused on ‘can there be an alternative organization for those who feel excluded from RWA?,” author Sue London said. “Because there are a lot of us who joined and left RWA for various reasons.”

OBLIGATION OWED. Courtney Milan today described the work of black women in founding RWA and through the current controversy as creating a debt, and what she plans to do to help repay it. Thread starts here.

https://twitter.com/courtneymilan/status/1215361717481263104
https://twitter.com/courtneymilan/status/1215363461493882885

Pixel Scroll 11/28/19 I Cannot Tell A Lie, Officer Opie, I Put That Envelope At The Bottom of The Death Star Trash Compactor

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(1) TOP 30. Yesterday Ellen Datlow did a cover reveal for Edited By:

(2) OWL AIR BNB. Real Simple is excited — “You Can Stay in Harry Potter’s Childhood Home on Airbnb—and We’re Heading for the Floo Network Right Now”.

Other than the Hogwarts acceptance letter we’ve been stubbornly awaiting for the past 20-something years, this is the best possible news a grown-up Harry Potter fan could hope for. The cottage where Harry Potter was born is now available to rent on Airbnb.

De Vere House appeared in the film adaptation of Harry Potter and the Deathly Hallows as the home where Lily and James Potter raised baby Harry, until (obvious spoiler alert) Lord Voldemort killed Harry’s parents and left him with the badass scar (which Prince William also has). After the attack, he was forced to live in a closet under the stairs at the Dursleys’ house.

The village of Lavenham in Suffolk, in which De Vere House is located, also appeared in the movie as the fictional town of Godric’s Hollow.

(3) FORTRESS UNHIDDEN. The Guardian reports that the inevitable adaptation will be performed November 28: “Japanese theatre to stage kabuki version of Star Wars”.

The classical Japanese theatre, which combines highly stylised movement and unusual vocalisation, will swap samurai swords for lightsabers and replace feudal warriors with the forces of light and darkness.

Star Wars Kabuki-Rennosuke and the Three Light Sabers, which are being staged in Tokyo, will combine plots from each of the franchise’s latest trilogy, substituting plots drawn from the days of feudal clan rivalry with drama from a galaxy far, far away.

Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia, in front of 50 winners of an online lottery.

A livestream will be accessible on YouTube:

(4) LIVE, FROM 1964! Galactic Journey’s Gideon Marcus will be all over the Southern California map in December.

  • Loscon, Los Angeles, Dec. 1, 1:00 PM

“Crest of a New Wave“, discussing 1964 in science fact and fiction

Talking about “What Science Fiction got wrong…and right!“

“The First Moon Race“, talking about the troubles and ultimate triumph of Project Ranger.

Once more, talking about the Women Pioneers of Space Science at another great dark sky site.

(5) DRAFT OF EMPIRE. “See an original Star Wars script and more at ‘Fahrenheit 451’ author’s IUPUI center” — the IndyStar tells the unexpected reason why Ray Bradbury had a copy.

The second movie in the original trilogy is the one Bradbury almost co-wrote. 

In the early 1940s, the writer studied with Leigh Brackett, a pioneer for women and the melodramatic space opera in science fiction. That gave way to a collaboration with “Lorelei of the Red Mist,” a novella about a powerful, siren-like woman who controls the strong, barbarian body that a convict has recently been transplanted in.

Brackett went on to become a screenwriter and was a co-writer with Larry Kasdan on the “Empire” script. But she was in failing health, so the producer asked Bradbury whether he was familiar enough with her work to finish it if she couldn’t.

“Ray Bradbury said, ‘Yes, I do. But I want her to have credit,’ ” center director Jon Eller said.

As it turned out, Brackett completed her draft before she died in 1978, so Bradbury never had to work on it.

But the script — a fourth revision that doesn’t even contain Darth Vader’s big reveal to Luke because that detail was so secretive — remains part of Bradbury’s collection

(6) IN THE MOMENT. Barbara Ashford tells five ways to “Make Your Big Moments Sing!” on the Odyssey Writing Workshop blog.

3) Use your own experiences to help you create emotional resonance on the page.

This is another acting technique that can help you get closer to a character. If you’re writing a scene of grief, go back to a moment where you lost someone or when you first learned of this person’s passing. Write down as many specific details as you can recall.

* Your physiological responses (e.g., shaking, goose bumps, pulse racing, face/skin flushing);

* Your physical responses (e.g., recoiling, fleeing, turning your face away);

* Your emotional reactions (which could be conveyed via action, dialogue or inner monologue);

* The small details that intruded on the moment, like the laughter of children playing a game or the scent of your mother’s gardenia bush outside her bedroom window. Choose details that will show readers what the POV character is feeling. Does the laughter make the character angry because it reminds her of her loss? Or comfort her because she realizes life goes on?

(7) DEVELOPMENT HEAVEN AND HELL. Tor.com’s own Stubby the Rocket has compiled a vast list of “(Almost) Every Sci-Fi/Fantasy TV or Movie Adaptation in the Works Right Now”. For example —

Adapted from: The Eternals by Jack Kirby / Eternals by Neil Gaiman (writer) and John Romita (artist)
Originally published: 1976, Marvel Comics / 2006, Marvel Comics
Optioned for: Film (Marvel Studios)
What it’s about: The Eternals are a race of humans created through experimentation by the alien Celestials, intended to be defenders of Earth against the unstable Deviants (also experiments). Plot details for the film are unclear, but there is some suggestion it may follow the Gaiman miniseries.
Status: Chloe Zhao (The Rider) will direct a cast including Angelina Jolie, Kumail Nanjiani, Richard Madden, Salma Hayek, Lia McHugh, Lauren Ridloff, Brian Tyree Henry, Don Lee, Barry Keoghan, Gemma Chan and Kit Harington.

(8) TODAY IN HISTORY.

  • November 28, 1987 — Next Generation’s “Haven” aired in which Deanna Troi’s mother Lwaxana Troi was performed by Majel Barrett. She would go on to have a role in every Trek series produced up to her death. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 28, 1911 — Carmen D’Antonio. In the Flash Gordon Conquers the Universe Thirties reel, she was Ming’s Dancing Girl, she’ll show up in the soon to be released Arabian Nights as a harem girl. And her last genre performance was in The Twilight Zone. (Died 1986.)
  • Born November 28, 1946 — Joe Dante, 73. Warning, this is a personal list of Dante’s works that I’ve really, really enjoyed starting off with The Howling then adding in Innnerspace, both of the Gremlins films though I think only the first is a masterpiece, Small Soldiers and The Hole. For television work, the only one I can say I recall and was impressed by was his Legends of Tomorrow “Night of the Hawk” episode.  That’s his work as Director. As Producer, I see he’s responsible for The Phantom proving everyone has a horrible day. 
  • Born November 28, 1952 — S. Epatha Merkerson, 67. Both of her major SF roles involve Robos. The first was in Terminator 2: Judgment Day as Tarissa Dyson; a year later, she had a recurring role as Capt. Margaret Claghorn in Mann & Machine. And she had a recurring role as Reba on Pee-wee’s Playhouse which I can’t remember if the consensus here was that it was genre or genre adjacent.
  • Born November 28, 1962 — Mark Hodder, 57. Best known for his Burton & Swinburne Alternate Victorian steampunk novels starting off with The Strange Affair of Spring-Heeled Jack that deservedly garnered a Philip K. Dick Award. He also wrote A Red Sun Also Rises which recreates sort of Victorian London on a far distant alien world. Emphasis on sort of. And then there’s Consulting Detective Macalister Fogg which appears to be his riff off of Sherlock Holmes only decidedly weirder.
  • Born November 28, 1981 — Louise Bourgoin, 38. Her main SFF film is as the title character in The Extraordinary Adventures of Adèle Blanc-Sec, directed by Luc Besson. Anybody know if it got released in a subtitled English version? She also played Audrey in Black Heaven (L’Autre monde), and she’s the voice heard in the Angélique’s Day for Night animation short.
  • Born November 28, 1984 — Mary Elizabeth Winstead, 35. She was in the 2011 version of The Thing. She was in Sky High which is a lot of fun followed by a series of horror films such as the cheerful holiday charmer Black Christmas that earned her a rep as a Scream Queen. And she’s Huntress (Helena Bertinelli) in the forthcoming Birds of Prey film.
  • Born November 28, 1987 — Karen Gillan, 32. Amy Pond, companion to the Eleventh Doctor. Nebula in the Guardians of The Galaxy and in later MCU films, Ruby Roundhouse in Jumanji: Welcome to the Jungle. Two episodes of Who she was in did win Hugos, “The Pandorica Opens/The Big Bang” and “The Doctor’s Wife”. 
  • Born November 28, 1988 — Scarlett Pomers, 31. The young Naomi Wildman on Voyager, a role she played an amazing seventeen times. Retired from acting, one of her last roles was in A Ring of Endless Light which at least genre adjacent as it’s written by Madeleine L’Engle. 

(10) COMICS SECTION.

Grant Snider (Incidental Comics) did this for a magazine with stories and comics for kids.

(11) THAT’S COZY, NOT CRAZY. Sarah A. Hoyt continues her Mad Genius Club series about writing cozy mysteries with “Meet Interesting Strangers”. Tons of advice here about the need for colorful supporting characters.

REMEMBER — this is important — eccentricities in fiction must be larger than in real life to be perceived as such.  In real life Stephanie Plum and half the cozy heroines, including my own Dyce Dare would be locked up in the madhouse. (So would half the characters in sitcoms) BUT on paper there is a tendency to see things as less extreme than in real life. So exaggerate all the interesting bits, or your character will come across as very very boring.

(12) VAST MACHINERY. “How a cake company pioneered the first office computer” – a BBC video takes you back.

In the early 1950s the British catering firm J Lyons & Co, pioneered the world’s first automated office system.

It was called LEO – Lyons Electronic Office – and was used in stock-taking, food ordering and payrolls for the company.

Soon it was being hired out to UK government ministries and other British businesses.

Mary Coombs worked on the first LEO computer and was the first woman to become a commercial computer programmer.

(13) IS YOUR FAVORITE THERE? Entertainment Weekly brings you “The droids of the Star Wars universe, ranked”. The one I went looking for isn’t ranked – could be those Roomba-style things that dodge underfoot don’t have enough IQ to qualify as droids.

In honor of the upcoming Star Wars: The Rise of Skywalker, which will introduce a tiny wheeled green droid named D-O, EW has put together an extremely serious and extremely scientific ranking of the best droids in the galaxy. From tiny cameos to starring roles, these are the finest and most memorable droids depicted on the big screen. (A note: We’re limiting this list to the Star Wars films, so our apologies to Chopper from Star Wars Rebels and IG-11 from The Mandalorian.)

(14) WATCH YOUR WALLET. Over the summer, SYFY Wire ranked “The 12 biggest genre box office bombs of all time”.

The movies are ranked by their estimated loss (per BoxOfficeMojo). Where that is given as a range, SYFY Wire has generously used the lower end of the range as the ranking criterion.

Aaaaaand the winner among losers is Mortal Engines, with an estimated loss of $175 million.

(15) SECURITY BREACH. Whose side is Poe on, really? “Star Wars: How did John Boyega’s script end up on eBay?”

It’s one of the most hotly anticipated films of the year, shrouded in secrecy. Yet that didn’t stop the script for the new Star Wars sequel ending up on eBay.

And it was all because Britain’s John Boyega left it under his bed.

Speaking on US TV, Boyega said his Rise of Skywalker script had been found by a cleaner and that it was subsequently offered for sale online “for £65”.

“So the person didn’t know the true value,” he continued, admitting the situation had been “scary”.

“Even Mickey Mouse called me up [saying] ‘what did you do?'” the actor joked – a reference to the Walt Disney Company which now owns the Star Wars franchise.

(16) TIKTOK ACCOUNT RESTORED. BBC reports “TikTok apologises and reinstates banned US teen”.

Chinese-owned social network TikTok has apologised to a US teenager who was blocked from the service after she posted a viral clip criticising China’s treatment of the Uighur Muslims.

The firm said it had now lifted the ban, maintaining it was due to 17-year-old Feroza Aziz’s prior conduct on the app – and unrelated to Chinese politics.

Additionally, the firm said “human moderation error” was to blame for the video being taken down on Thursday for almost an hour.

TIkTok, owned by Beijing-based ByteDance, has insisted it does not apply Chinese moderation principles to its product outside of mainland China.

Ms Aziz posted on Twitter that she did not accept the firm’s explanation.

“Do I believe they took it away because of a unrelated satirical video that was deleted on a previous deleted account of mine? Right after I finished posting a three-part video about the Uighurs? No.”

(17) DOG YEARS. “Siberia: 18,000-year-old frozen ‘dog’ stumps scientists” – BBC has the story.

Researchers are trying to determine whether an 18,000-year-old puppy found in Siberia is a dog or a wolf.

The canine – which was two months old when it died – has been remarkably preserved in the permafrost of the Russian region, with its fur, nose and teeth all intact.

DNA sequencing has been unable to determine the species.

Scientists say that could mean the specimen represents an evolutionary link between wolves and modern dogs.

(18) VIDEO OF THE DAY. Let’s revisit this 2015 video of a Sasquan GoH showing his musical range.

NASA astronaut Kjell Lindgren plays Amazing Grace on the bagpipes from the International Space Station.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Mlex, Contrarius, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of Turkey Day, Daniel Dern.]

Pixel Scroll 11/6/19 The Bulleted, Bolded People

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(1) SFF MAGAZINE SURVEY. Jason Sanford is working on a report about science fiction and fantasy magazines for which he’s already interviewed a number of publishers and editors. Sanford also wants feedback from the larger genre community – that means you! Readers are welcome to respond to his short survey hosted on Google Docs.

Sanford aims to release his report after Thanksgiving.

(2) ELIGIBILITY POSTS. Cat Rambo has started her “Round-up of Awards Posts by F&SF Writers, Editors, and Publishers for 2019”.

Once again I have created this post for consolidating fantasy and science fiction award eligibility round-ups. Here are the rules.

I prefer to link to, in order of preference:

  1. Your blog post listing what you published that is eligible
  2. Your social media post listing what you published that is eligible
  3. A single link to the material that is available online

(3) CIVIL WAR. It won’t take you long to figure out what inspired James Davis Nicoll’s latest Tor.com post “Science Fiction vs. Fantasy: The Choice Is Clear”. Which side will you choose?

…Science fiction provides its readers with iron-hard, fact-based possibility. For example, Frank Herbert’s Dune played with the possibility that the right combination of eugenics and hallucinogenic drugs (taken from enormous alien worms) might allow messianic figures to draw on the memories of their ancestors. Well, how else would it work?

(4) LOOKING BACKWARD. At Quillette, Craig DeLancey analyzes the removal of Tiptree, Campbell and Lovecraft from sff award iconography in “Science Fiction Purges its Problematic Past” to lay the foundation for his own unique proposal.

…If we must be concerned with the author and not just the work, then Houellebecq’s book is an example of the balance that our criticism should achieve: we must recognize that the work is one thing, the author another. Literary criticism should not be a struggle session.

But this is not the spirit of our moment. Instead, as speculative fiction becomes more diverse, the sense that it must be corrected grows, and author and art are evaluated together. There is a notable asymmetry in this evaluation. Most fiction readers are women, and many fiction genres are dominated by women. Men who write romance novels or cozy mysteries must write under female pseudonyms, because the audiences for these genres will largely avoid books by men. In publishing, this is considered merely a demographic fact, and not an ethical failure of some kind. The attitude is very different towards science fiction. That for decades science fiction was mostly written, read, and published by white men is seen, at best, as something that must be denounced and aggressively corrected, and at worst as evidence that racism and sexism were the driving engines of this creative explosion. We do not single out other genres of fiction, or other art forms, for this kind of invective. We do not hear admirers of the golden age of jazz, for example, denounce the great composers of that era because they were nearly all African-American men. Louise Armstrong, Duke Ellington, Billy Strayhorn, Charlie Parker, John Coltrane, Thelonius Monk, Miles Davis, Wayne Shorter, and many other such men are honored for their genius, and we recognize their creations as a gift to humankind. Why not consider American science fiction in the twentieth century as a gift, instead of dismissing it as “Sterile. Male. White.”?

(5) EXPLORING SPACE – ON BOOKSTORE SHELVES. Sarah A. Hoyt treats Fonda Lee as someone who deserves mockery for “A Fundamental Misunderstanding of Supply and Demand”. Hoyt addresses Lee’s March 2019 tweets:

…Sigh.  We won’t get into the idiocy of traditional publishing and their artificial restrictions on market, but still…

This poor woman has everything backward in her head.  It makes it very difficult for me to believe that she can create any kind of sane or believable world. Why? Because she doesn’t understand the laws of supply and demand, which means she doesn’t understand reality….

…The dead great shall always be with us. You want to outsell them: write a lot and write well.  Or find another job.

Economics in the end — regardless of what prizes you get for being a good little girl, or how much your professors praised you — is cold equations. Cold equations ALL THE WAY DOWN.

Is it fair? No. Well…. Not fair in the sense that it doesn’t matter how good you are if people don’t know you exist.  But it is fair in the sense that if you write well and a lot and figure out how to advertise you’ll be rewarded.

(6) TODAY IN HISTORY.

  • November 6, 1981 — Time Bandits premiered. Co-written, produced, and directed by Terry Gilliam and starring Kenny Baker, Sean Connery, John Cleese, Shelley Duvall, Ralph Richardson, Ian Holm, Michael Palin, and David Warner. It received critical acclaim with a current 89% rating at Rotten Tomatoes and was a financial success as well.  Apple has gained the rights for a Time Bandits television series to distribute on Apple TV+ with Gilliam on board in a non-writing production role and Taika Waititi as the director of the pilot. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 6, 1907 — Catherine Crook de Camp. Author and editor. Most of her work was done in collaboration with her husband L. Sprague de Camp, to whom she was married for sixty years. Her solo work was largely non-fiction. Heinlein in part dedicated Friday to her. (Died 2000.)
  • Born November 6, 1914 — Jonathan Harris. Doctor Zachary Smith, of course, on Lost in Space. He was somewhat typecast as a villain showing up such Mr. Piper on Land of the Giants, The Ambassador on Get Smart and the voice of Lucifer on Battlestar Galactica. (Died 2002.)
  • Born November 6, 1951 — Nigel Havers, 68. The bridegroom Peter Dalton in “The Wedding of Sarah Jane Smith” on The Sarah Jane Adventures. He’s done a lot of children’s genre theatre: Jack in the Beanstalk twice, Robin Hood, Cinderella, Peter Pan and Aladdin. He’s been in one Doctor Who audiobook and narrated Watership Down once upon a time. He was Mark Ingram in An Englishman’s Castle, an alternate telling of WWII. 
  • Born November 6, 1953 — Ron Underwood, 66. His first directing effort was Tremors starring Kevin Bacon, Fred Ward and Reba McEntire in her acting debut. Later genre efforts include Mighty Joe Young, The Adventures of Pluto Nash, episodes of Once Upon A Time, Fear the Walking Dead and Agents of S.H.I.E.L.D. 
  • Born November 6, 1955 — Catherine Ann Asaro, 64. She is best known for her books about the Ruby Dynasty, called the Saga of the Skolian Empire. I don’t think I’ve read them, so if you’ve read them, please do tell me about them. 
  • Born November 6, 1960 — Michael Cerveris, 59. Remembered best as the Primary Observer on Fringe. He’s played Puck and been in Macbeth way off Broadway so his creds there are covered too. He was Mr. Tiny in Cirque du Freak: The Vampire’s Assistant, and Elihas Starr, the original Egghead, in Ant-Man and the Wasp.
  • Born November 6, 1964 — Kerry Scott Conran, 55. A director and screenwriter, best known for creating and directing Sky Captain and the World of Tomorrow, a film I absolutely adore. And that’s it. That’s all he done. 
  • Born November 6, 1968 — Kelly Rutherford, 51. She’s here for having the recurring role of Dixie Cousins on The Adventures of Brisco County, Jr. and that’s in addition to managing to get herself involved in more bad genre series that got cancelled fast such as Bill & Ted’s Excellent Adventures and Kindred: The Embraced (8 episodes each). Indeed, her very first genre gig had the dubious title of Phantom of the Mall: Eric’s Revenge.
  • Born November 6, 1972 — Rebecca Romijn, 47. Played Mystique in the X-Men film franchise but my favorite role for her is as Eve Baird, The Guardian of the Library that cross all realities in The Librarians series.  She also was a regular playing Roxie Torcoletti in Eastwick, yet another riff the John Updike novel. She is now Number One on Discovery. 

(8) LEARN ABOUT STAN LEE. In LA at the Skirball Cultural Center on November 10, there will be a conversation between Danny Fingeroth, author of “A Marvelous Life: The Amazing Story of Stan Lee”, and comics historian Jerry Beck.

Discover how Stan Lee became known as the voice and face of comics at this conversation between Lee’s colleague and author Danny Fingeroth and animation historian Jerry Beck.

As editor, publisher, and co-creator of Marvel, Lee worked with creative partners, like Jack Kirby and Steve Ditko, to create world-famous characters including Spider-Man, the X-Men, and the Avengers. But Lee’s career was haunted by conflict and controversy. Be amazed by Lee’s complex and accomplished life at this illuminating discussion.

(9) MARY YES, HERMAN NO. A word sticks out prominently in this Guardian interview: “Tade Thompson: ‘Quite frankly Victor Frankenstein was a dick’ “.

The book that influenced my writing
Mary Shelley’s Frankenstein. I read it as a teenager and the seething mess of nested narratives and charnel houses lodged itself in my imagination. I’ve read it more than any other book and hardly a day goes by when I don’t think of making corpses walk. Quite frankly Victor Frankenstein was a dick.

The book I think is most overrated
Moby-Dick by Herman Melville. With apologies to my US friends and my English teacher. This book didn’t just leave me cold. When I finished I wanted to make a list of everybody who had recommended it and make them eat it.

(10) GENRE WORK NOTED. BBC’s panelists invite everyone to “Explore the list of 100 Novels That Shaped Our World”. Chip Hitchcock says, “I count 17 of the 100 (and there’s probably a few I’m missing through not knowing the works), although I’d be happier if the Twilight series wasn’t one of them.”

(11) NOT A TWELVE-STEP PROGRAM. “Boeing aims for Moon landing in ‘fewer steps'”.

Aerospace giant Boeing has unveiled its proposal for a lander that could take humans to the Moon’s surface.

Under a programme called Artemis, the White House wants to return humans to the Moon by 2024.

Its approach, named “Fewest Steps to the Moon”, would use the huge Space Launch System (SLS) rocket.

The company says its plan reduces the complexity involved in sending several different bits of hardware into space on multiple launches.

For most robotic space missions, all the hardware needed for the mission is launched on one rocket. Likewise, the crewed Apollo missions to the Moon in the 1960s and 70s required only one lift-off.

However, the Artemis missions are expected to involve several flights to loft all the hardware needed. For example, the lander elements are likely to be launched separately from the Orion capsule carrying crew.

Boeing says it can land astronauts on the Moon with only five “mission critical events” – such as launch, orbit insertion and others – instead of the 11 or more required by alternative strategies.

…The company says its lander would be ready for the 2024 mission, called Artemis-3. But Boeing’s plan would depend on a more powerful variant of the SLS rocket called Block 1B.

Under current Nasa plans, the Block 1B version of the rocket wouldn’t be ready until 2025.

(12) VARIATION ON FLORIDA MAN. UPI says be on the lookout — “Florida police seek return of 300-pound Bigfoot”.

Police in Florida are seeking information on the disappearance of an unusual piece of property — a 300-pound Bigfoot statue.

The Boynton Beach Police Department said the 8-foot-tall Sasquatch statue was stolen from in front of a store called Mattress Monsterz in October.

(13) HPL. SYFY Wire opines: “Nic Cage goes full Lovecraft in first trailer for cosmic horror tale Color Out of Space”. Tell me if you don’t think the kid doesn’t look like he just walked out of A Christmas Story. (Not the one framed below, the one in the beginning of the trailer,)

[Thanks to John King Tarpinian, Mike Kennedy, Nina Shepardson, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]